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The ‘Body, Mind and Soul’ production was performed in 2009 at Brunel
performance on ‘Body, Mind and Soul and collaborated the production with seven
women characters who represent the same person. The “Body” often is used in
connection with appearance, health issues and death. The body is the physical body of
the incorporeal essence of a person or living thing or object. The seven actors for
‘Body, Mind and Soul production devised their piece by focusing on the three stages
of the human circle in modern performing arts. The attention was mainly aimed at
centred on creating the inner life of the role and stimulate the creative state of mind.
Student Number: 0823844
Professional Development
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The production was very disturbing and interacted with the audience to make them
feel the emotions and discomfort the actors felt on stage. Body, mind and soul began
its expedition by focusing on how certain situations and fundamentals can affect our
everyday life. The performance was set out as a classroom. The actors on stage
represented the teacher with the authority and educational rights whilst the audience
became the students within the spectatorship, this created a sense of uneasiness and
tension.
The dialogues and the physical movements incorporated within the piece
helped the audience express their feelings and relate any situations they might be
going through in their personal state and letting it speak through the performance. The
actors on stage looked exactly the same, wearing a white gown, tide back hair, hot red
lipstick and dark eyes. The costume reflected all the women characters on stage to be
represented as one and creating the dominant character that controls the situations,
The storyline was all about how the teachers meaning the actors manipulating
the students who are the audience which takes over their mind, body and soul
following the control of the actors on stage through movement, speech and red
ribbons which were used to portray the human circle of life. The red ribbon was one
of the core objects which was passed around the stage and always was related back to
through each scene. The production portrayed a figure which was placed above the
stage of a human form to represent the concept that we are all one even if we don’t
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English and Dutch so the production in-cooperated the German language to represent
physicality through speech. The language used within the piece was solely English
beside one character whose speech was all in German, from dialogue as well as
monologues. This character represented how even speech can’t help you
communicate with a stranger but more characterizations of the body and facial
expressions would lead the audience to understand the concept the character tried to
“Ich will das nicht, bitte, warum machen sie das… bitte, Ich will das nicht….”
The props were really simple and straight forward, there was 4 step stages in
each corner, three throw down chairs, plain background and over all ribbons placed
which were followed back to especially through the physical dance piece. The
technical crew focused on the actors lighting from blue, yellow, red and green
portraying the emotions throughout the performance, this also represented part of the
seasons throughout the year from autumn, winter and summer. The production took
two months and five days to prepare for ‘Body, Mind and Soul performed in the