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Abstract
REB 53 1995 France p. 295-326
Ch. Walter, The Origins of the Cult of Saint George. — In this article, the author does not return to the traditional scholar's
thankless task of attempting to discover a «historical» figure beneath an incrustation of legends, although he considers that these
legends could be fruitfully studied under the guise of contes populaires. He concentrates rather on the «meta-historical» Saint
George, notably as he is presented in the Life of Theodore of Sykeon. To establish the character of the «meta-historical» Saint
George, it is not only necessary to take into account the clichés long since currently used for saints and martyrs, but also to
delineate the prestigious contemporaries of Saint George : Thecla, Menas, Demetrius, etc., for none of whom was there a regular
«set up» of miracula, eulogia, relics, sanctuary, etc. In the case of Saint George, it seems clear that a portrait-type of this
exceptionally handsome young man was established earlier than any icon known to exist today. It was devotion to his icon,
accompanied by beneficent apparitions, rather than veneration of his relics or fréquentation of his sanctuary, which maintained
his cult up to this day.
Walter Christopher. The Origins of the Cult of Saint George. In: Revue des études byzantines, tome 53, 1995. pp. 295-326.
http://www.persee.fr/web/revues/home/prescript/article/rebyz_0766-5598_1995_num_53_1_1911
THE ORIGINS OF THE CULT
OF SAINT GEORGE
Christopher WALTER
Let it be said at once that neither the analysis of the Lives nor precisions as
to the origins of his cult can bring us nearer to a historical Saint George.
Experts in hagiography do not deny that he actually existed (although the
evidence about his cult suggests that perhaps more than one martyr's relics
were venerated under that name4). Cumont considered that the Saint George
of the earliest Life could at least be affirmed to have been a soldier5. For the
rest dorn Henri Leclercq's lapidary phrase remains valid: "Né à? en?; mort à?
en?"6. Nevertheless at a certain moment, no doubt in the sixth century, a
single meta-historical (that is to say, known principally from his actions after
his death), well-defined personality called Saint George does come clearly and
irrefutably into existence. There was no question of "doubling", as in the case
of Saint Theodore; moreover, if there was fusion, as in the case of Saint
Nicolas, we have no evidence which could be used to trace the process.
Curiously, the main source for the nature and cult of this meta-historical
figure has hardly been exploited by hagiographers. I am referring to the Life
of Saint George's loyal devotee, Theodore of Sykeon7.
Perhaps one reason why this source has been neglected is that it provides
virtually no "historical" information about Saint George. There are refer
ences only to his "combat" as a martyr and to his connections with Cappado-
cia 8. However, the references in the Life of Theodore to Saint George's relics
surely merit more consideration9. On the other hand, this Life, probably
written in the early seventh century, offers an excellent starting-point for an
enquiry into the reasons for and nature of Saint George's immense, lasting
and universal popularity.
If the burdensome, possibly futile, task of establishing any sure historical
facts about Saint George's life and the origins of his cult can be set aside,
there is liberty to study the vast available material — texts, inscriptions and
artistic representations — in other ways. As I argued in my Tbilissi paper
(I do not intend to take up the subject here), if the Lives are considered as
conies — the English equivalent would be folk stories — , then they can be
analysed as conies, although with a double structure, because, whereas in a
folk story Saint George would have, after his various trials, lived "happily
ever afterwards", he is in fact executed 10. Consequently the basic structure
has to be set in a wider one, in which, as a reward for his endurance, a happier
ending may be added, that of immortality. These stories, happy or unhappy
in their ending, obviously need to be studied not only in the context of the
universal literary genre of contes, but also in that of the more restricted
literary genre of other early Lives of martyrs. A conte could always be inte
rrupted or prolonged. In fact Saint George's later popularity was enhanced
and his more recent notoriety increased (by specious comparisons with Per
seus, Mithras, etc.), when the story was added, probably in the eleventh
century, of his intervention to rescue the princess from the dragon"11.
The principal purpose of such stories was to edify 12. However, by no means
all a saint's devotees were attracted to him by his example of endurance
under torture. Saints in general and martyrs in particular received cult
because they might or did intervene favorably in the terrestrial life of their
devotees. Theodore of Sykeon, according to his Life, was not only accompan
ied and aided from birth to death by Saint George, but also encouraged
others to look to him for aid. There can, in fact, be few more detailed
accounts of what a devotee might expect or receive from a celestial patron
than that which this Life provides for Theodore and Saint George. However,
by the early seventh century, when it was apparently written, the cult of
martyrs was already well established. This is one reason why the cult of Saint
George should be studied in the context of that of other martyrs, in order to
determine what is original and what is derivative.
The publications of two great scholars may help or hinder in the task.
Hippolyte Delehaye's Les origines du culte des martyrs, with related works,
has, if any defect, that of over-standardizing the notion of martyr13. André
Grabar's Martyrium is rendered difficult to exploit by the number, brilliance
and occasional unsoundness of his intuitions14.
In the Life of Theodore of Sykeon, Saint George is called a "holy martyr".
By the seventh century these words — άγιος and μάρτυς — had acquired the
connotations which they have for us today. However, this was a slow process,
during which Christian notions of saintliness and martyrdom changed consi
derably. Thus the Greek word άγιος, rarely applied to persons in pagan tradi
tion, was exploited in the Septuagint to translate over twenty Hebrew words
and widely used with the general meaning of holy. It was taken up in the
New Testament, with the same meaning, as an epithet applied to God, the
angels, the prophets and apostles as well as to the general run of Christians,
particularly by Saint Paul in his Letters. The "saints" whom he greets in
Rome, Corinth or Ephesus are usually paraphrased in translation as God's
people.
The Greek word μάρτυς retains its classical meaning of witness in both the
Septuagint and the New Testament. However, in the latter, it takes on a
special connotation in two cases. One is in Saint Paul's reference to the shed
ding of blood by Stephen "thy witness" (Acts 22, 20). The other reference is to
1 1 . See appendix.
12. Wanda Wolska-Conus & Ch. Walter, Un programme iconographique du
patriarche Tarasios?, HEB 38, 1980, p. 247-254.
13. H. Delrhaye, Les origines du culte des martyrs, 2nd edition, Brussels 1933.
14. Λ. Grabar, Martyrium. Recherches sur le culte des reliques et l'art antique, Paris
1946.
298 CH. WALTER
"Babylon the great... drunk with the blood... of those who had borne their
testimony to Jesus " (Apocalypse 17, 6).
There is no evidence in the Bible of special cult being offered to "saints" or
"martyrs", for every Christian was a potential martyr or saint. The Church
took over the practice, endemic among the Israelites, of giving a decent
burial to the dead. Just as Tobit had risked reprisals during the captivity by
going out after sunset to bury his dead compatriots (Tobit 1, 16-2, 8), so,
when John the Baptist was beheaded, his disciples came to take away his
body and bury it (Matthew 14, 12). Similarly Stephen, who would come to be
known as the "protomartyr", "was given burial by certain devout men who
made a great lamentation for him" (Acts 8, 2).
Also, with one unique exception, there is no evidence in the Bible that
martyrs or saints were expected to intervene in the life of terrestrial beings,
whether as intercessors or protectors. Indeed for the first Christians Jesus
Christ was the only mediator between God and man (Hebrews 7, 25). The
unique exception is, of course, the vision of Judas, recounted in II Maccabees
15, 12-16, according to which he saw Onias and the prophet Jeremiah
"praying earnestly for the whole Jewish people".
Origen (ca 185- ca 254), who cited this passage from II Maccabees, was
probably the first of the Christian Fathers to develop a theology of inter
cession 15. According to him souls and spirits share with the angels the office
of interceding for those who merit God's favour, even without being invoked.
They fight at our side against demons. Ambrose will be more useful to his
family interceding in heaven than living on earth. Pagan tradition was favo
rable to such a notion. According to Hippolyte Delehaye, Electra begged the
spirit of Agamemnon to make Orestes return from exile, while, in the Sympos
ium,Diotima referred to the intermediaries between gods and mortals, who
transmit men's sacrifices and petitions to the gods and divine orders and
recompense for their sacrifices to men I6.
One of Saint George's ways of intervening in Theodore's life was to protect
him from Satan and demons. On his first nocturnal visit to the saint's marty-
rium, Theodore was surrounded by demons in the form of wolves and other
fearsome beasts. The "martyr of God" shielded him like a man holding a
sword 17. Later Satan disguised as Theodore's friend Gerontius, challenged
him to jump off a precipice, a direct allusion to Christ's temptation (Matthew
4, 5-7; Luke 4, 9-12). Saint George protected him from "the enemy of the
human race", and led him to the martyrium 18. When Theodore fell ill, the
martyr asked what was the cause of the malady. Theodore referred to a
demon which duly appeared. The martyr tortured the demon and sent it
away. He then took Theodore by the hand and cured him 19.
15. Origen, Commentarium in Joannem (Clavis 1453), John 4, 46-53, PG 14, 509 b;
In canticum canlicorum III (Clavis 1433), PG 13, 160; De oratione II (Clavis 1477),
PG 11, 448 (-d.
16. Delehaye, op. cit. (note 13), p. 100-101.
17. Festugtère, §8, I, p. 7-8; II, p. 10-11.
18. Ibidem, § 11, I, p. 9-10; II, p. 12-13.
19. Ibidem, § 17, I, p. 14-15; II, p. 17-18.
THE ORIGINS OF THE CULT OF SAINT GEORGE 299
would be his application to early portraits of martyrs with a fixed stare of the
word επόπτης24. The word, signifying contemplator, was applied in the Eleusi-
nian mysteries to those who had attained to the highest grade of initiation25.
Signifying overseer, it is used (II Maccabees 3, 39) for God watching over
Jerusalem. Later Clement of Alexandria would use it, with its cognate terms,
for the contemplation of sacred realities26. However, I have found no
example — and Grabar certainly does not cite any — of this word being
applied to a martyr contemplating a theophany.
To attain to the concept of martyr, with its rich connotations, which was
prevalent in the seventh century, various preliminaries were essential. The
first was the commitment of all the "saints" to a conflict "against cosmic
powers..., against the superhuman forces of evil in the heavens" (Ephesians 6,
11-12). The second was to establish a connection between this cosmic struggle
against evil forces and the terrestrial situation of Christians, who would pro
gressively associate Satan and his machinations with the attitude of contem
porary society towards them27. After Nero's pogrom (62-63), persecution
until the third century was normally limited to a specific region, and initiated
by the local governor in virtue of the ius coercendi, provoked by the local
populace in the search of a scapegoat. As Tertullian wrote (ca 160-ca 220):
"If the Tiber has flooded the city, if the Nile has not flooded the countryside,
if it has not rained, if the earth has quaked, if there has been a famine or a
plague, at once there is an outcry: The Christians to the lions"28. Actually the
usual offence for which Christians were tried was refusal of an act of piety
towards a statue of a god or of the emperor.
There were some outstandingly bloody persecutions, notably in Lyon in
177 and in Alexandria in 202-203, so that Christians began to accept that the
violent death to which the martyr succumbed distinguished him from other
"saints". Since he received special graces, which enabled him to persevere to
the end, he merited special honour or cult. The second period of persecution,
which was theoretically universal, was provoked by the emperors themselves.
It lasted from the accession of Decius (249-251) up to the promulgation of
Constantine's edict, but it was no continuous. Based on the idea that the
Empire, threatened by barbarian invasion, was, through infidelity, losing the
patronage of the gods, attempts were made to restore a unique and universal
cult. The greatest obstacle to this restoration was the Christian Church, by
then the most powerful religious organisation.
Decius's edict (249) called for all citizens to sacrifice and to obtain a libellus
to that effect. Valerian (253-260) promulgated two edicts — 257 and 258 —
29. For the integration of Thecla's delivery from martyrdom, see below. The exe
cution of Saint Achilles, carved on a column of a ciborium in the catacomb of Domi-
tilla, like the portraits of three anonymous saints under the church of Santi Giovanni e
Paolo, would date from about, 400. Grabar considered them to be later imitations of
iconographical types — none of which have survided — used in the respective sanctuar
ies of the martyrs in question. Grabar. op. cit. (note 14), II, p. 17 note 3. The martyr
dom scene is reproduced by U. M. Fasola, Nereo e Achilleo, Bibliotheca sanctorum 10,
54-55.
30. P. Maravai., lAeux saints et pèlerinages d'Orient, Paris 1985, p. 28: Eusebius,
Histoire ecclésiastique III, Les martyrs de Palestine XI. 28, edited G. Bardy, Paris
1958. p. 167.
31. Ibidem ( Eusebius) 111. p. 126 et seq.
32. G. I). Gordini. Palestina XXIII Martiri di, Bibliotheca sanctorum 10, 51-55.
302 CH. WALTER
George a few examples will be given here. They are intended above all to
show that the development of their cult was by no means standardized, even
if it did generally depend on three principal factors: the zeal of pilgrims, the
existence of relics and the favours which the martyr was able to obtain for the
devotee.
Devotion to Saint Stephen, the protomartyr, was certainly widespread long
before the invention of his relics in 415 33. There is an eloquent witness in the
Encomium of Gregory of Nyssa (ca 334-394), in which he invites his audience
to emulate Saint Stephen, and to participate in the athlete's struggle rather
than to be simple spectators34. His feast was already celebrated on December
26th in the fourth-century Martyrologium syriacum 35. The whereabouts of his
relics was revealed in a dream. They were fragmented and dispersed parti
cularly in Africa and Europe, where they were responsible for an extraordi
nary number of prodigies, notably miraculous cures; Augustine of Hippo
gives a long list in his Civitas Dei36. Back in Palestine churches were built in
his honour. The earliest, on the presumed site of Saint Stephen's lapidation,
was inaugurated in 439 37.
Other churches were built in his honour by the empress Eudoxia and Mela-
nia38. Inscriptions witness to the spread of his cult in Syria and Palestine39.
The prodigies attributed to him do not abound as in the West, although
Leclercq does recount one, without clearly indicating his source. The empress
Eudoxia, accompanied by Melania, tripped and sprained her ankle. Thanks
to the prayers of Melania before the relics of Saint Stephen in her oratory, the
empress was miraculously cured40. Yet Saint Stephen, in spite of his emi
nence as the protomartyr, and his status as a New Testament figure, did not
acquire outstanding popularity in the East. No eulogia or other early arte
facts with his portrait are known41. The situation is rather different for the
first woman martyr, Thecla.
In his Life of Tarasius, the patriarch's former disciple wrote: "What man,
looking at Thecla and Stephen, who were the first, after Christ, to open the
door of combat to martyrs, Stephen stoned, yet recommending his murderers
to God by his prayers, Thecla despising the cruelty of wild beasts..., would
not have immediately learnt not to curse his enemies?"4"-. Thecla, unlike
Saint George, who was miraculously resuscitated after being put to death and
only succumbed, according to the earliest Life, to beheading, was not strictly
a martyr. She was, indeed, harassed by wild beasts, a subject which occurs
early in her iconography and which persisted into the Byzantine epoch. She
was also put to be burned, but rain extinguished the fire. Yet she was never
actually executed.
Her renown was at first less due to her sufferings than to her association
with Saint Paul. The Acts of Saint Paul and Saint Thecla are very ancient.
They already existed at the end of the second century when Tertullian
condemned them as spurious in his De baptismoAi. They were also rejected by
Jerome and listed among the apocryphal books in the socalled Gelasian
decree44. Tertullian took exception particularly to a woman being licensed by
Saint Paul to evangelise and baptize. Other early Fathers were less squea
mish. In fact Thecla enjoyed considerable renown from the third century
onwards, more, it would seem, at this date than the Theotokos. Methodius of
Olympus, whose Banquet dates from the latter half of the third century,
introduced Thecla's eulogy of virginal chastity with the words: "As for evang
elical competence, let us not speak of it since it was Paul who formed
you" 4Γ\
In the simplest version of the Acts, she went, for no apparent reason, to
Seleucia, where, after evangelizing the local inhabitants, she died a natural
death. In another version, pursued by lubricious men, she escaped through a
crevice in the rocks, which miraculously opened for her and then closed
behind her. In a third version, she then journeyed underground to Rome,
where she died and where her relics were venerated. Nevertheless her sanc
tuary was at Meriamlik (Ayatekla) near Seleucia. It is well attested from the
building. In the second group, Theela is represented between wild beasts. She
figures thus on the Çirga casket, on Egyptian ampullae with Saint Menas on
the other side. In the decorative programme of a mausoleum at El Bagawat,
she is represented being saved from burning by a shower of rain54. She is also
probably represented disappearing under the earth. Her presence here is par
ticularly interesting, because the programme of the mausoleum is the one
familiar from Roman catacombs: divine interventions in the Old Testament.
The analogies of the Three Youths in the furnace and of Daniel in the lions'
den are evident.
Her popularity by no means declined even when that of the Mother of God
increased. She was also called καλλιπάρθενος, and Nicetas of Paphlagonia, writ
ing of her death, called it a κοίμησης or a μετάστασις :):\ In the illuminated
September Metaphrast, London Additional 11870, f. 174V, the traditional
iconography is maintained of Theela between two wild beasts ·)(|, and
M. Aubineau has noted some thirty patristic or Byzantine texts referring to
her57.
Thus the "pattern" of cult and iconography was quite different for the two
"protomartyrs" Stephen and Theela. It was different again for Menas58. His
sanctuary at Abu Minas, some forty kilometres from Alexandria, was excava
ted by Kaufmann at the beginning of the century59; recently the German
Institute of Archaeology in Cairo has resumed work on it60. The sanctuary's
production of eulogia was exceptionally rich. To judge from the number and
dispersion of ampullae, usually decorated with Menas's "iconographical
type", orans between two camels, his cult must have been particularly popul
ar(Figure 1). The exact date wrhen production of them began cannot be
fixed, although Kiss proposes the reign of Arcadius (395-408) as the terminus
post quemM . His dating is argued from the archaeological evidence in favour
of the construction of a sanctuary at Abu Mina under Arcadius. It remained
active until the Arab invasion of Egypt around 640. It then fell into desue
tude and was lost, to be rediscovered by archaeologists at the beginning of
this eenturv.
54. II. Stern, Les peintures du mausolée «de l'Exode», à El-Bagaout, CA 11, 1960,
p. 96-105, fig. 8.
55. Nicetas of Paphi.agonia, In laudem sanclae Theclae {BHG 1722), PG 105, 332.
56. Ch. Walter, The London September Metaphrast Additional 11870, Zograf 12,
1981, p. 18, fig. 16.
57. M. Aubineau, Le panégyrique de Thècle attribué à Jean Ghrysostome {BHG
1720). An. Boll. 93, 1975. p. 359-362.
58. H. Leci.ercq, Menas (saint), DACL 11, 324-397, a useful ''mosaïque" in his
characteristic style.
59. Κ. M. Kaufmann, Die Ausgrabungen der Menasheiligtümer, Cairo 1906-1908; Die
Menasstadt, Leipzig 1918; Die heilige Stadl der Wüste, Munich Î924.
60. See P. Grossmann's campaign reports, Abu Mina, Mitteilungen des deutschen
archäologischen Instituts, Abteilung Kairo, 38, 1982, p. 131-134; 40, 1984, p. 123-151.
61. Z. Kiss, Les ampoules de saint Menas découvertes à Kôm-el-Dikka (Alexandrie)
en 1965, Travaux du Centre d'archéologie méditerranéenne de Γ Académie polonaise des
sciences 14, Études et travaux 7, Warsaw 1973, p. 138-154. For earlier studies of these
ampullae by Kiss, see Études et travaux 3, 1969, p. 153-166; ibidem 5, 1971, p. 145-159.
306 CH. WALTER
Although the accounts of how they came there are varied, it would seem
that Menas's relics were believed to be at Abu Mina, possibly brought there
from Cotyaion (Phrygia), where his cult, or that of another Menas, existed.
Unfortunately all the versions of his Passion depend on a lost original, which
was itself plagiarized from Basil's In Gordium martyr em62. In Delehaye's
judgment, these "actes sont entièrement dépourvus de valeur historique".
His Miracula, collections of which vary in number according to the language
in which they exist, are also of doubtful authenticity63. They are associated
with his sanctuary at Abu Mina, where Menas would intervene on horseback.
He saved a man, who was taking a pig as an offering to the sanctuary, from a
crocodile. His rescues of victims of fraud led to the punishment and conver
sionof the perpetrator, usually with lucrative consequences for the
sanctuary.
Menas had a church dedicated to him in Constantinople as early as the
sixth century, when the Akoimetoi were established there64. This helps to
explain how his cult survived the destruction of his sanctuary in Egypt. In
fact his relics were miraculously rediscovered in Constantinople during the
reign of Basil I (867-886) 65. A new Passion was composed, that of Menas,
Hermogenes and Eugraphus. This was later revised and incorporated in the
Metaphrastic collection66. A new iconography also emerged, in which Menas
has a "fiddle-shaped" head with white hair and beard, as in Sümbüllü kilise
in Cappadocia67. He also acquired an attribute, a clipeate portrait of Christ
decorating his mantle68.
One might say that Menas was the most conventional of early martyrs to
receive extensive cult. He had his sanctuary with his relics, where miracles
were perpetrated. There were accounts of his Passion as well as of his Alira-
cula. He acquired an iconographical type, regularly reproduced on his eulogia.
His cult, having spread from his sanctuary at Abu Mina in Egypt, survived
the Arab invasions and Iconoclasm. His cult benefited from the foundation of
a church dedicated to him in Constantinople. With a new version of the
invention of his relics and a new iconographical type, he remained popular in
medieval Byzantium, but, perhaps, had few devotees elsewhere.
Menas was reputed to have been a soldier, like Theodore Tyron (recruit)
and Sergius and Bacchus. Of this latter pair, Sergius was by far the more
62. Basil, in Gordium martyrem {Clavis 2862, BUG 703), PG 31, 489-508.
63. II. Dei.ehaye, Les recueils antiques des Miracles des Saints, An. Boll. 43, 1925,
p. 46-49; P. Devos, Un récit des miracles de S. Menas en copte et en éthiopien,
An. Boll. 77, 1959, p. 451-463; 78, p. 154-160.
64. R. .Ianin, Les églises et les monastères, Paris 1969, p. 333; G. Dagron, La vie
ancienne de saint, Marcel l'Acémète, An. Boll. 86, 1968, p. 272, would date the church
to about 425.
65. II. Delehaye, L'invention des reliques de saint Menas à Constantinople,
An. Boit. 29, 1910, p. 117-150.
66. PG 116, 368-416 {BUG 1270, 1271).
67. N. & M. Thierry, Nouvelles églises rupestres de Cappadoce, Paris 1963, p. 176.
68. Th. Chatzidakis-Bacharas, Les peintures murales de Ilosios Loukas, Les
chapelles occidentales, Athens 1982, p. 70-74, fig. 7, 8.
THE OHIGINS OF THE CULT OF SAINT GEORGE 307
popular, although the two are often associated69. Even if it is not certain
whether Sergius was martyred under Maximian or Maximinus Daia (305-315),
the place of his martyrdom would have been at a military encampment near
the Euphrates. The construction of his sanctuary at nearby Rusapha would
have begun soon after his death. It was rebuilt and enlarged several times,
renamed Sergiopolis and endowed by Justinian with walls, cisterns and other
amenities70.
Sergius's cult was particularly developed in Syria, where a number of in
scriptions with his name have been discovered71. Theodoret of Cyrus lists him
among the saints venerated in Syria7"2. He was probably invoked above all as
a military protector, but he also had a reputation for healing. The prodigies
wrought in his sanctuary at Rusapha were known to Gregory of Tours. This
makes it surprising that no eulogia connected with Sergius are known. Howe
ver, he was portrayed, according to Choricius, in the dedication picture in
the church built in his honour by Stephen, governor of Palestine, probably
before 536. Stephen, standing by Sergius, "asks him to accept the gift gra
ciously. Sergius consents, and... lays his right hand on Stephen's shoulder,
being evidently about to present him to the Virgin and her Son, the
Saviour"73. The surviving church in Constantinople, dedicated by Justinian
to Saints Sergius and Bacchus, has, of course, no pictorial decoration74.
There is, nevertheless, an ancient iconographical tradition for Sergius and
Bacchus, who had their badge of office, the maniakon removed when they
declared themselves Christians75. The earliest examples of a beardless youth
with thick rounded curly hair and a torque around his neck occur on a silver
flask in the Walters Art Gallery, Baltimore76. A mid- to late sixth century
date has been proposed for it. Since the portraits are not named, it can only
be inferred that they are Sergius and Bacchus. The seventh-century mosaic in
Saint Demetrius, Thessaloniki, has the advantage of a legend, which identit
ies the saint as Sergius77. Other objects with the same portrait type but no
identifying legend date from the seventh century. These seem to be Constan-
colours and Drawings of W. S. George, The Byzantine Eye, Variorum London 1989, II,
n° 40.
78. Jean Chrysostome, Sur Babylas, edited Margaret, A. Schatkin, etc., Paris
1990, p. 15-23.
79. Gregory of Tours, Historia Francorum, I viii, PL 71, 175.
80. Theodoret of Cyrus, Historia ecclcsiastica (Clavis 6222), PG 82, 1097alj.
81. // Menologio di Basilio II, edited C. Stornajolo & P. Franchi de' Gavalieri,
Vatican/Milan 1907. p. 10.
82. Walter, art. cit. (note 56), p. 14, fig. 14. There was a church dedicated to Bahy-
las in Constantinople, which would have existed at the time of the composition of the
De cerimoniis, Janin, op. cit. (note 64), p. 55.
83. Gregory of Nyssa, De saneto Theodore (Clavis 3183; BUG 1760), PG 46, 736-
748.
84. C. Foss, Euchaita, Oxford Dictionary of Byzantium 2, 737.
85. PG 46, 748'·.
THE ORIGINS OF THE CULT OF SAINT GEORGE 309
tyrants, the martyr's most blessed death and the representation in human
form of Christ who presides the contest"86. Unfortunately there is no other
witness to an early cycle of Theodore's passion in iconography. However a
literary Passion in two states adds to the account given in the homily
attributed to Gregory of Nyssa87. In the second state a legend is introduced,
not later than the end of the ninth century, according to which Theodore
destroyed a dragon near Euchaita which was killing many people. The "sol
dier of Christ" did this first by making the sign of the cross and then by
piercing the dragon's head with his lance 88.
Such incidents are fairly commonplace in the Lives of saints. On the other
hand killing a dragon did become a regular element in Theodore's ieonogra-
phical type. There is, for example, the wing of the diptych at Sinaï, which
was dated by G. & M. Sotiriou later than the seventh century, while Weitz-
mann opted for the ninth or tenth century89. Actually the earliest dated
representation of Theodore killing a dragon is at Aghtamar (915-921 )90.
In this context a group of objects in terra cotta, found on a site at Vinica in
former Yugoslav Macedonia, should be adduced91. For the present they are
difficult to exploit, because, apart from being problematical in themselves, no
external evidence is available to help determine their date and purpose.
These terra cotta reliefs were apparently produced in quantity, although
nothing quite like them has been found elsewhere. The site itself at Vinica
would seem to have been a kiln, established in an earlier ruin and then aban
doned. The legends on the reliefs are in Latin, not Greek. There is a mass of
broken fragments, but of some subjects several examples exist intact: the
archangel Michael, Joshua and Caleb, Daniel in the lions' den, Saints George
and Christopher and profane or unidentified subjects. Theodore is represented
on horseback, dressed in armour and holding a lance in his right hand. With
the lance he impales the head of a dragon placed behind the horse. The
archaeologist Kosta Balabanov who discovered these objects would attribute
them to the fifth or sixth century. If he is right, then Theodore was represent-
ed killing a dragon long before the earliest date attributed to the second state
of his Passion.
The cult of Theodore had spread to Constantinople by the fifth century,
when Sphorakius, saved from perishing in a fire by the intervention of Theod
ore, built a more sumptuous church in the saint's honour on the site of an
earlier one92. At about the same time, during the reign of his uncle Justin I
(518-527), Justinian rebuilt another church dedicated to Saint Theodore93. It
seems that his portrait type was early established. At least there are no rivals
to the identity of the figure with a long, narrow head, dark hair and a dark
beard portrayed on a textile in the Fogg Art Museum, Cambridge, Massachus
etts, for which a sixth-century date and an Egyptian provenance are pro
posed94, and on the well-known Sinai icon of the Virgin and Child (sixth or
seventh century?)95.
Finally Saint Demetrius, who was in due course to succeed Saint Theodore
Tyron as Saint George's regular companion, must be adduced96. The develop
ment and spread of his cult were quite original. He was primarily, and for
long almost exclusively, the protector of Thessaloniki and its citizens. Until
recently, no testimony to the first state of his Life in Greek, the Passio prima,
was known which was earlier than the ninth century. However, the prologue
to bishop John of Thessaloniki's collection of Miracula, made in the seventh
century, reveals that the author was familiar with the Passio prima (Cornelius
de Bye had omitted the prologue in the Bollandist edition of the Miracula).
Bishop John quoted the following sentence from the prologue: "By inex
pressible signs of great power, prodigies, healings and charisms his efficacity
became famous everywhere"97. Bishop John, in fact, was more interested in
the meta-historical Demetrius than the historical one. Indeed by the seventh
century it may have been as impossible to ascertain the facts about the
historical figure as it is today.
The Passio altéra, which is more circumstantial than the Passio prima, is
not for this reason to be regarded as possessing greater verisimilitude98.
However the "editor" seems to have been quite differently motivated from
that of the revised Passion of Saint George. Apart from killing a scorpion by
making the sign of the Cross, the living Demetrius neither performs nor is the
object of prodigies, although he is a powerful intercessor. Thanks to his
prayers, Nestor vanquishes the emperor's favorite gladiator, the Vandal
Lyaeus. In fact the main purpose of the composer of the Passio altéra would
seem to be to clarify — or perhaps render more complex — Demetrius'
double relationship with Thessaloniki and Sirmium. This need not concern us
here, for, once Sirmium had been sacked by the Avars, Thessaloniki had no
rival as the centre of Saint Demetrius' cult. "He lives for us, he intercedes for
us with God and obtains for us what is good", wrote bishop John·1·1.
Apart from emerging from his ciborium to perform a miracle, Saint Demet
rius also intervened in battle to protect Thessaloniki from invaders, some
times walking on the battlements and sometimes, wearing a white cloak,
seated on a white horse. Much later, he would perform a similar exploit by
killing the Bulgarian voivod Kalojan. Perhaps only Constantinople, which
was to put its trust in the Mother of God, had a more efficacious celestial
protector.
The question was often debated, without leading to a generally acceptable
solution, whether Saint Demetrius's relics were conserved in his church.
Apparently Leontius, Prefect of Illyria, who would have had two churches
built in honour of Demetrius, one in Sirmium and one in Thessaloniki, wished
to take the relics to Sirmium. However, he was allowed to take away only the
saint's bloodstained cloak and orarion (the Sirmium Demetrius had been a
deacon).
Emperors of Constantinople regularly failed to obtain a relic. Bishop John
maintained that the inhabitants of Thessaloniki did not offer cult to the relics
of their saints; generally they did not know where the relics were and prefer
red to revere their saints in their hearts. When the emperor Justinian sought
relics, flames rose from the earth at the place where the relics were supposed
to be hidden and the emperor was obliged to make do with eulogia made from
the earth. The emperor Maurice was later fobbed off with the same story l0°.
Nevertheless Justinian II's edict granting a saltpan exempt from taxes to the
church refers explicitly to the "venerable temple where lie his holy relics" U)1.
The question of where Saint Demetrius' relics were — if anywhere — was
not resolved in the Byzantine epoch, nor, later, when excavations began after
the fire of 1917. Paul Lemerle refused, with acerbity, the suggestion that the
basilica had been built as a martyrium, that is, specifically, to house the
98. Ibidem, II, Paris 1981, p. 199-200; PC, 116, 1185-1201 (BHG 498). For Photius's
version, see now R. Henry's edition of the Ribliothera "cod. 255".
99. Lemerle, op. cit. (note 97), I. p. 48.
100. Ibidem. I. p. 87-90.
101. .J.-M. Spieser, Inventaire en vue d'un recueil des inscriptions historiques de
Hyzanee, I, Les inscriptions de Thessalonique, I'M 5. 1973, n" 8, p. 156-159.
312 CH. WALTER
saint's relics102. Yet, in fact, during the excavations after 1917, there was
discovered under the altar a cruciform hole accessible by stairs. It contained
a small marble casket, placed within an omphalos. In the casket was a fra
gment of disintegrated cloth, reduced to powder, and possibly once soaked in
blood. Whatever this may have been, it was not the focal point of Saint
Demetrius' cult, which was definitely the ciborium 103. Consequently his
apparitions, when he emerged from the ciborium, were particularly sought
after, although he could travel far to aid citizens of Thessaloniki in distress,
"releasing prisoners, curing the sick, helping in war, guiding sailors", even
diverting a ship near Chios which was carrying corn to relieve famine in the
city 104.
Fire has often been a determining factor in the history of the sanctuary's
decorations. The mosaics which survived the disaster of 620 are all ex voto.
Some may date back to the fifth century, considerably earlier than the extant
literary sources for Saint Demetrius105. Others, of inferior quality, were
added after the fire. Owing to the considerable damage caused by another
fire in 1917, many are now only known from early photographs and
W. S. George's water colours. Although he did not describe them, bishop
John referred three times to icons of Saint Demetrius which made it possible
to authentify an apparition. This use of icons was not unusual; it occurs for
Saint George in the Life of Theodore 1()6. However, as Cormack had pointed
out, the mosaic portraits of Saint Demetrius do not endow him with strictly
individual features 107. Except that his hair is more closely cropped and roun
ded, he resembles the youthful figures portrayed in the nearby Rotonda, who
were themselves modelled on portraits of antique athletes.
Evidence for Saint Demetrius extending his patronage to others than cit
izens of Thessaloniki is, for the early period, extremely rare. He would have
helped the bishop of Thenai, whom he rescued from pirates and guided to
Thessaloniki, to build a sanctuary in his honour back in Thenai 108. Nothing
further is known of this project. A second example is provided by an inscrip
tion probably dating from the late sixth century in the atrium of basilica A at
Nicopolis in Epirus 1()9. The bishop Dometius thanks Saint Demetrius for his
protection. A single portrait, identified by a legend and dated to the seventh
century, has survived in Santa Maria Antiqua, Rome. Kitzinger has drawn
attention to its startling resemblance to one of the saints on the Sinai icon of
the Virgin and Child who would otherwise be identified with Saint George 11((.
The spread of Saint Demetrius' cult to Constantinople may have been held
back by the refusal of Thessaloniki to surrender his relics. However a church
dedicated to him was restored by Basil I (867-886), another was built by
Leo VI (886-912) in, and his portrait figures with that of other military saints
around Basil II on the frontispiece to Marc, graec. 17 m. It was above all as a
military saint that he became popular, while the myron, with its therapeutic
and apotropaic properties, besides being used for baptism, was poured into
capsules. These were worn like an amulet or encolpion. On that which be
longed to Demetrius Palaeologus, Despot of Thessaloniki (died 1340), was an
inscription composed by Manuel Philes: "The Despot's bosom is the city of
Thessaloniki, because Demetrius reposes there in a golden tomb" 11:i.
Thus the origins and development of the cult of the martyr Demetrius also
have their peculiarities.
The Passions were not elaborated like that of Thecla to give an example of
heroic endurance under trial and torture. Dialogues were not attributed to
him, in which he defended sound Christian doctrine against pagan criticism,
although, in fact, the Encomium of bishop John is principally devoted to a
presentation of the teaching of the fifth general council on the Incarnation 114.
There is no evidence for an orderly development of his cult from respect for
the dead to honour given to the relics and then to his icon. During the phase
before Iconoclasm, Demetrius remained virtually a local saint. Only later did
his cult extend throughout the East and notably to Slav countries. He
became immensely popular in the Byzantine Church, but — curiously —
never in the West like Saint George. The situation has not altered to this day.
Other saints and martyrs could be examined here, Saint Euphemia, for
example. However these are enough to set the figure of George in relief and to
make it clear that the origin and development of a martyr's cult by no means
followed a standard pattern. Thus the martyr might or might not have an
authentic Passion. We must, presumably, accept Stephen's and possibly some
details from those of Babylas, Sergius and Theodore Tyron, while rejecting
those of Thecla, Menas and Demetrius. For George we can retain, with Theo
dore of Sykeon's biographer, his military profession, his connection with
Cappadocia and his cruel death.
With two exceptions these seven martyrs had relics. In Stephen's case they
were parcelled and distributed, so that he did not have a single outstanding
shrine. The cult of Menas, Theodore, Sergius and Babylas was closely con
nected to their relics and shrine. Thecla and Demetrius had important
shrines. Thecla's relics were certainlv not believed to be at Meriamlik, while
110. Idem, On Some Icons of the Seventh Century, op. cit. (note 77), p. 137, fig. 4,
See above note 95.
.
on a column 138. He is haloed, wears a cuirass under his cloak and has a sword
girded to his left side. He is therefore evidently a warrior. He is beardless
with abundant hair in a circle round his head. His features are those of a
young man. The accompanying legend gives his name. In chapel 18 of the
monastery of Apollo, he is represented in bust form with similar features and
an accompanying inscription: Saint George, martyr139.
Unfortunately the Sinai icon of the Virgin and Child accompanied by two
saints is not much help, because the saints are not named and the one so often
identified by scholars as Saint George could equally be Demetrius140.
More promising, perhaps, is the representation on a processional cross, once
in the private collection of Gustave Schlumberger and now in the Cabinet
des médailles, Paris141. It is 30 centimetres high and 14 centimetres wide
(Figure 2). On the lower part Saint George in military dress and haloed holds
a shield in his left hand and with his right hand draws a kneeling figure to his
feet. Grabar, who was prepared to accept a sixth-century date for this object,
pointed out that the gesture of Saint George is that of the imperial restitutor
or liberator; it is, in fact, the gesture of the resurrected Christ drawing Adam
from his tomb. There are several legends: KE ΒΟΗΘΗ ΓΕΝΝΑΔΙΑΝ ΦΩΣ
ZOH ΑΓΙΕ ΓΕΟΡΓΙ ΒΟΗΘΗ ΜΕΣΕΒΡΙΟΤ ΚΑΤΑ ΘΕΟΓΝΙ ΑΓΙΕ ΓΕΟΡΓΙ
ΒΟΙΘΙ.
There is no knowing who Gennadia was, but Henri Grégoire suggested, in a
private letter to Gustave Schlumberger, that Μεσεβρίου κατά Θεόγνι(ν) could
well be Mesembrius Theognis, a general whose name is attested for the
year 581 14~. On these grounds, Schlumberger dates the cross earlier than the
seventh century. Unfortunately, plausible as this dating is, the condition of
the cross is not such as to give a clear example of Saint George's portrait
type. It can only be said that he is beardless with abundant hair.
There do not seem to be any other pre-Iconoelast representations of Saint
George which are worth taking seriously. Thus the Syrian manuscript with a
miniature of Saint George holding a lance and shield, once placed in the
eighth or ninth century, must, it seems, be reallocated to the twelfth or
thirteenth century 143. The presence of a dragon in no way permits the identi-
138. J. Clédat, Baouît, DACL 2, 221, fig. 1263. I have found no trace of the more
detailed study to be undertaken by MM. Chassinat & Palanque, to which Clédat refers
(219-220 note 1).
139. Idem, Les fouilles exécutées à Baouît, Mémoire» de Γ hisliiul d'archéologie orien
'
the cross mentioned above to 581 It is not clear why the stamp of George on horseback
.
(fig. 9) should be dated to the sixth or seventh century. For the Syrian miniature, see
J. Leroy, Lex manuscrits syriaques à peintures. Paris 1964, p. 341-349, pi. 1 17, 4 (Berlin
Preuss. Hibl. Sachau 220, f. 50).
144. V. Casei.i.î, Visite a ehiese romane. Rome 19(12, p. 66-68.
145. Age of Spirituality, n" 574. The author of the notice (M. E. Phaser) proposes
the sixth to eighth century. Frolow had preferred the tenth or eleventh century.
A. Kartsonis, Anastasis. The Making of an Image. Princeton 1986, p. 116. proposes
the first half of the ninth century. This agrees with D. Buckton, British Enamel and
the West, Byzantium and the West c. 850 -c. 1200, Amsterdam 1988, p. 242. I thank
David Buckton for help with this object.
146. Festugière, §32, I, p. 29; II, p. 31-32. Compare the ωραιότατος and ευειδος
νεανίσκος, § 9, I, p. 8-9; II. p. 1 1-12, and the wrestlers dream, § 86, 1, p. 73; II, p. 76. A
relic could no doubt guarantee the proximity of the saint whose favours were sought,
but obviously it was the actual vision of the saint which counted. Great confidence
seems to have been placed in the fidelity of the image to the prototype, and the image
served as a means of controlling the authenticity of the vision or apparition. Compare
the monk who travelled to Constantinople in order to see the relic of the Holy Face and
thus confirm that the person appearing to him in visions really was Christ. Vila
S. Pauli iunioris in Monte Latro (Bill', 1474). ed. II. Dei.ehave, An. Boll. II. 1892.
i). 150-151.
320 CH. WALTER
Here, then, was the person, to whom requests for intercession were addresse
d. There can be no doubt that he had an exceptional affective appeal, diffi
cult, perhaps, for us to grasp, since the Byzantines have not bequeathed us
many empirical descriptions of their feelings. Some reconstruction can be
tentatively undertaken. For example John Eisner has recently published a
remarkable account of what a (highly sophisticated) pilgrim might have expe
rienced on a visit to Mount Sinai 147. Thomas Mathews has studied the affec
tive attitude of the Byzantines towards their icons and the saints represented
on the icons. "One was supposed to fall in love with these saints." Or, els
ewhere: "The involvement of the Orthodox beholder with his painted images
was complete... The believer entered a world of images in a way the modern
viewer of paintings cannot accomplish" 148. However, empathy, as a character
istic of human psychology, must keep pace with developments and changes
in artistic media. It may therefore not be amiss to quote James Baldwin's
description of a budding actor in a film. It seems to me to give some insight
into the way that a Byzantine saw an icon of Saint George: "...the face of a
man, of a tormented man. Yet, in precisely the way that great music
depends, ultimately, on great silence, this masculinity was defined and made
powerful by something which was not masculine. It was not feminine either
and something... resisted the word androgynous. It was a quality to which
numbers of persons would respond without knowing to what it was that they
were responding. There was great force in the face and great gentleness... It
was a face which suggested, resonantly in the depths, the truth about our
natures" 149.
147. J. Elsnek, The Viewer and the Viewed: the Case of the Sinai Apse, Art History
17, 1994, p. 81-102.
148. T. Mathews, The Sequel to Nicaea II in Byzantine Church Decoration,
Perkins Journal, July 1988, p. 14, 19.
149. J. Baldwin, Another Country, London 1963 (cited here from Penguin Books,
1990, p. 324).
150. Ch. Walter, The Thracian Horseman: Ancestor of the Warrior Saints?, Byzant
inische Forschungen 14, 1989, p. G61-662.
151 S. Κουκί ARis, Ό κύκλος τοϋ βίου της αγίας Παρασκευής της Ρωμαίας, Athens 1994,
.
ρ. 95-97.
152. G. de Jerphanion, Les églises rupeslres de Cappadoce, II 1, Paris 1936, p. 322,
pi. 187, 2; 189, 2-3.
THE ORIGINS OF THE CULT OF SAINT GEORGE 321
rectly relevant, because Saint George received his renewed notoriety, not so
much by killing a dragon but by rescuing a princess. This delightful "best-
selling" conte is first attested in an 11th-century Georgian manuscript pre
served in the Greek patriarchal library in Jerusalem, cod. 2, and containing
three accounts of miracles wrought by Saint George 153. The text has been
translated into Russian by the Georgian scholar Eka Privalova 154. For con
venience, I give here an English translation of Privalova's version:
In the city of Lasia reigned a godless emperor, the idolator Selinus. As a
punishment for his unbelief, God sent to a nearby lake a terrifying dragon
which devoured the inhabitants of the city. On many occasions, the emperor
took measures against the dragon but in vain, so huge and awful was the
dragon. The time came when the inhabitants of the city met together to
reproach the emperor for his ineffectiveness and to insist that he take some
steps. Then the emperor proposed that a list should be drawn up of the
inhabitants, such that each would sacrifice a child, and he promised that he
would offer his only daughter, when his turn came. And so it was decided.
When the emperor's turn came, he dressed his daughter in the imperial
purple, and having decked her as for a wedding, with tears and weeping he
brought her along. The emperor offered the people gold and silver and his
empire in compensation if he could keep his only daughter, but the people
were inexorable. They all met to look at the emperor's daughter.
However, the Lord wished to perform a miracle in the name of Saint
George, who was alive at that time. He was returning from Diocletian's army
to Cappadocia to his estate, and he stopped by the lake to water his horse.
Then he saw a girl weeping on the bank. The girl told the handsome youth
that he should flee to escape death; she told him of her plight. George asked
what god was worshipped in her city. She replied: Hercules, Apollo, Scaman-
der and the great goddess Artemis. George reassured her, and, lifting his eyes
to God, asked him to perform a miracle and help him to vanquish the dragon,
so that all might see that God was with George. And a voice replied:
"Do what you wish; I am with you."
At that moment, the dragon appeared. George hastened towards it, made
the sign of the cross and asked the Lord to change the wild beast into an
animal which would be docile with him. As George said this, the dragon fell at
his feet. The saint tied it with the girl's girdle, handed it to her and told her to
go to the nearby city. The people, seeing this, were terrified and prepared to
flee. George calmed them and required them to become Christian. After that,
all acknowledged their faith in Christ. Then George took out his sword and
killed the dragon. Then the people assembled and prostrated themselves at
the saint's feet and gave thanks to the Lord. Then Saint George sent for
bishop Alexander, who baptized the emperor, his court and all the people in
the course of the following days, in all 45,000 persons. And there was great
joy in the city. The emperor had a shrine built in honour of the saint, and
Saint George went into the shrine and performed a miracle. By the altar, he
caused a lifegiving spring to flow which even now performs miracles.
Of course in a popular conte George should have married the princess and
lived happily ever afterwards! The fact that the culminating point of the
story, after the slaying of the dragon, is the conversion of all the inhabitants
of the city shows how adept Christians were at adapting an ancient literary
genre to the requirements of their faith.
That the story of the rescue of the princess was Georgian in origin is made
more plausible by the fact that the first representations, in which the icono
graphy is established, are found in Georgia: saint George on horseback, and
the princess leading the dragon by her girdle towards the terrified people,
watching from the ramparts of the city. The earliest dated example would
seem to be that at Pavnisi (1158-1184) 155, but other examples can be dated
earlier on stylistic grounds: Bocorma (ca 1100), Adisi (late eleventh century),
Ikvi (12th century)156. It must have spread quickly to Russia, if Lazarev's
dating of the rescue of the princess at Stara Ladoga to 1167 is correct157.
The oldest Greek text, Rome, Bibliotheca Angelica 46, f. 189-191 v, would
seem to date from the 12th or 13th century 158. Here the text follows the
Georgian version fairly closely. There was never much effort to integrate the
incident into Lives of Saint George, nor, on the other hand, to eliminate it159.
Christopher Walter
Centre byzantin
67 Asklipiou Street
GR - 106 80 Athens