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2. The reconciliation of the opposites in Blakes oeuvre (Ines Bili) 3. Symbolism in Coleridges The Rime of the Ancient Mariner (Nermin Krupi) 4. The Gothic Imagery in Romantic Poetry (Indira ahi) 5. Byronic hero- main characteristics (Aida zalihi) 6. The Image of Napoleon in English Romanticism (Bartina Bunti) 7. Natural Supernaturalism in Coleridge (Mersiha eunovi) 8. Apocalyptic regeneration of humanity and the world by creative capacity of
9. The function of nature in Wordsworths Tintern Abbey and Coleridges Frost 10. Womens
rights and stereotypes about womens social roles Wollstonecrafts Vindication- solutions to the problem. (Selma Novali)
in
11. Journey as a Romantic motif (Almedina Pajevi) 12. The French Revolution: as the secular Millennium; as a disappointment--how
to adjust views of the Revolution? Do first and second-generation Romantics differ in their approaches? (Danira Demirovi)
13. Attack on the Church: attempt to defy traditional forms of morality as merely
14. Relationship between Poet and Landscape (Minela Balavac) 15. How is Man integrated into or fused with Nature in Wordsworth and
20. Science and Religion in Lord Tennysons Memoriam (Doris Batlak) 21. Revolutionary nationalism in Byron and Shelley (Emina geko) 22. Blakes Songs of Innocence and Songs of Experience present several
complementary pairs of poems. How do these and other such paired poems illustrate Blakes thesis that they show Two Contrary States of the Human Soul"? (Elma Hadi) 23. Compare ideas of nature. Does Keats use nature as a teacher the same way Coleridge and Wordsworth do in their poems? Or, compare Shelleys Ode to the West Wind and Keatss To Autumn. (Ajla Jusufbai)
24. It has been argued that Blake's "The Marriage of Heaven and Hell" is a
satirical criticism of the dominant religious institutions of his day. Which satirical methods does Blake use, paying particular attention to the ways he portrays adherents to religious dogma? (Elma Hadiahmetovi)
25. With reference to one poem by Shelley and one by Keats, discuss the formal
26. Coleridge is often described as a poet of the imagination. What does this
appellation mean? What role does imagination play in Coleridges work, both as a source and as a subject? (Emina Pajo)