Lejos de Ti Marcha Militar PDF

EXPRESION MUSICAL LA NOBEL
SUR DE AMERICA LIMA PERU LEJOS DE TI POR: NILTON CALDERON TORRES

Drum Kit
 1. 
Similar
2.
            
       
                    
 
12 pompo      A 
Similar
1.
                  
 
                   
 
30 2.  
                

            
       
44  1. 2.   1.
        
     
   
               
     
59 2. Similar   1.
                       
                     
    
69 2. pompo
         
          
                   
  
74      
     
a la A       
a la 

  
y
       y END
   
  

END milmusica_72@hotmail.com - 988084442- 952874813
SUR DE AMERICA LIMA PERU LEJOS DE TI
 
POR: NILTON CALDERON TORRES
1º Clarinet in Bb
   
          
    

f
8 1.       2.         
 
    
14      A                 
          
  
20                   
      
  
27  3      1.  2.  
   
    


         
   
35


      
 
47  
   

1. 2.
     

55
              1.     
     
 
59
     2.
                
         

 
                 1. 
63  

  
69     2.           

  
  
74  
 

     
   a la A
 a la 
 y  y END
2º Clarinet in Bb
     
            
   
f
8
 
1.
       2.         
     
14
                   
A     
   
  
20                   
     
   
27  3      1.  2.  
   
    


35          
    

      
 
47  
      
                     
1. 2.
   

                 1.     
55
   
                     
59

2.
     
   
 


63
                       1. 
 
  
69      2.           

  
 
      
   
74
 A a la 
 
a la
   y  y END
END
milmusica_72@hotmail.com - 988084442- 952874813
1º Alto Saxophone
      1.
             
  
f
                    

9
  
2.

solo
   
15
               
A voz - solo            
      
         
 
22
 
        
  1.    2.  
    
     
28
        


         
     
34
  
        
 
                 
40
   
  

           
    2.
47 1.
             
 
       
53
     
 
1.   2.  

58
 
        
 
                
63 1.
          
             
69 2.
        

      
   
74

a la A     a la 
   y
 y END
SUR DE AMERICA LIMA PERU
LEJOS DE TI POR: NILTON CALDERON TORRES
2º Alto Saxophone
solo 
     
        
1.
        
f
 
            
9
       

 2.   
solo

A
                    
       
15
 
       
          
  
22
      
    1.      
       
28
        
2.
      

     
            
34
   
40
                  
       

  
             
47
            
1. 2.
   
         
        
53
 
1.   2.   

      
58
  


 
1.
     
     
63
             
       
69
         
2.
  
solo
  
    

74
    a la 
     A    
a la
 y
 y END
END
Tenor Saxophone

solo 
     
        
1.
        
f
            
9
          
2.
   
solo
   
           
A
              
15
             
         
 
22
           
    1.        2.  
            
28
  
     

         
            
34

     
40                   
     
  

       
       
47
            
1. 2.

   
           
        
53
  
1.   2.     


58
         
 
 1.
           
     
63
    
     
       
69
             
 
2.
 
solo

74
   
       a la A         a la 
  y  y END
END
1º Trumpet in Bb POR: NILTON CALDERON TORRES
       
      

                 
f
6  1.       2.        
     

     A  
   
 
      
14
   
 


     
24
    
1.
         
30                
 
2.
   

   

       
           
35
     
  
        
46
   
1. 2.
         
 

    
52


  1.  2.

                  

 
63
   
          
    
   
 
    
68
    
1. 2.
 
  

74      
 A     a la 
   a la
y
 y END
END
   
2º Trumpet in Bb
     
           

     
      
f
          
       
6

1. 2.

 

     A      
      
14
 
     
 
24
    

1.
            

              
30
  
2.
       


  

            
35
     
    
 
  
46
          
1. 2.
           

 
52


  1.  2.

       

           
63 
      
   

68 

1. 2.
         

   
74
      A 
a la 

a la     
  y
 y END
END
 
3º Trumpet in Bb
   
       

       
 
     
 
   

6  
                
1. 2.


 
14
    
A        
  
   
  
      

 
 
27 1. 2.

            

  
    
32

  
               
42 
   
       
      
48

  

1. 2. 1.
                
  
  
60

2.
                    

 
65  1.
      
                
69 

2.
    

      

     
74
 A a la 
  
a la
   y
   y END
LEJOS DE TI
     
SUR DE AMERICA LIMA PERU POR: NILTON CALDERON TORRES
1º Trombone
       
                   
 
f
6 
   1.       2.     
   

 
11        A        
    
   
 
25
  3      1.  2.
       


      
32
    
       

         
      
38
          
 
      
  2.
44 1.
          

  
          
53    
           

1.      2.          
58 
         

  
65      1.  2.  
   
 
74      
  
  

  a la A     a la 
y
 y END
END
2º Trombone
           
                     
 
f
6    1.       2.     
     

 
   
11       A        
  

   
 
 3      1.
25
     
2.
  

    
32
      
          
  
38
       
                
  
44    2.    
 
1.
      
   

  
53           
        
       
1.      2.     
 
58
       
  

   
65  1.   
       
2.
  

74
     A    
    
a la
    a la 
 y
 y END
END
1º Euphonium
      
                    

8

1.
    2.             
solo
    
    
   A
     
14
    
  
        
 
 
19
          
        
      
    
24
       
1.       2.        
29
           
     
             
    
34 solo
 
     
    
40
                  
 
46
      1.     2.  
   
  
           
  
52 
  
solo
          
                

1.       2.           
58
              
 
1.
   
                         
   
64
  
70
   
solo
       
  
2.
    
        

  
74
  A        a la 
  a la
  y
 y END
END
2º Euphonium

                          

    
               
8
  
1. 2.
          


14

     A
                   

  

   

19
  
           

  

   

24
            
    
29
              
1. 2.
     
       

       
34
           
      
40
                    


 

46

1.
 2.  
                      
    

           
52
 
            

   

1.     2.    

 
58

    
          
   
64  1.

                           

 
70
      
2.
            
74         
   A a la 
              
a la
END
y
 y END
LEJOS DE TI
3º Euphonium- Tuba

         

      
        

  
8
    
1. 2.
         

      
14
      A 
         
              
    
20
       
         
27
  
1. 2.
    

 
           
 
33
    
            
39
      
 

          
   
45
    
1.
         

  
 
51
        
2.

         

57
    
1. 2.
             
 
   
1.
  
63
       
        
69
    
2.
     

      
74
      
  A a la 
     
a la
     
y
 y END
END
Tuba Bb
                      
    
8 1. 2.
  
    

              
A
      
14

        
          
20
             
        
27 1. 2.

    

    
          
33
      
            
39
     
              
45 1.
           
           
51 2. 
     
               
57 1. 2.
   
    
 
             
63 1.
           
       
69 2.
  
               

      
74
A a la 
   
a la
      y    y END
Bass in Eb POR: NILTON CALDERON TORRES
    
    
          
   

8 1. 2.
   
    

             
A
    
14
  
            
 
  

20
      
             

27 1. 2.
    
          
     
33
     
          
 
39

          
 
      
45 1.
        
        
  
 
51 2. 
 

      
   
 
   

57 1. 2.
      
 
              
63 1.
    
 
          

69 2.
  
   
          
74
     
 A a la 
     
a la
    y
   y END
END

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EXPRESION MUSICAL LA NOBEL

SUR DE AMERICA LIMA PERU LEJOS DE TI POR: NILTON CALDERON TORRES

69     2.           

69      2.           

                    

1.   2.  

1.   2.   

1.   2.     

        

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