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Studies.
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Cyrus Masroori
abstract
Persian, one of the most potent languages when it comes to imagery and fiction, offers
a utopian tradition in which Alexander of Macedonia is presented as the hero of
the story. Identifying Alexander with a Quranic figure and associating him with an
Islamic sage, this tradition circumvented the negative conception associated with
Alexander as a destroyer of the Persian Empire. This article reviews various accounts
of Alexander’s discovery of a utopia, describes his redemption from being a usurper,
and lodges these accounts within the broader discourse of their time.
In the western tradition utopia is often associated with Sir Thomas More’s
description of an ideal city. This association has resulted in a number of
consequences. For instance, until recently, the pre-More utopian texts have
been to a large extent neglected. Also, overshadowed by modern European
adventure fictions, non-western utopian writings have received relatively little
attention. This article briefly reviews various Persian utopian traditions,1 fol-
lowed by a more detailed examination of one of them, the Alexandrian genre.
It will show that some of the accounts presented by More were anticipated by
Persian utopian authors. The article also shows that the Alexandrian utopia,
like many of its European counterparts, presents an innovative and revolu-
tionary departure from the mainstream norms of political thought of its time.
One may divide utopian texts into prescriptive and descriptive. Prescriptive
utopian texts provide blueprints for the creation of ideal cities. Plato’s Republic
and Laws are among the earliest examples of prescriptive utopian texts in the
West. Descriptive utopian texts, meanwhile, are accounts of imaginary cities.2
This has been the dominant genre of western utopian writing since More,
although Plato’s account of Atlantis is a much earlier example. While there
are many examples of prescriptive utopian writings in medieval Persian politi-
cal discourse, instances of descriptive accounts are surprisingly rare.
This rarity is certainly not due to a lack of imagination. Medieval Persian
literature is rich with fictitious voyage accounts. However, most of these
accounts are about traveling to real places. More important, the emphasis
of these stories is on heroic personalities and not ideal cities.3 At times when
these accounts describe imaginary cities, they do not describe ideal institu-
tional arrangements worthy of imitation but, rather, elaborate on the heroic
deeds of the main actor(s). Such a neglect of institutional imagination was in
line with the widely accepted view that the most important prerequisite for a
preferred polity was the moral excellence of the ruler.
In Persian political theory of the time absolute monarchy was almost
universally accepted, not just as the best regime but as the only legitimate
one. The prescriptive texts described at length the responsibilities and moral
obligations of the prince. They also provided advice on how to arrange the
bureaucracy of the court and the formal duties of the courtiers. When there
was a need to provide an example of ideal monarchy, authors often referred to
pre-Islamic Persian kings such as Khosrow Anushiravan (r. 531–579) or Islamic
rulers such as the Omayyad caliph Omar ibn abd al-Aziz (r. 717–720). To con-
clude, whether it was the excellence of the king or that of the voyager, the
focus of Persian political theory remained the individual’s moral character.
Given this background, one can identify four medieval Persian traditions
in utopian discourse: the philosophical tradition connected to al-Farabi, the
ethical tradition of “Mirrors for Princes,” the theosophical tradition of Persian
Sufis, and the Alexandrian tradition. I proceed with a brief examination of the
53
first three traditions before giving a more detailed account of the Alexandrian
tradition.
Greek philosophy of the Socratic tradition reached the Middle East prior to
the rise of Islam. It is possible that Plato’s writings had reached Iran before
the Muslim invasion as well.4 In either case, by the tenth century principles
of Plato’s prescriptive utopia were adopted by al-Farabi (ca. 870–950), whose
Arabic book Ara’ Ahl al-Madina al-Fadila (known in English as On the Perfect
State or Virtuous City)5 attempted to reconcile Plato’s principles of an ideal city
with the doctrines of Islam. In this attempt, al-Farabi presented the concept
of the prophet-king as an alternative to Plato’s philosopher-king. Al-Farabi’s
work was very familiar to scholars who knew both Persian and Arabic. As
we shall see shortly, the Alexandrian tradition adopts al-Farabi’s innovation,
presenting the Quranic figure Zulqarnain, widely believed to be the same as
Alexander of Macedon, as the model prophet-king.
Nasir al-Din Tusi, the authors of these texts knew little if anything about
Plato’s utopian texts.
In studying the Persian utopian traditions, one must also pay special atten-
tion to a short essay, Fi Haqiqat al-Ishq (About truth of love) by Shihab al-Din
Suhravardi, widely known as Sheikh al-Ishraq (1153–1191). It is important to
keep in mind that Fi Haqiqat al-Ishq is not a political treatise but, rather, a
theosophical text.6 It is the first Persian text where the concept of nakoja-abad,
literally meaning “no place,” is used in reference to a location. Suhravardi
was familiar with Greek philosophy, but there is no evidence that he knew the
Greek language or that the Persian political and philosophical discourses of
the time were exposed to the definitions of the Greek ou and topos.
Fi Haqiqat al-Ishq, a thirty-page essay written in a highly symbolic lan-
guage, begins by stating: “Be aware that God’s first creation was a radiant
jewel, which he called wisdom. . . . He gave this jewel three qualities: the
knowledge of God, the knowledge of itself, and the knowledge of that whose
being is in not-being.”7 According to Suhravardi, the third quality of wisdom
is sorrow (huzn). When Sorrow is asked about its place of birth, it replies,
“I am from the district of No Place [Nakoja-abad], city of the Pure [shahr-e
Pakan].” The concurrence of these four concepts, “that whose being is in not-
being,” “sorrow,” “the district of No Place,” and “city of the Pure,” must not
be ignored. Clearly, Suhravardi anticipates More’s use of utopia in conjunc-
tion with the ideal. But he also recognizes an existential tension in the utopian
imagination that was not noticed by More: Utopia is not primarily a hopeful
celebration of the ideal but, rather, a sorrowful recalling that the very being
of the ideal is in its absence.
The Alexandrian tradition presents the Persian discourse closest to the west-
ern descriptive utopia. I refer to this tradition as Alexandrian because here
Alexander of Macedon is the hero and the “discoverer” of the ideal city.8
An important characteristic of these utopian accounts is their displacement
of the centrality of a morally righteous ruler by that of morally virtuous
55
citizens. The message here is that to achieve the ideal city, it would not be
sufficient to have a qualified ruler. Instead, there must be a general population
that has reached the necessary level of moral excellence. In fact, such a popu-
lation would not even need a ruler at all. In the following I examine various
texts in the Alexandrian tradition in more detail.
Why Alexander?
The reader may initially be surprised by the choice of the hero in the above
tradition. Alexander’s invasion of Iran involved destruction and bloodshed.
In addition, it certainly had an impact on the collective psyche of those who,
in one way or another, identified with the Persian Empire and celebrated its
glories. However, Alexander’s unprecedented military success was intrigu-
ing, and some associated those accomplishments with Alexander’s moral
excellence. There is little doubt that the historical Alexander did not possess
the moral qualities assigned to him by these medieval Muslim authors, who
reconstructed his image in accordance with the qualities of a prophet-king.
There were a number of reasons for receiving Alexander as a hero in
medieval Iran. First, as mentioned earlier, many authors identified Alexander
as the Quranic figure Zulqarnain.9 In the Quran, Zulqarnain is portrayed as
a just king who stood against oppression and attained the status of a quasi-
prophet. He traveled and conquered vast lands of “the East and the West”
and protected people from oppressors.10 Zulqarnain was a believer in Allah.
Although Alexander lived almost a thousand years before Islam, we must
remember that Muslims consider all adherents to the Abrahamic religions as
believers in Allah.11
Epic Persian poet Abulqasim Ferdowsi Tusi portrayed Alexander as a
Christian.12 In his Iskandarnameh (Book of Alexander; probably written some-
time between the eleventh and thirteenth centuries), Abd al-Kafi al-Barakat
points to this historical inaccuracy,13 but he also frequently reminds the reader
that Alexander was guided and protected by God. Ilias Muhammad Nizami
Ganjavi (1141–1209) explicitly relates Alexander’s success to his adherence to
and advocacy of the “sacred religion.”14 He calls Alexander a prophet who,
defending the “true religion,” persecuted Zoroastrians and destroyed their
temples,15 which the historical Alexander did not do. Amir Khosrow Dehlavi,
a Persian-language poet in India, makes similar claims about Alexander
some eighty years later.16 Nizami and al-Barakat even claim that Alexander
56
success had attracted the interest of the monarchs of the time. By converting
Alexander to a man of God and justice, Nizami and others associate the
Macedonian prince’s military success with piety and equity. Thus if a king
desires Alexander’s achievements, he should not simply seek military strength
but, rather, must adopt his standards of ethical conduct. In these presenta-
tions of Alexander as the ideal king, it is not surprising that at the end of his
virtuous life he discovers the ideal city.23
Fourth, Ferdowsi claimed that Alexander’s father was a Persian king.
The claim was repeated and even expounded by some later authors such as
al-Barakat. This “Persianization” of the Macedonian prince helped Iranians to
accept Alexander as a legitimate figure. Persians were not alone in claiming
Alexander as one of their own. In Romance of Alexander the Great, an account
probably first written as early as the third century b.c. and widely read during
the Middle Ages, the author claimed that Alexander’s father was an Egyptian
king.24 Nizami, however, rejected the Persian origin of Alexander and, instead
of Persianizing, Muslimized him.
forgiveness.” They also explain that they do not become sad because they
expect misfortune.31 Once again, what eventually uphold righteousness are
death and the fear of God’s wrath.
In Muhammad ibn Mahmud Hamedani’s Aja‘yeb al Makhluqat va Ghra‘yeb
al-Mowjudat (Strange creatures and rare beings; written sometime between
1175 and 1194), Zulqarnain and Alexander are used interchangeably. Alexander
finds a city in North Africa (Maghreb) where all houses are “equal,” with
graves dug by their entrances.32 In another text, al-Barakat’s Iskandarnameh,
there is no mention of Zulqarnain, and Alexander is the discoverer of the uto-
pia. In this account more light is shed on the communism of the ideal city: All
property has been equally divided among all citizens, and if a citizen loses his
goods, his neighbors give him part of theirs. Here, the connection between
private property and government is pointed out more explicitly: the city needs
no king or judges because no one has more wealth than others. The citizens
of this city are also God-fearing and practice righteousness. However, unlike
in previous accounts, these citizens have Khezr, a prophet who has taught
them the true religion.33 According to Muslims, Khezr is a prophet associ-
ated with both Moses and Zulqarnain. In some medieval Persian accounts of
Alexander, he met Khezr, and together they sought the Fountain of Life, but
only Khezr was able to drink from the fountain, thus becoming immortal.
By the thirteenth century, Alexandrian utopia entered Persian poetry.
Sometime around 1200, Ilyas Ibn-e Yusuf Nizami Ganjavi wrote a poem
describing Alexander’s life. This biography is in two parts. The first part,
Sharafnameh (Book of honor), is dedicated to Alexander’s conquests, while
the second part, Iqbalnameh (Book of fortune), describes his travels as a phi-
losopher and a prophet. It is at the end of these travels that Alexander discov-
ers the “City of the Virtuous.”34
Astonished by the excellence of the city’s residents, Alexander asks:
He then concludes that if he had seen these people earlier, he would not have
needed to travel around the world in search of virtue. Shortly after visiting
the ideal city and on his way back to Greece, Alexander dies unexpectedly. It
is rather ironic that the ideal prince only at the end of his life arrives at the
ideal city and then is moved to acknowledge the superiority of its excellence
over those ruled by him.
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Conclusion
The Alexandrian tradition is the main Persian genre of the descriptive uto-
pia. It suggests that economic inequalities are at the heart of social problems.
Among pious individuals who enjoy equality in wealth, there is no need for
either political or religious institutions. Righteous life could become a tradi-
tion, although to check human impulses, it is useful to remind people of death.
It is important to remember that in all of the above examples the ideal
city existed prior to the Prophet Muhammad. In fact, there are fundamen-
tal differences between Muhammad’s Medina and these utopian societies.
One important difference is that the former was a class society while the lat-
ter were communistic. Islam has always explicitly sanctioned private prop-
erty and differences in wealth, and not even Muhammad and the closest of
his associates practiced communism. Further, in contrast to the ideal cities
described above, Muhammad’s Medina had a government. Finally, unlike
the utopian societies presented here, unlawful and immoral behavior took
place in Medina and all other Muslim cities during Muhammad and after him.
Therefore, one may conclude that the Alexandrian utopia was superior to the
cities managed under Islamic rule.
Further, the absence of reference to religious leaders and institutions
(with the exception of Iskandarnameh) could lead to the conclusion that
62
piety and excellence in personal and social life do not require the presence of
religious institutions or authorities. If the ideal life could be achieved without
religious institutions and authority, and the ideal society could have existed
prior to Muhammad, what would be the purpose of Islam? It is unlikely that
the texts here have a Straussian hidden agenda of refuting Islam.41 It is also
hard to imagine that all of these authors failed to see the logical conclusion
of their stories, which questions the superiority of Islamic society over all oth-
ers. So, what could be the purpose of these utopian accounts?
The message of these stories may be that piety is achievable outside
the framework of any particular religion. A society of pious citizens liber-
ates itself from greed and egoism and voluntarily practices communism.
Consequently, such a society does not need government. This society, where
there is no poverty or conflict, will be the greatest human accomplishment.
Further, the Alexandrian utopia departs from the prince-oriented moral excel-
lence that almost exclusively dominated Persian political thought of the time
and instead suggests that a good society needs morally educated citizens. The
presentation of such revolutionary propositions should not surprise us since
“utopians want to go further and do more than reformers.”42 While reformers
of the time sought the education of the ruler, these utopians recommended
the education of the masses. While reformers concerned themselves with
increasing the ruler’s power and expanding his dominion, the Alexandrian
utopians advocated pacifism and compassion.
Notes
I would like to thank John Christian Laursen for his valuable comments. I am also thank-
ful for the helpful comments and suggestions by the editors and the anonymous referees
of Utopian Studies.
1. By Persian in this article I refer to the language of the authors and not their ethnicity.
2. Examples of such imaginary cities include Plato’s Atlantis, Thomas More’s Utopia,
and Tommaso Campanella’s City of the Sun. Obviously these utopian texts also have a
prescriptive dimension. However, for a variety of reasons, among them the fear of accu-
sations of heresy, they do not explicitly present proposals for changing the status quo.
3. The most important of these accounts is that of Samak ‘Ayyar/Samak the Gallant,
written around the thirteenth century by Faramarz ibn ‘Abdollah al-Kateb al-Arrajani; see
his Samak ‘Ayyar (Tehran: Sokhan, 1959).
4. Abdulhussein Zarrinkub, Donbaleh Jostvaju dar Tasavof Iran [Sequence to the search
for Sufism in Iran] (Tehran: Amir Kabir, 1990), 281–82.
5. Abu Nasr al-Farabi, On the Perfect State (Chicago: Kazi, 1998).
63
6. For a brief account of Suhravardi’s life, see J. A. Boyle, ed., The Cambridge History of
Iran: The Saljuq and Mongol Period (Cambridge: Cambridge University Press, 1968), 301–2.
7. Shahab al-Din Suhravardi, Fi Haqiqat al-Ishq (Tehran: Muwla, 1995), 1.
8. Various accounts regarding Alexander’s legendary life, including his fictional travels,
can be traced back to a work of literature referred to as the Alexander Romance. This work
probably started taking shape not long after Alexander’s death and was popular through-
out the medieval era, influencing Persian and Arab authors who wrote about Alexander.
For more on the Alexander Romance tradition, see Richard Stoneman, Alexander the Great:
A Life in Legend (New Haven: Yale University Press, 2008); Dick Davis, Panthea’s Children:
Hellenistic Novels and Medieval Persian Romance (New York: Bibliotheca Persica Press, 2002);
Richard Stoneman, trans., The Greek Alexander Romance (New York: Penguin, 1991); and
Immanuel Ben Jacob Bonfelis, The Book of the Gests of Alexander of Macedon: A Medieval
Hebrew Version of the Alexander Romance (Cambridge: Medieval Academy of America, 1962).
9. Literally meaning “One with two horns” in Arabic.
10. For a review of various arguments regarding Zulqarnain’s identity, see Sayyid
Hasan Safavi, Iskandar va Adabiyat-e Iran va Shakhsiyat-e Mazhabi-e Iskandar [Alexander
and Persian literature and the religious character of Alexander] (Tehran: Amir Kabir,
1985), 279–310; Kamil Ahmadnizhad, Tahlil-e Asar Nezami Ganjavi [An analysis of Nizami
Ganjavi’s writings] (Tehran: Elmi, 1990), 153–56.
11. Obviously Alexander was not an adherent to any Abrahamic religion. For a related
account, see Branon Wheeler, “Moses or Alexander?” Journal of Near Eastern Studies 57
(1998): 191–215.
12. Ahmadnizhad, Tahlil-e, 82; Safavi, Iskandar, 82–83. For a broader study of this
topic, see Dick Davis, Epic and Sedition: The Case of Ferdowsi’s “Shahnameh” (Fayetteville:
University of Arkansas Press, 1992).
13. Abd al-Kafi al-Barakat, Iskandarnameh [Book of Alexander] (Tehran: Cheshmeh,
2006), 174.
14. Illias Muhammad Nizami Ganjavi, Kulliyat-e Nizami Ganjavi [The works of Nizami
Ganjavi], vol. 2 (Tehran: Nigah, 2004), 940.
15. Ibid., 939.
16. Amir Khosrow Dehlavi, A‘ineh-e Iskandari [Mirror of Alexander] (Moscow: Danesh,
1977), 44–45.
17. Al-Barakat, Iskandarnameh, 122.
18. Ahmadnizhad, Tahlil-e, 83–84. Rather surprisingly, Ferdowsi, whose Shahnameh is
often assessed as a “patriotic” account of the history of Iran, portrays Alexander as a just
king. For example, see Abulqasim Ferdowsi, Shahnameh (Tehran: Behzad, 1997), 487.
19. Thus, Nizami and al-Barakat claim that Aristotle was Alexander’s minister.
20. Nizami, Kulliyat, 1329. In identifying Alexander as a philosopher Nizami is not alone.
In Sandbadnameh, for instance, Alexander is presented as a philosopher of the same
caliber as Plato and Aristotle (Muhammad ibn-e Ali Zuheiri Samarqandi, Sandbadnameh
[Book of Sandbad] [Tehran: Miras Maktub, 2002], 22).
21. It is important to recall that Aristotle was often celebrated among a number of
medieval Muslim philosophers as the greatest philosopher and carried the title of “the
First Teacher.”
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65