Storyboard

Shot Number: 1 Shot Type Visual Information: Soundtrack / Action Shot Edit /
Camera Instructions / Movement / Focus / Mise en Scene Dialogue Duration Transition

Shot of Jack sat on a hotel bed, from a side on Heated Jack is sat on a hotel bed, side on looking 10 Cut to
Mid shot perspective. He’s staring out of the window with the hotel conversation/ out of a window. He has the hotel
phone pressed to his ear. debate phone pressed to his ear. He is
between Jack exhausted and confused about the
There’s limited lighting in the room, with the only source and Marla, current situation he has found himself
being from the lamp that is turned on, on the bedside about what in.
table. Jack will be clearly exhausted, the shadows of the their
lack of lighting enhancing the darkness of the bags under relationship is.
his eyes. There will also be an appearance of Marla gets
apprehension and tension on Jacks face as the phone angry at Jack,
calling him
The camera's focus will be on Jack as he will be central “Tyler” to
within the shot, with the most focus on him, there will be which Jack
a soft blur on the pillow and other items around him. acts shocked
at.
Shot of Marla, also on the phone, she is face on, with a Heated Marla is sat on a chair, which is not 10 Cut to
Close up similar, exhausted expression on her face, her pale conversation/ visible, on the phone to Jack, the phone
complexion and dark makeup enhancing this. debate is being held to her ear by her shoulder.
between Jack She is very angry with Jack, and makes a
The lighting in this shot is also only coming from one side, and Marla, lot of movement as she talks.
however the source of light cannot be seen. It illuminates about what
the left side of her face, making the contour of her their
cheekbones seem more defines. relationship is.
Marla gets
The camera focus is on Marla and her face and shoulders angry at Jack,
will take up the majority of the shot. The lack of calling him
background objects, and the blur on the background, will “Tyler” to
automatically make Marla the most stand out feature in which Jack
the shot. acts shocked
at.
Close Up The shot returns to Jack in the hotel room, this time the Heated Jack is still sat on the hotel bed, this time 5 Cut to
camera is at a more front on point of view, and has conversation/ we can see his face from a face on POV.
became a close up, with his facial features being clearly debate He is more alert, and has started
visible. between Jack thinking about what has been said. He
and Marla, becomes more tensed and confused,
After hearing Marla calling him Tyler, Jack becomes more about what with anger on his face.
alert and the exhaustion disappears from his face. It their
becoming more tensed, and confused. His brow is relationship is.
furrowed, the confusion, and anger increasing on his face Marla gets
as he shouts to Marla. angry at Jack,
calling him
The lighting is still dark on the right side of the screen, “Tyler” to
making Jacks dark clothing blend into the background. which Jack
However more of Jacks facial features are visible due to acts shocked
the change of angle. The focus is still on his face and the at.
phone call.
Camera Instructions / Movement / Focus / Mise en Dialogue Duration Transition
Scene
Close Up The camera is positioned facing the back of Marlas Heated Marla is now facing away from the 5 Cut to
head, from a side point of view. She turns quickly, to conversation/deb camera, she turns quickly to look at the
face the camera, a similar look of annoyance on her ate between Jack camera. She is talking quickly and angrily,
face. The left side of her face is illuminated once she and Marla, about frowning towards the camera.
has turned around to face the camera, the right side what their
of the screen is darker, however all of her features relationship is.
are still visible. As Marla has to repeat herself, the Marla gets angry
annoyance on her face grows, and the aggression in at Jack, calling him
the way she is speaking also increases. She visibly “Tyler” to which
shakes slightly as she repeats her words to Jack. Jack acts shocked
at.
Scene
Low-Angled The camera is positioned looking up at Jack sat on Heated Jack is still sat on the hotel bed with the 5
Mid Shot the bed. Allowing his movements to be seen. As conversation/deb phone pressed to his ear. He moves the
Marla calls him Tyler, a mixture of shock and ate between Jack phone away from his ear as Marla calls
realisation fill his face, and he moves the phone from and Marla, about him Tyler, so he can process whats been
his ear slightly as he processes what Marla has said what their said. His face contorts to a look of
to him. relationship is. confusion and shock.
Marla gets angry
As the lighting is still to the side of Jack's face, his at Jack, calling him
eyes are shadowed, not making them visible, the “Tyler” to which
only emotion being shown through the movements Jack acts shocked
in his face and his actions. at. Marla swears
at Jack and tells
him she’s coming
over.
Scene
Marla is now leaning into the camera, causing only Heated Marla is talking angrily on the phone, she 5 Cut To
Extreme her face to be visible as she talks to Jack. Getting conversation/deb leans closer to the camera, annunciating
Close Up more annoyed as she speaks to him. More of her ate between Jack her words, talking harshly to Jack.
face has become visible as she leans closer to the and Marla, about
camera, which allows you to see her facial features what their She brings her hand up to hold the
and expressions clearer. She is clearly becoming relationship is. phone, slamming it down as she tells
more annoyed with Jack as he is seemingly not Marla gets angry Jack she’s coming over.
understanding her. at Jack, calling him
“Tyler” to which
As Marla has leant closer to the phone the left side Jack acts shocked
of her face is now shadowed due to it being further at. Marla swears
away from the light source. She brings her hand to at Jack and tells
the phone as she tells Jack she’s coming over, putting him she’s coming
the phone down before he can reply. over, hanging up
before he can
protest.
Mid shot Shot of Jack from a diagonal perspective, so that his back Tyler begins talking Jack moves his head towards the 5 Cut To
and left side are visible. You cannot see his facial to Jack, about him phone base, talking louder to
expressions. As he is talking on the phone his head begins breaking the Marla as she hangs up on him. He
to lower, he gets closer the base of the phone as he talks, promise of never turns to face the camera, where
almost as if it will help Marla hear him. He then puts down mentioning Tyler to Tyler is sat on a chair in the room
the phone, and turns to face the camera in fright at Tyler Marla. opposite him.
begins talking to him.
Long Shot The shot begins focusing on Jack, watching him as he turns Jack begins to ask In this scene Jack sees Tyler again 20 Cut To
around, in fright, at the sound of Tyler's voice. The camera questions about for the first time, since realising he
then pans across the room to show both Tyler and Jack in what is going on as isn’t real and is a figure of his
the room. Jack is now stood at the side of the bed, facing Tyler complains imagination. He begins sat on the
Tyler, who is sat in a chair at the desk in the room. Tyler's about the promise bed facing away from where Tyler
face does not show any expression, and Jack has a look of being broken. is sat so
surprise, and confusion on his face. Jack is not very well
lit, his face shadowed due to the lack of light in front of
him. Tyler is more lit that Jack, due to the light that is close
to his head, however he is wearing sunglasses and
showing no expression on his face, making it impossible to
see how he is feeling.
Mid shot The camera is focused on Tyler, he is still showing a lack of Jack begins to ask Tyler lifts his hand off the table as 20
expression as he is talking to Jack. The left side of his face questions about he talks to Jack, his hand moving
is the most lit, as this is the direction the light is coming what is going on as as he talks to Jack, emphasising his
from. There isn’t anything, other than Tyler, visible in the Tyler complains words.
shot, causing all of the focus to be on him. The only about the simple
movement being from his hand lifting off the table as he is thing he told Jack
speaking. not to do being
done.
The dark lighting gives an unnerving tension to the scene,
as Tyler is getting angry and Jack for talking to Marla about
him, the lighting gives a sense of danger to the audience,
as they don’t know what things Tyler is capable of.
Shot Number: 10 Shot Visual Information: Soundtrack / Action Shot Edit /

Type Camera Instructions / Movement / Focus / Mise en Scene Dialogue Duration Transition
Over-the- The next shot shows both Tyler and Jack, as Jack is talking to Jack begins to ask Jacks face has paled at the 20 Cut To
shoulder Tyler. The camera is positioned behind Tyler so that both questions about scenario, and his dark circles under
characters are visible, in an over the shoulder shot. The what is going on as his eyes have become more
focus is on Jack as he is the one talking, so Tyler is still visible Tyler complains visible, which have been enhanced
to the camera, however he is out of focus as he is not the about the simple by the limited lighting on the front
one that needs to be looked at in the scene. thing he told Jack of his face. He is looking at Tyler
not to do being with a feared expression, unaware
done. of what he is capable of, and if he
is going to hurt him.

Mid-shot The camera then returns to the previous shot of Tyler, There is a tense Tyler is moving his body more as 20 Cut To
everything is exactly the same as before, the scene is empty silence between he talks, showing the aggravation
with nothing else in shot other than Tyler. The focus is the two men, he is getting with Jack at their
entirely on him, diegetic music is conversation. Tyler momentarily
starting in the turns his head so he is looking
background, adding away from Jack as he is talking to
an ominous feeling him, moving his hand up off the
to the scene. Tyler table again, to help exaggerate the
eventually breaks point he is making.
the silence, telling
Jack to sit down.

The shot is then returned back so the focus is on Jack as he Jack once again Jack and Tyler are opposite each 20 Cut To
Over-the- questions Tyler, the camera is positioned so that is is asks Tyler why other, Jack standing next to the
shoulder showing Jack from over Tylers shoulder, showing both men. people think Jack is hotel bed, Tyler sat on a chair,
Jack is still frozen in the same position he was in before. He Tyler, the music in next to a table. There is very little
still looks afraid, and confused, his pale expression and dark the background is movement between the two
circles, enhancing the ghastly look on his face. The camera building up speed characters, as they are talking to
stays in a static, over the shoulder shot, focusing on Jack as slightly, adding each other. Jack only occasionally
he is the one talking to Tyler. more tension. leaning forward to emphasise his
words.
The camera is now positioned the opposite side of the room There is a tense The two men are still opposite 5 Cut To
Long-Shot to where Tyler is sitting and Jack is standing. More of the silence between each other, Jack is still having a
hotel room is now visible, showing the bed in the room, and the two men, heated discussion with Tyler. Jack
the large window. The lighting is still dark in the room, diegetic music is begins to walk across the room, as
creating a tension between the two characters. starting in the if he is walking towards Tyler,
Due to the positioning of the lights in the room, Jack is background, adding before moving, and side stepping
almost in complete darkness, and Tyler is completely lit. This an ominous feeling to sit on the end of the bed as the
helps show that Jack and Tyler are the same person, as he is to the scene. Tyler two characters talk.
now the darker minded character. The camera stays static eventually breaks
during the shot, the characters being the ones who move in the silence, telling
the shot. Jack to sit down.
As Jack is now sat on the bed, opposite where Tyler is sat in Tyler tells Jack he The two men are still in 10 Cut To
Mid-Shot the chair, the camera moves so that Jack can be seen head knows why people conversation, Tyler lights a
on. Tyler can be partially seen, out of focus, on the left side think they are the cigarette, smoking it between
of the screen. Jacks face is now better lit, as he has the light same person, which talking to Jack, his hand resting on
coming from the over-head lamp. This is the most clearly lit Jack denies. Tyler the table next to him when he is
his face has been throughout the scene. Allowing us to see continues to insist talking. Jack sighs heavily as he
just how exhausted, and drained he is because of everything that Jack does denies knowing why people think
that has happened. know why. he’s Tyler, shaking his head now
and again.
Next there is a close up of Tyler, who is placing a cigarette in Tyler tells Jack he Jack and Tyler continue talking, 10 Cut To
Close Up his mouth as he talks to Jack. The camera then switches to a knows why people Tyler placing the cigarette back in
shot of Jack in the same position, as they are talking to each think they are the his mouth as there is a close up
other. The shot focuses on Jack as he is the one talking the same person, which shot of him. The focus then goes
most in the scene, and it is about to be revealed to him that Jack denies. Tyler to Jack who is talking the most in
he is Tyler, and Tyler is a figure of his imagination. continues to insist the scene. He continues to look
that Jack does annoyed at Tyler as he denies
know why. Asking knowing things.
Jack why anyone
would confuse him
for Tyler.

Returns to a mid-shot of Jack, he is now looking extremely There is silence in The flashback shows the scene
mid-shot confused, and is frowning. It cuts to a flashback of a scene the room aside from both men that are involved
from earlier on, however he can now seen himself in the from the diegetic perspective. A door opens
scene rather than Tyler. The camera starts aligned with Jack, sound, peaking as revealing a balding man, looking
as we see the man opening the door, it then cuts to us being Jack realises he is confused. It then cuts to the door
aligned with the man as we see the door open to reveal Jack Tyler. opening and Jack is revealed,
standing there, before returning to a shot that still aligns us looking extremely angry, he moves
looking at the man, but this time we’re slightly to the side of his head closer the camera. It then
Jack, seeing his arms reach out to grab the man and pull him cuts to showing Jack grabbing the
towards him. These are fast paced shot changes, cutting man by his clothes, pulling him
between each perspective. The camera focuses on Jacks face towards him aggressively.
throughout the scenes, however the flashback has much
brighter lighting than the hotel rooms dull, barely lit room.

Shot-reverse-shot of Jack and Tyler. The camera begins with There is silence in Jack begins to slowly starting to
Mid-shot a mid shot looking of Jack. The camera then goes to a the room aside realise he has been behind
mid-shot of Tyler who is still sat in the armchair. He is well lit from the diegetic everything that has been
in this shot, all of his facial features, and his full expression is sound, peaking as happening in Project Mania, and
visible. The camera then returns to a mid-shot of Jack. Jack is Jack realises he is he is the one responsible for
still in duller lighting, as he is still unclear on everything. The Tyler. Tyler tells everything. The shot of Tyler
shot returns back to Tyler, who is still sat in the same Jack he’s realised shows his head turned slightly to
position. why they’re one side, looking at Jack through
confused for him, the corner of his eye, a slight smirk
to which Jack on his face. Jack turns his head to
denies, disagreeing the same positioning as Tyler,
with him. copying his actions, however
instead of looking out the corner
of his eyes, Jack is looking upward
slightly, as he tries to remember
previous events. Tyler turns his
head back around to face Jack
some more, a slight smirk still
present on his face.
The shot then returns back to a shot of Jack, who is once There is silence in The flashback shows a close up of
mid-shot again frowning, confusion evident on his face. There is the room aside a man in a suit from a high angle,
another flashback to a previous scene. With a close up of from the diegetic as if someone’s looking over him,
Jack in a white shirt and black tie. He is standing over the sound, peaking as he looks shocked and scared. Cuts
camera, talking indistinctly into it. The shots in the flashback Jack realises he is to a close up of Jack, from the a
align us with the two characters in the scene, we are first Tyler. Tyler tells low angle, looking at him, he is
positioned as if we are Jack looking down on the man and Jack he’s realised moving his head towards the
we then become the man looking up at Jack. Both shots use why they’re camera as he aggressively shouts
close ups, as Jack is very close to the mans face as he talks to confused for him, at the man lying on the floor. After
him. This is another moment of him remembering what to which Jack the flashback it returns to the
actually happened, so is once again in brighter, more clear denies, disagreeing previous shot of Jack. He still looks
lighting. with him. confused, however realisation is
beginning to show on his face.

The scene returns back to present day, returning to a mid Tyler tells Jack to Goes back to the present day
Mid-Shot shot of Tyler still the armchair. Staying positioned statically say what he’s showing Tyler, his head shakes
as he talks to Jack. The lighting is still brightest on Tyler, thinking, forcing slightly as he talks to Jack, he once
allowing all of him to be seen with very little shadowing. him to admit it out again has his head turned slightly
loud to himself. to the side, looking at Jack through
the corner of his eye as he talks to
him. Tyler talks to Jack with a
slight annoyance in his voice, as he
isn’t admitting to himself who he
is yet.

Returns back to a shot of Jack, the camera is now positioned Tyler tells Jack to Jacks head moves downward
Close-up closer to him, with his head and shoulders in shot, bringing say what he’s slightly as he talks to Tyler, looking
the attention to him more. The lighting is slightly brighter thinking, forcing down at the floor in shame, then
than previous shots, with less shadows visible on his face as him to admit it out looking back up to Tyler. In the
he is beginning to realise what is happening. It then loud to himself. The flashback, Jack begins facing away
continues to another flashback, where we see Jack and Tyler tense music from the camera, turning towards
talking to each other. It begins with a long shot of Jack, continuing in the it. The mid shot shows him looking
before cutting to a mid shot, and then a close up of him, background down towards the floor, and the
then switching to a close up of Tyler. These changes are building the close up shows him looking to the
again fast paced. It then cuts to a close up of Jack again, and audience side of the camera, at Tyler, who is
the camera begins shaking violently, flicking between shots anticipation as to out of shot. Tyler is looking
of Jack and Tyler, almost making them merge into one. what he’s going to towards the camera, his face hard,
say. and sweating heavily.

The scene returns back to present day, returning to a mid- The tense music Jack is shaking his head in disbelief
shot of Jack still sat on the hotel bed, desperately talking to continues in the as he talks to Tyler, coming to
Tyler. It then cuts to a mid shot of Tyler still the armchair, background terms with what he has been
talking to Jack with annoyance clear. There is also a hint of building the responsible for his eyebrows raise,
anger now visible on his face, as he gets more annoyed at audience as his head tilts down slightly.
Jack for denying who he really is. The lighting is still brightest anticipation as to Tylers head shakes slightly as he
on Tyler, allowing all of him to be seen with very little what he’s going to talks to Jack, he once again has his
shadowing. say, as Tyler once head turned slightly to the side,
again encourages looking at Jack through the corner
Jack to say it. of his eye as he talks to him.

Returns back to a shot of Jack, the camera is now positioned Jack finally admits Jack is still looking down towards
Close-Up closer to him, with his head and shoulders in shot, bringing that he and Tyler the floor when the camera turns
the attention to him more. The lighting is slightly brighter are the same to him, making his eyes appear
than previous shots, with less shadows visible on his face as person. closed. He looks up at Tyler
he is beginning to realise what is happening. suddenly, giving an almost
menacing look to him, returning
the appearance of anger. His lip
curls upwards as he talks to Tyler
out of one side of his mouth.

Camera returns back to the mid shot of Tyler, who has a Tyler tells Jack he is Tyler brings his hand that was
Mid-Shot slight look of amusement on his face. The lighting is still right. The flashback resting on the table upwards as he
brighter on him than it is on Jack. The scene cuts to another has some distorted talks to Jack, his head doing one
flashback, the camera jumping slightly as the shot changes audio of Jack saying long, exaggerated nod, his hand
from a mid shot of Tyler talking in the hotel room to a mid- they’re the mimicking the action with him. In
shot of Jack stood in the night talking to Marla. The camera “all-singing, the flashback to camera shows
cuts to a close up of Marla , looking pained. all-dancing…” Jack talking,his body swaying
which is then cut slightly as he does so. Marla
off by Jack talking doesn’t move in her shot, she just
again. Jack tells looks towards Jack with a pained
Tyler he doesn't expression on her face.
understand.

Close up shot of Jack, with his head, and the slight tops of his Tyler explains to Jack is shaking his head as he talks
Close-up shoulders, being the only part of him visible. Jacks face is Jack that he was to Tyler, a look of shock, and
now fully lit as he is no longer “in the dark” about his own looking for a way to disappointment appearing on his
life and things are now completely clear to him. The camera change his life, but face as he realises who he is and
stays in place throughout the shot, focusing on Jack and his couldn't do it comes to terms with the things he
movements. himself so created has been doing, and the people
Tyler as an he’s been hurting. He blinks
alter-ego for rapidly, staring gormlessly at Tyler.
himself.

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Shot Number: 1 Shot Type Visual Information: Soundtrack / Action Shot Edit /

Camera Instructions / Movement / Focus / Mise en Scene Dialogue Duration Transition

Shot Number: 10 Shot Visual Information: Soundtrack / Action Shot Edit /

Shot Number: 11 Shot Visual Information: Soundtrack / Action Shot Edit /

Shot Number: 12 Shot Visual Information: Soundtrack / Action Shot Edit /

Shot Number: 16 Shot Visual Information: Soundtrack / Action Shot Edit /

Shot Number: 17 Shot Visual Information: Soundtrack / Action Shot Edit /

Shot Number: 19 Shot Visual Information: Soundtrack / Action Shot Edit /

Shot Number: 20 Shot Visual Information: Soundtrack / Action Shot Edit /

Shot Number: 21 Shot Visual Information: Soundtrack / Action Shot Edit /

Shot Number: 22 Shot Visual Information: Soundtrack / Action Shot Edit /

Shot Number: 23 Shot Visual Information: Soundtrack / Action Shot Edit /

Shot Number: 24 Shot Visual Information: Soundtrack / Action Shot Edit /

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