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Bohemian Rhapsody

Original orchestration
Words & Music by Freddy Mercury

 = 72
  4     
  
         
Voice   4  45   
44

Is this the real life? Is this just fan ta sy? Caught in a land slide, no e
                
 4                54       44
Backing Vocals 1 
 4   

Is this the real life? Is this just fan ta sy? Caught in a land slide, no e

Backing Vocals 2   44   45  44

 
  44
Electric Guitar 1
  45  44

Electric Guitar 2    44   45  44

4   45  44
 4
Piano
 4  
45
 44
 4

Electric Bass
   44   45  44

 44  
Drums
 45  44

4
              
Vx.   44 
    
   
scape from re a li ty.  O pen your eyes Look up to the skies and see.
                    
 4               
B. Vx. 1
  4 li ty.  O
     
  and 
scape from re a pen youir eyes Look up to the skies see


  44  
    


   
Pno.
 


   44 
 
 

© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
7

Vx.
              
    
 I'm just a poor boy, I need no sym pa thy...
   
   
B. Vx. 1       
    

 Ooh, Poor boy, ...be cause I'm

       
  
                
   
Pno.  
    
  

10

Vx.
          
 
 A ny way the wind blows,

   




  



   




  



    


B. Vx. 1
   


ea sy come, ea sy go, lit tle high, lit tle low. Ooh the wind blows,

 
      
 

     
 

        
Pno.
    
  
flanged

Dr.
   
 

rit.
13

Vx.
       
      
does n't real ly mat ter to me, to
      
B. Vx. 1
         
   

does n't real ly mat ter to me.

  


           


      
 
Pno.
     
  
Dr.
  
 

2 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
a tempo
15
    
Vx.      
3 
me.  Ma ma, Just

 
             
 
Pno.           
           
    
  
Bs.
 
    
 

18
                     
Vx.    
3 
killed a man put a gun a gainst his head, pulled my trig ger, now he's dead.

      
        
             
Pno.  
        
   
  
  
Bs.
   

  

21
           
Vx.

          
 
3 3
Ma ma, life had just be gun but now I've gone and thrown it all

   
            
        
Pno.   
    
   
     
    
Bs.
  
     

© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA 3
24
         
Vx.        
3
a way Ma ma, ooh, did n't

  

                      
    
Pno.   
     

     
   
Bs.
    
    

  
                  
Dr.        
  
 

27
                  
Vx.  
      

mean to make you cry, if I'm not back a gain this time to mor row, car ry on, car ry

  
           
  
           

Pno. 
              
           
   
Bs.
   

          gliss.  
3
                     
Dr.
   
        

4 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
30
   
Vx.         42  44
 3 3
on as if no thin' real ly mat ters.



42 
  44


       
Pno.
  
   42  44
 
 

   gl iss.  
Bs.
    42 44

      
Dr.
    42  44

32
4    
  4                   
Pno.       
   44      
    
 
Bs.
  4 
  4  


35
   
Vx.               

     
 3
3  3 5
Too late, my time has come sends shi vers down my spine, bo dy's

  
     
   
         
Pno.   
    
   
    
  
Bs.
  
   
  Bell Tree
Dr.
                        
           


© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA 5
38
                   
Vx.         
3
3
3
a ching all the time. Good bye ev' ry bo dy, I've got to go, got to



                
       
Pno.  
    
      
  
 
 
 
Bs.
     
                        
Dr.             

41
               
Vx.
   
   
3
leave you all be hind and face the truth.  Ma ma, ooh,
 
   
B. Vx. 1
 
 Ooh, ooh,

 
Gtr. 2    


  

 
                    
Pno.
        

      
    
     
Bs.
    
      

                        
Dr.          

6 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
44
         
Vx.      
3
I don't wan na die I

     
B. Vx. 1    
Ooh,

B. Vx. 2      
   
A ny way the wind blows

  
Gtr. 2     
  
  

      
       
          
Pno.   
   
    
    
Bs.
      
  

            
Dr.         
 

© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA 7
46
          
 
Vx.    
some times wish I'd ne ver been born at all.

   
         
B. Vx. 1
  

      
Ooh, ooh, ooh, ooh, ooh ooh,

 Solo       
   
Gtr. 1           

Gtr. 2 
    

                           
      
Pno.   
         
   
        
Bs.
     
               

                   
          
Dr.
                   

49              
   
  
                   
Gtr. 1     
3 7
3 3

Gtr. 2   
       
        
       
   
                 
 
Pno. 
     
   
         
          
       
Bs.
  

       gliss. 

              
Dr. 
           

8 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
51 

           
    
                  
Gtr. 1     
6 6
6

Gtr. 2    
       

         

   

 
                            
Pno.   
         
  
     
     
     
Bs.         
  

Dr.
           
           
             

 = 144
54 g liss. 
       
Gtr. 1
 
         
    
3
3 3
3 

Gtr. 2
        
 

         
              
Pno. 3    
            
 
       
3
 
Bs.
          
3

         
Dr.      
   
3

56
                 
Vx.   
 I see a lit tle sil hou et to of a man.

    
B. Vx. 1     

 Sca ra

           
Pno.                
          
             

© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA 9
59
        
B. Vx. 1         
mouche, Sca ra mouche, will you do the fan dan go?

       
Pno.     
 


  


           


61
   
Vx.    
      
 
Ga li le o, Ga li
        
        
B. Vx. 1               

ve ry, ve ry fright 'ning me. Ga li le o Ga li le o

    
B. Vx. 2
             
       

    

Thun der bolt and light ning, ve ry, ve ry fright 'ning me.

  
    
                  
Pno. 
     
            
          
   
Dr.
          
  


65
    
Vx.      42    44 
 
le o, Mag ni fi co
      
 44       
B. Vx. 1    42    
Ga li le o Fi ga ro. Oh.
Oh.
 
B. Vx. 2         42   44      
  
Ga li le o Fi ga ro. Oh.
Oh.
        2    4  
  4  4 
Pno.
   2 4 
         4    4 

10 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
68

Vx.
   
         
 I'm just a poor boy, no bo dy loves me.

    
B. Vx. 1   

    
B. Vx. 2
   
       
      
Pno.                    
        


70                  


                        
B. Vx. 1 
 He's just a poor boy, from a poor fa mi ly, spare him his life from this

B. Vx. 2       
                
He's just a poor boy, from a poor fa mi ly, spare him his life from this


                   
     


  
    
Pno. 
              
             
Bs.
                  
 

   
Dr.
            
   


© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA 11
73

Vx.
     
     
 Ea sy come, ea sy go,

     
  
B. Vx. 1     
mon stro si ty

B. Vx. 2   

  
    

mon stro si ty
   
    
         

     
              
  
Pno. 
    
  
 
Bs.
         
  
  
Dr.
   
 

76

Vx.
       
   
will you let me go?
 
       
 
B. Vx. 1        
  
No! We wil not let you go.
  
  
B. Vx. 2       
   
 Bis mil lah. Let him go

               
 
                    

Pno.


    
     
               
         
Bs.
       
   

   
Dr.
        
 


12 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
79  
              
B. Vx. 1        
       
Bis mil lah We will not let you go. Bis mil lah We
     
    
B. Vx. 2        

Let him go

              
  
    
       
Pno.
       
                    
            
Bs.
      
     

  
Dr.            

82

Vx.
          
     
Ne ver, ne ver, ne ver, ne ver let me

                  
B. Vx. 1           
  
will not let you go. Will not let you go. Will not let you go.
     
           
B. Vx. 2  

Let him go Let him go

       
      
     
    
   
Pno.
   
                     
              
Dr.
                  

© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA 13
85
 
Vx.           
 go, 
     Oh ma ma
      
B. Vx. 1                 
           

 No,
  
no, no, no,
 no, no,
 no,

  
             
B. Vx. 2       
     
Oh.

      
   
                        
   

Pno.    
      
               
     
Bs.
         
      

              
Dr.
 
       


88
           
 
Vx.               
mi a, ma ma mi a. Be el ze bub has a de vil put a side for
     

                     
B. Vx. 1           
 
Ma ma mi a let me go. Be el ze bub has a de vil put a side for

B. Vx. 2     
    
        
Be el ze bub has a de vil put a side for

   
                 
       
  
Pno. 
        
 
   
 
 
Bs.
        
      
     
   

  
Dr.
                 
  


14 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
92
         
Vx.        
me, for me, for me.

         
B. Vx. 1        
     
me, for me, for me.


Gtr. 2      
  
  
   
Pno.
                        

                       
Bs.
 
                         
3 3 3 3 3 3 
      
Dr.
                    
 

   = 138
95
 
 12  
Vx.   8

  12  
B. Vx. 1
    8

   12    
Gtr. 1   8    

3

Gtr. 2         12
8     
         
       


         12
8  

      
  3 3 3 
12    
Bs.
       8         
      



3 3 3
3 
            12 
8    
     
Dr.
             


© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA 15
98
          
Vx.       
 So you think you can

   
B. Vx. 1            

So you think you can

        
Gtr. 1        
  

Gtr. 2          
        
         
        
Bs.
                          

            
Dr.
                        

101
                  
Vx.       86  12
8     
2
stone me and spit in my eye. So you think you can

  2    
 
B. Vx. 1
            
 86  12
8        
stone me and spit in my eye. So you think you can

            
           
Gtr. 1           86     
12
8  

   
        86  
   12 
Gtr. 2
        
      8  

 

 
 


     
Bs.
                  86   12
8          
 

            
        86  12
  8    
Dr. 
             

16 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
105
                    
Vx.           
  
love me and leave me to die. Oh ba by

  
B. Vx. 1        
        
         
   
love me and leave me to die. Oh ba by
   
               
Gtr. 1                
          
   
     

Gtr. 2
              
      

            
Bs.
                          

                 
Dr.
                               

109
                    
Vx.            
Can't do this to me ba by Just got ta get out

        
B. Vx. 1 
                      
Can't do this to me ba by Just got ta get out

    
       
Gtr. 1           
  
6
    
Gtr. 2
        

     
  

     

Bs.
             
                         

            
Dr.      
                  

© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA 17
112

Vx.
              
      
just got ta get right out ta here.

B. Vx. 1     

    
         
just got ta get right out ta here.

  
       
Gtr. 1           
 
   
Gtr. 2
         

 
      

 
     
         
Bs.
          
       
      

            
Dr.
                       

115
        
Gtr. 1      
      

Gtr. 2          
         
        
        
               
    
Bs.
               
  
                  
Dr.                 
 

118
    
Gtr. 1                 
       
    
 
Gtr. 2                  
       

    
Bs.
  

    
Dr.     
  

18 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
121
rit. molto rit.
a tempo  = 72 
  44   
B. Vx. 1  
 Ooh.

      
 
 
    
Gtr. 1
44    
    
 
 
Gtr. 2   44  



  44 
     
      
Pno.      
              44          
     
        
     
   44     
Bs.   
 


 
44       
     

Dr.
        


124  
                 
B. Vx. 1     
    
Ooh yeah, ooh yeah.
   
   
      
    gliss.  
Gtr. 1  
3
      
               
Gtr. 2     


     
     
  
   



          
  
Pno.
     
      
   
         
Bs.
           

                    
Dr.    
        

© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA 19
127 3
  3     
Vx.     
        
3  3 3
 No thing real ly mat ters, a ny one can see,
  
         
Gtr. 1      

          
Gtr. 2
  
 
                      
     
Pno.
     
    
   
       
Bs.   
    
             
Dr.

       

rit. rubato
130
                  
Vx.    

No thing real ly mat ters, No thing real ly mat ters to me.

  
                


 




Pno. 
  
   
   
     
Bs.
  

rit.
133
   
Vx.    
pan right
    
Gtr. 1      



                             




      
Pno.  
      
 
  
20 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
rit.
136
   

Vx.       
A ny way the wind blows.


B. Vx. 1
 
  
Mm
pan left
 gliss.  

  

Gtr. 2    

             
     

  


 
Pno. 
  
   
 Gong
  
Dr.
   

© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA 21
Freddie Mercury Bohemian Rhapsody
Original orchestration Words & Music by Freddy Mercury
 = 72
 4     
          54       4
 4   4
 Is this the real life? Is this just fan ta sy? Caught in a land slide, no e
4
 4                    
 
 4    
scape from re a li ty.  O pen your eyes Look up to the skies and see.
8
               2      
 
  

I'm just a poor boy, I need no sym pa thy... A ny way the wind blows,
13
rit. a tempo
        
    
   
does n't real ly mat ter to me, to me.
17
    
                  
   3 
3
Ma ma, Just killed a man put a gun a gainst his head, pulled my
20
              
  
 3 
trig ger, now he's dead. Ma ma, life had
22
                
  
  
3
just be gun but now I've gone and thrown it all a way
25
                 
   
  3 

Ma ma, ooh, did n't mean to make you cry, if
28
                  
  

I'm not back a gain this time to mor row, car ry on, car ry
30
   3
         42  4
 3 4
 3
on as if no thin' real ly mat ters.

© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
35
         
     
   
3 3
Too late, my time has come sends
37
                
  
 5
 3 3 3
shi vers down my spine, bo dy's a ching all the time.
39
           
        
   
3
Good bye ev' ry bo dy, I've got to go, got to
41
                   
  
 
leave you all be hind and face the truth.
Ma3 ma, ooh,
45
                 
  
 3
 
I don't wan na die I some times wish I'd ne ver been born at all.
47  = 144
   7  2
                 
 
I see a lit tle sil hou et to of a man.
59
  4   
                42    44 
   

Ga li le o, Ga li le o, Mag ni fi co
68
   5
         
 

I'm just a poor boy, no bo dy loves me.
75
    6
          
  
Ea sy come, ea sy go, will you let me go?
83
 
             
   

go, Ne ver, ne ver, ne ver, ne ver let me
87            
  
            
  

Oh ma ma mi a, ma ma mi a. Be el ze bub has a de vil put a side for

2 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
92  
          
12
      
  8
me, for me, for me.

96  = 138 4
  12                    6  12
      8
  8    
2
8

So you think you can stone me and spit in my eye.

104
  12                     
      
  8      
So you think you can love me and leave me to die.

107
                      
     
     
Oh ba by Can't do this to me ba by

111
7 rit. molto rit.
                      44 
 
      
Just got ta get out just got ta get right out ta here.

123 a tempo  = 72 rit.


  5    3             
        
  
 3  3

3
No thing real3ly mat ters, a ny one can see, No thing real ly mat ters,

rubato rit. rit.


131
              2 
        
   
No thing real ly mat ters to me. A ny way the wind blows.

138
 




© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA 3
Backing Vocals Bohemian Rhapsody
Original orchestration Words & Music by Freddy Mercury
 = 72
 4             
     
Backing Vocals 1   4         45
 Is this the real life? Is this just fan ta sy?

4  
Backing Vocals 2 
 4 45

3
    
 5      
 44              
 4         
  
Caught in a land slide, no e scape from re a li ty. O pen youir eyes Look

6 
           
             
     
 and  
up to the skies see Ooh, Poor boy, ...be cause I'm

10  
    
    
   
 
    

  
ea sy come, ea sy go, lit tle high, lit tle low.

rit. a tempo
12
      16 11
                
      42  44
 
Ooh the wind blows, does n't real ly mat ter to me.

43       
      
  

       
   


Ooh, ooh, Ooh, Ooh, ooh, ooh, ooh,

      
    
 A ny way the wind blows
  = 144
47
 6 3
    



ooh ooh,

© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
58
    
                  

Sca ra mouche, Sca ra mouche, will you do the fan dan go?


61
  

         
          
ve ry, ve ry fright 'ning
 Ga li le o
me.
                
              
 
 Thun der bolt and light ning, ve ry, ve ry fright 'ning

me.
64           
 
42
      44
Ga li le o Ga li le o Fi ga ro.
 
42 
        44

Ga li le o Fi ga ro.
67      
  4               
 4       
 
Oh. He's just a poor boy,
Oh.
 4      
      
 4   

     
Oh. He's just a poor boy,
Oh.
71                 
                     2
  
from a poor fa mi ly, spare him his life from this mon stro si ty
2
           
             
from a poor fa mi ly, spare him his life from this mon stro si ty
76
  
              

   
  
   
No! We wil not let you go.      Bis mil lah We
   
         
  

Bis mil lah. Let him go

2 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
80 
                

          
   
will not let you go.     Bis mil lah We will not let you go.   
   
          

Let him go Let him go

83
            

           
 
Will not let you go.    Will not let you go.

       

Let him go

85       


           
 
                
           
  No, no, no, 
no, no,  no,
           
  no,
            
     
Oh.

88
    
                    

            
 
Ma ma mi a let me go. Be el ze bub has a de vil put a side for

      
 
        
 Be el ze bub has a
 
de vil put a side for

92 
              
     12
8
     
me, for me, for me.

© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA 3
  = 138
96
4       2
   12          6
 8           8
 So you think you can stone me and spit in my eye.

103
 6  12         

 8 8                   
 
So you think you can love me and leave me to die.

107
        
                         
Oh ba by Can't do this to me ba by

111
7 rit. molto rit.
            44 
                
Just got ta get out just got ta get right out ta here.

123 a tempo  = 72


  
            
     
      

Ooh. Ooh yeah, ooh yeah.

rit. rubato rit. rit.


126
4 4 2 
     
Mm

4 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
Electric Guitar 1 Bohemian Rhapsody
Original orchestration Words & Music by Freddy Mercury
 = 72 rit.a tempo
 4 2 10 16 14
45
 4 
42 44
 
 4 4

46
   Solo

           
            
    
              
 
 3

50
                                
         
  
 3 7 6 6
3 6
 
52
  
        
     
                   
      
 3
3 3
 = 144
55
  10 28

42  44   
 12
  8
  = 138
96 
  12           
 
 
       
 

  12

  8
               86 

 
  8
   

104  
  12    
       
 




 
     
     
     
     
 
     
  8                          
      
113
                 
                   
           
     
   
rit. molto rit. a tempo  = 72
121
   
                       
  4          
    4 




 3 3
  
rit. rubato pan right rit. rit.
127 
        3     
                
 

© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
Electric Guitar 2 Bohemian Rhapsody
Original orchestration Words & Music by Freddy Mercury
 = 72 rit.
 4 2 10
45
  44 
 4
a tempo
15
  16 10
42
  4
 4

42
     

               
 
48
   
            
                
 = 144
52
  3 
  
                        
 
56
  10 24
24  44    

  = 138
92 3
 
         12
8     
      
   

            
98
 
         
                
       
102
     
    6
          8     12             
         8
  

     

106
       

       
      

          
     
© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
110 6
     
 
                            

113
     
            
       
           

116
             
              
                  

120 rit.
      molto rit.
         44 
  

a tempo  = 72        
123   
      
     
 
    
    
 
 

rit. rubato rit. rit.


127 pan left
            
4   
  
    
 


2 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
Piano Bohemian Rhapsody
Original orchestration Words & Music by Freddy Mercury
 = 72
2
4        
45

 4  44  
      


 
2 

 

 4
45
 44  
 4   
 

8
     

                                 

 
       
   

rit. a tempo
13
       


                      


      
        
      
    

17
   
         
   
  
                 
   
         
      
   

21

                      
            
 
       
         
       
© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
25
       

            
         
    
   
          
      
  
28
 
                  42     44


   
    
                 42  44
   
     
32
    
  44                 
 
      
 4       
 4     
 
35
   
         
   
  
             
    
          
    
   
39

                      
              
    
   
        
       
43
      
             
         
    
   
           
 
        
2 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
46

 
                    
         
  
        
  
      
49
 
           
   
  
          
     


            
         
 = 144
52
            
                        
     
  
   3    
 
 
                
           
 
56
                 
                      
              

    

59
     
                         
    


            
   
           
         
63
    
      
     2 

4  
4
4               
      

            2   4   
   4  4 

© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA 3
69
   
                                   
               

              
             

73
      
    
                                   
          
 
     
      
 

77
       
            
         
           
  
       
                  
         
               
81
        
      
     
    
        

              

 

 
 
 
         
86

            
    

          
  
                
  
  
             
           
  
    
 
    
90
  

     
        
  
    
                   
                 

4 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
  = 138
94
7 17
    12
8 86  12
8
7 17
                 12
86 12

 8 8
 
121
rit. molto rit. a tempo  = 72
  44
           
   

        
  4       
 
    
   4        

          
        



125
  
    
                            
    
          
    
     
129 rubato
rit.  
       


      



      
 
  
   
    
132

                           


    

      
    
rit. rit.
135
  
         
               


      


 

  


    
© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA 5
Bass Bohemian Rhapsody
Original orchestration Words & Music by Freddy Mercury
 = 72 rit.
  4 2 10
45
 44 
  4
15 a tempo  
  
                   
 

27

            
42
   44 
              
 
37   
      
                


46
         
                     
  
 = 144
51 3
            10

 
                         42

66
   2  4   2 2
                      
 4 4  

76
4
 
                           

             
  
89
   
     
      
      
 
  = 138
95
  3 3 3 12    
       
            8              
        

© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
99
             6
                                    8
 

103
  6  12          
 8     8                
          

107
         
                 

111
       
 
                       
       

115
                       
         44
     

molto rit. a tempo  = 72


122 
          
  4                  
  4 


rit. rubato rit. rit.


128
   4 2 2
         

2 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
Drumset Bohemian Rhapsody
Original orchestration

Words & Music by Freddy Mercury


 = 72 rit.
2 8 flanged
 4    
45
  44   
 4

a tempo  
15
 9                               3

              
 
29
               2  4 3                

     4 4     

37  Bell Tree  
                                        

           

42

                             
   
              
 
46
                                   

              
3
50
                                    

              
3
 = 144
55 
    5 2 3
             2 4
4  4
    

70
                     3
    
   

© 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA
77     

                                   


84 
              
         
           
 
90  3 3 3 3 3 3 
                                

  
3 3 3
  = 138
95 
           3 12                       
  8                  


99
                                   6
 8
                      
103

 6                       
12

 8   8                  
107
                       

                            
111
                                

                        
115   
                              
     
                   
molto rit. a tempo  = 72
121
 rit. 
                                
  44       
              
 
127 Gong 
rit. rubato 4 rit. 2 rit.
                 
      


2 © 1975 B Feldman and Co Ltd. trading as Trident Music, London WC2H 0EA

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