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John R.

Smith
Standards IBM

Digital Television Broadcasting


in Brazil
Mylène C.Q. elevision is one of the most popular of the Brazilian Commission of Communica-
Farias and
Marcelo M.
T communication mediums in Brazil, where
more than 94.6 percent of households have at
tions of the National Telecommunications
Agency (Anatel). From November 1998 to
Carvalho least one television set. This percentage corre- May 2000, researchers conducted extensive
Federal University sponds to more than 80 million TV sets. field and laboratory tests with the three digital
of São Paulo, Besides providing free access to entertainment television standards available at that time:1
Brazil and culture, broadcast television acts as a
unifying factor of fundamental importance to & Advanced Television System Committee
Marcelo S. a country the size of Brazil. (ATSC) developed in the US.2
Alencar After 50 years of existence, Brazilian televi-
Institute of sion is undergoing significant changes with the & Digital Video Broadcasting—Terrestrial
Advanced Studies arrival of digital television. Digital television (DVB-T) developed in the European Union.3
in Communica- not only represents progress in terms of com-
tions, Federal munication technology, but also offers a new & Integrated Services Digital Broadcasting—
University of way of accessing information. Digital television Terrestrial (ISDB-T) developed in Japan.4
Campina will enable the transmission of different types of
Grande, Brazil programs that might include high-definition Besides comparing the performance of the
shows, standard-definition programs, audio available standards, these tests provided in-
broadcasts, or any type of multimedia content. sights on the technologies appropriate to the
One of the major novelties of digital television unique environmental, economic, and social
is the advent of interactivity between users, conditions of Brazil.
broadcasters, and content providers. With dig- In November 2003, the project for the
ital television, users can participate in polls, development of the Brazilian Digital Television
play games, search the Web, and send and System—which is now known as the Interna-
receive email, for example. tional System for Digital Television (ISDTV)—
was officially launched. The ISDTV’s main
Action to implement digital television in
objective was to define the reference model
Brazil started in the late 1990s with the work
for the Brazilian digital television standard,
which includes not only the technology itself
Editor’s Note but also the ways of exploiting the rights to
With the broad penetration of television in Brazil, the country’s transmit and the transition model from analog
adoption of a new broadcast digital television standard is important to digital. The ISDTV project aims to provide
technologically and economically. Already the biggest market in South the population with access to digital television
America, the switch to digital television is expected have a fiscal impact and to promote social inclusion. A total of 105
on the order of $100 billion. The International System for Digital institutions, including industry, universities,
television (ISDTV) standard was inaugurated in December 2007. ISDTV research centers, and broadcasting companies,
was selected from today’s best-known individual technologies for video participated in the ISDTV project.
and audio coding, transport and channel coding and modulation. The In June 2006, the Brazilian president, Luiz
transmission of ISDTV signals has started in Sao Paulo and rollout will Inácio Lula da Silva, signed the decree that
continue across the country through 2013. Other countries across officially defines the transition period from
South America are also considering adoption of ISDTV. analog to digital television. According to the
—John R. Smith decree, ISDTV allows digital transmission of
standard- and high-definition video; simulta-

64 1070-986X/08/$25.00 G 2008 IEEE Published by the IEEE Computer Society


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neous transmission for fixed, mobile, and
portable devices; and interactivity. The fea-
tures of ISDTV include

& the more advanced H.264 standard for


digital video coding, as opposed to the
MPEG-2 standard used in the ATSC, DVB-T,
and ISDB-T standards;

& Ginga middleware, which has been specif-


ically designed for ISDTV; and

& WiMAX technology as the communica-


tions platform for the interactivity channel.

ISDTV signal transmission started in São


Paulo on 2 December 2007. Figure 1 shows a
photo from the inauguration ceremony.
ISDTV maintains the same characteristics of erable bit-rate reduction in comparison to Figure 1. President
analog television: each broadcast company is other standards. For a given quality level, Luiz Inácio Lula da
assigned a 6-MHz channel in the VHF/UHF H.264 provides a bit rate of almost half of that Silva speaks at the
band, and users receive the television signal provided by MPEG-2. ISDTV inauguration
free of charge. ISDTV rollout plans mandate The ISDTV adopted H.264 as its video ceremony. (Courtesy
that all state capitals must be covered by the compression standard and will use it to code Ricardo Stuckert /
end of 2009, while the rest of the Brazilian both standard- and high-definition video as Agência Brasil.)
cities should be done by the end of 2013. well as reduced-resolution videos targeted at
During this period, analog and digital signals mobile or portable receivers. The adoption of
will be transmitted simultaneously. H.264 is a key innovation of ISDTV in relation
to all other digital television standards.
The ISDTV standard
Figure 2 (next page) presents a block diagram Audio coding
of the ISDTV standard. ISDTV is fully compliant ISDTV is expected to transmit in stereo and
with the reference digital-television terrestrial- 5.1 multichannel simultaneously. When nec-
transmission model defined by the Inter- essary, receivers should convert from multi-
national Telecommunications Union (ITU).5 channel to stereo using a down-mixing tech-
Table 1 shows the technical specifications of nique, as described in ISO/IEC 14496-3 (Table
each of the stages of the ISDTV. 4.70).7 Both signals will be coded using the
MPEG-2 Advanced Audio Coding (AAC) stan-
Video coding dard, which is formally known as ISO/IEC
The Motion Picture Experts Group (MPEG) 13818-7.8 MPEG-2 AAC incorporates recent
and the Video Coding Experts Group (VCEG) developments in audio coding, delivering CD-
have produced the most popular video com- quality sound with bit rates around 96 kilobits
pression standards to date. MPEG-2 is a per second and allows up to 48 audio streams
popular standard used not only for broadcast- and up to 15 distinct programs. The ISDTV
ing, but also in applications such as DVDs. The audio coding standard allows for the following
main advantage of MPEG-2 is the low cost of profiles of MPEG-2 AAC:
the decoders. With respect to reliability,
MPEG-2 is undoubtedly a mature technology. & low complexity, level 2,
April–June 2008

The H.264 standard, also known as MPEG-4


Part 10 or Advanced Video Coding,6 is a more & low complexity, level 4;
recent standard produced from a joint collab-
oration between MPEG and VCEG. H.264 & high efficiency, level 2 for stereo, and
represents a major advance in video compres-
sion technology because it delivers a consid- & high efficiency, level 4 for multichannel.

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Standards

Figure. 2. Digital
television system.

Transport layer & supporting any data information not con-


On the transmission side, the transport sidered conventional television content;
layer is located between the source-coding,
channel-coding, and modulation stages. The & supporting add-drop functionality, that is,
transport layer’s main goal is to multiplex the the ability to substitute part of the original
several program streams in a unique transport content by other content.
stream to prepare them for transmission. On
the receiver side, the transport layer decom- ISDTV uses MPEG-2 Systems (ITU-T Recom-
poses the transport stream into the audio, mendation H.2229) as the standard for the
video, and data program streams. Besides transport-layer functions. MPEG-2 Systems
multiplexing and demultiplexing data, some provide a set of tools that can be employed
of the functions of the transport layer are in the transport layer for a digital television
system. This set of tools consists of general
& supporting conditional access; functionalities that can be used partially or
altogether. Semantic restrictions can be spec-
& buffering administration to guarantee that ified to reflect local requirements and necessi-
data is not lost; ties.

Table 1. International System for Digital Television technical overview.

Stage ISDTV choice


Video coding H.264
Audio coding MPEG-2 Advanced Audio Coding
Middleware Ginga (Nested Content Language and Java)
Transport layer MPEG-2 systems
Channel coding and modulation Band segmented transmission-orthogonal frequency-division multiplexing, differential
quadrature phase shift keying, quadrature phase shift keying, quadrature amplitude
modulation with eight symbols, and quadrature amplitude modulation with 64 symbols

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One of the MPEG-2 Systems features is its ing which technologies to use in the middle-
high capacity to absorb and adapt to local ware subsystem was a big step toward
requirements of a given digital television establishing a digital television standard suited
system. Because it’s a widely used system, its to Brazil’s needs. A significant part of the
adoption provides compatibility between technological advances developed by Brazilian
ISDTV and other digital television standards researchers was in the area of middleware.
at the transport level. The middleware adopted by ISDTV was
developed jointly by researchers at the Cath-
Channel coding and modulation olic University of Rio de Janeiro and the
The ISDTV adopted the same technology Federal University of Paraı́ba. Called Ginga
used by the ISDB-T for coding and modulating (see Figure 3, next page), the middleware
the digital television signals, which means meets the requirements of the ITU J.200, ITU
that the signals are transmitted with the band J.201, and ITU J.202 recommendations.10–12
segmented transmission (BST) technique and Additionally, Ginga is compatible with the
orthogonal frequency-division multiplexing Globally Executable-Multimedia Home Plat-
(OFDM). This Japanese model was chosen form (GEM) standard. GEM is a unified digital
because it’s the most advanced among the television middleware specification that the
three available standards (ISDB, DVB, and DVB group proposed and the ISDB13 and ATSC
ATSC). In the field and laboratory tests standards14 adopted later.
performed in Brazil, the modulation and The Ginga standard specifies a set of
coding scheme of ISDB-T presented the best common functionalities (Ginga-Core) that
performance.1 supports the Ginga application environments.
The BST-OFDM scheme allows flexibility The Ginga-Core consists of common content
and mobility, making it possible to receive decoders and procedures that prepare the data
television signals in fixed and mobile receiv- to be transported through the interactivity
ers. It allows for high-quality digital modula- channel. The Ginga-Core also supports the
tion and supports high-definition television. ISDTV conceptual display model, and its
The subdivision of the digital channel allows specifications for the architecture and appli-
simultaneous transmission of multiple services. cations were designed to work on digital
television receivers as well as other systems,
Middleware such as satellite or cable digital television
The greatest technology novelty introduced systems.
by digital television is interactivity. While the We can divide the Ginga applications into
user experience in analog television is passive, declarative (Ginga-Nested Content Language,
digital television allows interaction between or NCL15), procedural (Ginga-J15), and hybrid.
users and broadcasting companies. Because An application is hybrid when it contains both
the application data is transmitted along with declarative and procedural content types. For
the traditional television content, digital tele- example, declarative applications often make
vision receivers need to separate and process use of script content, which is procedural in
the different information formats and inter- nature, or reference an embedded JavaTV Xlet.
pret and execute instructions. Also, a procedural application might reference
One of the biggest challenges of digital declarative content, such as graphic content,
television systems is to guarantee the inter- or construct and initiate the declarative con-
pretation and execution of instructions in a tent presentation.
wide variety of heterogeneous receivers that Ginga-NCL is the declarative application
have different resources and capacities and environment of the Ginga middleware that
come from different manufacturers. Another has NCL as the core language. NCL is a
challenge is to allow software updates or declarative language, developed at the Catho-
April–June 2008

upgrades, as needed. The type of middleware lic University of Rio de Janeiro, that focuses on
used by a digital television standard generally how media objects are structured and related
defines the types of services available at the in time and space.16 NCL doesn’t restrict or
receiver. The choice of middleware affects the prescribe the media content object types and it
interactivity resources and the implementa- can include XHTML-based media objects, as
tion complexity. In the case of ISDTV, choos- defined in other common digital television

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Standards

Figure. 3. Ginga
middleware
architecture.

standards. A main component of Ginga-NCL is or send information to broadcasting compa-


the declarative content-decoding engine (NCL nies or content providers. The return channel
formatter). Other important modules include can be built out of any access network
the XHTML-based user agent, which includes a technology, such as Ethernet, Wi-Fi, General
cascading style sheet, an ECMAScript interpret- Packet Radio Service, and so forth.
er, and the Lua programming language engine The ISDTV standard hasn’t specified any
(responsible for interpreting Lua scripts). particular technology for the return channel.
Ginga-J is the Ginga middleware’s proce- Consequently, manufacturers are free to build
dural application environment. An important TVs and set-top boxes tailored to any network
component of Ginga-J is the procedural con- platform currently available. But, unlike the
tent-execution engine, made of a Java virtual situation in some countries where the return
machine. We can use common content de- channel can be implemented over already
coders for both procedural and declarative installed cable networks, such an option is
applications, for decoding and presenting not always readily available in Brazil. There-
common content types, such as PNG, JPEG, fore, its broad adoption can become costly,
MPEG, H.264, and others. especially in some of the remote areas of
Brazil. For Brazil to accomplish its goals of
Interactivity channel promoting digital inclusion through educa-
The interactivity channel is responsible for tional and government services, as well as
all information exchange between the inter- through large-scale (and free) Internet access,
active applications running on users’ receivers the country must implement a far-reaching
and the application servers run by TV stations. access technology.
The interactivity channel consists of several Researchers have studied several technolo-
components, as the simplified diagram in gies for the return channel, including, for
Figure 4 shows. The interactivity channel’s example, DVB-Return Channel Terrestrial,
two main components are the return channel Evolution Data Only, Wi-Fi, WiMAX, and
and the downstream channel. Broadcasting Power Line Communications. Considering
companies and content providers use the the results of the analysis, the most adequate
IEEE MultiMedia

downstream channel to deliver data to end alternative for ISDTV is the WiMAX-700
users. The downstream channel consists of the technology, which is a new WiMAX specifica-
broadcasting channel and the communica- tion.17 The profile operates in the 400- to 900-
tions platform adopted for the return channel, MHz primary frequency band (UHF band) and,
which can act as an extra downstream chan- optionally, from 54 MHz to 400 MHz as a
nel. Viewers use the return channel to request secondary band (VHF band). WiMAX-700

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Figure 4. Block
diagram of the
interactivity channel.

presents several advantages over current Wi- Brazil,’’ IEEE Trans. Broadcasting, vol. 52, no. 1,
MAX profiles, including better indoor pene- 2006, pp. 38-44.
tration, higher propagation range (up to 2. M.S. Richer et al., ‘‘The ATSC Digital Television
65 km), and lower operational costs. System,’’ Proc. IEEE, vol. 94, no. 1, 2006, pp. 37-43.
3. U. Reimers, ‘‘DVB—The Family of Int’l Standards
Conclusions for Digital Video Broadcasting,’’ Proc. IEEE, vol. 94,
The ISDTV was designed to fulfill the no. 1, 2006, pp. 173-192.
challenging and unique demands of broad- 4. H. Asami and M. Sasaki, ‘‘Outline of ISDB Sys-
casting television in Brazil while promoting tems,’’ Proc. IEEE, vol. 94, no. 1, 2006, pp. 248-250.
digital inclusion throughout the country. 5. Document 11-3/3-E: A Guide to Digital Terrestrial
With ISDTV, channels occupy the same 6- Television Broadcasting in the VHF/UHF Bands, UIT
MHz bandwidth of old analog stations, and it ITU-R, 1996.
can deliver high- and standard-definition 6. Recommendation ITU-T H.264: Advanced Video
videos to fixed, mobile, and portable devices. Coding for Generic Audiovisual Services, ITU-T,
In 10 years, the market for digital television 2003.
sets in the country is expected to reach 7. ISO/IEC 14496-3: Information Technology Coding of
$100 billion. The Brazilian market is the Audio-Visual Objects Part 3: Audio, ISO/IEC, 2005.
biggest in South America, and significant 8. ISO/IEC 13818-7: Information Technology Generic
efforts have been made by the Brazilian Coding of Moving Pictures and Associated Audio
Ministry of Communications to promote the Information Part 7: Advanced Audio Coding (AAC),
Brazilian standard throughout South America. ISO/IEC, 1997.
April–June 2008

So far, Chile, Argentina, Paraguay, and Vene- 9. Recommendation H.222 Information Technology—
zuela are considering its adoption. MM Generic Coding of a Moving, Picture and Associated
Audio Information, ITU-T, 2000.
References 10. Recommendation J.200: Worldwide Common Core
1. G. Bedicks Jr. et al., ‘‘Results of the ISDB-T System Application Environment for Digital Interactive Tele-
Tests, as Part of Digital TV Study Carried Out in vision Services, ITU-T, 2001.

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Standards

11. Recommendation J.201: Harmonization of Declara- 16. H.V.O. Silva et al., ‘‘NCL 2.0: Integrating New
tive Content Format for Interactive Television Appli- Concepts to XML Modular Languages,’’ Proc. ACM
cations, ITU-T, 2004. Symp. Document Engineering. ACM Press, 2004,
12. Recommendation J.202: Harmonization of Procedural pp. 188-197.
Content Formats for Interactive TV Applications, ITU- 17. L.G.P. Meloni, ‘‘Return Channel for the Brazilian
T, 2003. Digital Television System-Terrestrial,’’ J. Brazilian
13. ARIB STD-B23, Application Execution Engine Platform Computer Society, vol. 13, Mar. 2007, pp. 83-94.
for Digital Broadcasting, ARIB, 2004.
14. Advanced Common Application Platform (ACAP),
tech. rep., ATSC, 2005. Contact author Mylène C.Q. Farias at mylene@
15. L.F.G. Soares, R.F. Rodrigues, and M.F. Moreno, ieee.org.
‘‘Ginga-NCL: The Declarative Environment of the
Brazilian Digital TV System,’’ J. Brazilian Computer Contact editor John R. Smith at jsmith@us.ibm.
Society, vol. 13, Mar. 2007, pp. 37-46. com.
IEEE MultiMedia

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