Musica Brasileira para o Iniciante (Brazilian Music for the Beginner) Mallets (Marimba&Vibe) / Piano Projetoe supervisto téenica: Ricardo Vasconcelos Composto dos temas: Francisca Aquino Arquives mi'dudlo e masterizagto do CD: Ricardo Vasconcellos Ealgso: Aquino&eVasconcellos Consult téenteo: Ney Rosauro “Traduso dos textos: Afonso Galvao AsswentoGrave Musical Editions Project and technical supervision: Ricardo Vasconcellos “Themes composed by: Francisca Aquino ‘MldVaudlo Mes and CD mastering: Ricardo Vasconcellos ation: AguinodVasconceltos ‘Technleal adviser: Ney Rosauro ‘Text translation Afonso Galvao Pasa wossos [illos Ta 00 his www.assuntograve.com ‘Notice The platocopying of opiate materials lees {you photoopy tha asi you remaking pone [Reus to produce more editors ike ‘Advertincl: Ftocopiae et material ie 'Seveol ofa srl termmdo inposivel ‘publicate de otras egbe om eaNota dos Editores A presente publicagdo visa proporcionar ao iniciante a possiblidade de exercitar a performance musical, através de repertério camerstice, insprado nos vérlos @ ricos géneros da Misica Brasilera. A parte de piano foi concebida visando enriquecer 0 contedo musical das pegas, devendo ser executada por alunos mais adiantados ou _professores acompanhadores. Os recursos técnicos do Instrumente solsta so explorades de maneira progressiva e, a cada pega, um novo desafio (articulagdes, ligaduras, ritmos, dinamica, ete) & propesto ao estudante. Consideramos de fundamental imporfncia 0 cultivo da misica de camera desde 0 inicio da pratica musical e, portonto, a escrita busca contemplar a marimba e 0 vibrafone tanto como instrumentos solistas como acompanhadores, explorando de manera natural as potencialidades dos mesmos. © CD-R com a grava¢ae da parte de piano* possibiltta uma melhor compreensdo das ‘obras. como um todo e tem se revelado eficiente ferramenta auxiliar no processo de ‘aprendizagem musical. * arquives gerados em midi, convertidos para ducio. Para. cade peso, endomento mois lento, foram produzidas duas faixas: uma _em com metrBnome @ outra no condomento especiiicado na patttura, sem metronome. Editor's Notes | This publication alms at allowing beginners to start experiencing chamber music performance based on the rich diversity of styles of Btazlian music. The plano part has been composed with the aim of enriching the musical content of the pieces. It should be played by more, advanced students or professionals. The technical resources of the solo instrument are explored in a progressive manner, whereas other interpretative aspects such as articulation. sluring, thythm and dynamics are explored in different ways'in every plece, as new challenge to the student. We consider it to be of fundamental Importance to start musicians in the practice of chamber music as soon as possible. So, the structure of the pieces in this book explores in a naturel manner the potential ofthe marimba/vibe both as soloist and accompanying instrument. The CD-R* with this edition brings the plano part of the pieces and makes it possible a better understanding of the work as a whole. It has been viewed as anefficient auxiliary device In the music leaning process. = MIDI generated fies converted to audio. Two piano versions have been produced for each piace in slow ond normal tempi, respectively, with the metronome added only to the slow tempo version. 1 ACCT mallConteddo 1 Baldo 1" 15" {morimba 4.3) poo. Génere carectaritice da rage Nordetle, bastente sincopedo 2, getamente, com malode de carter modal. Neste caso, 0 melodia fol baitonte smpliicada pore o solita, consitinds pena: de gious conjunlot @ Bequencs intervales, sem sincopas, Somente ne compasto 22 © fimo sincopado ¢ executado pel ‘mazimba, com o opoio do piano. be: Pode ir exacvtada com apenas duos boquats W-Valsa 1°30" {vibrafone} pég.3 De caréter simples @ exorestivo, "Valio' apretenta harmonizacdo edema e dstonante. Alguns trechos melécicos exigem razodvel domirio de técnica de pedal. Por outro lado, nos compastos de 25. (9.36, 0 vbiofone executa uma seqvencia de notas em stacatt, nett ‘walking bow. (Obs: Pode ter exocutada com apenos dua: boquetas We Frevo 1°17" (marimba 43) pog.5 © frevo € uma dange muito répida, em forma de marcha e de esptite comavaleice, carocteritice da recite de Pemombuco - nordeste do Bros. Netto versBo, 0 solsta 6 convocado 0 rectzar coriodagdes em contratempo, clém de um frereade rimico @ de velocidad. Bige inde o emprego de pequencs 1los. Enke os companies 37 e §2 o motmoa fore de "wide! Instumento corocterttico da percussde brasleke. (Obs: Pode 1” execviada com aporat vet Baquetar WV - Balada 1'38° (viorofone) pég.7 No esllo de melodia acomperheds, "Bolade” propicio a prética de tonaldades e modulacées pouco empregades no repertéio dot inclontes (Fb menor pata FOF maior, por exemple). A utizagde do pedel & bastante importante no execugto do fraseado, abuncante em ligoduias e Frases mais longas. Pela pfmeia ver, oparecem treches em otevas. (bt: Pode or executes com apenas vos Boavetas V-Cangdo 2 26" |viorafone) pta.9 © carter melancdico da pega é evidenciade por sua melodic 29 erllo"bive" pela harmon itmada de ecompanhomento em auidiers. Além do largo ulllzasde do pedal « peso exige o execugde de oppogciaturas intevires br: Foe er eracutaca com apenar us beaver VI- Modinha 2:00" viorafone) pag.1 Género de eantige popular urbana, geraimente acompanhace pot Molde, caracterttice das serastos brosieics. A pega exige ‘malor hobldade técrice pora execusde dos longas igaduras € posogens com Intervalos exlentos, Além disso, sb0 botredusides trechos not Vorefonita execute imutaneamente @ melodie @ © ccompanhamento, Cartier teenciaimente cameritico, em estlo perguntc e resposte. (vt: necenéro um minimo de Hos baquetas para a exscupt da obra. quis 0 VIL - Bossa 1'53° (mambo 4.3) pag. 13 Sitlo madame, exginéro do samba, que Incorpore alguns dos elementos tbicos do jaz. Imortalzada mundoimente por Tom Jobim © JoB0 Gibetto, a bosicnove opresenta itmo muito sincopad tanto na melodia como no acomparhamento. © Use pollénice do marimba melodia e acomparhamento simuténeos 4 baitante exigde, bem como @ execugde de lenges Hrechos sinconados em oltavas, ocordes de quatto sons @ ros. Obi: neciérie o uo do Keriea de quate baqvotas Contents 1 Baldo 115° (mambo 43) poge 1 Typical Norheastein Braz rhythm, highly syncopated and, iy ‘general, wth a medal melody. Here the tolo melody has been made simpler, consting only of sequence of notes or small Intewlt without syncope. Only in bor 82 the syncope is played by the marimba, withthe support ofthe piono. Obs: the piece can be petormed wih to malts W- Waltz 130" (vibraphone) page 3 (Of csimple and expressive choracter, Vota! diplays @ modem ‘and distonan! hamery. Some melodic passages demand a reasonable technical mastery of the pedal. Between bors 25 and 36, the vorashone performs a sequence of stacotto notes in walking bass sve (obs The place canbe petomec wth hwo mats MW Frevo 117" (morimbo43) pages Frevo ita fort march Ike donee, with 9 carrival spice, typical of, the region of Pernambuco (Noriheasier Bros). n the present vetsion, the soloist Is asked to afticviate upbeats in mutica! pphrates with song thyihm and speed. There i cto the vie of thot roll, Between bass 37 ond 52 the marimba imitates & turde', 0 typiea Ballon percusion instrument, (bs The placo.con be pertrmed wih two malts. WV - Ballad 1°38" (vibraphone) poge 7 The accomparied melody sive of ‘Balada! makes it possbie the practice of keys and key chonges rarely seen hn the repertory of, beginnets (F minor to F shar mejor for example]. The ue of eda's& very Important to interpret the sured priases, Some Posiages ave in octaves, ‘Obs The place can be perermed wt two mats V-Song 226" (vibraphone) page? The melanchole character of ths plece derives frorn is metody in the ‘blue’ style ond fom the ythmic harmony of its ‘accompaniment in tiplels. The piece demands the use of the pedal and also the performance of appoggicturas. (Ove The place con be perleed with two motets VI-Modinha 2.00" |vibrophone) page 11 Medina is @ sof of uban popur song, generally ‘accompanied by the gular in Braalion serenades. the piece demand better technica! sks n order to play the long sured pasager wih extended intervo's. Besides that, some possoges ‘Fe inliodvced in which the musician hes to play the melody fond the accompariment smutaneousy. The syle is esentiily ‘chomber music Ike (question end answer) Obi It necessary the use ot leas tree mates, Vil- Bossa 153° (marimba 43) poge 13, Sosa is @ Modem style, otiginaly derived from tamba, which ineorporater tome ospects thet ore typleal of Jaz music Intemational acctaimed through the woik of alts such as Tors Jobim and Jo80 Giberlo, bossa nova dliplays o highy ‘syncopated thylhm both In ty melody and eecomponimert. The povphenic we of the marimba - for playing melody and ‘accampaniment smuitaneousy - ot well as the performance of long smcopeted passages, four notes chords ond ros is well demandes ‘Obst necesion heute of orm techniqueGiocoso Mdsica Brasileira para o lniciante (Brazilian Music for the Beginner) Themes composed by mallets and pian Francleca Aquino I - Baido © Copyrigh! 2002 by Aquino Varconcelos.Intenotional Coprigh Secured Mutoa! ations, Pantin BathAGA2L allII - Valsa (Waltz) Espressivo é AGO walt‘AG02L alTII - Frevo Marimba t ee f vod jaaAGo2L mall| | V - Cangdo (Song) Andante cantabile dee fa * sinile 1 G02. all; aa . aif erie Aqo2L.malVI- Modinha , Samm ior oo ee Sa SS ™” GORI alta ) Py Md ty ACR alVIT - Bossa | Giusto #=60 AGO mall‘AGoDL mall,AGODA mall= es ee — ——— =|" * = 7 f VY a t _— Le pe = fo VY _ zt = a a fe > | all. ~~ a YS =Contetido do CD Falxa 1-A 440 Hz Faixa 2 Baito (lento) Faixa 3- Baio Faixa 4 - Valsa (lento) 8- Valse Faixa 6 - Frevo (lento) Faixa 7-Frevo Faixa 8 - Balada (Iento) Faixa 9 - Balada Faixa 10 - Cangio (lento) Faixa 11 - Cangdo Faixa 12 - Modinha (lento) Faixa 13 - Modinha Faixa 14 - Bossa (lento) Faixa 15 - Bossa CD contents ‘Track Track Track Track ‘Track ‘Track ‘Track Track Track 1- A440 Hz 2 Baio (slow) 3-Baizo 4+ Waltz (slow) §- Waltz, 6 - Frevo (slow) 7-Frevo 8- Ballad (stow) 9- Ballad ‘Track 10 - Song (slow) ‘Track 11 - Song ‘Track 12 - Modinha (slow) ‘Track 13 - Modinha ‘Track 14 - Bossa (slow) ‘Track 15\- BossaAG021 malIV - Balada (Ballad) z i simile mf ~verescendo = SL A ‘A002 mallA ae Seg eS tre in adel AGo2L mall___Andante cantabile dese V - Cangao (Song) A021 all