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EDU-245
Through my time at Frances Slocum, I learned so many things about the developmental
levels of kindergarten-aged children as well as how read-alouds and discussions can aide in their
development. My students were very sweet and were very eager to participate and interact with
the texts I brought each week. One of the first aspects of their literacy development that I could
recognize was their ability to analyze and pull meaning from illustrations. After reflecting on the
Story Boost research article, I made the assumption that the students may not be able to
understand how to utilize elements of books such as pictures. However, they made connections
very quickly with the images and could tell me a story simply based on the illustrations. Through
this I realized that I should not have been surprised about this finding. Children begin to
understand their world through images. Because they cannot yet read, they are constantly
looking for images and symbols as clues for how to navigate and understand the world around
This finding also led me to another discovery that I did not anticipate. One day, I brought
in two books. One was A Ball for Daisy by Chris Raschka and the other was A Spooky Eerie
Night Noise by Mona Rabun Reeves. My intention with bringing in these two books was simple:
I wanted to see if the students could tell me the story of A Ball for Daisy. I wanted to see their
interpretation and if they could anticipate the events to come throughout the book. I brought in A
Spooky Eerie Night Noise because the students said that they enjoyed spooky books and they all
loved Halloween. The two books were completely unrelated. However, the students made an
inference that I did not anticipate. In A Spooky Eerie Night Noise the main character is scared at
night as she is trying to go to sleep because she continues to hear noises outside. She begins to
imagine all the horrifying monsters and beasts the noise could be coming from. The illustrations
draw out what the little girl is imagining, however the text tells us that this is just what she is
thinking about. Dracula and a dragon are not actually outside her window. Well at one point in
the book, there is an image of a tiger outside her window, but it clearly says in the text that she
imagines a tiger in her mind. I asked the students if the tiger was really there. To my surprise,
they said yes. I asked again with more context, repeating the line about how it is all in her mind.
They continued to say that the tiger was actually there. So I had the students close their eyes. I
told them to imagine that a small zebra with a green and purple polka dot sweater on is sitting at
the blanket here with us. Then once they said that they were imagining it, I had them open their
eyes. I asked if the zebra was really sitting at the blanket with us, and they replied no. I began to
get more excited and explain that sometimes we can imagine things in our minds, but they aren’t
actually there. They seemed to understand so I said, so if the little girl is imagining the tiger in
her mind, is it actually outside her window? And they excitedly said, “Yes!” I laughed and
decided to move on. Reflecting later on the incident, I realized that I had set my students up for
failure in that question and their understanding of the second book. In A Ball for Daisy, the
students solely had the pictures as their tool to understand the book. Then in the second book, the
pictures contradict what the text is trying to convey. I began to more fully understand the
marriage of picture and text and how important it is to teach children about this beautiful
marriage. Students in the emergent level of literacy especially are going to rely heavily on the
illustrations as a clue for comprehension; as they should. However, it is vital to teach how the
marriage of the two makes the text that much more interesting.
My students’ ability to make connections with the text was far greater than I had
anticipated. They loved sharing stories and they would love when I would take what they said
and relate it back to the story. Sometimes the stories were rather random, but I modeled how to
best connect their personal lives to the text. By doing this, the students were very engaged and I
feel that they were able to make deeper neural connections to the text.
Overall, my students were wonderful to read to. They asked good questions and would
often lead the discussion where they wanted it to go. Through this experience, I feel as though I
gained a greater understanding children’s books from a child’s perspective. These books are not
just for fun or to introduce a lesson, these books are really maps for understanding their world.
These books allow them to play with their imagination and connect it with what is true of the
world. I was so proud to see their development over the semester. By then end, they were
pointing out sight words and talking about word families. They could anticipate the kinds of
questions I would ask and would just begin to talk about what they thought. I encouraged
immediate response, such as gasps, “awhh’s,” and laughter. I wanted to show them that a book is
something you can interact with and respond to. After this semester, I have a much greater
appreciation for picture books and read alouds and their impact on the literacy development of
children.