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about what we are as beings. The first color is exoteric and the second color is
esoteric. Now, that's a generalization but it's very important to grasp. These are the
two aspects of what it is to be us. It's my joy that Human Design is both first and
second color in its nature. In other words, it comes from the unbelievable, but it
proves out in the reality. It is a blending of what is exoteric and what is esoteric, but
it says that there is this basic difference that exists as a dividing line in humanity. It's
often very difficult for people who have strong second line themes to come to
Human Design because it's so first line. And they always say the same thing:
"Where's the spirituality? Where's the stuff we can have that we can't prove so we
can believe in it?
Every time I give a gray course, more people show up than any other kind of course I
do. In other courses, it's a miracle if there are 15 people in the room. I give a gray
course and it's all full. They all want to hear this stuff that maybe it's true, maybe it's
not. "Wow that's great! We can believe in it or not." Proof is a heavy stick. When you
have proof of something, it's a heavy stick. It can make people very, very
uncomfortable. You lock somebody who is basically second color into a first line
structure ("Those are your designs; that is your type and this is your strategy.") and
you will meet resistance.
Remember, your color, because it's not personal, doesn't care what kind of type and
what kind of definition structure you have. It doesn't make any difference to it. So
you can be this enormously logical person and still be resistant, even though it clicks
in your logic. There's still going to be, underneath, this need to believe in something.
So, we have two kinds of beings and those two kinds of beings have to find a way
through synthesis to come together, and for us to be able to find a way to integrate
what is not provable with what is provable. Unless we have that kind of synthesis,
they're always left out on the side.
All beings that carry second color themes, because they are open to what is not
provable, they're open to absolutely everything that's possible. They're open to the
Virgin Mary coming for dinner, to Seth knocking on their door, to every kind of
potential experience. They're open to seeing the light of Christ. They're open to all of
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