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Crossovers
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Passive crossovers
For home use, a 3-way passive speaker system is cost effective and adequate for most people. It is
possible, but not practical to make a 4-way passive crossover system. To make a 3-way passive system
into a 4-way, the bass (sub-bass) should be active (driven by a separate amplifier).
Speaker systems of woofer, mid and tweeter driven by one amplifier are called
passive. Passive refers to the components (inductor and capacitor) between the
amplifier and speakers. These components separate the frequencies so bass goes
to the woofer and high frequencies to the tweeter.
A single Capacitor and Inductor (6dB/octave) are used for cheap 2-way speaker systems but does not give
sufficient control to accurately manage quality speakers. A Capacitor and Inductor shifts phase 90deg to
the speakers in opposite directions.
What is an L-pad ?
L-pad fire warning. An L-pad adjusted to attenuate power by -3dB, will allow 1/2 power to the speaker
and the other 1/2 power as heat in the L-pad resistors. The resistors should be as higher power rating as
possible. Not less than 20 Watts.
The Reactance XL and XC, reduces power by shifting the phase, between Volts and Amperes (of the
signal) in opposite directions. The phase shifting of the signal at the crossover point has to be
compensated by reversing connections to one of the speakers or by other means. A physical experience
of phase shift is being in a motor vehicle that is accelerating or breaking, being thrust forward or backward.
Bass (low pass). The Inductor L1 in series with the bass speaker approaches being an open circuit at
high frequencies (6dB/octave). The Capacitor C1 across the bass speaker approaches being a short
circuit at high frequencies (6dB/octave). The Inductor and Capacitor combined limit high frequencies
getting to the woofer at -12dB/octave.
Bass to Mid range (band pass). The second Capacitor C1 in series with the mid range and approaches
being an open circuit at low frequencies (6dB/octave). The Inductor L1 across the mid range approaches
being a short circuit at low frequencies (6dB/octave). The Inductor and Capacitor combined limit low
frequencies getting to the mid range at -12dB/octave.
Mid range (band pass).The Inductor L2 in series with the mid range speaker, approaches being an open
circuit at high frequencies (6dB/octave). The Capacitor C2 across the mid range speaker approaches
being a short circuit at high frequencies (6dB/octave). The Inductor and Capacitor combined, limit high
frequencies getting to the mid range speaker at -12dB/octave.
Tweeter (high pass). The Capacitor C2 in series with the tweeter, approaches being an open circuit at
low frequencies (6dB/octave). The Inductor L2 across the tweeter, approaches being a short circuit at low
frequencies (6dB/octave). The Inductor and Capacitor combined, limit low frequencies getting to the
tweeter at -12dB/octave.
Danger. The reactance (X) of L and C, shift phase between Volts and Amperes therefore reducing power
(Watts). L and C are in series, and phase is shifted in opposite directions between them. This is called a
'series resonant' circuit. If the speaker is not connected to the crossover, or the speaker has been
destroyed (open circuit), the LC 'series resonance' without a load behaves as short circuit at the crossover
frequency only. The amplifier can easily be destroyed.
At the crossover frequency, XL and XC, must = root 2 (1.414) of the speaker Impedance.
Speaker Impedance should be measured at the cross over frequency. The specified Impedance will be
accurate for the majority of dome tweeters, bullet tweeters and compression drivers. Most cone speakers
will be accurate between 200Hz - 600Hz. An 8R speaker will be 8R, a 4R speaker will be 4R. But from
600Hz and above (upper voice), most cone speakers will have a higher Impedance than specified.
R or Ω measured in Ohms
is constant Resistance over frequency.
Some designers go into extraordinary detail to adjust for the rising Impedance of the mid speaker.
Adjustment for this rising impedance does make the crossover technically accurate. This correction has
little effect on musical performance and no effect on reliability of speaker or amplifier. Often, only the
designer can hear the difference and if you are the designer you can choose to do it.
The exceptions. 18dB/octave passive crossovers are essential in professional systems for stopping low
frequencies getting onto compression drivers. These drivers are expensive and can easily be destroyed
with a few Watts of power at low frequency. Many of these systems are small, portable 2-way passive
speaker boxes 12in - 15in and horn.
Passive Crossover Danger The reactance (X) of L and C, shift phase between Volts and Amperes,
therefore reducing power (Watts). L and C are in series and phase is shifted in opposite directions
between them. This is called a 'series resonant' circuit. If the speaker is not connected to the crossover
or the speaker has blown up the LC 'series resonance' becomes a short circuit, at the crossover point.
The amplifier can easily be destroyed.
There are many excellent books, web sites and software programs that give precise construction detail and
formulas for passive crossover design. But require good math and basic electronic knowledge.
Passive crossovers of higher order than 12dB/octave can be made but are difficult to construct. Most are
inefficient and inaccurate, regardless of the academic theory that describes them as being superior. The
more complex a passive crossover, the more energy is required from the amplifier for it to function. This
increases insertion loss which generates distortion that often outweighs the benefits.
Early research, referred to 'transient distortion' as the major problem of passive crossovers greater than
12dB/octave. Early Audiophiles only accepted first order crossovers, claiming this has least effect on
colouring the music. Their descriptions were, '1st and 2nd order crossovers allow the sound to be open
whereas higher order crossovers cause the sound to be closed'.
Recent audiophile trends are for very complex passive crossovers, greater than 12dB/octave that use
magical Capacitors. The larger the number of magical Capacitors the more magical the sound becomes.
These passive crossovers attempt to adjust for time alignment and Impedance variations within each
speaker. Often only the designer can hear the difference which becomes self perpetuating to justify the
design time spent and the cost of magical components. In almost every case (there are exceptions)
where these magical crossovers are replaced with a straight forward 12dB/octave crossover the system
springs to life. However active crossovers cannot be generalised in this way.
Crossovers
Crossover Basics Passive crossovers Active crossovers Time alignment
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