CONTENTS ONE

001 KENNETH TSANG 002 JEFF HAHN 003 GRAPHICAIRLINES 004 LEON SAPERSTEIN 005 ZHAO FANG 006 JAY FORSTER
007 DUSK 008 JOHN LUI 009 EAMONN O’BOYLE 010 NICOLA RUSSELL 011 START FROM ZERO 012 CHEANG WAI LING
013 ISABELLBELLBELL 014 KS 015 WILLIAM FURNISS 016 TIFFANY CHEETAH 017 ANDREW LOITERTON 018 JUSTO 019 EVEREVERSE
020 JON TADASHI MARTIN 021 YU CHEN 022 CELESTIAL 023 ADRIAN TSANG 024 L1ESONE 025 FRANKLIN 026 JOYSUKE WON
027 LAM YUK LIN 028 NICK STREET 029 TIMON WEHRLI 030 CATHLOVE 031 AKW vs STEVE ELLUL 032 CLARICE YUEN 033 REGINA
034 ANTHONY WALLACE 035 2020 036 RACKS 037 BIRCH 038 ST/ART COLLECTIVE 039 HIGH & DRY 040 GROUP SHOW

001 003 004 005 010 011 014 015

018 020 026 028 029 032 037 038

A NOTE FROM THE EDITORS

Most editor’s letters seem to begin with a hefty dose of self-congratulation. But
as we sit here about to go to print on this first issue of Galleri Magazine all
there really is to say is a very sincere and deeply felt Thank You…

Thank you to all the people around us who have helped in so many ways
in making this project happen. Thank you to all the support team at Red
Dog, China Stylus and Red Cactus who put up with us as we gave way
too much time to the magazine and not enough time to them. Thank you for
the unfaltering enthusiasm that so many have shown for the idea. And thank
you to all those who have stepped up to provide all manner of help, support
and assistance.

But most of all, thank you to all the artists and contributors who have given us
their work. The response has been incredible. We have enough great material
to fill the first three issues already. The diversity, quality and energy of what
you see here proves what we already know – that Hong Kong has a thriving,
ever-growing creative community that is better than some, and equal to many
others in the world.
編輯隨筆

And thank you for looking. We hope you appreciate this magazine and the 大多編輯總會在編輯的話大幅吹噓一番，Galleri第一期即將誕生，我們卻
fact that it is very proudly Made in Hong Kong. 只想藉著這機會，講一聲從心底發出的 ’
多謝 ’。

Jay FC & Timon Wehrli 感謝身邊各朋友的幫助，令這個計劃得以實行。感謝 Red Dog, ChinaStylus

July 2007, Hong Kong
及 Red Cactus 各成員的支持和時間。感謝各熱心人士給予的寶貴意見及
ideas。亦感謝曾經參予，協助及支持我們的所有人。

Note All artists’ profiles in the magazine have been reprinted exactly as they were provided and in 當然，要衷心感激的，還有各投稿的藝術創作者。反應實在空前熱烈，
the language they were provided. Each artist represented themselves the way they wanted to be seen,
therefore we have chosen not to edit or standardise the text. 稿件的數目足夠三期 Galleri Magazine 所用 ! 在這裡，就你所看到的藝術
備註 所有artists資料會原原本本跟投稿的版本刊登。本雜誌沒有作任何修改。 作品，其多樣化，質數，及熱誠，已証明 – 香港有個繁榮，不斷成長的
創作社群，他們的創作，好比，甚至，已超越其他地方。

最後，多謝各讀者支持，希望你會喜歡，亦都希望大家會為這本香港製
造的雜誌而感到驕傲 !

Jay FC & Timon Wehrli

July 2007, Hong Kong
EXHIBITION 001 KENNETH TSANG

Profile Kenneth Tsang graduated at Baylor University, Waco, Texas

in August, 2006; major in Studio Art. His concentration was oil
painting and graphic design. He also spent time in Tokyo, Japan
and Florence, Italy studying art history, drawing and painting. His
first Painting Exhibition was held in Cultural Art Center, Temple,
Texas in March 2006. Later on, he organized and exhibited a joint
photography and design exhibition in Baylor University in May 2006.
He won the best of painting scholarship in the 2006 Emerging Texas
Artist Award in May 2006. In 2007, Kenneth started working on two
photography projects; “my grandparents” and “the rainbow village”
and a whole new series of painting. Kenneth is currently working as
a graphic designer at AJL Photography Ltd.

Contact ktpainter@gmail.com

EXHIBITION 001
EXHIBITION 001
EXHIBITION 002 JEFF HAHN

Profile Student/photographer, swiss/chinese, 17. Loves Winter

and Sunlight. Enjoys living life spontaneous and free. Interested in
human conscious/subconscious and all things spiritual.

Website www.jeff-hahn.com

EXHIBITION 002
EXHIBITION 003 GRAPHICAIRLINES

Profile Graphicairlines is a creative team of 2 people. Our aim is to

ENJOY THE VOYAGE!

GAL member TAT: (M) Illustrator and designer. He established

Graphicairlines in search of his own creative space.
GAL member VI: (F) Without a thought, she accidentally stepped into
the world of creating, but surprisingly feels so good with it. She wants
to keep on doing what she enjoys.

Contact mail@graphicairlines.com

Websites
www.graphicairlines.com
www.flickr.com/photos/graphiicairlines/

GraphicAirlines are core members of the ST/ART urban art collective,

an initiative of ChinaStylus Studio. www.start.hk
EXHIBITION 003
EXHIBITION 003
EXHIBITION 003
EXHIBITION 004 LEON SAPERSTEIN

Profile Many ancient cultures believe the camera captures the soul
of it’s subjects. Within my work I feel this to be true. It seems a beautiful
expression of the nude form is not always just a beautiful piece of art,
but can also be an experience of enlightenment and understanding
of who we are as a physical and emotional beings. In my work I’m
interested in showing this energetic flow of “Chi” that we radiate.

Website www.saperstein.com
EXHIBITION 004
EXHIBITION 005 ZHAO FANG

Profile
1972 Born in Chang Chun, Jilin Province, China.
1997 Graduated from the Jilin Academy of Fine Arts, China.

Solo Exhibition
2006 Fist Power, Schoeni Art Gallery, Hong Kong.

Exhibitions
2006 Art Beijing, represented by Schoeni Art Gallery, National
Agricultural Exhibition Center, Beijing.

MiArt, represented by Schoeni Art Gallery,11th International

Modern and Contemporary of Fine Art Milan, Italy.

Publication
2006 Fist Power, Schoeni Art Gallery, Hong Kong.

Contact gallery@schoeni.com.hk

EXHIBITION 001
EXHIBITION 005
EXHIBITION 006 JAY FORSTER

Profile Part designer – part machine – part comb-over, Jay is known

as one segment of the Robot collective and mastermind behind Salon
de Pigeon (not hair salon, nor pigeon boutique). Once described
as a “granddaddy of cool” by a young upstart, Jay is keen to retain
his street credibility by creating imagery that resonates with young
trendy folk, whilst in reality he secretly enjoys wearing slippers and
consuming digestive biscuits.

Contact jay@salondepigeon.com

Websites
www.salondepigeon.com
www.robotunderground.net
www.tensileform.com
www.worldcitycommittee.com
www.clockenflap.com

EXHIBITION 001
EXHIBITION 007 DUSK

Name Dusk

Birthday 22/02/82

Gender Female

General History Graduated a BFA in year 2005 at Whitecliffe

College of Arts and Design in New Zealand majoring Fashion
Design. After graduated, moved back to Hong Kong and worked
as an assistant Fashion Designer for nearly 2 years. I have no formal
training in photography at school or in any other institutions. I took
pictures as my hobby, it all started in year 2005 when I received
a Lomo Coloursplash camera as a Christmas present. By self-
experiencing and trial, now taking photographs became one of my
daily activities.

Contact dusk.dawn222@gmail.com

Title: Dishes
Camera used: LC-A
Film used: Fuji Velvia 100 iso 135 slide film (E to C processed)
Title: Good morning, Hangzhou
Title: Happy Together
Camera used: Pentax Espio Mini
Camera used: Fuji Tiara II
Film used: Era 100 iso 125 black and white film
Film used: Fuji Superia 200 iso 135 colour film
EXHIBITION 007
Title: Smoke Title: The Door Title: The Way
Camera used: Diana Camera used: Diana Camera used: Pentax Espio Mini
Film used: Kodak T-MAX 400 iso 120 black and white film Film used: Kodak T-MAX 400 iso 120 black and white film Film used: Era 100 iso 125 black and white film

EXHIBITION 007
EXHIBITION 008 JOHN LUI

Profile John-John was what they used to call him. But now he is all
grown up and faces the responsibilities that society has for him to
take care of. Optimistic to take on this task, he navigates the world,
ensuring a bright future.

With so many styles out there, he explores to find a hole to dig himself
into. Showered by dust, he is always one step behind the trendsetters.
Eager, all he knows is to stick with what has worked for him whilst
they still called him by his nickname. And that is to be challenged
and excited for the new and unknown. To having faith and taking
that one extra step outside one’s comfort zone. And tackling all the
opportunities the world throws at him with humility. Wisest is the man
who is always willing to learn. And that is something he can only
hope he will stick with. To the beginning...

Contact luijohn@gmail.com

John Lui is currently working at ChinaStylus Studio where he spends

his hours working on Galleri Magazine. www.chinastylus.com
EXHIBITION 001
EXHIBITION 009 EAMONN O’BOYLE

Name Eamonn O’Boyle

Profile Eamonn O’Boyle graduated from the National College of

Art and Design Dublin, Ireland in 2001 and received a BA Hons
degree in Visual Communications (majoring in illustration). He has
been living and working in Hong Kong since that time as a freelance
illustrator and painter. He has illustrated for numerous corporate and
fashion related clients such as Time Magazine, Esprit, Nike, Seibu
and Lane Crawford. He has also illustrated six children’s books to
date and is currently writing & illustrating his first book ‘Mr Green’s
Nest’. Prior to moving to HK Eamonn exhibited his work at several
galleries in Dublin - Whyte’s, Oisin and the Blue Leaf gallery.

Websites
www.mreamonn.com
(Currently under construction and will most probably remain under
construction for quite some time – but please feel free to check it at
your leisure)

www.whytes.ie/Biographies/BiogsMP.htm#oboyle

Contact eamonn@mreamonn.com

EXHIBITION 001
EXHIBITION 010 NICOLA RUSSELL

Profile: I graduated with a studio art degree from New York University,
where I was influenced by performance art and photographers such as
Cindy Sherman and Nikki S. Lee. My work generally gravitated towards
themes of identity, race and sexuality. While in New York I worked with
local photographers Lyle Ashton Harris and Michael Lavine.

Since moving back to Hong Kong I have been working as a graphic

designer and now am the art director of the publishing company PPP
Company Ltd.

I still take pictures at my own leisure and would like to continue making
conceptual photographic art projects. In the near future I am thinking of
either going back to school or taking some time off to travel the world.

Contact nicola@ninamoru.com

Website www.flickr.com/photos/nimamoru

Title: Confrontation, 2002 Title: Untitled (She Got Me), 2002 Title: Submission, 2002
Medium: digital print Medium: digital print Medium: digital print

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EXHIBITION 011 START FROM ZERO

Profile START stands for Street ART, Stencil ART and Sticker ART.
There are two meanings of “Start From Zero”; 1) He started performing
street art from nothing, i.e. “zero”. He hopes that when someone
sees his stickers, they will be like him and start doing street art from
“zero”. 2) It can be a slogan for encouraging people when they are
unhappy, down or miserable. He also wants people to remind their
friends of this slogan when the same things happen.

Apart from using stickers, “Start From Zero” also uses wheat pastes,
spraying on stencils with different characters and illustrations to
convey his message on the streets.“Start From Zero” does solo street
art as well as collaboration street art. He is also an active member of
a Hong Kong street art crew – ST/ART.

Besides performing street art, ”Start From Zero” will release various
products; T shirts, badges caps, key chains and other accessories.
These are the additional media for Start From Zero to more widely
spread his message to everyone.

Website www.startfromzero.org

Start From Zero is a founding member of the ST/ART urban art

collective, an initiative of ChinaStylus Studio. www.start.hk
EXHIBITION 011
EXHIBITION 001
EXHIBITION 012 CHEANG WAI LING

Name: Cheang Wai Ling Rita

Occupation: Illustrator

Contact: ritenach@yahoo.com.hk

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EXHIBITION 013 ISABELLBELLBELL

Profile “Movement” and “The Moment”.

I remember a friend, who studied photography, asked me once
the difference between these two terms. To me, “Movement”, is
something that will never stop, an action. “The Moment” is a frame,
an everlasting action inside the moment. I don’t know if this is correct,
but that’s my answer.

I’m Isabell Chan. I was born and have lived all my life in Hong Kong,
and I fell in love with photography since I took a couple of shots of
my friends, where I could see “The Moment”. It was right then that
I decided to give up my routine office job and throw myself into
photography, trying to find a way to do better, and wanting to learn
more about it, because I love it.

I worked with Ike, a great black & white photographer, for half a
year, then from early 2006 I joined the Red Dog team, where I
have been based until now. I have been focused on implementing
what I’ve learnt into my own photography; nothing fancy, just simple
and natural things. But mostly, I love catching the moment inside the
movement. “The Moment”, which lasts forever and ever.

Contact isabellbellbell@gmail.com

Website www.flickr.com/photos/isabellbellchan/

Isabell Chan is currently working full time at Red Dog Studio.

www.reddogstudio.com.hk
EXHIBITION 013
EXHIBITION 013
EXHIBITION 014 ks

Name ks

Profile ks (wor.ks.1.ow) has been a pioneering street artist in Hong

Kong since 2000. Starting off using traditional graffiti techniques,
he has also been using posters, wheatpaste and stickers as his street
medium. The “my little spokesman” project can be seen across Hong
Kong, spreading his message to all people who pay attention on
the street. ks is one of the original members of the ST/ART street art
collective. He is also involved in illustration work and design.

Contact kahsone@gmail.com

Website kahsone.blogspot.com

Size & Medium 255 x 355mm

Watercolor and ink on paper with computer graphics.

ks is a core member of the ST/ART urban art collective, an initiative

of ChinaStylus. www.start.hk
EXHIBITION 014
EXHIBITION 015 WILLIAM FURNISS

Name Willam Furniss

Hong Kong from the corner of your eye.

Age 37

Eyes Blue

Camera Mamiya Press

Websites
www.williamfurniss.com
www.10chancerylanegallery.com
EXHIBITION 015
EXHIBITION 016 TIFFANYCHEETAH

Nationality Chinese

Name Tiffanycheetah

Sex Female

Country Hong Kong

Biography Tiffanycheetah is a Hong Kong artist. In 2006, she

started working in a graphic house creating mostly illustrations and
graphics. She has always been interested in illustration and creativity
in general and puts as much time to enjoy herself every moment
she can.

She looks for inspiration all the time that she encounters, lives for
and witnesses, especially the most obvious ones. My illustrations are
deeply inspired by occurrences impacting our daily lives – like the
keep fit trend. She hates fat, she hates slim… and all the things going
wrong in the world. She loves to create nude girls and fat girls to go
against the negative thinking of the human body. In recent years she
has fallen in love with hair.

Contact tiffanycheetah@hotmail.com

Website www.flickr.com/photos/tiffanycheetah/

Tiffany is currently working full time at ChinaStylus Studio.

www.chinastylus.com
EXHIBITION 017 JUSTO

Name Justo Cascante III

Profile Justo Cascante has been living in Hong Kong for 14 years
now; He’s originally from Manila Philippines. After graduating Fine Arts
major in Painting, he started to work as a Special Effects Make-up Artist
and a Senior Sculptor. After few years he moved to Hong Kong to work
for Tsui Harks film outfit and production house as a multimedia artist
using different mediums to produce visual effects for movies including
3d animation.

Because of its fast pace life and fast intake of information painting and
drawing becomes a cooling system to balance himself to produce more
quality works. After experiencing a series of mild depression he started
to paint beautiful and happy images and need not to see the shadows
of his pain. For in the process of his narrative, and in the process of a
living expression, my works offered me a kind of balance that revealed
both the Beauty of Nature and the poignancy of this life.

Like a Code that needs to be broken… his art can be viewed in many
ways. Interpretation becomes the responsibility of my viewers. He is
a simple man with a complex story. The burden of his complexity is
but him alone. He therefore leaves with you, his viewers the simple
narrative that invokes the poetic license of his artistry.

Justo had four one-man exhibition in Hong Kong and Philippines and
fifteen group exhibitions. His commercial works on computers open up
a new view on how he sees his future paintings based from patterned
and pre-digested images from pop culture and famous local everyday
icons. Hopefully they will be transparent and blended in terms of form
and content.

Contact thewipe@thewipe.com
Above Right
Title: Balloon Heart Title: Dig Life
Websites Size: 12x16 inches Size: 12x16 inches
http://www.thewipe.com Medium: Oil on canvas Medium: Oil anvas
http://www.plastictoyplanet.com
Title: Life Title: My House Title: Funny and Duck Title: Funny gets life
Size: 12x16 inches Size: 12x16 inches Size: 12x16 inches Size: 12x16 inches
Medium: Oil on canvas Medium: Oil on canvas Medium: Oil on canvas Medium: Oil on canvas

EXHIBITION 017
EXHIBITION 018 ANDREW LOITERTON

Name Andrew Loiterton

Profile Andrew came to Hong Kong in 1993 after completing his

studies in Sydney, Australia. Following a number of years working in
various design firms, Andrew decided it was high time to down tools
and attribute due attention to his long-time passion, photography.

The subject matter of Andrew’s photography is reflective of his diverse

interests. His professional assignments have taken him from the heights
of fashion to the peaks of the Himalaya, from overheated studios in
Hong Kong to the frozen tundra of Alaska.

Now based full-time in Hong Kong, Andrew set up AJL Photography

in 2000, and provides both digital and traditional photographic
services on location and in-studio to local and international clients.

Contact
Ground Floor, No. 4 Sun Street, Wanchai, Hong Kong

Websites
www.ajlphoto.com
http://weddings.ajlphoto.com

EXHIBITION 018
EXHIBITION 019 EVEREVER§E

Name Everever§e

Nationality Italian

Age 27 years old

Profile Graphic and web design since 2001 try to navigate

through as many different culture as possible believing in the magic of
perception and interpretation.

“..The pillars of Nature’s temple are alive and sometimes yield

perplexing messages: forests of symbols between us and the shrine
remark our passage with accustomed eyes..”
Charles baudelaire – Les Fleurs Du Mal

Website www.evereverse.com

Project Description FACE THE COLOR 

digital graphic on digital photography 
pixel on monitor ratio 0.69083225 

Title: A word in four tones.

Follow the shades between signifier and signified.

EXHIBITION 001
EXHIBITION 020 JON TADASHI MARTIN

Name Jon Tadashi Martin

Profile Jon’s work is untitled and was inspired by a beautiful model,

Thallyta, who had the day off.

Thanks to Denise Siobhan Toms for hair & make-up.

Contact jon@reddogstudio.com.hk

Jon Tadashi Martin is currently working full time at Red Dog Studio
www.reddogstudio.com.hk
EXHIBITION 020
EXHIBITION 021 YU CHEN

Profile
1963 Born in Guizhou Province, China.
1981 Graduated from the Guizhou Art Institute, Guizhou Province, China.
1988 Graduated from Engraving Department of the Central Academy of Fine Arts, Beijing, China.

Selected Solo Exhibitions

1997 Cite Internationale des Arts, Paris, France
2003 Red Babies, Schoeni Art Gallery, Beijing, China
2005 Red Babies II, Schoeni Art Gallery, Hong Kong

Selected Group Exhibitions

2002 International Women Artists’ Exhibition, the National Museum of Fine Arts, Beijing
2002 China Art Exhibition, Cairo, Egypt
2003 Open Your Eyes – Chen Yu & Yu Chen, Lotus Lifestyle Gallery and Schoeni Art Gallery, Bangkok
2004 Through the Artists’ Eyes – A Tribute to Manfred Schoeni, Schoeni Art Gallery, Hong Kong
2005 2nd Annual Chinese International Gallery Exposition, Schoeni Art Gallery
2006 Beyond the Canvas, Shanghai Tang and Schoeni Art Gallery, Hong Kong
2006 Made in China, Opera Gallery, London
2007 Hong Kong Breast Cancer Foundation Gala Dinner Exhibition, Hong Kong

Publications
2003 Red Babies, published by Schoeni Art Gallery, Hong Kong
2005 Red Babies II, published by Schoeni Art Gallery, Hong Kong
2006 The Chen Family, Published by Schoeni Art Gallery, Hong Kong
Contact gallery@schoeni.com.hk

Title: Red Babies 2005 Series No. 17

Size: 120 cm x 150 cm
Medium: Mixed Media
 Top Right
Right Title: Red Babies 2004 Series No. 14
Title: Red Babies 2005 Series No. 11 Size: 110 cm x 100 cm
Size: 110 cm x 100 cm Medium: Mixed Media
Medium: Mixed Media
Bottom Right
Title: Red Babies 2006 Series No. 10
Left
Size: 150 cm x 120 cm
Title: Red Babies 2005 Series No. 15
Medium: Mixed Media
Size: 150 cm x 120 cm
Medium: Mixed Media
EXHIBITION 021
EXHIBITION 022 CELESTIAL

Profile Celestial are a Hong Kong musical collective and what you
see here is the artwork created by producer, Peter Millward, for the
CD sleeve of the fourth Celestial album, “Electric Road”. The photo-
montage (created from scratch by Pete) portrays a surreal Hong Kong
street - but don’t bother looking for it, it doesn’t really exist. “I love
Photo-Shop!” says Pete. Although “Electric Road” is the name of a
real street, the album isn’t really about that street, but rather the name
serves as a descriptor for an imagined soundscape, or subterranean
mind space, somewhere nearer the bottom of Hong Kong’s harbour, if
the underwater dub electronica which makes up the album is anything
to go by. And the sleeve is an apt reflection of this, like the false
memory of a perfect (imagined) past.

Website www.hongkongdubstation.com

EXHIBITION 022
EXHIBITION 023 ADRIAN TSANG
Name Tsang Chi Ming Adrian
Sex M
Age 40
Country Hong Kong
Profile Why do I love fashion? I think when I was 16 I have started
to love it and like to dress up with my own individual element. But my
educational background and drawing skill were not good so I had
not planned to learn fashon design. Till to I was 19, I worked for a
textile company as an intern, I knew a colleague whose brother was
studying fashion design in England and he always told her brother
things to me about fashion that made my fashion design thought to be
sprouted from that period.
After three years, when I was 22, I took my courage and made a
decision to study fashion design evening course in a private college,
after six months, I finished it and found a position as an assistant
fashion designer in a garment factory, driven by my inferiority complex,
I could not adapt myself in the company cause all the colleagues
surrounded me that their educational background were better than me
( I just studied fashion design in inferior private college which was not
recognized publicly) so after three months, I resigned from it, then I
tried to do different kinds of jobs but I had not forgotten fashion even
though I had stopped to step my feet on the fashion field. When
I was 28, I took my courage again to apply certificate of fashion
design couse in technical institute, through the intern examination, I
passed it and started to study certificate in fasion design course in
technical institute for three years.
When I finished it, I held out much hope for my future in fashion, I tried
to participated a few fashion contests. Two of them in which I was
qualified to get into final stage. One was Nagoya Fashion Contest
1998 in Nagoya, Japan. Another was Brother Cup International
young fashion design contest 2000 in Bejing, China where I expect
my idiosyncratic design style will by appreciated and excavated by
investor, but of course, the result was not like my expectation. I have
never regreted for my euthusiasm in fashion design even though I
get nothing in it now. But it really can enlighten my artistic potential
that other jobs could not give me. Nowadays, I just hope someday
I can save a sum of money to set up my boutique that I could design
my individual fashion which people will like even though that may
be naive.
Contact luridkid@yahoo.com.hk
Websites
http://mysite.wanadoo-members.co.uk/virtuosoofstyle
http://fashionartist.mysite.wanadoo-members.co.uk/
http://fashiontrendsetter.mysite.wanadoo-members.co.uk/
http://inventivecreator.mysite.wanadoo-members.co.uk/
http://vanguardist.mysite.wanadoo-members.co.uk/
http://discerningdesigner.mysite.wanadoo-members.co.uk/
Favourite fashion designer Jean-Paul Gaultier, Yohji Yamamoto,
Issey Miyake, Vivienne Westwood
Favourite fashion illustrator: Antonio Lopez, Isao Yajima
Bands: Radiohead, Suede, Nirvana, Led Zeppelin, Pink Floyd,
Deep Purple, Beyond
Heroes Bruce Lee, Jimmy Hendrix, Michelangelo Buonarrot
Fashion Background
Shatin Technical Institute: Certificate in Fashion Design
Nagoya Fashion Contest 1998: Honorable Mention Award
Brother Cup International: Participant Country
Young Designer Contest 2000: Award
EXHIBITION 023
EXHIBITION 024 L1ESONE

Name L1ES ONE

EVOLUTIONIST GRAFFITI – To be true to the spontaneity and the

verve of the graffiti movement without having any limits on techniques
and support.

Profile The French born graffiti artist L1ES ONE is one of the most
exciting artists from the burgeoning world graffiti/street art scene.
He brings his incisive style and vision to create a satirical portrait
of our contemporary society. Visually sophisticated and conceptually
provocative, his images challenge global trends hypocrisy, hyper-
consumerism and social control. He centers his work around questions
whose answers underline the mechanisms of advertising and
propaganda which invade our public spaces. The visual codes used
by L1ES ONE highlight our modern society products, myths and heroes.
His challenge is to live creatively in a technological world, accepting
this jaded world on which we impose our faltered thoughts, and to
find a harmony between nature and technology.

L1ES ONE started wall-painting in the streets at the age of 11 in the

late 1980s. Through the years, he has been continuously renewing
his work doing wall painting, interior design, object design, art show,
ads, logos, communication, live happenings and fashion for private
companies, such as Sony, MTV, Toyota, etc., while staying true to the
graffiti essence: an ephemeral and activist art which has to serve an
alternative cause far from the politically correct, far from the system.
After exhibiting all around the world from New York, Paris, Madrid,
to London, he is now based in Hong Kong and he is willing to bring
his energy and his art to the Asian scene.

Website www.liesone.com

EXHIBITION 001
EXHIBITION 024
EXHIBITION 025 FRANKLIN

Name Franklin

Profile Chemistry triggers when catalyst Alex mixes with Franklin

and Jaycow. Lab tests were made starting from the head down.

In this test Alex uses Jaycow’s black spiral tail hat and styles Sevara as
a doll. They stage the last shot in a public toilet, it’s called the moon
cake girl... A story of mid autumn festival, the queen who took the
king’s poison and flew to the moon.

Contact & Credits

Photographer: Franklin@visionvenue.com
Image stylist: Alex@lamalexworkshop.com
Hats: Jay@jaycow.com
Model: Sevara M

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EXHIBITION 025
EXHIBITION 026 JOYSUKE

Name Joysuke Wong

Profile 一個80年代土生土長的香港人,從少被日本動/漫畫薰
陶 ,長大後開始接觸歐美風格的漫畫和其他類型的藝術。工作是
動畫/遊戲/電影或廣告的storyboard, character design, concept art,
production art 為主。因為不是太勤力的關係,閒時的私人作業大多
是不完成的,自己的對此是以試驗或隨意形式進行來解釋,將關心
或感興趣的東西用有限的3分鐘熱度表現出來。

Contact joysuke@gmail.com

Website
http://joysuke.tripod.com
http://joysukew.blogspot.com/

EXHIBITION 026
EXHIBITION 026
EXHIBITION 027 LAM YUK LIN
Right
Title: Resurgent of Civilization
Medium: Stainless Steel
Size: 34cm x 16cm x 48cm

Below
Title: Civlized Fossils II
Medium: Concrete, Photos
Size: Variable
Year: 2002-2003
Name Lam Yuk Lin 林玉蓮

Profile Lam was born in Hong Kong in the 70’s. She received 生於七十年代。畢業於香港中文大學藝術
her Bachelor Degree from the Chinese University of Hong Kong 系，獲學士學位及澳洲皇家墨爾本理工大
and Master of Fine Arts Degree from the Royal Melbourne 學，獲碩士學位。
Institute of Technology University.

Lam, whose conceptual and site-specific installation works are 林氏曾獲邀請參加於法國、瑞士、澳洲、

often seen in many venues both in Hong Kong and overseas. 中國、日本、韓國及香港等地舉行的展覽
She was invited to participate in more than 100 exhibitions in 逾百次。
France, Switzerland, Australia, China, Japan, Korea and Hong
Kong etc. She specializes in creation with different medium 林氏擅於以不同媒介於特定場域進行創
in particular sites, including shopping mall, piers, ferry, Lunar 作，其觀念藝術作品及特定場域裝置作品
New Year Fair Market, Victoria Prison etc. Her recent work -
常見於本地及海外的不同場地。當中有展
“One minute prison” offer opportunities for participants to think
about their personal guilt while being sent to the “One minute 出於大型商場、碼頭及渡輪的裝置作品以
prison” for one minute. The participants are confronted by the 及於花墟年宵市場及域多利監獄進行的觀
depth and inherent insecure associated with the specific site as 念藝術作品等。林氏新近的作品-「一分鐘
they relate to the former real prison. This conceptual art project 監獄」，將參與者送進「一分鐘監獄」內
has attracted almost 70 participants. One of the participants is 監禁一分鐘，讓參與者獨處於這個前身為
the Secretary for Economic Development and Labour Bureau, 真正監倉的地方，靜思個人的罪狀，整件
Stephen Ip Shu-kwan whose guilty is “given by others”.
作品共吸引了近70名參與者。其中包括經
Her publication include ‘Test of Rebirth – works by Lam Yuk Lin’ 濟發展及勞工局局長葉澍堃先生,葉先生自
(1998) and ‘Lam Yuk Lin – Cultivating Civilization Research 定的罪狀是「由人他人給予」。
Report’ (2005), both documented the various styles of Lam’s
works. Lam was also the recipient of several arts awards 林氏曾獲頒多個不同的藝術獎項，包括
including: ‘New vision Award’ in 2001 from LCSD, ‘Most 最具潛質藝術家獎(95)、夏利豪現代藝術
Promising Artist Award’(painting category) in 1995, First Prize
比繪畫冠軍(96)、雕塑冠軍(97)、視藝新
in the Painting category in 1996 and First Prize in the Sculpture
妃元獎(2001)及入選香港當代藝術雙年展
category in 1997 from the Phillippe Charriol Foundation, Finalist
(1998,2005)等
of “Contemporary Hong Kong Art Biennial” (1998, 2005).
Contact artpauline@yahoo.com

Website www.geocities.com/artpauline
EXHIBITION 001
EXHIBITION 028 NICK STREET

Name Nick Street

Profile Made in UK, recently shipped to HK (BY AIR MAIL par avion)
and looking to break into the Hong Kong creative industry. Ingredients:
BA (Hons) Illustration graduate of Falmouth College of Arts, England,
2004. Has since worked for Advocate, a major UK Illustration
Agency, and privately as a freelance illustrator. Has exhibited at
London’s Business Design Centre, Gallery 291 and Studio 95. Work
is currently touring the UK and Norway as part of the Association
of Illustrators’ Images30 exhibition. No Artificial Colours, includes
preservatives: rock climbing, football and exploring. Recommended
as part of a creatively controlled lifestyle. No Expiry Date. Store in a
cool, dry (preferably air-conditioned place). For consumer enquiries
please email: contact@nickstreet.co.uk

Medium traditional drawing / digital colouring

Contact contact@nickstreet.co.uk

Website www.nickstreet.co.uk
EXHIBITION 029 TIMON WEHRLI

Name Timon Wehrli

Age 37

Title Snaps on Sun Street

Model Martina (Models Genesis)

Hair & Makeup Denise Siobhan Toms

Timon Wehrli is founding photographer of Red Dog Studio.

www.reddogstudio.com.hk
EXHIBITION 029
EXHIBITION 029
EXHIBITION 030 CATHLOVE

Name Catherine Grossrieder

Artist name CathLove

Tag ROSA

Profile Born in 1984, I am of Thai and Swiss origin, but have lived
in Hong Kong most of my life, until I set off to Australia for study.
Drawing, art and design is pretty much a huge part of my life and I
do these for myself and others’ enjoyment. Ever since I discovered the
HipHop culture at the age of 11 and began to paint graffiti at the
age of 16, elements of it have been included into my artwork and
design ever since. I continue to take advantage of my skills and use
it as a form of expression of ideas and passion. Do what you love,
even though it won’t pay the bills! Just kidding, but seriously, do what
you love….

Contact Cathlove84@yahoo.com

Website www.cathlove.com

EXHIBITION 001
EXHIBITION 030
EXHIBITION 031 AKW vs STEVE ELLUL
RUMBLE IN THE JUNGLE
Text: AKW Graphics: Steve Ellul
Steve Ellul is not looking very happy. It’s about 12.30am on a
recent Friday night at Club Magazine in Central, and a bunch
of local DJs are warming up for the set by Paul Harding of Perth
junglists Pendulum.
They’ve got a bit of a dark reputation, those Pendulum lads, and
support DJ Kay C is setting the tone for the rest of the night by dropping
some of the nastiest drum ’n’ bass that has been heard in this capital
of Canto-pop for some time.
But as Ellul nurses his pint, he is wearing a look that combines disbelief
with a bit of disgust. “When I played this sort of stuff 10 years ago, I
cleared the floor. Now look at this.”
Ellul points to the dance floor in front of him, which is far from cleared.
In fact, it’s packed with cute young chicks with bare midriffs who were
around 10 years old in 1995 when Goldie released Timeless, the
track that broke the sound through to the mainstream and signalled
that jungle had truly arrived.
Ellul probably has reason to be surprised by the drum ’n’ bass
explosion in Hong Kong, as he was one of the main figures behind
the introduction of jungle into the city. In the latter half of the 1990s,
the now-defunct Central nightspot CE-Top played host to Mashup, a
club night run by Ellul and several other jungle followers that was for
many people their first experience with drum ’n’ bass.
Under the tagline “Action, adventure, mystery, drinking”, Mashup
became the longest-running club night of its time, and over the years
exposed clubbers not only to the questionable talents of MC Patrick,
but the deck skills of Arkham – now of Red and White Label fame
– Mick Hart and Yeodie.
Unfortunately, Mashup didn’t survive the demise of CE-Top around the
turn of the millennium, but its spirit was reborn in Arkham’s Red Label
events, which kept the drum ’n’ bass vibe alive at Yumla in Central
during a few lean years for junglists. Those lean years are gone
now, however, and going up against Red Label in usually friendly
competition are more recent crews Magnetic Soul, KonkreteBass
and Heavy.
But in a city where trends come and go at lightning speed and where
numerous electronic music genres including trance and breakbeat
have developed huge followings before basically dying out, how has
this ruffest of sounds managed to not only survive but build a bigger
following year after year? And, more importantly, do DJs really need
to wear camouflage clothing before they are taken seriously in the
drum ’n’ bass arena?
“Drum ’n’ bass is unique – it does not stray off into ‘new territory’
such as regular 4/4 music,” says Arkham. “If you take trance as an
example, the listener can quite easily switch to other 4/4 genres such
as house or techno without too much of a jump, whereas drum ’n’
bass does not have a similar equivalent – the beat count is unique,
the structure is unique and as such it retains its followers. Having said
this, it may be that trance is just rubbish.”
Magnetic Soul DJ and promoter Cookie is a modest kind of guy, and
tends to play down the size of the local junglist community as well
as the success of his own events. But there’s little doubt that he’s the
hardest-working man in the local drum ’n’ bass business, and apart
from Pendulum has also recently brought out Dieselboy, and TC1 and
Stress Level.
 “My strategy has been to to start small, and enforce a more liquid,
soulful, jazzy style of drum ’n’ bass while we gained exposure and
got access to more and more venues in the first few months. This way
we could learn to work together as a team and learn what works
and what doesn’t work in Hong Kong. The result is that we produce
quality events with quality international DJs without losing money.”
So these are happy days for local drum ’n’ bass followers, and with
the likes of Magnetic Soul and Red Label at the controls, punters
are poised for even more nights of punishing low frequencies and
scattershot beats. But what about camouflage clothing? Arkham says:
“I don’t have any, but I have camouflage bed sheets – does that make
me a true junglist?”

What about the sound’s longevity? “Drum ’n’ bass producers have
branched off into sub-genres and those sub-genres continue to be
Steve Ellul (Graphics)
innovative. There’s not as many drum ’n’ bass producers as there
Steve Ellul is a designer that spends more time at home than going
might be in house or trance. I think the guys that are holding their own
out and listening to drum’n’bass these days. He likes to spend his
in DnB and continuing to keep their names at the top are geniuses
free time playing with his son Joseph, falling off his mountain bike
at producing and understand the technology to produce the records.
and twiddling with his gas BBQ. Both his turntables are now broken
There’s also a new generation of producers that are pushing new
and his records are old (classic) and gathering dust – so a MASHUP
boundaries such as Marky and XRS, Alix Perez, Nu:Tone, Logistics,
revival is unlikely any time soon.
and D Kay that make drum ’n’ bass that has a more organic influence
and thus is more accessible to a broader scope of fans.”
Contact Steve@beauluxe.org
Both Arkham and Cookie acknowledge that many of the midriff-
AKW (Words)
exposing crowd probably don’t understand where the music has come
AKW is a long-term music writer and DJ who actually doesn’t even like
from, or would have heard of the seminal drum ’n’ bass club nights
drum‘n’bass all that much. A veteran of the BeatSuite and UncutDope
such as Speed and Metalheadz, but they believe this is irrelevant.
breakbeat events, he can now be caught spinning electro and techno
at Yumla’s monthly Foundation One event.
Cookie says: “Lots of the crowd or even some of the DJs don’t
remember certain loops or samples from 10 years ago. Big tunes are
Contact uncut.dope@gmail.com
big tunes though, and I’m surprised sometimes by the requests or the
feedback that we get at some of the parties from the crowd. Some
people obviously know their drum ’n’ bass.”

While drum ’n’ bass events are arguably the most significant
phenomenon in underground Hong Kong clubland these days,
Arkham says not much has really changed for him. “I still play tracks
produced even up to 12 years ago and frankly most people are
none the wiser (any longer than that and you can probably tell the
difference). The main difference between now and 10 years ago
with regards to the scene is that people, on the whole, at least know
what the music is. When Mashup were doing it, people would be
like, ’What the fuck?’.”

Mashup-galleri.indd 4-5 7/10/07 10:51:02 PM

EXHIBITION 032 CLARICE YUEN

Name Yuen Cheuk Kwan, Clarice

Age 19

Hometown Hong Kong

Location Perth/ Hong Kong

Profile I started taking photographs at 16. I focus on studying self-

portraits and have so far completed over 1500 in this series.

Contact yuan_clarice@hotmail.com

Website www.fotop.net/ownyuen

Title: Clarice
EXHIBITION 023
Left
Title: Clarice

Below Below
Title: Love, Beauty, Freedom, Truth Title: A drop down my tiptoe

Above Above
Title: Time, Clock Title: Screen of Umbrella

EXHIBITION 032
Left
Title: Still With Ice

Right Main Page

Title: The inner self of 1

Right
Title: Love, Beauty, Freedom, Truth

Right
Title: In 1988, she was born.
She was smuggled in by the Chinese

Right
Title: Peep
EXHIBITION 033 REGINA

Name Regina

Profile Formed in 2002, Regina consists of Hajime Tsunashima and

Ryo Matsuura. They work for domestic and international clients in
graphics / art direction / design / printed media / commercial film
/ music videos / logos / editorial / CD sleeves and more.

Contact republicofregina@hotmail.com

Website www.republicofregina.com

EXHIBITION 001
EXHIBITION 034 ANTHONY WALLACE

Profile The music playing from my headphones together with

the scenery that surrounds me whilst I wander around town is a
combination that I’ve always enjoyed.

These photographs are entitled with the names of the songs that I feel
would have paired nicely with the moments leading up to and after I
clicked the shutter release.

I have been working at Red Dog Studio in Hong Kong since the
beginning of 2007. Being there has given me the opportunity to
fully immerse myself into my favourite artform and develop my skills
working alongside people who I believe are true masters.

Contact antwallace@gmail.com EXHIBITION 001

Website www.flickr.com/photos/asai

Anthony Wallace is currently working full time at Red Dog Studio.

www.reddogstudio.com.hk
EXHIBITION 034
EXHIBITION 035 2020

Profile TwentyTwenty is a custom laser service catering to designers/

artists who work in the creative industry. We love to experiment and
welcome testing on various materials. Loving what we do, taking
pride to our work and extensive experience with high end clients
ensure you outstanding results.

Project Refill Seven

Summary An exhibition allowing artists to explore the idea of
lasering away at seven layers of ply that make a deck and add
their own distinctive mark. A select group of artists globally have
contributed their works to explore this new technology. Only 50
limited edition decks will be produced per artist. The aim of the show
is to have a series of unique decks that collectors may choose to ride
or display. The exhibition had its first show at the MTV Gallery Space
in Sydney, Australia in April and will be followed later in the year by
New York, LA, Japan and finally a scheduled tour of Europe.

Website www.p2020.com.au
EXHIBITION 036 THE RACKS CALENDAR

Project The Racks Calendar was an initiative of Red Dog Studios,

ChinaStylus and Racks Billiards Club (Lisa S, Min Yoo & Drafus
Chow). Planned as an annual publication, it was created to raise
money for the Hong Kong Breast Cancer Foundation. The limited
print run calendar runs from July 2007 through to June 2008 and
features twelve of Hong Kong’s best known and most wanted celebrity
models. Photography was by Timon Wehrli at Red Dog Studio, with
design and art direction by ChinaStylus. Credit also goes to Diesel
for their generous support. Everyone involved in the project provided
their skills and services for free. With 100% of all proceeds being
donated, the project aims to raise $500,000 for charity.

The calendar is available from Racks Billiards Club, 7F M88,

2-8 Wellington Street, Central, Hong Kong.

Contact
+852 2868 3762
www.racksmdb.com

Hong Kong Breast Cancer Foundation

www.hkbcf.com

Model: Lucy Fung

Model: Rosemary
EXHIBITION 037 BIRCH

Profile Born in Brighton in 1969, Birch began painting at a very

early age under the guidance of his parents. His mother is an
accomplished painter and art teacher and his father is a graphic
and interior designer. Birch moved to Hong Kong in 1996 where he
eventually took up a professional career as an artist. He is now well
established as a leading Hong Kong contemporary artist who is fast
building a reputation internationally as both a painter and a multi-
media artist with his finger on the pulse of street culture.

Chosen as winner of 2004’s Schoeni Asian Art Award by the

Sovereign Group, Birch is known for his painting, in particular his
portraits, which have drawn much attention due to a number of high-
profile commissions. He has also held a series of extremely successful
solo exhibitions in the past few years as well as finding time to curate
one of Hong Kong’s largest group shows with over 30 artists involved.
His current projects include not only curating the inaugural exhibition
at the new 10 Chancery Lane Warehouse space in Hong Kong,
but also a large-scale collaborative project with photographer Wing
Shya and Japanese fashion brand Evisu – a solo exhibition with a
substantial number of commissioned works.

Contact info@simon-birch.com

EXHIBITION 037
EXHIBITION 037
EXHIBITION 037
EXHIBITION 038 10/10 HONG KONG VISION

Project 10/10 Hong Kong Vision : Past/Future featured 10

artists from the ST/ART Collective in an exhibition where each artist
expressed their vision of Hong Kong with two artworks – one for the
10 years past, and one for the future 10 years.
團體中的十位藝術家於這次 10/10 Hong Kong Vision : Past/
Deliberately timed to coincide with the handover 10th anniversary, Future 展覽中會用他們的作品去表達出他們眼中的香港景象於十
the exhibition was a chance to reflect and look forward. It was 年前(1997)和十年後(2017)的變遷。
not a political exhibition but an honest and genuine response to
the uncertainty of life in a changing Hong Kong. But it was also 若果20/20是代表完美無暇的視力度數，那麼究竟我們在
a celebration of what still makes this city and it’s people great. It’s
10/10的視力底下又能看到甚麼景象？香港是否一切都明朗清
resiliance, enthusiasm, forward-thinking outlook and sheer energy.
晰？
The exhibition, held at Wanchai’s IdN Gallery was successfully
concluded on 20/07/07 after a four week run that gained 這次展覽的日期刻意地安排在香港回歸十週年紀念日舉行，目的
considerable media coverage and positive feedback. Featured artists 是讓我們回顧過去，展望將來。這並不是一個政治性的展覽，但
were; COM, GraphicAirlines, HKR, Big Mad, Start From Zero, ks, 這是我們在這個變化無常的香港裡過着不能預知未來的生活時，
C#, ESP, Ping and Katol. 所作出的真誠而又直接的回應–猖獗的商業主義，政治的姿態，
被忽略的環保意識，麻木不仁的政策，貪婪和厚顏無恥的貪汚腐
10/10 was the third group exhibition by the ST/ART urban art
collective – check the website at www.start.hk for more details of 敗，充斥着整個制度當中。然而，我們同時也慶幸這城市及居民
past projects. 仍然存在其可愛的特質–強大的適應能力和熱情，領先的思想，
充滿著拼勁。

ST/ART是由ChinaStylus 設計工作室所發起的街頭藝術文化團
體,是次10/10展覽是我們的第三次聯展。

The ST/ART urban art project is an initiative of ChinaStylus.

www.start.hk
 This Page From Top Left:
Selfish Garden by GraphicAirlines; In Fish Eyes (0 years) by C#; Untitled No. 1010
by BigMad; Who Wants to Obey by ks; BoheMeLeWood by Start From Zero &
Katol; And There Was Nothing Left by Ping

Previous Page
Right (Detail): Woman in Red by GraphicAirlines
Left: 2 Cultures, 1 $Y$TEM by COM
This Page
Above Top: Our Way or the Highway by PHilfy ESP
Above: Woman in Red by GraphicAirlines
Right: Growing & Growing by HKR
EXHIBITION 039 HIGH&DRY

Project High&Dry is the title of a multi-media-multi-vegetable

exhibition that will showcase the work of local artists, designers,
photographers, film-makers and musicians – responding to the death
cries of Hong Kong’s oldest street market.

This exhibition has a three-fold purpose:

1. Highlight the rich vibrancy of the market. 2. Increase public
awareness about the history and value of the market. 3. Kick-start
other related projects that will be aimed at saving the market from
destruction by providing an alternative to the existing proposal.

This is a non-profit-non-branding exhibition.

Exhibition Launch
7pm – 12pm Friday 31st August 2007

Exhibition Duration
10am – 6pm, Monday – Sunday
1st September 2007 – 30th September 2007

Location
The Conservancy Association Centre For Heritage
Annex Block, 36A Western Street, Sai Ying Pun, Hong Kong.

Information
www.savethestreetmarket.com
www.worldcitycommittee.com

Images: Red Dog Studio

EXHIBITION 040 GROUP SHOW

the-ideo Elizabeth Poon Steev Saunders Tsz Wan Jurate Philip Engelhorn
http://the-ideo.org thebadtree@yahoo.com mmdpunk@hotmail.com tsz@tszontoast.com bang@amazingtreehouse.net www.philipengelhorn.com
info@the-ideo.org http://www.thebadtree.net www.tszontoast.com www.amazingtreehouse.net

BrandBible Ran Elfassy Cliko BoneShakers Emma Homerlein Kate Barnett CreateOutline
no contact given www.ranhasa.com mr_cliko@yahoo.com steve@beauluxe.org ehomerlein@hotmail.com kate.barnett.hk@gmail.com createoutline@yahoo.com.hk
 40 DAYS 324 DAYS
A FINAL THOUGHT

We love the fact that we live and work in one of the most creative
cities in the world. We love that despite being busy, manic and about
as urban as any city can get, just 30 minutes away we can find
ourselves in a beautiful country park or on a beach.We love that there
is so much for our hearts, minds and eyes to appreciate in this town.

But what good is all that if we can’t see more than 20 metres in front
of us and the air we breathe becomes toxic?

It was recorded that Hong Kong only had around 40 clear days
throughout the whole of 2006.

This is our way to ask everyone to start stopping. Stop the pollution.
Stop the waste. Stop standing by, start doing something.

A couple of points about HK air pollution to get you in the mood:

• The method for measuring the API in Hong Kong is not comparable
to any other scale in the world. Therefore when the weather report
states there is low pollution, it is still higher than most cities in the
world

• The top polluters for air pollution in Hong Kong are power plants
causing 92% of the total emissions of S02 and 50% of NOx and
respirable suspended particles (RSP)

• In 2003 CLP among others started to burn coal instead of LNG to

produce power
When you live in a city where you can’t even see the city half the time
because of the pollution, it’s time to Start Stopping.
Voice your disapproval, make yourself heard and get involved.
Everyone one of us can make a difference to the air we breath.
Contact: www.cleartheair.hk
THE CONSPIRACY CORNERSHOP It has been said the reason we were treated to such
beautiful clear blue skies during the handover period – when all international eyes were on
Hong Kong – is because governments on both sides of the border made a deal and literally shut
down the polluting factories for two weeks in order to make a good – yet misrepresentative –
impression. Truth or myth. You decide.
Remember – the conspiracy is not a theory. Send yours to: conspiracy@galleri.hk
 ABOUT GALLERI
Galleri Magazine is an initiative of ChinaStylus and Red Dog Studios.
Its purpose is to show that Hong Kong’s creative community is alive
and well and ready to be seen by the rest of the world.
It celebrates creativity of all kinds across the board without fear or
favour. It provides an outlet for all artists, particularly those without
the means or inclination to immerse themselves in the traditional
art world.
Galleri Magazine is sponsored solely by us. It is a non-profit making
enterprise and is not an elaborate foil to sell advertising space. There
are no fees for contributors and no fees for the viewers, thus leveling
the field for all artists and those who appreciate artists’ work.
If you like what we’re doing and would like to help out, get involved,
contribute or throw parties in our honour, please contact us.
關於 GALLERI
Galleri Magazine是由ChinaStylus及Red Dog Studio創辦, 目的是要
讓人知道, 香港有一班富創意和充滿活力的創作社群, 他們的實力,
已能媲美其他地方.
在沒有任何憂慮及偏袒的情況下, 全面讚揚不同的創作藝術., 讓各
藝術創作者有機會及途徑去展示他們的作品. 尤其是那些沒有途
徑或是有潛質但埋沒了天份的一伙。
Galleri Magazine由我們全力獨家贊助，一本非牟利的藝術雜誌，
沒用任何廣告刊登。投稿人或讀者無需繳付任何費用。只要是藝
術愛好人士或是藝術創作者，都可參予。
Publishers & Creative Direction Red Dog & ChinaStylus Studios
www.reddogstudio.com.hk www.chinastylus.com
Editors Jay FC & Timon Wehrli
editor@galleri.hk
Design & Art Direction Jay FC & John Lui (ChinaStylus)
Research & Translation Isabell Chan (Red Dog)
Project Management Lui Yeung (ChinaStylus) & Melanie Low (Red Cactus)
www.redcactus.com.hk
Contributions Anthony Wallace (Red Dog)
contributions@galleri.hk
Distribution & Administration Andery Yung (ChinaStylus)
info@galleri.hk
Printing Anita Lam at Magnum Offset Printing Ltd
the magazine for walls
CALL FOR ENTRIES
We welcome contributions from the entire creative community in
Hong Kong and Greater China. We believe that creativity is not,
as high street galleries may lead you to believe, limited to only to
the traditional or the currently trendy art forms. We aim to represent
each and every creative discipline – from photography, illustration,
montage, sculpture, fine art, urban/street art, computer arts, animation
and architecture through to the written word, make-up, fashion,
hair, culinary arts, topiary, floristry, sketches, thoughts, ideas… And
everything in between...
HOW TO CONTRIBUTE
Artists should submit high resolution digital images of their work along
投稿
with a profile / biography / contact (in their preferred language).
Images Digital format only – 300 dpi high resolution CMYK TIF 歡迎香港及中國內地各創作人投稿。我們相信，創作並不只限於
files, full page trim size at max. 232mm x 171mm (3mm bleed) 傳統方式，不跟隨潮流, 沒有限制。 從攝影，繪圖，蒙太奇，雕
刻，都市／街頭藝術，電腦藝術，動畫， 建築到文章創作，髮型
Text English or Chinese – in text document to include as much or as 及化妝，菜餚設計，樹木雕塑及裝飾，插花藝術，各不同類型的
little information as each artist feels necessary – written biography/ 主意，計劃, 等等．．．我們都一一接受。
profile, titles of artworks, contact details / website, image credits (if
applicable), size and medium (if applicable).
投稿方法
Online Go to www.galleri.hk for more information and easy to
follow upload instructions. 作品以高解像度數碼形式呈交。
By Post Send a clearly labeled CD Rom containing all digital
圖像：只限數碼圖像。300dpi / CMYK / TIF . 全版最大尺寸為
images and text to: Galleri Magazine, G/F 8 Gutzlaff St, Central, 232mm x 171mm (3mm bleed)
Hong Kong. Please do not send actual artwork – it may get damaged
and may not get returned ­– especially if we like it.
文字：中文或英文 ﹣個人簡介，傳記（多小視乎各投稿者誌者意
If you’re having trouble, let us know: contributions@galleri.hk 願） ，作品名稱, 介紹，資料，投稿人聯絡方法／網址。

凡有意參予,幫忙,投稿或為我們舉行派對,集會之人士，請聯絡我們。 Thanks also to the following for invaluable and much appreciated support and 網上投稿：請上 www.galleri.hk 跟隨簡單步驟上載。
assistance: Christian, Maggie and Eva at Kee Club; the entire combined staff of
the Red Dog, ChinaStylus and Red Cactus empire; Pui Pui FC; Celia and Karen at
郵寄：請將所有圖像及文字,資料以CD Rom 呈上，並郵寄到
Swire Properties; Schoeni Art Gallery.

www.galleri.hk
Galleri Magazine, G/F 8 Gutzlaff St, Central. Hong Kong.

SUMMER2007 Website www.galleri.hk 為免受到損壞,請不要把真實作品寄出。

Myspace www.myspace.com/galleri_hk 如有任何查詢,請電郵到 contributions@galleri.hk

THANK YOU FOR VISITING. PLEASE COME AGAIN.
GALLERI TWO ON PAPER NOVEMBER 2007

KEEP AN EYE OUT FOR THE GALLERI ONE GROUP EXHIBITION

ON WALLS IN STAR STREET SEPTEMBER 2007
 ISSUE ONE NUMBER 0008 OF 4000

GALLERI Magazine is very proudly brought to you by Red Dog, ChinaStylus and Red Cactus through sheer hard work,
determination and an unshakable belief in hong kongs creative community. By the people, for the people. We are not for sale.

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