Licensed to THIAGO PEREIRA DA SILVA - thgestn@hotmail.com - 362.566.

268-00

Am7 D7 G
Cidão
6 cordas
Am/C D7 G Am G/B
      
 
      
Am D7/F  D/F  D7 G/B
     
C


  

   
Standard tuning
id

 = 80
Am/C D7 G
 1

2 3 3 3
ão
      
1
    
.

 2 0
4 2 0
3 3 2 0
3
M
Am D7 G/B
 4

5 3 3 6

     
2      
us

 2
0
4
2
4 0
0 3 4 3 2

Am D7 G/B
ic
 7

8 9

       
3    
 2 3 4 (4)
2
0
Ta
0 3 2 (2)

Am/C D7/F G
 10 11 12

  
4      
bs

 0
0 3 2 0
3 2 3 (3)

1/5
Licensed to THIAGO PEREIRA DA SILVA - thgestn@hotmail.com - 362.566.268-00

Am/C D7/F G
 13 3 14 15

  
5       
 0
3 0
4 3 2 2 3 (3)

Am D7/F  G/B
 16 17 18
C
          
6  
 0
id
2 4 4 2 0 2 0
0 3 3 2

Am D7/F  G
ão
 19 20 21

      
  
7    
 2
0
4
2
4 2 0
0 3 3 2 0
3
M

Am D7/F  G/B
 22 23 24

     
8    
us

 2
0
4 2 0
0 3 3 2

D7/F 
ic
Am/C G/B
 25 26 27

     
9
       

Ta
2
2 1 0
3 0 3 3 2 (2)
3 2

Am D7/F  G/B
 28 29 30


bs

        
   
10
 0
0 0 4 3 2 (2)
3 3 2

2/5
Licensed to THIAGO PEREIRA DA SILVA - thgestn@hotmail.com - 362.566.268-00

Am/C D7/F  G
 31 32 33

    
11       
 2 0
3 0 2 0
3 2 3 (3)

Am D7/F G/B
 34 35 36


C
       
12   
 2 0
id
2 4 2 0
0 2 3 3 2

Am D7/F G/B
ão
 37 38 39

     
13       
 2 0
0 3 2 0 3 2 (2)
3 2
M

Am/C D7/F  G/B

 40 41

42

    
14       
us

 2 0
3 0 2 0 3 2 (2)
3 2
ic
Am/C D7/F  G/B
 43 44 45

     
    
15    

Ta
2 0 2
2 4 0
3 0 2 3 3 2 (2)

Am D7/F  G
 46 47 48

   
bs
    
16
     
 0 2
0
4
2
0
0 0 2 3 0
0 2 3

3/5
Licensed to THIAGO PEREIRA DA SILVA - thgestn@hotmail.com - 362.566.268-00

Am D7/F  G
 49 50 51

     
17       
 2 0 0
0 3 2 0
3 2 3 (3)

Am D7 G
 52 53 54


C
         
18      
 0 2
id
2 2 4 4 2 0
0 0 2 3 3 0
2 3

Am/C D7/F  G/B

ão
 55 56 57

         
    
19
 
 2 0 1 0
3 3 2 0 0 3 3 2 (2)
3 2
M

Am D7 G
 58 59 3 3 60

     
20            
us

 2
0
2 4
2
4 2 0 2 0
0 0 2 3 3 2 0
3
ic
Am D7 G
 61 62 63

        
  
21      
Ta
 2
0
2 3 4
2
4 2 0
0 0 2 3 3 2 0
3

Am D7 G
 64

65 66
bs
      
   
22
     
0
 2
0 0 2
2 4 0
0 3 0 2 3 0
1 2 3

4/5
Licensed to THIAGO PEREIRA DA SILVA - thgestn@hotmail.com - 362.566.268-00

Am D7 G
 67 68 69

         
23       
 2
2 2 0
4
2
4 2 0
0 2 3 3 2 0
3

Am/C D7 G/B
 70
 
71 72

  
C
     
24
   
0
 2
0 2 0
4
2
0
id
3 3 2 (2)

Am D7/F G
ão
 73 3 3 74 75

     
25      
 0
2
0
4
0 2 3 0
2 3 (3)
M

D/F  Am D7 G/B
P
 76 77 3 3 78

79 80

                   
   
us

26 P

 4 0 2 4 2 0 2
0
4
2
0 2 0
0 3 2 1 0 3 3 2
2
ic

O exemplo 26, é um exemplo de como usar o 2,5,1 de G, no tom de D, esta "subida" como é
vulgarmente conhecida, é muito comum no tom de D!
Ta
bs

5/5