Workbook American Tern Bill John and Liz Soars OXFORDHeadway STARTER A OXFORDOXFORD 198 Madison Avenue [New York, NY 10016 USA ‘Groat Clarendon Street ‘Oxford OX2 6DP England Oxford New York Auckland Cape Town Dares Salaam Hong Kong Karachi ‘Kuala Lumpur Madrid Melbourne Mexico City Nairobi ‘New Delhi Shanghai Taipei Toronto With offices ‘Argentina Austria Brazil Chile C2ech Republic France Greece GGustemals Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland ‘Thailand Turkey Ukraine’ Vietnam ‘OXFORD is a tredemark of Oxford University Press. ISBN-13: 978 0 19 438902 0 ISBN-10: 0 19 4389022 Copyright © 2004 Oxford University Press ‘No unauthorized photocopying. All sights reserved, No part of this publication may be reproduced, stored in a retrieval system, or transmited, in any form or by any means, electronic, mechanical, photocopying. recording, or otherwise, without he prior writen permission of Oxford University Press ‘This book is sold subject to the condition dha it shall not, by way of trade or otherwise, be lent, resld, hired ou, or otherwise circulated without the publisher’ prior consent in any form of | binding or cover athe than that in whieh it is published and ‘without a similar condition including this condition being imposed on the subsequent purchaser ‘American Headway Starter Workbook A: Editorial Manager: Nancy Leonhardt ‘Managing Editor: Jeff Krum Associate Editor: Mike Boyle Assistant Editor: Pace Szatmari ‘Amt Director: Lynn Lucheti Page Layout: Tinde Deveey, Shelley Himmelstein Act Buyer: Judi DeSouter Picture Researcher: Elizabeth Blomster Production Manager: Shanta Persaud Production Assistant: ZainaltaJawat Ali Printing (ast digit 109 87.65 Printed in China Acknowledgments Cover concept: Rowie Christopher Cover design: Rowie Christopher and Silver Editions Musrations by ‘Adlan Barclay, Carlos Castellano, Stan Chow, Pao Daviz, Emma ‘Dodd, Melvyn Evans, Gavin Reece, Harry Venning, Mark Watkinson Handwriting and realia by Kathy Baxendale, Ruby Ham, Shelley Himmelsein Location and studio photography by Gareth Boden, Rob Judges The publisher would lke t0 thank the following for heir permission 10 reproduce photographs: Jeff Albextson/Corbis;B. Ayres/GestyOne Stone; Barros & Barros(GeltyOne Image Bank; Bewman/Cotbis; Wemer Boketberg/The ‘Image Bank; C. Boriand/PhotoL ink; T. Bowny/GettyOne Stone; K Brofsky/PhotDis; J. Brooks/GettyOne Stone; Janis (Cnrisie/PhotoDise; Robert E. Duemmrich/Stone; J DarelVGettyOne ‘Stone; James Davis/Iaterasonal Stock; D.Day/GettyOne Stone; D. Durfee/GerryOne Stone; Eye UbiguitouuCorbis; Govin Sorel/GettyOne Stone: B. Handelman/GettyOne Stone: C. HelberiCorbis; Jack Hollingsworh/Corbis; M.Irving/Image State; ‘Mack Lenniban/AP Wide World; J. Magg/ImageStato; Chuck ‘Mason/latemational Stock; Steve Mason/PhoteDise; ‘Masterfile/ImageState; D. Menued/PhotoDise; Joe Mikos/Photonica; ‘Amos Morgan/PhotoDise; Fonathan Nourok/Stone; PhotoDise; Pictor ‘International; Mike Powell/Alisport Concepts; E, Pritchard/GettyOne ‘Stone; Reuters NowMedia Ine/Popperfoto; D. RothiGettyOne Stone; [A Sacks/GettyOne Stone; Grefton Marshall Smith/CorbisStockmarket, D StewartiGettyOne Stone; D-H.StewarvGettyOne Stone; David Stoecklein/CorbisStockmarket; V. Sieano/Corbis;Jtirey Sylveste/FPG International; N. Tingle/Action-Plus; Underwood.Underwoodi/Corbis; VC1LJFPG International; V.CLJGettyOne Stone: West Rocl/FPG Intemational: swwow.comstock.com/Comstock; P.Young WolffiGettyOne Stone