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FUTURES 2008
International Colour T rends
COLOUR
COLOURFUTURES 2008
TM
TM
This ColourFuturesreference manual is and remains the property of Imperial Chemical Industries PLC and is loaned on condition that it is used solely to specify products manufactured and/or supplied by ICI and its affiliates and on condition that it shall be returned to Imperial Chemical Industries PLC on demand.
www.icipaints.com
The ICI roundel, Colour Palette, Master Palette,ColourFutures and the distinctive three-leaf colour spectrum symbol are trademarks of ICI. Copyright and Database right ICI 2003.
We have reproduced paint colours as faithfully as print will allow. However, the shape, size and lighting of a surface can influence the appearance of the final colour.
ICI Paints
International Marketing Department Wexham Road, Slough Berkshire, SL2 5DS, United Kingdom Tel +44 (0)1753 550 000
Paints
Paints
Paints
CONTENTS
OVERVIEW
TheColourFutures team introduces you to forecasted colour trends for 2008
WELCOME 02 INTERNATIONAL COLOUR TRENDS 04 TREND MOVEMENTS 06 COLOUR FAMILIES AND THEMES EXPLAINED 08 COLOUR FUTURES TEAM 10
COLOURTHEMES
These five key lifestyle themes have been submitted by the ColourFutures teamfor 2008:
GROWING RESPECT 14 EBB & FLOW 20 ART FORM 26 HIDDEN BEAUTY 32 EXPLORER 38
COLOUR OF THE YEAR 2008 44 COLOUR TRANSITIONS 48 REDS 50 ORANGES 52 YELLOWS 54 WARM NEUTRALS 56 GREENS 58 BLUES 60 VIOLETS 62 COOL NEUTRALS 64
REFERENCE
An understanding of the science behind colour and useful colour reference details for the 2008 palette
02
04
2004
2005
2006
2007
2008
TREND MOVEMENTS
Over the past five years we have seen a significant shift in the colours that reflect the prevailing mood of the times or essence of the year (see above). The soothing turquoise of 2004 summed up our need for a rebalancing between mind and body as encapsulated by the theme spa spirit. In 2005 this became a more life enhancing orange symbolising vitality, optimism and mental wellbeing. 2006 featured a restorative and authentic yellow green with a strong ecological, natural bias, whereas the masculine pink of 2007 heralded a new move in the direction of contemporary design, architecture and urbanism. The yellow of 2008 has elements of all the previous four years respect for the past and optimism for the future; the balance of mind, body and spirit; urban living and communication.
To clarify what a trend is, it is helpful to look at the difference between a hype, a fashion and a trend (see opposite). A hype is something that emerges suddenly, takes a group of people by storm and then dissipates rapidly. Hypes are generally born unconsciously and come from some inner drive to be accepted by ones peers, to belong. A fashion is more current and is usually followed consciously through clothes, toys, food and certain aspects of lifestyle. Trends, on the other hand, are drifts, inclinations and movements in a prevailing direction.
IMPACT TIME
06
08
TM
The ColourFutures team is a group of international colour consultants, both internal and external, to ICI Paints. They are the recognised experts within our organisation,responsible for watching and scanning a wide range of industries and environments in order to plan and forecast colour trends. The ColourFuturesteam formally meets once a year to exchange colour news, experiences and views, followed by intensive discussions regarding the direction of colour. Work culminates in comprehensive collections and concepts illustrating their selections it is published one year ahead in ColourFutures.
1 0
THEMES
75 colours have been used to form what the ColourFutures team considersto be the five main lifestyle trends for 2008. The colour of the year appears in more than one theme.
GROWING RESPECT
EXPLORER
1 2
hidden beauty
2008 FUTURES
International Colour T rends
COLOUR
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GROWING RESPECT
ART FORM
HIDDEN BEAUTY
EXPLORER
1 5
GROWING RESPECT
ART FORM
HIDDEN BEAUTY
EXPLORER
1 7
GROWING RESPECT
COLOUR PALETTE
40YY 77/242
30YR 14/365
G 50B 44/094
70YY 73/288
70YY 59/ 5 48
44 40YY 34/ 6
16 40YY 64/ 5
43YY 81/051
90YR 25/323
4 3 20YY 53/ 2
15 50YR 10/ 1
10GY 40/296
17 50GY 18/ 8
GROWING RESPECT
IMAGERY
www.blueforest.com
2008 FUTURES
International Colour T rends
COLOUR
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GROWING RESPECT
E B B & F LO W
ART FORM
HIDDEN BEAUTY
EXPLORER
2 1
tion and a fascina al th a necessity ination in practical, spiritu ts of , bo ays has been ur collective imag spec alw olecular a Water is, and peaks to o ility ired by the m r mankind. It s terms. This theme is insp r and reflectivity and its ab eauty. fo bolic olou and b xity ent, c and sym lptural comple s of its movem water in term organic forms of great scu lities and to carve out ction are qua alike. ncy and refle and creators ity, transluce Fluidity, liquid s that fascinate designers an be created that resists characteristic ion of form and material c elded together in A futuristic vis re form and function are w ay of new synthetic rr nostalgia he d the imagination via an a grammes. reality an design pro ed both imming pool is computer-aid materials and e of the Beijing Olympic sw in 2008. e b The water cu icant image that we will se if e in the the most sign is taking plac heart of nature esign, sustainable om the s A revolution fr mentally conscious d tural harmonic on form of envir d bio-engineering the na eabed is n es architecture a mbiotic bio-diversity of th ter is the great y a s . Spiritually w and the lush, to urban living t being brough and purifier. cleanser jects healer, or design pro ting and interi ew concepts iture, ligh Innovative furn ater in order to create n ence. yw tional transluc are inspired b lecular str ucture and func anemones and a mo of fluid form, atures such as jellyfish, se duct pro a cre creative Likewise se inspiration for tics the corals are the lighting, textiles and plas e, as is the living in glass, portanc developments ic form is of paramount im growth. an d undulating, org membranes and calcinate tched ales and idea of stre of aqueous p ed of an array d deeps and touches of compos The palette is sted by subtle, dapple orary a ultra contemp ntr mid-tones co rity. These shades are both allow that g cla light reflectin yering of tones and hues a la and timeless swim free. on to our imaginati
GROWING RESPECT
E B B & F LO W
ART FORM HIDDEN BEAUTY EXPLORER
23
30YY 72/018
COLOUR PALETTE
80YR 65/185
99YR 82/029
30BB 18/190
10BB 07/150
90BG 72/063
90GG 73/062
10BB 83/014
10BG 54/199
70BG 70/113
90BG 38/185
30YY 71/073
90YY 67/117
70GY 63/098
50BG 32/114
50BG 12/219
GROWING RESPECT
E B B & F LO W
www.koziolpsheres.com
IMAGERY
www.surfacetiles.com
21 25 25
2008 FUTURES
International Colour T rends
COLOUR
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GROWING RESPECT
ART FORM
HIDDEN BEAUTY
EXPLORER
27
This theme is inspired by the Modernist movement of the last century and Bauhaus in particular. In both design and architecture, simplicity of form was married to practical but aesthetically pleasing functionality no division existed between art and design. Much contemporary design overwhelmingly embraces both the spirit and the philosophy of Modernism and its abstract architectural idiom. Artists such as Albers, Scully and Mondrian inspire this more cerebral and structured approach to interior design and architecture. While minimalist in concept it is, however, a far cry from the staged Zen-like images of the recent past. Here the subtle interplay of tone and hue allow for this minimal concept to be softened without having to compromise on its principles of simplicity, linearity and spatial ow. The mood is one for serious design acionados sleek, chic and cool. The look is very urban in feel, whether created via contemporary architectural projects or the reoccupation of the disused industrial zones of our cities. Residential spaces are being crafted from old industrial landscapes in order to create ever more challenging and exciting spaces for living and for working artistic communities. The graphic and linear character of much modern furniture is well-suited to this slightly masculine and tailored image this is enhanced by the use of colour blocking. Colour is used to express and define, to blur the edges of spatial delineation and to play games with our perception. The palette is introspective and restrained, sophisticated and expressive, but never cold. Warm dusty greys are offset by hints of yellow lemon, mustard and mimosa. Their use is disciplined and the overall effect is one of seamless, open and welcoming simplicity that offers a visually challenging concept of stillness.
ART FORM
HIDDEN BEAUTY EXPLORER
29
COLOUR PALETTE
60YY 71/409
30YY 68/024
40YY 63/473
00NN 37/000
30YY 20/193
40YY 67/087
40YY 49/408
00NN 62/000
71YY 87/078
70YY 66/265
20YY 53/124
70YY 55/299
90BG 16/060
30YY 10/038
10YY 35/094
72BG 75/023
ART FORM
IMAGERY
2008 FUTURES
International Colour T rends
COLOUR
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GROWING RESPECT
ART FORM
H I D D E N B E AU T Y
EXPLORER
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Veiled,halfhidden, slightlymysterious layered , , glimpsedareallveryinfluentialdesign concepts.Anowyouseeme,nowyoudont approachtopatterningisapparentsheerfabrics whosedesignonlycomesintofocusastheycatchthelight, ceramicswithembosseddecorationthatcomesandgoes, cut-outsandfretworkthatcometolifeaslightpenetratesthem, objectsthatarewrappedinstretch gauze-likefabricsormembranes. ,
Ourfascinationwithsexualambiguityisbeingreflectedinadesignlanguage thatmixesoppositesandcreatesanaturalbalancebetweenmasculineandfeminine. Asubtleanddiscreetmarriageofmasculinematerialsandfeminineformscreatesa sensualdesignethosthatisbothornamentalandcontemporary . Theexpressionofthisthemeisrefinedandrestrained,respectingnaturalformsand materialsbutalwaysimbuedwithanallureoffemininebeauty Thiscreatesalookthatis . sensualandintriguingafarcryfrommuchoftoday brutaldesignandarchitecture. s DesignersKarimRaschidandArikLevyandarchitectsZahaHadidandHasanFathyhave agoodunderstandingofthismarriageofsensualityandinnovation. Naturallyinspiredformations,suchassculptedsanddunesanddesertlandscapes, influencefurnitureandfabricsalike;thehiddenbeautyoftheinsideofanagate orgemstonereflectsamoodofsensualsurprise.Hardedgesandstridentcolourare bannedinfavourofmorefluidformsincosmetictones. Thepalettecombinestherichandsensuousdesertreds,brickandcoralswith thedelicateshadesofsand,pearl,chiffonandshell.Overwhelminglywarmthese coloursneverthelessretainasenseofrefinementandsophisticationusedin layersorinsubtlecombination,theycreatealookofsoftexoticism. Skintones nudepinksandrichbrownsgiveanewtakeontheneutral , palettethatcanbeenlivenedandenrichedbytheuseofbeading, braidingandembossing.Animalskinsandleatherstake onaluxuriouspearlescentshimmerwhilewoodcomes aliveinsinuoussculpturalshapes.Afeminine feastforallthesenses.
H I D D E N B E AU T Y
EXPLORER
35
hidden beauty
5 R 12 6 0 R1/ 8
90 R3 / 0 Y 62 3
5 Y 82 3 0 R1 / 2
00 Y7 / 8 Y 60 8
3 Y 4 / 9 0 R 90 7
COLOUR PALETTE
9 Y 6/ 8 0 R 70 5
8 Y 4 /0 0 R 41 1
1 Y 7 /7 0 Y 212
6 Y 4 / 9 0 R 02 7
90 R1 / 9 R 60 5
1 Y 2/ 2 0 R 73 3
1 Y 34 7 0 R1 / 3
9 R 0 / 1 6 R 8 31
4 Y 7 / 5 3 Y 80 3
7 R 0 / 00 0 R 71
GROWING RESPECT
ART FORM
H I D D E N B E AU T Y
EXPLORER
ornamental
feminine
sculpted
sensual
refined
exotic
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IMAGERY
www.helenamymorray.com
2008 FUTURES
International Colour T rends
COLOUR
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GROWING RESPECT
ART FORM
HIDDEN BEAUTY
E X P LO R E R
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GROWING RESPECT
ART FORM
HIDDEN BEAUTY
E X P LO R E R
41
EXPLORER
40YY 63/473 90YY 48/500 30YY 64/149
90GG 30/195
80YR 34 /468
29YY 84 /067
30YR 40/061
COLOUR PALETTE
10YY 46/515
14YR 10/434
90RR 28/245
80RR 07/260
70BB 65/066
10RB 21/218
90RR 08/129
50BB 11/321
56RB 09/302
COLOUR O W I N G R E S P E C T AND B B & F L O W NATURALO R M MIX G R THERAPY E MATCH A R T F STRUCTURED D E N FLAVOURS OF HOME HI BEAUTY
CONNECTION POINT
E X P LO R E R
43 25
IMAGERY
2008 FUTURES
International Colour T rends
COLOUR
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40YY 63/473
40YY 63/473
48
2005
2006
2007
2008
Reds transition
A move towards more mature and womanly reds the paler pinks have strengthened into deeper tones but have retained their softness.
REDS
ORANGES
30RR 08/044
90BG 17/090
30RR 08/044
90BG 17/090
YELLOWS
50RR 11/286
14YR 10/434
90YR 67/085
WARM NEUTRALS
80RR 07/260
96RR 08/311
10YR 13/437
99YR 82/029
GREENS
90RR 08/129
90RR 28/245
10YR 27/323
30YR 49/097
BLUES VIOLETS
reds
COOL NEUTRALS
Thoughtful and contemplative the newest shades are deep, rich and soft, adding a touch of luxury and sensuality. In contrast the palest skin tones add a new dimension to the natural palette secret, delicate and womanly. Mid-tone brick and desert shades have a mature warming effect owing to the influence of yellow enveloping shades to excite the senses.
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2005
2006
2007
2008
Oranges transition
A move towards the tones of earth and sand organic oranges provide comfort and warmth while still being spiritually uplifting.
REDS
ORANGES
30RR 08/044
90BG 17/090
30RR 08/044
90BG 17/090
YELLOWS
80YR 65/185
00YY 76/088
WARM NEUTRALS
60YR 40/297
80YR 34/468
10YY 72/172
GREENS
30YR 14/365
10BB 07/150
BLUES VIOLETS
oranges
The strength and beauty of the earth gives us robust colours of great character copper, brick and rust. Gone are strident and zingy shades in favour of those connected to ecology and the environment sand, coral and shell. Palest peaches and apricots have the look of expensive soaps and cosmetics feminine, delicate and refined.
53
COOL NEUTRALS
2005
2006
2007
2008
Yellows transition
A move towards the true heartland of yellow radiant and enlightening shades with a sense of optimism and artistic expression.
REDS
ORANGES
30RR 08/044
90BG 17/090
30RR 08/044
90BG 17/090
YE L LO W S
40YY 77/242
43YY 78/053
71YY 87/078
WARM NEUTRALS
20YY 53/423
40YY 63/473
60YY 71/409
70YY 73/288
GREENS
10YY 46/515
40YY 49/408
10BB 07/150
BLUES VIOLETS
yellows
Soft golds give a warm optimistic radiance to the palette symbolically and physically precious and illuminating. Acidic and mustard yellows add an intellectual and artistic accent modern, urban and expressive. Ultra pale cream and ivory impart an uplifting classical note shades of timeless beauty, stillness and enlightenment.
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COOL NEUTRALS
2005
2006
2007
2008
REDS
ORANGES
30RR 08/044
90BG 17/090
30RR 08/044
90BG 17/090
YELLOWS
29YY 84/067
80YR 44/101
20YY 53/124
40YY 64/165
WA R M N E U T R A L S
50YR 18/223
90YR 36/203
30YY 71/073
43YY 81/051
GREENS
50YR 10/151
90YR 25/323
30YY 64/149
40YY 67/087
BLUES
warm neutrals
These hopeful and balanced neutrals reflect the concerns for the environment and its woodlands bark, twig and nut. Deeper shades have a soft strength that remains warm and welcoming reassuring, secure and sheltering. The ultra pale neutrals reflect balance and beauty symbolic shades that represent the building blocks of life.
2005
2006
2007
2008
Greens transition
A move towards true botanical greens reflects our concern with the environment mid-toned leaf green retains both softness and clarity.
REDS
ORANGES
30RR 08/044
70YY 66/265
90YY 48/500
90GG 30/195
YELLOWS
10YY 35/094
70YY 59/485
90YY 67/117
70GY 63/098
WARM NEUTRALS
30YY 20/193
70YY 55/299
10GY 40/296
GREENS
40YY 34/446
50GY 18/178
BLUES VIOLETS
greens
A full range of botanical and vegetable shades that is respectful of the cycles of nature bud, shoot and leaf. Healing greens are reminiscent of aloe, cactus and herbs, soothing both the mind and the eyes spiritual refreshment for all the senses. Sharper modern shades are very fashion influenced they give a creative and cultural edge to this sustainable and regenerative palette.
59
COOL NEUTRALS
2005
2006
2007
2008
Blues transition
A move towards deeper teals that are influenced by green these shades have both an aquatic and luxurious image that is very sophisticated.
REDS
ORANGES
90GG 73/062
50BG 12/219
10BB 07/150
90BG 17/090
YELLOWS
50BG 44/094
10BG 54/199
90BG 38/185
30RR 08/044
WARM NEUTRALS
50BG 32/114
70BG 70/113
90BG 72/063
30BB 18/190
GREENS
90BG 16/060
72BG 75/023
50BB 11/321
B LU E S VIOLETS
blues
COOL NEUTRALS
A wide range of aquatic tones are influenced by ocean depths and sparkling streams reflective, contemplative and fluid. Delicate luminescent pales reflect the translucent beauty of jellyfish and living corals they exhibit a timeless, ethereal beauty. Deeper, darker shades have a high-fashion influence cobalt, aqua and teal create sumptuous and luxurious interiors.
6 1
2005
2006
2007
2008
Violets transition
A move towards truer purples that are slightly bluer than last year deeper shades inspired by rich and opulent fabrics.
REDS
ORANGES
30RR 08/044
90BG 17/090
30RR 08/044
90BG 17/090
70BB 65/066
10RB 21/218
90RR 16/095
30YR 40/061
GREENS
56RB 09/302
70RR 07/100
10BB 07/150
BLUES VIOLETS
violets
Robust deep purples reminiscent of rich ethnic fabrics and the robes of royalty regal shades for opulent living. Nocturnal tones of great subtlety bridge the gap between this colour family and warm neutrals warm shadows and deep ombre. Ethereal pales link back to the natural world via flora and fungi atmospheric, gentle tones that touch on neutrality.
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COOL NEUTRALS
The key colour, 30YY 68/024, is a dusty pale neutral that can be played off against cooler greys to great effect for a very modern look.
2005
2006
2007
2008
REDS
ORANGES
30RR 08/044
90BG 17/090
30RR 08/044
90BG 17/090
YELLOWS
30YY 72/018
10BB 83/014
WARM NEUTRALS
30YY 68/024
00NN 62/000
GREENS
30YY 10/038
00NN 37/000
10BB 07/150
BLUES
cool neutrals
A return to a total purity of tone timeless, pure but warm greys influenced by yellow with no hint of coldness. This complete range of modernist shades, from near black to almost white, allows for very graphic interpretations when used alone or with other hues. The heartland of grey is in keeping with the latest fashion looks sleek, simple and chic.
VIOLETS CO O L N E U T R A L S
65
At ICI Paints we understand both the art and science of colour. The art part of our work relates to the aesthetics of colour, while the science is about its technology. The purpose of ColourFutures is to marry the art and science in one reference manual.
WHITE
B
00
HUE
LRV
CHROMA
BLACK
30BB 08 / 263
HUE LRV CHROMA
99
What is colour? Colour is a sensation that we experience through our eyes with our brain. Colour is all around us, used on a variety of forms and shapes and we all interact with it. It adds spice to our lives and can affect the way we behave, feel, perceive or orientate ourselves in a given space. Research has shown that colour can compensate vision deficiency visually impaired people can navigate with more confidence in strong colour-contrasted environments as their sense of space and orientation is recreated by contrasting colours. The colour we perceive is influenced by the context in which we see that colour. Lighting affects the appearance of a coloured wall, for example; a small patch of colour in a given wallpaper will look different from an entire room painted in that colour. At ICI Paints, we use our understanding of colour to describe it in a more user-friendly way. Colour, as perceived by the human brain through the eye, is tri-dimensional. One way of describing these three components is in terms of hue, Light Reflectance Value (LRV) and chroma (see A' opposite). ' How we use colour At ICI Paints,we have developed a unique proprietary colour notation system. It is the result of extensive research and consultation with an international team of experts. The role of our notation system is to make every colour we produce precisely identifiable across the world. Each has a unique reference number made up of three distinct parts: a hue reference, a Light Reflectance Value (LRV) and a chroma value. Our objective is to offer the most comprehensive range of colours in the widest range of high-quality interior and exterior finishes. Hue (see B opposite) It is this aspect of colour that we see in a rainbow. Most colours have a clear hue associated with them for example, pink has a red hue. The only colours that have no hue are white, black and the pure greys that lie in between. In the ICI Paints notation system, the first part describes this aspect of colour by using two digits and two letters. Illustrated opposite in B, the colour spectrum has been divided into eight groups as follows: YY RR BB GG yellow red to magenta violet to blue turquoise to green YR RB BG GY orange to red magenta to violet blue to turquoise green to lime
In order to give a more precise indication, there is a scale from 00 to 99 that will locate a specific hue within a colour group. The numbers run anti-clockwise, as shown opposite. For example, 50YY is a pure yellow and is found in the middle of YY; 90GY is more green than10GY. LRV (see Copposite) Another aspect that we are all familiar with is how dark or light a colour is. In the ICI Paints notation system, this is described as the Light Reflectance Value (LRV). It is a measure of how much light is reflected by a surface of that colour. It is represented in the second part of the notation and consists of a two-digit number between 00 and 99. Although we are all familiar with darkness and lightness, the actual amount of light we perceive is affected by lighting, shadows and sheen level within a room. This is why the ICI Paints notation system describes this component as the proportion of light reflected by the surface. LRV works on a black to white axis the higher the LRV, the lighter the colour hence the lower the number, the darker the colour. In a room painted with colours of a low LRV (darker colours), more light will be required than in a room painted with high LRV colours (lighter colours). Chroma (see D opposite) The remaining component of colour is chroma. It is this that makes a colour either intense or subtle. The higher the number, the more intense the colour will be. The scale runs from 000 to 999. Examples (see E opposite) The colour reference 30BB 08/263 is a strong blue. This can be attributed to its position in the left of the violet to blue group (30BB), combined with a low LRV (08) and a medium chroma value (263). However, 30BB 72/034 is a really pale blue. It is still positioned in the left side of the violet to blue group (30BB) but is combined with a high LRV (72) and a low chroma value (034).
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EBB & FLOW P20 80YR 65/185 99YR 82/029 10BB 83/014 30BB 18/190 10BB 07/150 30YY 72/018 90BG 72/063 90GG 73/062 10BG 54/199 70BG 70/113 90BG 38/185 30YY 71/073 90YY 67/117 70GY 63/098 50BG 32/114 50BG 12/219
OW
OW
OW
70YY 55/299 71YY 87/078 60YY 71/409 40YY 49/408 40YY 63/473 10YY 35/094 20YY 53/124 40YY 67/087 70YY 66/265 72BG 75/023 90BG 16/060 30YY 20/193 30YY 10/038 00NN 37/000 30YY 68/024 00NN 62/000
OW
N N N
OW N
N N N N
43YY 78/053 30YR 49/097 90RR 16/095 70RR 07/100 50RR 1 /286 1 90YR 36/203 50YR 18/223 00YY 76/088 90YR 67/085 80YR 44/101 10YY 72/172 60YR 40/297 10YR 27/323 10YR 13/437 96RR 08/311
OW
N N N
OW OW
F AMILIES
REDS P50 99YR 82/029 90YR 67/085 30YR 49/097 50RR 11/286 90RR 28/245 96RR 08/311 80RR 07/260 10YR 27/323 10YR 13/437 14YR 10/434 90RR 08/129 OW OW
ORANGES P52 30YR 14/365 60YR 40/297 80YR 65/185 00YY 76/088 80YR 34/468 10YY 72/172
YELLOWS P54 10YY 46/515 20YY 53/423 43YY 78/053 40YY 77/242 40YY 49/408 40YY 63/473 60YY 71/409 71YY 87/078 70YY 73/288
WARM NEUTRALS P56 50YR 10/151 50YR 18/223 80YR 44/101 30YY 71/073 29YY 84/067 90YR 25/323 90YR 36/203 30YY 64/149 40YY 64/165 20YY 53/124 40YY 67/087 43YY 81/051 N
OW
OW
OW OW
OW
N N OW
Cross-reference the ColourFutures 2008 palette colours with the ICI Paints Global Colour system
EXPLORER P38 90GG 30/195 90YY 48/500 40YY 63/473 10YY 46/515 80YR 34/468 90RR 28/245 80RR 07/260 14YR 10/434 50BB 11/321 30YY 64/149 29YY 84/067 70BB 65/066 30YR 40/061 10RB 21/218 56RB 09/302 90RR 08/129
OW
GREENS P58 90GG 30/195 70GY 63/098 90YY 67/117 90YY 48/500 10GY 40/296 70YY 66/265 70YY 55/299 70YY 59/485 40YY 34/446 10YY 35/094 30YY 20/193 50GY 18/178
BLUES P60 90BG 16/060 50BG 32/1 14 50BG 44/094 50BG 12/219 10BG 54/199 90GG 73/062 10BB 07/150 30BB 18/190 90BG 38/185 70BG 70/113 50BB 11/321 90BG 72/063 72BG 75/023 N
VIOLETS P62 30YR 40/061 90RR 16/095 70RR 07/100 70BB 65/066 10RB 21/218 56RB 09/302 N N N
COOL NEUTRALS P64 10BB 83/014 30YY 72/018 30YY 68/024 00NN 62/000 00NN 37/000 30YY 10/038 OW OW N N N N
OW