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Hull, Hereford
Serenade
Rosa Newmarch (1857 – 1940) Edward Elgar (1857 – 1934)
adapted from Nikolai Minsky (1855 – 1937)
Allegretto (comodo) ( = 100)
Soprano
©
d' – e ''
43
3 mf p
mf
4
Alto
a – g'
Dreams all too brief, Dreams with out grief, Once they are bro ken, come not a gain,
3 mf
p mf
Tenor
f – c' 4
8 Dreams all too brief, Dreams with out grief, Once they are bro ken, come not a gain,
mf p mf
3
4
Bass
G–g
Dreams all too brief, Dreams with out grief, Once they are bro ken, come not a gain,
mf
cantabile
5
p pp pp
A cross the sky the dark clouds sweep, And
p pp pp
Dreams all too brief, Dreams with out grief, Since glad dreams haunt your slum bers deep, Why
8
p pp pp
Dreams all too brief, Dreams with out grief, Since glad dreams haunt your slum bers deep, Why
Dreams all too brief, Dreams with out grief, Since glad dreams haunt your slum bers deep, Why
9
p
all is dark and drear a bove; The bare trees toss their arms and weep
should you scat ter them in vain? Once they are bro ken, come not a gain,
8 should you scat ter them in vain? Once they are bro ken, come not a gain,
should you scat ter them in vain? Once they are bro ken, come not a gain,
13
p
Rest on, and do not wake, dear Love
f pp
f
Dreams all too brief, Once they are bro ken, come not a gain, Dreams with out grief,
f pp f
pp
8 Dreams all too brief, Once they are bro ken, come not a gain, Dreams with out grief,
f f
Dreams all too brief, Once they are bro ken, come not a gain, Dreams with out grief,
ppp
più mosso
17
cresc. molto
ppp
Since glad dreams haunt your slum bers deep, Why should you scat ter them
cresc. molto
Since glad dreams haunt your slum bers deep, Why should you scat ter them
ppp
cresc. molto
8
ppp
Since glad dreams haunt your slum bers deep, Why should you scat ter them
cresc. molto
Since glad dreams haunt your slum bers deep, Why should you scat ter them
allargando
ff p
Tempo 1
23
in vain?
ff pp
in vain? Dreams all too brief, Dreams with out grief,
ff pp
8
in vain? Dreams all too brief, Dreams with out grief,
ff pp
pp p
cantabile
27
Hap py is he, when
pp
pp
Once they are bro ken, come not a gain. Since glad dreams haunt your
8
pp
Once they are bro ken, come not a gain. Since glad dreams haunt your
Once they are bro ken, come not a gain. Since glad dreams haunt your
30
Au tumn falls, Who feels the dream kiss of the Spring; And
slum bers deep, Why should you scat ter them in vain? Once
8
slum bers deep, Why should you scat ter them in vain? Once
slum bers deep, Why should you scat ter them in vain? Once
33
poco rit.
hap py he in pris on walls Who dreams of free dom s
f pp
they are bro ken, come not a gain, Dreams all too brief, Once they are bro ken,
f pp
pp
8 they are bro ken, come not a gain, Dreams all too brief, Once they are bro ken,
f
they are bro ken, come not a gain, Dreams all too brief, Once they are bro ken,
4
ppp
accel. più mosso
37
res cu ing; But woe to him who vain ly
f ppp
come not a gain, Dreams with out grief. But woe to him who vain ly
f ppp
8
come not a gain, Dreams with out grief. But woe to him who vain ly
f pp
come not a gain, Dreams with out grief. But woe to him who vain ly
molto allargando
ff p
Tempo 1
42
cresc. molto
calls Through sleep less nights for ease from pain!
ff p
cresc. molto
calls Through sleep less nights for ease from pain! Dreams all too brief,
ff p
cresc. molto
8
calls Through sleep less nights for ease from pain! Dreams all too brief,
ff p
cresc. molto
calls Through sleep less nights for ease from pain! Dreams all too brief,
pp
rit.
48
pp
Dreams with out grief, Once they are bro ken, come not a gain.
pp
pp
Dreams with out grief, Once they are bro ken, come not a gain.
pp
8
pp
Dreams with out grief, Once they are bro ken, come not a gain.