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the bottom need. fn eet his way, which therefore allows meWile me snare may arguably be the most vocal drum inthe Kl the Kek has an amaaing aay af
cssibites fr tonal shaping. n many ways, | tink you can realy an engineesmier
ties on now a kick Sounds an now it sis in the
+ 40 to 60 Hz - Bottom: The lone ofthe reverberation nthe shel, sometines foo rund
be undefnedindeterminats depending on th ?
+ 60 t0 100 Hz - Tump: The "punch you inthe eh
+ 100 fo 200 He - Body: Thsis the "eat if youl ofthe kek sound
+ 200 to 2,000 Hz - Ring/Hollowness: This large where you ean often tna
wth ringing and muday Kick sound
beater, eel for getting nat "basketball bouncing” Kick sound
Snare
+ 200 to 400 He - Body/Bottom: The central fundamental of mast snares tends
+ 490 to 800 He - Ring: Ths is he range that tends 10 gve that nolow "ang" toa
(Sizzle and Snap) The overtone sound ot
fr dampened somevnere around ths point
Toms
+ 100 to 200 Hz - Body: Depends on tuning, bu a good place to 100k forthe “boom of atom
foo much ane ting
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y." Remove too mun, ana your tos w
+ 3,000 to 4000 Hz- tack: Justas Sounds, tn she te lack oF le um Hse om a
sek ont neaa
Cymbals
+ 2000 200 He - Clank: Here's where, espclaly on your hha, the “chink” sudo
+000 Hz and up - size: This range s where he "ss555ss" part of he cymbals canbe
tightened upto ad sone more Me and“ to a cymbal wae, or yu can sponta
3 beecng fom the ers used without proj
‘Synth "Kick" (808)
Aye, te 808. ts often us
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there tends fo be mare under the water
808 do is tnng and to get ne bottom end sempe or
nas been driven ana squasned. you may needto play wn tings above 250 2. but usualy ne‘The reason the Kick andthe bass fend tobe martal enemies many mess they ean iteraly
occupy identical sonic space fom a frequency perspective. So before reaching in wih any EQ,
sen to both and deci where one wil take the lead over the other, and in which ranges
+ 40 to 80 Hz - Bottom: Especial wih vesting variations, tis is where the Bottom
resonances of most basses Ive
‘+ 80 t0 200 Hz - Fundamentals: Te primary fundamental one bass. Right around 180 to
200 Hae where you an ty ta Cu non @ bass thats too "boomy
jo clean up wh
preserving fundamentals
+ 200 to 600 Hs - Overtones: These 210 the upper harmonies of most bass tones
depending on the soun
through ina mi, especialy a low-end heavy one or one that's geting played back on
cmaller speakers, this can be where to look
+ 200 to 500 Hz - Wood: Partcviany in upright basse
+ 800 to 1,600k Hz - Bite: The g/oul a llack of most basses canbe ether emphasteed or
+ 2,000 to 5,000 He - String noise: Prey saightforears ete, think
is tat astnetve, woody bark
Guitar
Acoustic
+ 120 t0.200 Hz - Boom/Body: This where youl find most ofthe explosive low end on a
rel acouste that tends to feedback in the we world or be dlsvupve nthe tudo. Ate Bt
here acs warmth and fulness on a solo performance, but ina dense bane mi, t's probabiy
200 to 400 Hs - Thickness/Wood: Ths is the main "ody" of mast acoustic Lanes. Too
2,000 Ht -Definition/Harshness: Ths double-edges swore
an wil ve the detaiion to
the acoustic lone ta hear inficacies in chords and picking, but too mac wil make i harsh
7,000 Hs -AiiSparkle: touch, and’imean 2 foush, of @ shelf boost here ean help open
[Anote on acoustie guitar pickups (piezo, n particular): Making crazy 10 08 cus?
Contemplating making some absurd boost? You'e probably not wrong ~ the acousti plekup word
‘an be the Wit West when comes fo fone. Some are great and some are doanight
questonable. There are too many varables to even begin suggesting equencies, 0 use your
1 lo guide you heme on this on