LUIZ PAULO ROCHA PORTFOLIO

LUIZ PAULO ROCHA PORTFOLIO

Grade para passagem de objeto específico [Grid with Cérebro & Pulga [Brain & Flea], 2008, metallic foil on MDF
passage for a specific object], 2008, painted iron grid, 100 x 100 plate, 50 x 85 cm both.
cm.
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Fatia [Slice], 2007, Lambda print on MDF, 60 x 80 cm. Sky Totem, 2008, Photograph, 80 x 40 cm. Vertical sculptures
sections narrowed by urban geography. made of ordinary personal objects.
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Espectro [Spectrum], 2007, digital print, 49 x 35 cm. Negative photo images from solar rays trespassing a glass brick.
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Panorama in America, 2007, photograph, 23 x 83 cm, each set. Pairs of pages Resma mordida [Bitten ream], 2008, Five
from the art magazine ‘Art in America’. hundred A4 paper sheets, bitten each one,
29,7 x 21 x 7 cm.
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Trezentos e noventa e um [Three hundred ninety-one], 2007, Football à trois, 2008, vinyl adhesive on painted MDF, 86 x 100
digital print, 25 x 90 cm. Selection of artists names grouped and cm. Model of a football field that allows matches between three
centralized. teams, simultaneously.

Voyelles [Vowels], 2009, print on acrylic plate, 38 x 121,5 cm.

Chromatic codification of Rimbaud's poem ‘Voyelles’ (1871),
which associated colors to the vowels.
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Troféu de caça, [hunting trophy] 2009, Electronic gadget X, 2009, Cellulose Lacquer on MDF, 45 x 54 x 9 cm.
cardboard boxes and metal clips, 80 x 60 x 50 cm.
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Untitled, 2007, photograph, 30 x 30 cm. Crumpled paper sheets with drawings and notes.
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Mãos [Hands], Diptych, 2007, Photographs, 20 x 25 cm. Series of 100. One hundred positions of hands at rest.
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Untitled (triptych), 2006, lambda print, 45 x 45 cm. Ju, Lu, Pat e Re, 2006, digital print, 40 x 155 cm.
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Nãosimetro, 2005, vinyl on aluminum profile, 75 x 5 x 2 cm. Placas [Street Signs], 2005, metal and vinyl adhesive, 40 x 40
Hypothetical graduations between "SIM" (yes) and "NÃO" (no), cm. Urban Intervention Project. Street signs located along
from a system based on the alphabetical progression. Santa Teresa neighborhood, Rio de Janeiro.
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Emotiframe, 2007, wooden frames, 100 x 80 x 10 cm. Frames Arroba de Balanço [Rocking At], 2007, wood and weaved
fragments forming emoticons. straw, 110 x 110 x 8 cm.
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Internos [Inside], 2007, photographs, 38 x 25 cm. Series of sport footwear interiors.

 LUIZ PAULO ROCHA PORTFOLIO

Radio X, 2001, portable radio receivers and aluminum Carrinho de mão para transporte de imagens celestiais
structure, 180 x 180 x 15 cm. Seventy-five radio receivers, [Wheelbarrow for celestial images transportation], 2007,
tuned in several AM and FM stations. wheelbarrow and mirror, 60 x 120 x 50 cm. Mirror fixed to the
edges of a standard wheelbarrow.
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SyncMaster, 2007, digital print, 135 x 180 cm. Photographs taken from the ventilation holes of a personal computer monitor, revealing
fragments of the hardware inside.
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Estricnina Count Basie Del Castilho

Betty Boop Pó-de-mico Merrill Lynch

Metamorphosis, 2005, vinyl on metal plate, 50 x 50 cm each.

Words graphically transformed by software.

Legenda [Subtitle], 2007, vinyl ink on MDF, 20 x 110 x 5 cm. Realidade [Reality], 2007, digital print, 60 x 60 cm. The
Text fragments from movies subtitles, transformed into objects numbers are the stipulated price of the work. “Real” is the name
and applied to walls, next to the floor. of the Brazilian currency.
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Sem título [Untitled], 2007, print on acrylic plate, 42 x 31.5 cm. Digitally manipulated photos. Objects of daily use at the studio.
 LUIZ PAULO ROCHA PORTFOLIO

Tele-desenhos [Tele-drawings], 2007, pilot pen and oil on transparent paper, 70 drawings, 31.4 x 42 cm each. Paper sheets lapped over
the TV screen to draw the moving images.
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Madeiridade [Woodenness], 1998, coal over paper and wood Sem título [Untitled], 2004, plotter on fabric, 65 x 45 cm.
boards, 200 x 200 cm. Veins and knots drew on paper sheets
glued to wood boards.
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Auto-retrato com saco de supermercado [Self-portrait with supermarket bag], 2007, digitally manipulated photos, 32 x 40 cm.
 LUIZ PAULO ROCHA PORTFOLIO

I HAVE NO FUCKING MONEY

Luta [Fight], 2006, photographs, 130 x 35 cm each vertical set. Insight, 2009, Photography, 30 x 40 cm.
Photographs from an untuned sports TV channel presenting
martial arts fights.
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Atelier [Studio], 1999, residues on paper, 200 x 320 cm. Five Sem título [Untitled], 2001, plate of oxidized iron and canvas,
sheets of paper were fixed on the atelier's floor during 45 days, 100 x 100 cm. An iron plate is fixed inside a frame covered with
being subject to indirect actions from the users of the space. cloth, and watered. The oxidation marks the cloth.
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Anjo [Angel], 2000, paper and acrylic ink, 225 x 178 cm.
Gestures of inked hands with standing body to lean against
the paper surface.

The Cat's Amazing Target Project, 2001, piss of cat on paper, Manual [Handmade], 2000, acrylic ink on Canson paper, 40 x
21 x 21 cm each. Targets placed in spots a male cat pissed to 40 cm. Series of marks made by the movement of fingers
demarcate its territory. The piss jet reaches the surface, soaked with ink on paper.
transferring ink from the back to the front of the paper.
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Interface Retabular [Retable interface], 2006, lambda print, Meio prato com meio Steve Jobs [Half plate with half Steve
80 x 120 cm. Digital interface presented in the form of a retable. Jobs], 2008, silkscreen on ceramics plate, 20 cm. From the
series that presents three icons of the western culture.