Ad Reinhardt

Adolph Dietrich Friedrich Reinhardt ("Ad" Reinhardt) (December 24, 1913–August 30,
1967) was a painter, writer, and pioneer of conceptual and minimal art. He was also a critic of
abstract expressionism. Reinhardt's earliest exhibited paintings avoided representation, but
show a steady progression away from objects and external reference. His work progressed
from compositions of geometrical shapes in the 40s to works in different shades of the same
color (all red, all blue, all white) in the 50s. Reinhardt is best known for his so-called "black"
paintings of the 1960s, which appear at first glance to be simply canvanses painted black but
are actually composed of black and nearly black shades. Among many other suggestions,
these paintings ask if there can be such a thing as an absolute, even in black, which some
viewers may not consider a color at all.

Reinhardt was born in Buffalo, New York, and studied art history at Columbia University,
where he was a close friend of Robert Lax and Thomas Merton. It is interesting and instuctive
to see how the three developed similar concepts of simplicity in different directions.
Reinhardt went on to study painting with Carl Holty and Francis Criss at the American Artists
School, then at the National Academy of Design under Karl Anderson. From 1936, he worked
for the WPA Federal Art Project, and he soon became a member of the American Abstract
Artists group.

Having completed his studies at the New York University Institute of Fine Arts, Reinhardt
became a teacher at Brooklyn College and later at the California School of Fine Arts in San
Francisco, the University of Wyoming, Yale University and Hunter College, New York.

His writing includes interesting comments on his own work and the work of his
contemporaries. His concise wit, sharp focus, and abstraction make them interesting reading
even for those who have not seen his paintings. Like his paintings, his writing remains
controversial decades after its composition.

Contents
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 1 Writing
 2 Graphics
 3 References

 4 External links

Writing
Art as Art, edited by Barbara Rose, U. of California Press, 1991.

Graphics
It is less commonly known that Reinhardt was a prodigious illustrator, cartoonist, designer of
magazines, posters and typefaces. These graphics formed a kind of private commentary on his
more public work as a painter. His cartoons in particular, elucidate many of his artistic
doctrines and convictions in a witty and accessible way. The Smithsonian Archives of
American Art now have a substantial collection of his graphics.

References
 Busch, Julia M. (1974) A Decade of Sculpture: the New Media in the 1960's, The Art
Alliance Press (Associated University Presses), ISBN 0-87982-007-1