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Learning Outcomes
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Advance organizer is often presented as graphic organizers.
- Eg: Maps - graphically represents places in a specific geographic
region and their relationships.
- “Cognitive maps” – visual map which illustrates some of the
connections among concepts.
STEP ACTION
1. Collect and review advance organizer Use various resources to build a collection of
examples different kinds of advance organizers that
are specific for you. This includes advance
organizers currently in use by other
individuals in your class/school/university.
4. Develop a rationale for using advance In preparation for leading and supporting
organizers others with the implementation of advance
organizers, develop a rationale for using
advance organizers that you can share with
your peers.
Use the following questions to help develop
your rationale:
• Why should I use advance organizers?
• What results or evidences of learning
should I expect as a result of using advance
organizers?
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SELECTING AND USING GRAPHIC ORGANIZERS
STEP ACTION
2. Determine the intent of the topic Identify the learning objective(s) for the
lesson/topic.
Example: Describe two reading strategies
that can be employed while reading an
academic text and explain the process.
4. Test the graphic organizer Using the content, complete the organizer to
see if it is the “best fit” for the topic. Ensure
that:
• The structure of the organizer is clearly
illustrated.
• The organizer clearly illustrates key parts
or steps of the lesson/topic content.
• Parts of the organizer are labelled as
needed.
• The organizer includes a title that reflects
its content.
5. Determine if expected outcomes and Explain how this organizer is the most
benefits are appropriate appropriate choice for this lesson/topic:
• What evidence of learning does the graphic
organizer provide the learner?
• How does this graphic organizer help
students learn?
• Why is the graphic organizer the most
appropriate?
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PRACTICE:
Task 1: Select one type of advance organizer and develop the organizer
according to any one of the following topics. You can also choose your
own topic of interest:
Task 2: Discuss with your friends about the steps of selecting and using
a graphic organizer in your studies. Compare and contrast your advance
organizer among your friends.
CHECKLIST:
We have now come to the end of Unit 1: Advance Organizer. You are now able
to:
In the next unit, you will have the opportunity to learn about PowerPoint
presentation and the benefits of using PowerPoint presentation in your
studies. .
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UNIT 2: POWERPOINT PRESENTATION
a. What is PowerPoint?
b. 10 Benefits of PowerPoint
It embeds and edits video files directly in PowerPoint. It easily trims your
video to show only relevant sections and bookmark key points in a video for
quick access or trigger animation to begin automatically when those
bookmarks are reached. You can also set the video to fade in and out at
specified intervals and apply a variety of video styles and effects, such as
reflections, bevels, and 3-D rotation, to help you quickly capture your
audience's attention.
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Broadcast Slide Show requires either SharePoint Foundation 2010 or a
Windows Live account. Office Web Apps must be installed to broadcast via
Microsoft SharePoint 2010.
Your audience can see your slides in high fidelity, even if they don't have
PowerPoint installed. You can also turn your presentation into a high-quality
video with narration to share with virtually anyone through e-mail, via the
Web or on DVD.
With PowerPoint, you can get things done according to your schedule across
multiple locations and devices. You can post your presentations online and
then access, view, and edit them from the Web or your Windows phone.
Microsoft PowerPoint Web App extends your PowerPoint experience to the
Web and enjoy full-screen, high-quality viewing of our presentations. Store
your presentations online and edit your work through the PowerPoint Web
App when you're away from your office, home, or school.
Microsoft PowerPoint Mobile helps you stay current and take immediate
action when necessary using an enhanced mobile version of PowerPoint
specifically suited to your smartphone. Note that PowerPoint Mobile is not
included in Office applications or suites.
PowerPoint offers new, dynamic slide transitions and animation effects that
look similar to graphics you'd see on TV. You can easily access, preview,
apply, customize, and replace animations. You can also use the new
Animation Painter to copy animations from one object to another.
You can now easily organize and navigate through slides using slide sections
by dividing a presentation into logical slide groups, rename sections to help
you manage content-such as to assign slides to a particular author or easily
print just one section of the slides.
The new Microsoft Office Backstage view replaces the traditional file menu to
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let you save, share, print, and publish your presentations with just a few
clicks. And, with the improved Ribbon, you can access your favorite
commands even more quickly by customizing tabs or creating your own to
personalize the experience to your work style.
Source: www.microsoft.com
4. Availability of Instruction
o Rather than handing absentee students written notes of a lesson
they missed, teachers can replay lesson or presentation using a slide
show. Absent students receive the same instruction as those who are
present, so they do not fall behind.
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creating presentations. Furthermore, a student seeing more than one
teacher's presentations is exposed to more than one point of view.
PRACTICE:
Task 2: Work in pairs and use your creativity to come up with a role play
about this situation;
“You are a salesman and you want to persuade your client to buy the
new PowerPoint 2010 Software. Tell your client about the many benefits
and usefulness of the new PowerPoint 2010 software. In the role play,
use your persuasive skill and creativity to act out the scenario”.
CHECKLIST:
We have now come to the end of Unit 2: PowerPoint Presentation. You are now
able to:
In the next unit, you will have the opportunity to learn about the proper
techniques in using storytelling as a teaching tool.
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UNIT 3: STORYTELLING
a) Finding stories:
There are many kinds of stories you can work with. It is recommended you start
with simple folktales, with simple elements.
While traditionally stories were learned by listening, the best source today is the
children’s department of the Public Library. There you will find all sorts of folk
and fairy tales, tall tales, trickster stories, etc. Many stories are on the internet
as well. As you browse, look for stories that "touch" you. Start with simple
stories, then as your experience grows, be sure to explore and branch out.
With time you will probably find many kinds of tales that will interest you
personally. All sorts to choose from including: folktales from many countries
and cultures, accumulative stories, droll and humorous tales, traditional
fairytales in numerous versions, wish (magic) tales, trickster tales, tall tales,
myths, legends and hero tales from the sagas and national epics, animal fables,
scary stories, urban legends, religious stories, literary stories, pourquoi (why?)
stories. With time and experience you will want to try a variety of stories and
perhaps even branch out into telling your own personal stories or giving
Improvisational storytelling a try.
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interaction between teller and hearer. I have observed that our audiences have
lost some of the skills to follow a narrated story and see things in their minds.
Storytelling has become more difficult. Attention spans are shorter and more
demanding, more sophisticated, yet less able to independently imagine or
visualize. People seem to need more visual stimulation.
Take the story as close to them as you can.
Keep it brief and simple
Stimulate their senses so they feel, smell, touch and listen and see
vivid pictures.
Describe the characters and settings, and help them sympathize with
the character's feelings.
Aim your story at the younger ones when telling to a audience of
mixed ages!
c) Preparation:
Once you settle on a story, you will want to spend plenty of time with it. It will
take a considerable period of time and a number of telling before a new story
becomes your own.
Read the story several times, first for pleasure, then with
concentration.
Analyze its appeal, the word pictures you want your listeners to see,
and the mood you wish to create.
Research its background and cultural meanings.
Live with your story until the characters and setting become as real to
you as people and places you know.
Visualize it! Imagine sounds, tastes, scents, colours. Only when you see
the story vividly yourself can you make your audience see it!
Learn the story as a whole rather than in fragments. Master, and
then simplify, its structure to a simple outline of scenes. Don't try to
memorize it, though you should always know your first and last lines by
heart!
o Map out the story line: The Beginning, which sets the stage and
introduces the characters and conflict; the Body, in which the
conflict builds up to the Climax; and the Resolution of the
conflict. Observe how the action starts, how it accelerates,
repetitions in actions and how and where the transitions occur. If
simplifying or adapting a story, do not alter the essential story
line.
o Absorb the style of the story: To retain the original flavour and
vigour, learn the characteristic phrases which recur throughout
the story. Observe the sentence structure, phrases, unusual
words and expressions.
Practice the story often - to the mirror, your cat, driving in the car, with
friends, or anyone who will listen. Even when telling an old and familiar
story, you must use imagination and all the storyteller's skills to make it
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come alive. Use your imagination to make the story come alive as you
prepare.
Delivery elements:
Sincerity and whole heartedness (Be earnest!),
Enthusiasm (This does not mean artificial or noisy excitement),
Animation (in your gestures, voice, facial expressions)
Stories are more interesting when there is animation and variety in the
voice of the teller.
Dialog should make use of different voices for different characters and
using the Storytelling "V" - where you will shift your facing (or posture)
as the dialog switches from character to character.
Use your voice to create the atmosphere or tension as the story
progresses.
Use gestures and facial expressions add much to the visualization of
the story. Be sure they are appropriate and natural. Practice them!
Pacing involves both the volume and rate at which you speak, and the
progression of the action in the story. Dialog slows a story's pace down,
while narrating action speeds it up.
Repetition and Exaggeration have always been basic elements of
storytelling.
Experience will hone these skills, and when - and how - to use them
most effectively.
e) Storytelling techniques:
Beginning a story:
Storytelling is best done in a relaxed atmosphere free of distractions. The
audience ought to be comfortable and close. Candle light and campfires
are ideal situations for telling stories, but often impractical. The teller
needs to give careful attention to the setting before hand - and be
prepared to rearrange a room to bring his hearers closer, or use a
backdrop or hangings to create atmosphere - especially in classroom
settings. Props, costumes, or some getting acquainted patter may also
help in getting and keeping attention and creating a mood.
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that imaginary world and its "rules". Similar "rituals" also signal the end
of the story and their return to reality. Many adults today have forgotten
these "rules of the game." There are online lists of Beginnings and
Endings.
f) Concluding:
Once you finish the story - stop! Don't ramble on. Leave their thoughts lingering
over it. Don't feel you have to explain everything, or tie together all loose ends.
Let them go away thinking about what has been said, and drawing their own
meaning from it!
In the end, it is most important that you should tell your story in your
own words with sincerity and enthusiasm and....
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PRACTICE:
Task 1: Look and study the storytelling steps once again and share with
your friends the most appealing step to you. Discuss how you can
further improve on the steps using your own creativity.
Task 2: Imagine that you are a teacher in a class full of excited students.
Work in groups and use your creativity and imagination to demonstrate
the storytelling process with your classmates. You can choose any story
that you know and make use of the techniques that you have learned to
tell your story.
CHECKLIST:
We have now come to the end of Unit 3: Storytelling. You are now able to:
In the next unit, you will have the opportunity to learn about the importance of
Cooperative and Collaborative Learning in the classroom.
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UNIT 4: COOPERATIVE AND COLLABORATIVE LEARNING
More opportunities for personal feedback. Because there are more exchanges
among students in small groups, students receive more personal feedback
about their ideas and responses. This feedback is often not possible in large-
group instruction, in which one or two students exchange ideas and the rest of
the class listens. Beneficial, cooperative-learning situations are not easy to set
up. In many situations, particularly those in which people must work together
on a problem, conflicts prevent learning. As a result, cooperative learning
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requires enabling students to work well with others by resolving these inevitable
conflicts.
PRACTICE:
Task 2: Work in pairs and use your creativity to come up with a role play
about this situation;
“Imagine you are a teacher and you want to share with your colleagues
about the importance of cooperative and collaborative learning in the
classroom. In the role play, use your presentation skill and creativity to
deliver your ideas in order to make your colleagues clearly understand
about the importance of the learning approach”.
CHECKLIST:
You have completed the lessons for this week. By now, you should be able to,
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REFERENCES
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