Communism, Hypnotism
and the Beatles
By
Rev. David A. Noebel
AN ANALYSIS OF THE
COMMUNIST USE OF MUSIC
— THE COMMUNIST MASTER MUSIC PLAN —
First Edition 10,000
Second Edition 25,000
Revised Third Edition 10,000
Fourth Edition 10,000
Copyright, 1965 Christian Crusade
CHRISTIAN CRUSADE PUBLICATIONS
Post Office Box 977
Tulsa, Oklahoma 74102Preface
Two things need to be stated in this introduction. A
word of appreciation is in order for those who faithfully
shared in this project: Mrs. David Kothmann, Mrs. Irene
Johnson, Mr. Dean Riggins and Mr. Lee Adamson. Dr.
R. P. Oliver gave valuable suggestions and, of course, Dr.
Billy James Hargis has made this thesis a reality through
his encouragement, promotion and production.
‘A word regarding the footnotes which appear in the
back of the paper is also necessary. The student willing to
explore with honest inquiry, instead of Pavlovian salivation,
will find more information in the notes than in the body of
the thesis. A reading of the footnotes, therefore, is strongly
recommended, not only for verification purposes, but also
for vital additional information.Communism, Hypnotism and the Beatles
By David A. Noebel
The communists, according to Dr. Leon Freedom, have thought up
nothing in brainwashing, or in any other phase of psychiatry. ‘All that
they have done is to take what free science has developed and use it in a
manner that would ordinarily be considered mad . . . there isn’t anything
original about what they are doing, only in the way they are doing it.
Their single innovation has been to use what they copy in a diabolical
order. Their objective is solely to make minds sick, not healthy, to create
frustrations. . .”*
Dr. Freedom mentions that “the methods devised by the Free World to
combat illness are used by the communists to create it.”? Edward Hunter,
one of America’s outstanding authorities in the field of brainwashing, sum-
marized the communist operation of mind-tampering with “the most
diabolical intrigues of the past never descended to such dark, unstirred
depths. There is something repulsive and against nature in it. This is not
easy for the normal mind to grasp.” Little wonder the United States’ first
ambassador to the Soviet Union remarked, “The great tragedy of the West
is that its leaders—and they are all good, Christian patriotic men—simply
are incapable of grasping or understanding the nature of the enemy bent
upon their destruction.”*
It is no secret that the communists have determined in their innermost
councils to destroy the United States of America.5 The methods to obtain
our destruction have varied from time to time but the goal has never
changed. One of the methods concocted to bring about the demise of the
United States is a weapon known as menticide: a lethal psychological
process that produces a literal suicide of the mind! A well-known professor
stated that “the Communist Conspiracy. . . conducts scientifically planned
attacks on the human mind on many levels with techniques adapted to the
circumstances,” It is true that methods vary in this field of menticide,
but the object is the same—to create a sick mind!
The communists, through their scientists, educators and entertainers,
have contrived an elaborate, calculating and scientific technique directed
at rendering a generation of American youth useless through nerve-
jamming, mental deterioration and retardation.” The plan involves con-
ditioned reflexes, hypnotism,’ and certain kinds of music. The results,
destined to destroy our nation, are precise and exacting, Little wonder the
Kremlin maintains it will not raise the Red flag over America—the
Americans will raise it themselves. If the following scientific program
destined to make our children mentally sick is not exposed, mentally de-
generated Americans will indeed raise the communist flag over their own
nation!
That certain kinds of music are very destructive is not new. As early as
2500 years before Christ, observations of the effects of music on the com-
posite of mind, body and emotion were written on papyri by the Egyptians,
Pythagoras established that music was an exact science which exercised a
profound effect on the senses and emotions. Plato understood the destruc-
tive qualities of certain kinds of music. In The Republic he states that
Page 1