The long camera take has become the terra incognita of the modern documentary film, says Lucien Taylor. Documentary was born in the pleasures of watching such ordinary events as leaves shimmering in a tree or a train arriving at a station. The long take is a blank space in a practice that devotes itself almost entirely to other properties of the shot.
The long camera take has become the terra incognita of the modern documentary film, says Lucien Taylor. Documentary was born in the pleasures of watching such ordinary events as leaves shimmering in a tree or a train arriving at a station. The long take is a blank space in a practice that devotes itself almost entirely to other properties of the shot.
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The long camera take has become the terra incognita of the modern documentary film, says Lucien Taylor. Documentary was born in the pleasures of watching such ordinary events as leaves shimmering in a tree or a train arriving at a station. The long take is a blank space in a practice that devotes itself almost entirely to other properties of the shot.
Direitos autorais:
Attribution Non-Commercial (BY-NC)
Formatos disponíveis
Baixe no formato PDF, TXT ou leia online no Scribd