Escolar Documentos
Profissional Documentos
Cultura Documentos
and
innovation
in music
notation [selected projects]
_7_static notations
____8_Shape of Song
___10_AlgoScore
13_dinamic notations
___14_Music Animation Machine
___16_Visual Scratch
___18_Colours are Sounds / Melodies for the Plane
___20_Visual Score for Vermont Counterpoint
___22_Daft Punk | Around the World
___23_Chemical Broters | Stars Guitar
36_bibliography
38_webgraphy
Musical notation is any system which represents
music through symbols.
The standard notation for western music developed
over several centuries supported by the Catholic
Church. Its based on the five lines staff and on a full
range of symbols that identify notes, rhythms, tempo,
dynamics. It reads in the same way as the prose of
European languages (left-to-right, top-to-bottom)
and it applies to any instrument.
Nevertheless, also after the consolidation of standard
notation, there have been numerous proposals over
times for new music notation systems, generally
when, for poetic or technological reasons,
the standard solution was felt as inadequate.
In 1969 John Cage and Alison knowles edited
Notations, a book that holds graphical scores by 269
composers, probably the most famous example
of non-standard notations in the pre-digital culture.
Now, with computers and Internet, new tools
are available for music and they are influencing
practice and thought. Together with music, also
its representation is answering with changes
to technological innovation, and new ways
of expression keep on coming out.
Not always new notations are already a strong
system that could replace the standard one,
sometimes they just point the attention to other
aspects that cant be easily described with usual
means, sometimes they are designed for specific
aims, instruments or applications, anyway the aim
of this small investigation is not to find out new
standards, is to check on what is happening, trying
to find inspirations and thoughts to ruminate.
5
static
notations
As for the staff, this kind
of notation has a fixed
surface, so a static
attitude; to follow the
music you have to
change from surface to
surface, both turning
the page of a paper score
or scrolling the window
of a website.
The medium is the screen
and the programming.
7
Shape of Song [2001]
by Martin Wattenberg
>< www.turbulence.org/Works/song
>> www.bewitched.com/song.html
8
Each arch connects two repeated, identical passages of a composition.
>< www.bitminds.net/kymatica/index.php/Software/AlgoScore
10
dinamic
notations
This kind of notation
has a real-time attitude;
music and notation
happen in the same
moment and flow
along all the whole
composition, that is
the only big surface.
The medium is the video
and the programming.
13
Music Animation Machine [1985]
by Stephen Malinowski
>< www.musanim.com
14
Johann Sebastian Bach,
Brandenburg Concerto #6, third movement
Frdric Chopin,
Etude, opus 10, #8
Franz Liszt,
Hungarian Rhapsody #2
Eric Satie,
Gymnopedie #1
Visual Scratch
by Jesse Kriss
>< jklabs.net/projects/visualscratch
16
Visual Scratch, Baby Scratch
18
>The rectangle should be isosceles (square), as the
bars are equal by time. Distance from the center
to the edge corresponds to octave; lower notes are
located closer to the center, while high notes are
closer to the edge of square.
The notes are transferred to the plane to their
respective paths. There are 12 paths for the octave,
according to the number of semitones in the octave.<
>< www.creativelab.kiev.ua/eng/theory/graphics/graphics_eng.htm
Visual Score for Vermont Counterpoint [2007]
by Matt Gilbert
>< www.mattgilbert.net/article/41/visual-score-for-vermont-counterpoint
20
Daft Punk | Around the World [1997]
by Michel Gondry
>< www.director-file.com/gondry/daft.html#
22
Chemical Broters | Stars Guitar [2001]
by Michel Gondry
>< www.director-file.com/gondry/chemical2.html#
Making of: Gondrys graphic notation on paper and video mock up with objects.
notations
and
interfaces
When theres a music
interface, often a specific
language is designed,
and it works as a
notation. Interfaces have
a real-time attitude and,
moreover, they can give
to the digital music a
more intuitive, interactive
and sometimes even
tangible quality.
25
Graphite Sequencer [2006]
by Caleb Coppock
>< calebcoppock.com/graphseq.html
>> http://www.edwardtufte.com/bboard/q-and-a-fetch-msg?msg_id=00013I
26
Pianolina
by David Krause, Volker Bertelmann, Fons Hickmann and Simon Gallus
>> www.grotrian.de/spiel/e/spiel_win.html
28
Scrapple [2005]
by Golan Levin
>< www.flong.com/projects/scrapple
30
ReacTable [2003]
by Pompeu Fabra University of Barcelona
>< reactable.iua.upf.edu
32
ReacTables notational system
Tenori-On [2005]
by Toshio Iwai and Yamaha
> www.global.yamaha.com/design/tenori-on
34
Tenori-Ons notational system
bibliography
36
Information Design
Cage, John. Knowles, Alison. 1969. Notations. New York ny: Something Else Press.
Mller, Torsten. Shim, Kunsu. Stbler, Gerhard. 2005.
SoundVisions. Saarbrcken de: Pfau
Woolman, Mat. Sonic Graphics. Seeing sound. London: Thames and Hudson
webgraphy
38
Intuitive Music Homepage by Carl Bergstrm-Nielsen
www.hum.aau.dk/~carlbn/l1/legno1uk.htm
www.hum.aau.dk/~carlbn/l1/legno1uk_add.htm
Experimental Improvisation Practise And Notation, detailed bibliography
Edward Tufte
www.edwardtufte.com
information design and visualizations, related also to music
Visual Complexity
www.visualcomplexity.com/vc/index.cfm?domain=Music
gallery of complex network visualizations, not only about music
ReacTable / Related
reactable.iua.upf.edu/?related
gallery of tangible musical interfaces
Galleries of scores
Nifty (in Japanese)
homepage1.nifty.com/iberia/score_gallery.htm
Notation 21
www.notations21.net/viewscores.html
Pictures of music
www.blockmuseum.northwestern.edu/picturesofmusic/index2.html