        ad lib.

p
  
switch

(    )   
(   
(    sim. ?
dim.
pno. &
f
        )        / ) (    / ) (
f P f f P/F
   
P/F 
quasi

&    )
o U
as before, pitches

  
ad lib.
 o  oj U much gain
    oj  oj
V     l.v.         
P
e. guit. (G)

F f wide vib. sim.

F
U
wide vib.

 
poco vib.

? t 
  J  
 
P F
cb. take e. bass e. bass
   P P
n. clean tone
n. F P F

(ad lib. clusters, “resolving”

P p/P
back to previous harmony)

f
estatico
  #
? (     (       b
sim.

(    ()
&      
  
#b
     
(prioritize D  in l.h.)

f

  
    
pno. l.v.
?
(long, ecstatic waves)

&   )      
) )

  
(start gliss. during 5th repetition)

e. guitar (C) V gliss.



 - . U
t  
espr. (to trem.) 6x, slow, uneven 5x, even slower, uneven

    r
e. bass
J  
brutale, crushing
 .  
P p  
f F filthy rattle,
 nauseous 
heavy distortion

p
10x, very slow and even
 #b
     
(prioritize D  in l.h.)

&
t  #b
 
    U
f

  #b
   J 
?    
pno. brutale (SECCO.)
t
j
   # b
 
 
10” c.
  estatico    give absolutely fucking everything
   U
somewhat long


V
gliss.

immediately SILENCE amp./
gliss.
 FREEZE.

fine
e. guitar (C)
p
volume pedal. Continue strumming
at same volume!
mute all strings
" "

t rU
w/ heel of hand


5x, slow, uneven 10x, very slow and even

   . U

e. bass behemoth acoustic beating
          

(SILENCE.)
 (detune E  almost to B  by the
end of last repetition) p (detune string IV slowly during
 
first three repetitions)
2012. Revised May 2015.
Medford / Somerville, MA