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decorating 38 techniques
& PROJECTS
Featuring photo
UNDER ! step-by-step
instructions
How to..
Set up a cake
Get creative with simple
cupcakes and biscuits
business
ake,
Mermpaagied 1c2
PRACTISE PIPING
d lert
TrenA
MAKE A TROPICAL
FLOWER CAKE
MAN'S BEST FRIEND
Top techniques Make your dad a fun
MAY/JUN 2018
73
PRICE £4.99
Use a clay extruder to create fun textures Father's Day cake with
9 772050 122001 Create beautiful bows, ruffles & frills our special projects
++ CD H FA C TS
++
One of the aims of our
charity is to raise
awareness of the con
dition that we suppor
which is a birth anoma t,
ly called Congenital
Diaphragmatic Hernia
(CDH) . We don't as yet
fully understand how
or why CDH happen
this is why raising aw s and
areness is so important
CDH occurs when the .
diaphragm fails to form
correctly as a baby dev
elops in the womb and
as a result a defect occ
urs. Around 50%
survive and many chil
dren suffer
from lifelong complic
ations.
Bake 4 Babies
Tell your friends, family and work colleagues to get baking because June is
CDH awareness month and we need your help. Get involved and take part today!
C
DH UK is a volunteer-run
charity that supports those
Sign up today and receive:
who are affected by A recipe card
Congenital Diaphragmatic
Hernia (CDH), a birth anomaly Information leaflets on CDH and the charity
which affects 1 in 2500 births. You can help
their vital research by baking and selling your Posters to advertise your event, stickers to attach to wrappers or
creations at work, school, playgroups, and clothing, and balloons to decorate a stall or table
anywhere else you can. Register for a
fundraising pack now to get started. An online fundraising page to accept payment by card or PayPal
If you would like to help by holding a Bake 4 Babies event to raise awareness of
CDH, please email fundraising@cdhuk.org.uk for your free fundraising
pack. To find out more about CDH UK, please visit www.cdhuk.org.uk
Charity number: 1106065
WELCOME
BIRTHDAY
40 84
SEASONAL KIDS
PRODUCTS
79
12
Features
8
24
DECORATE IT! NEWS
TREND OF THE MONTH: TROPICAL CAKE
24
34 LOOK WHAT I MADE! READER GALLERY
38 HOW TO SET UP A CAKE BUSINESS
48 SUBSCRIBE TO FOOD HEAVEN
53 7 EASY WAYS TO DECORATE CUPCAKES
66 TECHNIQUE: TRANSPORTING CAKES
79 PRODUCTS
90 TECHNIQUE: BOWS, RUFFLES & FRILLS
100 TECHNIQUE: CLAY EXTRUDER TEXTURES
103 NEXT MONTH
74
111 CLASSIC RECIPES
114 BEST BUYS: FLOWER CUTTERS
TREND ALERT!
46
18 KIDS
70 86 26
80 97 111
Project finder Branding and content, © Anthem Publishing Limited, 2018. The
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55 Tiny hearts cupcake 106 Buttercup & daisy cake EDITOR Jessica Clark
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58 A birdie told me cupcake 12 Mermaid cake ART EDITOR Martin Davies
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www.mycakedecor.co.uk
Decorate it! WE CATCH UP WITH ALL THE LATEST CAKE
DECORATING NEWS, PRODUCTS AND EVENTS
Feeding a Child
Every School Day
Couture good meal for a child.
Sugarpaste Since they started working
is already with the charity in January 2017,
a household Cake Stuff have sold over
name among 60,000 5kg boxes of their
cake Couture Sugarpaste, which
decorators, in turn has enabled them to
but did you know that every time provide meals for over
WIN! you buy Couture, you’re helping 60,000 children!
to provide a meal for some of the This is an amazing
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Do you clean and service so it’s restored to
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CREATE SO MANY THEMES
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Ltd who will give it a professioinal more at www.airbrushes.com £6 from www.fmmsugarcraft.com
FLORAL WAFER
PAPER BOUQUET
Tired of sugarflowers or want to try
something new? Have a go at wafer
paper flower making with The Cake
Botanist’s short workshop for
beginners on 15th July 2018, where
you can learn how to make a rose,
wild anemones, ranunculus and
leaves. Find out more about the class
at www.thecakebotanist.com
WIN!
An Under The Sea bundle worth £80
Create a marine masterpiece with magical mermaids and fishy friends with
Lakeland’s on-trend bundle of ‘under the sea’ themed goodies that we’ve got
to give away to one lucky reader! The prize is worth £80 and includes the
Wilton Colour Right System, Rainbow Dust Edible Silk Powder, a 12-cone
Baking Rack, Seashells Silicone Icing Mould and Mermaid Silicone
Icing Mould, Sprinkletti Under the Sea Sprinkles Mix and turtle,
seahorse, fish and shark cookie cutters so you can create your
own sea-themed treats. Enter at www.foodheavenmag.com/
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CAKE
Sign up today to receive your
tea party fundraising pack
mariecurie.org.uk/teaparty
or call 0800 716 146
Charity reg no. 207994 (England & Wales), SC038731 (Scotland) C765b
PROJECT
SKILL
LEVEL
1 A day or two before your undersea party, 8 Dip a clean decorating brush into cooled the circumference of the cake before moving
prepare the cake board. Mix 300g (10½oz) boiled water and paint a ring of water 5cm upwards to the next layer. Ensure that you
of Ready to Roll White Icing with 1 tsp of (2in) down from the top of the 20cm (8in) stagger and overlap the rows so that there
Tylo powder. Roll out and completely cover round cake. are no gaps showing.
a 30cm (12in) round cake board. Allow the 9 Wrap the strip around the cake, pressing 16 Continue working your way up the cake
icing to harden. along the bottom straight edge to secure it to and over the top edge, then cover the top of
2 Make the cake sponges to a favourite the cake. Use your fingertips to gently roll the the cake with concentric circles of the scales.
recipe of your own choice – you will need top, wavy edge of the strip outwards and If desired, finish with a spray of silver edible
one 20cm (8in) and one 15cm (6in) cake, downwards to give it shape. glitter dust. Carefully place this top tier on top
both about 12cm (4½in) deep. 10 Repeat steps 6 and 7 for the next palest of the bottom tier.
3 Roll out Ready to Roll White Icing and shade of blue icing, then use water to attach
MAKE THE CLAMSHELLS
cover both cake tiers separately. this to your cake about 2.5cm (1in) below the
palest strip. Repeat for the third strip. With 17 To make the clamshell on top of the cake,
M A K E T H E WAV E S
the last strip, ensure that the straight edge is whisk up the egg white until it forms stiff
4 To make the ‘waves’ on the bottom tier, around the very base of the cake, touching peaks. With the whisk still going, add the
take the blue icing and the white icing and the cake board. sugar a teaspoon at a time until it is all
divide to make 4 ombre shades, from palest incorporated and the meringue mix is thick
ADD THE PEARLS
to darkest blue, as follows: and glossy. Use a cocktail stick dipped in
11 Separate out some large blue pearls the Wilton blue icing colour to tint the
• 25g (1oz) blue + 75g (2¾oz) white (palest) from the Unicorn Sprinkletti Mix, or some meringue a delicate shade of pale blue.
• 50g (1¾oz) blue + 50g (1¾oz) white white pearls from the Under the Sea 18 Line a baking sheet with baking
• 75g (2¾oz) blue + 25g (1oz) white Sprinkletti Mix, and stick to the waves with parchment. Put the meringue into a
• 100g (3½oz) blue (darkest) a little edible glue. disposable piping bag and cut off the end
to make a hole approx 1cm (½in) across.
MAKE THE SCALES
5 Knead the blue and white icings together 19 Pipe two clamshell shapes from
so you have 4 balls of varying shades of blue. 12 For the scales on the top tier, roll out each the meringue mixture in a fan shape
To each ball, add ¼ tsp of Tylo powder and of the 4 colours of icing (light pink, dark pink, approximately 10x10cm (4x4in). Pipe
knead in well until the icing feels elastic. jade green and lilac) until 2mm (1/16in) thick. one central straight line, tapering it towards
6 Starting with the palest blue coloured 13 Use the larger cutter from the Small Easy the bottom, then pipe three lines on either
icing, shape into a sausage 10cm (4in) long. Rose Cutter Set to cut out lots of icing side of this, also tapering and gradually
Roll the sausage out into a long thin strip shapes. Cut the shapes in half lengthways getting shorter in the fan shape.
approx. 50cm (19½in) long and 7-8cm using the pizza wheel and divide the strips 20 Put the meringues in the oven at a low
(2¾-3¼in) wide. The addition of the Tylo into ‘scales’ of pairs and trios. heat (about 80˚C/Gas Mark ¼) to dry out
powder means that the icing will have 14 Starting at the bottom of the 15cm (6in) for 2 hours or overnight. Leave them in
strength and elasticity so you can roll it out cake, wrap a 1cm (½in) strip of (any) coloured the oven to go cold.
thinly – approx. 2mm (1/16in) and it will be icing around the base of the cake – this will 21 Sandwich the clamshells together with
more resistant to tearing when you handle it. help to hide the join between the tiers. 2 tbsp of buttercream and add a large pea-
7 Using a pizza wheel, trim a straight edge 15 Brush the back of each ‘scale’ with water sized ball of fondant icing for the pearl. Spray
on one side of the first strip and cut the other as you attach them to the cake, starting at with silver glitter dust and attach to the top
edge in a random wavy line. the base and completing one layer around of the cake with a blob of royal icing.
SKILL
LEVEL
C R E AT E T H E R O S E B U D S
D E C O R AT E T H E C A K E
SKILL
LEVEL
KAWAII
ICE CREAM CAKE
This cute Kawaii ice cream cone by Laura Loukaides from Laura Loukaides Cakes
(www.lauraloukaidescakes.co.uk) really is a cool customer!
Apply colour
11 Roll a band of light brown sugarpaste 15 Mix together some brown and yellow edible
long enough to wrap around the base cake. dusting colour. Very lightly highlight the lines
Emboss a waffle pattern into the sugarpaste of the impression using a dry soft brush. If you
using a diamond impression mat and a cake have an airbrush, you can mix together some
7 Continue carving until you have a shape smoother. Be sure to line up the next section brown and yellow edible airbrush paints and
similar to the one as shown above. Set aside. with the last as you work along the band. lightly spray the lines to create a similar effect.
A D D T H E F A C I A L F E AT U R E S
FINISHING TOUCHES
M A K E T H E F L A K E C H O C O L AT E
1
TECHNIQUES
PAINTING ON SHAPED COOKIES,
SKILL
PIPING WITH DIFFERENT TYPES OF ICING
LEVEL
TROPICAL CAKE
apple edible paint on a paintbrush and swill
it around in a mug of water until it is quite
diluted. Use this watered-down green to
paint large and small freehand leaf shapes
around the cake. With each arrangement of
YOU WILL NEED Sugar Art: Cherry Blossom, Petunia leaves, you should imagine a sugar flower or
FOR THE CAKE and Fleur a cluster of sugar flowers in the centre. (H)
• 20cm (8in) cake tier, mounted on a • foam flower former 7 To add detail to the leaves, use a stronger
20cm (8in) cake drum, and covered in • yellow ribbon concentration of juniper edible paint to draw
pale blue coloured sugarpaste (I used • double-sided sticky tape a line from the base of the leaf to just short
a scant amount of SK Bluegrass) of the tip. I use a finer paintbrush for these
TO DECORATE 1 Begin by covering your cake in pale blue detailed tasks. (I)
• 100g (3½oz) white modelling paste (or coloured sugarpaste. I’ve used Bluegrass 8 Use the same fine brush with juniper
sugarpaste with 1 tsp CMC powder food colouring paste by Squires Kitchen to edible paint to draw tiny lines from the central
kneaded through) colour mine up. I use The Sugarpaste rolled line to mimic the veins of the leaf. I allowed
• 50g (1¾oz) royal icing in a disposable thinly to achieve nice crisp top edges. Allow my paintbrush to become quite dry, which
piping bag to dry overnight. created spidery thin brushstrokes. (J-K)
• SK Apple and Juniper edible paints 2 While the cake is drying, you can make 9 To finish each leaf, add more water to the
• Sugarflair Blossom Tint dust colours: the flowers. The cutter and mould sets juniper paintbrush and draw a line along one
yellow, pink and purple from Blossom Sugar Art are not new to the side edge of the leaf from the base until
EQUIPMENT market, but they are the most wonderfully the colour fades out. Cover the cake with
• small non-stick rolling pin quick and easy way to produce a lot of small random patches of these leaves. (L)
• cutter and mould sets by Blossom and detailed flowers in a short amount of 10 Once your sugar flowers are dry, you
A B C D
E F G H
I J K L
M N O
P Q R
can add colour and detail using blossom definition. I used a dark pink in the centre of 13 Once all of your sugar flowers are
tint dust colours. Go sparingly with dust my cherry blossoms. (M-P) coloured up, they can be fixed in place at
colours, tipping a little colour onto kitchen 11 I gave the largest fleur flowers a brushing the centre of your hand-painted leaves
paper, adding a little to a dry paintbrush and with pink all over, before using purple to using royal icing. (R)
tapping away any excess. Dab carefully into darken the centres and add definition. 14 Once all of the flowers are in place,
the centre of a sugar flower and drag the 12 I used yellow dust to brighten the serve and await the sunshine which is
colour up and away from the centre to add petunia flowers. (Q) certain to follow!
SKILL
LEVEL
ROBOT
This cute robot cake topper by Agnes Jagiello from
Crumb Avenue (www.crumbavenue.com) is ideal for
Father's Day, or any special birthday or celebration!
H I J
K L M
angle. Clean the blade of the knife after each the mouth indentation. (F)
C R E AT E T H E ' E A R S '
cut, so that it doesn't pull the paste down 7 Use the mini palette knife (or the back of
when cutting. Smooth the sides with your the knife) to indent a line as shown in the 11 Cut out circles (two 9mm, two 17mm and
finger. Position the legs so that they are photo. Make small holes along that line with one 14mm). Stick the circles as shown in the
standing and check if the legs are not leaning a cocktail stick. (G) photo. (K-L)
to the front or back (they need to stand
C R E AT E T H E C E N T R E S Q U A R E AT TA C H T H E A R M S & L E G S
straight or else the topper will be leaning to
the front or back). The top of the legs needs to 8 Roll out some leftover grey paste with CMC 12 All parts need to be firm before attaching
be flat too so that you can attach the body to about 2-3mm. You can use the lollipop them together. If they are still squishy, leave
properly. Make adjustments (trim with a sticks as spacers. Let the piece dry out for a them to dry for a bit longer. Check if all parts
scalpel) if there’s need. (D) few minutes from both sides. Use the square join properly – stand them on top of each
cutters to cut out a square frame. Stick it with other (before inserting the sticks and wires)
C R E AT E T H E H E A D
a small amount of glue to the body. (H) and check if the topper is not leaning to the
5 For the head you will need 55g (2oz) of front or back. Make adjustments if there's
C R E AT E T H E A R M S
grey paste with CMC (similar thickness/ need (cut with a knife or scalpel). I used
consistency as for the body). Roll an oval ball. 9 Roll out the grey paste with CMC to about cocktail sticks, but if you are making the
Flatten it to about 24-25mm. Press it from 6mm. Cut out the arms. I used a round cutter to topper for a cake I suggest using a wooden
the sides with two smoothers to get a more make the rounded end of the arm. Cut the skewer in one of the legs and trimming it to
square shape. Repeat, flattening from the opposite end of the arm with a scalpel at an the depth of the cake once the topper is
top and the sides a couple of times, until you angle (the arms will be attached to the body at completely dry. That way the cake topper
are happy with the shape. (E) an angle). (I) won’t sink into the cake. If you use two
10 Roll out some grey paste with CMC to cocktail sticks in the legs, they might not
Add the indentations and detail about 3mm. I used lollipop sticks (two from hold the topper in the cake properly (they are
6 Use a ball tool or bone tool to make eye each side). Let the piece dry from both sides too short for the quite heavy topper). Apply a
indentations and the dresden tool to make for a few minutes. (J) small amount of glue on the sticks before
N O P
Q R
SKILL
LEVEL
TEACUP
CUPCAKES
You could present cupcakes in a teacup, or why not take it 2A
one step further and create Natasha Collins' project which
adds a mini teacup to the top of the cupcake in the teacup!
YOU WILL NEED with the size 4 brush, paint shading onto the
FOR THE CUPCAKES teacup and saucer.
• 12 cupcakes covered in white
fondant domes
2b Use a light tone of pink to paint the rose
and rosebuds on the teacup and saucer.
2B
TO DECORATE Paint in the leaves with a medium tone of
• edible food paste colours: pink, orange, soft green. Use the size 0 brush to paint the
yellow, blue, soft green, dark green, gold stalks of the rosebuds on the saucer.
EQUIPMENT 2c Switch back to the size 4 brush and paint
• paintbrushes: sizes 4, 0, and a brush for the centre of the rose with neat pink and add
gluing
• 150g (5½oz) modelling paste
some small details onto the rosebuds with
the same colour. Add shading to the leaves
2C
• confectioners’ glue with dark green.
• scalpel 2d Paint gold edges on the teacup and
• circle cutters: 40mm (1½in) and the saucer.
20mm (¾in)
PA I N T T H E P I N K C R O C K E RY
• cocktail sticks
• clingfilm 3a Use a pale to medium tone of blue and 2D
the size 4 brush to paint shading onto the
teacup and saucer.
C R E AT E C U P S & S A U C E R S
3b Use a light to medium tone of pink and
1a Colour a quarter of the modelling paste pale paint the rosebuds on the teacup and the
pink, a quarter pale blue and a quarter pale small dots on the saucer. Add the leaves and
yellow, and leave the remaining paste white.
1b Roll out the paste to a depth of 1-2mm
stalks to the rosebuds with a pale tone of soft
green; you may need to use the size 0 brush
2A
(1/32–1/16in). to paint the stalks.
1c Cut out the saucer using the larger cutter, 3c Add detail to the rosebuds with neat pink,
then take the small cutter and gently press it and use neat dark green on the leaves to
into the middle of the saucer shape. Make
four of each colour (I always make a few
indicate shadows.
3d Paint gold edges on the teacup and
2B
extra in case of any breakages). the saucer.
1d Roll a small piece of clingfilm into a
PA I N T T H E B L U E C R O C K E RY
sausage. Wrap the ends together to create a
30mm (1¼in) circle. Place the saucer on top 4a Use a pale to medium tone of blue and
of the clingfilm. Gently push down the
middle of the paste to form a saucer shape.
the size 4 brush to paint shading onto the
teacup and saucer.
2C
1e Cut out the teacup shapes using the 4b Use a medium tone of blue to paint the
template on page 104, cutting out four of flowers on the teacup and saucer.
each colour (again, making a few extras). Use this blue for the leaves and stalks too;
switch to the size 0 brush if your stalks
2D
MAKE THE WHITE CUP & SAUCER
aren’t fine enough.
2a Use a pale to medium tone of blue and, 4c Paint a gold line around the centre ring of
PA I N T T H E Y E L L O W C R O C K E RY
3B 5C
and edge of each saucer and on the teacup.
FINISHING TOUCHES
3A 4C 5D
10x20mm (½x¾in) rectangle of modelling
paste over the stick onto the back of the
teacup. Leave it to dry.
3c 4B
on the saucer around the edge of the
cupcake, or even just add some gold dots.
5C
3d 4C
5D The project on pages
30-32 is taken from
The Painted Cake by
Natasha Collins,
photography by
Nathan Pask,
published by
Murdoch Books
(£16.99).
B Kerry Thornley
I am a self-taught baker,
and I make cakes in
between looking after my
two children. My
daughter's first birthday
was coming up, so I
decided to make a smash
cake and an edible cake.
That way, we could have
lots of mess and some cool
photos of her plus some
yummy cake to eat! I was
really surprised how well
B my cake turned out.
C Sally Carr
A My son’s girlfriend and
I made this cake for her
nan’s 80th birthday. She
loved the cake and shared
it with all her friends – she
was so proud!
D Josie Hobbs
I make cakes as a hobby
and I made this cake for
my dad's 70th birthday,
as he is a keen golfer.
E Jayne Tremble
I made this cake as an
Easter gift. I'm a self-taught
baker and just make and
D decorate cakes for friends
and family as a hobby. This
was a gravity-defying
A Deborah Mountain and decided to give it a go chocolate sponge cake
My daughter recently got as her engagement covered with chocolates!
engaged and has asked cake… And here’s the
me to make a 3-tiered cake result! When her fiancé F Karina O’Brien
C
for her wedding. I'd never popped the question on I made your Easter bunny
made a tiered cake before the beach, their new cake from the latest Cake
G Andrea Williamson
I made this cake for my
partner's 70th birthday.
I even added working
headlights and tail lights
on it to add to the realism.
I am mainly self-taught
and love a challenge!
H Jennifer Beadel
+
I am a self-taught
baker (a nurse by
trade) and I made this
cake for my mother
in-law’s birthday. E F
I Sarah Blockley
I am 15 years old and love
baking and cake decorating
when homework and my
athletics training allows.
I really enjoy reading Cake
Decorating Heaven and,
inspired by the fabulous
front cover by Blue Door
Bakery, I had a go at making
my own Easter bunny
cake. It was the first time
I fondant-covered a large G
cake and I am very pleased
with how it turned out!
SEND US S TA R
YOUR PICS BAKER
Every issue our star
baker will win a
gorgeous cake
decorating hamper packed with
goodies from Rainbow Dust Colours
(www.rainbowdust.co.uk). If you’d
like us to feature your decorated cake
in the Look What I Made! section of
the next Cake Decorating Heaven,
just send your high-resolution
photos to jessica.clark@anthem-
publishing.com. Please include your H I
name and a few details about the
cake you’ve made.
SKILL
LEVEL
Bouquet
COLLECTION
Create vibrant floral designs in your favourite colours with
this inspiring biscuit bouquet from The Biscuiteers.
It would make a lovely gift for a birthday, or just because!
YOU WILL NEED 4 Using yellow line icing, pipe small petals all
M A K E T H E PA N SY
FOR THE BISCUITS around each flower.
• a batch of round biscuits • Line: purple/yellow/white 5 Finally, using brown line icing, pipe small
TO DECORATE • Flood: purple/lilac/yellow/hot pink dots in the centre of each biscuit, to create
• a batch of royal icing, divided into the sunflower's seeds. Allow to fully dry.
line and flood consistencies, and 1 Pipe the outline of your pansy on each
MAKE THE PEONY
coloured as below biscuit with purple line icing. Make sure you
• food colouring gels: purple, yellow, lilac, nip in to define each petal, but do not bring the • Line: white
hot pink, white brown line down into the centre of the shape. Leave • Flood: white/hot pink
EQUIPMENT to dry for 10 minutes at room temperature.
• wooden skewers (to be used during 2 Once dry, flood the outer edge of the 1 Using white line icing, pipe the outline of a
baking – see below) flower with purple flood icing. Randomly fill peony on each biscuit (nip in slightly to define
in the rest of the area with lilac, yellow four main petal shapes). Leave to dry for
Make your biscuit dough according to your and hot pink flood. Use a cocktail stick to 10 minutes at room temperature.
favourite recipe, but roll it out to a thickness of drag the colours into each other – this is 2 Once dry, flood the shape with randomly
7mm. Cut into desired shapes. Before baking, called 'feathering'. placed areas of white and hot pink flood
carefully thread wooden skewers through the 3 Place the biscuits onto a baking tray and icing. Use a cocktail stick to swirl the two
centre of the biscuits, taking care not to break into an oven set to the lowest temperature colours around in a circular motion – you
the surface of the dough. Bake as usual. (50°C/Gas Mark ¼) for 40 minutes, or until want to create a marbled effect.
the icing has set hard. 3 Place the biscuits onto a baking tray and
4 Use purple line icing to pipe around the into an oven set to the lowest temperature
flower edge and into the centre to create (50°C/Gas Mark ¼) for 40 minutes, or until
petals. Use yellow line icing to create the the icing has set hard.
middle of your flower, finishing with a dot of 4 Using white line icing, pipe ruffled petals
white right in the centre. Allow to fully dry. (follow the photograph – it's easiest to work
from the centre outwards). Allow to fully dry.
MAKE THE SUNFLOWER
• Line: yellow/brown
• Flood: yellow
B
efore you do anything else, it really helps to put really stops! You will have the initial spend on tools, tins
together a business plan. It doesn’t have to be and other equipment, but there will also be ongoing costs
an all-singing, all-dancing official document, for boards, boxes, edibles and training… and then there’s
but it should really cover the following: your always that textured roller that you just can’t live without!
company name, your objectives, your charging structure Just as important is your charging structure. Work out
along with start-up and running costs, marketing and the cost of all your ingredients from the flour to the ribbon
advertising, competition, your USP and a training – and then you need to work the costs out for each SIZE and
programme. It sounds like a lot, doesn’t it? You’re right, it SHAPE of cake you make, along with each TYPE of cake.
is! But getting these essentials in place will make life a lot Yikes! I always found it worked well to have a base rate to
easier in the long run. Here’s some advice to start you off: cover the making and icing of each cake, and then add on an
hourly rate for decorating time. My best advice is to a) never
Choosing a name sell yourself short and b) keep on top of all your finances, as
This is very important as hopefully you will be using and this will be particularly useful when doing your tax return.
loving it for a long time to come. Make sure that you do Yuck. But remember, it is a legal requirement you choose to
plenty of research on other cake company names out there. ignore at your peril!
It is good to pick one that won’t be confused with any other
company as you want your reputation to be distinct and Registering with official bodies
separate from others. My first business name was The Cake You may have guessed after my last comment that one of
House, which I loved, but there were companies out there the official bodies you need to register your business with
with the same name, which was confusing for my is the HMRC. They need to know that you are self-employed
customers. After a while, I changed it to incorporate my even if you’re only part-time. It’s quite easy to register as a
own name as no one else had that! sole trader and there is plenty of information on their
At the same time, you should do some research on website to help you. www.gov.uk/government/
domain names because having a website is an important organisations/hm-revenue-customs
part of setting up a home cake-making business. You also need to register your business with the local
You don't want to waste lots of time authority’s environmental health service, and
deciding on the perfect business name, this must be done at least 28 days before
only to then do a domain name you start trading. They will send
search and find that ‘Cakey someone to assess your working
McCake Face’ is already taken! environment and give you a rating.
Don’t be put off by this, as there is
Costing information on the government’s
I cannot stress how important website to help you prepare for their
good accounting is. It’s hard not visit, but do make sure you are
to get swept up in the excitement aware of good food hygiene
of producing gorgeous creations, practices. You can even enrol on a
but do set aside some time to work short Level 2 Food Safety class, which
out your set-up costs, which is an will help you understand what is
element of cake decorating that never required in your working environment.
It’s also worthwhile to get permission from your so once you have your
mortgage lender if you own your own home, or from your domain name and your
landlord if you are renting, as your new business will affect hosting packaging you
your home insurance. With that in mind… can get really creative.
I could talk for hours on
Insurance this subject but to avoid
Very, very important. Just imagine if someone became ill you dozing off, the most
after eating one of your cakes! It doesn’t bear thinking important things are to
about, but you really have to. Public liability and product give it a simple, clean
liability will cover you if you are sued for injury or damage, feel, make it easy to
and you can also take out cover on your tools and stock. navigate, use a simple
A good starting point is to join the British Sugarcraft easy-to-read font and
Guild (www.bsguk.org) who also provide good basic cover. really, really good
photographs (that’s a
The small print whole other topic in itself!). Perhaps most importantly,
Work out your Terms & Conditions. There are lots of factors make sure to feature your contact details.
that you might not think about in advance. How will you While we are still online, it’s very beneficial these days
accept payments? Will you deliver cakes or make them to set up social media accounts on platforms such as
collection only? How late will you accept alterations to Facebook, Instagram, Pinterest and Twitter. Keep them
orders? What’s your cancellation policy? There’s a lot to updated with plenty of engaging posts and mouthwatering
think about, most of which you will only realise when you photographs. Try to interact with others as much as
come unstuck. We live and we learn! possible – get out there and share your work, because if
you don’t, how will anyone know how good you are!
Website So, you still want to start a cake business? Good for you.
This is your shop front, so make it look as appealing as you It’s hard work sometimes, but it’s always incredibly
can. It’s relatively easy to set up your own website these satisfying. Now you just have to turn it into a reality.
days using a theme on a well-known website creation tool, Good luck!
SKILL
LEVEL
TECHNIQUES
SUGARPASTE MODELLING,
EMBOSSING
STRAWBERRY
BASKET CAKES
Make these pretty cakes topped with a handmade sugarpaste strawberry this summer.
MAKES 12 1 Dust the work surface with icing sugar 5 Preheat the oven to 180°C/Gas Mark 4
FOR THE CAKES and roll out the white sugarpaste icing to and line a 12-hole muffin tin with gingham
• 175g (6oz) butter a thickness of 5mm (¼in) using the and/or red paper cupcake or muffin cases.
• 175g (6oz) caster sugar basketweave rolling pin. Cut out 12 round 6 Put the butter, caster sugar, eggs
• 175g (6oz) self-raising flour discs to fit your cakes. Set aside for at least and vanilla extract into the bowl of a
• 3 free-range eggs 4 hours to allow to dry. free-standing electric mixer (or you can
• 1 tsp vanilla extract 2 To make the sugarpaste strawberries, use a handheld electric whisk and mixing
TO DECORATE make around 30 red pea-size balls. Roll out bowl). Then sift in the flour, lifting your sieve
• sugarpaste: white, red, green on a work surface lightly dusted with icing quite high to incorporate air, and beat for
• seedless strawberry jam sugar, elongating them to resemble a 1-2 minutes until light and creamy. Divide
EQUIPMENT strawberry. Using a cocktail stick, poke the mixture evenly among the paper cases.
• basketweave rolling pin indentations all over the strawberries as 7 Bake in the preheated oven for
• round cutter shown above. 20-25 minutes or until risen and a skewer
• small star-shaped cutter 3 Roll out some green sugarpaste icing inserted into one of the cakes comes out
to a 3mm (1⁄ 8in) thickness on a smooth clean. Remove from the oven and leave to
work surface lightly dusted with icing cool in the tin for 10 minutes. Transfer to a
sugar. Cut out 30 tiny leaves with a small wire rack to cool completely.
star-shaped cutter. 8 Spread each cake with a thin layer of
4 Attach a leaf to the top of each strawberry, seedless strawberry jam and place each
This project is taken from poking in the centres with a taper-cone sugarpaste disc onto a cake. Top each cake
Amy’s Baking Year by modelling tool or a cocktail stick and draping with 1-3 sugarpaste strawberries.
Amy-Beth Ellice,
published by Metro
the leaf points down the side of the
Books, RRP £14.99. strawberries. Set aside to dry.
D AY 1 P R E P I T
GIANT
1 Bake the chocolate cake, then transfer
to a wire rack and let cool completely in
the pan. Cover tightly with clingfilm and
CAKE SLICE
refrigerate overnight.
2 Prepare the buttercream following
your favourite recipe, then cover
the bowl tightly with clingfilm and
The wow factor of this cake by Yolanda refrigerate overnight.
Gampp is definitely its jumbo size and 3 Prepare the sugar syrup, then cool to
room temperature. Pour into your squeezy
rainbow colours – not forgetting the bottle and refrigerate.
3
oversized cherry on top! 2
4 Now it’s time to colour the sugarpaste.
The yellow and pink sugarpastes are
1
pre-coloured, so no prep there! To
TECHNIQUES
MODELLING SUGARPASTE, lighten the purple sugarpaste, mix
SKILL
CAKE CARVING the purple sugarpaste with 125g (4oz)
LEVEL
white sugarpaste and knead to combine
D AY 2 C A K E I T
1 Remove the buttercream from the fridge 3 Cut an M shape into the cake to make create a simple paper template to make
and let it come to room temperature. This three large triangles and two half-triangles. sure all the pieces are the same shape. (B)
may take a few hours. Put together the two half-triangles to make 4 Lay out the four wedges on a clean
2 Remove the cake from the pan and peel off a fourth triangle. Round out the shortest work surface and shower them with
the parchment. Set the cake right side up, and side of each triangle so it looks like it’s been sugar syrup. Let the syrup soak in fully
level it using a serrated knife and ruler. cut from a round cake. You may want to before continuing.
The project on
pages 42-45 is taken
from How To Cake It
by Yolanda Gampp,
published by
William Morrow,
an imprint of
F
Harper Collins
(RRP £20).
Karen Portaleo
cake sculptor extraordinaire…
Humpty Dumpty When did you first start decorating and Where do you get your inspiration from? Do you
and Ageing Face
are part of the
sculpting cakes? have any secrets for continually coming up with
2018 ‘Portaleo I began working with cake around 2005, but did not exciting new ideas?
Portmanteau’ explore the possibilities of sculpting with cake and edible Usually the client or project I’m working on provides the
UK Road Tour
materials until a few years after that. Televised cake shows story, and I’m happiest when I get just a few words about the
were beginning to take off, and suddenly I saw that this event, and then I’m set free to run with my imagination.
part-time job I had could actually be extremely artistic. Sometimes looking at the work of other artists, (not cake,
necessarily), inspires me. I love old churches and museums.
How did you decide to make it your career? Just seeing what some humans are able to accomplish
It was never my intention to be a cake decorator, but as pushes me to try harder!
my experience grew, and I started being invited to appear
on televised cake shows, I started thinking that What’s your design process and how long does
maybe this was the next path for me. I’ve had many it take you?
careers, and as an artist and a single mom, I’ve Usually, if I have some time before the cake is due, I’ll
learned to be fluid and open to new paths both artistically brainstorm for a little bit, then put the ideas on the back
and financially. burner to percolate a little. Then there’s always that early
morning when the idea wakes me up, almost fully formed.
How would you sum up I love it when that happens. I’m super-creative first thing in
your style and why? the morning, before I even open my eyes. And then
My work is often called sometimes, when I have to hit the ground running on a
Cake International Show images: Robby Dee Photography
‘whimsical’, and I’m okay cake, I just start stacking the layers and planning as I go!
with that. Cakes are for
celebrations, after all! Some Do you have a ‘typical’ day?
of my work veers into a sort of My first thought when answering this question was of the
darker, more Halloweenish Dowager Countess from Downton Abbey saying:
aesthetic, and I’m very “Weekend? What’s a weekend?”. Typical day? I don’t have
comfortable in that arena as many! Since I teach internationally, a typical day can be
well. ‘Whimsically Unusual’, boarding a plane for an 18-hour flight, waking up in a hotel
perhaps? I love everything room and making horrible hotel room coffee, teaching,
Halloween, and tend to shopping in a street market… Or getting my daughter to
decorate my home more for school, going to the cake studio and working, then home
that than any other holiday! again to make dinner. It is more rare these days, but there
are times when I rush back to the studio after dinner and things! And promise yourself
work through the night. And then some days, I just lay in that you won’t post any of it!
a catatonic state on my porch, staring at the ceiling fan, We put too much pressure on
completely exhausted! the outcome otherwise, and
so work with the idea that we
What has been your greatest challenge in need to create something
cake decorating? amazing our first time out. I think this demolishes Karen working on
I think cake decorators would agree that delivering the cake is creativity. Fearless exploration is a much better teacher, her Old Woman
design at the Cake
always the most challenging part! But in truth, for me it’s been and you won’t approach learning fearlessly if you’re trying International Show
challenging to spend so much time travelling and teaching, to impress other people right away. Do this just for you first. in November 2017
whilst also having new work to post on social media. As the
cake world evolves (which is happening QUICKLY!), artists Can you tell us your top three cake tools you couldn’t
want to learn new skills, try new things, expand their live without?
capabilities, so cakes now have to be innovative in some way. I love my PME Dresden leaf and flower tool, my beautiful
It’s inspirational, actually, but challenging as well. set of metal tools from Cerart, and a few old wooden tools
I have from my clay-making days.
What’s the most memorable cake you’ve Karen created this
grumpy goblin for
ever created? What’s next for you? The Labyrinth
I created a cake for the 30th anniversary of the movie I’ve got a full schedule of teaching this year, Masquerade Ball
Labyrinth, and was given total freedom to create a ‘goblin’. including my UK tour, which we have named
She was layer upon layer of red velvet cake, and a big The Portaleo Portmanteau UK Road Tour 2018!
grumpy goblin face, and I just loved her! I had so much fun I’ve even designed a logo, which I’m quite
creating her, and then serving her at the Masquerade Ball! delighted with. We may put it on some
That cake will probably always stand out for me. merchandise for the students who come to the
classes. Besides that, I do have a few very exciting
What top tips would you give to someone cakes lined up between trips, and I’ll be taking
just started sculpting cakes? short trips with my daughter to look at colleges!
I always recommend that people start with the knowledge
that they are going to have to invest a bit in this craft. Book onto Karen’s 2018 tour at
Classes are always great, of course, but I suggest going out www.sweetmediasolutions.co.uk
and buying some materials like fondant and modelling or find out more about her work at
chocolate, and then plan on ruining it by trying a million www.karenportaleo.com
FORM
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CREATE BEAUTIFUL CAKES FOR EVERY OCCASION
decorating 38 techniques
& PROJECTS
Featuring photo
UNDER ! step-by-step
instructions
WORTH
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Make a splash
and sea
How to..
cre
Set up a cake
business
with our
rmaid cake
on-trend meature cookies
QUICK DESIGNS
Get creative with simple
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MAKE A TROPICAL
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MAN'S BEST FRIEND
Top techniques Make your dad a fun
MAY/JUN 2018
73
PRICE £4.99
Use a clay extruder to create fun textures Father's Day cake with
9 772050 122001 Create beautiful bows, ruffles & frills our special projects
FLOWERS
• pins
• scissors
A B C
1 Prepare and ganache the square cakes the cakes to the display stand or covered
and allow to set overnight. cake display board.
2 Cover the cakes with the ivory 8 Use a flexible tape measure to check
sugarpaste. The most important technique the lengths of ribbon required for the base
is to secure the corners immediately, as of each tier. Wrap the wider cream ribbon
soon as the icing is on the cake. Use both around the cake and adhere with double-
hands and work on the corners first. Push sided tape. Place the join at the back of the
the icing right down the corners. Now cake or cover with a small neat bow. Apply
manipulate the icing on the straight side the pale pink ribbon over the top, following
to achieve a neat finish. Once the icing is the same method.
trimmed all around the base, use the acrylic 9 Roll out the flower paste to 2mm (1/32in)
smoothers as for the round cake. For a thick. Use the rose petal cutters to cut five
sharp edge, use two flexiscrapers and petals for each flower (40 petals for eight
work them against each other. Allow flowers in total). Thin the edge of each
to set overnight. petal, using a ball tool on a petal pad and
3 If you are using a display board, cover it add a slight ruffle to the thinned edges
with the extra sugarpaste icing and allow with the frilling tool.
to set overnight. 10 Place the petals in the hollows of an
4 Place the cake on a temporary cake apple tray and use sugar glue to stick the
board. Place a plain cake board the same points of the petals together in the centre,
size as the top tier in the centre of the creating a flower. (A)
bottom tier and use a ruler to ensure that it 11 Put sugar glue in the flower centre and
is centred. Trace around the cake board to place pearls, crystals and cachous in the
scribe an outline in the icing of the bottom glue using tweezers. (B)
tier and remove the cake board. 12 Leave the flowers in the apple tray until
5 Insert four butchers’ skewers into the of royal icing to help stick the top tier onto they are almost dry. It’s best to place them
bottom tier, equally spaced and just inside the bottom tier. Spread the royal icing on the cake while they are still slightly soft
the scribed outline. Use a pencil to mark inside the scribed circle using a small so that any gaps can be filled and
the height of the cake on the skewers. Snip crank-handled palette knife. petals interlocked. (C)
off the length of the butchers’ skewers just 7 Use the large crank-handled palette knife 13 Fill a piping bag with royal icing and
below the marked height with secateurs. to lift and help position the top tier of the use it to adhere the flowers to the cake in
6 Replace the skewers in the cake, pushing cake on the bottom tier, aligning the edges a cascade down the front side. Be careful
them all the way in. Prepare a small amount with the scribed outline. Carefully transfer as the flowers are fragile.
cake for the Royal wedding tiered cakes with layers of filling and
showstopping naked cakes. The loose
base allows quick release and is
With these brilliantly British products and tips from Tala (www.talacooking.com) embossed with the tin size for ease.
E - Tala Originals Stoneware Blue 24cm
Mixing Bowl
£20, www.selfridges.com
A
Made from high performance and
extremely durable material for the best
C cooking and baking experience.
F - Set of 3 Spatulas
B £5, www.debenhams.com
Perfect for smoothing and handling
7
TO DECORATE
• 20-30g (¾-1oz) ganache per cupcake
• 20-30g (¾-1oz) ready-to-roll
sugarpaste per cupcake, coloured
• small amounts of ready-to-roll
sugarpaste, plus extra to decorate
• food colouring paste
• royal icing
• gold edible paint, for ‘love’ and tiny
hearts cupcakes
• silver dragees, for quilted cupcake
EQUIPMENT
• ganaching tools
• icing tools
• pasta machine
• rolling pins, small and large
• piping bag and no.1 nozzle
• paintbrush
• stitching tool
• frilling tool
• baking paper
The techniques on • 2B pencil
pages 53-59 are • waxed cardboard
taken from Planet
• paring knife
Cake Love and
Friendship by Paris • flower plunger cutter
Cutler, photography
by Chris Chen,
1 Ganache the cupcakes and cover them
published by
Murdoch Books with sugarpaste. Leave overnight to set.
(£14.99).
1
form a bow loop.
3 Pleat the joined ends together.
4 Pleat the flat ends of the 3cm (1¼in) pieces
and use a little water to stick them on the
cupcake in a V shape to form the ribbon tails.
No.
Stick the bow loops in place over the point
of the V.
5 Finish the bow by wrapping the short piece
of icing over the centre between the loops.
LOVE
1 Make sure the icing has set so that it is firm
enough to pipe on. Make a batch of white
royal icing and fill a piping bag fitted with a
no.1 piping nozzle.
2 Trace or copy your chosen lettering onto the
icing, or work freehand if you are confident.
3 Pipe the royal icing over the lettering. Allow
to dry.
4 When the piped icing is dry, use gold
edible paint to paint the letters, or mix a small
amount of edible gold lustre dust with cake
decorator’s alcohol and apply it to the letters
using a fine paintbrush.
No. 2
54 cake decorating heaven MAY / JUNE WWW.FOODHEAVENMAG.COM
7 W AY S W I T H C U P C A K E S
TINY HEARTS
1 Make sure the icing has set so that it is firm
enough to pipe on. Make a batch of white
royal icing and fill a piping bag fitted with a
no.1 piping nozzle.
2 Pipe the royal icing to make little hearts.
The hearts are created by placing two
teardrops side by side with points touching.
3 When the royal icing is dry, use gold edible
paint to paint the hearts, or mix a small
amount of edible gold lustre dust with cake
decorator’s alcohol and apply it to the hearts
using a fine paintbrush.
3
No.
ROLLED
ROSE
1 Make sure the icing has set so that it is firm
enough to pipe on. Make a batch of white
royal icing and fill a piping bag fitted with a
no.1 piping nozzle.
2 Pipe the royal icing in straight lines radiating
out from the centre of the cupcake.
3 Roll a small amount of sugarpaste in the
pasta machine until it is approximately 3mm
(1/8in) thick. Cut the icing into a 3cm (1¼in)
wide strip and trim the ends square. Cut the
strip into 8cm (3¼in) lengths and keep them
covered until ready to use.
4 Take one strip at a time and start rolling it,
slightly folding the top edge outwards as you
roll to create a petal effect.
5 Pinch the rose at the base and cut off any
excess icing.
6 Stick the rose in the centre of the iced
cupcake, using a dab of water.
No.
5
WWW.FOODHEAVENMAG.COM MAY / JUNE cake decorating heaven 57
A BIRDIE
TOLD ME
1 Make sure the cupcake icing has set.
Make a template of a bird from waxed
cardboard. Colour a small amount of
sugarpaste for the wings (or use scraps left
over from icing the cupcakes).
2 Roll a small amount of sugarpaste in the
pasta machine until it is approximately 3mm
(1/8in) thick. Use the template and a sharp
paring knife to cut out the bird shape. If you
are confident, you can cut out the bird
shape freehand.
3 Place the bird shape on the cupcake using
a small dab of water applied with a
paintbrush to stick it down. Repeat steps
2 and 3 to cut and place the bird’s wings.
4 Make a batch of white royal icing and put it
into a piping bag fitted with a no.1 piping
nozzle, then pipe legs for the bird in the
royal icing.
DAISY
1 Make sure the cupcake icing has set. Roll a small amount of white sugarpaste in the pasta
machine until it is approximately 3mm (1/8in) thick. Use a flower plunger cutter to cut out one
flower for each cupcake.
2 Press the end of a frilling tool into each petal.
3 Carefully transfer the daisy to the cupcake, placing it off-centre. Use your finger to slightly curl
up the end of each petal.
4 Roll a small ball of yellow sugarpaste and adhere in the centre of the daisy with a tiny dab of water.
No.
SKILL
LEVEL
SUCCULENT
& CACTI PLANTER
Surprise Dad with this fun edible cacti planter by Neetha Syam from
Buttercream Petals Cake Art School (www.buttercreampetals.com).
A B A B
C D C D
CACTUS
A B
C D
SKILL
LEVEL
TO ASSEMBLE
1
For single tier cakes, I recommend placing easily. You can buy tall cake boxes for just such
these in a cake box that fits the size of the an occasion. I would recommend following the
(iced) board your cake is sitting on. What you advice above regarding any tall toppers on the
do with the lid depends on the height of your cake (take them out for the journey if you can, it
decorations. If you have mostly flat or low just makes life easier).
decorations on the cake, you can usually pop If, however, the cake is a large tiered cake
the lid on no problem. If you have a standing and you don’t feel comfortable carrying it as it’s
decoration, you will need either corner quite heavy, there is always the option of
extensions – which go in the four corners of the transporting the tiers separately. To do this,
box and give it a little extension roof for the lid I recommend placing each tier in a box either
to sit on – or if it’s a cake topper which easily the same size as the tier or 2.5cm (1in) larger, to
sticks into the cake, I recommend taking this avoid the cake moving around too much. The
out for the journey and popping it back in when cake can then be assembled at your destination.
you have reached your destination. This option will depend on the decoration
also. If there is a lot of decoration of, say,
2
For tiered cakes, a lot will depend on how cascading flowers, which are stuck to each
big the cake is, what the decoration is like tier, you have to make the decision to do them
+
The cake is stable. By this I mean you
have used a strong cake (such as a
Madeira) which won’t crumble under the
pressure – literally.
+
The fillings are stable. I’m a lover of
cream cheese frosting as much as the
next person, but if you are transporting a
wedding cake to a marquee at 10am in the
height of summer and it’s not going to be cut
until 8pm, you might have to have a rethink as
the filling can go soft – which may affect the
integrity of your cake.
+
It is stacked and dowelled properly.
I’m talking wooden or plastic dowels in
each tier (with the exception of the top tier)
and thin but firm boards under each cake.
This will stop the cake from collapsing.
+
The cake is left with enough time to
‘set’. Between the tiers of my cakes and
between the drum and bottom tier, I will
spread a layer of royal icing when assembling.
It dries really hard and firm and ensures the
cake isn’t moving about at all. But once this is
done, you MUST leave the cake well alone for
24 hours before moving. This ensures the icing
is completely dry and stable. I would always TRANSPORTATION
make sure any tiered cakes I was doing were
finished two days before the event, as this way Once you know your cake is good to go, it be sturdy, but are still made of cardboard at
I could leave it 24 hours to set completely needs to be packed up to begin its journey. the end of the day.
and I had a contingency day if anything
1 2
happened. And it did. Several times. That extra For transporting cakes, I recommend For transporting cupcakes, it depends
day here and there may have saved my career. purpose-built cake boxes. You can pick how they will be displayed at the other
them up relatively cheaply in all sizes. As I’ve end (more on that below), but move them
+
Your decoration is firmly secured. said above, if you are transporting a tiered either in window cupcake boxes, which look
Again, this falls under making sure the cake I recommend either a cake box with pretty and come in fours, sixes or twelves, or
cake has had time to ‘set’. You don’t want to extender corners OR a ‘stacked cake box’. thick 24-hole industrial boxes purely for
be sticking decorations on with edible glue Both should be available from your local cake transportation and you can then take the
an hour before you’re transporting a cake. store or easily sourced online. This next bit cakes out when you get there. For these,
They will fall off on the journey. Make sure sounds obvious, but make sure nothing is depending on how high each cupcake
everything is done in plenty of time. stored on top of the boxes as they are built to decoration is, you can usually stack them
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TECHNIQUES 3
CREATING A TEMPLATE, USING A STENCIL, 2
AIBRUSHING, SHADING
1
HUMMINGBIRD
SKILL
LEVEL
CAKE
YOU WILL NEED This beautiful design by Lisa Munro from The
FOR THE CAKE Airbrush Company (www.airbrushes.com) will
• 25cm (10in) round tall sponge cake
• filling of your choice
inspire beginners to learn the art of airbrushing.
TO DECORATE
• 2.7kg (6lbs) white sugarpaste
• KopyKake airbrush colours: yellow,
orange, brown, blue, purple, black, green
EQUIPMENT
• airbrush and compressor
• 33cm (13in) silver petal cake drum
• KopyKake airbrush cleaner
• rolling pin 2 Flush through the yellow colour and 5 Switch colours to orange and position
• sturdy A4 card or cartridge paper add in orange. Position the airbrush a little the airbrush closer to the cake surface to
• no.11 X-Acto craft knife closer to the surface to direct the spray. control the spray easier. Airbrush around
• kitchen roll Airbrush just inside the centre of the flower the outside of the template, then lightly
• coins and also the shortest lines that form the over the orange lines that form the edges of
• satin dark green ribbon edges of the petals. the petals.
PA I N T T H E B I R D
PA I N T T H E F L O W E R
The orange
8 Switch colours to orange and position
the airbrush closer to the cake surface to
control the spray easier. Airbrush around
the outside of the template, then lightly
over the orange lines that form the edges of
the petals.
13 Repeat step
9, this time using
green and blue
(50:50). Spray tiny
9 On your compressor, lower the air dots over the entire
pressure down so that no air is coming drum. You will need
through, then ever so slightly raise the to position the airbrush close to the icing
pressure until tiny dots start to appear. The green to direct the dots, but don’t worry if the
Try this on paper first; when you’re happy 11 Switch colours to green. Airbrush lightly dots go over the sides of the cake – I have
with the effect/size of dots, spray just on over most of the yellow, leaving just a hint actually sprayed some dots on the sides to
the tail of the bird and on the bird's chin showing through on the left side. Also add to the effect. Be sure to cover the top
area. You will only be able to do this if your shade in the rest of the body in green, of the cake however so that the dots
compressor has a pressure adjuster. except for the top of the bird's head. don’t land on your design.
SKILL
LEVEL
Llama
CAKE & CUPCAKES
Sound the a-llama, there's a new trend in town! Go bright and
vibrant for any celebration with this fun llama cake and cupcake
design by FMM Sugarcraft (www.fmmsugarcraft.com).
Father's Day
SAUSAGE
DOG CAKE
This fun Father's Day cake by Hannah
Wiltshire from Bath Baby Cakes (www.
3
bathbabycakes.com) can be adapted to 2
feature any breed of dog. 1
1 Dry-paint the covered cake drum with
TECHNIQUES
the green powdered food colouring,
SKILL
APPLYING GOLD LEAF, USING TEMPLATES aiming for a mottled, grass-like effect and
LEVEL
set aside.
Bottom tier
6 While the balloons are drying, fill a 9 While the water is drying, secure the
disposable piping bag with the black royal bigger cake to the cake drum with a blob or
icing and cut a very small hole in the tip of two of thick royal icing, then trim with thin
the bag and pipe 'Happy', 'Father's' and black ribbon to disguise the gap between
'Day' onto separate balloons. Leave to dry. the cake and the drum.
SKILL
LEVEL
TECHNIQUES
MODELLING, USING CUTTERS
TO DECORATE
• 25g (1oz) black modelling paste
• very small piece of red
modelling paste
• edible candy stick
• edible black sugar pearls
• clear piping gel (optional)
EQUIPMENT
• small petal cutter
• dresden tool
• dusting brush
• water brush
• thin palette knife
• tea strainer/small sieve
• multi-mould (tiny bow)
• small non-stick rolling pin
SKILL
LEVEL
TECHNIQUES
MODELLING, USING CUTTERS,
PIPING BUTTERCREAM
BABY
SHOWER
Welcome a new baby with
a batch of mini cupcakes
decorated with these sweet
toppers by Lorna Fleming.
YOU WILL NEED
FOR THE CUPCAKES
• a batch of mini cupcakes
TO DECORATE
• a quantity of buttercream
• pink, blue and white sugarpaste
• edible glue
EQUIPMENT
• pram, bottle and bib cutters
• small star, heart and circle cutters
• cocktail stick
• stitching wheel tool
• foam pad or greaseproof paper
• craft knife
Renshaw Dahlia
Black Flower and
Modelling Paste
£3.20 for 250g
www.hobbycraft.co.uk
This deep black flower
and modelling paste
is perfect for creating
intricate shapes
and flowers.
Pick of the
PRODUCTS
WE CHECK OUT
THIS SEASON’S BEST
NEW DECORATING
TOOLS
SKILL
LEVEL
WAFER ROSE
GARDEN CUPCAKES
If you haven't made wafer paper flowers before, these stunning cupcakes
by Naomi Lee of The Cake Botanist (www.thecakebotanist.com) are a
great introduction. Their delicate finish is perfect for weddings.
M A K E T H E WA F E R PA P E R R O S E
A B C D
E F G H
YOU WILL NEED • green florist tape to rest for about 3 hours to dry. (C)
TO DECORATE • round paper punch cutters: 2.5cm (1in) 4 Using some edible glue, brush it along the
• 10g (¼oz) gum paste and 4cm (1½in) wafer paper strip to soften it, then take the
• Sugarflair dusting colours: Sunset • EK Success 54-30328 confetti punch wafer paper and attach it on one end and
Orange, Apricot, Moss Green, Brown hydrangea, large start rolling it fairly tight. (D-E)
• Swiss meringue buttercream 5 You might require some extra glue as
• pink gel food colouring the paper may dry out during the rolling
WA F E R PA P E R R O S E
EQUIPMENT process. Once you have rolled up the whole
• white wire: 24 and 26 gauge 1 Using a 24-gauge white wire, attach some piece of paper pinch it tightly to ensure it
• A4 edible wafer paper green florist tape leaving a 1cm (½in) gap for holds together. (F)
• Wilton nozzle 2D some gum paste to attach onto the top. (A) 6 Using a 2.5cm (1in) round paper punch
• small disposable piping bag 2 Cut 2 strips of wafer paper about 1cm (½in) cutter, cut out 12-14 petals. (G)
• large powder brush wide, making 1 straight and 1 wavy. (B) 7 Then cut each petal with a slit about one-
• flat brushes 3 Using about a rice-grain size of white gum third from the bottom. (H)
• wire cutters paste, dip the white wire end into the edible 8 Apply glue over one petal at a time, then
• scissors glue and attach the gum paste on, rolling and cross it over to allow the petal to form a
• cocktail stick pinching it so it holds onto the wire. Leave it cupped shape.
K L M N
O P
9 Complete all the petals, then apply a small 14 Apply glue to each petal at the base and across, then brush the back sides of both
amount of glue on the base of the petal stick each one over the centre of the flower, pieces with glue. Cut a 26-gauge white wire
where the slit is and attach each petal onto this time keeping the same height as the into 4 pieces, then stick them equally
the rolled centre, slightly higher than it. (I) previous layer, but ensuring the overlap is still into four on one side of the wafer paper,
10 Continue applying each petal onto by half. (O) as pictured. (Q-R)
the centre, overlapping each petal by half, 15 To dust the flower, take some orange 3 Take the other sheet of wafer paper and
going in a circular manner until all the petals and apricot petal dust, mix them over a stick the dusted side on top, then press
have been used. (J) paper towel and, using a flat brush, gently down to ensure the wires are held in
11 Next, using a 4cm (1½in) round paper brush from the centre out over the tips of the paper. (S)
punch cutter, cut out 7 petals and cut a the paper. (P) 4 Cut the paper into four pieces so each wire
slit about one-third from the bottom of is supported by a square piece of wafer paper,
WA F E R PA P E R L E AV E S
each petal. (K-L) then cut free-hand each leaf shape. (T)
12 Repeat step 8 to cup the petal. 1 Take quarter of an A4 sheet of wafer paper,
A S S E M B LY
13 Take a cocktail stick and curl the petal on then apply a mix of green and brown petal
the top left and right side of each petal to dust with a powder brush to create 1 Take the green florist tape and attach the
form an arrow shape. Repeat this for all the leaves. rose with 1-2 leaves by wrapping the tape
the petals. (M-N) 2 Cut the wafer paper in half horizontally round the wires in a downward motion. (U)
M A K E T H E WA F E R PA P E R L E AV E S
Q R
S T
A S S E M B LY
U V W
SKILL
LEVEL
TECHNIQUES
MODELLING, USING CUTTERS
TO DECORATE
• 50g (1¾oz) purple sugarpaste
• tiny pieces of white and black
sugarpaste
EQUIPMENT
• candy stick
• thin palette knife
• sharp pointed scissors
• cocktail stick
SKILL
LEVEL
TIARA
BISCUITS
Fit for a princess! Practise your fancy piping skills with these
embellished tiara-shaped gingerbread biscuits by Tessa Whitehouse.
YOU WILL NEED from the clean tin cans. Cut a strip of baking
CUTTING OUT THE BISCUITS
FOR THE BISCUITS parchment wider than the tin and long enough
• one quantity of your favourite light 1 Prepare the gingerbread dough to your to wrap around twice. Wrap the strip around
gingerbread dough favourite recipe. Roll it out slightly thinner the tin so that it overhangs at the open end,
TO DECORATE than usual. In order to stand upright, the tiara then tuck the excess paper into the tin to
• 500g (1lb 1¾oz) SK Art-Ice Cookie biscuit needs a flat base, so use a ruler and a secure it in place. Take a strip of aluminium foil,
Icing Mix pizza cutter or sharp knife to cut a straight roll up from each short end and place this on a
• SK Professional Liquid Food Colour, edge along the base of the rolled-out dough. baking tray first to prevent the tin from rolling
Rose 2 Position the tiara cutter so the lower points off the baking sheet.
EQUIPMENT are touching this edge and press down on the 4 Balance a chilled tiara straight and centrally
• SK Crown Tiara Cookie Cutter top edge of the tiara only to cut through the on the tin former and immediately place in
• ruler dough. Remove the cutter, cut through any the oven. As the dough warms up it will bend
• pizza cutter (optional) dough if necessary and place the biscuit, now and bake to the shape of the tin.
• up to 14 clean, empty tin cans, about with a straight lower edge, on a lined
8cm (31/8in) in diameter baking tray. Repeat to make as
• baking parchment many biscuits as possible,
• aluminium foil then chill in the fridge.
• piping nozzle: no. 1.5 3 Preheat the oven
• small paper piping bags to 160ºC/Gas Mark
• kitchen paper or non-slip matting 3. Prepare the
• small paintbrush baking formers
These biscuits
are taken from
Beautiful Biscuits:
How to Make
Impressive Iced
Cookies for Special
Occasions by Tessa
Whitehouse,
published by
B. Dutton Publishing
(RRP £14.99).
D E C O R AT I N G T H E B I S C U I T
M N O
12 Half-fill a paper piping bag with the pink 13 Fill the long crescent shape and use a ease the icing into the corners. Set the iced
run-out icing. Cut a small hole in the tip and slightly damp paintbrush to ease the icing biscuit aside to dry completely.
fill the top sections of the tiara, starting with into the corners (M). Set aside to dry for 15 Fit a small piping bag with a no. 1.5 nozzle
the two in the centre. Note that the icing is 10 minutes or so. and half-fill with the thick, white icing. Drop
not piped to the lowest edge on the outside 14 Fill the remaining areas with the pink lines over any joins between the pink run-out
sections; gravity will pull the icing to the edge run-out icing (N). Where there is a very sections, then embellish by piping pearls and
and you can help it along by teasing the icing narrow section to fill, squash the end of the running beads alongside the lines (O). Allow
down with the tip of the bag (J-L). bag flat before filling and use a paintbrush to to dry completely.
ALTERNATIVE DESIGNS
You don't have to completely Cut out extra shapes from
coat the biscuit – you can the dough, a size smaller, to
achieve opulent results with form the gems. Bake all of
a ‘bare’ biscuit decorated the biscuit pieces then
with piped embellishments. decorate when cool. Pipe
running beads, pearls and
1 Gold and white tiara drop lines in white piping
Tip a pot of SK Classic Gold icing, then colour with gold
Metallic Lustre Dust into a metallic paint when dry.
small muslin square. Gather Lightly grease a piece of
the corners together and tie cellophane onto the former
with string or ribbon to make and put the curved biscuit on
a dusting bag. Once the top. Pipe four large pearls
biscuits are cut out, thickly equally around each cut-out
dust the raw dough with the piece and drop in one of the
bag in a firm dabbing action. tiny biscuits. Once dry, cover
Bake the biscuits and allow to the tiny biscuit with Scintillo
cool. Make 200g (7oz) cookie piping sparkles in green or
or royal icing and pipe a your choice of colour.
design using drop lines and
pearls. Once the icing is dry, 3 Flat tiaras: for a simpler
add sparkle to the pearls by design, bake the tiaras flat
dropping piping gel on top. and decorate with either a
combination of run-out and
2 Emerald and gold tiara piping icing or gold lustre
Use small geometric cutters dust and piping icing. If
to cut out oval or round you’re making flat biscuits
shapes from the biscuit you won’t need to trim the
dough while it is lying flat. bottom straight.
Competitions
Recipes Tutorials
Inspiration Step-by-step
h n i
Tec ocus q u e
F
HOW TO…
BOWS, RUFFLES
AND FRILLS The techniques on pages
90-93 are taken from
First Time Cake Decorating,
These simple ideas are so quick to create and are ideal published by Creative
Publishing International, an
for adding a final flourish to your cakes and bakes. imprint of the Quarto Group
(RRP £12.99).
Streamer Tricks
1 If the streamers crack or break when
curved, allow less time on the dowels. If
the streamers collapse when curved,
allow more time.
2 If several strips are cut at once, cover the
strips with clingfilm to keep them from
3 4 drying until the strips are curled around
the dowels.
1 2
3 4
THE BOW
and pinch the ends together to form pleats.
1 Knead and soften gum paste. Dust the work 2 For the bow streamers, cut two 2.5x7.5cm
Bow Tips
surface with cornflour, then roll out the gum (1x3in) strips of gum paste. Cut one end of
paste thinly to about 0.4mm (#5 on a pasta each at an angle, then pinch the other end.
machine). Cover a CelBoard or plastic 3 Put the streamers together and the folded 1 If the loops collapse, hold their shape
placemat with a thin layer of solid vegetable loops on top. Cut a 1.3x2.5cm (½x1in) strip for with fiberfill and remove it when the loop
shortening and place the rolled gum paste on the knot, then pinch the ends. has dried.
it. Cut two 2.5x7.5cm (1x3in) strips and brush 4 Brush edible glue on the back of the knot, then 2 Bow cutters are available.
the ends with edible glue. Fold the strips in half attach to the bow, pressing the ends underneath. 3 Use a quilting tool for a stitched effect.
1 2
3 4
1 Knead and soften gum paste. Dust the work glue, then fold the strips in half and stand the
surface with cornflour, then roll out gum paste loop on its side to dry for several hours.
ENHANCING BOWS
thinly to about 0.6mm (#4 on a pasta machine). 2 When the loops are dry, arrange them in a
Rub the surface of a CelBoard or plastic circle on the cake, leaving a 2.5cm (1in)
placemat with a thin layer of solid vegetable opening in the centre. Fill the opening with a The gum paste may be textured before
shortening and place the rolled gum paste on ball of royal icing the same color as the loops. cutting out the bow strips. Edible icing
it. Cut 2.5x15cm (1x6in) strips of gum paste. A Slightly push the arranged loops into the sheets can be used on top of the gum
complete bow will require 18 strips. If all the icing ball. paste strips for a shimmer effect. Before
strips are cut at once, place them in a single 3 Add the next row of loops, inserting them you cut the strips, brush the back of the
layer under clingfilm to keep them from drying into the icing. icing sheet with water and place the
out. Brush the ends of the strips with edible 4 Add a final layer of loops, to finish. ribbon on the rolled gum paste.
SKILL
LEVEL
WOODLAND
CUPCAKE TOPPERS 4 Roll out the orange ball you have just made
Penny the Bee (www.pennythebee.com) shows and cut out one or two circles using the 4cm
you how to create cute fox and skunk cupcake (1½in) round cutter to create the face of your
fox. With a bit of edible glue, attach the
toppers. Go to www.foodheavenmag.com to find orange circle on top of the white bigger circle
out how to make the other woodland creatures! you made in step 2.
C R E AT E T H E F O X
C R E AT E T H E S T R I P E D S K U N K
The ears
11 To create the ears, take two small pieces
of your orange florist paste and with your 15 Using some edible glue, attach the ears
fingers make two drop shapes. to the sides of your fox's face.
FINISHING TOUCHES
The ears
12 Using your bone tool, flatten down the 18 Follow the same process as described in
ears starting from the top, then press down steps 13, 14, 15 and 16, changing the colours
towards you. and making the ears rounder.
SKILL
LEVEL
TECHNIQUES
MODELLING, USING CUTTERS
TO DECORATE
• 100g (3½oz) white modelling paste
• small amount of purple and lilac
modelling paste
EQUIPMENT
• basic tools
• one purple pipe cleaner
• two white stamens
• ribbon (optional)
• cocktail stick
• pastry brush
• cutters: large oval,
tiny blossom
• thin palette knife
• small pair of scissors
• fine black fibre-tip pen
• small blossom cutter
• sugar glue
• pin
HEADER 1
SKILL
LEVEL
GEISHA
curve up at the edges, and with a dab of
edible glue in the centre, attach a silver
dragee. Set aside to dry for 24 hours.
8 Once these items are dry, they can be
Make a cake that stands out from the painted with edible silver paint.
crowds with this Geisha by Sherry Hostler
HANGING CHERRY BLOSSOMS
(www.sherryhostlercakeartistry.com).
9 Make a tiny hook in the end of a piece of
wire and dip into edible glue, then roll out
YOU WILL NEED smoother to create an even surface. Cut off a small pea-sized piece of pink sugarpaste
FOR THE CAKE any excess and allow to dry overnight. into a ball. Slide this down the length of the
• 20.5cm (8in) round sponge cake, filled wire until it meets the hook. Let the hook
F A C I A L F E AT U R E S
with buttercream and jam dig right into the paste, then swizzle the
TO DECORATE 2 To create the nose, take approximately paste with your fingertips until it forms a
• 1kg (2lb 3¼oz) red sugarpaste 20g (¾oz) of white sugarpaste and form teardrop shape. This will form the end of
• 1kg (2lb 3¼oz) white sugarpaste into a long triangle shape around 5cm (2in) the hanging blossoms.
• 1kg (2lb 3¼oz) black sugarpaste in length. Flatten this at the back, then 10 Take a small ball of pink sugarpaste and
• edible red paste colour using edible glue, attach a small pea-sized use your fingers to form a slight bulb shape.
• edible black paste colour ball to each side of the wide end. Set aside Keeping the stem in the middle, gently
• 50g (1¾oz) white flower paste to dry for 24 hours. pinch and flatten the bulb of paste. Place on
• 100g (3½oz) pale pink sugarpaste 3 For the mouth, take approximately 10g a greased board and roll the paste as thinly
• 10g (¼oz) brown sugarpaste (¼oz) of white sugarpaste and form into as possible around the outside of the stem
• silver dragee balls the shape of lips using your fingers. They so that it resembles a witch's hat. Place the
• edible paint: silver and gold should be flat at the back and then curved blossom cutter over the top so that the stem
• edible glue at the front, but not too prominent. They is central and cut out the petals.
EQUIPMENT should be around 4cm (1½in) across. Set 11 Holding the stem in your fingers, use
• 35.5cm (14in) square cake drum aside to dry for 24 hours. the serrated end of the cone tool to indent
• small white stamens 4 For the eyeballs, take two pea-sized balls the centre of the blossom a little. Slide the
• 26g white florist wire of sugarpaste and flatten so they are just blossom all the way down the wire until it hits
• lollypop stick slightly rounded, but flat at the back. Set the end of the tear drop at the bottom. Use
• white florist tape aside to dry for 24 hours. your fingers to draw petals downward slightly.
• wired jewels 12 Repeat this process until you have
THE HAIR PINS
• red ribbon approximately nine petals falling down the
• non-stick rolling pin 5 Take a lollypop stick and cut it in half. Roll length of the wire. There should still be
• The Cake Smoothie two small balls of white sugarpaste and stick around 2.5cm (1in) of wire visible at the top.
• sharp craft knife one on the end of two of the sticks using a Repeat the whole process for the second
• small paintbrush little edible glue to hold in place. Once dry, wire, then set aside to dry for 24 hours.
• fine paintbrush paint them all with edible gold paint.
CHERRY BLOSSOM BOUQUET
• cone tool
T H E S I LV E R H A I R J E W E L L E R Y
• dresden tool 13 Take three 26g wires and cut into three
• small five-petal blossom cutter 6 For the comb you will need to roll out equal lengths. Form a tiny hook in the end
• small non-stick rolling pin the white flower paste thinly and cut out of each wire. This is also a good time to
• posy pick an oblong approx 5x4cm (2x1½in). Use the trim your stamens, so that you have 27 tiny
• serrated knife sharp knife to cut lines along the wider end, stamens ready.
starting approximately 1cm (½in) from the 14 Take a small ball of pink sugarpaste and
top and continuing to the bottom. Splay out use your fingers to form a slight bulb shape.
COVER THE CAKE BOARD
the sections just slightly, and stick silver Keeping the stem in the middle, gently pinch
1 Roll out 1kg (2lb 3¼oz) of the red dragee balls along the top at the point where and flatten the bulb of paste. Place on a
sugarpaste on a surface which is lightly the cuts begin. Set aside to dry for 24 hours. greased board and roll the paste as thinly as
dusted with icing sugar to approximately 7 Roll out the remainder of the white possible around the outside of the stem so
3mm (1/8in) thickness. Brush your cake flower paste thinly and cut out three small that it rather resembles a witch's hat. Place
drum with a little cooled, boiled water flowers using the five-petal cutter. Set the blossom cutter over the top so that the
and cover it with the sugarpaste. Use the this into a small flower former so that they stem is central and cut out the petals.
17 I would advise doing this on a separate creating an even surface, then cut off any
F A C E D E TA I L S
board, to avoid ruining your nicely covered excess. The Cake Smoothie will also be
cake drum. First you need to cut the basic able to smooth all around the more fiddly 23 Cut out two small circles from the
shape. I found it useful to draw out the oval areas around the nose and lips using the brown sugarpaste and stick them with
shape of face with the hair framing it on a more pointed end. Ideally it is advised to let edible glue over each eyeball. Repeat with
piece of paper first. Hold this over the top the white sugarpaste dry overnight so that two smaller circles of black sugarpaste,
of your cake and use a serrated knife to cut it firms up. then two tiny circles of white suguarpaste
around the outline. 21 Roll out 250g (8¾oz) of the black at the bottom left of the black circles.
18 Next, if you cut away the hair on either sugarpaste to 3mm (1/8in) thickness and cut Outline each eye using the black paste
side of the face on your template, you can a straight line along one side of it to give a colour, and make three little flicks at the
once again hold it over the top of the cake, clean edge. Dab a little cooled, boiled water outside edge of each eye. Paint on the
and cut down on either side of the cake face all over the left-hand side of the hair style, eyebrows, again using the black paste
to the bottom layer of cake, approximately then cover with the black sugarpaste, making colour. Allow this to dry.
2.5cm (1in). This will give you some depth sure the straight edge falls along the side of 24 Once dry, you can outline the outside
between the head and hair. the face. This will avoid any unwanted marks edge of the eyes with red paste colour, and
19 You will see that the face is still looking from the black sugarpaste if you have to trim the inside edge of the eyebrows with red
quite flat, so you will need to carve some it. Use the Cake Smoothie to smooth the also. Paint the lips with red paste colour,
indentations for the eye sockets and also curved edges, then trim away any excess. taking care to colour the whole top lip, and
make the edges of the face slightly curved Use the sharp edge of a dresden tool to mark only the centre of the bottom lip, as is the
using your serrated knife. Take your time! hair horizontally. Repeat this process on the Geisha style.
You can now move the cake onto your right-hand side.
HAIR DECOR
covered board and give it a crumb coat of 22 Make another paper template to re-
buttercream. Finally you can position the create the shape of the Geisha’s hairline, 25 Finally you can add the ornaments.
sugarpaste nose, lips and eyeballs that you then roll out 500g (1lb 1¾oz) of the black Stick the silver comb and flowers on the
made earlier. sugarpaste to 3mm (1/8in) thickness. Use left-hand side of the hair using edible glue
a sharp knife to cut out the hairline shape. or royal icing. Insert a small posy pick on
COVERING THE CAKE
Dab some cooled, boiled water all over the right-hand side of the hair, then insert all
20 Dust a surface with icing sugar and roll the top of the head, then cover with the wired elements into this. The hair pins can
out 2lb 3¼oz (1kg) of the white sugarpaste black sugarpaste, making sure the hairline be inserted directly into the cake at
to a 3mm (1/8in) thickness so that it is large is positioned correctly, again avoiding the back.
enough to cover the whole cake. Lift the unwanted black marks. Use the Cake 26 Finally finish off the cake board with a
sugarpaste over the cake and tuck in with Smoothie to smooth the curved edges and strip of red ribbon.
your hands. Use the Cake Smoothie to trim away excess. Use the sharp edge of a
perfect the rounded curves of the cake, dresden tool to mark hair vertically.
2 Choose the desired disk and attach to the extruder. 4 Use a paring knife or a spatula with a thin blade to cut extruded paste.
Slight warming If you are struggling to release the paste from the extruder, try warming
TOP the paste. Remove the paste cylinder from the extruder, and place it in the microwave
TIP
for 2 or 3 seconds, or until just warm. Put the paste back into the extruder and try again.
SKILL
LEVEL
TECHNIQUES
USING CUTTERS, PIPING ROYAL ICING
Make chocolate
pistachio
* Contents subject to change
cookie shots!
STEP-BY-STEP… Everything
• Fruit pop tarts you need to know
• Triple berry tart about yeast
TEMPLATES ENGAGEMENT
HEART ON
PAGE 108
(Taken from
Piping on Cakes
by Christine Flinn,
published by
Search Press, RRP
£12.99.)
TEMPLATE FOR
KITTY COOKIES
ON PAGE 22
(Taken from
Kawaii Cakes by
Juliet Sear,
published by
Hardie Grant, RRP
£9.99.)
SKILL
LEVEL
Buttercup &
DAISY CAKE
Celebrate springtime birthdays and celebrations with this beautiful floral cake
by Alison Young-Evans from Centre Stage Cakes (www.centrestagecakes.co.uk).
YOU WILL NEED
FOR THE CAKE
• 20cm (8in) sponge, covered with pale
blue sugarpaste
TO DECORATE
• yellow, white and green flower paste
• edible glue
EQUIPMENT
• rolling pin
• sieve
• Blossom Sugar Art cutter and veiner –
buttercup and daisy
• miscellaneous daisy and buttercup
moulds
• leaf cutter and veiner
• flower former
• craft knife
• kitchen foil
ENGAGEMENT
SKILL
LEVEL
HEART
YOU WILL NEED
This romantic cake by Christine Flinn has a traditional feel even
FOR THE CAKE
• 17.5cm (7in) heart-shaped cake, though it is covered with sugarpaste rather than royal icing. It is
7.5cm (3in) deep then piped with a delicate flower design in subtle colours.
TO DECORATE
• 750g (1½lb) white sugarpaste
• 240g (8oz) royal icing
D E C O R AT E T H E C A K E S I D E S
• droplet liquid food colour: buttercup,
fuchsia, fern, holly green and grape violet
EQUIPMENT
• 25cm (10in) heart-shaped cake drum
• piping nozzles: no.2, no.1 (x 3) and no.0
• piping bags: size 1 and 2
• scriber
• satin ribbon, 15mm (½in) wide
• non-toxic glue stick
• cash register receipt roll
• masking tape 2 Half-fill a size 1 piping bag (no.1 nozzle)
• optional: FMM embosser (scroll set 1) with buttercup-coloured royal icing. Using
for edge of iced cake drum the paper template as a guide, pipe a tiny
• scissors yellow dot at the central point on each of the
• knee high pop sock scallops. Be careful not to pipe on the paper
template. Half-fill a size 1 piping bag (no.1
nozzle) with fuchsia-coloured royal icing.
Pipe half of the flower (three tiny teardrops) 4 Pipe another half flower (yellow dot and
around the yellow dot. Ensure the piped three teardrops) either side of the wavy
petals do not touch the central dot. lines, then add more wavy lines as shown.
D E C O R AT E T H E C A K E T O P
FINISHING TOUCHES
BAKE IT YOURSELF
These simple recipes offer the perfect blank canvas for you to get
creative and try out new decorating techniques... or alternatively,
bake and enjoy them just as they are with a hot cup of tea!
PINA COLADA
CUPCAKES (GF)
YOU WILL NEED
FOR THE CUPCAKES
• 125g (4½oz) gluten-free self-
raising flour
• 125g (4½oz) caster sugar
• 125g (4½oz) Stork Perfect For Cakes
• 2 large free-range eggs
• 1 tsp coconut essence
• 1 tsp rum essence (optional)
TO DECORATE
• 40g (1½oz) pineapple jam
• 125g (4½oz) Stork Perfect For Cakes
• 280g (9¾oz) icing sugar
• 1 tsp coconut essence
• dessicated coconut, for sprinkling
• 8 glacé cherries
• 8 cocktail umbrellas
WHITE CHOCOLATE
CAKE WITH
STRAWBERRIES
S
TA
!
IT
KI T
L
N G ABO U
Learn at Everything’s
the Academy included,
– Beginners cake simply book
decoration classes and turn up
– Cake carving
– Modelling
– Even cakes that move!
S O M E O F O U R A M A Z I N G T U TO R S
renshawacademy.com
HARRY’S GRANNY’S HOUSE The palace kitchen BUT FROM WHOm ?
HARRY,
CAN I REALLY IF THAT’S THE
HAVE A NAUGHTY SIZE SHE WANTS, WE’RE
CAKE FOR MY GOING TO NEED A LOT
BACHELORETTE MORE FLESH COLOURED
PARTY?
WE CALL IT WE
A HEN NIGHT NEED
MEGHAN BUT, HELP!
YES, ONE CAN
HAVE WHATEVER
FEAR NOT! THANK YOU
WITH OVER 8,000 CAPTAIN CAKE STUFF
PRODUCTS (INCLUDING – YOU SAVED THE DAY.
ALL THE TOP BRANDS I’VE BEEN TOLD
OF SUGARPASTE), MEGHAN’S HEN PARTY
WAS A HUGE
AN HONOUR SIR.
AFTER ALL, US
GINGER BEARDIES
HAVE GOT TO
STICK
YES, THE
CAKE WAS
NEARLY AS BIG
AS THE REAL
WEDDING
TECHNIQUES C
ombrreeactae a beautiful
d lert!
TrenA buttercrekae with piped
page m4 roses,
HANDPAINTING
Paint personalised
wedding favours
BEGINNER’S GUIDE
How to use
ribbons to
enhance
your cakes
9
Detailed
Fresh
NEW IDEAS!
S T E P- BY- S T E P
P R O J E C T S
JESSICA CLARK
EDITOR
Contents
Presented with cake
decorating
WEDDING
TECHNIQUES Cre a
ombreate beautif
TrendAlert! butterccakreae with pipuled
page m4 roses,
HANDPAINTING
Paint personalised
wedding favours
BEGINNER’S GUIDE
04 Cover cake 12 Named cookies
How to use
ribbons to
enhance
your cakes Buttercream roses
ombre wedding cake 15 Pink & gold wedding cake
9
Detailed
Fresh
NEW IDEAS!
S T E P- BY- S T E P
P R O J E C T S
06 Floral bloom cupcakes 18 Linked flower cupcakes
Be inspired by creative designs
for cakes, biscuits and cupcakes 08 Technique: using ribbons 20 Wedding dress cake
Wedding Techniques is supplied with the
May/June 2018 issue of cake decorating
10 Bed of roses cake 22 Decorated biscuits Named cookies, page 12
heaven. Not to be sold separately. Cover
image © Stockfood.
SKILL
LEVEL
Buttercream roses
OMBRE WEDDING CAKE
Keep it simple with beautifully piped pastel pink roses and graduating
tones. Set in a crescent shape, they give this cake a modern, elegant feel.
YOU WILL NEED bake for about 22-28 minutes until golden and sides of the cake with a thin layer of the
FOR THE CAKE and risen, rotating the tins halfway through buttercream, then chill for 15 minutes.
• 375g (13oz) margarine, softened baking; a cake tester should come out clean 15 After chilling, cover the top and sides
• 375g (13oz) caster sugar from their centres. Remove to wire racks to of the cake with the remaining plain
• 2 tsp vanilla extract cool completely. buttercream. Cover and chill for 30 minutes.
• 6 large free-range eggs, beaten 16 After chilling, dab very small dots of
FOR THE BUTTERCREAM
• 350g (12oz) self-raising flour, sifted pink food colouring at intervals over the top
• 1½ tsp baking powder 6 Gently stir together the butter, icing sugar and sides of the cake.
• ½ tsp salt and milk in a large mixing bowl until the 17 Smooth a damp palette knife over the
• 3 tbsp cornflour sugar is moistened. food colouring to create light patches of
• 3 tbsp milk 7 Continue to beat with an electric mixer pink colouring all over the buttercream for
FOR THE BUTTERCREAM until smooth and pale in appearance, about an ombre effect. Chill for 30 minutes.
• 375g (13oz) unsalted butter 3-4 minutes. 18 After chilling, pipe small swirled rounds
• 500g (1lb 1oz) icing sugar, sifted 8 Remove just under half of the buttercream of the pink buttercream in place where
• 3 tbsp milk to another bowl. From that bowl, remove each rose will be on one side of the cake;
TO DECORATE about one-quarter to a third bowl. these will form the centres of the roses.
• edible food colouring: 9 Colour the second bowl of buttercream 19 Working one by one, start to build up
light pink and light green with drops of pink food colouring, mixing each rose with piped stripes of the pink
EQUIPMENT until uniformly pastel pink for the roses. buttercream, angling the roses towards the
• palette knife Colour the smallest bowl of buttercream centre of the cake and overlapping your
• piping bags and straight-edged with green food colouring until uniformly previous strokes. Working in clockwise
petal nozzles light pastel green, for the leaves. circles, continue to build up the roses. If
• cake stand 10 Transfer the pink and green you don’t feel confident piping directly onto
• cake leveler or serrated knife buttercreams into separate piping bags, the cake, you can pipe the flowers onto a
each fitted with straight-sided petal nozzles. small square of greaseproof paper attached
Chill until needed. to a flower nail with buttercream, then
FOR THE SPONGES
carefully place them on a tray and freeze
P R E PA R E T H E C A K E
1 Preheat the oven to 180°C/Gas Mark 4. them briefly, before positioning on top of
Grease and line the bases of four 18cm (7in) 11 Turn out the sponges from their tins, the cake.
springform cake tins with greaseproof paper. trimming their tops flat with a serrated 20 Once the roses have been piped, take
Recipe and photography by Stockfood, The Food Media Agency.
2 Cream together the margarine and caster bread knife or cake leveler, if needed. the piping bag filled with green buttercream
sugar with the vanilla extract in a large 12 Place one sponge on a cake stand and pipe leaves around them, releasing
mixing bowl until thick, pale and fluffy, and spread its top with a layer of the plain the pressure as you bring the piping bag
about 3-4 minutes. buttercream. Sit the second sponge on top, upwards to create a leaf effect.
3 Beat the egg, one tablespoon at a time, pressing down gently to adhere. 21 Let the roses set on the cake
into the creamed margarine mixture until 13 Spread a thin layer of buttercream on before serving.
fully incorporated. top before sitting the third sponge on top,
4 Fold through the flour, baking powder, pressing down gently to adhere. Top with a
salt and cornflour until you have a smooth thin layer of the buttercream.
batter, then fold in the milk. 14 Sit the final sponge on top, pressing
5 Divide the batter between the tins and down gently to adhere. Crumb-coat the top
SKILL
LEVEL
FLORAL BLOOM
CUPCAKES
Now you can continue the floral theme right through your wedding day
with these colourful roses, hydrangeas and camellias by Neetha Syam
from Buttercream Petals Cake Art School (buttercreampetals.com).
1 2 3 4
5 6 7 8
1 2
I
f you just wish to wrap a ribbon around the overlapping ends of the ribbon in place. The ribbon should stay in place.
side of a cake, measure the circumference tape should not touch the cake’s surface.
first using a tape measure and add an extra • Use a dab of buttercream or royal icing to ALL TIED UP
2.5 cm (1in) to the length to allow for the ‘glue’ the ends in place. The result is a
seam. You can secure the seam at the back of • Dip a little sugarpaste into water and work versatile design,
the cake in a number of ways: it in with your fingers until it is gooey and suitable for many
• Use a piece of clear sticky tape to hold the sticky, then use it to join the two ends. different occasions.
BEAUTIFUL BOWS
If you want to add a bow to the ribbon around
the cake, it is best to make it out of a separate
section of ribbon. This reduces the chances of
you damaging the sides of the cake when you
pull the ribbon taut to tie the bow. Make a bow
and stick it in place with either a dab of royal
icing or a sticky blob of dipped sugarpaste.
Alternatively, you could use a little double-sided
tape, but make sure the tape does not come
into contact with the surface of the cake.
LIVEN UP
A CAKE POP
Once you’ve created your wonderful and tasty
cake pops, you want to make sure they’re DRESSING
presented attractively. If you want to serve your A BOARD
pops on a plate you can decorate the pop sticks
tep- ep
with little ribbon bows, tying the colours in with
your table settings.
If you are making a wedding cake, you can
cover the edges of the board with ribbon.
sure the glue does not come into contact
with any icing on the top of the cake board.
by-tuide Measure the height of the board edge and Conceal the seam by placing it at the back
G choose ribbon with a width as close to that of the cake.
measurement as possible. Try one of the
following simple ways to attach a length of • DOUBLE-SIDED TAPE
ribbon to the board. Cut a number of small sections of double-
sided tape and stick them around the edges
• GLUE of the board. Remove the protective top
You can use a non-toxic glue stick to affix layer and, starting from the back of the
the ribbon around the edge of the board. cake, stick the ribbon in place. By starting
Test it first on a section of ribbon to make there, you will ensure the seam is at the
sure it does not bleed through and make back of the cake.
SUGARPASTE RIBBON
If you like the look of ribbon weaving, but tweezers to insert the sugarpaste ribbon into
want to use sugarpaste instead, this is the slits on the cake. The sugarpaste
perfectly achievable. Roll a thin strip of covering must be soft for this to work.
coloured sugarpaste the width of silk ribbon.
Cut the pieces evenly in lengths the same
size as you would have done for the ribbon The techniques on
technique. Bend each piece of sugarpaste pages 8-9 are taken
from Compendium of
over a wooden dowel and allow to dry. It’s a Cake Decorating
good idea to make more than you’ll need to Techniques by Carol
allow for breakages. You can add a touch of Deacon, published
by Search Press
shimmer dust to give it the look of ribbon. (£12.99). www.
When the sugarpaste lengths are dry, use searchpress.com
SKILL
LEVEL
Bed of Roses
WEDDING CAKE
Sherry Hostler (www.sherryhostlercakeartistry.com) shows
you how to create a wedding cake topped with beautiful roses.
YOU WILL NEED and twist it several times. You may need to
COVERING THE CAKE
FOR THE CAKE trim the wire to shorten it a little and make it
• One 20.5cm (8in) and one 25.5cm 1 Roll out 850g (1lb 14oz) of the sugarpaste more manageable.
(10in) round sponge cake, both filled on a surface which is lightly dusted with icing 8 Roll out a small amount of white flower
with buttercream and crumb-coated sugar to approximately 3mm (1/8in) thickness. paste thinly on a non-stick board, then cut
TO DECORATE Brush your cake drum with a little cooled, out a shape using the smallest 5 petal rose
• 3.5kg (7lb 7oz) white sugarpaste boiled water and cover it with the cutter. Add a little edible glue to the
• royal icing sugarpaste. Use the smoother to create an polystyrene bud, and position it in the centre
• 200g (7oz) cerise flower paste even surface. Cut off any excess and allow to of the shape you have cut out, pushing the
• 200g (7oz) white flower paste dry overnight. wire through the centre of the paste. Pull one
• 50g (2oz) dark green flower paste 2 Adhere each cake to the corresponding petal up the side of the bud and stick it down,
• edible glue sized cake card using a little buttercream. then pull up the petal which is directly
EQUIPMENT 3 Dust a surface with icing sugar and roll out opposite and stick this down also so they
• 3 round cake cards: 15cm (6in), 500g (1lb 1¾oz) of the sugarpaste to a 3mm come to a point at the top. Put a little edible
20.5cm (8in), 25.5cm (10in) (1/8in) thickness so that it is large enough to glue around the side edges of the remaining
• 30.5cm (12in) round cake board cover the 15cm (6in) cake. Lift the sugarpaste petals, and pull up each one, so that they
• non-stick rolling pin over the cake and smooth down with your overlap each other, forming a perfect bud.
• smoother hands. Use the smoother to create an even 9 Roll out a little more flower paste thinly,
• small paint brush surface and cut off any excess. and cut a shape using the next size up
• sharp knife 4 Dust a surface with icing sugar and roll out 5 petal rose cutter. Trim away the 2nd and
• 24g green wire x 15 (cut in half) 900g (2lb) of the sugarpaste to a 3mm (1/8in) 4th petals, and curl the top edges slightly
• polystyrene rose centres x 9 thickness, so that it is large enough to cover on either side with a cocktail stick. Turn
• 5-petal rose cutter (small, medium, the 20.5cm (8in) cake. Lift the sugarpaste the shape over and add a little edible glue
large) over the cake and smooth down with your to the centre. Position your rose bud in the
• leaf cutter (medium) hands. Use the smoother to create an even centre so the wire goes through the paste
• rose leaf veiner (medium) surface and cut off any excess. again. Put a little edible glue on the edges
• ball tool 5 Dust a surface with icing sugar and roll out of the petals and pull them up so that they
• scriber the 1.25kg (2lb 12oz) of the sugarpaste to a overlap each other slightly and curl outwards
• cocktail stick 3mm (1/8in) thickness so that it is large enough at the top.
• foil/flower former to cover the 25.5cm (10in) cake. Lift the 10 Roll out a small amount of flower paste
• length of cerise ribbon to go around sugarpaste over the cake and smooth down one last time so that it is nice and thin, and
the middle tier and tie a bow with your hands. Use the smoother to create cut out a shape with the largest 5 petal
• length of white ribbon to go around an even surface and cut off any excess. cutter. Once again, curl the top edges of
the board and the base of each tier 6 Leave all the cakes to set for approximately each petal with a cocktail stick, then turn it
• floristry tape, green 24 hours. over. Add a dab of glue in the centre and push
the wire through again, pulling the petals up
R O S E S A N D L E AV E S
so that they overlap each other slightly.
7 During this time, you can make the roses 11 The rose can now be left to dry in a petal
and leaves. Use the scriber to pierce through former, or in a small cup made from tin foil. It
the centre of each polystyrene flower centre will need to set for around 24 hours. Repeat
horizontally. Push through a wire, then bring this process to make 4 white roses in total.
the wire down to the thick base of the bud 12 Repeat this process with the cerise
S TA C K I N G
D E C O R AT I N G
SKILL
LEVEL
5 Bird cookie
a. Trace the outline of the bird and branch
onto the cookie using the template provided
2. A-B 2. C-D
below and tracing paper.
b. Paint the branches with a light tone of
brown using the size 4 brush.
c. Paint the beak and the belly of the bird
with a medium tone of orange, and the back 3. A-B 3. C-E
with yellow.
d. Paint the blossoms with white, and add
a few white strokes on the bird.
e. Paint the centre of the blossoms on the
branches with pink.
f. Use neat brown and the size 0 brush to
4. A-B 4. C-F
paint the outline of the bird, then add a few
details for the wings and the eye. Add some
detail to the branches and some in the
centre of the blossoms.
CAKE
This gilded cake by Lindsay Pemberton of
Joyful Tiers (www.joyfultiers.co.uk) has a
3
corsage of delicate flower paste blooms 2
which add an elegant finishing touch. 1
TECHNIQUES
COVERING WITH SUGARPASTE, MODELLING,
SKILL
2 Trim off the excess white sugarpaste USING CUTTERS, GILDING, PAINTING
LEVEL
around the base with a pizza cutter.
10 Apply glue
to the left and
right-hand
edge of the
remaining three
petals. Do not
5 Once dried, add additional layers of gold put any glue
lustre until you achieve a streak-free finish. on the curved
Cover a 25cm (10in) cake drum with white edge. With the join in your previous petal
fondant and paint with gold lustre paint, facing away from you, stick on the second
then stack your cakes. petal, leaving the right-hand side open.
14 Glue each petal on the left and right
side as before. Secure the first petal placing
MAKING THE FLOWERS
it over a join in the previous layer of petals,
leaving the right side open. Tuck the second
petal into the first.
15 Continue adding the remaining petals,
tucking each one into the previous petal,
Create the bud then leave to dry for about 30 minutes. Cut
6 Using 19g (¾oz) of white flower paste, another six petals and repeat the process,
make a bud, then repeat for second bud. 11 Tuck the third petal into the second one, making sure you tuck each petal into the
Check the size against your rose petal then secure both sides of each petal previous one, then leave to dry. You will
cutter, it should fit nicely within the cutter. to the bud as shown. need to make two roses in this way.
17 Soften the edge of each petal and leave 21 Colour a small amount of flower paste
to dry in an apple tray. with Autumn Leaf gel colour.
LINKED FLOWER
SKILL
LEVEL
CUPCAKES
These pretty cupcakes by Hannah Wiltshire (bathbabycakes.
com) make wonderful table centrepieces – you can match the
wedding colours, flowers and theme if you want to.
3 Roll out the darker green sugarpaste and 5 Use the daisy cutter to make a couple
use the larger sharp knife or scalpel to cut a of flower heads from the medium blue
1 Put the covered cupcakes together in a range of different length stalks and leaves. sugarpaste. Cut one head so that five petals
3x3 formation and try to visualise the final Attach to the cupcakes with water in the remain and form a profile view of a flower
design – sketch it out beforehand on rough same way so that the stalks span over head and leave the other flower intact.
paper if it helps. 2 or 3 cupcakes. Attach to the cupcakes as shown.
SKILL
LEVEL
TECHNIQUES
MODELLING, USING
MOULDS AND CUTTERS
WEDDING DRESS
INSPIRED CAKE
Ralitsa Kamburova's (facebook.com/delicevarna) tiered
cake oozes haute couture with its delicate filigree of
sugarpaste icing embellished with dainty white bows. 1 Cover your cakes in white sugarpaste.
A P P LY T H E S U G A R P A S T E
A
AT TA C H T H E T R I M
A B
A P P LY T H E L U S T R E
C R E AT E T H E PAT T E R N
SKILL
LEVEL
TECHNIQUES
USING CUTTERS AND FLOWER PUNCHES,
PIPING ROYAL ICING
C D
B E F G