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Arjen Anthony Lucassen (english)

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Arjen Anthony Lucassen

Arjen Anthony Lucassen at a signature event with Stream of Passion in


Background information

Also known Arjen Lucassen, Arjen A. Lucassen, Iron Anthony,

as Anthony

Born 3 April 1960 (age 58)

Hilversum, North Holland, Netherlands

Origin The Hague, South Holland, Netherlands

Genres Progressive rock, heavy

metal, folk, electronic, psychedelia, classical

Instruments Vocals, guitars, bass, Hammond, keyboards

Years active 1980–present

Associated Ayreon, Star One, Ambeon, Guilt Machine, The Gentle

acts Storm, Stream of Passion, Bodine, Vengeance

Website Arjen A. Lucassen Website

Arjen Anthony Lucassen (born 3 April 1960, in Hilversum, Netherlands) is a Dutch singer, songwriter, multi-
instrumentalist musician and record producer best known for his long-running progressive metal/rock
opera project Ayreon.[1]
Lucassen started his career in 1980 as the guitarist and backing vocalist of Dutch band Bodine as Iron
Anthony, before joining Vengeance in 1984. After eight years he left the band, wanting to go into a
more progressive direction, and released two years later an unsuccessful solo album entitled Pools of Sorrow,
Waves of Joy under the nickname Anthony.
In 1995, Lucassen released an album uncredited to any artist called Ayreon: The Final Experiment, in which
he sang, wrote every song and played most of the instruments. The album conducted to the creation of
Ayreon; despite being relatively unknown at first, the project gained notable attention and praise with the
release of its third album Into the Electric Castle, establishing Lucassen as a notable composer of rock
operas.[1]Following Ayreon's success, Lucassen has been involved in many other projects: he is the creator,
composer and current guitarist/keyboardist of Star One, Guilt Machine, and The Gentle Storm, and the
creator and former guitarist of Ambeon and Stream of Passion. He composes and writes most of his songs,
but leaves the lyrics to his musical partners in some of his projects.
Lucassen plays a wide variety of instruments: his main instruments are guitar and keyboards, however he
also plays bass, banjo and many others. Overall, in his career and including all his bands and projects (as
principal instrumentalist/creative force or as a member), Lucassen has releasedtwenty-six studio albums,
four live albums, two EPs and seventeen singles. He has also made many minor participations alongside
various artists including Shadow Gallery, After Forever, Within Temptation and Avantasia, and appears in
over 50 albums.
Since the creation of Ayreon, Lucassen progressively made a name for himself under rock and metal
reviewers, with many critics calling him a "genius",[2][3][4][5] and praising his composition abilities and originality.
In his review of 01011001 Allmusic reviewer stated "Music this over the top almost defies criticism. Reviewing
it is like reviewing the world's tallest building. It doesn't care; it just goes on and on."[6]


 1Career
o 1.1Bodine (1980–1984)
o 1.2Vengeance (1984–1992)
o 1.3Solo debuts (1992–1995)
o 1.4Ayreon's debut and fame (1995–2000)
o 1.5First side projects; Ambeon and Star One (2000–2003)
o 1.6The Human Equation and 01011001, Stream of Passion (2003–2008)
o 1.7Ayreon hiatus, focus on other projects (2008–2012)
o 1.8Ayreon's revival and first live performances, The Gentle Storm (2012–present)
 2Personal life
o 2.1Family and relationships
o 2.2Health issues
 3Discography
 4See also
 5References
 6External links

Lucassen's love of music was sparked in the 60s, when he became a big fan of The Beatles. He decided to
learn guitar when he heard Ritchie Blackmore playing in Made in Japan. One of his first bands was called
Mover, which he joined around the age of 18.[7][8]
Bodine (1980–1984)[edit]
Main article: Bodine (band)
In 1980, Lucassen joined Bodine via their drummer Gerrard Haitsma, who was also the drum teacher of
Mover's drummer.[7] Under the nickname Iron Anthony, he was featured on their second album, Bold as
Brass (1982), and their third and final album, Three Times Running (1983).
Lucassen later recalled about his years with Bodine: "on one side they were good musicians, extremely good
musicians, the best drummer in Holland (Gerard Haitsma), an incredible guitar player and a very steddy bass
player (Armand van der Hoff). And I actually learned how to play there, how to play very tight, how to play in
tune, you know, to play solo not just fast but to play one note and do it good. But on the other hand, they were
kind of boring guys, they were all 10 years older than me, they didn't like partying and stuff. And in those days
I was young, I was 20, after the girls and after the party, you know. So it was a bit boring. And another
problem in that band was that they didn't like melody, they were in love with AC/DC and stuff like that. And I
always liked melodic music, already in those days I was into prog music. So I didn't like to be there, I wrote
songs but they were just a little part of me."[7]
In 1984, Lucassen left Bodine to join Vengeance; they disbanded shortly after.
Vengeance (1984–1992)[edit]
Main article: Vengeance (band)
In 1984, the newly created band Vengeance played as supporting act for Bodine. When Lucassen, who had
been impressed by their performance, was later contacted by the band to ask if he knew any potential
replacement for their guitarist who had just left, he proposed himself and joined the band, leaving Bodine.[7]
Regarding their original self-titled album released in 1984, Lucassen stated in a 2002 interview that the album
was "horrible", adding "The songs were mostly finished when I joined the band. I think I wrote just two songs
for that album and it was recorded very cheap, the sound is bad and the songs are not that good. So it's not a
very strong album although you can already hear the potential". The band later established themselves as
one of the most successful bands of the Netherlands at the time.[7] He also recalled a concert
in Germany cancelled at the last moment because "after the first night Vengeance wrecked the hotel, it was
like $10,000 damage. We were not allowed to leave Germany, they took our equipment... so that was really
sex, drugs and rock'n'roll!"[7]
In 1989, the band was forced to fire their lead vocalist Leon Goewie, who was, according to Lucassen, "really
crazy on stage. The only problem was that he was also crazy offstage. But he also liked to have a stiff drink
now and then, if you know what I mean". Vengeance found little success with their new vocalist Ian Parry, and
disbanded in 1992 after a surprisingly successful farewell tour.[7]
While Lucassen pursued his solo career, Vengeance's label released The Last of the Fallen Heroes,
promoted as a new studio album but actually a compilation of unfinished demos, in 1994. Goewie, who was
heavily struggling as a musician after being fired from the band, later contacted Lucassen, asking him to write
him songs. Lucassen wrote two songs, which were later featured on a new Vengeance album, Back from
Flight 19, in 1997; despite participating to this new album, Lucassen did not re-join Vengeance. He later
stated about Back from Flight 19 "I'm not so proud of that album. There's a couple of good songs but it's
definitely not Vengeance."[7]
Solo debuts (1992–1995)[edit]
After his departure, Lucassen first tried to create a new band, Planet Nine. However, according to his words
in The Final Experiment book, "nobody even wanted to touch it".
He released his first solo album, Pools of Sorrow, Waves of Joy, under the name "Anthony" in 1994.[9] It was a
commercial flop; according to Lucassen, "people didn't understand it. It wasn't hard rock, it wasn't prog or
something. People thought, 'What's that he is doing now? He must be crazy!'"[10][7]
Remembering this period, Lucassen stated "it was the period in my life when my girlfriend broke up with me,
Vengeance broke up and I had no more record deal. So it was a horrible time".[7]
Ayreon's debut and fame (1995–2000)[edit]
Main article: Ayreon
After his first unsuccessful solo album, Lucassen began recording The Final Experiment, which was released
in 1995 as Ayreon: The Final Experiment on a small Dutch label, Transmission Records, with no artist noted.
The album featured a wide array of musical styles, ranging from folk to progressive metal.[1] It was soon
followed by Ayreon's first single, "Sail Away to Avalon".
One year later, Lucassen decided to continue the project started with The Final Experiment, using Ayreon as
the project's official name, and released a second album titled Actual Fantasy. The album later became the
exception in Ayreon's discography, as the only Ayreon release that does not feature a single
overarching story concept. The single "The Stranger from Within" from this album was also released. It was a
relative commercial failure. Lucassen decided to make one more album, and to stop Ayreon if this one did not
become a commercial success.
The same year, Lucassen, tired after the complexity of Ayreon, decided to do "something really simple, like
punky or heavy versions of 1960s songs" and released Strange Hobby, a cover albumwithout artist name or
any personnel credited at the idea of the record company to make people curious about the record. According
to Lucassen, "it didn't work because people knew how it was and they weren't so interested, so it was another
flop. But I think it's good. Maybe the songs are too much alike, too short and after 10 songs you think, 'Oh,
that's it?!' But I do like that album and I'm not ashamed that I did it.'"[7]
In 1998 the commercially successful and critically acclaimed Ayreon album Into the Electric Castle was
released. It is still currently considered one of the best albums in Lucassen's career. The good reception to
the album made Lucassen decide to continue the project Ayreon.
The next two Ayreon albums, Universal Migrator Part 1: The Dream Sequencer and Universal Migrator Part 2:
Flight of the Migrator, considered as two parts of the same story, were released simultaneously on June 20,
2000. The two sold well and were received positively, despite Part 1 being considered as superior to Part 2 by
most critics. "Temple of the Cat" from Part 1 was released as a single the same-year, and again the following
year in an acoustic version.
First side projects; Ambeon and Star One (2000–2003)[edit]
In 2000 Lucassen created Ambeon, his first side-project since the creation of Ayreon, to explore a softer style
of music. The band consisted of him as composer and principal instrumentalist and then 14-year-old Astrid
van der Veen as singer and lyricist. They released their only album Fate of a Dreamer in 2001, along with the
single "Cold Metal". The album had a limited success. Ambeon's atmospheric sound draws from a wide
variety of influences, including celtic, gothic, progressive music, and dark ambient. The songs on Fate of a
Dreamer were mostly composed of different remixed pieces of songs from Ayreon albums. The name of the
band was a play on the words ambient and Ayreon. The album went out of print shortly after its release and
was considered rare, until Lucassen re-released it in December 2011, with the addition of a bonus CD
containing previously unreleased tracks.[11] Lucassen was not satisfied with the final result, stating "it's a bit
cold for me. It's too electronic, a bit too much computers... And I didn't know how well Astrid could sing for I
didn't know her and she didn't know me".[7]
Van der Veen retired from music after the release of Fate of a Dreamer, leading to Lucassen stating that
there'd most likely be no future Ambeon albums, despite the fact he would have liked it. [12] Van der Veen
eventually released a new record for herself in 2012 after a long battle with depression and addiction, but
does not seem to intend on performing actively anymore.[13]
In 2002, Lucassen created another side-project, entitled Star One; the only side-project to date he made more
than one studio album with. Star One focused on four singers: Dan Swanö, Russell Allen, Floor
Jansen and Damian Wilson; Lucassen played guitar, keyboards and hammond organ. Their first album Space
Metal was released in 2002. The album also had limited success, although it was more successful than
Ambeon. Live on Earth, the first live album in Lucassen's career which also included Ayreon songs, was
released one year later.
The Human Equation and 01011001, Stream of Passion (2003–2008)[edit]

Lucassen with Stream of Passion at a concert in Amstelveen in 2007.

Four years after Universal Migrator, Lucassen released Ayreon's sixth album, The Human Equation. It was a
commercial success, going No. 7 in the Dutch album charts, and some critics considered the album as
Lucassen's best since Into the Electric Castle.[14])
Special editions of all Ayreon albums were released in 2004 when Lucassen switched label from
Transmission to InsideOut Records; The new edition of The Final Experiment featured a bonus disc of newly
recorded, semi-acoustic versions of songs from the album, while Actual Fantasy was entirely remixed and
partially re-recorded, with the new version being titled Actual Fantasy: Revisited.
In 2005, Lucassen created Stream of Passion in 2005 to make a more conventional progressive metal band
with symphonic and gothic inspirations. He also wanted to showcase the talents of his friend and Mexican
female vocalist Marcela Bovio, who also sang on The Human Equation and who had won a contest on
Lucassen's website.[15]
He recruited second guitarist Lori Linstruth (his future girlfriend), keyboardist Alejandro Millán (Bovio's then-
boyfriend), bassist Johan van Stratum (Bovio's future husband), and drummer Davy Mickers, and started the
band. As with Astrid van der Veen for Ambeon, Lucassen was in charge of composing the music, while letting
Bovio write the lyrics. They released the album Embrace the Storm in 2005. Like Lucassen had done with
Star One, Stream of Passion toured and released a live album, Live in the Real World, in 2006. Also like Star
One, the tour featured many Ayreon songs, as well as songs from the album. He finally left the band in 2007,
as he had planned beforehand. The band continued successfully without him: They subsequently released
three studio albums, The Flame Within, Darker Days and A War of Our Own, before amicably disbanding in
In 2008, Lucassen released a new Ayreon album, 01011001, which achieved commercial success, reaching
No. 2 in the Dutch album chart.[14] The album was meant to be the conclusion of the Ayreon storyline, and after
its release Lucassen decided to temporarily stop Ayreon, because he was not inspired to continue and also
because many critics (despite the album being well reviewed) noted that there was nothing new being offered
on 01011001; he believed that he might make more Ayreon albums in the future, but that they would not
follow the same storyline.[16]
Ayreon hiatus, focus on other projects (2008–2012)[edit]
In February 2009 Lucassen announced on his website his new side-project: Guilt Machine.[17] The project
features a very limited line-up compared to other Lucassen side projects: himself on many instruments and
backing vocals, Jasper Steverlinck (Arid) on lead vocals, Chris Maitland (ex-Porcupine Tree) on drums
and Lori Linstruth (ex-Stream of Passion) on lead guitar.[17] Their first album On This Perfect Day, released the
same year, received a very good critical reception but was Lucassen's least commercially successful album in
many years.
In 2010, Lucassen reunited the six other members of Star One, inactive since 2003, and released the band's
second studio album Victims of the Modern Age. The album received critical acclaim and was a big
commercial success. In December 2011 the Ambeon album Fate of a Dreamer, like the older Ayreon albums,
was re-released with bonus tracks.
At the same time as that the Ambeon album was re-released, Lucassen was already busy composing and
recording his next project. On 23 April 2012, Lucassen released Lost in the New Real, his first solo album
since Pools of Sorrow, Waves of Joy 18 years before.[18] On this album Lucassen sang all leading vocals,
wrote all lyrics and played almost all instruments. Also, he asked the Dutch actor Rutger Hauer to provide
narration between the tracks, similar to as he had done on Into The Electric Castle. Artwork for this album
was done by Claudio Bergamin.
Ayreon's revival and first live performances, The Gentle Storm (2012–present)[edit]
On 23 August 2012, Lucassen published on his YouTube channel that he started composing "a new
project".[19] On 9 October 2012, he revealed it via YouTube again to be a new Ayreon album, planned for
Responding to fan comments on his website, Lucassen stated on 12 October that it will probably take a year
before the album was completed.[21] He also stated that the album would be the start of a new story apart from
the previous Ayreon albums, and confirmed the presence of Ed Warby as usual.[22]
On late 2012, Tobias Sammet announced that Arjen would make some guest lead guitar works in his
new Avantasia album, The Mystery of Time.[23] This marked the second time both musicians have worked
together, the first having been the Ayreon EP Elected, on the title-song, in which Tobias sang guest vocals.[23]
On 26 March 2013, Lucassen revealed the name of the next Ayreon's album, The Theory of
Everything.[24] This album was released on 25 October and received positive reviews.
On 22 April 2014, Lucassen revealed that his new project would be a collaboration with Dutch singer Anneke
van Giersbergen, who previously collaborated with him in Ayreon albums Into the Electric
Castle and 01011001. He described it as "an epic double concept album, a combination of ‘classical meets
metal’ and ‘acoustic folk’." [25] Lucassen's most recurrent collaborator Ed Warby was featured once again on
drums, and it was his very first album featuring double bass among the instruments.[26][27] He confirmed that
Johan van Stratum from his former band Stream of Passion would play bass on the album. Also, due to
"unforeseen problems", Warby had to re-record all his drums part in one day only.[28]
On 2 September 2014, Lucassen revealed that his collaboration with van Giersbergen was actually a new
band, called The Gentle Storm. A cover EP entitled The Gentle Storm Exclusive Tour CD, and their first
album, The Diary, were both released in 2015, with van Giersbergen writing all the lyrics and him composing
the music. The band toured in 2015, without him; however he was featured on a few acoustic shows by the
band in the Netherlands.[29]
Between September 18 and 20, 2015, a live version of The Human Equation, directed by Lucassen's former
manager Yvette Boertje and featuring most of the original album's singers and musicians, took place for four
shows. Although he was not involved in the creative process, Lucassen appeared at the end of each show,
and acted as producer and mixer for the DVD/live album, entitled The Theater Equation and released on June
17, 2016.[30][31]
On October 6, 2016, Lucassen's next project was announced to be a new Ayreon album.[32] After revealing the
cast one by one during the following months, he revealed its cover art and title, The Source, on January 19,
2017. The album was released on April 28, 2017 and was a commercial success, topping the albums charts
in the Netherlands at its release.[33]
In November 2016, Lucassen announced the first ever official Ayreon concerts for September 2017,
entitled Ayreon Universe. The show featured 16 singers and 11 instrumentalists, all of which had previously
worked together with Lucassen on his studio albums.[34] Unlike The Theater Equation, it consisted of unrelated
songs from Ayreon performed after each other as in a traditional concert, with a few songs from Star
One featured as well.[35] One of the performances was released as a live album/DVD on March 30, 2018,
titled Ayreon Universe – The Best of Ayreon Live.[36]
On December 7, 2017, Lucassen stated that a new Ayreon concert would take place on June 22, 2018
at Graspop Metal Meeting, where they would headline the Marquee stage.[37][38] It will feature the same
instrumentalists as the Ayreon Universe shows and most of its vocalists, along with Simone Simons and Tom
S. Englund, who had never performed live with Ayreon before, and Mark Jansen and Barry Hay, who had
never collaborated with Lucassen before; Lucassen himself will also perform a few songs.[39]

Personal life[edit]
Lucassen stated that to him, "Music is everything. Both listening and creating. Even if I wouldn’t be successful
I would be creating music. Music chose me, I didn’t choose music. I have no choice in the matter
According to Lucassen, his self-made motto is "the meaning of life is to give life meaning", a sentence which
he included in the Ayreon song "The Sixth Extinction" from 01011001, and considers himself "a very rational
man. I believe in science".[40]
Family and relationships[edit]
Lucassen has an older brother, Gjalt, who speaks through a megaphone on the song "I'm The Slime" from his
solo album Lost in the New Real. Every Lucassen album contains a "Gjalt joke" in its booklet, in which he
refers to his brother.[8] This is, at times, done in both a joking and/or mocking fashion, as for years he and Gjalt
have had a rocky relationship and haven't always gotten along. He was married to Jolanda Verduijn, who
appeared as bassist on The Final Experiment, until they divorced in 2006/2007.[41]
Lucassen is currently in a relationship with American guitarist and lyricist Lori Linstruth, who left Sweden to
move in with him. She is his former bandmate from both Stream of Passion and Guilt Machine, and was
featured in several Ayreon albums.[42] Despite retiring as an active performer in 2010, she still acts as
his manager, a role she has held since 2007, and is responsible for various other tasks on his albums; she
notably co-wrote the story and lyrics of the Ayreon album The Theory of Everything.[43][44] According to
Lucassen, Linstruth supervises the making of all his works, notably his lyrics as English is her native
language, and she is also an English teacher.[45]
Health issues[edit]
During the recordings of The Human Equation from 2003 to 2004, Lucassen suffered from "increasing lower
back problems". The Doctors gave him an MRI examination revealing he was suffering of hernia; he had his
examination filmed in order to use it for a video shoot, "as the 'Me' character [from The Human Equation]
would also have needed a scan after his car accident".[46]
Lucassen has suffered from permanent anosmia since 2007. The same year, he sank into a depression which
required medical help, due to the disease, his constant work over the last years, and his recent divorce with
Verduijn resulting in him living on his own.[41]
On 3 September 2012, he revealed on his Facebook page that he has been suffering from an
incurable tinnitus for the past two months.[47]
Main article: Arjen Anthony Lucassen discography
Solo The Gentle Storm

 Pools of Sorrow, Waves of Joy (1994)  The Diary (2015)

 Lost in the New Real (2012) Guilt Machine
 On This Perfect Day (2009)
 Fate of a Dreamer (2001) Star One
 Space Metal (2002)
 The Final Experiment (1995)  Victims of the Modern Age (2010)
 Actual Fantasy (1996) Stream of Passion
 Into the Electric Castle (1998)
 Universal Migrator Part 1: The Dream Sequencer (2000)  Embrace the Storm (2005)
 Universal Migrator Part 2: Flight of the Migrator (2000) Vengeance1
 The Human Equation (2004)
 01011001 (2008)  Vengeance (1984)
 The Theory of Everything (2013)  We Have Ways to Make You Rock (1986)
 The Source (2017)  Take It or Leave It (1987)
Bodine  Arabia (1989)
 The Last of the Fallen Heroes (1994)2
 Bold as Brass (1982) Uncredited
 Three Times Running (1983)
 Strange Hobby (1996)
Lucassen also contributed to the 1997 album Back from Flight 19, but was not credited as band member.
Despite being considered by Lucassen as a compilation of unfinished demos, the album was released as a new studio album with Lucassen
credited as band member.[7]