AMBCSC ARCHIVE NEWSLETTER 

A Meherabode Publication

BABA TREASURES

When we speak of Baba-treasures, we mean any personal item of Baba’s (such as hair or nails, a handker-
chief, or sadhra), or any object bearing His signature, or anything touched by Him. All these need to be
attended to from the viewpoint of conservation.

In another category, so do Baba’s and the mandali’s letters, telegrams and other documents which directly
portray Baba’s relationship with His lovers and His attention to the tiniest details of their lives. As well as
Baba’s beautiful image in photos and the mandali’s stories that you have recorded on film, videotape and
audiotape. All these, we feel, need to be copied and preserved for Baba lovers to come. Since these items
can be duplicated, we ask that you consider ensuring that the Trust Archives has a high quality copy for the
original, if you feel so prompted). If you are able to arrange this, please have it hand carried (not mailed)
to India by a reliable Baba-pilgrim. If you have any difficulty in duplicating the item, do let us know. And
please write down and send us any information relevant to the item to shed light on its historic content.

As time passes, and as the light of Meher Baba’s Divinity illuminates the world, naturally the memory of
His humanity will need to be nurtured. In centuries to come, the things that Meher Baba touched or used or
wore, the pictures of Him, the letters He wrote, and other articles bearing the personal imprint of His hu-
manity, will serve as tangible links to help people remember His life as Man more intimately, just as they
helped Mehera so much to feel His eternal closeness. To preserve these treasures for as long as possible is
one of the duties unfolding before us now, as we prepare for the opening of Act 3, the age of His lovers.
So it is essential that this work, begun by the mandali, be on a firm footing, so that after we are no more, it
may continue in the same spirit.

nCARNATION ISSUE ONE

 ARCHIVES & MUSEUM PROJECT CIRCULAR NUMBER 3 DECEMBER 1997
During the time Beloved Avatar Meher Baba was in our midst,
the work He did, the Darshan Programs He gave, His vitality,
His love, His very presence, were overwhelming, much larger
than life. So it was impossible to think of a life without Him; no,
never without Him, but without His physical form. This time of
His being on earth was, as Mani called it, Act 1 in His Divine
Game. After Baba dropped His body, all His close mandali found
it almost impossible to pick up the threads of life and feel our way
out of the darkness of despair and pain.
For us women mandali, willing ourselves to be useful, and
thinking of what would console Mehera, looking through Baba’s
articles helped a great deal. Just to touch His clothes was to feel
His closeness, especially for Mehera. She would very willingly be
involved in the work, but often we noticed her sitting motionless, a
sadra or a coat in her lap, in deep reverie, silent tears running down
her cheeks. This phase of the Avatar’s Advent Mani referred to as
the start of Act2, when the mandali were pushed onto the stage.
After Mehera joined beloved Baba, Mani sometimes used to
say, “Act 2 is now nearly over,” and now that Mani too has gone
to Him, it seems that the start of Act 3 is closer at hand.
More than anyone else, it was Mani who gave the initial push,
officially, to the conservation project which is now under way.
Keeping Baba’s treasures as lovingly, carefully, and profession-
ally as possible was a top priority for her, so much so that she
was moved to voice her wishes on the subject in a letter written
June 9th and 10, 1996, two days before she was admitted to the
hospital in Poona for her final stay.
Writing this letter when she was so ill required great effort on
her part, and it turned out to be her last letter as Chairman of
the Trust. It was in reply to a request for guidance on the part of
an American Baba lover, who found herself responsible for some
precious items of Baba’s, that had been in the care of a long-
standing Baba lover who had recently died. The following is an
excerpt from Mani’s letter:
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Although the letter makes special mention of the USA, the
responsibility for providing for the future care of Baba- treasures
rests with all those who are entrusted with the privilege of caring
for something of His, wherever they may be. So now it is our
desire to impress upon all Baba lovers who have Baba-items the
enormity of the responsibility you bear for safeguarding His things.
This responsibility is both to preserve them with great care while
they are in your keeping, and to select heirs for them that will
be equally responsible in the future. We would like to think that
these treasures will always remain in the hands of people who will
both savor the remembrance of Beloved Baba through them, and
who will also understand their continuing need for special care.
We ask each of you to take the appropriate measures to safeguard
whatever item is in your custody. To help you, we have compiled a
list of simple steps in a separate write up entitled “Tips for preserv-
ing Your Precious Baba Treasures.” Many items may already be
old and fragile, and in need of immediate attention. Even things
that may not appear fragile are deteriorating, and much can be
done to slow the deterioration and prolong their life significantly.
As detailed in “Tips,” the primary hazards come from handling,
sunlight, artificial light, extremes of temperature and humidity,
mold, dust, pests, and acid-exuding papers or containers, and, of
course, Father Time
As time passes, and as the light of Meher Baba’s Divinity il-
luminates the world, naturally the memory of His humanity will
need to be nurtured. In centuries to come, the things that Meher
Baba touched or used or wore, the pictures of Him, the letters
He wrote, and other articles bearing the personal imprint of His
humanity, will serve as tangible links to help people remember
His life as Man more intimately, just as they helped Mehera so
much to feel His eternal closeness. To preserve these treasures
for as long as possible is one of the duties unfolding before us
now, as we prepare for the opening of Act 3, the age of His lov-
ers. So it is essential that this work, begun by the mandali, be on
a firm footing, so that after we are no more, it may continue in
the same spirit.
Our small archive shop is steadily acquiring a
uniqueness of its own. As keepers of gross plane
artifacts our duty as guardians is to secure and protect
materials associated with the Advent. In future editions
of the archive newsletter we will share with our reader
methods and procedures to accomplish this task and to
Meher Baba collections –print, film, audio assets - that
make manifest the extent of our diverse collections.
are kept at various museums can accomplish, in archive
fashion, preservation. If one location were seriously
The devotee needs to be informed that a circular, a
damaged in the event of the unexpected, natural and
pamphlet, a poster and all sundry of materials printed
unnatural disaster, another site’s collection would be
during the 1960’s are extremely rare, no longer in print.
saved. We are most fortunate to have our small archive
The few remnants that exist, scattered across the globe,
shop with its impressive collection.
need to be transferred and surrendered to Archives for
preservation, for posterity. Our duty as Advent archivist
To illustrate a backup scenario we do keep our
is to seek out the legacy, the word made print.
duplicated audio and video materials at two separate
This duty will secure for future generations a glimpse
sites. Major movie studios use this procedure to
into our age, the age of Avatar Meher Baba Manifesting.
protect their vaults. In this archive method if one set
is compromised the second set is spared at a second
There are very few collections of first and second
location. The master sets are located at AMBCSC
editions, signed and unsigned books, circulars, posters,
Archive vault and the duplicate collection is kept at a
cards, pamphlets, and advertisements printed during
remote location.
Meher Baba’s lifetime. The challenge of the AMBCSC
Archives is to aggressively seek throughout all global
regions those precious Meher Baba treasures that are Mani refers to Meher Baba’s Divine Game as a crescendo
hidden deep within obscurity. of acts. Three acts. From the archival point of view the
abundance of rich materials that existed during Act One
Most Advent archive sites keep their collections under has become profoundly diminished, seriously depleted.
controlled environments. Major collections are Sheriar Priceless artifacts are gradually becoming irretrievable
Myrtle Beach, Beloved Archives, Meherabad Archives, absorbed into the folds of Maya, forever lost. It is the intent
Sufism Reoriented. There are smaller collections in of these archive newsletters to bring to awareness to our
several Meher Baba centers: Australia, Britain, and the responsibilities as advent archivist to collect, perverse,
United States. We are indeed, beads on one string. and protect His treasures.

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The Oral History Archive Project Film Review

Nothing Fades
Jeanne & Darwin Shaw

J
eanne and Darwin Shaw share their stories and experiences
with Meher Baba. The title of this DVD “Nothing Fades”
refers to Darwin’s comment that his memories of Baba don’t
fade. Darwin’s experiences with Baba were so meaningful that
after watching this video, you will understand why memories
of Baba do not fade. Here are some of Darwin’s comments:
When you come to Christ, there is a deep humility that sweeps
over you and calms the heart and one begins to become awake.
Baba said “Those that are united in love are always in spirit
and they know no separation.”
During the 3 incredible weeks, Darwin experienced the power
of Baba’s love and light that swept his blockage away.
When we are open to Baba’s divine current, the mind slows
but the forces of the heart also slows. Why? Baba reverses the
current. Normally the heart takes in love. The heart center
remains open by giving love.
Darwin experienced some veils dropping off and saw Baba
as infinite light and love.
Jeanne Shaw’s stories are also vibrant and engaging. In her first
meeting with Baba, she felt a let-down because she was looking
for someone big and radiant. Instead Baba was small, wore a hat
and an overcoat. Her second meeting was in a private interview
and Baba looked very different. Baba seemed to be floating,
radiant with long hair,
and dressed in white.
She saw only Baba and
she felt He was her real
Father. Of interest to
Meher Mount histori-
ans is Jeanne’s account
of why Baba sat beneath
the oak tree. Jeanne
was away from Baba
and said “I wish Baba would sit underneath that tree.” To her
surprise Baba went and sat beneath the oak tree. This experi-
ence gave Jeanne the confidence that Baba is always with her.
I was told that you get a little drunk in Baba’s love being at a
Darwin Shaw talk. I cannot tell you not to drive after watching
this video but Darwin’s love for Baba is infectious.ary.
The Treacherous Mind
Henry Kashouty
Henry Kashouty, lawyer, judge, trombone player, and deter-
mined lover of Baba, shares his insights, struggles, and under-
standing of a way to find Baba within ourselves. He has been
preoccupied with increasing his awareness of God. He diligently
examined everything he thought and said. He concluded his
thoughts and words were based on selfish motives, so he tried to
change his thoughts, words, and deeds. He realized he wanted
to find joy in doing the everyday things in life; and found that
thinking of Baba gave him more energy and joy. In Henry’s
words, “We are here to rededicate ourselves in a practical way to
focus our mind on the purpose of creation and make it practical
to find hope and joy in the moment.”
Here are some of Henry’s insights on life. “All life can teach
you, no matter what you accomplish, is you are not free. We
must not allow events and thoughts to be our masters. Thoughts
are rooted in desire. The purpose of our being here is to make
a meaningful new beginning to find that absolute self-grounded
happiness does not depend on anyone or anything; but only an
increase in awareness that can only come from your ability to
gradually focus more and more and more on the total embodiment
of love in human form. The mind can never do anything except
talk about love, or talk about reality, or talk about fidelity, or talk
about quality. It is the heart that gives the feeling of it; and then
the heart uses the mind whether eloquent or inarticulate. (cont)

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 The Treacherous Mind
Even an inarticulate mind, controlled by the heart, is eloquent.
The heart uses that mind to be creative in this gross world and that
love can take form whether you are skilled or unskilled. If that
love takes form and you have no skill, your very step is creative;
your very glance is creative because the heart is dictating it all.
That’s what we are capable of.
the Soapbox
Here are some of Henry’s insights on the mind: “What must
we know about the mind? We must know that which tells us
the mind is very treacherous. The mind which is the seat of the Baba asked Vishnu to read Dasavatar (The Ten Avatars).
ego is hydraheaded. There is no way the mind can do anything The following is an excerpt: “I bow down to the Incarnation of
to annihilate itself. It is the ego that we constantly must gratify. Kalki, who is yet to come in this terribly sinful Kali Age, who
As we walk in the direction Baba points to, we begin to find il- is devoid of all religious rituals such as sacrifices, who will be
lusion is not to be feared because reality is something different. riding a white horse, who will have a destructive sword in his
The mind must be tethered to the remembrance of Baba. That is hand, and who will cause the destruction of the multitude of
the only safe thing. Experience has taught me that. Experience wicked non-believers.”
has taught you that. It is not enough (to know). We must act
on it. I become appalled when I haven’t remembered Baba for a
period of time. That’s good because then we renew ourselves to
our remembrance of Baba.”

In this video, you feel Henry Kashouty’s fiery love for Baba,
his sharp analytical mind delving into age-old questions that we
have all asked ourselves, and answers that are fresh because he
has glimpsed an experience into that ocean of love.

T he collapse of the Historical Archive of

Cologne on Tuesday buried more than a mil-
lenium’s worth of documents under tons of
rubble. Archivists and historians hope something
can be salvaged, but the future of the city’s past
is grim.

Padri: God is omnipresent and omniscient, so why

pray for his blessing?
Meher Baba: God is omnipresent, but he plays
with closed eyes. He is inattentive, so he needs
to be awakened by prayer. December 26, 1951,
Meherabad

Page 5
 Zen Moments Zen Habits

T
hrough projects, programs, and publications, the
AMBCSC Archive Project works to maintain and
improve access to our collection for generations
to come. In partnership with other institutions, the AM-
BCSC Archive Project helps create services that expand
the concept of “library” and supports the providers and
preservers of information.

Zen
Mechanics of Archiving

“Out beyond ideas of wrongdoing

and rightdoing there is a field.
I’ll meet you there. “ Rumi

“Zen is not some kind of excitement, but

concentration on our usual everyday routine.” -
Shunryu Suzuki

“The mind that does not understand is the The Supreme Archivist
Buddha” - Ma-Tzu

“Being is Dying by Loving” - Meher Baba “Age after age, from time immemorial, for the
destruction of ignorance, for the preservation of Truth, I
have taken human form.”

Baba explained, “There is nothing like space consciousness. Here is an ant on the floor. You are all sitting on
the same floor. The ant crawls up your body. But its consciousness is different from yours. What is the difference?”

Anita replied, “The ant is only conscious of its crawling, I am a little conscious of this room, but you are conscious of the whole universe.”

Baba continued, “There is a world of difference between my Infinite Consciousness and your ant-like consciousness. You
are all ants before me in my consciousness. You are all crawling on my body! Although I am sitting here in the same room
with you, we are really nowhere in space, just within God – neither up nor down, neither here nor there! You are ants, big
ants, and you sting me all the time!”

Page 6
Avatar Meher Baba Center Southern California
The Meeting Hall - Meher Baba’s Chair

Lovingly placed in the Avatar Meher Baba Center Southern California’s Meeting Hall is Beloved Meher Baba’s upholstered
chair from the Avatar Meher Baba Trust compound, Ahmednagar Center. This precious gift was bestowed by Bhau Kalchuri. It
was subsequently transported to the Center by Michael Ramsden.

The Dome - Meher Baba’s Chair

“When Don finished his reading, Baba said, “I am very happy to be here. I bless you all. I must leave shortly, but you must
stay and eat your dinner. Eat well.” Baba and the Mandali left a few minutes later for the hotel. While departing, Baba had Hilda
Fuchs now sit in his chair. The following morning, August 1st 1958, Filis Frederick and Adele Wolkin arrived early and spent a
few precious moments alone with Baba.” This chair, from the home of Hilda Fuchs is lovingly placed in the Avatar Meher Baba
Center Southern California’s Dome.

John Grant’s “Practical Spirituality with Meher Baba”

Mani said: ‘and where Baba sat, in that chair, he wouldn’t let us touch that chair -- even a part of our dress, by accident,
should never touch that chair, not until all the work was finished and we had left Guruprasad.’ ‘The yellow chair. there are 2
chairs, just for your information. the yellow chair is the seclusion chair where Baba sat and did the seclusion work. the other
green one is the usual chair where the Mandali who were with him during the night in turns, used to sit’

Eruch: ‘to be even more particular, Baba made us mark on the floor round the chair so that the chair was not shifted at all.
you will see the markings still there. I don’t know why Baba was so particular that we should not touch the chair. maybe
we might be burdened with his suffering if we touched the chair, and in his compassion he wouldn’t allow even one of the
Mandali to touch it.’

Mani: ‘yes, once somebody nearly touched it, missing by an inch, and Baba said, very seriously, “you dont know what you
have missed by a little inch.” after that the railing came.

Page 7
 Rare Print Literature

“At the time of reading aloud the Master’s Prayer, I once felt that
Baba would want me to recite it instead of reading it out. So I tried
to learn it by heart. Also just in case no prayer book was available.
I felt confident that I could now do away with the book. When
Baba called as usual for the prayer book printed by Warren Healy.
Remember him? A beautiful soul. He lived a dedicated life printing
so many Baba booklets.”

In far away places, stuffed in books, hidden within cupboards and drawers, stashed
away and forgotten rare print artifacts that span the decades from the Warren C Healy
Press ~ forgotten materials that need to be located and once collected ~ surrendered to
the AMBCSC Archives Department for protection and preservation ~ so that future
generations may enjoy his print literatures.

Warren C Healy Press Circa 1954

Signed by Filis Frederick
Preserved and Protected by
AMBCSC Archives

As Baba was looking at the tower of the Meher Re-

treat Building, Prem Khilnani said to him, “Someday
Meherabad will be like
Benares.” Baba nodded,
“You are right, it will.”

Page 8
Spreading the Word in this troubling Yuga is accom- In future nCarnation issues we will fully explore in detail
plished through the diverse media delivery systems: the variety of inventories, commentary on collected works,
the Internet, radio, film and audio. In a 1999 talk reviews of audio and video materials. What is involved in
Bhau Kalchuri commented that Baba’s Word needs to these processes is a series of calculations that begins with
be delivered to the auditory canal and once heard the the protection and preservation of the inventories. The
following this the managed archival history is presented to
Ancient One begin His inner work. The duty of the
the New Humanity.
AMBCSC Oral History Archive Project is to take our
audio and film inventories and distribute these assets to The AMBCSC Archives Oral History Initiative is to
the New Humanity. take the raw materials and in Oral History fashion make
those assets available for the New Humanity, the divine
AMBCSC Archive’s are custodians to an astonishing audience. What is an oral history moment?
collection of film and audio materials Especially the film
assets we need to give the once-over. These collections
include the Sahavas years, the invited AMBCSC guest
speakers, the Charles Morton assets, and several other
smaller collections. These sets now approach the threshold
of one thousand units. The Judy Stephens film, Meherazad
and Meherabad, number at the threshold of four hundred
units. To preserve and protect a medium that is susceptible
to decay and degradation the original masters are kept
in our climate controlled archive room. The cassette and
reel to reel acquisitioned inventories are expanding to over
1000 audio units. It is by duplication that we preserve
our inventories. For a precise duplication a two hours
tape requires a two hour session. The duplication will “The first oral historians were people who sat around an evening
fire and told of their experiences and those of their ancestors as far
generate to our inventory
back as they could remember. It was the only way to pass down
a working digital copy. and preserve the culture and
From the digital copy the the traditions of a group.”
technician can begin the
process of restoration.
Eventually a fully restored
asset is processed into
distributable inventory.

The Oral History DVD

collection is 150 titles and “Many seekers throughout
growing. These materials history have learned
include everything from about the past through the spoken word. Moreover, for
rough amateur home generations history-conscious individuals have preserved
movie film to professionally engineered Sahavas film. The others’ firsthand accounts of the past for the record,
intent is to preserve. Waste nothing, salvage everything. often precisely at the moment when the historical actors
These media scrolls become the digital footprints of the themselves, and with them their memories, were about to
New Humanity. pass from the scene.”

Page 9
Bal Natu
AVATAR MEHER BABA BIBLIOGRAPHY

A bibliography of works by and about Meher Baba in English Sample from Avatar Meher Baba Bibliography
and other European languages, covering the years 1928 through
February 25, 1978. A glance in the index will show numerous titles ENG-1949/1
listed under Meher Baba as author, but it should be noted that Baba 40 messages from Meher Baba / presented by Princess Norina Match-
stopped writing on January 1, 1927. All of these titles are actu- abelli. — New York : Circle Productions, [1949].
ally transcriptions, compilations, 69 p. : port.
selections, and excerpts from Messages received from Baba by the author through “vibratory
Baba’s discourses and messages thought, order of light, wave projections.”
given over the years by means ENG-1966
of the alphabet board and later 41st anniversary of Avatar Meher Baba’s unique silence, 10th July
by gestures. The material is best 1966. — Bombay: Avatar Meher Baba Bombay Centre, [1966].
described as having been “writ- (Unavailable for review)
ten under Baba’s name.” ENG-1967/5
42nd anniversary of Avatar Meher Baba’s unique silence, 10th July
Most of the entries are in 1967. — Bombay : Avatar Meher Baba Bombay Centre, [1967].
English, with a few in other 7 p. : port. (on cover).
European languages. However,
several titles are actually bi- or
multilingual and were included
if one of the languages was English. The other European languages
represented are Czech, French, German, Russian, and Spanish;
the Indic languages included, from the multilingual material, are
Gujarati, Hindi, Marathi, Tamil, and Telugu. To find listings for
these languages, check the index under the name of the language.

The date of coverage was extended, from the earliest publica-

tion in 1928, through Meher Baba’s birthday, February 25, 1978,
which allowed the inclusion of several works appearing in the first
quarter of 1978. The bibliography is divided into four sections
by format: monographs, serials, sound recordings, and motion
pictures. The monograph section (that is, material not published
(vii) serially) contains 381 titles, in cluding books, pamphlets,
prayers, calendars, diaries, playbills and scripts, commemora-
tive volumes, children’s books, and analytics (chapters on Baba
contained in books not about Baba).

“Many seekers throughout history have learned

about the past through the spoken word. Moreover,
for generations history-conscious individuals have
preserved others’ firsthand accounts of the past for
the record, often precisely at the moment when the
historical actors themselves, and with them their
memories, were about to pass from the scene.”

Bal Natu’s printed facsimile, Avatar Meher Baba Bibliography,

for the connoisseur and archival aficionados of rare, and out of
print calanders, brochers, pamphlets, circulars, momentos are
encouraged to visit the ABMCSC reading room library.

Page 10
 THE ARCHIVE MANUAL

1) Materials designated as “Archives” to be secured on these premises.

2) Always accessible to researchers, scholars, and historians of the Ancient One.

3) Users to always either wash hands thoroughly and/or wear cotton gloves before handling. (Wearing of gloves advised for extended
handling) The researcher is to be advised of the rarity, the materials value for posterity, before allowed access the collection.

4) To prevent strain on bindings photocopying may be allowed on a case by case basis. Some material would be judged not to be photocopied
… in which case - it could be photographed.

5) All material are to be replaced on the shelves to its original location. Materials are to be arranged such that there is no undue pressure.
The acid-free cardboard spacers provided should be used to mark the location of removed material, and to provide temporary support for
adjacent material when something is removed.

6) There will be no casual access to the AMBCSC Archive Vault. To gain access to the Archives the person must be a trusted member
of the community, a scholar, researcher, and/or credentialed companion of the Ancient One. Permitted access is to prevent damage to
our collections and to deter any calculated theft of Advent materials. Please refer those interested in AMBCSC Archives to inspect the
reading room library as a starting point. The reading room will house the Archive reference book. This book will host Archive materials and
informative articles.

7) Metal Cabinets are to be used for everything in “The Archives” (unless a proven superior storage method is found). We do have two
fireproof cabinets for our most valuable assets.

Page 11
 THE ARCHIVE MANUAL
8) Every effort will be made to insure the collection remains bug free.
The herbal deterrents preferred. Regularly check for any insect activity, careful attentions to our climate controlled office vault to maintain
exact temperature and humidity. All archive attendees should be wiling to be informed, and be kept informed of developments in
Preservation and Restoration techniques.

9) Temperature and humidity control. The ideal temperature - no higher than 20 or 21 C. - and humidity to be between 30% and 50%. The
Archive vault uses a humidifier and an air controlled appliance.

11) At least one person associated with the collection would take on the responsibility of maintaining it at the highest standard possible:
this would entail experience, willingness, and attention to standard archival procedure.

If the collection cannot be maintained using the above criteria the collected assets of film, print, and audio materials should be migrated
over into a designated archival temperature controlled facility ; and a second choice would be to relocate these assets at an Advent support
institution for protection.

12) Especially, to continue collecting Advent vintage publications and adding them to the Archives a concentrated effort by all Meher Baba
Archive enthusiasts should be encouraged.

13) In every instance that the Board membership changes the new member(s) should be allowed knowledge of these Rules and
Conditions.

Page 12
A Note on Preservation vs. Conservation

The AMBSCS Archives Oral History Project is to collect, preserve, interpret and exhibit objects of Advent significance. Over
time, all objects will begin to deteriorate for a variety of reasons, such as environmental conditions, use and natural decay. In order
to maintain the objects in such condition that they will survive for the enjoyment and education of future generations, it is vital that
archives practice proper preservation measures. Knowing how to handle, display and store the artifacts in the archive’s collection can
add a significant number of years to the life of the objects.

Most history museum collections consist of two basic categories of materials organic and inorganic. Organic artifacts include those
made from animal products such as fur, leather, wool, silk, bone, ivory, or feathers and also those made from plant products such
as wood, paper, cotton and other natural fibers. Inorganic artifacts are those made from nonliving materials such as metal, stone,
ceramics and glass. While in general inorganic materials are more stable and less susceptible to environmental damage than organic
materials, it is best to consider all objects fragile and to treat them with great care.

Archive Gazette
Slideshows Promotions Press Releases & Sundry

The AMBCSC interior and exterior views -grounds & buildings

Price of Admission : One Sanskara
Enter here: http://www.youtube.com/watch?v=LuxTCXHsWew
Enter here: http://www.youtube.com/meherbabaarchives
The AMBCSC Archive journals notes and history
Price of Admission : One Sanskara
Enter here: http://meherbabaarchives.blogspot.com/
The AMBCSC Rare Pamphlets
Price of Admission : One Sanskara ~ Enter here:
http://www.scribd.com/doc/31780245/Archive-Print-Pamphlet-
Vol1

For thoughts, provocations, cool article, soapbox

admissions, photo submissions, and all sundry
of latent materials that should be considered
for nCarnation publication please contact:
meherbabalibrary@sbcglobal.net

Copyright Soup
Photos Articles Quotes Impressions
© Avatar Meher Baba Perpetual Public Charitable Trust, Ahmednagar, India
Lord Meher ©Bhau Kalchuri; ©Mani S. Irani Collection
©Sheriar Foundation; ©Dodd Mead; ©Google Images
Rights reservations belong to the copyright holders
Museum Services Program at the Texas Historical Commission
Documentary Reviews by Kanji Miyao

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