Você está na página 1de 6
ce ea act TS) sr source-specine applications place to start your search, but are net gosps No Musician 14 most peopie may proach. That beng Sai, come fom th ip Yat subtractive o a ms rer BB «Things aso By So eer make boost rom tine t in Ld) Aimee mann to musicians: Yu" 4 FE b More interesting if You Stop = us tb = ote 5 can be your best end, but The Fist steps ot e clean mud from your mx and ope Notice in v mn 0 Co ally 25 quek. When them, |e to come from the op down, a8 fe that easter to dal in propery By that. mean oe . Record Producers to ng up an HP Mer and Wstening unt m a ie 3 above wi "Too much" HP ering and eel tat have al the informatio hi the bottom need. fn eet his way, which therefore allows me Wile me snare may arguably be the most vocal drum inthe Kl the Kek has an amaaing aay af cssibites fr tonal shaping. n many ways, | tink you can realy an engineesmier ties on now a kick Sounds an now it sis in the + 40 to 60 Hz - Bottom: The lone ofthe reverberation nthe shel, sometines foo rund be undefnedindeterminats depending on th ? + 60 t0 100 Hz - Tump: The "punch you inthe eh + 100 fo 200 He - Body: Thsis the "eat if youl ofthe kek sound + 200 to 2,000 Hz - Ring/Hollowness: This large where you ean often tna wth ringing and muday Kick sound beater, eel for getting nat "basketball bouncing” Kick sound Snare + 200 to 400 He - Body/Bottom: The central fundamental of mast snares tends + 490 to 800 He - Ring: Ths is he range that tends 10 gve that nolow "ang" toa (Sizzle and Snap) The overtone sound ot fr dampened somevnere around ths point Toms + 100 to 200 Hz - Body: Depends on tuning, bu a good place to 100k forthe “boom of atom foo much ane ting ke cardboard y." Remove too mun, ana your tos w + 3,000 to 4000 Hz- tack: Justas Sounds, tn she te lack oF le um Hse om a sek ont neaa Cymbals + 2000 200 He - Clank: Here's where, espclaly on your hha, the “chink” sudo +000 Hz and up - size: This range s where he "ss555ss" part of he cymbals canbe tightened upto ad sone more Me and“ to a cymbal wae, or yu can sponta 3 beecng fom the ers used without proj ‘Synth "Kick" (808) Aye, te 808. ts often us asitnas a pen. This thing is a ittenas to at more there tends fo be mare under the water 808 do is tnng and to get ne bottom end sempe or nas been driven ana squasned. you may needto play wn tings above 250 2. but usualy ne ‘The reason the Kick andthe bass fend tobe martal enemies many mess they ean iteraly occupy identical sonic space fom a frequency perspective. So before reaching in wih any EQ, sen to both and deci where one wil take the lead over the other, and in which ranges + 40 to 80 Hz - Bottom: Especial wih vesting variations, tis is where the Bottom resonances of most basses Ive ‘+ 80 t0 200 Hz - Fundamentals: Te primary fundamental one bass. Right around 180 to 200 Hae where you an ty ta Cu non @ bass thats too "boomy jo clean up wh preserving fundamentals + 200 to 600 Hs - Overtones: These 210 the upper harmonies of most bass tones depending on the soun through ina mi, especialy a low-end heavy one or one that's geting played back on cmaller speakers, this can be where to look + 200 to 500 Hz - Wood: Partcviany in upright basse + 800 to 1,600k Hz - Bite: The g/oul a llack of most basses canbe ether emphasteed or + 2,000 to 5,000 He - String noise: Prey saightforears ete, think is tat astnetve, woody bark Guitar Acoustic + 120 t0.200 Hz - Boom/Body: This where youl find most ofthe explosive low end on a rel acouste that tends to feedback in the we world or be dlsvupve nthe tudo. Ate Bt here acs warmth and fulness on a solo performance, but ina dense bane mi, t's probabiy 200 to 400 Hs - Thickness/Wood: Ths is the main "ody" of mast acoustic Lanes. Too 2,000 Ht -Definition/Harshness: Ths double-edges swore an wil ve the detaiion to the acoustic lone ta hear inficacies in chords and picking, but too mac wil make i harsh 7,000 Hs -AiiSparkle: touch, and’imean 2 foush, of @ shelf boost here ean help open [Anote on acoustie guitar pickups (piezo, n particular): Making crazy 10 08 cus? Contemplating making some absurd boost? You'e probably not wrong ~ the acousti plekup word ‘an be the Wit West when comes fo fone. Some are great and some are doanight questonable. There are too many varables to even begin suggesting equencies, 0 use your 1 lo guide you heme on this on

Você também pode gostar