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I
Artist Architect
Kurt Wenner attended Rhode Island School of Design and Art Center College of
Design before working for NASA as an advanced scientific space illustrator. Wenner
eventually left NASA for Italy in order to pursue his love of classical art.
Palazzo Ducale, In the spring of 1982, Wenner moved to Rome. He studied the works of the great
Mantua, Italy
masters and drew constantly from classical sculpture. The drawings he made brought
him in touch with the language of form in Western figurative art and provided him with
the neoclassical training necessary for the style he was pursuing. Through his studies
he became particularly interested in the Mannerist period, finding in the monumental
scale and sophisticated decoration a direction for his own artistic expression. For
Senaca, several years Wenner traveled extensively in order to experience firsthand most of
Naples, Italy the major masterpieces and monuments throughout Europe. During these first years
abroad he experimented with traditional paint media such as tempera,
fresco, and oil paint. In order to finance his travels and studies he
became a “Madonnaro” and created chalk paintings on the streets of
Rome. Within several years he had won numerous gold medals at
European competitions and become officially recognized as a master
of this art form. In 1985 his work was the subject of an award winning
National Geographic documentary titled Masterpieces in Chalk.
In 1984, Wenner invented an art form all his own that has come to be known as
anamorphic or illusionistic street painting. The form of perspective known as
anamorphism was used by the great European Masters to give the illusion of soaring
architecture and floating figures in ceiling frescoes. Wenner adjusted this geometry
to create compositions that seemed to rise from and fall into the ground.
In anamorphic perspective, painted forms appear as three-dimensional
when viewed from one point in space. Wenner created a special
pictorial geometry that corrected the specific distortion caused by
viewing his large images at an oblique angle. The number of newspaper
and magazine articles, television spots, ads, and documentaries
featuring his work are too lengthy to list.
Street painting festivals seem to fill a great need for the artists and the
public. The artists are able to set aside their fears and self-doubt and
share the process of creating a work with the public. The public is
delighted to see the process and have it accessible. For decades artists
Last Judgment, have exhibited finished works in art galleries. Art galleries model themselves after
Mantua, Italy museums and present art in a finished form, completely removed from the artist and
studio. Although they seek to give importance to the work by this association, they
often create a wall between the public and the artist. In other centuries artists have
had a more direct link to their public and appear to have benefited from this.
During his first years abroad, Wenner executed several large permanent
works including altarpieces, a family chapel in Puglia, and an entire
church ceiling (6,000 square feet) for the church of St. George near
lake Como. Almost all of his paintings are done on commission and the
majority of them are on a large scale. They can be found in corporate
high-rises, government buildings, hotel lobbies, as well as churches and
museums.
After working many years finishing and decorating homes, it was inevitable that
Wenner would be asked to design them. His years in Italy imbued in him a special
understanding of and appreciation for architecture, as well as the important heritage of
architectural ornamentation.
Wenner has spent the last several years designing large residences. His profound
knowledge of historical geometric techniques and proportional theory allow him to
combine whimsical and eclectic projects with rigorous organization. He employs
symmetrical and functional floor plans, which are tailored to accommodate coffers and
vaults. Wenner’s vast experience with materials and techniques give him complete
flexibility of design. By designing and executing all the details of a house, including
columns, capitals, moldings and facings he achieves a full range of artistic expression.
The elevations employ a unique system of proportion that insures a harmonious
composition of the decorative elements. Wenner employs modern technologies and
materials such as cast stone and resin to create a variety of faux surfaces to appear
as mosaic, quarried stonework, and fossilized stone. Details can be
delicate and precise, yet appear ancient, weathered, and hand crafted.
Currently, Wenner spends his time working in all the various disciplines he has come
to love. His illusionistic paintings are increasingly popular with corporate clients and
advertising agencies. His images have been used in print ads, television spots, and
point of sale displays. Corporate clients have included: Absolut Vodka, Amp’d Mobile,
BMW, Cadillac, Champion Sportswear (Italy), Dunkin’ Brands, Hampton Inn, Knorr
Soups (Canada), Kraft Good Seasons, Lexus, Lincoln, Lucky Strike Racing (Formula
1), Microsoft, Party Poker.com, Schick, Toyota, and the Washington Lottery.
Public event sponsors include: The Allen Theater in Cleveland, Ohio, Burgos Centro
Historico in Spain, The Calgary Stampede in Canada, The Cherry Creek Arts Festival
in Denver, Colorado, The Detroit Festival of the Arts in Michigan, The Frist Center in
Nashville, Tennessee, Good Morning America in New York, The Houston
Museum of Art in Texas, Huis Ten Bosch in Japan, The Pittsburgh
Cultural District in Pennsylvania, Salamanca Centro Historico in Spain,
The Southern Theater in Columbus, Ohio, and The Crawfish Festival in
Woodbine, Georgia.
Absolut Wenner,
West Hollywood, CA