AUDITION - Fools Who Dream

 
    43    
  
 

 
   
 


Bare foot, she smiled Leapt with out look ing, and

 3    
  4

    43    


5
        
     

  
         
 

tum bled in to the Seine. The wa ter was free zing she spent a month


    
         
            
     

12
 
      


     

 

snee zing, but said she would do it a gain.


         

          
   
 

16
    
       
Here's to the fools who dream,

    

        

        
      


MP
 21

       
  
fool ish as they may seem.


            

 
      

 
    

25

    

   
 
Here's to the hearts that ache,


               
   
        
      


29
  
        
here's to the mess we make.
3

                  


      5
      


    


33
     
          
    


She cap tured a feel ing: sky with no cei ling; the

              
      

   


       
  
          
     

2 MP
37

           
   
sun set in side a frame. She


       
      

         
  
          
  


41
  
     

  
  

 
 


lived in her li quor, and died with a flick er I'll

          
          
  
 
  
  
       
  

          
  

45
  
      

 

al ways re mem ber the flame.


       
      
      
            
  
  

49
   
       
Here's to the fools who dream,


      
    
   
  
                
        


MP 3
 53

     
  
 
fool ish as they may seem.


            
   
      
        
      
   

57

    

   
 
Here's to the hearts that ache,


      
    
  
   
  
             
         


61
 
          
here's to the mess we make. She

   
         
  
 
  
          
   
 

65
 
              
told me, "A bit of mad ness is key
3
3 3 

               
     
  
  3
3 3 
3
              
     
 

4 MP
70
  
             

to give us new co lours to see.
3 3
   
     
 
   
      
 3 
 3
  3
  
          3
        
 
 
 

74
 
            
Who knows where it will lead us
 3
             
              

 3
 3 
           
          


79
     
      
 
And that's why they need us" So
3     
    
      
    
   
3 
   
          
       


83
    
               
bring on the re bels,
  from peb bles, the   rip the ples
       
   
 
  
          
    
   
    
   
   
     
  


MP 5
 87
 
      
     
paint ers and po ets and plays. And,

        
             
      
7
       
         
    

91
     
     
Here's to the fools who dream
      
        
  
 
  
        
    
    
        

95
    
    
Cra as they may seem
   
           

     

   
              
    
       


99
     
     
Here's to the hearts that ache
 


 
     


         

  
           
    
       

6 MP
103
  
 
    
    
Here's
  to the mess
  we make.
  
         
    



 
      
     

 
   


107

          
I trace it all back to then,
3
   
        


3
 
        


110

  

          
Her and the snow and the Seine.
            3 
            
   


3
  
3

          


  

115

     
     

   

 

  
Smi ling through it, she said she'd do it a gain.

          


      


     

MP 7