Waves Certification Program 1

Module One

Introduction to
Waves Plug-ins
Contents
A Note to the Teacher . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Welcome to the Waves Certification Course . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Objectives of this Module . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Part I – Classroom Instruction and Demonstrations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Section One: Plug-in Terminology . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Section Two: Installing and Authorizing Waves Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Installation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Waves Account. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Waves Update Plan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
iLok Authorization . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Upgrades and Updates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Moving from One Host to Another. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Keeping Your Waves Plug-ins When You Buy a New Computer . . . . . . . . . . . . . . . . . . . . . . 10
Section Three: The WaveSystem Toolbar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Section Four: Waves Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Section Five: Latency . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Part II – Introduction to the Demo Material . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
 Waves Certification Program 3

Module One
Introduction to
Waves Plug-ins

A Note to the Teacher

This course comes with two sets of demo material: “Directed Demos” and “Call
On Me.” If you have not already copied the folders containing these audio files and
sessions from the supplied DVD, do so before the class begins to ensure that the
sessions load properly and that the plug-ins are functioning correctly.
Throughout the Waves Certification Program, you will use a multi-track session
of a song called “Call On Me” to demonstrate plug-ins to the class. Also, at the
4 Module One: Introduction to Waves Plug-ins

end of each module, students will have an opportunity to work with the plug-in
they’ve been studying by inserting the processor into raw tracks of this session. The
“Call On Me” session does not contain any inserted plug-ins. It’s up to you and the
students to decide which tracks will benefit from the plug-in they’re studying.
The “Call On Me” session consists of a mix of the song on the first stereo track,
followed by the raw tracks. Begin your first lesson by playing the session, alternating
between the final mix tracks and the unmixed elements. Let the students hear the
differences between the mix and the tracks. It’s easy to appreciate the impact the
plug-ins have on the music.
This initial auditioning of “Call On Me” affords a good opportunity to talk briefly
with the students about the issues facing the song. How can the voice sound better?
What can be done to separate the instruments? What will bring the song to life?
As you study the Waves plug-ins, remind the students of this initial listening and
don’t let them lose track of the goal: to make a great-sounding song.

Welcome to the Waves

Certification Course
A plug-in is a software add-on that gives enhanced capabilities to a program. Think
of it as a software accessory that provides extra tools. Waves plug-ins do not function
as stand-alone applications; they are accessed from within the host software and
either run on specialized audio hardware (TDM) or use the processor within your
computer (Native).

You are beginning a training program that will help you master Waves plug-ins for
audio applications. Since Waves is the largest provider of plug-ins for digital audio
workstations and sequencers, mastery of these software processors will take you a
long way in commanding the power of digital audio.
 Waves Certification Program 5

Objectives of this Module

In this module you will learn the basics of using Waves plug-ins. Installation and
authorization, migrating between computers and host applications, and features
common to all Waves plug-ins will be discussed. When you finish this module you
will be ready to study the plug-ins themselves.
Upon completing this introductory lesson you will understand:
• How to install and authorize your Waves software
• How to move from one host computer to another, and how to move between host
applications
• How to use the WaveSystem toolbar – the “housekeeping” and management
system common to all Waves plug-ins
• Latency issues and how to live with them
This lesson will prepare you for the Waves Certification Program’s in-depth study of
Waves plug-in processors. Study this background material, as it will be the foundation
of your Waves education. If a topic is new to you, make sure you are comfortable with
the concepts taught before moving on to the next item. If you are already familiar
with a subject in this introduction, read through the material anyway. There’s a good
chance that you will find something new, or perhaps you’ll run across a concept you
are certain you had mastered but turned out to be a bit off the mark.
6 Module One: Introduction to Waves Plug-ins

Part I – Classroom Instruction

and Demonstrations
Section One: Plug-in Terminology
Review the following terms with the class. A good grasp of these concepts is
important when discussing plug-ins and the environment in which they operate.

• Native – Applications (in our case, digital audio workstations, samplers and
sequencers) that use the host computer’s processing power to perform all DSP
functions. Waves native plug-ins run under DirectX, VST, MAS, Audio-Units,
RTAS and AudioSuite in Waves-supported hosts. No external processing devices
are needed, although an external I/O device may be necessary to run the host
application.
• TDM – Many plug-ins use the processing power of TDM (Time-Division
Multiplexing) hardware, rather than that of the host computer. Hence, “TDM
plug-ins.” All Waves TDM plug-ins include Native components as well as TDM
(but Native products do not contain TDM components).� A Waves TDM product
can be used on both TDM and Native applications.
• Authorization – The process of activating a software product by registering it
with the manufacturer and confirming the validity of the purchase. This process
is usually transacted over the Internet.
• Host Application – Plug-in processors do not operate on their own. Instead, they
function within larger programs or platforms. A host application is a program in
which plug-ins operate.
• Host Platform – Macintosh and Windows are examples of host platforms.
• Component – Plug-ins are often available to you in several configurations. There
may be a full version of the plug-in, as well as several smaller, specialized forms.
These different plug-in configurations are called components. By selecting the
component that offers just the processing you need – and not more – you can
save processing power.
• WaveShell – Software developed by Waves to provide an interface between a host
application and the Waves plug-ins. When you select a Waves plug-in from within
 Waves Certification Program 7

the host application, the application communicates with its WaveShell, which
then acts as a plug-in library, locating and activating the requested plug-in. It is
not necessary to install multiple copies of plug-ins to be used by different host
applications, since different applications have dedicated WaveShells that direct
the software to the appropriate plug-in.
• WaveSystem – The toolbar common to all Waves plug-ins. This is where you
save and load presets, compare settings, undo and redo, learn about the software
version and access the user manual.
• Dither – A small amount of noise added to a digital signal to reduce quantization
error in the least significant bits. This noise is often “shaped” to appear inaudible
to humans, so the net effect is usually one of less, rather than more noise. Waves
double precision processors use dither to reduce internally processed signals to
the word length required by the host application.
• Double Precision – Many Waves plug-in processors operate internally at
double the word length of the host application, resulting in much more accurate
calculations and greater transparency.
• Latency – A delay in audio throughput caused by a processor. Latency is most
noticeable, and hence most troublesome, when processing a track in a multitrack
session or when tracking a live performer. If the processor’s latency is excessive,
the resulting track will be out of sync and must be offset.
• RTAS – A common type of native plug-in. Real Time AudioSuite plug-ins use
the power of the host computer rather than the dedicated DSP chips on an audio
processing card.

Section Two: Installing and Authorizing Waves

Plug-ins

Present the students with the logic and process of Waves installation. Pay particular
attention to the way Waves plug-ins are stored on the host computer and how
the WaveShell interacts with the host application. Internet access is required for
authorization, so students may need to complete the authorization process at home.
8 Module One: Introduction to Waves Plug-ins

Installation
Installing Waves software is easy and straightforward. Whether installing from a boxed
CD or a download, simply read the license agreement and other “read me” information,
then follow the prompts. In some cases you will be required to re-boot.
All Waves plug-ins are automatically installed into a folder named "Waves plug-ins,"
inside the Waves folder, which will be created on your internal startup disk. They don't
go into your application's plug-in folder. Instead, a WaveShell is installed into your
application's plug-in folder. The WaveShell connects your application to the Waves
plug-ins as a software gateway. You may have several WaveShells installed.
Every host application has a plug-in folder in which it scans for plug-ins. In some
cases the folder can be installed with the host application. In other cases, the
system installs the plug-in folder into a special directory dedicated to applications
using plug-ins. During Waves installation, WaveShells are placed in the plug-in
directories of the hosts that Waves recognizes. Pay attention that the version of
the installed WaveShell is the same as that of your plug-ins, otherwise the plug-ins
won’t work. Waves plug-ins will be available on the next launch of the application
provided there are no license, copy protection or configuration restrictions.
When a host application is launched, it usually performs a scan for plug-ins. Plug-
ins that were installed since the last launch are tested or validated during this scan,
and if they pass the validation they will appear in the appropriate menu when the
application is up and running. Depending on how many Waves products you have,
there may be multiple WaveShells in the host application's plug-in folder. Each
WaveShell will be tagged with a different name or version indication.

Waves Account
When purchase your first Waves product, you will open a free Waves Account. Within
your account all registration and product information is stored, allowing for quick,
accurate and trouble-free authorization and migration. To create a Waves Account,
go to www.waves.com and follow the path to users/my account.
Each time you purchase a new Waves product, you must register it with your Waves
Account.

Waves Update Plan

The Waves Update Plan provides long-term technical support, software updates and
discounts on upgrades to more comprehensive bundles and new plug-ins. All new
 Waves Certification Program 9

Waves products are covered under the Waves Update Plan for one year. After one
year, you may choose to extend this service.

iLok Authorization
Waves plug-ins must be authorized before use. In the past, authorization information
was stored onto your hard drive. This was great if you worked on only one computer,
but not very convenient if you regularly spread your work between several locations.
Waves now primarily uses the iLok system to manage your accounts. It’s very simple
and very portable.
iLok is a small, plastic key that fits into a computer’s USB port. It
enables you to easily move software licenses from one computer to
another, regardless of developer or platform (Windows or Macintosh).
iLok offers Waves users many conveniences, including:
• Mobility – Use your Waves plug-ins wherever you need them.
• Cross Platform Compatibility – Move from PC to Mac and back again.
• Security from Disk Crashes – Your authorizations will still be safe.
• Easy Computer Upgrades – No need to re-authorize your Waves products when
you upgrade your computer.
Each Waves product has a slightly different iLok authorization procedure, so refer to
the Waves registration web site for detailed, updated instructions.
http://register.waves.com/

Protect your iLok as though it were cash. Waves does not offer replacement keys or
authorizations for lost or stolen iLok keys. If you plug your iLok key into a computer
in a “public” studio – that is, not at your home – don’t leave the key unattended. It’s
just too tempting and too portable. If you will be away from your iLok key for any
period of time, close the application and take your key with you.
Waves recommends that you insure your iLok key to protect its contents.
Remember, there is no software on the iLok key, only an authorization. When moving
from one host computer to another, be certain that the desired Waves plug-ins are
installed on the new computer. Otherwise, take the plug-in software with you.
Also remember that the Waves Authorization process is evolving. For the most
current information on how to authorize your Waves product, visit www.waves.
com, and navigate to “support.”
10 Module One: Introduction to Waves Plug-ins

Upgrades and Updates

An update makes current a plug-in or software bundle without changing its value.
Updates are free to users participating in the Waves Update Plan. Upgrades involve
moving to a higher level package, say, from a Gold Bundle to a Platinum Bundle.
When purchasing an upgrade, you are automatically updated to the most current
version software.

Moving from One Host to Another

Most students are interested in moving from one host application to another – or
between host computers – so make sure that students understand how to take their
Waves plug-ins with them when they migrate.
Discuss, too, the issues involved in moving from one host application to another
within the same computer, specifically how to move audio and edit lists between
different host applications.

One of the great benefits of iLok is the ability to move easily from one computer to
another. You can painlessly move from your home studio computer, where you are
building tracks or working on one element of a complex project, to another computer
for performing specialized processing or completing the project. When you move
from one host to another – whether from a Pro Tools running on a Mac to a Windows
Pro Tools or from Logic to Nuendo – take your iLok key with you. Assuming that
the desired plug-ins are installed on the new computer, you will be able to run your
authorized Waves plug-ins.
When moving between host applications, the easy part of the process is transferring the
Waves plug-ins parameters. You can copy your preset files to a USB flash memory or a
CD. Much more problematic is moving the audio information, as well as the edit and
fade instructions. In many cases this must be done via OMF. Again, consult your host
applications’ user manuals for export and import of audio and playlist information.

Keeping Your Waves Plug-ins When You Buy

a New Computer
It’s no longer necessary to re-authorize your iLok-supported Waves plug-ins when
you buy a new computer. Merely re-install your plug-ins, whether from original CDs
or from the downloaded installers and plug-in your iLok key.
 Waves Certification Program 11

Section Three: The WaveSystem Toolbar

All management functions for Waves plug-ins are controlled from the WaveSystem
toolbar. Loading presets, saving custom settings, undo/redo, A/B comparison and
other housekeeping duties are carried out by way of this toolbar. It’s worth spending
a bit of time learning how to use WaveSystem, since its time-saving features will pay
off every time you work with a Waves plug-in.

The WaveSystem toolbar

When using Waves plug-ins, save your presets with the WaveSystem toolbar rather
than through the host application. This makes migration between host applications
(Nuendo, Pro Tools, Logic, etc), or between platforms (Mac or Windows), much
easier and more standardized. And remember, the WaveSystem toolbar is identical
on practically every Waves plug-in, so you only have to learn it once.
Now, let’s take a tour of the toolbar:

Demonstrate each of the WaveSystem buttons.

Undo
Use this button rather than your host application’s undo function to back up one
step. Waves plug-ins have one level of undo, except WavesTune, SSI and GTR, which
have 12 levels of undo.

Setup A/B
The setup button toggles between
two settings. This allows for quick
A/B comparisons. Once a setting is loaded or saved, its name will appear on the
button, and will change as you toggle between two settings.

Copy A->B, B->A

Copies the current settings to the second setup register. The direction of copying is
from the currently displayed set-up to the alternate setup.
12 Module One: Introduction to Waves Plug-ins

Load Menu
Here you load factory presets,
user presets and other preset
files. Factory presets are permanent elements of the
Load popup menu, created by Waves. They cannot be
changed or deleted.
You can make the current settings of the plug-in become
a user preset in your Load menu. User presets can be
changed and deleted.
Setup files may hold more than one preset. For
example, a single file can contain all the presets for a
session. When you open a Preset file, all nestled presets
become part of your Load popup menu. You can open
the same Preset file each time you use a plug-in within
your session. This makes all of the presets in that file available very quickly in every
insert of that plug-in.1
To delete a user preset, hold CMD (Mac) or CTL (Windows) and click on the Load
menu. You will be given the option of deleting the preset. You will also have the
option of closing a user preset file, which will remove the preset file and all of its
nestled presets from the Load menu.

Save Menu
Here you save presets. You can save the current
parameters as a user preset in Preset Menu or you can
create a new file. In either case, you will be prompted
to name the new preset. If you choose to save the
preset as a new file – outside the plug-in’s Preset Menu
– WaveSystem will ask you where you want to put it.
If you are planning to continue your project on another host computer, you might
consider copying your preset files onto a USB flash memory device or a CD so that
you can easily access your favorite presets.

Help
Pressing the ? button opens the manual for the current plug-in. To read these PDF

1
Due to the diversity of Waves plug-ins, there are a few exceptions to the standardized WaveSystem toolbar.
IR1 has a few unique import options, and xNoise, zNoise, Waves Tune and Q-Clone save certain parameters
in unique manners.
 Waves Certification Program 13

files, you must have Adobe® Reader or an equivalent program such as Apple’s Preview.
If you downloaded your Waves plug-in from the web, pressing ? may result in the
prompt, “cannot find file.” Some on-line installers do not include the PDF file, in order
to speed download times. If you do not find the PDF help file, go to waves.com, find
your plug-in within the Products section, and locate the document download, which
is usually at the bottom of the Technical Specifications.

About
Clicking on the Waves logo will bring up the “About this Plug-in” page, providing
information about the plug-in’s version, process type and registration.

Section Four: Waves Controls

It’s easy to move from one Waves plug-in to another, since all Waves plug-in processors
use the same types of controls and follow the same rules. Master one plug-in and you
can quickly get started on another.
Waves plug-ins are manipulated by two types of controls:
Graphic Controls can be cross-hairs, small triangle markers or standard faders.
Button Controls are always boxes with text or numbers in them.
All controls can be in one of three states:
1— Not Selected: the control is not the target of any user entry. A marker or button
that is not selected appears “plain,” with no highlighting.
2— Selected: the control is the target of mouse control entry only and not keyboard
entry (If the control is a button, it will be depressed and outlined in blue, and a
marker or a slider will be highlighted).
3— Selected and Active: the control is the target for both mouse and keyboard
entry.
The Active control is outlined in yellow and the Selected control outlined in blue.

selected

not selected

selected and active

14 Module One: Introduction to Waves Plug-ins

To make a control “Selected and Active,” simply click it with the mouse, or navigate
to it using TAB. This deactivates the previously Active control. If only one control is
selected, it will always be “Selected and Active.” When multiple controls are selected
(using shift-click, or click-drag-select), all of them will be “Selected” but only one
of them will also be Active (normally the first one). Within a group of selected
controls, you can activate a specific control by clicking on it, or use the TAB key to
navigate to it.

Selecting Controls
By click+dragging around a group of graphic controls or button controls, you can
select and manipulate more than one parameter at a time. This is very convenient if
you have settled upon good relative values but you want to globally alter the group.
Select all of the desired buttons or markers and adjust one setting. All selected
controllers will follow suit. You can use only one button or marker in the group as
the “controller,” so select the controller within the group that you can best relate to.

Button Controls
These rectangular regions allow switching between two or more modes. To change
the mode of a button, simply click on it with the mouse.

The current setting of the button will be indicated on the button itself.

Value Window Buttons. These rectangular areas

look identical to buttons except that they display the
current numerical value of the control. Click once
on the button you wish to edit. To change the value, use the mouse, the arrow keys,
or the number pad.
You can adjust the parameter within a Value Window by numerical entry, by
click+dragging or with the keyboard arrows.
 Waves Certification Program 15

Graphic Controls
There are several types of graphic controls. Most are pretty obvious in their use, since
they behave like their hardware equivalents. A fader behaves like a fader and it stays
selected until you click elsewhere. To link two adjacent faders, click+drag between
the faders or select both faders and move either one. You can link two faders with
different values; the offsets will remain as you move the linked faders.

Grab Markers
You can control many parameters with grab
markers, the triangular markers near meters or
display graphs, or cross-hair markers on graphs.
Generally, triangular markers move along a
horizontal or vertical line. In some cases, they
may be grabbed by clicking anywhere within
their line of movement, not just on the marker
itself. This saves time and keeps your eyes where
you want them, rather than chasing after the
markers.
Cross-hair markers on graph displays can usually
be moved both horizontally and vertically. In
the horizontal direction, they often control
the parameter along the bottom of the graph
(such as frequency). In the vertical direction, cross-hair markers control a second
parameter; for example, Gain in the Q10 or Q in the C1’s sidechain EQ.
As a general rule, move the markers in the direction that reflects the logic of the
graph. Usually we think of gain in terms of “more or less,” so an up/down is the logical
displacement. On the other hand, frequency is almost always expressed along the
horizontal axis, so left/right motion is the obvious displacement. The same type of
logic applies for all Waves plug-ins. On most hosts, hovering the cursor above a graphic
marker will reveal small arrows that indicate the expected directions of movement.

Resetting Controls
You can reset most Waves parameter controls to their default settings by holding OPT
and then clicking on a Value Window button or marker (ALT+click on PC).
To reset the entire plug-in to its default settings, load the Full Reset preset from the
Load menu.
16 Module One: Introduction to Waves Plug-ins

Certain plug-ins, such as the Renaissance EQ, offer an additional button on the
WaveSystem toolbar, Flat, that allows you to reset the gain to zero without affecting
the Frequency or Q settings.

Section Five: Latency

Certain processors impose a delay upon the audio signal. Delay may result when
exceptionally large calculations are required for a processor to create its effect, or
it may be due to certain features, such as a limiter’s “lookahead” capability, which
require that the signal is buffered in order to better react to transients. Whatever the
cause, this delay – called latency – is something you need to learn to live with when
doing multitrack work involving inserted plug-ins.
Not all Waves plug-ins impose a delay. On those that do, latency ranges from 64
samples to 8192 samples. When a plug-in delays a signal, it declares this information
to the host application. Most hosts will automatically compensate for this delay by
offsetting other tracks.
Most host applications offer a means of displaying the current latency total for each
track. Pro Tools indicates the accumulated latency for each track. VST applications
such as Cubase and Digital Performer have a window that shows the latency of each
plug-in but not the total track latency. And Digital Performer and Logic properly
compensate for latency but don’t display the value of the latency. Check your host
application’s manual for details.
In truth, if you work on a host application that automatically compensates for plug-
in latency, you’ll probably never need to think about this delay. However, if you are
working with a live source, say a singer performing over tracks laid down in your
workstation, you must be aware of the latency imposed by the processors on the
affected tracks. A latency compensation routine cannot correct the processing delay
on a live signal!
Host applications use a buffer to delay other tracks in order to compensate for latency.
The larger the buffer, the better equipped is the host to cope with various latencies.
However, large buffers come with a price, for they can strip the host of memory
resources. So a large buffer is not necessarily the best setting for all uses. Waves
suggests that you use a small buffer size when tracking a song or editing (as small as
your computer can handle), and then select a larger buffer when mixing.
For most applications we recommend a buffer size of 512.
 Waves Certification Program 17

APA and NetShell

No matter how strong your host computer, it seems you never have enough power.
A new computer can appear to offer you unlimited resources, yet soon you find
yourself using many processor-hungry plug-ins and wanting even more DSP. Rather
than buy another computer, you can add a Waves Audio Processing Accelerator to
increase your computer’s plug-in power.
Learn more about APA and NetShell at the Waves web site.
18 Module One: Introduction to Waves Plug-ins

Part II – Introduction to the

Demo Material
During the next five lessons, we will become familiar with some of the core Waves
plug-ins. We will study the Renaissance EQ, the Renaissance Compressor, the C1
Parametric Compander, the Renaissance Reverb and the SuperTap Delay. During
each lesson, you will work with focused sections of the mix of a pop/rock song
prepared by Yoad Nevo, a music industry giant who is also a Waves development
partner. These targeted demonstrations will help you to learn about each plug-in
without “drowning” in the complexity of the whole mix. This way, you can readily
learn how each individual Waves plug-in can best be used to solve problems and
make your artistic point.
Before you begin the next lesson, copy these audio demos from the enclosed DVD to
your hard drive. The directed demos are in a folder called “Directed Demos.” Copy
the entire folder to your drive.
At the end of each of the next five lessons, you will have an opportunity to work
with the tracks of a pop country song, “Call On Me,” by producer/engineer Anthony
Egezii. Here you can apply your new plug-in skills and see how your manipulations
influence the overall song. At the top of the session is a stereo mix of the song. As
you learn each plug-in, experiment to reproduce the sound of the stereo reference
mix. But don’t stop there – add your own ideas to create with a unique interpretation
of the song.
This tutorial material is located on the enclosed DVD in a folder called “Call On
Me demo.” Copy the entire folder to your computer. Find the session file that is
appropriate for your host application. Depending on your host application and
computer, either “open” the file or double click to launch the session.