Escolar Documentos
Profissional Documentos
Cultura Documentos
Prepared for The Garden Club of Virginia Prepared by Emily Peterson 2011 William D. Rieley Fellow
Copyright 2011 by The Garden Club of Virginia All Rights Reserved. Reproduction: All material contained herein is the intellectual property of the Garden Club of Virginia except where noted. Permission for reproduction, except for personal use, must be obtained from: The Fellowship Committee Chair The Garden Club of Virginia The Kent-Valentine House 12 East Franklin Street Richmond,VA 23219 www.gcvirginia.org
INTRODUCTION
SPRINGSBURY FARM | BERRYVILLE,VA
The Springsbury Farm property sits along a bend in the Shenandoah River in Clarke County,Virginia. Appearing on record as early as 1799, Springsbury (or, alternatively, Springberry) has been home to several generations of prominent Virginia families, including the Holkers, McCormicks, Greenhalghs and Caseys. For much of its history, Springsbury consisted of a Federal style dwelling (constructed by John Holker in the 1790s), an accompanying log cabin, and an assortment of outbuildings. The property remained generally unaltered for nearly 140 years. But in 1935 the Greenhalghs, a wealthy Ohio couple, purchased the property and undertook a massive renovation that dramatically altered the appearance and size of Springsbury. Employing some of the most respected professionals of their day, including the architecture firm of Perry, Shaw and Hepburn and landscape architect Ellen Biddle Shipman, the Greenhalghs transformed Springsbury into a premier country estate. The gardens at Springsbury are of utmost interest for they count among the few remaining designs of Ellen Biddle Shipman. Although she was a prolific designer in her day (drafting close to 600 designs), most of her projects have been destroyed over the years. Springsbury provides the unique opportunity to protect and restore a Shipman garden designed at the apex of her professional career. The garden demonstrates a sophistication and confidence that represents the best elements of the cottage gardening movement. Springsbury Farm is currently the property of Casey Trees, a non-profit organization. Casey Trees works to protect the tree canopy of the nations capital and maintains a tree nursery and offices on the Springsbury property.
TABLE OF CONTENTS
Introduction Site Maps 1. Context 2. Development of Springsbury Farm 3. Springsbury in 1935 4. Architectural Additions 5. Ellen Biddle Shipman: Landscape Architect 6. General Designs for Springsbury 7. Entry Gate 8. Roads 9. Service Court 10. Forecourt 11. Terraces 12. Planting Design 13. Tennis Courts 14.Vegetable/Picking Gardens 15. Hill House 16. Swimming Pool Area 17. Letters 18. Other Shipman Projects in Clarke County 19. Springsbury since the Greenhalghs 20. Final Recommendations Appendix 3-4 7 - 10 11 - 16 17 - 22 23 - 26 27 - 28 29 - 34 35 - 38 39 - 40 41 - 42 43 - 44 45 - 50 51 - 62 63 - 70 71 - 72 73 - 74 75 - 76 77 - 80 81 - 82 83 - 84 85 - 86 87 - 88
CONTEXT MAP
1. TROOPER HOUSE 2. SPRINGSBURY LANE 3. BARN / STABLES 4. NORTH COTTAGE 5. OUTBUILDING 6. PIERCE HOUSE 7. MAIN HOUSE AND GARDENS 8. FORMER TENNIS COURTS 9. SWIMMING POOL 10. CHAPEL RUN SPRINGSBURY 11. SHENANDOAH RIVER
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11 7
10 4
SPRINGSBURY KEY
1. SPRINGSBURY LANE 2. FORECOURT PLANTER 3. FORECOURT 4. SERVICE COURT 5. FORMER SITE OF HILL HOUSE AND GARDENS 6. MAIN HOUSE 7. SOUTH TERRACE 8. UPPER TERRACE 9. NORTH TERRACE 10. LOWER TERRACE 11. FORMER TENNIS COURTS 12. TERRACE VEGETABLE / PICKING GARDENS 13. SWIMMING POOL 14. TERRACE / BATH HOUSES *Study area within Springsbury property
1.
11. 2. 3. 4. 5. 13.
6. 7. 8. 9. 12.
10.
SPRINGSBURY
oa
barn
main house
100-YR FLOOD
10-YR FLOOD
SPRINGSBURY FARM REPORT | PAGE 13
SOIL TYPES:
2B Braddock loam, 3 to 8 percent slopes 4 Buckton soils 10 Chagrin soils 25B Monongahela loam, 3 to 8 26B Monongahela-Braddock complex 26C Monongahela-Braddock complex, 27B Monongahela-Zoar complex 30B Nicholson-Duffield silt loams 38B Poplimento-Webbtown complex 38C Poplimento-Webbtown complex 38D2 Poplimento-Webbtown complex 39B Poplimento-Webbtown complex, 39C Poplimento-Webbtown complex, 39D2 Poplimento-Webbtown complex, 43C Rock outcrop-Opequon complex 46B Swimley-Hagerstown silt loams 47B Swimley-Hagerstown silt loams, rocky 49B Thurmont loam, 3 to 8 percent slope 51B Timberville silt loam 52B Udipsamments, 55D Udults-Udalfs association 56 Weaver silt loam 57C2 Webbtown-Poplimento-Rock outcrop complex 57D2 Webbtown-Poplimento-Rock outcrop complex *information courtesy of the USDA soil survey
CHANGES
Main house built by Holker. Log cabin built on site. Mill and distillery operating on site. Land farmed by slave labor.
1700
OWNERS
Death of Robert Carter. Land left to Tidewater heirs, Northern Neck Proprietary Land Grant includes area of Springsbury.
Land owned by Colonel Fielding Lewis. Springsbury parcel inherited by George Lewis.
1800
Springsbury and Lands End parcels rejoined. Land divided into two parcels: Springbsury and Lands End. Massive renovation of house, horse barn and gardens. Several new outbuildings constructed at this time as well. Construction of swimming pool.
1900
Greenhalgh era. Springsbury owned by Dr. Hugh Taylor and his wife, Minnie. Minnie Taylor leaves property to Episcopal Diocese, which then sells property to Greenhalghs. Springsbury owned by Eugene and Betty Casey.
2000
Property donated to Casey Trees, LLC.
John Holker died in 1822 and his land continued to be held in part by his third wife, Nancy Holker, between 1822 and 1839. Between 1839 and 1842, the estate was the subject of a legal battle among the Holker heirs, which was never resolved. In 1842, all land and slaves of John Holker were sold at public auction and purchased by Colonel Hugh M. Nelson of Long Branch.1
Over the next 20 years, the land moved among different members of the McCormick clan. In 1873, Hannah Taylor conveyed the property to her son, William Taylor, who lived there with his son, Samuel.1 A decade later, in 1884, William conveyed the land to Samuel, who lived on the property with his family. When the widow of William Taylor, Gertrude, finally passed away in 1894, the land was again conveyed to her daughter, Annie Taylor.2 Annie Taylor died in 1912 and Dr. Hugh Taylor, one of her sons, eventually purchased the land3. At that time, the property consisted of 410 acres. The acquisition was recorded in the local papers, suggesting that Springsbury was a noteworthy place in Clarke County at the time. It should be noted that Dr. Hugh Taylor was a reputable physician in Richmond, acting as secretary and treasurer of the Medical Society. He retained a primary residence in Richmond and visited Springsbury on occasion. Upon Dr. Hugh Taylors death, the land was passed to his wife, Minnie Taylor, a noted philanthropist. When she later died in 1933, she willed the Springsbury property to the Episcopal Diocese of Virginia4. Her hope was that the property would be used as a school for orphan boys. However, the Diocese decided not to keep Springsbury, and sold it shortly thereafter to the Greenhalghs.
1 2 3 4 Kaliban, Historical Report, 19 Kaliban, Historical Report, 19 Griffith, Springsbury, 34 Griffith, Springsbury, 35
Detail. Chrisman, Map of Clarke County, 1922. UVa Special Collections.
1 2 3 4 5 6
Photograph, Hunt Breakfast, circa 1930s (Marie and George pictured), CCHA Archives
3. SPRINGSBURY IN 1935
A SNAPSHOT OF THE PROPERTY BEFORE THE ADDITIONS
Before discussing the changes made to the property, it is important to understand what it was like when the Greenhalghs first purchased it. Only by contrasting the renovations with the state of the property in 1935, does the extent of the changes register. Thankfully, a survey of the Springsbury grounds was completed in July, 1935 in order to install a sewage system for the property. It is one of the rare documents that provide a glimpse of the estate before the Greenhalghs renovation. From the drawings, an inventory of trees and structures can be compiled. Trees present on Springsbury at time of survey: Elm 39 Elm 30 Elm 4 Elm 5 Sycamore 30 Walnut 18 Cottonwood 2 Locust 33 Willow 6 Ash 2 Sugar Nut 30 Maple 4 Ash 30 Ash 30 Sugar Nut 2 Peach 3 Peach 2 Cedar Bush Locust 3 Cottonwood 2 Sycamore 30 Sugar Nut 30 Sycamore 36 Sycamore 8 Sycamore 15 Sycamore 12 Hedge Bush 10 tall 4 Elm Bushes, 20 tall Maple 8 Pear 8 Apple 6 Pear 2 Lilac bushes 8 tall Grape arbor Grape Arbor Lilac bushes Elm 2 Pear 4 Pear 4 Structures at time of survey: Main house with front and back porches, elevated above ground level. 18th century log cabin Pierce house (not shown on survey) Barn
THE GARDENS
In addition to the survey, a 1930 Historic Garden Tour led by the Garden Club of Virginia provides a vivid description of what the Springsbury gardens looked like only a few years before the renovation: The south lawn is bordered by a dancing brook whereby the waters from the large spring find their way to the nearby Shenandoah.To the north of the house was the garden, it was reached by a path bordered on either side by beds filled with a wealth of old fashioned companionable flowers.The garden was entered through a wicket gate, the box bordered path from this gate spread into a large circule in the center of the garden.This circule was intersected by two grass paths, the four beds thus formed being filled with a wealth of flowers. On the west behind the box hedges were planted the vegetable and small fruits. And the west side of the garden was bordered with a magnificent hedge of purple lilacs.The path from the east side of the circule led into a garden gently terraced to the point where it lost itself in the blue grass meadow which was washed on the east by the waters of the Shenandoah. Through this meadow the driveway approached the house. 1 The image at top right shows another Virginia garden that follows a similar configuration to that described by the Garden Club. Below that is an example of a terrace garden. While it is likely more elaborate than the one constructed at Springsbury, it shows the sense of prospect and status that such a garden provided. Images on the following page show the possible locations of the gardens described in the tour.
1 Manuscript. Garden Club of Virginia, 1930, Clarke County Historical Association Walk at Carters Grove. Early American Gardens, date unknown. SPRINGSBURY FARM REPORT | PAGE 25
Flower de Hundred Garden Historic Virginia Gardens, 1923.
1936 aerial confirms presence of terraces, although they might have been altered during the renovations.
4. ARCHITECTURAL CHANGES
THE PERRY, SHAW AND HEPBURN ADDITIONS
When it came time to renovate the property, the Greenhalghs spared no expense. They hired the prestigious Boston firm of Perry, Shaw and Hepburn to design additions to the house as well as two outbuildings (Trooper House and Hill House). It is likely that Marie Greenhalgh was familiar with the firm due to her Massachusetts upbringing. At the time, Perry, Shaw and Hepburn had just completed work at Colonial Williamsburg, which was funded and overseen by John D. Rockefeller. The project had earned the firm great notoriety within the state of Virginia and had inspired a renaissance in Colonial revival architecture. In seeking architects for a historically sensitive and large-scale renovation, the Greenhalghs had located among the best in the field.
The designs drawn up by the firm transformed the modest Federal style dwelling into a sprawling U-shaped Georgian Colonial revival style mansion reminiscent of Tidewater plantations.1 Most of the original house, beyond the brick core of the existing house was demolished including: the east porch, vestibule and steps; the complete west wing and porches; the north entrance and platform; and the south entrance and steps.2 Also worth noting is the fact that the additions forced the mansion to make an about-face, shifting the front to the back and vice versa. For that reason, the house definitely appears idiosyncratic: the main entry has two doors and the back seems grander than the front despite attempts to make it appear otherwise. The peculiar color scheme included white walls, pink trim and green shutters. The motivation for this unique color scheme is uncertain, although it matches the Vitrolite glass colors used in the bathrooms3. It is likely that the colors were simply the preference of the Greenhalghs and have no historical significance.
1 2 3 Kaliban, 1 Kaliban, 4 Kaliban, 4
Perry, Shaw and Hepburn, Elevation of East Facade, 1935. (Shipman Papers, Cornell RMC)
SPRINGSBURY FARM REPORT | PAGE Perry, Shaw and Hepburn, Site Plan, 1935 (Shipman Papers, Cornell RMC). 1
In 1935, Ellen Biddle Shipman was at the height of her career as a landscape architect. Her work had already been featured in numerous nation-wide publications including House Beautiful and House and Garden, among others. The Greenhalghs were probably keenly aware of her talents from the magazine spreads, which featured lush perennial gardens and meticulous architectural details.
Portrait of Ellen Biddle Shipman, date unknown, Shipman Papers, Cornell RMC.
Gardens by Ellen Shipman: 1. House Beautiful, July 1924. 2. House and Garden, Septmber, 1925. 3. House Beautiful, July 1924.
The move to Cornish precipitated a resurgence of Shipmans gardening interests. The charming colony attracted a slew of artists, which made the atmosphere ripe for innovation and the exchange of aesthetic ideas. Of the place, she wrote, Here was the renaissance of gardening in America.1 Although Shipman experimented extensively with her own gardens at Cornish, she did not design for anyone but herself. However, her talents did not go unnoticed. During a stay at the house of Charles Platt, she accidentally left some of her drawings at his house. Platt was impressed and shortly thereafter sent her drafting materials with a note imploring her to keep drawing2. At that time, Shipman had three children and her life was spent contentedly caring for her family. But this domestic bliss was short lived: in 1910 Louis left for New York, leaving Shipman to fend for herself and three young children. His departure prompted her to consider new ways to support herself, which led her to pursue landscape architecture.
1 2
Shipman, Garden Notebook Tankard, Judith. The Gardens of Ellen Biddle Shipman, 18 SPRINGSBURY FARM REPORT | PAGE 31
Her Cornish connections enabled this sudden career shift, and she began training under her old friend, Charles Platt. Under his mentorship and training, her modest skill began to blossom into a veritable talent. Platt would design the house and other architectural features and have Shipman compose the gardens and grounds. For nearly a decade, Shipman worked in close collaboration with Platt; but by 1920, she was ready to embark on her own practice. She set up an office in New York City and relied on connections she had created and maintained both in her years living at Cornish and in her time working under Platt. Her resilient character, astute design skills and general affability served her well and her practice flourished. No project was too small or too undignified, and Shipman took on projects many of her contemporaries (including Beatrix Farrand) would have refused. As her practice grew, she hired young female graduates from the Lowthorpe School to help her draft designs. She developed close relationships with the Lowthorpe graduates and actively donated money and time to Lowthorpe despite her own lack of formal education1. Over the years, Shipman designed close to 600 gardens, most of them in the northeastern United States. By the early 1930s, she was heralded as the Dean of women landscape architects, a high honor by any measure. Shipman remained deeply committed to the profession throughout her life despite its hardships and occasional setbacks. Toward the end of her career, Shipman attempted to compile a notebook detailing her design knowledge and philosophy. Due to failing health (and the lack of a market for such a book), the work was never completed. However, some of her pages remain and one quote in particular seems to sum up her democratic and unpretentious design philosophy: To the individual, gardening opens a door wider than any other of the arts all mankind can walk through, rich and poor, high and low, talented and untalented. It has no distinctions, all are welcome.2
1 2 Tankard, 56 Shipman, Garden Notebook SPRINGSBURY FARM REPORT | PAGE 32
Lowthorpe school brochure: Image courtesy of Wikipedia. Shipman advertisement, courtesy of All About My Garden.
1 2 3
Tankard, Shipmans New England Gardens, 47 Tankard, The Gardens of Ellen Biddle Shipman, 47 Shipman, Garden Notebook SPRINGSBURY FARM REPORT | PAGE 33
Shipmans primary genius was reserved for the space within the garden boundaries, in lush perennial beds, expertly choreographed to remain in bloom throughout the year. She was particularly inspired by the work of Gertrude Jekyll, a preeminent gardener and author who championed the hardy perennial border. An article from a 1930 issue of House and Garden describes the appeal of Jekylls approach: Miss Jekyll made us believe ourselves artists in embryo with a color box to our hands and a canvas ready stretched before us. She opened up to us a new delight in gardening and new possibilities in ourselves and set us a most radiant and enticing example.1 Shipman certainly took to this brand of landscape gardening, painting radiant compositions in peony, foxglove and narcissus. In terms of planting, Shipmans designs were robust, colorful and dynamic.
1 New Colour Schemes for the Garden. House and Garden, 1930
Image of Gertrude Jekyll Garden: Thomas Henry Hunn The Pansy Garden, Munstead Wood, Surrey. Watercolor. Courtesy of artnet.com.
Shipman, Ellen. General Design Plan. Date unknown. (Shipman Papers, Cornell RMC)
1 (beyond frame)
6 4 5 7 3
Not all elements of Shipmans ambitious plans were realized. The features that were ultimately completed by the Greenhalghs included the gateway, roads, service court, forecourt, terraces, tennis courts, and swimming pool. The following chapters will elaborate more specifically on each of these elements.
The Gateway
The Roads
The Forecourt
5
The Terraces
6
Tennis Courts
7
Vegetable/Picking Gardens
8
The Swimming Pool
7. THE GATEWAY
AN ENTRY TO SPRINGSBURY
The entrance to Springsbury is framed by two curving walls made of attractive local flagstone. While the road into the property, Springsbury Lane, existed before the additions, Shipmans gateway creates a distinct moment of arrival. In keeping with the surrounding pastureland, the gateway has a more rustic appearance. The aesthetic is similar to the pillars on the original barn, which feature a comparable stone and finish. The common approach to landscape architecture at the time was to concentrate the more formal, designed elements of a plan near the house and to leave the outskirts of the property more wild by comparison. By that logic, the gateway encapsulates a rougher aesthetic than that reproduced around the house. However, despite its less refined look, it still contains architectural motifs that are repeated throughout the garden and the house. The entrance gate appears nearly as Shipman planned it with the exception of the molding on the cap. It should also be noted that the trees contained in the current view of Springsbury Lane have been planted by Springsburys current owner, Casey Trees. The trees in the allee are a variety of elm cultivars1 grown by the organization, which has a nursery on site.
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1. Entry to Springsbury 2. Shipman, Construction details for entrance walls, 1935. (Shipman Papers, Cornell RMC) 3. Elevation of entry gate (Shipman Papers, Cornell RMC) 4. Detail of entry gate 5. Shipman, Detail. Construction details for entrance walls, 1935. (Shipman Papers, Cornell RMC)
*Note: some drawings have been inverted or edited for greater legibility. Full drawings are available at the Cornell Rare and Manuscript Collection in Ithaca, NY.
SPRINGSBURY FARM REPORT | PAGE 42
8. THE ROADS
CHOREOGRAPHING AN APPROACH
Shipmans drawings and notes for the roads at Springsbury demonstrate the depth of her knowledge in all aspects of the design process. The Cornell archives contain a number of documents like the one drawn up for the Greenhalghs (right)1, specifying all details of road construction, from the height of the crown to the sealant. There is also a keen understanding of the way in which water should be conveyed off the road depending on its slope. Such specificity is truly impressive and shows that Shipman had learned not only from her experience working with architects, but also in her time with engineers. Also worth noting is the way in which the roads are set into the slope. A drawing for the entry roads at the Jenkins property (see page 84), display the way in which she studied a sites topography and aligned the road to curve gracefully along swells in the landscape. The photographs below show the way movement is choreographed through the drives at Springsbury.
Shipman, Plan for Stable Road and Parking Lot. (Shipman Papers, Cornell RMC)
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Image 6: Shipman, Detail of Moulded Brick at Base of Post. (Shipman Papers, Cornell RMC)
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SPRINGSBURY FARM REPORT | PAGE 46
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Mrs. Ellen Shipman, Famous Landscape Architect, Thrills Hearers. Winston-Salem Journal. October 8, 1932. (Shipman Papers, Cornell RMC) Shipman, Ellen. Forecourt (Shipman Papers, Cornell RMC) SPRINGSBURY FARM REPORT | PAGE 47
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*Images 1 and 4: Shipman, Construction drawing of forecourt walls, 1937 (Shipman Papers, Cornell RMC)
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McBond C., Walker. Topographic map of estate. (Shipman Papers, Cornell RMC) Conversation with Will Rieley, Landscape Architect, August 11, 2011.
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SPRINGSBURY FARM REPORT | PAGE 50
Images 1, 2, 4 and 5 from Shipman Papers, Cornell RMC; Images 6, 7, and 8 from CCHA Archives, Real Estate Brochure, 1958.
Today, the forecourt still contains the old slate edging that once defined the border plantings, however, few original specimens remain. The photograph on the previous page shows how the area looked in its prime, circa the 1950s. Below is the planting plan.
PLANTS SPECIFIED: English Ivy Wisteria Boxwood Magnolia Grandiflora Small leaf English Ivy Climbing rose Dr.Van Fleet Anchusa Myosotiflora (12) Andromeda (6) Wisteria Prunus Climbing Hydrangea Rhododendron Carolinanum (6) Viburnum Lantana Rhododendron Album Elegans (6) Funkia Lanc (15) Pulmonaria (20) Gordonia Malus Micromalus Viburnum Cassanoides Hemlock Thorn Locust Narcissus Poeticus Reuruus (50) Wisteria Prunus Haven Climbing Rose Star of Persia Cornus Florida Highbush Blueberry Vinca Minor Kalmia Latifolia (50) Vinca Minor (100) Climbing Rose Mermaid Elm Plumbago Climbing Rose New Dawn Box Saxifrage Prunus Amanagawa Shipman, Planting Plan for the Forecourt. (Shipman Papers, Cornell RMC) Cornus Florida Vinca Minor (100) Kalmia Latifolia (50) Small Leaf English Ivy Prunus Amanagawa Cotoneaster Simonsi Myosotis (30) Hemlock Wisteria Peony Therese Taxus Cuspidata Baccata (6) Lilium Regale (12) Syringa Josikara Lithosperm Elm Magnolia Stellata Climbing Rose Jacotte Laburnum Anchusa Myosotidiflora (20) Varnish Tree Kalmia Latifolia Andromeda (3) Magnolia Soulamgeana trained on wall
Tankard, The Gardens of Ellen Biddle Shipman, 77 SPRINGSBURY FARM REPORT | PAGE 53
Shipman, Grading plan for terraces and entrance court. (Shipman Papers, Cornell RMC)
3
Real Estate Brochure, courtesy CCHA Archives, 1958.
4
Shipman, Wall section. (Shipman Papers, Cornell RMC)
5
Shipman, Ellen, Construction drawings of walls. (Shipman Papers, Cornell RMC)
Basket Weave
Herringbone
Running Bond
Headers
TURF GRASS
PLANTING BEDS
NORTH TERRACE
The north terrace is a simple rectangular shape, lined with intricate perennial beds. It connects to both the upper terrace (by the circular stairs) and the lower terrace (by traditional brick stairs). The paving is comprised of molded brick arranged in a basket weave pattern and defined on either side by a border of brick headers. The brick patterns at Springsbury were commonly used by Shipman, who preferred to keep the architectural elements simple and to let the intricate plantings perform most of the work. 1The extents of the terrace are defined by low brick walls, which demarcate the space and create a frame for the colorful perennial plantings. The entry to the north side of this terrace is flanked by two Japanese Yew specimens, which were specified by Shipman and remain to this day.
1 Tankard, The Gardens of Ellen Biddle Shipman, 53
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SPRINGSBURY FARM REPORT | PAGE 57
6 5
Shipman, Perennial Plan for north terrace garden. (Shipman Papers, Cornell RMC)
SOUTH TERRACE
The south terrace receives significantly less sun due to its proximity to a number of large trees along the southeastern side. Perennial beds hug the perimeter of the terrace, the center of which bears the same basket-weave brick pattern as adjacent terraces. Due to the strange topographical variations at Springsbury, the south terrace is elevated significantly higher above ground level than the north terrace. For that reason, Shipman designed a curving staircase that conveys one from the terrace to the ground below. A single crepe myrtle tree, planted at the base of the stairwell, overhangs the terrace. The tree was not specified on the plan and it seems to have been an addition by owners of the house rather than the landscape architect. As in the north terrace, a low wall defines the boundary of the terrace, creating a sense of seclusion and privacy.
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SPRINGSBURY FARM REPORT | PAGE 59
Shipman, Ellen, Perennial plan for south terrace. (Shipman Papers, Cornell RMC)
UPPER TERRACE
The upper terrace at Springsbury is defined by a large brick expanse in the typical basket-weave pattern. As the image below indicates, the paved area acted as a patio space for leisure and entertaining. The unpaved portion of the terrace was planted with turf grass and two symmetrically placed elm trees, meant to frame the back entry to the house (see following page for image). Although Shipman specified elm trees in her drawings, the fate of these trees remains uncertain. Perhaps they fell victim to Dutch Elm disease, or maybe they were never planted at all. Regardless, whether at the gardens genesis or shortly thereafter, the elms were replaced by Zelkova trees, a species native to Japan. Because the species is highly resistant to Dutch Elm disease, it has been widely used as a replacement throughout the Northern United States1. At present, only one of the two Zelkova trees remain, providing an asymmetry Shipman would likely have eschewed. The health of the remaining Zelkova is dwindling due to included bark, which makes the tree particularly weak and vulnerable. There are plans to remove it in the near future.
1 Zelkova Serrata. Floridata
Shipman, Ellen, Grading plan for terraces and entrance court. (Shipman Papers, Cornell RMC)
LOWER TERRACE
Shipmans designs for the lower terrace are minimal. Although plans for square, flagstone-paved areas exist (see plan below), it appears that they were never executed; perhaps they were deemed unneccessary. At any rate, the final, completed terrace consisted of a large expanse of turf grass, bounded by a clipped boxwood hedge. The exterior of the wall was meant to be disguised by a combination of flowering trees and shrubs including Japanese tree lilac, Sheepberry and Magnolia. None of the specimens identified on the plan remain, with the exception of the boxwood. It should be noted that although a distinct boxwood hedge remains, it is not comprised entirely of original plantings. Additional specimens were added by the Caseys, the couple who purchased Springsbury from the Greenhalghs in the 1950s1.
1 Conversation with Brian Mayell, Nursery and Grounds Manager, Casey Trees, LLC
Shipman, Ellen,Tree, shrub and vine plan around house. (Shipman Papers, Cornell RMC)
NEXT PAGE: Drawings 1, 2, and 6 Shipman, Construction details of Terrace B. Shipman Papers, Cornell RMC. 7: Serlio, Sebastiano, Five Books of Architecture.
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Serlio, Sebastiano. The Five Books of Architecture. Cultural Landscape Foundation, Charles Platt Cultural Landscape Foundation, Charles Platt SPRINGSBURY FARM REPORT | PAGE 63
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Shipman quoted by Tankard, Gardens of Ellen Biddle Shipman, 109 Tankard, 94 Shipman as quoted by Tankard, 116 SPRINGSBURY FARM REPORT | PAGE 65
ON COLOR
At the time Shipman was designing a plant palette for the Greenhalghs, there was a general preference for more muted color tones over bolder ones. An article in a 1930 issue of House and Garden provides insight into the predominant color approach at that time: All strong color was banished from polite purlieus though it keeps up a low muttering in the outlands we became chaste and chastened in our color predilections. Fragile mauves and buffs, shadowy blues, soft pinks and salmons, lavenders, heliotropes and saffrons, with an admixture of fleecy white flowers and gray foliage, were the only hues suffered in our garden.1 It should be noted that this article was attempting to encourage readers to be more liberal in their use of color. A palette of pastel hues off set by whites and greys had been popularized by Gertrude Jekyll, and Shipmans designs seemed to generally follow suit. Shipmans favored color scheme was comprised of blues, whites and an occasional yellow2. However, considering the sea change this article evidences (circa 1930) and the colors specified at Springsbury, Shipman seems to have loosened her color preferences. An array of yellows, oranges and reds are specified, although Shipman herself provides the caveat: It will be seen, in going over the shrubs and flowers that certain shades such as orange or any of the red yellows, reds or red purples, are seldom, if ever listed. It is because they draw too much attention to themselves. However, if one desires them, a shrub planting, such as azaleas or a flower border in which you use these tones as high notes, can be gradually built up to their level of color. It will be found best to introduce some pale yellows and use trees or shrubs to tone down their blatant notes.3 In short, bolder colors could be used, but in moderation, and only when they were diluted by other plantings. The following pages provide a visual analysis of Shipmans planting plan for Springsbury, providing a sense of how this philosophy manifested itself in her actual design.
1 2 3
New Colour Schemes for the Garden, House and Garden, 1930 Tankard, 115 Shipman, Garden Notebook SPRINGSBURY FARM REPORT | PAGE 66
PLANTINGS ON TERRACES
Albatross Daffodil
Alexanders White
Rock-cress
Basket of Gold
Bellflower
Bicolor Buttercup
Butterfly Bush
Summersweet
Climbing Hydrangea
Common Periwinkle
Coral Flower
Cotoneaster
Dahlia Rose
Daylily
Mixed Delphinium
Dwarf Aster
Empress Daffodil
English Dogwood
Feverfew
Flax
Fleabane
Forget-me-not
Foxglove
Garden Peony
Grape Hyacinth
Highbush Blueberry
Hollyhock
Hosta
Hybrid Columbine
Iceland Poppy
Iris Pallida
Iris Ambassadeur
Japanese Anemone
Japanese Lily
Japanese Yew
Japanese Iris
Lavender
Madonna Liily
Magnolia Stellata
Morrows Honeysuckle
Narcissus Seagull
Peony Therese
Miss Lingard
Phlox Columbia
Pincushion Flower
Pyrethrum Daisy
Regal Lily
Seneca
Sheepberry
Snowball Bush
Sweet William
Tartian Honeysuckle
Thermopsis
Thunbergia
Trumpet Vine
Tulip Murillo
Tulip Peachblossom
Viburnum Arrowood
Yellow Viola
Common Violet
Virginia Bluebells
Wayfaringtree
Winter Honeysuckle
Wormwood
Boxwood
Anchusa
Phlox
Thermopsis
Smokebush
Thalictrum
BLOOM CALENDAR
As the calendar to the right indicates, Shipman was particularly attuned to timing in her gardens. Plantings specified for the terrace beds were designed to maintain their bloom from February through October, an astonishing range of time.
*information and images courtesy of contributors to Daves Garden: http:// davesgarden.com/
Bi-color Buttercup (Aconitum columbianum) Common Periwinkle (Vinca minor) Dr. Rose Van Fleet (Rosaceae rosa) Himalyan Cotoneaster (Cotoneaster simonsii) Tartarian Honeysuckle (Lonicera tatarica) Arrowwood (Viburnum dentatum) Japanese Snowball Bush (Viburnum tomentosum) English Dogwood (Philadelphus coronarius) Morrows Honeysuckle (Lonicera morroni) Feverfew Grape Hyacinth (Azureum species) Rock-cress (Arabis alpina) Basket of Gold (Alyssum citrinum) Common Violet (Viola odorata) Alexanders White (Iberis sempervirens) Yellow Viola (Viola Pensylvanica) Sweet William (Carophyllaceae dianthus) Sugar Plum (Dianthus plum) Early Tulip Peachblossom (Liliaceae tulipa) Hollyhock Winter Honeysuckle (Lonicera fragrantissima) Regal Lily (Lilium regale) Iris Snow White (Iridaceae iris) Peony Therese (Paeonia lactiflora) Peony Couronne DOr (Paeonia) Persian Yellow Rose (Rosa foetida) Daylily (Hemerocallis fulva) Miss Lingard (Phlox caroliniana)
Ja
Iris Lord of June (Iridaceae iris) Aster Japanese Anemo Madonna Lily (Lilium candidum) Iris Pallida (Iridaceae iris) Peach Leaf Bellflower (Canpanula persicifolia) Coral Flower (Heuchera brizoides) Garden Peony (Edulis superba)
Iceland Poppy (Papaver nudicale) Hybrid Columbine (Aquilegia hybrida) Empress Daffodil (Amarylidaceae narcissus) Emperor Daffodil (Amarylidaceae narcissus) Virginia Bluebells (Mertensia virginica)
Early Tulip Murillo (Liliaceae tulipa) Helios daffodil (Amarylidaceae narcissus) Thunbergia (Thunbergia)
Fleabane (Erigeron species) Forget-me-not (Boraginaceae anchusa) Pyrethrum Daisy (Chrysanthemum cinerarifolium)
FEBRUARY
MARCH
APRIL
MAY
JUNE
JULY
AUGUST
SEPTEMBER
OCTOBER
NOVEMBER
DECEMBER
LAYERING PLANTS
The following diagrams show the way in which Shipman combined shape, color, texture and height in her planting beds. She tended to arrange plants in drifts, deciding upon size, orientation and number according to intuition. After spending a lifetime in careful observation of plant form and habit, she knew how to arrange plants to their best advantage. The way in which Shipman composed color should also be noted; at Springsbury she widened her typical palette of blues, whites and yellows by adding some hints of pink and purple. White flowers were typically used as points of transition, helping to soften juxtapositions or offset brighter tones. These diagrams were made using the perennial plan Shipman drafted for one of the north terrace perennial beds. The planting logic displayed here is similar to that employed throughout the terrace beds.
THERMOPSIS
PEONY THERESE
REGAL LILY
BOXWOOD HEDGE
SECTION
ELEVATION
SPRINGSBURY FARM REPORT | PAGE 71
PLAN
DAYLILY
SPECIFIED PLANTS
PHLOX GER. IRIS PHLOX
DIANTHUS
JAPANESE IRIS
PEONY THERESE
BOXWOOD
ORIGINAL DESIGN
SPRINGSBURY FARM REPORT | PAGE 72
THERMOPSIS
CATNIP
THALICTRUM
SMOKEBUSH
ANCHUSA
REGAL LILY
Har-Tru Brochhure, 1935 (Shipman Archives, Cornell RMC) SPRINGSBURY FARM REPORT | PAGE 73
1. Shipman, Ellen. General Design Plan. Date unknown. (Shipman Papers, Cornell RMC) 2 and 5. Har-Tru Brochhure, 1935 (Shipman Papers, Cornell RMC) 3. 1936 aerial photograph (Rieley and Associates)
14.VEGETABLE/PICKING GARDENS
The fate of the vegetable and picking gardens designed by Shipman remain the primary mystery in the Springsbury story. In her plans for the estate, Shipman designed an elaborate series of parterred gardens, allees and formal walks. The 1936 aerial photograph (image 1) show no evidence of the plans Shipman envisioned beyond the primary walkway. Further investigation at the site level reveals brick edging, (image 3) confirming that the path, if not the planting beds, did exist along the central axis. Also worth noting is the description of the space in 1930 by the Garden Club of Virginia, which claimed a terraced garden once existed in this location. Due to the erosive nature of such gardens, it is hard to confirm this account one way or another. Today, the area is difficult to decipher. On the west side of the pathway is a haphazard line of volunteer Hackberry trees, which appear to have arisen along a former hedgerow (possibly lilac, see page 26). The east side is lined with a wooly, untamed mix of Black Walnut, Boxelder and Hackberry. Both rows of trees seem to have been maintained by a mowing regime which avoided them, allowing the specimens to mature. At present, a couple rows of boxwood and peonies line the western edge of the pathway. They were planted by the Casey family and are not part of the Shipman scheme for the property.
5
SPRINGSBURY FARM REPORT | PAGE 76
Shipman, Ellen. General Planting Plan for area around cabin. (Shipman Papers, Cornell RMC)
3
Real Estate Brochure, CCHA Archives, 1958.
She drew up a number of plans for a pool and bath houses, many of which were significantly more elaborate than the plans Marie eventually settled upon. Like many of Shipmans clients, Maries post-war tastes and priorities had shifted. Cornell has the original drawings for the bath houses Shipman initially proposed. According to the plan, two bath houses, both octagonal in shape, were joined by a colonnaded brick pathway (see drawing to the left). The structures were planned on the western side of the pool, and would have blocked the view to the barn beyond. The built design was more connected to its surroundings, with an uninterrupted view from pool to barn. As for plantings, Shipman seems to have decided upon a simpler scheme, opting for a lilac hedge border around the pool area (possibly the old hedge referenced in the survey, page 24). Small flowering trees were meant to overhang the flagstone terrace (to the left of swimming pool), though none remain.
Shipman, Plan Showing location of proposed bath houses. (Shipman Papers, Cornell RMC)
1 and 2: Shipman, Ellen. Construction drawing for bath houses. (Shipman Papers, Cornell RMC Archives)
2
SPRINGSBURY FARM REPORT | PAGE 81
3 8
Images 3-5, 10: Shipman, Ellen. Plan for swimming pool area.(Shipman Papers, Cornell RMC)
10
17. LETTERS
MARIE AND ELLEN
Correspondence between Marie Greenhalgh and Ellen Shipman during the design of the swimming pool offers a few interesting insights into the relationship between the two women. In addition to speaking about design, they also shared bits of personal information about the war, their children and their own health difficulties. Shipman was known to have close relationships with her clients and these letters confirm a warmth and familiarity between Shipman and Marie. When making site visits, Shipman typically stayed in the houses of her patrons, a habit that helped facilitate the types of friendships she formed with her female clients. Several exchanges between Marie and Ellen regarding train shedules and visit dates, corroborate this type of relationship. The closeness that developed between Shipman and her clients was also fostered by the very act of designing the gardens. Judith Tankard, Shipmans biographer, speculates that gardens were a rare creative outlet for her clients: At a time when womens expressiveness was not encouraged at home or in the world generally, flower gardens provided female clients with sensous havens and a grounding link to seasonal rhythms and cycles. Shipmans power to facilitate the development of such gardens suggests that she may have played a highly charged emotional as well as aesthetic role in the lives of her women clients.1 Indeed, Shipman was willing to put aside her own aesthetic preferences in favor of a clients, or even to admit her own fault. In a letter to Marie about the planting for the pool area she writes: I am delighted that the hedge looks so well and I can see your reason for taking out the little jog. My reason for putting it in was to reduce the space of grass on either side of the pool which I thought had gotten into too big proportions, but as you are there you can probably see it all much better than I.2 The correspondence at the time of the swimming pool evidences a firmly established working relationship, one in which Marie and Shipman could exchange opinions openly and honestly. It is unfortunate that correspondence prior to 1940 has been lost; it would have been fascinating to have charted the development of this relationship during Springsburys design development phase.
1 2 Tankard, The Gardens of Ellen Biddle Shipman, 120 Correspondence. November 16, 1945. (courtesy of Cornell RMC Archives)
4
SPRINGSBURY FARM REPORT | PAGE 84
Images 1-4: Correspondence with Marie Greenhalgh, 1945. (Shipman Papers, Cornell RMC)
1
1 Farland, Mary. In the Shadow of the Blue Ridge, 93
Images 1-3 Shipman, Ellen. Drawings for Red Gate (Shipman Papers, Cornell RMC)
3
SPRINGSBURY FARM REPORT | PAGE 86
1 2 3
Kaliban, 24 Kaliban, 24 Casey Trees, LLC: http://www.caseytrees.org/about/casey-tree-farm SPRINGSBURY FARM REPORT | PAGE 87
APPENDIX
UPPER TERRACE CONSTRUCTION DRAWING
Shipman, Ellen. Construction Details for Terrace A. (Shipman Papers, Cornell RMC)
1935 SURVEY
McBond C., Walker. Topographic map of estate. July 23, 1945. (Shipman Papers, Cornell RMC)
Shipman, Ellen. Construction Details for Terrace B. (Shipman Papers, Cornell RMC)
Po
Po Po Po Po
Jv Mp Mp
Jv Jv Ma Ma Ma Ma Co Co Ma Co Ma Cc Cc Co Co Ma Ma
Jv
Jv Ma Pt Ma Ma Ma Co Co Co
Co
Ma
Ma
Jv
Jv
Jn
Qs
Cf
Ls Ma
Ma
Ma
Ps
As
Co Ma Co
Cc
Co Co Co Co Co Co Co Co Co Co Co
Co
Ma
Co
An
Pc
Fp Zs
Tc
Tc
Fp
Co Jn Gt Co Bs
Bs
Bs
DENSE MIX: Co Jn An
TREES:
OSAGE ORANGE (Maclura pomifera) REDBUD (Cercis canadensis) CHERRY (Prunus virginiana) EASTERN RED CEDAR (Juniperus virginiana) SWEET GUM (Liquidambar styraciflua) COMMON HACKBERRY (Celtis occidentalis) BOXELDER (Acer negundo) SILVER MAPLE (Acer saccharinum) BLACK WALNUT (Juglans nigra) HONEY LOCUST (Gleditsia triacanthos) GREEN ASH (Fraxinus pensylvanica) FLOWERING DOGWOOD (Cornus florida) JAPANESE YEW (Taxus cuspidata) BOXWOOD (Buxus species) WHITE MULBERRY (Morus alba) AMERICAN SYCAMORE (Platanus occidentalis) ZELKOVA (Zelkova serrata) BRADFORD PEAR (Pyrus calleryana) PRINCESS TREE (Paulonia tomentosa) OAK (Quercus species) Mp Cc Pv Jv Ls Co An As Jn Gt Fp Cf Tc Bs Ma Po Zs Pc Pt Qs
Japanese Anemone Aster Barr's Pink Iris Lord of June Persian Yellow Rose Peony Couronne D'Or Miss Lingard Peony Therese Pincushion ower Iris Ambassadeur Iris Snow White Regal Lily Japanese Lily Wormwood Winter Honeysuckle Hollyhock Summersweet White Rod Viburnum Early Tulip Peach Blossom Sugar Plum Sweet William Yellow Violas Alexander's White Common Violet Basket of Gold Dianthus 'Beatrix' Rock-cress Grape Hyacinth Feverfew Forget-me-not Morrow's Honeysuckle English Dogwood Japanese Snowball Bush Arrowwood
Ranunculaceae Anemone Asteraceae Iridaceae Iris Rosa foetida Paeonia Couronne d'Or Phlox carolina Paeonia lactiora Scabiosa caucasia Plumbago Iridaceae Iris Iridaceae Iris Lilium regale Lilium speciosum Artemesia lactiora Lonicera fragrantissima Clethra alnifolia Viburnum cassinoides Liliaceae tulipa Dianthus plum Caryophyllaceae dianthus Viola pennsylvanica Iberis sempervirens Viola odorata Dianthus plum Alyssum citrinum (?) Caryophyllaceae dianthus Arabis alpina? Azureum Myosotis arvensis Lonicera morroni Philadelphus coronarius Viburnum tomentosum Viburnum dentatum
24-36" 24-36" 24-36" 24" - 6' 3' 36-48" 36-48" 36-48" 36-48" 36-48" 36-48" 36-48" 4-6' 4-6' 4-6' 4-6' 4-6' 4-6' 6-12" 6-12" 6-12" 6-12" 6-12" 6-12" 6-12" 6-12" 6-12" 6-12" 6-12" 6-12" 6-12" 6-8' 8-10' 8-10' 8-10'
4-6' 12-15" 12-15" 4-6' 3' 18-24" 36-48" 18-24" 24-36" 12-15" 12-24" 12-15" ? 15-18" 6-8' 36-48" 4-6' 4-6' 3-6" 12-15" 3-6" 3-6" 12-15" 15-18" 12-15" 9-12" 12-15" 15-18" 3-6" 6-9" 4-6' 6-8' 15-20' 8-10'
light - full shade 5a - 8b light shade - full shade 5a - 8b full sun 3a - 8b shade tolerant 6a - 10a full sun 2a full sun 3a - 8b full sun 2a - 8b sun - part shade 4a - 8b sun - partial shade 8a - 11 full sun 3a - 8b full sun 3a - 8b full sun 3a - 8b full sun - light shade ? full sun 5a - 8b sun - part shade 4a - 8b full sun 3a - 11 full sun 3a - 9b sun - part shade 3a - 7b full sun 3a - 8b full sun 5a - 10b sun - part shade sun - part shade 4a - 7b full sun - part shade 3a - 9b sun - full shade 4a - 9b full sun 5a - 10b full sun 3a - 10b full sun 4a - 9b full sun 3a - 8b full sun 4a - 8b full sun 5a - 9b sun - full shade full sun - part shade 3b - 6b sun - part shade 4a - 8b light shade 5a - 9b sun - part shade 3a - 9b
late summer/early fall late summer - mid fall mid-late season mid spring late spring/early summer mid summer late spring/early summer repeatedly blooms repeatedly late early - midseason late spring/early summer late summer/early fall late summer/mid fall late winter/early spring blooms repeatedly mid summer/early fall mid spring mid spring blooms repeatedly mid spring - summer mid spring - early summer mid spring - early summer late winter - early summer repeatedly late spring/early summer late spring/early summer late winter/early spring late winter/mid spring late spring/mid summer mid spring - mid summer mid spring/early summer late spring/early summer mid spring late spring/early summer
Tatarian Honeysuckle Himalayan Cotoneaster Rose Dr.Van Fleet Hackberry Common Periwinkle King Karl Japanese Yew Buttercup bicolor?
Lonicera tatarica Cotoneaster simonsii Rosaceae Rosa Celtis occidentalis Vinca minor Iridaceae iris Taxus cuspidata Aconitum columbianum
8-10' 8-10' climber over 40' under 6" unknown up to 30' varies
full sun - part shade full sun unknown full sun - part shade full sun - full shade full sun sun - light shade full sun - part shade
4a - 10b 3a - 7b 6a - 10b 3a - 8b 4a - 8b 3a - 8b 4b - 8b 2a - 5b
late spring/early fall late spring/early summer late spring/early summer mid spring/mid fall mid summer mid summer - early fall
REFERENCES
REFERENCE BOOKS AND ARTICLES Brown, Stuart E. Jr. Annals of Clarke County Virginia,Vol. 1: Old Homes, Families, Etcetera. Berryville:Virginia Book Company, 1983. Print. Chrisman, Arthur Bowie, and Everard Kidder Meade. Clarke County 1836-1936: Historical Sketch. Berryville,Va.: Clarke Courier Press, 1936. Farland, Mary Gray. In the Shadow of the Blue Ridge. Richmond: William Byrd Press, 1978. Print. Gold, Thomas Daniel. History of Clarke County,Virginia and Its Connection with the War Between the States: with Illustrations of Colonial Homes and of Confederate Officers. [Berryville,Va.: Printed by C. R. Hughes, 1914. Griffith, Richard E, and William H Kerfoot. Early Estates of Clarke County : Comprising the Histories of Chapel Hill, Llewellyn, Springsbury, The Tuleyries, Montana Hall, Bellfield, Lakeville, Farnley, Fairfield and Audley. [Berryville,Va.]: Clarke County Historical Society, Carr Pub. Co., 1954. Hofstra, Warren R. A Separate Place: The Formation of Clarke County,Virginia. Madison: Madison House Publishers, 1999. Print. Tankard, Judith. The Gardens of Ellen Biddle Shipman. Sagaponack: Sagapress, Inc., 1996. Print. Tankard, Judith B. and Martin A. Wood. Gertrude Jekyll at Munstead Wood. Sagaponack: Sagapress, Inc., 1996. Tankard, Judith B. Ellen Biddle Shipmans New England Gardens. Arnoldia, Spring 1997: 2-11 Way, Thaisa. Unbounded Practice: Women and Landscape Architecture in the Early Twentieth Century. University of Virginia Press, 2009. Print. ARCHAEOLOGICAL / HISTORICAL REPORTS Kaliban, Maral S. Greenway Historic District. National Register of Historic Places Nomination Report. Richmond:VDHR, July 1993. Kaliban, Maral S. Springsbury Farm: Historical Report. April 2009. Rivanna Archaeological Services, LLC. Blandy Experimental Farm, University of Virginia Phase I Archaeological Investigations. Charlottesville, 2008. WEBSITES Casey Trees, LLC: http://www.caseytrees.org/ Daves Garden for photos/plant information Greenhalgh Family Tree. Ancestry.com Zelkova Serrata. Floridata. 4 May 2009
In a Michigan Garden, House and Garden, March 1927, 88-91. A Pool for Every Garden, House and Garden, June 1920, 26. Perrett, Antoinette. A Rose and Purple Garden in July, House Beautiful, July 1922, 21, 72. Piper, Adaline D. The Charm of Chatham, House Beautiful, April 1926, 437-41. Russell, Elizabeth H. A House on Beekman Place, House Beautiful, November 1927, 512-516, 568-69. To Link the Lawns and Garden, House and Garden, August 1930, 49, 55-57. Variety of Form and Abundance of Bloom within a Small Area: The Garden of Mrs. Henry V. Greenhough, Brookline, Massachussetts, House Beautiful, March 1931, 259-62. Warren, Dale. The Garden as a Frame for the House, House Beautiful, October 1926, 426-27. ELLEN MCGOWAN BIDDLE SHIPMAN PAPERS, #1259. DIVISION OF RARE AND MANUSCRIPT COLLECTIONS, CORNELL UNIVERSITY LIBRARY: Shipman, Ellen Biddle. Drawings and Papers, 1914-1946. [Ithaca, NY: Cornell University Library Division of Rare and Manuscript Collections]. Shipman, Ellen. Construction Details for Swimming Pool. 1945. (Folder 48) ____________. B.P. of residence. (Folder 48) ____________. Proposed sewage system. 1935. (Folder 48) ____________. Sewage Disposal Details. (Folder 48) ____________. Plan for layout of entrance court and service drive. (Folder 48) ____________. Construction drawing for bath houses. (Folder 48) ____________. Plan for swimming pool area. (Folder 48) ____________. Construction drawing for bath houses. (Folder 48) ____________. Plan of stable road and parking spaces. (Folder 48) ____________. Construction drawing of forecourt steps. (Folder 48) ____________. Plan for swimming pool area. (Folder 48) ____________. Detail of swimming pool gutter. (Folder 48) McBond C., Walker. Topographic map of estate. July 23, 1945. (Folder 48) Shipman, Ellen. Detail of dog watering trough. (Folder 49) ____________. Plan of stable road and parking spaces. (Folder 49) ____________. Construction drawing of forecourt steps. (Folder 49) ____________. Sketch. (Folder 49) ____________. Preliminary design plan. September, 1935 (Folder 49) ____________. Revised layout plan of entrance and service drives. October 1935. (Folder 49) ____________. Construction details for entrance walls. October 1, 1935. (Folder 49) ____________. Grading plan for terraces and entrance court. October 1936. (Folder 49) ____________. General design plan. December 1935. (Folder 49) ____________. Revised design plan. August 1936. (Folder 49)
____________. ____________. ____________. ____________. ____________. ____________. ____________. ____________. ____________. ____________. ____________. ____________. ____________. ____________. ____________. ____________. ____________. ____________. ____________. ____________. ____________. ____________. ____________. ____________.
Construction drawing for watering trough. (Folder 49) Construction plan and details of picket fence. (Folder 49) General plan for area around cabin. April 1937. (Folder 49) Wall sections. June 1937. (Folder 49) Construction drawings of walls. (Folder 49) Construction drawings of garage court gate. (Folder 49) Details of wrought iron post and rail. (Folder 49) Bulb planting plan for south terrace. September 1937. (Folder 50) Perennial plan for south terrace. September 1937. (Folder 50) Construction drawing of forecourt walls. April 14, 1937. (Folder 50) Plan around Hill House. Sepember 1937. (Folder 50) Revised drawing of service court. December 1937. (Folder 50) Tree, shrub and vine plan around house. September 1937. (Folder 50) Detail of post at bottom of east terrace stairs. (Folder 50) Construction details of Terrace A. May 1937. (Folder 50) Bulb Planting Plan for north terrace garden. September 1937. (Folder 50) Details of Garden Gate. July 1937, (Folder 50) Construction details of Terrace B. June 1937. (Folder 50) Plan for the Forecourt. September 1937. (Folder 50) Perennial Plan for north terrace garden. September 1937. (Folder 50) Detail of limestone cap for brick pias in forecourt. (Folder 50) Detail of wooden cap for brick gate ports in service court. January 1938. (Folder 50) Location plan of bath houses. August 1, 1945. (Folder 50) Construction drawing for swimming terrace. June 1945. (Folder 50)
____________. Garden Notebook (Box 10, Folder 15) ____________. Specifications for Gravel Road: Mrs. George P. Greenhalgh. July 8, 1935. (Box 9, Folder 8) Correspondence with Marie Greenhalgh, 1945. (Box 9, Folder 8) Print, Photographic. Ellen Biddle Shipman. (Box 10, Folder 8) Mrs. Ellen Shipman, Famous Landscape Architect, Thrills Hearers. Winston-Salem Journal. October 8, 1932. (Box 10, Folder 7) Preparation of Soil for Grass Terrace. (Box 10, Folder 8) Har-Tru Brochure (Box 10, Folder 11)