Escala

Diatônica Maior Fá
Ambientação à Tonalidade Maior


  
Pedro Henrique dos Santos

                 
          
 = 60  = 60
 = 120  = 120

         
Mulheres

                

A... É...

Homens

        
Baixo                   

  
          
         
 = 60  = 60  = 60
13  = 120  = 120  = 120

             
M.

  
           
Ê...

H.

              

    
Bax.     

   = 120 
               
          
 = 60  = 60
 = 60
25  = 120

        
M.

                
I...

H.

      
Bax.                  

Pedro Santos, 2019

   = 120  
        
     


    
     
 = 60  = 60  = 60
38  = 120  = 120

          
M.

                  
Ó... Ô...

H.

         
Bax.
              

   = 120 
           
   
      
 = 60  = 60  = 60
51  = 120  = 120

         
M.

               
U...

H.

       
      
   
Bax.     

2 Pedro Santos, 2019