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Kanada
Malkauns, also known as Malkosh, is one of the
most standard, simple, yet profound ragas. It is
regarded by many as having numinous powers,
such as the ability to attract djins. It is treated
with great respect by many musicians, and
would never be performed outside of its appoint-
ed time of early night.
Its scale is one of the simplest:
A chalan:
Bhimpalasi is one of the most beautiful ragas of
the late afternoon.
Chalan:
Dhani is a simple, but not ferquently performed
rag. Its similarity to Bhimpalasi and Soha Kanada
may be the reason. It has a forceful and restless
mood, and is usualy played in a fast tempo.
Chalan:
One of the most beloved ragas of all, and the most
often performed of the rainy season rags, Desh
(also known as Des) should not be confused with
Desi Todi. The name means 'country' or 'land' and
rag Desh is suitable for a wide variety of styles,
from very plain to very complex and subtle.
chalan:
Lalit, whose name means 'beautiful', is the first
raga of the morning. It is unique among ragas in
that the two forms of ma are freely used consec-
utively.
chalan:
Mian-ki-Sarang is the most complex raga of the
sarang family. It is one of the only ragas to use
bot the Ma-s and Ni-s consecutively. As its name
indicates, it was allegedly composed by Mian
Tansen.
chalan:
This rare and obscure raga uses the same notes
as the popular raga Puria Kalyan, but in a more
restricted way. It also has similarities to both
Marwa and Puriya.
Three chalans:
Also called Kedara, this raga is characterized by
the dominance of shuddh ma and the interplay
between both the forms of ma.
chalan:
Madhu-Malati can be thought of as an expanded
version of Madhuwanti, one which uses both
forms of ma and ni.