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KARL P. BENZIGER
On 16 June 1958 Imre Nagy, who had been the prime minister of
Hungary during the ill-fated Revolution of 1956, was put to death by
the Soviet-backed regime of János Kádár and buried in an unmarked
grave. Thirty-three years later, in a spectacular reversal of fortune, the
communist regime was delegitimized by the funeral and reburial of Imre
Nagy. Well over 300,000 Hungarians attended the ceremony, a very
sizable portion of the population for a country with less than ten million
citizens. In a forceful assertion of the collective will, the Hungarian
people demonstrated their power to resist the tyranny of foreign
occupation and made plain their desire for an autonomous state.
The funeral dramatically symbolized how Hungarian memory
culture reasserted its demand for sovereignty and was powerful enough
to sweep aside the thin veneer of legitimacy of the Soviet-backed regime.
Embodied in the Hungarian people’s imagined past, always at work just
below the surface of daily life, this memory culture must be understood
in the context of Hungary’s long history in Central Europe and beyond.
Hungary had been a powerful medieval kingdom until its defeat at the
hands of Suleiman the Magnificent, at the battle of Mohács on 29
August 1526. From that time on, except for brief intervals, the Hungari-
ans had been under occupation, or under the hegemony of another state,
most notably the Ottoman Empire, the Austrian Hapsburgs, Germany
and the Soviet Union.
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Symbolically, the funeral and graveside rituals reenact the death and the
rebirth of the deceased and, most importantly, reaffirm the strength and
solidarity of the community itself. The closing of the coffin serves to
remind the family and friends of the reality of the separation between the
deceased and community. At a Roman Catholic funeral the priest
symbolically claims the body of the deceased by reading the story of how
Joseph of Arimethea claimed Jesus’ body after the crucifixion so he could
bury him properly. The hope of spiritual resurrection is expressed by the
priest in the context of the great sacrifice of Jesus.4 That the memory of
the deceased will live on in the context of the community is expressed in
the eulogy. Both memory and resurrection are intertwined at the
graveside where the grave mound is explicitly created in front of all the
participants. The flowers and wreathes that are placed on the top of the
mound represent both memory and rebirth, and just as the community
witnesses important rites of passage, such as marriage, so too does it
promise remembrance with the creation of the grave mound. Ribbons
accompanying the flowers and wreathes not only establish relationship to
family and friends but link the deceased to the community. The promise
of remembrance links the present to the past, and the decoration and
care of the mound is a constant reminder of the rebirth of this memory.
In a Hungarian funeral the deceased return not only to their immediate
family but also to the community of the Hungarian nation. As the “panic
of sorrow” subsides, the strength of the community is reaffirmed by the
ensuing solidarity that collective mourning brings.5 Rites of mourning
also create something that survives the decomposed body: the idea of the
soul.6 The grave mound becomes a physical place of remembrance for
the “soul” of the deceased and in this sense becomes a constant reminder
of the deceased’s solidarity with the community; even in death.
The “coerciveness” (to use Geertz’s term) of kegyeleti ritual can be
observed on the days and weeks surrounding All Souls’ Day in the
Roman Catholic calendar, which corresponds to the Hungarian Day of
the Dead. My observation of the Új Köztemető (New Public Cemetery)
in Budapest revealed a living city of the dead, in which thousands of
Hungarians came to care for the grave mounds of their deceased. The
entrance way to the cemetery was filled with purveyors of flowers,
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The Búcsú is the memorial day of a saint, which has its origins in
medieval times when priests would sell dispensations for the forgiveness
of sins, as well as pray for the intercession of the saint in the affairs of the
community. It is a day of both memorial and celebration.8 On St.
Steven’s Day, the twentieth of August, which is a national holiday in
Hungary, statues and plaques of Hungary’s first king are highly
decorated with tricolors, flowers and wreathes with ribbons (often from
Hungary’s leading political parties). According to legend it was Steven
who founded the Hungarian Kingdom in A.D. 996. The relic of St.
Steven’s hand is presented to the people at an outdoor mass held in front
of St. Steven’s Basilica in Budapest and is followed by a procession
through the streets. Steven’s relic is protected not only by an honor
guard dressed in the clothing of the former royal bodyguard (complete
with halberds), but it is also given an official military honor guard. At the
service in front of the basilica, Steven is invoked to intercede on behalf
of the Hungarian nation for God’s protection and guidance. Throughout
the country there are major celebrations; the day finishes in Budapest
with fireworks and the St. Steven’s Day fair which often runs for five
days.
The importance of memorialization in the popular construction of
Hungarian history can be evidenced by films such as The Conquest, which
was produced by MTV 1 and first seen on the evening of St. Steven’s
Day, 20 August 1997.9 The film chronicles the invasion and conquest of
the Carpathian Basin by the seven Hungarian tribes through a drama-
tized enactment of Hungary’s founding legends. The dress and accoutre-
ments worn by the actors were based on archaeological finds that can be
viewed at museums throughout Hungary, but most prominently at the
National Museum in Budapest. At the National Memory Park at
Ópusztaszer these founding legends are further reinforced in the guise
of a nineteenth-century cyclorama by Feszty Árpád which depicts the
cataclysmic battle between the seven Hungarian tribes and the Moravians
for possession of the Carpathian plain.
As funerals and memorials are part of the bedrock of Hungarian
identity, political relationship to these hero figures is fundamental to
political legitimacy in Hungary. Popular construction of the meaning of
national symbols occurs throughout the calendar year at Búcsú celebra-
tions such as St. Steven’s Day, the more somber piacular rites surround-
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ing the Day of the Dead and at places of memorial such as the Batthyány
Eternal Light Memorial. The construction of national history in this
guise is intimately interwoven with the symbols of national identity.
Whether originating from Hungarian Roman Catholic ritual, the 1848
Hungarian Revolution or points from Hungary’s distant past, what binds
these diverse acts of memorial together are their focus on national
sovereignty. The Hungarian historian István Rév claims that “the history
of Hungary is one of battles lost, the normal public rituals are therefore
funerals and burials rather than victory parades.”10 As such, the re-
arrangement of these hero figures can create differing chains of history
that can suit the needs of various political factions at a given time. The
funeral of Imre Nagy on 16 June 1989 provided just the sort of occasion
that encouraged a public reinterpretation of history.
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Karl P. Benziger
repeated affronts to their national identity, let alone the reign of terror
that Rákosi had unleashed against his own people.12
It was Nagy’s interest in Hungarian agricultural reform and
nationalism that endeared him to anti-Stalinist reformers within the
Hungarian Communist Party.13 Stalin’s death on 5 March 1953 and
Nikita Khrushchev’s rise to power strengthened the reformers’ hands
and, with the approval of Moscow, Nagy became prime minister. His
reforms during his first term (1953–1955), which included an ending
of the terror that had been enacted by the Hungarian Stalinists, made
him the focus of the students’ demands prior to the 1956 Revolution
that he be restored to the post of prime minister.14
Nagy was ousted from office following the resurgence of the
Stalinist faction in the Hungarian Communist Party in April 1955. He
remained a popular figure among the Hungarian people, and criticism of
Mátyás Rákosi and the Stalinists continued unabated. In the days leading
up to the 1956 Revolution, Nagy was idealized by the students and
transformed into a revolutionary hero embodying the demands of liberty
and sovereignty more akin to the revolutionaries of 1848 than to Nagy
himself, who was not particularly interested in liberal reform.15
In an attempt to quell the stormy protests of 23 October 1956, the
Hungarian Communist Party with the backing of the Soviets reinstated
Nagy as prime minister on the following morning. Nagy demanded that
the revolutionaries lay down their weapons. Nagy’s decision not to
request Soviet assistance or order the Hungarian security forces to put
down the Revolution were factors that allowed him to maintain
legitimacy with the Hungarian people in the streets. These eventually
would be the same factors that would turn the Soviets and conservative
members of the Hungarian Communist Party against him.16
It was only on 30 October that Nagy joined with the full demands
of the Revolution with his establishment of a coalition government and
its ultimate decision to declare neutrality and demand the withdrawal of
all Soviet forces from Hungarian territory.17 This point was emphasized
forty years later by Ottó Sándorffy, a member of the Smallholder’s Party,
during the debate on the Imre Nagy Memory Bill of 1996 in the
Hungarian Parliament: “Nagy probably knew his forthcoming destiny,
as he knew that his Communist comrades would never forgive his desire
to remain Hungarian.”18 Though Nagy was and remains a contested
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These coffins and our bitter lives are the result of Russian troops on
our territory. Let us help the Soviet Union to withdraw its troops
from Hungary as soon as possible. The Communist Party is still
clinging fearfully to power. What it could not achieve in the past
forty-four years it cannot achieve now. They are responsible for the
past, they are responsible for the damaged lives of Hungarians.37
Rácz concluded his speech with a Roman Catholic hymn which calls on
the Virgin Mary to protect Hungary. The film made by Black Box
showed Hungarians on the street singing the hymn as they listened to
it over the radio.
Perhaps the most passionate speech of the day was given by Viktor
Orbán, today prime minister of Hungary and at that time a representa-
tive of the Young Democrats, a student opposition group. János M.
Rainer, a Hungarian historian and dissident, claims that the crowd that
day consisted of a large number of young people. Orbán spoke the
language of the young people and connected to them in a way the older
speakers could not.38 Orbán declared that the young people in the crowd
had come not only to honor Nagy but also to mourn for a future taken
away by the Hungarian Communist Party: “the bankrupt state that has
been placed upon our shoulders is a result of the suppression of our
revolution....”39 He vehemently attacked the reform Communists,
commenting ironically:
His emotional speech drew applause from the crowd seven times.
Having long been denied the ability to publicly mourn for the
consequences of the Hungarian Revolution, which had resulted not only
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in the loss of life but also in the humiliating loss, once again, of national
sovereignty, the Hungarian people attended the funeral en masse. The
piacular rites, coupled with the solemn symbolism of Heroes Square,
stimulated Hungarians’ collective memory. Nagy’s funeral is illustrative
of Durkheim’s discussion of the “effervescence” caused by collective
grieving. Victor Turner extended Durkheim’s theory in his discussion of
structure and “communitas” (antistructure). The piacular ritual and its
“excited state” created a state of liminality for those participating in the
ritual. Turner argued that this liminal state can provide for the develop-
ment of an antistructure or communitas in which hierarchy and everyday
structure are replaced by a communal “we” identity, allowing for some
of the more important aspects of a society to be revealed.41 In the case
of Nagy’s funeral, it was the value of a sovereign national identity that
was revealed through the communal performance of kegyeleti ritual.
Though reform Communists appeared at the funeral to perform
kegyelet, they had only recently attempted to repossess the symbol of
Imre Nagy. As such, they were associated with the conservative members
of the Hungarian Communist Party as it existed then and, through them,
with the Kádár regime and the Soviet Union. Thus, they were fatally
linked to the official structure that was outside of what constituted a
sovereign Hungarian state as defined by the funeral. Never able to shake
off this image, the Communists were driven from power. Imre Mécs,
commenting on the importance of the funeral, noted that the “meaning
of the ceremony was driven home by the Hungarian people. In a
referendum held in November 1989 the Hungarian people abolished the
military arm of the Communist Party, closed their offices in the
workplace and voted to examine in detail the party’s financing.”42
The focus of the funeral was on the contents of the caskets as
symbols of national sovereignty, not on the disparity of political views
that abounded within the opposition or, for that matter, among
Hungarians themselves. A number of different political symbols were
displayed at the funeral, including, for example, flags bearing the royal
and Kossuth coats of arms (the latter, which had been used during the
1848 Hungarian Revolution, lacked the crown of St. Steven that
appeared on the former).43 Although members of the various factions
within the opposition were well aware of political differences, this was
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EPILOGUE
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The most significant aspect of the funeral and reburial of Imre Nagy
was the Hungarian people’s reassertion of the symbols that it regarded
as authentic to the nation. In the case of both the Kádár and the reform
communist regimes, the symbol system of the state, which rejected the
concept of national sovereignty as embodied by the 1956 Revolution,
was too exclusive to be considered legitimate by the Hungarian people.
Hungarians could not in any real sense accept as legitimate a government
that refused to recognize a national symbol such as Imre Nagy, who was
so intimately intertwined with Hungarian identity. It is memory culture
that aids each generation as it reinterprets the meaning of national
symbols. The events of 1989 reasserted the legitimacy that the Hungari-
an people accorded the events of 1956 because they represented a
conception of a Hungary free of foreign influence and free to choose its
own path. Sovereignty was the issue that all could agree on because it
would allow the Hungarian people to reimagine their identity in the
context of what it meant to be Hungarian, rather than under the
hegemony of a foreign power. In a sense this opened the door to a more
fractious nation as each of the many political factions vying for political
power could now attempt to convince the Hungarian people of its
particular vision of what the Hungarian state should be.
NOTES
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put their arms around one another, and press as close as possible to one
another.” Emile Durkheim, The Elementary Forms of the Religious Life, trans.
Joseph Ward Swain (New York, 1965), 446.
6. Ibid., 448–49.
7. On the same day that Batthyány was executed 13 Hungarian generals were
executed in the city of Arad (now in Romania). The generals are known as Aradi
Vértanu. The importance of sites of memory relating to the 1848 Hungarian
Revolution and their interpretation in the twentieth century can also be found
in John Mason’s recent article, “Hungary’s Battle for Memory,” History Today
50, no. 3 (Mar. 2000), 28–34.
8. A Magyar Nyelv Értelmező Szótára (Etymological dictionary of the
Hungarian language), ed. Nyelvtudományi Intézet (Budapest, 1987), 1:724.
9. Honfoglalás (The conquest), MTV 1 (Budapest, 1997).
10. István Rév, “Parallel Autopsies,” Representations, no. 49 (Winter 1995):
31.
11. János M. Rainer, interview by author, 6 Apr. 1998.
12. George Schöpflin, Politics in Eastern Europe (Oxford, 1993), 93, 101.
13. For an excellent discussion of Nagy’s agricultural policies and political
philosophy, see János M. Rainer’s multivolume biography of Nagy, Nagy Imre:
Politikai életrajz (Imre Nagy: A political biography), vol. 1 (Budapest, 1996).
14. See György Litván, The Hungarian Revolution of 1956 (London, 1996),
48; and Bill Lomax, Hungarian Worker Councils in 1956 (Highland Lakes, OH,
1990), 5.
15. Nagy’s idealization by the University Student Organization, MEFESZ,
founded at József Attila University in Szeged, Hungary, is discussed by Charles
Gati, “From Liberation to Revolution, 1945–1956,” in Peter F. Sugar, Péter
Hanák and Tibor Frank, eds., A History of Hungary (Bloomington, 1994), 378,
and in Litván’s, The Hungarian Revolution of 1956, 52–57. For a discussion of
student radicalism, see Seymour Martin Lipset, “The Possible Effects of Student
Activism on International Politics,” in Seymour Martin Lipset and Philip G.
Altbach, eds. Students in Revolt (New York, 1969), 498.
16. Grzegorz Ekiert, The State against Society: Political Crises and Their
Aftermath in East Central Europe (Princeton, 1996), 57.
17. Charles Gati, Hungary and the Soviet Bloc (Durham, NC, 1988), 153.
18. Az Országgyülés: tavaszi ülésszakának 41. Ülésnapja 1996. Junius 3–an,
hétfön (Minutes of Parliament: 41st day of the spring session, Monday, 3 June
1996), 21203.
19. János M. Rainer, “The Reprisals,” The New Hungarian Quarterly 127
(Autumn 1992): 123. Rainer now believes that the number of revolutionaries
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executed was less than 450, but these figures remain a point of controversy in
Hungary today.
20. For example, Sándor Balogh, et al., A magyar népi demokrácia története,
1944–1962 (The history of the Hungarian People’s Democracy) (Budapest,
1978).
21. Béla Kövér, “301-es parcella Köztemető,” (The Public Cemetery’s Plot
301) Magyar Nemzet, 3 May 1989, 21.
22. Gati, Hungary and the Soviet Bloc, 161.
23. George Schöpflin asserts that Hungarians accepted the inevitability of
Soviet dominance (Politics in Eastern Europe, 103).
24. This point was mentioned in many conversations that I had with
Hungarians and reemphasized in interviews that I conducted with the historians
Péter Zoltán, 11 July 1996, and Gábor Gyapay, 5 Aug. 1996.
25. Imre Mécs recognized the importance of Plot 301 and the performance
of kegyelet as a form of protest early on. In regard to visiting Plot 301 on
national holidays and the Day of the Dead he noted that “the guards wouldn’t
let you anywhere near the plot.” Imre Mécs, interview by author, 7 Nov. 1997.
The same was true for other memorial sites associated with the 1848 and 1956
Revolutions. Ágoston Gendur, interview by author, 15 June 1996.
26. Schöpflin, Politics in Eastern Europe, 211.
27. S. Agocs, “The Collapse of Communist Ideology in Hungary,” East
European Quarterly 27 (1992): 190.
28. Június 16, 1988 (16 June 1988) (Budapest: Black Box, 1988), video-
cassette.
29. A Magyar Nyelv Történeti Etimólogiai Szótára (The etymology of the
Hungarian language), vol. 1 (Budapest, 1967), 1071. For a more in-depth
discussion of the political usage of kopjafa, see Nóra Kovács, “Kopja Fa: The
Anthropological Deconstruction of Hungarian Grave Posts as National
Monuments” (MA thesis, Central European University, 1997).
30. Virág Kedvelő (Flower Lover), “A Nap Története” (The story of the day),
Demokrata (1988).
31. Joshua Foa Dienstag, “The Pozsgay Affair: Historical Memory and Political
Legitimacy,” History & Memory 8, no. 1 (Spring / Summer 1996): 76.
32. András Gerö, Modern Hungarian Society in the Making: The Unfinished
Experience (Budapest, 1995), 203.
33. June 16th, 1989, produced by Dér-Pesty (Budapest: Black Box, 1989),
videocassette; Nagy Imre Élete és halhatatlansága (Imre Nagy’s life and
immortality), produced by Róbert Bokor (Budapest: Hungarian Television,
1996), videocassette.
34. June 16th, 1989.
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