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The pronunciation of Japanese words is very simple in that there are only about fifty syllables in the entire language. Consonants are usually pronounced as those in English. The vowels are pronounced as follows:
A- ah as the a in father E- eh as the e in net I- ee as the i in Marine O- oh as the o in oboe U- as the u in rule Y- as the y in young AI- as in sign EI- as the a in say G as the g in great
COUNTING
ichi (each) ONE ni (knee) TWO san (sawn) THREE shi/yon (she/yawn) FOUR go (go) FIVE roku (row coo) SIX shichi (sheech) SEVEN hachi (hawch) EIGHT ku (coup) NINE ju (jew) TEN juu ichi (jew each) ELEVEN juu ni (jew knee) TWELVE juu san (jew sawn) THIRTEEN juu shi (jew she) FOURTEEN juu go (jew go) FIFTEEN juu roku (jew row coo) 16 juu shichi (jew sheech) 17 juu hachi (jew hawch) 18 juu ku (jew coup) 19 ni juu (knee jew) 20 ni juu ichi (knee jew each) 21 etc
TERMS
Ashi (ahshee) Foot or leg. Atemi (ah-tay-me) Punches and other sorts of strikes. Bokken (bow-ken) Wooden sword used in practice. Budo (boo-doh) The path or way of martial arts. Chudan (chew-dan) middle. Dachi (dah-chee) Stance. Dan (dawn) Aikido grade holder, black belt rank Dori (dor-ee) Grip. Dojo (doe-joe) The place where we practice Aikido. Place of the way Gaeshi (guy-eh-she) To reverse. Geri (gary) Kick. Gi (ghee) Training uniform. Gedan (gay-dan) low. Hakama (haw-kah-ma) A divided, pant-like skirt. Hanmi (hawn-me) A posture in which one foot is advanced one step and the body weight is distributed equally on both feet. Triangular stance. Hanmi handachi (hawn-me hawn-dah-chee) Nage (thrower) is kneeling and partner (the attacker), approaches from a standing position. Hara (har-ah) The center of existence. Lower abdomen, physical and spiritual center. Hidari (he-dah-ree) Left (direction) Hiji (he-gee) Elbow. Irime (ee-ree-mee) To enter, entering. Direct entry.
Jo (joe) Wooden staff, usually about 4 feet by 15/16 and usually made of white oak. Jodan (joe-dan) high Kaiten (kie-ten) To revolve or rotate Kamae (kamay) Posture, stance. Kamae-te (kamya-tay) Fighting stance, hands ready. Kata (kah-tah) A form or prescribed pattern of movement. Also shoulder Katate (kah-tah-tay) One hand (left or right). Kihon (key-hoen) basic. Kyotesuki (kee-yoh-tski) attention. Kyu (cue) Aikido rank, class. A mudansha or undergraduate. Maai (mah-eye) Distance between uke and nage, meaning harmony of space Matte (mah-tay) stop. Men (men) Face, head Migi (mee-gee) Right (direction). Musubi (moo-sue-bee) Tying up or uniting, blending. Nage (nah-gay) The person executing the technique (throw). Also known as Tori. Obi (oh-bee) Belt. Omote (oh-mo-tay) front. Moving in front of your partner. Randori (ran-door-ri) Multiple attacks. Free-style training. Rei (ray) Salutation, bow Sempi (sem-pie) Senior student. Sensei (sen-say) Teacher, instructor. Seiza (say-zah) Formal sitting position
Shiho (she-ho) Four directions. Shikko (she-ho) Samurai walking. knee walking. Shodan (show-dawn) Holder of the first grade black belt. Showmen (show-men) Front or top of the head. The alcove at the front of the dojo, considered a sacred space, to which we pay respect in aikido-practice . Sutemi (sue-tay-me) A hard fall; literally meaning to throw or sacrifice the body. Suwari waza (sue-wah-ree wah-zah) Sitting techniques. Suwatte (sue-wah-tay) Sit down. Tachi waza (tah-chee wah-zuh) Sanding techniques. Tai sabaki (tie-sah-bach-key) Strategic body movement. Tanto (than-toe) Wooden knife. Te (tay) Hand. Tegatana (tay-gah-tah-nah) Hand blade. Sword edge of the hand. Tenkan (ten-kahn) Indirect or outside entry. Body makes complete turn around attack. Toi-mai (toy-my) Distance of more than a step. Tori (toree) The person executing the technique. Also known as Nage. Uke (ooh-kay) The attacker, receives the technique. Also, to block. Ukemi (ooh-kem-me) Breakfall; the art of falling away from harm. Ura (ohh-rah) back; behind. Moving around or behind your partner. Ushiro (ooh-she-row) Back, behind, rear. Waza (wah-zah) Techniques or skill. Yame (ya-may) return to starting point after kata. Yokomen (yoh-ko-men) Side of the head.
Yoi (yoee) Ready. Yudansha (you-dawn-sha) Black belt grade holder(s). Zanshin (zahn-shin) Connection.
AIKIDO DEFENSES
Ikkyo (ee-kyoh) (1st wrist technique) Controlling your partners center through the arm, as well as pinning the arm flat on the mat. [Lit., first teaching or first principle]. Nikyo (nee-kyoh) (2nd wrist technique) Bends partners wrist in two angles and cuts through the center of the body making him/her drop to the ground. [Lit., second teaching or second principle]. Sankyo (sahn-kyoh) (3rd wrist technique) Which holding partners tegatana, cuts to the empty point of the rear triangle. [Lit., third teaching or third principle]. Yonkyo (yon-kyoh) (4th wrist technique) Control/throw using pressure point near partners wrist. [Lit., fourth teaching or fourth principle]. Kote gaeshi (koh-tay-guy-shee) Throwing partner by folding the hand back over the wrist. [Lit., small hand (kote) turn over (gaeshi)]. Shiho nage (shee-hoh-nah-gay) Four direction throw. [Lit., four (shi) direction (ho) throw (nage). Kaiten Nage -- throwing partner as if they were a big wheel. [Lit., rotation (kaiten) throw (nage)]. Tenchi nage (ten-chee-nah-gay) One hand down towards the mat, the other up towards the sky. [Lit., heaven (ten) earth (chi) throw (nage)].