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com ==== ==== Just what Equipment Do You Need For Recording? The improvement of technology as well as the capabilities within digital music not only allows for different sounds and formats to be on the market, but is furthermore creating a location where musicians can record for themselves. If your ready to record, you can set up a space that works for what you need and start moving towards getting your sounds on CD. Following are some of the must haves in order to get your recording studio up and recording. Software and a computer. There are a lot of options that are available with software, but you want to make sure that you have it. This is the brain center of your recording studio and will do more for you and your music than anything else. With your computer, also make sure that you have a lot of memory and power that can easily store and keep up with the recordings. Foam. One of the most important parts of your recording studio is to make sure that it is sound proof. It's easy for your instruments or voices to bounce off the wall, causing an echo when you record. Recording foam will deaden the sound and allow you to record what you need without the bounce back. Keep in mind that, depending on the room size and the acoustics, you may not have to foam the entire room. Mixer. In order to get the sounds from the instruments into the computer, this is your tool. Make sure that you have enough inputs and outputs to record all of the instruments that you want at once. Pre-amps. If you really want some good sound, don't just plug your instruments into the mixer. Instead, you should get pre-amps into the mix. This will allow for instruments, such as guitars and basses, to keep their best sound, then go into the mix board. For example, if you want a bass to have a certain resonance, you can set it up on the pre-amp, without it changing the main sound of the guitar, as it would if they were both plugged into the mix board. Monitors. You will need special speakers for after the recording in order to make sure that you have everything set together right. Monitors will help you to hear both the high and lows of your recording and make sure that it all blends together correctly. Some prefer headphones over monitors; however, if you choose this option, make sure that they are recording head phones, designed in the same way as monitors. Microphone Equipment. It would be nice if you could just set up a regular microphone for recording, but it doesn't work that easily. You will need to get a recording microphone, which will catch all of the sounds from the voice on every side. Attached to the microphone should be a popper, which will stop the hard consonants from recording and muffling the recording. Compressor. This is an option for recording, but shouldn't be overlooked. This is specifically used for vocals, and allows the waves in the voice to not reach certain peaks. Instead, it is compressed

to equal the rest of the waves. You can then adjust the voice to match the other instrumentation as you go. Starting with this equipment will allow you to have the basic boosts that you need in order to cut your first recordings. Of course, you can always add in extra equipment, or take away other equipment, but with the above, you can get a good start to a basic and complete home recording studio.

Understanding Acoustics With every turn of the knob on a mixer or mastering tool is also a certain application of acoustics with the recording. If you can grasp the acoustics of recording and how it works with the development of your particular sound, you will also have more capabilities in recording and how you are able to portray the audio sounds that you are creating. Acoustics begins with the vibration of air, or in some instances, an electronic device. With natural acoustics, the air moves through a certain compartment, such as an instrument or the voice. The more the vibration of the air moves, the more sound it is able to create for the instrument. This is what leads to the sound waves, which are more re-creations of the vibration of air that is moving through the space that it is in. The vibration of air is what causes various acoustics to respond in a given space. It is also the simple concept of air vibration that leads to specific ideals about how to set a recording studio in order to take in the right sounds to record. Understanding how to control acoustics becomes the basis for setting up a recording studio as well as the main concept in controlling sounds as they are recorded. When a sound is made through an instrument, it has a variety of levels of air that it hits and causes to vibrate. At one level, we hear this as a note that is played through the sound. However, the acoustics can take on different capacities in producing different sounds that are not heard. The first sound that is produced comes from the environment in which the sound is played. If the room is larger, has further ceilings and is spacious, the sound will bounce against the walls. This will cause the sound to move faster, become louder and to resonate throughout the area. For recording, this is why the walls are deadened and smaller spaces are created. If there is the echo effect in the song, it can begin to sound like the beats are off. Another way in which acoustics change the sound is through resonance. This is when the vibration of the sound is heard, even when the note is no longer being sung or played. This resonance can continue to move as long as the vibration of air continues to hit the particular area. Most of the time, resonance will be a filtering off of the initial sound as the vibration of air continues to slow down. In recording, this resonance is also muffled through the sound proof rooms in order to create a clearer sound. The last part of acoustic sounds is the concept of overtones. Even though we only hear one note that is being played or sung, this is not the only note that is in the air. Acoustics create a vibration of sound waves that continue to resonate and vibrate at different levels. These will be pitches that

are created above the original pitch, with specific spacings in the pitch. While they are not heard, they still create an effect on the ear with the sound vibration that moves through the air. This also makes a difference in recording, as the overtones can create a different effect and can be recorded as a wave file. This may cause differences in peaks as well as basic sounds that are heard in the piece. With the understanding of these acoustic ideas is also the ability to control it within the recording studio. Each of these areas are 'sound proofed' at certain levels. This is to allow the audio to move into the recording area as a pure wave file, which will then stop the acoustic sounds from muffling, echoing or changing the sound that is intended to be heard in the recording. When defining acoustics and recording, there are a variety of perspectives to consider that relate to sound waves and how they work. By understanding these perspectives, you can create a recording area that is more conducive to muffle certain acoustics and to let others resonate through the air.

Software Options For Recording Once you get into the recording studio, there are several options for software that you can use in order to get your sound exactly right. Knowing what your options are for software and finding those that best fit what you need can help you to produce the CD that you want and get your sound waves in the right order. Following are options that you can use when deciding what the best software is for your recording. 1. MIDI. This is a basic software application that is used for recording needs as well as for sound fonts. It comes with the sounds and orchestration patches for the recording with a digital audio area that is built into the system. Because this is lower budgeting, it has some inabilities for editing and for the stereo sounds that you might need. 2.Adobe Audition. This is a basic application that can be used for the entire process of recording. While this specific software option also has some limitations, it is accessible with it's ease of use and can provide accurate results for professional mixing and mastering. 3.Band in a Box. This is a Macintosh application that is known to work well for beginners or for those who are limited in what is being recorded. This is because it has the capability of creating immediate tracks once a certain chord or set of chords is entered. This allows those who have not put together arrangements to use these basic structures before progressing to the next part of the recording. 4.Cakewalk. This specific type of software was created for Macintosh, then evolved into a separate application for Windows. This is known to have the basics for mixing and mastering as well, and carries it's audio options through MIDI. 5.Fruity Loops. If you are into DJ tracks, loops and patterns, this is the specific program to use. While this has some recording capabilities, it works better as a loop mixing area for the musical pieces you are putting together.

6.Vegas. This program is similar to Adobe Audition in the way that it pieces together separate tracks as well as the capabilities for mixing and mastering. The tracks in this program are easy to pre-mix and mix, especially with individual track options and configurations that you can use for the program. 7.Cubase. The large benefit of this particular program is the ability to have unlimited numbers of VSTs, or orchestration patches. It also offers more tracks than the programs such as Cakewalk. One of the other benefits of this program is the ability to add on other programs in order to make it more conducive to your particular music. 8.Studio Vision. This is another Macintosh program and is known to be one of the high end options in software. It's capabilities include a variety of writing for music and allow you to control every part of your musical pieces. 9.Reason. This is another program that is built around finding rhythms, loops and specific tracks. While it offers a wide range of capabilities in placing together pieces of music, it has become more popular among Djs and those who are looking for defined back beats. 10.Pro Tools. This particular choice is one that is known among most professionals as the best software out there. It contains a wide variety of VST options as well as the ability to completely control and manipulate the music that is being worked on. If you move into Pro Tools, you can expect to go through a longer learning curve as there are a wider variety of details and choices for recording. It can be seen that each of these options carries choices in terms of how much you control the music you are making, strengths and weaknesses, sound options and tools that work the best. By knowing the applications, you can easily begin to use the software in a way that best fits your production.

Tips To Getting Everything Balanced Correctly The entire process of recording a CD is based on one thing; balance. Whether you are recording, mixing, mastering or putting in the final touches, this is always the perspective that you will be using to piece everything together exactly right. By keeping some general concepts in mind every step of the way, balancing your songs can become an easier process during recording and engineering. Following are some tips that you can use as you move through the process. 1.Volume levels. If something seems off with the instrumentation at any stage, check the volume levels first. This will allow you to hear what is really going on and to balance it out correctly. This goes for certain waves that can have volume envelopes as well as instruments and the mix of all of the instruments together. 2.Frequencies. If you are stuck with sounds in your process of recording, check and see if you have checked your frequencies lately. Every wave comes with low, medium and high frequencies. If one of these is distorted or too high, it can through the rest of the instrumentation off. 3.Automated Set-ups. One of the popular ways for engineers to become frustrated with finding

balance or not finding balance is what is glanced over. Often times, software allows you to create automatic settings for instrumentation. Make sure that this is turned off if it doesn't fit right so that you can have the right balance. 4.The waves. In the end, everything comes down to the wave files. Balancing will always include where the waves peak, where they are too low and how they can reach a normalized sound. Making sure that your waves stay leveled at every step will keep everything even throughout the recording process. 5.Keeping it simple. One of the mistakes of new recordings that are still experimenting with the tools is to go too far with what is being done. As nice as it is to add in the extra effects, make sure that this doesn't throw off any part of the balance or cause you to loose the right sound with your song. 6.How close is it to the middle? This is along the same lines of frequencies, but has to do with the overall effects. Whether you are working with sound waves or with the entire line of instruments, make sure everything is close to the middle with your sounds. 7.Check the instruments. One of the ways to make sure that the balance is on is to make sure that everything is even with the different instruments. Many times, it will be one instrument that throws the other instruments off and causes the song to sound too high or too low. Using formulas and balances within the individual instruments first will help you to get the right balance later on in the recording process. In the end, checking your balance within your recording will help you to get the right sound for your instrumentation. At all levels, balance with the wave files applies and helps to make the correct end product. Checking some of the basic parts that are in the recording process will help you to get everything in order and to keep it in the right space with the recording track.

Tips And Tricks For Recording Your Voice It's finally time to put the voice into sound wave format. Before you start singing your favorite notes, you will want to make sure that everything is set up correctly. The voice is the trickiest part of recording as well as the very last step to getting everything in correctly. Before you begin, know exactly how to approach your notes. Your first step to recording your voice is to not record your voice. This means that you will want to have everything else exactly like it should be. The rest of your instrumentation should be completed, including everything from the layering of instruments to the mixing. Putting the voice in before you have anything else done will cause slight confusion in the end from all musicians and may cause some parts of the track to be off. After you have everything set, prepare your recording studio in the correct way for voice. This means that you should have an enclosed space to record, which doesn't cause the voice to bounce off the walls from the resonance. The microphone should be set in place to pick up all sides of the voice, but should be able to muffle the rest of the sounds in the room. The more enclosed and deadened the sound, the easier it will be to capture the voice. One of the important parts of recording the voice is linked to the peaks in the voice. It is easy for a

vocal sound to peak, meaning that the sound wave goes past the maximum and into a 'red zone' of volume. You will want to prevent this from happening and keep the voice condensed in a specific area. Remember, it is always easier to get louder, but it is harder to get softer. For this purpose, compressors have been created. This is set into the microphone and compresses the sound wave before it is recorded into the software. Always check the compression of the voice and the peaks that it has so that you have room to work with the volume. From this point, it is a matter of putting the right mixes in for the voice. Equalizers, or EQs will help to get the right sounds of the high and low frequencies in and should always be set on the mixer as well as within the software. You will also want to consider things such as noise gates, which stops the sound from resonating before it is recorded. If the voice naturally resonates, the noise gate will have a cut off point where the resonance will stop, making everything clear instead of sounding like it echoes. After the voice is recorded, you can use it like you would any other instrument. This means that you can normalize the sound waves so that it matches with the other instruments in volume and gain. This also means that you can allow the volume to mix properly. One of the greatest sets of tools for the voice is being able to manipulate the sound, which can be done after the normalization is complete. Reverb, flanges and other vocal tools can add back into the voice what is taken out for compression. This will depend on the type of voice and the effect that you want to have. For example, if the voice has a slight accent or already has a strong resonance, reverb will make it sound like an echo. A clearer voice; however, will add in a little sparkle to the mix. You will want to analyze the type of voice you are working with before you add in the mix and will want to take some time to experiment with your options. If you follow this simple sets of rules, recording the voice can move from being the hardest and most complex part of recording to being the simplest step in putting together all of the sounds. Giving yourself room to experiment with the voice and understanding what it needs in order to work right will allow you to get the exact results every time.

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