Escolar Documentos
Profissional Documentos
Cultura Documentos
1 2
*NOVITZ, D., 'Creativity and Constraint.' Australian Journal of Philosophy 77 *DICKIE, G., Art and the Aesthetic (Ithaca: Cornell University Press, 1974). Repr. in
(1999): 67-82. S. Cahn and A. Meskin, eds. Aesthetics: A Comprehensive Anthology
*SIBLEY, F., 'Originality and Value.' British Journal of Aesthetics 25 (1985): 196-84. (Malden, MA: Blackwell, 2008) [ch. 1]
DUTTON, D., 'Artistic Crimes: The Problem of Forgery in the Arts ' British Journal of *GAUT, B., ''Art' as a Cluster Concept', in Theories of Art Today, edited by N.
Aesthetics 19 (1979): 302-214. Carroll (Madison, Wis.: University of Wisconsin Press, 2000)
LESSING, A., 'What Is Wrong with a Forgery?' Journal of Aesthetics and Art *LEVINSON, J., 'Defining Art Historically'. British Journal of Aesthetics 19 (1979):
Criticism 23 (1965): 461-72. 232-50. Repr. in The Philosophy of Art: Readings Ancient and Modern,
NEWELL, A., and H. SIMON. 'Computer Science as Empirical Enquiry: Symbols edited by A. Neill and A. Ridley (New York: McGraw-Hill, 1995)
and Search', Communications of the ACM 19 (1976): 113-26. Repr. in *WOLLHEIM, R., 'The Institutional Theory of Art', in his Art and Its Objects. 2nd ed.
Philosophy of Psychology: Contemporary Readings, edited by J.L. Cambridge: Cambridge University Press, 1980). [Also on Camtools]
Bermudez.(London: Routledge, 2006) COLLINGWOOD, R.G., Principles of Art (Oxford: Oxford University Press, 1938).
[§§ 1-6]
DANTO, A., The Transfiguration of the Commonplace (Cambridge, Massachusetts:
Art and Morality Harvard University Press, 1981)
GOMBRICH, E., 'Meditations on a Hobby-Horse', in Meditations on a Hobby-Horse
*CARROLL, N., 'Art and Ethical Criticism.' Ethics 110 (2000): 350-87. & Other Essays on the Theory of Art (London: Phaidon, 1985) [Also available
*GAUT, B., ‘The Ethical Criticism of Art’ in J. Levinson, ed., Aesthetics and Ethics on Camtools]
(Cambridge: Cambridge University Press, 1998), pp. 182-203. Repr. in:
Lamarque and Olsen (eds.), Aesthetics and the Philosophy of Art, (Oxford:
Blackwell, 2004) and John and Lopes (eds.), The Philosophy of Literature Understanding, Interpretation and Criticism
(Oxford: Blackwell, 2003).
*LAMARQUE, P., 'Tragedy and Moral Value', in Fictional Points of View. (Ithaca: *LEVINSON, J., 'Intention and Interpretation in Literature', in The Pleasures of
Cornell University Press, 1996). [Also available on Camtools] Aesthetics (Ithaca: Cornell University Press, 1996). Repr. in Lamarque and
CARROLL, N., 'Moderate Moralism.' British Journal of Aesthetics 36 (1996): 223- Olsen, eds., Aesthetics and the Philosophy of Art (Oxford: Blackwell, 2003).
38. Also available on Camtools]
GAUT, B., Art, Emotion and Ethics (Oxford: Oxford University Press, 2007). *WIMSATT, W.K., and M. BEARDSLEY. 'The Intentional Fallacy', in The Verbal
[Especially chs. 3, 7, 8 & 10. Also available on www.oxfordscholarship.com] Icon: Studies in the Meaning of Poetry, edited by W.K. Wimsatt (Kentucky:
SAVILE, A., The Test of Time: An Essay in Philosophical Aesthetics (Oxford: University of Kentucky Press, 1954). Also in A. Neill and A. Ridley The
Oxford University Press, 1982). [ch. 5]. Philosophy of Art: Readings Ancient and Modern (New York: McGraw-Hill,
SCHILLER, F., On the Aesthetic Education of Man: In a Series of Letters, edited by 1995).
E.M. Wilkinson and L.A. Willoughby (Oxford: Oxford University Press, 1967) *WOLLHEIM, R., 'Criticism as Retrieval', in Art & Its Objects. 2nd ed. (Cambridge:
repr. in P. Kearney and D. Rasmussen, eds., Continental Aesthetics (Oxford: Cambridge University Press, 1980)
Blackwell, 2001). . PANOFSKY, E., 'The History of Art as a Humanistic Discipline', in Meaning in the
TOLSTOY, L., What Is Art? [Widely available in a variety of editions] Visual Arts (Chicago: University of Chicago Press, 1955). [Also available on
Camtools]
*BEARDSLEY, M., 'An Aesthetic Definition of Art', in Aesthetics and the Philosophy *GOODMAN, N., Languages of Art: An Approach to a Theory of Symbols
of Art, edited by P. Lamarque and S. Olsen (Oxford: Blackwell, 2003). [Also (Oxford: Oxford University Press, 1969; 2nd ed. 1976) [chs. 1, 4 & 6]
available on Camtools]
3 4
Selected writing about Goodman’s Aesthetics LOPES, D.M., Sight and Sensibility (Oxford: Clarendon, 2007) [ch. 2. Available
online at www.oxfordscholarship.com]
*GAIGER, J., Aesthetics and Painting (London: Continuum, 2008). [ch. 4]. WOLLHEIM, R., Painting as an Art (London: Thames & Hudson, 1987).[ pp. 80-89]
*HOPKINS, R., Picture, Image and Experience (Cambridge: Cambridge University
Press, 1998), pp13-14.
*WOLLHEIM, R., 'Pictures and Language', in The Mind and Its Depths (Cambridge, ii) Music
Mass.: Harvard University Press, 1993).
GOMBRICH, E., Art and Illusion: A Study in the Psychology of Pictorial *BUDD, M., Values of Art (London: Penguin, 1995), pp. 133-57.
Representation. 5th ed. (London: Phaidon, 1977). *KIERAN, M., ed. Contemporary Debates in Aesthetics and the Philosophy of Art
(Oxford: Blackwell, 2005) [Papers 11 & 12 by Davies and Levinson]
ii) Wollheim *WALTON, K.L., 'What Is Abstract About Art and Music?' Journal of Aesthetics and
Art Criticism 46 (1988): 351-64.
*WOLLHEIM, R., Painting as an Art (London: Thames & Hudson, 1987). [pp. 46- BOUWSMA, O.K., 'The Expression Theory of Art', in Aesthetics and Language:
79]. Essays, edited by W. Elton (Oxford: Oxford University Press, 1954) [Also
WOLLHEIM, R., 'On Pictorial Representation' Journal of Aesthetics and Art available on Camtools]
Criticism 56 (1998): 217-26. Repr. in P. Lamarque and S. Olson, eds., KIVY, P., The Corded Shell (Princeton: Princeton University Press, 1980) [chs. 1-3,
Aesthetics and the Philosophy of Art (Oxford: Blackwell, 2003). 6-8].
LEVINSON, J., 'Musical Expressiveness', in The Pleasures of Aesthetics (Ithaca:
Selected writings about Wollheim’s Aesthetics Cornell University Press, 1996)
SCRUTON, R., The Aesthetics of Music (Oxford: Clarendon Press, 1997) [ch 6]
*HOPKINS, R., 'The Speaking Image: Visual Communication and the Nature of
Depiction', in Contemporary Debates in Aesthetics and the Philosophy of Art,
edited by M. Kieran (Oxford: Blackwell, 2005), 145-59. [Also on Camtools]
*LOPES, D.M., Sight and Sensibility (Oxford: Clarendon, 2007). [ch. 1. Available SET TEXTS
online at: www.oxfordscholarship.com]
BUDD, M., 'How Pictures Look', in Virtue and Taste, edited by D. Knowles and J.
Skorupski (Oxford: Blackwell, 1993), pp. 154-75. Repr. in P. Lamarque and A) *PLATO, Ion, Symposium, and Republic (Books II, III, X).
S. Olsen, eds., Aesthetics and the Philosophy of Art (Oxford: Blackwell, [Available online at: www.netlibrary.com]
2003), Also in his Aesthetic Essays (Oxford: Oxford University Press, 2008),
available online at: www.oxfordscholarship.com]
HOPKINS, J., and A. SAVILE, eds., Psychoanalysis, Mind, and Art (Oxford: Secondary literature
Blackwell, 1992) [Papers by *Budd and Walton].
*HALLIWELL, S., 'The Importance of Plato and Aristotle for Aesthetics' in
Proceedings of Boston Area Colloquium in Ancient Philosophy, Vol. 5 (1989),
Expression pp. 321-48. [Available from the Classics Faculty Library]
*NEHAMAS, A., 'Plato on Imitation and Poetry in Republic X', in Plato on Beauty,
i) Painting Wisdom, and the Arts, edited by J. Moravcsik and P. Temko (Totowa:
Rowman & Littlefield, 1982). Reprinted in his Virtues of Authenticity
BUDD, M., ‘Wollheim on Correspondence, Expressive Properties and Expressive (Princeton University Press, 1998), pp. 251-78.
Perception’ in R. van Gerwen, ed., Richard Wollheim on the Art of Painting JANAWAY, C., Images of Excellence: Plato's Critique of the Arts (Oxford:
(Cambridge: Cambridge University Press, 2001. Also in his Aesthetic Essays Clarendon Press, 1998).
(Oxford: Oxford University Press, 2008), available online at MURDOCH, I., The Fire and the Sun (Oxford: Clarendon Press, 1977).
www.oxfordscholarship.com.
5 6
B) HUME, D., 'On the Standard of Taste' in his Essays, Moral, Political and Literary.
Widely available in a variety of forms e.g. reprinted in A. Neill and A. Ridley The
Philosophy of Art: Readings ancient and modern (New York: McGraw-Hill, 1995).
*HUME, D., A Treatise of Human Nature, edited by L.A. Selby-Bigge and P.H.
Nidditch, (Oxford: Oxford University Press, 1978) ['On the Delicacy of Taste
and Passion’, ‘On Tragedy’, On Refinement in the Arts’, ‘Of Beauty and
Deformity']
Secondary Literature
*GRACYK, T., 'Rethinking Hume's Standard of Taste.' Journal of Aesthetics and Art
Criticism 52 (1994): 169-82.
*LEVINSON, J., 'Hume's Standard of Taste: The Real Problem.' Journal of
Aesthetics and Art Criticism 60 (2002): 227-38. Repr. in his Contemporary Art
(Oxford: Clarendon, 2006).
BLACKBURN, S., How to Read Hume (London: Granta, 2008) [ch. 10]
CARROLL, N., 'Hume's Standard of Taste.' Journal of Aesthetics and Art Criticism
43 (1984): 181-94.
WIEAND, J., 'Hume's Two Standards of Taste.' Philosophical Quarterly 34 (1984):
129-42.