Escolar Documentos
Profissional Documentos
Cultura Documentos
by
LISA MERCER
A T H E S I S S U B M I T T E D IN P A R T I A L F U L F I L L M E N T O F T H E
REQUIREMENTS FOR THE DEGREE OF
M A S T E R OF ARTS
in
T H E F A C U L T Y OF G R A D U A T E STUDIES
(Human Kinetics)
T H E UNIVERSITY OF BRITISH C O L U M B I A
December 2006
T A B L E OF CONTENTS
Abstract ii
List o f Tables v
Acknowledgements vi
CHAPTER
I INTRODUCTION 1
II LITERATURE REVIEW 6
2.1 H i s t o r y o f S u r f i n g 7
2.2 H i s t o r y o f S u r f i n g i n B r i t i s h C o l u m b i a 11
2.3 T h e B r i t i s h C o l u m b i a S u r f Scene 16
2.4 T h e E x p a n s i o n o f W o m e n ' s S u r f i n g and the S u r f W e a r Industry 18
2.5 T h e C o n c e p t o f S u b c u l t u r e 22
2.6 C o n s u m e r Research 30
2.7 Sport L i f e s t y l e s , Identity, and C o n s u m p t i o n 40
2.8 M a r k e t T r e n d s : W o m e n i n the Sport M a r k e t p l a c e 44
III METHODOLOGY 51
Rationale : 51
Sample 53
Ethical Considerations 54
IV RESULTS : 55
D a t a C o l l e c t i o n and A n a l y s i s 55
Interviews 55
Participant/Non-Participant O b s e r v a t i o n '. 58
Photographs and F i e l d N o t e s 59
Surf Media '. 59
O r g a n i z a t i o n o f the C h a p t e r 60
4.1 T h e S u r f Scene i n B r i t i s h C o l u m b i a 61
4.2 Factors F u e l i n g the G r o w t h o f C a n a d i a n W o m e n ' s S u r f i n g 66
i. C h a n g e s i n wetsuit t e c h n o l o g y 67
i i . C r o s s o v e r appeal f r o m skateboarding and s n o w b o a r d i n g 69
i i i . C u l t u r a l and style influences f r o m C a l i f o r n i a 71
iv. Increased d e m a n d for w o m e n ' s s u r f w e a r and s u r f fashions ..74
v. T h e g r o w t h o f c o m p e t i t i v e s u r f i n g i n B C 76
v i . Increased m e d i a exposure o f C a n a d i a n w o m e n ' s s u r f i n g 80
v i i . D e v e l o p m e n t o f C a n a d i a n s u r f businesses 81
v i i i . W o m e n ' s increased c o m f o r t w i t h the identity o f ' b e i n g a surfer' 84
iv
4.3 T h e A p p e a l o f the S u r f C u l t u r e 85
4.4 E v i d e n c e o f C o n s u m p t i o n 88
F e m a l e Surfers are C o m m i t t e d to C o n s u m i n g S u r f T h e m e d Products 88
4.5 E v i d e n c e o f S u b c u l t u r a l Features and C o n d i t i o n s : 90
i. H i e r a r c h i c a l s o c i a l structuring: F r o m hard core surfers to posers 90
i i . C o r e values and l o c a l i z e d d i f f e r e n c e s 92
i i i . S e l f transformation (deepening o f c o m m i t m e n t ) 94
iv. Rituals 96
4.6 S u r f i n g is a ' C o m m o d i t y - O r i e n t a t e d S u b c u l t u r e ' 98
4.7 L i n k between Identity, L i f e s t y l e s , and C o n s u m p t i o n 102
4.8 D i f f u s i o n o f S u r f L i f e s t y l e s and Products into the M a i n s t r e a m 105
i. T h e ' c o o l n e s s factor 107
i i . T h e industry 108
i i i . W o m e n - s p e c i f i c m a r k e t i n g and sales 110
i v . M a r k e t i n g to j u n i o r c o n s u m e r s 116
4.9 R o l e o f M e d i a i n the D i f f u s i o n o f S u r f L i f e s t y l e s 119
i. Print m e d i a 121
ii. Electronic media 123
V DISCUSSION ...121
5.1 R e f l e c t i n g o n T r e n d s i n the W o m e n ' s Sport M a r k e t p l a c e 128
5.2 R e f l e c t i n g o n T r e n d s i n C a n a d i a n W o m e n ' s S u r f i n g 129
5.3 R e f l e c t i n g o n S u r f B r a n d M a r k e t i n g 131
T h e R o l e o f C o n s u m p t i o n i n R e l a t i o n to O n e ' s Identity 132
T h e D i f f u s i o n o f S u r f L i f e s t y l e s i n the M a i n s t r e a m 135
5.4 R e f l e c t i n g o n S u b c u l t u r a l T h e o r y 138
A N e w G e n d e r O r d e r i n S u r f i n g and the S u r f P r o d u c t s M a r k e t p l a c e 144
Bibliography 160
A p p e n d i x II R e c r u i t m e n t Letter 167
LIST OF T A B L E S
T a b l e 1 S u r f B r a n d Retailers 56
T a b l e 2 C a n a d i a n S u r f B r a n d Representatives 57
T a b l e 3 W o m e n Surfers 57
vi
ACKNOWLEDGEMENTS
CHAPTER I - INTRODUCTION
This study analyzes the relationship between women's surf culture in Western
Canada and the marketing activities o f the Canadian surf wear industry. Its objectives are
twofold: i) to critically examine how the marketing o f surf products affects surfing
lifestyles and product consumption, and ii) to describe how surf lifestyles and products,
in turn, become diffused to a larger population o f young women and girls. The study is
intended to enhance our knowledge o f the factors affecting the development o f women's
surfing i n Western Canada and to add to our understanding o f the interplay o f subcultures
and marketing in consumer culture, by illustrating the link between lifestyles, identity,
and consumption. With the rise in popular media portrayals o f women's surfing as an
empowering activity (e.g., the film ' B l u e Crush') and the growth o f women's surfing
over the last several years, it is important to be able to document the social, cultural, and
market conditions and trends driving these changes. In particular, research is needed that
takes account o f the experience o f surfing from the standpoint o f women and gives voice
to their points o f view in addition to the points o f view o f the surfing industry and o f
men. Very few studies to date have analyzed women's surfing lifestyles generally, and
none that I could find have looked at surfing as an activity o f consumption in a consumer
the emergence o f Canadian women surfers, and the factors that are fueling the growth o f
s u r f apparel has b e c o m e a b o o m i n g i n d u s t r y i n C a n a d a ( H a m i l t o n et a l . , 2 0 0 2 ) . C a n a d i a n
m a r k e t i n g insights [can] r e s u l t " (p. 29). T h e research expands o n the idea o f identity
objects, and relationships that g i v e their l i v e s m e a n i n g " (p. 59). In their terms, the
a surfer's lifestyle and identity, b) S u r f brands have e x p a n d e d their lines to reach surfers,
but also to reach female teens and pre-teens, c) F e m a l e teens and pre-teens use s u r f w e a r
to help construct their identities, and d) T h e net effect o f these t w o trends is an increase i n
does not just focus o n p u b l i c discourses or texts, but explores the ' m e a n i n g and pleasure
o f these practices to those w h o participate i n t h e m ' " (p. 2 7 0 , c . f , H a l l , 1996, p. 59). The
representatives.
6
H i s t o r y o f S u r f i n g ; (2) H i s t o r y o f S u r f i n g i n B r i t i s h C o l u m b i a ; (3) T h e B r i t i s h C o l u m b i a
industry. S e c t i o n f i v e analyzes the term ' s u b c u l t u r e ' and the vast amount o f literature
C a l i f o r n i a and H a w a i i e x p e r i e n c e d extensive f r e e d o m . B y c o m p a r i s o n , s u r f i n g i n
( B o o t h , 2 0 0 1 ) . O a h u ' s N o r t h S h o r e b e c a m e a s u r f i n g M e c c a o n c e the w a v e s w e r e f i n a l l y
transformed C a l i f o r n i a s u r f i n g .
l e g i t i m a c y o f w o m e n surfers ( B o o t h , 2001).
W P S set out to s m o o t h relations b etw een surfers, contest directors, and the m e d i a ( B o o t h ,
A S P (Gabbard, 2000).
c o m m u n i t i e s i n c l u d i n g T o f i n o , U c l u e l e t , J o r d a n R i v e r , and S o m b r i o B e a c h . J o r d a n R i v e r
A s S h i l l i n g reports,
(p. 11)
w i l l i n g n e s s to s u r f p r a c t i c a l l y a n y t h i n g , f r o m p l y w o o d to glass-over f o a m boards.
Surf, the first s u r f b o a r d rental business i n T o f i n o opened its doors i n 1984 and s t i l l
r e m a i n s i n operation today.
the Q u i k s i l v e r / R o x y S u m m e r S u r f J a m 2 0 0 0 i n T o f i n o , B C . In M a y 2 0 0 3 , Surfer
th
66). A pristine coast is an i n c r e d i b l e resource for the pure pleasure o f locals and f o r the
each year.
S h i l l i n g notes, the start o f the s u r f i n g b o o m i n B C began i n the m i d 1 9 9 0 ' s and the late
14).
w i t h the o p p o r t u n i t y to b u i l d their s k i l l s i n t e r n a t i o n a l l y ( w w w . B C S A . c a ) .
California.
F o l l o w i n g a g r o w i n g trend w o r l d w i d e i n the c o m m e r c i a l i z a t i o n o f s u r f i n g , s u r f
s c h o o l operations ( w w w . B C A S I . c o m ) .
16
culture, they share traditions that are u n i q u e to their situation (Pearson, 1982).
s u r f e r s " (p.39).
( S h i l l i n g , 2 0 0 3 , p. 43)
2.4 The Expansion of Women's Surfing and the Surf Wear Industry
carry wetsuits, board shorts, rash guards, or other products designed f o r w o m e n surfers.
g r o w t h i n p o p u l a r i t y . A s B o o t h (2001) a f f i r m s ,
c o n s u m p t i o n o f h i g h - f a s h i o n c l o t h i n g and accessories w i t h s u r f i n g m o n i k e r s .
manufacturers b y m u l t i n a t i o n a l c o m p a n i e s - L i g h t n i n g B o l t and H a n g T e n b y
i n c l u d i n g Q u i k s i l v e r and B i l l a b o n g . (p.3)
and non-surfers g l o b a l l y .
stand up and catch waves. In 1997 and 1998 K a h l u a sponsored the w o m e n ' s pro tour and
20
subculture. A s a p r o f e s s i o n a l surfer, L i s a A n d e r s o n w o n f o u r c o n s e c u t i v e A s s o c i a t i o n o f
T h e n u m b e r o f w o m e n p a r t i c i p a t i n g i n s u r f i n g has c o n t i n u e d to rise ( O s t r o w s k i ,
i n d u s t r y ( O s t r o w s k i , 1999).
a m o n g G e n e r a t i o n Y g i r l s ( O s t r o w s k i , 1999). H e i d i B a r t h o l o m e w , director o f m a r k e t i n g
lifestyles, and self-identity f o r the G e n Y market. She states that " G i r l s are e m b r a c i n g
state, " W i t h i n sport ethnography, the term subculture has been e m p l o y e d so b r o a d l y that
the term has lost m u c h o f its explanatory p o w e r " (p. 73). E t h n o g r a p h i e s o f sport
m a y be different f r o m the ' n o r m ' o f the parent culture or o f another subculture and yet b e
w i t h i n a tolerable range o f b e h a v i o r [and therefore not ' d e v i a n t ' ] " (p. 20). D o n n e l l y ' s
s y m b o l s ( L e o n a r d II, 1991).
a. Youth Subcultures
A s L u r y (1996) notes:
out that " O n e o f the m a i n functions o f subcultural style is to define the boundaries o f
H a l l , 1977)
H e b d i g e ' s (1979) essential point is that these ' d e v i a n t s ' (p. 19) v i o l a t e the s o c i a l
that o f Edwardian-style c l o t h i n g , a s p e c i a l hairstyle, and a taste for r o c k ' n ' r o l l m u s i c " (p.
over h i s private estate - his appearance and c h o i c e o f leisure p u r s u i t s " (p. 91). T h r o u g h
otherness ( H e b d i g e , 1979).
resistance to i n c o r p o r a t i o n " (p. 100), and b o t h the market and the m e d i a p l a y a r o l e i n the
punk w h i c h emerged i n the late 1970s and early 1980s. " Y o u t h s u b c u l t u r e s , " she writes,
p. 198).
c o n s u m p t i o n o f c o n s u m e r products i n a c o n s u m e r market e c o n o m y . In s u c h an
identities.
b. Sports subcultures
around various brands or a c t i v i t i e s " (p. 26). In the literature o n sports subcultures, the
m a s c u l i n i t y and its effects o n gender relations that are manifest i n the subculture o f
nature o f the sport, l a c k o f female participants, and the lack o f peer support as barriers f o r
females i n the sport ( B e a l , 1996). B e a l (1996) reported that " B o t h the males and females
often adopts the " m a n n e r i s m s , attitudes, language, and styles o f dress, speech, and
promoters can learn a great deal f r o m the ' a u t h e n t i c ' hard-core m e m b e r s o f the group.
A l l styles that take f o r m i n the m a i n s t r e a m arise f r o m the subculture itself. " T h e creation
Surfing style has fed directly into mainstream fashion. Boardies, hoodies, Reefs, bikinis,
and surf branded merchandise adorn store shelves. Meanwhile, youth are fueling the
sport subcultures it is useful to draw on some o f the work that has been done in consumer
research. For example, Bennett (1999) drawing on Maffesoli's concept o f tribus (tribes)
music scene in Britain. According to Maffesoli the tribe is "without the rigidity o f the
forms o f organization with which we are familiar, it refers more to a certain ambience, a
state o f mind, and is preferably to be expressed through lifestyles that favor appearance
and form' (Bennett, p. 605; c.f, Maffesoli, 1996). Bennett criticizes the subcultural
analytical tool in sociological work on youth, music and style" (p. 599). Bennett
indicates that "The term 'subculture' is also deeply problematic in that it imposes rigid
lines o f division" (p. 603), and implies that subcultures "exist outside o f the mainstream"
31
(p. 6 0 4 ) , or i n essence that they are i n h e r e n t l y deviant. H e writes that the term
' s u b c u l t u r e ' b e c o m e s " a c o n v e n i e n t ' c a t c h - a l l ' term used to describe a range o f disparate
these groups and m e n t i o n that " t h e y f o r m , they disperse, [and] they re-form as s o m e t h i n g
c o m m u n i t y as a f r a m e w o r k f o r understanding c o n s u m e r b e h a v i o r . A b r a n d c o m m u n i t y is
m a n y o f these brands have been recently added to the market and do not have an
different c o n s u m p t i o n c o m m u n i t i e s . M e m b e r s h i p i n a c o m m u n i c a t i o n c o m m u n i t y can
D a v i d s o n m o t o r c y c l e o w n e r s e x a m i n e d the p h e n o m e n o n o f subculture f r o m a c o n s u m e r
i n order,
that,
35
1995, p. 43)
consumption.
purchased branded m e r c h a n d i s e but d i d n ' t want to be seen as " b u y i n g into an i m a g e " (p.
the surfer's actual p o s i t i o n i n the subculture. A less core surfer cannot b u y their w a y into
w i t h i n the s u r f i n g subculture o f c o n s u m p t i o n .
suggest that,
38
that i s , a set o f core values that are accepted to v a r y i n g degrees b y all its
i c o n s , (p. 55)
(p. 260).
A s a result,
1995, p. 59)
c o n s u m p t i o n . T h i s k n o w l e d g e m a y assist i n the s o c i a l i z a t i o n o f n e w m e m b e r s , m a y
McAlexander (1995) suggest that "As an analytic category the subculture of consumption
solves nagging problems inherent in the use of other, a priori categorizations for the
theory, these findings are equally transferable to different demographic groups and
consumption activities. For the purposes of my research it is anticipated that this overall
increasingly fluid and fragmented nature of identities, suggesting that people draw their
sense of identity from increasingly diverse sources, including sport and leisure lifestyles"
(Wheaton, 2000, p. 254). Wheaton and Tomlinson (1998) denote in their study on
windsurfing subcultures that "new sports such as windsurfing have been perceived as the
product of a post-modern society and culture in which sporting and physical activity offer
a basis for the generation of new and multiple identities (p. 252). Wheaton and
Tomlinson (1998) suggest that "The windsurfing culture is an important site of identity
negotiate status and construct feminine identities as active sport participants" (p. 259),
"detached from their role as mothers and from their male partners" (p. 263), and "norms
of female embodiment" (p. 269). Donnelly and Young (1988) in their research into the
process of identity formation in sport subcultures, indicate that socialization into sport
means to them and o t h e r s " (p. 4). In post-modernity, the relationship between lifestyles,
that,
878)
important sub-segment for sport, sport-related products, and sport marketers, and m a y
is important to note that female pre-teens and teens have emerged as distinct c o n s u m e r s .
around t h e m , yet w e k n o w v e r y little about t h e m " (p. 61). T h e s e recent changes i n the
own sport participation and consumer decisions. With regard to choice of name brand
and style of sport product, self was the greatest influence (53.5%), followed by mother
(8.2%) and female friends (6.1%). This analysis "demonstrates the strength and growth
of female sport consumers as sport-product decision makers and spenders, and signals
their identification as a key niche or target market segment within the sport marketplace"
(Bradish et a l , p. 19).
These findings may not be transferable to other consumer groups; however, this
research is beneficial to sport marketers by providing insight into this virtually untapped
demonstrates the need for future research focusing on the female sport consumer in other
realms of sport and within the context of sport subcultures to form a broader
these consumer preferences is crucial to making more informed decisions about their
sport consumers to sustain further long-term organization success" (p. 20). Bradish,
The Generation Y female sport consumer is elite and informed, possessing a clear
synergistic effect of the rising phenomenon of women's sports and the echo-boom
generation, the pre-teen/teen female may well be one of the most influential
Combining these two trends of women as sport consumers and the buying power
cautioned that marketers must change the tone i n w h i c h they speak to w o m e n (Sutton &
W a t l i n g t o n , 1994).
targeting the female sport consumer. A brand i t s e l f can be defined as " A name, term,
products and their p r o m o t i o n a l strategies to fit these patterns" (p. 12). In order f o r a
for marketers to research f e m a l e consumers and their lifestyles i n order " t o create
H o w e l l , 1993)
market niche (a n i c h e i n the market that has a sufficient s i z e to p u r s u e ) " (p. 10).
CHAPTER III - M E T H O D O L O G Y
Rationale
1997).
themes and sub-themes w i t h i n the context o f the research questions f o r the study
the b o t t o m up ( P a l y s , 1997).
53
Sample
sought because they meet some criteria f o r i n c l u s i o n i n the s t u d y " (p. 137). F o r the
i n this study.
T w o f e m a l e surfers w e r e recruited f r o m a W e s t C o a s t s u r f i n g c o m m u n i t y t h r o u g h
basis o f their p o s i t i o n i n g i n the s u r f i n g subculture, that is, their age, and level/type o f
All participants were over the British Columbia age of majority and were able to
give consent for themselves. Individuals who consented to participate were interviewed
by Lisa Mercer at the location of their home, office, or an agreed upon location. In the
event that a face-to-face interview was not feasible, a telephone interview was arranged.
Ethical Considerations
For this research, I received ethics approval on March 27, 2003 from the
University of British Columbia Behavioural Research Ethics Board (see Appendix I).
This research posed minimal potential risks to the participants of this study. Subjects
may have felt uncomfortable being interviewed or talking in the presence of a tape-
revealing 'inside' information was requested that could threaten their job or business.
Additionally, participants were given the option to refuse to answer any particular
questions during the interview process, and were able to withdraw from the interview and
or study at any time without question. Strict confidentiality was maintained and findings
were summarized anonymously. Access to the data was restricted to the Principal
Investigator, Dr. Robert Sparks, and the Co-investigator, Lisa Mercer, who reviewed their
responsibilities for confidentiality and identified a locking file cabinet, computer system
C a n a d i a n s u r f b r a n d representatives.
Interviews
Semi-structured i n t e r v i e w s w e r e c o n d u c t e d w i t h 5 w o m e n surfers, 5 s u r f w e a r
In all cases, p s e u d o n y m s are used throughout the thesis to protect the identities o f the
o f the interviews.
in Vancouver.
Table 1 S u r f B r a n d Retailers
Identifiers Gender Interview F o r m a t Store L o c a t i o n Store L a y o u t
R e t a i l e r #1 Male P e r s o n to P e r s o n North Vancouver W o m e n ' s and m e n ' s
(R-l,Dan) s p e c i f i c stores *
R e t a i l e r #2 Male Person to Person Vancouver W o m e n ' s s p e c i f i c store
(R-2, P h i l ) w i t h s o m e m e n ' s product
R e t a i l e r #3 Male Person to Person North Vancouver W o m e n ' s and m e n ' s
(R-3, C o l i n ) s p e c i f i c stores
R e t a i l e r #4 Male P e r s o n to Person Vancouver W o m e n ' s and m e n ' s
(R-4, Scott) s p e c i f i c stores *
Retailer #5 Female P e r s o n to P e r s o n Vancouver W o m e n ' s and m e n ' s
(R-5, S u z y ) shared store
* N o t e : These stores w e r e j o i n e d but had different store names and entrances.
57
Data analysis software w a s not used. D u e to the fragmented nature o f the responses, the
r e v i e w i n g the transcripts for major themes and sub-themes w i t h i n the context o f the
Participant/Non-Participant Observation
th th
T h e next trip t o o k place f r o m A u g u s t 7 -12 , 2 0 0 3 and i n v o l v e d v i s i t i n g U c l u e l e t , L o n g
59
o n the scene, the styles, w h o w a s there, and what w a s h a p p e n i n g . F i e l d notes were used
and tone o f the event and the t i m e and l o c a t i o n o f the observation. T h e f i e l d notes often
f o l l o w e d visits to retail stores and d e p i c t e d the store lay-out and product d i s p l a y space.
a M i c r o s o f t W o r d ™ c o m p u t e r f i l e for analysis.
Surf Media
D u r i n g the p e r i o d o f m y data c o l l e c t i o n I t o o k it u p o n m y s e l f to b e c o m e f a m i l i a r
women surfers in advertisements and the manner in which they were displayed.
trends in the surf wear industry and better prepare myself for my conversations and
interviews with surfers and surf industry representatives. Early on, it was evident that
Surf Snow Skate G i r l (SG) was the voice for North American women involved in board
sports. Aside from reviewing publications, I viewed surf movies and documentaries in
order to visualize the trends that were occurring in surfing globally and to gain an
analysis o f surfing websites, I was also able to document some o f the changes that were
occurring in Canadian surfing and gain a means o f contacting potential participants for
my study.
The chapter is organized in nine sections that reflect the nine key conditions that
were found during the analysis: (1) the surf scene in British Columbia; (2) factors fueling
the growth o f Canadian women's surfing; (3) the appeal o f the surf culture; (4) evidence
consumption; (8) diffusion o f surf lifestyles and products into the mainstream; and (9)
R o x y / Q u i k s i l v e r S u r f J a m is m e l l o w and relaxed. T h e w a r m s u m m e r
q u i c k l y e n o u g h to p r o d u c e a w i n t e r s i z e s w e l l the first d a y o f c o m p e t i t i o n .
brought about clear skies, light o f f s h o r e w i n d s and consistent 4-5 foot w a v e s and
m o r e i m p o r t a n t l y r e - a f f i r m i n g o n e ' s p o s i t i o n i n C a n a d i a n s u r f i n g . T h i s event
C a l i f o r n i a o v e r l o c a l favorite C a t h e r i n e B r u h w i l e r - T e m p l e .
scene i n C a n a d a .
actual s u r f scene i n C a n a d a is a bit older w i t h most o f the w o m e n i n their 20s and 30s.
d o c u m e n t e d p e r c e i v e d pressures at other s u r f i n g l o c a t i o n s :
Phil)
" o n the b i g g e r d a y s . . .not just girls but [having] n e w people i n the water does get
dangerous, and it does sort o f c l o g things up and waste w a v e s w h e n they are sort o f a
C o l u m b i a ' s west coast, a lot o f it is not accessible. O n e surfer attests that, " S o m b r i o is
y o u w o u l d read about where p e o p l e get into fights and they are v e r y protective o v e r
world" (S-l,Kendra).
surfer said that she felt that " t h e m o r e e v e n m i x between males and females w i l l stick
a r o u n d " (S-3, B r o o k e ) .
66
T o f i n o was k n o w n as a s u r f i n g destination, r e m a r k e d :
water at T o f i n o . (S-1, K e n d r a )
perception the area c o u l d still see m o r e g r o w t h because, as one put it, there is " a lot m o r e
r o o m f o r g r o w t h h e r e " (S-4, A n n ) .
i n turn.
67
that h a v e f u e l e d a g r o w t h i n s u r f i n g :
water to surf. ( B - l , L i a m )
T h e p i o n e e r surfers i n T o f i n o w e r e w i l l i n g to s u r f w i t h o u t this t e c h n o l o g y ,
n u m b e r o f p e o p l e s u r f i n g i n C a n a d i a n waters. A s u r f retailer a f f i r m e d ,
68
T h e y get better every year and that just makes it that m u c h m o r e accessible and
pleasant because the wetsuits are fantastic. Y o u can go i n and spend three hours
W h e n I learned to surf, I w o r e a huge b u l k y wetsuit that d i d n ' t fit right i n the parts
regards to these market changes, a f e m a l e surfer stated, " t h e y are c l u e i n g into the needs
N o t o n l y is the fit l i k e ten times better.. .they actually put [some] thought into this
surfers, thus e n a b l i n g t h e m to find the best fit and d e s i g n to suit their needs b o t h as
to a n i d e n t i f i a b l e g r o w t h i n the n u m b e r o f C a n a d i a n w o m e n s u r f i n g .
s n o w b o a r d i n g culture.
Scott).
sports equipment, "It's the same type o f person that wants to do these things. T h e y l i k e
have w i t h b o a r d sports:
i n d i v i d u a l a c c o m p l i s h m e n t . (B-3, Jacky)
Scott).
the crossover appeal o f surf, skate, and s n o w sports. A s Scott suggested, " T h e crossover
the n u m b e r o f C a n a d i a n w o m e n s u r f i n g .
traditions:
sport that has been around for a l o n g t i m e just m a y b e not to our culture. [ W h e n ]
y o u go d o w n to C a l i f o r n i a , it is l i k e s o m e b o d y a s k i n g us about p l a y i n g h o c k e y up
a c k n o w l e d g e d C a l i f o r n i a ' s i n f l u e n c e . C a l i f o r n i a is h o m e to several N o r t h A m e r i c a n
be d r a w i n g v a c a t i o n i n g C a l i f o r n i a n s up N o r t h .
74
Liam).
culture have f u e l e d the brands g r o w t h , " W i t h the rise o f not o n l y w o m e n ' s s u r f i n g , but
s u r f i n g i t s e l f as a surfer indicates:
t a k i n g o n a m o r e r e a l i s t i c angle. [ L e a d i n g to the] d e v e l o p m e n t o f c o o l f u n c t i o n a l
personal c o n s u m p t i o n b e h av i o rs .
w o m e n surfing.
S u m m e r S u r f J a m . D o m D o m i c , president o f the B r i t i s h C o l u m b i a S u r f A s s o c i a t i o n
BC.
analysis o f the entry f o r m for 2003 revealed differences i n f u n d i n g f o r the m e n ' s and
treated e q u a l l y at s u r f i n g c o m p e t i t i o n s :
think it is all relative to how many people are doing it.... [There are currently no]
Canadian girls that get sponsorship.. .We don't have a lot o f women surfers
surfers on the pro tour. So I mean i f there was a girl out there we would be the
first ones to sign something up but the problem is there isn't anyone there. (B-4,
Trish)
This statement provides insight into the level o f women's professional surfing i n
British Columbia. It remains a poor mismatch to the men's which has resulted in few
sponsorship deals and opportunities to compete worldwide. The suggestion that there are
no women in B C who are proficient enough to compete on a world stage may be true but
this overlooks the conditions which are at least partly responsible for this shortfall. A
female surfer acknowledged that there are virtually no opportunities for women in
Canada and felt that this affects the number o f women entering Canadian surfing
I have been competing for eleven years. I won the Roxy/Quiksilver Surf J a m two
years in a row and [I have] never placed below second and [I] have had no
[It would] help the industry and add some authenticity to the sport. ( S - l , Kendra)
Similarly, another surfer felt that Canadian women should be recognized by brand
manufacturers, "Companies should jump on to Canadian surfers. [They need to] get on
the program [and] start sponsoring Canadians. W e need better Canadian representation"
(S-4, Ann). There definitely is some animosity amongst female surfers who aspire to
79
pursue surfing professionally yet discover that opportunities for aspiring Canadian male
surfers remain greater than for promising women. These conditions are not dissimilar
from the early period of female Canadian surfing. Perhaps aspiring junior girls will be
These attitudes reflect the views of two local Tofino surfers. Interestingly, an
avid Vancouver surfer did not uphold the same opinion of sponsorship:
Most people surf for recreational purposes. Unless you are born and raised in
Tofino and were really around that kind of circuit when you are young and sort of
[grew] up with it. It is not an industry that is well known around here. (S-3,
Brooke)
One surf brand representative suggested that sponsorship is not a priority for its
marketing strategy:
In Canada at this time we have made a conscious decision not to sponsor athletes.
We are trying to get as much growth to catch up to the other licensees because we
are one of the newest licensees in the world. The potential for us to grow really
quickly is there so we have tried to spend our marketing dollars more on the
people that are selling the product than on our athletes at this time. (B-5, Leanne)
The future of competitive surfing in B C is uncertain and as yet it is not clear what
opportunities may become available to promising female athletes in the future. However,
the rise in competitive surfing in BC and the marketing effort behind it are generating
more interest in surfing and increasing spectatorship at surfing competitions. More and
more women are entering these competitions and the increased attention is contributing to
surfing. A l o c a l surfer suggested that the reason f o r the coverage was that the sport has
" W h e n I first started [surfing the mentality] was ' o h c o o l there is a g i r l ' . [Girls]
d e f i n i t e l y stood out [in the water] and n o w y o u l o o k around i n the water and there [are]
o f h y p e w h e n the S u r f D i v a s o f C a l i f o r n i a c a m e up to T o f i n o . T h e o p e n i n g o f S u r f Sister
" W e receive calls from t e l e v i s i o n s a y i n g ' w e are g o i n g to do a story o n this and want to
S u r f Sister as f o l l o w s :
T h i s year there are three times as m a n y surfers as last year and last year there
short-staffed. ( S - l , K e n d r a )
suggested that w o m e n are often interested i n these sports but have felt i n t i m i d a t e d to go
other g i r l s they can go i n and be at the same l e v e l and they d o n ' t h a v e to feel that
f o l l o w i n g c o m m e n t s b y t w o sisters f r o m C a l g a r y at a T o f i n o s u r f c a m p : " W e a l w a y s
w o m e n ' s s u r f w e a r and s u r f fashions, and the strength o f the s u r f industry has lead to the
BC.
84
A common assertion in the interviews was that women are becoming more
comfortable with their identity of 'being a surfer'. The feeling was that women are
waters, increased recognition in the sport products marketplace and equipment, apparel,
and a girls-specificfitwhich means they are more comfortable and relaxed in the water.
As a retailer postulated:
Women thought they couldn't do it [surf] before.. .but now they are slowly
integrating into it.. .They definitely have integrated into the surf way faster than
they ever will in skateboarding because skateboarding is more hard core.. .You do
surfing. You can be as girly as you want and still get out there and be a good
This narrative highlights how women are integrating into surfing and finding that
they can still be themselves, in comparison to skateboarding that is often viewed as more
I think that girls are no longer being intimidated by what is perceived as men's-
only sports. The younger generation has decided that they can do anything that
the boys can do. Surfing is quite an individual sport so I think that appeals to girls
who don't want to participate in traditional girls' sports or girly activities. (B-3,
Jacky)
85
surfer.
surfing.
representatives' narrative:
When I ask her what is it about surfing that causes her to brave freezing cold
waters, she pauses for some time. Her answer is almost Zen-like and reflects the
crazy calm that surfing induces: ' Y o u get fresh air, some wind on your face, it
forces you to take deep breaths and it makes you look at the elements different',
(p. 23)
Similarly, a local Tofino surfer outlines the lifestyle aspect o f being a surfer is part o f its
appeal, "I love the beach. Living on the beach is so healthy and so amazing and just so
peaceful... Everything surrounds yoga and surfing and healthy food" (S-4, Ann). The
thrill seeking aspect o f surfing is part o f its appeal as illustrated by a retailers' narrative:
There is a sense where you are totally out o f control in the surf.. .In a beginner
setting you can go to a very safe environment but at the higher end it is definitely
(pause) you can push yourself well beyond and so finding your new boundaries,
exploring new limits.. .would definitely be an appeal for men and women
and.. .people who are risk takers. It just fuels that. (R-4, Scott)
Our own unique scene in Canada is part o f the appeal according to one surfer:
The weather and water conditions add to the experience... [You] can still surf
sometimes you can have these days at the most populated spots. (S-5, Stephanie)
The interviews identified several key aspects o f the appeal o f surfing including:
thrill seeking, love o f ocean, freedom - no rules, no regulations, lifestyle, and vertigo
affords them, was that the passion carried over into their daily lives.
88
categories, o r even brands m a y serve as the basis f o r s o c i a l c o h e s i o n " (p. 43). In the
c o n s u m i n g surf-themed products.
quote:
t h e m I l o v e s u r f brands. ( S - l , K e n d r a )
focus is o n the penetration o f brands to the masses and she supports its m a i n s t r e a m
appeal.
89
(S-3, B r o o k e )
wears and purchases branded m e r c h a n d i s e but d i d not want to be seen as " b u y i n g into an
s u r f b r a n d e d merchandise.
90
s u r f i n g culture. A s o n e surfer c o m m e n t e d :
to be easy to put o n after I get out o f the water.. . W h e r e I travel [is] based o n h o w
supports this c o n d i t i o n .
product i n f o r m a t i o n i n the s u r f i n g c o m m u n i t y .
surfs a lot and has purchased that product [ t a l k i n g about it then] it spreads. ( B - l ,
Liam)
whatsoever.
the water their identity is revealed. ' K o o k ! ! ! ' Y o u can o n l y pose w h i l e y o u are o n
l a n d right. W e a r i n g y o u r rash guard out to the bar is pretty easy to f i g u r e out that
Island s u r f i n g c o m m u n i t i e s h a v e m o r e o f a h i e r a r c h y :
the subculture.
be attracting a n i n c r e a s i n g n u m b e r o f f e m a l e surfers.
93
women.
Trish)
v i r t u a l l y no entry barriers into the s u r f culture, as she s i m p l y put it, "I think i f y o u feel
other t i p s " ( S - l , K e n d r a ) .
94
is i n e v i t a b l e , that even t h o u g h the ocean is a free resource there are other i n i t i a t i o n fees
follows:
forever. It's no l o n g e r what he does, i t ' s w h o he is. It's part o f h i s inner c o m p a s s " .
K e n d r a ) . A n o t h e r s u r f retailer m a d e a s i m i l a r c o m m e n t .
iv. Rituals
the coast. A l l day, surfer k i d s d r i v e up and d o w n the coast to c h e c k the surf, and
the bigger the w a v e the greater the ' s t o k e ' . . .and the need to get to the b e a c h , to
A retailer i n the study d e s c r i b e d a ritual for surfers w h o do not have direct access
o f waves.
Beach.
these s u r f shops often have already been out s u r f i n g and k n o w w h e r e the best s u r f is or
have heard what break is generating the best w a v e s . E a c h surfer has set routines i n order
k e y is that the equipment is necessary. A retailer suggested that, " I t ' s a pretty l o w tech
1, D a n )
the f o l l o w i n g c o m m e n t s m a d e said b y a surfer, " E v e r y o n e has their reason for it. I d o n ' t
that s u r f i n g was part o f o n e ' s m o r a l fiber and i n order to e f f e c t i v e l y represent the culture
b y the f o l l o w i n g s u r f retailers' c o m m e n t s :
o f a c t i v e l y i n v o l v e d as w e l l . (R-3, C o l i n )
defines a core surfer b y his/her c o m m i t m e n t to the sport as f o l l o w s , " A real core surfer is
retail e n v i r o n m e n t .
store's t r a n s f o r m a t i o n :
anymore. ( R - 3 , C o l i n )
participants. A s one surfer a f f i r m e d , "I t h i n k about s u r f i n g a l l the time. It's not the o n l y
l i f e s t y l e t h i n g than a n y t h i n g e l s e " ( S - l , K e n d r a ) .
l i k e to perceive themselves that w a y and sometimes the cart can c o m e before the
towards the style just because i t ' s w h o they are [and] what they l i k e . A n d the
representing it as Scott i n d i c a t e d :
identity.
A s u r f b r a n d representative a c k n o w l e d g e d the a d o p t i o n o f s u r f i n g i d e n t i t y t h r o u g h
consumption:
104
they can pretend l i k e they are a part o f it... .It is for sure 1 0 0 % based o n p e o p l e .
i d e n t i f i e d as a s u r f b r a n d ; h o w e v e r , its m i s s i o n as d e f i n e d b y the m a n u f a c t u r e r is to be a
lifestyle choices.
the s u r f trend f o r w a r d s :
T h e w h o l e m a i n s t r e a m aspect o f it is teen-generated i n retail, i n m a r k e t i n g , [and]
[The s u r f trend] was there and ready and h a d not been e x p l o i t e d yet. T h e teens
Leanne)
j u n i o r consumers.
/. The 'Coolness'Factor
surfing lifestyles:
i m a g e o f the idea o f c o o l , a n d s u r f i n g is d e f i n i t e l y m a r k e t e d as v e r y a p p e a l i n g
Ann)
never surfed [before] they k n o w that they w o u l d l i k e i t . . .There is s o m e t h i n g about it, i t ' s
c o n s u m e r to i d e n t i f y w i t h the s u r f l i f e s t y l e .
It's c o o l , that is w h y teens and pre-teens s u r f . . . [They] got to have the nicest,
h e l p e d d i f f u s e the s u r f l i f e s t y l e to the m a i n s t r e a m .
f o l l o w i n g b r a n d representative's c o m m e n t s .
m a r k e t i n g . (B-2, Jason)
110
d r i v i n g these changes, and that w o m e n w e r e the ' m u s t h a v e ' consumer. A s a retail store
that retailers are re-orienting their retail spaces to support the increased d e m a n d f o r
changes:
where i n soft goods it was equal to the m e n ' s i n our store.. .It is a l w a y s thought
c o m m o n variable i n e x p a n d i n g their business, " G u y ' s can't start up a g i r l ' s store. You
here too. T h e y tend to have their fingers o n the pulse t o o " (R-3, C o l i n ) . H e also
there was n o t h i n g out there and I t h i n k they just felt it was just a natural
4, T r i s h )
d i f f u s i o n o f s u r f lifestyles.
women:
m a d e s u r f i n g m o r e accessible to w o m e n .
surfers i n product d e v e l o p m e n t :
She reveals that p i o n e e r s u r f brands h a v e targeted b o t h the masses and the actual
before they h a v e any products because they go 'these f o u r guys are super c o o l , i f
A retailer noted that the appeal o f the s u r f l i f e s t y l e is often the f o c a l point o f a b r a n d ' s
w e l l i n all their literature [and] even all the h a n g tags that c o m e o n their c l o t h i n g [are] a l l
core brands. I m e a n they are and they aren't. In the general perspective o f that
consumer:
118
around the store 'I l o v e R o x y ' and T just l o v e R o x y ' and they are w e a r i n g R o x y
one step b a c k from that the ones w h o refuse to go quite that g i r l y and they l i k e the
its b a s i c d e s i g n .
are m o r e p o p u l a r than others, [it] has to do w i t h the designs the c o m p a n y has, the
c a m p a i g n s ; h o w e v e r , they often change their tone to capture the female pre-teen and teen
c o n s u m e r . T h i s is e x e m p l i f i e d b y the f o l l o w i n g s u r f b r a n d representative's c o m m e n t s :
119
g o i n g to b u y . S u d d e n l y y o u r group decides, it is l i k e a c o l l e c t i v e
D e p i c t i o n s o f s u r f i n g w e r e w i d e s p r e a d i n the m e d i a d u r i n g m y data c o l l e c t i o n p e r i o d . A s
T e e n C h o i c e A w a r d s i n w h i c h a w a r d recipients r e c e i v e d a s u r f b o a r d as their t r o p h y f o r
be part o f the l i f e s t y l e , and then B l u e C r u s h that c a m e out last year, and there is
n o w . (B-4, T r i s h )
women:
the i m a g e that is b e i n g portrayed [by the m e d i a that it is] what w o m e n i n this era
are l i k e . (B-5, L e a n n e )
121
/. Print media
advertisements near the covers and i n the first f e w pages o f the p u b l i c a t i o n . T h e s e brands
think any c o m p a n y that wants to get their product out there g l o b a l l y can do w i t h o u t the
through the s u r f m a g a z i n e s and a l l that, they are r e a l l y targeting that y o u n g e r c r o w d " (R-
the d e m o g r a p h i c b e i n g targeted:
magazines:
articles they talk about w h a t ' s hot, w h a t ' s not, w h a t ' s c o o l i n c l o t h i n g and so [our
surfing.
surfers to p r o v i d e this ( G e o r g e , 2 0 0 2 ) .
l i k e d the fact that the girls w e r e d o i n g the t e a c h i n g " (S-4, A n n ) . A n o t h e r surfer l i k e d the
r o m a n c e aspect. (S-3, B r o o k e )
A c o m m o n theme expressed i n the i n t e r v i e w s was that B l u e C r u s h had increased
m a d e b y Scott, a retailer.
CHAPTER V - DISCUSSION
occurring worldwide.
a subculture o f c o n s u m p t i o n w i l l be determined.
identity, a n d c o n s u m p t i o n .
130
as i d e n t i f i e d b y S h i l l i n g (2003):
tendencies.
s u r f i n g ( H a m i l t o n et a l . , 2 0 0 2 ) , increased i m p o r t a n c e o f B C and C a n a d a i n g l o b a l
s u r f i n g as an e m p o w e r i n g a c t i v i t y ( G o n z a l e z , 2 0 0 2 ; H a m i l t o n et a l . , 2 0 0 2 ) . T h i s appears
messages are e s p e c i a l l y v i s i b l e .
p o p u l a t i o n o f y o u n g w o m e n and girls.
It has been d o c u m e n t e d that sport and leisure lifestyles are sites o f identity
needs as surfers.
W h e a t o n and B e a l (2003) suggested that "part o f the rationale for participants to accept
s i g n i f i c a n t c o n s i d e r i n g o u r c l i m a t e , a c c e s s i b i l i t y to s u r f i n g , and p o p u l a t i o n as i d e n t i f i e d
i n this study.
135
t e l e v i s i o n gained a l o y a l fan base amongst pre-teen and teens w h o are fascinated w i t h the
s u r f l i f e s t y l e ( G r i f f i n , 2 0 0 3 b ) . M e a n w h i l e , s u r f m e d i a continues to infiltrate us w i t h
cultures suggest that " s p e c i a l i s t niche m e d i a p l a y a central role i n the creation and
circulated b the m e d i a " (p. 158). T h e r e f o r e , it can be reasoned that w o m e n surfers are
p r o v i d e k n o w l e d g e o f the subcultural m e a n i n g .
H o w e v e r , those that w i l l retain a diverse c u s t o m e r base are those that stay true to the core
brands have expanded their lines to reach surfers, but also to reach f e m a l e teens and pre-
teens; (c) F e m a l e teens and pre-teens use s u r f w e a r to h e l p construct their identities; and
supports the n o t i o n that female teens and pre-teens use s u r f w e a r to help construct their
identities.
e x p r e s s i o n (p. 43).
the core o f the s u b c u l t u r e " (p. 263). Furthermore, surfers c o n s u m e brands but appear to
the better the w i n d s u r f e r , the h i g h e r the s u b c u l t u r a l status" (p. 2 5 9 ) . She further states
a group setting. O n e can have several consistencies i n their personal routine but that
routine can be o f f set b y the presence o f other surfers. T h e r e f o r e , rituals are a part o f the
beginners i n lessons and then to l o o k further out and see distant figures i n the l i n e up.
c o m m i t m e n t spectrum.
brands have better fits and designs i n their o f f e r i n g s to w o m e n . W o m e n surfers are aware
o f the products that are superior to their needs as they have tried these various
The consumption o f surf products does contribute to their inner sense o f identity
but does not influence ones status in the subculture. The expansion o f product offerings
to women and proper wetsuit fit is contributing to more positive experiences in the water.
These consumption practices enable one to surf; however, one's commitment to the sport
is what differentiates ones placement in the subculture. This commitment to the surf
identity.
Surfing i n Canada is unique in the sense that crossing over into the subculture
involves getting into the water. If you feel like a surfer you are a surfer. The hierarchy
isn't so defined. A s one progresses as a surfer, one w i l l demonstrate more skill and more
ocean knowledge and perhaps w i l l maintain some level o f status in her own group o f
surfers. Outside o f that central group that you associate with, there are no pre-defined
become respected across groups o f surfers. She may become known and be
authentic participant as long as she surfs. The consumption o f surf products is not going
New lifestyle practices that are outside the norm o f traditional educational
sporting activities have gained the attention o f women who seek involvement in high-risk
individualized activity. Rinehart (2005) acknowledges that lifestyle or extreme sports are
accepted i n the water and there is less o f a fraternal structure. Further d e v e l o p m e n t s that
traditionally male-dominated field. Women are persevering in the pro scene and many
have made in roads and gained respect in the big wave scene, which have been deemed 'a
testosterone pit' by many professional women surfers. Meanwhile, female surfers are
turning into savvy entrepreneurs worldwide with the development of surf schools and
surf businesses. The sacrifices of female surfers who first experienced the sport when it
wasn't as accepting to women are paving the way for the next generation. It is apparent
that not only in surfing is there a changed gender order, but other developments indicate
The methodology for this study included interviewing women surfers, surf brand
retailers, and Canadian surf brand representatives. By interacting with these three groups
I was able to gain an understanding of the women's surf scene and the surf wear industry
from three interrelated yet unique perspectives. Upon completion of my interviews, two
the surf brand industry through my experiences in retail and as an active participant.
potential employment at the retail level in a core skate snow surf store that catered to both
experiences gave me increased exposure to the culture, the participants, and the
industry and eventually this led to buying product for the women's section of the store.
As a women's soft goods buyer, I oversaw the purchases for the women's store. This
gave me another window into the surf products market and this experience further
highlighted the cyclic nature of the industry where consumer feedback and consumer
brand awareness are at the forefront of the design process. This industry is highly
retailers, surf brand representatives, and surfers themselves. The surf brand
representatives, in effect, utilize the buyers for consumer feedback. The buyers are not
148
only responsible for the purchase and display o f the product, but they essentially are the
ones selling the product in the store and keeping track o f demographics, demand, and
profitability o f brands. A relationship between the surf brand representatives and buyers
is mutually beneficial to the brand and to the store. The Canadian surf brand
representatives, in turn, report their findings to the surf brand manufacturers and these
concern in the surf industry. H o w can one capitalize on the explosion o f surf culture and
target the masses without alienating those that are core to the sport? A few predominant
trends were visible in my experiences that support the desire o f companies to maintain an
authentic image. Brands often utilize real surfers in their ad campaigns, and stay true to
their surf roots and the brands image. Although, each brand is influenced by current
fashion trends, their image remains intact. Meanwhile, retailers carry authentic surf
brands and hire employees that are avid lifestyle sport enthusiasts. It seems that in order
critical o f brands that are not core surf brands. The mainstream consumer who isn't as
educated is content wearing any surf brand. However, there is also evidence o f brand
loyalty amongst the more educated consumers, and this extends to those who are not
active participants in the sport but who support the brand's image. This loyalty is
increasingly common amongst pre-teens and teens and often fluctuates seasonally for
female consumers based on the current designs and trends. The mature surf participant is
more interested in supporting local brands or brands that have a deep connection to
surfing. Core women surfers repeatedly purchased their surf products and surf fashions
149
have a fleet o f wetsuit rentals that enable the retailer to promote the sport o f s u r f i n g to
surfer, a retailer is s e c u r i n g a sale w i t h that c o n s u m e r , once he/she gets the s u r f stoke and
e v e n t u a l l y invests i n s u r f products.
staying o n top o f market changes. Skate brands are e x p l o d i n g their product offerings to
amongst females.
151
competitors strengths and weaknesses and their standing i n the sport marketplace.
image.
name as the m o d e l name for increased b r a n d strength i n the product category. This
athletes.
153
pro scene and h a v e made in-roads o n the b i g w a v e scene c h a l l e n g i n g the gender order i n
g a i n i n g acceptance as surfers.
developing organic women's surfing subculture (the hard-cores) and by the market
method of interviewing three populations proved to be a useful way to gain insights into
how each contributes to the overall development of surfing as a popular cultural form and
set of practices.
The future of the sport of surfing in Canada and globally is relatively unknown.
This opens the question, what is the next step in surfing evolution? Improved
technologies in board and watercraft design and in weather forecasting have pushed
surfing to new levels, where tow-ins are commonplace and the search is for the biggest
wave. Will Canada gain credibility worldwide as a surfing destination? Will the town of
Tofino suffer the same loss when fishing industries were on the wane or will surfing
There is evidence that surfing is becoming more gender neutral, however, future
research with both Canadian male and female surfers at different surfing locations on the
West Coast of Canada, could help to create a better understanding of our own social
The focus of this study was to analyze the relationship between women's surf
culture in Western Canada and the marketing activities of the Canadian surf wear
155
what m a r k e t i n g techniques they can relate to, and what brands they are i n c r e a s i n g l y l o y a l
A s s u r f i n g b e c o m e s m o r e o p e n to w o m e n a n d females b e c o m e m o r e i n v o l v e d i n
yet r e m a i n unclear.
and are t r y i n g to b e proactive i n their efforts to keep the waters clean a n d safe.
causes?
interactions p r o v e d m o r e t r y i n g to f o r m .
interviews w i t h as they had a fixed address and they w e r e easier to locate. A l l i n a l l , the
the b r a n d representatives and retailers d i d not share the same o p i n i o n as not a l l w e r e core
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Appendix I
167
Appendix II
169
Appendix III
172
Appendix IV
173
1) History/Background Information:
a) H o w l o n g h a v e y o u been i n v o l v e d i n the sport o f surfing?
b) H o w l o n g has (surf s c h o o l name) been i n operation?
c) W h e r e d i d the i d e a to o p e n an a l l w o m e n ' s s u r f s c h o o l originate?
d) W h y an all w o m e n s u r f s c h o o l ? W a s there a d e m a n d for a w o m e n ' s
s p e c i f i c s u r f s c h o o l at the t i m e o f (surf s c h o o l name)'s i n c e p t i o n ?
e) W h a t is (surf s c h o o l n a m e ) ' s m i s s i o n ? H o w successful has (surf s c h o o l
name) been at m a i n t a i n i n g o r r e a c h i n g this goal?
2) Target Market:
a) W h a t is y o u r p r i m a r y target market?
b) W h o attends (surf s c h o o l n a m e ) ' s lessons? W h e r e do y o u r clients c o m e
from?
c) D o y o u t h i n k that s u r f i n g is a p p e a l i n g to teens and pre-teens? H o w
important is the so-called G e n e r a t i o n Y to the success o f y o u r business?
3) Marketing:
a) W h a t m a r k e t i n g techniques does (surf s c h o o l name) u t i l i z e to promote its
school? ( w o r d o f m o u t h , a d v e r t i s i n g , p r o m o t i o n s , events)
b) Is the Internet an important t o o l used i n the p r o m o t i o n o f (surf s c h o o l
name)? E x p l a i n .
4) Participation:
a) There is a p e r c e p t i o n that m o r e w o m e n are s u r f i n g these days. S i n c e the
i n c e p t i o n o f (surf s c h o o l name) have y o u n o t i c e d a g r o w t h i n the support
and n u m b e r o f w o m e n surfing?
b) W h a t do y o u t h i n k p r o p e l l e d the s u r f industry to where it is today? What
is c a u s i n g this increased attraction to the sport?
c) H o w has the increased p o p u l a r i t y o f w o m e n ' s s u r f i n g affected the n u m b e r
o f participants e n r o l l e d i n lessons w i t h (surf s c h o o l name)?
d) D o y o u t h i n k w o m e n ' s s u r f i n g is here to stay? H o w do w e k n o w ? W h a t
are the signs?
e) D o y o u t h i n k the recent p o p u l a r i t y o f w o m e n ' s s u r f i n g is due to m a r k e t i n g
and/or m e d i a c o v e r a g e o r a result o f an increased n u m b e r o f females
t r y i n g out the sport and getting i n the water?
5) Appeal:
a) D o y o u t h i n k a g i r l s - o n l y e n v i r o n m e n t is important to y o u r clientele? D o
participants feel m o r e c o m f o r t a b l e b e i n g taught b y females and l e a r n i n g to
s u r f w i t h w o m e n i n the group o n l y ? W h y ? E x p l a i n .
b) W h a t i n i t i a l l y attracted y o u to the s u r f l i f e s t y l e ? (E.g. e n v i r o n m e n t ,
f r e e d o m , r i s k , l i f e s t y l e , intensity)
c) W h a t do y o u t h i n k attracts y o u n g girls and w o m e n to surfing? W h y ?
Explain.
174
6 ) Identity:
a} D o y o u think b e i n g a surfer is part o f y o u r identity? H o w ? D o e s it
i n f l u e n c e y o u r purchase d e c i s i o n s ? (E.g. m u s i c , clothes, cars) D o e s it
affect what activities y o u d o ? D o e s b e i n g a surfer p l a y a r o l e i n the
f o r m a t i o n o f y o u r attitude?
b) D o y o u w e a r s u r f b r a n d e d clothes to identify y o u r s e l f as a surfer?
c) D o y o u think non-surfers use s u r f style as a means o f a d o p t i n g s u r f i n g
identity? H o w ? E x p l a i n .
d) D o y o u think particular p e o p l e use/wear different brands based o n their
identity? T o what effect? E x p l a i n .
7) Surf Culture:
a) D o y o u t h i n k that surfers are a distinct group? A r e surfers different i n
some w a y ? H o w are surfers different?
b) W h e r e do w o m e n fit into this picture?
c) D o y o u c o n s i d e r y o u r s e l f to b e an insider i n the l o c a l s u r f scene?
d) H o w d o y o u b e c o m e accepted as a m e m b e r o f this culture?
o E.g. c o m m i t m e n t , b e a c h c r e d i b i l i t y , equipment, style
8) Surfing in Canada:
a] A r e there m a n y opportunities f o r female surfers to advance o r get
recognized i n Canada?
O E.g. c o m p e t i t i o n s , sponsorships, p r o m o t i o n s
9) Blue Crush:
a) D o y o u t h i n k B l u e C r u s h accurately portrayed the sport o f w o m e n ' s
surfing?
b) W h a t do y o u t h i n k the release o f B l u e C r u s h last A u g u s t d i d to w o m e n ' s
surfing? Increased participation? Increased appeal? Increased support?
W h o benefited?
c) D o y o u think the release o f B l u e C r u s h increased the d e m a n d for s u r f w e a r
and surf-themed products a m o n g y o u n g g i r l s and w o m e n i n general?
1) History/Background Information:
a] H o w l o n g have y o u been i n v o l v e d i n the sport o f surfing?
b] W h e r e d i d y o u first experience the sport? H a v e y o u been an a v i d
surfer since that first experience o n the board?
c] D o y o u s u r f year round? H o w important is b e i n g able to s u r f to
y o u r lifestyle? D o e s b e i n g able to s u r f i m p a c t the d e c i s i o n s y o u
m a k e w i t h regard to w o r k , travel, l i v i n g and activities y o u partake
in socially?
2) Participation:
a) T h e r e is a p e r c e p t i o n that m o r e w o m e n are s u r f i n g these days.
S i n c e y o u b e g a n s u r f i n g have y o u n o t i c e d a g r o w t h i n the support
and n u m b e r o f w o m e n surfing?
b} W h a t do y o u t h i n k p r o p e l l e d the s u r f industry to where it is today?
W h a t is c a u s i n g this increased attraction to the sport?
c] D o y o u t h i n k w o m e n ' s s u r f i n g is here to stay? H o w do w e k n o w ?
W h a t are the signs?
d) D o y o u t h i n k the recent p o p u l a r i t y o f w o m e n ' s s u r f i n g is due to
m a r k e t i n g and/or m e d i a coverage o r a result o f an increased
n u m b e r o f females t r y i n g out the sport and getting i n the water?
176
3) Appeal:
a) W h a t i n i t i a l l y attracted y o u to the s u r f l i f e s t y l e ? (E.g. e n v i r o n m e n t ,
f r e e d o m , r i s k , l i f e s t y l e , intensity)
b j W h a t d o y o u t h i n k attracts y o u n g girls and w o m e n to surfing?
c) D o y o u t h i n k the s u r f scene i n C a n a d a i s different f r o m other
g e o g r a p h i c a l locations? W h a t attracts females to s u r f i n g i n
Canada?
d) D o y o u b e l i e v e there is crossover between s u r f i n g and the other
b o a r d sports (E.g. s n o w b o a r d i n g , s k a t e b o a r d i n g a n d
wakeboarding)? H a v e these sports h e l p e d stimulate the s u r f
industry?
4) Identity:
a) D o y o u t h i n k b e i n g a surfer is part o f y o u r identity? H o w ? D o e s it
i n f l u e n c e y o u r purchase d e c i s i o n s ? (E.g. m u s i c , clothes, cars) D o e s
it affect what activities y o u d o ? D o e s b e i n g a surfer p l a y a role i n
the f o r m a t i o n o f y o u r attitude?
b] D o y o u w e a r s u r f branded clothes to i d e n t i f y y o u r s e l f as a surfer?
c) D o y o u t h i n k non-surfers use s u r f style as a means o f a d o p t i n g
s u r f i n g identity? H o w ? E x p l a i n .
d] D o y o u t h i n k particular people use/wear different brands based o n
their identity? T o what effect? E x p l a i n .
5) Surf Culture:
a) D o y o u t h i n k that surfers are a distinct group? A r e surfers
different i n s o m e w a y ? H o w are surfers different?
W h e r e do w o m e n fit into this picture?
D o y o u c o n s i d e r y o u r s e l f to be an i n s i d e r i n the l o c a l s u r f scene?
H o w d o y o u b e c o m e accepted as a m e m b e r o f this culture?
o E.g. c o m m i t m e n t , beach c r e d i b i l i t y , equipment, style
6) Surfing in Canada:
a) A r e there m a n y opportunities for female surfers to advance o r get
recognized i n Canada?
o E.g. c o m p e t i t i o n s , s p o n s o r s h i p s , p r o m o t i o n s
7) Blue Crush:
a) D o y o u t h i n k B l u e C r u s h accurately portrayed the sport o f
w o m e n ' s surfing?
b) W h a t d o y o u t h i n k the release o f B l u e C r u s h last A u g u s t d i d to
w o m e n ' s surfing? Increased participation? Increased appeal?
Increased support? W h o benefited?
c) D o y o u t h i n k the release o f B l u e C r u s h increased the d e m a n d f o r
s u r f w e a r and surf-themed products a m o n g y o u n g g i r l s and w o m e n
i n general?
177
9) Surf Brands:
a] A r e y o u l o y a l to any s p e c i f i c s u r f w e a r brands? W h i c h ones?
W h y ? W h a t do these brands m e a n to y o u ?
b] D o y o u t h i n k certain s u r f brands h a v e a particular personality?
c] W h a t s u r f brands h a v e gained p o p u l a r i t y as a w h o l e ?
d] D o y o u t h i n k the s u r f w e a r market i s b e c o m i n g too saturated?
1) History/Background Information:
a) H o w l o n g has (store name) been i n operation?
b) H a v e y o u a l w a y s carried s u r f m e r c h a n d i s e at y o u r store? I f not, w h e n d i d
y o u d e c i d e to start c a r r y i n g s u r f merchandise? W h a t m o t i v a t e d y o u to
e x p l o r e the s u r f products market?
c) H a v e y o u e x p a n d e d the lines y o u r store carries over the years to reach the
female c o n s u m e r ? W h a t m o t i v a t e d y o u to further e x p l o r e this m a r k e t ?
d) H o w do y o u decide what to order and w h a t brands y o u r store w i l l carry?
2) Target Market:
a) W h o i s y o u r p r i m a r y c o n s u m e r o f surf-related m e r c h a n d i s e ?
b) D o y o u t h i n k the s u r f w e a r industry targets teens and pre-teens? H o w
important is the so-called G e n e r a t i o n Y to (store name) i n particular?
c) H o w important is the female c o n s u m e r to the o v e r a l l success o f (store
name)?
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3) Participation:
a) There is a p e r c e p t i o n that m o r e w o m e n are s u r f i n g these days. S i n c e y o u
have been i n the retail i n d u s t r y have y o u n o t i c e d a g r o w t h i n the support
and n u m b e r o f w o m e n surfing?
b) W h a t do y o u t h i n k p r o p e l l e d the s u r f industry to w h e r e it is today? W h a t is
c a u s i n g this increased attraction to the sport?
c) D o y o u t h i n k w o m e n ' s s u r f i n g is here to stay? H o w do w e k n o w ? W h a t
are the signs?
d) H o w m u c h o f an i n f l u e n c e has m a r k e t i n g h a d o n the increased p o p u l a r i t y
o f w o m e n ' s s u r f i n g and the d e m a n d for surf-related products?
e) In general terms, h o w has the increased p o p u l a r i t y o f w o m e n ' s s u r f i n g
affected y o u r sales at (store name)?
4) Appeal:
a) W h a t d o y o u b e l i e v e attracts y o u n g girls and w o m e n to surfing?
b) W h a t appeals non-surfers to the s u r f l i f e s t y l e and hence s u r f style?
c) W h e r e does this f a s c i n a t i o n w i t h the s u r f l i f e s t y l e originate?
d) D o y o u b e l i e v e that the s u r f l i f e s t y l e has crossed o v e r to the mainstream?
W h y does s u r f i n g h a v e s u c h a strong m a i n s t r e a m presence?
e) D o y o u b e l i e v e there is crossover between s u r f i n g and the other b o a r d
sports (E.g. s n o w b o a r d i n g , skateboarding and w a k e b o a r d i n g ) ? H a v e these
sports helped stimulate the s u r f industry?
5) Identity
a) D o y o u think non-surfers use s u r f style as a means o f a d o p t i n g s u r f i n g
identity? H o w ? E x p l a i n .
b) D o y o u t h i n k particular p e o p l e use/wear different brands based o n their
identity? T o what effect? E x p l a i n .
7) Surfing in Canada:
a) D o y o u t h i n k the s u r f scene i n C a n a d a is different f r o m other g e o g r a p h i c a l
locations? W h a t attracts females to s u r f i n g i n C a n a d a ?
b) H o w does the s u r f w e a r i n d u s t r y d i f f e r i n C a n a d a c o m p a r e d to other parts
o f the w o r l d ?
c) W h a t is the biggest i n f l u e n c e o n the C a n a d i a n s u r f w e a r industry?
d) D o y o u k n o w o f a n y w o m e n ' s o n l y s u r f schools i n C a n a d a ? H o w d i d y o u
hear about this s u r f s c h o o l ?
8) Surf Brand:
a) D o y o u b e l i e v e that b r a n d i n g has d r i v e n the fashions?
b) W h i c h s u r f brands are the most p o p u l a r a m o n g y o u n g girls and w o m e n ?
c) W h y do y o u t h i n k (brand name) has captured the f e m a l e teen and pre-teen
market so w e l l ?
9) Marketing:
a) D o e s y o u r c o m p a n y do market research? H o w do y o u d e c i d e w h i c h items
y o u r store w i l l carry each season?
b) W h e r e do s u r f trends originate? W h o are the trend setters?
c) W h a t m a r k e t i n g techniques do y o u c o n s i d e r to b e m o s t effective by
marketers i n r a i s i n g b r a n d awareness i n the s u r f industry?
1) History/Background Information:
a) H o w l o n g has (brand name) been around? W h e n w a s it founded? W h a t is
the brands history?
b) Is (brand name) a g l o b a l brand? H o w m a n y countries h a v e dealers s e l l i n g
y o u r brand?
c) H a s y o u r b r a n d e x p a n d e d as a result o f the increased support and
p o p u l a r i t y o f w o m e n ' s surfing?
d) W h a t is (brand n a m e ) ' s m i s s i o n as a b r a n d i n the s u r f w e a r industry?
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2) Target Market:
a) W h o is the m a i n target f o r y o u r brand?
b) D o y o u t h i n k the s u r f w e a r i n d u s t r y targets teens and pre-teens? H o w
important i s the so-called G e n e r a t i o n Y to (brand name) i n particular?
c) H o w important is the female c o n s u m e r to the o v e r a l l success o f y o u r
brand?
3) Participation:
a) There is a p e r c e p t i o n that m o r e w o m e n are s u r f i n g these days. S i n c e y o u
have been i n the s u r f w e a r i n d u s t r y h a v e y o u n o t i c e d a g r o w t h i n the
support and n u m b e r o f w o m e n surfing?
b) W h a t do y o u t h i n k p r o p e l l e d the s u r f industry to w h e r e it is today? W h a t is
c a u s i n g this increased attraction to the sport?
c) D o y o u t h i n k w o m e n ' s s u r f i n g i s here to stay? H o w do w e k n o w ? W h a t
are the signs?
d) H o w m u c h o f an i n f l u e n c e has m a r k e t i n g been o n the increased p o p u l a r i t y
o f s u r f i n g and the d e m a n d for surf-related products?
4) Appeal:
a) W h a t do y o u b e l i e v e attracts y o u n g girls and w o m e n to surfing?
b) W h a t appeals c o n s u m e r s to the s u r f w e a r industry?
c) W h e r e does this f a s c i n a t i o n w i t h the s u r f l i f e s t y l e originate?
d) D o y o u b e l i e v e that the s u r f l i f e s t y l e has crossed o v e r to the mainstream?
W h y does s u r f i n g h a v e such a strong m a i n s t r e a m presence?
e) D o y o u b e l i e v e there i s crossover betw een s u r f i n g and the other b o a r d
sports (E.g. s n o w b o a r d i n g , skateboarding and w a k e b o a r d i n g ) ? H a v e these
sports h e l p e d stimulate the s u r f industry?
5) Identity:
a) D o y o u t h i n k non-surfers use s u r f style as a means o f a d o p t i n g s u r f i n g
identity? H o w ? E x p l a i n .
b) D o y o u t h i n k particular p e o p l e use/wear different brands based o n their
identity? T o w h a t effect? E x p l a i n .
6) Surf Culture:
a) D o y o u t h i n k that surfers are a distinct group? A r e surfers different i n
some w a y ? H o w are they different?
b) W h e r e do w o m e n fit into this picture?
c) H o w do y o u b e c o m e accepted as a m e m b e r o f this culture?
o E.g. c o m m i t m e n t , beach c r e d i b i l i t y , equipment, style
Surf Brand:
a) H o w do y o u d i s t i n g u i s h y o u r s e l f f r o m the c o m p e t i t i o n ?
b) D o y o u have a s p e c i f i c p e r s o n a l i t y f o r y o u r brand? W h a t k i n d o f i m a g e
are y o u t r y i n g to e m b o d y ?
c) H o w have y o u p o s i t i o n e d y o u r b r a n d i n the market?
Marketing:
a) W h a t m a r k e t i n g techniques do y o u u t i l i z e to p r o m o t e y o u r brand?
b) There is a p e r c e p t i o n that i n order to reach the w o r l d l y w i s e so-called
G e n e r a t i o n Y , marketers need to craft products and pitches that are m o r e
realistic. H a v e y o u changed y o u r m a r k e t i n g strategy to capture this
generation's attention? H o w does (brand name) c o m m u n i c a t e to y o u t h
culture?
c) There is a p e r c e p t i o n that the Internet is the m e d i u m o f c h o i c e amongst
G e n e r a t i o n Y for entertainment, c o m m u n i c a t i o n , and product research?
H o w important is the Internet i n y o u r m a r k e t i n g strategy?
d) Furthermore, there is a p e r c e p t i o n that w o m e n are b e c o m i n g i n c r e a s i n g l y
important i n the sport marketplace. It is suggested that c o m p a n i e s s e e k i n g
to target and reach the f e m a l e c o n s u m e r must change the w a y they
c o m m u n i c a t e to th e m. H o w do y o u c o m m u n i c a t e to w o m e n ?
o E.g. change the tone i n w h i c h y o u speak to w o m e n
e) H o w important are c e l e b r i t y athletes to y o u r m a r k e t i n g strategy? D o y o u
sponsor athletes? H o w m a n y o f t h e m are female?
f) D o y o u do m a r k e t research? W h a t are the m a i n considerations y o u put into
product d e v e l o p m e n t ?
g) W h e r e do the s u r f w e a r trends originate? W h o are the trend setters?
Blue Crush:
a) D o y o u t h i n k B l u e C r u s h accurately portrayed the sport o f w o m e n ' s
surfing?
b) W h a t d i d the release o f B l u e C r u s h last A u g u s t do to w o m e n ' s surfing?
Increased p a r t i c i p a t i o n ? Increased appeal? Increased support? W h o
benefited?
c) D o y o u t h i n k the release o f B l u e C r u s h increased the d e m a n d f o r s u r f w e a r
and s u r f t h e m e d products a m o n g y o u n g girls and w o m e n i n general?