Preface Introduction Essential Advice

A Note on Symbols Symbols

Procedures

Use of Symbols Quick Bases Squash Folds

Petal Fotds Rever:~ Folds Rabbits' Ears Crimps

Slnking

LEITER FOLD CARNIVAL HAT Dl'SH

TED HEATH

MAN FROM MARS VA,LENTINE GLIDER EOTQJPU~8E

ASH TRAY SYCAMORE SEED 'OWLIG.AMI

OWL

FLYING S.PARROW t.OCH NESS

MONSTER cmuSTMAS

ORNAMENT BALIL l~ A BALL KING OF SPADES DRACULA ~ DRACH!:1\. .2

Contents,

page v' 1. 4 7 8

44 45 46 48 SO 51

DAACULA 3 DOG BARKING SWIMMER RABRIT PENGUIN GOOSE

THREE PIECE-

JUMSO 52

MAPLE LEAF 5 S

9 BAD¥' DRAGON 56

10 OSTRICH .58

II MOUNT ,FUjl 61

12 SOPER BOX 62

13 G'iJD1NG TOY 64

14 SEIER-LOCK HOLMES 65 15 SMUGGLER'S WALLET 68

16 WALRUS 70

17 HUM.MING BIRD 72

18 SWAN .. -- -- 74

19 SlA~gE CAT 76

n ELE~HANT 77

23 HAT 82

24 BABY GRAND 83

25 BABY PENGUtN 88

2,6 MATCHBOX. 89

27 OLYMPIC TORCH 92,

28 FLaJ?J?ING 'BIIM) 95

30 ROSE 96

32 ESCHER _ 98'

34 BABY CHICK lOO

'BUDDAH 101

TURTLE 104,

BUDDAH_DN--~~ __

TORT0ISE ----'06

BUDDAB SEATED 108

SHRINE OF

BUDDAH no

VIKING LONGS_HIP 112

36

37 38 4{)

42 43

vi

TANK

PALM TREE

GOOD DOGTRI-STAR DIAMOND OBERON

LET'S DANCE SQUARE OWL CHICK HATCHING SIESTA

DEC,ORA TION PERSIAN HORSE LION RECLINING BEI.MET ,

HE.LL CAT

Po.L YHEDRAL BOX POST A LEttER CUPID

114 BLUE WHALE 116 RED INJ:)IAN 118 MI'RIiIN···'

120 BUDDAli DISPLA'Y 122 S.'QuIR.REL

123 PlcTUREF:RAME 128 FOUR ROSES'

131 ANCHOR

132 OCEAN LINER 134 LEAF

136 LETTER

137 ANGEL:. FISH 140 PY.RAMID 142 FLIP-TOP 143 BQP~

144 TIPPER TRUCK 146 MATCHBOX 2 J48 IJZARD

149 150 152 154 IS6 IS8' U9 !l6-2 164 i66: 161 168 170 171 174 17:6 1,80 182

INTRODUCTIO:N TO ORIGAMI 4

Wi th the' preeara ti0D of eacb new volume in t h.0 Origami series, RQbert Harbin ,proyide,s us witp an op.portunity to look !lJ;1 the changing oeigami scene and taKe stock. W'hat, taen .has been: happening since tire' publication of Origanl1' 3 In 1972?

Firs.dy, within.a month or two of that llook's appearance, the Ja~e.se folder Akira ~osmzawa meade: a. government, sponsored visit fa: Britain and.provided British fol1dets with a chalice to study a Japanese master' at WQ~k>. More of that! later.

The following yeaK saw the :\biI;th in lapan of the Nippon Origa.mi Associa:tioa, a body which su5s,~ucmtl:y .organised the First International Origami World Fair which was held in Ky:oto ,in 1916. ConrrilSulO'rs te this book were' among, the foldcn-s from many .!latipn.s, w.hos'e wOf:'k-:c~uld be seep d1ere.

In 1973,[00" seveeal courses in odgami were started for the flrst time ~n Institutes of Adult Education m' Britain~ 'the fIrst bein,g'oFganised by Micek Guy in Birmingbw. Anomer 'first' of that year was ·the ~anim_ated origami sequence, designed by Robert Harbin, which formed patot :of the televisi'oDi pla:~ , T iJhias anti, the Angel, screened on SBC TV during Christmas wee-k .. This specialised use oforrgami had been seen in Jal)anpr:evioliS-

I

crease

Letter Fold G,uiseppe Baggi

Italy

Procedures Sin'k1ing

use a r~elangte write your laUer itlern, fold

like this or this

Ll~~

hold open out push. in

CD

Grease in . front 11)

~.

~

1'7'

CarnIval Hat Robert Harbin

Gt. Britain

,

Dish Eric Kenneway An ExeroislJ: at Brita~n

_ white side up

use a 'square coloured one side

I I
,1
I so
( l D'
-, I /"
: l
I
I , !
~ I
I : hold as
I
shown
pull apa
x y to sink
triangle-
) I front an
------4. t
~ behind
I I
I
I
I
I X
i .
I
lr J +-
I
I
~ ~
I I
I I
I [ -- - - - -
I L <
)
X' and Y flip
to the front sink4 eomers

18

19

20

Dish continued Watch those Symbols

Dish conc,luded Very Strong 'Modell

told flaps

in front a-nd behind

x

so then open up 8Q-ain

open. up and flatten

y

x

2-1

Ted Heath Eric Kenne:wClY

use a square pink one side to make this fine caricature

6l Britain Man from Marrs Atibert·W. AUeon

U.S.A.

a square g,reerill "ORe

side diagonals creased make two sq\J~ash folds

Fr:lspired by' EJric KenrtewayJ

form the ears

h.oldin two places

pull down presstlat

sq.uash fold {he two eyes

23

Valentine Alioe Gray

Gt. Britain

use a square red one side, crease diagonals

U.S.A. GUderC. Plowman (age 14)

'use a square crease as shown make' v$llev folds

valley f<>ld fe,l!.IJ flali>s then mountain f'old

fold long flaps fi~t

24

25

Ash Tray rRonald Koh

Singapore

Fotopurse' John CunHffe

writing' paper A3, or 850 x 250 mllHlTletres

purse

26

Sycamore Seed John S. Sm,ith 81. Britain·.Sycam,ore S'eed concluded

use a rectangle of cartridge paper -375mm x. 250mm

1 ... -1

- I

-

-

...

.. .. _,.

watch the symbols

.28

29

OW'ligami, Edward IMe,grath

brown square wl1ite side l:!P

crease A thenl make folcs

Owli.g:arnii concluded (Rabbits' Ears paQe 14)

)

fold over and over

the beak

is a re:bbit's

• ear t'he feet an inverted

one

30

31

use a square folded oft-centre as shown

Gt. Britain

Ow'l concluded

O\vl John Richardson

two reverse folds

you fold an eccentric preliminary base

make two

petal folds then fold points down

32

:33

Flying Sparrow Toshie Takahama

Japan

begin with a waterbomb base

fJy'i,ng Sp'arrow The Wings also fold back

I epen out middle, A and 8 , meet

open here

see ,next drawing

watch the repest signs

34

35

Loch Ness Monster Steve Manthorp ..

squash folds Gt. Brltam

(page 11) four squares the same size

I Christmas Ornament Toshie Takaharna Japan

use metallic foil

squares

. I

-------.1-----

If

------~--.---

two of these

-- - - -J- - - --

---- -t- ----

make one of A cot€>ur

s~CJe up and B white side up

36

37

Ball in a Ball Iris Walker

we now enlarge 'this corner nex-t page

Gt-. Britain' A B'aU lin 8 Ball1conc)tuded

open out

2 squalies make a naU 2 more squares 1h inch smaller mak-e ball t.o fit insj(:J'S: and so

King of S'pades Martin Lewis

U.S.A. King ofS_pades concluded

a square creased white side up

make 2 waterbomb bases (page 9) Crease c!l~efuUy

:2 rabbit's ears X(page 14-)

40

2 petal folds (page' 12)

mount on card

repeat all folds on bottom half

41

Dracula (3) Steven Biddle

Gt. Britain ' Dog Ba rking Clive" Beeks

61. Britain

a square creased as shown

., ,use a square

, brown one side

tuck

fangs under as for dracula 2

hold as shown above push back of head dog will bark

so

44

45

begin with a bJrd base sea pages 11 ain~ 12 .

U.S.At SWimmer concluded Watch for reverse folds

open

out this side only

. reverse folds (page 13)

46

47

R-abbit Alice Gray

use half a square

U. S.,A. Rabbit concluded

make two rabbit's ears, (page 14)

walch this double' fQld-

two petal "folds (page 12)

begin with half

a bird base (page 12)

U.S.A.

Penguin Alice Gray

begin with half

e bird base (page 1,.2)1

use ~ square black one side

mountain fold model and openout head at the same time

open

I~g ends form webs

open out flaps as paints move up and down

51

50

3 P'iece Jumbo Alice Gray

U.S.A. 3 Piece Jumbo continued

begin with three half a bi rd bases (page 12)

hold legs pull apart and sink biangle

52

move ear right

sink twi.ce

sink points then meuntatn fold

53

Jumbo Assemble pleces 1,2,3 Use' a little, g-Iue

M'apI1e",llea'f Alice Gray

'-use,8 ~qua,re'

of foil -

U.S.A..

Y2 bird base (pa~e 12)' head with tusks

54

55

Baby D:ragorn Bill Warner

use a squ,are·.green one' side. Fold comers ,to certlt:re (b"lintz) make 4 rabblt's ears (page :1:4)

~'--) .:

.......... _ /

, ",~ .. - ..

\ \

Y. \

\ \

v • K\

/1, .......... 11 \

/: [: (

,,~'! : ' ..... _\

r 2 rabbifs ears

cor:ners (see p.age 16)

Thisis an easy one

tr wa,tG,h the 'crimps'

mountain tol.d in half

57

Ostrich David Pacheco

U.S.A.

use a square black one side

begin with the

bird base

John Montroll's base

turn sides inside out making a colour change

watch

X arid Y

59

Ostrich continued

II w,ish you luck here

hold tail crimp into body

celour change theneck

see page 58

squash ~egs into' shape an easy fold

f

59

Ostrich continued

Fine model

'ease out extra paper for nead

Mlount Fuji Eric Kenneway

Gt. Britain

a square colour side up

criAW left (page 15)

61

Super BOI Lewis Simon

use 4 squares coloured one side

U.S.A. i Super Box concluded

'crease then

fold top flap down and crease here

IIU flap. then fold two' sides up~ignt

6'2

fit two together

I .

I

1 !

I

then three

so

63

GlidiJng Toy (Anon) Slmon Williams .

square white collectlen

side lllP .

hold', releaSe, and toy wiH gJid'i3,

move left pO'int over and tuck into right

64

Sherlrock HoLmes Robert W. Allen U, S.A.

usee. square b.fack one sid'e 9 x gems

crease only

fold

top flapS last

'65

Sherlock Holmes continued

>. this point

first

7 x 7cm square .for pipe brown one side

66

The Pipe

three reverse folds

Siherlo'ck· Hollmes with Hat and IPipe

8, x 8cmsquare grey one side

67

1 ~ .

Smuggler's Wallet Vernon HoldenAustralia

use a large square crease 8 x B

68

I .

I

,

Smugglle'r's Walilieit continued

normal pockets

push the four corners into pOCkets

69

Walrus John French

use a triangle - h~,lf a square - while si4~ !Up

Gt. Britain

vaJley fold hidden tusks

XV

rabbit's ears

fold fliPtlers and fla.tten Garners

70

Wahus concluded'

2 reverse Iotds

narrow tusks reverse fold head

71

Humming Bird Gregory Knesner

begin with

a

bifd' base (page ~2)

U.S.A.

"

hold as indlcated and stretch

(A.ge 1/4)

72

Humming Bird concluded

2 squash fOlds' 2' outsi<'1e reverse

fQlds

, , Gregor,y's Y base

73

Swan John French

Gt. Britain

use' a triangle (white) see page 70

74

Swan concluded

squash fold wings

75

stamese C,at Daniel Porter

U.S.A.

paper square grey one ,side fold -UP to step 2 page 166

Origami 2 (U,S.A. New Adventures)

76

Elephant Neal Elias

U.S.A.

'?: x 1 rectangle creased with valley .folds cj;lloUf,

under -tit i. ~ ·f(}~l.

- ~ . .t
I
I- f- { , ~
r- - f..-
f- .•. - 1--.'
- - - f- - - -
1-

f--
\
..., fIlake large rabbit's ear

77

Elephant continued

held as Indicated stretch and tet single tWie'Rness move Gut then press into snape watch' X

78

f

_Il

tail and

, I

hind leg .1

section f

I t ,

I

_Eleph·an.t contihued

squeeze, tall flat then fold in half

r I

r

, ·1

•

pull out extra paper fold taU arid storna~h as 'indicated

79

repea,t all folds beninc

Elephant continued

tw.o rabbit's

tusk details

crimp trunk In 3 places

two

rabbit's ears for tusks

corners into pocket-s

80

Elepihant ooncl'uded

I

r ~ ;

two more cri.mp-s

open up ears narrow tusks press model into 3.0

shape at points indicated

! f

r

I

I

I [

crimp hind legs

J

'i

Hat Robert Harbin

Gt. Brttaln

begin wiih a prelimlna.ry base page 11 colour inside

open out fold corners up

82

Baby Grand Patricia Cramord

a square of foil four corners folde(j to the centre (Blintzed)

U.S.A.

this is a

bird base

squasn fold

83

Baby Gran,d contin ued

pull Ou1 bllntzed paper

(a bird base)

open

up the back only

t Baby Grand continued

the legs

85

Baby Grand continued

It is easy really' Baby' G'rand, concluded

prop

- rabbit's ear

lid - a crimp

86

fold X then Y then Z

narrow Side flaps above .and below fold at right angles to form piano body

Baby Penguin Joel Stern

use a square. ' black one' stde and a bird base (pages 11 and 12)

8B

U.S.A. Match Box Martin Wall

use a 8 x 24 rectangle crease as indicated make mountain fold

use foil f / if 5 -« 7 -..' I

fiJ'l'J~ '- I ~

'. / - I

I I;.' ,._rZ I

two squash folds

I - I

89

~atch Box co ntin ued

-, I

r

I

I

Match Box Presto!' The tray pushes lin and out!

swin~ rear flap to the front and fold small flap below into pockets quite. dlfflcu It

wrap the cover around the" tray

end tuck

mte itself

/ Y here you form the >( tray

y

valley fold sides and squash corners

90

91

Ha,od with Olym,pic- Torc,h - St. Britain Hand with Torc'h continued

"Martin Wall

4 x 1"2 rectangle brown one side. Crease as' indicatea and make two crimp's

totd x, then Y

see next two folds:

t::r

vaHey fOld Corner swing flap behind

sink rear comers mountain fold sides pulling corners

in

92

reverse, fala

93

Hand with Olympic Torch,

Olympian Flapping Bi1rd 'PaUl Jackson

form flame by creasing and pinching into shape

crimp fln,gers and -

- round off finger ends

94

begin with a waterbomb base page 9 colour out

hold as shown pull tail and wings flap

95

R.ose Martin Wall

Gt. Brttain Rose concluded

Beautiful

use a square of red

foil white side coloured green. Be~in with

a preliminary base

ear

squash fold three times

+

I

.

96

97

Escher M_jck Guy

Gt. Britain

2 x. 1 rectangle white side up

98

Escher concluded

most In,genjeus

t'Ais fold was inspired by tne g raphi,c art

of Mau tits G, Escl1er of Holland

99

use a sq1J,ar.e y"UllcYw oi'l8'sJ.de" 'n;J8.ke ereases sl1Qy.'n

H)O

,~etal fold

Buddab (3'.D) Neal Elias

'3 x '2 rectangle creased mountatn (jOWJ3 m.iddle vall~ diagon'ars:

use f'oH

1-01

U.S.A.

rabl>tt's, ear'

Buddah continued

sink

reverse fold hands

move arms up

squeeze siQes . together: move up like a rabbit's ear

102

Buddah concluded

A little gem

open up head from behind posh race into shape with pencil and 3D

the whole body

this 8uddah is the basic 1'old for a1"1 the Buddahs to follow

1M

i : .,.

Turtle Neat Elias

usea square green one, side fold sides totne mtdC1l1e crease and silik_ four corners use foil

U.S.A. Turtle concluded

To be' usedelsewhere

now li'ft out

the tour corners and replace over head

and tail

folds

witt! a ,pencil or other aid make turtle aD

104

105

BudrdabJ on TOnDIise

(Uras Him Ataro) Neal, Elias

3 x 1 rectangle Cf:'e:asetl as j'ndi'cated coloured see, page i'01 foldl top portion into a ,Bud~ab stop at fourth foldl page to,2

U!S.A. Buddah on Tortoise

106

one colour difference gold underneath

the small titangles go behind and into body

when folded this base will

be almost square

Another gem

rear view of concave baok

now fold the tortoise under Buddah s'ee

pages 104 and 105

107

Buddah sealed Neal El'ias

3 x 1 rectangle- coloured as Indicated on page 10'1 fold top portion into·

the Buddahand slop

at fourth fOld page 102

crease into eigh,ts then maJ<e a double crimp

.u .S.A. Bu.ddah seated

now fold

the table under BuddalJ

(tat;Jle by Fred Rohm)

faa

the sides fold down '·as X and Y go intq the pockets aH -dtme at th,e same'

time

11ft

long flaps and fold

I each leg

I as for X

I -

109

Shrine of :B:uddah Neal Elias

U.S.A. Shrin-e 01 Buddah concluded

begin wit Ii a 2 x 1 rectangle colcured as indicated 8ndl using red foil. Then fold as for

Bud~8h poage 101 to fold 3 pag~ 102

G = Green red foil

110

Just great

fold top flaps first then lock with lower flaps

turnaround and 3D

111

Vik:ing Longship Laurie Blsrnan ' Vikin,g Longsltip concluded

New Zealand

use a 4 x 1 r~ctangle of foil crease down the middle, and valley fold long flaps,

- - ~- - - - - - - - - - - -~ - -

- - i - - - - - - - - - - - -·f - - -

first

vaHey fold upright flaps

Tank Laurie Bisman

3 x 1 rectangle 'of foil creased as shown into sbcteen ths, iJ alle_yand

moun'fain told $0

114

New Zealand

Gun elevates

,folij narrow flaps ~irst

open up tank tracks thumb and tlngers round

ends

115

Palm Tree Max Hul-me

Gt. Britain Palm Tree concluded Maike your own 1!~lland

use a square brown or green, one side

petal fold the small flap as you valley fold the- long flaps

11.6

crimp

Good Dog IMalcolm Kerr

Gt. Britain Good Dog

Fiine model by a y,oung folder

a sq,1ja~e 'brown one sJde,. Crease tn'E;m start-

fold """'0- small flaps first

when the corners arel_ folded refQtd'

this is the, fish base

118

119

use a square make guide creases fold over and over two sides astndlcated

(thirds) and unfold

once

Tri-star concluded

Tri-star lewis Simon

valley fold point.s then turn over

three (1)1 these eaoh a <;Iifferent colour

120

121

Diamond Lewis Simon

U.S.A.

use an equilateral triangle make creases

v.alley f5lfd 3 points turn

122

Oberon Neal Elias

use a square green 4)0e side begin with'a blrdi bS$B colour inside

U.S.A.

petal fold the rear Hap s'ink the top corner reverse told the corners left

and r:iQht

mak,e a waterbomb base

123

Oberon continued

make colour change'by turning the flap inside out

/

124

Dbe·ron continued

hoJdthe rear flap

I and pull down the two points to free

the Interlock,

'stalk" goes behjhd

125

'Oberon continued

126

I 'Oberon concluded

I .

Another great fold

127

Dancers Neal Elias

- I

U .. S.A. naneers

a sigln Or syrnbol

use a bird base black colour outside

now petal fold white side out

!':

reverse fol4' and open out flaps at the same time

'-28

1,'

r

reverse fold X and pull out extr-a ~aJ!)erin front only

crimp leg andflap will almost crimp automatically, ' reverse toJd X along invisible Hne

129

Dancers concluded

My favourite fold I Square Owl Eric Kenneway

crimp the leg and fold flap into it

130

..

use a. waterbomb base

valley fold upwards X and Y pull miadle flap down and squash both corners

131

Gt. Britain

fold corners leftand r:lg'ht then foll;l. - tne bottcm corners

Chick Hatching Neal Elias

U.S.A.} Chick Hatching

a square yellow one side

1.32

133

Siesta Neal Elias

U.S.A.

begin with a bird base green one side

sink four corners (page 16)

134

Siesta concluded

Hot

I:

"

i

f

r

(

1

135

DecoraU·onl Iris Walker

pre-crease a squaee carefully. Lift eorners 90° ptJ$'Fl sides lin

valley f61<!1 four sides and arrive at the result on the right

A bit of a struggle

make several and fit together for nne display

136

U.S.A.

reverse frOid hidden point

I (

I

nearly all reverse folds

137

Persian Horse continued

another bird base

138

'Persian Horse concluded

.

now put both parts together

139

,

"j

Lion Reclini"ng Philip Yoshfo Kushi U.S"A. l bion Reclining concluded

begin with a bird base

make both folds at the same time

insert shows how double rabbits ears are made

double rabbit's

ear

140

rear legs

I

~ "

~ 'I

I

( "

"

.,

", t

t

"(

\

\

141

IHelmet Roben Harbin

-Gt. Britain

begrn with a preliminary base cctour in crou]. Make an Interna] petal fold: both sides

fGld points into model

for a diJferent 'heimet ~otd hidden points - outside

142

HeU Coat 'Robert Harbin

Gt. B"ritain

use-s square begin with a prelimInary base

143

'Polybedra'i Box Dr. Roberto Morassl Italy

pre-crease a Iquarre as Indicated some quite diffh:~lIl.t feU:is are rn.age inside and outs'id$ the box

now Work on one side eta tim.e cleckYJ,ise

pre-crease the other three - sides lntha sam_e way

144

Pol'yhedralBox

Worth tryj'ng

lOCI< X with crimp ore-crease

this flap ern

other three

sides

now rspeartotcs with three and four

rep.eat folds with side two

145

Post a tetter Sent by

Gary Simpson

use a rectangle-

4 x 3 wrlte",a letter.r ~ I ~

then fold - /1 !_;u I

146

Gt. Britain

--------

Post a Leiter

This is practic,al

/

147

Cupid Ronald Koh

rectangle 6 x 3 use gold toU

two squares

3 x 3 red, one side begin with a biro base

~

I

148

Blue Whale Stuart R. Allington Gt. Britain

.,1 _.

I

a square blu~ one side creased as ,shown make the valley toids

149

A Red Indian Edward Megrath I Gt. Britain . Red 'Indian concluded

begin with a square red one side

long squash folds

fold small flaps

then fold model in

half aod reverse fold X

150

Howl

petal fold

151

Marlin Peter Ackroyd

Gt. Britain .. Marlin concluced

begin with a preliminary base

make four crimps

152

. 153

Buddah Display Robert Harbin Gt.BritainBudd"ah D'isplay trnmr10ri,gamii Compendium No.1

use a large stiff square coloured one side,

now make some small fol-ds

15"5

SquI'rreI Alice Gray

U.S.A. Squirrel ooncluded Ed Sullivan

use halt a square two rabbit's ears

this top half fits into the lower half opposite

156

U.S.A.

I •

top half 'fits astride concealed flap

157

Pi,tture :Fra_me Ed Sullivan

A, '8. C and 0 ar'.e pencil lines

make frame any size you like

U.S.A.

as you valley fold the flaps below the eight corners tuck under the four flaps and lock frame above

eight squash folds

158

Four Roses Fred Rohm

U.S.A.

Use a square of gold foil. Colour white side as indicated. (Fr:om step folds by Patricia Crawford)

159

Four Roses

Watoh for the colour changes ,

now squash fold each corner

in tile same,

way and

petal f01d

colour . chartge the long flaps

first

now you begin to form the roses

160

Four Roses

as :fvard as 'it 10 oks

areas are green and red

open out

roses (red paper)

open out vase

told ends 01 flowers in and crimp onto stalks

fold flaps together trortt

and rear

161

Anchor Ted Darwin

6t. Britain Anchor concluded

begio withe bird base sink fiv.e

eerrrers (page 16) crease

heavily

first

r:e.~n yi~w

open flukes and fold in tips

reverse fold

t62

163

spread .nu~es to fo-ok, sotid

OC.ean Lior8,r Ted OarwiR.

Gt. Britain O'cean li:ner concluded

Very neat

use a S'~u'are colQured' one side, From dffawings by the cr.eator

these are all reverse folds

1.64

165

Leaf Amerins Hopman de Jong

HoHand Letter Arnerlns Hopman de Jong Honand

begin with a t>ird base (page 12)

a sheet Q.t note peper folded as indicated

the lefteris'

beaut itu Ily decorated and a fold is glued,

In p'lace (s~e page 166)

push thumbs inside fingers' outside grip arid bend opeh

1"66

167

Angel. ,F?,-: ,', h Dale Walton

.{,u:

1',

use a_base (page_

U.s, .A". Angel Fish S' h '. f' ~IA

' , U c a c~eve( IO~,u

reverse fotG fin tip. Valley'fo!a

front and r-ear. Open out tail fins. Openl out

lower fin. MOdel will .

stand

fold si,ngle layer right and flatten corner

grip both points bstew and pull apart XWiHgo lnside trent and behind

again

then twice more

1,68

pyramid Bobby Valkenburg

FIiP-T~e Brill

Gt. Britain

use a rectangle 01 pafterned

f0i1 12 x 4:SC'ms. Ctease ear:etuJly as indicated and thenl make a mountain fold and twaerimp's.

begin J----r-.r--t-i~~,..---'-f-l the

,lid

repeat folds behind

crimp

.flap X is now on top of these folds.

110

171

Flip-Top continued

Reali magiie

CIJr.1 the cigarettes

make a waterbolnb base

crease both corners'tbeA make tr:Iountai'j'lJ folds

the base

sink comers and then valley fGld flap

172

173

Book D. ave; BriU

. - .-

Gt BrItain B·oak concluded

Hea.Uy diff.erent

use a square val ey fold I(!)wer edge tnen pleat as indioated

30 the spine

sink four corners

tift out the felded ed'Qa

'ffatten

model and rabbit's ear the end piece

valley

fold eovsr

I lift X and Y . tuck bel:jiMd as arrowed

174

17.5

Tippe" Truck Max Hulme

ussa 3 x 1 r,~ct'angle crease as indicatetl

and then fold as shown

1--

I

all the

176

/

"

Gt. Britain Tipper Truck continued eOFt:tentrate" here

r L__:

,r •

.. r;

we-crease carefully and then, fold into shape it .ls ea~jer than if looks

- II- : - - v:~! - --

,,- - - - V" ' ... -

'I J

.... ,\-- =-- .... ~. ~

L. ,. C '. i""" :" _., ~. - • -, ._ ~'&@~h---f:---I~--+--+-+-+---+-

creases make the

mo'deJ fall . t---I---+---t----+---t----t--I---I e,8sily into

shape

rm. arl Xi nn:~-t~~~

from illustrations' by Dave Venablest}):

I i 1~1---4!=-t--t=-t--1"'"""""1

,.........,,---,---.---.---r.......-r"""'r--,

177

Ti pper Truc;k contln ued

Tipper Truck concluded

I

Phew!

crimp again

ptil¢h that edge together and push sides tn.You can get Inside the cab with aids

to help foldiilg

fold flaps onto platform

fold these flaps down

sides Qf platform

P8

Matchbo'xZ Max. Hulme

Gt.8ritain Match' 80x 2 'concluded

'Clever stuff I

use a '2 x 1 rectangle colour side up. Crease as indIcated valley fold

sink sides of tray

180

181

Gt. Britain

begin with a rectangle 01 foil - 4 x 1 gold or realistic colour.

Pleat as indicated

crease for centre spot

sink three corners

l!.izard continued

rabbit ear the front legs

1 •

j

mountain fold smatJ flaps then valley fold body flaps

183

from illustrations by Dave Venables and Max Hulme

mountain fold the ends

first then

double thickness

round the tail

Lizard concluded /~, I

rabbit ear the rear legs

to form head open out top layer and wrap around bottom layer

3D tail and body

curve tall

The End

184

Another great fold

t.

I !

I-

I

,

,