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FORDHAM
University Press
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University Press
table of contents subjects PAGE
General Interest. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1–9 African American Studies. . . . . . . . . . . . . . . . . . . . . . . . 14 2
American Studies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11, 17
Academic Trade . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10–13 Anthropology. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11, 19
Architecture. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4–5
Scholarly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14–32
Art & Visual Culture . . . . . . . . . . . . . . . . . . . . . . . . . 20, 25
New in Paperbacks . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2, 28 Asian Studies. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16, 19
Bible Studies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
NEH/Mellon Humanities Open Book Grant . . . . . 32 Bioethics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Biography. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1, 22
Joyce Studies Annual 2108 . . . . . . . . . . . . . . . . . . . . . . 33
Education . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6, 21
Backlist. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 Environmental Studies. . . . . . . . . . . . . . . . . . . . 10, 12, 18
Geography. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 History . . . . . . . . . . . . . . . . . . . . . . . . 2-3, 5-6, 9, 14, 28–29
Homelessness . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Order Form. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Jewish Studies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 PAGE
Sales Representation. . . . . . . . . . . . . . inside back cover Latin American Studies . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Literature. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8, 22
3
Literary Studies . . . . . . . . . . . . . . . . . . . . . . . 18, 20–26, 31
Media & Communications . . . . . . . . . . . . . . . . . . . . . . . 17
Medieval Studies. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
New York . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-6
Oral History . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Philosophy. . . . . . . . . . 10, 13, 15, 18–20, 22–24, 26, 31
Poetry . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-9
Photography. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3, 11
Postcolonial Studies. . . . . . . . . . . . . . . . . . . . . . . . . . . 9, 27
Political Theory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16, 27
Politics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
Race & Ethnic Studies. . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Religion. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13, 22, 28–30
Science . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 PAGE
Slavery. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 4
Theology. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12, 27, 31
COVER IMAGE:
Trauma Studies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Barbara Mensch. The New York Tower Urban Studies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
(Roebling’s Folly), 2008 Women’s Studies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
general interest

“Bertram L. Baker could not have had a better biographer than Ron Howell, a gifted
journalist and truth seeker. Howell’s mesmerizing description of his grandfather’s life
and career also paints an indispensable portrait an entire borough, city, and nation.
Following in the footsteps of another politician from Nevis—Founding Father Alexander
Hamilton—Bertram L. Baker was a pioneer whose untold personal and political story is
brilliantly depicted by a virtuoso and gifted writer who is well suited to revive him for all
of us.” — EDWI DGE DA N T I CAT, author of Breath, Eyes, Memory (an Oprah’s Book Club pick)

Boss of Black Brooklyn presents a riveting and untold story about the struggles and
achievements of the first black person to hold public office in Brooklyn. Bertram L.
Baker immigrated to the United States from the Caribbean island of Nevis in 1915.
Three decades later, he was elected to the New York state legislature, representing
the Bedford Stuyvesant section. A pioneer and a giant, Baker has a story that is finally
revealed in intimate and honest detail by his grandson Ron Howell.
Boss of Black Brooklyn begins with the tale of one man’s rise to prominence in a
fascinating era of black American history, a time when thousands of West Indian
families began leaving their native islands in the Caribbean and settling in New York
City. In 1948, Bert Baker was elected to the New York state assembly, representing the
growing central Brooklyn neighborhood of Bedford Stuyvesant. Baker loved telling his
fellow legislators that only one other Nevisian had ever served in the state assembly.
That was Alexander Hamilton, the founding father. Making his own mark on modern
history, Baker pushed through one of the nation’s first bills outlawing discrimination
in the sale or rental of housing. Also, for thirty years, from 1936 to 1966, he led the

Boss of all-black American Tennis Association, as its executive secretary. In that capacity
he successfully negotiated with white tennis administrators, getting them to accept
Althea Gibson into their competitions. Gibson then made history as the first black

Black Brooklyn champion of professional tennis. Yet, after all of Baker’s wonderful achievements, little
has been written to document his role in black history.
Baker represents a remarkable turning point in the evolution of modern New York
The Life and Times of Bertram L. Baker City. In the 1940s, when he won his seat in the New York state assembly, blacks made
RON HOWE LL up only 4 percent of the population of Brooklyn. Today they make up a third of the
population, and there are scores of black elected officials. Yet Brooklyn, often called
the capital of the Black Diaspora, is a capital under siege. Developers and realtors
288 pages
12 Illustrations, color
seeking to gentrify the borough are all but conspiring to push blacks out of the city. A
9780823280995 • Hardback • $29.95 (HC), £22.99 very important and long-overdue book, Boss of Black Brooklyn not only explores black
Simultaneous electronic edition available politics and black organizations but also penetrates Baker’s inner life and reveals
Empire State Editions themes that resonate today: black fatherhood, relations between black men and black
OCTOBE R
NE W YORK | P OLITICS | BIOGRAP HY
women, faithfulness to place and ancestry. Bertram L. Baker’s story has receded into
the shadows of time, but Boss of Black Brooklyn recaptures it and inspires us to learn
from it.
RON HOWELL is a journalist who has written extensively about the Caribbean, Latin
America, and New York City. He is an Associate Professor of Journalism at Brooklyn
College and author of One Hundred Jobs: A Panorama of Work in the American City.

F O R D H A M P R E SS .CO M 1
general interest

Only in New York


An Exploration of the World’s Most Fascinating, Frustrating, and
Irrepressible City
SA M R O B E RTS, foreword by PET E HAMILL

No one denies that New York City is unique—but what makes it sui generis? Sam Roberts, a longtime
city reporter, has puzzled over this in print and in his popular New York Times podcasts for years. In
Only in New York, updated with new tales and fascinating glimpses into uniquely NYC life, he writes
about what makes this city tick and why things are the way they are in the greatest of all metropolises
on earth. The more than 75 essays in this book cover a variety of topics, including:
How do New Yorkers react during disasters? • Maritime history (the Hudson River) • Crowds,
space, and population growth • 1908: a year in History history • Jewish Daily Forward • What
happens when a neighborhood loses its tony ZIP code?
A winning and informative gift book for every fan of “the city,” Only in New York is elegantly written
288 pages • 5½ x 8¼ and solidly reported.
9780823281077 • Paperback • $19.95 (TP), £14.99
Simultaneous electronic edition available
SA M R OB ER TS has written for the New York Times since 1983, where he has served as urban
Empire State Editions
OCTOBE R affairs correspondent since 2005. He is the author of numerous books on New York City, including
NEW YORK | HISTORY Grand Central: How a Train Station Transformed America and A History of New York in 101 Objects.

new general interest


in
PAPERBACK Murder, Inc., and the Moral Life
Gangsters and Gangbusters in La Guardia’s New York
R O B E RT W E LDO N W H ALEN

“. . . An ethical prism to explore the cinematic, sociological, and political implications of contract
killings, during an era of ethnic succession when Jewish gangs and Italian organized crime
were dominant.” — N EW YORK TI MES

“Whalen takes us into the lives of La Guardia, Dewey, and former Murder, Inc., boss Abe ‘Kid
Twist’ Reles, whose testimony during Dewey’s famous trials brought many of his associates to
justice, but at the cost of his own life. . . . With precision and detail, Whalen presents the series
of maneuvers each side engaged in to ply their trade—the gangsters and their run of murders
to support the mob’s economic interests and enforce its control on the one hand, the politicians
and their efforts to bring these murderers to court and to challenge the underlying appeal of the
gangster life in the general public on the other.” — I TA LI A N A MERI CA N REVI EW

288 pages
R OB ER T W ELD O N WHALE N is Carolyn G. and Sam H. McMahon Jr. Professor of History at
9780823282739 • Paperback • $20.00 (SDT), £14.99 Queens University of Charlotte. His publications include Sacred Spring: God and Modernism in Fin-
{Hardback available: 9780823271559} de-Siècle Vienna; Like Fire in Broomstraw: Southern Journalism and the Textile Strikes of 1929–1931;
Simultaneous electronic edition available and Assassinating Hitler: Ethics and Resistance in Nazi Germany.
Empire State Editions
SE PTE MBE R
NEW YORK | HISTORY

2 F O R D H A M P R E SS .CO M
general interest

“The charm of this book, its foremost value, is that it proceeds from the viewpoint
of a superb visual artist who uses this particular structure and cityscape, the
Brooklyn Bridge, as her muse. It is this personal encounter with the physical sites
of her protagonists that makes the book so unusual. As well, her exploration of the
inner chambers of the bridge is novel and thrilling.”
— P HI LLI P LO PAT E

In the Shadow of Genius is the newest book by photographer and author Barbara
Mensch. The author combines her striking photographs with a powerful first-person
narrative. She takes the reader on a unique journey by recalling her experiences living
alongside the bridge for more than 30 years, and then by tracing her own curious path
to understand the brilliant minds and remarkable lives of those who built it: John,
Washington, and Emily Roebling.
Many of Mensch’s photographs were inspired by her visits to the Roebling archives
housed at Rutgers University, where she pieced together through notebooks, diaries,
letters, and drawings the seminal locations and events that affected their lives.
Following in their footsteps, Mensch traveled to Mühlhausen, Germany, the birthplace
of John Roebling; to Saxonburg, Pennsylvania, where Roebling established a utopian
community in 1831; to Roebling aqueducts and bridges in Pennsylvania, Ohio, and New
York; and to the Civil War battlefield in Gettysburg, Pennsylvania, where Washington
Roebling, the son of the famous engineer, valiantly served as a Union soldier. The book
begins and ends with Mensch’s unique photographs of the Brooklyn Bridge, including
never-before-seen images captured deep within the structure. The book creatively

In the Shadow fuses contemporary photography with the historical record, giving the reader a new
perspective on contemplating the masterwork.

of Genius
FE RNANDA PERRONE , Curator of Special Collections and the Roebling Family
Archive at Rutgers University, has contributed a Foreword.
BARBARA G . ME NSCH has had numerous exhibitions of her photographic work.
The Brooklyn Bridge and Its Creators Her images are represented in some of New York City’s most prestigious galleries, and
her work is included in important collections, including those of MoMA, the Museum
BARB ARA G. ME NS CH of the City of New York, the Brooklyn Museum of Art, Fundacion Televisa of Mexico
City, the Bibliothèque Nationale, and the Museum of Fine Arts, Houston.
160 pages • 8½ x 11
113 color illustrations
9780823280452 • Hardback • $34.95 (HC), £26.99
Empire State Editions
OCTOBE R
P HOTOGRAP HY | HISTORY | NE W YORK

F O R D H A M P R E SS .CO M 3
general interest

An estimated 2 billion people around the world watched the catastrophic destruction
of the World Trade Center. The enormity of the moment was immediately understood
and quickly took on global proportions. What has been less obvious is the effect on the
locus of the attacks, New York City, not as a seat of political or economic power, but as
a community; not in the days and weeks afterward, but over months and years. New
York after 9/11 offers insightful and critical observations about the processes set in
motion by September 11, 2001 in New York, and holds important lessons for the future.
This interdisciplinary collection brings together experts from diverse fields
to discuss the long-term recovery of New York City after 9/1. Susan Opotow and
Zachary Baron Shemtob invited experts in architecture and design, medicine, health,
community advocacy, psychology, public safety, human rights, law, and mental health
to look back on the aftereffects of that tragic day in key spheres of life in New York
City. With a focus on the themes of space and memory, public health and public safety,
trauma and conflict, and politics and social change, this comprehensive account of
how 9/11 changed New York sets out to answer three questions: What were the key
conflicts that erupted in New York City in 9/11’s wake? What clashing interests were
involved and how did they change over time? And what was the role of these conflicts
in the transition from trauma to recovery for New York City as a whole?
Contributors discuss a variety of issues that emerged in this tragedy’s wake, some
immediately and others in the years that followed, including: PTSD among first
responders; conflicts and design challenges of rebuilding the World Trade Center
site, the memorial, and the museum; surveillance of Muslim communities; power

New York
struggles among public safety agencies; the development of technologies for faster
building evacuations; and the emergence of chronic illnesses and fatalities among first
responders and people who lived, worked, and attended school in the vicinity of the

after 9/11 9/11 site. A chapter on two Ground Zeros –in Hiroshima and New York – compares
and historicizes the challenges of memorialization and recovery. Each chapter offers
a nuanced, vivid, and behind-the-scenes account of issues as they unfolded over
SUSAN O P OTOW and ZACHARY time and across various contexts, dispelling simplistic narratives of this extended
BA R ON SHE MTOB , editors and complicated period. Illuminating a city’s multifaceted response in the wake of
a catastrophic and traumatic attack, New York after 9/11 illustrates recovery as a
256 pages process that is complex, multivalent, and ongoing.
36 Illustrations, black and white CONTRIBU TORS: Michael Arad, Michael Crane, Brian R. Davis, Ariel Durosky,
9780823281275 • Paperback • $30.00 (AC), £22.99
9780823281282 • Hardback • $105.00 (SDT), £81.00
Kimberly Flynn, Norman Groner, Liat Helpman, Anne Hilburn, Charles R. Jennings,
Simultaneous electronic edition available Daniel Libeskind, Ari Lowell, Roberto Lucchini, Gillermina Mejia, Hirofumi Minami,
Empire State Editions Jacqueline Moline, Yuval Neria, Cristina Onea, Susan Opotow, David Prezant, Karyna
SE PTE MBE R Pryiomka, Joan Reibman, Diala Shamas, Zachary Baron Shemtob, Micki Siegel de
NEW YORK | TRAUMA STUDIE S | ARCHITECTURE
Hernández, Patrick Sweeney, Xi Zhu
SUSAN OPOTOW is a Professor at the City University of New York, where she is
a core faculty member of sociology at John Jay College and psychology at the
Graduate Center.
ZACHARY BARON SHE MTOB is a practicing lawyer and former Assistant Professor
of Criminology and Criminal Justice at Central Connecticut State University.

4 F O R D H A M P R E SS .CO M
general interest

During the rise of New York from the capital of an upstart nation to a global metropolis,
the visual language of Greek and Roman antiquity played a formative role in the
development of the city’s art and architecture. This compilation of essays offers a
survey of diverse reinterpretations of classical forms in some of New York’s most
iconic buildings, public monuments, and civic spaces.
Classical New York examines the influence of Greco-Roman thought and design
from the Greek Revival of the late eighteenth and early nineteenth centuries through
the late-nineteenth-century American Renaissance and Beaux Arts period and
into the twentieth century’s Art Deco. At every juncture, New Yorkers looked to the
classical past for knowledge and inspiration in seeking out new ways to cultivate a
civic identity, to design their buildings and monuments, and to structure their public
and private spaces.
Specialists from a range of disciplines—archaeology, architectural history, art
history, classics, and history—focus on how classical art and architecture are
repurposed to help shape many of New York City’s most evocative buildings and works
of art. Federal Hall evoked the Parthenon as an architectural and democratic model;
the Pantheon served as a model for the creation of Libraries at New York University
and Columbia University; Pennsylvania Station derived its form from the Baths of
Caracalla; and Atlas and Prometheus of Rockefeller Center recast ancient myths in a
new light during the Great Depression.
Designed to add breadth and depth to the exchange of ideas about the place and
meaning of ancient Greece and Rome in our experience of New York City today,

Classical
this examination of post-Revolutionary art, politics, and philosophy enriches the
conversation about how we shape space—be it civic, religious, academic, theatrical, or
domestic—and how we make use of that space and the objects in it.

New York CONTRIBU TORS: Elizabeth Bartman, Maryl B. Gensheimer, Elizabeth Macaulay-
Lewis, Margaret Malamud, Allyson McDavid, Matthew M. McGowan, Francis
Morrone, Jon Ritter, Jared A. Simard
Discovering Greece and E LIZABETH MACAULAY-LEWIS is Assistant Professor of Liberal Studies and the
Rome in Gotham Acting Executive Officer of the M.A. Program in Liberal Studies at the Graduate Center,
the City University of New York.
EL I ZA BET H M ACAULAY-LEWI S and
MATTHE W M. MCG OWAN is Associate Professor and Chair of Classics at Fordham
M AT T H EW M. MCGOWAN, editors University.

304 pages
88 Illustrations, black and white
9780823281022 • Hardback • $35.00 (HC), £26.99
Simultaneous electronic edition available
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SE PTE MBE R
HISTORY | ARCHITECTURE

F O R D H A M P R E SS .CO M 5
general interest

Bad Faith recounts the history of the Rapp-Coudert investigation into alleged
communist subversion in the public schools and municipal colleges of New York City.
With roots in the intellectual and political life of the city, the Rapp-Coudert probe,
lasting from August 1940 to March 1942, enjoyed the support not only of conservatives
but also of key liberal reformers and intellectuals. In reconstructing this part of the
history of prewar anticommunism, Bad Faith challenges assumptions about the
origins of McCarthyism, about the recent history of the liberal political tradition, and
about the role of anticommunism in modern American life. This study finds in the
Rapp-Coudert inquiry an expression of the liberal side of the “countersubversive
tradition” in American political culture, as it explores how prominent Depression-
era liberals, as they joined conservatives in accusing communists of “bad faith” and
branded them enemies of American democracy, anticipated and made McCarthyism
possible.
In reconstructing these political and historical currents in the life of New York
City, Bad Faith explorets fundamental schisms between liberals and communists
that defied the apparent unity of the Popular Front, uncovering a dark side of the
liberal tradition, one that shaped the nation’s academic and intellectual life for several
postwar generations. Across that divide between liberal and communist, in schools
and teachers’ unions especially, flew accusations of bad faith and misrepresentation,
lying, and deception that defined liberal anticommunism and led many liberals
to argue that the communist left should be excluded from American educational
institutions and political life. This study of Rapp-Coudert also raises difficult

Bad Faith
questions about the good faith of the many liberals willing to aid and endorse the
emerging Red scare, as they sacrificed democratic and liberal principles of open
debate and academic freedom in the interest of achieving what they believed would be
Teachers, Liberalism, and effective modern government based on a new and, they believed, permanent economic
prosperity.
the Origins of McCarthyism ANDRE W FE FFE R is Professor of History and Co-Director of the interdisciplinary
ANDREW FE FFE R program on Film Studies at Union College, Schenectady, New York.

320 pages
8 Illustrations, black and white
9780823281152 • Paperback • $35.00 (AC), £26.99
9780823281169 • Hardback • $135.00 (SDT), £104.00
Simultaneous electronic edition available
Empire State Editions
JANUARY
HISTORY | E DUCATION | NE W YORK

6 F O R D H A M P R E SS .CO M
general interest

In a metropolis like New York, homelessness can blend into the urban landscape.
For editor Susan Greenfield, however, New York is the place where a community
of resilient, remarkable individuals are yearning for a voice. Sacred Shelter follows
the lives of thirteen formerly homeless people, all of whom have graduated from the
life skills empowerment program, an interfaith life skills program for homeless and
formerly homeless individuals in New York. Through frank, honest interviews, these
individuals share traumas from their youth, their experience with homelessness, and
the healing they have discovered through community and faith.
Edna Humphrey talks about losing her grandparents, father, and sister to illness,
accident, and abuse. Lisa Sperber discusses her bipolar disorder and her whiteness.
Dennis Barton speaks about his unconventional path to becoming a first-generation
college student and his journey to reconnect with his family. The memoirists share
stories about youth, family, jobs, and love. They describe their experiences with racism,
mental illness, sexual assault, and domestic violence. Each of the thirteen storytellers
honestly expresses his or her brokenheartedness and how finding community and
faith gave them hope to carry on.
Interspersed among these life stories are reflections from program directors,
clerics, mentors, and volunteers who have worked with and in the life skills
empowerment program. In his reflection, George Horton shares his deep gratitude for
and solidarity with the 500-plus individuals he has come to know since he co-founded
the program in 1989. While religion can be divisive, Horton firmly believes that all
faiths urge us to “welcome the stranger” and, as Pope Francis asks, “accompany”

Sacred Shelter
them through the struggles of life. Through solidarity and suffering, many formerly
homeless individuals have found renewed faith in God and community. Beyond
trauma and strife, Dorothy Day’s suggestion that “All is grace” is personified in these
Thirteen Journeys of thirteen stories. Jeremy Kalmanofsky, rabbi at Ansche Chesed Synagogue, says the
program points toward a social fabric of encounter and recognition between strangers,
Homelessness and Healing who overcome vast differences to face one another, which in Hebrew is called Panim
el Panim.
edited by SUSAN CE LIA GRE E NFI E LD While Sacred Shelter does not tackle the socioeconomic conditions and inequities
that cause homelessness, it provides a voice for a demographic group that continues
400 pages
to suffer from systemic injustice and marginalization. In powerful, narrative form, it
26 Illustrations, black and white
9780823281190 • Paperback • $30.00 (AC), £22.99
express the resilience of individuals who have experienced homelessness and the hope
9780823281206 • Hardback • $105.00 (SDT), £81.00 and community they have found. By listening to their stories, we are urged to confront
Simultaneous electronic edition available our own woundedness and uncover our desire for human connection, a sacred shelter
Empire State Editions on the other side of suffering.
DECE MBE R
H O ME LE SSNE SS | ORAL HISTORY | RE LIGION SUSAN CE LIA G RE E NFIE LD is a Professor of English at Fordham University;
author of Mothering Daughters: Novels and the Politics of Family Romance, Frances
Burney to Jane Austen; and co-editor of Inventing Maternity: Politics, Science, and
Literature, 1650–1865.

F O R D H A M P R E SS .CO M 7
general interest

“A miracle of poetic reincarnation, Ezra Pound’s Cathay finally gets a


comprehensive and thorough treatment in this critical edition. A marvel of
scholarship that will be required reading for all students of poetry.”
—YUN T E HUA N G, author of Inseparable: The Original Siamese Twins and Their
Rendezvous with American History

“If Pound’s translations are in many respects mistaken, they are among the
most generative mistakes in world literary history.”
— CHRI STO P HER B USH, from the Introduction

Ezra Pound’s Cathay (1915) is a masterpiece of modernism, but also one of world
literature. The muscular precision of images that mark Pound’s translations helped
established a modern style for American literature, at the same time creating a
thirst for classical Chinese poetry in English. Yet Pound wrote it without knowing
any Chinese, relying instead on word-for-word “cribs” left by the Orientalist Ernest
Fenollosa, whose notebooks reveal a remarkable story of sustained cultural exchange.
This fully annotated critical edition focuses on Pound’s astonishing translations
without forgetting that the original Chinese and Old English poems are masterpieces
in their own right. By placing Pound’s final text alongside the poems it claims to
translate, as well as the manuscript traces of Pound’s Japanese and American
interlocutors, the volume resituates Cathay as a classic of world literature.
The Pound texts and their intertexts are presented with care, clarity, and visual
elegance. In addition to the Chinese poems of Cathay, the volume also includes

Cathay
that volume’s additional poem, Pound’s famous translation of “The Seafarer” from
Anglo-Saxon, as well as fifteen further Pound translations from Chinese and his essay
“Chinese Poetry.” A substantial textual Introduction elaborates the texts’ histories, and
A Critical Edition substantial prefatory pieces by Bush and Saussy discuss international modernism, the
mediation of Japan, and translation. Finally, the edition supplies exhaustive historical,
E ZRA P OU ND critical, and textual notes, clarifying points that have sometimes lent obscurity to
edited by TI MOTHY B ILLINGS Pound’s poems and making the process of translation visible even for readers with no
introduction by CHRI STOPHE R BUSH knowledge of Chinese.
This landmark edition will forever change how readers view Pound’s “Chinese”
foreword by HAU N SAUSSY poems. In addition to discoveries that permanently alter the scholarly record, the
critical apparatus allows fresh discoveries by making available the specific networks
364 pages • 7 x 9 through which poetic expression moved among hands, languages, and media in a
9780823281060 • Hardback • $34.95 (HC), £26.99
NOVE MBE R
multiply authored and intrinsically hybrid masterpiece.
P OE TRY | LITE RATURE E ZRA POU ND (1884–1972) was a leading Modernist poet and the driving force
behind Imagism and Vorticism.
TIMOTHY BILLING S (Middlebury College), CHRISTOPHE R BUS H (Northwestern
University), and HAUN SAU SSY (University of Chicago) previously shared the
Aldo and Jean Scaglione Prize for Literary Translation for their edition of Victor
Segalen’s Stèles.

8 F O R D H A M P R E SS .CO M
general interest

Midden
J U L I A B O U WSMA
foreword by A FAA M. W EAV ER

“Julia Bouwsma’s chilling tale of the quietus of Malaga Island is shattering in its simplicity.
The ease with which an ‘undesirable’ culture can be summarily disappeared is not a grim
aberration relegated to a long-ago past—it’s a monster of the here-and-now. This is a chilling
commentary, compassionate and character-driven, penned by a poet who is resolute and
relentless as witness.”
— PAT R I C I A SMI T H

“Vividly reimagined and gorgeously rendered, Julia Bouwsma’s Midden gives voice to the
citizens of Malaga Island, off the coast of Maine, who early in the twentieth century were
removed from their homes, their lives destroyed. Bouwsma writes, ‘I tried to write the island
/ to life.’ In this devastating and beautiful collection, she does just that, as she expands the
field of documentary poetics. These poems bear witness to the tragedy of Malaga Island and
demand that we remember our country’s violence to people and land. Julia Bouwsma’s voice
is eloquent and urgent.”
— N I CO LE CO O LEY
88 pages • 8 x 9
4 Illustrations, black and white JULI A B OUWS M A is the author of Work by Bloodlight (Cider Press Review, 2017).
9780823280988 • Paperback • $22.00 (SDT), £16.99
Poets Out Loud
SE PTE MBE R
POE TRY | HISTORY

general interest

Xamissa
H E NK R O SS O U W

Xamissa is a book-length poem that sounds out the city of Cape Town in a joyful elegy for the city
of alternate takes. Xamissa adapts the mythical name for the springs and streams running from
Table Mountain to the sea, under the city itself, since before the colonial Dutch ships came—the
X of the title standing in for the multiple ways in the languages of the Cape, past and present, the
reader may pronounce the first consonant.
A work of documentary poetics that investigates the cost of whiteness in South Africa,
Xamissa code-switches at times into Lontara, the subversive Indonesian script that undercuts
the prevalence of Dutch in the colonial archive. Through serial questions around the ethics of
its address, Xamissa probes the interrelation of language, sociality, and resistance, in its bid to
interrogate the archive as a draft of the city’s future.
HENK R OSS OUW teaches at the University of Louisiana at Lafayette. His poems have appeared
in The Paris Review, The Massachusetts Review, The Boston Review, and other publications.

136 pages • 8 x 9
6 Illustrations, black and white
9780823281107 • Paperback • $24.00 (SDT), £17.99
Poets Out Loud
SE PTE MBE R
POET RY | POSTCO LONIAL STUDIE S

F O R D H A M P R E SS .CO M 9
academic trade

The new geological epoch we call the Anthropocene is not just a scientific
classification. It marks a radical transformation in the background conditions of
life on Earth, one taken for granted by much of who we are and what we hope for.
Never before has a species possessed both a geological-scale grasp of the history of
the Earth and a sober understanding of its own likely fate. Our situation forces us
to confront questions both philosophical and of real practical urgency. We need to
rethink who “we” are, what agency means today, how to deal with the passions stirred
by our circumstances, whether our manner of dwelling on Earth is open to change, and,
ultimately, “What is to be done?” Our future, that of our species, and of all the fellow
travelers on the planet depend on it.
The real-world consequences of climate change bring new significance to
some very traditional philosophical questions about reason, agency, responsibility,
community, and man’s place in nature. The focus is shifting from imagining and
promoting the “good life” to the survival of the species. Deep Time, Dark Times
challenges us to reimagine ourselves as a species, taking on a geological consciousness.
Drawing promiscuously on the work of Nietzsche, Heidegger, Foucault, Derrida,
Deleuze, and other contemporary French thinkers, as well as the science of
climate change, David Wood reflects on the historical series of displacements and
de-centerings of both the privilege of the Earth, and of the human, from Copernicus
through Darwin and Freud to the declaration of the age of the Anthropocene. He
argues for the need to develop a new temporal phronesis and to radically rethink
who “we” are in respect to solidarity with other humans, and responsibility for

Deep Time,
the nonhuman stakeholders with which we share the planet. In these brief, lively
chapters, Wood poses a range of questions centered on our individual and collective
political agency. Might not human exceptionalism be reborn as a sort of hyperbolic

Dark Times responsibility rather than privilege?


DAVID WOOD , W. Alton Jones Professor of Philosophy at Vanderbilt University, is
the author or (co-)editor of eighteen books, including Eco-Deconstruction: Derrida and
On Being Geologically Human Environmental Philosophy; Thinking Plant Animal Human; Time after Time; The Step
Back: Ethics and Politics after Deconstruction; and Thinking after Heidegger. He is also
DAVID WOOD
an earth-artist and Director of Yellow Bird Artscape in Tennessee.

160 pages
9780823281350 • Paperback • $19.95 (AC), £14.99
9780823281367 • Hardback • $70.00 (SDT), £54.00
Simultaneous electronic edition available
Thinking Out Loud
NOVE MBE R
E NVIRONME NTAL STUDIE S | P HILOSOP HY

10 F O R D H A M P R E SS .CO M
academic trade

“A compelling read, with thought-provoking insights on the nature of photography


and visuality. Written as though a diary, the book combines extended visual
analysis of personal photographs with keen observations about the slipperiness of
perception and identity and the notion of the Other. Original and stimulating in
presentation, the book is also well written, poetic, and often gripping.”
— FREDERI CK GROSS, author of Diane Arbus’s 1960s

“Emerging from an unknown body, enthralling images, and lacerating silences,


The Blind Man is written with the force of literature. Desjarlais’s fierce
masterpiece reawakens anthropology’s sense of wonder with the affective,
spectral nature of worldly encounters. A transformational book.”
— JOÃO B I EHL, Princeton University

The Blind Man: A Phantasmography examines the complicated forces of perception,


imagination, and phantasms of encounter in the contemporary world. In considering
photographs he took while he was traveling in France, anthropologist and writer
Robert Desjarlais reflects on a few pictures that show the features of a man, apparently
blind, who begs for money at a religious site in Paris. In perceiving this stranger and
the images his appearance projects, he begins to imagine what this man’s life is like
and how he perceives the world around him.
Written in journal form, the book narrates Desjarlais’s pursuit of the man portrayed
in the photographs. He travels to Paris and tries to meet with him. Eventually,
Desjarlais becomes unsure as to what he sees, hears, or remembers. Through these

The Blind Man


interpretive dilemmas he senses the complexities of perception, where all is multiple,
shifting, spectral, a surge of phantasms in which the actual and the imagined are
endlessly blurred and intertwined. His own vision is affected in a troubling way.
A Phantasmography Composed of an intricate weave of text and image, The Blind Man attends to
pressing issues in contemporary life: the fraught dimensions of photographic capture,
R OB E RT DE SJARLAI S encounters with others and alterity, the politics of looking, media images of violence
and abjection, and the nature of fantasy and imaginative construal. Through a
240 pages wide-ranging inquiry into histories of imagination, Desjarlais inscribes the need for
64 Illustrations, black and white a “phantasmography”—a writing of phantasms, a graphic inscription of the flows and
9780823281114 • Paperback • $29.95 (AC), £22.99 currents of fantasy and fabulation.
9780823281121 • Cloth • $95.00 (SDT), £73.00
Simultaneous electronic edition available ROBERT DESJARLAIS is an award-winning anthropologist and writer teaching at
Thinking from Elsewhere Sarah Lawrence College. His many books include Subject to Death: Life and Loss in
NOVE MBE R
a Buddhist World (Chicago, 2016); Counterplay: An Anthropologist at the Chessboard
P HOTOGRAP HY | ANTHROP OLOGY
(California, 2011); and Shelter Blues: Sanity and Selfhood Among the Homeless
(Penn, 1997).

F O R D H A M P R E SS .CO M 11
academic trade

“Seldom do I read a book with such verve and audacity as When God Was a Bird.
Mark Wallace has given us a treasure, almost in the form of a parable, because if
God is manifest in a bird—the Holy Spirit as dove—where else might God be found?
And what might that radical, even creation-wide incarnation of God mean for us
today? Highly recommended.”
— B RI A N D. MCLA REN , author of The Great Spiritual Migration

“This book brings forth a luminous animism for all to see, previously hidden in the
scriptures and traditions of Christianity yet embedded in the body of the Earth
itself. We are all indebted to Mark Wallace, who has given us a masterpiece of eco-
theology rendered in the most elegant and accessible poetic language. A gift for
years to come!”
— MA RY EVELYN T UCK ER, Yale Forum on Religion and Ecology

In a time of rapid climate change and species extinction, what role have the world’s
religions played in ameliorating—or causing—the crisis we now face? One can point to
Christianity’s otherworldly theologies, which privilege our spiritual aspirations over
our natural origins, as bearing a disproportionate burden for creating humankind’s
exploitative attitudes toward nature.
And yet, buried deep within the Christian tradition are startling portrayals of
God as the beaked and feathered Holy Spirit—the “animal God” of historic Christian
witness. Through biblical readings, historical theology, continental philosophy, and
personal stories of sacred nature, this book recovers the Christian God as a creaturely,

When God Was


avian being promiscuously incarnated within all things.
This beautifully and accessibly written book shows that “Christian animism” is
not a contradiction in terms but Christianity’s natural habitat. Challenging traditional

a Bird Christianity’s self-definition as an otherworldly religion, Wallace paves the way for
a new Earth-loving spirituality grounded in the ancient image of an animal God who
signals the presence of spirit in everything, human and more-than-human alike.
Christianity, Animism, and the MARK I. WALLACE is Professor of Religion and Environmental Studies at

Re-Enchantment of the World Swarthmore College and core faculty for the U.S. State Department’s Institutes on
Religious Pluralism at Temple University. His books include Green Christianity: Five
MARK I. WALLACE Ways to a Sustainable Future (Fortress, 2010) and Finding God in the Singing River:
Christianity, Spirit, Nature (Fortress, 2005).
240 pages
6 Illustrations, black and white
9780823281312 • Paperback • $29.95 (AC), £22.99
9780823281329 • Hardback • $105.00 (SDT), £81.00
Simultaneous electronic edition available
Groundworks: Ecological Issues in Philosophy and Theology
NOVE MBE R
THEOLOGY | E NVIRONME NTAL STUDIE S

12 F O R D H A M P R E SS .CO M
academic trade

This work provides the first systematic discussion of the Bodhisattva path and its
importance for constructive Christian theology. Crucified Wisdom examines specific
Buddhist traditions, texts, and practices not as phenomena whose existence requires
an apologetic justification but as wells of tested wisdom that invite theological insight.
With the increasing participation of Christians in Buddhist practice, many are seeking
a deeper understanding of the way the teachings of the two traditions might interface.
Christ and the Bodhisattva are often compared superficially in Buddhist–Christian
discussion. This text combines a rich exposition of the Bodhisattva path, using
Śāntideva’s classic work the Bodicaryāvatāra and subsequent Tibetan commentators,
with detailed reflection on its implications for Christian faith and practice.
Author S. Mark Heim lays out root tensions constituted by basic Buddhist
teachings on the one hand, and Christian teachings on the other, and the ways in
which the Bodhisattva or Christ embody and resolve the resulting paradoxes in their
respective traditions. An important contribution to the field of comparative theology
in general and to the area of Buddhist–Christian studies in particular, Crucified
Wisdom proposes that Christian theology can take direct instruction from Mahāyāna
Buddhism in two respects: deepening its understanding of our creaturely nature
through no-self insights, and revising its vision of divine immanence in dialogue with
teachings of emptiness. Heim argues that Christians may affirm the importance of
novelty in history, the enduring significance of human persons, and the Trinitarian
reality of God, even as they learn to value less familiar, nondual dimensions of Christ’s
incarnation, human redemption, and the divine life.

Crucified
Crucified Wisdom focuses on questions of reconciliation and atonement in
Christian theology and explores the varying interpretations of the crucifixion of
Jesus in Buddhist–Christian discussion. The Bodhisattva path is central for major

Wisdom contemporary Buddhist voices such as the Dalai Lama and Thích Nhât Ha.nh, who
figure prominently as conversation partners in the text. This work will be of particular
value for those interested in “dual belonging” in connection to these traditions.
Theological Reflection on S. MARK HE IM is Samuel Abbot Professor of Theology at Andover Newton Seminary

Christ and the Bodhisattva at Yale and a Visiting Professor at Yale Divinity School. He is the author and editor of
several books, the most recent of which is Saved from Sacrifice: A Theology of the Cross.
S. MARK HE IM

336 pages
9780823281237 • Paperback • $32.00 (AC), £24.99
9780823281244 • Hardback • $110.00 (SDT), £84.00
Simultaneous electronic edition available
Comparative Theology: Thinking Across Traditions
DECE MBE R
RE LIGION | P HILOSOP HY

F O R D H A M P R E SS .CO M 13
h i sto ry | african american studies

A Great Sacrifice
Northern Black Soldiers, Their Families, and the Experience of Civil War
JA M E S G. M ENDEZ

A Great Sacrifice is an in-depth analysis of the effects of the Civil War on northern black families
carried out using letters from northern black women—mothers, wives, sisters, and female family
friends—addressed to a number of Union military officials.
Collectively, the letters give a voice to the black family members left on the northern homefront.
Through their explanations and requests, readers obtain a greater apprehension of the struggles
African American families faced during the war, and their conditions as the war progressed. The
original letters that were received by government agencies, as well as many of the copies of the
letters sent in response, are held by the National Archives in Washington, D.C.
This study is unique because it examines the effects of the war specifically on northern black
families. Most other studies on African Americans during the Civil War focused almost exclusively
on the soldiers.
304 pages
15 Illustrations, black and white
JAM ES G. M ENDE Z is Associate Dean of Student Affairs and an Assistant Professor in the
9780823282494 • Paperback • $35.00 (SDT), £26.99 Department of Medical Education at Loyola University Chicago Stritch School of Medicine.
9780823282500 • Hardback • $135.00 (SDT), £104.00
Simultaneous electronic edition available
The North’s Civil War
FE BRUARY

h i sto ry | s l av e r y | african american studies

“Pretends to Be Free”
Runaway Slave Advertisements from Colonial and Revolutionary
New York and New Jersey
G R A H A M RUSSELL GAO H O DGES and ALAN EDWARD BROW N, editors
f oreword by E DWARD E. BAP T IST

Includes a new Introduction and a teacher’s guide

Republication on the twenty-fifth anniversary of “Pretends to Be Free” recognizes the signal


importance of its sterling presentation of northern self-emancipation. Today, even more than a
quarter-century ago, these fugitive slave notices are the best verbal snapshots of enslaved Americans
before and during the American Revolution. Through these notices, readers can discover how
enslaved blacks chose allegiance during our War for Independence.
Replete with a preface by Ed Baptist, the leading scholar of slavery and capitalism and director
of a massive project aimed at digitalizing every escape notice, and with a new Introduction and
416 pages teacher’s guide by Graham Hodges, this new edition makes this documentary study more relevant
16 Illustrations, black and white than ever.
9780823282159 • Paperback • $35.00 (SDT), £26.99
JANUARY
GRAHAM GAO HODG ES is George Dorland Langdon Jr. Professor of History and Africana
and Latin American Studies at Colgate University. ALAN EDWARD BROWN is an attorney in
Minneapolis and Lieutenant in the U.S. Navy.

14 F O R D H A M P R E SS .CO M
race & ethnic studies | philosophy

“If there is any hope for the human, and if the idea of the human is of any use to the
enactment of that hope, then the aesthetic claims and categories through which
the human and its subjects are exalted and degraded must be placed under the
most violent and most loving scrutiny. Under Representation exemplifies such
scrutiny. The rigorous care with which David Lloyd examines and challenges
the entanglement of race, representation, and the aesthetic is irresistible and
indispensable. Under Representation is a major, and singular, achievement.”
— FRED MOT EN , New York University

Under Representation shows how the founding texts of aesthetic philosophy ground
the racial order of the modern world in our concepts of universality, freedom, and
humanity. Late Enlightenment discourse on aesthetic experience proposes a decisive
account of the conditions of possibility for universal human subjecthood. The
aesthetic forges a powerful “racial regime of representation” whose genealogy runs
from Enlightenment thinkers like Kant and Schiller to late Modernist critics like
Adorno and Benjamin. For aesthetic philosophy, representation is not just about
depiction of diverse humans or inclusion in political or cultural institutions. It is an
activity that undergirds the various spheres of human practice and theory, from the
most fundamental acts of perception and reflection to the relation of the subject to the
political, the economic, and the social.
Representation regulates the distribution of racial identifications along a
developmental trajectory: The racialized remain “under representation,” on the
threshold of humanity and not yet capable of freedom and civility as aesthetic thought

Under defines those attributes. To ignore the aesthetic is thus to overlook its continuing force
in the formation of the racial and political structures down to the present.
Both a genealogy and an account of our present, Under Representation ultimately

Representation helps show how a political reading of aesthetics can help us build a racial politics
adequate for the problems we face today, one that stakes claims more radical than
multicultural demands for representation.
The Racial Regime of Aesthetics DAVID LLOY D is Distinguished Professor of English at the University of California,
DAVI D LLOYD Riverside. He is the author, most recently, of Beckett’s Thing: Painting and Theatre.

240 pages
9780823282371 • Paperback • $28.00 (SDT), £21.99
9780823282388 • Hardback • $95.00 (SDT), £73.00
Simultaneous electronic edition available
OCTOBE R

F O R D H A M P R E SS .CO M 15
asian studies | p o l i t i ca l t h e o ry

“Through an analytic of ‘mixed race,’ Shimabuku offers an incisive indictment


of Japan’s middle-class ideology of heteronormativity and racial purity.
Provocatively illuminating the recalcitrant possibilities of Okinawan politics and
lifeforms beyond law and the state, Alegal must be engaged by everyone concerned
with post-1945 Okinawa and fascism in our time.”
— LI SA YO N EYA MA , University of Toronto

“Shimabuku examines the complex relationship between the United States and
Japan as it played out through the racialized and gendered bodies of Okinawa.
While Okinawa may seem at the periphery of two imperial powers, Shimabuku
puts it dead center in a brilliant and sharp-eyed account of how zones of alegality
are also zones of origin for the law itself.”
— JA MES MA RT EL, San Francisco State University

Okinawan life, at the crossroads of American militarism and Japanese capitalism,


embodies a fundamental contradiction to the myth of the monoethnic state.
Suspended in a state of exception, Okinawa has never been an official colony of the
Japanese empire or the United States, nor has it ever been treated as an equal part
of Japan. As a result, Okinawans live amid one of the densest concentrations of U.S.
military bases in the world. By bringing Foucauldian biopolitics into conversation with
Japanese Marxian theory, Alegal uncovers Japan’s determination to protect its middle
class from the racialized sexual contact around its mainland bases by displacing
them onto Okinawa, while simultaneously upholding Okinawa as a symbol of the

Alegal
infringement of Japanese sovereignty.
This symbolism, however, has provoked ambivalence within Okinawa. In base
towns that facilitated encounters between G.I.s and Okinawan women, the racial
Biopolitics and the Unintelligibility of politics of the United States collided with the postcolonial politics of the Asia Pacific.
Through close readings of poetry, reportage, film, and memoir on base-town life
Okinawan Life since 1945, Shimabuku traces a continuing failure to “become Japanese.” What she
discerns instead is a complex politics surrounding sex work, tipping with volatility
ANNM ARI A M. SHIMABUKU along the razor’s edge between insurgency and collaboration. At stake in sovereign
powers’ attempt to secure Okinawa as a military fortress was the need to contain
224 pages alegality itself—that is, a life force irreducible to the legal order. If biopolitics is the
9780823282654 • Paperback • $28.00 (SDT), £21.99
9780823282661 • Hardback • $95.00 (SDT), £73.00
state’s attempt to monopolize life, then Alegal is a story about how borderland actors
Simultaneous electronic edition available reclaimed its power for themselves.
NOVE MBE R
ANNMARIA SHIMABUKU is Assistant Professor of East Asian Studies at
New York University.

Alegal is available from the publisher on an open-access basis.

16 F O R D H A M P R E SS .CO M
american studies | media & c o m m u n i c at i o n

“Figuring Violence is a challenging, highly original contribution to critical


research on affect and the visual culture of militarization. Adelman vividly
analyzes the people and nonhuman animals around whom militarized affect
gets assembled in contemporary U.S. culture, scaling the fine granularities of
militarized feeling and the larger imaginaries of wartime mediation, and their
devastating consequences. This book calls us in and challenges us to take on the
struggle against militarized violence and its powerful structures of feeling. It is
a critical read for anyone willing to ‘stay with the trouble’ of doing the emotional
and political work that de-militarization requires of us.”
— CA RRI E REN TSCHLER, McGill University

In the United States, the early years of the war on terror were marked by the primacy
of affects like fear and insecurity. These aligned neatly with the state’s drive toward
intensive securitization and an aggressive foreign policy. But for the broader citizenry,
such affects were tolerable at best and unbearable at worst; they were not sustainable.
Figuring Violence catalogs the affects that define the latter stages of this war and
the imaginative work that underpins them. These affects—apprehension, affection,
admiration, gratitude, pity, and righteous anger—are far more subtle and durable than
their predecessors, rendering them deeply compatible with the ambitions of a state
embroiling itself in a perpetual and unwinnable war.
Surveying the cultural landscape of this sprawling conflict, Figuring Violence
reveals the varied mechanisms by which these affects have been militarized. Rebecca
Adelman tracks their convergences around six types of beings: civilian children,

Figuring military children, military spouses, veterans with PTSD and TBI, Guantánamo
detainees, and military dogs. All of these groups have become preferred objects of
sentiment in wartime public culture, but they also have in common their status as

Violence political subjects who are partially or fully unknowable. They become visible to
outsiders through a range of mediated and imaginative practices that are ostensibly
motivated by concern or compassion. However, these practices actually function to
Affective Investments in Perpetual War reduce these beings to abstracted figures, silencing their political subjectivities and
obscuring their suffering. As a result, they are erased and rendered hypervisible at
R EBE CCA A. ADE LMAN once. Figuring Violence demonstrates that this dynamic ultimately propagates the
very militarism that begets their victimization.
336 pages
19 Illustrations, black and white REBECCA A. ADELMAN is Associate Professor of Media and Communication
9780823281688 • Paperback • $30.00 (SDT), £22.99 Studies at the University of Maryland, Baltimore County. She is the author of Beyond
9780823281671 • Hardback • $105.00 (SDT), £81.00 the Checkpoint: Visual Practices in America’s Global War on Terror.
Simultaneous electronic edition available
NOVE MBE R

F O R D H A M P R E SS .CO M 17
philosophy | science | e n v i r o n m e n ta l st u d i e s

The Unconstructable Earth


An Ecology of Separation
F R É D É R I C N EYRAT
translated by DREW S. BU RK

“A vitally important book that stakes out a new position in the environmental humanities.”
— ST E V E N SHAVI RO, Wayne State University

The Anthropocene announces a post-natural planet that can be remade at will through the process of
geoengineering. With it, a new kind of power, geopower, takes the entire Earth, in its social, biological,
and geophysical dimensions, as an object of knowledge, intervention, and governmentality. This shift
has been aided, wittingly or not, by theorists of the constructivist turn who have likewise called into
question the divide between nature and culture and have thus found themselves helpless against the
project to replace Earth with Earth 2.0.
Against both camps, this book confronts the unconstructable Earth, proposing an “ecology
256 pages of separation” that acknowledges the wild, subtractive capacity of nature. Against technocratic
3 Illustrations, black and white delusion, but equally against a racially tinged organicism, Neyrat shows what it means to appreciate
9780823282579 • Paperback • $30.00 (SDT), £22.99
Earth as an unsubstitutable becoming that cannot be replicated in a laboratory and that always
9780823282586 • Hardback • $105.00 (SDT), £81.00
Simultaneous electronic edition available escapes the hubris of those who would remake and master it.
Meaning Systems FR É D É R I C NEYRAT is Associate Professor of Comparative Literature at University of
OCTOBE R
Wisconsin–Madison.

l i t e r a ry st u d i e s | e n v i r o n m e n ta l st u d i e s

Ecological Form
System and Aesthetics in the Age of Empire
NATH A N K . HENSLEY and PH ILIP ST EER, editors
afterword by KAREN PINKU S

Ecological Form brings together leading voices in nineteenth-century ecocriticism to suture the
lingering divide between postcolonial and ecocritical approaches. Together, these essays show
how Victorian thinkers used aesthetic form to engage problems of system, interconnection, and
dispossession that remain our own. The authors reconsider Victorian literary structures in light of
environmental catastrophe; coordinate “natural” questions with sociopolitical ones; and underscore
the category of form as a means for generating environmental—and therefore political—knowledge.
Moving from the elegy and the industrial novel to the utopian romance, the scientific treatise, and
beyond, Ecological Form demonstrates how nineteenth-century thinkers conceptualized the
circuits of extraction and violence linking Britain to its global network. Yet the book’s most pressing
argument is that this past thought can be a resource for reimagining the present.
256 pages CONTR I B UTOR S: Monique Allewaert, Sukanya Banerjee, Adam Grener, Deanna K. Kreisel,
6 Illustrations, black and white Elizabeth Carolyn Miller, Benjamin Morgan, Aaron Rosenberg, Teresa Shewry, Jesse Oak Taylor,
9780823282111 • Paperback • $35.00 (SDT), £26.99
Lynn Voskuil
9780823282128 • Hardback • $110.00 (SDT), £84.00
Simultaneous electronic edition available NATHAN K. HEN SLEY is Associate Professor of English at Georgetown University.
DECE MBE R PHI LI P STEER is Senior Lecturer in English at Massey University. KAREN PINKUS is Professor
of Italian and Comparative Literature at Cornell University.

18 F O R D H A M P R E SS .CO M
anthropology | asian studies

People’s Car
Industrial India and the Riddles of Populism
SA R A SI J M A JU MDER

“It is refreshing to read a book that thinks contemporary dynamics of development


ethnographically. Attentive to the conflicted sentiments and desires of his peasant
informants, Majumder refreshingly refuses to toe a clear ideological line. This well-crafted,
clearly written book poses important questions of broad relevance to contemporary India
and beyond.”
—V I N AY G I DWA N I , University of Minnesota

India is witnessing a unique moment in populism, with sentiments divided between economic
reforms that promise fast industrialization and protests that thwart such industrialization. This
book offers an ethnographic study of divergent local responses to the proposed construction of a
Tata Motors factory in eastern India that would have produced the Nano, the so-called people’s car.
208 pages
Initial excitement was followed by long protests against the factory, and then, after its relocation,
8 Illustrations, black and white by further demonstrations seeking to bring it back. Taking this ambivalence as a way past
9780823282418 • Paperback • $32.00 (SDT), £24.99 romantic clichés about urban/rural divisions, People’s Car offers a single analytical framework
9780823282425 • Hardback • $110.00 (SDT), £84.00 demonstrating how pro- and anti-industrialization forces feed off each other.
Simultaneous electronic edition available
NOVE MBE R SA RAS I J M AJUMDER is Associate Professor of Anthropology and Interdisciplinary Studies at
Kennesaw State University.

asian studies | philosophy

Practicing Caste
On Touching and Not Touching
A NI K ET JA AWARE
foreword by A N U PAMA RAO

“The book is a remarkable exercise in showing what is possible when we attend to caste as if
we were confronting it for the first time. . . . In posing caste as a problem for ethics, Jaaware
returns to that fundamental question of what it means to be-with-others in a startlingly new
manner. . . . A text that has so much to teach us about being together and apart.”
—A N U PA M A RAO, from the Foreword

Practicing Caste attempts a fundamental break from the tradition of caste studies, showing
the limits of the historical, sociological, political, and moral categories through which it has
usually been discussed. Engaging with the resources that phenomenology, structuralism, and
poststructuralism offer to our thinking of the body, Jaaware helps to illuminate the ethical
256 pages • 2 diagrams
relations that caste entails, especially around its injunctions concerning touching. The resulting
9780823282258 • Paperback • $35.00 (SDT), £26.99 insights offer new ways of thinking about sociality that are pertinent not only to India but also to
9780823282265 • Hardback • $125.00 (SDT), £96.00 thinking the common on a planetary basis.
Simultaneous electronic edition available
Commonalities A NI K ET JAAWARE is Professor of English at Shiv Nadar University.
DECE MBE R

F O R D H A M P R E SS .CO M 19
l at i n a m e r i c a n s t u d i e s | art & v i sua l c u lt u r e

Mapping Memory
Visuality, Affect, and Embodied Politics in the Americas
KA I TL I N M . MU RPHY

In Mapping Memory, Kaitlin M. Murphy investigates the use of memory as a means of contemporary
sociopolitical intervention. Mapping Memory focuses specifically on visual case studies, including
documentary film, photography, performance, new media, and physical places of memory, from
sites ranging from the Southern Cone to Central America and the U.S.–Mexican borderlands.
Murphy develops new frameworks for analyzing how visual culture performs as an embodied
agent of memory and witnessing, arguing that visuality is inherently performative. By analyzing
the performative elements, or strategies, of visual texts—such as embodiment, reenactment,
haunting, and the performance of material objects and places—Murphy elucidates how memory is
both anchored in and extracted from specific bodies, objects, and places. Drawing together diverse
theoretical strands, Murphy originates the theory of “memory mapping,” which tends to the ways
in which memory is strategically deployed in order to challenge official narratives that often neglect
208 pages or designate as transgressive certain memories or experiences. Ultimately, Murphy argues, memory
13 Illustrations, black and white
mapping is a visual strategy to ask, and to challenge, why certain lives are rendered visible and thus
9780823282531 • Paperback • $30.00 (SDT), £22.99
9780823282548 • Hardback • $105.00 (SDT), £81.00 grievable and others not.
Simultaneous electronic edition available KAI TLI N M . M URPHY is Assistant Professor at the University of Arizona.
OCTOBE R

l i t e r a ry st u d i e s | urban studies

Novel Shocks
Urban Renewal and the Origins of Neoliberalism
M Y KA TUC K ER -ABRAMS ON

Throughout the 1950s, a coalition of developers, politicians, and planners bulldozed vast areas of
land deemed “slums” or “blighted” to make way for freeways, public and private housing projects,
cultural centers, and skyscrapers. While the program was national, New York was ground zero, and
the demolition and monumental reconstruction of the city created a distinctive urban sensorium,
rooted in the new segregated landscapes of prosperous white private space and poor black public
space.
Novel Shocks situates these landscapes at the center of the midcentury novel, arguing that James
Baldwin, Ralph Ellison, Patricia Highsmith, Ayn Rand, William Burroughs, Sylvia Plath, and Warren
Miller all registered these new urban spaces as traumatic “shocks” that required new aesthetic
forms. Rejecting older shock-based modernisms, these novelists forged a new modernism, which
reimagined shock as a therapeutic force that would create a more flexible, self-reliant, and resilient
208 pages
subject that would nourish neoliberalism’s roots. In offering a cultural prehistory of neoliberalism,
9780823282692 • Paperback • $25.00 (SDT), £18.99 Novel Shocks resituates the Cold War novel as a key archive for understanding neoliberalism’s
9780823282708 • Hardback • $90.00 (SDT), £69.00 emergence and offers a more materialist and historically grounded account of neoliberalism’s
Simultaneous electronic edition available subjective, affective, and ideological structures.
DECE MBE R
M YKA TUC K ER -ABRAMSON is Assistant Professor in American Literature at the University
of Warwick.

20 F O R D H A M P R E SS .CO M
e d u c at i o n | l i t e r a ry st u d i e s

“The Two Cultures of English takes a new look at the rise of theory in literary
studies. Despite myriad claims about breaking down boundaries, theory also
enforced some, generally taking the mantle of pure thought in contrast to the
practical work of composition. Maxwell focuses on how both met on the terrain
of rhetoric. It is one of the first studies that put the two together in a sustained
way, versed in both literary and composition scholarship. Reassessing the recent
past, The Two Cultures is an excellent addition to new histories of criticism and
theory.”
— JEFFREY J. WI LLI A MS, author of
How to Be an Intellectual: Essays on Criticism, Culture, and the University

The Two Cultures of English examines the academic discipline of English in the final
decades of the twentieth century and the first years of the new millennium. During
this period, longstanding organizational patterns within the discipline were disrupted.
With the introduction of French theory into the American academy in the 1960s
and 1970s, both literary studies and composition studies experienced a significant
reorientation.
The introduction of theory into English studies not only intensified existing
tensions between those in literature and those in composition but also produced
commonalities among colleagues that had not previously existed. As a result, the
various fields within English began to share an increasing number of investments at
the same time that institutional conflicts between them became more intense than
ever before.

The Two Cultures


Through careful reconsiderations of some of the key figures who shaped and were
shaped by this new landscape—including Michel Foucault, Kenneth Burke, Paul de
Man, Fredric Jameson, James Berlin, Susan Miller, John Guillory, and Bruno Latour—

of English the book offers a more comprehensive map of the discipline than is usually understood
from the perspective of either literature or composition alone.
Possessing a clear view of the entire discipline is essential today as the
Literature, Composition, contemporary corporate university pushes English studies to abandon its liberal arts
tradition and embrace a more vocational curriculum. This book provides important
and the Moment of Rhetoric conceptual tools for responding to and resisting in this environment.
JAS ON MAXWE LL JASON MAXWELL is Clinical Assistant Professor of English at the University at
Buffalo. He is co-author, with Claire Colebrook, of Agamben (Polity, 2016).
256 pages
9780823282456 • Paperback • $28.00 (SDT), £21.99
9780823282463 • Hardback • $95.00 (SDT), £73.00
Simultaneous electronic edition available
JANUARY

F O R D H A M P R E SS .CO M 21
biography | philosophy

Maurice Blanchot
A Critical Biography
C H R I STO P H E BIDENT, t ranslated by JO HN MCKEANE

“An essential addition to the library of anyone seriously interested in Maurice Blanchot and
the evolutions of literary and philosophical thinking in twentieth-century France.”
— LY D I A DAVI S

“An event of the first magnitude, illuminating the life and writing of perhaps the most
compelling, unsettling, and wondrously enigmatic author of the last century.”
—TO M CO NLEY, Harvard University

Maurice Blanchot has long inspired writers, artists, and philosophers with some of the most
incisive statements of what it meant to experience the traumas and turmoils of the twentieth
century. Bident’s magisterial biography provides the first full-length account of Blanchot’s itinerary,
drawing on unpublished letters and interviews with the writer’s close friends, while also providing a
612 pages
9780823281756 • Paperback • $40.00 (SDT), £31.00 sophisticated genealogy of his thought.
9780823281763 • Hardback • $140.00 (SDT), £108.00 A journalist and activist, but also inclined to secrecy, Blanchot lived public and private lives that
Simultaneous electronic edition available converged at some of the century’s most momentous occasions: He was nearly executed during the
SE PTE MBE R
Occupation, participated prominently in the May ’68 revolution in Paris, and, more controversially,
wrote for the far right in the ’30s. Even-handed throughout, Bident offers a much-needed fleshing out
of a life too easily sensationalized.
C HR I STOPHE B IDE NT teaches at the University of Picardie Jules Verne.

l i t e r at u r e | philosophy

Death Now
Chronicles of Intellectual Life, 1944
M AU R I C E B L ANCH OT
translated by MICH AEL H O LLAND

“The time has come to attend to Blanchot’s early literary and political journalism (his missteps
included), which, surprisingly, the first generation of his postwar admirers barely noted. It
reminds us that this major theoretician of literary modernity has never been associated with
academia: The newspaper was the site of his first critical exercise. Death Now provides a rich
overview of the French literary atmosphere during the fateful final period of the Occupation. It
is also unmistakably haunted by the ghost of a Blanchot to come.”
— D E N I S H OLLI ER, New York University

M AUR I C E B LA NCHOT (1907–2003)—writer, critic, and journalist—was one of the most important
voices in twentieth-century literature and thought.

176 pages
M I C HA EL HOLLAND is a Fellow of St Hugh’s College, Oxford.
9780823281794 • Paperback • $35.00 (SDT), £26.99
9780823281800 • Hardback • $125.00 (SDT), £96.00
Simultaneous electronic edition available
OCTOBE R

22 F O R D H A M P R E SS .CO M
l i t e r a ry st u d i e s | philosophy

“A capstone book. Kamuf’s scholarship is careful and honest, and the book is a
delight to read.”
— DI A N E RUB EN ST EI N , Cornell University

“This is a superb book, with rich readings of essential texts that offer a fresh start
to an urgent but often ignored question of justice. Without moralizing, Kamuf
takes a strong position against the death penalty, directly confronting the actual
legal, political, ethical, social, and philosophical questions it raises. In one blow,
she overhauls the debate and makes us look at what really matters in it. The book
will find a wide, hungry, and receptive audience across a range of fields and
disciplines.”
—T HO MAS K EEN A N , Bard College

Jacques Derrida has written that “the modern history of the institution named
literature in Europe over the last three or four centuries is contemporary with and
indissociable from a contestation of the death penalty.” How, Kamuf asks, does
literature contest the death penalty today, particularly in the United States, where
it remains the last of its kind in a nation that professes to be a democracy? What
resources do fiction, narrative, and poetic language supply in the age of the remains of
the death penalty?
Following a lucid account of Derrida’s approach to the death penalty, Kamuf
pursues these questions across literary texts by George Orwell, Robert Coover,
Norman Mailer, Franz Kafka, and Charles Baudelaire. The readings address a range of

Literature and
questions that haunt the death penalty: the “mysteries” of witness; secrecy and public
display; the undecidable relation of capital punishment and suicide; the sovereign
powers of death and of pardon; and ways performative literary language can “play the

the Remains law.” In relation to the death penalties they represent, these literary survivals may be
seen as the ashes or remains of the phantasm that the death penalty has always been,
the phantasm of calculating and ending finitude.

of the Death A major contribution to the field of law and society, this book makes the case for
literature as a space for contesting the death penalty, a case that scholars and activists
working across a range of traditions will need to confront.

Penalty PEG GY KAMU F is Professor Emerita of French and Comparative Literature at the
University of Southern California. Her books include To Follow: The Wake of Jacques
PE GGY KAMU F Derrida and Book of Addresses, which won the René Wellek Prize. She is co-editor
of the seminars of Jacques Derrida and has translated several books by Derrida,
176 pages including The Death Penalty I.
9780823282296 • Paperback • $25.00 (SDT), £18.99
9780823282302 • Hardback • $87.00 (SDT), £67.00
Simultaneous electronic edition available
Idiom: Inventing Writing Theory
OCTOBE R

F O R D H A M P R E SS .CO M 23
l i t e r a ry st u d i e s | philosophy

Critical Rhythm
The Poetics of a Literary Life Form
B E N G L A SE R and JONAT H AN CU LLER, editors

“This volume, with incandescent and defamiliarizing rhythms of its own, takes up rhythm as
the central, ever-fugitive term in debates over sound and sense, the visible and the audible, the
history of prosodic discourses, and methodological approaches to reading and performance.”
— M AX C AV I TCH, University of Pennsylvania

Rhythm constitutes an untapped resource for understanding poetry, making legible a range of ways
poetry affects us that cannot be parsed through the traditional resources of poetic theory.
Rhythm has rich but also problematic roots in nineteenth-century notions of primitive, oral,
communal, and sometimes racialized poetics. But there are reasons to understand and even embrace
its seductions, including its resistance to lyrical voice and even identity. Pressing beyond poetry
handbooks’ isolated descriptions of technique, the book asks what it means to think rhythm.
288 pages CONTR I B UTOR S: Derek Attridge, Tom Cable, Jonathan Culler, Natalie Gerber, Ben Glaser, Virginia
9 Illustrations, black and white Jackson, Simon Jarvis, Ewan Jones, Erin Kappeler, Meredith Martin, David Nowell Smith, Yopie
9780823282036 • Paperback • $35.00 (SDT), £26.99
9780823282043 • Hardback • $125.00 (SDT), £96.00
Prins, Haun Saussy
Simultaneous electronic edition available B EN GLAS ER is Assistant Professor of English at Yale University. J ONATHAN CULLE R is Class of
Verbal Arts: Studies in Poetics
1916 Professor of English and Comparative Literature at Cornell University.
JANUARY

l i t e r a ry st u d i e s | geography

Forms of a World
Contemporary Poetry and the Making of Globalization
WA LT H U NTER

“In a field dominated by the novel, we need smart critics like Walt Hunter to reveal poetry’s
very different engagements with politics and economics. From territorial dispossession to
environmental devastation, Hunter shows the agonies of globalization prompting subtle and
inventive poetic responses.”
— C A R O LI N E LEVI N E, Cornell University

“This smart, engaging, and timely book rethinks periodization according to the rhythms of
capitalism. Finely written, with many moments of startling beauty and poetic nuance, Forms of
a World offers a crucial reassessment of poetry’s importance today.”
— C H R I STO P HER N EA LO N , Johns Hopkins University

What happens when we think of poetry as a global literary form, while also thinking the global in
192 pages poetic terms? Forms of a World shows how the innovations of contemporary poetics have been
9780823282210 • Paperback • $30.00 (SDT), £22.99 forged against a backdrop of globalization. Creatively intervening against the changes wrought
9780823282227, • Hardback • $105.00 (SDT), £81.00 by neoliberalism before they are made fully present, contemporary poets have remade the formal
Simultaneous electronic edition available
repertoire. In experimental reinventions of the ballad, the prospect poem, and the ode, Hunter
JANUARY
excavates a new, globalized interpretation of the ethical and political relevance of forms.
WALT HUNTER is Assistant Professor of World Literature at Clemson University.

24 F O R D H A M P R E SS .CO M
l i t e r a ry st u d i e s | art & v i sua l c u lt u r e

“Saint Marks finds and forges material connections among things, images, and
words. In these connections, Goldberg persuades us, the biographical subject
exceeds his or her own life, living through matter. The book concerns Venice and
its patron saint—what it means to construct the identity of each and then identify
the one with the other, as well as the natural, historical, pictorial, and literary
forces that undo such constructions. With chapters titled ‘atmospherics,’ ‘gravity,’
‘stones,’ and ‘secrets,’ the book is a magisterial shift of the biographical and
historical into the geographical that will appeal to a broad readership across art
history and literary studies.”
—A MY K N I GHT P OWELL, University of California, Irvine

Saint Marks invokes and pluralizes the figure of Mark in order to explore relations
between painting and writing. Emphasizing that the saint is not a singular
biographical individual in the various biblical and hagiographic texts that involve
someone so named, the book takes as its ultimate concern the kinds of material life
that outlive the human subject.
From the incommensurate, anachronic instances in which Saint Mark can be
located—among them, as evangelist or as patron saint of Venice—the book traces
Mark’s afterlives within art, sacred texts, and literature in conversation with such
art historians and philosophers as Aby Warburg, Giorgio Agamben, Georges Didi-
Huberman, T. J. Clark, Adrian Stokes, and Jean-Luc Nancy. Goldberg begins in

Saint Marks
sixteenth-century Venice, with a series of paintings by Gentile and Giovanni Bellini,
Tintoretto, and others, that have virtually nothing to do with biblical texts. He turns
then to the legacy of John Ruskin’s Stones of Venice and through it to questions about
what painting does as painting. A final chapter turns to ancient texts, considering
Words, Images, and What Persists the Gospel of St. Mark together with its double, the so-called Secret Gospel that has
J O NATHAN GOLDB E RG occasioned controversy for its homoerotic implications.
The posthumous persistence of a life is what the gospel named Mark calls the
240 pages
Kingdom of God. Saints have posthumous lives; but so too do paintings and texts. This
24 color and 4 b/w illustrations major interdisciplinary study by one of our most astute cultural critics extends what
9780823282074 • Paperback • $32.00 (SDT), £24.99 might have been a purely theological subject to embrace questions central to cultural
9780823282081 • Hardback • $110.00 (SDT), £84.00 practice from the ancient world to the present.
Simultaneous electronic edition available
DECE MBE R J ONATHAN G OLDBERG is Arts and Sciences Distinguished Professor Emeritus at
Emory University. His most recent book is Melodrama: An Aesthetics of Impossibility
(Duke, 2016).

F O R D H A M P R E SS .CO M 25
l i t e r a ry st u d i e s | bioethics

Systems of Life
Biopolitics, Economics, and Literature on the Cusp of Modernity
R I C H A R D A . BARNEY and WARREN MO NTAG, editors

Systems of Life offers a wide-ranging revaluation of the emergence of biopolitics in Europe from the
mid–eighteenth to the mid–nineteenth century. In staging an encounter among literature, political
economy, and the still emergent sciences of life in that historical moment, the essays collected here
reopen the question of how concepts of animal, vegetable, and human life, among other biological
registers, had an impact on the Enlightenment project of thinking politics and economics as a joint
enterprise. The volume’s contributors consider politics, economics, and the biological as distinct,
semi-autonomous spheres whose various combinations required inventive, sometimes incomplete,
acts of conceptual mediation, philosophical negotiation, disciplinary intervention, or aesthetic
representation.
CONTR I B UTOR S: Timothy Campbell, Mrinalini Chakravorty, James Edward Ford III, Amanda Jo
Goldstein, Pierre Macherey, Annika Mann, Christian Marouby, Catherine Packham
256 pages
22 Illustrations, black and white R I C HA R D A. B ARNE Y is Associate Professor of English at SUNY, Albany. WARRE N MO N TAG is
9780823281718 • Paperback • $35.00 (SDT), £26.99 Professor of English and Comparative Literature at Occidental College in Los Angeles, California.
9780823281725 • Hardback • $125.00 (SDT), £96.00
Simultaneous electronic edition available
Forms of Living
OCTOBE R

philosophy | l i t e r a ry st u d i e s

Poetics of History
Rousseau and the Theater of Originary Mimesis
P H I L I P P E L ACO U E -LABART HE
translated by J EFF FO RT

“Now available in Jeff Fort’s impeccable translation, Poetics of History is the culmination of
Philippe Lacoue-Labarthe’s lifetime work on the question of mimesis in Rousseau—a question
of crucial importance that had never before been posed or answered in this form. Identifying
in Rousseau an onto-technology so radical that it challenges his supposed anti-theatricality,
Poetics of History redefines both poetics and history even as it offers a new way
of understanding the French reception of Heidegger.”
—A N D R E W PA RK ER, Rutgers University

Rousseau’s opposition to the theater is well known: But is it possible that Rousseau’s texts reveal a
different conception of theatrical imitation? This short but potent text from a powerful European
thinker places Rousseau at the origin of modern speculative philosophy by showing that his thinking
176 pages, 5 x 7½ on the theater articulates a radical thinking of originary mimesis that was to inflect the future of
9780823282333 • Paperback • $28.00 (SDT), £21.99
philosophy.
9780823282340 • Hardback • $95.00 (SDT), £73.00
Simultaneous electronic edition available PHI LI PPE LACOU E -LABARTHE (1940–2007) was Professor of Philosophy at the Université Marc
JANUARY Bloch, Strasbourg. His many books include Poetry as Experience; Typography; and, with Jean-Luc
Nancy, The Literary Absolute.

26 F O R D H A M P R E SS .CO M
theology | p o l i t i ca l t h e o ry | postcolonial studies

“In a world where we are told that competition is the way to go, that success is
the goal, that more is better and that salvation depends on the market, love has
become an institutional commodity. Decolonial Love invites us to de-link from
these orthodoxies of Western modernity and to re-link with communal horizons
of healing colonial wounds and with the liberating potential of decolonial/
theological salvation.”
—WA LT ER MI GN O LO, co-author with
Catherine Walsh of On Decoloniality: Concepts, Analytics, Praxis

“Decolonial Love pushes forward the crucially important engagement of


Christian theology with decolonial thought. Clear and thoughtful, synthetic and
constructive, attentive to scholarly convention as well as to marginalized voices,
this book introduces theologians to state-of-the-art theory from the Global South.
It also shows how secular theorists of coloniality, liberation theologians, and the
inimitable James Baldwin are all part of a shared conversation, interrogating
idolatry and striving for revolutionary salvation.”
—VI N CEN T W. LLOYD, Villanova University

Bringing together theologies of liberation and decolonial thought, Decolonial Love


interrogates colonial frameworks that shape Christian thought and legitimize
structures of oppression and violence within Western modernity. In response to
the historical situation of colonial modernity, the book offers a decolonial mode
of theological reflection and names a historical instance of salvation that stands
in conflict with Western modernity. Seeking a new starting point for theological

Decolonial Love reflection and praxis, Joseph Drexler-Dreis turns to the work of Frantz Fanon and
James Baldwin. Rejecting a politics of inclusion into the modern world-system,
Fanon and Baldwin engage reality from commitments that Drexler-Dreis describes
Salvation in Colonial Modernity as orientations of decolonial love. These orientations expose the idolatry of Western
modernity, situate the human person in relation to a reality that exceeds modern/
J O SEP H DRE XLE R -DRE IS
colonial significations, and catalyze and authenticate historical movement in conflict
with the modern world-system. The orientations of decolonial love in the work of
208 pages
Fanon and Baldwin—whose work is often perceived as violent from the perspective of
9780823281879 • Paperback • $25.00 (SDT), £18.99
9780823281886 • Hardback • $90.00 (SDT), £69.00 Western modernity—inform theological commitments and reflection, and particularly
Simultaneous electronic edition available the theological image of salvation.
DECE MBE R Decolonial Love offers to theologians a foothold within the modern/colonial context
from which to commit to the sacred and, from a historical encounter with the divine
mystery, face up to and take responsibility for the legacies of colonial domination and
violence within a struggle to transform reality.
J OSEPH DRE XLE R-DRE IS is in the Department of Theology and Religious Studies
at Saint Mary’s College of California.

F O R D H A M P R E SS .CO M 27
religion | h i sto ry

Remembering Wolsey
A History of Commemorations and Representations
J. PATR I C K HORNBECK II

Remembering Wolsey seeks to contribute to our understanding of historical memory and


memorialization by examining in detail the commemoration and representation of the life of
Thomas Wolsey, the sixteenth-century cardinal, papal legate, and lord chancellor of England.
Hornbeck surveys a wide range of representations of Cardinal Wolsey, from those contemporary
with his death to recent mass-market appearances on television and historical fiction, to go beyond
previous scholarship that has examined Wolsey only in an early modern context.
Remembering Wolsey contributes significantly to the ongoing reimagining of English church
history in the years prior to the Reformation. Surveying chronicle accounts, pamphlets, plays,
poems, historical fictions, works of historical scholarship, civic pageants and monuments, films,
and television programs, the book shows how an extended sequence of authors have told widely
varying stories about Wolsey’s life, often through the lens of their own religious and ideological
320 pages commitments and/or in response to the pressing concerns of their times.
13 color, 4 b/w illustrations
9780823282180 • Paperback • $35.00 (SDT), £26.99 J. PATR I C K HORNBECK II is Chair and Professor of Theology at Fordham University. He is
9780823282173 • Hardback • $135.00 (SDT), £104.00 author of What Is a Lollard? and A Companion to Lollardy and co-editor of More than a Monologue:
Simultaneous electronic edition available Sexual Diversity and the Catholic Church. Voices of Our Time and More than a Monologue: Inquiry,
FE BRUARY
Thought, and Expression.

new religion | women’s studies


in
PAPERBACK The Cruelest of All Mothers
Marie de l’Incarnation, Motherhood, and Christian Tradition
M A RY D U NN

“A fascinating study of motherhood and the Christian tradition as exemplified by the life of a
seventeenth-century Ursuline nun, Marie de l’Incarnation.” —TH E CATH OLI C H ERA L D

“Mary Dunn compares her own experience as a mother with that of a seventeenth-century
woman who gave up her only child when he was twelve in order to follow her religious calling as
an Ursuline. . . . [I]f one can wade through some scholarly jargon, then this book is rewarding.”
—T H E TA B LET

“A daring project of an unexpected intimacy between two women separated by almost half a
millennium. It interlaces Mary Dunn’s own moving process of meaning-making of family
hardships with a thoughtful historical interpretation of the most painful and intriguing
moment of the life of St. Marie Guyart of the Incarnation (1599–1672): when she abandoned
224 pages
her only son to answer the call of her God. Informed by Pierre Bourdieu’s understanding of the
9780823282722 • Paperback • $25.00 (SDT), £18.99 range of human action as much as by Julia Kristeva’s hypothesis on maternal sacrifice, Mary
{Hardback available: 9780823267217} Dunn reflects on Marie Guyart’s agency as a mother, a widow, and a mystic in a world where
Simultaneous electronic edition available religious and devote women were deeply influenced by the French Catholic spirituality of self-
Catholic Practice in North America surrender.” — D O MI N I Q UE DESLA N DRES, Professor, Department of History, Université de Montréal
DECE MBE R
M ARY D UNN is an Assistant Professor of Early Modern Christianity at St. Louis University. Her
first book, From Mother to Son: Selected Letters from Marie de l’Incarnation to Claude Martin, was
published by Oxford University Press in 2014. She has also published articles in the Canadian
Historical Review, Quebec Studies, and the Journal of Feminist Studies in Religion, among other
28 F O R D H A M P R E SS .CO M journals.
religion | h i sto ry

“I’ve seen the future of American Catholic studies, and it is in this superb collection
of consistently engaging, provocative, and well-written essays. This is now
required reading for scholars and students of the Catholic experience in the
United States.”
— MA RK MASSA , S.J., Director, The Boisi Center for Religion and American Public Life,
Boston College

Roman Catholicism in the United States: A Thematic History takes the reader beyond
the traditional ways scholars have viewed and recounted the story of the Catholic
Church in America. The collection covers unfamiliar topics such as anti-Catholicism,
rural Catholicism, Latino Catholics, and issues related to the establishment of
diplomatic relations between the Vatican and the U.S. government. The book
continues with fascinating discussions on popular culture (film and literature),
women religious, and the work of U.S. missionaries in other countries. The final
section of the books is devoted to Catholic social teaching, tackling challenging and
sometimes controversial subjects such as the relationship between African American
Catholics and the Communist Party, Catholics in the civil rights movement, the
abortion debate, issues of war and peace, and Vatican II and the American Catholic
Church.
Roman Catholicism in the United States examines the history of U.S. Catholicism
from a variety of perspectives that transcend the familiar account of the immigrant,
urban parish, which served as the focus for so many American Catholics during the
nineteenth and first half of the twentieth centuries.

Roman CONTRIBU TORS: Anthony Smith, Cecilia Moore, Chester Gillis, Christopher S.
Shannon, James McCartin, James T. Fisher, Jeffrey M. Burns, Jeffrey Marlett, Karen

Catholicism
Davalos, Patrick Allitt, Robert Carbonneau, Roy Domenico, Timothy Matovina, Una
Cadegan
MARG ARE T M. MCG U INNESS is Professor of Religion at La Salle University. Her

in the most recent books are Neighbors and Missionaries: A History of the Sisters of Our Lady
of Christian Doctrine (Fordham) and Called to Serve: A History of Nuns in America
(winner of 2014 Catholic Book Award in History, Catholic Press Association).

United States JAMES T. FISHE R was Professor of Theology and American Studies at Fordham
University. His most recent books are Communion of Immigrants: A History of
A Thematic History Catholics in America and On the Irish Waterfront: The Crusader, the Movie, and the
Soul of the Port of New York.
M AR G ARET M. McGUINN E SS
and JAM ES T. FISHE R, editors

384 pages, 7 x 10
9780823282777 • Paperback • $40.00 (SDT), £31.00
9780823282760 • Hardback • $140.00 (SDT), £108.00
Simultaneous electronic edition available
Catholic Practice in North America
FE BURARY

F O R D H A M P R E SS .CO M 29
religion | bible studies

Revelation 1–3 in
Christian Arabic Commentary
John’s First Vision and the Letters to the Seven Churches
edited by STE PH EN J. DAV IS, T. C. S CH MIDT, and SH AWQ I TALIA

The first publication in a new series—Christian Arabic Texts in Translation, edited by Stephen
Davis—this book presents English-language excerpts from thirteenth-century commentaries on
the Apocalypse of John by two Egyptian authors, Būlus al-Būshī and Ibn Kātib Qas.ar. Accompanied
by scholarly introductions and critical annotations, this edition will provide a valuable entry-point
to important but understudied theological work taking place at the at the meeting-points of the
medieval Christian and Muslim worlds.
STEPHEN J. DAVIS is Professor of Religious Studies, Yale University, and author of Christ Child:
Cultural Memories of a Young Jesus (Yale, 2014) and Monasticism: A Very Short Introduction
(Oxford, 2018). T. C. SCHMIDT is a Ph.D. candidate at Yale University and an Adjunct Professor
192 pages
at Fairfield University; his previous publications include the book-length translation Hippolytus of
9780823281831 • Paperback • $25.00 (SDT), £18.99
9780823281848 • Hardback • $85.00 (SDT), £65.00 Rome: Commentary on Daniel and “Chronicon” (Gorgias Press 2017). SHAWQI TALIA is lecturer
Simultaneous electronic edition available in Semitic Languages, Catholic University of America, and University Teaching Fellow, Katholisch-
Christian Arabic Texts in Translation Theologische Fakultät, University of Munster, Germany. He has published on Syriac, Neo-Aramaic,
JANUARY
Garshuni texts, and Medieval Islamic studies.

m e d i e va l s t u d i e s | religion

Ecstasy in the Classroom


Trance, Self, and the Academic Profession in Medieval Paris
AY E L ET EVEN-EZ RA

Can ecstatic experiences be studied with the academic instruments of rational investigation? What
kinds of religious illumination are experienced by academically minded people? And what is the
specific nature of the knowledge of God that university theologians of the Middle Ages enjoyed
compared with other modes of knowing God, such as rapture, prophecy, the beatific vision, or simple
faith? Ecstasy in the Classroom explores the interface between academic theology and ecstatic
experience in the first half of the thirteenth century, formative years in the history of the University
of Paris, medieval Europe’s “fountain of knowledge.” It considers little-known texts by William of
Auxerre, Philip the Chancellor, William of Auvergne, Alexander of Hales, and other theologians of
this community, thus creating a group portrait of a scholarly discourse. It seeks to do three things.
The first is to map and analyze the scholastic discourse about rapture and other modes of cognition
in the first half of the thirteenth century. The second is to explicate the perception of the self that
320 pages
these modes imply: the possibility of transformation and the complex structure of the soul and
9780823281916 • Paperback • $35.00 (SDT), £26.99 its habits. The third is to read these discussions as a window on the predicaments of a newborn
9780823281923 • Hardback • $125.00 (SDT), £96.00 community of medieval professionals and thereby elucidate foundational tensions in the emergent
Simultaneous electronic edition available academic culture and its social and cultural context. Juxtaposing scholastic questions with scenes
Fordham Series in Medieval Studies
NOVE MBE R
of contemporary courtly romances and reading Aristotle’s Analytics alongside hagiographical
anecdotes, Ecstasy in the Classroom challenges the often rigid historiographical boundaries between
scholastic thought and its institutional and cultural context.
AYELET EV EN- EZRA is Assistant Professor of History at the Hebrew University of Jerusalem.
30 F O R D H A M P R E SS .CO M
She studies Europe’s medieval scholastic culture of the twelfth and thirteenth centuries.
jewish studies | l i t e r a ry st u d i e s

Jews and the Ends of Theory


SH A I G I NSBURG, MART IN LAND and JONAT H AN B OYARIN, editors

“A powerful collection that opens new vistas in our approach to social, cultural, and literary
critical theories.”
— S E Y LA BEN HA B I B , Yale University

Theory has often been coded as “Jewish”—not merely because Jewish intellectuals have
been central participants, but also, this book argues, because certain problematics of modern
Jewishness enrich theoretical questions across the humanities. In the range of violence and
agency that can attend the appellation “Jew,” Jewishness is revealed as a rhetorical and not just
social fact, one tied to profound questions of power, subjectivity, identity, figuration, language, and
relation that are also central to modern theory and modern politics. Understanding Jewishness
in its fluidity, this book helps articulate theory’s potential to mediate pessimistic and utopian
impulses, experiences, and realities.
336 pages CONTR I B UTOR S: Svetlana Boym, Andrew Bush, Sergey Dolgopolski, Jay Geller, Sarah
9780823281992 • Paperback • $35.00 (SDT), £26.99 Hammerschlag, Hannan Hever, Martin Land, Martin Jay, James I. Porter, Yehouda Shenhav,
9780823282005 • Hardback • $125.00 (SDT), £96.00
Simultaneous electronic edition available Elliot R. Wolfson
NOVE MBE R S HAI GI NS B UR G is Associate Professor of Jewish Studies at Duke University. MARTIN LAN D
is Senior Lecturer in Computer Science at Hadassah College and the Open University of Israel.
JONATHAN B OYARIN is Diann G. and Thomas A. Mann Professor of Modern Jewish Studies at
Cornell University.

philosophy | theology

The Guide to Gethsemane


Anxiety, Suffering, Death
E M M A NU E L FALQ U E
translated by GEORGE HUGHES

“In this dramatic opening to his triptych on Christ’s passion, Emmanuel Falque
demonstrates—once again—his complete refusal to rest with easy answers. One can
hardly read this book without being deeply moved.”
— BR U C E E LLI S B EN SO N , author of Liturgy as a Way of Life

Already widely debated upon its publication in French, this book offers a provocative account of
Christ’s Passion in terms not of faith but of a “credible Christianity” that can remain meaningful to
nonbelievers.
For Falque, anxiety, suffering, and death are not simply the “ills” of our society but the essential
horizon of what we confront as humans. Doubtful of Heidegger’s famous statement that the notion
192 pages of salvation renders Christians unable authentically to experience anxiety in the face of death,
8 Illustrations, black and white Falque explores the Passion with a radical emphasis on the physicality and corporeality of Christ’s
9780823281954 • Paperback • $35.00 (SDT), £26.99 suffering and death, and on continuities with the mortality of our bodies. Written in the wake of a
9780823281961 • Hardback • $125.00 (SDT), £96.00
friend’s death, Falques’s study is theologically and philosophically rigorous, yet engagingly written
Simultaneous electronic edition available
Perspectives in Continental Philosophy
and deeply humane.
OCTOBE R EM M A NUEL FALQU E is Honorary Dean of the Faculty of Philosophy at the Catholic University
of Paris.

F O R D H A M P R E SS .CO M 31
NEH/Mellon Humanities Open Book Grant
American Philosophy Titles Available Open Access this Fall
Fordham University Press and Fordham University Libraries is one of eight institutions to receive a grant in the
Humanities Open Book Program, a program jointly sponsored by the National Endowment for the Humanities and
the Andrew W. Mellon Foundation. The grant allows the Press to produce twenty-one freely accessible eBooks,
initially published by Fordham University Press, with an emphasis on American Philosophy.
Visit https://www.fordhampress.com/american-philosophy/ for more information.

Philosophy Americana Pragmatism as William James on the Pragmatism, Rights,


Making Philosophy at Home Post-Postmodernism Courage to Believe and Democracy
in American Culture Lessons from John Dewey R O B E RT J. O ’CO N N E L L B ET H J. S I NG E R
D OUG LAS R. AN DERS ON L A R RY A . HIC KMA N
9780823282814, ePub 9780823282821, ePub
9780823283057, ePub 9780823283071, ePub [Paper available: 9780823217281] [Paper available: 9780823218684]
[Paper available: 9780823225514] [Paper available: 9780823228423] American Philosophy American Philosophy
American Philosophy American Philosophy
Charles S. Peirce Representative Practices
Dewey’s Metaphysics The Metaphysics of On Norms and Ideals Peirce, Pragmatism, and Feminist
Form and Being in the Philosophy of John Experience V I NCE N T G. P OT T E R Epistemology
Dewey A Companion to Whitehead’s Process and KO RY S PE NCER S O R R E LL
RAYMO N D B OISVERT Reality 9780823282838, ePub
E L IZ A BET H KR AU S [Paper available: 9780823217106] 9780823283187, ePub
9780823283149, ePub American Philosophy [Cloth available: 9780823223541]
[Paper available: 9780823211968] 9780823283156, ePub American Philosophy
[Paper available: 9780823217960] Peirce’s Philosophical
Quantum Mechanics and the American Philosophy
Perspectives The Politics of Survival
Philosophy of Alfred North V I NCE N T G. P OT T E R Peirce, Affectivity, and Social Criticism
Whitehead The Basic Writings of Josiah LA R A T R O UT
M I C HAEL EPPERS ON Royce, Volume I 9780823283125, ePub
Culture, Philosophy, and Religion [Paper available: 9780823216161] 9780823283194, ePub
9780823283064, ePub edited by J OHN J. MC DE R M OT T American Philosophy [Paper available: 9780823232963]
[Paper available: 9780823250127] American Philosophy
American Philosophy 9780823282791, ePub Charles Peirce’s Theory of
[Paper available: 9780823224838] Scientific Method Conversion in American
Self, God and Immortality American Philosophy
F R A NCI S E . R E I L LY Philosophy
A Jamesian Investigation Exploring the Practice of Transformation
EUG ENE FON TIN ELL The Basic Writings of Josiah 9780823283200, ePub R O G E R WA R D
Royce, Volume II American Philosophy
9780823283132, ePub Logic, Loyalty, and Community 9780823283118, ePub
[Paper available: 9780823220717] edited by J OHN J. MC DE R M OT T The Gleam of Light [Cloth available: 9780823223138]
American Philosophy American Philosophy
Moral Perfectionism and Education in
9780823282807, ePub Dewey and Emerson
Philosophy in Experience [Paper available: 9780823224845] NAO KO S A I TO Pragmatism, Reason, and
American Philosophy in Transition American Philosophy foreword by STA N LEY CAVE L L Norms
RI CHARD H A RT and A Realistic Assessment
D OUG LAS R. AN DERS ON Faith in Life 9780823283095, ePub
K E N N ET H W ESTP HAL
[Paper available: 9780823224630]
John Dewey’s Early Philosophy
9780823283163, ePub American Philosophy
DONA L D J. MOR SE 9780823283170, ePub
[Paper available: 9780823216314] [Paper available: 9780823218196]
American Philosophy 9780823283088, ePub The Practical Anarchist American Philosophy
[Cloth available: 9780823234707] Writings of Josiah Warren
American Philosophy edited by CR I S PI N S A RT W E L L

9780823283101, ePub
[Cloth available: 9780823233700]
American Philosophy

32 F O R D H A M P R E SS .CO M
b e s t s e l l i n g a n d awa r d - w i n n i n g b a c k l i s t

Education at War NEW IN PAPER! Napoli/New York/Hollywood


The Fight for Students of Color Out of the Ordinary Film between Italy and the United States
in America’s Public Schools A Life of Gender and G I UL I A NA M US C I O
A R SHA D IMT IA Z A L I Spiritual Transitions
and T R AC Y L AC HICA M I CH A E L D I LLO N/ 384 pages • 7 x 10 • 52 black & white
BU E NAV ISTA , editors LO B Z A NG J I VA KA illustrations
edited by JACO B L AU and 9780823279388 • Paperback • $45.00 (AC),
288 pages CA M E R O N PA RT R I D G E £35.00
9780823279098 • Paperback • $27.95 (AC), foreword by SUS A N ST RY K E R Critical Studies in Italian America
£20.99
256 pages • 12 black & white illustrations
9780823280391 • Paperback • $19.95 (TP),
Portrait
Counter Institution J E A N-LUC NA NC Y
£14.99
Activist Estates of the translated by S A RAH C LI FT
Lower East Side and S I M O N S PAR KS
10th ANNIVERSARY EDITION
NA N DIN I BAGC HEE i ntroduction by
The Last Professors J E F F R EY S. L I BR ETT
264 pages • 7 x 9 • 100 color illustrations The Corporate University and
9780823279265 • Paperback • $29.95 (TP), the Fate of the Humanities 144 pages • 36 black & white illustrations
£22.99 F R A N K D O NO G H UE 9780823279951 • Paperback • $25.00 (SDT),
Empire State Editions £18.99
224 pages Lit Z

Joyce
9780823279135 • Paperback • $25.00 (TP),
Delirious Naples £18.99
A Cultural History Latinx Literature Unbound
of the City of the Sun Undoing Ethnic Expectation
Power of Gentleness

Studies
P EL L EGR INO D’AC IER NO and R A L PH E . R O D RI GUE Z
STA N ISL AO G. P UGL IE S E , editors Meditations on the Risk of Living
A N N E D UFO UR M A N T E LLE 200 pages • 3 black & white illustrations
288 pages • 30 color and 28 black & white translated by KAT H E R I N E PAY N E 9780823279241 • Paperback • $30.00 (AC),

Annual and V I NCE N T S A LLÉ


illustrations £22.99
9780823279999 • Paperback • $35.00 (AC), f oreword by CAT H E R I N E
£26.99 M A LA B O U
Oh Capitano!

2018 Finance Fictions


Realism and Psychosis in
152 pages • 5 x 7 ½
9780823279609 • Paperback • $20.00
(SDT), £14.99
Celso Cesare Moreno—Adventurer,
Cheater, and Scoundrel on Four
Continents
PH I L IP T. SIC K E R a Time of Economic Crisis RUD O L PH J. VE C O LI
and F R A NCE S CO DUR ANTE
A R N E DE B OEV ER
and M OSH E G O LD, The Watchdog Still Barks translated by
How Accountability Reporting E L I Z A B ET H O. V E NDI TTO
editors 256 pages
10 black & white illustrations Evolved for the Digital Age edited by D O N NA GABAC C I A
P H IL IP S I C K E R Professor of 9780823279173 • Paperback • $27.00 (AC), B ET H K NO B E L
272 pages
English at Fordham University. £20.99
9780823279876 • Paperback • $30.00 (AC),
160 pages
MOS H E G OL D is Associate 9780823279340 • Paperback • $25.00 (SDT), £22.99
The House of Early Sorrows
Professor of English and the A Memoir in Essays
£18.99
Donald McGannon Communication Research
Director of the Rose Hill Writing LOU ISE DeSA LVO Center’s Everett C. Parker Book Series
Program at Fordham University.
232 pages • 6 1/8 x 8 ½
Most Fordham titles
9780823279302 • Paperback • $24.95 (TP),
Neighborhood are available as eBooks.
1049-0809, Hardback, $60.00, £46.00 Success Stories
£18.99
Creating and Sustaining
Visit
01/08/2019
Affordable Housing in New York WWW.FORDHAMPRESS.COM
CA R O L L A M B E R G
for more information.

280 pages • 15 black & white illustrations


9780823279203 • Paperback • $24.95 (TP),
£18.99
Empire State Editions

F O R D H A M P R E SS .CO M 33
index
A Desjarlais, Robert 11 I Neyrat, Frédéric 18 S
Adelman, Rebecca A. 17 Dewey’s Metaphysics 32 In the Shadow of Genius 3 Novel Shocks 20 Sacred Shelter 7
Alegal 16 Dillon, Michael 33 Saint Marks 25
Ali, Arshad Imtiaz 33 Donoghue, Frank 33 J O Saito, Naoko 32
Anderson, Douglas R. 32 Drexler-Dreis, Joseph 27 Jaaware, Aniket 19 O’Connell, Robert J. 32 Sallé, Vincent 33
Dufourmantelle, Anne 33 Jews and the Ends of Theory 31 Oh Capitano! 33 Sartwell, Crispin 32
B Dunn, Mary 28 Joyce Studies Annual 2018 33 Only in New York 2 Schmidt, T. C. 30
Bad Faith 6 Durante, Francesco 32 Opotow, Susan 4 Self God and Immortality 32
Bagchee, Nandini 33 K Out of the Ordinary 33 Shemtob, Zachary Baron 4
Barney, Richard A. 26 E Kamuf, Peggy 23 Shimabuku, Annmaria M. 16
Basic Writings of Josiah Royce, Ecological Form 18 Knobel, Beth 33 P Sicker, Philip T. 33
Volume I, The 32 Ecstasy in the Classroom 30 Kraus, Elizabeth 32 Partridge, Cameron 33 Singer, Beth J. 32
Basic Writings of Josiah Royce, Education at War 33 Payne, Katherine 33 Sorrell, Kory Spencer 32
Volume II, The 32 Epperson, Michael 32 L Peirce’s Philosophical Sparks, Simon 33
Bident, Christophe 22 Even-Ezra, Ayelet 30 Lacoue-Labarthe, Philippe 26 Perspectives 32 Steer, Philip 18
Billings, Timothy 8 Lamberg, Carol 33 People’s Car 19 Systems of Life 26
Blanchot, Maurice 22 F Land, Martin 31 Philosophy Americana 32
Blind Man, The 11 Faith in Life 32 Last Professors, The 33 Philosophy in Experience 32 T
Boisvert, Raymond 32 Falque, Emmanuel 31 Latinx Literature Unbound 33 Poetics of History 26 Talia, Shawqi 30
Boss of Black Brooklyn 1 Feffer, Andrew 6 Lau, Jacob 33 Politics of Survival, The 32 Trout, Lara 32
Bouwsma, Julia 9 Figuring Violence 17 Literature and the Remains of Portrait 33 Tucker-Abramson, Myka 20
Boyarin, Jonathan 31 Finance Fictions 33 the Death Penalty 23 Potter, Vincent G. 32 Two Cultures of English, The 21
Brown, Alan Edward 14 Fisher, James T. 29 Lloyd, David 15 Pound, Ezra 8
Buenavista, Tracy Lachica 33 Fontinell, Eugene 32 Power of Gentleness 33 U
Burk, Drew S. 18 Forms of a World 24 M Practical Anarchists, The 32 Unconstructable Earth, The 18
Fort, Jeff 26 Macaulay-Lewis, Elizabeth 5 Practicing Caste 19 Under Representation 15
C Majumder, Sarasij 19 Pragmatism as Post-
Cathay 8 G Mapping Memory 20 Postmodernism 32 V
Charles Peirce’s Theory of Gabaccia, Donna 33 Maurice Blanchot 22 Pragmatism, Reason, and Vecoli, Rudolph J. 33
Scientific Method 32 Ginsburg, Shai 31 Maxwell, Jason 21 Norms 32 Venditto, Elizabeth O. 33
Charles S Peirce 32 Glaser, Ben 24 McDermott, John J. 32 Pragmatism, Rights, and
Classical New York 5 Gleam of Light, The 32 McGowan, Matthew M. 5 Democracy 32 W
Clift, Sarah 33 Goldberg, Jonathan 25 McGuinness, Margaret M. 29 “Pretends to Be Free” 14 Wallace, Mark I. 12
Conversion in American Gold, Moshe 33 McKeane, John 22 Pugliese, Stanislao G. 33 Ward, Roger 32
Philosophy 32 Great Sacrifice, A 14 Mendez, James G. 14 Watchdog Still Barks, The 33
Counter Institution 33 Mensch, Barbara G. 3 Q Westphal, Kenneth 32
Greenfield, Susan Celia 7
Critical Rhythm 24 Metaphysics of Experience, Quantum Mechanics and the Whalen, Robert Weldon 2
Guide to Gethsemane, The 31
Crucified Wisdom 13 The 32 Philosophy of Alfred North
When God Was a Bird 12
Cruelest of All Mothers, The 28 Midden 9 Whitehead 32
H William James on the Courage
Culler, Jonathan 24 Hart, Richard 32 Montag, Warren 26 to Believe 32
R
Heim, S. Mark 13 Morse, Donald J. 32 Wood, David 10
D Reilly, Francis E. 32
Hensley, Nathan K. 18 Murder, Inc., and the Moral
D’Acierno, Pellegrino 33 Life 2 Remembering Wolsey 28
Hickman, Larry A. 32 X
Davis, Stephen J. 30 Murphy, Kaitlin M. 20 Representative Practices 32
Hodges, Graham Russell Xamissa 9
Death Now 22 Muscio, Giuliana 33 Revelation 1–3 in Christian
Gao 14 Arabic Commentary 30
De Boever, Arne 33 Holland, Michael 22
N Roberts, Sam 2
Decolonial Love 27 Hornbeck, J. Patrick II, 28
Nancy, Jean-Luc 33 Rodriguez, Ralph E. 33
Deep Time Dark Times 10 House of Early Sorrows, The 33
Napoli/New York/Hollywood Roman Catholicism in the
Delirious Naples 33 Howell, Ron 1
33 United States 29
DeSalvo, Louise 33 Hughes, George 31
Neighborhood Success Stories Rossouw, Henk 9
Hunter, Walt 24
33
New York after 9/11 4

34 F O R D H A M P R E SS .CO M
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