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Rebecca Namuddu
Professor Granillo
English 103
4 December 2019
“In front of friends and relatives, they play treasure-hunt style guessing games, pop
balloons to watch either pink or blue confetti fall, and cut into frosted cake to discover the color
of their unborn baby’s future. Loved ones squeal – usually, but not always, with delight…”
(Baby-gender 'reveal' parties…). Cakes have always been used to celebrate a special occasion
where everyone comes together to partake in the event. At the center of the attention is the cake
that everyone waits for to be cut so they can lounge in its taste. The sex reveal cake that I drew is
celebrating the new life that is about to come into this world. I will be viewing this cake through
the feminist lens using semiotics to uncover the meaning it is conveying. Lois Tyson states in the
book Critical Theory Today that, “feminist criticism examines the ways in which literature (and
other cultural production) reinforces or undermines the economic, political, social, and
psychological oppression of women” (79). The sex reveal cake states that the child is either
going to be a boy or girl that will be loved regardless. By way of feminist lens such as traditional
gender roles exemplify that this cake was made to contradict the norms of gender stereotypes
through its semiotics. Thus, this cake portrays that neither a boy or girl is constrained to
stereotypical symbols, but instead free to choose who they want to be and seen as.
The sex reveal cake is vibrant in its appearance from the colors being pultruded on it. On
top of the cake there is yellow icing and the words ‘Boy or Girl” written on the top. While at the
bottom of those words another set of words read “We Love (heart icon) You”. Surrounding the
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cake is a colorful pattern that is memorizing and appealing to the eye. There are the colors green,
pink, blue, orange, yellow, purple, red etc. circling the cake. The design of this cake contradicts
the norms of a gender reveal cake like the “Sweet Mary’s” cake that embodies two symbols for a
boy and a girl. While the “Sweet Mary’s” cake is embodying traditional gender roles the sex
The sex reveal cake does not portray the traditional gender roles casted onto society
through its built. Traditional gender roles “cast men as rational, strong, protective, and decisive;
they cast women as emotional (irrational), weak, nurturing, and submissive” (Tyson 81). One
can see this being contradicted through the word choices being used on the sex reveal cake. On
the cake it states “Boy or Girl…We Love (heart icon) You” which is significant. The cake is
stating that the sex of the baby is either going to be a boy or girl, but no matter what the sex of
the baby the expecting parents will love that child regardless. That child is not adhered to the
stereotypes of the gender that society has placed onto that specific gender. Unlike the “Sweet
Mary’s cake that uses wheels and blue to identify to a boy while heels and pink to identify to a
girl places specific characteristic that the child must have, the sex reveal cake opposes that. In the
article “Gender Selection of Babies: Should parents be permitted to select the gender of their
children” states:
In addition, critics express concern that parents who chose to have a child of a particular
gender might be hoping for specific characteristics that are not guaranteed. Parents who
select a male child in the hope that he will be a sports enthusiast, for instance, are
creating expectations that will not necessarily be met, they say. That could lead to
undesirable pressure on children to conform to what their parents expect them to be,
This shows that having the sex of the baby being confined to a symbol belittles the children to
have to fit in with what they were deemed to. For example, the cake “Sweet Mary’s” the cake
symbolizes the boy to wheels and blue which puts pressure on the child before they are even
born yet to like cars and blue. While for the girl, she must like pink and like high heels in order
to fit in to what the parents propose of her to be. “The imagery of gender-reveal parties - pistols
or pearls, wheels or heels, m&m’s with nuts or no nuts - strikes Olson-Kennedy as hyper-
masculine and hyper-feminine” (Baby-gender 'reveal' parties…). Unlike the “Sweet Mary’s”
cake, my sex gender reveal cake not only does it not confine the child to a stereotype, it does not
Instead my cake gives the child freedom on what they want to like including colors, since
the word “Boy” is not in a solid blue color, but each letter has a different color. Including the
word “Girl” that is not a solid pink color but instead each letter has a different color. “Dr. Peter
Lee, a pediatric endocrinologist and professor at Penn State College of Medicine in Hersey,
Pennsylvania, told Reuters Health that long before marketers assigned pink to girls and blue to
girls, men wore high heels to horseback ride, and European men outfitted themselves in lace”
(Baby-gender 'reveal' parties…). My sex gender reveal cake does not pressure the child to be
confined to a specific color or symbol that should represent them instead it gives them their free
will to choose the person they want to be. Not only do we see the traditional gender roles being
contradicted with the words on the cake but also the colors, which are the visually appealing part
of my cake.
Colors are viewed everywhere we go and help depict messages in a different light. From
the way they are presented upon billboards, to commercials, to marketing etc. They are used to
associate to people’s races and are used to categorize the gender someone is. On the cake ‘Sweet
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Mary’s” it depicts two main colors that associate to each gender, with pink being for girl and
blue being for a boy. That cake also uses the colors black and white to depict that this gender
reveal is like black and white. In the article, “Gender Testing in Sports: Should the International
For example, some people may have Androgen Insensitivity Syndrome (AIS), which
means they have a Y chromosome, which normally indicates a male, but their bodies do
not respond to the naturally occurring masculine hormone androgen, and thus develop
externally as women. Other women could have two X chromosomes (the normal marker
of a woman) but have overactive adrenal glands, which can lead to excess levels of
This shows that gender is not just black or white instead it is a complicated topic where there are
many options that can arise from it and always do. Beverly Guy-Sheftall states in her book,
Words of Fire: An Anthology of African- American Feminist Thought, that, “A constant reminder
to readers of his commitment to the rights of women was the newspaper’s slogan – ‘Right is of
No Sex’” (433). Not everyone submissively falls into the stereotypes that society has placed onto
gender. We all would not fall into gender stereotypes if we were persuaded to walk the Earth by
People walk about in society conforming to the stereotypes that they associate with in
order to be considered “normal” in the eyes of the world that has subordinated them into fixed
boxes that one cannot express themselves freely. In the article, “Baby-gender 'reveal' parties may
have a dark side” Dr. Peter Lee says that “I sort of thought pink and blue, these colors, were
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something that was in the past,” he said. “Gender-reveal parties are overemphasizing the gender.
Unlike my sex reveal cake, it is not simply black and white that society has made gender out to
be or the “Sweet Mary’s” cake that depicts the white and black colors that depicts that gender is
black and white. Instead my cake depicts many different colors that are vibrant and colorful,
showing that gender is not simply black or white, but it is many colors and can be connected into
different ways or patterns. Even though the colors that the “Sweet Mary’s” cake uses to portray a
happy occasion the cake does not back up the happy occasion. My cake on the other hand backs
up this happy occasion by using yellow. Yellow being a symbol of happiness and not using the
colors pink and blue to depict happiness and conform a gender. That is why yellow is depicted
on top of the cake to show the important of this occasion which connects to the word “We Love
(hear icon) You” to show that this a happy moment that the parents would love regardless of the
outcome. Bringing the children into a family that does not put importance on their gender
characteristics but their free will of choice to choose who they want to be and not have
In conclusion, the sex reveal cake conveys the message that the new baby that is being
celebrated will be loved regardless of their sex. They will be welcomed where there are no
stereotypical roles that they must confirm to, but they are free to choose who they wan to be. My
cake does not fall into traditional gender roles instead it contradicts it from the word and colors
being portrayed on it. The words are welcoming and do not subordinate their gender to specific
characteristics and likes that they should have instead shows that they are in control of the person
they want to be. Their sex does not define who they are, they define who they are as their own
person. The colors are also vibrant and warm showing that that their gender is not black and
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white but instead is dressed in many different colors that they get to choose and place on
themselves. Children should be celebrated into the outside world to express themselves freely
and not be confirmed to the sex that they are born into. They should not be pressured into the
characteristic that society has placed upon their sex before they have even entered the outside
world. It’s their free will to decide what kind of person they want to be and what characteristics
Work Cited
"Baby-gender 'reveal' parties may have a dark side." Reuters, 30 Nov. 2017. Issues &
Controversies, Infobase,
https://icof.infobaselearning.com/icofnewstopic.aspx?reutersID=380489. Accessed 4
Dec. 2019.
Should parents be permitted to select the gender of their children?" Issues &
"Gender Testing in Sports: Should the International Association of Athletics Federations (IAAF)
Tyson, Lois. Ch 4. Critical Theory Today: A User-Friendly Guide. 3rd ed., Routledge, 2015,
pp 79-81.