Week 13

1|Creative Project 4 Semester 2018

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8/10

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10 | C r e a t i v e P r o j e c t 4 Semester 2018
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12 | C r e a t i v e P r o j e c t 4 Semester 2018
This small ‘sketch’ (canvas board, 25.4 x 30.5cm) is made with some left over paint,
the board being used previosuly as an experiment in grounds (about week 6 or 7). It
reminded me of a painting I had seen in a book, so I added a little more white (see
below) to push a little closer to the book image (see below also). Changes to hair,
chin and back of neck only.

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 Augutus John, (1923). Madame Suggia, Oil on Canvas, 186 x 165cm.

Image from Easton, M. and Holroyd, M. (1974) The Art of Augustus John, London, Secker
and Warburg, p.85.

comments on journals
Sasha Grishin John Olsen’s and John Wolseley’s Journals, National Library of Australia,

https://www.nla.gov.au/events/donaldfriend/papers/sgrishin.html

[1] For a survey of literature on the tradition of artist’s books see Stefan Klima, Artists Books:
A Critical Survey of the Literature. New York: Granary Books, 1998.

[2] John Wolseley, Journal for 1980, 11 October 1980, vol. 6, np., edited version published in
Rodick Carmichael (ed.), Orienteering: Painting in the Landscape: Carmichael, Makin,
Wolseley. Geelong : Deakin University Press 1982, pp. 155–156.

[3] John Wolseley, Notes about the installation ‘Deep Time Shallow Time: Journey from
Ewanginga to Gosse Bluff’. [Melbourne: 1990] p. 6.

[4] John Wolseley, Journal for 1994, 22 May 1994, vol 21, pp. 109–110.

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[5] All quotations from John Olsen’s journals are taken from John Olsen, Drawn From Life.
Sydney: Duffy and Snellgrove, 1997.

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