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Music for Miniature Landscapes

For guitar quartet

Desmond Clarke

GUITAR 2
Duration c. 6 minutes

Scordatura:

Guitar 1: Guitar 3:

rd
The 3 harmonic of string III should be tuned to
th All strings tuned down one quarter-tone.
the 7 harmonic of string VI (slightly less than a
quarter-tone flat).

Guitar 4:
Guitar 2:

th
String I should be tuned to the 7 harmonic of
string VI (slightly less than a quarter-tone flat).
Conventional tuning.
nd
The 2 harmonic of string III should be tuned to
th
the 5 harmonic of string VI (almost exactly one
semi-tone sharp).

NB. If a part is marked ‘TRANSPOSED’ it


indicates the fingering as if the instrument
was in conventional tuning.
A q=60
espress.

1
      
  
    

Guitar 2
p mf

 
3

             

5
           
            

     
8

           
 

   
10

        
 
  
 

12
           
    

14
   
        

B

16
   
          

 
           
5
mf
2

18    
               

 

20

                 
 

22 
   
           
 

24     
    
   

26     
 
        
 

  
29

       
    
C
31     
     
     
3

34 espress.
      
       

mf

36     
      
       

38
 
       
  

40
    
          
 

42           
     

44
     
       

46      
    
  

  
4

D
48
        
      

50
     
    

l.v. ad lib.


     
Sounding Pitch
           

  
51
      
 
 
p
Fingered Pitch

 
I VI III VI IV III IV V
     
II IV

        
    

          
           
      
   
53


     
II I I
       
II III IV
V IV

           

            
      


55


 
   
III II III V
   
 VI

   
  
5

    
 
     
57         
 
   
    III  
I I

    
V

      
      

            

60  IV E
    
3


  
 
   V 
   III
I
ff
 
   

V
64 IV
  
       
 
 
  
p
 ff
ff 3

rit.
   
68
         
 
          5 
pp
5
F
q=48
  
71

   
    
 
5

  
     
73 espress.
  
   
  
mf
6

75
   
  

      

77
         
    

79    
        
     

  
81

      
   

83
    
      
       

   
    
85

     
 

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