aaa COWBOY IN CUBA ‘ndensed Score Qo 2 Cou? § ‘ ‘Sucestions To Conpuctor: CLARE GRUNDMAN (3). [one 1. The Comet solos and duets a be considered. A metal brakedrum (with metal hammer) may be substituted for the cow-bell at [G] and [A]. ‘An additional éBar introduction may be added, if desired, of rhythm only (percussion only) after which the ensemble will play the 8 bars preceding The rhythm should be insistent and consistent throughout, varying only in dynamics. Care must be taken not to rush the tempo. 4 may be played without mutes if desired, but restraint and balance must 4 5. Cormeis a’ [E] end [F] must be subordinate to the melody. 6 If no timbales, use mufled snare drum and large tomtom, or to tonvioms (large & small) 1 If no claves, use a woodblock. 2, The zylophone par, if too dificult for some players, mey be played using upper notes only. 9, The clapping ai {R] may be omilte, if desired, and a cow-bell solo substituted. cont evouphout ‘Timbates i, except as noted mp af Alto Bass cits. = IBneeonetaas | 4 ort. (muted) Solo ‘add enother Sted ork by + Alto Sexes, it Printed in U.S.A, QM.B, 239 > Copyright 1958 by Boosey & Hawkes, Ino, opyright for all countries. All rights reserved: Uondensed Score aaa Sed Tebs, Timbale —— Tes, oT = Pons,” Alto d Bass Cits, $ tat con. fp one) aes cort. fp ‘Sra Cort, Timpates Ort eg Cow-pelt _—-‘Timbales ciayes Cow-Bell Caves) a £ aad tro. S2 sstrodd Bart ‘+ Timp. roll Pee Bass Cit, aaa.Lk YOUUGLIDOU WUULY he : . Cee i conf) iF ‘fprps. FP yectt. a tstTH ‘Ist @ 2nd Trbs. & Barit. By es Sa Tee Basses