FMorais Suite Brasileira Partes

Trompete 1 C
FERNANDO MORAIS
SUITE
BRASILEIRA
para
quinteto de metais
1 - GEDEAo (BAIÃO)
2 - IRREQUIETO (BOSSA NOVA)
3 - RENATA (VALSA PAULISTA)
4 - PAULINHO NO SAMBA (SAMBA)
5 - ISAC NO FRÊVO (FRÊVO)
JULHO/2009
2
dedicado ao amigo e trompetista Gedeão Lopes
SUITE BRASILEIRA"
para
quinteto de metais
FERNANDO MORAIS
setembro/2004
revisão em julho/2008
I
GEDEAo
q = 100 tempo de baião
    
  
   
     
f

   
4
            
mf
A
        
10
       
mf
    
15
   
        
B
   
19
            
    
                    
24
                 

                                  
27
 
          
30
         
             
 
ff mf
SUITE BRASILEIRA - GEDEAo FERNANDO MORAIS

3
C
34
  
                               

ff mf mp mf
   
                     
38

     
        
      
         
41
                  
f
D
    
              
45
         
mf f

  
50
     
  

E
                                 
55
    

60
 
             
64
                        
     
     
67
         
          
FERNANDO MORAIS SUITE BRASILEIRA - GEDEAo

dedicado ao amigo e trompetista Moisés Alves
Trompete 1 C
IRREQUIETO
FERNANDO MORAIS
agosto/2002
q = 80 tempo de bossa nova
                       
   

mf mf
A

9
 
            
 
   
  
mf
16
 
              
         
B
 
             
24
           

      
28
          
        
     

C
        
33
           
f

SUITE BRASILEIRA - IRREQUIETO
Trompete 1 C
2
        
37
              
  

D
                 
41
  
       

mp 
       
mf
      

               
48
  

mp
         
54
                                   
mf mp

   E
            
60
             
f
 mf

3
     
67
                      

3

3
  
 mf f
mf 3 3
74
       3

3
        
       
3 3 pp f
83
F
  
     
mp
FERNANDO MORAIS SUITE BRASILEIRA - IRREQUIETO

Trompete 1 C
3
  
89
            
96
  
 
                           
   
    

f
101
G
  
                  
mf
     
mf
    
  
108

                
    mf
  
                          
119
 
         
                            
125
        
  
mf mf
H

  
132
                   


mf
mf
            
          
138
  
mf
I  
            
143
         
J

rit.

146
      
fp pp
SUITE BRASILEIRA - IRREQUIETO FERNANDO MORAIS
Trompete 1 do
3
"RENATA"
valsa para
quinteto de metais Fernando Morais
12/06/2001
q = 90 tempo de valsa poco rit.
  
         
solo
     
mf
 
q = 90 A
   
8
  
            
mp
  mf
   

14
       
                
mp
q = 170
   
20
              

mf
25
B
  poco rit.
          
C
32
  
 q = 170
    
          
 
f
      
37
               


rit.

41
           
     

q = 120 q = 80
        
rit.
 
48

         
mf p
SUITE BRASILEIRA - RENATA FERNANDO MORAIS

Trompete 1 do
2
D
   
56
    
q = 90 tempo I
         
      
mp mf
    
62
 
                 
q = 120
  
             
67
          
mf
73
E
  F

   
  
G

86
                   
 
mp

91
                       

rit.
       
97
           

        

mf
H q = 90
               
104 tempo I
      
  mf
   
mp

110
        
3

   
3
    
 
3
         

f f
rit.
 
              
115
            

3'26.7"
FERNANDO MORAIS SUITE BRASILEIRA - RENATA

dedicado ao amigo Paulo Roberto da Silva
Trompete 1 C
4
PAULINHO NO SAMBA
FERNANDO MORAIS
agosto/2002
revisão: julho/2009
(com a wua-wua dual mute, imitar

q = 80 tempo de samba
        
uma cuica com a mão na campana)
   
                        
p
 
 
A
       
9 open
          
     
mp 
      
         
13
           
f
       
16
            
  
18 B
                                

mp
       
         
      
       
22
         
mf f
25
       
C

    
        

mf p
D

31
                  
mf      

SUITE BRASILEIRA - PAULINHO NO SAMBA FERNANDO MORAIS

2 Trompete 1 C
                  


36

          
 
f
41
                             
p       

E

45
                 
          
   p fp
FERNANDO MORAIS SUITE BRASILEIRA - PAULINHO NO SAMBA

dedicado aos amigos do quinteto Metalumfonia
Trompete 1 C
"ISAC NO FRÊVO"
FERNANDO MORAIS
julho/2009
q = 148 tempo de frêvo
  
              
            
f
f
                       
5 A
         
              
p mf


       

        
13
              
f
18
      B        
                   
mp
25
         

 
                   
f  
     
  
31

                    
  
SUITE BRASILEIRA - ISAC NO FRÊVO FERNANDO MORAIS
2 Trompete 1 C
37
               C  
     

                 
p
43
             
      
            
     
mf f
   D 
       
49
        
pp
 
55
       
   
pp
61
             
             

ff
65 E
   
 
            
p mf f
73
         F
                 
mf
                     
79

          
f
 
85
               
   
f
         

           
89
 
ff
FERNANDO MORAIS SUITE BRASILEIRA - ISAC NO FRÊVO

Trompete 2 Bb
FERNANDO MORAIS
SUITE
BRASILEIRA
para
quinteto de metais
1 - GEDEAo (BAIÃO)
JULHO/2009
2
SUITE BRASILEIRA"
para
quinteto de metais
FERNANDO MORAIS
setembro/2004
I
GEDEAo

  
                        
f 
  
6
     
           
    
mf
A
  
12
       
mp mf
 
            
16
    

B
           
20
    
  
                  
26
          
  
                 

29
             
              
    

ff mf

3
C
  
    
33
           
 mf

ff mp
                                     
38
    
   
   
41

                
 mf
f
D
  
47
                 
  

f f
E
               
52
    
 
   
58
   
        
            
61
          
       
               
65
      
     
   

trompete 2 Bb dedicado ao amigo e trompetista Moisés Alves
IRREQUIETO
FERNANDO MORAIS
agosto/2002
      
  
p
       
A
       
9
             

  
mf
16
              
       


22

B

      
         
 

C
           
33
           
f     
40
D
      
      
             
 
mf
  
          
54
           
mp        
  
           
59
  
       
f
2 trompete 2 Bb
E

65 3
   
3
           
3
           
mf f
3
73
3 3
            
   f
 
pp
F 
83

              
    
mp mp
94
               
    
 f                   
  
G  
             
101
       
mf f
       
 
        
113

     
  
mf
         
120
   

                         

 mf
 
                         
     
 
126
          
H
133
      
         
       

p f
mp
I   J rit.


143
                   
fp pp

Trompete 2 sib
3
"RENATA"
valsa para
quinteto de metais
Fernando Morais
12/06/2001
q = 90 tempo de valsa q = 90

poco rit.
    
 
           
mf
  
mp 
mf
9
A
                  
   
mp
q = 170
   
17
                
mp mf
B poco rit.
 
25
                     


C
32
  q = 170
                    
      
 f  
rit.
     
39
              
q = 120 q = 80 q = 90 tempo I
 
rit.

48
               
p

2 Trompete 2 sib
D
    
57
            
      
mp mf
q = 120
      
65
                

E mute
  
73
    
       

   
 
                       
76
         
F
            
81
    
          
       
 
       
87
G

open
               
   
        

97 f rit.
            
f
H
105 q = 90 tempo I
  
       
 
mp 
     
3   3
111
 
3
          

mf

115 rit.
            
  
3'26.7"

Trompete 2 Bb
PAULINHO NO SAMBA
FERNANDO MORAIS
agosto/2002
                                   

                                    
p
5
          
   
                                


 
9 A
                           


mf
      
    
12
   
       


B
                
18
         
 
mf mf'
          
   
22
                 
 f
                          

25
    mf 
29
       
             
p

2 Trompete 2 Bb
         
34
          
         
mf
39
          

            
p

46 E
  
                

Trompete 2 Bb
"ISAC NO FRÊVO"
FERNANDO MORAIS
julho/2009
 
    
             
          
f

f
A

5
       
p 
 
                 
       
13
 
mf f
 
        B        
18
                 
25
            

             
    
               
31
               
   
        C  
     
37
            

  p

2 Trompete 2 Bb
42
           
  
                    
 
mf f
   D    
         
49
      
       
mf
  
          
55
         
    

61
       
                
   
ff
E       
           
65
    
p mf f
73
          F
      
               
mf

    
79
            

    
     
f
 
85
                  
 
f
                   

89
   
ff

Trompa
FERNANDO MORAIS
SUITE
BRASILEIRA
para
quinteto de metais
1 - GEDEAo (BAIÃO)
JULHO/2009
2 dedicado ao amigo e trompetista Gedeão Lopes
SUITE BRASILEIRA"
para
quinteto de metais
FERNANDO MORAIS
setembro/2004
I
GEDEAo

     
               
f 
    

6
       
                       
A
mf
 
                            
11
          
   mp

                                       
15

       
B
    
       
18
                           
  
 
       
                         
23
         



27
        

                             
   
29
               
          
  ff 

3

31
                
 
mf
C

                      
35
        
     
ff   mp
mf
             
39
      
            
f
      
43
                  
    mf
D
  
47
 
     
   
 

f 

51
                  
     
          
E

55
                                
f
     
           
59
            
             

64
       
        
   
                  
   
             
           
66
              
  

Trompa dedicado ao amigo e trompetista Moisés Alves
IRREQUIETO
FERNANDO MORAIS
agosto/2002


                                  
     
mf mf
7
A
                     
          
14 
                              
      
B
    
22
                  
               
    

   
       

        
28

 
       
C
 
         
33
              

f     
D
              
40
         
mf
            
45
                     
     
mp

2 Trompa
         
50

     
              
     
    
  
 
55
   
 
                      
 
   mf     
 
60
    
                             
   
 
    
f
E
65
  
                       
 
     f
mf
72
       
                 
    
3 3 pp
F
     
81
                                           
   pp         
   
87
                             
       
   
91
                             
       
Trompa 3
95
   
                                        
 
    f
      
G
                 
101
                   
mf mp
108
                   

      
117
             
 mf
127
                        
  
mf
  
H
133
                    

     
mf
I
140
  
                           
 
   
f
J rit.
146

     
fp
pp

trompa
3
"RENATA"
valsa para
quinteto de metais
Fernando Morais
12/06/2001

poco rit.
q = 90 tempo de valsa
  
tpt 1
   

             
    

mf
8
 
q = 90

A
 
 
     
solo
          
mf
   
   
14
     
       
mf
 q = 170
mf
 
20
                  
 
B
  
poco rit.

25
        
       
32
C q = 170
 
 
        

37
       
    

2 trompa

rit.
             
41
  
 
   
  
q = 120 q = 80
         
49 rit. mf
        
p
D
56
 
q = 90 tempo I
    
                 
   
mf mf
               
64
 

       

q = 120 E
         
70

              
 
mf
 
76
             
 
   
F
       
81
             

G

86
           
   p

      
91
        

97
   rit.
      
f

trompa 3
H q = 90 tempo I
        
104
              
mf
109
       
               

f
      
rit.
           
115
  

 
3'26.7"

Trompa
PAULINHO NO SAMBA
FERNANDO MORAIS
agosto/2002
               
                               
p
5
                
   
                          
 
      
     
     
A
       
9
        
mp
                           

14
                      
   mf
           

B
        

18
    
   
mf'
                 

           
21
       
  
 f
          
C
     
25
         
   mf
27
            
         
             
      
   
2 Trompa
                          

       
30
           
p
      
D
            
33
     
mp
       
        
38
   
mf mp
          
E
            
 
43
       
p
47
                        
                     
    
fp

Trompa
"ISAC NO FRÊVO"
FERNANDO MORAIS
julho/2009

               
         
    
 
f mf
A
   
5
                               


            
 
13
               

  
f

19
   Bmp

                            

mp
   
 
f
       
25
                 
f
31
      
                   
    
Trompa
2
          C  
       
37
                  
   p       
mf
44   
                     
f   
 
49
 
  
D
  
                       
     
 mf

                
55
     
    
 
61
   
            
           
ff
mf
65 E
        
      
       
    
mf
  
   
69
        

f
   F
   
73
             
 
mf
78 
         
    
f
  
        
85
  
     
f
89
      

               
ff

Trombone
PAULINHO NO SAMBA
FERNANDO MORAIS
agosto/2002
q = 80 tempo de samba  
      

               

mf
4                  
  
       
    
7
   

                       
  
   
3
A
10                 
   
mp

14                                
      
18 B
                 
                
 
f
22
                   

      
       
 f
f
C
26 


2 Trombone
      
                                 
29
          
p
D
33               
    
mf mf
36

                     
      
40 
            

E 
46                  

p
48          
         
       
 fp

Trombone
5
"ISAC NO FRÊVO"
FERNANDO MORAIS
julho/2009
q = 148 tempo de frêvo  
          
          
f
5 A     
      
   
p mf

13            
  
            
   
19  B       
  
       
       
        
mp

25
        
                
 f
31   
        
             
        
37       C
                  
      
43            

       

f

2 Trombone
49       D       

         

54
      
               
  

61        
           
    
ff
65 E     
                    
     
p

mf f
73  F       

    
       
        
  mf
79 

                      
   f 
85 
              
     
f
89
       
               
ff

Trombone
FERNANDO MORAIS
SUITE
BRASILEIRA
para
quinteto de metais
1 - GEDEAo (BAIÃO)
JULHO/2009
2
SUITE BRASILEIRA"
para
quinteto de metais
FERNANDO MORAIS
setembro/2004
I
GEDEAo

         
    
            
f
6 
                        
   
mf
11 A 
                     
                      

mp
15
   
         
               

               
   

18
              B
                                  
 

f
22
 
    
                                        

mp
 
26      
 
                     
               

mf

3
29 
  
  
 
ff
31
                                         

mf
35
C 

      
  
                      

ff mp mf
39
  
                              


f
43   
 
                                   
   
mf
47
D
        
   
          
f f
52  
                
       
55
E      
         
               

60               
  
     
  
     
   
65                        
          

           
67   
          


Trombone
2
IRREQUIETO
FERNANDO MORAIS
agosto/2002
          
                         
 
  
mf mf
8   A         
                        

15       
         

        

    
 
B   
24                         
 
     
 C
31               
              
  
   
f
D
37
                                
         
mf mp
45
        
                   
    
48
             
               
 

2 Trombone
52                 
                   
 
mf

60
    
               

             
      
 
f  
65
E
                 
                        
3 f
mf
73
    
                 
77
           
                     
pp pp
83
F
  
                                           
89   
                                           
95
              
     
               
f

Trombone 3
101
G           
                                 
mf mp
110                  
                                  
mf
117
                      
         
mf
     
     
123
  
         
                   
mf
130     H    
      
           
 
mf
137
          
                  
  
mf
143
I  J rit.
 
                   
f fp
a vontade

147        
            
6
3

Trombone
3
"RENATA"
valsa para
quinteto de metais
Fernando Morais
12/06/2001
      poco
   rit.

   
      
  
 

    
mp mf
8 q = 90 A 
  
      
    
mp
15
            
   
mp
20      q = 170
          
    
mf
25
B mp poco rit.
    
           
mp mf
32
C qf = 170
             
        
f
36
          
   
41             rit.
           
    

Trombone
2
48 q = 120 rit. q = 80
            

   
 mf p
D
56
q = 90 tempo I         
   
   
mp mf
66
              q = 120 
    
      
73
E
 
         
mp
76
                    
   

F
81         
           

G
89  
  
        
p
97 rit. 
       
          


f
105
H q = 90 tempo I
         
  
p mp

111
               
    
 
mf f
115
rit.
       
     
3'26.7"

Tuba
FERNANDO MORAIS
SUITE
BRASILEIRA
para
quinteto de metais
1 - GEDEAo (BAIÃO)
JULHO/2009
2 dedicado ao amigo e trompetista Gedeão Lopes
SUITE BRASILEIRA"
para
quinteto de metais
FERNANDO MORAIS
setembro/2004
I
GEDEAo

               
       
f
6
       
           
       
 mf  
11 A
          
           
  
  
  

mp
15
       
             
           

mf
19
B
          
                      

f
23
      
             
mp
27
    
         
    
 
  
3
30
                            
         
ff
mf
33
C
   
  
   
              
 
         
mp mf
ff
38
    
 
       
      
       
      
          
41
                
     
  
f mf
47
D
        
    
f
  f
  
52
E
        

      
          
 
58
                    
        
           
62
         
       
    

66    
               
     
 

Tuba 2
IRREQUIETO
FERNANDO MORAIS
q = 80 tempo de bossa nova agosto/2002
      

p   p  
mp mp
9
A
   
                   
   
p    
19
B
                     
     
  
29
C
                
             
                 
  
f
   
37 D
                     
                
       mp
48
                  
                            


57
          
        
           

          
f         
2 Tuba
65
E
 
        
f
          
mf

77
F
           
              
mp
pp f
87
                         


        
94
                   
                    
 
 f   
G
101
                
    
   mp
             
mf
108
      
                       
   
 
114
   
                 
 
Tuba 3
124
      
             
mf 
133
H
         
p   p   p
mp mp
143
I J rit.
 


         
  
 fp
f pp

Tuba
3
"RENATA"
valsa para
quinteto de metais
Fernando Morais
12/06/2001
 poco rit.
  
  


  q = 90
 
     
   
 
mp mf
9
A
       

mp
16
  
            
20 q = 170
      
      
mf
25
B poco rit.
  
   
       
      
mf
32
C q = 170
         
             
f
41 rit.
 
          
   

49 q = 120 rit. q = 80
3 
                 
 p
  mf
 
2 Tuba
D
56
q = 90 tempo I
   
           
mp mf
63
    
        
 
70 q = 120 E
 
  
     

76
 F
                    

G
89  
        
     
mp
97 rit.
  
               
  

f
H
105 q = 90 tempo I
   
         
       mf
mp
109
 
       
  f
mf
115 rit.
    
    
 3'26.7"

Tuba dedicado ao amigo Paulo Roberto da Silva
PAULINHO NO SAMBA
FERNANDO MORAIS
agosto/2002

          

    
mp
10 A
            
        
         
mp
14

                

18 B
        
              

mf
24 C
   
                               
f  
mf
28
   
                           

mf
31
3
                       
      
        mp
34 D
               
           V.S.

2 Tuba
40
        
            
mp
43
      
                        
 
mf
46 E
3
            
          
  
48
   
                 
    
fp

Tuba 5
"ISAC NO FRÊVO"
FERNANDO MORAIS
julho/2009
            
        
f        
5 A
                               
              
p
13
       
           

         
mf
18       B
                      
     
   mp
25   
               
      
  
f
31  
       
       
     
          
37
            C      
 
                   
       
p 
43  
              
  
f
2 Tuba
49
  D
             

 pp
54
     
       
  
pp
61  
                
     
ff
65 E
                         
        
p mf f
73
   F
            
          
  mf
79 
             
             
   f

85 
  
        
          f
89
    
        
          
ff

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Trompete 1 C

SUITE BRASILEIRA - GEDEAo FERNANDO MORAIS

FERNANDO MORAIS SUITE BRASILEIRA - GEDEAo

      

                      

FERNANDO MORAIS SUITE BRASILEIRA - IRREQUIETO

                   

SUITE BRASILEIRA - RENATA FERNANDO MORAIS

           

FERNANDO MORAIS SUITE BRASILEIRA - RENATA

SUITE BRASILEIRA - PAULINHO NO SAMBA FERNANDO MORAIS

                  

FERNANDO MORAIS SUITE BRASILEIRA - PAULINHO NO SAMBA

q = 148 tempo de frêvo

FERNANDO MORAIS SUITE BRASILEIRA - ISAC NO FRÊVO

q = 100 tempo de baião

SUITE BRASILEIRA - GEDEAo FERNANDO MORAIS

FERNANDO MORAIS SUITE BRASILEIRA - GEDEAo

             

FERNANDO MORAIS SUITE BRASILEIRA - IRREQUIETO

SUITE BRASILEIRA - RENATA FERNANDO MORAIS

        

FERNANDO MORAIS SUITE BRASILEIRA - RENATA

                           

                          

SUITE BRASILEIRA - PAULINHO NO SAMBA FERNANDO MORAIS

FERNANDO MORAIS SUITE BRASILEIRA - PAULINHO NO SAMBA

            

SUITE BRASILEIRA - ISAC NO FRÊVO FERNANDO MORAIS

FERNANDO MORAIS SUITE BRASILEIRA - ISAC NO FRÊVO

q = 100 tempo de baião

SUITE BRASILEIRA - GEDEAo FERNANDO MORAIS

FERNANDO MORAIS SUITE BRASILEIRA - GEDEAo

q = 80 tempo de bossa nova

              

SUITE BRASILEIRA - IRREQUIETO FERNANDO MORAIS

                   

                    

SUITE BRASILEIRA - IRREQUIETO FERNANDO MORAIS

SUITE BRASILEIRA - RENATA FERNANDO MORAIS

FERNANDO MORAIS SUITE BRASILEIRA - RENATA

SUITE BRASILEIRA - RENATA FERNANDO MORAIS

                           

           

        

                 

                          

FERNANDO MORAIS SUITE BRASILEIRA - PAULINHO NO SAMBA

q = 148 tempo de frêvo

                               

               

FERNANDO MORAIS SUITE BRASILEIRA - ISAC NO FRÊVO

SUITE BRASILEIRA - PAULINHO NO SAMBA FERNANDO MORAIS

FERNANDO MORAIS SUITE BRASILEIRA - PAULINHO NO SAMBA

43            

SUITE BRASILEIRA - ISAC NO FRÊVO FERNANDO MORAIS

FERNANDO MORAIS SUITE BRASILEIRA - ISAC NO FRÊVO

q = 100 tempo de baião

SUITE BRASILEIRA - GEDEAo FERNANDO MORAIS

FERNANDO MORAIS SUITE BRASILEIRA - GEDEAo