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Autumn Leaves

Bass Walk : Sam Jones

from "somethin' else"


cannonball adderley 1958
Joseph Kosma

G A/G G D/G G A/G


       
Acoustic Bass
8
                 
A
G C F B E D G
      
A°7

   
                  
7

Bass
8   
B
C F B E D G D
    
A°7 A°7

          
         
17

Bass
8
      
G C F B E D G C F B
                       
A°7

   
   
27

Bass
8
 
A
E G C F B E
    
A°7 D7(#5) (G7) A°7

            
      
37

Bass
8
   
D G C F B E
46
                             
Bass
8

B
D G D G G

                             
A°7 A°7
53

Bass
8
  
C F B E D G C F B
                           
A°7
61

Bass
8
     
A
E G C F B E
                                      
A°7 D7(#5) (G7)
69

Bass
8

A°7 D G C F B
                 
    
77

Bass
8
           
B
E A°7 D G A°7 D G
84
                     
        
Bass
8
    
C F B E A°7 D G C
             
               
92

Bass
8

A
F B E G C F B
  
A°7 D7(#5) (G7)

               
       
100

Bass
8
   
E A°7 D G C F
                
            
108

Bass
8
  
B
B

E A°7 D
    
G
D A°7
 
                      
115

Bass
8
  
G
  
C
F
   
B E
             
A°7
      
  
123

Bass
8

D G C F B E A°7 D7(#5) G (G7)

                      
     
130

Bass
8
 
A
C F B E D G

                            
A°7
137

Bass
8
 

2
C F B E D
 
A°7

 
                          
144

Bass
8

B
G A°7 D G G C
                   
       
151

Bass
8

F B E A°7 D G C F B E
 
                         
    
158

Bass
8

A
A°7 D7(#5) G C F B E
    
(G7)

                    
    
166

Bass
8

D G
  
F
 
G 
B  C
E
                     
A°7
173
 
Bass
8
 
B
A°7 D G A°7 D G
                   
         
181

Bass
8

  
C
F
 B
     
E A°7 D G C
       
188
              
Bass
8
  
A
F B E G C F B E
    
A°7 D7(#5) (G7)

 
               
 
   
196

Bass
8

A°7 D G C F B E A°7 D G
       
          
  
205

Bass
8
    
D G C F B E G
       
A°7

     
216
 
             
Bass
8
 

3
A/G G D/G G A/G G
        
                   
226

Bass
8

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