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Composição,

Arranjo e
Orquestração

Por Marcelo Rauta


Volume 1
Compilação
Robson José dos Santos Junior

Vila Velha
2011
Apresentação

Este material que vem sendo compilado por Robson Junior,


é de grande valia para todos os alunos que querem
aperfeiçoar a cultura musical no meio em que vive. Contém
alguns arranjos do CD Louvai ao Senhor – Jesus Virá!
Direção Janne Gonçalves. Todos os direitos reservados.

Pr. Everaldo Cavalcante Lima


Marcelo Rauta
Nasceu em 05 de março de 1981 em
Guarapari/ES. Possui graduação e mestrado
em música: composição - pela Universidade
Federal do Rio de Janeiro.
Aos 10 anos de idade começou a estudar
piano na classe de Angela Cruz em um
projeto social implantado na cidade de
Anchieta-ES e depois na EMES (atual
FAMES-Faculdade de Música do Espírito
Santo).
Tem experiência na área de Artes, com
ênfase em Música (composição) e direção
musical.
Suas obras têm sido tocadas em importantes
salas de concertos tais como a Sala Cecília
Meireles (Rio de Janeiro-RJ), Sala da
Congregação (Rio de Janeiro-RJ), Salão
Dourado (Rio de Janeiro-RJ), Teatro Leopoldo Miguéz (Rio de Janeiro-RJ), Teatro
Carlos Gomes (Vitória-ES) e Universidade East Caroline (EUA).
Tem participações em Bienais de Música Contemporânea Brasileira e Panoramas
da Música Brasileira Atual, além de estreias de obras por artistas de renome.
Como compositor possui obras premiadas em concursos tais como o Concurso
Nacional de Composição Prêmio Sesiminas de Cultura - Para Orquestra de
Câmara, com sua obra “Sinfonietta n.2”; Concurso de composição Niemeyer - em
comemoração ao seu primeiro centenário, com sua obra “Trio n.3”; Concurso
Quintanares de Quintana - em comemoração aos 100 anos de nascimento do
poeta Mário Quintana, com sua obra “Ah! Os Relógios”; e Concurso Nacional de
composição Cláudio Santoro - categoria coro e orquestra sinfônica, com sua obra
“Psalmus 67”.
Suas obras atualmente são publicadas pela Editora Periferia Sheet Music com sede
em Barcelona-Espanha e pela Academia Brasileira de Música com sede em Rio de
Janeiro/Brasil. Sua Obra “Salmo 100” para coro infantil ou coro feminino com
solo, está em turnê pela Europa com o conceituado Coral “Canarinhos de
Petrópolis”.
Índice

 A teus pés, Jesus – Coro e Orquestra


 A vida no mundo é Cruel – Coro e Orquestra
 Aleluia! Glória ao Rei! Coro e Piano
 Amo ao Senhor por que ele me ouviu – Coro
 Ao Deus de Abraão Louvai – Orquestra
 Bem de manhã – Orquestra de Cordas e Coro
 Como posso me calar – Coro e Orquestra
 Desejei ardentemente – Coro e Orquestra
 Eis que está perto – Coro e Orquestra
 Eu me prostro – Coro e Piano
 Fala Senhor – Coro (Janne Gonçalves)
Orquestra (Marcelo Rauta)
 Guia-me – Coro e Orquestra
A teus pés, Jesus
Arranjo e orquestração de Marcelo Rauta
Música de David Fellingham

      
Moderato q = 74
                
2 Flutes  
          
p f

          
                     
     
2 Clarinets in Bb

p f

                         
2 Alto Saxophones
          
p
f

                   


2 Trumpets in Bb  
3 f
mf

  
3
        
2 Trombones
      
f
mf
  
      
Choir
      
 

 
      
Piano

  
 
Moderato q = 74
   

                  
Violin I                

p f

   
          

Violin II
p 
f

                 
Viola
p f

             
Violoncello  
p f

             
Contrabass
  
p f
2

            


    
6

Fl.       
mf

         
Cl.              

    
Alto Sax.
               

            
Tpt.          

  
           
Tbn.
     

   mf
   
         
Choir A teus pés, Je - sus, nos pros -

     

       
              
   



mf

Pno.

            
 

         
Vln. I 
    

   
Vln. II         


Vla.     
      

    
Vc.
     

   
      
Cb.

3

 
11
          
        
Fl. 
   

     
Cl.           

   
           
mf

     
Alto Sax.
 

 
Tpt.      

     
Tbn.

       
                  
  
Choir tra - mos, tu que_a mor - te já ven - ces - te com po - der;

     

                      


    
           

Pno.

 


 


     


  


            

      
Vln. I 

     
Vln. II 

Vla.      

Vc.
     

     
Cb.

4

  
16

Fl.       

 
      

Cl.

     
Alto Sax.
 

      
Tpt. 

     
Tbn.

   

te-a - do - ra - mos
             
 
   
Choir pe - lo_es - pí - ri - to, te_a - do - ra - mos, tua pre -

     


               

    

Pno.

  




   
3
3 3
  3  3 


 
3
 




          
 3
3
3 3 3
 3 
 
 3
3 3 3

   
pizz.
    
Vln. I 
         
mf

  
pizz.
    
          
Vln. II
mf

           
pizz.
    
Vla.
mf


pizz.
    
Vc.    

      
mf


pizz.
    
Cb.
    

      
mf
5

 
21

Fl.     


Cl.     

    
Alto Sax.
 

     
Tpt. 

    
Tbn.

     
       
   
  
Choir sen - ça_a - qui po - de - mos per - ce - ber.

    

 
          
   
      
Pno.

     


3

       
 

3
  





 
   


  
arco
  
Vln. I        

 
arco
     
Vln. II     

       

arco
Vla.   

 
arco
   
Vc.
  

 
arco
   
Cb.
   
6

       


3 
                      
3
 
25

Fl.     
f 3 3 3 3 3 3 3 3 3 3

           3   3   3   3   3   3  3  3  3
             
                    
             
Cl.
f 3 3 3

                                    
3 3

Alto Sax. 
 3 3 3
 
f 3 3 3 3 3 3 3

  3 3 3 3 3 3 3 3 3 3
3   3
                        
                         
   
        
Tpt.
   
f
      3  3 
                                  
3 3 3 3 3 3

Tbn.
                      
f
      3 3
3 3

  f
 

         
  
Choir Ao cor - dei - ro,_ao Rei que_al - can - çou na cruz vi -

 f            
   
    

         


                             
3 3 3

                 


3 3 3 3 3
f
 
Pno.

     
   
  

     
                       
3 3 div.

   
Vln. I 
      
3 3
f

     
3  
              
3

Vln. II        
3 3
f
 
     3     
      3    


3 3

Vla.                
f 3 3
3 3

   
pizz.

Vc.
    
f

   
pizz.
   
Cb.
 
f
7

 
28
               

 
Fl.        
3 3 3 3

  3  3     
3 3
              
           
Cl.

              







 
Alto Sax.   

3 3 3 3

   3   3   3  3
            
Tpt.                

            
               
Tbn.
   
3 3 3 3

       
        
Choir tó - - ria, se - ja o lou - vor, po - -

         
 

            
                            
3 3

 
          


3 3

 
Pno.

     
   

     
           
glis
    
s. div.

Vln. I 
      
glis
s.

  
    
Vln. II         
3    
                              
3 3 3
3 3

Vla.               
3 3 3 3 3 3

       
Vc. 

       
Cb.
 
8

 3   3   3   3 
                  

31

   
Fl.
            
3 3 3 3
 3   3   3   3 
    
       
 
Cl.

  3     3     3     3   mf

    
3 3 3 3

              

 
Alto Sax.
             
3 3 3 3

    3   3   3   3 
                 
Tpt.   
           
3 3 3
 3   3   3   3 
3

  
     
Tbn.
   
           
3 3 3 3

 
     
 

 
  
der_e gló - ria.
Choir
 
En - tre_os cas - ti - çais

     mf 
       
   

 
             

3
   
3
         
  


3

3 mf
Pno.

             
    
  
   
     
Vln. I   

      
Vln. II   

          
3 3
  
Vla.               
3 3

     
Vc.
  

     
Cb.
   
9

 
35
 
      
    
Fl.       

mf

  
Cl.          

                    
Alto Sax.
            
mf

 
Tpt.      

     
Tbn.

      

  
Choir
   
nós te ve - mos, co - mo cha - ma for - te é o teu o -

             
   

                            



            
  
Pno.

 


   


 


    


  



      
Vln. I 

     
Vln. II 

Vla.      

Vc.
     

     
Cb.

10

      
40

Fl.      


Cl.      

  
Alto Sax.
      
  

       


    
  
Tpt.   
mf

     
Tbn.

      

Choir

lhar; bran - cos co - mo_a lã, teus ca - be - los,

                 


   
teus ca - be - -

                  


  
Pno.

        
   
      3  3       
   
3
3
3

 
3

 
3
3
   
3 3
3 3

    
pizz.
   
Vln. I 
      
mf

  
pizz.

          
 
Vln. II
mf

      
pizz.
      
Vla.
mf


pizz.
       
Vc.      
mf


pizz.
       
Cb.
      
mf
11

 
45

Fl.      


Cl.      

     
Alto Sax.
 

       
              
 
Tpt.

     
Tbn.

      

  
Choir

vós de mui - tas á - guas é o teu fa - lar.

  
       
   
    
los,

   
          
   
     
 
Pno.

  
  
3


3

 
 3 
     
3


3

 
 
 

 3   

 

  
 
 





   
  

   
arco
   
Vln. I            

  
arco
     
Vln. II        

       
   
arco

Vla.    

       
arco
Vc.   

     
arco
   
Cb.
   
12

       


3 
                      
3
 
50

Fl.       
3 3 3 3 3 3
f 3 3 3 3

           3   3   3   3   3   3  3  3  3
             
                    
             
Cl.
f 3 3 3

                                    
3 3

Alto Sax. 
 3 3 3
 
f 3 3 3 3 3 3 3

  3 3 3 3 3 3 3 3 3 3
3   3
                                   
                               
Tpt.

f
      3  3 
                                    
3 3 3 3 3 3
        
Tbn.
                    
f
      3 3 3 3

  f
 
      
      
Choir Ao cor - dei - ro,_ao Rei que_al - can - çou na cruz vi -


f
           
   
    

 
    
3 
                   
            
3 3

          


3 3 3 3
f3
 
Pno.

     
    
 

     
                       
3 3 div.

    
Vln. I 
      
f 3 3

  
3    
3  

                      
Vln. II

f 3 3

     3     
      3    


3 3

Vla.                
f 3 3
3 3

   
pizz.

Vc.
    
f

   
pizz.
   
Cb.
 
f
13

 
53
               

 
Fl.        
3 3 3 3

  3  3     
3 3
              
           
Cl.

                

 
Alto Sax.
       
3 3 3 3

   3   3   3  3
            
Tpt.                 

            
               
Tbn.
   
3 3 3 3

   
       
    
Choir tó - - ria, se - ja o lou - vor, po - -

         
 

            
                            
3 3

          


3 3

 
Pno.

     
   

     
           
glis
    
s. div.

Vln. I 
      
glis
s.

      
Vln. II          
3    
                              
3 3 3
3 3

Vla.               
3 3 3 3 3 3

       
Vc. 

       
Cb.
 
14

 3   3   3   3 
                   

56

   
Fl.
            
3 3 3 3

       3   3 
  
3 3

   
       
 
Cl.

  3    3    3   3 
3   3   3   3  
   
                  
     
           
Alto Sax.

3 3 3 3

    3   3   3   3  


                  
Tpt.    
           
33  33  33  33 
      
   
Tbn.
   
           
3 3 3 3

 
   
   
   
  
Choir der_e gló - ria.
  
Tu és o fi - el

      
   
    

  
           
     
3
 
3
          
   


3 3
Pno.

              
    
  
   
      
Vln. I   

       
Vln. II   

          
3 3
   
Vla.              
3 3

      
arco
Vc.      

      
arco

    
Cb.
 
15

     
    
       
60

Fl.    

          
           
 
  



Cl.

           
       
    
Alto Sax.
        

      
Tpt.  

     
Tbn.

       
   
            

          
Choir ca - va - lei - ro que sa - iu vi - to - ri - o - so_e vai vol -

    
        

                   


       
    
        

Pno.

 


    
     


                  
 

      
Vln. I 


Vln. II      


Vla.       


Vc.     


Cb.
     
16

      
65

Fl.      

   
Cl.            

   
Alto Sax.
      

  

             


    
Tpt.

mf

    
Tbn.
      
mf

   

ver - da - dei - ro,
           

Choir tar
    
jus - to Juiz tu és ver - da - dei - -

     


       
  

           


      
   
Pno.

           




 
3


3

 
3
3


3

3
 3

3

              
3 3


3 3

    
pizz.
   
Vln. I      
 

 pizz.
 
          
 
Vln. II

       
pizz.
Vla.        

   
pizz.

         
Vc.
 

    
pizz.
   
Cb.
         
17

 
70           
   
Fl. 
   
 

             
Cl.            

      
Alto Sax.
  

        


            
Tpt.
  

      
     
Tbn.
       

    

     
   
            
-
Choir ro, que os vi - vos e os mor - tos vai jul - gar.

              
     
     

             
   
      

Pno.

   
3


3
 
 3 
3
          

3

    


3
 
 



     
  

   
arco
   
Vln. I            

  
arco
         
Vln. II        

       
        
arco
Vla.    

     
arco
   
Vc.   

     
arco
   
Cb.
     
18

    
  
75

Fl. 

   
Cl.      

  
Alto Sax.
  

 
Tpt.   

 
Tbn.

  

Choir

 

   
    
        
Pno.

 
ff




       















    
Vln. I    

 
Vln. II      

Vla.        

  
Vc.  

 
Cb.

19

     
 
76
 
Fl. 

     
Cl.      

  
Alto Sax.
  

 
Tpt.   

 
Tbn.

  

Choir

 

 
       
 
 
       




Pno. legato

           
   
    

       
Vln. I   

  
Vln. II       

       
Vla.
 

   
Vc.     

 
Cb.

20

                 
77

Fl.    
3 3 3 3
f

   
           3 

Cl.                  
f3 3 3

                  

Alto Sax.
      
f3 3 3 3

    
  3 3 3 3

              
       
Tpt.

 
3 3 3 3

            
            
       
Tbn.
f

    
  f
      
Choir Ao cor - dei - ro,_ao

         
f
 
   

3   
            
    
3
       

            


3 3
legato f
   
Pno.

       


     
   
 
 3    3   
       
         
Vln. I    
f 3 3

      3      3    


Vln. II     
f 3 3

   3   
            
3 
   
 
 

Vla.
3 3
f

       
pizz.

  

Vc.
f

        
pizz.
  
Cb.
  
f
21

              
3 
               
3
 
80

Fl.        
3 3 3 3 3 3 3 3 3 3

  3   3   3   3   3  3  3  3  3  3
         
3 3
                       


   
   
       
Cl.

                                    
3 3

Alto Sax.   
  
3 3 3 3 3 3 3 3 3 3

  3 3 3 3 3 3
3   3 3 3
 3  3
                                    
Tpt.
                              
3        3  3            
3    
                                    
Tbn.
          
3 3 3 3 3 3
3 3

   
     
     
Choir Rei que_al - can - çou na cruz vi - tó - - ria,

          
   
    

             
              

3 3 
              
        


3 3

   
Pno.

   
      

       gliss.
                gliss.
div.

Vln. I       

      
Vln. II        

3    
               3    

3 3

Vla.
                         
3 3 3 3

     
Vc.  

      
Cb.
 
22

      
  
83

Fl. 
   


        

Cl.

       
    
Alto Sax.

       
Tpt.       

       
Tbn.
 

   
      
   
Choir se - ja o lou - vor, po - - -

       
 


    

           
         
3 3

   
      


3 3
Pno.

   
   

   
               
div.

Vln. I          

 
   
Vln. II           

     3
               
3 3 3

Vla.                         
3 3 3 3

     
Vc. 

     
Cb.
 
23

           
rall.
 
3 3 3 3

 
85
               

Fl.  
            
3 3 3 3 ff
           
 
3 3 3 3
      
    
      
            
Cl.

            ff
 3   3   3   3 
3 3 3 3

                  

  

        
Alto Sax.

3 3 3
  
3
ff
     3    3    3    3  
                


Tpt.
           
3 3 3 3 ff
  3    3    3    3 
               

  
Tbn.
             

            ff
3 3 3 3

ff
  
     
 
  

Choir der_e gló - - ria.
    

   
   

   
            
3
  
3

       



3 3 ff
Pno.

   

  
    

  
rall.


     
Vln. I 
ff

     

Vln. II  
ff

          
3 3
  

Vla.              

3 3 ff

 
arco

Vc.      
ff


arco
    
Cb.
  
ff
2 Flutes
A teus pés, Jesus
Arranjo e orquestração de Marcelo Rauta
Música de David Fellingham
      
                        
Moderato q = 74

 
p f

                  
    
6

     
mf

      
           
12

       

17
                        

f 3 3 3 3 3 3 3 3

3  3                
                          
27

     
3 3 3 3 3 3

  3   3   3   3 
31
  
              
 
  
  
  
3 3 3 mf
3

       
     
  
38

        
 
2 2 Flutes

                        3  3     
                               
                         
50

    
3 3 3 3 3 3
f 3 3 3 3

            
               
 
53

      
3 3 3 3

   3    3    3    3 
  
                
56

  
            
3 3 3 3

 
  
          

   
59
    
  

           
        
67

   
 

                      
    
75

   

3  3     
                                    
79

   
3 3 3 3 3 3 3 3 3 3
f

                


         
82

       
3 3 3 3

 
rall. 3    3    3    3 
  
               

85

    
            
3 3 3 3 ff
2 Clarinets in Bb
A teus pés, Jesus
Arranjo e orquestração de Marcelo Rauta
Música de David Fellingham

          
Moderato q = 74

    
   
    
          
        
p f

6
         

                    
 
mf


       
13

 
               

           3   3   3   3   3   3  3  3  3 
25

                                
             
3 f 3 3

 3  3  3    
28
3
                     
              

           
 
32 3 3 3 3

                  
             
            mf
3 3 3 3


35 
     
2 2 Clarinets in Bb

           3   3   3   3   3  3 3  3
50 3

                                   
             
3
f 3 3

 3  3  3
53

        
3
         
           

 3   3   3   3 
 
56

       
 
  
           
3 3 3 3

                  
59

       

      
 

   
         
65

      
          

       


     
73

      

               3   3   3   3   3 
78

                           
     
f 3 3 3

 3 3  3   3    
81 3 3
                    
3 3
       
                  

    3   3   3 
 
84 rall.3

      
  
    

            ff
3 3 3 3
2 Alto Saxophones
A teus pés, Jesus
Arranjo e orquestração de Marcelo Rauta
Música de David Fellingham

                         


Moderato q = 74

         
p
f
6
                    

     
   

3 3 3 3
f

                                   
26 3 3

         
3 3 3 3 3 3 3 3 3 3

  3   3   3   3  
30
                    
     
 

3 3 3 3

   
      
                 
37

          
mf

42
                         
 
f3 3 3 3 3 3 3 3

                       
52 3 3

          
 
3 3 3 3 3 3

  3   3   3   3 
55
 
                        
       
           
3 3 3

3
59

    
          
       

      

      

65

      
   
2 2 Alto Saxophones

                                 
79 3 3

     
f3 3 3 3 3 3 3 3 3 3

                   
82

      
3 3 3 3

           
  
rall. 3 3 3 3
              

85

      
            
3 3 3 3
ff
2 Trumpets in Bb
A teus pés, Jesus
Arranjo e orquestração de Marcelo Rauta
Música de David Fellingham

 
Moderato q = 74

                    
 
3 f


mf
         
7 3 3 3 3

             
 
f

 3 3 3 3 3 3    3 3  3
26 3 3 3

                                        

30
                  
3 3 3 3 

                


 


3 3 3 3
    
           
42

   
        
 
mf


48

3 3 3 3 3 3 3 3

                             
                       
f

 3 3   3 3  3    
52 3 3 3

                    


         
   
       

   3   3   3   3  
    
55

              
      
           
 
3 3 3
        
3
       
59

  

 
mf

     

71
 
          
     

2 2 Trumpets in Bb

     3
78 3 3 3 3 3 3 3

                          
           
f

  3   3     3 3  3
81 3 3 3

                         
                 

      3   3   3 
rall.3

  
84

                



            
3 3 3 3 ff
2 Trombones
A teus pés, Jesus
Arranjo e orquestração de Marcelo Rauta
Música de David Fellingham
Moderato q = 74 3
      
               
 
f
mf
7 3 3 3 3
  
     
   
             
f

26 3 3       3  3                
                       
      
      
3 3 3 3 3 3 3
3

29
 3   3   3   3 
                          
    
     
3 3 3 3
34 3 3 3 3      
 3 3 
  
                 
f
      3 3

3 3
52
                       
          
                
3 3 3 3
3 3

55
 3   3   3   3 
      
    
       
           
3 3 3 3
59  
     
        

mf

72  
        
     
2 2 Trombones
3 3 3 3 3 3
79 3 3              
                          
       
             
f 3 3
3 3
82                  
             
  
3 3 3 3

rall. 3 3 3
85
           3 
             

    
            

            ff
3 3 3 3
Choir
A teus pés, Jesus
Arranjo e orquestração de Marcelo Rauta
Música de David Fellingham

 
Moderato q = 74

 mf
 
           
   


 A teus pés, Je - sus, nos pros - tra - mos, tu que_a
      
 

   
13

      
te-a -do -
        
          
       

mor - te já ven - ces - te com po - der; pe - lo_es - pí - ri - to, te_a - do -
      

  ra          
19
- mos
 
     
          


ra -

mos, tua pre - sen - ça_a - qui po - de - mos per - ce - ber.
    

  f  
25

              
         
     
Ao cor - dei - ro,_ao Rei que_al - can - çou na cruz vi - tó - ria, se - ja o lou - vor, po -

                   
  
f
         
  

   
31
   
    
    
der_e gló - ria.

 
En - tre_os cas - ti - çais nós te ve - mos,
   
        
mf
     
    
V.S.
2 Choir

 
37

      

  
    
co - mo cha - ma for - te
é o teu o - lhar; bran - cos co - mo_a lã,

                 



         

 
43

      

       
teus ca - be - los, vós de mui - tas á - guas é o teu fa - lar.

                
     
  
teus ca - be - los,

    
49
f
    
          
  
Ao cor - dei - ro,_ao Rei que_al - can - çou na cruz vi - tó - ria,

  
f
            
         
   

  
54
 
            
    
se - ja o lou - vor, po - der_e gló - ria.
 
Tu és

              
         

 
59
 
 
 
             
       


ca - va - lei - ro que sa - iu vi - to - ri - o - so_e vai vol-
          
     
o fi - el

  
        
Choir 3

 
65
   ver - da - dei - ro,
 
     
       
 
tar ver - da - dei - ro, que os

 
jus - to Juiz tu és

         


        
 
 
  

    

71

          
     

vi - vos e os mor - tos vai jul - gar.

             
        
 

  

      
78

   f         
        
Ao cor - dei - ro,_ao Rei que_al - can - çou na cruz vi -

         
f       
       
    


ff
 
82 rall.

              


       


tó - ria, se - ja o lou - vor, po - der_e gló - ria.

                 

    
   

Piano
A teus pés, Jesus
Arranjo e orquestração de Marcelo Rauta
Música de David Fellingham

     
    
Moderato q = 74
       
         

mf

    
 
      
 

  
11
                    
    
      

 
          
   

            


15

      
     3  3 
            
       
      3
3 3 3
3 3

      
     
19

     

    3      
3
   
3
  

      
   

  
         
3 3 3
 3  
3 3 3

    3   
              
   
  
23
               
  
3 3 3
f

      
      
V.S.
2 Piano

     3     3         

                       

               
26

 
3 3

      
      

   3   
              3    

           
             
29 3 3

                      


3 3 3 3

     
    
   

            
   
32

        
  

mf

     
     
    

  
36
                  
    
       

       
           
   

  
             
40

 
    3  3 
           
  
    
      3
3 3 3
3 3
Piano 3

     
       

44

  

   
3
 3
  
        
 
     3
   
              
   
3
3
3
3 3 3 3 

          3    




48
               
         
3 3 3
f

    
      

       3    3         
51

                   
   
      

     

       
3 3

       

   3   
          3     3    
                           
54 3

            
           
  
3 3 3 3

     
    
   

          
         
57

        
 

 
            
    
V.S.
4 Piano
       
              
       
61

 

    
               
   

       


       
65

   

    
           
  
  
  
 
      3
3 3 3
3 3
3 3

            



69

  
 
                 
       
3 3

  
             
   3 
3
3
3
3 3 3 
3

 
   
73
     
     

 
      
     

  
75
    
         
ff    
     
       
       
 
Piano 5

 
   
76
  
      

legato

       

  
 


  
      
77

   
      
legato

  
         
    
   
 

        
                    
3  
79 3 3
     3    
                     
3 3 3 3
f     
      
   


                      
   
82 3 3

         

 
 

 

3


3

             3     rall.


          
          
84 3


 


3

3 ff
     
     
   

Violin I
A teus pés, Jesus
Arranjo e orquestração de Marcelo Rauta
Música de David Fellingham

   
Moderato q = 74
  
              

p f
5 
                  
 

   
17
    
pizz. arco

              
mf  
     
                       
3 3 div.

23

   
       
3 3

f
  gliss.       
   gliss.      
          
28 div.

        

 
   
33 pizz.

   
    
  
mf  

3   
           
46 3

      
arco
  
f 3 3

      

glis

         
div. s.
   
51

          
glis
s.

      

            
  
55 div.

             

59
 

2 Violin I

       
67 pizz. arco

               
 

   
73

             
 

         3    

3 div.
          
      
78

         
 
    
f 3 3

   

    
rall.

  
gli
 
              
ss.
  
82 div.

        
gli
ss.

ff
Violin II
A teus pés, Jesus
Música de David Fellingham Arranjo e orquestração de Marcelo Rauta
 
Moderato q = 74

         
p  
f

       
  
6

   
pizz.

  
  
mf 

 
19
  
arco

             
 

    3    
  
            
25 3

   
 
3 3
f

  
   
30

      
   
  

    
42 pizz. arco

       
           
mf  

      3      
48
   
3
    
       
f 3 3

      
53

     
   

57
  
   

2 Violin II

  
67 pizz. arco

                  
 

       


73

        
 

    
               
78 3 3

        
   
f 3 3

       
rall.

82

       
  
ff
Viola
A teus pés, Jesus
Música de David Fellingham Arranjo e orquestração de Marcelo Rauta
Moderato q = 74
       
         
p f
6  pizz.

                  
mf

18 arco   
               
  
 

   3    3 3
           
24 3
 
          
              
3 3
f 3 3

28      3     3     3     3     3    


3

                                    
3 3 3 3 3 3
3 3
31              

             
3 3
2 Viola
42 pizz. arco
    
                     

mf

48          3     
3 3 3
         
                
f 3 3
3 3

53      3     3     3     3     3    


3

                                    
3 3 3 3 3 3

3 3
56              
               
3 3

59  pizz.
          

    

71 arco    
     
          

76
 
        
   

   

79     3     
3 3 3 3 3

                          
                 
3 3
f 3 3 3 3

3 3 3      3    
83     
     
  
                         
3 3 3 3

3 3
85           rall.
   
            
  
3 3 ff
Violoncello
A teus pés, Jesus
Arranjo e orquestração de Marcelo Rauta
Música de David Fellingham
Moderato q = 74
              
  
 
p f

8  pizz.
arco
               
    
mf

22 pizz.
     
        
f
29  pizz.
       
          
mf

43 pizz.
arco
    
             
     f

51
         
        

58 arco
       
      

66 pizz.
             arco
 
       
74
  
            
      

79 pizz.
         
  
f
83 rall. arco
      
    
 
ff
Contrabass
A teus pés, Jesus
Música de David Fellingham Arranjo e orquestração de Marcelo Rauta
Moderato q = 74
              
  
 
p f

8  pizz.
arco
               
    
mf

22 pizz.
     
        
f
29  pizz.
       
          
mf

43 pizz.
arco
    
             
    
f
51
         
        

58 arco
       
      

66 pizz.
arco
            
    
   

73
  
             

79 pizz.
         
  
f
83 rall. arco
      
    
 
ff
3326 - A vida no mundo é cruel Música de Jair Pires
Moderato q=90 Arr.: Marcelo Rauta

           
                  
Flute  
mf


  
 
  
      
   

   
     
  
Alto Saxophone
  
mf
   
   

 
Bassoon
      
mf

       
Trumpet in Bb  

       
Trombone
 

       
SOPRANO
ALTO  

       
TENOR
BASS  

            
                
mf
Piano

                  
         
         
  
Moderato q=90
          
      
Violin I
 
mf


             
 
Violin II
mf

 
Viola               
mf

   
     
Violoncello 
mf

   
     
Contrabass
 
mf
2

  
7
            
        
Fl.  

  
      
  


 
 
   
Alto Sax.


           
Bsn.
   

        
Tpt. 

       
Tbn.

       
S.
         
     
A.  
A vi - da no mun - do_é cru - el, tor - men - tos e

T.        
B. 

     
            
     
   
Pno.

                          


        
 

 
Vln. I         


         

Vln. II

Vla.            

Vc.
          

          
Cb.

3

 
14      
     
Fl.  

 
Alto Sax.      
 


  

      
Bsn.

       
Tpt. 

      
Tbn.

     
S.
A.              
lu - tas sem fim; ca - mi - nho al -
me - jan - do_o céu;
T.       
B. 


        


       
Pno.

   
     
 
 
  
  
 

        

 
Vln. I       


Vln. II       

Vla.       

Vc.
      

      
Cb.

4

          
   
20

Fl.     


Alto Sax.           
      

        
Bsn.

         
Tpt. 

        
Tbn.

 
pp
S.
                    
A.  
Je - sus, tu te lem - bras de mim! Je - sus, tu te lem -bras de mim!
pp
              
 
T.
B. 

     
                  
        


 

      
pp

     
Pno.
           
            
      
   
  
 
Vln. I        
pp


            
Vln. II

pp


Vla.           
pp

 
pizz.
   
Vc.     
pp

 
pizz.
   
    
Cb.

pp
5

        
  
28

      
Fl.  
mf

       
Alto Sax.           
     
mf
 
              
Bsn.
       
mf
         
Tpt. 

        
Tbn.

 
mp mf

               
          
S.
A.

Je - sus tu te lem -bras de mim! na vi - da, na mor - te_e na dor:
mp
      
mf
 
               
T.
B.    

  
        
   
  


 
    


mp
Pno. mf
                 
       
       
  
             
Vln. I
  
mp mf

           
Vln. II
        
mp mf

 
Vla.                
mf

     
     
arco
Vc.
mp mf

     
     
arco
Cb.

mp mf
6

          
    
36

Fl.     
f

 
      
   
  
        
   
  
Alto Sax.

f

mf
        
        
Bsn.
            
f mf

 
Tpt.        

       
Tbn.

  f
S.
               
A.  
Je - sus, tu te lem - bras de mim!

           
f mf
     
T.
B.             
Na - ve - gan -do vai mi - nha

  
                         


  
f mf
Pno.
  
           
  
  
        
 
          
 
    
Vln. I                 
f

   
            
Vln. II
f

 
Vla.              
f

   
Vc.
      
f

   
      
Cb.

f
7

 
43

Fl.       

       
 
        
  
Alto Sax.

     
     

        
Bsn.

       
Tpt. 

      
Tbn.

       
S.
A. 

           
 
T.       
B. 
nau no mar des -ta vi - da a - qui; a -

       
 
        
  
Pno.

   
       
  
         

 
Vln. I       


Vln. II       

Vla.       

Vc.
      

      
Cb.

8

 
49

Fl.       

  
Alto Sax.          
     

              
     
Bsn.

       
Tpt. 

      
Tbn.

       
S.
A. 

              
T.      
B. 
bri - ga -me no tem - po - ral; Je - sus, tu te lem - bras de

                 
               
Pno.

  
  
   
    

  

  

  

   
     

  

       


      
Vln. I
 
mf


           
  
Vln. II
mf

 
Vla.              
mf

   
    
arco
Vc.
mf

   
    
arco
Cb.

mf
9
         
 
55
 
   
        
Fl.   
pp
mp

  
          

         
Alto Sax.
 
pp
mp

  
         
Bsn.
 

         
Tpt. 

        
Tbn.

   
pp mp
     
        
     
S.
A.   
Je - sus, tu te lem -bras de mim! Je - sus tu te lem -bras de

   
pp mp
  
            
     
T.
B. 

mim!



           
    
        
     


 
mp
pp

       
Pno.
 
              

   
  
  

 
Vln. I          


          

Vln. II

Vla.             

Vc.
           

           
Cb.

10

    
                
63

Fl.    
  
mf f

 
    
      
 
  
   

  
Alto Sax.
     
   f
  
 
mf
Bsn.
                
f

        
Tpt. 

       
Tbn.

   mf

f

S.
  


            
A.
 
mim! na vi - da, na mor - te_e na dor: Je - sus, tu te
mf
   f
  
  

            
T.
B.     

 
                   
           
Pno.

  
     
  

mf

   
 

         
  

   
   
f

     
       
Vln. I
  f
mf

     
Vln. II
      f
 
mf

 
Vla.            
mf f

     

arco
Vc.  
mf f

 
arco
    
 
Cb.

mf f
11

     
   
       
70
   
Fl.   

    
                
      
Alto Sax.


   


 

            
Bsn.
      

          
Tpt.     

           
                 
Tbn.
 

        
S.
             
A.  
lem - bras de mim! Je - sus, o que hei de fa -


   


  
            
T.
B.      

 
                       


  
            
                           
Pno.

    


  
Vln. I                             

 
                  
 
Vln. II

           
                      
Vla.

             
Vc.
                  

             
                  
Cb.

12

        
            
76
  
Fl. 


          

    
       
Alto Sax.

          
        
Bsn.
         

               
         

Tpt.

                              
                                           
Tbn.
                                
         
               
S.
        
A.  
zer se_o mun - do es - tá con - tra mim? en - vi - a -me

           
T.
B.             

              
          


 
                            
Pno.

                                       


                   
 
                         
                     
 
Vln. I

                       
           
           
Vln. II


         
                              
Vla.              

                            
                       
Vc.
 
                            
                       
Cb.
  
13

          
         
83
 
Fl. 
ff

            
             
 
      
Alto Sax.

ff
          
     
          
Bsn.
        
ff

           


Tpt.           
 
 
                                    
 
      
Tbn.
   

          


ff
S.
A.           
 
o teu po - der; Je - sus, tu te lem - bras de mim! Je -

           
ff
                  
T.
B.     

   
       
      
    


  
                
Pno.

                   


  
                   
             
            
                   
Vln. I

           
                
                 
Vln. II

                      
Vla.                  

                
                            
Vc.            
                
                            
Cb.
            
14

             
    
90
  
Fl. 


             
 
 
 
    
Alto Sax.

        
           
Bsn.
  

                   
            

 
Tpt.
ff
        
             
              
Tbn.
  
ff

         
S.
A.        
     
sus tu te lem - bras de
sus, tu te lem - bras de mim! Je -

               
T.
B.       

                     
                      
   
     

    

Pno.

  
ff




 





   
     


   
 

 

  
  


  
 

   
          
       

Vln. I
ff

  
   
      
       

Vln. II
ff

    
                

Vla.
ff

        
         
   
Vc.
ff

     
            
    
Cb.
ff
15

       
        
96

Fl. 

 
  

         


        
Alto Sax.

 
    
          
Bsn.
        

      
Tpt.             

      
             
Tbn.
        

       
S.
A.         
mim! na vi - da, na
mor - te_e na dor:

 
    
          
T.
B.  
 
        
      
     
Pno.

  

 

  




    
 

          

     
Vln. I          


Vln. II            

Vla.       
     

   
    
Vc.  

   
 
Cb.
      
16

       
          
101
 
Fl. 

 
  

 
 





 
   
     
Alto Sax.

       
         
Bsn.          

       
     
  
   
Tpt.
 

          
           
  
Tbn.
 

    
       
  
   

S.
A. 
Je - sus, tu te lem - bras de mim!

          
           
  
T.
B.  

           
            
   
    

Pno.

                           
      

           
Vln. I            


               
Vln. II

 
Vla.                

  
Vc.
       

  
       
Cb.

Flute
3326 - A vida no mundo é cruel
Música de Jair Pires

 
Moderato q=90

               
Arr.: Marcelo Rauta

            
 
mf

              
 
8

          
 

18
              
   

   

            
                
32

  
mf f

         
    
   

41

     
 
pp
mp

     

                   
  
63

   

f

72
                     
    
 

 
                          
81


ff

90
                  
     
    

99
                
    
 

Alto Saxophone

3326 - A vida no mundo é cruel


Música de Jair Pires
Arr.: Marcelo Rauta

   
Moderato q=90
   
                     
     
mf

             
        
7

       
  

17
          

      
    
mf
33
                 
                     
    
f mf

                  
    
42

             

       


               
52

       

mf pp
mp

                  


     

     
62

             
f

      
                    
72

      

                    
 
81

                            
ff

91
              
        
            

            
     
99

                    
Bassoon

3326 - A vida no mundo é cruel


Música de Jair Pires
Moderato q=90 Arr.: Marcelo Rauta
      
    
 
    
 
      
mf
9 
       
             
     
mf f
38
    
                


    
 
mf

46
    
    
             
  

54  mf
    
           
 

67
                 
            
 
f
74
     
 
                   

82             
                     

ff

90
      
 
               

98             
          
                  
Trumpet in Bb
3326 - A vida no mundo é cruel
Música de Jair Pires


Arr.: Marcelo Rauta
   
Moderato q=90

          
     

           
78
       
            

                       


86

    
         
ff

             
94

           


     


   
100
      
         
 
Trombone
3326 - A vida no mundo é cruel
Música de Jair Pires
Moderato q=90 Arr.: Marcelo Rauta
                    

  
                 

77                    
  
                   
         
82

      
 
 
 
 
 
        
           
 
    

87                              
             
                
ff
94         
     
                 
       

100          
           
    

  
3326 - A vida no mundo é cruel
Música de Jair Pires
Moderato q=90
 
Arr. para coro e piano: Marcelo Rauta
SOPRANO
      
ALTO

      
TENOR
BASS  
Moderato q=90
            
            
Piano

 mf

      
    

         
 



 
 


 
6

        
S.
A.         
A vi - da no mun - do_é cru - el,
T.       
B. 

  
           
  
   
  

 
Pno.

               
         
 


 
12

           
      
S.
A. 
tor - men - tos e lu - tas sem fim; ca - mi - nho al

T.       
B. 

        
         

Pno.

      

 
   
        
 
 
  
   
2

 
18

             
   
S.
A.

me - jan - do_o céu; Je - sus, tu te lem - bras de mim!

T.       
B. 

                   
               
Pno.

   
    

  

  

  

   
     

    
    

 
24 pp mp

                 
      
S.
A.   
Je - sus, tu te lem - bras de mim! Je - sus tu te lem - bras de mim!

 
pp
          
mp      
       
T.
B. 

    
   
  
    

     
        



Pno. pp mp

         
        
         

  mf f
32

             
   
S.
A.
 
na vi - da, na mor - te_e na dor: Je - sus, tu te
     
 
mf f
T.
              
B. 

             
    
          
Pno.

 


mf

 

 
 
 

              
 

f
3

 
38
   
S.
         
A.

lem - bras de mim!

       
mf
       
        

T.
B. 
Na - ve - gan - do vai mi - nha nau
 
                 
      
mf
 
Pno.

       
          
      


 
44
S.
      
A.

        
T.          
B. 
no mar des - ta vi - da a - qui; a - bri - ga- me
    
            
  
Pno.

     

 
   
        
 
 
  
 
  

 
50
S.
      
A.

           
T.      
B. 
no tem - po - ral; Je - sus, tu te lem - bras de mim!
                   
               
Pno.


 




            
 

       
  
    
4

 
56 pp mp

                 
     
S.
A.   
Je - sus, tu te lem - bras de mim! Je - sus tu te lem - bras de mim!

         
pp mp
T.
              
B.

 
 
          
      
 

          
  



pp mp
 
Pno.
                 

         

  mf f
64

             
   
S.
A.
 
na vi - da, na mor - te_e na dor: Je - sus, tu te
     
 
mf f
T.
               
B.

             
    
          
Pno.

 
   



mf

   

 

      

 
 


 
  
f

   
70

                
  
S.
A.

lem - bras de mim! Je - sus, o que hei de fa -
 
   
              
T.
B.     

    
                   



               
Pno.
     
         
       
 
5

   
76

          
     
S.
A.  
zer se_o mun - do es - tá con - tra mim? en -

         
T.
B.           

         
        


 
                       
         
Pno.

   


            
 

  
82

           
S.
A.       
vi - a - me o teu po - der; Je - sus, tu te lem - bras de

        
                
T.
B.  

    
              


 
Pno.
               

             
                                   
                   

 
88 ff

             
 
S.
A.   
mim! Je - sus, tu te lem - bras de mim! Je -


        
ff
T.
       
B. 

                 
                           
 



     
 ff
      
Pno.

     
                  
            
 
6

  
94

           
   
S.
A.

sus tu te lem - bras de mim! na vi - da, na

     
      
T.
       
B.

       
                  
        
 
Pno.

     

 
     

  
   
  
   
  

   

 
99

       
S.
A.    
mor - te_e na dor: Je - sus, tu te

      
           
T.
B.  

            
        

  
Pno.

                  
    
 

 
103
S.
A.     
   
   

lem - bras de mim!


  


  
 


 

T.
B.  


       
   
   
 

  
Pno.
 
            
 
Violin I

3326 - A vida no mundo é cruel


Música de Jair Pires
Moderato q=90 Arr.: Marcelo Rauta
   
   
               
mf

   
       
 
9

 

  
pp
mp

     
32

                 
f
mf
40
   
     
      
mf
54
 
                
mf

   
68

                          
f

                


74

   
         
             

      
80

                    
           
     
               
86

       
        
ff

             
93

         
 

                  
100

     
Violin II

3326 - A vida no mundo é cruel


Música de Jair Pires
Moderato q=90 Arr.: Marcelo Rauta

             
       
mf

9
 
                
   
pp mp


32

         
 
        

mf f

41
 
                
mf

56
 
   
            
mf f

 
                   
71

    
  

                          
78

                            

           
84

 
                   
     

             
90

          

ff


98

            
        
Viola
3326 - A vida no mundo é cruel
Música de Jair Pires
Moderato q=90 Arr.: Marcelo Rauta
 
                   
mf

9    
            
pp

33
 
                  
mf f

41          
        
mf

56        
         
mf f

71
                       

         

78
                                   
           

84
            
                      

90
       
                 

ff

98

                        
Violoncello

3326 - A vida no mundo é cruel


Música de Jair Pires
Moderato q=90 Arr.: Marcelo Rauta
      
       

mf
9  pizz.  
          
pp mp

32 arco 
      
      
mf f

41  arco 
          

mf

57  arco 
          
mf f

73
                      
      
   
       

79                          

           
     

85           
                
            

ff

91
        
                   

98       
        
Contrabass
3326 - A vida no mundo é cruel
Música de Jair Pires
Moderato q=90 Arr.: Marcelo Rauta
      
       

mf

9  pizz.  
          
pp mp

32 arco 
      
      
mf f

41  arco 
          

mf

57  arco 
          
mf f

73
                      
      
   
       

79                          

           
     

85           
                
            

ff

91
        
                   

98       
        
Aleluia! Glória ao Rei
(para solo, coro e piano)
Música e arranjo de Marcelo Rauta

     
Andante q = 64
            
             

Piano

      


    
         


4 Solo masculino

     
        
 Oh!

vem Se - nhor meu Deus, Der - ra -

     
    

 
   



   
                













7

   
                    
- ma teu po - der, der - ra - ma teu a - mor nes - te lu - gar. Res -plan

           


     
       
         
           


10

  
1.

                             

de - ça no me - io da i - gre - ja, pois, Se -nhor meu Deus, que -re -mos te_a - do - rar. Oh!

     
1.

           


 


       

     
            
   
             
Copyright © Marcelo Rauta, Vitória-ES

2


14 2. Solo feminino

                    

Oh! vem Se - nhor meu Deus, ma -ni - fes - ta teu po - der, der -

     
       
Vem Se - nhor e Deus, teu po -

      
           

 2.   
          


 
           
   
     
   
    
   


17

 
1. 2.

               
- ra - ma teu a - mor nes - te lu - gar. Oh! gar. A -le

      
 
der.


      

 
 
1. 2.

           
                   
       
   
       
     
  
   
3

          
20

       
lu - ia! a - le - lu - ia! a - le - lu - ia! a - le - lu - ia! a - le -
               
 

A - le - lu - ia! a - le - lu - ia! a - le - lu - ia!

               
 

Gló - ria ao rei. A - le - lu - ia! a - le - lu - ia! a - le - lu - ia!
   
      

  
Gló - ria_ao rei, gló - ria ao rei. A - le - lu - ia!
    

A - le - - lu - ia! gló - ria_ao rei,

              
   
           

      
     
          
 
                       
23


lu - ia_a -le - lu - ia! A -le - lu - ia! a le - lu - ia! a le - lu ia! a lelu - ia! a le
         
    
     
gló - ria_ao rei. A lelu - ia! a lelu - ia! a lelu - ia!
           
        
 
   
gló - ria_ao rei. Gló - ria ao rei. Ale - lu - ia! a le - lu ia! a lelu - ia!

       
 
gló - ria_ao rei. Gló - ria_ao rei, gló - ria aorei. A - le - lu - ia!

        
  
gló - ria_ao rei, A - le - lu - ia! gló - ria_ao rei,

         
               
          

   
              
          
4

               
27

     

              


lu - ia_a -le - lu - ia! lu - ia! a - le - lu - ia! a - le-

    
  
gló - ria_ao rei. A - le -lu - ia! a - le -lu - ia!
  
             


gló - ria_ao
 
rei.
 
Gló - ria ao rei.
 
A - le - lu - ia! a - le-

   
 
gló - ria_ao rei. Gló - ria_ao rei, gló - ria ao rei.

      
   
gló - ria_ao rei, A - le - lu - ia!

       
         
    
    

               
       
   

                
30

     
lu - ia! a - le -lu - ia! a - le - lu - ia_a -le - lu - ia! A -le - lu - ia! a - le-
              
 
a - le -lu - ia! gló - ria_ao rei. A - le -lu - ia!

  
                
lu - ia! a - le -lu - ia!
  
gló

- ria_ao

rei.

Gló - ria ao

rei.

A - le-

   
A - le - lu - ia! gló - ria_ao rei. Gló - ria_ao rei,

      
   
gló - ria_ao rei, gló - ria_ao rei, A - le -

           
                   

        
         
         
5
33
                 
   

 
   
lu - ia! a - le - lu - ia! a - le - lu - ia! a - le - lu - ia_a -le - lu - ia!

          

        
   
a - le - lu - ia! a - le - lu - ia! gló - ria_ao rei.
   
   
lu - ia! a - le - lu - ia! a - le - lu - ia! gló - ria_ao rei.

       

   
gló - ria ao rei. A - le - lu - ia! gló - ria_ao rei.
     

lu - ia! gló - ria_ao rei, gló - ria_ao rei,

                 
               



             

            

  
36

   

 
A - le -

   


   

    

   
 

      
         
           

                
        
6

  
rall.
      
39 ff

cresc.
  
lu - ia_a -le - lu -ia! Gló -ria_ao rei.

  cresc.
     
ff
  
Gló - ria_ao rei. Gló -ria_ao rei.

 ff 
    
cresc.
    
Gló - ria_ao rei. Gló -ria_ao rei.


cresc.
     
ff

  
Gló - ria_ao rei. Gló -ria_ao rei.

  
cresc.
  
ff 
 
  
Gló - ria_ao rei. Gló -ria_ao rei. 
 
       
rall.

    
     


cresc. ff

  
          
   
  

Dedicado à Igreja Cristã Maranata de Riviera da Barra IV

Amo ao Senhor
Música de Mariana Martins Barros
Arranjo vocal de Marcelo Rauta
q = 80
  
D B‹
3
SOPRANO
                     
ALTO
  
3
A -mo_ao Se - nhor, por -que E - le me ou - viu, in -cli -nou os seus ou -

                     
3

TENOR
BASS  
3

  
3 G A D
            
          
3

        
3
vi - dos e as -sim me a - ten - deu. O Se - nhor que é jus -to_e pi - e -

      
3
                        
     
3

 
6 B‹ G A
     
                    
    
do - so pos -so ne - le con -fi - ar, cer -ta -men -te me gui_a - rá. An -da


                       
     

   
9 B‹
 F©‹ B‹

               
            

rei pe -ran -te_a su -a fa - ce, (an - da - rei) Sou seu ser - vo, pois me li -ber

                
(an - da - rei)

                    
    
An -da -rei pe -ran -te_a su -a fa - ce, sou seu ser - vo, pois me li -ber
2

   
12 F©‹ E‹ A E‹ A
  
                   
tou. Lou -vá -lo - ei e - ter -na men - te, fa -rei a

                   


    
tou, me li - ber - tou. nos á -tri_os da su - a ca - sa,

 
15 G A D B‹

                      

 

De - us sa - cri - fí -cios de lou - vor. An -da -rei pe - ran -te_a su - a

     
                    
      
An -da -rei pe - ran -te_a su - a

 
18 F©‹ B‹
 F©‹

          
              

fa - ce, (an - da - rei) Sou seu ser - vo, pois me li -ber - tou. Lou -vá -lo

       
            
(an - da - rei)

     
   
fa - ce, sou seu ser - vo, pois me li -ber - tou, me li - ber -

  
21 E‹ A E‹ A

         


    

ei e - ter - na - men - te, fa - rei a
             
      
   
tou. nos á - tri_os da su - a ca - sa,

  
23 G A D

     
       


De - us sa - cri - fí - cios de lou - vor.

      
        
 
Ao Deus de Abraão Louvai
Arranjo e orquestração de Marcelo Rauta

    
       
Moderato q = 80
               
Flute    
mf

     
Oboe                 
mf

   
Clarinet in Bb                     
mf


         
      
Bass Clarinet
in Bb   
mf

                
Alto Saxophone
   
mf

        
Horn in F        
mf

      
                 

Trumpet in Bb
mf

     
Trombone
         
mf

  
Drum Set        
p f

     
                       

    
      


mf
Piano
     
            
              

  
Moderato q = 80
     
                   
Violin

mf

     
        
Violoncello

mf
2


              
7

Fl. 
      

                
Ob. 


Cl.                 


             
 
B. Cl.

               
Alto Sax.


 
Hn.                 

     
Tpt.             
   
     

Tbn.

               

Dr.       


 
           
   
    

Pno.

  



        
        

 
 
       



                        
           
 
Vln.

       


                
   
Vc.

3


              
13

Fl. 
   
  

             
Ob. 


Cl.              


  
     
    
B. Cl.

          
  
Alto Sax.
 

 
     
Hn.
            

          
Tpt.               

          
Tbn.
      

Dr.       


               
 
   


              
                
        
   
Pno.
  
               
                                  
                
             

             
 
      

   
      
         
                        
        
Vln.

               


       
          
           
                          
Vc.

  
4


          
19

Fl. 
   
 

    
Ob.       

   
Cl.        

 
B. Cl.           

           
Alto Sax.


        
Hn.        

         
             


Tpt.

       
Tbn.

      

   3
       
6

Dr.       
p f

             
        
 


  

Pno.

 
  

     
 




 




   


    
      
      
   

Vln.

          
     
     
Vc.
5

  
         
24

Fl.    

 
Ob.      


  
Cl.   

B. Cl.   

 
Alto Sax.     

 
Hn.        

    
Tpt.      

       
Tbn.
 

3 6 3 6

                            
Dr. 



    

Pno.

 
   

   






 


  
Vln.  

       
Vc.
 
6

  
         
26

Fl.     

 
Ob.

      

 
     
Cl.  

B. Cl.    

     
Alto Sax.
 

 
         

Hn.

     
         
Tpt.
 

      
  
Tbn.
  

3 6 3 6 3 6
                     
Dr.       



     

Pno.

  
       

                     
Vln.  

       
 
Vc.
  
7

  
         
29

Fl.     

 
Ob. 
      

 
     
Cl.  

B. Cl.    

  
Alto Sax.
     

 
Hn.         

       
Tpt.        

      
Tbn.
  

3 6 3 6 3 6
                   
Dr.       



     

 
  
Pno.  
     
      

     

         
Vln.           

    
     
     
Vc.
 
8

       
      
    
32

Fl.      

   
Ob.     

    
Cl.

   
B. Cl.
 

  
Alto Sax.



Hn.        

          
Tpt.  

     
Tbn.
   

3 6 3 6
                
Dr.     

       
            
   
    


 
     
 
       
Pno.
        


      


              
      

Vln.

 
     
 
      
    

Vc.
9

           
 
        
34
     
Fl.  
3

          
Ob.      
3 3

              
Cl.

3 3

 
3

3
   
B. Cl.
        

              
Alto Sax.
 
3 3

  
        
 
Hn.

       
     
Tpt.
 

      
Tbn.
        

3 6 3 6 3 6
                      
Dr.       

  
              
 

    
3 3

            
      
Pno.

                
             
      
    
      
      
                
   
Vln.

    
    
     
               

  
Vc.

10

           


37

Fl.  

     
Ob.    
 

     
Cl.      

 
       
B. Cl.

       
    
Alto Sax.
 

 
          
Hn.

  
        
 
Tpt.

       
Tbn.
   

3 6 3 6 3 6

                  


Dr.      

    


     
 


 
      
 
   
           
Pno.

           
       

 
        
      
          
Vln. 

 
       
      
        
Vc.

11

        
       
40

Fl. 
   


                        
Ob.


Cl.               


            

B. Cl.

                   
Alto Sax.
 

 

            
Hn.

   
  
   

     

Tpt.

           
Tbn.
 

3 6 3 6 3 6 3 6
                   
Dr.         

        

        


  

Pno.

  





  
  






  
 

             
 
        
Vln.

           
Vc.
 
12

   
      
44

Fl. 
    

 
                                      
Ob.


Cl.         


       

B. Cl.

                       


Alto Sax.    

 
Hn.         

  
     
 
  
 
Tpt.

      
Tbn.
  

3 6 3 6 3 6
                   
Dr.       

      
        

Pno.

  










 


          
Vln.      

       
Vc.
 
13

            
   
47

Fl. 
   


             
Ob.
   


Cl.            


       
  
B. Cl.

                  


Alto Sax.
    

 
      
    
Hn.


     
          
 
Tpt.

       
Tbn.
   

3 6 3 6 3 6
                 
Dr.       

              
   

Pno.

   

 

    


    

 
 
     
     

 
 
    
    
  




         
               
     
   
    
Vln.

  
   
           
        
       
Vc.
14

 
50
      
     
Fl.   

                           
Ob.   

 
Cl.            


     
      
B. Cl.

                
Alto Sax.
 

 
 
         
Hn.

   
Tpt.        





 

     
Tbn.        

3 6 3 6 3 6
                 
Dr.       

          
       

Pno.

   
   



   
  
   


 

 
  
     
    
 

   
     
  

   


           
                 
  
Vln.

    
  
    
            
 
Vc.
    

15

  
           
53

Fl. 
  
 

 
                     
Ob.

    

Cl.          

 
B. Cl.     
     

                 

Alto Sax.
  

  
        
Hn.
  

     

       
Tpt.
    

  
        
Tbn.

3 6 3
   

             
Dr.     
p ff

            
              

   


   
          
         
    
Pno.
     
        
    

   
           
    
                  

Vln.

   
             
     
   
Vc.

Flute
Ao Deus de Abraão Louvai
Arranjo e orquestração de Marcelo Rauta

Moderato q = 80          
   
                     
    
mf


          
  

       
8

    
  

     
        
15

   


  

  
 
     
 
   
       
23

    

  
   
    
30

   

       
      
     
32

  

     
  
        
34
               
   
3

39
            
          
       

46
                      
          

 
                 

52
  
  

Oboe
Ao Deus de Abraão Louvai
Arranjo e orquestração de Marcelo Rauta

Moderato q = 80
                 
        
mf

              
8
  
    

        
15

      

    
           
23

    

  
       
30
 
           
3 3

35

 
                         
 


42

                               

 
45

                                     

                               
49

         

53
              
       

Clarinet in Bb Ao Deus de Abraão Louvai
Arranjo e orquestração de Marcelo Rauta

    
Moderato q = 80
  
               
mf


7

                  

14
 
              

   


 
21
    
   

    
    
26
        
   
31      
   
     
 
3 3


38

                  



44

                      


51

               

55
        

   
Bass Clarinet in Bb Ao Deus de Abraão Louvai
Arranjo e orquestração de Marcelo Rauta

 
Moderato q = 80

        
           
mf


8

             
     

15
  
       
    

23  
  
3 3
  
      

 
38

         
         


44

    
                 


51

   
       
 

 
55

   
  
Alto Saxophone Ao Deus de Abraão Louvai
Arranjo e orquestração de Marcelo Rauta

 
Moderato q = 80

                    
mf

            
8
   

14
             
      

       


22

       

27
        
        
3 3

35
                        
    

      


41

  

                           


45

      

                       
49

      

          
53

   
      
Horn in F Ao Deus de Abraão Louvai
Arranjo e orquestração de Marcelo Rauta

Moderato q = 80
   
           
mf

7
   
          


15

         
           


21

     
             

27

                  


33


                        


39

                      


45

                    

52
 
      
         
Trumpet in Bb Ao Deus de Abraão Louvai
Arranjo e orquestração de Marcelo Rauta

  
Moderato q = 80
    
              
mf

7
        
       
            

   
15
           
   
             

            
21

    
     
             

             
27
 
            
   

       
33

                 

       
38

     
                 
  

 
44

       
 
              

   


50
      
            
54
         

       
Trombone Ao Deus de Abraão Louvai
Arranjo e orquestração de Marcelo Rauta

Moderato q = 80
      
        
mf

7 
            
     

15
         
      

21
                   

27
             
  
 

33
                 
   

39
        
             

45
     

               

52
  
   
       
Drum Set

Ao Deus de Abraão Louvai


Arranjo e orquestração de Marcelo Rauta
Moderato q = 80
      

       
p f p f

23 3 6 3 6 3 6 3 6
   
                        

27 3 6 3 6 3 6 3 6
   
                        

31 3 6 3 6 3 6 3 6
   
                        

35 3 6 3 6 3 6

                                          

38 3 6 3 6 3 6

                                          

41 3 6 3 6 3 6 3 6

                        

45 3 6 3 6 3 6 3 6

                        

49 3 6 3 6 3 6 3 6

                        

53 3 6 3 
   
                        
p ff
Piano
Ao Deus de Abraão Louvai

Moderato q = 80
Arranjo e orquestração de Marcelo Rauta
  
         
            
  
   

     
  
mf

         
       

        

            
  
6

     
 

  

      





   
   
   
   

 
 

        
12

        
   

               
     
       
                       
             
 
  
16

  
       
 
  
                
     
                       

      

            
          
19
  
  


   
   
         
    
 
 V.S.
2 Piano

 
 
23

    

    
 
 
 
 

26
    
 
  

   


 
 

  

30

   
       

       
          
  

       
      
        
32

  
  
     

     
  

     
    
33

          

   
3 3

             
                         
                 
    
Piano 3

36
      
 
  
                    
                 
          
  

39
                    
    
         

      
      

     
     
   
  
     
    

                  
45

      

 
 

 

 
               
 
                        
    

   

      
           
50

  

    

    

  
       
            
       
                      
   
             

              
         
54
 
  


   
 
         

  

   

Violin

Ao Deus de Abraão Louvai


Arranjo e orquestração de Marcelo Rauta

 
Moderato q = 80
    
                
   
mf

         
7
          
   

12
              
 
                   
     
                  


 
                 
                 
17



      
         
  
22

27
      
                       
            

      
 
         

33
                  
              
      
       
            
38

     

         
                          
43


     
     
       
       
49
 
                   
       
   
          
                   
53



Violoncello

Ao Deus de Abraão Louvai


Arranjo e orquestração de Marcelo Rauta
Moderato q = 80
  
  
               
mf

8
               
                  
 

14

       
        
               
                     

18  
                    

    
23
        
                  

31                   


       
    
           

35
                  
                     
  
 
   
39
       
                 


47
               
         
   
 
       
  
 

                 
  
52
        
 
                  
   
     
À Sra. Jurama Gueiros

Bem de Manhã
(para coro e orquestra de cordas)
Arranjo e orq. de Marcelo Rauta

 
Andante q = 60
solo
 tutti solo

Violin I   
   
  
fp mp fp mp

Violin II   
  
 
  
fp fp

            
tutti
 
solo solo

 
Viola

    
 arco

fp mp fp mp
  
arco
pizz. pizz.
  
Violoncello      
fp mp fp mp

       
pizz. arco
   arco
pizz.

Double Bass
     
fp mp fp mp

    
               
7

Vln. I  

 
tutti



                      
mf

     

Vln. II

mf
   
                   
tutti
Vla.  
mf

                  
  
Vc.    
      
mf

            
 



 
 
Db.        
mf

      
13

Vln. I  
 
     
  


f p subito

            
 
  

   
Vln. II
 p subito
 
    
f
     

Vla.  
     p subito
  
f
 
                  
Vc. 
f p subito
              
Db.
        

f p subito
2

     
20

Vln. I         
mf

Vln. II                
mf
div.(solo-tutti) 
   
   
solo
Vla.         
mf

        
Vc.

  
mf

Db.
    

mf

 
  
div.(solo-tutti)

   
25

Vln. I         
 solo

cresc. poco a poco

 
Vln. II        

cresc. poco a poco

    
Vla.   
     
 


cresc. poco a poco
div.(solo-tutti)
     
           
  
solo
    
Vc.

  
cresc. poco a poco

Db.
    

cresc. poco a poco

  
          
div.(tutti)

       tutti


30

Vln. I     

  
  
 
  tutti
Vln. II     
 
  


tutti
 
div.
Vla.  
   
 
tutti
div.
            tutti

 
Vc.
   
    

    
 
Db.
 
3

 
mp
     
34

     
           
            

1.Bem de ma - nhã, em - bo - ra_o céu se - re - no pa - re - ça_um di - a cal mo_a -nun - ci -
Choir di - a,e quan - do_os sons da ter - ra a - ba - fam mais de Deus a voz de_a

            
fim, a - pós os teus li - da - res, re - lem - bra_as ben - çãos do ce - les - te_a


          
mp

       
   

                
Vln. I        
ff mp
   
  
Vln. II  
     
         
ff


mp
  
                     
Vla.
ff mp

    
          

Vc.
ff mp


    
          

Db.

ff mp

      
38

    
cresc. poco a poco

          


       


ar, Vi - gi - a-e o - ra:o co - ra - ção pe - que - no um tem - po - ral po - de_a - bri -
mor, Re cor -re-à o - ra - ção e - vi ta_a guer - ra, e go - za paz com o Se -
Choir
mor e con - ta_a Deus pra - ze - res e pe - sa - res, dei - xan - do_em su - as mãos a

  
       
cresc. poco a poco
            
       

                  
   
Vln. I 
cresc. poco a poco

    
             

Vln. II

           
cresc. poco a poco

Vla.
  
cresc. poco a poco
         
Vc.      
cresc. poco a poco
          
Db.
     
cresc. poco a poco
4
f
42 mp
rall. A tempo 1.2.

     
Bem de ma - nhã,
                                
 
     f

gar. 2.Ao mei - o
Choir Bem de ma- nhã, e sem ces - sar vi - gi - ar, sim, e_o - rar!

3.Do di - a_ao

        
nhor.
 
mp
          
dor.
  
f

               
  

   
rall. 1.2. A tempo

Vln. I               
  
f
  
Vln. II     
                    

f
  
                    
 
Vla.


            
f
       

 
Vc.  

f
  
               
    
 
Db.


f

47  A tempo
3.

      
 f
  


Choir rar! 
f   
      

 

      
 A tempo     
3.
 
Vln. I          

mf cresc. poco a poco
     
            
Vln. II

mf
     
cresc. poco a poco

           
 
Vla.
 mf  cresc. poco a poco

  
  
        

Vc.
 mf
   
  
       
cresc. poco a poco

   
Db.
  mf
   
cresc. poco a poco
5

51

   


Choir

   

         
Vln. I          

Vln. II        


                    
Vla.

        
Vc.       

        
Db.
        

54

   
Choir

   

  
 
Vln. I    

   
div.

div.

    



Vln. II 
 
         
Vla.

  
    
div.
Vc.  
 
 
Db.
   
 
6


            
f p subito
 
57

            

           

E sem ces - sar, vi - gi - a_a to - do_ins - tan - te, que_o i - ni - mi- go_a - ta - ca sem pa
Choir

f              
p subito
 
             
       
 

       
      
pizz.
Vln. I         
ff p
tutti
  
pizz.
Vln. II                 
ff p

          
pizz.
Vla.          
ff p

         
tutti
     
pizz.
Vc. 
ff p

f

               
pizz.
Db.

ff f p

      
mf cresc. poco a poco
    
62
  
            
     

 
rar, Só com Je - sus em co - mu nhão cons - tan - te, po - de_o mor - tal ao céu che -
Choir
      
mf

                
cresc. poco a poco
   
   
    

       
                    
arco
Vln. I   
mf

cresc. poco a poco

                   


arco
Vln. II

mf cresc. poco a poco

     
arco           
Vla.
mf cresc. poco a poco

               

arco
Vc.
mf cresc. poco a poco

               

arco
Db.

mf cresc. poco a poco
7
ff

  
66

               
Bem de ma - nhã,
      
     ff 
Bem de ma - nhã, e sem ces - sar vi - gi -

       
Choir gar

      
ff 
  
           
 

           
Vln. I 
    

ff

 
                    

Vln. II
ff

                   
Vla.
 
ff
   
             
Vc.

ff

     
Db.
            

ff


 
rall.
  
69

      
 
     


ar, sim, e_o - rar! A - - mém.
Choir
  
      

 


 
   
rall.

      
Vln. I  
   
Vln. II           
 
Vla.          

      

Vc.    

      

Db.  

À Sra. Jurama Gueiros
Violin I Bem de Manhã
(para coro e orquestra de cordas)
Arranjo e orq. de Marcelo Rauta

solo
 solo

Andante q = 60
    
tutti
    
tutti
  
 
fp mp fp mp
mf

     
   
    
8
 
   



        
14

 





  
 p subito
f

 div.(solo-tutti)
    
21

          solo
  
 
mf
 cresc. poco a poco


div.(senza solo)

  
         
27

       
  
 

 
        tutti 
      
 
32
  
 
 
mp
 ff

        
  
36

   

cresc. poco a poco

41         rall.
     
    
f V.S.
2 Violin I

      
A tempo 3.  A tempo     
46

              
1.2.

 
mf cresc. poco a poco

       
 
51

          
   

        
  pizz.
       
57

     
ff p


62
            
               
arco


mf cresc. poco a poco

66
             
  

ff

  
rall.

69
  
   
À Sra. Jurama Gueiros
Violin II Bem de Manhã
(para coro e orquestra de cordas)
Arranjo e orq. de Marcelo Rauta
Andante q = 60
 

          
  
 
fp fp mf

   
9

              


 
  


15

         
      
   
 p subito

21 
 
         
 mf cresc. poco a poco

28
    
       
        
  ff

  
35

      
             


mp cresc. poco a poco
39

                     

rall.

42

                     
 
f

A tempo 3.  A tempo   


46
  
1.2.
       
          
mf
cresc. poco a poco

   
51 div.
         
   
 V.S.
2 Violin II
55
     
 
div. tutti

         

 
 ff

         
59 pizz.

             
arco
  
p
mf cresc. poco a poco

   
64

                 
   
 ff

 
68 rall.

                 
 
À Sra. Jurama Gueiros
Viola Bem de Manhã
(para coro e orquestra de cordas)
Arranjo e orq. de Marcelo Rauta
Andante q = 60
solo tutti solo
 
               
fp mp fp mp

7
tutti     
             
     

mf

13

 
 
       f     
     
p subito
  
f

21
div.(solo-tutti)
 
solo 
     
          
  
mf cresc. poco a poco
div.(senza solo)
27  tutti    
      
   
 
 



   
ff

35      

              
mp cresc. poco a poco

40
     
                  

f

45 rall.
1.2.
 A tempo 3.  A tempo  
              
     
mf

49
     
            
cresc. poco a poco

V.S.
2 Viola
53

                 



57 pizz.
 
         
           
ff p

62
arco          
         
mf cresc. poco a poco

67 rall.
 
                  

ff
À Sra. Jurama Gueiros
Violoncello Bem de Manhã
(para coro e orquestra de cordas)
Arranjo e orq. de Marcelo Rauta
Andante q = 60 pizz. arco pizz. arco
    
                
    
mp mp mf
fp fp

8
    
         
      
      

14
            
      

f p subito

21
           

mf cresc. poco a poco

div.(solo-tutti)
 
27 solo
               div.(senza solo)


           
   

32
      tutti 

                
ff mp

38
                  
 
cresc. poco a poco

42 rall.
    
               
f

461.2. A tempo 3. A tempo


       
       

      
        
mf V.S.
2 Violoncello
52 div.   
           
tutti

      

58 pizz. arco
            
       
ff f p mf
cresc. poco a poco
64
            
            

ff
68 rall.
      

      
À Sra. Jurama Gueiros
Double Bass
Bem de Manhã
(para coro e orquestra de cordas)
Arranjo e orq. de Marcelo Rauta
Andante q = 60
 arco
pizz.
 pizz.
arco

            
 
  


     
mp mp

fp fp mf
9
           
   
   
          

16
          
    
f p subito mf

24
        
      

  
cresc. poco a poco

33
  
                 
    
ff mp
 cresc. poco a poco

40 rall.
             
 

         
f

46 1.2. A tempo 3. A tempo cresc. poco a poco


  
   
     
      
        
 

  mf    
cresc. poco a poco
52   
           
     

ff
59
pizz. arco
              
       
f p mf cresc. poco a poco
65
       
            

ff
68 rall.
         

 
Choir
Bem de Manhã
(para coro e orquestra de cordas)

Arranjo e orq. de Marcelo Rauta



Andante q = 60
 mp
          
          
  
1.Bem de ma - nhã, em - bo - ra_o céu se -
di - a,e quan do_os sons da
fim, a - pós os teus li -

  mp 
    
       

       

36
   
cresc. poco a poco
    
          

  
re - no pa - re - ça_um di - a cal mo_a - nun - ci - ar, Vi - gi - a-e
ter - ra a - ba - fam mais de Deus a voz de_a - mor, Re - cor -re-à
da - res, re - lem - bra_as ben - çãos do ce - les - te_a - mor e con - ta_a

       
cresc. poco a poco
  


          
       

    
39
 
           
            

o - ra:o co - ra - ção pe - que - no um tem - po - ral po - de_a - bri -
o - ra - ção e - vi - ta_a guer - ra, e go - za paz com o Se -
Deus pra - ze - res e pe - sa - res, dei - xan - do_em su - as mãos a

          
   

   
      
2 Choir
f
42 rall.
     
Bem de ma - nhã,
           

     
  
          
f

gar. Bem de ma- nhã,e sem ces - sar vi - gi - ar, sim, e_o -
nhor.

                
dor.

          

f

      

 A tempo  A tempo       
46 mp
1.2. 3. f
   
              
f

     
 
rar! E sem ces
2.Ao mei - o
rar! 3.Do di - a_ao
 mp 
   f    f 
    
     

       
    
 

   
p subito
   
59
 
          
    

sar, vi - gi - a_a to - do_ins - tan - te, que_o i - ni - mi - go_a - ta - ca sem pa -

   
         
p subito
      
   
  
   

 
mf
    
62 cresc. poco a poco
    
                   
        

 
rar, Só com Je - sus em co - mu- nhão cons - tan - te, po - de_o mor - tal ao céu che -

  
mf

                       


cresc. poco a poco

       
Choir 3
ff

 
                  
66 Bem de ma - nhã,
   
       ff 
Bem de ma- nhã, e sem ces - sar vi - gi -

           
gar

    
        
ff

      

 
rall.

69
    
            


ar, sim, e_o - rar! A - - mém.

     
       




Como posso me calar
Arranjo de Marcelo Rauta Música de Silvano Rangel
q = 70 
   
         
Flute           
mf 3 3

 3 
 
3
 
        

Clarinet in Bb

mf
  
 
Drum Set      
pp

 
SOPRANO
    
ALTO

    
 
TENOR
BASS

       

          
Piano



mf


   
   


   
    














    
Electric Bass 
q = 70
    
Synthesizer
 

5   
    
Fl. 

      
Cl.


Dr.     
ff C2 C¨6/A¨ Dm2 G7/B G7 C2 C¨6/A¨ Dm2 G7/B G7
mf
 
              
                 
S.
A.

Co -mo pos - so me ca - lar dian - te do que te- nho con -tem - pla - do, dian -te do que Deus tem re -a - li - za - do nes -tes

T.      
B. 
C2 C¨6/A¨ Dm2 G7/B G7 C2 C¨6/A¨ Dm2 G7/B G7

                    


                   
Pno.
     
      
        
  
E. Bass
     

    
Synth.

2

10
     
Fl. 

    
Cl. 
     
    
Dr.  
p 6
C2 C¨6/A¨ Dm2 G7/B G7 C2 C¨6/A¨ Dm2 G7/B G7 mf

   
C2 C7
              
           
S.
A.
 
di - as, ma -ra -vi - lhas! o san -gue de Je-sus tem si - do der - ra - ma -do so -bre_a_i -gre - ja e_o es pí - ri - to tam - bém.

T.      
B. 
C2 C¨6/A¨ Dm2 G7/B G7 C2 C¨6/A¨ Dm2 G7/B G7 C2 C7

                            


           
Pno.
      
      
          
 
E. Bass
     

Synth.
     

     
 
15             
Fl.   

      
       
Cl.

  
                        
                            
Dr.
     
mf
F C G C C/B A‹ A‹/E D‹ F G
A re - a - li - da - de_é que o meu Se nhor é vi - vo_e seu po - der, que_a ou - tro não pos - so
           
S.
A.           

           

A re - a - li - da - de_é que o meu Se - nhor é vi - vo_e seu po - der, não
A re - a li - da -de_é que o meu Se - nhor é vi - - vo_e seu
      
            
     
T.
B.  opc. 
A re - a - li - da - de_é que_o - Se - nhor tem

 
F C G C C/B A‹ A‹/E D‹ F G

             
Pno.

  


 

 


  

  


  

 


  

  




  


  

  

     
E. Bass
         
mf
    
           
Synth.
   
mf
3

    
            
18

Fl.   

      
                           
 
Cl.

    
                                       
                
     
     
      
Dr.

C©º C7/B¨ F C G7 C C/B A‹ A‹/E D‹ F G7


com -pa - rar tem ma ni - fes - ta - do, pre - pa - ra - do sua i - gre - ja que um dia com e - le su - bi - rá.
 
                                 
 
S.
        
A.       
pos - so com - pa - rar tem ma -ni - fes - ta - do, pre - pa - ra - do, su - a_i - gre - ja su - bi -
tem ma -ni - fes - ta - do, pre - pa - ra - do, e - le su - - bi -
    
po - - der

   
        

     
T.
B.         
opc.
po - - - der tem ma - ni - fes - ta - do, e - le su - - - bi -

       
C©º C7/B¨ F C G7 C C/B A‹ A‹/E D‹ F G7
  
                                                
Pno.

   







          

          
 


  

  
     



  



   

    
E. Bass
             

  

   

        
   
Synth.

      
22
   
Fl. 

  
Cl.
       
    
                 

            
 
            
 
                

Dr.
6
p mf
C C2 C¨6/A¨ Dm2 G7/B G7
mf
 
                 
S.
A.

Co -mo pos - so me ca lar dian -te do que te - nho con -tem


- rá.
rá.

T.       
B. 
rá.

 
C A‹7 F G7 C2 C¨6/A¨ Dm2 G7/B G7

                                      


      


     
 
                     
Pno.

         
   
     
      
E. Bass                

   


Synth.
    


 

 


4

26
    
Fl. 

   
Cl.

       
                                                   
Dr.     



 



 



 

C2 C¨6/A¨ Dm2 G7/B G7 C2 C¨6/A¨ Dm2 G7/B G7



      
           
         
S.
A.   
pla - do, dian -te do que Deus tem re -a - li - za - do nes -tes di - as, ma -ra - vi - lhas! o san -gue de Je - sus tem si - do der -ra

T.     
B. 
C2 C¨6/A¨ Dm2 G7/B G7 C2 C¨6/A¨ Dm2 G7/B G7

                
               


      
Pno.
      
   
       
 
        
E. Bass                      

Synth.
   
 

 
 


 

 

  

    
30
    
Fl.    

Cl.          
    
                                  
                                 
Dr.
 
p 6
mf
C2 C¨6/A¨ Dm2 G7/B G7 C2 C G
C7
A re -a - li - da - de_é que o
     
      
F
S.
              
A.

ma -do so -bre_a_i - gre - ja e_o es- pí - ri - to tam - bém.
A re -a - li - da - de_é
A re -a li - da -de_é que o
    
         
T.
B.    
A re - a - li -

    


C2 C¨6/A¨ Dm2 G7/B G7 C2 F C G
C7
            
                  


 
 
Pno.
   
       
  
    
       
 
      
E. Bass                     

 
      
  
    
Synth.
  
5

              
     
34

Fl.   

Cl.
              
   
                            
         

           
Dr.
     
C C/B A‹ A‹/E D‹ F G C©º C7/B¨
meu Se nhor é vi - vo_e seu po - der, que_a ou - tro não pos - so com -pa - rar
   
S.
      

           
   
      
A.
  
que o meu Se - nhor é vi - vo_e seu po - der, não pos - so com - pa - rar tem

meu Se - nhor é vi - - vo_e seu po - - der


       
      
   
T.
B.  opc. 
da - de_é que_o - Se - nhor tem po - - - - der

    
C C/B A‹ A‹/E D‹ F G C©º C7/B¨
 
        

         
  
Pno.

 

 

 


 

   


 

 


  

  



 

 


  

  

      
E. Bass       

 
        
Synth.
        
    
      
37
 
Fl. 

                
Cl.
            
   
                               
                                      
      
Dr.

F C G7 C C/B A‹ A‹/E D‹ F G7 C
tem ma ni - fes - ta - do, pre - pa - ra - do sua i - gre - ja que um dia com e - le su - bi - rá.
                              
S.
                
A.  
ma -ni - fes - ta - do, pre - pa - ra - do, su - a_i gre - ja su - bi - rá.

tem ma -ni - fes - ta - do, pre - pa - ra - do, e - le su - - bi - - rá.

      
     

        
T.
B.        
opc.
tem ma - ni - fes - ta - do, e - le su - - - bi - rá.

 
F C G7 C C/B A‹ A‹/E D‹ F G7 C A‹
 
                 