Escolar Documentos
Profissional Documentos
Cultura Documentos
17 he likes ike
As director of the Dwight D. Eisenhower Presidential
Library and Museum, Karl Weissenbach, SPA ’76,
has the man who helped launch SIS covered.
20 gold standard
The School of International Service enjoys pride of
place in a new green building that has elbow room to
chart a better course for the world.
27 collaboration works
A space connecting the Library and the new SIS
building becomes a place where graduate students
can unpack their ideas and their briefcases.
30 evolutions
This is scholarship that hangs on the wall, projects
flashing images, and moves by remote control. Here’s
how it came about.
departments
3 On the Quad
11 Athletics
35 Alumni News
36 Class Notables
48 American.edu
www.american.edu/magazine
American From the editor
American, the official magazine of American
University, is written and designed by the Uni-
versity Publications office within University
Communications and Marketing. Personal
views on subjects of public interest expressed
in the magazine do not necessarily reflect At Home in the World
official policies of the university.
Executive Director, Communications Home is where the heart is, and recently heart and mind together have
and Marketing joined to create new homes and powerful new scholarship at American
Teresa Flannery
University.
Director, University Publications
First, we are absolutely thrilled to bring you the rich photos and story of
Kevin Grasty
the new green home of the School of International Service. In fact, that space
Executive Editor
Linda McHugh and concept inspired us to devote this issue to several stories that give mean-
Managing Editor ing to the concept of home.
Catherine Bahl On a spring trip to tiny Abilene, Kansas, writer Mike Unger explored
Features Editor the American heartland that inspired the military career and presidency of
Suzanne Bechamps
Dwight D. Eisenhower. There Unger interviewed the keeper of Ike’s papers,
On the Quad Editor
AU alumnus Karl Weissenbach, director of the Eisenhower library.
Adrienne Frank
The AU Library reaped the benefits of the new SIS building when an
Staff Writers
Sally Acharya, Adrienne Frank, Mike Unger underground connector created room for a library home of sorts. The new
Art Director/Designer graduate student center gives grad students a versatile campus space where
Wendy Beckerman they can collaborate to produce top-drawer scholarship.
Contributing Designers Few things make us understand the importance of home more than loss.
Maria Jackson, Evangeline Montoya-A. Reed,
When painter Don Kimes lost his lifework to a flood at his home, he turned
Natalie Taylor
the loss into a gift. In reimagining his work, Kimes found that he had created
Photographer
Jeff Watts the best artwork of his life.
Class Notes Finally, with this issue we say goodbye to long-time American writer Sally
Melissa Reichley, editor; Ken O’Regan, Acharya who, with her husband, Hom Raj, CAS/MA ’03, and son, Nathaniel,
editorial assistant
will move to Kathmandu, Nepal, in August, in part to introduce Nathaniel to
UP11-001 his father’s homeland.
American is published three times a year by American
University. With a circulation of about 104,000, Acharya has spent her last months with us helping to retell for our maga-
American is sent to alumni and other constituents of zine Gail Humphries Mardirosian’s three-year exploration of the Terezin arts
the university community. Copyright © 2010.
ghetto. By bringing to light the story of how artists interned in Terezin held
American University is an equal opportunity and affirma- onto some sense of home, Mardirosian has moved history closer to the hearts
tive action university and employer. American University
does not discriminate on the basis of race, color, religion, of many AU students. Acharya’s skillful handling of that tale underscores the
national origin, sex, age, marital status, personal appearance, educational richness of the many relationships Mardirosian and collaborators
sexual orientation, gender identity and expression, family
responsibilities, political affiliation, disability, source of created.
income, place of residence or business, or certain veteran sta- For ten years Sally Acharya has brought that same quality of writing to
tus in its programs and activities. For information, contact
the Dean of Students (DOS@american.edu), Director of our pages. We’ll miss her keen eye for story, her ear for language, and her
Policy & Regulatory Affairs (employeerelations@american. tongue-in-cheek wit. Nevertheless, we wish her well in her new home and
edu) or Dean of Academic Affairs, (academicaffairs@american.
edu), or at American University, 4400 Massachusetts Ave., hope to someday publish her tales of this adventure. To read more of her
N.W., Washington, D.C. 20016, 202-885-1000. stories visit our archives at: american.edu/americanmagazine.
www.american.edu/magazine
Send address changes to:
Alumni Programs
American University
4400 Massachusetts Ave NW
Washington, D.C.
20016-8002 Linda McHugh
or Executive Editor
e-mail: alumupdate@american.edu
american
On the Quad healthy dish
Fit to Thrive
Dear President Obama, from the College of Arts and Sciences designed and led
I have researched on the internet that most children the Community Voices for Health: Kids Take Action
are obese because they don’t get enough exercise and eat project to teach students about health and nutrition
foods with too many calories. Please help, we need help while reinforcing skills in language arts, math, and social
to become healthy adults. studies. The sixth graders:
• were outfitted with pedometers and used math to
The letters that went to the White House from sixth estimate and graph their daily steps
graders at Kelly Miller Middle School in Washington, • learned to be smart consumers of media and food
D.C.’s Ward 7 told a story familiar to those who study • learned about nutrition and exercise, and used
children living in poverty: poor breakfasts, locked-down cameras to document the healthy and unhealthy
schools with recess reduced to an indoor break, grocery aspects of their environment: empty shelves at
stores that are “always empty, with no strawberries or corner stores, run-down playgrounds, healthy and
bananas.” unhealthy foods
But the children didn’t know anything was amiss until • wrote letters to President Obama and Michelle
AU became involved with their school. After a month of Obama, sharing their concerns and ideas
learning, they were ready to push for change.
It began with Anastasia Snelling’s summer class, The faculty collaborated to:
Urban Health for Teachers, when she connected with a • secure approval from District officials to add whole
student who was a guidance counselor at Kelly Miller— grains and healthier options to the lunch menu
where the principal, coincidentally, had once taught at • devise a plan for a community garden at an
AU. “The stars just aligned,” says Sarah Irvine Belson, adjacent Parks and Recreation site
dean of the School of Education, Teaching and Health, • meet the criteria for a “Healthier U.S. School”
and the schools joined forces. Kelly Miller is the only middle school in the
Like many urban schools, Kelly Miller struggles District with the national designation.
with low reading and math scores. Snelling and others
august 2010
On the Quad green zone
4
Wednesday on the peas are sold fresh. employs
dried cranberries helpfour strategies:
quad, from February And while fresh is • reduce consumption
protect the urinary
to November. best, frozen peas are • also
tract. They’re produce renewable energy
better than canned loaded with calcium;
• buy green power
peas, as they retain add them to cereal STRATEGIES
their flavor and are
• buy-develop offsets.
or yogurt to promote
lower in sodium. strong bones and
healthy teeth.
4
consumption year—a forest more than 4 times the Nature, Paul Wapner posits in the building is an
size of the National Mall. title of his new book, a look at what to allow for a relationship, to
example of
• produce it means to live on a planet where the encourage humans [to] take
Wapner’s new
renewable energy presence of humans is felt in even the a role in which they enhance
most isolated places. biodiversity . . . paradigm. It says,
• buy “We should be intervening— “let’s capture
STRATEGIES green power This new relationship, he contends,
is forcing us to reevaluate how we by capturing wind, capturing sunlight, turn it
• buy-develop AU finished in third place—beating think about the environment. The old solar, by participating in a way into energy. Let’s
out 604 other colleges and that highlights the principles of
offsets discourse is too black and white. One collect rainwater,
universities around the world—in justice. We don’t have to embrace
“We’re training the next position argues: Humans use too many
the 10th annual RecycleMania
a narrative of mastery to recognize use it to flush
generation of leaders, and it’s competition. AU boasted a
resources, and the job of environmentalists is to hold
back the tide and save what’s left of the wild world. that we’re going to need technologies. our toilets and
critical that they understand cumulative recycling rate of
the problems and be a part of 64.9 percent in the “grand Alternately, there are those who still think of nature as The only question is how we’re going have rain gardens
the solution,” says sustainability champion” category, which susceptible to mastery. to intervene. Not whether we can rather than let
director Chris O’Brien. measures recycling as a percentage Neither view, Wapner contends, takes into account intervene.” this stuff go to the
of total waste generation. the complex reality that is increasingly inescapable. treatment plant.”
american
american august 2010
On the Quad dream job
Courtesy of matthew van hoose
Boy of Summer
Matthew Van Hoose always has harbored a passion for music and baseball.
This season, the Department of Performing Arts musician in residence is During pregame introductions, Van
the stadium “organist” at Washington Nationals baseball games. Hoose plays The Who’s “Who Are You”
Can you say dream job? to greet the visiting team.
While his organ actually is a synthesizer, the joy with which Van Hoose
On the magical night when Stephen
plays it—and roots for the Nats—is 100 percent genuine. Strasburg made his amazing debut,
“It’s work, but it’s absolutely fun,” says Van Hoose, who is perched Van Hoose played the theme from
in the press box high above home plate. “It’s a perfect view. I can pay The Natural.
attention to what I’m doing, but you still can follow the game like a fan.”
Van Hoose works in concert with the stadium’s DJ. He is not permitted The organ Van Hoose plays at the
ballpark actually is a synthesizer.
to play during the action, so he bangs out most of his songs between at-
bats and innings, or during pitching changes. Van Hoose has been a musician
In addition to the usual slate of rally prompts, he mixes in tunes from in residence in the Department of
the worlds of Motown, classic rock, and even contemporary pop. When Performing Arts for five years.
Ryan Zimmerman makes a nice play in the field, Van Hoose plays “Use
He plays primarily between outs,
Somebody,” the star third baseman’s favorite Kings of Leon song. during pitching changes, and
Despite an influx of in-stadium entertainment (B.S.S.—Before Stephen between innings.
Strasburg—the presidents race was perhaps the Nats’ biggest draw), organ
music has remained an essential part of the game-day experience. He generally plays “Don’t Stop
“So much of baseball is rooted in tradition,” says Van Hoose, who Believin’” leading into the sixth
inning if the Nats are trailing.
provides vocal and instrumental coaching to AU students. “The DJ does
a great job, the scoreboard’s great, but [organists provide] the feeling of an “Twist and Shout” usually gets the
old-time baseball game. There’s some spontaneity when you have fans up and moving.
live music.”
american
On the Quad sweet venture
Sugar High
It’s a sweet life for Bailey Kasten, the chocoholic behind
Double Premium Confections, a gourmet candy Kasten’s retail site, dpconfections.com,
company she launched last year. goes live this month. Her confections are
“Everybody loves chocolate. It’s got the snap and the also sold in wine shops in the D.C. area,
including Weygandt Wines, above.
shine; it’s simple but delicious,” says Kasten, SPA/BA ’05.
From her D.C. kitchen, Kasten whips up dozens of The rose truffle—a blend of dark chocolate,
decadent flavors that span the sugar spectrum, from rose, and Madagascar vanilla bean—is
gingerbread and champagne to lavender and maple. Her Kasten’s favorite.
coworkers at the National Society of Collegiate Scholars,
Double Premium Confections boasts
where she’s worked as operations manager for six years, 70 flavors, from the exotic (lemon mint
are more than happy to be taste-testers. and salty caramel) to the traditional
“I’m very scientific,” Kasten laughs. “I’ll experiment (raspberry and pure dark chocolate).
eight different ways with the same flavor and throw in a
store brand just to keep everyone honest. Kasten always welcomes new flavor
suggestions from family and friends.
“Sometimes we get it right on the first try and Among her latest creations: honey
sometimes it’s 100 batches later and it’s still not right.” pistachio nougat. “The bolder, the better,”
Ultimately, however, Kasten’s tastebuds are the guiding she laughs.
force behind her budding confectionary.
“There’s nothing we make that I don’t love,” she says. “The real truth about making chocolate
is that once you learn the basic principles
“People always ask if I get tired of eating chocolate. The and ratios, you can start to experiment
truth is, sometimes I’ll make a big batch of caramel just with the recipes,” Kasten says. “That’s the
for myself.” fun part—to take a chocolate ganache and
run with it.”
august 2010
On the Quad global reach
Media Myths
Sometimes journalists don’t get it right.
That may sound like an odd position
for a journalism professor to take, but
the School of Communication’s Joseph
Campbell makes a compelling case
in Getting It Wrong that media has
exaggerated or botched at least 10
major stories.
Here are a few you think you knew,
and why you’re wrong.
Cronkite-Johnson
MY TH Walter Cronkite’s on-air assessment in February
1968 that the U.S. military was “mired in stalemate”
in Vietnam caused public opinion to swing against the
war. At the White House, President Lyndon Johnson
watched the Cronkite program and declared, “If I’ve lost
Cronkite, I’ve lost middle America.”
DEBUNKED Public opinion began turning against
the Vietnam War months before Cronkite’s program.
Cronkite’s “mired in stalemate” assessment was
unremarkable—other news outlets had previously offered
similar or harsher analyses. Johnson did not even see
the Cronkite program when it aired. He was at the time
attending a birthday party in Austin, Texas.
Crack babies
MY TH Children born to women who smoked crack
cocaine during their pregnancies were, according to
numerous news reports, doomed to lives of endless
cbs photo archive/Getty Images
american
On the Quad athletics
Big Leagues
Might Major League hitters someday find out
what Patriot League basketball players already
know?
Stephen Lumpkins can bring it.
Lumpkins, AU’s talented 6-foot-8-inch junior
forward, was selected by the Pittsburgh Pirates
in the 42nd round of the Major League Baseball
draft in June.
Forget for the moment that AU doesn’t field
a baseball team, or that Lumpkins hasn’t played
serious hardball since his senior year of high
school in Redwood City, Calif. College players
generally aren’t eligible to be drafted until after
they’ve completed three years of school, but
because AU doesn’t have a baseball program,
Lumpkins could be selected earlier.
“Last summer I played a little at home just
messing around,” Lumpkins says. “I decided I was
going to take it more seriously. Somehow some
scouts heard that I was playing baseball again.”
Funny how scouts are able to sniff out even
the most obscure prospect, especially if that
prospect is a tall left-handed pitcher whose
fastball tops out at 92 miles per hour. Lumpkins
also throws a slider and change-up, so inevitably
he draws comparisons to another tall, fire-
throwing left-hander, Hall of Famer-to-be Randy
Johnson.
Earlier this year Lumpkins threw for scouts in
California and again in Washington. The Pirates
liked what they saw and snagged him.
For now Lumpkins, a business major, plans
to concentrate on academics and hoops. He’s
interested in marketing—and rebounding. Last
season he started and averaged 13 points and 8
Courtesy of au athletics communications
august 2010
Dozens of students and experts were drawn to the
project initiated by Gail Humphries Mardirosian,
The Many Facets of an left, which continues to bear fruit. Czech actress
Expanding Project Mirenka Cechova, right, became involved in the
Prague performance and will come to AU this fall to
• Honors class teach non-verbal theater and present her one-woman
performance of The Voice of Anne Frank.
• Drama performances
in Terezin and
Washington, D.C.
• Choral performances
• Exhibits
• Film screenings
• Panel discussions
• Web site
• Collaborations with
Czech embassy
• Holocaust experts
visit By Sally Acharya
T
Students present
research at academic he voices of Terezin were everywhere this
conference
spring. They were heard in song and on the
• Students write
program notes for play
stage of the Katzen Arts Center. They resonated
from the history department, at the university
• Playwright’s widow,
daughter travel to AU Czech embassy.
library, at an urban high school, and at the
• Embassy conference
on Czech Jews
prisoners in a Nazi ghetto turned into a yearlong, multidisci-
plinary exploration of the arts, history, memory, and identity.
Any one of the parts—the powerful play, the poetry of
• Holocaust survivor,
author addresses AU doomed children set to music, the honors class, the high-
students school workshops—could stand alone as a memorable
experience.
• Collaboration with
University of New As a unified whole, the Voices of Terezin became a show-
Hampshire case for the intellectual and cultural life of the university, a
rich way to interact with Washington, D.C., and the world,
and a many-layered model for interdisciplinary learning.
The emotional impact AU’s Terezin project began The students, like the
of visiting the Terezin with a script rediscovered by prisoners, were greeted with
ghetto, now a museum, Mardirosian’s fellow Fulbright the words, “Arbeit Macht
gave students who visited scholar, Lisa Peschel, right, 2009 Frei”– Work Sets You Free–
Prague a sense of deep fellow at the Center for Advanced emblazoned on the entrance
responsibility for the Holocaust Studies, whose book in gate. They viewed the
people who suffered and Czech and German, “Theatrical barracks, crematorium, and
died there.
american
• Texts from the Terezin Ghetto,”
will be published in English
other haunting settings.
august 2010
in fall 2011.
Origins Peschel had tracked down the widow of death camps. It was a place where artists, On stage at AU, Connections
imprisoned playwright Zdenek Elias and musicians, and scholars were clustered and students performed
In 2008, AU College of Arts and Sciences
found that she still had, in his papers, allowed to practice their art–until they the U.S. premiere
professor Gail Humphries Mardirosian
a copy of a play written and rehearsed died of disease or malnutrition or were of Smoke of Students in-
was awarded a Fulbright Grant to teach
in secret at Terezin. The play, Smoke of loaded onto the transports. Some 100,000 Home, giving cluding Autumn
at the Academy of Performing Arts in Rauchwerk, not
Home, couched metaphorically as a story of its 140,000 inmates ultimately died, in- voice after more
Prague. She left the artistic component only studied
of prisoners during the Thirty Years’ War, cluding all but 132 of the 15,000 children than 60 years to Peter Demetz’s
of her Fulbright intentionally open. “My
was an emotional look at the tension who passed through its gates. words written and book Prague
idea was that a directing project would
and despair of life within walls and the Yet as they waited, sick and hungry rehearsed by in Danger,
unfold,” recalls Mardirosian.
Prague photos: Nick Jonczak, Jennifer Cumberworth; Peschel photo: courtesy of USHMM/Mel Hecker; manuscript photo: courtesy of Miroslav, Jan and Zdenek Prokeš.
american
Dwight D. Eisenhower set out
from his small central Kansas
hometown of Abilene at 20
years of age, destined to alter
the arc of world history. More
than a century after his birth,
Karl Weissenbach came to
Abilene hoping to change the
way the world views Ike’s
remarkable life.
old
The Dav
2. Daniel Masis, director, Inter-American
grinds 100 lbs.
Defense College master’s program;
of coffee beans and
SIS/PhD ‘92
55 lbs. of espresso
3. Stefanie Drame, assistant dean,
per week.
budget and personnel; SIS/MA ‘00
4. Maria Green Cowles, associate
dean, academic affairs; SIS/
and
MA ’87, SIS/PhD ‘94
5. Carol Gallaher, associate professor
6. Leeanne Dunsmore, associate dean,
graduate admissions and program
development, SIS/MA ‘97
7. Esther Benjamin, director of global
new
operations, United States Peace
Corps; SIS/MA ’92; SIS Alumni
The Dav
1 2
of the Year, 2009
8. Sherry Mueller, president, National
5
Council for International Visitors; SIS/
BA ’65; SIS Alumni of the 3 4
In 1957 the SIS Davenport Memorial Room was a chapel. But long
ago it was transformed into a different sort of sacred space. Year, 2007
9. Dean Louis Goodman
10. Joe Clapper, assistant dean, facility
More than a half century ago, President Dwight D. Faithful followers have imbibed coffee and conversation for decades. 8
and administration
Eisenhower thrust a shovel into a patch of dirt on the Students and volunteers manage the lounge, which, many agree, is the 6
AU quad and pronounced, “the waging of peace demands heartbeat of SIS: a place to study, socialize, or decompress with
the best we have.” With that, the School of International a newspaper and a joe.
Service was born.
Inukshuk
The new Davenport Lounge may be sleeker than its predecessor,
In 2007, that same shovel was used to break ground on but it’s still more SIS than Starbucks. The well-worn world map
the site of SIS’s new green home: a place where scholars that hung in the old Dav now graces the new walls. The old furniture
and students could rededicate themselves to the school’s and marble coffee table (once an altar) sit firmly on new ground, Sculptor Adam Distenfeld of Brooklyn 7 9
founding mission. and coffee is served in an eclectic mix of donated mugs. Rockwerks chose five large stones from
the excavation and married them with
SIS has always been steeped in tradition. While many A $20,000 gift of the class of 2010 was used to purchase patio stainless steel rods and water to create an
customs have carried over to the new building, the space furniture, so patrons can enjoy their chai and croissants under inukshuk—a Native American place
marker—for the SIS atrium.
A Strong
is also giving life to fresh traditions. The building is truly a blue skies.
reminder of where SIS has been and where it’s headed. In his view rocks are mineral
Foundation
masterpieces waiting to be
unearthed.
One
hundred
Korean
Yoshino cherry On the strength of these shoulders stands the largest school of international relations
trees will circle
the building.
in the country.
Garden
Yoshino cherry trees, gifts from the Korean Forest Research
SIS opened its doors in 1958 to an inaugural class of 80 full-time students from
36 countries, who answered President Dwight D. Eisenhower’s call to “wage peace”
around the world. Today, the school is home to more than 3,000 students and 90
Center, will anchor the SIS garden. The saplings—which require full-time faculty from 150 nations. SIS offers:
minimal fertilizer and water—commemorate a relationship between
SIS and the Koreans that blossomed nearly 70 years ago. • Two undergraduate, eleven master’s, and a doctoral degree program
• Four international dual degree programs
In 1943, Syngman Rhee, who would become the first president About 3,500 truck loads • Five dual degree programs
of liberated Korea, and AU president Paul Douglass, who would containing approximately • Thirteen research and learning centers
become his advisor, planted three flowering cherry trees around the 6-cubic-yards of dirt and
SIS building. Those trees went on to flower each year. rock were removed from “The founders of the School of International Service would be proud of what
the construction site. we’ve done here,” says Goodman. “It’s a privilege to steward their vision, and I
hope the people that follow us will be proud of what we’ve done.”
and halls: justice, peace, and global community.” and alternative fuel vehicles— Energy efficiency
including bicycles. Nearby are • The 3,230-square-feet of photovoltaic solar panels on the roof—one of
—Katherine Grove, architect, William McDonough and Partners two amenities that encourage a the 10 largest installations in Washington, D.C.—generate more than 120
two-wheeled commute: lockers kilowatt hours per day, enough to power the lights in the parking garage.
and showers. • A passive solar air heating system warms air brought in from the outside,
reducing the need for heating.
• Natural daylight and operable windows in every office minimize heating
The and cooling system usage. Sun shades on the windows prevent solar heat
62 copper “You don’t get points for creating
gain in the building, keeping the building cool and comfortable.
panels were • Three solar hot water heaters on the roof preheat water for the restrooms
community in the LEED protocol, and the espresso machines in the Davenport Lounge.
fabricated in but that’s what this building will • The LED-lit parking garage is the first of its kind in D.C.
Michigan. do in spades. This is a building that
connects and inspires. . . it’s
a beacon of hope.” Materials choice
—Kevin Burke, architect, • Carpets, drywall, millwork, and flooring are all made from recycled materials.
William McDonough and Partners • Paint, furniture, and carpets are low- or no-VOC (volatile organic compounds),
making indoor air safer and healthier.
inspiration
Pioneering environmental activist any continents. Fuller argued that, if people new building. “Not only do the panels
Water conservation
• Two rain gardens on opposite ends of the building are designed to clean and
Buckminster Fuller’s view of the world was, can visualize earth with greater accuracy, they make the building pop,” says Joe slow storm water runoff in order to protect the Chesapeake Bay.
quite literally, earth-shattering. will be better equipped to tackle challenges Clapper, assistant dean of facility and • The building boasts low-flow faucets and water-conserving fixtures.
related to natural resources, migration, and administration, “they make an important • A 60,000-gallon cistern collects rainwater for flushing toilets.
In 1946, Fuller created the Dymaxion map: international affairs. statement about efficiency and innovation.”
a flat map that depicts earth as one island in
one ocean, without distorting the shape or Fuller’s ingenious map is depicted in a series Sustainable site development
size of the land areas and without splitting of panels that encircle the top level of the • Rain water is filtered before it goes into the city’s storm drain system.
• Earth from the excavation was not dumped in landfills.
offices—each with
a window
conference
rooms—four more
than the original
structure
parking spaces in
the underground
garage
windows
“A building should be a living thing, and if anyone says, ‘the work is done,’ that would
stories, the
be disappointing,” says Goodman. “We’re always going to look for interesting, innovative
foundation for
ways to use the space. It will inspire students to engage the great issues of our time.”
which stretches
56-86 feet
underground
american
By
Mike
Unger
Learning commons concept arrives in library’s new space
W
hat will the future home compact shelving and hold part of the solutions to problems they’re facing in
of collaborative learning look library’s special collections. the curriculum.”
like? In a stylish space below
the ground and beyond many people’s But Mayer envisioned more. “As I began The collaborative areas also have display
wildest imagination, Bender Library’s new to look at all the populations we serve, screens, as does the open area, and all the
Graduate Research Center is answering I kept coming back to graduate students screens can be slaved to show the same
that question. as severely underserved in terms of daily images. Glass partitions are soundproof
life,” he says. “We didn’t need more shelv- and a large skylight lets in natural light.
The 5,400-square-foot center, located ing, we wanted something accessible to
between the new School of International more people. The moment of change True, the center doesn’t come close to
Service building and the library, will serve was coming.” solving the library’s space constraints, but
as a home to graduate students and is de- it does something very important: serves
signed to facilitate the collaborations that Mayer consulted SIS dean Louis its students.
many educators believe are an important Goodman, who both loved the approach,
new learning model. and suggested—to Mayer’s delight—that “It’s additive,” Mayer says. “This space
the space be expanded. Next on his list shows what’s possible. It’s an opportunity
“One of the popular terms you’ll hear was the Office of Campus Life, which to try out things that are exciting and
in libraries is learning commons,” AU brought the Graduate Leadership Council different and new. It showcases that if we
librarian Bill Mayer says. “It’s really an into the mix. can do this much with [5,400] square feet,
open space for people to collaborate. In imagine what we can do with 120,000.
some ways I’m trying to bridge the old Collaboration was working. I want to show people possibility.”
traditional notions of research as well
as emerging notions of collaborative The finished space is striking in its diver-
work in the same space. That’s why sity. It has a reception desk, office space The center has
it’s so dynamic. for the Graduate Leadership Council,
and lockers for students. It can be ac- four sections:
“These policies are still being ironed out, cessed through the new SIS building’s
but I’d like it to be available to graduate garage or the library. The classroom has A high tech teaching
students 24 hours a day, seven days a week three display screens and a projection classroom
regardless of whether the library is open,” system that allows image projection on
Mayer says. “With that as the guiding any wall. Dedicated
light, we’ll figure the other things out.” collaboration areas
“We’ll use the new technology to see
That attitude—the willingness to think how students can participate in class
outside the box, or under the ground in in a different way,” says assistant A quiet study room
this case—is a major reason the center director for library instruction Alex
even exists. Hodges, who will teach the College of
Arts and Sciences’ Uses of Technology An open space
“It’s an evolutionary tale of opportunity in Education course in the room.
and partnership,” says Mayer. “Collaboration is a matter of production.
Students work in groups, but they’re See the new Graduate Research
When he arrived at AU in August 2007, working to produce papers, multimedia Center for yourself at
the space was pegged to be used for projects. They’re coming together to find www.library.american.edu/grc.html
august 2010
After the
Flood By Sally Acharya
T
his could happen to you. American and into the yard. That’s when a neighbor
University painting professor Don realized what was happening.
Kimes was out of town when water His life’s work was under water. Kimes,
began spewing from a burst pipe. For two who has taught at the College of Arts and
Sciences since 1988, had long engaged his
students in discussions of time, nature,
culture, and the importance of embracing
the accidental. Suddenly, “It was not an
academic abstraction. It jumped up and bit
me in the face.”
Everything was gone. All of his art-
work, family photographs, videotapes of
his children, even the slides of artwork.
“Nature took everything back. It did not
feel beautiful.”
What would he do? The answer came as
a question during a lecture: Have you ever
painted through pain? Kimes decided to
embrace the pain of the flood and its after-
math by, in essence, re-envisioning his
life’s work.
He would use the destroyed images—the he make of them? So he looked at them ought to be yellow.’ If an area is blue, I “There’s a line from a play that says gorgeous, critically acclaimed paintings that
washed-out photographs, the waterlogged carefully, with an open eye. might push that darker.” every creative event that ever happened in are both masterful and inspiring.
Don Kimes is well known to AU art students from “The destroyed photos are almost
slides—to create images based on the “strange By taking what life handed him and the history of the world was an interruption, “The flood turned out to be a gift,” he
his 22 years as a professor and well regarded by
beauty” that remained. white. They have a little bit of structure, making it his own, he created lush abstrac- unexpected and unplanned. That idea about
the art world for his work in paint, steel, digital
media, clay, and wood. He founded the Art in Italy He had always been intrigued by the in- hints of color—but almost nothing is left tions where colors seem to swirl and bleed chance and change—I talk about that in “This is the strongest
says.
programs, led the university’s art department dur-
ing the campaign that resulted in the construction
tersection of nature and time with culture,
and had found inspiration over the years in
on them that can be recognized,” he says.
“I decided to digitize that destroyed image,
into each other. The images are both medi-
tative and insistent, with names that reflect
terms of [my students'] lives, their work, and
a way to approach making things.”
work I’ve ever done.” n
of the Katzen Arts Center, and helped expand the
his regular visits to Pompeii. blow it up, and print it out on canvas. the notion of transience: “We Once Were It’s a lesson he forced himself to take to
national reputation of the MFA program.
Now he had his own ruins. What could “If an area is white, I might say, ‘That You.” “It Was.” “Promise and Conclusion.” heart, as well. The result has been a series of
. . . Evolutions
Three students whose work was shown in Composites, the spring 2010 MFA thesis show at the Katzen Arts Center, reflect on the process of
mastering their medium and discovering their voices.
P
Part of a graduate program is learning to
be critical of your own work, to contex-
tualize it within the larger field, and to
see how you fit into that construct.
I was thinking about relationships between
humans and the landscape and the idea of
manifest destiny, the idea of ownership over the
land and the sublime landscape.
Initially, my work was figurative . . . but it
became apparent that it was easier to get across
this idea if I depicted patterns that men create
in the landscape. I began to focus on mines as
a metaphor for our contemporary relationship
to landscape . . . I received a Mellon Grant and
visited mountaintop removal mining in West
Virginia and copper mines in Arizona—to
create material to work from in my studio.”
american
Remote control
How can remote control cars that project images
and sounds serve as an expression of two years of
study? See Annette Isham’s “Remote Control Flirt”
in action on YouTube at www.youtube.com/user/
annetteisham
I
In graduate school, I got into color theory.
If you put a green light on something, the
shadow will be red . . . So to study all this, I
made up my own lamps. I made aluminum
structures . . . to show how, when the light moves,
it absorbs the object and changes things. I started to
use remote control cars to make the light move . . .
If I look down a hallway and see yellow, will I
think it’s closer than if I look at the same hallway
with blue lighting? I was interested in the percep-
tion of the brain, and that grew into a psychological
questioning of perception. In the end, I’m interested
in perception and identity.”
Facade
Brendan Loper expected to paint on
canvas until research into a 1932 march
on Washington by jobless veterans who
camped in a shanty town near the Anacostia
River pushed him in another direction.
I
I painted pictures of this scene, but I really
needed to create a space. In the photographs, you
could see that peoples’ shacks were representative
of their identity.
I started with that idea and paired it with another
idea—artifice and facade. I’ve been using a wood
graining technique, painting wood grain on objects
to make them look fancy. It’s a facade, and it speaks
about a social class structure. So I employed it to cre-
ate a piece that said something about social strata in a
way that appeared playful, but in fact was not.
If I hadn’t been here I don’t know if I’d have had
the inclination to look at my paintings and say, Hey, I
need to do this other thing. The program here really
pushes you. Ultimately it’s about being self-critical.”
august 2010
Success story
résumé
• Launched FOX-TV’s hit series Bones, inspired by forensic
anthropologist and novelist Kathy Reichs, CAS/BA ’70
• Produced Aliens in the Attic (2009), Enchanted (2007), Hide and Seek
(2005), The Ladykillers (2004), Like Mike (2002), and Big Trouble
(2002) through Josephson Entertainment, a Twentieth Century Fox
company
Executive producer • Led Columbia Pictures to the hits Men in Black, Air Force One, and The
Barry Josephson Fifth Element (all 1997); Bad Boys (1995); and In the Line of Fire (1993)
and author and
forensic anthropologist
• Cofounded Comic Relief, the popular TV fund raiser hosted by Robin
Kathy Reichs, CAS ’70, Williams, Billy Crystal, and Whoopi Goldberg, and the U.S. Comedy
arrive on the red Arts Festival with fellow AU alumnus Stu Smiley.
carpet at Bones 100th • Represented performers, including Paula Abdul, Patti Labelle, and
episode celebration in
Whoopi Goldberg early in his career
Hollywood, Calif.
roots
Josephson grew up on New
favorite part of the job
“I’m always so impressed with a director’s vision, or a writer’s
great script, and the craftsmen who work in our industry—
York’s Upper East Side, where his cinematographers, musicians, composers, prop masters,
grandfather was in the jewelry production designers, and editors who can shape things in
business, his father worked in
textiles, and his mother was in
some way you never expected.”
the dress trade. “I really wanted
BIG BREAKS
to be a lawyer, and political sci- His first L.A. job was developing movies and a music catalog for film producer and
ence seemed like the right thing music entrepreneur Bobby Roberts.
to do in D.C.,” he says, remem-
Stop two was Lorimar, where he worked on post-production for a short-lived TV
bering his early days at AU.
show, Boone (1983–84), based on an Elvis-like character. Its producer, Earl Hamner
In pursuit of that dream, he (best known for writing and narrating The Waltons and Falcon Crest), told Josephson
snared several internships, he had an eye for working with talent and should pursue it. “I hadn’t thought about
including one with consumer the next step, and here was someone I respected shining a light that maybe personal
rights advocate Ralph Nader, management was the next thing to work on. It created a transition for me—working
but his New York–bred love with talent. It was a turning point,” he says.
of the arts never diminished.
“At AU I briefly worked on the Next up was a string of projects with high-profile Hollywood personalities who
concert committee,” he remem- served as mentors—Mike Nichols, Jerry Bruckheimer, Clint Eastwood—and oppor-
bers fondly. By graduation, tunities. “While I was the president of production from Columbia, I got to see
Josephson’s love of music, film, Milos Forman pitch The People vs. Larry Flynt with Oliver Stone,” he recalls.
and TV had won out. “I decided
to move to L.A. and put law “Everyone has their own way of working and creating a film or TV show, and I’ve
school on hiatus.” had many experiences like that—where I had the good fortune [to be] in a room
with someone and learn something new . . .”
american
Success story
current work
proudest
accomplishment
“Personally, our daughter Shira.
Professionally, it’s still elusively
around the corner. That’s why
all of this is worth doing.”
Barry Wetcher/SMPSP
Josephson is a member of the School of Communication’s Dean's Advisory Council and a former career
mentor to several alumni, including last year’s Alumni Rising Star recipient, Lindsay Webster, SOC/BA ’03.
www.american.edu/alumni/allamericanweekend
Weekend Highlights
e Class Reunions
Can’t remember what your classmates look like? It’s time to return to D.C. for your
milestone reunion. Click on “Reunions” on our Web site to learn more.
e All-Alumni Party
Call your friends, tweet your classmates, and let all your friends on Facebook know
that the place to be on Friday night is Ireland’s Four Fields in Cleveland Park. The
party will start at 8 p.m. and end when Frank kicks us out.
e All-American Picnic
Pack up the kids and head to campus for the finest in picnic fare! Hang out with
Clawed Z. Eagle, dance to live music, and go on an AU scavenger hunt for cool prizes.
www.american.edu/magazine
Alumni news
AU parent Kelly Weistroffer and her son Ross ’14, joined Denver-based alumni Sonja Herring, SIS/BA ’98, Tyler Mounsey, SPA/BA ’01, and
Sarah Moss, SOC/BA ’01, last August for the Summer Send-Off event in which entering freshmen meet one another and fellow AU community
members before heading off to D.C. Photo credit: Eric Bakken
august 2010
Class notablesSO YOU CAN CATCH UP WITH PEOPLE YOU KNEW AT AU
american
Most frequently asked
questions:
• How big is the house?
1,200 square feet
august 2010
Alumni connections
Penny Pagano ’65, AU’s director of Community and Local
Government Relations, introduced her fellow alumni panel-
ists at the April 28, D.C. politics luncheon at the City Club
of Washington, Columbia Square.
Alumni relations is
on the move!
O
n May 14, President Neil Kerwin, the Al-Khalifa Family Scholarship in the
We Did It! SPA/BA ’71, led longtime SIS Kogod School of Business.
dean Louis Goodman, members Sultan Bin Mohammed Al-Qassimi,
I could not be more proud to announce
that we surpassed our $200 million
AnewAU campaign goal this spring. As of
of the Board of Trustees, and a few special
guests in an early morning ribbon-cutting
ruler of Sharjah, United Arab Emirates, do-
nated $1 million to name the Sharjah Plaza
ceremony for the new School of Interna- on the north, Eric Friedheim Quadrangle,
April 30, the end of our tional Service building. entrance of the building. The gift was made
fiscal year, our campaign This latest in a list of important mile- in part to create a physical monument to
total stood at $201.8 stones for American University marked the the important relationship between AU
million. I look forward to culmination of years of dreaming, plan- and American University of Sharjah, which
celebrating the campaign’s ning, fund raising, designing, and building. the ruler founded 10 years ago and now
success—and our next Now, the dream of a state-of-the art space exists as a fully accredited institution—and
steps—this October at the befitting the largest School of International serves as an important symbol of education
annual President’s Circle Dinner. Service in the country is a reality. and outreach in the UAE. In addition, he
Allow me to take a moment to share This spectacular new facility would not established a fund to provide scholarship
how truly momentous this year has been have been possible without the support of support for students from Sharjah to study
in giving and alumni participation. many, many people, but there are a few whose at AU.
In addition to surpassing our $200 major contributions must be recognized. Board of Trustees chair Gary
million campaign goal, total cash for the The Crown Prince of Bahrain, His Abramson, SPA/BA ’68, for whom the
2009-2010 fiscal year, reached a spectacu- Royal Highness Shaikh Salman bin Katzen Arts Center’s Abramson Family Re-
lar $27.8 million, including gifts, match- Hamad Al-Khalifa, SPA/BA ’92, made a cital Hall is named, gave his alma mater an
ing gifts, pledge payments, and in-kind $3 million gift in December 2009 to honor additional $1 million toward the new SIS
contributions. This is up nearly $12 his family and their deep ties with Ameri- lounge, the Abramson Family Commons,
million from last year at this time. can University. The building’s soaring, which is twice the size of the old popular
The growth in our alumni participa- light-filled, three-story interior core will gathering space. The CEO of the Tower
tion also reached record numbers this year, be named for him: the Prince Salman of Companies, Abramson received the 2003
with more than 103 alumni events held Bahrain Grand Atrium. President’s Award for his steadfast leader-
domestically and another 20 held across Kerwin thanked the crown prince dur- ship and dedication to the AU community.
the globe. ing a February 23 visit to the Kingdom of SIS Advisory Board member and vice
As we move forward with new initia- Bahrain, and congratulated Prince Salman chair of the AU Board of Trustees Jeffrey
tives for the coming years, I hope to meet on his role in developing Bahrain’s educa- Sine, SIS/BA ’76, a New York investor and
you and hear from you. If you can’t make tional system and enhancing educational Broadway producer, made a $1 million gift
it to campus, I hope you will connect with opportunities for Bahrainis abroad through to benefit the International Communica-
any of the 30 alumni chapters across the the Crown Prince of Bahrain International tions Suite, and a new café, located next to
United States and the globe. Scholarship Programme. “The relationship the new Davenport Lounge.
between the Al-Khalifa family and Ameri- Leadership gifts like these—and the
can University is more than just special; it’s hundreds of smaller but no less significant
Thomas J. Minar historic,” said Kerwin. gifts from alumni and friends around the
Vice President of Development The crown prince is among 29 royal world—embody the spirit of SIS and the
and Alumni Relations family members to graduate from AU in AU community.
the last 25 years, as are his siblings Shaikh The formal dedication ceremony
Abdullah K.S. Al-Khalifa ’97, Shaikh Khal- and grand opening will be held on
ifa H. Al-Khalifa ’03, and Shaikha Najla September 23. n
H. Al-Khalifa ’03. More than 70 members
of the Al-Khalifa family have attended AU,
You can be a part of AnewAU by making including the crown prince’s son, who is
a gift online at giving.american.edu or a rising junior. The family’s generosity
calling the Office of Development at is marked also by the Crown Prince
202-885-5900. of Bahrain Chair of International
Business (named in 1992 for Shaikh
Hamad’s father, His Royal Highness
King Hamad, then crown prince) and
american
inaugural event
Obama Frames Debate on Immigration
Policy at School of International Service
american
Donors Make a
Difference
John and Isabelle Hopkinson are loyal supporters of
American University’s WAMU 88.5 FM radio. Members of the station’s Leadership
Circle, the Hopkinsons recently chose to name WAMU among the beneficiaries of their
charitable estate plans. Their story represents the international profile of metropolitan
Washington, and their support demonstrates the value the greater community places on
responsible, trustworthy news reporting and cultural discourse.
John and Isabelle met in London following his undergraduate study abroad at the
London School of Economics. Isabelle, originally from France and working in London
when they met, returned with John to his native Virginia. They have proudly built their
family—children Charlotte and Sebastien are both in high school—and John’s accounting
practice. They live in the United States, but maintain their ties abroad. Each holds dual
U.S. and French citizenship, and they spend extended periods in both countries.
The Hopkinsons are dedicated fans of WAMU and its broad array of programming.
“No matter the perspective, no matter the topic, we know that when it comes to program-
ming on WAMU we will receive valuable, respectful information about our community
in all the ways we define it—local, regional, national, and global,” John says. “Together we
have come to the realization that as a family we value WAMU’s mission enough to include
it as a beneficiary of our estate plans, and we hope one day our support will help the station
reach even greater levels of prominence in the broadcast community.”
WAMU general manager Caryn Mathes says the station’s individual members “are
key to our success and our financial security. When families such as the Hopkinsons
John and Isabelle Hopkinson with their children value our programs enough to invest in both our present operations and our future, I
Sebastien and Charlotte
am encouraged that our upward growth trajectory will continue.”
AU is deeply grateful to benefit from the Hopkinsons’ benevolence, and we salute
the example they set for the greater AU community.
For information on the benefits you, loved ones, and American University can receive
through charitable estate planning, contact Seth Speyer, director of Planned Giving, at
202-885-5914, speyer@american.edu, or visit www.american.edu/planned giving.
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