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#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Peter Fabok <Peter.Fabok@econ.umb.sk>
Title:...AAA...
artist:Fabok
lyrics:
Slova ti odrazia hlavu plnu
nebezpecnych teorii.
Stroje sa pohnu prave vcas,
ked slnka horia lutostou.
Dnes tisice dravych zobakov
sa obracaju na sever
-tam umelec puste skrotil cas
a piesok skryje jeho tvar...
...jeho tvar...jeho tvar...
...AAA...AAA...AAA...AAA...
tabulatures:PART 1
E-----------------------------------------------------------------------------B----------5(pull 1/2)- 5(pull 1/2)- 5(pull 1/2)/3/0-----------------------------------------------------------------G-----------------------------------------------------------------------------D---2-2------------------------------------------------3-3--3-3-3-3--------------------A---2-2------------------------------------------------3-3--3-3-3-3------------------E---0-0------------------------------------------------1-1--1-1-1-1--------------------PART 2
------------------------------------------------------------------------------------------------------------------------------------------------------------------------3-3-4-4-4-3-------------------4-4-5-5-5-4-------------------------------2-2-2-2-2-2----3-3-4-4-4-3----3-3-3-3-3-3----4-4-5-5-5-4------------------------------------------2-2-2-2-2-2----1-1-2-2-2-1----3-3-3-3-3-3----2-2-3-3-3-2-------------------------------------------0-0-0-0-0-0-------------------1-1-1-1-1-1------------------------------------PART 3
-----------------------------------------------------------------------------------------------------------------------------------------------------------7-7-5-5----5-5-----------------------------------------------------------------------7-7-5-5----5-5-6-6----6-6-}---------------------------------------------------5-5-3-3----3-3-6-6----6-6-}---------------------------------------------------------------------------------4-4----4-4-}------------------------------------------------------Play first PART 1 four times and then PART 1 together
with lyrics.Then PART 2 with "...jeho tvar...jeho...tvar...".
Then PART 3 with "...AAA...AAA...AAA...AAA...".
Sorry,the tabulatures are made basicly only.Next time I will try to write
solos or parts for second guitar too.Wait for more songs.This one is
completed,so you can use it.
If you have any questions,write:
fabok@econ.umb.sk
bye!
P.S. Send me please lyrics from song"sittin' on the dock of the bay" from
PEARL JAM if you can.It's on the live record "no fuckin' messiah-94"
this song is not writen by PEARL JAM,they are only playing it.Try to find
it,please.Bye!
file:///C|/olga_main/f-g/f/face_to_face/big_choice.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
From: Evergleam1@aol.com
Date: Sat, 27 Apr 1996 12:36:15 -0400
Subject: "Big Choice" by Face to Face
"Big Choice" by Face to Face
E5(i) 022xxx
F#5
244xxx
A5
577xxx or x022xx
B5
799xxx or x244xx
C#5 x466xx
D5 x577xx
E5(ii) x799xx
p.m. = pick hand muting
intro (gtr 1):
(let ring throughout)
--0-----------0-----------------2----------2--3----------------------------------------------------------------------------------------------------------------------gtr 2 strikes the A5 chord and few times then plays it muted repeatedly.
then the opening/chorus riff:
A5 E5(ii) F#5 D5 (x2)
E5(i)
verse:
A5
B5
D5
A5
C#5
B5
(F#5
w/heavy p.m.)
pre-chorus:
F#5
D5 (x3)
E5(i)
E5(ii)
chorus:
A5 E5(ii)
A5 E5(ii)
F#5
D5
D5
-keith
file:///C|/olga_main/f-g/f/face_to_face/debt.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Title: Debt
Artist: Face to Face
Album: Big Choice
Tabed by: Wheelz (rbreck@foxnet.net)
This song only has 2 differnt parts that are played over and over and here
they are. Find the rythem yourself.
Intro (kinda like "Teen Spirit")
E|-----------------------------|
B|-----------------------------|
G|--------4---------7----------|
D|---4----4----7----7----------|
A|---4----2----7----5----------|
E|---2---------5---------------|
Progression 2
Strum the first chord once, let it ring for a bit, then do the same for the
second, then strum the third in a fast punk rawk rythem.
E|---------------------------|
B|---------------------------|
G|-------------7-------------|
D|---7----4----7-------------|
A|---7----4----5-------------|
E|---5----2------------------|
Solo (i don't know if this is correct)
repeat 4x
repeat 4x
E|---------------|----------------------|
B|---3---2---0---|---5---2--------2-3---|
G|---------------|----------------------|
D|---------------|----------------------|
A|---------------|----------------------|
E|---------------|----------------------|
file:///C|/olga_main/f-g/f/face_to_face/disconnected.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
From: SkunX42@aol.com
Date: Mon, 12 Feb 1996 20:04:12 -0500
Subject: Disconnected by face to face
Band: Face to Face
Album: um, all of 'em
posted by: SkunX42@aol.com
lyrics are all a guess caue i don't have a lyric sheet
CHORDS
E
B
G#
F#
Bb
Eii
|--------------------------------------------------|
|--------------------------------------------------|
|---1-----4----------------------3-------9---------|
|---2-----4------6-------4-------3-------9---------|
|---2-----2------6-------4-------1-------7---------|
|---0------------4-------2-------------------------|
Intro:
Verse:
PMed B, Bb, F#
B
Bb F#
you don't know one thing about me
(same chords)
you said something that you should know
and i can't tell you what you want to hear
B
file:///C|/olga_main/f-g/f/face_to_face/disconnected.tab
G#
F#
you don't know what you weren't given
you don't know what you weren't given
(same chords)
you don't know what you want
and it may take you years to find out
you don't know what you need
something that may never come to you
something that may never come may never come
never come to you...
end on E
have fun!
file:///C|/olga_main/f-g/f/face_to_face/i_want.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Tue, 29 Aug 1995 16:48:23 -0400 (EDT)
From: quickdraw <quickd@nether.net>
Subject: submission: face to face 'i want'
this is 'i_want.crd'
D
|-----|
|-----|
|--7--|
|--7--|
|--5--|
|-----|
C
|-----|
|-----|
|-----|
|-----|
|--5--| or |-----|
|--5--|
|--10-|
|--3--|
|--10-|
|-----|
|--8--|
F
|-----|
|-----|
|-----|
|--3--|
|--3--|
|--1--|
G
|-----|
|-----|
|-----|
|--5--|
|--5--|
|--3--|
A
|-----|
|--2--|
|--2--|
|--2--|
|-----|
|-----|
Bb
|-----|
|-----|
|-----|
|-----|
|--3--| or |-----|
|--3--|
|--8--|
|--1--|
|--8--|
|-----|
|--6--|
Intro/Chorus is
high F -> D -> high F -> C -> D -> Bb
Verse is
F -> C -> G -> Bb -> A
ii dont' know the lil bridge thing between teh chorus and the verse but
it sounds sorta like the high e and b strings at fret one or somewhere
around there.
listen to the song and figure out the rhythm
this is my first attempt at tabbing..it's righti think..but i know i
didn't do a good job presenting it..sorry
file:///C|/olga_main/f-g/f/face_to_face/no_authority.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Artist: Face to Face
Song: No Authority
Album: No Authority 7"
Tabbed by: Wheelz (rbreck@foxnet.net)
This song only has 3 parts to it. Here they are, listen to the record for
the rythem and order.
e|--------------------------------------|
B|--------------------------------------|
G|----6------------6------------14------|
D|----6---9---7----6---9---7----14------|
A|----4---9---7----4---9---7----12------|
E|--------7---5--------7---5------------|
e|---------------------------------------------------------|
B|---------------------------------------------------------|
G|------6-----9-----6-----9-----6-----9-----6--------------|
D|---9--6--7--9--9--6--5--9--9--6--7--9--9--6--7--2--------|
A|---9--4--7--7--9--4--5--7--9--4--7--7--9--4--7--2--------|
E|---7-----5-----7-----7-----7-----5-----7-----5--0--------|
e|----------------------|
B|----------------------|
G|---9-------6----------|
D|---9---7---6---9------|
A|---7---7---4---9------|
E|-------5-------7------|
file:///C|/olga_main/f-g/f/face_to_face/promises.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Artist: Face to Face
Song: Promises
Album: Big choice
Tabbed by: Wheelz (rbreck@foxnet.net)
As usual i didn't do the rythem, so figure it out yourself.
Intro
----e|--------------------------------|
B|--------------------------------|
G|---------------6---4------------|
D|---2---4---7---6---4------------|
A|---2---4---7---4---2------------|
E|---0---2---5--------------------|
Whats the matter with my view....
e|--------------------------------------------|
B|--------------------------------------------|
G|----------9--8-------------9--8-------------|
D|--2--X----9--8--9---7--X---9--8--9----------|
A|--2--X----7--6--9---7--X---7--6--9----------|
E|--0--X----------7---5--X---------7----------|
Thats not the way its supposed to be....
e|-----------------------------------------|
B|-----------------------------------------|
G|-----------4---------------4-------------|
D|---6---7---4-------7---6---4-------------|
A|---6---7---2-------7---6---2-------------|
E|---4---5-----------5---4-----------------|
I don't want Promises...
e|-----------------------------------|
B|-----------------------------------|
G|----------------6---4--------------|
D|----2---4---7---6---4--------------|
A|----2---4---7---4---2--------------|
E|----0---2---5----------------------|
So go and turn and walk away....
e|------------------------------------|
B|------------------------------------|
G|--6---4-----------4-----------------|
D|--6---4---7---2---4---6---7---------|
A|--4---2---7---2---2---6---7---------|
E|----------5---0-------4---5---------|
I see no honesty in promises you make....
file:///C|/olga_main/f-g/f/face_to_face/promises.tab
e|-----------------------------------|
B|-----------------------------------|
G|--9-------6---------------4--------|
D|--9---9---6---6---7---6---4--------|
A|--7---9---4---6---7---6---2--------|
E|------7-------4---5---4------------|
file:///C|/olga_main/f-g/f/face_to_face/shes_done_nothing.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
You've Done Nothing
By face to face
From the album "Don't Turn Away"
here are the chords, now find out the rhythm by yourselves you punx
this was tabed by Rodrigo
e:---------------------------------------------------------------------------|
B:---------------------------------------------------------------------------|
G:2-----2--7--2-----2-----7--2-----2-------------9--7------------------------|
D:2--2--2--7--2--2--2--2--7--2--2--2--2----------9--7------------------------|
A:0--2--0--5--0--2--0--2--5--0--2--0--2----------7--5------------------------|
E:---0-----------0-----0--------0-----0--------------------------------------|
repeat twice
(*)
(#)
on second repeat don't play
the last E (*), play the two chords (#)
e:---------------------------------------------------------------------------|
B:---------------------------------------------------------------------------|
G:----9-----7-----9-----7-----9-----7-----9-----7----------------------------|
D:-7--9--9--7--7--9--9--7--7--9--9--7--7--9--9--7---------7------------------|
A:-7--7--9--5--7--7--9--5--7--7--9--5--7--7--9--5---------7------------------|
E:-5-----7-----5-----7-----5-----7-----5-----7------------5------------------|
repeat twice
play only on second
repeat and let ring
e:---------------------------------|
B:---------------------------------|
G:--7--2-----2--9--7--2-----2--9--7|
D:--7--2--2--2--9--7--2--2--2--9--7|
A:--5--0--2--0--7--5--0--2--0--7--5|
E:--------0--------------0---------|
file:///C|/olga_main/f-g/f/fagen_donald/i._g._y.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From uunet!cis.ohio-state.edu!rutgers!cbmvax!macon Tue Jul 14 16:37:49 PDT 1992
Article: 719 of alt.guitar.tab
Path: nevada.edu!uunet!cis.ohio-state.edu!rutgers!cbmvax!macon
From: macon@gallifry.Berkeley.EDU (Glen Macon)
Newsgroups: alt.guitar.tab
Subject: music : I.G.Y. (d. fagen)
Message-ID: <32953@cbmvax.commodore.com>
Date: 14 Jul 92 14:56:38 GMT
Sender: news@cbmvax.commodore.com
Reply-To: macon@cbmvax.commodore.com (Glen Macon)
Organization: COMMODORE West Cester PA
Lines: 76
050
Title:
(Donald Fagen)
file:///C|/olga_main/f-g/f/fagen_donald/i._g._y.crd
Ab
Dbmaj7
Ab
Dbmaj7
On that train all graphite and glitter, Undersea by rail
Ab
Dbmaj7
Nintey minutes from New York to Paris
Dbdim7
Dm7
(More leisure for artists everywhere)
Ab
Dbmaj7
A just machine to make big decisions
Ab
Dbmaj7
Programmed by fellows with compassion and vision
Ab
Dbmaj7
We'll be clean when their work is done
Dbdim7
Dm7
We'll be eternally free yes and eternally young
CHORUS
\_
\_
\_
\_
\_
\_
\_
\_
\_\_\_
\_
\_
Glen Macon
\_
\_\_ \_\_
any-net: macon@cbmvax.commodore.com
\_
\_ \_\_ \_
Standard disclaimer...
\_
\_\_\_
\_ \_ \_
Commodore doesn't endorce what I say, I do
\_
\_
\_
\_
Who wants to know...
\_
\_
\_
\_
\_\_\_
\_
\_
\_
\_
\_
\_
\_
\_
\_
\_
\_
\_
All those moments will be lost in time, like tears in the rain.
file:///C|/olga_main/f-g/f/fahey_john/joe_kirby_blues.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: jboston@delphi.com (John Boston)
Subject: TAB: Fahey's "Joe Kirby Blues"
Date: 7 Jan 1996 17:16:03 GMT
Joe Kirby Blues
by John Fahey
John Fahey has a genius for simple beauty and this tune, from his old
Takoma LP DAYS HAVE GONE BY, is a prime example. This was tabbed by
Dave Cohen (user643309@aol.com) and transcribed by me.
Dave suggests these fingerings (T = thumb, I = index, M = middle,
R= ring, L = little, O = open string):
Am
3
3
2
O
O
O
in Part A:
M
M
I
D7
O
3
5
O
5
O
in Part A:
Am
5
8
O
7
O
O
I
L
R
in Part B
I
L
M
John Boston
Am
PART A
----5---5--5---3--3--3---0--0--0------|--------------------|-------------7---7--7---5--5--5---0--0--0------|---5--5--3h5--5--5--|-------------7---7--7---5--5--5---1--1--1------|------2-------------|-------------7---7--7---5--5--5---2--2--2------|--------------------|----------------------------------2--2--2---0--|--------------0-----|----------------------------------0--0--0------|--------------------|---------=
=
----------------------5--3-----|----------------------------------------3h5--5--5--5--3h5--------5--|-------------------------------------2-------------2-------------2--|--------------------------------------------------------------------|---------------------------------------------0-------------0--------|--------------------------------------------------------------------|-------------------------------------=
D7
roll
--------------------------------------|-------------------------------3--------3---3-----3--3--3--------3--|-------------------------------------5------5--5--------------5-----|--------------------------------------------0--------------0--------|-------------------------------
file:///C|/olga_main/f-g/f/fahey_john/joe_kirby_blues.tab
----5------------------5--------------|--------------------------------------------------------------------|------------------------------=
=
------------------0-----------|--------------------------------------------3--3-----3-----3--------|-----------------------------------------5--------5--------------0--|-----------------------------------------------0--------------0-----|--------------------------------------5-----------------5-----------|--------------------------------------------------------------------|--------------------------------------=
F6
bend
Am
-----------------------------------|--0-------------------|-------------------3--3-----3--3--3-----1h3--|--0------------8------|----------------2--------2-------------------|---------------9------|----------------------3--------------3-------|-----2--2--2----------|---------------------------------------------|------------------7---|----------0-h1-----------------1-------------|--0------------0------|----------=
roll
PART A'
quick
-5-----------------------------5-----------------5--------------------5-----------------------------5--5-----------5-----5-----------------------------------------------------5-----5-----------5-----------------------------------------------------7-----------------------------0---0-----5-----5------5---0--7--------0--------0---------------------------7-----7------7-----------------------------------------------=
repeat A and A' go to Part B
-------------|---------------|----------------------------------------------------|---------------|----------------------------------------------------|---------------|----------------------------------------2-----------|---------------|----------------------------------------------------|---0-----------|----------------------------------------0-----------|---------------|---------------------------------------=
PART B
roll
roll
-5--5-----5---5--5--------5--|------5---5----5--7--5-- -----5--|------------8------8--------8-----|----8--------8----8---------8----|---------0---------------0--------|----------0--------------0-------|-------------------7--------------|-7----------------7--------------|----------------------------------|---------------------------------|----------------------------------|---------------------------------|-----C
=
roll
------5--5-----5--5--5--------5--|--5--5--5---------5--|--------------
file:///C|/olga_main/f-g/f/fahey_john/joe_kirby_blues.tab
---8--------8--------------8-----|--8--8--8--7--7---7--|----------------------7--------------7--------|-----------7--7------|-------------0-----------------0--------------|--0--0--0--0--0---0--|----------------------------------------------|---------------------|----------------------------------------------|---------------------|-------------=
roll
Am
------5--5-----5---5--5--------5--|--5--5--5---4--4--4---5--|-----------6--------6------6--------6-----|--5--5--5---5--5--5---5--|-----------------7---------------7--------|----------------------5--|--------0------------------0--------------|--0--0--0-------------7--|------------------------------------------|----------------------0--|------------------------------------------|------------0--0--0------|--------=
repeat parts A', A, B, A', A up to E chd
bend
-|--------------------------------|--0------------------|-------------|--------------------------------|--0------------8-----|-------------|--------------------------------|---------------9-----|-------------|--------------------------------|-----2--2--2---------|-------------|--------------------------------|------------------7--|-------------|--------------------------------|--0------------0-----|------------=
=
5--8--5--------------------------------5--||-------------------------5--------8--5--------------------------5--||-------------------------5--------------7--5--------------------7--||-------------------------7--------------------7--5-----7-----5--7--||----------------------------------------------------7-----7-----0--||--------------------------
file:///C|/olga_main/f-g/f/fain_hilliard/alice_in_wonderland.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Jonathan Byrd <jon@isuux.isu.edu>
Subject: TAB: Alice In Wonderland by Fain/Hilliard
Alice In Wonderland
by Fain/Hilliard
Tablature by Jonathan Byrd
Play the first 12 bars
play the 4 bars labeled [1.]
repeat the first 12 bars
play the 4 bars labeled [2.]
play the last 8 bars
Dm7
1
2
e
B
G
D
A
E
Cmaj7
1
2
Fmaj7
1
2
E7
1
Am7
1
2
Eb7
1
2
G7
1
Em7
1
2
Am7
1
2
-----0---1---0-----------0-------3---8-------5-3---------------0---3---0-----------8---------2---------------0-----------0-----------------0---------------------------------------5-----------------------------------------0---------------------3-----------0---------------------
[1.]
Dm7
1
2
e
B
G
D
A
E
-------------0-----------0---------------------3---5---6---0-------3-----------1---2---------2---------------1-------------------0---------3---------------------------2-------1---------2-----------------------0---------------------------------0--------------------------------Dm7
1
2
e
B
G
D
A
E
||-------------3-------1---0--------------------||-1-------------------0---0-------1---1--------||-0-----------------------------------0--------||-0---------------------------2-------3--------||-----------------2-------3--------------------||-------------3--------------------------------Bm7b5
1
2
e
B
G
D
A
E
G7
1
G7
1
Em7
1
2
Am7
1
2
-3-------1---0-----------3---------------------||
-1-----------0-------3---0-------------------1-||
-----2-----------0---------------0-----------0-||
-0-------------------------------0-------2-----||
-----------------------------2-------0---------||
-------------3-----------0---------------------||
file:///C|/olga_main/f-g/f/fain_hilliard/alice_in_wonderland.tab
[2.]
Dm7
1
2
e
B
G
D
A
E
e
B
G
D
A
E
C
1
Am7
1
2
A7
3
G7
1
Cmaj7
1
2
Fmaj7
1
2
B7b9
1
2
Em7
1
2
A7
1
-2-----------8-----------7---------------------2-----------7-----------6-------10--5---------2-----------8-----------------------6---------------------7---------------9-------5-------------------------------------------------------2-----------7-----------0-----------5--------A7
3
Dm7
1
2
A7
3
Dm7
1
2
G#7 G7
3
1
-5-------------------------------------------------6---8---6-------5-------------------------7-------6-------5---6---5-------5---4---------------------7---------------7---4---3---------------------------------5-------6---5-----------------------------5-----------4---3--------Dm7
1
2
e
B
G
D
A
E
-----0---1---3-------5---7-------3---0---------3-----------0-----------5-----------1---------2---------------------------5-------2---------0-----------------------------------3-------------------------2-------3---------------------------------3---------------------------------
Dm7
1
2
e
B
G
D
A
E
-------------5-----------3---------------------3-------------------3---------------1-----------------5-------4---------------0-----------0-----4-----------------------------------2-----5---------------------------2-------0---------------------3-----------0---------------------
F#m
1
2
e
B
G
D
A
E
G7
1
\
-3-------1---0---------------------------------||
-1-----------0-------3---1-----------1-------2-||
-----2-----------0---------------0---0-------0-||
-0---------------------------2-------2-------2-||
-------------------------3-----------0---------||
-------------3---------------------------------||
/
D7
G7
Em7
Am7
1
2
3
1
2
3
1
2
3
1
2
3
Dm7
1
2
e
B
G
D
A
E
G7
1
Cmaj7
1
2
Fmaj7
1
2
-------------3-------1---0---------------------1-------------------0---0-------1---1---------0-----------------------------------0---------0---------------------------2-------3-------------------------2-------3---------------------------------3---------------------------------
file:///C|/olga_main/f-g/f/fain_hilliard/alice_in_wonderland.tab
Bm7b5
1
2
e
B
G
D
A
E
E7
1
Am7
1
2
Eb7
1
2
-------------0-----------0---------------------3---5---6---0-------3-----------1---2---------2---------------1-------------------0---------3---------------------------2-------1---------2-----------------------0---------------------------------0--------------------------------Dm7
1
2
e
B
G
D
A
E
G7
1
Em7
1
2
Am7
1
2
-----0---1---0-----------0-------3---10------8-3-------------------3---0-------5---12-----10-2---------------0-----------0-----------------0---------------0-----------------------------------------------------------------0---------------------3-----------0--------------------(rit.)
Dm7
1
2
3
G7
1
C
1
e
B
G
D
A
E
-------------0---------------------------------6-------4---0-------5---1---------------------7-------5-----------4---0---------------------0-------------------3---2-----------------------------------------4---3---------------------------------3--------------------------------^
|
Db7#9 -----------------
file:///C|/olga_main/f-g/f/fairport_convention/end_of_a_holiday.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Mon, 26 Jun 1995 18:34:09 +0100 (BST)
From: R P Kent <R.P.Kent@durham.ac.uk>
Subject: TAB: End of a Holiday by Fairport Convention
Title:
Artist:
Writer:
Trans:
End of a Holiday
Fairport Convention
Simon Nicol
Richard Kent
r.p.kent@dur.ac.uk
Here's an excellent acoustic tune from the late sixties. Even if you've
never heard it before its easy to play and sounds great.. It has a
moderate tempo. Excuse the Emin9 Emaj9 nonsense, I couldn't remember
which chord it was meant to be....
Emin9
e|--------------------------------|---------------------------------|
B|--------------------------------|-3-----------3-------5---3-------|
G|----------------------------0---|---------0-----------------------|
D|------------------------4-------|-----4-----------4-----------0---|
A|--------------------------------|-2-----------2-----------2-------|
E|--------------------------------|---------------------------------|
^
^
^
^
^
^
^
^
C
Emin9
e|--------------------------------|---------------------------------|
B|-3----------1-------0---1-------|-3-----------3-------5---3-------|
G|-----0--------------------------|---------0-----------------------|
D|--------2-------2-----------0---|-----4-----------4-----------0---|
A|-3----------3-----------3-------|-2-----------2-----------2-------|
E|--------------------------------|---------------------------------|
^
^
^
^
^
^
^
^
C
Am
G
e|-------------0------------------|---------------------------------|
B|-1---------------1-------1------|-----1-------------------0-------|
G|-----0--------------------------|-2-------2---0-------2-----------|
D|---------2-----------2----------|---------2-------0-----------0---|
A|-3--------------------------2---|-0-------------------------------|
E|--------------------------------|-------------3-----------3-------|
^
^
^
^
^
^
^
^
Em
D
C
Emin9
e|-3-----------2-------3---2------|-0-------------------------------|
B|---------5----------------------|---------1---3-------------------|
G|-----4-----------2----------2---|-----0---------------4---5-------|
D|-------------0-----------0------|-----------------4-----------4---|
A|--------------------------------|-3-----------2-------------------|
E|-0------------------------------|---------------------------------|
^
^
^
^
^
^
^
^
D
Emin9
e|-------------2-----------2------|---------------------------------|
file:///C|/olga_main/f-g/f/fairport_convention/end_of_a_holiday.tab
B|-3-------3-----------3----------|-3-----------3-------5---3-------|
G|-----2-----------2--------------|---------0-----------------------|
D|-0-----------0-----------0--0---|-----4-----------4-----------0---|
A|--------------------------------|-2-----------2-----------2-------|
E|--------------------------------|---------------------------------|
^
^
^
^
^
^
^
^
C
Emin9
e|--------------------------------|---------------------------------|
B|-3----------1-------0---1-------|-3-h-5---3---------------3-------|
G|-----0--------------------------|-------------4-------5-----------|
D|--------2-------2-----------0---|-----------------4-----------0---|
A|-3----------3-----------3-------|-2-------2-----------------------|
E|--------------------------------|---------------------------------|
^
^
^
^
^
^
^
^
C
Am
G
e|-------------3-p-0--------------|---------------------------------|
B|-1-----------1-----------1------|-----1-------------------0-------|
G|-----0--------------------------|-2-------2---0-------2-----------|
D|---------2-----------2----------|---------2-------0-----------0---|
A|-3--------------------------2---|-0-------------------------------|
E|--------------------------------|-------------3-----------3-------|
^
^
^
^
^
^
^
^
Em
D
C
Emin9
e|-3-----------2-------3---2------|-0-------------------------------|
B|---------5----------------------|---------1---3-------------------|
G|-----4-----------2----------2---|-----0---------------4---5-------|
D|-------------0-----------0------|-----------------4-----------4---|
A|--------------------------------|-3-----------2-------------------|
E|-0------------------------------|---------------------------------|
^
^
^
^
^
^
^
^
D
e|-------------2--------------0---|-2-----------2-------3---2-------|
B|-3-------3-----------3---3------|---------3-----------------------|
G|-----2-----------2--------------|-----2-----------2-----------0---|
D|-0-----------0-----------0--0---|-0-----------0-----------0-------|
A|--------------------------------|---------------------------------|
E|--------------------------------|---------------------------------|
^
^
^
^
^
^
^
^
C
Emaj9
e|-2-----------0-----------0------|---------------------------------|
B|-----1---------------3----------|-3-----------3-------5---3-------|
G|---------0-------0--------------|---------0-----------------------|
D|-----------------------------0--|-----4-----------4-----------0---|
A|-------------3-----------3------|-2-----------2-----------2-------|
E|--------------------------------|---------------------------------|
^
^
^
^
^
^
^
^
C
Em
D
e|-------------3-p-0--------------|-3---------------2---------------|
B|-1-----------------------1------|---------5---------------3-------|
G|-----0--------------------------|-----4-------4-------2-------2---|
D|---------2-----------2-------0--|-----------------0---------------|
file:///C|/olga_main/f-g/f/fairport_convention/end_of_a_holiday.tab
A|-3------------------------------|---------------------------------|
E|--------------------------------|-0-------------------------------|
^
^
^
^
^
^
^
^
C
Emaj9
Am
e|-0------------------------------|---------------------------------|
B|---------1---3------------------|-3-p-1---------------------------|
G|-----0---------------4---5------|---------2-----------0---2-------|
D|-----------------4-----------0--|-------------2---s4----------0---|
A|-3-----------2------------------|-0-------------------------------|
E|--------------------------------|---------------------------------|
^
^
^
^
^
^
^
^
Gadd9
e|-----------------3--------------||
B|-------------0------------------||
G|---------2----------------------||
D|-----0--------------------------||
A|--------------------------------||
E|-3------------------------------||
^
^
^
^
CHORD USED
==========
Emaj9
===========
| | | | | |
+-+-+-+-+-+
| 1 | | | |
+-+-+-+-+-+
| | | 2 |
+-+-+-+-+-+
| | 3 | | |
+-+-+-+-+-+
************************************************************************
* Rich Kent; email r.p.kent@dur.ac.uk ; http://www.dur.ac.uk/~d213ga *
************************************************************************
file:///C|/olga_main/f-g/f/fairport_convention/meet_on_the_ledge.cho
F#m*
A
Em*
A
F#m
Em Em7
We used to say that, come the day, we'd all be making songs
G
D
G
D
A
Or finding better words. These ideas never lasted long.
F#m*
A Em*
A
F#m
Em Em7
The way is up along the road. The air is growing thin.
G
D
G
D
A
Too many friends who tried were blown off this mountain with the wind.
A
Em
Meet on the ledge; we're gonna meet on the ledge.
G
D
When the time is up I'm gonna see all my friends.
A
Em
Meet on the ledge; we're gonna meet on the ledge.
G
D
If you really mean it, it all comes round again.
A F#m*
A
Em*
A
F#m
Em Em7
Now I see I'm all alone. But that's the only way to be.
G
D
G
D
A
You'll have your chance again; then you can do the work for me.
Meet on...etc.
NB: the F#m and Em marked with a '*' - I'm almost sure that I used to
play a Bm for these two chords, but the F#m and Em sound better just
now. (I have a guitar with me, but not the record). You might like to
stick Bm in there if it sounds better for you.
M.
-Martin McCarthy - mmc@ehabitat.demon.co.uk
From rec.music.makers.guitar.tablature Mon Jun 27 09:04:27 1994
From: abostick@netcom.com (Alan L. Bostick)
Date: Mon, 27 Jun 1994 02:58:48 GMT
Newsgroups: rec.music.makers.guitar.tablature
Subject: Re: CRD: MEET ON THE LEDGE
Martin McCarthy (mmc@ehabitat.demon.co.uk) posts chords to Fairport
Convention's "Meet on the Ledge." He says,
>NB: the F#m and Em marked with a '*' - I'm almost sure that I used to
>play a Bm for these two chords, but the F#m and Em sound better just
>now. (I have a guitar with me, but not the record). You might like to
>stick Bm in there if it sounds better for you.
If you are playing the song in A, the marked chords should indeed be Bm.
file:///C|/olga_main/f-g/f/fairport_convention/meet_on_the_ledge.cho
Cm
Bb
Cm
Bb
Gm
Fm Fm7
We used to say that, come the day, we'd all be making songs
Ab
Eb
Ab
Eb
Bb
Or finding better words. These ideas never lasted long.
Cm
Bb Cm
Bb
Gm
Fm Fm7
The way is up along the road. The air is growing thin.
Ab
Eb
Bb
Eb
Bb
Too many friends who tried blown off this mountain with the wind.
(Short bridge in F major, with guitar figure in descending parallel sixths)
Bb
Fm
Meet on the ledge; we're gonna meet on the ledge.
Ab
Eb
When the time is up I'm gonna see all my friends.
Bb
Fm
Meet on the ledge; we're gonna meet on the ledge.
Ab
Eb
If you really mean it, it all comes round again.
Bb Cm
Bb
Cm
Bb
Gm
Fm Fm7
Now I see I'm all alone. But that's the only way to be.
Ab
Eb
Ab
Eb
Bb
You'll have your chance again; then you can do the work for me.
Meet on...etc.
Between the chorus and the next verse is a guitar figure backed by the
piano playing in F:
|-----13-----------11----------10---------8|
|------------------------------------------|
|12/14--------10/12--------8/10--------6/8-|
|------------------------------------------|
|------------------------------------------|
|------------------------------------------|
Which resolves to Bb at the start of the verse.
-- Alan Bostick
abostick@netcom.com
....................... ... ...-....1200 N81N
......................... ... .
file:///C|/olga_main/f-g/f/fairport_convention/who_knows_where_the_time_goes.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Harlan L Thompson <harlant@uhunix.uhcc.Hawaii.Edu>
WHO KNOWS WHERE THE TIME GOES- Fairport Convention
E A2 E A2 E A2 E A2
E
A2
E
A2
Across the morning sky all the birds are leaving
E
A2
E A2
But how can they know it's time for them to go?
F#m
G#m A
G#m
A
Before the winter's fire, I will still be dreamin'
E
I have no thought of time
CHORUS:
B
A
For who knows where the time goes?
E
A
F#m
A E
Who knows where the time goes?
A2
A2
file:///C|/olga_main/f-g/f/faith_no_more/angel_dust.lyr
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: pl2023@mail.bris.ac.uk ()
There was a request in this group for the lyrics to Angel Dust.
they are.
Simon.
PRODUCED BY MATT WALLACE AND FAITH NO MORE * ENGINEERED AND MIXED
BY MATT WALLACE * CO-MIXED BY DAVID BRYSON * MASTERED AT K-DISC
BY JOHN GOLDEN * ASSISTANT ENGINEERS: ADAM MUNOZ, LINDSAY
VALENTINE, GIBBS CHAPMAN, CRAIG DOUBET, NIKKI TAFRALLIN *
RECORDED AT COAST RECORDERS, SAN FRANCISCO AND BRILLIANT STUDIOS,
SAN FRANCISCO * MIXED AT SCREAM STUDIOS, STUDIO CITY, CA * ALL
SONGS WRITTEN BY FAITH NO MORE EXCEPT "MIDNIGHT COWBOY" WRITTEN
BY JOHN BARRY * ALL SONGS PUBLISHED BY BIG THRILLING MUSIC/VOMIT
GOD MUSIC ASCAP EXCEPT "MIDNIGHT COWBOY" PUBLISHED BY EMI U
CATALOGUE INC./BARWIN MUSIC CO. INC ASCAP * BIRD PHOTO AND RED
SQUARE PHOTO ADAPTION BY WERNER KRUTEIN/PHOTO VAULT * MEAT PHOTO
BY MARK BURSTEIN/PHOTO VAULT * BAND PHOTO ROSS HALFIN * ART
DIRECTION BY KIM CHAMPAGNE * MIKE BORDIN: DRUMS * RODDY BUTTOM:
KEYBOARDS * BILLY GOULD: BASS GUITAR * JIM MARTIN: GUITAR * MIKE
PATTON: VOCALS * CAREER DIRECTION: WARREN ENTNER AND JOHN
VASSILIOU FOR W.E.M.
So here
file:///C|/olga_main/f-g/f/faith_no_more/angel_dust.lyr
file:///C|/olga_main/f-g/f/faith_no_more/angel_dust.lyr
file:///C|/olga_main/f-g/f/faith_no_more/angel_dust.lyr
file:///C|/olga_main/f-g/f/faith_no_more/be_aggressive.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Return-Path: <S3BZ@MUSIC.TRANSY.EDU>
Date:
Mon, 03 Oct 94 11:54:51 EST
To: <guitar@nevada.edu>, <alt-guitar-tab@cs.utexas.edu>,
<rec-music-makers-guitar-tablature@cs.utexas.edu>
Subject: TAB:"Be Aggressive" Faith No More
'Lo all,
Here's the tab of Faith No More's "Be Aggressive". I'm pretty sure what I
have here is fairly accurate. I didn't tab out the solo though...
First, there's the keyboard part:
E-|----------|---------|---------------|--------|---------|--------------|
B-|----5--4--|-5-4-5---|---------------|---5--4-|-5-4-5---|--------------|
G-|----------|-------4-|-5-------------|--------|-------4-|-5------------|
D-|----------|---------|----7--8--7--5-|--------|---------|---7-8--------|
A-|----------|---------|---------------|--------|---------|--------------|
E-|-0--------|---------|---------------|-0------|---------|--------15\\\-|
Then all the instruments come in and you play this with a real shitty
distortion and lots and LOTS of wah:
E-|-----------------------|---------------|-------------------B-|-----------------------|---------------|-------------------G-|------7--6--7----------|---------------|------7--6--7------D-|------6--5--6----------|---------------|------6--5--6------->>>>>
A-|------7--6--7----------|-----2-3-4-----|------7--6--7----0-E-|-0--0---------0--7-7-0-|-0-0--------3--|-0--0---------0----The first time through the main
riff, play this lead at the end:
The second time, do this one:
E-|-12-12-12-12---------------------|-------12----14-14-------14/16----------|
B-|-12----------15-12----12---------|-0--------12----12----12------(art.harm)|
G-|-------------------14----12------|---/13-------------14----------16-16-16-|
D-|----------------------------14\--|----------------------------------------|
A-|---------------------------------|----------------------------------------|
E-|---------------------------------|----------------------------------------|
*(art.harm) means artificial harmonics. You don't HAVE to, but if you're
anal and you want it EXACLY like the record, fine, be that way...
There's some other little lead fills besides those two, but I don't think
they're really necessary. Those two are the coolest ones anyway.
This here part is for the chorus. Faith No More is not a guitar-based
band so they kinda bury the guitar in most songs. This is mostly just
muting and raking the strings:
E-|---------------------------|-------------------------|---------------------|
B-|---------------------------|-------------------------|---------------------|
G-|---------------------------|-------------------------|---------------------|
D-|---x-x---x-x-x---x-x-x-----|-x-x-x--x-x-x--x-x-x-----|-x-x-x--x-x-x--x-x-x-|
A-|---x-x-5-x-x-x---x-x-x-4-5-|-x-x-x--x-x-x--x-x-x-5-7-|-x-x-x--x-x-x--x-x-x-|
E-|-0-x-x---x-x-x---x-x-x-----|-x-x-x--x-x-x--x-x-x-----|-x-x-x--x-x-x--x-x-x-|
E-|-----------------------|
B-|-----------------------|
G-|-----------------------|
file:///C|/olga_main/f-g/f/faith_no_more/be_aggressive.tab
(s3bz@music.transy.edu) OR (gilomonstr@aol.com)
file:///C|/olga_main/f-g/f/faith_no_more/be_aggressive.tab
file:///C|/olga_main/f-g/f/faith_no_more/carhalo_valador.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
From: PARSONEA@snyalfva.cc.alfredtech.edu
Date:
Fri, 19 Jan 1996 21:50 EST
Subject: upload- faith no more
carhalo valador
Faith No More, off king for a day, dick for a lifetime
submitted by Eric Parsons
What's up everyone!
The guitar work on all new Faith No More stuff is so much better than
old Jimmie boy was putting out, anyway here it is
---0------0--0-----0-------0---------0-----0-----0-----0-------0------0--0-----0-------0---------0-----0-----0-----0------11------11-11----11------11--------7-----7-----9-----9------12------12-12----12------12--------7-----7-----7-----7----12---12-12------12----12-12---12-7----7--7---7-8----8--8--8
let all this crap ring out
this part repeats for a while then goes into
----------------------------------------------------------------0--------------------------------------------------------------------------0----------6------6-----------6------6-----------4------4---------4--2-----2------5------5------5-----5-----5------5-----3------3----3---3-3--3-----0--------------------------------------------------------------------------5------5------5-----5-----5------5-----3-------3----3---3----------------that nifty chord before the foreign language is e---12
b
13
g
12
d
14
a
12
e
--That's it bro's
BROTHERHOOD!!!!
MAHATHARA!!
BP ROCKS!
DEATH PARSONS
file:///C|/olga_main/f-g/f/faith_no_more/digging_the_grave.btab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: dougc@umd.umich.edu (Douglas William Cole)
Subject: BTAB: Faith No More: Digging the Grave
"Digging the Grave"
from the album "King for a day, Fool for a lifetime"
written by Faith No More
** Well, this song is pretty easy. I guess I just decided to post this up
** here so you guys don't have to take the 5-10 minutes to figure it out.
** Hope you enjoy it.
Riff 1.
G ------------------------------------------------------------------------D ------------------------------------------------------------------------A 3-3-3-3-3-3-3-3---------------4\5-5-5-5-5-5-5-5-----------------2\3-----E ----------------4-4-4-4-4-4-4-------------------6-6-6-6-6-6-6-6---------It wasn't wrong to ask you why, because I know what goes inside,
Use only half of what comes out, isn't that what it's about?
etc
G
D
A
E
------------------------------------------------------------------------------------------------------------------------------------------------3-3-3-3-3-3-3-3-----------------5-5-5-5-5-5-5-5-----------------------------------------4-4-4-4-4-4-4-4-----------------6-6-6-6-6-6-6-6----------
-------------------------------------------------------------------------------------------------------------------5\6------------------------3-3-3-3-3-3-3-3-----------------5-5-5-5-7\8--------------------------------------------4-4-4-4-4-4-4-4-----------------4-4-4-4-4-4-4-4---------
G
D
A
E
---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------0-0-0-0-0-0-0-0-8-8-8-8-8-8-8-8-0-0-0-0-0-0-0-8-8-8-8-8-8-8-8----------Ohhh, ohhh...
There's something in, there's something out, you left
the door open wide.
G
D
A
E
**
**
Interlude:
file:///C|/olga_main/f-g/f/faith_no_more/digging_the_grave.btab
E ---|-------------------------------------------------------------------G
D
A
E
----------------------------------------------------------------------------------------------------------------------------------------------0\7-7-7-7-7-7-7-7\9-9-9-9-9-9-9-9\10-10-10-10-10-10-10\0-5-5-5-5-5-5-5-5\
------------------------------------------------------------------------
G
D
A
E
----------------------------------------------------------------------------------------------------------------------------------------------7-7--------------------------------------------------------------------------------------------------------------------------------------------
**
G
D
A
E
--------------------------------------------------------------------------------------------------------------------------------------------------7-7\--------7-7\--------7-7\--------7-7\---------------------------0-0------0-0--0------0-0--0------0-0--0------0-0------------------------
G
D
A
E
------------------------------------------------------------------------------------------------------------------------------------------------7\5------------7\5------------7\5------------7\5---------------------0-----7\5-0-0--0-----7\5-0-0--0-----7\5-0-0--0-----7\5-0-0--0-----------
**
**
**
**
**
The rest of the song is just more of the above. He might do some other
fills that I can't hear, and the sliding on the interlude part is
probably wrong, but that's pretty much it. If anyone has any
corrections or additions, mail me. Also, mail me if you *really* want
any FNM tab for the bass. I probably know it.
dougc@umd.umich.edu
file:///C|/olga_main/f-g/f/faith_no_more/digging_the_grave.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
-------------------------------------------------------------------------Group: Faith No More
Song : Digging The Grave
Album: King For A Day, Fool For A Lifetime
Transcribed by: Martin van Aert (email: mvaert@iaehv.IAEhv.nl)
I may have messed up the Interlude-part, but the rest is pretty accurate.
Just use loads of distortion and a slight delay (aprox. 100 ms). Enjoy it!
Any suggestions and/or comments on this piece are welkom. I'm also still
looking for a good version of the Smashing Pumpkins version of Landslide.
-------------------------------------------------------------------------Symbols:
pm = Palm Mute
/ = Slide Up
\ = Slide Down
^ = String Bend
VERSE:
E
B
G
D
A
E
E
B
G
D
A
E
E
B
G
D
A
E
w/heavy dist.
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-5-5-5-5-5-5-5-5-|---------------6-/-7-7-7-7-7-7-7-7-|---------------4-/
|-5-5-5-5-5-5-5-5-|-6-6-6-6-6-6-6-6-/-7-7-7-7-7-7-7-7-|-8-8-8-8-8-8-8-4-/
|-3-3-3-3-3-3-3-3-|-6-6-6-6-6-6-6-4-/-5-5-5-5-5-5-5-5-|-8-8-8-8-8-8-8-2-/
|-----------------|-4-4-4-4-4-4-4---|-----------------|-6-6-6-6-6-6-6---|
pm----------------------------pm--------------------------|-----------------|-----------------|-----------------|-------------6-6-|
|-----------------|-----------------|-----------------|-----------6-6-6-|
/-5-5-5-5-5-5-5-5-|---------------6-/-7-7-7-7-7-7-7-7-|---------7-7-7-7-|
/-5-5-5-5-5-5-5-5-|-6-6-6-6-6-6-6-6-/-7-7-7-7-7-7-7-7-|-8-8-8-8-8-8-8-8-|
/-3-3-3-3-3-3-3-3-|-6-6-6-6-6-6-6-4-/-5-5-5-5-5-5-5-5-|-8-8-8-8-8-8-8-8-|
|-----------------|-4-4-4-4-4-4-4---|-----------------|-6-6-6-6-6-6-6-6-|
pm--------------------------pm------------------REPEAT LAST 4 BARS 2X
|-3---3---3-3-3-3-|-4---4---4-4-4-4-|-5---5---5-5-5-5-|-6---6---6-6-6-6-|
|-5---5---5-5-5-5-|-4---4---4-4-4-4-|-7---7---7-7-7-7-|-6---6---6-6-6-6-|
|-5---5---5-5-5-5-|-5---5---5-5-5-5-|-7---7---7-7-7-7-|-7---7---7-7-7-7-|
|-5---5---5-5-5-5-|-6---6---6-6-6-6-|-7---7---7-7-7-7-|-8---8---8-8-8-8-|
|-3---3---3-3-3-3-|-6---6---6-6-6-6-|-5---5---5-5-5-5-|-8---8---8-8-8-8-|
|-----------------|-4---4---4-4-4-4-|-----------------|-6---6---6-6-6-6-|
CHORUS:
E
B
G
D
A
E
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-9-9-9-----9-----|-9-9-9-----9-----|-9-9-9-----9-----|-9-9-9-----9-----|
|-9-9---9-----9---|-1010--10----10--|-9-9---9-----9---|-1010--10--------|
|-7-7-------------|-1010------------|-7-7-------------|-1010------------|
|-7-7-------------|-8-8-------------|-7-7-------------|-8-8---------12\7|
let ring-------------------------------------------------------------
file:///C|/olga_main/f-g/f/faith_no_more/digging_the_grave.tab
E
B
G
D
A
E
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------7-7-7-|-----------------|-----------7-7-7-|-----------------|
|-9-9\7/9---7-7-7-|-9-9\7/9---101010|-9-9\7/9---7-7-7-|-9-9\7/9---101010|
|-9-9\7/9---5-5-5-|-9-9\7/9---101010|-9-9\7/9---5-5-5-|-9-9\7/9---101010|
|-7-7\5/7---------|-7-7\5/7---8-8-8-|-7-7\5/7---------|-7-7\5/7---8-8-8-|
REPEAT CHORUS 2X
E
B
G
D
A
E
REPEAT BAR 4X
|-7-7-7-7-7-7-7-7-|
|-7-7-7-7-7-7-7-7-|
|-9-9-9-9-9-9-9-9-|
|-9-9-9-9-9-9-9-9-|
|-7-7-7-7-7-7-7-7-|
|-----------------|
E
B
G
D
A
E
|-0---0---0---0-0-|-0---0---0---0-0-|-3---3---3---3-3-|-0---0---0---0-0-|
|-0---0---0---0-0-|-3---3---3---3-3-|-3---3---3---3-3-|-3---3---3---3-3-|
|-0---0---0---0-0-|-2---2---2---2-2-|-0---0---0---0-0-|-2---2---2---2-2-|
|-2---2---2---2-2-|-0---0---0---0-0-|-0---0---0---0-0-|-0---0---0---0-0-|
|-2---2---2---2-2-|-0---0---0---0-0-|-2---2---2---2-2-|-0---0---0---0-0-|
|-0---0---0---0-0-|-2---2---2---2-2-|-3---3---3---3-3-|-2---2---2---2-2-|
E
B
G
D
A
E
REPEAT BAR 4X
|-8-8-8-8-8-8-8-8-|
|-8-8-8-8-8-8-8-8-|
|-9-9-9-9-9-9-9-9-|
|-1010101010101010|
|-1010101010101010|
|-8---------------|
E
B
G
D
A
E
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|/4^--4^--4^--4^--|-4^--4^--4^--4^--|-4^--4^--4^--4^--|-4^--4^--4^--4^--|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
bend each note half a step up
E
B
G
D
A
E
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-2---2---9---9\--|---2-2---9---9\--|---2-2---9---9\--|---2-2---9---9\--|
|-2---2---7---7\--|-2-2-2---7---7\--|-2-2-2---7---7\--|-2-2-2---7---7\--|
|-0---0-----------|-0-0-0-----------|-0-0-0-----------|-0-0-0-----------|
pm pm
pm pm
pm pm
E
B
G
D
A
E
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|---2-2---9---9\--|---2-2---9---9\--|---2-2---9---9\--|---2-2---9---9\--|
|-2-2-2---7---7\--|-2-2-2---7---7\--|-2-2-2---7---7\--|-2-2-2---7---7\--|
|-0-0-0-----------|-0-0-0-----------|-0-0-0-----------|-0-0-0-----------|
pm pm
pm pm
pm pm
pm pm
file:///C|/olga_main/f-g/f/faith_no_more/digging_the_grave.tab (2 of 3) [4/28/2003 9:50:30 PM]
file:///C|/olga_main/f-g/f/faith_no_more/digging_the_grave.tab
SONG STRUCTURE:
VERSE/CHORUS/VERSE/CHORUS/INTERLUDE/CHORUS/VERSE
SONG TEXT:
It would be wrong to ask you why
Because I know what goes on inside
Is only half of what comes out
Isn't that what it's about?
To remind us we're alive
To remind us we're not blind
In that big, black hole
Comfortable
Digging the grave, I got it made
Let something in, or throw something out?
You left the door open wide
I know you have a reason why
That knot is better left untied
I just went and undid mine
It takes some time
And the shadows so big
It takes the sun out of the day
And the feeling goes away
If you close the door
Comfortable
--------------------------------------------------------------------------
file:///C|/olga_main/f-g/f/faith_no_more/easy.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Wed, 28 Jun 1995 23:29:31 +0200 (MET DST)
From: Johan Englund <na94jed@HGS.SE>
Easy - Faith No More (written by Lionel Ritchie)
(G# Cm A#m D#)x2
Verse
Ref:
Bridge
G#
Cm
A#m
D#
Know it sounds funny but I just can't stand the pain
G#
Cm
A#m
D#
Girl, I'm leavin you to my ....?
G#
Cm
A#m
D#
Seems to me girl you know I don't all ...?
G#
Cm
A#m
D#
You see a big stove and a ...
yeah oh
G# Cm A#m
That's why I'm easy
I'm
G# Cm A#m
That's why I'm easy
I'm
D#
G#
Cm A#m D#
easy like sunday morning
D#
G# A#m B G#
easy like sunday mooooooooorning
C#
A#m
I wonna be high
so high
C#
A#m
I wanna be free to know the things I do alright
C#
A#m
B F# B C#
I wanna be free
just me
oh baby
uh
If you lower this song 1 half step it will be very easy
to play, for ex. the verse will be: G Hm Am D etc...
Transcribed by me, Johan Englund, na94jed@hgs.se.
Corrections and flames are welcomed.
file:///C|/olga_main/f-g/f/faith_no_more/easy.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From etlnbb@etlxdmx.ericsson.se Sat Jun 18 05:17 CDT 1994
From: etlnbb@etlxdmx.ericsson.se ( neil bergin xd/gk)
Date: Sat, 18 Jun 94 11:18:13 BST
To: jcarson@tivoli.com
Subject: TAB: Easy - Faith No More
From ericb@uluru7.ecr.mu.oz.au (Enrico_Giuseppe BETTIO)
I dont know how close this is to the album version but it should help
bye
eric
file:///C|/olga_main/f-g/f/faith_no_more/easy.tab
file:///C|/olga_main/f-g/f/faith_no_more/epic.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From alt.guitar.tab Mon Jun 7 21:03:42 1993
Path:
tcdcs!ieunet!mcsun!uknet!bnr.co.uk!bnrgate!nott!torn!howland.reston.ans.net!usc!cs.utexas.edu!rutgers!rochester!cantaloupe.srv.cs.cmu.edu!crabapple.srv.cs.cmu.edu!bb3.andrew.cmu.edu!andrew.cmu.edu!vo23+
From: vic+@CMU.EDU (Victor Ortega)
Newsgroups: alt.guitar.tab
Subject: TAB: Epic (Faith No More)
Message-ID: <sg4K9pC00awMI90l0Q@andrew.cmu.edu>
Date: 6 Jun 93 03:20:21 GMT
Organization: Freshman, Mechanical Engineering, Carnegie Mellon, Pittsburgh, PA
Lines: 321
NNTP-Posting-Host: andrew.cmu.edu
file:///C|/olga_main/f-g/f/faith_no_more/epic.tab
1...
1...
1 + 2
alive afraid a lie a sin it's magic it's tragic it's a loss it's a win
|-----------------------------------|-----------------------------------|
|-----------------------------------|-----------------------------------|
|-----------------------------------|-----------------------------------|
|-----------------------------------|-----------------------------------|
|-----------------------------------|-----------------------------------|
|-----------------------------------|------------------------------3-3--|
It's dark it's moist it's a bitter pain it's sad it happnd' and it's a shame!
|-----------------------------------|--------------------8---9---10--11-|
|---------/8---------7-X-8----------|---------/8--------7---8---9---10--|
|---------/7---------6-X-7----------|---------/7-------6---7---8---9----|
|---------/6---------5-X-6----------|---------/6------------------------|
|---------/7---------6-X-7----------|---------/7-------[sweep triplets]-|
|--3-0(0)--------0-0-----------3-3--|--3-0(0)------0--------------------|
PM^^^
1
+
2
+
3
+
4
+
1
+
2
+
3
+
4
+
You want it all...
E5
B5
C
C D
Em D
C
E5
|-----|-----|-----------------------|-----------------------------------|
|-----|-----|-[two-guitar harmony]--|-----------------------------------|
|-----|-----|-----------------------|-----------------------------------|
|-----|-4---|-2---2--4/5-5\4-4\2-2--|--9-------9-------9----------------|
|-2---|-2---|-3---3--5/7-7\5-5\3-3--|--7-------7-------7----------------|
|-0---|-----|-----------------------|----0-0-0---0-0-0---0-0-0-3-3-2-3--|
PM___| PM___| PM___|
It's in your face...
It's
E5
B5
C
C D
Em D
C
E5
|-----|-----|-----------------------|-----------------------------------|
|-----|-----|-[two-guitar harmony]--|-----------------------------------|
|-----|-----|-----------------------|-----------------------------------|
|-----|-4---|-2---2--4/5-5\4-4\2-2--|--9-------9-------9----------------|
|-2---|-2---|-3---3--5/7-7\5-5\3-3--|--7-------7-------7----------------|
|-0---|-----|-----------------------|----0-0-0---0-0-0---0-0-0-3-3-2-3--|
PM___| PM___| PM___|
it
what is it
It's
it
what is it
|-----------------------------------|-----------------------------------|
|-----------------------------------|-----------------------------------|
|-----------------------------------|-----------------------------------|
|--9-------9-------9----------------|--9-------9-------9----------------|
|--7-------7-------7----------------|--7-------7-------7----------------|
|----0-0-0---0-0-0---0-0-0-3-3-2-3--|----0-0-0---0-0-0---0-0-0-3-3-2-3--|
PM___| PM___| PM___|
PM___| PM___| PM___|
it
what is it
It's
it
what is it
|-----------------------------------|-----------------------------------|
|-----------------------------------|-----------------------------------|
|-----------------------------------|-----------------------------------|
|--9-------9-------9----------------|--9-------9-------9----------------|
|--7-------7-------7----------------|--7-------7-------7----------------|
|----0-0-0---0-0-0---0-0-0-3-3-2-3--|----000-00--000-00--000-00323-2-3--|
PM___| PM___| PM___|
PM___| PM___| PM___|
Two guitars:
Guitar 1
|-----------------|-0---------------|-----------------|-----------------|
|-----------------|-[let ring]------|-----------------|-----------------|
|-----------------|--------0--------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-2---------------|(2)--------------|-2---------------|(2)--------------|
|-0---------------|(0)--------------|-0---------------|(0)--------------|
|
|Guitar 2
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|------------5-4--|(4)--------------|
|-----------------|-----------------|-----------------|-----------------|
|-2---------------|(2)--------------|-(2)-------------|-----------------|
|-0---------------|(0)--------------|-(0)-------------|-----------------|
file:///C|/olga_main/f-g/f/faith_no_more/epic.tab
Guitar 1
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-10------13------|-15-----12-------|
|-5-------7-------|-9------12-------|-----------------|-----------------|
|-----------------|-----------------|-7-------10------|-12-----9--------|
|-3-------5-------|-7------10-------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|
|Guitar 2
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-5-------7-------|-9------12-------|-5-------7-------|-9------12-------|
|-----------------|-----------------|-----------------|-----------------|
|-3-------5-------|-7------10-------|-3-------5-------|-7------10-------|
|-----------------|-----------------|-----------------|-----------------|
Guitar Solo:
|--1719--------1717171515------1719-|-17-------------------171717-------|
|--1920--------1919191717------1920-|-19---19--------------191919---19--|
|-----------------------------------|------19-----------------------19--|
|--------[two-guitar harmony]-------|-----------------------------------|
|-----------------------------------|-----------------------------------|
|-----------------------------------|-----------------------------------|
|
|-----------------------------------|-----------------------------------|
|-----------------------------------|-----------------------------------|
|--9-------------------9------------|--11\-7---------------11--11\-7----|
|------------------9----------------|-----------------------------------|
|--7-------------------7------------|--9-\-5---------------9---9-\-5----|
|------------------7----------------|-----------------------------------|
1
+
2
+
3
+
4
+
1
+
2
+
3
+
4
+
|--15------------------8---7--------|------------------15----------15---|
|--17--17--------------8---7---8----|------------------17----17----17---|
|------17----------------------7----|--9---------------------17---------|
|-----------------------------------|--10-------------------------------|
|-----------------------------------|-----------------------------------|
|-----------------------------------|-----------------------------------|
|
|-----------------------------------|-----------------------------------|
|-----------------------------------|-----------------------------------|
|--9-\-5----------------------------|-(5)--------------9-----5-----9----|
|-----------------------------------|-----------------------------------|
|--7-\-3----------------------------|-(3)--------------7-----3-----7----|
|-----------------------------------|-----------------------------------|
1
+
2
+
3
+
4
+
1
+
2
+
3
+
4
+
|--17----------14--10\-8---7-\-3----|--2---------------17----------17---|
|--19----------15-------------------|------------------19----19----19---|
|------------------11\-9---7-\-4----|--2---------------------19---------|
|-----------------------------------|-----------------------------------|
|-----------------------------------|-----------------------------------|
|-----------------------------------|-----------------------------------|
|
|-----------------------------------|-----------------------------------|
|-----------------------------------|-----------------------------------|
|--11----------7---7----------------|-(7)--------------11----7-----11---|
|-----------------------------------|-----------------------------------|
|--9-----------5---5----------------|-(5)--------------9-----5-----9----|
|-----------------------------------|-----------------------------------|
1
+
2
+
3
+
4
+
1
+
2
+
3
+
4
+
[One guitar]
It's
|19----------------------|----------------------------------------------|
|20------17-17-------12--|121512-121512-121512-121512-121512-121512-15fb|
|--------17-17-------14fb|-----14-----14-----14-----14-----14-----14----|
|------------------------|----------------------------------------------|
|------------------------|[32nds... use hammer-on/pull-off combinations]|
|------------------------|----------------------------------------------|
|
fb=full bend
file:///C|/olga_main/f-g/f/faith_no_more/epic.tab
|------------------------|----------------------------------------------|
|------------------------|----------------------------------------------|
|12------5--5------------|----------------------------------------------|
|------------------------|----------------------------------------------|
|10------3--3------------|----------------------------------------------|
|------------------------|----------------------------------------------|
1 + 2 + 3 + 4 +
1
+
2
+
3
+
4
it
what is it
It's
it
what is it
|-----------------------------------|-----------------------------------|
|-----------------------------------|-----------------------------------|
|-----------------------------------|-----------------------------------|
|--9-------9-------9----------------|--9-------9-------9----------------|
|--7-------7-------7----------------|--7-------7-------7----------------|
|----0-0-0---0-0-0---0-0-0-3-3-2-3--|----0-0-0---0-0-0---0-0-0-3-3-2-3--|
PM___| PM___| PM___|
PM___| PM___| PM___|
it
what is it
It's
it
what is it
|-----------------------------------|-----------------------------------|
|-----------------------------------|-----------------------------------|
|-----------------------------------|-----------------------------------|
|--9-------9-------9----------------|--9-------9-------9----------------|
|--7-------7-------7----------------|--7-------7-------7----------------|
|----0-0-0---0-0-0---0-0-0-3-3-2-3--|----000-00--000-00--000-00323-2-3--|
PM___| PM___| PM___|
PM___| PM___| PM___|
You want it all...
yeah
yeah
yeah
E5
B5
C
C D
Em D
C
D
C
G
D
Em
|-----|-----|-----------------------|-----------------------------------|
|-----|-----|--------------[two-guitar harmony]-------------------------|
|-----|-----|-----------------------|-----------------------------------|
|-----|-4---|-2---2--4/5-5\4-4\2-2--|--4---2---9-------7-------5--------|
|-2---|-2---|-3---3--5/7-7\5-5\3-3--|--5---3---10------9-------7--------|
|-0---|-----|-----------------------|-----------------------------------|
1... 1... 1 + 2 +
3
+
4
1
+
2
+
3
+
4
+
It's in your face...
yeah
yeah
yeah it's
E5
B5
C
C D
Em D
C
D
C
G
D
Em
|-----|-----|-----------------------|-----------------------------------|
|-----|-----|--------------[two-guitar harmony]-------------------------|
|-----|-----|-----------------------|-----------------------------------|
|-----|-4---|-2---2--4/5-5\4-4\2-2--|--4---2---9-------7-------5--------|
|-2---|-2---|-3---3--5/7-7\5-5\3-3--|--5---3---10------9-------7--------|
|-0---|-----|-----------------------|-----------------------------------|
1... 1... 1 + 2 +
3
+
4
1
+
2
+
3
+
4
+
it
what is it
it's it
what is it
it's
||----------------------------------|-----------------------------------|
||-12-----------------------13\12\10/12-------13\12\10/12---------------|
---------------------------------|------------------------------12\11|
||.
||.9------------------------10\9-\7-/7--------10\9-\7-/7----------------| ||---------------------------------|------------------------------10\9-|
||----------------------------------|-----------------------------------|
1 +
2
+
3
+
4
+
1
+
2
+
3
+
4
+
|........................................................................
it
what is it
it's
it
what is it
it's
|-----------------------------------|-----------------------------(8)--||
|-----------------------------------|-----------------------------(10)-||
|-/12----------9\7/9----------------|-(9)------12------11------9------.||
|-----------------------------------|---------------------------------.||
|-/10----------7\5/7----------------|-(7)------10------9-------7-------||
|-----------------------------------|----------------------------------||
1
+
2
+
3
+
4
+
1
+
2
+
3
+
4
+
............................................repeat 6 times and fade.....|
[play with above repeat 2nd through 6th time without lyrics and fade]
||--7---------------------------8---|---7---------------12----------7-5-|
||--8-----------8---8-----------10--|---8-----------8---8-----------8-7-|
||.-------------9---9---------------|---------------9-------------------|
||.---------------------------------|-----------------------------------|
file:///C|/olga_main/f-g/f/faith_no_more/epic.tab
||------------------------[two-guitar harmony]--------------------------|
||----------------------------------|-----------------------------------|
1
+
2
+
3
+
4
+
1
+
2
+
3
+
4
+
|--7--------------------------------|----------7-------5---------------||
|--8-----------8-7-8----------------|----------8-------7-------8-------||
|--------------9-7-9----------------|--------------------------10-----.||
|-----------------------------------|---------------------------------.||
|-------------------------[two-guitar harmony]-------------------------||
|-----------------------------------|----------------------------------||
1
+
2
+
3
+
4
+
1
+
2
+
3
+
4
+
Note: The original recording contains multiple layers of overdubbed
guitars, as many as six near the end when Jim Martin is improvising over the
harmonized repeat. However, I've compressed this into two guitars to make it
easier to play, while trying to maintain the original sound and feel as much
as possible. Enjoy!
Victor
file:///C|/olga_main/f-g/f/faith_no_more/everythings_ruined.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Mon, 26 Feb 1996 09:05:42 +1100 (EST)
From: "Harley Jackson, NPR Systems P/L" <harls@npr.com.au>
Subject: TAB: Everything's Ruined by Faith No More
Guitar tab:
Everything's Ruined
(harls@npr.com.au)
Intro:
G A B A
G F# A
(F#)
E---3--5-7-5---5-5-5-3-3-2-2-0-3--2--5-----2-B---3--5-7-5-------------------3--2--5-----2-G---4--6-8-6-------------------4--3--6-----3-D---5--7-9-7-------------------5--4--7-----4-A---5--7-9-7-------------------5--4--7-----4-E---3--5-7-5-------------------3--2--5-----2-^^^^^^^^^^^^^^^
fig (1)
F# / /...
C B
F# / / /
E------------2----------------3-2----------2-----------------------B------------2----------------4-3----------2-----------------------G------------3----------------4-3----------3-----------------------D------------4----------------4-3----------4-----------------------A------------4----------------3-2----------4----------2h3p2p0------E------------2-----------------------------2-----------------h2p0--^^^^^^^^^^^
file:///C|/olga_main/f-g/f/faith_no_more/everythings_ruined.tab (1 of 3) [4/28/2003 9:50:32 PM]
file:///C|/olga_main/f-g/f/faith_no_more/everythings_ruined.tab
fig (2)
We were like ink and paper
numbers on a calculator
F# / / / C B
F# / / /...
knew arithmetic so well
C
B
F# / / /
repeat fig (2)
working overtime, completed what was assigned
F# / / / C B F# / / /...
we had to multiply ourselves
F#\ E
E--2-\-0-----------------------------------------B--2-\-0-----------------------------------------G--3-\-1-----------------------------------------D--4-\-2-----------------------------------------A--4-\-2-----------------------2h3p2p0h2p0-------E--2-\-0----------------------------------h2p0h2-a bouncing little baby
D
and he spent himself
}
}
} fig (3)
}
}
}
repeat fig (3)
a shiny copper penny
A
would not listen to us
D
but when he lost his appetite
A
(F#)
he lost his weight in friends
F# / /
F# / /
F# / /
F# / / /
Baby became a fat nickel so fast then came puberty
C B F# / / fig(2)
exponentially
F# / / /
C B F# / /...
soon our boy became a million
D
A
people loved him so and helped him to grow
D
everyone know the thing that was best
A
of course he must invest
F# / / /...
G / / F# G A / / /...
A penny won't do
no
a penny won't do
no oh
(repeat)
A B A
fig (1)
G / /...
But he made us proud
B A
E / /...
he made us rich
file:///C|/olga_main/f-g/f/faith_no_more/everythings_ruined.tab
G / /...
and how were we to know
A / /...
he's counterfeit
Solo:
E--------------------------------------------------------------B--------------------------------------------------------------G--------------11-9--9\0--6-7-9----9p6---9p6---9p6---7-6---6---D----------9-7-----------------7-7-----7-----7-----7-----9---7-A------9-7----------------------7------------------------------E---10---------------------------------------------------------E-------------------9h10/17\10p9-10p9-7-9p7-5---5h7-7b(9)-7b(9)r7-5-B---------------------------------------------7---------------------G--------------11-9-------------------------------------------------D----------9-7------------------------------------------------------A------9-7----------------------------------------------------------E---10---------------------------------------------------------------
D
Now everything's ruined
G / / / / / B
A
now everything's ruined
yeh eh
yeh eh eh (repeat)
(let ring)
Harley
---------------------------------------------------------------------"Ski to die - Drink to recover..."
Harley Jackson
NPR Systems
301/16-18 Cambridge Street
Epping, NSW, 2121
AUSTRALIA
e-mail: harls@npr.com.au
phone: +61 2 876 3300
fax:
+61 2 876 3628
----------------------------------------------------------------------
file:///C|/olga_main/f-g/f/faith_no_more/gentle_art.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: dpinter@eik.bme.hu (PINTER Denes)
Date: 9 Jun 1995 11:06:30 -0500
Faith No More:
GENTLE ART OF MAKING ENEMIES
from the album
KING FOR A DAY - FOOL FOR A LIFETIME
/1995/
*
E-|------------------------------------------------------------------|
B-|-3-3-3-3-3-3-3-3-3-3-3-3-4-4-4-4-4-4-4-4-4-4-4-4------------------|
G-|-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7------------------|
D-|-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5----------------4-|
A-|-3-3-3-3-3-3-3-3-3-3-3-3-5-5-5-5-5-5-5-5-5-5-5-5-5\------2---(5)4-|
E-|-3-3-3-3-3-3-3-3-6-6-6-4-4-4-4-4-4-4-4-4-4-4-4-4---0-2-5----2-5-2-|
E-|------------------------------------------------------------------|
B-|------------------------------------------------------------------|
G-|-----------------------------4---4-4-4-4-4-4-4--------------------|
D-|-4-4-4-4-4-4-----------------2---2-2-2-2-2-2-2---------------4----|
A-|-4-4-4-4-4-4---------3-3-----------------------------3-3-----4----|
E-|-2-2-2-2-2-2---0-2-5-----2-0-------------------0-2-5-----2-5-2----|
E-|-----------------------------------------|
B-|-----------------------------------------|
G-|-------------------------------4-4-4-4-4-|
D-|-4-4-4-4-4-4-------------------2-2-2-2-2-|
A-|-4-4-4-4-4-4---------3-3-------2-2-2-2-2-|
E-|-2-2-2-2-2-2---0-2-5-----0-0-0-0-0-0-0-0-|
E-|------------------------|----------------------|-------|
B-|------------------------|----------------------|-------|
G-|------------------------|----------------------|--0//--|
D-|------------------------|----5-----------9---9-|--//0--|
A-|-----5---8-----------9--|----5---8-------9---9-|-------|
E-|-0-0-3-0-6---0-3-7---7--|0-0-3-0-6---0-3-7---7-|-------|
Em
Em
E-|--------------------------------|--------------------------------|-----|
B-|--------------------------------|--------------------------------|-----|
G-|--------------------------------|--------------------------------|-0//-|
D-|--------------------------------|--------------------------------|-//0-|
A-|--------------------------0-----|---------------------------0----|-----|
E-|-0-x-x-1-2-x-x-2----0-1-2---2-1-|-0-x-x-1-2---x-2-----0-1-2---2-1|-----|
*
E-|---------------------------------|-------|------------------|
B-|---------------------------------|-------|------------------|
G-|---------------------------------|--0//--|------------------|
D-|---------------------------------|--//0--|------------------|
A-|-3-3-3-3-3-3-3-2-----------0-----|-------|-3-3-3-3-3-3-3-3--|
E-|-2-2-2-2-2-2-2-2-----0-1-2---2-1-|-------|-2-2-2-2-2-2-2-2--|
E-|---------------------------------------------------------------------------|
B-|---------------------------------------------------------------------------|
G-|---------------------------------------------------------------------------|
D-|---------------------------------------------------------------------------|
A-|-x-x-4---7---9-9-9-9-9-9-9-9-9-9-9-9-7-7-7-7-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-|
file:///C|/olga_main/f-g/f/faith_no_more/gentle_art.tab
E-|-x-x-2---5---7-7-7-7-7-7-7-7-7-7-7-7-5-5-5-5-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-|
E-|-------|-------------------------|------|
B-|-------|-------------------------|------|
G-|-------|-------------------------|--0/--|
D-|-------|---------------------3---|--/0--|
A-|-5---7-|-2-2-2-2-2-2-2-2-2-2-1---|------|
E-|-------|-0-0-0-0-0-0-0-0-0-0-----|------|
E-|-------------------------------------------------------------------------|
B-|-------------------------------------------------------------------------|
G-|-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4---------|
D-|-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4---------|
A-|-2-2-2-2-2-2-2-2-2-2-2-2-0-0-0-0-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-5---7---|
E-|---------------------------------3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3---------|
E-|-----------------------|------|
B-|-----------------------|------|
G-|-----------------------|--0/--|
D-|---------------------3-|--/0--|
A-|-2-2-2-2-2-2-2-2-2-2-1-|------|
E-|-0-0-0-0-0-0-0-0-0-0---|------|
Em
Em
E-|--------------------------------|--------------------------------|-----|
B-|--------------------------------|--------------------------------|-----|
G-|--------------------------------|--------------------------------|-0//-|
D-|--------------------------------|--------------------------------|-//0-|
A-|--------------------------0-----|---------------------------0----|-----|
E-|-0-x-x-1-2-x-x-2----0-1-2---2-1-|-0-x-x-1-2---x-2-----0-1-2---2-1|-----|
*
E-|---------------------------------|-------|------------------|
B-|---------------------------------|-------|------------------|
G-|---------------------------------|--0//--|------------------|
D-|---------------------------------|--//0--|------------------|
A-|-3-3-3-3-3-3-3-2-----------0-----|-------|-3-3-3-3-3-3-3-3--|
E-|-2-2-2-2-2-2-2-2-----0-1-2---2-1-|-------|-2-2-2-2-2-2-2-2--|
E-|---------------------------------------------------------------------------|
B-|---------------------------------------------------------------------------|
G-|---------------------------------------------------------------------------|
D-|---------------------------------------------------------------------------|
A-|-x-x-4---7---9-9-9-9-9-9-9-9-9-9-9-9-7-7-7-7-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-|
E-|-x-x-2---5---7-7-7-7-7-7-7-7-7-7-7-7-5-5-5-5-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-|
E-|-------|-------------------------|------|
B-|-------|-------------------------|------|
G-|-------|-------------------------|--0/--|
D-|-------|---------------------3---|--/0--|
A-|-5---7-|-2-2-2-2-2-2-2-2-2-2-1---|------|
E-|-------|-0-0-0-0-0-0-0-0-0-0-----|------|
E-|-------------------------------------------------------------------------|
B-|-------------------------------------------------------------------------|
G-|-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4---------|
D-|-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4---------|
A-|-2-2-2-2-2-2-2-2-2-2-2-2-0-0-0-0-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-5---7---|
E-|---------------------------------3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3---------|
E-|-----------------------|------|
file:///C|/olga_main/f-g/f/faith_no_more/gentle_art.tab
B-|-----------------------|------|
G-|-----------------------|--0/--|
D-|---------------------3-|--/0--|
A-|-2-2-2-2-2-2-2-2-2-2-1-|------|
E-|-0-0-0-0-0-0-0-0-0-0---|------|
E-|-------------------------------------------------------------------------|
B-|-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-------------|
G-|-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-------------|
D-|-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-------------|
A-|-2-2-2-2-2-2-2-2-2-2-2-2-0-0-0-0-2-2-2-2-2-2-2-2-2-2-2-2-2-2-------------|
E-|---------------------------------3-3-3-3-3-3-3-3-3-3-3-3-3-3-------------|
E-|----|--------------------------------------------------------------------|
B-|----|--------------------------------------------------------------------|
G-|----|--------------------------------------------------------------------|
D-|----|------5---------------------------------5--------9---9-9-9-9-9-9-9--|
A-|-4\-|0-5-6-3-----5---4---4-4-4-4-4-4-4-------3--------7---7-7-7-7-7-7-7--|
E-|----|0-3-6-----3-5---2---2-2-2-2-2-2-2-0-3-6------3-6--------------------|
E-|------------|
B-|------------|
G-|--0///////--|
D-|--///////0--|
A-|------------|
E-|------------|
guitar 3
E-|-------------------------------------------|------|
B-|-------------------------------------------|------|
G-|-------------------------------------------|--0/--|
D-|-------------------------------------------|--/0--|
A-|-9---9-8-8-7-7-6-6-----10---10-9-9-8-8-7-7-|------|
E-|-------------------------------------------|------|
E-|-------------------------------------------|
B-|-------------------------------------------|
G-|-------------------------------------------|
D-|-------------------------9---9-8-8-7-7-5-5-|
A-|-------------------------------------------|
E-|-9---9-8-8-7-7-5-5-------------------------|
E-|-------------------------------------------|
B-|-------------------------------------------|
G-|-------------------------------------------|
D-|-------------------------------------------|
A-|-9---9-8-8-7-7-6-6-----10---10-9-9-8-8-7-7-|
E-|-------------------------------------------|
...guitar 4(or synth ?)
E-|------------------------13-13---17-----17-|
B-|----------9-10----13-14-------------------|
G-|-------10------11-------------------------|
D-|-11---------------------------------------|
A-|------------------------------------------|
E-|------------------------------------------|
EADGBE
Em 0250xx
0/
/0 repeat
file:///C|/olga_main/f-g/f/faith_no_more/gentle_art.tab
_______________
(_
\
)
o o )
|ooo\=================|==HH=HH=|~o o }
|ooo/=================|==HH=HH=|~
)
__)
/
(______________ /
TRANSCRIBED BY PINTER Denes
dpinter@goliat.eik.bme.hu
1995 juni
"Sunday morning SUCKS" - Beavis
file:///C|/olga_main/f-g/f/faith_no_more/jizzlobber.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Paul D <S3BZ@MUSIC.TRANSY.EDU>
Subject: TAB: "Jizzlobber" by Faith No More
Faith No More's "Jizzlobber" is a relatively simple song. The beginning
chords are all fifths (power chords). The following tab is the chords and
the beat on which you should play them. I suppose you could call this the
"verse" part...
(first there's just drums and keyboard for 3 measures, then...)
1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
E--------------------------------------------------------------------------|
B--------------------------------------------------------------------------|
G--------------------------------------------------------------------------|
D----6---5~~~~~~~~~~-6---3~~~~~~~~~~-----6\5~~~~~~~~~~-6/11\10~~~~~-4------|
A----4---3~~~~~~~~~~-4---1~~~~~~~~~~-2---4\3~~~~~~~~~~-4/-9\-8~~~~~-2---2--|
E------------------------------------0-0--------------------------------0-0|
Listen to the tape (or CD) to get the little changes as it progresses, but
that's the gist of it.
Here's the "chorus" part:
Play this 3 times...
Then play this once...
E-|---------------------------------||-------------------------------------|
B-|---------------------------------||-------------------------------------|
G-|---------------------------------||-----------------4------3------2-----|
D-|---------------3---------------3-||---------------3---5~~~---4~~~---3---|
A-|---------1---3-----------1---3---||---------1---3-----------------------|
E-|-0-0-0-0---2-----0-0-0-0---2-----||-0-0-0-0---2-------------------------|
I don't know WHAT to call THIS part, but it's in there:
play twice...
then, play twice...
E-|-------------------------|
|-------------------------||
B-|-------------------------|
|-------------------------||
G-|-------------------------|
|-------------------------||
D-|-------------------------|
|-------------------------||
A-|-3---5-3---5-3---5-3---5-|
|-1---3-1---3-1---3-1---3-||
E-|---4-----4-----4-----4---|
|---2-----2-----2-----2---||
Then do those parts again!!
Now, some other part I can't put a song-structure-type name on:
E-|------------------------|-----------------------|-----------------------|
B-|------------------------|-----------------------|-----------------------|
G-|------------------------|--------------------7--|-----------------------|
D-|---------5-----------5--|--------5---5---5-8---8|--------3-----------3--|
A-|-3---3-6---6-3---3-6---6|3---3-6---6---6--------|1---1-4---4-1---1-4---4|
E-|---4-----------4--------|--4--------------------|--2-----------2--------|
E-|------------------------|-----------------------|-----------------------|
B-|------------------------|-----------------------|-----------------------|
G-|---------------------5--|-----------------------|--------------------7--|
D-|---------3---3---3-6---6|--------5-----------5--|--------5---5---5-8---8|
A-|-1---1-4---4---4--------|3---3-6---6-3---3-6---6|3---3-6---6---6--------|
E-|---2--------------------|--4-----------4--------|--4--------------------|
E-|------------------------|-----------------------||
file:///C|/olga_main/f-g/f/faith_no_more/jizzlobber.tab
B-|------------------------|-----------------------||
G-|------------------------|-----------------------||
D-|---------3-----------3--|-----------------------||
A-|-1---1-4---4-1---1-4---4|1---3-1---3-1---3-1---3||
E-|---2-----------2--------|--2-----2-----2-----2--||
Then play this twice:
E-|------------------------|----------------------------||
B-|------------------------|----------------------------||
G-|------------------------|----------------------------||
D-|---------7-----------7--|---------9-------------9----||
A-|-5---5-8---8-5---5-8---8|7---7-10---10-7---7-10---10-||
E-|---6-----------8--------|--8-------------8-----------||
It gets kinda weird after that. But the guitar chords are pretty much the
same as the beginning. It doesn't really get any harder. If you're really
desperate and can't figure it out email me and I'll try to make of it what
I can. Also email me if you need the lyrics (they're yecchy!).
Good luck!
Paul D. (s3bz@music.transy.edu) OR (AntiPC@aol.com)
file:///C|/olga_main/f-g/f/faith_no_more/just_a_man.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Band: FAITH NO MORE
Album: King for a day, fool for a lifetime..
Song: Just a Man
Transcribed by: Justin Greenwood
Notes:
This is a pretty cool song, I don't have it perfect or anything, I just got the basic
chords pretty much .:)
*BASS LINE(basic)**********************************************************
"Sky is clear...."
I--------------------------------------I--------------------5-------------I
I--------------------------------------I--------------2--5----------------I
I--3-----3p-0-----3--3--3--------------I--3--3--3--3----------------------I
I-----3--------3-----------3--3--3--3--I----------------------------------I
Repeat a couple Times..
Chorus: "Each star is out..."
I--------7-------7----------7-------7----------2----2----------2--4--5----I
I-----7-----7--7---7-----7-----7--7---7-----2-----2---2-----2-------------I
I--5------------------5------------------3---------------3----------------I
I-------------------------------------------------------------------------I
I--------7-------7----------7-------7----------5----5----------------5----I
I-----7-----7--7---7-----7-----7--7---7-----2-----2---2----------2-5------I
I--5------------------5------------------3---------------3-3-3-3----------I
I-------------------------------------------------------------------------I
*Figure 1:*****************************************************************
Notes: I'm not sure exactly how this part goes, but this is close, and the right chord..
E A D G B E
Some combination of notes with the chord(C): 8 10 10 9 8 8
I----------------------------------8--------------------------------------I
I-------------------------------8--8--------------------------------------I
I------------9---------------9--------------------------------------------I
I--10--X--X-----X--X--10--X-----------------------------------------------I
I-------------------------------------------------------------------------I
I-------------------------------------------------------------------------I
Slight palm mute=================>
*Figure 2:*****************************************************************
Notes: Easy as hell..
"Each star is out, I reach for one to sparkle in my hand.."
I-------------------1----------------------------------0------------------I
I-------------------3----------------------------------1------------------I
I-------------------2----------------------------------0------------------I
I-------------------0----------------------------------2------------------I
I------------------------------------------------------3------------------I
I-------------------------------------------------------------------------I
==>Slow downward strums.
*Figure 3:*****************************************************************
Notes: Here's the chorus of the song.. The rhythm is wrong of course, but it's pretty close.
"And every night,
I shut my eyes..."
I-------------------------------------------------------------------------I
file:///C|/olga_main/f-g/f/faith_no_more/just_a_man.tab
I-------------------------------------------------------------------------I
I-------------------------------------------------------------------------I
I--------------------------------------------------6-----6-----------6----I
I--------10----------10----------7-----7-----7-----4--4--4--4--4--4--4--4-I
I--8--8--8--8--8--8--8--8--5--5--5--5--5--5--5--5-------------------------I
^ ^
^ ^ ^
^ ^ ^
^
^
^
^
^ ^ ^
^
I-------------------------------------------------------------------------I
I-------------------------------------------------------------------------I
I-------------------------------------------------------------------------I
I-------------------------------------------------------------------------I
I--------8-----8-----8-----------10----------10----------7-----------7----I
I--6--6--6--6--6--6--6--6--8--8--8--8--8--8--8--8--5--5--5--5-5-5-5--5--5-I
^ ^
^
^
^ ^ ^
^ ^ ^
^ ^ ^
^ ^ ^ ^
^
I-------------------------------------------------------------------------I
I-------------------------------------------------------------------------I
I--8--8--8--8--8--8--8--8--6--6--6--6-------------------------------------I
I--8--8--8--8--8--8--8--8--6--6--6--6-------------------------------------I
I--6--6--6--6--6--6--6--6--4--4--4--4-------------------------------------I
I-------------------------------------------------------------------------I
***************************************************************************
FAITH NO MORE: Just a Man
Figure 1:(repeat a bunch of times..)
Sky is clear tonight. Sky is clear tomorrow.
Figure 2:
A star is out. I reach for one to sparkle in my hand.
Figure 2:
A star is out. I will not touch you, I am just a man.
Figure 1:(repeat a bunch of times..)
Sky is clear tonight. Sky is clear tomorrow.
Figure 3:
And every night, I shut my eyes, so I don't have to see the light.
Figure 3:(continued)
Shining so bright, I'll dream about a cloudy sky, a cloudy sky.
Figure 1:(repeat a bunch of times..)
Sky is clear tonight. Sky is clear tomorrow.
Figure 2:
A star is out. I reach for one to sparkle in my hand.
Figure 2:
A star is out. I will not touch you, I am just a man.
(INTERLUDE: Bunch of lyrics I don't feel like typing.)
Figure 3:
And every night, I shut my eyes, so I don't have to see the light.
Figure 3:(continued)
Shining so bright, I'll dream about a cloudy sky, a cloudy sky.
Figure 3:
And every night, I shut my eyes, but now I got them open wide.
file:///C|/olga_main/f-g/f/faith_no_more/just_a_man.tab
Figure 3:(continued)
You've fallen into my hands, and now you're burning me, burning me.
(Repeat a bunch of times)
file:///C|/olga_main/f-g/f/faith_no_more/kindergarten.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: imr@cs.bham.ac.uk (Ian M Rae)
Kindergarten by Faith No More
=============================
(12) = Natural harmonic 12th fret
PM = Palm muting
\ = slide down
/ = Slide up
(v) = vibrato
(b) = bend
E----------------|----------------|----------------|----------------|
B----------------|-------(5)------|----------------|----------------|
G----------------|----------------|----------------|----------------|
D-4-------4------|---(5)-----(5)--|-4---------4----|------------(4)-|
A-2-------0------|-(4)---------(4)|-2-2-2-2-2-0----|-(5)------(4)---|
E----------------|----------------|----------------|----------------|
|--PM---|
E----------------|----------------|----------------|----------------|
B----------------|-------(5)------|----------------|-(5)------------|
G----------------|----------------|----------------|---(5)----------|
D-4---------4----|---(5)-----(5)--|-4---------4----|-----(4)-(5)----|
A-2-2-2-2-2-0----|-(4)---------(4)|-2-2-2-2-2-0----|------------(4)-|
E----------------|----------------|----------------|----------------|
|--PM---|
|--PM---|
Rythym part 1:
==============
E----------------|----------------|
B----------------|----------------|
G----------------|----------------|
D-4---------4----|----------------|
A-2-2-2-2-2-0----|----------------|
E----------------|----------------|
Repeat Rhythym part 1 with the following lyrics:
Return to my own vomit like a dog
Rhymes and giggles muffle the dialogue
Carve my initials in a tree I will never leave
Maybe one day I'll be royalty
Chorus:
=======
E---------------------------|---------------------------|
B---------------------------|---------------------------|
G---------------------------|---------------------------|
D-4----------4---4-4--4--4--|-9----9-9---9----7----9\---|
A-2--2-2-2-2-0---0-0--0--0--|-7----7-7---0--------------|
E---------------------------|---------------------------|
|--PM---|
King
dom
Kin - der -
file:///C|/olga_main/f-g/f/faith_no_more/kindergarten.tab
E---------------------------|---------------------------|
B---------------------------|---------------------------|
G---------------------------|---------------------------|
D-4----------4--------------|-11---11---11----9(v)---7\-|
A-2--2-2-2-2-0--------------|-9----9----0---------------|
E---------------------------|---------------------------|
|--PM---|
gar
ten
Repeat the above chorus bit with:
'Born late - will I grad - u - ate ?'
Then back into the rythym part 1 with these lyrics:
'Drink fountains are shorter than they used to be
swings on the playground don't even fit me any more
No body's s'posed to believe in the next grade
Write it a hundred times'
Folklore
file:///C|/olga_main/f-g/f/faith_no_more/kindergarten.tab
E---------------------------------|
Everythings gone quiet suddenly;
no Dolby, and the theatre is empty
Film is flapping on the side of the projector
The reel is over
Banished with my sticky shoes and stinging eyes
Walking outside
Back into the chorus with same lyrics as the first one
Outro
=====
E------------------------------|
B------------------------------|
G------------------------------|
D------------------------------|
A-2-----0-2-2-0-2------0-2-2-0-|
E-----2--------------2---------|
PM--------------------------|
Repeat that bout six times ( with whispered: write it a hundred times)
then:
E-----------------------------|
B-----------------------------|
G-----------------------------|
D-----------------------------|
A-2-----0-2-2-0---------5-4--3|
E-----2---------5-4-3-2-------|
|--PM--------------------|
theres quite a bit more outro left but I dont have time to type it
all in at the moment
file:///C|/olga_main/f-g/f/faith_no_more/king_for_a_day.btab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: BRAINCLOG@aol.com
Date: Tue, 20 Jun 1995 19:44:27 -0400
Subject: faith no more:king for a day
I'm not to sure if this is on a fretless bass but to me it sounds better on
one. Wherever there is a slash ( / ) it just means something he changes and
the variable will follow....for example....when he changes from just root
notes to simple bar chords.....here it is....
Intro/verse
G------------------------------------------------------------------------------------D---------------------------------------------------------------------4\5/4--4
-----A---------5---7-------------------------------------------7\-------------------3--E-0--X-----------0--0--5--5--5--5--0--X--5--7--0-------2--X---------------2
etc.
"Look everythings spinning"
G-------------------------------------------------------------------------------------D-------------------------------------------------------------------------------8\9/8
A-3--3--3--3---3--3--3--3---3--3--3--3---3--3--3--3--3\5\5-----7--------E-------------------------------------------------------------------------0----------G----------------------4-----------------------( / ) ------------D--------------------------4-------------------( / )-------------A-2--2-------3--2-----------2---------------( / )--2--3--5--6
E---------5-----------------------5--3--2--0-( / )-------------Guitar/Bass (fills/solos) strummed w/ same rythym as "look..."
G--5--5--5--5\7\7
D--5--5--5--5\7\7
A--3--3--3--3\5\5
E-------------------solo/fill 1
G-------------------------------------------------------------D----------------5-------------------------------------------A---------5--7------7--5--5--7----------5----------------E--5--7----------------------------5--7---------7--5--3--5
solo/fill 2
G---------------------------------------------------------------------------------------------D--------------------------------------9--9--9--8--8--8--7--7--7--6--6--6---------5--A--------------------5------7-----------------------------------------------------5--7-----7
E--0--3--5--7--5-----7------5--7---------------------------------------------------------
file:///C|/olga_main/f-g/f/faith_no_more/king_for_a_day.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Band: FAITH NO MORE
Album: King for a day, fool for a lifetime..
Song: King For a Day
Transcribed by: Justin Greenwood
Notes:
The bass in this song is really awesome, and I spent some time tabbing it, so
Enjoy..
*Basic Bass line:**********************************************************
I-------------------------------------------------------------------------I
I--------------------------------------------4/5\4--4-----------4/5\4-----I
I-------5h-7-----------------------7\------------------4------------------I
I-0--X-------0-0--0--X--5p-7--0-0------2--X---------------2--X------------I
Chorus:
I-------------------------------------------------------------------------I
I--------------------------------------------------------8/9\8------------I
I--3--3--3--3--3--3--3--3--3--3--3--3--3--/5--/5--------------------------I
I-------------------------------------------------0-----------------------I
Solo fill 1:
I-------------------------------------------------------------------------I
I--------------5----------------------------------------------------------I
I--------5--7-----7--5--5--7--------5-------------------------------------I
I--5--7-----------------------5--7-----7--5--3--5-------------------------I
Solo fill 2:
I-------------------------------------------------------------------------I
I---------------------------9--9--9--8--8--8--7--7--7--6--6--6--5---------I
I-----------------5---7-----------------------------------------5--7------I
I--0--3--5--7--3--7---5--7------------------------------------------------I
*Figure 1:*****************************************************************
Notes: Strum a bunch of times, listen to the CD for rhythm.
E
Em
F#
"It is not a good day, if you are not looking good.."
I--0---------------------------------0-------0----------------------------I
I--0---------------------------------0-------0----------------------------I
I--1---------------------------------0-------3----------------------------I
I--2---------------------------------2-------4----------------------------I
I--2---------------------------------2-------4----------------------------I
I--0---------------------------------0-------2----------------------------I
*Figure 2:*****************************************************************
"look everything's spinning, "
I--0-----------------0-------------0--------------------------------------I
I--1-----------------1-------------0--------------------------------------I
I--0-----------------3-------------1--------------------------------------I
I--2-----------------2-------------2--------------------------------------I
I--3-----------------3-------------2--------------------------------------I
I----------------------------------0--------------------------------------I
*Figure 3:*****************************************************************
Notes: I have no clue exactly how this goes..
file:///C|/olga_main/f-g/f/faith_no_more/king_for_a_day.tab
file:///C|/olga_main/f-g/f/faith_no_more/king_for_a_day.tab
E
Em
E
This is the best party I've ever been too.
E
Em
E
Don't let me die with that silly look in my eyes.
file:///C|/olga_main/f-g/f/faith_no_more/midlife_crisis.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Paul D <S3BZ@MUSIC.TRANSY.EDU>
Subject: TAB: "Midlife Crisis" by Faith No More
Here's for all you die-hard FNM fans who want to be able to play a FNM
song whether or not it has guitar in it, DAMMIT!
It's really not a difficult song. It's mostly keyboard-based, so the
majority of what I have here is the keyboard parts arranged for guitar.
Here's the fingering for the keyboard chords that are played under the
verses. If you've got a guitar synth or some nifty FX processor that'll
produce a cool "stringy" sound for these chords, it might sound pretty
close to the record...
E-|----|-----|-----|-----|-----|
B-|----|-----|-----|-10--|-12--|
G-|-9--|-12--|-11--|-9---|-11--|
D-|-9--|-12--|-9---|-7---|-9---|
A-|-7--|-10--|-9---|-----|-----|
E-|----|-----|-----|-----|-----|
E
G
B/F#
A
B
Here's the lyrics to the verse and when to play the above chords:
E
Go on and ring my neck
G
Like when a rag gets wet
B/F#
A little discipline
A
For my pet genius
E
My head is like lettuce
G
Go on, dig your thumbs in.
B
I cannot stop giving
(B)
I'm thirtysomething.
E
Sense of security
G
Like pockets jingling
B/F#
A
Midlife crisis
E
Suck ingenuity
G
Down through the family
B
(B)
Tree...
Here's the rest of the verse lyrics:
What an inheritance
The salt and the kleenex
Morbid self-attention
Bending my pinky back
file:///C|/olga_main/f-g/f/faith_no_more/midlife_crisis.tab (1 of 2) [4/28/2003 9:50:35 PM]
file:///C|/olga_main/f-g/f/faith_no_more/midlife_crisis.tab
A little discipline
A donor by habit
A little discipline
Rent an opinion.
Sense of security
Holding blunt instrument
Midlife crisis.
I'm a perfectionist
And perfect is a skinned knee.
Okay, here's what I guess you'd call the "chorus", just use any old form of
the chords shown (whatever suits ya'):
E5
D5
You're perfect yes it's true
A5
E5
D5
A5
But without me you're only you (you're only you)
E5
D5
Your menstruating heart
A5
E (palm mute)
It ain't bleeding enough for two.
Then, for the part that goes "It's a midlife...crisis____" just play the
progression from the verse (way above).
Then after that weird, descending synth effects part (there's really no
way to tab that out OR play it on a guitar...so skip it), play the
following (this is also keyboard arranged for guitar) and sing the "It's a
midlife...crisis_____" three times.
E-|----------------|--------------|-----------------|-----|----||
B-|----------------|--------------|-----------------|-----|-16-||
G-|-14-13-17-16-14-|-16--16-14-16-|-16-14-17--16-14-|-16--|-16-||
D-|----------------|--------------|-----------------|-----|-16-||
A-|----------------|--------------|-----------------|-----|----||
E-|----------------|--------------|-----------------|-----|----||
After that, it's back to the chorus (with the first verse sung in the
background) until the fade-out. I'm pretty sure about all this stuff.
I'm trying to do it as best as I can from memory. I may have flubbed a
little as far as "sequence of events", so if there seems to be some part
missing, email me.
But like I said above, if you're looking for a cool "guitar-y" song, this
ain't it...(it still manages to be a kickass song, though!)
Good luck!
Paul D. s3bz@music.transy.edu
file:///C|/olga_main/f-g/f/faith_no_more/surprise.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: dpinter@eik.bme.hu (PINTER Denes)
Subject: FAITH NO MORE: SURPRISE!
FAITH NO MORE:
SURPRISE! YOU'RE DEAD!
/ THE REAL THING /
recorded in 1988
E-|-----------------|--------------------|
B-|-----------------|--------------------|
G-|-----------------|--------------------|
D-|-----------------|--------------------|
A-|-2---2---2---2---|4-4-4-4---5-5-5-5---|
E-|-0---0---0---0---|2-2-2-2---3-3-3-3---|
E-|-------------------------|------------------------|
B-|-------------------------|------------------------|
G-|-------------------------|------------------------|
D-|-------------------------|------------------------|
A-|-------------------7-----|------------------7-----|
E-|-7-0-0-6-0-8-7-00007-0-0-|7-0-0-6-0-8-7-0-0-7-0-0-|
E-|-------------------------|------------------------|
B-|-------------------------|------------------------|
G-|-------------------------|------------------------|
D-|-------------------------|--------------8---8---8-|
A-|-------------------7-----|--------------8---8---8-|
E-|-7-0-0-6-0-8-7-0-0-7-0-0-|7-0-0-6-0-8-7-6-0-6-0-6-|
E-|-------------------------|------------------------|
B-|-------------------------|------------------------|
G-|-------------------------|------------------------|
D-|-------------------------|------------------------|
A-|-------------------------|------------------7-----|
E-|-7-0-0-6-0-8-7-000000000-|7-0-0-6-0-8-7-0-0-7-0-0-|
E-|-------------------------|------------------------|
B-|-------------------------|------------------------|
G-|-------------------------|------5-7-7-------7-8-8-|
D-|-------------------------|5-7-7-5-7-7-7-9-9-7-8-8-|
A-|-------------------7-----|5-7-7-------7-9-9-------|
E-|-7-0-0-6-0-8-7-0-0-7-0-0-|------------------------|
E-|-------------------------|------|------|-------------------------|
B-|-------------------------|------|------|-------------------------|
G-|-------------------------|--0/--|--0/--|-------------------------|
D-|-------------------------|--/0--|--/0--|---------------8---8---8-|
A-|-------------------7-----|------|------|---------------8---8---8-|
E-|-7-0-0-6-0-8-7-0-0-7-0-0-|------|------|-7-0-0-6-0-8-7-6-0-6-0-6-|
E-|-------------------------|------|------|-------------------------|
B-|-------------------------|------|------|-------------------------|
G-|-------------------------|--0/--|--0/--|-------5-7-7-------7-8-8-|
D-|-------------------------|--/0--|--/0--|-5-7-7-5-7-7-7-9-9-7-8-8-|
A-|-------------------7-----|------|------|-5-7-7-------7-9-9-------|
E-|-7-0-0-6-0-8-7-0-0-7-0-0-|------|------|-------------------------|
E-|-----------------|-----------------|-----------------|-----------------|
B-|-----------------|-----------------|-----------------|-----------------|
file:///C|/olga_main/f-g/f/faith_no_more/surprise.tab
G-|-----------------|-----------------|-----------------|-----------------|
D-|-9-----9---9-----|-10----10--7---9-|-----------------|-7-----7---7-----|
A-|-7-----7---7-----|-8-----8---5---7-|-----------------|-8-----8---8-----|
E-|-----0---0---0-0-|---0-0---0---0---|-0-0-0-0-0-0-0-0-|---0-0---0---0-0-|
E-|-----------------|-----------------|-----------------|-----------------|
B-|-----------------|-----------------|-----------------|-----------------|
G-|-----------------|-----------------|-----------------|-----------------|
D-|-6---------------|-10----10--7---9-|-----------------|-7-----7---7---7-|
A-|-7---------------|-8-----8---5---7-|-----------------|-8-----8---8---8-|
E-|---0-0-0-0-0-0-0-|---0-0---0---0---|-0-0-0-0-0-0-0-0-|---0-0---0---0---|
E-|-----------------|-----------------|-----------------|-----------------|
B-|-----------------|-----------------|-----------------|-----------------|
G-|-----------------|-----------------|-----------------|-----------------|
D-|-6-----9---9-----|-10----10--7---9-|-----------------|-7-----7---7-----|
A-|-7-----7---7-----|-8-----8---5---7-|-----------------|-8-----8---8-----|
E-|---0-0---0---0-0-|---0-0---0---0---|-0-0-0-0-0-0-0-0-|---0-0---0---0-0-|
E-|-----------------|-----------------|-----------------|-----------------|
B-|-----------------|-----------------|-----------------|-----------------|
G-|-----------------|-----------------|-----------------|-----------------|
D-|-6---------------|-10----10--7---9-|-----------------|-7-----7---7-----|
A-|-7---------------|-8-----8---5---7-|-----------------|-8-----8---8-----|
E-|---0-0-0-0-0-0-0-|---0-0---0---0---|-0-0-0-0-0-0-0-0-|---0-0---0---0-0-|
E-|-------------------------|------|------|-------------------------|
B-|-------------------------|------|------|-------------------------|
G-|-------------------------|--0/--|--0/--|-------------------------|
D-|-------------------------|--/0--|--/0--|---------------8---8---8-|
A-|-------------------7-----|------|------|---------------8---8---8-|
E-|-7-0-0-6-0-8-7-0-0-7-0-0-|------|------|-7-0-0-6-0-8-7-6-0-6-0-6-|
E-|-------------------------|------|------|-------------------------|
B-|-------------------------|------|------|-------------------------|
G-|-------------------------|--0/--|--0/--|-------5-7-7-------7-8-8-|
D-|-------------------------|--/0--|--/0--|-5-7-7-5-7-7-7-9-9-7-8-8-|
A-|-------------------7-----|------|------|-5-7-7-------7-9-9-------|
E-|-7-0-0-6-0-8-7-0-0-7-0-0-|------|------|-------------------------|
E-|-----------------|-----------------|-----------------|-----------------|
B-|-----------------|-----------------|-----------------|-----------------|
G-|-----------------|-----------------|-----------------|-----------------|
D-|-9-----9---9-----|-10----10--7---9-|-----------------|-7-----7---7-----|
A-|-7-----7---7-----|-8-----8---5---7-|-----------------|-8-----8---8-----|
E-|-----0---0---0-0-|---0-0---0---0---|-0-0-0-0-0-0-0-0-|---0-0---0---0-0-|
E-|-----------------|-----------------|-----------------|-----------------|
B-|-----------------|-----------------|-----------------|-----------------|
G-|-----------------|-----------------|-----------------|-----------------|
D-|-6---------------|-10----10--7---9-|-----------------|-7-----7---7---7-|
A-|-7---------------|-8-----8---5---7-|-----------------|-8-----8---8---8-|
E-|---0-0-0-0-0-0-0-|---0-0---0---0---|-0-0-0-0-0-0-0-0-|---0-0---0---0---|
E-|-----------------|-----------------|-----------------|-----------------|
B-|-----------------|-----------------|-----------------|-----------------|
G-|-----------------|-----------------|-----------------|-----------------|
D-|-6-----9---9-----|-10----10--7---9-|-----------------|-7-----7---7-----|
A-|-7-----7---7-----|-8-----8---5---7-|-----------------|-8-----8---8-----|
E-|---0-0---0---0-0-|---0-0---0---0---|-0-0-0-0-0-0-0-0-|---0-0---0---0-0-|
E-|-----------------|-----------------|-----------------|-----------------|
file:///C|/olga_main/f-g/f/faith_no_more/surprise.tab
B-|-----------------|-----------------|-----------------|-----------------|
G-|-----------------|-----------------|-----------------|-----------------|
D-|-6---------------|-10----10--7---9-|-----------------|-7-----7---7-----|
A-|-7---------------|-8-----8---5---7-|-----------------|-8-----8---8-----|
E-|---0-0-0-0-0-0-0-|---0-0---0---0---|-0-0-0-0-0-0-0-0-|---0-0---0---0-0-|
E-|-------|-------------|---------|------------|---------------|
B-|-------|-------------|---------|------------|---------------|
G-|-------|-------------|---------|------------|---------------|
D-|-------|-------------|---------|------------|---------------|
A-|-0-000-|-000-000-000-|8-7-10-9-|000-000-000-|8-7-10-9-12-11-|
E-|-------|-------------|---------|------------|---------------|
E-|-------|-------|-------|
B-|-------|-------|-------|
G-|-0////-|-0////-|-0////-|
D-|-////0-|-////0-|-////0-|
A-|-------|-------|-------|
E-|-------|-------|-------|
E-|-----------|----------------|----------|------------------|
B-|-----------|----------------|----------|------------------|
G-|-----------|----------------|----------|------------------|
D-|-----4---5-|----4---7---8-7-|----4---5-|----4---5---8---7-|
A-|-2---2---3-|----2---5---6-5-|----2---3-|----2---3---6---5-|
E-|-0---------|0-0-------------|0-0-------|0-0---------------|
E-|-------------|----------------|------------|------------|
B-|-------------|----------------|------------|------------|
G-|-------------|----------------|------------|------------|
D-|-------------|----------------|------------|------------|
A-|-----5---6---|----5---6---9-8-|----7---8---|----7---8---|
E-|-3-3---------|3-3-------------|5-5---------|5-5---------|
E-|---------------|----------------------|
B-|---------------|----------------------|
G-|---------------|----------------------|
D-|-6-5---5---7---|----------------------|
A-|-----7---6-----|5---6---2-1-0---------|
E-|---------------|--------------4-3-2-1-|
E-|-------------------------|------------------------|
B-|-------------------------|------------------------|
G-|-------------------------|------------------------|
D-|-------------------------|------------------------|
A-|-2-----------------7-----|------------------7-----|
E-|---0-0-6-0-8-7-0-0-7-0-0-|7-0-0-6-0-8-7-000-7-0-0-|
E-|-------------------------|------------------------|
B-|-------------------------|------------------------|
G-|-------------------------|------------------------|
D-|-------------------------|--------------8---8---8-|
A-|-------------------7-----|--------------8---8---8-|
E-|-7-0-0-6-0-8-7-0-0-7-0-0-|7-0-0-6-0-8-7-6-0-6-0-6-|
E-|-------------------------|------|------|------------------------|------|---|
B-|-------------------------|------|------|------------------------|------|---|
G-|-------------------------|--0/--|--0/--|------5-7-7-------7-8-8-|--0/--|---|
D-|-------------------------|--/0--|--/0--|5-7-7-5-7-7-7-9-9-7-8-8-|--/0--|---|
A-|-------------------7-----|------|------|5-7-7-------7-9-9-------|------|-7-|
E-|-7-0-0-6-0-8-7-0-0-7-0-0-|------|------|------------------------|------|-7-|
tabbed by dpinter@goliat.eik.bme.hu
file:///C|/olga_main/f-g/f/faith_no_more/surprise.tab
file:///C|/olga_main/f-g/f/faith_no_more/surprise.tab
E-|------------------------------------------1-1-1-----0----------------------|
E-|---------------------------------------------------------------------------|
B-|---------------------------------------------------------------------------|
G-|---------------------------------------------------------------------------|
D-|---------------------------------------------------------------------------|
A-|---------------------------------------------------------------------------|
E-|---------------------------------------------------------------------------|
file:///C|/olga_main/f-g/f/faith_no_more/take_this_bottle.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: wichmann@fys.ku.dk (Kristian Wichmann)
Subject: Take this bottle, FNM.
Take this bottle
---------------From the album 'King for a day... fool for a lifetime',
by Faith No More. Transcribed by K. Wichmann.
This is not a very complicated song (4 chords), although a
really cool one. I really don't know why I write this, as it
takes about thirty seconds figuring out... anyway:
1st verse:
[G]
[C] <-I can wait, to love in Heaven.
[G]
[C]
I can wait for you.
[G]
[C]
Far away, I'll treat you better.
[G]
[C]
Better than down here.
Pre-chorus:
[Em] <'cause I've done wrong
[D]
[G]
And I'm a little 'fraid
[Em]
I ain't too strong,
<-
[D]
[G]
so listen to what I say:
Chorus:
[G]
Take this bottle
[C]
(repeat)
And just walk away, the both of you. (same chords as prechorus)
And let me feel the pain I've done to you.
Thats pretty much it. There's another verse, but I guess you've got the
picture by now...
file:///C|/olga_main/f-g/f/faith_no_more/the_last_to_know.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Wed, 6 Mar 1996 13:32:10 -0500 (EST)
From: Some dude at IUPUI <jegreenw@cord.iupui.edu>
Band: FAITH NO MORE
Album: King for a day, fool for a lifetime..
Song: The Last to Know
Transcribed by: Justin Greenwood
Notes:
I think this is pretty darn close to the recorded version. It's a
really neat sounding song, and I enjoyed tabbing it. Feel free to change
any of my mistakes if you think it needs them. I havn't got the solo yet,
but it sounds easy, so I might have it soon.. Happy Playing!!
*Figure 1:*****************************************************************
Notes: the hardest part is that long strech at the end(for me)!!
I-----------0---------------0---------------------------------------------I
I--------------0---------------0------------------------------------------I
I--1-----1--------1--1-/-3--------3--3--------1--------------1------------I
I--2--2--------------2-/-4-----------4--------2--------------2------------I
I--2-----------------2-/-4-----------4--------2--------------2------------I
I--0-----------------0-/-2-----------2--0--0--0--0--0--0--0--0------------I
^ ^
^ ^ ^ ^
Let Ring----------------------------->
Palm Mute
I-----------0-------------------------------------------------------------I
I--------------0---------11-11-11-11-/-9--9-------------------------------I
I--1-----1-----------9-/-11-11-11-11-/-9--9--11-11-11-11-9--9-------------I
I--2--2--------------9-/-11-11-11-11-/-9--9--9--9--9--9--9--9-------------I
I--2-----------------7-/-9--9--9--9--/-7--7--7--7--7--7--7--7-------------I
I--0----------------------------------------------------------------------I
Let Ring----------------------------->
*Figure 2:*****************************************************************
Notes: This is probably not exactly how they play it, but the chords are
RIGHT!
I-------------------------------------------------------------------------I
I-------------------------------------------------------------------------I
I--7--7--7-7-7---7--7--7-7-7---7--7--7-7-7---7--7--7-7-7---5--5--5-5-5----I
I--7--7---7-7-7--7--7---7-7-7--7--7---7-7-7--7--7---7-7-7--5--5---5-5-5---I
I--5--5----------5--5----------5--5----------5--5----------3--3-----------I
I-------------------------------------------------------------------------I
Let Ring---------------------->
I--------------2----------------------------------------------------------I
I--------------2----------------------------------------------------------I
I--5--5--5-5---3----------------------------------------------------------I
I--5--5---5-5--4--------4--------4----------------------------------------I
I--3--3--------4--------4--------4----------------------------------------I
file:///C|/olga_main/f-g/f/faith_no_more/the_last_to_know.tab
I--------------2--2--0--2--2--0--2----------------------------------------I
^ ^ ^
^ ^
|
Palm Mute
Slow Upward strum
*Figure 3:*****************************************************************
Notes: As in all the tab I do, there is NO timeing, you need to listen
and find out yourself, it's good for you.
I-------------------------------------------------------------------------I
I-------------------------------------------------------------------------I
I--7--7--7-7-7---7--7--7-7-7---7--7--7-7-7---7--7--7-7-7---5--5--5-5-5----I
I--7--7---7-7-7--7--7---7-7-7--7--7---7-7-7--7--7---7-7-7--5--5---5-5-5---I
I--5--5----------5--5----------5--5----------5--5----------3--3-----------I
I-------------------------------------------------------------------------I
Let Ring---------------------->
I--------------2----------------------------------------------------------I
I--------------2----------------------------------------------------------I
I--5--5--5-5---3----------------------------------------------------------I
I--5--5---5-5--4--------4--------4-----------7-------7-------7-------7----I
I--3--3--------4--------4--------4--4--5--6--7-------7-------7-------7----I
I--------------2--2--0--2--2--0--2--2--3--4--5--5-5--5--5-5--5--5-5--5----I
| ^ ^
^ ^
^ ^ ^
^ ^
^ ^
^ ^
|
Palm Mute
Slow Upward strum
I-------------------------------------------------------------------------I
I-------------------------------------------------------------------------I
I---------------------------------------6-------6-------6-------6---------I
I-------6-------6-------6-------6-------6-------6-------6-------6---------I
I-------6-------6-------6-------6-------4--4-4--4--4-4--4--4-4--4--4-4----I
I--5-5--4--4-4--4--4-4--4--4-4--4--4-4------------------------------------I
^ ^
^ ^
^ ^
^ ^
^ ^
^ ^
^ ^
^ ^
^ ^
Palm Mute
I-------------------------------------------------------------------------I
I-------------------------------------------------------------------------I
I--7--8-------------------------------------------------------------------I
I--7--8-------------------------------------------------------------------I
I--5--6-------------------------------------------------------------------I
I-------------------------------------------------------------------------I
*Figure 4:*****************************************************************
Notes: This sounds cool, It especially souds great if you've got someone
playing the solo with it!!
I-------------------------------------------------------------------------I
I-------------------------------------------------------------------------I
I-------------------------------------------------------------------------I
I----------------------~5--------------------------5----~5----------------I
I--------7-----------5--------------7-----------5-----5-------------------I
I--0--0-----0--0--6--------0--0--0-----0--0--6----------------------------I
I-------------------------------------------------------------------------I
I-------------------------------------------------------------------------I
I-------------------------------------------------------------------------I
I----------------------~5-------------------------------------------------I
file:///C|/olga_main/f-g/f/faith_no_more/the_last_to_know.tab (2 of 4) [4/28/2003 9:50:36 PM]
file:///C|/olga_main/f-g/f/faith_no_more/the_last_to_know.tab
I--------7-----------5--------------7--5-----------------------5----------I
I--0--0-----0--0--6-------0--0--0---------7--6--7p-6--7p-6--7-------------I
*Figure 5:*****************************************************************
Notes: Almost the same as Figure 3, with a twist..
I-------------------------------------------------------------------------I
I-------------------------------------------------------------------------I
I--7--7--7-7-7---7--7--7-7-7---7--7--7-7-7---7--7--7-7-7---5--5--5-5-5----I
I--7--7---7-7-7--7--7---7-7-7--7--7---7-7-7--7--7---7-7-7--5--5---5-5-5---I
I--5--5----------5--5----------5--5----------5--5----------3--3-----------I
I-------------------------------------------------------------------------I
Let Ring---------------------->
I--------------2----------------------------------------------------------I
I--------------2----------------------------------------------------------I
I--5--5--5-5---3----------------------------------------------------------I
I--5--5---5-5--4--------4--------4-----------7-------7-------7-------7----I
I--3--3--------4--------4--------4--4--5--6--7-------7-------7-------7----I
I--------------2--2--0--2--2--0--2--2--3--4--5--5-5--5--5-5--5--5-5--5----I
| ^ ^
^ ^
^ ^ ^
^ ^
^ ^
^ ^
|
Palm Mute
Slow Upward strum
I-------------------------------------------------------------------------I
I-------------------------------------------------------------------------I
I---------------------------------------6-------6-------6-------6---------I
I-------6-------6-------6-------6-------6-------6-------6-------6---------I
I-------6-------6-------6-------6-------4--4-4--4--4-4--4--4-4--4--4-4----I
I--5-5--4--4-4--4--4-4--4--4-4--4--4-4------------------------------------I
^ ^
^ ^
^ ^
^ ^
^ ^
^ ^
^ ^
^ ^
^ ^
Palm Mute
I-------------------------------------------------------------------------I
I-------------------------------------------------------------------------I
I-------------------------------------------------------------------------I
I--5-------5-------5-------5-------7-------7-------7-------7--------------I
I--5-------5-------5-------5-------7-------7-------7-------7--------------I
I--3--3-3--3--3-3--3--3-3--3--3-3--5--5-5--5--5-5--5--5-5--5--------------I
^ ^
^ ^
^ ^
^ ^
^ ^
^ ^
^ ^
Palm Mute
I-------------------------------------------------------------------------I
I-------------------------------------------------------------------------I
I---------------------------------------6-------6-------6-------6---------I
I-------6-------6-------6-------6-------6-------6-------6-------6---------I
I-------6-------6-------6-------6-------4--4-4--4--4-4--4--4-4--4--4-4----I
I--5-5--4--4-4--4--4-4--4--4-4--4--4-4------------------------------------I
^ ^
^ ^
^ ^
^ ^
^ ^
^ ^
^ ^
^ ^
^ ^
Palm Mute
I-------------------------------------------------------------------------I
I-------------------------------------------------------------------------I
I--7--8-------------------------------------------------------------------I
I--7--8-------------------------------------------------------------------I
I--5--6-------------------------------------------------------------------I
I-------------------------------------------------------------------------I
file:///C|/olga_main/f-g/f/faith_no_more/the_last_to_know.tab
***************************************************************************
FAITH NO MORE: The Last To Know..
Figure 1.
Where it grows on trees, but never blooms.
Figure 1.
Where it hurts the least for whoever saw it first.
Figure 2.
First to go, and the last to know..
Figure 1.
Lasts longer than a lifetime, takes the least amount of effort,
Figure 1.
Feels better than a bargain, just to know it's there.
Figure 3.
First to go, and the last to know..
Figure 3.(continued)
Can't you see, there's only one me, and that me is me.
Figure 4.(instumental)
Figure 5.
I know where, but I cannot share,
Figure 5.(continued)
You'll call me - I'll be standing in line till then,
Figure 5.(continued)
I'll be waiting.
Figure 5.(continued)
Can't you see, all circuits are busy, please try back again.
Figure 4.(instrumental and solo)
--End with a LONG hanging E.
_________
/
\
/ __
\
/ @
^)
|
<_
J
/
/__
/
|
|
<_--t
|
|___---\
/
\
file:///C|/olga_main/f-g/f/faith_no_more/ugly_in_the_morning.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
From: PARSONEA@snyalfva.cc.alfredtech.edu
Date:
Fri, 19 Jan 1996 21:47 EST
Subject: upload-faith no more
submitted by Eric Parsons
Ugly in the morning
Faith No More
bla bla bla....
WWWWWWWAAAAAAAAAAAAAOOOOOOOOOOOOOOOOOOOOOOOOOO
BROTHERHOOD!!!!!!!
This song is F*#%&ng crazy live
---------------------------------------------------2--------------------------5--------3---------4--------------4-------------------4------------------5--------3---------4------------------4-------------------4-------------3--------3---------2----------2-------------2------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------5------------3---------------4---4---4-----------------------------------5------------3---------------4---4---4------------------------------------3--------------------3-------2---2---2------------------------------------------------------------------------------------------------------------------------------------------0---0---0-------------------------------
ring out
ring out
---------------------------------------------------------2-------------------5------5-------3-----3----4--------------4-------------------4-------------5--------5-----3-----3----4------------------4-------------------4---------3---3-----3----3-----3----2----------2-------------2-----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------then there is this riff I think with a flanger or some chorus
------------------------------------------------------------------------------------------------------------------------------------------------3---3---3--------------1---4------2-----------------0-0-0-3-0-0---0---0--0-------------------
file:///C|/olga_main/f-g/f/faith_no_more/ugly_in_the_morning.tab
file:///C|/olga_main/f-g/f/faith_no_more/what_a_day.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Mon, 27 Nov 1995 14:23:11 +0100 (MET)
From: brig00@gest.unipd.it
Subject: TAB:What_a_day
GROUP:Faith_No_More
Song: What a day
Written by Faith No More
Transcribed by: Andrea Brigo (brig00@palladio.gest.unipd.it)
1st Part:
e|--------------------------------------------------------------------------B|--------------------------------------------------------------------------G|--------------------------------------------------------------------------D|--------------------------------------------------------------------------A|-4--5-4--5-4--5-4-1-4-----------------------------------------------------E|-2--3-2--3-2--3-2-0-3-----------------------------------------------------Start the bass part
2nd part(Mike start singing):
e|--------------------------------------------------------------------------B|--------------------------------------------------------------------------G|--------------------------------------------------------------------------D|--------------------------------------------------------------------------A|-----1-1------1-1------1-1------1-1------1-1------1-1------1-1------1-1---E|-0-0-0-0--0-0-0-0--0-0-0-0--0-0-0-0--0-0-0-0--0-0-0-0--0-0-0-0--0-0-0-0---P.M.-|
P.M.-|
P.M.-|
P.M.-|
P.M.-|
P.M.-|
P.M.-|
P.M.-|
file:///C|/olga_main/f-g/f/faith_no_more/what_a_day.tab
file:///C|/olga_main/f-g/f/faith_no_more/zombie_eaters.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Juergen Schlierf <juergen.schlierf@rz.fh-regensburg.d400.de>
Subject: TAB: Zombie Eaters by Faith no more
FAITH NO MORE: ZOMBIE EATERS
from the album: REAL THING
acoustic guitar-parts
>From Juergen Schlierf <C=hu;ADMD=0;PRMD=hungarnet;O=bme;OU=eik;S=dpinter>
Transcribed by Pinter Denes <C=hu;ADMD=0;PRMD=hungarnet;O=bme;OU=eik;S=dpinter>
8x
|-------------|-----0-----------2-----------3-----------3---|
|-------------|---0---0---0---0---0-------0---0---0---0---0-|
|-------0-----|---------0-----------0-----------0-----------|
|-----4---4---|-2-----------4---------4-2-----------2-------|
|---2-------2-|---------------------------------------------|
|-0-----------|---------------------------------------------|
4x
|-------------|-----|-----0-----------2-----------3-----------3---|
|---------3---|-----|---0---0---0---0---0-------0---0---0---0---0-|
|---0---0---0-|---0-|---------0-----------0-----------0-----------|
|-0-----------|-0---|-2-----------4---------4-2-----------2-------|
|-----2-------|-----|---------------------------------------------|
|-------------|-----|---------------------------------------------|
4x
8x
|-------------|-----|-------------|
|---------3---|-----|-------------|
|---0---0---0-|---0-|-------0-----|
|-0-----------|-0---|-----4---4---|
|-----2-------|-----|---2-------2-|
|-------------|-----|-0-----------|
|-7-------7---|-5-------5---|-3-------3---|-3-------|
|---8---8---8-|---7---7---7-|---5---5---5-|---5---5-|
|-----9-------|-----7-------|-----4-------|-----4---|
|-------------|-------------|-------------|---------|
|-------------|-------------|-------------|---------|
|-------------|-------------|-------------|---------|
|
|
|-----0-------|-----2-------|-----3-------|-----3---|
|---0---0---0-|---0---0-----|---0---0---0-|---0---0-|
|---------0---|---------0---|---------0---|---------|
|-2-----------|-4---------4-|-2-----------|-2-------|
|-------------|-------------|-------------|---------|
|-------------|-------------|-------------|---------|
4x
|-------------|-----|
|---------3---|-----|
|---0---0---0-|---0-|
|-0-----------|-0---|
|-----2-------|-----|
|-------------|-----|
|-7-------7---|-5-------5---|-3-------3---|-3-------|
|---8---8---8-|---7---7---7-|---5---5---5-|---5---5-|
file:///C|/olga_main/f-g/f/faith_no_more/zombie_eaters.tab
|-----9-------|-----7-------|-----4-------|-----4---|
|-------------|-------------|-------------|---------|
|-------------|-------------|-------------|---------|
|-------------|-------------|-------------|---------|
|
|
|-----0-------|-----2-------|-----3-------|-----3---|
|---0---0---0-|---0---0-----|---0---0---0-|---0---0-|
|---------0---|---------0---|---------0---|---------|
|-2-----------|-4---------4-|-2-----------|-2-------|
|-------------|-------------|-------------|---------|
|-------------|-------------|-------------|---------|
4x
3x
8x
|-------------|-----|-3-3-3-3-3-3-|-3-3-3-2-2-2-|-------------|
|---------3---|-----|-3-3-3-3-3-3-|-3-3-3-3-3-3-|-------------|
|---0---0---0-|---0-|-0-0-0-0-0-0-|-0-0-0-0-0-0-|-------0-----|
|-0-----------|-0---|-------------|-------------|-----4---4---|
|-----2-------|-----|-------------|-------------|---2-------2-|
|-------------|-----|-------------|-------------|-0-----------|
3x
7x
|-3-3-3-3-3-3-|-3-3-3-2-2-2-|-------------|-------------|
|-3-3-3-3-3-3-|-3-3-3-3-3-3-|-------------|-------------|
|-0-0-0-0-0-0-|-0-0-0-0-0-0-|-------0-----|-------0-----|
|-------------|-------------|-----4---4---|-----4-------|
|-------------|-------------|---2-------2-|---2--(/)9---|
|-------------|-------------|-0-----------|-0---------7-|
|-----------|-----------|-----------|-----------|
|-----------|-----------|-----------|-----------|
|-----0-----|-----0-----|-----0-----|-----0-----|
|---9---9---|---9---9---|---9---9---|---9---7---|
|-7-------7-|-7---------|-7-------7-|-7---------|
|-----------|---------7-|-----------|---------5-|
|-----------|-----------|-----------------------|
|-----------|-----------|-----------------------|
|-----0-----|-----0-----|-----0--------4--------|
|---7---7---|---7---7---|---7---7---457-754-----|
|-5-------5-|-5---------|-5-------57-------75---|
|-----------|---------5-|-----------------------|
|
|---------------7-8-10-8-7--------------|
|--------7-8-10------------10-8-7---8---|
|---------------------------------------|
|---------------------------------------|
|---------------------------------------|
|---------------------------------------|
|-----------|-----------|-----------|-----------|
|-----------|-----------|-----------|-----------|
|-----0-----|-----0-----|-----0-----|-----0-----|
|---9---9---|---9---9---|---9---9---|---9---9---|
|-7-------7-|-7---------|-7-------7-|-7---------|
|-----------|---------7-|-----------|---------5-|
two guitars
|-----------|-----------|-----------|-----------------|
|-----------|-----------|-----------|-----------------|
|-----0-----|-----0-----|-----0-----|-4---2---0h2p0---|
|---7---7---|---7---7---|---7---7---|-5---4---2h4p2---|
|-5-------5-|-5---------|-5-------5-|-----------------|
file:///C|/olga_main/f-g/f/faith_no_more/zombie_eaters.tab (2 of 3) [4/28/2003 9:50:38 PM]
file:///C|/olga_main/f-g/f/faith_no_more/zombie_eaters.tab
|-----------|---------5-|-----------|-----------------|
2x
E-|--------------------------|
B-|--------------------------|
G-|----0-----0-----2-----2---|
D-|---4-4---4-4---4-4---3-3--|
A-|--2---2-2---2-2---2-3---3-|
E-|-0-----3-----2-----1------|
....
E-|----0-----0-----0-----0-----0-----0-------------------------|
B-|---0-0---0-0---0-0---0-0---0-0---0-0--------------0---------|
G-|--5---5-5---5-5---5-5---5-5---5-5---5-----5-4-2h4---0-------|
D-|-7-----6-----5-----4-----3-----3----------3-3-3-----2-------|
A-|------------------------------------------------------------|
E-|------------------------------------------------------------|
file:///C|/olga_main/f-g/f/faithful_marianne/the_ballad_of_lucy_jordan.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
from: Christian Korbanka, Cologne, Germany
e-mail: Christian_Korbanka@msn.com
lyrics and chords of: The Ballad Of Lucy Jordan by Marianne Faithful
I got some problems with the lyrics, so
Suggestions and corrections are always welcome!
date: 95/10/15
E
E7
The morning sun touched gently on
A
E
the eyes of Lucy Jordan
in a white suburban bedroom
B
B7
in a white suburban town.
E
E7
As she lay there 'neath the covers
A
E
dreaming of a thousand lovers
B
B7
till the world turned to orange
E
E7
and the room went spinning round.
A
At the age of thirty-seven
E
she realized she'd never ride
through Paris in a sports car
B
with the worm wind in her hair.
E
So she let the phone keep ringing
A
E
as she sat there softly singing
B
the nursery rhymes she'd memorize
A
E
in her daddy's easy chair.
E7
E7
Her husband is off to work
A
E
and the kids are off to school
and there were oh so many ways
B
B7
for her to spend a day.
E
She could clean the house for hours
A
E
or re-arrange the flowers
B
E7
file:///C|/olga_main/f-g/f/faithful_marianne/the_ballad_of_lucy_jordan.crd
E7
E7
The evening sun touched gently on
A
E
the eyes of Lucy Jordan
on the roof top where she climbed
B
when all the laughter grew too loud.
B7
E
E7
And she bowed and cursed to the man (?)
A
E
who reached out ... off to her his hands (?)
B
and led her down to a long white car (?)
E
E7
that waited, past the crowd.
A
At the age of thirty-seven
E
she knew that she'd found heaven
as she rode along through Paris
B
with the worm wind in her hair.
Seite 1 von 3
file:///C|/olga_main/f-g/f/falling_joys/puppy_drink.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: bgg@connect.com.au (Ben Golding)
Subject: CHOPRO: Falling Joys: "Puppy Drink"
A catchy and slightly grungy song from a great Sydney band. Their
first album "Wishlist" is a beauty, and that's where this version comes
from; there's another version on a JJJ "Live at the Wireless".
Ben.
-{t: Puppy Drink}
{st: Susie Higgie (Falling Joys)}
{sot}
-----|--------------------|------------------------|--------------------|------------------------|--------------------|------------------------|--------------------|----------------------0-|-0-2-0-2-0-2-0-2-5--|-0-2-0-2-0-2-0-2-0--3---|--------------------|-------------------{eot}
[Bm]You're wasting my [A]time giving me [G#]that
I've walked that [G]street and I'm bored with [Bm]it
Show me [A]something make it [G#]new
It's a [G]drag when I see through [Bm]you
{c: Intro}
You've got a band and you play guitar
does this make you an achiever?
I try to talk, you try to undress
I can hardly believe it
{c: Intro}
{soc}
[E]I don't [F#]think about you anymore
and [Bm]B minor says it all
[E]I don't [F#]think about you ...
{eoc}
{c:
{c:
{c:
{c:
{c:
{c:
Intro}
Intro, ad lib}
Chorus}
Intro}
Verse 1 + 4}
Chorus}
file:///C|/olga_main/f-g/f/farina_richard/pack_up_your_sorrows.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#136
{title:Pack Up Your Sorrows}
{st:Richard Farina}
N[C]o use crying, tal[F]king to a stranger,
N[C]aming the sorrows you've s[G]een.[G7]
T[C]oo many sad times, t[F]oo many bad times,
A[C]nd nobody kn[G7]ows what you m[C]ean.
{c:Chorus:}
[C]Ah, but if somehow you could p[F]ack up your sorrows,
[C]And give them all to [G]me,
Y[C]ou would lose them, I[F] know how to use them,
G[C]ive them [G7]all to [C]me.
No use rambling, walking in the shadows,
Trailing a wandering star.
No one beside you, no one to hide you,
Nobody knows where you are.
{c:Chorus.}
No use gambling, running in the darkness,
Looking for a spirit that's free.
Too many wrong times, too many long times,
Nobody knows what you see.
{c:Chorus.}
No use roaming, lying by the roadside,
Seeking a satisfied mind.
Too many highways, too many byways,
And nobody's walking behind.
{c:Chorus.}
#
# Submitted to the ftp.nevada.edu:/pub/guitar archives
# by Steve Putz <putz@parc.xerox.com>
# 7 September 1992
file:///C|/olga_main/f-g/f/farnham_john/burn_for_you.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: "Wilhelmsen, Lee F." <FRANCIS@gribb.hsr.no>
Date:
Mon, 18 Sep 1995 11:38:11 GMT+1
John Farnham: "Burn for you"
I only heard this song a few days ago while auditioning for a band. I was
asked by the band to learn the song for practice. Hopefully I got it right.
The song is taken from the John Farnham album "Full house " from 1991.
I have added some loose strings where avaiable to get a kind of "loose"
and "floating" feel to it. The guitarist on the album uses a bit of
reverb/chorus and achieves a nice floating/12 string kind of sound.
The lyrics and guitar sequence follow after the tab.
Good luck
Lee Francis
Intro:
e|-------2----------------------------|--------------------------------------|
b|-------0--------0--------------0----|---4h5--0-------0---------------0-----|
g|-------1--------4--------6--6-----6-|---4----4-------4---------6--6----6---|
D|----2-----------2--------4--4-------|---4------------2---------4--4------4-|
A|-------------4--------6-------------|-------------4---------6--------------|
E|-0--------2--------4----------------|-0--------2-------2-4-----------------|
e|-------2--------------------------------|----------------------------------|
b|-------0--------0---------------0-------|-0--------0-----------0-----------|
g|-------1--------4---------6--6-----6----|-------1-----6-----6--------------|
D|----2-----------2---------4--4--------4-|----2-----------4-----------------|
A|--------------4--------6----------------|----------------------------------|
E|-0-------0-2------2-4-------------------|-0-----------6--------------------|
Verse:
e|----------------------------------2----------------------------------------|
b|-0--------0-----------0--0-------------------0-----------0-----------------|
g|-------1-----3-----3--------3-------------3-----6-----6-----------6--------|
D|----2-----------4--------------4-------4-----------4-----------4-----4-----|
A|---------------------------------------------------------------------------|
E|-0-----------2-----------4-----------4----------6-----------6--------------|
e|---------------|----------------------------------0-|-------0-------0------|
b|-------0--0----|-------7-------7----7----------0--0-|-------5-------5------|
g|-------10-10---|----------------------------3--4--4-|-------6---------6----|
D|-------9--9----|----9-------9------------6----------|----6--------6-----6--|
A|----9----------|-6-------6-------6------------------|-4--------4-----------|
E|-7-----------7-|----------------------0-----------0-|----------------------|
1st verse
2nd + 3rd verses
e|------------4-----------|------------4--6--|
b|---------7-------7------|---------7--------|
g|------6-------------6---|------6-----------|
D|--/4----------4---------|--/4-----------4--|
A|------------------------|------------------|
E|------------------------|------------------|
file:///C|/olga_main/f-g/f/farnham_john/burn_for_you.tab
Chorus:
Repeat bar 3 times
e|--------2---------------------------------|--------------------------------|
b|--------0----------0---------------0------|--0--------0-----------0--------|
g|*-------1----------4----------6-6----6---*|--------1-----6-----6-----------|
D|*----2-------------2----------4-4------4-*|-----2-----------4--------------|
A|----------------4----------6--------------|--------------------------------|
E|--0--------0-2--------2-4-----------------|--0-----------6-----------------|
Bridge intro:
Bridge:
e|-------------------------|--------0--------0-----------------------0-------|
b|--4--------4--2--------2-|--------5--------5--------------7--------5-------|
g|-----4-----------2-------|--------6--------6-----4-----6--------6--6-------|
D|--------4-----------2----|-----6--------6-----------4--------4-------------|
A|--2-----------0----------|--4--------4--------4----------------------------|
E|-------------------------|-------------------------------------------------|
e|--------------------------------2--0--|---------0-----------------2-2--0---|
b|--------4--------4--------------0--0--|---------5--------0--------0-0--0---|
g|--------4--------4--------------1--1--|---------6--------8--------3-1--1---|
D|-----4--------4--------4-----2--------|------6--------8--------2-----------|
A|--2--------2--------2-----------------|---4--------6-----------------------|
E|--------------------------0-----------|---------------------0--------------|
e|--------0-----------------0--------0-----------0-------<7>-----------------|
b|--------5--------0-----------0-------------<7>-----------------------------|
g|--------6--------8---------------------------------------------------------|
D|-----6--------8--------6--------------6-----------6------------------------|
A|--4--------6--------9-----------9--------9-----------9---------------------|
E|---------------------------------------------------------------------------|
End:
e|--------------------------------------2----------------------2-------------|
b|--4--------4-----------------------0--0----------------------0-------------|
g|-----4--------4-----------------1----------------------3-------------------|
D|--------4--------4-----------2----------------------2----------------------|
A|--2------------------------------------------------------------------------|
E|--------------------------0-----------0----------2--------2----------------|
e|-----------2-----------2------------------------------2--------------------|
b|-----------0-----0-----0------------------------------0--------------------|
g|--------3-----------3------- Repeat
----------------3--------------------|
D|-----4---------------------- sequence ----------------4--------------------|
A|---------------------------------------------------------------------------|
E|--4-----------4---------------------------------------4--------------------|
<x> : harmonics
h : hammer on
/ : slide up to note
Lyrics & guitar sequence:
[Intro]
[Verse]
file:///C|/olga_main/f-g/f/farnham_john/burn_for_you.tab
[Verse]
Verse 2 That voice you show me is not the one that I know
I must be strung out of what I do
Don't hang up again
There's nothing else I know how to do
[Chorus]
Chorus
[Verse]
[Chorus]
Chorus
Burn
What
Burn
Burn
[Bridge]
Bridge
[Chorus]
Chorus
Burn
What
Burn
Burn
[Chorus]
Chorus
[Chorus]
Chorus
Burn
What
Burn
Burn
[End]
End
for you
am I gonna do
for you
for you
[Bridge intro]
for you
am I gonna do
for you
for you
[Bridge intro]
for you
am I gonna do
for you
for you
file:///C|/olga_main/f-g/f/farris_dionne/i_know.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: ClausonAM@aol.com
Date: Thu, 25 May 1995 18:41:10 -0400
Subject: CRD:"I Know" (Dionne Farris)
A
F#m
I believe there is also an E in there somewhere, but I haven't quite got that
chord yet. Please correct if appropriate.
file:///C|/olga_main/f-g/f/farside/keep_my_soul_awake.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: RichardC@mai.sprint.com
Date: Wed, 8 Nov 1995 04:35:00 -0500
SONG:
ARTIST:
ALBUM:
TRACK:
TABBED BY:
file:///C|/olga_main/f-g/f/farside/keep_my_soul_awake.tab
G-|--9--9-9---------------------------------------|
D-|--9--9-95--------------------------------------|
A-|--7--7-75--------------------------------------|
E-|--------3--------------------------------------|
^let ring and pick slide until verse begins again
Song Structure
~~~~~~~~~~~~~~
INTRO
Spirits fly high, but they die so easily
^VERSE1 ^VERSE2
I cry when they do
^VERSE1
Young energy, that flame inside seems so Free, Yeah,
^VERSE2
can i rely on you?
^VERSE1
I feel the years pass through me,
^CHORUS
Keep my soul awake,
^CHORUS
Don't wanna lose that feeling,
^CHORUS
Keep my soul awake.
^CHORUS
Keep my soul awake.
^CHORUS
AFTER CHORUS
Don't let it slide, we all grow up so quickly.
^VERSE1 ^VERSE2
Hang on to what's inside
^VERSE1
So young at heart, just take your time,
^VERSE2
There's no hurry,
don't want to lose my mind.
^VERSE1
I feel the years pass through me,
^CHORUS
Keep my soul awake,
^CHORUS
Don't wanna lose that feeling,
^CHORUS
Keep my soul awake.
^CHORUS
Keep my soul awake.
^CHORUS
______________________THE END________________________
file:///C|/olga_main/f-g/f/farside/page.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Fri, 23 Feb 1996 13:12:27 +0000
From: WINSTON DAVID LOH <wdloh@ice.LakeheadU.Ca>
Subject: Tab: Page by Farside
band
Farside
song
Page
from the album Rigged
from Revelation Records
tab by Winston Loh
1994
Hi to Farside
Guitar 1 - Intro
e---------------------------------------------------------------|--5-4-0-2-4-5-4--0-0---4-0-5-4---5-4-0-2-4-5-4--0-0---4-0------|---------------------2------------------------------2-----2-4--|---------------------------------------------------------------|---------------------------------------------------------------E----------------------------------------------------------------
Guitar 2 - Verse
e---------------------------------------------------------------|---------------------------------------------------------------|---------4-4-4--6-6-6------------------4-4-4--6-6-6------------|---------4-4-4--6-6-6--7-7-7-----------4-4-4--6-6-6--7-7-7-----|--7-6-0--2-2-2--4-4-4--7-7-7----7-6-0--2-2-2--4-4-4--7-7-7-----E-----------------------5-5-5-------------------------5-5-5-----Repeat for length of verse
Guitar 1 - Verse
sometimes plays
e---------------------------------|----------------------------------
file:///C|/olga_main/f-g/f/farside/page.tab
(I think)
e---------------------------------------------------------------|---------------------------------------------------------------|------------------4-2-2----------------------------------------|------------------4-2-2----------------------------------------|--9----6----9-11--2-0-0---7---12p11h12p11h12-------------------E----------------------------------------------------------------
file:///C|/olga_main/f-g/f/farside/page.tab
file:///C|/olga_main/f-g/f/farside/page.tab
|---------------------------------------------------------------|--4-4-4--6-6-6--9-9-9-9-9----4-4-4--6-6-6--9-9-9-9-9-----------|--4-4-4--6-6-6--9-9-9-9-9----4-4-4--6-6-6--9-9-9-9-9-----------|--2-2-2--4-4-4--7-7-7-7-7----2-2-2--4-4-4--7-7-7-7-7-----------E----------------------------------------------------------------
file:///C|/olga_main/f-g/f/faster_pussycat/house_of_pain.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: ed <ed@freebird.demon.co.uk>
Hope this proves of some use to you. It may be a bit difficult to follow, in
which case I apologise in advance, but it shouldn't be too bad. I'm new at
TABbing stuff and it's more difficult than it looks!! If you know the song well
enough then you should be able to follow the tab as you listen to it and figure
it out from there. The fundamentals are there though and it shouldn't take too
much work on your part to figure it out.
Faster Pussycat
House of Pain
:From the album Wake me When it's Over.
This is the intro and is played for the first four bars before going on to fig.2
Fig.1
~~~~~
||---0-----------0-------------------------------|-----------------------------||---1-----------1-----------3p1-----0--1--------|-----------------------------||*--0-----------0----------------------------0--|-----------------------------||*--2-----------2----------------2--------2-----|-----------------------------||---3-----------3-------------------------------|-----------------------------||-----------------------------------------------|------------------------------
1--------------------------------|---------------------------------------------1--------------------------------|---------------------------------------------2--------------------------------|---------------------------------------------3--------------------------------|------------------------------------------------------------------------------|------------------------------------------------------------------------------|----------------------------------------------
0-----------0-------------------------------|----------------------------------1-----------1-----------3p1-----0--1--------|----------------------------------0-----------0----------------------------0--|----------------------------------2-----------2----------------2--------2-----|----------------------------------3-----------3-------------------------------|------------------------------------------------------------------------------|-----------------------------------
file:///C|/olga_main/f-g/f/faster_pussycat/house_of_pain.tab
This solo goes with Fig.1 and is done on harmonica first, then guitar.
harmonica arranged for guitar
||-----------15---------------------15-----17--|-------------------------------||----15/17---------------------17-------------|-------------------------------||*--------------------------------------------|-------------------------------||*--------------------------------------------|-------------------------------||---------------------------------------------|-------------------------------||---------------------------------------------|-------------------------------rake these notes
15~~~~~~~~~~~~--13-----12~~~~~~~~~--13---------12----------|----------------------------------------------------------------------13------|--------------------------------------------------------------------------12--|------------------------------------------------------------------------------|------------------------------------------------------------------------------|------------------------------------------------------------------------------|--------------------
file:///C|/olga_main/f-g/f/faster_pussycat/house_of_pain.tab
----------------------|------------------------------------------------------------------------------|------------------------------------------------------------------------------|------------------------------------------------------------------------------|--------------------------------------------------------15~~~~~~~~~~~~--------|------------------------------------------------------------------------------|---------------------------------------------------------
------------------------------------------------------|------------------------------------------------------------------------------|------------------------17--16p14------16p14----------------------------------|-----------------------------------17---------17--15p14---------17-----15p14--|---------------------------------------------------------15-------------------|------------------------------------------------------------------------------|-------------------------
file:///C|/olga_main/f-g/f/faster_pussycat/house_of_pain.tab
------------0--------0-----------------------0--|------------------------------------------1--------------1--------------1-----|------------------------------------------2-----------------2-----------------|------------------------------------------2-----------------------------------|------------------------------0-----------0-----------------------------------|------------------------------------------------------------------------------|------------------------------behind,
waitin' for you
file:///C|/olga_main/f-g/f/faster_pussycat/house_of_pain.tab
--------------------------------------------------------------------------------------------------------------------------------------------------------------Chorus
~~~~~~
Guitar 2 doubles all of guitar 1 with power chord versions of the normal chords.
[C]
[F]
I'm not tryin' to fake it, and I aint the one to blame, no there's no
[Am]
[G]
[F]
one home in my house of pain.
Main solo.
~~~~~~~~~~
(Two gtrs.)
||----17---------------15---------------13---------------15---------------17---||----10-----17\15-----8------15\13-----6------13/15-----8------15/17-----10---||*----------9--7-------------7--5-------------5--7-------------7--9-----------||*----------------------------------------------------------------------------||-----------------------------------------------------------------------------||-----------------------------------------------------------------------------bend one step
---------------------|-------------------------------------------|----------------17----------------|-------------20-----20---------------------|----------------9------(9)/19--x--|---19---------------19-----17~~~~~~--17\---|----------------------------------|-------------------------------------------|----------------------------------|-------------------------------------------|----------------------------------|-------------------------------------------|--------------
file:///C|/olga_main/f-g/f/faster_pussycat/house_of_pain.tab
----------------------------------(12)~~~--------(12)\---------|----------------12------------12----------------------------------------------|------------------------------------------------------------------------------|------------------------------------------------------------------------------|------------------------------------------------------------------------------|----------------
to fake it,
one home in
these pages
one home in
file:///C|/olga_main/f-g/f/faster_pussycat/house_of_pain.tab
================================================================================
==
TABLATURE EXPLANATION
==
================================================================================
-------------5h8--- Hammeron
-------------5p8--- Pulloff
-------------5/8--- Slide Up
-------------5\8--- Slide Down
-------------5~~~-- Vibrato
-------------------
Rhythm:
w = whole note
h = half note
q = quarter note
e = eighth note
s = sixteenth note
^ = triplet
W
H
Q
E
S
=
=
=
=
=
dotted
dotted
dotted
dotted
dotted
whole
half
quarter
eighth
sixteenth
================================================================================
==
Created with a shareware version of the BUCKET 'O TAB
==
==
tablature creation software for Windows
==
==
For more information:
==
==
email: gse@ocsystems.com
==
==
US Mail: The Bucket, 3176-B5 Summit Square Dr., Oakton, VA 22124
==
================================================================================
If you want any other stuff from the first album I've figured pretty much of it
so please feel free to mail me and ask. I also know Poison Ivy and Where There's
a Whip There's a Way. Good luck with it.
-Thanx!!!!!
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
=
____________
____________
=
=
/|
|
/|
\
=
=
| |
_______|
| |
______
\
=
=
| |
|______/
| |
|_____/\
\
=
=
| |
|_______
| |
|
\ \
\
=
=
| |
|
| |
|
| |
|
=
=
| |
_______|
| |
|
| |
|
=
=
| |
|______/
| |
|
/ /
/
=
=
| |
|_______
| |
|____/_/
/
=
=
| |
|
| |
/
=
=
| |____________|
| |____________/
=
=
|/____________/
|/____________/
=
=
=
=
=
=
ed@freebird.demon.co.uk
=
=
=
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
file:///C|/olga_main/f-g/f/faster_pussycat/house_of_pain.tab
file:///C|/olga_main/f-g/f/fat_lady_sings/providence.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Received: from post-office.nevada.edu (post-office.nevada.edu [131.216.1.11]) by
redrock.nevada.edu (8.6.4/8.6.4) with ESMTP id GAA29262 for <jamesb@redrock.nevada.edu>; Wed, 12
Jan 1994 06:39:06 -0800
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From: "Joe Murphy" <SCP24005@novell1.rtc-carlow.ie>
Organization: RTC Carlow, Ireland
To: jamesb@nevada.edu
Date:
Wed, 12 Jan 1994 14:38:09 GMT0BST
Subject:
The Fat Lady Sings : Providence.tab
Priority: normal
X-Mailer:
PMail v3.0 (R1a)
Message-Id: <1FD7B034B10@novell1.rtc-carlow.ie>
The Fat Lady Sings
Providence.
This is a great song from a great Irish band from their album 'john son'.
Here's the way I play this song, I'm not certain of it's correctness
but it's pretty close.
e-|-----3-----|-----3-----|-----3-----|-------3----------B-|-------1---|-------1---|-------1---|---------1--------G-|---0-----0-|---0-----0-|---0-------|-----0-----0------D-|-3---------|-2---------|-3---------|-2-0--------------A-|-----------|-----------|-----------|------------------E-|-----------|-----------|-----------|------------------^
hammer on here while still holding D string at 2nd fret.
e-|-----3-----|-----3-----|-----3-----|-----3------------B-|-------1---|-------1---|-------1---|-------1----------G-|---0-----0-|---0-----0-|---0-----0-|---0-----0--------D-|-3---------|-2---------|-0---------|-0----------------A-|-----------|-----------|-----------|------------------E-|-----------|-----------|-----------|------------------e-|-----3-----|-----3-----|-----3-----|-------3----------B-|-------1---|-------1---|-------1---|---------1--------G-|---0-----0-|---0-----0-|---0-------|-----0-----0------D-|-3---------|-2---------|-3---------|-2-0--------------A-|-----------|-----------|-----------|------------------E-|-----------|-----------|-----------|------------------^
hammer on here while still holding D string at 2nd fret.
e-|-----3-----|-----3-----|-----3-----|-----3------------B-|-------1---|-------1---|-------1---|-------1----------G-|---0-----0-|---0-------|---0-----0-|---0-----0--------D-|-3---------|-2-------0-|-----------|------------------A-|-----------|-----------|-3---------|-3-----------------
file:///C|/olga_main/f-g/f/fat_lady_sings/providence.tab
file:///C|/olga_main/f-g/f/fat_tulips/never.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: juhkivij@utu.fi (Juha Kivijarvi)
Date: Sun, 2 Jul 1995 12:16:16 GMT
Subject: CRD: Never... (Fat Tulips)
NEVER...
-------Intro:
Dm
by Fat Tulips
(2x)
Dm
C
I never wanted to be invincible
Dm
C
I never claimed to be immune
Dm
G
C
Am
To all those vices and the skimming(?) thoughts
Dm
G
To all those all-heart breaking tunes(?)
I never cared that much for honesty
I never cared that much for pain
Don't believe that good will conquer evil
???
C
Dm
But it's a funny thing
G
C
Am
They always tell you
Dm
G
Time can heal the heart ???
Dm
G
C Am
For time just one word that means forever
Dm
G
E
And therefore neverends are never known(?)
Dm
G
C
Therefore neverends are never known(?)
-----------------------------------I'd be delighted if someone could help with the lyrics.
"
Just drop mail ->
Juha Kivijarvi
or reply to the posting. Thank you.
juhkivij@utu.fi
file:///C|/olga_main/f-g/f/fates_warning/anarchy_divine.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Fri, 6 Oct 95 22:49:05 EST
From: Mark.Rawling@mel.dit.csiro.au
Subject: TAB: Anarchy Divine by Fates Warning
===================================================
A N A R C H Y
D I V I N E
Fates Warning
Off the album "No Exit" (1988)
Transcribed by Mark Rawling
(mwr@mel.dit.csiro.au)
===================================================
file:///C|/olga_main/f-g/f/fates_warning/anarchy_divine.tab
-2-----0---2---3---5_7-5-5-0-2-----0---2---3-------5-5-0----000---0---0---0-------------000---0---0---0-----------^
^
^
^
^
^
^
^
^
^
^
^
End Fig 1
Lead Break 1
-7_8_10------------------------------------------------------------------------------9_10_12-10_9----9_10_12-10_9-----------------10_9----9_10_12-10_9-------------------------10--------------10-9/_10_13\_12------10--------------10----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------^
^
^
^
^
^
^
^
^
-----------------------------------------------------------------------------------------------------------------------------------------------------------9/_10_13_(9)-10_9----9_10_12-9~~~~~~-9\_4-4~~~~~~-4---5~~~~~~~~~~-5---7~~~~~~
-------------------12------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------^
^
^
^
^
^
^
^
^
^
^
^
^
^
^
--------------------------------------------------------15_13_12-----------15=
------------------------10----12----15=_13_12-15_13-13=----------15_13_12=----5-4-7-5-9-7-10-9-12-10----12----14---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------^
^
^
^
^
^
^
^
^
^
^
^
PM___________________|
|__| |__|
=^^^^^^^^--(15)^v-12=====----------------------------|-------------------------------------13=====---------15=====----|-12=====\\\\
----------------------------------14=====---------14-|----------------------------------------------------------------|----------------------------------------------------------------|----------------------------------------------------------------|-----------^
^
^
^
^
^
^
^
^
^
^
^
^(x13) ^ ^
End Lead Break 1
Fig 2
|----------------------------------------------|
|----------------------------------------------|
|---------------------0-------------------4----|
(I) |-2-------------------0-------------------4----|
|-2--------------------------------------------|
|----------------------------------------------|
|
|
|----------------------------------------------|
|----------------------------------------------|
|-----------5-----4_2-2-------------5-----4~~--|
(II) |-2-2-5-2-2---2-2-------5-2-2-5-2-2---2-2------|
|----------------------------------------------|
|----------------------------------------------|
^
^
^
^
^
^
^
^
^
^
^
PM_____________________________________|
file:///C|/olga_main/f-g/f/fates_warning/anarchy_divine.tab
|----------------------------------------------|
|----------------------------------------------|
|-----------------------------------------4----|
(I) |-2-------------------0-------------------4----|
|-2-------------------0------------------------|
|----------------------------------------------|
|
|
|----------------------------------------------|
|----------------------------------------------|
|-----------5-----4_2-2-------------5-----4#~--|
(II) |-2-2-5-2-2---2-2-------5-2-2-5-2-2---2-2------|
|----------------------------------------------|
|----------------------------------------------|
^
^
^
^
^
^
^
^
^
^
^
PM_____________________________________|
End Fig 2
Repeat Fig 2 accompanied by Fig 3
Fig 3
(III) (' ` = 1/4 bend/release)
--------------------------------------------------------5'`---------------------5'-------------4'----------7'--5\_4----5'----------7~~--5-7-----7-----7---------5_7-----7-----7-----------------------------------------------------------------------------------------------^
^
^
^
^
^
^
^
^
^
^
--------------------------------------------------------5'----------------------5'-------------5'----------7-7-5\_4----5'----------7~~--5-7-----7-----7---------5_7-----7-----7-----------------------------------------------------------------------------------------------^
^
^
^
^
^
^
^
^
^
^
End Fig 3
Fig 4 (play with lead break 2)
(I)
----------------------------------------------------------------------------------------------------------------------------------------------------------------------------5-----2-----0-----2-----5---8---5-----2-----8------------5-----2-----0-----2-----5---8---5-----2-----8--------------0-0---0-0--(0)0---0-0--(0)------0-0---0-0-----0-0-0-0-^
^
^
^ * ^
^
^ * ^
^
^
^
^
^
^
(rarely)
(usually)
----------------------------------------------------------------------------------------------------------------------------------------------------------------------------5-----2-----0-----2-----5---8---5-----2-------------2/_3-5-----2-----0-----2-----5---8---5-----2-------------2/_3---0-0---0-0--(0)0---0-0--(0)------0-0---0-0-0-0-0-0-----file:///C|/olga_main/f-g/f/fates_warning/anarchy_divine.tab (3 of 10) [4/28/2003 9:50:43 PM]
file:///C|/olga_main/f-g/f/fates_warning/anarchy_divine.tab
----------------------------------------------------------------------------------------------------------------------------------------------------------------------------5-----2-----0-----2-----5---8---5-----2-----8------------5-----2-----0-----2-----5---8---5-----2-----8--------------0-0---0-0--(0)0---0-0--(0)------0-0---0-0-----0-0-0-0-^
^
^
^
^
^
^
^
^
^
^
^
^
^
Ending 1
(Fig 5 starts here)
-------------------------------|-------------------------|-------------------------------------------------|-------------------------|-------------------------------------------------|-------------------------|-------------------5-----2-----0-----2-----5---8-|-5-----2-----8===========|=2=================
-5-----2-----0-----2-----5---8-|-5-----2-----8===========|=2=================
---0-0---0-0--(0)0---0-0--(0)--|---0-0---0-0-------------|------------------^
^
^
^
^
^
^
^ | ^
^
^
^ ^ ^ ^
^
(hold for 2 x Fig 5)
(then play 2 x Fig 5)
End Fig 4
Lead Break 2
----19-19----19-19-22-19-19-22-22-22-22^v-22^--22^==v_20_19--------------------22^------22^----------------------------------------------22_20_19------------------------------------------------------------------------------21==^v^v^v^------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------^
^
^
^
^
^
^
^
^
^
^
^
^
^
----------19-------------------------------------------------------------------20-19-------20----19-------22-19----20----19------------19--------------------------21-------21----21-19-------19----21----19-19---------19--------------------------------------------------------------------22-21------21-19--19^v^v^v^
------------------------------------------------------------------------------------------------------------------------------------------------------------^
^
^
^
^
^
^
^
^
^
^
^
^
^
--------------------------------------------------------------------------------------------------------------12_13_15---------------------12_13_12------------------------------------------------9_10_11_12-11_12_14----------14-------------------------9_10_11_12--------------------------------------------9_10_11_12-9_10_11_12----------------------------------------------------------------------------------------------------------------------------------^
^
^
^
^
^
^
PM_____________________________|
(If you nail the muting just right (quite light) it makes the notes sound
as if they're all individually picked - and really, really fast!!)
---------------------------------------------12_13-15-15^====-12~~~~~~-13\-------8_10_12--------------------------------------------------------------------------------------------------------------------------------------------------------------------------------^
^
^
^
^
^
^
(fast!!)
t
file:///C|/olga_main/f-g/f/fates_warning/anarchy_divine.tab
-8_12_8_12_8_12-15_8------------(15)8_12_8_12-17_8_12-15_8--------------------------------------_12_8_10_12---------------------------_12_8_10_12-----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------^
.
^
.
^
.
^
.
^
.
^
.
t
t
t
t
t
(Fig 5)
-(15)8_12_8_12-15_8_12-17_8_12-15_8-15_8----------------------------|-starts
----------------------------------------_12_8_10_12_10_8------------|-here---------------------------------------------------------_10===_12===|-9==----------------------------------------------------------------------|--------------------------------------------------------------------------|--------------------------------------------------------------------------|------^
.
^
. ^
.
^ .
^
.
^ ^ ^ ^
^(2xfig5)
End Lead Break 2 (phew!)
Fig 5 (play 4 times - gtr I joins in last two times)
First 2 times have a slightly faster tempo than normal.
(gtr II)
--------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------0-0-0-0-0-0-2_3-0-0-0-0-0-0-3_5-0-0-0-0-0-0-2_3-0-0-5_7-0-0-3_5-^
^
^
^
^
^
^
^
^
^
^
^
^
^
^
^
(Don't forget to PM the E string!!)
(^^^ play 5_7 here 2nd time)
End Fig 5
Fig 6 (play twice with verse 1 ... Enter young man, etc)
|---|---|---(I) |---left |---chan.|-0-0
| ^
|
|---|---|---(II) |---right|---chan.|-0-0
1st
time
(I)
|---|---|---===_2
===_2
|---| ^
|
|---|---|---===_2
===_2
|---2nd
time
--------------------------------------------3====----|
--------------------------------------------3====----|
--------------------------------------------0====----|
-----------0==_2-----------0==_2-------------------0==
-----------0==_2-----1_0---0==_2-------------------0==
-0-0-0-0-0-------0-0-----3-------0-0-0-0-0-----------|
^
^
^
^
^
^
^
^
^
^
^
^
^
|
|
-----------------------------------------------------|
-------------------------------------------11=====---|
-------------------------------------------10=====---|
-----------0==_2-----------0==_2-----------9======-0==
-----------0==_2-----1-0---0==_2-----0----(10)====-0==
-0-0-0-0-0-------0-0-----3-------0-0---0-0-----------|
PM__|
|-----------------------------------------------------------|-----------------------------------------------------------|-------------------------------------------------000333--222
===_2-----------0==_2-----------0==_2-------------00033333222
===_2-----------0==_2-----1_0---0==_2-------------------33--|-----0-0-0-0-0-------0-0-----3-------0-0-0-0-0-0------------
--|
--|
--|
-0=
-0=
--|
--|
--|
2-|
2-|
--|
--|
file:///C|/olga_main/f-g/f/fates_warning/anarchy_divine.tab
| ^
^
^
^
^
^
^
^
^
^
^
^
^ ^ ^ ^ ^ ^
|
|-----------------------------------------------------------|-----------------------------------------------------------|-------------------------------------------------000333--222
(II) ===_2-----------0==_2-----------0==_2-------------00033333222
===_2-----------0==_2-----1-0---0==_2-------------------33--|-----0-0-0-0-0-------0-0-----3-------0-0-0-0-0-0------------
|
|
--|
--|
--|
-0=
-0=
--|
1st
time
|
|
--|
--|
2-|
2-|
--|
--|
2nd
time
End Fig 6
Gtrs I and II play Fig 5 (unmodified) with lead break 3
Lead Break 3
---------------------------------------------------------------------------------------------------------------------------------9==========-16=====-15=====-9=/_10=========-12==\\\-7==-------------------------------------------------------------------------7==========-14=====-13=====-7=/_8==========-10==\\\-5==-5_7-7//----------------------------------------------------------------^
^
^
^
^
^
^
^
^
^
^
^
^
^
^
^
-------------------------------------12_15_12/_15-15_17_15_17-19=_17_15--------------------------12_15_12_15-------------------------------------------------12_14_12_15-------------------------------------------------12_14_12_14------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------^
^
^
^
^
^
(verse 2)
-17_19-19-15-17-(15)\12-15-------12----15^=====---12_15----------|--------------------------------------12-15----12------------------12_15-15-|----------------------------------------------------------------------------|-14''v\---------------------------------------------------------------------|-(slow full-----------------------------------------------------------------|--bend and------------------------------------------------------------------|---slide)--^
^
^
^
^
^ ^ ^ ^
^
^
^(x6)
End Lead Break 3
Play Fig 6 twice with verse 2
Play Fig 4 (with ending 2 .. below) with chorus, "Save me someone's gonna", etc
Fig 4 Ending 2
----------------------------5-----3==
-5-----3==
---0-0---^
^
file:///C|/olga_main/f-g/f/fates_warning/anarchy_divine.tab
file:///C|/olga_main/f-g/f/fates_warning/anarchy_divine.tab
------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------^
^
^
^
^
^
^
^
----------------------------------10_11_10_11-----------8_10_8_10-----------11_13_11_13-10_11_10_11-8_10_8_10--------------------------------------------------------------------------------------10_12_10_12---------8_10_8_10----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------^
^
^
^
^
^
^
--------------------------------10----13--11_10-11-----10------------------10_11_10-----------------10-11----11--------------13-----13--11_10_11_10---------------------10-12-----------------------------------------------------------12===_13------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------^
^
^
^
^
^
^
^
^
(fig 8 starts)
-----------------------------------------13'===========================
-----------------------------------------13^===========================
-12~~~~~~~~~~~~~~~~~~~~~~~~~-12_10_12_10-----------------------------------------------------------12_10_12_10--------------------------------------------------------------------------------------------------------------------------------------------------------------------------^
^
^
^
^
^
^
^
^
^
^
^
^
^
^
^
End Lead Break 4
Play Fig 8 four times with verse 3 ... I will keep my own time, etc
Play Fig 4 (ending 1) with chorus ... Save me someone's gonna, etc
Play Fig 5 once
Outro
-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------7_5_7-----5_3_5-----3_2_3---------------------------------------2-0-0-0-0-0-0-------0-0-------0-0-------0-0-0-0-0-0-7_5_7-0-0-5_3_5-0-0-3_2_3-0^
^
^
^
^
^
^
^
^
^
^
^
^
^
^
^
^
T H E
E N D
================
Legend
======
~~
=
^v
vibrato
hold note
full bend/release
file:///C|/olga_main/f-g/f/fates_warning/anarchy_divine.tab
'`
(15)^
(2)
(x7)
\ /
_
13#
t
1/2 bend/release
prebend
sometimes played/barely audible/I'm not really sure about this note!!
below staff indicates the passing of several timing beats
slides
hammer/pull
artificial harmonic
tap
/_10
-_10
t
(15)8
^.
PM__|
Variations
==========
As with most Fates songs, they play with intervals and overdubbing/multiple
guitars to achieve some fairly subtle, but great sound textures.
As a result, it's easy to come up with all sorts of ideas for what
they're actually doing. For example, try these variations ...
In Fig 6, instead of ------------ try ----------------------------------000333--222
-000333--20-00033333222
-00033333202
-------33---------33--2
----------------------and for the main part of Fig 6 try ...
(I think this one's really cool)
|---------------------------------------------------------|
|-----------------------------------------------6======---|
(2)===_4-----------2==_4---------------------------4======-2==
(2)=====-----------2====-----------4==_5-----------5======-2==
|-------------------------1_0---5====-----0---------------|
|-----0-0-0-0-0-------0-0-----3-------0-0---0-0-----------|
I certainly hope you get the same kick out of this awesome song that I do.
It is a classic in my opinion. One of my all time favourites.
Also, I'm sorry the tab is so hard to read - give me the pencil and
paper originals any day!! Any suggestions welcome of course, but please
keep me informed.
-Mark
(coming soon - No Exit, Static Acts, A World Apart <<-- check these out
for some really way out vocals, composition and lead breaks)
file:///C|/olga_main/f-g/f/fates_warning/anarchy_divine.tab
History:
========
Mark Rawling
(mwr@mel.dit.csiro.au)
Oct 95
Original transcription
file:///C|/olga_main/f-g/f/fates_warning/damnation.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Guitar tablature for FATES WARNING's - Damnation
From the album 'Night On Brocken' (1984)
Transcribed by Vassilis Bekiaris (el94101@zeus.central.ntua.gr)
This is one of the easiest songs by Fates ,yet can trick the ear sometimes.
So this is the best i could. I've not transcribed the solo part and have not
notated any bends,hammers or whatever..but what do you expect?i only play piano.
Any notes enclosed by parentheses are what i am not at all sure about...
Have fun with the song and keep transcribing.
At the end there's one small correction to Down To The Wire 's transcription
by Jesse Rink..
Intro/the other guitar plays harmonics
E----------------------------------|---------------------------------|-------B--------------0---------------0---|-------------0---------------0---|-------G----0-------0---0---0-------0---0-|---0-------0---0---0-------0---0-|-------D------4---4-----------4---4-------|-----4---4-----------4---4-------|-------A--------2---------------2---------|-------2---------------2---------|-------E--0---------------0---------------|-0---------------0---------------|-------< Not quite sure about this one >
E----------------------------------|---------------------------------|-------B----0-----0---------0-----0-------|-------------0---------------0---|-------G------0-----0---0-----------------|---0-------0---0---0-------0---0-|-------D-----(0)---(0)--------0-----0-----|-----4---4-----------4---4-------|-------A--3-----3-----3---2-----2---------|-------2---------------2---------|-------E------------------------------3-2-|-0---------------0---------------|-------<Figure 1>
Thou- sands of years
be- fore
the dawn
of histoE----------------------------------|---------------------------------|--------B--------------0---------------0---|---0-----0---------0-----0-------|--------G----0-------0---0---0-------0---0-|-----0-----0---0-----------------|--------D------4---4-----------4---4-------|---------------------0-----0-----|--------A--------2---------------2---------|-3-----3-----3---2-----2---------|--------E--0---------------0---------------|-----------------------------3-2-|--------<End Fig.1>
ry
(Where )
E----------------------------------|-Repeat Figure 1--------------------------B--------------0---------------0---|-'Ancient races tears ...'----------------G----0-------0---0---0-------0---0-|-2nd time ending:where sacred..-----------D------4---4-----------4---4-------|------------------------------------------A--------2---------------2---------|------------------------------------------E--0---------------0---------------|------------------------------------------<Figure 2>
sacred river
ran
white deer had roamed the land
E----------------------------------|---------------------------------|--------B----------------------------------|---------------------------------|--------G------0-------0-------0-------0---|-----0-------0-------0-------0---|--------D----4---4---4---4---4---4---4---4-|---4---4---4---4---4---4---4---4-|--------A----------5-------7-------5-------|---------5-------7-------5-------|--------E--0-------------------------------|-0-------------------------------|--------<End Fig.2>
file:///C|/olga_main/f-g/f/fates_warning/damnation.tab
brilliant twilight
in our
dreams
E----------------------------------|---------------------------------|--------B----------------------------------|-------------0---------------0---|--------G------0-------0-------------------|---0-------0---0---0-------0---0-|--------D----0---0---0---0-----0-------0---|-----4---4-----------4---4-------|--------A--3-------2---------0-------0-----|-------2---------------2---------|--------E------------------3-----3-2-----2-|-0---------------0---------------|--------E--Repeat fig.1---------|-Repeat fig.2-------|--------------------------------|
B--'primitive child...'-|-'A myth without..'-|-------------0---------------0--|
G--'descendants we ...'-|--------------------|---0-------0---0---0-------0---0|
D-----------------------|--------------------|-----4---4-----------4---4------|
A-----------------------|--------------------|-------2---------------2--------|
E-----------------------|--------------------|-0---------------0--------------|
<Figure 3>
E----------------------------|------------|-------------------------|---------B----0-----0-------0---------|------------|-------------------------|---------G------0-----0---0-4-----7-6-|-5-5--7-6-2-|-5-5---------------------|---------D-----(0)---(0)----0-----5-4-|-3-3--5-4-0-|-3-3-0-2-4-5-4-5-7-5-4-0-|---------A--3-----3-----3---2---------|------------|-------------------------|---------E----------------------------|------------|-------------------------|---------<End fig.3>
E------------------|------------|-------------------------|----------------|--B------------------|------------|-------------------------|----------------|--G------------------|------7-6-2-|-5-5---------------------|----------------|--D--5-5--7----------|-2-2--5-4-0-|-3-3-0-2-4-5-4-5-7-5-4-0-|-5-5--7-5-4-0-2-|--A--3-3--5--3-2-----|-2-2--------|-------------------------|-3-3--5---------|--E--------------3-2-|-0-0--------|-------------------------|----------------|--<Figure 4>
Red,white,black in city...
E--------------|---------------------------------|----------------------------|
B-Repeat fig.3-|---------------------------------|----------------------------|
G--------------|---------------------------------|------------------(7)(6)(2)-|
D--------------|-2-------2-------2-------2-------|-2-------2---------5--4--0--|
A--------------|-2-------2-------2-------2-------|-2-------2-------2-5--4--0--|
E--------------|-0---0-0-0---0-0-0---0-0-0---0-0-|-0---0-0-0---0-0-0----------|
<End fig.4>
E----------------------------------|-----------------------------|------------B----------------------------------|-----------------------------|-Repeat fig.4
G----------------------------------|-----------------------------|'Stab each--D--2-------2-------2-------2-------|-2-------2-0-2-5-4-2-7-5-4-2-|-other...'--A--2-------2-------2-------2-------|-2-------2-------------------|------------E--0---0-0-0---0-0-0---0-0-0---0-0-|-0---0-0-0-------------------|------------Hear our cry from down be-low
E--------|-----------------|--------------------------|-------------------|---B-Repeat-|-Repeat----------|--------------------------|-------------------|---G-fig.3--|-fig.4-two times-|--------------------------|-------------------|---D--------|-'To ensure..'---|-2---------5--------------|-7-----4-5-7-5-4-0-|---A--------|-'To disturb ..'-|-2---------3---2---3----7-|-5-----------------|---E--------|-----------------|-0------------------------|-------------------|---<Figure 5>
(Your cities...)
Let our rushy spirits go
You've trapped us in
E---------------------|--------------------------|----------------------------|
B---------------------|--------------------------|----------------------------|
G---------------------|---------------------4--2-|----------------------------|
file:///C|/olga_main/f-g/f/fates_warning/damnation.tab
D--5------7-----------|---------2-----------2--0-|-5----------------4---------|
A--3------5-----------|---------2----------------|-3----------------2-3-2-----|
E---------------------|-0-0-0-0-0---0-0-0-0------|------------------------3-2-|
<End fig.5>
your world of sin
let the plague begin
dam-nation
E-------------------------|---------------------------|-------------|---------B-------------------------|---------------------------|-------------|-Repeat--G-------------------------|---------------------------|-------------|-fig.5---D---------------5---------|-7-----------4---5-7-5-4-0-|-5-----7-----|-'Your---A-2-------------3-2-3-2-0-|-5-------------------------|-3-----5-----|-cities..'
E-0-----------------------|---------------------------|-------------|---------E-------------------------|----------------|----------------------------------B-------------------------|----------------|----------------------------------G---------------------4-2-|----------------|-SOLO-----------------------------D---------2-----------2-0-|-5----4---------|----------------------------------A---------2---------------|-3----2-3-2-----|----------------------------------E-0-0-0-0-0---0-0-0-0-----|------------3-2-|----------------------------------<
Repeat this 4 times/other guitar plays solo>
E-------------------|--------------|---------------|---------------|----------B-------------------|--------------|---------------|---------------|----------G--4-----4--4---7---|-6-----2--2---|-4----4--4---7-|-9---2--2--7-6-|----------D--2-----2--2---5---|-4-----0--0---|-2----2--2---5-|-7---0--0--5-4-|----------A-------------------|--------------|---------------|---------------|----------E-------------------|--------------|---------------|---------------|----------<
Repeat this 4 times/other guitar plays solo>
E---------------------|---------------|----------------------|----------------|
B---------------------|---------------|----------------------|----------------|
G-4---------4---------|-4---------7--6|----------------------|-----------7--6-|
D-2-2-2-2-2-2--2-2-2-2|-2-2-2-2-2-5--4|-7----------7---------|-7---------5--4-|
A---------------------|---------------|-5--5-5-5-5-5--5-5-5-5|-5-5-5-5-5------|
E---------------------|---------------|----------------------|----------------|
E---Repeat------------------|------------|-----||
B---fig.3-------------------|------------|-----||
G---two times---------------|------------|-4---||
D---Second time-------------|--5----7----|-2---||
A---instead of last measure |--3----5----|-2---||
E---play this---------------|------------|-0---||
About Jesse Rink's tab of Down To The Wire i think figure 3 sounds better(at
least to my ears) like this:
E-----------------h---h------------------|
B----------------------------------------|
G----------------------------------------|
D-------------------0-2------------------|
A---2---3---5---0-2--------2---3---------|
E-0---0---0---0----------0---0---0-3-5-0-|
file:///C|/olga_main/f-g/f/fates_warning/down_to_the_wire.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: walkerboh@aol.com (Walker Boh)
Guitar Tableture for FATES WARNING's - Down To The Wire
Transcribed by Jesse Rink (WalkerBoh@aol.com)
Notes: I realize it may not be 100%, but what do you expect?!? It's darn
close and you will probably be quite happy with it. Relatively short and
repetitive rhythms, and an easy solo, make the song quick to learn. So
have
fun and leave any comments to my email address listed above. see ya...
I'm always looking for new Dream Theater and Fates Warning tabs... If you
have any you'd like to send me, let me know! Up The Irons!!
Notation:
x
/
\
p
h
()
(b)
(B)
=
=
=
=
=
=
=
=
mute
slide up
slide down
pull off
hammer on
2nd time through play THESE notes instead
bend full step up
bend half step up
I did not add vibrato key notation. Use your head.
Figure 1
-----------------------------------------------------------------------12------10-----10---12-----10-----10---12-----10-----10---12-----10-------9-9-----9-9----9----9-9----9-9----9----9-9----9-9----9----9-9----9-9---x-x-----x-x----x----x-x----x-x----x----x-x----x-x----x----x-x----x-x-------------------------------------------------------------------------Lightly mute these --------------------------------------------------End Figure1
-----------------------------------------------------------|-----------10---12-----10-----10---12-----10-----10---12-----10-----10|--12---10-12
---9----9-9----9-9----9----9-9----9-9----9----9-9----9-9---|9----9-------x-----x-x----x-x----x----x-x----x-x----x----x-x----x-x---|x----x----------------------------------------------------------------|----------------------------------------------------------------------|-------------10--------10-------------------|-10/12--8/10---------10----10---------------13------12----------------|-------------8/10-------10----10/12-13
9----9----9-------9-9-9-9-9------|-------------------------------------x----x----x-------x-x-x-x-x------|----------------------------------------------------------------------|----------------------------------------------------------------------|---------------------------------------P-------------------------10/12-10-------------------H-P------|------12-10---------------------------------10---12-10-8--7-7-8-7-----|------------12-11\9-11-9\7-9--------------------------------------9---|-----------------------------9\7--------------------------------------|----------------------------------------------------------------------|----------------------------------------------------------------------|------VERSE:
Oh.... Has it been so long... I can't remember, what we last talked
------------------------------------------------------------------------
file:///C|/olga_main/f-g/f/fates_warning/down_to_the_wire.tab
Figure 2----------------------------------------------------------------------------------------------------------5-----------7-------------------------------5-----------------5--------5-----------7---------------7---------------5-----7-----------5------------------------------7-----7---------------------7------------------------------------------7-----about...
My...etc...
-----------------||--------------------------------------------||-----------End Figure 2||-Figure 3-----------------------End Figure 3||-----------------------||:------------------------------------------:||----------------5------||:----------------------2-------------------:||----------------5------||-----2---3---5---2-3-5-------2---3----------||----------------3------||---0---0---0---0-----------0---0---0-3-5-0--||--5---x
x
x
CHORUS:
I'll hold on..
Clutching to the hope that I'm still strong..
--------||--------------------------------------------------------------------3-||-Figure 4-----------------------------------------------------------5-||:-----7----------------------------5--------------------------------5-||:--5--7---------------------5------5--------------------------2-3---3-||-7-5--5-----------7---------5-----------------------------------------||-7----------------7-------------------------------------------When it comes Down,
To The Wire.
2nd verse...
----------------------------------------||-----------------------------|
----------------------------End Figure 4||---Repeat Figure 2, plus-----|
-------------7---------------------(5)-:||---2nd guitar plays Figure 1-|
-----5-------7----------------0----(5)-:||---(except 1 octive lower)---|
7----5-------5-------------3--0---7(3)--||---underneath rhythm guitar--|
7--------------------------3------7(3)--||-----------------------------|
1st time->^ ^<-2nd Time
-----------------|------------|-----------------|-----------------------Repeat Figure 3-|---------3--|-Repeat Figure 4-|-12-----10-----10----------------------|---------5--|-----------------|----9-9----9-9----9--------------------|---------5--|-----CHORUS------|---------------------------------------|----2-3--3--|-----------------|-7-Let Ring (Guitar 2)-----------------|-5----------|-----------------|-7-Let Ring (Guitar 2)-----------------------------------------------------------------------12-----10-----10---12-----10-----10---12-----10-----10--------------8-----9-9----9-9----9----9-9----9-9----9----9-9----9-9----9--7/9\7---9---5---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------Guitar Solo
------------------------------------------|------------------12-------------------8-------H-P-H-P-H-P-H-P-H-P-H--|-(b)-15-(b)---------12-------4/5\4-----7--7---4-5-4-5-4-5-4-5-4-5-4-5-|-14-----14-\14-12-----12---------------5--7---------------------------|------------------------12\---------------5---------------------------|----------------------------------------------------------------------|----------------------------(B)
P
--------------------------------14-14---15-14----------------------------------------------------14-15--------------15------15-------------------------7----------14/16----------------------16-14-------12----11-12------------7/9\7-------------------------------------------------------5/7-9-10----------------------------------------------------------------
file:///C|/olga_main/f-g/f/fates_warning/down_to_the_wire.tab
-----------------------------------------------------------------------I wish.....
---------14-12--|-----------------|------------------------------------10----12--------|-Repeat Figure 3-|-----5-----3--------5------3--------5
---12-----------|-----------------|-----5-----5--------5------5--------5
----------------|-----------------|-----7-----5--------7------5--------7
----------------|-----------------|-----7-----3--------7----2-3--------7
----------------|-----------------|--5--5---0-------5--5----------0-5--5
Gradual Fade Out....
----------------3--|------------------||------------------------------||
---3-----5------3--|-Repeat Figure 4--||-12---------10---------10-----||
---5-----5------5--|------------------||:---9-9-9-9----9-9-9-9----9-9:||
---5-----7------5--|------------------||:----------------------------:||
---3-----7--2-3-3--|------------------||---Guitar 2 plays this OVER---||
-0-----5-5---------|------------------||---Figure 4...----------------||
*END*
file:///C|/olga_main/f-g/f/fates_warning/innocence.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: mwr@mel.dit.csiro.au (Mark Rawling)
Here is an improved version of this superb song by Fates Warning.
It sets the whole theme for the brilliant Ivory Gate of Dreams.
I'm gonna go out on a limb and claim (near) note-for-note perfection
on this one. (There's a challenge for all you critics)
Thanks to Tim Messick for his original tab and for his great taste.
messick@maui.cs.ucla.edu
===================================================
THE IVORY GATE OF DREAMS, Part I: Innocence
Fates Warning
Off the album "No Exit" (1988)
===================================================
Acoustic, in classical style (nylon strings, preferably), ringing out.
Tuning: All down one semitone: 6 - 1 = Eb Ab Db Gb Bb Eb
------------5-------3--1-----3-$----0---1-$---0---------------------------------1/3-------------------0-$--------3-$-------3--1--------------------------2/4-------------------0-$--------2-$----------------2-$----------------------------------------2-$--------0-$----------------2-$--------------0-------------------------------------------------------0-$------------------------------------------------------------------------------------------------5-------3--1-----3-$----0---1-$---0---------------------------------1/3-------------------0-$--------3-$-------3--0--------------------------2/4-------------------0-$--------2-$----------------------2------------------------------------2-$--------0-$-------------------2-------------0-------------------------------------------------------0-----------------------------------------------------------------------------------------0-$--------------7--5-$--------------------------------------------------0-$----6---8--------5-$----------------8--7-$---5\-3-6---------5-$-------5-$-----------------5-$-------------------7-$------------------5-$-------5-$-----------------7-$-------------------6-$---------------5------------3-$------------------------8--7~-------------------------3----------------------------------------------------------------------------------------0-$--------------7--5-$--------------------------------------------------0-$----6---8--------5-$----------------8--7-$---5~~~\(3)--3----0---------0-$-----------------5-$-------------------7-$----------------------------5-$-----------------7-$-------------------6-$----------------------------3-$------------------------8--7~---------------------------------------------------------------------------------------------------------------Figure 1:
Guitar I:
|------------------------------------------------------------------------|
|---------------1---------------1---------------0---------------0--------|
|-----------2---------------2---------------2---------------2------------|
file:///C|/olga_main/f-g/f/fates_warning/innocence.tab
|-------2---------------2---------------2---------------2----------------|
|---0--------------------------------------------------------------------|
|-------------------3---------------3---------------1--------------------|
|
|
| Guitar II:
|
|------------------------------------------------------------------------|
|---------------0---1~~-------------0------------------------------------|
|-----------2-----------------------------------2-0-2--------------------|
|-------2*----------------------------------------------2----------------|
|---0**------------------------------------------------------------------|
|------------------------------------------------------------------------|
* 1st time only
** 2nd time only
Guitar I:
|------------------------------------------------------------------------|
|---------------1---------------1---------------0------------------------|
|-----------2---------------2---------------2-------0--------------------|
|-------2---------------2---------------2---------------2----------------|
|---0---------------3---------------2-----------------------2------------|
|---------------------------------------------------------------3--------|
|
|
| Guitar II:
|
|---------------------------------------------------0---1---0------------|
|---------------0---1~~-------------3~----------1-3----------------------|
|-----------2------------------------------------------------------------|
|-------2*---------------------------------------------------------------|
|---0**------------------------------------------------------------------|
|------------------------------------------------------------------------|
* 1st time only
** 2nd time only
End Figure 1
Repeat Figure 1
Outro:
Guitar I:
|------------------------------------------------------------------------|
|---------------------4-----------------------4--------------------------|
|---------------2-----------2-----------2-----------2--------------------|
|---------4-----------------------4-----------------------4--------------|
|------------------------------------------------------------------------|
|---2--------------------------------------------------------------------|
|
|
| Guitar II: (picked with a slight delay)
|
|------------------------------------------------------------------------|
|----4~\---------0-----------2~----------------4~------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
--------------------------------------------------------0-$----------------------------------------------------------------------0-$------------------------------------------------------0---------------0-$------------------------------------------4---------------------------4-$------------------------------2---------------------------------------2-$------------------0---------------------------------------------------0-$---------------
file:///C|/olga_main/f-g/f/fates_warning/innocence.tab
=======///=======
That's it, but here are figure 1 and the outro for one guitar ...
Figure 1:
----------------------------------------------------------------------------------------1---1-----------1---0-----------0---------------0--------------------2---------------2---------------2-----0-2-------2--------------------2---------------2---------------2---------------2--------------------0----------------------------------------------------------------------------------------3---------------3---------------1------------------------------------------------------------------------0---1---0----------------------------1---1-----------1---3-----------1-3----------------------------------2---------------2---------------2-------0----------------------------2---------------2---------------2---------------2--------------------0---------------3---------------2-----------------------2----------------------------------------------------------------------------3---------End Figure 1
Outro:
-----------------------------------------------------------------------------4*----------0*---4------2*---------------4------------------------------------------2-----------2-----------2-----------2------------------------------4-----------------------4-----------------------4-------------------------------------------------------------------------------------------2---------------------------------------------------------------------* Pick with a spare finger and slight delay
-------------------------------------------------------0-$----------------------------------------------------------------------0-$------------------------------------------------------0---------------0-$------------------------------------------4---------------------------4-$------------------------------2---------------------------------------2-$------------------0---------------------------------------------------0-$---------------Legend
======
~~
^
v
$
\, /
p11
h13
=
=
=
=
=
=
=
vibrato
bend (amount marked above staff; 1/2 = half step, 1 = whole step)
unbend (without re-picking note)
arpeggiated chord
slides
pull off to fret 11
hammer on to fret 13
....etc.....
Have fun. I think this album (No Exit) is one of the best musical experiences
of all time ... so I think I'm going to go listen to it right now!
-Tim
-Tim Messick
messick@cs.ucla.edu
"In
In
In
In
our
our
our
our
lIFe.........there's
beLIEfs......there's
buSINess.....there's
boDIEs.......there's
IF,
LIE,
SIN,
DIE."
file:///C|/olga_main/f-g/f/fates_warning/innocence.tab
And I agree!!!
(Get a load of Anarchy Divine, Cold Daze and Quietus)
-Mark
History:
========
Tim Messick
Mark Rawling
messick@cs.ucla.edu
mwr@mel.dit.csiro.au
??/??
12/94
Original transcription
Corrections, single guitar parts
file:///C|/olga_main/f-g/f/fates_warning/the_spectre_within.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From uunet!elroy.jpl.nasa.gov!ucla-cs!maui.cs.ucla.edu!messick Mon Oct 19 18:55:22 PDT 1992
Article: 2996 of alt.guitar.tab
Newsgroups: alt.guitar.tab
Path: nevada.edu!uunet!elroy.jpl.nasa.gov!ucla-cs!maui.cs.ucla.edu!messick
From: messick@maui.cs.ucla.edu (Ugliest)
Subject: FATES WARNING
Message-ID: <1992Oct17.051550.27945@cs.ucla.edu>
Sender: usenet@cs.ucla.edu (Mr Usenet)
Nntp-Posting-Host: maui.cs.ucla.edu
Organization: UCLA, Computer Science Department
Date: Sat, 17 Oct 92 05:15:50 GMT
Lines: 256
NOWHERE can I ever find any FATES WARNING tab (ESPECIALLY the old stuff)....
so in case there's any other FW freaks out there, I decided to post my
transcription to KYRIE ELEISON, from their second album.
If there are FW fans out there....email me and I'll try to post a few
more. At the moment, I've only figured out TRAVELER IN TIME, THE CALLING,
KYRIE ELEISON, and parts of IVORY GATES....but I'm planning on transcribing
more when I get some time.
This is just the tab.....I don't even want to THINK about how painful
actual sheet music would be to try and post.....but if you know the song
it should be fine.
Just for sake,
~~
= vibrato
^
= bend (amount marked above staff; 1/2 = half step, 1 = whole step)
v
= unbend (without re-picking note)
\, / = slides
xx
= fret hand figers lightly muting the strings to make a clicking
sound when picked.
3(4) = One guitar hits 3rd fret, the other hits 4th fret.
(Though this song doubles rhythm guitar in most places.)
p11 = pulloff to fret 11
h13 = hammer on to fret 13
p.m. = palm mute
....etc.....
KYRIE ELEISON,
"The Spectre Within" (1985)
Fates Warning
RHYTHM 1 (ringing out w/ dist.)
E--------------------------------------------------------------------------B--------------------------------------------------------------------------G----4---------4--4---------7--6-------------------------------------------D----4---------4--4---------7--6---3---------3--3--------6-------5---------A----2---------2--2---------5--4---3---------3--3--------6-------5---------E----------------------------------1---------1--1--------4-------3---------END RHYTHM 1.
E--------------------------------------------------------------------------B--------------------------------------------------------------------------G----------------------------------------------10--9---7-------------------D-----------6----5---6----9--------------------10--9---7-------------------A----5--5---6----5---6----9---------------9-9--8---7---5-------------------E----3--3---4----3---4----7---------------7-7------------------------------file:///C|/olga_main/f-g/f/fates_warning/the_spectre_within.tab (1 of 5) [4/28/2003 9:50:45 PM]
file:///C|/olga_main/f-g/f/fates_warning/the_spectre_within.tab
p.m.--|
stacatto---|
ringing out
stacatto--|
Repeat RHYTHM 1.
With RHYTHM 1:
(twin lead, but I'm putting them on the same tab staff)
1/2
E--------------------------------------------------------------------------B-----------------------------------------13------12-h13-12~~----15-13-----G---11~~~----12^v-p11--12--/14-/14~~~-----14--14--12-h13-12~~-----------14-D------------14^v-p12--14--/16--15~~~---------15-----------------15-14--12-A---14~~~------------------------------------------------------------------E--------------------------------------------------------------------------full
E---------------------------------------------------------------15^----v---B-----------------------------10---------------------------13---17^----v---G--11-h12-11~~~-----9-11-12~--------7--9-11~~~---------14--14--------------D-------------------------------------------------/16--16------------------A--14-h15-14~~~----10-12-14~--15---10-12-14~~~----/14----------------------E--------------------------------------------------------------------------Lines cross here---^
full
full
E--15~~~---13\12--12------------------------------------14-15-p17---17^ ~~~B--17~~~----15----13---15--13--12--13--15--/17~~~----17-14-15-p17---17^ ~~~G----------------------16--14--12--14--16---14^ ~~~--16--------------------D-------------------------------------------------------------------9------A-------------------------------------------------------------------9------E-------------------------------------------------------------------7------<<drum fill>>
RHYTHM 2:
E--------------------------------------------------------------------------B--------------------------------------------------------------------------G--------------------------------------------------------------10\-7--9--7-D-------------7------------------------------------------------10\-7--9--7-A-------------5------------------------------------------------------------E---5-h6-h7--------7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-------------p.m.---------------------------------------|
E--------------------------------------------------------------------------B--------------------------------------------------------------------------G--------------------------------------------------------------------------D-----------------------------------------------------12-11-9--7-----------A-----------------------------------------------------12-11-9--7-----------E-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-10-9--7--5---5-h6-h7-p.m.-----------------------------------------------|
E--------------------------------------------------------------------------B--------------------------------------------------------------------------G------------------------------------------------10\-7--9--7---------------D--7---------------------------------------------10\-7--9--7---------------A--5-----------------------------------------------------------------------E----7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7--------------7-7-7-7-7-7-7p.m.---------------------------------------|
p.m.--------END RHYTHM 2.
E--------------------------------------------------------------------------B--------------------------------------------------------------------------G-----------------------------------------------------------/7---6----------
file:///C|/olga_main/f-g/f/fates_warning/the_spectre_within.tab
D-----------------12---11---9-----7--3--7-------------------/7---6---------A-----------------12---11---9-----7--3--7--5-----4-----2----/5---4----0----E-7-7-7-7-7-7-7---10---9----7-----5--3--5--3-----2-----0---------------------------------|
RHYTHM 3: (Vocals start here)
E--------------------------------------------------------------------------B--------------------------------------------------------------------------G--4-----------------------------------------------------------------------D--4------------------------------------------------------------4/----7----A--2--2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2/----5----E--------------------------------------------------------------------------p.m.------------------------------------------------------|
E--------------------------------------------------------------------------B--------------------------------------------------------------------------G--------------------------------------------------------------------------D---------------------------7--6-------------------------------------------A--5-5-5-5-5-5-5-5-5-5-5-5--5--4-4-4-4-4-4-4-4-4-4-4-4-4-----5-------------E---------------------------------------------------------4--3--3-3-3-3-3-3p.m.--------------------|
p.m.-------------------|
p.m.---E--------------------------------------------------------------------------B--------------------------------------------------------------------------G--------------------------------------------------------------------------D--------------------------------------------------------------------------A----------------------------------5--2--5--4-----------------------5-2-5-4E-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3--3--0--3--2--2-2-2-2-2-2-2-2-2-2--3-0-3-2-------------------------------|
p.m.---------------|
|---ending 1--|
END RHYTHM 3.
E-------------------------------------------+r-----------------------------B-------------------------------------------+e-----------------------------G--------------------------------7---6------+p-w/out-----------------------D--------------------------------7---6------+e---"ending 1"----------------A--------------------------------5---4---0--+a-----------------------------E-2-2-2-2-2-2-2-2-2-2-2-2-2-2---------------+t-----------------------------p.m.--------------------------|
REPEAT RHYTHM 2.
REPEAT RHYTHM 3.
RHYTHM 4:
E--------------------------------------------------------------------------B--------------------------------------------------------------------------G--------------------------------------------------------------------------D-------------------------------------------------------------5------------A--7--5-------4---------------5---------------4---------------3(3 a.h.~~~)-E--5--3---0---2--0-0-0-0-0-0--3--0-0-0-0-0-0--2--0-0-0-0-0-0---------------p.m.-------|
p.m.-------|
p.m.-------|
E--------------------------------------------------------------------------B--------------------------------------------------------------------------G--------------------------------------------------------------------------D-------------------------------------------------------------7------------A-------------4---------------5---------------4---------------5(5 a.h.~~~)-E-------------2--0-0-0-0-0-0--3--0-0-0-0-0-0--2--0-0-0-0-0-0---------------p.m.-------|
p.m.-------|
p.m.-------|
E---------------------------------------------------------------------------
file:///C|/olga_main/f-g/f/fates_warning/the_spectre_within.tab
B--------------------------------------------------------------------------G--------------------------------------------------------------------------D-------------------------------------------------------------5------------A-------------4---------------5---------------4---------------3(3 a.h.~~~)-E-------------2--0-0-0-0-0-0--3--0-0-0-0-0-0--2--0-0-0-0-0-0---------------p.m.-------|
p.m.-------|
p.m.-------|
END RHYTHM 4
E--------------------------------------------------------------------------B--------------------------------------------------------------------------G--------------------------------------------------------------------------D-------------------------------------------------7--6--4-----4--7---------A-4---------------5---------------4---------------5--4--2--0--2--5---------E-2--0-0-0-0-0-0--3--0-0-0-0-0-0--2--0-0-0-0-0-0---------------------------p.m.-------|
p.m.-------|
p.m.-------|
RHYTHM 5:
E--------------------------------------------------------------------------B--------------------------------------------------------------------------G--(4)---------------7------6----------------------------------------------D---4--------3-------7------6-------------------5---4---------------5--4---A---2--------3-------5------4--------0-h2--0----3---2-----0-h2--0---3--2---E---2--------1-------5------4----------------------------------------------E--------------------------------------------------------------------------B--------------------------------------------------------------------------G--(4)---------------------------------------------------------------------D---4--------3------7-------6-------------------5---4---------------5--4---A---2--------3------7-------6--------0-h2--0----3---2-----0-h2--0---3--2---E---2--------1------5-------4----------------------------------------------Repeat RHYTHM 5.
|---- RHYTHM 6 -------|
E-------------+---------------------+--------------------------------------B-------------+---------------------+--------------------------------------G-------------+---------------------+--------------------------------------D--4---7------+--9-----5-----2----4-+--------------------------------------A--4---7------+--9-----5-----2----4-+--------------------------------------E--2---5------+--7-----3-----0----2-+--------------------------------------Solo begins here....
Repeat RHYTHM 6.
RHYTHM 7:
END RHYTHM 7.
E--------------------------------------------------------------------------B--------------------------------------------------------------------------G--------------------------------------------------------------------------D------------7--9-----------9--7-----------7--9----------------------------A------------5--7-----------7--5-----------5--7-----------12--xx--11-------E---7-7-7-7--------7-7-7-7--------7-7-7-7-------7-7-7-7---10--xx--9--------p.m.---|
p.m.---|
p.m.---|
p.m.---|
Repeat RHYTHM 7 (3x).
E--------------------------------------------------------------------------B--------------------------------------------------------------------------G--------------------------------------------------------------------------D----9---7--5--7-------------------/7---6----------------------------------A----9---7--5--7--5-----4----2-----/5---4----0-----------------------------E----7---5--3--5--3-----2----0----------------------------------------------
file:///C|/olga_main/f-g/f/fates_warning/the_spectre_within.tab
Repeat RHYTHM 3.
Repeat RHYTHM 4.
Repeat RHYTHM 5.
E---------------------------------------------|----------------------------B---------------------------------------------|----------------------------G----------------------------------4----------|----End!--------------------D-----7---6--------6----5----------4----------|----------------------------A-----5---4--------4----3----5-----2----------|----------------------------E--------------5-------------3-----2----------|----------------------------I haven't got to the main solo yet, but when I do I'll post it.
See yaTim Messick
messick@cs.ucla.edu
-Tim Messick
messick@cs.ucla.edu
"In
In
In
In
our
our
our
our
lIFe.........there's
beLIEfs......there's
buSINess.....there's
boDIEs.......there's
IF,
LIE,
SIN,
DIE."
file:///C|/olga_main/f-g/f/fear_factory/body_hammer.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: jamesj@svpal.org
Fear Factory-Body Hammer
Demanufacture
Ok, 2 riffs, I cant hear the guitar in the background of the
chorus so if someone can figure out the rest of this song it
would be cool, My band and I have fun just jamming to this as
it is but having the whole song would rock.
Verse Riff
|--------------------------------------------------------------------------|
|--------------------------------------------------------------------------|
|--------------------------------------------------------------------------|
|-------------------------------------2/5-3--------------------------------|
|-3---------6--------------3-----6----2/3-1----3-------6-------3-----------|
|-1--0---0--4--0--0--0--0--1--0--4-------------1-0--0--4-0--0--1-----------|
|-------------------|
|-------------------|
|-------------------|
|-------------------|
|-------------------|
|-0-0-0-0-0-0-0000--|
*do variations on this riff, I dont have time =)
|--------------------------------------------------------------------------|
|--------------------------------------------------------------------------|
|--------------------------------------------------------------------------|
|--------------------------------------------------------------------------|
|-2---2-6--6-2----6-5--6-5--3----------------------------------------------|
|-0---0-4--4-0----4-3--4-3--1----------------------------------------------|
***********************************************************************
My victims never knew what was going| Hey ummmmmmmmmkay Dude!
to happen next. I've had shootings |
Knifings, Beatings and I have
|
Participated in actual crucifixions |**********************************
of humans. All across the country
|Fav Bands
There's people like me...
|Megadeth/Slayer/Pantera/Sepultura
Who's set out to destroy
|Fear Factory/Machine Head/Nailbomb
Human Life.
|Deicide etc.
-Excerpt from`Henry Lee Lucas Confesses'
***********************************************************************
From: wichmann@fys.ku.dk (Kristian Wichmann)
Subject: The Chorus for Body Hammer by Fear Factory.
Date: Mon, 08 Jan 96 14:32:47 +0100
For: Body Hammer by Fear Factory, from the record Demanufacture.
In response to jamesj@svpal.org:
You asked for the guitar part played during the chorus. This is what I think
is played:
|-------------------||
file:///C|/olga_main/f-g/f/fear_factory/body_hammer.tab (1 of 2) [4/28/2003 9:50:46 PM]
file:///C|/olga_main/f-g/f/fear_factory/body_hammer.tab
|------------------o||
|------------------o||
|-------------------||
|-2--8--7--8-7-5----||
|-0--6--5--6-5-3----||
However I haven't tried playing it while actually hearing the record, so the
key may be wrong, but I am quite sure the intervals are right.
Fear Factory kicks serious butt (great live band too)!!!
From: wichmann@fys.ku.dk
Al magt til danskerne!!!
file:///C|/olga_main/f-g/f/fear_factory/demanufacture.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
from:jamesj@svpal.org
Fear Factory/Demanufacture
Tune down 1/2 step
w/drums and funky keyboard thing
play 2 times
HEAVY P.M.................................| ..............
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|--0--0--1--0---0--1--0---0--1--0---0---113-0-0-1-0--0-1-0---------|
...........................................| ....................
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|-000--000---0--0-1-0---0-1-0--0-1-0--0--113-0-0--1-0--0-1-0-0-1-0-|
.........................................| .....................
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|--000-000--0-0-1-0--0-1-0--0--1--0--0-113- 0-0--1-0--0-1-0--0-1-0-|
Rhy 1
<pause>
...
..... ....
......
.... .
|------------|-----------------------------------------------------|
|------------|-----------------------------------------------------|
|------------|-----------------------------------------------------|
|-2----------|-----------------------------------------------------|
|-2----------|-----------3-2----3-2----3--2------333--5------3-2---|
|-0----------|-------000-1-0-00-1-0-00-1--0--000-111--3--000-1-0---|
....
.......
..............................
..... ......
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|----3--2------3--2------------------------------3--2-----3-2------|
|-00-1--0---00-1--0--00--0000000000000000000-000-1--0--00-1-0--00--|
.Play 2times
|----|-------------------------------------------------------------|
|----|-------------------------------------------------------------|
|----|-------------------------------------------------------------|
|----|-------------------------------------------------------------|
|3--2|-------------------------------------------------------------|
|1--0|-------------------------------------------------------------|
rhy fig 2
Desensitized
by
the
P.M. ......................
values
of
life
.....................................
file:///C|/olga_main/f-g/f/fear_factory/demanufacture.tab
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|0-0-1-0--0-1--0-0-1-0-0-113--0--0-1-0--0-1-0-0-1-0--0-0--000--000-|
Maligned
and
dispaired
by
government
lies
P.M. ...................... .....................................
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|0-0-1-0--0-1--0-0-1-0-0-113--0--0-1-0--0-1-0-0-1-0--0-0--000--000-|
rhy fig 3
Revenge
is so strong
I taste it on my tongue
.
...... .
.......
...
.......
....
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|2---2--------2---2---------2-----2----------2------2--------------|
|0-0-0--00000-0-0-0--00000--0--0--0---00000--0--000-0--------------|
My gun
will be
your angel of
mercy
...
...... ..
.......
.... .....
.......
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|2---2--------2---2---------2-----2----------2------2--------------|
|0-0-0--00000-0-0-0--00000--0--0--0---00000--0--000-0--------------|
P.M...........
<pause>
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|-----------------------------3--2------3--2-----3--2-----3-2------|
|--0--0--1--0-------------000-1--0---00-1--0--00-1--0--00-1-0------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|-----3--2------3--2-----3-2-----3-2-------------------------------|
|-00--1--0---00-1--0--00-1-0--00-1-0-------------------------------|
Repeat rhy fig 2
Dislocated by the eyes of disdain
Abused beyond recognition
Repeat rhy fig 3
I can't cope with
The Madness abounding
Blasts in my head
Of Gunfire resounding
Firing
Relentless
file:///C|/olga_main/f-g/f/fear_factory/demanufacture.tab
Killing
the
senses
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|5------5-----------5-----5--3--2----2--------2-----2--------------|
|3--33--3--3--3333--3--33-3--1--0-00-0--0-113-0--00-0--0-113-0-----|
I've
I've
got
got
No More
No More
Goddamn
Goddamn
Regrets
Respect
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|-2------2----------2------2---------2------2----------2------2----|
|-0--00--0---0-113--0--00--0--0-113--0--00--0--0-113---0--00--0----|
I
am
the
thorn in
your
eye
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|2----5----3------2----5-----7-----2-------------------------------|
|0----3----1------0----3-----5-----0-------------------------------|
riff a
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------9--------------9-----------9-------------9------------------|
|--8-------10~-----8-----10~---8------10~----8------10~------------|
|------------------------------------------------------------------|
w/ Drums & bass & Keyboard
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|-8~---------------------------------------------------------------|
|------------------------------------------------------------------|
riff a (x2)
play 4 times
P.M..........
...............
|-----------------|------------------------------------------------|
|-----------------|------------------------------------------------|
|-----------------|------------------------------------------------|
|-----------------|------------------------------------------------|
|---------------2-|------------------------------------------------|
|-0-0--1--0-----0-|--0--0---1--0-----------------------------------|
Repeat the next verse w/ the riffs I have show you.
That's it.
The end has variations on it but its easy so.
--Jim <jamesj@svpal.org>
By the way, again, I just tried to learn this song and havent
gotten much into it, so if I find out a better way to play it
file:///C|/olga_main/f-g/f/fear_factory/demanufacture.tab (3 of 4) [4/28/2003 9:50:46 PM]
file:///C|/olga_main/f-g/f/fear_factory/demanufacture.tab
I'll upload
file:///C|/olga_main/f-g/f/fear_factory/flashpoint.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Thu, 21 Dec 1995 12:06:19 -0700 (MST)
From: Patrick Dixon <pdixon@pr1.k12.co.us>
Subject: Flashpoint by Fear Factory
from both versions of Demanufacture
Tune all strings down 1 full step.
INTRO/CHORUS:
-------------------------------------------------------------5-------5-5-2-2-2-3-2-2-2-3-3-0-0-0---0-0-0-----
"Damned In Flames"
VERSE:
-------------------------------------------------------------------5-5-------5-5-2-2-2-3-3-2-2-2-3-3-0-0-0-----0-0-0----|PM|
|PM|
I lied
Right...
PRECHORUS
-------------------|---------------------|-------------------|
-------------------|---------------------|-------------------|
-------------------|---------------------|-------------------|
-------------------|---------------------|-------------------|
-5-5-5-5-5-5-5-5-7-|-2-2-2-2-2-2-2-2-3-5-|-2-3-5-3-5-6-5-6-7-|
-3-3-3-3-3-3-3-3-5-|-0-0-0-0-0-0-0-0-1-3-|-0-1-3-1-3-4-3-4-5-|
|PM------------|
|PM------------|
BRIDGE: *note: This is off, but it sounds okay...
-------------------------------------------------------------------------------------------------------------------------------------------------------------------5----5-5----5-5----5-2----2-3-4-5----5-5----5-7----7-7
-3----3-2----2-1----1-0----0-1-2-3----3-5----5-5----5-7
------------------------------------------------------Lies engulf me...
ORDER:
INTRO
VERSE
CHORUS
VERSE
PRE CHORUS
CHORUS
BRIDGE
PRE CHORUS
CHORUS
LYRICS:
I lied
file:///C|/olga_main/f-g/f/fear_factory/flashpoint.tab
engulf me
they burn me
they purge me
they free me
file:///C|/olga_main/f-g/f/fear_factory/martyr.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Date: Tue, 30 Jan 1996 15:16:09 +0000 (GMT)
From: JAYMZ <jlv1@ukc.ac.uk>
Subject: TAB: MARTYR - FEAR FACTORY
jamesj@svpal.org posted a version of this about a month ago. Nice try fella,
but thanks for giving me ths inspriation to transcribe it myself. This I
reckon is quite accurate.
MARTYR - FEAR FACTORY
This is the way I transcribed it, and involves no down tuning.
good to me though:
Sounds
Into:
|---------------------------------------------------------------------|
|---------------------------------------------------------------------|
|------------------------------------------------------4--------------|
|--5---6---5----5---6---7----5---6---5----5---6---7----4--------------|
|--5-4-6---5----5-4-6---7----5-4-6---5----5-4-6---7----2--------------|
|--3-4-4-0-3----3-4-4-0-5----3-4-4-0-3----3-4-4-0-5----2--------------|
pm
pm
pm
pm
Verse bit:
|--------------------------------|
|--------------------------------|
|--------------------------------|
|--5---6-----5----5---6-----7----|
|--5-4-6-----5----5-4-6-----7----|
|--3-4-4-0-0-3----3-4-4-0-0-5----|
pm pm
pm pm
Got to get away...bit:
|---------------------------------|
|---------------------------------|
|---------------------------------|
|---------------------------------|
|---------------------------------|
|--3//-0-4//-0-3---3//-0-4//-0/5--|
Interlude:
Interlude: PartB
|-------------|
|-------------|
|--5-5-5-4----|
|--5-5-5-4----|
|--3-3-3-2----|
|--3-3-3-2----|
|------------------------|
|------------------------|
|------------------------|
|------------------------|
|-2-----1--------2-----0-|
|----0--------------0----|
Interlude(Heavy Part):
|-----------------------------------------|
|-----------------------------------------|
|------------5-5-5----------------5-5-5---|
|------------5-5-5----------------5-5-5---|
file:///C|/olga_main/f-g/f/fear_factory/martyr.tab
|-2-----1----3-3-3-----2-----0----3-3-3---|
|----0-------3-3-3--------0-------3-3-3---|
Break:
|-----------------------------------------|
|-----------------------------------------|
|-----------------------------------------|
|---5-----5-----5-------------------------|
|---5-----5-----5-------------------------|
|---3-----3-----3-------3//-4-3-4-3-4-3---|
There you go.......I pretty sure its not the way Fear Factory play it, but
it sounds fine when I play along with the CD. Remember......for it to sound
cool - shit loads of distortion, and volume on "fucking loud".
JAYMZ
file:///C|/olga_main/f-g/f/fear_factory/new_breed.btab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Sun, 20 Oct 1996 00:25:33 -0400 (EDT)
From: max k asare <masare@wam.umd.edu>
Subject: Bass Tab: New Breed by Fear Factory
New Breed-Fear Factory
5-string bass
VERSE (Guitar riff):
G|-------------------------------|
D|-------------------------------|
A|-------------------------------|
E|-------------------------------|
B|--4-3--4-3--4-3--4-3--4--4--4--|
Bass pedals B (open B-string)
PRE-CHORUS:
A|--------------------------------------|
E|--------------------------------2--2--|
B|--4--4--4--4--2--2--4--4--4--4--------|
Born Bred Beaten
CHORUS:
A|---------------------------------------|
E|--4-4-4----------2-2-2--------4-4-2-2--|
B|----------3-3-3---------2-2-2----------|
New Breed.....
OUTRO:
A|-----------------------------------------------|
E|-----------------------------------------------|
B|--4-0-3-4--4-0-3-4--4-0-3-4--4-0-3-4--4-4-4-4--|
file:///C|/olga_main/f-g/f/fear_factory/pisschrist.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Sat, 25 Nov 1995 16:15:13 -0700 (MST)
From: Patrick Dixon <pdixon@pr1.k12.co.us>
Subject: TAB: PISSCHRIST by FEAR FACTORY
Pisschrist, by Fear Factory
*note: i'm not sure how low Dino tunes his axe, but this is pretty close
if you tune down one full step. (D,G,C,etc)
INTRO
---------------------------------------------------1-1-1-1-1-
VERSE/CHORUS
---------------------------------------------------------------------------- Repeat
-------------------------------------2-----2-----2-1-1-1-1-1-1-1-1-1-1-1-1-PRECHORUS
-----------------------------------------------------------------------------2-3-2-2-2-2-2-2-2-2-0-1-0-0-0-0-0-0-0-0----|PM
|
END RIFF
---------------------------- |----------------------------------------------------------------- |-----------------------------------------------------------------o|-----------------------------------------------------------------o|-12-12-12-12-11-11-11-11-9-9-9-9------9-9-9-9-9-9-9-9-9-9-------- |-10-10-10-10-9--9--9--9--7-7-7-7-9--9-7-7-7-7-7-7-7-7-7-7-8-7-5-7 |---------------------------------7--7LYRICS
WHERE ARE WE NOW?
WHEN WE ARE BLIND
ABANDON FAITH
YOU LEFT BEHIND
WERE YOU BETRAYED?
OR DID YOU LIE?
OUR COMMON FATE
OUR COMMON DEMISE
WHERE IS THE SON?
TO LIGHT THE WAY
ALONG THE PATH
file:///C|/olga_main/f-g/f/fear_factory/pisschrist.tab
OF OUR DISMAY
LOOK TO THE SKY
ON JUDGEMENT DAY
A HUMAN GOD
THAT WAS MAN-MADE
SO
SO
SO
SO
WE
WE
WE
WE
LIE
LIE
LIE
LIE
AND SO WE RISE
JUST TO FAL DOWN
IN REALITY
YOU'RE NEVER FOUND
I'M REACHING OUT
WITH SEALED EYES
I GRAB FOR LIGHT
VISIONS DECRIED
LOOK TO THE SKY
ON JUDGEMENT DAY
A HUMAN GOD
THAT WAS MAN-MADE
SO
SO
SO
SO
WE
WE
WE
WE
LIE
LIE
LIE
LIE
OF BLACK THORNS
SKIN RIPPED AND TORN
OF BLACK THORNS
SKIN RIPPED AND TORN
file:///C|/olga_main/f-g/f/fear_factory/replica.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
FROM: jamesj@svpal.org
Fear Factory
Demanufacture
Replica
Ok, I just got this album, and this song seemed to be the
easiest to figure out so far, yet It's still wrong =/
Oh well, Here goes
****DROPPED D TUNING****************
1E
2B
3G
4D
5A
6D
P.M. Throughout <Main Riff Thru song>
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-0-0-0-0-0-0-0-3--3-3-3-5---2-2-2-2-2-2-2-3--3-3-3-2-------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|0--0---3-----3--3--5------2-2---3----3-3--2----------------------|
|0--0---3-----3--3--5------2-2---3----3-3--2----------------------|
<Chorus Riff>
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-3----5---2----2-2--0--5--7---4---4--4--0--3----5--2---2---------|
|-3----5---2----2-2--0--5--7---4---4--4--0--3----5--2---2---------|
<Chorus riff/I dont want to live that way>
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-0--00--00-0-0-0-0-0-0--0--0-0--0-0-0-0--0-0-0-0-0---------------|
That's all I know of it, Its completely wrong but sounds close
to it.
I also know a little of "Body Hammer" but I'm too tired to do
file:///C|/olga_main/f-g/f/fear_factory/replica.tab
am
am
am
am
rape
hate
rape
hate
am
am
am
am
rape
hate
rape
hate
am
am
am
am
rape
hate
rape
hate
file:///C|/olga_main/f-g/f/fear_factory/replica.tab
I am so
Filled with pain
A bruised and darkened soul
Spare me from the
Life that's full of misery
Spare me from the
Life that's full of pain
Spare me from the
life that's full of pain
I dont want to live that way
I dont want to live that way<etc>
From: User smehnle <smehnle@rummelplatz.uni-mannheim.de>
Subject: FearFactory
Date: Fri, 11 Aug 95 19:05:03 MESZ
Replica - Fear Factory
Tune down 2 steps ... ( I think )
or use dropped-d tuning
Play x times
E-------------------------------------------------------------B-------------------------------------------------------------G-------------------------------------------------------------D-------------------------------------------------------------A-------------------------------------------------------------E-0-0-0-0-0-0-3-------3-3-3-5------2-2-2-2-3-----3-3-3-1------then...
E-------------------------------------------------------------B-------------------------------------------------------------G-------------------------------------------------------------D-2-2-2-2-2-2-5-------5-5-5-7------0-0-0-0-5-----5-5-5-3------A-2-2-2-2-2-2-5-------5-5-5-7------0-0-0-0-5-----5-5-5-3------E-0-0-0-0-0-0-3-------3-3-3-5------2-2-2-2-3-----3-3-3-1------Bridge
E-------------------------------------------------------------B-------------------------------------------------------------G-------------------------------------------------------------D-5-7-4-7-9-6-----5-7-4------0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0A-5-7-4-7-9-6-----5-7-4------0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0E-3-5-2-5-7-4-----3-5-2------2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-
file:///C|/olga_main/f-g/f/fear_factory/resistancia.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Thu, 21 Dec 1995 12:07:43 -0700 (MST)
From: Patrick Dixon <pdixon@pr1.k12.co.us>
Subject: Resistancia! by Fear Factory
iResistancia! By Fear Factory
>From the Demanufacture Digipak
TUNE DOWN 1/2 step, then drop low Eb to Db
INTRO., VERSE
1st time
-----------|------------|-----------------------|------------|-----------------------|------------|-----------------------|------------|-------------1-0-0-0-0-|1-3-3-1-3-3-|-1-3-3-1-4-4-1-0-0-0-0-|1-3-3-1-3-3-|-1-3-3-1-4-4PRE CHORUS:
-------------------------------------------------------------------------------------------------7-7-5-5-5-5-7-7-8-8-8-8-7-7-5-5-5-5-7-7-8-8-8-8-
CHORUS
--------------------------------- Mute open strings
----------------------------------------------------------------"Out of sight, Out of mind."
---------------------------------0-0-6-5-0-0-6-5-0-0-6-5-0-0-0-0i know this is incorrect, but it
-0-0-6-5-0-0-6-5-0-0-6-5-0-0-0-0works.
Improvise Solo.
ORDER:
Intro
Verse
Pre Chorus
Verse
Pre Chorus
Chorus
Solo
Pre Chorus
Chorus
"I am a thorn in your eye am a thorn in your eye."--Fear Factory
file:///C|/olga_main/f-g/f/fear_factory/scapegoat.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Tue, 23 May 1995 12:53:03 +0100
From: cm4hdprw@bs41.staffs.ac.uk (SLH - Once Upon The Cross)
Band
Song
Written
Transcribed by
:
:
:
:
Fear Factory
Scapegoat
Music by Dino Cazares, Lyrics by Burton C. Bell
Paul Williams (cm4hdprw@bs41.staffs.ac.uk)
|------------------------------------------------|
|------------------------------------------------|
|------------------------------------------------|
|3-3-----3-3-----3-3-----3-3---------------------|
|3-3-----3-3-----3-3-----3-3---------------------|
|1-1-----1-1-----1-1-----1-1----1-1-1-1-1-1-1-1--|
p.m...............................................|
Rhy Fig (2)
D
A
F
C
G
D
|---------------------------------|
|---------------------------------|
|---------------------------------|
|3--3--3--6--3--3--3--5--3--3--5--|
|3--3--3--6--3--3--3--5--3--3--6--|
|1--1--1--4--1--1--1--3--1--1--3--|
p.m.........| p.m......|
p.m....|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|1-1-1-1-1-1-1-1-4-4-4-4-4-4-4-4-1-1-1-1-3-3-3-3-1-1-1-1-3-3-3-3---|
file:///C|/olga_main/f-g/f/fear_factory/scapegoat.tab
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|12-12-12-12-12-12-12-12-12-12-12-12-12-12-12-12-12-12-12-12--11-11|
|10-10-10-10-10-10-10-10-10-10-10-10-10-10-10-10-10-10-10-10---9--9|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
D
A
F
C
G
D
|-------------------------------------------------------|
|-------------------------------------------------------|
|11-11-11-11-11-11-11-11-11-11-11-11-11-11-11-11-11-11--|
|-9--9--9--9--9--9--9--9--9--9--9--9--9--9--9--9--9--9--|
|-------------------------------------------------------|
|-------------------------------------------------------|
|----------------------------------------|
|----------------------------------------|
|----------------------------------------|
|----------------------------------------|
|----------------------------------------|
|-3-1-1-1---3-1-1-1---3-1-1-1---3-1-3-1--|
p.m........................................|
D
A
F
C
G
D
|----------------------------------------|
|----------------------------------------|
|----------------------------------------|
|----------------------------------------|
|----------------------------------------|
|-3-1-1-1---3-1-1-1---3-1-1-1---3-1-3-1--|
p.m........................................|
D
A
F
C
G
D
|----------------------------------------|
|----------------------------------------|
|----------------------------------------|
|----------------------------------------|
|----------------------------------------|
|-4-1-1-1---4-1-1-1---4-1-1-1---4-1-4-1--|
p.m........................................|
D
A
F
C
G
D
|----------------------------------------|
|----------------------------------------|
|----------------------------------------|
|----------------------------------------|
|----------------------------------------|
|-1-1-1-1---1-1-1-1---1-1-1-1---1-1-1-1--|
p.m........................................|
file:///C|/olga_main/f-g/f/fear_factory/scapegoat.tab
|---------------------------------------------------------------|
|---------------------------------------------------------------|
|--12--------13---12-------13---14-------13---14-------------13-|
|---------------------------------------------------------------|
|---------------------------------------------------------------|
|---------------------------------------------------------------|
D
A
F
C
G
D
|---------------------------------------------------------------|
|---------------------------------------------------------------|
|--12--------13---12-------13---14-------13---14---------16-----|
|---------------------------------------------------------------|
|---------------------------------------------------------------|
|---------------------------------------------------------------|
|------------------|
|------------------|
|------------------|
|------------------|
|------------------|
|-1-1-1-1-1-1-1-1--|
p.m...................|
****************
*Song Structure*
****************
Rhy
Rhy
Rhy
Rhy
Rhy
Rhy
Rhy
Rhy
Rhy
Rhy
Rhy
Rhy
Rhy
Rhy
Rhy
Rhy
Rhy
Rhy
Fig
Fig
Fill
Fig
Fig
Fig
Fig
Fig
Fig
Fig
Fig
Fig
Fig
Fig
Fig
Fig
Fig
Fig
(1)
(2)
(a)
(2)
(3)
(1)
(2)
(3)
(4)
(5)
(1)
(2)
(3)
(4)
(5)
(6)
(2)
(3)
x
x
x
x
x
x
x
x
x
x
x
x
x
x
x
x
x
x
8
4
1
8
4
4
4
4
2
2
4
8
4
2
2
2
4
4
****************
*
Lyrics
*
file:///C|/olga_main/f-g/f/fear_factory/scapegoat.tab
****************
Spoken: He has not confessed, he has made no statement,
Charges of murder have been accepted against him.
Judges have decimated
Meaning of our laws
Already guilty?
Something has a flaw
Wrongly accused
Blindly confused
Open your eyes
Try to realize
Chorus: Don't you know
You can't see
Too damn blind
To judge me!
Wrongly accused
Blindly confused
Open your eyes
Try to realize
Repeat Chorus
Laws are meant to follow
But they've mislead you
Conceal their meanings
So they can suit you
Misjudged by the system
No one ever knows
Adding injury to insult
No one ever knows
No one
No one knows
No one
No one
No one knows...
Judges have decimated
Meanings of our laws
Already guilty?
Something has a flaw
Wrongly accused
Blindly confused
Open your eyes
Wake up, realize!
Repeat Chorus, 3rd Verse
Scapegoat
Scapegoat
Scapegoat
Scape - Goat
Scape - Goat
=======================================================================
***********************
*Satan's Little Helper*
***********************
cm4hdprw@bs41.staffs.ac.uk
--------------------------
file:///C|/olga_main/f-g/f/fear_factory/scapegoat.tab
"And here's my apology and one more thing .... FUCK YOU"
Suicidal Tendencies RIP
=======================================================================
file:///C|/olga_main/f-g/f/fear_factory/scumgrief.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Mon, 30 Oct 1995 11:04:45 -0700 (MST)
From: Patrick Dixon <pdixon@pr1.k12.co.us>
Subject: Scumgrief by Fear Factory
SCUMGRIEF by FEAR FACTORY
taken from the album "SOUL OF A NEW MACHINE"
tune all guitar down one full step
intro
----------------------------------------------------------------------------------------------2----5-5-----------------------2----3-2--5--------------------0---------3----3-3-3-5-5-5-2-3preverse
----------------------------------------------------------------------2-2-2-2-2-2-2-2-2-2-2-2
-2-2-2-2-2-2-2-2-2-2-2-2
-0-0-0-0-0-0-0-0-0-0-0-0
verse
----------------------------------------------------------------2-2-2-2-2-2-2-2-2-5--2-2-2-2-2-2-2-2-2-3--0-0-0-0-0-0-0-0-0---|heavy feedback
chorus (same as intro)
LYRICS
Wires around your arms
Like wires around your head
Crucifix of me
Above your bed
I've seen the wounds
That you can't hide
You bleed well
When I cry
Cry, cry, cry, cry
Scumgrief, Scumgrief
Smell the rats of devience
Coursing thru your veins
Rotting faith in yourself
Confined alone to decay
I've seen the wounds
That you can't hide
You bleed well
file:///C|/olga_main/f-g/f/fear_factory/scumgrief.crd
file:///C|/olga_main/f-g/f/fear_factory/self_bias_resistor.btab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Sun, 20 Oct 1996 01:19:36 -0400 (EDT)
From: max k asare <masare@wam.umd.edu>
Subject: Bass Tab: Self Bias Resistor by Fear Factory
________________________________
-------------------------------Self Bias Resistor- Fear Factory
-------------------------------________________________________
5-string bass
INTRO:
G|---------------|
D|---------------|
A|---------------|
E|---------------|
B|--4-4-4-4-4-4--|
Play
this
eight
times
|--------------------------|
|--------------------------|
|--------------------------|
|--------------------------|
|--3-3-3-3-3-3-3-3--3-3-3--|
Then
play
this
eight
times
1st VERSE
A|------------------|
E|------------------|
B|--3-3-3-3--3-3-3--|
Play
eight
times
|--------------------------|
|--------------------------|
|--4-4-4-4-4-4-4-4--4-4-4--|
Hey you!...
A|------------------|
E|------------------|
B|--3-3-3-3--3-3-3--|
Play
seven
times
Hey you!...
CHORUS:
D|----------------------------------------------|
A|----------------------------7-7-7-7--5-5-5-5--|
E|--7-7-7--9-9-9--5-5-5--7-7--------------------|
B|----------------------------------------------|
Play
four
times
Play
eight
times
Play
eight
Play
eight
times
file:///C|/olga_main/f-g/f/fear_factory/self_bias_resistor.btab
B|--3-3-3-3--3-3-3--|
times
Wake up...
2nd CHORUS:
A|----------------------------7-7-7-7--5-5-5-5--|
E|--7-7-7--9-9-9--5-5-5--7-7--------------------|
B|----------------------------------------------|
Play
four
times
Play
four
times
D|--------------------------------------|
A|---------7-7--5-5-------7-7-7/8--8-8--|
E|--7-7-7------------7-7----------------|
B|--------------------------------------|
Play
four
times
3rd VERSE
A|------------------------|
E|------------------------|
B|--3-3-3-3-3-3-3-3--2-3--|
Play
three
times
|------------------------|
|---------------------3--|
|--3-3-3-3-3-3-3-3-2-----|
(I'm not to sure about this following part, so if anyone can figure it
out PLEASE feel free to correct it.)
E|------------------|
B|--3-3-2-0--3-2-0--|
Two
times
A|-------------------------|
E|-------------------------|
B|--3-3-3-3-3-3-3-3--2--3--|
|--3-3--|
|-------|
Play
three
times
|------------------| 2X |-2-2-|
|--3-3-2-0--3-2-0--|
|-----|
|-------------------------|
|----------------------3--|
|--3-3-3-3-3-3-3-3--2-----|
Play
eight
times
file:///C|/olga_main/f-g/f/feelies/undertow.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Received: from bingsuns.cc.binghamton.edu (bingsuns.cc.binghamton.edu [128.226.1.11]) by postoffice.nevada.edu (8.6.4/8.6.4) with SMTP id XAA05052 for <jamesb@nevada.edu>; Wed, 23 Mar 1994
23:25:51 -0800
Received: by bingsuns.cc.binghamton.edu (4.1/SMI-4.0)
id AA06716; Thu, 24 Mar 94 02:26:12 EST
From: bc80233@bingsuns.cc.binghamton.edu (bc80233)
Message-Id: <9403240726.AA06716@bingsuns.cc.binghamton.edu >
Subject: Chords: Feelies--The Undertow
To: jamesb@nevada.edu
Date: Thu, 24 Mar 1994 02:26:11 -0500 (EST)
Cc: ebmyers@mailbox.syr.edu
X-Mailer: ELM [version 2.4 PL23]
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THE UNDERTOW
Em
C
D
Dsus4
Bring back the innocence lost
Em
C
D
Dsus4
It may be later than you think
Em
C
D
Dsus4
There's new places to explore
Em
C
D
Dsus4
But the old ones return tomorrow
Am
Lines are
Am
Here them
C
D
Dsus4
forming all around
C
D
Dsus4
cry out above our heads
Em
C
D
Dsus4
Divide the years apart
Em
C
D
Dsus4
The past will crumble like a shell
Chorus: (use the same Am--C--D--Dsus progression as above)
I'm being tempted hear the call
Try to be careful and I don't know why
One hundred years maybe more
I'm being tempted and I don't mind it
file:///C|/olga_main/f-g/f/feelies/undertow.tab
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Chorus: (Am--C--D--Dsus4)
I'm being tempted hear the call
Try to be careful and I don't know why
One hundred years maybe more
I'm being tempted and I don't mind at all
Peace,
Ben McTernan
file:///C|/olga_main/f-g/f/feit_elissa/broken_album.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: patters@dirac.scri.fsu.edu (Jason Patterson)
NIN: Broken.
~~~~~~~
By: dany@irvine.com with 'Help me I am in Hell' by Elissa Feit.
PINION
E-----------------------------------------------------------------------B-----------------------------------------------------------------------G-----------------------------------slide-------------------------------D-----------------------------------7-^-5-------------------------------A---4---5---6---7---4---5---6---7---5-^-3---4---------------------------E---2---3---4---5---2---3---4---5-----------2---------------------------leave out the slide alternating lines.
repeat, volume swell.
WISH
main riff, repeat several times with breaks for lyrics:
E-----------------------------------------------------------------------B-----------------------------------------------------------------------G-----------------------------------------------------------------------D---7--7--7--8--7--5--7--7--7--8--7-------------------------------------A---5--5--5--6--5--3--5--5--5--6--5-------------------------------------E-----------------------------------------------------------------------chorus:
E-----------------------------------------------------------------------B-----------------------------------------------------------------------G-----------------------------------------------------------------------D---10-----5------7--7--7--8--7--5--7--7--7--8--7-----------------------A---8------3------5--5--5--6--5--3--5--5--5--6--5-----------------------E-----------------------------------------------------------------------E-----------------------------------------------------------------------B-----------------------------------------------------------------------G-----------------------------------------------------------------------D---10-----5-------------7--7--7--8--7--5--7--7--7--8--7----------------A---8------3----5---6----5--5--5--6--5--3--5--5--5--6--5----------------E---------------3---4---------------------------------------------------verse, chorus, then:
(1:54) Bass or quiet guitar?
slowly during interlude:
G----------------------------D----------------------------A-----5----3-----------------E--------------4----1--------outro:
E-----------------------------------------------------------------------B-----------------------------------------------------------------------G-----------------------------------------------------------------------D---7--7--7--8--7----7--7--7--8--7----7--7--7--8--7----7----5-----------A---5--5--5--6--5----5--5--5--6--5----5--5--5--6--5----5----3----6----3-E----------------------------------------------------------------4----1--
file:///C|/olga_main/f-g/f/feit_elissa/broken_album.tab
LAST
repeat this several times: (rhythm fig 1).
E-----------------------------------------------------------------------B-----------------------------------------------------------------------G-------------------8--8------------------------------------------------D---7--7--5^7^^7^7--6--6--7--7--5-7---0-0-0-1-1-0-0----------------------A---5--5--3^5^^3^5--------5--5--3^5-------------------------------------E-----------------------------------------------------------------------slide slide
^played by a 2nd guitar on album,
muted, 1 octave lower than shown.
also use rhythm fig. 4
goes into this:
(no mute, slide between chords)
rhythm fig 2.
E-------------------------B-------------------------G-------------------------D---5---6---7-------------A---3---4---5---5---6---7-E---------------3---4---5-"lead" break (twice):
E-----------------------------------------------------------------------B-----------------------------------------------------------------------G-----------------------------------------------------------------------D--------------------------------3--3-----------------------------------A--3--5-5-3--5p3-----3--5--5------------3--5-5-3--5p3----3--------------E-----------------5-----------5------------------------5----5--4--3--1--back to figure 1.
Bass interlude(this isn't meant to last...), breaks into: (fig 3)
E-----------------------------------------------------------------------B-----------------------------------------------------------------------G-----------------------------------------------------------------------D--------5---6---7---8---9^10-------------------------------------------A--------3---4---5---6---7^8--------------------------------------------E--0--0----0---0---0---0------------------------------- all E notes muted
Then back to fig. 2,
and outro on fig. 1.
(4:36) on the last two bars of the outro, a second guitar plays
fig. 3 underneath the louder guitar playing fig 1.
Alternate fill for riff 1:
rhythm fig 4
E-----------------------------------------------------------------------B-----------------------------------------------------------------------G-------------------8--8------------------------------------------------D---7--7--5^7^^7^7--6--6--7--7--5-7----0-0--1--0--2^^3------------------A---5--5--3^5^^3^5--------5--5--3^5---------------slide------------------E-----------------------------------------------------------------------^ This is actually played by a 2nd
guitar doing the top part of riff
3... but with some practice, it
can sound pretty good with just
file:///C|/olga_main/f-g/f/feit_elissa/broken_album.tab
one guitar
happiness in slavery:
distorted synth & drum sounds here...
(:32) Main bass riff (I think, someone help me with this):
G-----------------------------------------------------------------------D-----------------------------------------------------------------------A--------------------------1--------------------------------------------E--0--1-1-1--4---0--1h2p1-----2-----------------------------------------^slide down
(:48) Guitar riff 1:
E-------------------------B-------------------------G-------------------------D-------------------------A---3-----4---3-----------E---1-----2---1-----------(1:08) Guitar riff 2, very fast:
E-----------------------------------------------------------------------B-----------------------------------------------------------------------G-----------------------------------------------------------------------D-----------------------------------------------------------------------A--3--3--3--4--4--5--5--5--6--6--6--7--7--8--8--------------------------E--1--1--1--2--2--3--3--3--4--4--4--5--5--6--6--------------------------muted, first time thru pick only E string, the rest pick chords.
then bass line for a couple of chorus: (don't open your eyes...)
(1:52) Guitar riff 3
smoothly:
E------------------------B------------------------G------------------5^-----<<-micro-bend up 1/2 fret or so to give
D---3h4p3---3h4p3----4---the right sound.
A------------------------E------------------------(3:11) harmonics in the bass riff:
(3:28) back to riff 1.
(3:44) 2nd guitar plays figure 3.
outro:
E-------------------------B-------6-----------------G---5---3---6^^5----------D---3-------4^^3----------A-----------slide---------E-------------------------^3-fret power chord.
==============================================================================
help me i am in hell -trent reznor
(transcribed out by Elissa Feit)
1 and 2 and 3 and 4 and
1 and 2 and 3 and 4 and
E---------------------------|--------------------------|
B---------------------------|-----------9--------------|
file:///C|/olga_main/f-g/f/feit_elissa/broken_album.tab (3 of 4) [4/28/2003 9:50:50 PM]
file:///C|/olga_main/f-g/f/feit_elissa/broken_album.tab
G---------------------------|--7-----7-----------------|
D---9--9--9--10-10-10-10-10-|--X--10-X--X--X--X--X--X--|
A---7--7--7--7--7--7--7--7--|--7--7--7--7--7--7--7--7--|
E---0--0--0--0--0--0--0--0--|--0--0--0--0--0--0--0--0--|
The "X" signifies the muting/dampening of the string.
Suggestions: play the 7 on A with your index finger. Play the 9 on D with
your 4th (out of 5) finger. Play the 10 on D with your pinky. Play the 7 on
G with your 3rd finger and leave it there - don't lift it for the remainder
of the measure. Play the 10 on A with the 4th, play the 9 on B also with
the 4th and hold it there to ring out for the rest of the measure.
Keep the E and A string as a steady drone.
1 and 2 and 3 and 4 and
1 and 2 and 3 and 4 and
E---------------------------|--------------------------|
B---------------------------|--------------------------|
G---------------------------|-----------------7--------|
D---9--9--9--10-10-10-10-10-|--7--7--7--6-----6--------|
A---7--7--7--7--7--7--7--7--|--7--7--7--7--7--7--7--7--|
E---0--0--0--0--0--0--0--0--|--0--0--0--0--0--0--0--0--|
Play all 4 measures over and over, etc...
Suggestions: same fingering for the third measure as the first. I
find it easiest to play the 7-7 in the fourth measure with my 3rd and
4th fingers. Then when I hit the 6 on D, I can use my index finger
without lifting my third finger up. Let the first 6 on D ring for
that extra eighth note. Let the 7 on G ring for the remainder of the
measure.
file:///C|/olga_main/f-g/f/feliciono_jose/che_sara.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
# by Maurizio Codogno (mau@beatles.cselt.stet.it)
{title: Che sar}
{subtitle: Jos Feliciano}
{define: Gb6 base-fret 2 frets 1 3 3 1 3 1}
Pa[C]ese mio che [G7]stai sulla col[C]lina,[C7]
di[F]steso come un [G7]vecchio addormen[C]tato;[C7]
la [F]noia, l'abban[G]dono, il niente
[Em]son la tua malat[Am]tia,
pa[Fmaj7]ese mio ti [G7]lascio, io vado [C]via.[G7]
{soc}
Che sa[C]r, che sar, che sa[Em]r
che sa[F]r della mia [G]vita, chi lo [C]sa![C7]
So far [F]tutto, o forse [G7]niente,
da do[Em]mani si ve[Am]dr
e sa[F6]r, sa[G7]r quel che sa[C]r.[F][C]
{eoc}
Gli amici miei son quasi tutti via,
e gli altri partiranno dopo me,
peccato, perch stavo bene
in loro compagnia
ma tutto passa, tutto se ne va.
{soc}
Che sar, che sar, che sar
che sar della mia vita, chi lo sa!
Con me porto la chitarra,
e se la notte pianger
una [F6]nenia di pa[G7]ese suone[C]r.[Ab7]
{eoc}
A[Db]more mio ti [Ab7]bacio sulla [Db]bocca[Db7]
che [Gb]fu la fonte [Ab7]del mio primo a[Db]more,[Db7]
ti [Gb]do l'appunta[Ab7]mento,
come [Fm]quando non lo [Bbm]so,
ma [Gbmaj7]so soltanto [Ab7]che ritorne[Db]r.[Ab7]
{soc}
Che sa[Db]r, che sar, che sa[Fm]r
che sa[Gb]r della mia [Ab7]vita, chi lo [Db]sa![Db7]
Con me [Gb]porto la chi[Ab7]tarra,
e se la [Fm]notte piange[Bbm]r
una [Gb6]nenia di pa[Ab7]ese suone[Db]r.[A7]
{eoc}
{soc}
Che sa[D]r, che sar, che sa[F#m]r
che sa[G]r della mia [A7]vita, chi lo [D]sa!
So far [G]tutto, o forse [A7]niente,
da do[F#m]mani si ve[Bm]dr
e [G6]sar, sa[A7]r quel che sa[D]r.
{eoc}
{ci: a piacere}
file:///C|/olga_main/f-g/f/feliciono_jose/pegao.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date:
Sat, 30 Dec 95 16:24 +0300
From: ANNA NANES <ania@mail.snunit.k12.il>
Subject: TAB: Pegao by Jose Feliciano
i
Pegao
by Jose Feliciano
~~~~~~~~~~~~~~~~~~~
this is my version of 'pegao', which contains only the intro part
and some of the 1st part. it's all mixed up. sorry {:-( .
i tried to show the timing by spacing the tabs according to thier
duration ( and keep it readable, as well )
hence, '-4---1-' is three times longer then '-4-1-'.
please(!) help me find the 'real-thing'.
part I: slowly..
Am
E7
Am
Dm
A7
Dm
E-0------------------------5-----5---------5--5-B-------1-3-----3-1---1-1------6---8-----8---6--G-----2-------1------2-------7---------6----7---D---2-------2-------2------0---------5-----0----A-0-------2-------0----------------7------------E-----------------------------------------------...slower...
Am
E7
Am7
E
E7+
E7
E-0------------------------0-------0--------------------| three taps on
B-------1-3-----3-1---1-1--------0-------0-0-----0------| something hard,
G-----2-------1------0---------1-------2-------2--------| as a bridge...
D---2-------2-------2--------2-------0-------0----------|
A-0-------2-------0--------2-------2-------2------------|
E-------------------------------------------------------|
note the change ^
part II: (actually last part, but that's what i've got..)
fast
Am
E7
Am
A7
Dm
A7
E-0-------------------------------5-----5-3------B-------1-3-----3-1-----1-------2-----6---------2G-----2-------1-------2-------0-----7---------0--D---2-------2-------2-------2-----0---------2----A-0-------2-------0-------0---------------0------E------------------------------------------------Dm
Am E
no chord
E-1-1--1--1-------------------1-0-----------------0----1-0----------5----B-3-3--3--3-1--0-0--0--0-1--------3-1-0--1----0-1----------3-1-0--1------G-2-2--2--2-2--1-1--1--1-2-----------------2-----------------------------D-0-0--0--0-2--2-2--2--2-2-----------------------------------------------A-----------0--2-2--2--2-0-----------------------------------------------E-------------------------------------------------------------------------
file:///C|/olga_main/f-g/f/feliciono_jose/thank_god.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Thank God - Jose Feliciano
G
B7
Em
G
1. Thank God for the women in our lives
C
B7
Em
G
Our loving mothers and our loving wives
C
B7
Em
G
Our childhood lovers who made us realize
C
D
The way, the way
2. Thank God for the friends in our lives
If it wasn't for them I don't know if we'd have survived
If it wasn't for them I don't know how we'd be alive
Today, today
B7
Em
G
Chorus. Thank you for letting me sleep in your bath
C
B7
Em
G
Giving me love to ease my aching head
C
B7
Em
G
Making me smile when I thought I was dead
C
D
You say (you say) it's okay
3. Thank God for the people in our lives
If it wasn't for them I don't know if we'd have survived
If it wasn't for them I don't know how we'd be alive
Today, today
Chorus.
3.
file:///C|/olga_main/f-g/f/fendrich_rainhard/deine_mutter.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Kaempf Michael <Kaempf@p6.gud.siemens.co.at>
Subject: Song: Deine Mutter - Rainhard Fendrich
Date: Mon, 04 Dec 95 14:56:00 MEZ
{t:Deine Mutter}
{st:Rainhard Fendrich}
{define: A4/7 base-fret 1 frets 0 0 2 0 3 0}
{define: Hm base-fret 1 frets 2 2 4 4 3 2}
[D]
[A4/7]
[A7]
[D]
[A4/7]
[A7]
[D]Jetzt hast endlich auf dei Mutter g'[A4/7]hoert
[D]Dabei hots ma doch immer scho er[A4/7]klaert
Dass [G]i nur a Zige[A7]uner bin und
[Em7]dass i net des Leb'n [A7]kenn
A [D]Schlucker der nix [G]is und der nix [A4/7]kann
Sei [G]g'scheit und fang mit [A7]so an gar nix [Hm]an
sei [G]g'scheit und fang mit [A7]so an gar nix [D]an
[A7]
[D]I war fuer sie doch nur a Dorn im [A4/7]Aug
[D]weu i des wos i denk ganz afoch [A4/7]sog
weu [G]i mi net be[A7]nehmen kann weu
[Em7]meine Tram ver[A7]boten san und
[D]ueberhaupt als [G]Mensch ka guata [A4/7]bin
du [G]hast des sehr [A7]bald einge[Hm]sehen
du [G]hast des sehr [A7]bald einge[D]sehen
[A7]
[A4/7]
[A7]
[A7]
[A7]
file:///C|/olga_main/f-g/f/fendrich_rainhard/deine_mutter.pro
[A4/7]
[A7]
file:///C|/olga_main/f-g/f/fendrich_rainhard/lass_di_falln.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Kaempf Michael <Kaempf@p6.gud.siemens.co.at>
Subject: Song: Lass di falln - Rainhard Fendrich
Date: Mon, 04 Dec 95 13:51:00 MEZ
{t:Lass di falln}
{st:Rainhard Fendrich}
{define: A4/7 base-fret 1 frets 0 0 2 0 3 0}
{define: Dmj7 base-fret 1 frets x x 0 2 2 2}
[D]
[G]
[D]
[Dmj7]
[G]
[Bm]
[A4/7]
[A7]
fang di [G]auf
bist du [A4/7]daham
der alls ver[G]wascht was wichtig woar
i reiss di [A7]aus an boesen Tram
[A4/7]
[Dmj7]
[D]
[Em]
[Bm]
[G]
[Em]
[A7]
[A4/7]
[G]
[D]
fang di [G]auf
bist du [A4/7]daham
der alls ver[G]wascht was wichtig woar
i reiss di [A7]aus an boesen Tram
[A4/7]
[G]
[D]
file:///C|/olga_main/f-g/f/fendrich_rainhard/oben_ohne.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#From: ludwig@ufclnx.unt.dec.com (Ludwig Alberter)
#Date: 11 Jul 1995 10:29:51 GMT
#
# CHORD V3.5 usage:
# chord -s 25 -g -a -c 12 -C Helvetica-BoldOblique -t 16
#
{title:Oben Ohne}
{subtitle:Rainhard Fendrich}
Die [G]Hitz in der Stadt ist im [D7]Sommer bru[G]tal.
Weil man so furchtbar matt ist, wird das [C]Leben zur [D]Qual.
Darum [G]strmen die Massen zu den [D7]stdtischen [G]Kassen,
weil die Frische die hat man nur [D7]in einem [G]Bad.
Leider [C]Gottes, die Sitten sind voll[D]kommen ent[G]glitten;
jeder [C]geht, wie man sagt, schon bei[G]nah splitter[D]nackt.
Sogar [G]Damen befreiten ihre [D7]oberen [G]Weiten
und die Sonne versengt, was man [D7]nicht mehr ver[G]hngt.
[G7]
[C]
{textsize:12}
Am Familienbecken sitzt a lterer Herr, der zuckt auf seiner Deckn ganz nervs hin und her.
Seine Blicke san statisch und sein Pulsschlag fanatisch;
er hat etwas entdeckt, was ihn furchtbar erregt.
Ja es ist dieses Wippen an den weiblichen Rippen,
das er stndig fixiert weil es ihn fasziniert.
Pltzlich tut es an Kracher - jetzt is sei Herzschrittmacher
leider entgltig hi; schuld daran ist nur sie, sie is
{textsize:16}
{soc}
[G]O----[D]ben [G]ohne (so a haaer [D]Summer), [G]o----[D]ben [G]ohne (so a haaer [D]Summer,
jo).
[G]O----[D]ben [G]ohne (so a haaer [D]Summer), [G]o----[D]ben [G]ohne (so a haaer [D]Summer,
jo).
{eoc}
{textsize:12}
Wenn sie sich so entblen, ohne jede Moral, in verschiedenen Gren, ist das fast ein Skandal.
Schaut man in die Gesthle hopst die weibliche Flle
einen frmlich ins Gsicht; sowas g'hrt sich doch nicht!
"Ja man mu sich entrsten wenn sie sich so erbrsten in der schnen Lobau." schreit a reifere
Frau,
die durch die Zellulitis leider nicht mehr so fit ist.
Und der Grund warums schreit ist nur der blanke Neid. Niemals
Oben ohne...
Ein sehr sportlicher Langer schmiert sich vorsichtig ein. Er pat in seinen Tanga beinah' nicht
mehr hinein.
Er bemht sich beim Schmieren, Mdchen zu imponieren, doch bei so aner Hitz nimmt mer kaane Notiz.
Do gibt er sich an Stsser und zieht einfach den Gssermuskel vorsichtig ei und geht flockig
vorbei.
Da bekommt er Gefhle, er braucht dringend a Khle;
Schwimmen kann er net geh mit seim neichn Toupet. Er is
Oben ohne...
-regards,
Ludwig
^ ^ ^
EXTRA
/ \/ \/ \ NULLA
BAVARIAM \ /\ /\ / VITA
file:///C|/olga_main/f-g/f/fendrich_rainhard/oben_ohne.pro
file:///C|/olga_main/f-g/f/fendrich_rainhard/weus_d_a_herz.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Kaempf Michael <Kaempf@p6.gud.siemens.co.at>
Subject: Song: Weus'd a Herz hast wia Bergwerk Date: Mon, 04 Dec 95 14:58:00 MEZ
{t:Weu's d a Herz hast wia Bergwerk}
{st:Rainhard Fendrich}
[Em]
[Asus]
[A]
[D]
[Am7]
[Em]
[Gsus]
[Dsus]
[Am7]
[D]
[Dsus]
[G]
[D]
[C]
[D]
[C]
[G]
[Bm]
[G]
file:///C|/olga_main/f-g/f/fendrich_rainhard/zwischen_1_und_4.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Kaempf Michael <Kaempf@p6.gud.siemens.co.at>
Subject: Song:Zwischen 1 und 4 - Rainhard Fendric
Date: Mon, 04 Dec 95 13:54:00 MEZ
{t:Zwischen 1 und 4}
{st:Rainhard Fendrich}
{define: G4 base-fret 3 frets 1 3 3 3 1 1}
{define: G base-fret 3 frets 1 3 3 2 1 1}
{define: G4/7 base-fret 1 frets 3 3 0 0 1 1}
[Am]Die Luft is voll mit Laerm und [F]Rauch
[Am]es ist die Mischung die i [Em]brauch
[Dm]in meiner Hand a Achtel [G4]Wein [G]
[Am]es wird heut [Em]net das Letzte [Am]sein
[Am]Es riacht so stickig und ver[F]traut
[Am]und die Musik is viel zu [Em]laut
[Dm]i steh allanich in an [G4]Eck [G]
[C]der Krampf im [Dm7]Bauch geht langsam [G]weg
{c:Refrain}
{soc}
[C]Hat mir die Na[Dm7]cht ihr suesses [G4/7]Gift erst inji[G]ziert
[C]g'spuerst, wie so [Dm7]vieles schnell an [G4/7]Nichtigkeit ver[G]liert
[C]A echtes [Dm7]G'fuehl reisst wie a [G4/7]Wunden auf im mir
[G7]zwischen 1 und [Am]4
{eoc}
[Am]A B'soffener steht neben [F]mir
[Am]und unterhalt sie mit sein [Em]Bier
[Dm]weil, was er sogt, kan interes[G4]siert [G]
[Am]und ihn a [Em]jeder ignor[Am]iert
[A]Des is de Zeit wo kana [Dm]liagt
[G7]weil sie de Wahrheit aussa [C]wuergt
[A]Hat dir der Wein das Hirn zer[Dm]setzt
wird jede Larven schnell zer[G7]fetzt
du haust's weg und zeigst a [C]G'sicht
wia ma's bei [Dm]Tag bestimmt net [G]siecht
{npp}
{c:Refrain}
{soc}
[C]Hat mir die Na[Dm7]cht ihr suesses [G4/7]Gift erst inji[G]ziert
[C]g'spuerst, wie so [Dm7]vieles schnell an [G4/7]Nichtigkeit ver[G]liert
[C]A echtes [Dm7]G'fuehl reisst wie a [G4/7]Wunden auf im mir
[G7]zwischen 1 und [Am]4
{eoc}
[C]
[Dm7]
[G4]
[G4]
[G]
[G]
[C]
[F]
[Dm7]
file:///C|/olga_main/f-g/f/fendrich_rainhard/zwischen_1_und_4.pro
{c:Refrain}
{soc}
[C]Hat mir die Na[Dm7]cht ihr suesses [G4/7]Gift erst inji[G]ziert
[C]g'spuerst, wie so [Dm7]vieles schnell an [G4/7]Nichtigkeit ver[G]liert
[C]A echtes [Dm7]G'fuehl reisst wie a [G4/7]Wunden auf im mir
[G7]zwischen 1 und [Am]4
{eoc}
[C]
[Dm7]
[G4]Zwischen [G7]1 und 4 [C]
[G4]Zwischen [G7]1 und 4 [C]
[C]
[Dm7] ....
[Dm7]
[Dm7]
[G4]
[G]
file:///C|/olga_main/f-g/f/ferrer_nino/le_sud.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: jacob@etu.univ-compiegne.fr
Nino FERRER (French singer)
Le Sud
Sol
Sim
Mim
C'est un endroit qui ressemble a la Louisiane
Do
Sol
A l'Italie
Sim
Mim
Il y a du linge etendu sur la terrasse
Do
Sol
Et c'est joli
Do
Sol
On dirait le Sud
Sol7
Do
Sol Sol7 Do
Le temps dure longtemps
Sol Si7 Mim
Et la vie surement
La
R
Plus d'un million d'annees
Do
Sol
Et toujours en ete
Y'a plein d'enfants qui se roulent sur la pelouse
Y'a plein de chiens
Y'a mme un chat, une tortue, des poissons rouges
Il ne manque rien
On dirait le Sud...
Un
On
On
On
file:///C|/olga_main/f-g/f/ferrick_melissa/i_am_not.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Mon, 25 Sep 1995 12:32:23 -0500 (CDT)
From: "Lori L. Collins" <lcollins@jaguar1.usouthal.edu>
Kris Oz figured out the chords but did not have time to type, post, and
upload (public atta girl for Kris). I volunteered. All errors are probably
mine. Hope the formatting works.
I am not by Melissa Ferrick
I am not
-------Capo at the 3rd Fret
Verses:
G, D, G, D, etc.
Chorus:
C, Em7, C, Em7, Em
C, Em7, C, Em7, Em
G
D
I am not smooth and I am not soft
G
D
and I am not angry
or mean
G
I'm just a little
shut off
D
Shut off like the answer no
G
D
or like the way water never holds
G
and I want to be
D
better than I am
G
D
Oh yes and I want to need
nothing but your hands
G
'Cause mine are so weak
C
Em7
C
Oh but my body it wants to move in
Em7
It wants to move in
Em
And your ankles are so strong
C
Em7
I have see you kick
when you swim
C
Em7
You kick
when you swim
Em
This time I know
this time that I know
D
That I am not wrong yeah
file:///C|/olga_main/f-g/f/ferrick_melissa/i_am_not.crd
file:///C|/olga_main/f-g/f/ferry_bryan/all_i_want_is_you.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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All I Want Is You
Bryan Ferry
F
A#
Somebody told me
G#
Just the other day
D#
That you're leaving me
F
We're through
Well if you knew
How it hurt me so
Then you'd changed your mind
I'm sure
Don't want to hear
What's going on
I don't care
What's new
A#
Don't want to know
G#
About anything
D#
A#
'Cos all I want
D#
Is you
Cm
G
Going out with other girls
Cm
A#
Was always such a bore
Cm
G#
But since I fell in love with you
D#
F
I need you more and more
file:///C|/olga_main/f-g/f/ferry_bryan/all_i_want_is_you.crd
file:///C|/olga_main/f-g/f/ferry_bryan/angel_eyes.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: sd17@spitfire.fc.ul.pt (Grupo 17 - Sist. Dist. I)
Angel Eyes
C A# C
C A# C
G F A# G# C#
A# F G# C#
C
A#
C
A#
C
Angel eyes - am I deceived or did you sigh?
A#
F
G#
For all I know you let your love light
C G# F A#
Shine on me
Angel eyes - you never close, who's got the time?
I can wait until your love light
Shine on me
Angel eyes - on the wing and open wide
No matter now how high the moon
Shine down on me
file:///C|/olga_main/f-g/f/ferry_bryan/avalon.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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Date: Fri, 30 Jul 1993 10:02:22 -0400
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Avalon
Bryan Ferry
F
C
Now the party's over
A#
C
I'm so tired
F
C
Then I see you coming
A#
C
Out of nowhere
F
C
A#
C
Much communication in a motion
F
C
A#
Without conversation or a notion
Avalon
When the samba takes you
Out of nowhere
And the background's fading
Out of focus
Yes the picture's changing
Every moment
And your destination
You don't know it
Avalon
When you bossanova
There's no holding
Would you have me dancing
Out of nowhere
Avalon...
file:///C|/olga_main/f-g/f/ferry_bryan/dance_away.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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Dance Away
Bryan Ferry
D#
Cm
Yesterday - well it seemed so cool
G#
A#
When I walked you home, kissed goodnight
G#
A#
I said "it's love" you said "all right"
D#
Cm
It's funny how I could never cry
G#
A#
Until tonight and you pass by
G#
A#
Hand in hand with another guy
G#
A#
You're dressed to kill and guess who's dying?
F
Dm
Dance away the heartache
A#
C
F
Dance away the tears - Dance away
Dm
file:///C|/olga_main/f-g/f/ferry_bryan/dance_away.crd
Dance away -
file:///C|/olga_main/f-g/f/ferry_bryan/dont_stop_the_dance.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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Don't Stop The Dance
Am
Em Dm Am
Em Dm Am
Em
Dm
Am
Mama says truth is all that matters
Em
Dm
Am
Lying 'n deceiving is a sin
Em
Dm
Am
Drifting through a world that's torn and tattered
Em
Dm
Am
Every thought I have don't mean a thing
Mama says love is all that matters
Beauty should be deeper than your skin
Living for the moment - lips and lashes
Will I ever find my way again
Mama says only stormy weather
Don't know why there's no sun in the sky
Footsteps in the dark come together
Got to keep on moving or I'll die
file:///C|/olga_main/f-g/f/ferry_bryan/hell_have_to_go.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
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He'll Have To Go
F
A#
F
Put your sweet lips a little closer to the phone
Dm
C
C7
Let's pretend that we're together all alone
F
F7
A#
F
A#
I'll tell the man to turn the juke-box way down low
F
C7
F
And you can tell your friend there with you he'll have to go
Whisper to me tell me do
Or is he holding you the
Tho' love is blind, make
I've got to know
Should I hang up or will
A#
F
A#
F
You can't say the words I want to hear while you're with another man
A#
F
C7
If you want me answer "Yes" or "No" darling I will understand
Put your sweet lips a little closer to the phone
Let's pretend that we're together all alone
I'll tell the man to turn the juke-box way down low
And you can tell your friend there with you he'll have to go
file:///C|/olga_main/f-g/f/ferry_bryan/jealous_guy.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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Jealous Guy
John Lennon
sung by Bryan Ferry
G
Em
D
I was dreaming of the past
Em Em7
And my heart was beating fast
D
Em
I began to lose control
C
I began to lose control
F
C
I didn't mean to hurt you
G
F
A#
I'm sorry that I made you cry
G
D
Em
C
I didn't mean to hurt you
G
I'm just a jealous guy
I was feeling insecure
You might not love me any more
I was shivering inside
I was shivering inside
I didn't mean to hurt you
I'm sorry that I made you cry
I didn't mean to hurt you
I'm just a jealous guy
I was trying to catch your eyes
Thought that you were trying to hide
I was swallowing my pain
I was swallowing my pain
I didn't mean to hurt you
I'm sorry that I made you cry
I didn't mean to hurt you
I'm just a jealous guy
file:///C|/olga_main/f-g/f/ferry_bryan/jealous_guy.crd
file:///C|/olga_main/f-g/f/ferry_bryan/lets_stick_together.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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Let's Stick Together
Wilbert Harrison
sung by Bryan Ferry
A
And now the marriage vow is very sacred
The man has put us together now
D
You ought to make it stick together
A
Asus A
Come on, come on and stick together
E
E7
A
You know we made a vow to leave one another never
But now you
Come on now
Let's stick
You know we
file:///C|/olga_main/f-g/f/ferry_bryan/love_is_the_drug.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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Love Is The Drug
Am
T'aint no big t'ing
Em
To wait for the bell to ring
Am
T'aint no big t'ing
Em
The toll of the bell
Am
C
Aggravated - spare for days
Em
I troll downtown the red light place
Am
C
Jump up bubble up - what's in store
Em
Love is the drug and I need to score
Am
C
Showing out, showing out, hit and run
Em
Boy meets girl where the beat goes on
Bm
Stitched up tight, can't shake free
Em
Love is the drug got a hook on me
Am
Oh oh catch that buzz
Em
Love is the drug I'm thinking of
Bm
Oh oh can't you see
Em
Love is the drug for me
file:///C|/olga_main/f-g/f/ferry_bryan/love_is_the_drug.crd
file:///C|/olga_main/f-g/f/ferry_bryan/slave_to_love.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
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Slave To Love
Bryan Ferry
D
Tell her I'll be waiting
Bm
In the usual place
G
With the tired and weary
A
And there's no escape
To need a woman
You've got to know
How the strong get weak
And the rich get poor
You're running with me
Don't touch the ground
We're the restless hearted
Not the chained and bound
The sky is burning
A sea of flame
Though your world is changing
I will be the same
The storm is breaking
Or so it seems
We're too young to reason
Too grown up to dream
Now spring is turning
Your face to mine
I can hear your laughter
I can see you smile
No - I can't escape
I'm a slave to love
file:///C|/olga_main/f-g/f/ferry_bryan/the_in_crowd.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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The 'In' Crowd
Billy Page
sung by Bryan Ferry
E
F
They know the 'In' crowd is out of sight
I'm in with the 'In' crowd
I know ev'ry latest dance
When you're in with the 'In' crowd
It's easy to find romance (And we work out!)
At a spot where the beat's really hot (And we work out!)
If it's square we ain't there
We make ev'ry minute count
Our share is always the biggest amount
Other guys imitate us
But the original's still the greatest
We got our own way of walkin'
We got our own way of talkin' (Gotta have fun!)
Any time of the year, don't you hear (Gotta have fun!)
file:///C|/olga_main/f-g/f/ferry_bryan/the_in_crowd.crd
file:///C|/olga_main/f-g/f/ferry_bryan/tokyo_joe.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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Tokyo Joe
Bryan Ferry
D#
G#
A#
D#
G#
D#
My girl Friday she no square
She like lotus blossom in her hair
Be-bop records and something new
A#
G#
G#
F#
A#
C#
F#
D#
G#
Geisha girl show you she adore you
C#
F#
D#
G#
Two oriental eyes implore you
D#
G#
Femme fatal or ingenue?
C#
F#
D#
G#
She very cunning, fiendish clever
C#
F#
D#
G#
D#
Geisha girl suffer many times a fool
G#
Sayonara moon
F
C#
D# C#
When all the world's a stage, oh where are you?
file:///C|/olga_main/f-g/f/ferry_bryan/tokyo_joe.crd
file:///C|/olga_main/f-g/f/fever_tree/san_francisco_girls.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 15:28:15 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./f/fever_tree/san_francisco_girls.crd
For the history of Fever Tree, see _Goldmine_ #202.
--AWR
file:///C|/olga_main/f-g/f/fever_tree/san_francisco_girls.crd
A
/ / / /
/ / / /
/ / / /
/ / / /
[2: to coda]
Bridge:
A
C
G/B
D
A
Don't try to stop me girl, you can't have your way
A
C
G/B
D
A
Don't try to stop me girl, nothin' you can say
A
C
G/B
D
A
Live like you wanna live and stay where you wanna
stay
A
G
D
C E7
A
I just gotta go and get back
to the Bay
A
/ / / /
/ / / /
/ / / /
/ / / /
/ / / /
/ / / /
/ / / /
file:///C|/olga_main/f-g/f/fever_tree/san_francisco_girls.crd
-16~~~~~~~~~~~~~~~~~~~~~~~~~~~~r14------------------------------------------------------------------------------------------------------^^ pre-bent
[repeat verse (instrumental); fade]
-- another ace 60's tab from Andrew Rogers
file:///C|/olga_main/f-g/f/fiction/dreams.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Daniel Steinbock <daniel@sonic.net>
Subject: dreams.crd for /guitar/f/fiction
Date: Sat, 23 Dec 1995 20:59:11 -0800 (PST)
"Dreams" by Fiction
from the EP Independable
The
two
for
the
B
I'm still awake, and smiling wide
G
A
Cause you're alive, by my side
B
You're fast asleep, and dreaming deep
G
A
While I'm awake, and counting sheep
B
But sitting here, looking at you
G
A
Is what I'd most, rather do, than
E
Dream, Dream
C
D
Dream, Dream
E
Because you are, so very real
C
D
And I can't believe it
E
That you are, so very real
C
D
I just can't believe it
B
When I meet, you in my dream
G
A
Beneath the sheets, into my sleep
B
Then I just stand, and look at you
G
A
Knowing I, can wake to you
B
I watch you dance, with you I run
G
A
But shade my eyes, cause you're the sun, in my
E
Dream, Dream
C
D
Dream, Dream
E
Because you are, so very real
file:///C|/olga_main/f-g/f/fiction/dreams.crd (1 of 2) [4/28/2003 9:50:56 PM]
file:///C|/olga_main/f-g/f/fiction/dreams.crd
C
D
And I can't believe it
E
That you're here, and you're real
C
D
I still can't believe it
B
You know you smile, when you sleep
G
A
I watch a while, forget the sheep
B
You talk some too, and I join in
G
A
But then I stop, and I begin, to
E
Cry, Cry
C
D
Cry, Cry
B
Yes I do, knowing I don't
G
A
Deserve you, not even, in
B
Dreams
file:///C|/olga_main/f-g/f/fiction/lost.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: daniel@sonic.net (dan steinbock)
Subject: lost.tab for /pub/guitar/f/fiction
Date: Sat, 14 Oct 1995 00:47:35 GMT
Lost by Fiction
from the EP Independable
Em
Bm
Em
Bm
Em
I see myself
Bm
Em
Surrounded by the flames and aches of pain
Em
What else can I say?
Em
I can't sit here much longer
A
Bm
Bm
Bm
C#5
D5
But if I were real
C#5
C#5
D5
But the way it is
C#5
C#5
A
stash
shade my eyes and i can see you
file:///C|/olga_main/f-g/f/fiction/no_x_in_nixon.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: daniel@sonic.net (dan steinbock)
Subject: noxinnixon.tab for /pub/guitar/f/fiction
Date: Sat, 14 Oct 1995 00:47:39 GMT
NOXINNIXON "No "X" In Nixon"
from the EP Independable
B5
A5
G5
B5
A5
by Fiction
G5
Swing low
Brought now thought you said
Hit the wall with my fist
Broke now spoke you said
Live it high live it high
Hear a sound feel a slap
Wind blowin' through my hair
Afternoon nap
D5
C5
D5
Ph.D
that is me
D5
C5
D5
IRS
I address
Dm5
Well there ain't no "X" in Nixon
C5
Dm5
But fuck this I digress
Dm5
C5
G5
A5
file:///C|/olga_main/f-g/f/fiction/no_x_in_nixon.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Daniel Steinbock <daniel@sonic.net>
Subject: no_x_in_nixon.tab (revision) for /f/fiction
Date: Wed, 18 Oct 1995 16:06:00 -0700 (PDT)
NOXINNIXON "No "X" In Nixon"
from the EP Independable
B5
A5
G5
B5
A5
G5
by Fiction
|-----xxxxx-----x-x-----xxxxxx--------------------------------|
|-----xxxxx-----x-x-----xxxxxx--------------------------------|
|-----xxxxx-----x-x-----xxxxxx--------------------------------|
|-9-9-xxxxx-7-7-x-x-5-5-xxxxxx--------------------------------|
|-9-9-xxxxx-7-7-x-x-5-5-xxxxxx--------------------------------|
|-7-7-xxxxx-5-5-x-x-3-3-xxxxxx--------------------------------|
Swing low
Swing low
Brought now thought you said
Hit the wall with my fist
Broke now spoke you said
Live it high live it high
Hear a sound feel a slap
Wind blowin' through my hair
Afternoon nap
D5
C5
D5
Ph.D
that is me
D5
C5 D5
IRS
I address
Dm5
Well there ain't no "X" in Nixon
C5
Dm5
But fuck this I digress
Dm5
C5
G5
A5
file:///C|/olga_main/f-g/f/fiction/no_x_in_nixon.tab
file:///C|/olga_main/f-g/f/fiction/questions.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Daniel Steinbock <daniel@sonic.net>
Subject: questions.tab for /pub/guitar/f/fiction
Date: Sun, 8 Oct 1995 13:05:11 -0700 (PDT)
Questions by Fiction
from the EP Independable
A
They are questioning eyes
A7
Honorable
D
A
Lookin down, and lookin up at me
A7
Who's gonna save her?
D A
It's not me
A
A7
A
They are whispering eyes
A7
Vulnerable
D
A
Lookin up, and lookin down on me
A7
Who's gonna save her?
D
It's not me
D
A
Can't you see?
A
A7
A
tabbed by daniel@sonic.net
interzone
.7o7<>528.5586.
file:///C|/olga_main/f-g/f/fiction_factory/feels_like_heaven.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Received: from VAXFE.FE.INFN.IT (vaxfe.fe.infn.it [131.154.252.11]) by post-office.nevada.edu
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Date:
Sat, 19 Feb 1994 17:16:06 +0200 (CET)
From: TAIBI@ferrara.infn.it
Message-Id: <940219171607.5a20041f@ferrara.infn.it>
Subject: Feels like Heaven - Fiction Factory
To: jamesb@nevada.edu
X-Vmsmail-To: SMTP%"jamesb@nevada.edu"
Well, now it's time to give my little contribution to this archive for guitar
players. I've got so many emotions from this stuff that I think that the
only way to say "thank you" is to add just another song.
Angelo Taibi
(Feels like) Heaven - Fiction Factory
D
Bm
G
D
Heaven is closer now today the sound is in my ears
Bm
G
D
I can't believe the things you say they echo what I fear
Bm
G
D
twisting the bones until they snap I scream but no one knows
Bm
G
Em
you say I'm familiar cold to touch and then you turn and go
G
D
feels like heaven ...
See how we planned for saddened eyes and tears to pave the way
I fought the fever as I knew my hair returned to grey
study your face and fade the frame too close for comfort now
we can recall the armony that lingered but turned soon
feels like heaven ...
Em
G
Em
G
You wanted all I had to give
Em
G
Em
A
see me I feel see me I live
Please send any comment to: taibi@ferrara.infn.it
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/celebrate.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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From: t89par@bellatrix.tdb.uu.se (Par Svensson)
Message-Id: <9303271319.AA11784@bellatrix.tdb.uu.se>
Subject: TAB:Fields Of The Nephilim-Celebrate
To: jamesb@animal-farm.nevada.edu
Date: Sat, 27 Mar 1993 14:19:38 +0100 (MET)
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FIELDS OF THE NEPHILIM - "Celebrate"
Comments, corrections etc. welcome.
Par Svensson, t89par@tdb.uu.se
This is my interpretation of the bassline, as played on guitar. Just
tune it down an octave ;-)
The "..." indicates repetition of the "0 2 0 2" line appropriate
number of times.
e
B
G
D
A
E
-----0-------0---...-----------------------3-----0-------0---...
-----------------...---3-----3-----3---3-3-------------------...
---2---2---2---2-...---------------------------2---2---2---2-...
-----------------...-0---0-0---0-0---0-----------------------...
-0-------0-------...-------------------------0-------0-------...
-----------------...-----------------------------------------...
e
B
G
D
A
E
-----------------------3-----0-------0-------------------------3-----3-----3---3-3-----------------------------------------------------------------2---2---2---2---2-----2-----------0---0-0---0-0---0-------------------------------------------------------------------0-------0-------0---0-0---0---------------------------------------------------------------------
e
B
G
D
A
E
--------------------------------------------------------0------------------------------------------------------------------0-----0---------0-----0----------------------------2---2-----------------------------------------0---0---0------------3---3-----3-0---3---3-----3-0----3-0---------------0------0-------3---------------3--------3-----3---3---3---3----------
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/chord_of_souls.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From oskar@si.upc.es Tue Nov 30 07:48:29 1993
Delivery-Date: Tue, 30 Nov 1993 07:48:37 +0000
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Date: Tue, 30 Nov 1993 06:48:52 +0000
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From: oSKaR <oskar@si.upc.es>
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To: mcdonghj <mcdonghj@unix2.tcd.ie> (IPM Return Requested)
Subject: GT Chord of Souls by the Nephilim
Status: RO
Hello John, here is Chord of Souls
As usual is just a rough version of the song (Less rough than usual)
I dont claim anything here to be correct
Additions and corrections welcome, etc...
Second guitar is very difficult to hear on the record, mainly because
plays with lots of distorsion, so please forgive any obvious mistake
BTW could anyone send my the lyrics for the Chord of Souls Extended
Version (is on some boots)??
Want somebody to add the bass line? :)
---Chord of Souls
-------------McCoy/Yates/Wrigth/Pettitt/Wrigth
Main Riff:
|-----------------------------|
|-----------------------------|
|----5p4-0-2---5p4-0-0-2-0h2--|
|-----------------------------|
|--0--------------------------|
|-----------------------------|
Intro Main Riff x 4
Then the second guitar enters with an A5 chord (X022XX)
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/chord_of_souls.tab
|-----------------------------|
Guitar2|-----------------------------|
|--2--------------------------| < let this two strings ringing
|--2--------------------------| <
(full distortion)
|--0---------------3p0-0-3p0--|
|-----------------------------|
A5
"The Preacher Says...
Then the power chord seems to change to (0022XX) during the first :
"Let it be the End"
On the chorus:
|------------------------|
Guitar1|------------------------|
|----7-7-5-5p4----0------|
|--0---------------------| < let this ring
|------------------------|
|------------------------|
|------------------------|
Guitar2|--3-3-3-----------------|
|--2---------2p1p0-------|
|-----------------3p2p0--|
|------------------------|
|------------------------|
D5
Eyes!
(x 4)
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/chord_of_souls.tab
Lyrics:
The Preacher says to all his men: I hear Godly laughter
Can it be the end?
With eyes on fire, couldn't be so cold
I hear Godly laughter, let it be the end
Let it be the end
Well I hate
I hate your
Over to the
Over to the
Let
Eyes, eyes, eyes, eyes
{Possibly: Ice!}
it
it
it
it
be
be
be
be
the
the
the
the
end, let it
end believe
end, let it
end between
be
us
be
us
the end
Chord of Souls
the end
Chord of Souls
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/chord_of_souls.tab
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/dawnrazor.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Dawnrazor -Fields of the Nephilim
~~~~~~~~~
TAB by: John Mc Donagh(mcdonghj@unix2.tcd.ie)
All corrections welcome. This is a very rough version of the TAB...
And you should be able to get your own timings. Please send me in the riff
towards the end and fill-ins bt. riffs.
Riff A:
e|--------B|--------G|-7----5-D|--------A|--------E|---------
Riff B:
-----------------------------------------2-0--------------3-2-0----------------
Riff C:
--7-----5--------5--------------5----------------------------------------------
Riff D:
e|--5h7----------10-10-10-10-10-10------B|------5--------10-10-10-10-10-10------G|-----------5--------------------------D|-----------------------------------2--A|-----------------------------------0--E|--------------------------------------Intro is Riffs...
A-B-A-C-B-A-C-B-A-D-A-D-B
Main Verse goes:
A-B
(ie Riff A the Riff B)
Cut to razor sounding violins
Recall your cutthroats and razor sin
We're watching Heaven as the sun goes down
I'll watch the sun bursting.. Hit the ground
Chorus:
A-D
You've got to [
]
Chorus: Dawnrazor's falling, The Razor Sin
Dawnrazor's falling, The Razor Sin
Then:- B
Dawnrazor
Dawnrazor
Dawnrazor
Dawnrazor
Well how ?
Well how ?
(Chorus)
Women in dreams abide, better than lost before
Women in dreams abide, better than cut before
Cuts in razor sound in body and limb
Recall your cutthroats and razor sin
You've got to [
]
Dawnrazor's falling, The Razor Sin
Dawnrazor's falling, The Razor Sin
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/dawnrazor.tab
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/dust.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
by the Nephilim
Dust
---McCoy/Yates/Wrigth/Pettit/Wrigth
Bass
Bass
Bass
Bass
Bass
Riff
Riff
Riff
Riff
Riff
1
1
1
3
1
Chorus:
x 3
x 3 + Bass Riff 2
+ Bass Riff 1
x 3 + Bass Riff 2
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/dust.tab
Guitar
Guitar
Guitar
Guitar
Riff
Riff
Riff
Riff
1
1
1
2
(Sorry I can't hear what is playing the bass during the chorus)
Keep the same riffs for the rest of the song...
Additions and Corrections Welcome...
Lyrics by elaroche@s850.mwc.edu
oSKaR@si.upc.es
?Querras Tu rectificar las lineas de mis Manos?
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/fields_of_the_nephilim.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: mcdonghj@unix2.tcd.ie (Nascent Virion.....)
Watchman.. Fields of the Nephilim.
I'll now try to write down the Watchman intro, but be prepared to
move it to a different key (it sounded alright to me last time I
played it to the record - see what you think)
Riff 1
Riff 2
Riff 3
..............|------|..|------|...........|------------------------------|..
E|---2--0-0---2--0-0---------0---------0----0------0------0------0------0---|
B|-00-00-0-0---00-0-0---30010-0--300110-0-----0-1-1--0-1-1--0-1-1--0-110-0--|
G|----------0--------0---------0---------0-2-2-2-2--2-2-2--2-2-2--2-2-----0-|
D|--------------------------------------------------------------------------|
A|--------------------------------------------------------------------------|
E|--------------------------------------------------------------------------|
So as you can see the first bit follows the pattern:
2 x Riff1 + 2 x Riff2 + Riff3
The two parts with singing follow the pattern:
Riff1 + Riff2 + 2xRiff1 + 2xRiff2 + Riff3 (there is a little
embellishment here and there)
But on the very last time lose the last five notes of Riff3 and
sustain the last '1' on the B-string. One other point is when you
play the '2's in Riff3 sustain the note throughout the sequence.
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/for_her_light.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: M.T.Billington@MCS.Salford.ac.uk (Mad Marcus B)
Subject: TAB: For Her Light, by Fields Of The Nephilim
Same as usual. This file is another with only a few riffs, and there are lots
of different versions of the song about, so I'll let you put them in order
yourself. Shouldn't be difficult. I've included all the riffs that are
included in all the different versions, but alas I can't find a place that
sells the single (can anyone help? Please?), so I don't know what that's like.
I'm assuming it's like the version on "Revelations". The bit at the end sounds
like they've played the music bacwards and put his voice through a reverse
effect, so I haven't done that either. Try using a distortion + delay for
guitar 1 (my favourite effect), and a chorus with a tiny bit of delay for
guitar 2.
I'll post "At the Gates of Silent Memory" as soon as I've worked out
fiddly bits. Enjoy.
few
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/for_her_light.tab
:
:
:
:
Riffs
Riff
Riffs
Riffs
1 & 2
2
1 & 2
3 & 4
Lyrics (taken from the sleeve from "Elizium" with the odd extra bit)
~~~~~~
He said: how lonely you are
Waiting at the sunday park
I'll elude you
I will loose you
Existing
We're no soul apart
You stand
Stand on a platform
Your effigy dissolves in my hands
When I feel
Like someone to lie on
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/for_her_light.tab (2 of 3) [4/28/2003 9:50:59 PM]
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/for_her_light.tab
And I feel
Like someone to rely on
You can't wake up, you can't wake up
You can't wake up...
Illusions
Born of the air
Something
Seems so precious there
I'll elude you
I will loose you
As rehersal of my despair
When I feel
Like someone to lie on
And I feel
Like someone to die on
You can't wake up, you can't wake up
You can't wake up...
Oh here me
I'm what you have left
Here I am
In this necrologue of love
~~~~~~
Personally I don't think Carl (dear as he is) can spell: "here me" indeed. I'm
sure he says "lose" instead of "loose" as well. Perhaps if it was anyone else
it could be called ambiguity, but I've heard the man talk.
~~~~~~
Pope Bovophobe V is Arch Cyberpope, Ordo Templi Thermophilic Philopoles, C.P.P.
"I saw their starved lips in the gloam,
With horrid warning gaped wide,
And I awoke and found me here,
On the cold hill's side." -John Keats, after a surge of clairvoyance,
found himself looking into the 80's.
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/love_under_will.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: M.T.Billington@MCS.Salford.ac.uk (Mad Marcus B)
Once
for
"the
some
again it's another difficult-to-hear song. Hmmm. I think what I've done
this sounds as close as I can get to the real thing (once again from the
Nephilim" album). I play the clean sound with a bit of chorus, and I put
delay into the distortion as well.
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/love_under_will.tab
e|-----0-----0--2----0----2--------------0---------0------------B|---0-----0------0----0----------3----3---3---3----------1-----1
G|-----------------0------------2----2-------2---2------0-----0-D|-2----2---------------------0----0----------------------------A|----------------------------------------------------3-----3---E|---------------------------------------------------------------
no pause
between
this &
next bit
Notes
~~~~~
There seems very little point in typing out the order in which you play the
riffs. Riffs 3 and 4 take over from the others about halfway through the song,
where Carl sings :"Hey, raise me... someone's gonna suffer".
The last quarter of riff 4 (with all the 5's and 7's) alters throughout the
last two minutes or so of the song. The only notes that change are those on
the top e string, and they play orders like: 5 7 7; 5 7 8; and basically just
rearrangements of those notes in different orders. The one I have written in
riff 4 seems to be the one played most frequently (it is also the first one
the play).
Riff 3 is in time with the chord changes, and the last power chord holds out
for the duration of two chord changes of the other guitar :(if you see what I
mean :(sort of :(wibble:):):).
Incidentally, if you prefer, you can play it using barre chords, on the 7th,
5th, 3rd and 2nd frets using an A minor shape but without the note on the G
string (no sad jokes please),
but in my opinon it doesn't sound nearly as
good, as you lose that "twangy" sound. Incidentally, I'm crap at chord names,
as you may have guessed.
Swiftly moving on...
Lyrics (from John McDonagh's archive)
~~~~~~
I need to be alone tonight
Smother me or suffer
Lay down I'll die tonight
Smother me or suffer
When I'm gone, wait here
Discover all of life's surprises
When I'm gone wait here
I'll send my child my last good smile
If you pass through my soul tonight
Gather all his troubles
Tomorrow's long eternal night
Gather for tomorrow
When I'm gone wait here
Discovers all of earth's surprises
When I'm gone wait here
I'll send my child my last good smile
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/love_under_will.tab (2 of 3) [4/28/2003 9:50:59 PM]
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/love_under_will.tab
{Repeat to fade}
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/misc_songs.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Misc. Nephilim Tabs (mcdonghj@unix2.tcd.ie)
OK guys and gels....
What's the chance of some of us getting together and working out some
Neph TABs for Guitar(+Bass). Myself... I am not particularly good on the guitar
but love to play it. I find some of the Neph stuff particularly hard to work
out. I find some of the intro's to be OK but when the guitar line changes
come chorus I get all messed up.
So here are 2 or 3 intro's. Could anyone out there complete them??
Laura
~~~~~
Main Riff...
|--------------5-------------------------------------------------------------|----5-8-5-7-5---5-8-5-7-8-7-5-----------------------------------------------|----------------------------------------------------------------------------|----------------------------------------------------------------------------|----------------------------------------------------------------------------|----------------------------------------------------------------------------The Tower
~~~~~~~~~
Main Riff...
|----------------------------------------------------------------------------|--1-3-1--6-3-5--0-1-2--0-1-2------------------------------------------------|----------------------------------------------------------------------------|----------------------------------------------------------------------------|----------------------------------------------------------------------------|----------------------------------------------------------------------------MoonChild
~~~~~~~~~
Main Riff...
A
A
|-----------------------------------0--------0-------------------------------|---1-0------1-0------1-0-------1-1------1-1---------------------------------|-------2--------2--------2--------------------------------------------------|---------0--------2--------3------------------------------------------------|----------------------------------------------------------------------------|----------------------------------------------------------------------------Psychonaut
~~~~~~~~~~
The Power chords played in Psychonaut are:D F C G
I play the chords:
D
10-12-12-11-10-10
F
x- 8-10-10-10- x
C
8-10-10- 9- 8- 8
G
x-10-12-12-12- x
I don't claim any of the above is correct... but merely the way 'I' play it.
I have Watchman on line too, but it's the same as the one at the FTP sites.
I can play bits of other songs... I think Endemoniada, Phobia, Power, Love
Under Will, For her Light....
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/misc_songs.tab
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/moonchild.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: M.T.Billington@MCS.Salford.ac.uk (Mad Marcus B)
Right then once more. As is usual with most Nephilim songs, just about all the
instruments are extremely difficult to hear individually (including Carl's
vocals), so I've made my best attempt at the song, taken from their second
album "the Nephilim". To help hear the bits that I play, try listening to
different mixes, e.g. both versions from the "Revelations" double c.d. and
some of the live ones for some pretty funky effects (can anyone tell me which
effects they use for the "Live in Concert" c.d??? Something phasery I think).
Anyway, enough of this idle banter, best of luck and all that.
For comments, corrections, etc. contact me through Mad Marcus B at
M.T.Billington@MCS.Salford.ac.uk
Moonchild
~~~~~~~~~
By Fields of the Nephilim
~~~~~~~~~~~~~~~~~~~~~~~~~
Tabbed by Pope Bovophobe V
~~~~~~~~~~~~~~
(Version datestamp 10.2.95)
Riff 1- Guitar 1, distortion.
~~~~~~~
e|-------------------------------0----0----0-------B|---------------------------------1----1----1-----G|-5-4--2----5-4-2--2----5-4-2--2----2----2--------D|------0-----------2-----------3------------------A|-------------------------------------------------E|-------------------------------------------------Riff 2- Guitar 1, distoriton.
~~~~~~~
e|---------------------------------0----0----0------B|-----------------------------------1----1----1----G|-5-4-2--2---5-4-2--2----5-4-2--2-----2----2-------D|-----0--0----------2-----------3------------------A|--------------------------------------------------E|--------------------------------------------------Riff 3- Guitar 2, clean.
~~~~~~~
e|-7----8----7----8-----7---8-------B|---8----8----8----8-----8---8-----G|-----7----7----7----7-------------D|----------------------------------A|----------------------------------E|----------------------------------Riff 4- Guitar 2, clean.
~~~~~~~
4a
~~
e|---1---3---5---3--1--3-----5-3--1----1---0---1-3------------B|-3---3---3---3---------------------3---3---3----------------G|-------------------------------------------------------------
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/moonchild.tab
D|------------------------------------------------------------A|------------------------------------------------------------E|------------------------------------------------------------4b
~~
0|-5-3--1----1---0--1-3-----5--3-3----3h5-5--3h5-5--3h5-5-5-------------B|---------3---3---3----------------3-----------------------------------G|----------------------------------------------------------------------D|----------------------------------------------------------------------A|----------------------------------------------------------------------E|----------------------------------------------------------------------Riff 5- Guitar 1, distortion.
~~~~~~~
e|------------------------------------------------------------------------B|------------------------------------------------------------------------G|-------------------5h7-7-5-7-5------------------5h7-7-5-7-5-------------D|-/5~--5\3-3-2------5h7-7-5-7-5--7--5------------5h7-7-5-7-5--7-5--------A|---------------3---5---5-5-5-5-------8-7-8--5---5---5-5-5-5------8-7-8--5
E|------------------------------------------------------------------------Riff 6- Guitar 1, distortion.
~~~~~~~
e|-----------------------------------------------------B|-----------------------------------------------------G|-------------------5h7-7-5-7-5-----------------------D|-/7-5~--5\3-3-2----5h7-7-5-7-5--7--5-----------------A|----------------3--5---5-5-5-5-------8-7-8-5---------E|-----------------------------------------------------Riff 7- Guitar 2, clean.
~~~~~~~
e|-5-3-----5-5-3-|-1--0--------3-1-3-1----3----3-1-3-1----3-- (let feedback
B|-----3--3-3----|-------1----3-3-3-3-3-3-----3-3-3-3-3-3---- 2nd time round)
G|---------------|------------------------------------------D|---------------|------------------------------------------A|---------------|------------------------------------------E|---------------|------------------------------------------Riff 8- Guitar 2, clean (later guitar 1 with mild distortion).
~~~~~~~
e|-1---3---1---3---5-3--1h3p1-1---0---0---1--3--------------------------B|---3---3---3---3--------------3---3---3-------------------------------G|----------------------------------------------------------------------D|----------------------------------------------------------------------A|----------------------------------------------------------------------E|----------------------------------------------------------------------0|-5-3--1----1---0--1-3-----5--3-3----3h5-5--3h5-5--3h5-5-5-------------B|---------3---3---3----------------3-----------------------------------G|----------------------------------------------------------------------D|----------------------------------------------------------------------A|----------------------------------------------------------------------E|----------------------------------------------------------------------How to play it
~~~~~~~~~~~~~~
------------------------------------------Guitar 1|1 1 2 2 2 2 2 2 | - |2 2 2 2 2 2 |
--------+----------------+---+------------+
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/moonchild.tab
Guitar 2| - - 3 3 3 3 3 3|4 4| 3 3 3 3 3 3|
------------------------------------------| from here Guitar 1 clean when
-------------------------------------------------------playing 4 & 8
Guitar 1| - |1 1 5 6 | - - 8-- 1 |8-- 1 1 1 4a 4a 1 |
--------+----+--------+-------------+------------------+
Guitar 2| 4 8| - - 7 7|4 8 8 3 3 3 |3 3 3 3 3 3 3 3|
-------------------------------------------------------Notes
~~~~~
When I've put "4", it means play all of 4a and 4b consecutively. Later on,
guitar 1 seems to pop in and out of distortion, so the first time that guitar
one plays riff 8, it's with dist. and all the times after that it's clean. All
the other riffs stay the same as before.
At the end of the chorus riff (the bit with the hammer- ons), I actually think
that that bit may be played by the other guitar while guitar 2 repeats what it
just played. This song is *incredibly* confusing.
Towards the last quarter it seems that there's another guitar in the
background playing a muted power chord (5th string, 5th fret- whatever it's
called) unless that's just guitar 1 doing something weird. I hope not.
In riff 7, I've marked off the last section as I made it up myself. The first
few notes which are before the line I could hear O.K. but the ones after it I
made myself, as it's just far too difficult to hear because of everything else
going on around them. If you can get my timing, it should sound fine.
The lyrics I've sort of amended from John McDonagh's file, so they're just
what I think I can hear. If you look on the inlay to "the Nephilim" album (on
cassette anyway) there are a few bits from Moonchild around the picture ("I
knelt down where I burned before"; "a revisit to an empty hall"; and something
else which I can't read).
Lyrics
~~~~~~
(Moonchild... moonchild... moonchild...)
Well it's a righteous dream, but out of mind yeah
Righteous dream, but out of mind yeah.
Take their horses
Let them crawl
Put them in their cages
(That's righteous for the soul)
Open your eyes
Despite what's deemed
Longevity
Well that's a righteous part of me
Moonchild
Lower me down, lower me down
Moonchild, lower me down, down, down, down, down, down
Well it's a righteous day, but out of my year
(I'll give your life smile)
Well it's a righteous day
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/moonchild.tab
to an empty hall
see I've been burned before
you down and prepare your shame
hear my fame
Moonchild...
And I'm waiting, and I'm waiting, and I'm waiting, and I'm waiting,
And I wipe through the force, a blinding cause
Waiting till they find the war
Longevity, longevity, I knelt down where I burned before
Longevity, longevity, I knelt down where I burned before
Lower me down
I knelt down where I burned before...
Down, down, down
~~~~~~
#------------------------------------------------------------------------------#
|
____ |
-*Die Makrele ist ein verdammt breit Fisch*|
|
A.K.B (____) | Pope Bovophobe V is Alex The Kipper(AKB),\__/Arch Cyberpope,|
|
K.H.C
| Ordo Templi Thermophilic Philopoles,
(oo) Kipper of the |
|
C.P.P (__) | Holy Chao of the Church of Pineal Perfection, and creator |
|
(oo) | of the Cumulative Frequency Curves of Eris. Hail Eris! Hail |
|
/-------\/
| Discordia! (__)
Kipper consumption is good for your soul |
| / |
||
| Slipper
(oo) redemption is good for the hole in the sock|
| * ||----||
| "Ich bin ein \/Raucherhering und ich trage eine Hausschue." |
#------------------------------------------------------------------------------#
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/phobia.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: ssimpson@trumpet.calpoly.edu
I should warn you that the rhythm isn't quite right on this, but this
should get you a close enough feel for the song to be able to play along
with the CD and work out the rhythm.
Phobia
Fields of the Nephilim
Riff 1:
A
e|---0--------------0---------------------------------------------------------B|---2--------------2---------------------------------------------------------G|---2--------------2---------------------------------------------------------D|---2--2-1--0------2--2-1-0---0----------------------------------------------A|-0-----------3--0----------3------------------------------------------------E|----------------------------------------------------------------------------Riff 2:
F F E F E F F F E F E F
e|-1-1-0-1--0-1--1-1-0-1--0-1-------------------------------------------------B|-1-1-0-1--0-1--1-1-0-1--0-1-------------------------------------------------G|-2-2-1-2--1-2--2-2-1-2--1-2-------------------------------------------------D|-3-3-2-3--2-3--3-3-2-3--2-3-------------------------------------------------A|-3-3-2-3--2-3--3-3-2-3--2-3-------------------------------------------------E|-1-1-0-1--0-1--1-1-0-1--0-1-------------------------------------------------Riff 3:
D
e|---2--------------2---------------------------------------------------------B|---3--------------3---------------------------------------------------------G|---2--2-1--0------2--2-1--0-------------------------------------------------D|-0-----------3--0-----------3-----------------------------------------------A|----------------------------------------------------------------------------E|----------------------------------------------------------------------------So it goes kinda like:
Riff 1 (several times), Riff 2, Riff 3, Riff 2, Riff 3
Riff 1
It drains all of my life force
Riff 1
A body like a unicorn, it's a phobia
Riff 3
Riff 1
In this crowded room the people just stare
Riff 2
Descend my soul (or whatever)...
Riff 3
Riff 2
Descand my soul, etc...
I think you get the idea.
Two notes:
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/phobia.tab
memory since I currently have access to either my guitar nor the CD at the
moment; secondly, the bass does NOT appear to follow the guitar. I've not
quite figured out the bass yet, though, but there appear to be some
counterpoint involved.
--the Dragon
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/power.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Someone posted a version of Power sometime ago (john)
Here is mine
I dont claim this to be correct, its just the way I play it
Power
----by The Nephilim
(Normal tuning)
Bass 1:
|---------------------|
|--3-2-0---2----------|
|--------3---3-2-0----|
|------------------5--|
Bass 2:
|-------|
|-------|
|--3----|
|----5--|
Intro: Bass1 + Bass2 x 3
Then one guitar play Bass1 while the other plays a G chord (probably
a barre chord on the third fret, but Im not sure
Main Riff:
Guitar 1:
|---------------------|
|---------------------|
|---------------------|
|----------------0-2--|
|--0-----0-3p2p0------|
|---------------------|
|
Guitar 2:
|---------------------|
|---------------------|
|---------------------|
|---3p2p0-------------|
|---------------------|
|---------------------|
In fact, you can play both riffs in one guitar, but Guitar2 should
sound quieter
During the break they play something like:
|--------------------------|
|----15--------------------|
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/power.tab (1 of 2) [4/28/2003 9:51:01 PM]
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/power.tab
|----14-14-17p16p14-14-----|
|----------------------16--|
|--0-----------------------|
|--------------------------|
Song by McCoy/Yates/Wrigth/Pettit/Wrigth
TAB by oSKaR
oSKaR@si.upc.es
?Querras Tu rectificar las lineas de mis Manos?
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/preacher_man.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
FIELDS OF THE NEPHILIM - "Preacher Man"
Comments, corrections etc. welcome.
Par Svensson, t89par@tdb.uu.se
Riff #0:
D 0---------0---------0-------0------0-----0-----0---0--00..000--A --------------------------------------------------------------3Riff #1:
e --------------------------------B --------------------------------G ---2---------------2------------D -0---0-3r2r0---0-0---0--3r2r0---A -------------3----------------3-E --------------------------------Riff #2:
e -----------------B -----------------G -----------------D -----------------A -0-3r0-5r0-0-2h3-E -----------------Riff #3:
e -------------------------------------B -------------------------------------G -----------------------------------0-D -2-2-2r0---2-2-2r0---2-2-2r0---2-----A ---------2---------2---------2---2---E -------------------------------------Riff #4:
e ---------------B ---------0-0---G -----0h2-----0-D -2-2-----------A ---------------E ---------------Riff #5:
e --------------------------------------3-B -5-5-5r3r0--5-5-5r3r0--5-5-5r3r0--5r0---G ----------------------------------------D ----------------------------------------A ----------------------------------------E ----------------------------------------Riff #6:
e ---1--0---------------B ----------3---1---0---G ----2---2---2---2---2-D -0--------------------A ----------------------E -----------------------
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/preacher_man.tab
Riff #7:
e -----------------------------B --------------1--1-0h1r0-----G ----------0h2------------0h2-D ------0h2--------------------A -0--3------------------------E -----------------------------Riff #8:
e -15----14---12-------------B ----12----12---15-12-14-12-G ---------------------------D ---------------------------A ---------------------------E ----------------------------
#0
#1(x4)
#2(x8)
#3
Well he talks in confusion
And he faults your point of view
You talk about his operation
And he talks, hear him laughing at you
#4
Contamination and radiation
Let it crawl, wanna see you stalemate
Can't turn to blink or think for a while
Now you're melting through your burning feet
#5(x2)
All the people say "Ohh..."
Stop!
#3
He talks, clearly starts to open
A thousand fingers reach out for you
#4
We don't feel no contamination (x4)
#5(x4)
Ohhh...
#6(x4)
#1(x4)
#7(x2)
#3
Oh, keep talking, you're a hunter, I'm a wolf
Yeah, keep talking, I'm the preacher, you're the fool!
#4
Contamination and radiation
Let it crawl, wanna see you stalemate
Can't turn to blame or think for a while
Now you're melting through your burning feet
#5(x4)
Thought I'd hear you say "Ohh..."
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/preacher_man.tab
#4(x8)
#3
We don't feel no contamination (x4)
#5
We don't feel no contamination (x4)
#8
Radiation, Contamination
Radiation.
(x3)
As usual, it's quite hard to distinguish which one is guitar one, two or the
bass. The above sounds pretty good when playing along to the record, though.
When no number of times a riff should be played, is stated, simply repeat
it until you bump into another one, and start playing that.
Riff #3 actually should be: D:--2-2-2-2-2-2-2-2-2-2-2-2... played with
the string "half-muted", but that's not very exciting, is it?
I took the liberty of changing John's (McDonagh) lyrics transcription in a few
places, thereby not claiming my interpretation is correct.
Finally, anybody recognise riff #8 from somewhere else? :-)
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/shiva.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: L'Etat Morbide <goyet@coventry.ac.uk>
Rough aproximation to Shiva, I'm sure of Riff B, the rest is difficult
to know... :)
by
Shiva
----The Nephilim
Riff A:
e|----------------------------------|
B|----------------------------------|
G|----0----------0----------0-------|
D|---2-2-0-4-0--2-2-0-4-0--2-2------|
A|----------------------------------|
E|----------------------------------|
Riff B:
e|-2-0--0-5--0-3--0-5--2-0--0-8-0-0-7-0-0-5---|
B|--------------------------------------------|
G|--------------------------------------------|
D|--------------------------------------------|
A|--------------------------------------------|
E|--------------------------------------------|
Riff C:
e|----------------------|
B|----------0-2-0-------|
G|---2-2-2-2-2-2--------|
D|----------------------|
A|----------------------|
E|----------------------|
"
Walk
This is
Welcome to Heaven
Believe
Welcome to 666
Breathe
Come closer
1 2 3 4
"
Riff A x 8 (while sings the lyrics)
Riff B once
Riff C x 4 (while 1 2 3 4...)
"
Walk
Open your eyes my darling
Let the weapon rise my darling
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/shiva.tab (1 of 14) [4/28/2003 9:51:02 PM]
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/shiva.tab
Come closer
The sweet smell of giving
"
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/shiva.tab
e
B
G
D
A
E
---1--0-------------------------3---1---0-------2---2---2---2---2--0-----------------------------------------------------------------
Riff #7:
e -----------------------------B --------------1--1-0h1r0-----G ----------0h2------------0h2-D ------0h2--------------------A -0--3------------------------E -----------------------------Riff #8:
e -15----14---12-------------B ----12----12---15-12-14-12-G ---------------------------D ---------------------------A ---------------------------E ----------------------------
#0
#1(x4)
#2(x8)
#3
Well he talks in confusion
And he faults your point of view
You talk about his operation
And he talks, hear him laughing at you
#4
Contamination and radiation
Let it crawl, wanna see you stalemate
Can't turn to blink or think for a while
Now you're melting through your burning feet
#5(x2)
All the people say "Ohh..."
Stop!
#3
He talks, clearly starts to open
A thousand fingers reach out for you
#4
We don't feel no contamination (x4)
#5(x4)
Ohhh...
#6(x4)
#1(x4)
#7(x2)
#3
Oh, keep talking, you're a hunter, I'm a wolf
Yeah, keep talking, I'm the preacher, you're the fool!
#4
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/shiva.tab
(x3)
As usual, it's quite hard to distinguish which one is guitar one, two or the
bass. The above sounds pretty good when playing along to the record, though.
When no number of times a riff should be played, is stated, simply repeat
it until you bump into another one, and start playing that.
Riff #3 actually should be: D:--2-2-2-2-2-2-2-2-2-2-2-2... played with
the string "half-muted", but that's not very exciting, is it?
I took the liberty of changing John's (McDonagh) lyrics transcription in a few
places, thereby not claiming my interpretation is correct.
Finally, anybody recognise riff #8 from somewhere else? :-)
Misc. Nephilim Tabs (mcdonghj@unix2.tcd.ie)
OK guys and gels....
What's the chance of some of us getting together and working out some
Neph TABs for Guitar(+Bass). Myself... I am not particularly good on the guitar
but love to play it. I find some of the Neph stuff particularly hard to work
out. I find some of the intro's to be OK but when the guitar line changes
come chorus I get all messed up.
So here are 2 or 3 intro's. Could anyone out there complete them??
Laura
~~~~~
Main Riff...
|--------------5-------------------------------------------------------------|----5-8-5-7-5---5-8-5-7-8-7-5-----------------------------------------------|----------------------------------------------------------------------------|----------------------------------------------------------------------------|----------------------------------------------------------------------------|----------------------------------------------------------------------------The Tower
~~~~~~~~~
Main Riff...
|----------------------------------------------------------------------------|--1-3-1--6-3-5--0-1-2--0-1-2------------------------------------------------file:///C|/olga_main/f-g/f/fields_of_the_nephilim/shiva.tab (4 of 14) [4/28/2003 9:51:02 PM]
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/shiva.tab
|----------------------------------------------------------------------------|----------------------------------------------------------------------------|----------------------------------------------------------------------------|----------------------------------------------------------------------------MoonChild
~~~~~~~~~
Main Riff...
A
A
|-----------------------------------0--------0-------------------------------|---1-0------1-0------1-0-------1-1------1-1---------------------------------|-------2--------2--------2--------------------------------------------------|---------0--------2--------3------------------------------------------------|----------------------------------------------------------------------------|----------------------------------------------------------------------------Psychonaut
~~~~~~~~~~
The Power chords played in Psychonaut are:D F C G
I play the chords:
D
10-12-12-11-10-10
F
x- 8-10-10-10- x
C
8-10-10- 9- 8- 8
G
x-10-12-12-12- x
I don't claim any of the above is correct... but merely the way 'I' play it.
I have Watchman on line too, but it's the same as the one at the FTP sites.
I can play bits of other songs... I think Endemoniada, Phobia, Power, Love
Under Will, For her Light....
I have a few Bass Lines...
Last Exit for the lost is some thing like...
|----------------------------------------------------------------------------|----------------------------------------------------------------------------|--------3-----3-------------------------------------------------------------|--1---1---1-1----1-4-4-4-4--------------------------------------------------Does anyone have the bassline for Celebrate.
I would love to be able to play all of the Neph songs... So anyone else out
there with guitars... PLEASE help me.
I can also play some Bauhaus, SoM, Christian Death so... if people are
interested in more than just Neph I'll try typing out some other stuff.
Riff B:
-----------------------------------------2-0---------
Riff C:
--7-----5--------5--------------5--------------------
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/shiva.tab
A|--------E|---------
------3-2-0----------------
---------------------------
Riff D:
e|--5h7----------10-10-10-10-10-10------B|------5--------10-10-10-10-10-10------G|-----------5--------------------------D|-----------------------------------2--A|-----------------------------------0--E|--------------------------------------Intro is Riffs...
A-B-A-C-B-A-C-B-A-D-A-D-B
Main Verse goes:
A-B
(ie Riff A the Riff B)
Cut to razor sounding violins
Recall your cutthroats and razor sin
We're watching Heaven as the sun goes down
I'll watch the sun bursting.. Hit the ground
Chorus:
A-D
You've got to [
]
Chorus: Dawnrazor's falling, The Razor Sin
Dawnrazor's falling, The Razor Sin
Then:- B
Dawnrazor
Dawnrazor
Dawnrazor
Dawnrazor
Well how ?
Well how ?
(Chorus)
Women in dreams abide, better than lost before
Women in dreams abide, better than cut before
Cuts in razor sound in body and limb
Recall your cutthroats and razor sin
You've got to [
]
Dawnrazor's falling, The Razor Sin
Dawnrazor's falling, The Razor Sin
Dawnrazor's falling, The Razor Sin
DawnAngel's fall, The Razor Sin
Lyrics by me too(with help from Robert Schmitz).
~From: ssimpson@trumpet.calpoly.edu
I should warn you that the rhythm isn't quite right on this, but this
should get you a close enough feel for the song to be able to play along
with the CD and work out the rhythm.
Phobia
Fields of the Nephilim
Riff 1:
A
e|---0--------------0---------------------------------------------------------file:///C|/olga_main/f-g/f/fields_of_the_nephilim/shiva.tab (6 of 14) [4/28/2003 9:51:02 PM]
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/shiva.tab
B|---2--------------2---------------------------------------------------------G|---2--------------2---------------------------------------------------------D|---2--2-1--0------2--2-1-0---0----------------------------------------------A|-0-----------3--0----------3------------------------------------------------E|----------------------------------------------------------------------------Riff 2:
F F E F E F F F E F E F
e|-1-1-0-1--0-1--1-1-0-1--0-1-------------------------------------------------B|-1-1-0-1--0-1--1-1-0-1--0-1-------------------------------------------------G|-2-2-1-2--1-2--2-2-1-2--1-2-------------------------------------------------D|-3-3-2-3--2-3--3-3-2-3--2-3-------------------------------------------------A|-3-3-2-3--2-3--3-3-2-3--2-3-------------------------------------------------E|-1-1-0-1--0-1--1-1-0-1--0-1-------------------------------------------------Riff 3:
D
e|---2--------------2---------------------------------------------------------B|---3--------------3---------------------------------------------------------G|---2--2-1--0------2--2-1--0-------------------------------------------------D|-0-----------3--0-----------3-----------------------------------------------A|----------------------------------------------------------------------------E|----------------------------------------------------------------------------So it goes kinda like:
Riff 1 (several times), Riff 2, Riff 3, Riff 2, Riff 3
Riff 1
It drains all of my life force
Riff 1
A body like a unicorn, it's a phobia
Riff 3
Riff 1
In this crowded room the people just stare
Riff 2
Descend my soul (or whatever)...
Riff 3
Riff 2
Descand my soul, etc...
I think you get the idea. Two notes: first, I'm doing this completely by
memory since I currently have access to either my guitar nor the CD at the
moment; secondly, the bass does NOT appear to follow the guitar. I've not
quite figured out the bass yet, though, but there appear to be some
counterpoint involved.
--the Dragon
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/shiva.tab
Power
----by The Nephilim
(Normal tuning)
Bass 1:
|---------------------|
|--3-2-0---2----------|
|--------3---3-2-0----|
|------------------5--|
Bass 2:
|-------|
|-------|
|--3----|
|----5--|
Intro: Bass1 + Bass2 x 3
Then one guitar play Bass1 while the other plays a G chord (probably
a barre chord on the third fret, but Im not sure
Main Riff:
Guitar 1:
|---------------------|
|---------------------|
|---------------------|
|----------------0-2--|
|--0-----0-3p2p0------|
|---------------------|
|
Guitar 2:
|---------------------|
|---------------------|
|---------------------|
|---3p2p0-------------|
|---------------------|
|---------------------|
In fact, you can play both riffs in one guitar, but Guitar2 should
sound quieter
During the break they play something like:
|--------------------------|
|----15--------------------|
|----14-14-17p16p14-14-----|
|----------------------16--|
|--0-----------------------|
|--------------------------|
Song by McCoy/Yates/Wrigth/Pettit/Wrigth
TAB by oSKaR
oSKaR@si.upc.es
?Querras Tu rectificar las lineas de mis Manos?
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/shiva.tab
Chord of Souls
-------------McCoy/Yates/Wrigth/Pettitt/Wrigth
Main Riff:
|-----------------------------|
|-----------------------------|
|----5p4-0-2---5p4-0-0-2-0h2--|
|-----------------------------|
|--0--------------------------|
|-----------------------------|
Intro Main Riff x 4
Then the second guitar enters with an A5 chord (X022XX)
During the lyrics keep playing:
|-----------------------------|
Guitar1|-----------------------------|
|----5p4-0-2---5p4-0-0-2-0h2--|
|-----------------------------|
|--0--------------------------|
|-----------------------------|
|-----------------------------|
Guitar2|-----------------------------|
|--2--------------------------| < let this two strings ringing
|--2--------------------------| <
(full distortion)
|--0---------------3p0-0-3p0--|
|-----------------------------|
A5
"The Preacher Says...
Then the power chord seems to change to (0022XX) during the first :
"Let it be the End"
On the chorus:
|------------------------|
Guitar1|------------------------|
|----7-7-5-5p4----0------|
|--0---------------------| < let this ring
|------------------------|
|------------------------|
|------------------------|
Guitar2|--3-3-3-----------------|
|--2---------2p1p0-------|
|-----------------3p2p0--|
|------------------------|
|------------------------|
D5
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/shiva.tab
Eyes!
(x 4)
Lyrics:
The Preacher says to all his men: I hear Godly laughter
Can it be the end?
With eyes on fire, couldn't be so cold
I hear Godly laughter, let it be the end
Let it be the end
Well I hate
I hate your
Over to the
Over to the
Let
Eyes, eyes, eyes, eyes
{Possibly: Ice!}
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/shiva.tab
Let
Let
Let
Let
it
it
it
it
be
be
be
be
the
the
the
the
end, let it
end believe
end, let it
end between
be
us
be
us
the end
Chord of Souls
the end
Chord of Souls
by the Nephilim
Dust
---McCoy/Yates/Wrigth/Pettit/Wrigth
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/shiva.tab
|-----------------|
|-----------------|
Guitar Riff 1:
|--------------------------------|
|---222------5---222-------------|
|--0---0-3-0----0---0-3-0-2h3p2--|
|--------------------------------|
|--------------------------------|
Guitar Riff 2:
|---------|
|--5-5\9--|
|--5-5\9--|
|--3-3\7--|
|---------|
Intro: Bass Riff 1 x 4
Blood, I wanna watch it rain
I've got a heated slug at your brain
Dust
we fade the same
Got a reasoning piece, now explain...
Bass
Bass
Bass
Bass
Bass
Riff
Riff
Riff
Riff
Riff
1
1
1
3
1
x 3
x 3 + Bass Riff 2
+ Bass Riff 1
x 3 + Bass Riff 2
Chorus:
Feelings, come on and on
Killing, it's all man-made
The rythm of life is all too strong
So we burn it...
Guitar
Guitar
Guitar
Guitar
Riff
Riff
Riff
Riff
1
1
1
2
(Sorry I can't hear what is playing the bass during the chorus)
Keep the same riffs for the rest of the song...
Additions and Corrections Welcome...
Lyrics by elaroche@s850.mwc.edu
oSKaR@si.upc.es
?Querras Tu rectificar las lineas de mis Manos?
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/shiva.tab
e
B
G
D
A
E
-----0-------0---...-----------------------3-----0-------0---...
-----------------...---3-----3-----3---3-3-------------------...
---2---2---2---2-...---------------------------2---2---2---2-...
-----------------...-0---0-0---0-0---0-----------------------...
-0-------0-------...-------------------------0-------0-------...
-----------------...-----------------------------------------...
e
B
G
D
A
E
-----------------------3-----0-------0-------------------------3-----3-----3---3-3-----------------------------------------------------------------2---2---2---2---2-----2-----------0---0-0---0-0---0-------------------------------------------------------------------0-------0-------0---0-0---0---------------------------------------------------------------------
e
B
G
D
A
E
--------------------------------------------------------0------------------------------------------------------------------0-----0---------0-----0----------------------------2---2-----------------------------------------0---0---0------------3---3-----3-0---3---3-----3-0----3-0---------------0------0-------3---------------3--------3-----3---3---3---3----------
(())
//\\
(( ))
^ \\// ^
//\\
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/shiva.tab (13 of 14) [4/28/2003 9:51:02 PM]
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/shiva.tab
(( ))
\\//
(())
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/the_tower.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: M.T.Billington@MCS.Salford.ac.uk (Mad Marcus B)
The Tower
~~~~~~~~~
By Fields of the Nephilim
~~~~~~~~~~~~~~~~~~~~~~~~~
Tabbed By Pope Bovophobe V
~~~~~~~~~~~~~~~~~~~~~~~~~~~
(Version Datestamp: 13.01.95)
Basically a very easy song, with a few hard-to-hear bits in the chorus.
The verse goes:
e|--------------0---------|-------------------B|-1---3---1--------1--3--|-0---1---3---0--1-3G|---2---2---2----2-------|---2---2---2---2-2-D|------------------------|-------------------A|------------------------|-------------------E|------------------------|-------------------over and over and...
occaisionally at the chorus, I think the guitar does something like this:
~~~~~~~~~
e|---5---7-----5B|-----5---5----G|-5---------5--Fairly quickly. It sounds O.K. to me anyway.
Have fun...
Pope Bovophobe V.
Contact me through Mad Marcus B at
M.T.Billington@MCS.Salford.ac.uk
~~~~~~
Pope Bovophobe V is Arch Cyberpope, Ordo Templi Thermophilic Philopoles, C.P.P.
"He was as thin as a pencil and almost as leaden"
-Iain Banks, The Crow Road
file:///C|/olga_main/f-g/f/fields_of_the_nephilim/watchman.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Watchman -Fields of the Nephilim.
~~~~~~~~
TAB by: Nik Foreman
I'll now try to write down the Watchman intro, but be prepared to
move it to a different key (it sounded alright to me last time I
played it to the record - see what you think)
Riff 1
Riff 2
Riff 3
..............|------|..|------|...........|------------------------------|..
E|---2--0-0---2--0-0---------0---------0----0------0------0------0------0---|
B|-00-00-0-0---00-0-0---30010-0--300110-0-----0-1-1--0-1-1--0-1-1--0-110-0--|
G|----------0--------0---------0---------0-2-2-2-2--2-2-2--2-2-2--2-2-----0-|
D|--------------------------------------------------------------------------|
A|--------------------------------------------------------------------------|
E|--------------------------------------------------------------------------|
So as you can see the first bit follows the pattern:
2 x Riff1 + 2 x Riff2 + Riff3
The two parts with singing follow the pattern:
Riff1 + Riff2 + 2xRiff1 + 2xRiff2 + Riff3 (there is a little
embellishment here and there)
But on the very last time lose the last five notes of Riff3 and
sustain the last '1' on the B-string. One other point is when you
play the '2's in Riff3 sustain the note throughout the sequence.
file:///C|/olga_main/f-g/f/fifth_dimension/aquarius.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:33 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./f/fifth_dimension/aquarius.crd
"Aquarius / Let The Sunshine In"
(Rado - Ragni - MacDermot)
Intro [bass]:
[Cm]
v
v
v
v
-----------------|
-----------------|
-3-----3-3-------|
-------------3---|
[8X]
file:///C|/olga_main/f-g/f/fifth_dimension/aquarius.crd
Bm
F#7
Let the sunshine
Bm
Let the sunshine
G
D
The sunshine in
-- another ace 60's tab from Andrew Rogers
file:///C|/olga_main/f-g/f/fifth_dimension/loves_lines.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:34 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./f/fifth_dimension/loves_lines.crd
"Love's Lines, Angles, and Rhymes"
(Dorothea Joyce)
Intro [bass; 2X]
C#m7
F#7
v
v
v
v
v
v
v
v
--------6--------|----------------------46--56---23|-4-4-------------4-4--------4-4--|------34--1-2-3-3
-----------------|--------2-------Verse 1:
C#m9
Love leads the lines of love in circles and angles
C#m9/F#
Love runs deep like a tunnel with a pendulum beat
Pre-chorus:
Bmaj7
That touches the heart in many directions
A#m7
D#m7-5/A
Moving the mind in silent reflection
Chorus:
G#
F#/G#
Of the lines that touch the corners and fibers
G#
F#/G#
Of the feeling that keeps running inside you
G#
F#/G#
Cycles of fears with the longing and tears
G#
F#
Lettin' out the needs and laughter of
Emaj7 Bmaj7/D# Emaj7 Dmaj7
Sunshine,
love shine
C#m7/F#
Touching the fibers of the feeling inside you
D#m7/G#
Letting out the things
you hide
[repeat intro]
Verse 2:
Need leads the lines of love in circles and angles
Need runs deep like a tunnel with a pendulum beat
[repeat pre-chorus]
Chorus 2:
file:///C|/olga_main/f-g/f/fifth_dimension/loves_lines.crd
file:///C|/olga_main/f-g/f/fifth_dimension/one_less_bell.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:35 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./f/fifth_dimension/one_less_bell.crd
"One Less Bell To Answer"
(Bacharach - David)
[This one came out in the fall of 1970, and while Bacharach and David
continued to collaborate for another couple of years I believe this was
their last big hit.]
Intro:
Dmaj7
G13
Dmaj7
/
/
/
/
/
/
Em7/G F#m7 Gmaj7/E
/
/
/
Verse 1:
Dmaj7
D6
Dmaj7
One
less bell to answer
Bm9 F#m7 Bm9
F#m7
One less egg to fry
Gmaj7
C#m7
F#7
One less man to pick up after
Bm9
E7
Em7/A
I should be happy
Em7 F#m7 Gmaj7 Gmaj7/A (Dmaj7)
But all I
do
is
cry
Verse 2:
Dmaj7
D6
Dmaj7
(Cry, cry, no more laughter) I should be happy
Bm9 F#m7 Bm9
F#m7
(Oh, why did he go)
Gmaj7
C#m7
F#7
Since he left my life's so empty
Bridge:
Ebmaj7
Gm7
Though I try to forget it just can't be done
Abmaj7
Dm7/G
Each time the doorbell rings I still run
Cmaj7
Cmaj7/E
I don't know how in the world
Fmaj7 Cmaj7/E
To stop thinking of him
Fmaj7
Cmaj7/E
Bm7/E E7
'Cause I still love him so
Em9
A13
I spend each day the way I start out
Em9
A13
Crying my heart out
file:///C|/olga_main/f-g/f/fifth_dimension/one_less_bell.crd (1 of 2) [4/28/2003 9:51:04 PM]
file:///C|/olga_main/f-g/f/fifth_dimension/one_less_bell.crd
D6
/
/
F#m7
/
/
Dmaj7
/
/
Bm9
/
/
/
/
F#m7
/
/
Gmaj7
F#m7
Bm7
One less man to pick up after
Em9
A13
Am6
B7-9
No more laughter, no more love
Em9
F#m7 Gmaj7 Gmaj7/A
Since he went away
(he went away)
Coda:
Dmaj7
D6
Dmaj7
(One less bell to answer)
Why did he leave me
Bm9 F#m7 Em7/G F#m7 Gmaj7/E Gmaj7/A
(Why, why, why
did
he
leave)
(One less bell to answer)
(Why, why, why did he leave)
file:///C|/olga_main/f-g/f/fifth_dimension/up_up_and_away.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:35 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./f/fifth_dimension/up_up_and_away.crd
"Up, Up, and Away"
(Jimmy Webb)
Intro:
Fsus2
Ebsus2 Dbsus2
/
/ /
/
/ /
[2X]
Verse 1:
F
Fmaj7
Eb
Would you like to ride in my beautiful balloon
Ab
Abmaj7
Gb/Db
Gb
Would you like to ride in my beautiful balloon
B
D#m
B7/D#
E
We could float among the stars together, you and I
B F#/B
B
D7
For we can fly
we can fly
Chorus:
G
Gmaj7
Up, up and away
Cmaj7
F9
My beautiful, my beautiful
Gsus2
Fsus2
Ebsus2
Gsus2
Balloon
Fsus2
Ebsus2
Verse 2:
The world's a nicer place in my beautiful balloon
It wears a nicer face in my beautiful balloon
We can sing a song and sail along the silver sky
For we can fly
we can fly
[repeat chorus]
Bridge:
Bb
Dm/Bb
Cm/Bb
F7/Eb
Suspended under a twilight canopy
Bb/D
Dm/Bb
Cm/Bb
We'll search the clouds for a star to guide us
Db
Dbmaj7
Gb6
If by some chance you find yourself loving me
E
Am/E
We'll find a cloud to hide us
Fsus2
Ebsus2 Dbsus2
We'll keep the moon beside
us
F7/Eb
Verse 3:
file:///C|/olga_main/f-g/f/fifth_dimension/up_up_and_away.crd
[repeat to fade]
N.B. there isn't a usable guitar fingering for those sus2 chords - on
keyboard you'd voice them as 2nd/3rd/5th (e.g. Fsus2 => G/A/C) in the
right hand. Steely Dan would refer to this voicing years later as the
"mu-major" chord.
-- another ace 60's tab from Andrew Rogers
file:///C|/olga_main/f-g/f/filter/hey_man.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Sun, 3 Dec 1995 13:38:16 -0500
From: Don Pezet <dpezet@ao.net>
Subject: BTAB: Hey Man Nice Shot by Filter
Bass Tab by: Don Pezet (dpezet@ao.net)
Group: Filter
Song: Hey Man Nice Shot
Album: Short Bus
Written and arranged by: Richard Patrick
~~~~~~~~~~~~~~~~~~~
Hey Man Nice Shot
By: Filter
~~~~~~~~~~~~~~~~~~~
INTRO/VERSE (Bass w/effects & echo)
G|-----------------------------------------------------------------|
D|-o-------------------------------------------------------------o-|
A|-o-------------------------------------------------------------o-|
E|---0-0-0-0-0-0-0-0-3-3-3-3-3-3-3-5-5-5-5-5-5-5-5-5-6-6-5-5-3-3---|
CHORUS (Lots of distortion here)
G|-----------------------------------------------------------------|
D|-o---------------------------------------------------------------|
A|-o---------------------------------------------------------------|
E|---0--10--12--0--10--12--0--10--12--0--10--12--0--10--9--0--10--9|
G|-----------------------------------------------------------------|
D|-----------------------------------------------------------------|
A|-----------------------------------------------------------------|
E|---0--10--9--0--10--9--0--5--7--0--5--7--0--5--7--0--5--7--0--5--|
G|-----------------------------------|
D|---------------------------------o-|
A|---------------------------------o-|
E|---3--0--5--3--0--5--3--0--5--3----|
Lyrics:
<Intro/Verse>
I wish I would've met you
now it's a little late
what you would've taught me
I could have saved some face
they think that your early ending
was all wrong
for the most part they're right
but look how they all got strong
that's why I say hey man nice shot.
what a good shot man
<Chorus>
a man
has gun
hey man
have fun
file:///C|/olga_main/f-g/f/filter/hey_man.tab (1 of 2) [4/28/2003 9:51:04 PM]
file:///C|/olga_main/f-g/f/filter/hey_man.tab
nice shot
<Intro/Verse>
now that the smoke's gone
and the air is all clear
those who were right there
got a new kind of fear
you'd fight and you were right
but they were just too strong
they'd stick it in your face
and let you smell what they consider wrong
that's why I say hey man nice shot
what a good shot man
<Chorus>
a man
has gun
hey man
have fun
nice shot.
I wish I would have met you
I wish I would have met you
I'd say
nice shot.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Tabbed by dpezet@ao.net
Access Orlando, Home of the really bored guy with way
to much time on his hands.
--=====================_818026820==_
Content-Type: text/plain; charset="us-ascii"
-dpezet@accessorl.net
--=====================_818026820==_--
file:///C|/olga_main/f-g/f/filter/hey_man_nice_shot.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
[x2]
From: jeffnmoe@MCS.COM (jeffnmoe)
Date: 7 Jun 1995 16:49:30 -0500
'Hey Man Nice Shot' - Filter
from the album 'Short Bus'
dropped-D tuning (tune your low E string down to D)
verse riff (could be a keyboard but you can simulate with
palm muting and tinny distortion) - note: i haven't included
the exact amount of notes picked; listen to song for that..
----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------8--8--8--8--8--8--8--8--8--8--8--8--3--3--3--3--3---0--0--0--0--0---------------------------------------------------chorus chords (lots of distortion here)
----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------0--10--12--0--10--12--0--10--12--0--10--12--0--10--12--0---0--10--12--0--10--12--0--10--12--0--10--12--0--10--12--0---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------0--10--9--0--10--9--0--10--9--0--10--9--0--10--9--0---0--10--9--0--10--9--0--10--9--0--10--9--0--10--9--0-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------0--5--7--0--5--7--0--5--7--0--5--7--0--5--7--0---0--5--7--0--5--7--0--5--7--0--5--7--0--5--7--0-----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------0--5--3--0--5--3--0--5--3--0--5--3--0--5--3--0---0---0--5--3--0--5--3--0--5--3--0--5--3--0--5--3--0---0-ending riff (played over chorus chords)
-------------------------------------------------------------------------------------------------------------------------------------------------------3--(5)-----5-----------3---------------------------------------------3--
file:///C|/olga_main/f-g/f/filter/hey_man_nice_shot.tab
file:///C|/olga_main/f-g/f/filter/hey_man_nice_shot.tab
file:///C|/olga_main/f-g/f/filter/hey_man_nice_shot.tab
file:///C|/olga_main/f-g/f/filter/thanks_bro.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
Date: Sun, 05 Jan 1997 12:43:07 -0500
From: Christofferson <hilltop5@cyberport.net>
Subject: Tab:"Thanks Bro" by "Filter"
Song: Thanks Bro
Artist: Filter
Album: songs in the key of X
Tabbed by: Jake Christofferson
This is a good accoustic song by Filter. It comes from the X-Files
Soundtrack, which is a great CD. Im not sure of the chords, but they
sound ok to me.
Chords:
D-200230
C-332010
G-320033
F-112331
My best guess?
file:///C|/olga_main/f-g/f/filter/thanks_bro.crd
Bro
Thanks a lot
Way to go
Bro
Thanks
Way to
Bro
Thanks
way to
Bro
a lot
go
a lot
go
Thanks a lot
Thanks a lot
Thanks a lot
Oh, thanks a lot
Bro
Thanks a lot
Bro
Well, thanks a lot
Bro
Thanks a lot
Bro
file:///C|/olga_main/f-g/f/finn/last_day_of_june.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Howdy,
Somebody requested stuff from the Finn album. Here's one, but its not really
for guitar (horrible chords). Sounds great on the piano though!
Cheers,
John K
Last Day of June - Finn
~~~~~~~~~~~~~~~~
From "Finn".
Transcribed by John Kean (keanj@agresearch.cri.nz).
Cm
Gaug
G7
Gaug
G7
Bbsus2
Bb
Dm
The rising voice of discontent
Dm7
Bb/D
All the guardian angels
Eb
F
You can bang the drum
Eb
F
Look what we've become
Gb
Fm
Ebm
Absus4
I hope there might be one of us
Ab
Gbmaj7
Db
Who calls the tune
Ab/Gb
Last
Gb Ab/Gb
day
of
Gbmaj7
June
Ab6
Gb Ab/Gb
day
of
Gbmaj7
June
Ab6
Bbm
Gbmaj7
Db
Who breaks the news
file:///C|/olga_main/f-g/f/finn/last_day_of_june.crd
Ab/Gb
Last
Gb Ab/Gb
day
of
Gbmaj7
June
Fm/Ab
Fm
Gb Ab/Gb
day
of
Gbmaj7
June
Ab6
Bbm
Ab6
Bbm
Gbmaj7
Db
Who speaks the truth
Ab/Gb
Last
Gb Ab/Gb
day
of
Gbmaj7
June
Gbmaj7
Db
Who breaks the news
Ab/Gb
\\\\
OO |
< )
\/ |
`--
Gb
Ab/Gb
Gbmaj7
Db
John Kean
~~~~~~~~~
keanj@agresearch.cri.nz
file:///C|/olga_main/f-g/f/finn/niwhai.cpr
Niwhai - Finn
(Tab by Rodney Macfarlane)
Intro Riff:
e--------------------------------------------B--------------------------------------------G--------------------------------------------D--------------------------------------------A---4--4----4--4----4--4---4-4-4-4-4-4-4-4-4-E---2--0----2--0----2--0---2-2-0-2-2-0-2-0-0-[F#]
[F#]
[F#]
[D#]
file:///C|/olga_main/f-g/f/finn/niwhai.cpr
chords and what i've tabbed you should have something which shounds okay.)
>Riff I:
Bmsus2
G
D
e-------------------------------------------------------B--------2----------------------------------------------G------4---4----------0-2p0-----------------------------d----4--------------0----------0-4p0-0----0---0-0-2-----A--2-----------------------------------(0)--4-----------D---------------4h5-------------------------------------Bmsus2
G
D
e-------------------------------------------------------B----------2---------------0----------------------------G--------4---4---------0h2------2-----2-----------------d------4-------------0------------0-----0---4---5---4---A--0h2------------------------------0-----0---0---0---0-D----------------4h5---------------(0)---(0)-(0)-(0)-(0)play riff during verse with improvisation especially on the D chord
Verse I:
there's a wild thing in the
and its keeping me awake at
a devil in the closet
and a feeling i'd prefer to
he religion
he won't hear me when i cry
he has a vision of me
but i am somebody else
wool shed
night
hide
for help
Chorus:
we [Bm] talk the pillow
there are [G] times when i'm tied up to the [F#m] fence
and i'm only talking sense [play riff I]
Verse II:
>Riff II (essentially riff I with an extra A on the end):
Bmsus2
G
D
A
e------------------------------------------------------B--------2---------------------------------------------G------4---4----------0-2p0------------------------2-4s6
d----4--------------0----------0-4p0-0----0------2-----A--2-----------------------------------(0)-----0-------D---------------4h5------------------------------------there's a mirror lake before me
but i'm frozen when its time to jump
it's like maybe i'm afraid of what i'll find
when independance comes
you steel my shadow
you make my blood run dry
Chorus II:
we are [D] true only when we [Bm] talk the pillow
there are [G] times when i'm tied up to the [F#m] fence
file:///C|/olga_main/f-g/f/finn/niwhai.cpr
file:///C|/olga_main/f-g/f/firefall/just_remember_i_love_you.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Jeff Estefan <jae@explorer>
Just Remember I Love You
by
Firefall
(notated by Jeff Estefan jae@explorer.jpl.nasa.gov)
Words and Music by Rick Roberts
INTRO: Fmaj7-5
Fmaj7
Fmaj7-5 Fmaj7
Em
Em7
Em Em7
VERSE 1:
Fmaj7-5 Fmaj7
Fmaj7-5
Fmaj7
When it all goes crazy and the thrill is gone
G6
the days get rainy and the night gets long;
Fmaj7-5 Fmaj7
Fmaj7-5 Fmaj7
when you get that feeling you were born to lose,
Em
Fmaj7-5
Fmaj7
Fmaj7-5
staring at your ceiling, thinking of your blues;
Fmaj7
Fmaj7-5 Fmaj7
Fmaj7-5 Fmaj7
When there's so much trouble that you want to cry,
G6
the world has crumbled and you don't know why;
Fmaj7-5
Fmaj7
Fmaj7-5 Fmaj7
when your hopes are fading and they can't be found,
Em
Fmaj7
dreams have left you waiting, friends have let you down:
CHORUS: (lead-in: G C)
G
Fmaj7
just remember I love you,
C
G
Fmaj7
and it'll be all right.
G
Fmaj7
Just remember I love you
C
G Fmaj7
more than I can say.
G6
file:///C|/olga_main/f-g/f/firefall/just_remember_i_love_you.crd
INSTRUMENTAL: (lead-in: Fmaj7-5 Fmaj7 G6) (play same chords as first part of verse, without verse lead-in)
Fmaj7-5
Fmaj7
Fmaj7-5 Fmaj7
when the blues come callin' at the break of dawn,
G6
the rain keeps fallin', but the rainbow's gone;
Fmaj7-5
Fmaj7
Fmaj7-5
Fmaj7
when you feel like cryin', but the tears won't come,
Em
Fmaj7
then your dreams are dyin', then you're on the run:
REPEAT CHORUS: (once) ---->
OUTTRO: (lead-in: C)
G
Fmaj7
Just remember I love you,
Am
G6
Fmaj7
and it'll be all right,
Am
G6
Fmaj7
it'll be all right ... (repeat this line 3 times and end on Cmaj7)
CHORD FORMATIONS:
Fmaj7-5 xx3200
Fmaj7
xx3210 (strike backwards)
Em
022000
Em7
022030 (strike backwards)
G6
xx5430
G
3x0003
C
x32010
Cmaj7
x32000
Copyright 1976, 1977 Stephen Stills Music
From: terry.brown%ccmail@x400gw.msfc.nasa.gov (BROWNTA)
Subject: Re: REQ: "Just Remember I Love You (And It'll Be Alright)"??
This song is by Firefall and you have the title correct.
I play this one sometimes but it has been a while since I heard it.
believe the opening chords are like this :
F? FMaj7 G? G6
-0--0----0--0-----0--0----0--0-----------------------------0--1----0--1-----0--3----0--3-----------------------------2--2----2--2-----4--4----4--4-----------------------------3--3----3--3-----5--5----5--5------------------------------------------------------------------------------------------------------------------------------------------------This repeats for the verses I will try to notate where this is not the
case.
Here are the lyrics as I remember them (your mileage may vary)
When it all goes crazy and the thrill is gone
Your days get rainy and your nights get long
And you get that feeling you were born to lose
Em
Am
Starin' at your ceiling dreamin' of your blues
When there's so much trouble that you wanna' cry
file:///C|/olga_main/f-g/f/firefall/just_remember_i_love_you.crd (2 of 3) [4/28/2003 9:51:06 PM]
file:///C|/olga_main/f-g/f/firefall/just_remember_i_love_you.crd
F
C
G
F
love you and it'll be alright
F
C
G
F
love more than I can say
F
C
G
F
love you and it'll be alright
Am
(return to chors for verses)
blues will fade away
file:///C|/olga_main/f-g/f/firehose/brave_captain.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Brave Captain
by fIREHOSE
chords:
Am
Bm7
intro:
Am (4x)
Am
Bm7
Captain,
Am
Bm7
Regarding
Am
Bm7
To lead them,
Am
Bm7
Lead them!
Am
Bm7
there are doubts
Am
Bm7
your ability
Am
Bm7
the men
Am
Bm7
chorus:
D
G
There are doubts
D
There's too many
D
G
in your ability
G
D
G
blanks in your analogy
solo
repeat last verse
chorus (2x)
F G A (2x)
__________
Dan Lovall
lovall@physics.purdue.edu
file:///C|/olga_main/f-g/f/firehouse/i_live_my_life_for_you.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: koojuanh@iscs.nus.sg (Metal God)
Date: 21 Jun 1995 06:44:15 GMT
Subject: TAB : I Live My Life For You by Firehouse
I LIVE MY LIFE FOR YOU
---------------------(FIREHOUSE)
transcribed by
Koo Juan Huat (koojuanh@iscs.nus.sg)
*******************************************************************************
Playing tips :
1) All tabs transcribed below are as close as I can get but you should try
to fit your own rhythmic feel and guitar fills whenever you feel it is
most appropriate. It is not easy to transcribe a strumming(rhythm) part.
2) When playing the Intro and Ending, finger the chords given below and not
just press the notes you need to play. This is because you want the
notes to really sound properly.
3) Bill Leverty (Firehouse) applied roughly the same chord progressions and
guitar techniques on "Love of a Lifetime" and "When I Look Into Your Eyes".
If you need these songs, it will be pretty easy to pick up this song.
4) When performing the guitar solo, do not play it stiff. Add thrills and
tremolos to the long notes. This will add life and energy to your guitar
playing.
5) For people who wants to play the easy guitar version (strumming), follow
the chords given at tablatures.
6) Please feedback to me on whether the tablatures have been useful to you
and accurate or if you have any queries. This will enable me to continue
to contribute. My Email Address is :
koojuanh@sununx.iscs.nus.sg
7) Lastly, this song is dedicated to all the people in love out there.
Good Luck !!
Chords used in this song :
A
Bm Cadd9 D D5(add9)/F# Em Em G5
--0---2-----3----2------0--------0---3----3-------------------------------------2---3-----3----3------3--------0---5----3-------------------------------------2---4-----0----2------2--------0---4----0-------------------------------------2---4-----2----0------0--------2---2----0-------------------------------------0---2-----3--------------------2--------2-----------------------------------------------------------2--------0---0----3-----------------------------------Notation Legend :
/ Slide Up
P Pull Off
eg.
\ Slide Down
H Hammer On
B Bend
file:///C|/olga_main/f-g/f/firehouse/i_live_my_life_for_you.tab
*******************************************************************************
Tune guitar 1/2 step down (Eb Ab Db Gb Bb Eb)
Clean acoustic guitar
D
Bm
G5
-------------------|------2-------------|-----------2----------|-----3---------------------------|--------------3-----|----------------3-----|--------3------------------------|--------------------|----------------------|---------------------------------|-0------------------|----------------------|---------------------------------|--------------------|-2--------------------|---------------------------------|--------------------|----------------------|-3------------You know you're everything to me and I could never see The two of us aA
D
Bm
------0-------------------|-------2-----------------|---------2-----------------------2-----------------|---------------3---------|----------------3------------------2---------------|-------------------------|------------------------------------------2--------|-0-----------------------|----------------------------0------------------0---|-------------------------|-- 2-----------------------------------------------|-------------------------|-------------------------part
And you know I give myself to you and no matter what you do I
###
+ Slightly Distorted Guitar
Em
G5
A
G5
D5(add9)/#F
----3--------3---|------0------------|-3---------------0----------------------------5--------3-|---------2---------|-3---------------3---------------------------------------|-------------------|-0---------------2---------------------------------------|-------------------|-0---------------0---------------------------------------|-0-----------------|-2---------------------------------------0--------3------|-------------------|-3---------------2----------------------promise you my heart
I've built my world around you and I
*** (2nd time + strum)
Clean guitars
Em
D
G5
D5(add9)/#F
Em
G5
A(str)
---0----------2------|--3------------------0-----------|--0--0--3----------------0----------3------|--3------------------3-----------|--0--0--3----------------0----------2------|--0------------------2-----------|--0-----0----------------2----------0------|--0------------------0-----------|--2-----0----------------2-----------------|--2------------------------------|--2--0--2----------------0-----------------|--3------------------2-----------|--0--2--3-------------want you to know I
need you like I've never needed anyone before
Chorus
A
D(str)
A(str)
G5(str)
A(str)
Cadd9(str)
-----0-----------|-------------------|-----------------------------------------2-3-2-----------|-------------------|-----------------------------------------2-2-2-----------|-------------------|-----------------------------------------2-2-2-----------|-------------------|-----------------------------------------0-0-0-----------|-------------------|---------------------------------------------------------|-------------------|----------------------------------------I
live my life for
you I want to be by your
G5(str)
Em(str)
A
D(str)
A(str)
Em(str)
----------------------------|-----0-------------------|---------------------------------------------------|-2-3-2-------------------|---------------------------------------------------|-2-2-2-------------------|---------------------------------------------------|-2-2-2-------------------|---------------------------------------------------|-0-0-0-------------------|---------------------------------------------------|-------------------------|------------------------
file:///C|/olga_main/f-g/f/firehouse/i_live_my_life_for_you.tab
side
do
file:///C|/olga_main/f-g/f/firehouse/i_live_my_life_for_you.tab
---------------------------|--------------------/19----19------------------------------------------------|-----------------------------------------------------------------------------|--------------------------------------------------D
Bm
----------------------------------------|--------------------------------------20-------19----------19-19-19----------|-20-----19----------------------------19-------19-------21-19-19-19----------|-19-----19-----21-----19-------19/21-----19-19----19-19----19-19-19-19\17/19-|---19-19--19-19--19-19----16-19----------------------------------------------|-----------------------------------------------------------------------------|-------------------------------------To ###
Em
G5
A
------------------------------------|-------------------22-24-24(26)-22-24-22--20-----19---19-----20-------22(24)-|-22----------22-24----------------H--P------21-----21---21-----21--21---B----|--------23-24---------------------------------21----------21-----21----------|-----------------------------------------------------------------------------|-----------------------------------------------------------------------------|-----------------------------------------Oh I've
End
+ Gtr Fill
Bm(str) A(str)
Em(str)
G5(str)
A(str)
----------------------|---------------|--------------|-----------0--------------/15-----14-15-14----|-12------------|--------------|-----------2---------------------------P------|---------------|--------------|-----------2----------------------------------|---------------|--------------|-----------2----------------------------------|---------------|--------------|-----------0----------------------------------|---------------|--------------|------------------------you
Woh
yeah
I live my
life
for
D
Bm
G5
A
D
---2------|---2-----|--3------------|-2--------------------------------------------3----|-----3---|----3-----3-2--|-3-------------------------------------------------|---------|---------------|-2----------------------------------------0--------|---------|---------------|-0-------------------------------------------------|-2-------|---------0-----|---------------------------------------------------|---------|-3-------------|-----------------------------------------you
file:///C|/olga_main/f-g/f/firehouse/love_of_a_lifetime.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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Date: Thu, 4 Nov 93 17:02:41 -0800
From: jae@explorer.Jpl.Nasa.Gov (Jeff Estefan)
Message-Id: <9311050102.AA09626@explorer>
To: jamesb@animal-farm.nevada.edu
Subject: LoveOfALifetime.tab by Firehouse
Love Of A Lifetime
by
Firehouse
(notated by Jeff A. Estefan jae@explorer.jpl.nasa.gov)
Words & Music by
Bill Leverty & C. J. Snare
NOTEs: (1) Tune guitar down 1/2-step to play along with CD.
(2) Acoustic part sounds great with a 12-string!
(3) I did not attempt to tab the solo.
INTRO (acoustic):
E
B
G
D
A
E
keyboard
G5
D5(add9)/F#
Em
---------|-----------3-----------------0---------|----------3-----------------|---------3---3-------------3---3-------|-------------5--------------|-------0-------0---------2-------2-----|-------4-------4------------|-----0-----------0-----0-----------0---|-----2-----------2----------|---------------------------------------|----------------------------|--3-----------------2------------------|--0-----------------
E
B
G
D
A
E
D5(add9)
Am7
Bm7
C
---------0---------|---------0--------------2---------|--------0------------3---3-------|-----------1--------------3-------|----------1--------2-------2-----|-------0-----0--------2-----2-----|------0-----0---0------------0---|-----2---------2----4---------4---|----2---------2
-------------------|--0--------------2----------------|--3------------------------------|----------------------------------|---------------
E
B
G
D
A
E
D5(add9)
Dsus
D
---------0-------2-------3-------2-----------|
-----------3-------3-------3-----------3-----|
-----2-------2-------2-------2-----------2---|
--0------------------------------------------|
---------------------------------------------|
---------------------------------------------|
file:///C|/olga_main/f-g/f/firehouse/love_of_a_lifetime.tab
file:///C|/olga_main/f-g/f/firehouse/love_of_a_lifetime.tab
E5
Oo!
B5
C#5
Forever in my heart,
D5
E5
I finally found the love ........
of a lifetime. (begin OUTRO after "life-")
OUTRO (acoustic):
/ = slide up to
E
B
G
D
A
E
A
C#m
D2(add9)
E
----------0-----------------4---------|--------0----------------0------------2---2-----------------5-------|------3---3----------------0--------2-------2----------4------4-----|----2-------2----------1-----1----2-----------2------6----------6---|--0-----------0------2---------2
--0---------------/4------------------|-------------------2------------------------------------------------|-----------------0-------------
E
B
G
D
A
E
A
--|---0------||
--|---2------||
--|---2------||
--|---2------||
--|---0------||
--|----------||
CHORD DIAGRAMS:
G5
3x0033
Bm
024432
Am7
x02010
Bm7
x24232
B11
xx4230
G#bar 466544
Abar
577655
Bbar
799877
A5
x022xx
B5
x244xx
C5
x355xx
C#5
x466xx
D5
x577xx
E5
x799xx
file:///C|/olga_main/f-g/f/fish/credo.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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To: alt-guitar-tab@cs.utexas.edu,
rec-music-makers-guitar-tablature@cs.utexas.edu,
jamesb@animal-farm.nevada.edu
From: "Dan Newcombe" <NEWCOMBE@AA.csc.Peachnet.EDU>
Date:
27 Sep 93 08:45:11 EDT
Subject:
TAB: _Credo_ by Fish
Reply-To:
Priority:
normal
X-Mailer:
Pegasus Mail v2.3 (R4).
Credo by Fish from the album Internal Exile
This song, much like Shadowplay, also has a LOT of keyboard parts which make it
sound like there is more going on than their is. The guitar part is actually
rather simple. Since there is really not all tha much to the song, I just put
in the tabs of the different licks. Listen to the song to hear where they go.
Sorry about the solo...
-Dan Newcombe, dnewcomb@cybernet.cse.fau.edu
The song starts on, and is mainly made up of the guitar playing a Bb.
This changes during the chorus, and the "It don't mean nothing..." parts.
Otherwise, it's pretty much Bb. (This is not including the various
background notes during the verses.)
The little lick each time after Fish sings "Credo..." is
-1------------------4--3---4-3-1------------------3---------------------------------------------------During the part where he starts singing "It don't mean nothing" the main chord
changes from Bb to Eb, and the lick played there is:
--6-5-6--3/5-6-5-6----13--11--10--11--13---13--11--10--11--13-----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------Sorry, I don't really do solos for two reasons:
1) I prefer to improvise
and
2) I really suck at figuring them out, they move too fast for me to hear and
figure out at the same time. Any hints on how to get a CD player to play
file:///C|/olga_main/f-g/f/fish/credo.tab
file:///C|/olga_main/f-g/f/fish/internal_exile.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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To: alt-guitar-tab@cs.utexas.edu,
rec-music-makers-guitar-tablature@cs.utexas.edu,
jamesb@animal-farm.nevada.edu
From: "Dan Newcombe" <NEWCOMBE@AA.csc.Peachnet.EDU>
Date:
27 Sep 93 08:46:56 EDT
Subject:
CRD: _Internal Exile_ by Fish
Reply-To:
Priority:
normal
X-Mailer:
Pegasus Mail v2.3 (R4).
Internal Exile by Fish, from the album Internal Exile.
This song is rather easy to play, at least the guitar part. The fiddles
whistle and accordian make it sound tough. Listen to the album for the
rythym.
-Dan Newcombe, dnewcomb@cybernet.cse.fau.edu
The chords used are:
G
C
EADGBE
||||||
320033
||||||
B
A
EADGBE
||||||
x32010
||||||
EADGBE
||||||
x20010
||||||
EADGBE
||||||
x02220
||||||
Intro:
G
G
C
G
I saw a blue umbrella in Princes Street Gardens,
C
B
A
G
Heading out west for the Lothian Road.
G
C
G
An Evening News stuffed deep in his pocket,
C
B
A
G
Wrapped up in his problems, to keep away the cold.
G
C
G
Grierson's spirit haunts the dockyards,
C
B
A
G
Where the only men working are on documentary crews,
G
C
G
Shooting film as the lines get longer,
file:///C|/olga_main/f-g/f/fish/internal_exile.crd (1 of 3) [4/28/2003 9:51:08 PM]
file:///C|/olga_main/f-g/f/fish/internal_exile.crd
C
B
A
G
As the seams run out, all the oil runs dry.
(Chorus)
G
C
G
G
Hey there laddie, Internal Exile!
A
G
When will you realise, we got to let go?
G
C
G
G
Hey there lassie, Internal Exile!
A
G
When will you realise, we got to let go?
G
C
G
Starlings wheeling round Georgian spire,
C
B
A
G
And the fires of Grangemouth burn the skies
G
C
G
A lion sleeps in a tenemant close,
C
B
A
G
In a country that's tired and deaf to his roar.
(Chorus)
Same chords, just picked:
G
C
G
They bury a wasteland deep in the wildernes,
C
B
A
G
Poison the soil and reap the harvest,
G
C
G
of blind indifference, greed and apathy,
C
B
A
G
Sowed way back in our history.
G
C
G
The fish are few and the harbours are empty,
C
B
A
G
The kells now rot on our oil slicked shores.
G
C
G
The sheep are gone, the farms deserted,
C
B
A
G
We're out of sight and we're out of mind.
(Chorus)
G
C
G
Like our fathers before us, We've eyes for america,
C
B
A
G
Dream of a new life on foreign shores.
G
C
G
But wherever we go, we'll always know
file:///C|/olga_main/f-g/f/fish/internal_exile.crd
C
B
A
G
that the land we stand on, is never our own.
(Chorus)
We gotta go now, ....
(Faster part)
G
C B
G
C B
(REAL FAST)
G C G A G
-Daniel A. Newcombe
Clayton State College
Computing Services
Morrow, GA 30260
E-Mail Address: newcombe@aa.csc.peachnet.edu
(404)-961-3421
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
- I just want to be free - I'm happy to be lonely.
Marillion, Misplaced Childhood
file:///C|/olga_main/f-g/f/fish/lucky.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Fri, 8 Dec 1995 14:04:43 GMT+1
From: CHRISTER VARANchrister Varan <C.Varan@ET.TUDelft.NL>
Subject: CRD: Lucky by Fish
Hi, Fish lover.
Here's a song I like very much.....
- Lucky from the album "Acustic Session" by Fish
D
D
C
C
G
G
D
He met with the world as a Dalkeith boy,
Raised from a shaft at Monktonhall
C
In a well oiled cage,
G
That locked away his dreams.
D
An '85 veteran facefrom the gallery,
A ghost from the civil war in the family,
C
He stood his ground on the picketline.
G
'Til all that he was left with,
D
Were his father's cough
And his mother's eyes.
That would hold a tear
For the very first time,
C
G
When the government took his job away.
D
Now fist in hand he'll stand in line.
Declare his name and mark his time.
C
G
To some the only proof that they're alive.
CHORUS:
F
He could have been you.
He could have been me.
D#
He could have been anybody
(Bb)
F
But he was born lucky.
F
D#
_|
|
|
|
|
_|
x 2
Bb
F
He mad his first downpayment,
On a sharp Italian suit.
D#
Bb
file:///C|/olga_main/f-g/f/fish/lucky.crd
G
D
On the helipads at Aberdeen
Bound for platforms drilling oil rich seas,
C
Where the trawlers are getting fewer
G
Every year.
D
By the furnaces at Ravenscraig,
By the padlocks holding John Brown's gates,
C
G
In the desert, in the fields of South Armagh,
D
Where the poppies grow,
Behind the Hampden roar,
Behind the drums in Genoa.
C
G
On the deck that rides a south Atlantic swell,
D
Born to fight out of the tightest corner.
You can bet on him with the odds against you,
C
They'll not put him down
G
No matter how hard they try.
{CHORUS}
Repeat
F
D#
Bb
till end.
Christer Varan
C.Varan@ET.TUDelft.NL
file:///C|/olga_main/f-g/f/fish/shadowplay.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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To: alt-guitar-tab@cs.utexas.edu,
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jamesb@animal-farm.nevada.edu
From: "Dan Newcombe" <NEWCOMBE@AA.csc.Peachnet.EDU>
Date:
27 Sep 93 08:46:08 EDT
Subject:
TAB: _Shadowplay_ by Fish
Reply-To:
Priority:
normal
X-Mailer:
Pegasus Mail v2.3 (R4).
"Shadowplay" by Fish from the album Internal Exile, live version appears on
For Whom the Bells Toll.
I know that this is not 100% correct, but I it should
right direction. Listening to the recording should be
put it together, as all I really did we just put what
where. If ya want a really nice looking one, send me
Enjoy!!!
-Dan Newcombe
dnewcomb@cybernet.cse.fau.edu (among others)
(Keyboard Intro)
(Guitar comes in - these are the chords - the recording will help. :)
I am not entirely sure about these, as there is a lot going on.
Bb
Bb
Bb
file:///C|/olga_main/f-g/f/fish/shadowplay.tab
Ab
Starts on a:
At the end it stays on a Bb, and every so often slides from a Db down to
a Bb.
NOTE: It sounds like there is a lot more going on. That's because there
is, but most of it is on the keyboards. The live version is good to
listen to, because the distinction is a lot clearer.
-Daniel A. Newcombe
Clayton State College
Computing Services
Morrow, GA 30260
E-Mail Address: newcombe@aa.csc.peachnet.edu
(404)-961-3421
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
- I just want to be free - I'm happy to be lonely.
Marillion, Misplaced Childhood
file:///C|/olga_main/f-g/f/fishbone/bonin_in_the_boneyard.btab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: habbinga@tramp.Colorado.edu
Subject: Fishbone's "Bonin' in the Boneyard" Transcription
Here is the transcription to Fishbone's "Bonin' in the Boneyard".
DISCLAIMER:
Notation Guide
-------- ----Above Line: Note Duration
W
H
Q
E
S
.
4,3,2
Below Line:
In Lines:
Whole note
Half note
Quarter note
Eighth note
Sixteenth note
dot after a note duration adds half of the note's value
(i.e. Q. would be a dotted quarter note, lasting 1 1/2
beats)
A 4 above means that this measure and all following are
in 4/4 time. A 3 means signifies 3/4 time, and a 2
signifies 2/4 time.
Thump
Pop
Slide
Hammer
Fingers
B
*
Bend
Tap
Rest
Mute
file:///C|/olga_main/f-g/f/fishbone/bonin_in_the_boneyard.btab
file:///C|/olga_main/f-g/f/fishbone/bonin_in_the_boneyard.btab
Q.
E
S S S S S S S S S S S S S S S S S S S S S S S S
|-----------------------------------|-----------------------------------|
|-------------3----------1--R-3-1---|----1--------1--------1--------1---|
|------------------1-3-1----------3-|1-3---3--1-3---3--1-3---3--1-3---3-|
|1----------------------------------|-----------------------------------|
T
P
T H H P
P H H T H P H T H P H T H P H T H P H
Q.
E
S S S S S S S S E
S S S S S S S S E
S S E
|---------------------------------3-|-----------------------------6-----|
|-------------3----------1--R-3-R---|---------1-3-1-3--1-3--------------|
|------------------1-3-1------------|R---1-3----------------------------|
|1----------------------------------|----------------------4----4---3---|
T
P
T H H P
P
P
T H P H T H P H T
T P T
Q.
E
S S S S S S S S S S S S S S S S S S S S S S S S
|-----------------------------------|-----------------------------------|
|-------------3----------1--R-3-1---|----1--------1--------1--------1---|
|------------------1-3-1----------3-|1-3---3--1-3---3--1-3---3--1-3---3-|
|1----------------------------------|-----------------------------------|
T
P
T H H P
P H H T H P H T H P H T H P H T H P H
Q.
E
S S S S S S S S E
S S S S S S S S S S E
S S
|---------------------------------3-|------------------------6--------3-|
|-------------3----------1--R-3-R---|---------1-3-1-3--1-3--------------|
|------------------1-3-1------------|R---1-3--------------------R---1---|
|1----------------------------------|----------------------4------------|
T
P
T H H P
P
P
T H P H T H P H T P
T P
Q.
E
S S S S S S S S S S S S S S S S S S S S S S S S
|-----------------------------------|-----------------------------------|
|-------------3----------1--R-3-1---|----1--------1--------1--------1---|
|------------------1-3-1----------3-|1-3---3--1-3---3--1-3---3--1-3---3-|
|1----------------------------------|-----------------------------------|
T
P
T H H P
P H H T H P H T H P H T H P H T H P H
Q.
E
S S S S S S S S E
S S S S S S E
E
S S E
|---------------------------------3-|----------------------6------6-----|
|-------------3----------1--R-3-R---|---------1-3-1-3-------------------|
|------------------1-3-1------------|R---1-3----------------------------|
|1----------------------------------|------------------4--------4---3---|
T
P
T H H P
P
P
T H P H T H P
P
T P T
Q.
E
S S S S S S S S S S S S S S S S S S S S S S S S
|-----------------------------------|-----------------------------------|
|-------------3----------1--R-3-1---|----1--------1--------1--------1---|
|------------------1-3-1----------3-|1-3---3--1-3---3--1-3---3--1-3---3-|
|1----------------------------------|-----------------------------------|
T
P
T H H P
P H H T H P H T H P H T H P H T H P H
Q.
E
S S S S S S S S E
S S S S S S E
E
E
E
|---------------------------------3-|-----------------------------------|
|-------------3----------1--R-3-R---|---------1-3-1-3---------------R---|
|------------------1-3-1------------|R---1-3----------------------------|
|1----------------------------------|------------------1---4----3-------|
T
P
T H H P
P
P
T H P H T H T
T
T
E E E E E E E E E E S
S. S.S. S. S. S. S. S.E Q
W
3 H Q
|----------------|------------------|----------------|---------|--------|
|----------------|------------------|----------------|---------|--------|
|1-1-1-1-1-1-1-1-|1-1-R---3--3-3--3-|-3--3--3--3-R-R-|-R-------|-R--R---|
file:///C|/olga_main/f-g/f/fishbone/bonin_in_the_boneyard.btab
|----------------|------------------|----------------|---------|--------|
T T T T T T T T
4 W
W
W
S E E E E E S Q
|-----------------|-----------------|-----------------|1-2--3--2-3------|
|-----------------|-----------------|-----------------|-----------------|
|-R---------------|-R---------------|-R---------------|------------3-R-R|
|-----------------|-----------------|-----------------|-----------------|
F
Verse 1: "Got this Feelin'"
Q.
E
S S S S S S S S S S S S S S S S S S S S S S S S
|-----------------------------------|-----------------------------------|
|-------------3----------1--R-3-1---|----1--------1--------1--------1---|
|------------------1-3-1----------3-|1-3---3--1-3---3--1-3---3--1-3---3-|
|1----------------------------------|-----------------------------------|
T
P
T H H P
P H H T H P H T H P H T H P H T H P H
Q.
E
S S S S S S S S E
S S S S S S S S E
E
E
|---------------------------------3-|-----------------------------------|
|-------------3----------1--R-3-R---|---------1-3-1-3--1-3--------------|
|------------------1-3-1------------|R---1-3----------------------------|
|1----------------------------------|----------------------4----4---3---|
T
P
T H H P
P
P
T H P H T H T
T
T
T
Q.
E
S S S S S S S S S S S S S S S S S S S S S S S S
|-----------------------------------|-----------------------------------|
|-------------3----------1--R-3-1---|----1--------1--------1--------1---|
|------------------1-3-1----------3-|1-3---3--1-3---3--1-3---3--1-3---3-|
|1----------------------------------|-----------------------------------|
T
P
T H H P
P H H T H P H T H P H T H P H T H P H
Q.
E
S S S S S S S S S S S S S S S S E
S S E
S
|---------------------------------3-|---------------------------------3-|
|-------------3----------1--R-3-R---|--3------1-3-1-3------6-6----------|
|------------------1-3-1------------|R---1-3--------------------R---1---|
|1----------------------------------|------------------4----------------|
T
P
T H H P
P
P
P T H P H T H T
P T
T P
Q.
E
S S S S S S S S S S S S S S S S S S S S S S S S
|-----------------------------------|-----------------------------------|
|-------------3----------1--R-3-1---|----1--------1--------1--------1---|
|------------------1-3-1----------3-|1-3---3--1-3---3--1-3---3--1-3---3-|
|1----------------------------------|-----------------------------------|
T
P
T H H P
P H H T H P H T H P H T H P H T H P H
Q.
E
S S S S S S S S S S S S S S S S S S E
E
E
|---------------------------------3-|-----------------------------------|
|-------------3----------1--R-3-R---|--3------1-3-1-3--1-3--------------|
|------------------1-3-1------------|R---1-3--------------------R-------|
|1----------------------------------|----------------------4--------3---|
T
P
T H H P
P
P
P T H P H T H P H T
T
Q.
E
S S S S S S S S S S S S S S S S S S S S S S S S
|-----------------------------------|-----------------------------------|
|-------------3----------1--R-3-1---|----1--------1--------1--------1---|
|------------------1-3-1----------3-|1-3---3--1-3---3--1-3---3--1-3---3-|
|1----------------------------------|-----------------------------------|
T
P
T H H P
P H H T H P H T H P H T H P H T H P H
Q.
E
S S S S S S S S E
S S S S S S E
E
E
E
|---------------------------------3-|-----------------------------------|
|-------------3----------1--R-3-R---|---------1-3-1-3-------------------|
file:///C|/olga_main/f-g/f/fishbone/bonin_in_the_boneyard.btab
|------------------1-3-1------------|R---1-3----------------------------|
|1----------------------------------|------------------1---4----5---6---|
T
P
T H H P
P
P
T H P H T H T
T
T
B
Chorus: "Yeah Yeah Yeah etc."
E E E E E E E E
E E E E E E E E
E E E E E E E E
E E E E E E E E
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|1-R-1-0-1-R-1-0--|1-R-1-0-1-R-1-0--|1-R-1-0-1-R-1-0--|1-R-1-0-1-R-1-0--|
T
T T T
T T
T
T T T
T T
T
T T T
T T
T
T T T
T T
E E E E E E E E
E E E E E E E E
E E E E E E E E
Q
Q
Q
Q
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|1-R-1-0-1-R-1-0--|1-R-1-0-1-R-1-0--|1-R-1-0-1-R-1-0--|1---4---3---2----|
T
T T T
T T
T
T T T
T T
T
T T T
T T
T
S
T
T
Verse: "Got Me Bonin'"
Q.
E
S S S S S S S S S S S S S S S S S S S S S S S S
|-----------------------------------|-----------------------------------|
|-------------3----------1--R-3-1---|----1--------1--------1--------1---|
|------------------1-3-1----------3-|1-3---3--1-3---3--1-3---3--1-3---3-|
|1----------------------------------|-----------------------------------|
T
P
T H H P
P H H T H P H T H P H T H P H T H P H
Q.
E
S S S S S S S S E
S S S S S S S S E
S S E
|---------------------------------3-|-----------------------------------|
|-------------3----------1--R-3-----|---------1-3-1-3----6--------6-----|
|------------------1-3-1--------1---|R---1-3----------------------------|
|1----------------------------------|------------------4---4----4---3---|
T
P
T H H P
P T P
T H P H T H T P T
T P T
Q.
E
S S S S S S S S S S S S S S S S S S S S S S S S
|-----------------------------------|-----------------------------------|
|-------------3----------1--R-3-1---|----1--------1--------1--------1---|
|------------------1-3-1----------3-|1-3---3--1-3---3--1-3---3--1-3---3-|
|1----------------------------------|-----------------------------------|
T
P
T H H P
P H H T H P H T H P H T H P H T H P H
Q.
E
S S S S S S S S E
S S S S S S E
E
E
E
|---------------------------------3-|-----------------------------------|
|-------------3----------1--R-3-----|---------1-3-1-3-------------------|
|------------------1-3-1--------1---|R---1-3--------------------R---1---|
|1----------------------------------|------------------1---3------------|
T
P
T H H P
P T P
T H P H T H T
T
T
Q.
E
S S S S S S S S S S S S S S S S S S S S S S S S
|-----------------------------------|-----------------------------------|
|-------------3----------1--R-3-1---|----1--------1--------1--------1---|
|------------------1-3-1----------3-|1-3---3--1-3---3--1-3---3--1-3---3-|
|1----------------------------------|-----------------------------------|
T
P
T H H P
P H H T H P H T H P H T H P H T H P H
Q.
E
S S S S S S S S E
S S S S S S S S E
S S E
|---------------------------------3-|-----------------------------------|
|-------------3----------1--R-3-R---|---------1-3-1-3--1-3------6---5---|
|------------------1-3-1------------|R---1-3----------------------------|
|1----------------------------------|----------------------4------4-----|
T
P
T H H P
P
P
T H P H T H P H T
P T P
file:///C|/olga_main/f-g/f/fishbone/bonin_in_the_boneyard.btab
Q.
E
S S S S S S S S S S S S S S S S S S S S S S S S
|-----------------------------------|-----------------------------------|
|-------------3----------1--R-3-1---|----1--------1--------1--------1---|
|------------------1-3-1----------3-|1-3---3--1-3---3--1-3---3--1-3---3-|
|1----------------------------------|-----------------------------------|
T
P
T H H P
P H H T H P H T H P H T H P H T H P H
Q.
E
S S S S S S S S E
S S S S S S E
S S E
E E
|---------------------------------3-|---------------------------------3-|
|-------------3----------1--R-3-R---|---------1-3-1-3------6----6-------|
|------------------1-3-1------------|R---1-3------------------------1---|
|1----------------------------------|------------------4-----4----------|
T
P
T H H P
P
P
T H P H T H T
P T P
T P
Chorus: "Yeah Yeah Yeah etc."
E E E E E E E E
E E E E E E E E
E E E E E E E E
E E E E E E E E
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|1-R-1-0-1-R-1-0--|1-R-1-0-1-R-1-0--|1-R-1-0-1-R-1-0--|1-R-1-0-1-R-1-0--|
T
T T T
T T
T
T T T
T T
T
T T T
T T
T
T T T
T T
E E E E E E E E
E E E E E E E E
E E E E E E E E
Q
Q
Q
Q
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|1-R-1-0-1-R-1-0--|1-R-1-0-1-R-1-0--|1-R-1-0-1-R-1-0--|1---4---3---2----|
T
T T T
T T
T
T T T
T T
T
T T T
T T
T
S
T
T
Solos: "Funky Bass"
Q
E
E
S S S E
S S S E
E
E
S S S S S S E
E
|-----------------------------------|-----------------------------------|
|--------------------6------------6-|-----------------------------------|
|-----------------------------------|----------------------1-2--3---1---|
|1--------1---3----4---3-4----3-4---|3---3----3---3-0--1-3--------------|
T
T
T
T P T S
T S P T
T
T
T H T H T H T
T
Q
Q
S S E
E
S S S S S S S S S S E
E
E
S S
|--------------------7------------7-|--8---X----7---X-----------------5-|
|-----------------------------------|-----------------------------------|
|------------------5---R--------5---|6---X----5---X----1---3----1---3---|
|1--------1-----------------6-------|-----------------------------------|
T
T
T P
T
T P T P T P T P T P T
T
T
T P
Q
Q
S S E
E
S S S S S S E
E
E
E
E
E
|-----------------------------------|-----------------------------------|
|--------------------5------------5-|R-5--------------------------------|
|------------------5---R----6---5---|----R-5--6---5---------------------|
|1--------1-------------------------|------------------6---4----6---4---|
T
T
T P
T
T P
P
T H
T
T
T
T
T
Q
E
E
S S S S S S E
S S S S S S S S S S S S S S S S
|--------------------7---7----7-----|--7---X----7---X--X---X----X---X---|
|-------------X-------------7---R---|7---X----7---X------X---X----X---X-|
|------------------5---X------------|-----------------------------------|
|1--------1-------------------------|-----------------------------------|
T
T
P
T P T P T P
T P T P T P T P P T P T P T P T
Q
Q
E
S S E
S E
S S S S S S S E
E
E
E
|-----------------------------------|-----------------------------------|
|-----------------------------------|-----------------------------------|
|-----------------------------------|-------------------------------1---|
file:///C|/olga_main/f-g/f/fishbone/bonin_in_the_boneyard.btab
|1--------1--------1---X-X--3---X-4-|--4-1-X--1-X-1-X--4---3----1-------|
T
T
T
T T T
T T
T T H T H T H T
T
T
T
E
S S S S S S E
S E
S S S S S S S S S S S S S S S S E
|------5----7-----------------------|15-0-6------------------------------|
|-------------------------------X---|-------12---------------------------|
|----3----5---R---------------------|------------------------------------|
|1--------------X--3---1-3--------3-|-------3--R-3-3-R--3-3-R-3--3-R-3---|
T
T P T P
T T
T T
P T * H H *
T T
T T
T T
T
H
E S S E S S E S S E S S E S S E S S E S S E S S 2 E
S
S
E
E
|------------------------|------------------------|---------------------|
|--3-3---3-3---3-3---3-3-|--3-3---3-3---3-3---3-3-|-----3---3---1-------|
|------------------------|------------------------|-----------------3---|
|1-----1-----1-----1-----|1-----1-----1-----1-----|-1-------------------|
T H P T H P T H P T H P T H P T H P T H P T H P
T
H
P
T
T
4 E E E E E E E E E E E E
E E E E E E E E E E E E E E E E
Q
Q
|----------------|------------------|----------------|------------------|
|---3---3---3---3|--3---3-----3---3-|--3---3----3---3|--3---3-----------|
|-1---1---1---1--|1---1-----1---1---|1---1----1---1--|1---1-----1---R---|
|----------------|------------------|----------------|------------------|
T T T T T T T T T T T T
T T T T T T T T T T T T T T T T
T
Verse section
Q.
E
S S S S S S S S S S S S S S S S S S S S S S S S
|-----------------------------------|-----------------------------------|
|-------------3----------1--R-3-1---|----1--------1--------1--------1---|
|------------------1-3-1----------3-|1-3---3--1-3---3--1-3---3--1-3---3-|
|1----------------------------------|-----------------------------------|
T
P
T H H P
P H H T H P H T H P H T H P H T H P H
Q.
E
S S S S S S S S E
S S S S S S S S E
S S E
|---------------------------------3-|-----------------------------------|
|-------------3----------1--R-3-----|---------1-3-1-3----6--------6-----|
|------------------1-3-1--------R---|R---1-3----------------------------|
|1----------------------------------|------------------4---4----4---3---|
T
P
T H H P
P
P
T H P H T H T P T
T P T
Q.
E
S S S S S S S S S S S S S S S S S S S S S S S S
|-----------------------------------|-----------------------------------|
|-------------3----------1--R-3-1---|----1--------1--------1--------1---|
|------------------1-3-1----------3-|1-3---3--1-3---3--1-3---3--1-3---3-|
|1----------------------------------|-----------------------------------|
T
P
T H H P
P H H T H P H T H P H T H P H T H P H
Q.
E
S S S S S S S S E
S S S S S S E
E
E
E
|---------------------------------3-|-----------------------------------|
|-------------3----------1--R-3-----|---------1-3-1-3-------------------|
|------------------1-3-1--------R---|R---1-3--------------------R---1---|
|1----------------------------------|------------------1---3------------|
T
P
T H H P
P
P
T H P H T H T
T
T
Q.
E
S S S S S S S S S S S S S S S S S S S S S S S S
|-----------------------------------|-----------------------------------|
|-------------3----------1--R-3-1---|----1--------1--------1--------1---|
|------------------1-3-1----------3-|1-3---3--1-3---3--1-3---3--1-3---3-|
|1----------------------------------|-----------------------------------|
T
P
T H H P
P H H T H P H T H P H T H P H T H P H
Q.
E
S S S S S S S S S S S S S S S S E
S S E
E
|---------------------------------3-|-----------------------------------|
file:///C|/olga_main/f-g/f/fishbone/bonin_in_the_boneyard.btab
|-------------3----------1--R-3-----|---------1-3-1-3--------6----------|
|------------------1-3-1--------R---|R-0-1-3----------------------------|
|1----------------------------------|------------------4---4----4---3---|
T
P
T H H P
P
P
T H H P H T H T
T P T
T
Q.
E
S S S S S S S S S S S S S S S S S S S S S S S S
|-----------------------------------|-----------------------------------|
|-------------3----------1--R-3-1---|----1--------1--------1--------1---|
|------------------1-3-1----------3-|1-3---3--1-3---3--1-3---3--1-3---3-|
|1----------------------------------|-----------------------------------|
T
P
T H H P
P H H T H P H T H P H T H P H T H P H
Q.
E
S S S S S S S S S S S S S S S S E
E
E
E
|---------------------------------3-|-----------------------------------|
|-------------3----------1--R-3-----|---------1-3-1-3-------------------|
|------------------1-3-1--------R---|0-1-2-3----------------------------|
|1----------------------------------|------------------1---4----3---2---|
T
P
T H H P
P
P T H H H P H T H T
T
T
T
Chorus section:
E E E E E E E E
E E E E E E E E
E E E E E E E E
E E E E E E E E
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|1-R-1-0-1-R-1-0--|1-R-1-0-1-R-1-0--|1-R-1-0-1-R-1-0--|1-R-1-0-1-R-1-0--|
T
T T T
T T
T
T T T
T T
T
T T T
T T
T
T T T
T T
E E E E E E E E
E E E E E E E E
E E E E E E E E
E E E E E E E E
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|1-R-1-0-1-R-1-0--|1-R-1-0-1-R-1-0--|1-R-1-0-1-R-1-0--|1-R-1-0-1-R-1-0--|
T
T T T
T T
T
T T T
T T
T
T T T
T T
T
T T T
T T
Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q
|--------|--------|--------|--------|--------|--------|--------|--------|
|--------|--------|--------|--------|--------|--------|--------|--------|
|--------|--------|--------|--------|--------|--------|--------|--------|
|1-1-1-1-|1-1-1-1-|1-1-1-1-|1-1-1-1-|1-1-1-1-|1-1-1-1-|1-1-1-1-|1-4-3-2-|
T T T T T T T T T T T T T T T T T T T T T T T T T T T T T T T T
Q Q H
|--------|
|--------|
|--R-R---|
|1-------|
T
Erik
-----------------------------------------------------------------
file:///C|/olga_main/f-g/f/fishbone/sunless_saturday.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: "J.A. Takata" <u9113087@muss.CIS.McMaster.CA>
Sunless Saturday - By Fisbone
Chord Voicings:
C9
D
Dsus
EADGBe EADGBe EADGBe
------ ------ -----x32033 xx0232 xx0233
Intro:
C9 D
C9 D
C9 F
F
EADGBe
-----133211
C9 D Dsus
C9 D Dsus
C9 D
Verse 1:
C9 D
I see the pestilence outside my window
C9
C9
C9
C9 D
verse 2:
I hear the sounds of children laughing aloud
A stumbling wino has attracted quite a crowd
My breakfast finished now I brave the outside
But clouds have hidden all the warmth inside
Chorus:
C9
F
Chase these clouds away
C9
D
I hate this sunless Saturday
(repeat)
C9
F
Freedom come
C9
D
For us now
C9
F
Light our Sky
C9
D
Burn away these clouds
Perhaps the charcoal grey and brown around me
Is just the mirror image of my tainted soul
I think the sun will never visit my sky
Until the truth is seen by each and every eye
Chorus
I see the helpless and I see the insane
file:///C|/olga_main/f-g/f/fishbone/sunless_saturday.crd
file:///C|/olga_main/f-g/f/five_americans/730_guided_tour.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:37 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./f/five_americans/730_guided_tour.crd
"7:30 Guided Tour"
(Robin Hood Brians)
Intro: sirens panned across channels
C
/ / / /
Cm7
/ / / /
[2X]
Verse 1:
C
Cm7
FaddG Bb
Fasten your seat belts for the 7:30 guided tour
Ab6/Bb
Bb
Meet Mister Bartholomew
Ab6/Bb
Am7-5
He will translate for you
Abmaj7
Ab6
G7sus4
G7
Please tell him if you do not understand
Verse 2:
You'll get an eyeful when we climb the highest tower in town
Above the mist and fog
We'll let our minds unclog
Please use the handrail when you're coming down
Bridge 1:
C
F/C
Put on wooden shoes
C
Dm
Walk away all your blues
Em
F
G7sus4
Watch the windmills chase the gray clouds away
G7
Instrumental break:
C
E7/B
Am
C7/G
/ / / / / / / / / / / / / / / /
F
A7/E
Dm
G [N.C.]
/ / / / / / / / / / / / /
Verse 3:
There'll be no cameras taken on this portion of the trip
Best leave them all behind
They confiscated mine
For taking pictures of their paradise
Bridge 2:
Now we're crossing the wall
I hear the good times call
file:///C|/olga_main/f-g/f/five_americans/730_guided_tour.crd
file:///C|/olga_main/f-g/f/five_americans/i_see_the_light.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:37 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./f/five_americans/i_see_the_light.crd
"I See The Light"
(Rabon - Ezell - Durrill)
Intro:
organ: A5 (fade in)
Main riff [4X]:
A
/
D
/
Dsus4 D
/ /
Verse 1:
A
I can have your lovin'
G
Both day and night
A
My eyes have opened, Lord
G
And I see the light
And it's
Dsus4 D
It's all
Dsus4 D
It's all
Dsus4 D
It's all
A
D
all right
A
right
A
right
A
Dsus4 D
right
all right
right
right
right
file:///C|/olga_main/f-g/f/five_americans/i_see_the_light.crd
all right
right
right
right
Coda:
A
[main riff, 3X; end cold on A]
I see the light...
-- another ace 60's tab from Andrew Rogers
file:///C|/olga_main/f-g/f/five_americans/tell_ann_i_love_her.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:38 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./f/five_americans/tell_ann_i_love_her.crd
"Tell Ann I Love Her"
(Rabon - Ezell - Durrill)
Intro (acoustic guitar, 2X):
A
Dsus2 [xx0230]
/ / / / / / / / / / / /
Verse 1:
A
D
A
D
Starlight shine on her
(D)
A
E
[instrumental, 3: E+]
Carry this message for me
D
C#m
A
D
Tell her I made a mistake
A
D
A
Tell Ann I love her for me
[1, 2: Dsus2
instrumental: to bridge
3: end cold]
Verse 2:
Shine deep into
Please make her
Tell her I miss
Tell Ann I love
her eyes
think of me
her so
her for me
file:///C|/olga_main/f-g/f/five_americans/western_union.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:39 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./f/five_americans/western_union.crd
"Western Union"
(Rabon - Ezell - Durrill)
Intro:
organ: D5 (4 bars; fades in)
guitar (2X alone; 2X after bass and drums enter)
D
Dsus4
v
v
v
v
v
v
v
v
-------5---------|-------5-------------7-----7-----|-----8-----8-------7---------7---|---7---------7---0---------------|-0-------------------------------|---------------------------------|----------------Verse 1:
D
Dsus4
Things went wrong today
D
Dsus4
Bad news came my way
D
Dsus4
I woke up to find
D
Dsus4
A wire that blew my mind
D
Dsus4
[1, 4: 2X; 2, 3: 1X
5: to coda]
Verse 2:
Western Union man
Bad news in his hand
Knocking at my door
Selling me the score
Verse 3:
Fifteen cents a word to read
A telegram I didn't need
Said she didn't care no more
Think I'll throw it on the floor
Bridge 1:
Bm
E
Got your cable just today
Bm
E
D Dsus4
Killed my groove, I've got to say, hey
[1, 3: to refrain
Dsus4
2: to solo]
file:///C|/olga_main/f-g/f/five_americans/western_union.crd
Refrain:
E
A [N.C.]
/ / / / /
(...hey)
Western Union
(acapella; high voice holds A; low voice alternates A and G):
Da-da-da-da-da
Da-da-da-da-da
da-da-da-da-da
da-da-da-da-da
(band enters)
D
Dsus4
Da-da-da-da-da da-da-da-da-da
D
Dsus4
Da-da-da-da-da da-da-da-da-da
Verse 4:
Now you've gone away and
How it's sad to say you've gone
I remember what they said
Now I'm going out of my head
Bridge 2:
Telegram just had to say
You've learned your lesson all the way, hey
Organ solo:
D
Dsus4
/ / / / / / / /
[4X]
[repeat bridge 2]
[repeat refrain]
Verse 5:
I'll be on my way 'cause
There's another girl for me
I'll be sure of her and
Things'll be as they were
Coda (repeat to fade):
D
Dsus4
Da-da-da-da-da da-da-da-da-da
(Western Union, oh Western Union)
-- another ace 60's tab from Andrew Rogers
file:///C|/olga_main/f-g/f/five_man_electrical_band/signs.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: boo@primenet.com (Walter Ian Kaye)
Date: Tue, 04 Jul 1995 03:52:03 -0700
Subject: CRD: Sign (5 Man Electrical Band)
"SIGN", recorded by Five Man Electrical Band.
This is from memory (and by ear)
(Intro: D Dsus2 D D Dsus2 D D Dsus4 D Dsus2 D)
C
G
D
G
And the sign said "Long-haired freaky people need not apply"
D
A
G
A
So I tucked my hair up under my hat, and I went in to ask him why
Bm
Bm/A
Em (?)
G6/A (?)
He said "You look like a fine, upstanding young man, I think you'll do"
D
A
G
A
So I took off my hat and said "Imagine that! Heh, me workin' for you!"
D
C
G
Whoa, sign sign everywhere a sign
D
G
Blockin' out the scenery, breakin' my mind
D
A
C/G
D (+ intro suspensions)
Do this, don't do that, can't you read the sign?
C
G
D
G
And the sign said anybody caught trespassin' would be shot out of sight
D
A
So I jumped on the fence and I yelled at the house
G
A
"Hey, what gives you the right?
You put up a fence to keep me out but to keep Mother Nature in,
If God was here he'd tell you to your face, "Man you're some kind of sinner!"
(chorus)
A
Now hey there mister can't you read?
G
D
You gotta have a shirt and tie to get a seat
A
You can't even watch, no you can't even
G
D
You ain't supposed to be here........
C
G
D
G
Sign said you got to have a membership card to get inside...Uhhh!
(instrumental) (then slow)
C
G
D
G
And the sign said "Everybody welcome, come in, kneel down and pray"
D
A
But when they passed around the plate and they emptied it all
G
A
I didn't have a penny to pay
file:///C|/olga_main/f-g/f/five_man_electrical_band/signs.crd (1 of 3) [4/28/2003 9:51:12 PM]
file:///C|/olga_main/f-g/f/five_man_electrical_band/signs.crd
Bm
Bm/A
Em
G6/A
So I got me a pen and a paper, and I made up my own little sign
D
A
G
A
I said "Thank you Lord for thinkin' about me, I'm alive and doin' fine!"
(chorus)
#
#
#
#
#
# # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # #
Walter Ian Kaye: (415) 965-4517 FoxPro/Excel Programmer; Guitarist
Correspond to:
boo@primenet.com, boodlums@genie.com
BinHex files:
boo@primenet.com
WWW: http://www.primenet.com/~boo/
# # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # #
#
#
#
#
#
<<< different
Cheers,
Jason
-From: mpeter@bmerh534.bnr.ca (Peter Mitchell)
Subject: SIGNS by Five Man Electrical Band
Covered by Tesla on their Five Man Acoustical Jam album...
uncreditted I might add...
From memory, C/F/G I think, insert choruses as applicable:
And the sign said
anyone caught trespassin will be shot on site
file:///C|/olga_main/f-g/f/five_man_electrical_band/signs.crd
file:///C|/olga_main/f-g/f/fixx/drive_out.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: newton@fission (Q)
Driven Out
from the Calm Animals album
Em
Bm
Driven out by thieves.
Am7
Bm7
I watch them pillage the planet.
Em
Bm
Fueled by a fattening greed,
Am7
Bm7
Trees fall to the hatchet.
Am7
Em
Chopping against the grain,
Bm
Bm7
Our spirits in a vacuum.
Am7
Em
Sadly ignore the pain,
Bm
Bm7
Em7
The end arrives, we all lose...we all lose.
Em
I hope it comes...it comes...it comes...around.
[chorus]
Am7
Bm
Driven out. Holding out.
Bm7
Em
Day by day survival.
Am7
Bm
Castaways have silent lives
Bm7
With the strength to rival you.
[same pattern repeats]
Driving in my car.
I used to be able to walk this far.
Now I turn on the light.
I used to be able to sleep at night.
I'm cooking with microwaves.
To warm up food not seen the soil.
Plugged into my TV.
Used to the lies they're telling me...telling me.
I hope it comes...it comes...it comes...around.
Driven out...
Hoping that we find
More to life than meets the eye.
Can we escape the grind,
Build a life that's more worthwhile
Be rid of this empty pride:
Full of selfishness inside.
Bathe in a turning tide,
Until then we all hide...we all hide.
I hope it comes...it comes...it comes...around.
Driven out...
-I have finally discovered the secret to happiness.
_ \
file:///C|/olga_main/f-g/f/fixx/drive_out.crd
|
|
|
|
\__\_\
file:///C|/olga_main/f-g/f/flack_roberta/killing_me_softly.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From uunet!mcsun!Germany.EU.net!Urmel.Informatik.RWTH-Aachen.DE!elrond.imsd.rwth-aachen.de!ute Tue
Sep 15 08:03:43 PDT 1992
Article: 2251 of alt.guitar.tab
Newsgroups: alt.guitar.tab
Path: nevada.edu!uunet!mcsun!Germany.EU.net!Urmel.Informatik.RWTH-Aachen.DE!elrond.imsd.rwthaachen.de!ute
From: ute@elrond.imsd.rwth-aachen.de (Ute Gattermann #Alwd#)
Subject: Killing Me Softly
Message-ID: <1992Sep14.125028.456@Urmel.Informatik.RWTH-Aachen.DE>
Sender: ute@tolkien.imsd.rwth-aachen
Nntp-Posting-Host: elrond.imsd.rwth-aachen.de
Organization: Institut f. Med. Statistics @ Dokumentation
Date: Mon, 14 Sep 92 12:50:28 GMT
Lines: 68
Killing me softly
Roberta Flack
Chorus:
Em
Am
Strumming my pain with his fingers
D7
G
singing my life with his words
Em
A
killing me softly with his song
D
C
killing me softly with his song
G
C
telling my whole life with his words.
Esus4
Killing me softly
E
with his song.
Am7
D
I heard he sang a good song
G
C
I heard he had a style
Am7
D
and so I came to see him
Em
and listen for a while.
Am7
D7
And there he was this young boy
G
H7
a stranger to my eyes.
(Chorus)
I felt all flushed with fever
file:///C|/olga_main/f-g/f/flack_roberta/killing_me_softly.crd
file:///C|/olga_main/f-g/f/flack_roberta/the_first_time_i_ever.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Fri, 3 Nov 1995 17:27:02 +0000 (GMT)
From: "Rev. Linda Slug" <dal23@hermes.cam.ac.uk>
Subject: The first time ever I saw your face
On your guitar file you have a set of words and chords for the Ewan
MacColl song "First Time Ever I Saw Your Face". I only know the Roberta
Flack recording and although it's obviously the same song
the words and particularly the chords are completely different from what
you have written. Maybe MacColl used more than one tune.
The First Time Ever I Saw Your Face.
Dm
G
C
The first time ever I saw your face
Am
Em
F
I thought the sun rose in your eyes
C
And the moon and the stars were the gifts you gave
Bb
C
to the dark and the end of the skies
file:///C|/olga_main/f-g/f/flamin_groovies/shake_some_action.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: zeroy@netcom.com (Roy M. Randall)
This might just be the greatest dumb garage-rock song ever written.
Sometimes you hear people talk about 'believing in rock n' roll'. You
have to beleive in something to sing this song with a straight face. I
prefer to sing it with an adolescent snarl.
SHAKE SOME ACTION
Jordan/Wilson
recorded by The Flamin' Groovies, 1976
|:A
Bm
|G
|:A
Bm
|G
|A
Bm
|G
|D
|A
Bm
:|
:|
Bm
A
D Dsus D
I will find a way
Bm
A
D Dsus D
To get to you some day.
G
A
D
Dsus D
Oh, but I, babe, I'm so afraid I'll fall, yeah.
G
A
Bm
A
Now can't you hear me call?
A
Bm
G
Bm
A
Bm
Shake some action's what I need
G
Bm
A
Bm
To let me bust out at full speed.
G
Bm
A
G
I'm sure that's all you need
D
To make it all right.
|A
|G
|D
|A
|G
|D
|A
|Bm
|:A
|G
|D
|A
:|
|G
|D
|A
:|
file:///C|/olga_main/f-g/f/flamin_groovies/shake_some_action.crd
-Roy M. Randall, FG
Inconsequential Systems, Inc.
zeroy@netcom.com
|
|
|
file:///C|/olga_main/f-g/f/flaming_lips/she_dont_use_jelly.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: bc80233@bingsuns.cc.binghamton.edu
SHE DON'T USE JELLY
Intro: D/ // G///
A/ //
G A
Play it with a lot of fuzz. The accompanying guitar part is played with a
slide on a guitar tuned to open E.
C
I know a girl who
thinks of ghosts
C
She'll make you breakfast,
she'll make you toast
D
C
But she don't use butter,
she don't use cheese
G
A
She don't use jelly or
any of these
D
C
G
She uses vaa
aass
eline
D
C
G
Vaa aass eline (3x)
D
C
I know a guy who
goes to shows
C
When he's at home and
he blows his nose
D
C
He don't use tissues
or his sleeve
G
A
He don't use napkins or
any of these
D
C
G
He uses maa aagg azines
D
C
G
Maa aagg azines (2x)
D
G
A
G A
Maa aaa gazines
D
A (2x??)
C
I know a girl who
reminds me of Cher
C
She's always changing
the color of her hair
D
C
She don't use nothing
you buy in a store
G
A
She likes her hair to
be real orange
D
C
G
She uses taa aann gerines
D
C
G
Taa
aann gerines (2x)
D
G
A
G A
Taa
aann gerines
D
file:///C|/olga_main/f-g/f/flaming_lips/she_dont_use_jelly.crd
G A
file:///C|/olga_main/f-g/f/flaming_lips/turn_it_on.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: marion.barry@crackhouse.dc.gov (Recoil Unit)
The Flaming Lips : Turn it On
Um... I don't know the words, but here goes...
The verses are just D A G D
D
A
Put your face up to the window
G
D
Blah Blah Blah Blah Blah Blah Blah Blah
etc.
The chorus
G D G D G D A D
G
Turn it on
D
Turn it on and on and way up
G
Turn it on
D
Blah blah blah blah blah blah blah blah
G
Turn it on
D
When you ain't got no relations,
A
to all them other stations
D
Turn it on
:)
- Beanie
file:///C|/olga_main/f-g/f/flamingos/i_only_have_eyes.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
From: rogers@hi.com (Andrew Rogers)
Date: Wed, 17 Jan 1996 00:30:48 -0500
Subject: ./f/flamingos/i_only_have_eyes_for_you.crd
"I Only Have Eyes For You"
(Dubin - Warren)
Intro (guitar alone):
Bb7 [686755] G7
D7
Note: The piano plays a G-C drone in the right hand through most
of each verse, which sounds particularly, umm, *interesting* over
the Abm7 chord at the end of the first...
Verse 1:
C
Bb
G
C
My love must be a kind of blind love
C
Bb G
C
Bb
I can't see anyone but you
C
Doo-bop-sh-bop
C
Doo-bop-sh-bop
C
Doo-bop-sh-bop
C
Doo-bop-sh-bop
Bb
Bb
Bb
Bb
Bb
Bb
G
C
Bb
Are the stars out tonight
C
Bb G
C
C7
I don't know if it's cloudy or bright
Fmaj7
Am7 Abm7
I only have eyes for you, dear
Verse 2:
The moon may be high
But I can't see a thing in the sky
Fmaj7
D7
I only have eyes for you
Bridge:
Gm7
C7
Fmaj7
F7
I don't know if we're in a garden
Bb
Bbm
Fmaj7
Db7
Or on a crowded
avenue, you...
Verse 3:
You are here, and so am I
Maybe millions of people go by
Fmaj7
D7
But they all disappear from view
Coda:
file:///C|/olga_main/f-g/f/flamingos/i_only_have_eyes.crd
Gm7
C7 [N.C.]
And I only have eyes
C
For you
Bb G
Bb
file:///C|/olga_main/f-g/f/fleetwood_mac/albatros.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Date: Thu, 11 Jan 1996 11:52:55 GMT
From: Malc Brookes <Malc@malbro.demon.co.uk>
Subject: TAB: Albatros by Fleetwood Mac for Acoustic Guitar
Albatros by Fleetwood Mac
Tabbed by Malc Brookes (malc@malbro.demon.co.uk)
I arranged this for solo acoustic guitar several years ago.
In section B the bass switches from F# to A (which keeps the F#m feel, IMO)
as it wasn't possible to keep the original melody and bass.
In section C the melody is dropped a whole octave, which allows the
F# bass line to be preserved and sounds better, I feel, on an acoustic
than playing it above the 12th fret.
Regards
Malc
Key:
h - hammer-on
p - pull-off
/ - slide up
\ - slide down
Section A (play twice)
E|---|-5--4--------------5--4-|------------------------|
B|---|-5--4--------------5--4-|------------------------|
G|---|-6--4--------------6--4-|------------------------|
D|---|-7--6--------------7--6-|------------------------|
A|-2-|------------------------|-------------------2----|
E|---|-0--0--0--0--0--0--0--0-|-0--0--0--0--0--0--0--0-|
E|-5--4--------------5--4-|------------------------|
B|-5--4--------------5--4-|------------------------|
G|-6--4--------------6--4-|------------------------|
D|-7--6--------------7--6-|-------------------2----|
A|------------------------|-------------2h-4-----4-|
E|-0--0--0--0--0--0--0--0-|-0--0--0--0--0--0--0--0-|
1st time through
(X)
E|------------------------|------------------------|
B|------------------------|------------------------|
G|------------------------|------------------------|
D|-6--4-------------------|-6--4-------------------|
A|-------------------4--4-|-------------------4--4-|
E|-2--2--2--2--2--2--2--2-|-2--2--2--2--2--2--2--2-|
E|------------------------|------------------------|
B|------------------------|------------------------|
G|------------------------|------------------------|
D|-4--2--------------4--2-|------------------------|
A|----------------4-------|-------------------2----|
E|-0--0--0--0--0--0--0--0-|-0--0--0--0--0--0--0--0-|
2nd time through
E|---------------------------|------------------------|
file:///C|/olga_main/f-g/f/fleetwood_mac/albatros.tab (1 of 6) [4/28/2003 9:51:14 PM]
file:///C|/olga_main/f-g/f/fleetwood_mac/albatros.tab
B|---------------------------|------------------------|
G|-----------------------4-6-|------------------------|
D|-6--4--------------4h6-----|-6--4--------------2----|
A|---------------------------|----------------4-----4-|
E|-2--2--2--2--2--2--2-----2-|-2--2--2--2--2--2--2--2-|
E|------------------------|------------------------|
B|------------------------|------------------------|
G|------------------------|------------------------|
D|-4--2--------------4--2-|------------------------|
A|----------------4-------|------------------------|
E|-0--0--0--0--0--0--0--0-|-0--0--0--0--0--0--0--0-|
Section B (play twice)
E|----------------------------|-------------------------|
B|-/12-12-------------12\10-9-|-/12---------------------|
G|-/13-13-------------13\11-9-|-/13---------------------|
D|----------------------------|-------------------------|
A|----------------------------|-------------------------|
E|--0--0--0--0--0--0--0-----0-|--0--0--0--0--0--0--0--0-|
E|----------------------------|-------------------------|
B|-/12-12-------------12\10-9-|-/12---------------------|
G|-/13-13-------------13\11-9-|-/13---------------------|
D|----------------------------|-------------------------|
A|----------------------------|-------------------------|
E|--0--0--0--0--0--0--0-----0-|--0--0--0--0--0--0--0--0-|
E|------------------------|------------------------|
B|-12\10------------------|-12\10------------------|
G|-13\10------------------|-13\10------------------|
D|------------------------|------------------------|
A|-0--0--0--0--0--0--0--0-|-0--0--0--0--0--0--0--0-|
E|------------------------|------------------------|
E|------------------------|------------------------|
B|-10\9-----------5/10--9-|------------------------|
G|-11\9-----------6/11--9-|------------------------|
D|------------------------|------------------------|
A|------------------------|------------------------|
E|-0--0--0--0--0--0--0--0-|-0--0--0--0--0--0--0--0-|
Section C
E|-8-----------------10p8---|------------------------|
B|------------------------8-|-10---------------------|
G|--------------------------|------------------------|
D|--------------------------|------------------------|
A|--------------------------|------------------------|
E|-0--0--0--0--0--0--0--0---|-0--0--0--0--0--0--0--0-|
E|-8-----------------10p8---|----10-8-----------5\4-0-|
B|------------------------8-|-10----------------5\4-0-|
G|--------------------------|-------------------------|
D|--------------------------|-------------------------|
A|--------------------------|-------------------------|
E|-0--0--0--0--0--0--0--0---|-0--0--0--0--0--0--0---0-|
E|-2-----------------5\4-0-|-2-----------------5\4-2-|
file:///C|/olga_main/f-g/f/fleetwood_mac/albatros.tab
B|-2-----------------5\4-0-|-2-----------------5\4-2-|
G|-------------------------|-------------------------|
D|-------------------------|-------------------------|
A|-------------------------|-------------------------|
E|-2--2--2--2--2--2--2---2-|-2--2--2--2--2--2--2---2-|
E|-0-----------------------|------------------------|
B|-0-----------------------|------------------------|
G|-------------------9p8-6-|-4----------------------|
D|-------------------9---7-|-6----------------------|
A|-------------------------|-------------------2----|
E|-0--0--0--0--0--0--0---0-|-0--0--0--0--0--0--0--0-|
Section D
Repeat Section A once through to (X) and end with:
E|---------------------------|------------------------|
B|---------------------------|------------------------|
G|-----------------------4-6-|------------------------|
D|-4--2--------------4/6-----|-6--4--------------2----|
A|---------------------------|----------------4-----4-|
E|-0--0--0--0--0--0--0-----0-|-2--2--2--2--2--2--2--2-|
E|---------------------------|------------------------|
B|---------------------------|------------------------|
G|-----------------------4-6-|------------------------|
D|-4--2--------------4/6-----|-6--4--------------2--4-|
A|---------------------------|----------------4-------|
E|-0--0--0--0--0--0--0-----0-|-2--2--2--2--2--2--2--2-|
E|---------------------------|
B|---------------------------|
G|-1-------------------------|
D|-2-------------------------|
A|-2-------------------------|
E|-0-------------------------|
-_______________________________________________________________________
Malc Brookes, St Helens, England
EMail: malc@malbro.demon.co.uk
WWW: http://www.homeless.com/homepages/100623.3704@compuserve.com.html
file:///C|/olga_main/f-g/f/fleetwood_mac/albatros.tab
file:///C|/olga_main/f-g/f/fleetwood_mac/albatros.tab
B|---------------------------|------------------------|
G|-----------------------4-6-|------------------------|
D|-6--4--------------4h6-----|-6--4--------------2----|
A|---------------------------|----------------4-----4-|
E|-2--2--2--2--2--2--2-----2-|-2--2--2--2--2--2--2--2-|
E|------------------------|------------------------|
B|------------------------|------------------------|
G|------------------------|------------------------|
D|-4--2--------------4--2-|------------------------|
A|----------------4-------|------------------------|
E|-0--0--0--0--0--0--0--0-|-0--0--0--0--0--0--0--0-|
Section B (play twice)
E|----------------------------|-------------------------|
B|-/12-12-------------12\10-9-|-/12---------------------|
G|-/13-13-------------13\11-9-|-/13---------------------|
D|----------------------------|-------------------------|
A|----------------------------|-------------------------|
E|--0--0--0--0--0--0--0-----0-|--0--0--0--0--0--0--0--0-|
E|----------------------------|-------------------------|
B|-/12-12-------------12\10-9-|-/12---------------------|
G|-/13-13-------------13\11-9-|-/13---------------------|
D|----------------------------|-------------------------|
A|----------------------------|-------------------------|
E|--0--0--0--0--0--0--0-----0-|--0--0--0--0--0--0--0--0-|
E|------------------------|------------------------|
B|-12\10------------------|-12\10------------------|
G|-13\11------------------|-13\11------------------|
D|------------------------|------------------------|
A|-0--0--0--0--0--0--0--0-|-0--0--0--0--0--0--0--0-|
E|------------------------|------------------------|
E|------------------------|------------------------|
B|-10\9-----------5/10--9-|------------------------|
G|-11\9-----------6/11--9-|------------------------|
D|------------------------|------------------------|
A|------------------------|------------------------|
E|-0--0--0--0--0--0--0--0-|-0--0--0--0--0--0--0--0-|
Section C
E|-8-----------------10p8---|------------------------|
B|------------------------8-|-10---------------------|
G|--------------------------|------------------------|
D|--------------------------|------------------------|
A|--------------------------|------------------------|
E|-0--0--0--0--0--0--0--0---|-0--0--0--0--0--0--0--0-|
E|-8-----------------10p8---|----10-8-----------5\4-0-|
B|------------------------8-|-10----------------5\4-0-|
G|--------------------------|-------------------------|
D|--------------------------|-------------------------|
A|--------------------------|-------------------------|
E|-0--0--0--0--0--0--0--0---|-0--0--0--0--0--0--0---0-|
E|-2-----------------5\4-0-|-2-----------------5\4-2-|
B|-2-----------------5\4-0-|-2-----------------5\4-2-|
file:///C|/olga_main/f-g/f/fleetwood_mac/albatros.tab (5 of 6) [4/28/2003 9:51:14 PM]
file:///C|/olga_main/f-g/f/fleetwood_mac/albatros.tab
G|-------------------------|-------------------------|
D|-------------------------|-------------------------|
A|-------------------------|-------------------------|
E|-2--2--2--2--2--2--2---2-|-2--2--2--2--2--2--2---2-|
E|-0-----------------------|------------------------|
B|-0-----------------------|------------------------|
G|-------------------9p8-6-|-4----------------------|
D|-------------------9---7-|-6----------------------|
A|-------------------------|-------------------2----|
E|-0--0--0--0--0--0--0---0-|-0--0--0--0--0--0--0--0-|
Section D
Repeat Section A once through to (X) and end with:
E|---------------------------|------------------------|
B|---------------------------|------------------------|
G|-----------------------4-6-|------------------------|
D|-4--2--------------4/6-----|-6--4--------------2----|
A|---------------------------|----------------4-----4-|
E|-0--0--0--0--0--0--0-----0-|-2--2--2--2--2--2--2--2-|
E|---------------------------|------------------------|
B|---------------------------|------------------------|
G|-----------------------4-6-|------------------------|
D|-4--2--------------4/6-----|-6--4--------------2--4-|
A|---------------------------|----------------4-------|
E|-0--0--0--0--0--0--0-----0-|-2--2--2--2--2--2--2--2-|
E|---------------------------|
B|---------------------------|
G|-1-------------------------|
D|-2-------------------------|
A|-2-------------------------|
E|-0-------------------------|
-_______________________________________________________________________
Malc Brookes, St Helens, England
EMail: malc@malbro.demon.co.uk
WWW: http://www.homeless.com/homepages/100623.3704@compuserve.com.html
file:///C|/olga_main/f-g/f/fleetwood_mac/albatross.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Fri, 22 Nov 1996 10:52:40 GMT
From: Malc Brookes <malc@malbro.demon.co.uk>
Subject: TAB: Albatross by Fleetwood Mac
Hello,
Just before OLGA hit the rocks with EMI I posted Albatross to you,
but unfortunately there was a minor error in the tab. By the time I
sent you a correction OLGA had been shut down. So here's my amended
version of Albatross. Thanks for all the work you guys do, it's much
appreciated.
Regards, Malc
Albatross by Fleetwood Mac
Tabbed by Malc Brookes
(e-mail: malc@malbro.demon.co.uk)
Notes:
I arranged this for solo acoustic guitar several years ago.
In section B the bass switches from F# to A (which is in the
chord of F#m) as it wasn't possible to keep the original
melody and bass. In section C the melody is dropped a whole
octave, which allows the F# bass line to be preserved.
Tuning:
Standard, EADGBE.
Key:
h - hammer-on
p - pull-off
/ - slide up
\ - slide down
Section A (play twice):
E|---|-5--4--------------5--4-|------------------------|
B|---|-5--4--------------5--4-|------------------------|
G|---|-6--4--------------6--4-|------------------------|
D|---|-7--6--------------7--6-|------------------------|
A|-2-|------------------------|-------------------2----|
E|---|-0--0--0--0--0--0--0--0-|-0--0--0--0--0--0--0--0-|
E|-5--4--------------5--4-|------------------------|
B|-5--4--------------5--4-|------------------------|
G|-6--4--------------6--4-|------------------------|
D|-7--6--------------7--6-|-------------------2----|
A|------------------------|-------------2h-4-----4-|
E|-0--0--0--0--0--0--0--0-|-0--0--0--0--0--0--0--0-|
1st time through
(X)
E|------------------------|------------------------|
B|------------------------|------------------------|
G|------------------------|------------------------|
file:///C|/olga_main/f-g/f/fleetwood_mac/albatross.tab
D|-6--4-------------------|-6--4-------------------|
A|-------------------4--4-|-------------------4--4-|
E|-2--2--2--2--2--2--2--2-|-2--2--2--2--2--2--2--2-|
E|------------------------|------------------------|
B|------------------------|------------------------|
G|------------------------|------------------------|
D|-4--2--------------4--2-|------------------------|
A|----------------4-------|-------------------2----|
E|-0--0--0--0--0--0--0--0-|-0--0--0--0--0--0--0--0-|
2nd time through
E|---------------------------|------------------------|
B|---------------------------|------------------------|
G|-----------------------4-6-|------------------------|
D|-6--4--------------4h6-----|-6--4--------------2----|
A|---------------------------|----------------4-----4-|
E|-2--2--2--2--2--2--2-----2-|-2--2--2--2--2--2--2--2-|
E|------------------------|------------------------|
B|------------------------|------------------------|
G|------------------------|------------------------|
D|-4--2--------------4--2-|------------------------|
A|----------------4-------|------------------------|
E|-0--0--0--0--0--0--0--0-|-0--0--0--0--0--0--0--0-|
Section B (play twice):
E|----------------------------|-------------------------|
B|-/12-12-------------12\10-9-|-/12---------------------|
G|-/13-13-------------13\11-9-|-/13---------------------|
D|----------------------------|-------------------------|
A|----------------------------|-------------------------|
E|--0--0--0--0--0--0--0-----0-|--0--0--0--0--0--0--0--0-|
E|----------------------------|-------------------------|
B|-/12-12-------------12\10-9-|-/12---------------------|
G|-/13-13-------------13\11-9-|-/13---------------------|
D|----------------------------|-------------------------|
A|----------------------------|-------------------------|
E|--0--0--0--0--0--0--0-----0-|--0--0--0--0--0--0--0--0-|
E|------------------------|------------------------|
B|-12\10------------------|-12\10------------------|
G|-13\11------------------|-13\11------------------|
D|------------------------|------------------------|
A|-0--0--0--0--0--0--0--0-|-0--0--0--0--0--0--0--0-|
E|------------------------|------------------------|
E|------------------------|------------------------|
B|-10\9-----------5/10--9-|------------------------|
G|-11\9-----------6/11--9-|------------------------|
D|------------------------|------------------------|
A|------------------------|------------------------|
E|-0--0--0--0--0--0--0--0-|-0--0--0--0--0--0--0--0-|
Section C:
E|-7-----------------9-p7---|------------------------|
B|------------------------7-|-9----------------------|
G|--------------------------|------------------------|
file:///C|/olga_main/f-g/f/fleetwood_mac/albatross.tab (2 of 3) [4/28/2003 9:51:14 PM]
file:///C|/olga_main/f-g/f/fleetwood_mac/albatross.tab
D|--------------------------|------------------------|
A|--------------------------|------------------------|
E|-0--0--0--0--0--0--0--0---|-0--0--0--0--0--0--0--0-|
E|-7-----------------9-p7---|----9--7-----------5\4-0-|
B|------------------------7-|-9-----------------5\4-0-|
G|--------------------------|-------------------------|
D|--------------------------|-------------------------|
A|--------------------------|-------------------------|
E|-0--0--0--0--0--0--0--0---|-0--0--0--0--0--0--0---0-|
E|-2-----------------5\4-0-|-2-----------------5\4-2-|
B|-2-----------------5\4-0-|-2-----------------5\4-2-|
G|-------------------------|-------------------------|
D|-------------------------|-------------------------|
A|-------------------------|-------------------------|
E|-2--2--2--2--2--2--2---2-|-2--2--2--2--2--2--2---2-|
E|-0-----------------------|------------------------|
B|-0-----------------------|------------------------|
G|-------------------9p8-6-|-4----------------------|
D|-------------------9---7-|-6----------------------|
A|-------------------------|-------------------2----|
E|-0--0--0--0--0--0--0---0-|-0--0--0--0--0--0--0--0-|
Section D:
Repeat Section A once through to (X) and end with:
E|---------------------------|------------------------|
B|---------------------------|------------------------|
G|-----------------------4-6-|------------------------|
D|-4--2--------------4/6-----|-6--4--------------2----|
A|---------------------------|----------------4-----4-|
E|-0--0--0--0--0--0--0-----0-|-2--2--2--2--2--2--2--2-|
E|---------------------------|------------------------|
B|---------------------------|------------------------|
G|-----------------------4-6-|------------------------|
D|-4--2--------------4/6-----|-6--4--------------2--4-|
A|---------------------------|----------------4-------|
E|-0--0--0--0--0--0--0-----0-|-2--2--2--2--2--2--2--2-|
E|---------------------------|
B|---------------------------|
G|-1-------------------------|
D|-2-------------------------|
A|-2-------------------------|
E|-0-------------------------|
__________________________________________________________
Malc Brookes, St Helens, England
EMail: malc@malbro.demon.co.uk
"One day I'll think of something witty for my .sig file"
file:///C|/olga_main/f-g/f/fleetwood_mac/dont_stop.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Received: from animal-farm.nevada.edu by redrock.nevada.edu (5.65c/M1.4)
with SMTP id <AA12000>; Sun, 7 Feb 1993 13:17:41 -0800
Received: from ucscb.UCSC.EDU by animal-farm.nevada.edu id <AA17928@animal-farm.nevada.edu>; Sun,
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Received: by ucscb.UCSC.EDU (5.65/1.34)
id AA17863; Sun, 7 Feb 93 13:17:34 -0800
Date: Sun, 7 Feb 93 13:17:34 -0800
From: indigo@ucscb.UCSC.EDU (indigo)
Message-Id: <9302072117.AA17863@ucscb.UCSC.EDU>
To: jamesb@animal-farm.nevada.edu
Subject: Fleetwood_Mac/DontStop.crd
DON'T STOP (Christine McVie)
---------------------------[Each chord is half a measure]
E
A/E
[intro]
A/E
A/E
A/E
D
A
A
If you wake up and don't want to smile
E
D
A
A
If it takes just a little while
E
D
A
A
Open your eyes and look at the day
B
B
B
B
You'll see things in a different way
E
Don't
E
Don't
D/E A
A
stop thinking about tomorrow
D/E
A
A
stop; it'll soon be here
E
D/E A
A
It'll be
better than before
B
B
B
B
Yesterday's gone, yesterday's gone
Why not think about times to come
And not about the things that you've done
If your life was bad to you
Just think what tomorrow will do
All I want is to see you smile
If it takes just a little while
I know you don't believe that it's true
I never meant any harm to you
E D/E A
A
E
D/E
Oooooooooh, don't you look back....
file:///C|/olga_main/f-g/f/fleetwood_mac/dreams.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
Date: Fri, 10 Jan 1997 10:59:35 EST-10
From: MENDE JOVESKI <JOVESKI@bunyip.ph.rmit.edu.au>
Subject: CRD: Dreams - Fleetwood Mac
DREAMS - Fleetwood Mac (Written and sung by the cute little Stevie Nicks)
Album: Rumours (1977)
Transcribed by Mende Joveski
intro:
F
G
Now here you go again
F
G
You say you want your freedom
F
G
Well who am I to keep you down?
F
G
F
It's only right that you should play the way you feel it
F
G
But listen carefully to the sound
F
G
F
Of your loneliness, like a heartbeat drives you mad
F
G
In the stillness of remembering what you had
G
F
And what you lost
G
F
And what you had
G
F
And what you lost
CHORUS:
G
Am
G6
Oh thunder only happens when it's raining
Am
G6
Players only love you when they're playing
Am
G6
Say, women, they will come and they will go
Am
G6
When the rain washes you clean you'll know
Am
You'll know
(now go back to alternating b/t the G
&
G
F
Am
G6
Am
G6
Am
Am
G6
G6
2nd Verse:
Now here I go again
I see you crystal visions
I keep my visions to myself
It's only me who wants to wrap around you dreams and,
Have you any dreams you'd like to sell
Dreams of loneliness like a heartbeat drives you mad
In the stillness of remembering what you had
And what you lost
file:///C|/olga_main/f-g/f/fleetwood_mac/dreams.crd
file:///C|/olga_main/f-g/f/fleetwood_mac/go_your_own_way.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From sportiga@uoguelph.ca Thu Jan 13 16:37:34 1994
Received: from herman.cs.uoguelph.ca by snowhite.cis.uoguelph.ca (5.64/1.35)
id AA28959; Thu, 13 Jan 94 16:37:34 -0500
Message-Id: <9401132137.AA28959@snowhite.cis.uoguelph.ca>
Received: by herman.cs.uoguelph.ca
(1.37.109.8/16.2) id AA22540; Thu, 13 Jan 1994 16:38:49 -0500
Date: Thu, 13 Jan 1994 16:38:49 -0500
From: Steve L Portigal <sportiga@uoguelph.ca>
To: sportiga@herman.cs.uoguelph.ca
Subject: (fwd) Re: REQ: F'wood Mac - Go Your Own Way
Newsgroups: alt.guitar.tab
Organization: Akbar and Jeff's Thesis Hut
Reply-To: stevep@snowhite.cis.uoguelph.ca
Status: O
Path: nermal.cs.uoguelph.ca!torn!howland.reston.ans.net!europa.eng.gtefsd.com!emory!gatech!newsfeed2.peachnet.edu!umn.edu!gaia.ucs.orst.edu!osshe.edu!news.uoregon.edu!netnews.nwnet.net!news.u.washington.edu!news
From: krh@u.washington.edu (Ken Harris)
Newsgroups: alt.guitar.tab
Subject: Re: REQ: F'wood Mac - Go Your Own Way
Date: 13 Jan 1994 01:48:39 GMT
Organization: University of Washington
Lines: 66
Message-ID: <2h299n$nv2@news.u.washington.edu>
References: <2h1iso$n16@nermal.cs.uoguelph.ca>
NNTP-Posting-Host: hardy.u.washington.edu
In article <2h1iso$n16@nermal.cs.uoguelph.ca>
sportiga@herman.cs.uoguelph.ca (Steve L Portigal) writes:
> I really like this Fleetwood Mac song. Anyone help me out?
>
> Steve
>
Here's my attempt, please forgive any major mistakes I'm going by
memory.
The song is in F, and he (Lindsey Buckingham) uses several guitars, some
with capos some with distortion, feedback (cool.) So I'll just give the
basic cord names, which I usually play bar chords:
F at the 8th fret
C at the 3rd
D at the 5th
Bb at the 1st
Also Lindsey makes extensive use of a
Fsus9/F/Fsus9/F
(I think that
is what it is called) sequence as well the same in Bb etc. Those are
realtively easy to do using bar cords:
Fsus9
Fsus9
Bb
file:///C|/olga_main/f-g/f/fleetwood_mac/go_your_own_way.crd
Loving you isn't the right thing to do
Bb
How can I ever change things that I feel?
F
If I could Baby I'd give you my world
Bb
How can I if you won't take it from me?
Dm
Bb
C
You can go your own way
Bb
Dm
Bb
C
You can call it another lonely day
etc..etc..
Hope that helps.
Ken Harris
krh@u.washinton.edu
-+----------------------------------------------------------------------------+
| Steve Portigal, Dep't of CIS, University of Guelph, Guelph, ON, N1G 2W1
|
| email: stevep@snowhite.cis.uoguelph.ca
Phone: (519) 824-4120 ext 3580 |
| Remove Jamesb@nevada.edu as the "official" guitar tablature archivist!
|
|
I never sought perfection, I loved her for her flaws..
|
+----------------------------------------------------------------------------+
file:///C|/olga_main/f-g/f/fleetwood_mac/gold_dust_woman.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: lirettej@nbnet.nb.ca (Jacques Lirette)
Subject: TAB:gold dust woman/fleet.mac
This cool little tune is tuned down to dropped-D tuning (low E to a D)
Licics are pretty complicated to sing so listen to the tape frist...
ok, here goes...
Main Chords..(I'm not sure about the G, right fingering, wrong frets
mabey, try it within one fret of the ones posted)
D
C
G
A
---2----0---4---1
---3----1---4---3
---2----2---5---3
---0----0---0---3
---0----3---6---0
---0----x---6---x
Opening rift: do twice then verse:starting with a upstroked D
---x---x-------(Always twice)
---3---3--3-3/5---2---2--2-2/4---0---0--------------------------------------0---0---0-----D
G
C
G
Rock on Gold dust woman take your silver spoon,
D(intro)
And dig your grave...
D
G
C
G
D(Intro)
Heartless challenge, pick your path, and I'll pray
D
G
C
G
D(intro)
Wake up in the morning, see your sunrise, lovers go down.
D
G
C
G
D(intro)
Lousy lovers pick their pray, but they'll never cry out loud.
(Chrous)
A
G
C
D
Did she make you cry? Make you break down? Shatter your illusions of love?
A
G
C
D(into)
Is it over now? Do you know how? To pick up the pieces and go home...
D
Rock on ancient
D
Rulers make bad
G
C
G
D(intro)
queen, follow those who pale in your shadow...
G
C
G
D(intro)
lovers, You better put your knigdom up for sale..
file:///C|/olga_main/f-g/f/fleetwood_mac/jumping_at_shadows.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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with SMTP id <AA06399>; Wed, 7 Apr 1993 09:17:42 -0700
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Date: Wed, 7 Apr 1993 12:14 EST
From: "A STATEMENT FROM HIS FORMER LIFE..." <JSARNA@vax.clarku.edu>
Subject: Fleetwood_Mac JumpingAtShadows.crd
To: jamesb@animal-farm.nevada.edu
Message-Id: <01GWQ9N7BYOG8Y7XX2@vax.clarku.edu>
X-Vms-To: IN%"jamesb@nevada.edu"
Jumping At Shadows
Written by Dusty Bennett
Performed by Fleetwood Mac
Faithfully transcribed by jeremy sarna
To my knowledge, this song never appeared on an FM album, but
was a staple of their live show while they were still a blues band.
This transcription is based on a 1969 performance at the Boston Tea Party.
-js
Intro:
GTR 1 (Danny Kirwan) plays changes (slow shuffle)
GTR 2 (Peter Green) solos for two choruses, starting at bar 3
Bass & Drums tacet
G7
C9
What can you say? There isn't much to tell.
G7
A7
I'm going down hill and i blame myself I've been
C9
A7
C9
D9
G7
C9 G7
Jumping at Shadows Thinking about my life
D9
file:///C|/olga_main/f-g/f/fleetwood_mac/landslide.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
LANDSLIDE (Stevie Nicks)
-----------------------A few notes:
* Most of the song uses a picking pattern a lot like the intro; there _is_
some variation (and maybe a 2nd guitar), but you'll get a lot of mileage out
of the intro tab. The big exception is the part that goes "well I've been
afraid of changing," where the chords change completely. (And if anyone
wants to tab that part out, send it to me and I'll add it to this file!)
* Most of the variation in the C G/B Am7 G/B part is in the form of high G
notes. I.e., fretting the high E string at the 3rd fret with your left
pinky, and playing that instead of the B string in some measures, and also
at the beginning of some measures, with the first bass note. You'll have to
listen to the song to figure out _exactly_ where to do it.
* All the chords are one measure in duration, except "Am7 - G/B," which is
one measure _total_.
* D7/F# is 200212, or maybe 20021x. I play it 200212, with my thumb on the
low E string.
* It's actually in E flat; capo at the 3rd fret.
* In the guitar solo, "/" is a slide, "=" is a hammer-on or pull-off, and
the marks underneath are for timing. The timing is pretty accurate.
* Some of the places in the guitar solo where I put hammer-ons or pull-offs
should probably be bends (e.g., 10=12 should maybe be 10b12). But I don't
have an electric guitar, so I can't do whole-step bends.
* I might not have put the solo on the right strings; the _notes_ are
right, but where I notated a 3 on the E-string, it might really be an 8 on
the B string, and so on. Use whichever fingering works best for you.
[INTRO:]
E
B
G
D
A
E
C
G/B
Am7
G/B
----------------|----------------|----------------|----------------|
------1---------|------3---------|------1---------|------3---------|
--0-------0-----|--0-------0-----|--0-------0-----|--0-------0-----|(repeat)
----2-------2---|----0-------0---|----2-------2---|----0-------0---|
3-------3-------|2-------2-------|0-------0-------|2-------2-------|
----------------|----------------|----------------|----------------|
G/B
Am7
G/B
I took my love, I took it down
C
G/B
Am7
G/B
Climbed a mountain and I turned around
C
G/B
Am7
G/B
And I saw my reflection in the snow-covered hills
C
G/B
Am7
Am7 - G/B
Till the landslide brung it down
(Oh,)
C
G/B
Am7
G/B
Oh, mirror in the sky, what is love?
C
G/B
Am7
G/B
Can the child within my heart rise above?
C
G/B
Am7
G/B
Can I sail through the changin' ocean tides?
C
G/B
Am7
G/B
C
G/B Am7
Can I handle the seasons of my li
- i fe?
G/B
file:///C|/olga_main/f-g/f/fleetwood_mac/landslide.tab
G/B
Am7
Mm hmm hmm hmm
D7/F#
G
D7/F#
Em
Em
Well, I've been afraid of changing 'cause I've
C
G/B
Am7
D7/F#
Built my life around you
G
D7/F#
Em
Em
But time makes you bolder, even children get older
C
G/B
Am7
Am7 - G/B
And I'm getting older too
[GUITAR SOLO:]
C
G/B
Am7
G/B
E ------------7-10|----------------|--------10=12---|10------7=5-----|
B --------5/8-----|----------------|----------------|------------8-8-|
G ----------------|----------------|----------------|----------------|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
C
G/B
Am7
G/B
E ----------------|----------------|----------------|----------------|
B ---------8/10-8-|--------0=1=3-3-|----------------|----------------|
G ----------------|----------------|----------------|----------------|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
C
G/B
Am7
G/B
E ------------7-10|----------------|10=12---10------|7-------7=5-----|
B --------5/8-----|----------------|----------------|------------8---|
G ----------------|----------------|----------------|----------------|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
C
G/B
Am7
D7/F#
E ------------8---|7---------------|--3-2-3-5-3-2-3-|2-0-2-0---------|
B/5-------8-------|--8---------0-1-|3---------------|--------3-1-3---|
G ----------------|----7-----------|----------------|----------------|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
Well, I've been afraid of changing 'cause I've
Built my life around you
But time makes you bolder, even children get older
And I'm getting older too
Oh, I'm getting older too
Ah-ah, take my love, take it down
Ah-ah, Climb a mountain and turn around
And if you see my reflection in the snow-covered hills
Well, a landslide'll bring it down
C
G/B
Am7
G/B [pause]
And if you see my reflection in the snow-covered hills
C
G/B
Am7
G/B
Well, a landslide'll bring it down, oh-ohh
C
G/B
Am7.
The landslide'll bring it down.
file:///C|/olga_main/f-g/f/fleetwood_mac/man_of_the_world.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
From: malc@malbro.demon.co.uk (Malc Brookes)
Subject: TAB: Man Of The World, Fleetwood Mac.
Date: Mon, 28 Oct 1996 14:40:25 GMT
Man Of the World by Fleetwood Mac
Tuning:
Standard, EADGBE.
Intro:
D
A
Aadd6
E|--5--3--2--3-----2-----|--5-----2-----|
B|--3--3--3--3-----3-----|--2-----2-----|
G|--2--2--2--2-----2-----|--2-----2-----|
D|--0--0--0--0-----0-----|--2-----2-----|
A|-----------------------|--0-----0-----|
E|-----------------------|--------------|
Gm
Gm9
D
E|--3--3--3--5-----5-----|--2-----------|
B|--3--3--3--3-----3-----|--3-----------|
G|--3--3--3--3-----3-----|--2-----------|
D|--5--5--5--3-----3-----|--0-----------|
A|--5--5--5--5-----5-----|--------------|
E|--3--3--3--3-----3-----|--------------|
D
A
Aadd6
E|--5--3--2--3-----2-----|--5-----2-----|
B|--3--3--3--3-----3-----|--2-----2-----|
G|--2--2--2--2-----2-----|--2-----2-----|
D|--0--0--0--0-----0-----|--2-----2-----|
A|-----------------------|--0-----0-----|
E|-----------------------|--------------|
Em
Bm
E|--0--------3--2--0-----|--7-----------------|
B|--0--------0--0--0-----|--7-----------------|
G|--0--------0--0--0-----|--7-----------------|
D|--2--------2--2--2-----|--9-----9-----------|
A|--2--------2--2--2-----|--9-------9----9----|
E|--0--------0--0--0-----|--7---------10---7--|
Verse (as intro unless otherwise stated):
D
A
Aadd6
Shall I tell you about my life
Gm
Gm9
D
They say I'm a man of the world
D
A
Aadd6
I've flown across every tide
file:///C|/olga_main/f-g/f/fleetwood_mac/man_of_the_world.tab
Em
Bm
G
E|--0--------3--2--0-----|--7---------------3--|
B|--0--------0--0--0-----|--7---------------3--|
G|--0--------0--0--0-----|--7-----10p9p7----4--|
D|--2--------2--2--2-----|--9------------9--5--|
A|--2--------2--2--2-----|--9---------------5--|
E|--0--------0--0--0-----|--7---------------3--|
I've seen lots of pretty girls
D
(first time thru only)
E|-----2--0--0-----2-----|--------5-2h3-2------|
B|--3--3--3--3--3--3-----|--3---3---------3----|
G|--2--2--2--2--2--2-----|----2-------------2--|
D|--0--0--0--0--0--0-----|---------------------|
A|-----------------------|---------------------|
E|-----------------------|---------------------|
Verse:
Yes I've got all the things I need
I couldn't ask for more
And there's no one I'd rather be
I just wish that I'd never been born
Instrumental:
D
A
Gm Gm9 D
D
A
Gm Gm9 D
Bridge:
F#m
And I need a good woman
Em
To make me feel like a good man should
F#m
I don't say that I'm a good man
Em
Oh but I would be if I could
Aadd6
Verse:
I could tell you about my life
And keep you amused I'm sure
About all the times I've cried
And how I don't want to be sad anymore
And how I wish I was in love
Ending:
* = harmonics
F#m
Em
F#m
Em
D
E|--2-----0--12*--|--2-----0--12*--|------|
B|--2-----0--12*--|--2-----0--12*--|--7*--|
G|--2-----0--12*--|--2-----0--12*--|--7*--|
D|--4-----2-------|--4-----2-------|--7*--|
A|--4-----2-------|--4-----2-------|------|
E|--2-----0-------|--2-----0-------|------|
file:///C|/olga_main/f-g/f/fleetwood_mac/man_of_the_world.tab
__________________________________________________________
Malc Brookes, St Helens, England
EMail: malc@malbro.demon.co.uk
WWW Guitar Tab: http://www.malbro.demon.co.uk/tab/
file:///C|/olga_main/f-g/f/fleetwood_mac/need_your_love_so_bad.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
>From: malc@malbro.demon.co.uk (Malc Brookes)
>Subject: TAB/CRD: Need Your Love So Bad - Fleetwood Mac
>Date: Thu, 14 Nov 1996 13:17:30 GMT
I've seen one or two requests for this so I thought I'd have a go.
This is how I think it goes. I'm no lead guitarist so the positioning
of the solo may not be to everyone's liking, but it gives you an idea
so you can then choose where abouts up the neck you want to play it.
Any comments/corrections most welcome.
Regards, Malc
Need Your Love So Bad by Peter Green's Fleetwood Mac
Tuning:
Standard, EADGBE.
Chords:
Ebdim xx1212
Key:
b - bend
h - hammer-on
p - pull-off
/ - slide up
\ - slide down
Intro:
A
A7
E|-------------|--------------------------------------|
B|---------10--|--14b-14--------10h12----10-----------|
G|--9--11------|-------------11-------11-----11-----9/|
D|-------------|--------------------------------------|
A|-------------|--------------------------------------|
E|-------------|--------------------------------------|
D
Ebdim
E|--------------------------------------------------------------|
B|----10--12----10-------10-----15b--14--10----10--12b-p10------|
G|/11--------11-------11-----11-------------11--------------11--|
D|--------------------------------------------------------------|
A|--------------------------------------------------------------|
E|--------------------------------------------------------------|
A
F#m
Bm
E
E|-----------14-------------------------------------------------|
B|--14---------------12b-p10--12----------10h12----10--12b-p10--|
G|-------------------------------------11-------11--------------|
D|--------------------------------------------------------------|
A|--------------------------------------------------------------|
E|--------------------------------------------------------------|
file:///C|/olga_main/f-g/f/fleetwood_mac/need_your_love_so_bad.crd
A
D7
A
E7
E|-----------5-8--------10-11-12\-----------------------|
B|-----------7-10-------12-13-14\-----------------------|
G|------------------------------------------------------|
D|------------------------------------------------------|
A|------------------------------------------------------|
E|------------------------------------------------------|
A
A7
I need someone's hand, to lead me through the night
D
Ebdim
I need someone's arms, to hold and squeeze me tight
A
F#m
Now when the night begins,
Bm
E
I'm at an end
A
D7
A
E7
Because I need
your love so bad.
A
A7
I need some lips, to feel next to mine
D
Ebdim
I need someone to stand up, and tell me when I'm lyin'
A
F#m
Bm
E
And when the lights are low, and it's time to go
A
D7
A
A7
That's when I need
your love so bad.
D
Ebdim
So why don't you give it up, and bring it home to me
A
A7
Or write it on a piece of paper baby, so it can be read to me
B7
Tell me that you love me, and stop driving me mad
E
Oh because I,
E
E7
I need your love so bad.
A
A7
I need your soft voice, to talk to me at night
D
Ebdim
I don't want you to worry baby, I know we can make everything alright
A
F#m
Bm
E
Listen to my plea, baby,
bring it to me
A
D7
A
E7
Because I need
your love so bad.
Repeat intro and fade.
__________________________________________________________
file:///C|/olga_main/f-g/f/fleetwood_mac/need_your_love_so_bad.crd (2 of 3) [4/28/2003 9:51:17 PM]
file:///C|/olga_main/f-g/f/fleetwood_mac/need_your_love_so_bad.crd
file:///C|/olga_main/f-g/f/fleetwood_mac/never_going_back_again.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: "Chan, Chris C. x7706" <chancc1@aeropo1.aeronet.jhuapl.edu>
Subject: NEVER GOING BACK AGAIN by Fleetwood Mac
Date: Mon, 30 Oct 95 10:30:00 EST
NEVER GOING BACK AGAIN by Fleetwood Mac
Try my version of this song. It's sounds close to the real thing (and it's
easy for me, a mediocre guitar player, to play). I included a bass guitar
part and two versions of the chorus accompanyment. The first version
is played in the open position (while capoed) and the alternate version is
played using barre chords.
CAPO 6th fret
(s = slide)
(. = beat)
***************************************************************************
[Intro]
E
B
G
D
A
E
C
G
C
C
G
C
|---------------|-----3------3-----|--------------|-----3------3----|
|------1-----0--|-------1----------|-----1-----3--|-------1---------|
|---------------|------------------|--------------|-----------------|
|------2-----0--|-----2---------2--|-----2-----0--|-----2---------2-|
|---3-----------|--3---------------|--3-----------|--3--------------|
|---------3-----|----------3-------|--------3-----|----------3------|
. . . .
. .
.
.
. . . .
. .
.
.
E
B
G
D
A
E
G7
C
G
C
G
|--0-----0-----0---|---0-----0-----0-|----------------|-------3----|
|----3------3----3-|-----3-----3-----|-1-----3s-5--3--|-1----------|
|------------------|-----------------|----------------|------------|
|------3-------3---|-----3-------3---|----2--------0--|----2-----0-|
|------------------|-----------------|-3--------------|-3----------|
|--3--------3------|-3-------3-------|-------3--------|-------3----|
.
.
. .
.
.
.
.
. . .
.
. . . .
[Verses]
E
B
G
D
A
E
E
B
C
G
C
C
G
C
||------------------------|-----3------3----|------------|---3-----3---|
||--------1-----------0---|-------1---------|----1-----3-|-----1-------|
||.-----------------------|-----------------|------------|-------------|
||.-------2-----------0---|-----2---------2-|----2-----0-|---2-------2-|
||--3---------------------|-3---------------|-3----------|-3-----------|
||--------------3---------|----------3------|-------3----|-------3-----|
.
.
.
.
.
.
.
.
. . . .
. .
.
.
1. She broke down
and let
me
in.
2. gain.
3. You don't know what it means to
win.
G7
C
G
C
G
|--0-----0-----0---|---0-----0-----0-|----------------|-------3----|
|----3------3----3-|-----3-----3-----|-1-----3s-5--3--|-1----------|
file:///C|/olga_main/f-g/f/fleetwood_mac/never_going_back_again.tab
G
D
A
E
E
B
G
D
A
E
E
B
G
D
A
E
|------------------|-----------------|----------------|------------|
|------3-------3---|-----3-------3---|----2--------0--|----2-----0-|
|------------------|-----------------|-3--------------|-3----------|
|--3--------3------|-3-------3-------|-------3--------|-------3----|
.
.
. .
.
.
.
.
. . .
.
. . . .
C
G
C
C
G
C
|--------------------|------3-------3-----|------------|----3------3----|
|--------1--------0--|--------1-----------|----1-----3-|------1---------|
|--------------------|--------------------|------------|----------------|
|--------2--------0--|------2----------2--|----2-----0-|----2---------2-|
|--3-----------------|-3------------------|-3----------|-3--------------|
|--------------3-----|------------3-------|-------3----|---------3------|
.
.
. .
.
.
.
.
. . . .
. .
.
.
1. Made
me
see where
I've
been.
2. gain.
3. Come
down and see
me a gain.
G7
C
G
C
G
|--0-----0-----0---|---0-----0-----0-|----------------|-------3----|
|----3------3----3-|-----3-----3-----|-1-----3s-5--3--|-1----------|
|------------------|-----------------|----------------|------------|
|------3-------3---|-----3-------3---|----2--------0--|----2-----0-|
|------------------|-----------------|-3--------------|-3----------|
|--3--------3------|-3-------3-------|-------3--------|-------3----|
.
.
. .
.
.
.
.
. . .
.
. . . .
E
B
G
D
A
E
E
B
G
D
A
E
E
B
G
D
C
G
C
C
G
C
|-------------|--------------------|--------------|--------------------|
|----1-----0--|--1-----1------1----|----1------0--|--1-----1------1----|
|-------------|----0------0-----0--|--------------|----0------0-----0--|
|----2-----0--|------2------2------|----2------0--|------2------2------|
|-3-----------|--3-----------------|-3------------|--3-----------------|
|-------3-----|-----------3--------|--------3-----|-----------3--------|
. . . .
.
.
.
.
. .
. .
.
.
.
.
1.
Been down one
time
Been down two
2.
3.
Been down one
time
Been down two
C
G
C
Am
Em
|---------------|-------------------|-------------|
|----1-------0--|--1-----1-----1----|----1----0---|
|---------------|----0-----0-----0--|-------------|
|----2-------0--|------2-----2------|----2--------|
|-3-------------|--3----------------|-0---------2-|
|---------3-----|----------3--------|-------0-----|
. .
. .
.
.
.
.
. . .
.
1.
times
I'm
2.
3.
----------------------|1,2,3.
|
|
|
C
G
|--------------3------||
|--1------------------||
|--------------------.||
|--------2-----------.||
file:///C|/olga_main/f-g/f/fleetwood_mac/never_going_back_again.tab (2 of 4) [4/28/2003 9:51:17 PM]
file:///C|/olga_main/f-g/f/fleetwood_mac/never_going_back_again.tab
A |--3---------------2--||
E |--------------3------||
.
.
.
.
1. never going back a2.
3. never going back a[Ending]
E
B
G
D
A
E
E
B
G
D
A
E
C
G
C
C
G
C
|---------------|-----3------3-----|--------------|-----3------3----|
|------1-----0--|-------1----------|-----1-----3--|-------1---------|
|---------------|------------------|--------------|-----------------|
|------2-----0--|-----2---------2--|-----2-----0--|-----2---------2-|
|-3-------------|--3---------------|--3-----------|--3--------------|
|---------3-----|----------3-------|--------3-----|----------3------|
.
. . .
. .
.
.
. . . .
. .
.
.
gain.
G7
C
G
C
|--0-----0-----0---|---0-----0-----0-|----------------|--0------|
|----3------3----3-|-----3-----3-----|-1-----3s-5--3--|--1------|
|------------------|-----------------|----------------|--0------|
|------3-------3---|-----3-------3---|----2--------0--|--2------|
|------------------|-----------------|-3--------------|--3------|
|--3--------3------|-3-------3-------|-------3--------|--0------|
.
.
. .
.
.
.
.
. . .
.
.
***************************************************************************
Bass guitar - this part is a simple alternating bass.
[intro and verse]
G
D
A
E
C
G
C
C
G
C
|---------|---------|---------|---------|
|---------|---------|---------|---------|
|-----4---|-----4---|-----4---|-----4---|
|-2-------|-2-------|-2-------|-2-------|
. . . .
. . . .
. . . .
. . . .
G
D
A
E
G7
G7
C
G
C
G
|---------|---------|---------|---------|
|---------|---------|---------|---------|
|-4---4---|-4---4---|-----4---|-----4---|
|---------|---------|-2-------|-2-------|
. . . .
. . . .
. . . .
. . . .
[chorus]
G
D
A
E
G
D
A
E
C
G
C
C
G
C
|---------|---------|---------|---------|
|---------|---------|---------|---------|
|-----4---|-----4---|-----4---|-----4---|
|-2-------|-2-------|-2-------|-2-------|
. . . .
. . . .
. . . .
. . . .
C
G
C
Am Em
C
|---------|---------|---------|---------|
|---------|---------|---------|---------|
|-----4---|-----4---|-6-------|-6---4---|
|-2-------|-2-------|-----6---|---------|
file:///C|/olga_main/f-g/f/fleetwood_mac/never_going_back_again.tab (3 of 4) [4/28/2003 9:51:17 PM]
file:///C|/olga_main/f-g/f/fleetwood_mac/never_going_back_again.tab
. . . .
. . . .
. . . .
. . . .
***************************************************************************
[Alternate chorus - if you can reach these frets on your guitar]
E
B
G
D
A
E
|----8--------|--8------8------8---|----8--------|--8------8------8---|
|---------12--|----9------9------9-|---------12--|----9------9------9-|
|-------------|--------------------|-------------|--------------------|
|---10----12--|------10-----10-----|---10----12--|------10-----10-----|
|------10-----|--------------------|------10-----|--------------------|
|-8-----------|--8--------8--------|-8-----------|--8--------8--------|
. . . .
.
.
.
.
. . . .
.
.
.
.
E
B
G
D
A
E
|----8--------|--8------8------8---|-------------|--------3-----|
|---------12--|----9------9------9-|--------0----|--1-----------|
|-------------|--------------------|---5---------|--------------|
|---10----12--|------10-----10-----|-----------2-|-----2--------|
|------10-----|--------------------|---7---------|--3--------2--|
|-8-----------|--8--------8--------|-5----0------|--------3-----|
. . . .
.
.
.
.
. . .
.
. . . .
***************************************************************************
file:///C|/olga_main/f-g/f/fleetwood_mac/oh_well.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
>From: steely@maths.tcd.ie (Conor Hogan)
>Subject: TAB: Oh Well - Fleetwood Mac
Oh Well - Fleetwood Mac
This is the best I can do-its played really fast,the rhythm you can
only get from listening to the song.If anyone comes up with the solo
please add it in.
Conor.
h
p
b
x
U
D
hammer on
pull off
bend
damped note
strum up
strum down
e---------------------------B---------------------------G---------------------------D--x----x-x--x-x-x----------A--5h7--7-7--7-7-7----------E--0----0-0--0-0-0----------e---------------------------B---------------------------G---------------------------D--x-----5------x--x-x------A--5h7--(5)h7---7--7-7------E--0--------0---0--0-0-------
X 4
X 4
e---------------------------------------------------------------------B---------------------------------------------------------------------G-------------------------------------7--8--9---9---------------------D--x-----5------5-0---6---------7-8-9-----------0---------------------A--5h7--(5)h7---5-5---5-5---7h10--------------------------------------E--0--------0-----5-----0---------------------------------------------The electric plays the same intermittently over the main pieces,and some
file:///C|/olga_main/f-g/f/fleetwood_mac/oh_well.tab
riffs also.(anyone?!)
I can't help about the shape I'm in
I can't sing I aint pretty and my legs are thin
But don't ask me what I think of you
I might not give the answer that you want me to
Now when I talk to God you know he understands
He said stick by me and I'll be your guidin' hand
But don't ask me what I think of you
I might not give the answer that you want me to
Enjoy!
Please direct any comments,corrections etc to: steely@maths.tcd.ie
Your name will be entered in our free draw in which you might win
a packet of Jelly Tots and a pint please Paddy.
...the young boy stood looking up the road to the future.In the distance both
sides appeared to converge together."That is due to perspective,when you reach
there the road is as wide as it is here",said an old wise man.The young boy set
off on the road,but,as he went on,both sides of the road converged until he
could go no further.He returned to ask the old man what to do,
but the old man was dead.
(sm) Conor Hogan steely@maths.tcd.ie
file:///C|/olga_main/f-g/f/fleetwood_mac/rhinannon.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Received: from animal-farm.nevada.edu by redrock.nevada.edu (5.65c/M1.4)
with SMTP id <AA10960>; Sun, 7 Mar 1993 15:27:14 -0800
Received: from palin.cc.monash.edu.au by animal-farm.nevada.edu id <AA09479@animalfarm.nevada.edu>; Sun, 7 Mar 1993 15:27:08 -0800
Received: by palin.cc.monash.edu.au (5.65/DEC-Ultrix/4.3)
id AA07914; Mon, 8 Mar 1993 09:27:10 +1000
Date: Mon, 8 Mar 1993 09:27:10 +1000
From: peter@palin.cc.monash.edu.au (Peter Hawkins)
Message-Id: <9303072327.AA07914@palin.cc.monash.edu.au>
To: jamesb@animal-farm.nevada.edu
Subject: rhiannon.tab - Fleetwood Mac
Hi,
I just worked out the intro to Rhiannon (I believe Rhiannon is the name
of a Welsh horse---goddess). I play it with slightly extra bass, a fair
bit of reverb & a fair bit of distortion. I put my strat---copy onto the
bass pickup & got a pretty good immitation of the recording. I found
that by getting this riff going well you can really get "stoned" on
it!!!
PS --- I'm combining both guitar parts --- it's not too hard to play
them both together (I pluch with my fingets rather than with a pick).
To make it easier to learn the synchopation, I'm including timings
as follows:
Above the tab staff - refers to the two top notes.
Below the tab staff - refers to the (one) bass note. NB there is a
crotchet rest in the bass line at the start.
0.5
1.0
1.5
2.0
2.5
3.0
etc
=
=
=
=
=
=
quaver
crotchet
dotted crotchet
minum
minum+quaver
minnum+crotchet = dotted minum
0.5 1.0
1.5
1.0
0.5 1.0
2.5
E---------------0---------------|-------------------------------|
B---1---3-------1-------3-------|---1---0-----------------------|
G---2---2---------------2-------|---2---0-------2---------------|
D-------------------------------|---------------2---------------|
A-----------0---0---0---0---0---|---0-------0-------0---0-------|
F-----------------------------------------------------------0---|
REST 1.0 0.5 0.5 1.0 0.5 0.5
1.0
1.0
1.0 0.5 0.5
0.5 1.0
1.5
0.5 /0.5+0.5\ 3.5
E-------------------------------|----------------------|
B--------0-------1-------0---0^^|^^0-------------------|
G----2---0-------2-------0---0^^|^^0---2---------------|
D----3--------------------------|------3---------------|
A-------------------------------|----------------------|
F----0-------0---0---0---0---0--|--0-------0---0---0---|
1.0
0.5 0.5 1.0 0.5 0.5
1.0
1.0 1.0 1.0
file:///C|/olga_main/f-g/f/fleetwood_mac/rhinannon.tab
After this, the verse starts. The first two of every four bars in the
verse is the same as above, but just hold the:
E----B----G--2-D--3-A----F--0-chord for the second two bars during the verse (although there are
improvisations in these bars sometimes). Stay tuned for a more complete
version one day.....
Peter Hawkins
file:///C|/olga_main/f-g/f/fleetwood_mac/sara.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Stephen Williamson <swmson@delphi.com>
Sara by Fleetwood Mac.
The lines enclosed by the asterisks are included on the LP version.
The CD version cut these lines out.
Bbdim5
x_x________
* * * * * *
* * * * * *
O O O
* * * * * *
Key of F
F G Am G ...
Wait a minute, baby.
Stay with me awhile.
Said you'd give me light
But you never told me about the fire.
I VI IV V ...
F
Dm
Drowning in the sea of love
Bbdim5
C
Where everyone would love to drown.
F
But now its gone.
Dm
It doesn't matter what for.
Bbdim5
When you build your house,
C
Then call me home.
Am
G
F
And he was just like a great dark wing
G
Within the wings of a storm.
Am
I think I had met my match.
G
F
He was singing and undoing.
G
And undoing.
F
Ooh, the laces.
G
Undoing the laces.
* * * * * * * *
file:///C|/olga_main/f-g/f/fleetwood_mac/sara.crd
F
Dm
Bbdim5
C
Ooh. Ooh.
F
Said Sara.
Dm
You're the poet in my heart
Bbdim5
Never change.
C
Never stop.
F
But now it's gone.
Dm
It doesn't matter what for.
Bbdim5
C
But when you build your house, you better call me home.
F
G
F
Hold on. The night is coming.
G
And the starling flew for days.
F
I'd stay home at night all the time.
G
I'd go anywhere, anywhere, anywhere.
F
Ask me and I'm there. Yeah.
G
Ask me and I'm there, 'cause I care.
* * * * * * * *
F
Dm
In the sea o' love
Bbdim5
C
Where everyone would love to drown.
F
But now it's gone.
Dm
They say it doesn't matter anymore.
Bbdim5
If you build your house,
C
Then please call me, call!
F
Dm
Sara, you're the poet in my heart.
Bbdim5
Never change,
C
And don't you ever stop.
F
Well, now it's gone.
Dm
No, it doesn't matter anymore.
Bbdim5
When you build your house,
file:///C|/olga_main/f-g/f/fleetwood_mac/sara.crd
C
I'll come by.
Aah, Sara.
Aah.
Ooh.
file:///C|/olga_main/f-g/f/fleetwood_mac/storms.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: pascual@mpc175.mpibpc.gwdg.de
{t:Storms}
{st:Fleetwood Mac}
[D]Every night that goes be[G]tween
I feel a [A]little [Bm]less
As you [D]slowly go away from [G]me
this is only an[A]other [Bm]test
And [D]every night you do not [G]come
your softness [A]fades a[Bm]way
Did I [D]ever really
care that [G]much?
Is there anything [A]left to [Bm]say?
[G]Every [Bm7]hour of [D]fear I spend
my [G]body [A]tries to [Bm]cry
[G]living [Bm7]through each [D]empty night
a [G]deadly [A]call in[Bmside
So I [D]try to say goodbye my [G]friend
I'd like to leave you with [A]something [Bm]warm
But [D]never have I been a blue, calm [G]sea
I have always [A] been a [Bm]storm
[G]always [A] been a [Bm]storm
ooh, [G]always [A] been a [Bm]storm
I have [G]always [A] been a [Bm]storm
[G]
[D]
[A7]
[D]
we [G]were frail
[D]
[A7]
[D]
[G]
[D]
[A7]
[D]
She said
"[G]every night he will [D]break your [A7]heart"
I should have [G]known from the first
[D] I'd be the [A7]broken hear[D]ted
[G]
[D]
[A7]
[D]
I [G]loved you from the start [D]
[A7]
[D]
Save us
[G]
[D]
[A7]
And not [D] all the prayers in the world
save [G]us.
[D]
[A7]
[D]
file:///C|/olga_main/f-g/f/fleetwood_mac/the_chain.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
>From: ejn521@aol.com
>Subject: Tab-Fleetwood Mac-"The Chain"
>Date: 15 Nov 1996 04:29:04 GMT
The Chain
by Fleetwood Mac
Standard Tuning
Chords Used:
Em 022000
A
x07650
A7 x07680
Bm/D xx0432
Am/C x3x210
Am7
x02013
C
x32010
Dsus4 xx0233
G
3x0033
Intro:
-0--------0---0--3p0-------0--------0-0---3p0-------0-----3p0--0---3p0--------------------------------------------2-----------------------------2----------2-----------------------------2----------0-----------------------------0---------Em
A
A7
Listen to the wind blow, watch the sunrise
Em
A
A7
Run in the shadow, damn your love,
Bm/D
Am/C Em
damn your lies
Play
Twice
Bm/D
Am/C
Played as:
-------2-----------0---------3-0-----------0------3--3--------1--1------------3-0------0-----4----4------2----2----------------2-0-----0--------------------------------------------2----------------3-------------------------------2------------------------------0----------------0-Chorus
Am7
And if you don't love me now,
You will never love me again
Em
C
I can still here you saying
Dsus4
file:///C|/olga_main/f-g/f/fleetwood_mac/the_chain.crd
Em
Em
keep us togethor
file:///C|/olga_main/f-g/f/flock_of_seagulls/i_ran.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
I Ran
By A Flock Of Seagulls
Transcription by Enrique Zamudio
Send comments/suggestions/corrections/etc to zamudioe@risc.uia.mx
You need a chorus, some distortion and a Delay with the delay time
set to 350 milliseconds and a lot of echo (at least for the first part).
Does anybody else consider this song a classic of the 80's or is it just me?
Keyboard intro - A and G
Scratch the 4th and 5th strings to make the Seagull effect.
(use the delay! - play the chord and mute it almost immediately)
!--------------13--------------------13----!
!--10----------13-------10-----------13----!
!---9----------10--------9-----------10----!
!---7--------------------7-----------------!
!------------------------------------------!
!------------------------------------------!
(this ones let ring)
!-----------------------------!
!-----------------------------!
!-----------------------------!
!--3--------5-----------------!
!--3--------5------7----------!
!--1--------3------5----------!
I walked along the avenue...
(try to mute this ones)
!-------------------------------------------------------------------------!
!--5-5-5-------------------------------5-5-5------------------------------!
!---------7----------------------------------7----------------------------!
!------------7---7---7---7---7---7---7---------7---7---7---7---7---7---7--!
!--------------7---7---7---7---7---7-------------7---7---7---7---7---7----!
!-------------------------------------------------------------------------!
!-----------------------------------------------------------------!
!--5-5-5----------------------------------------------------------!
!--------7--------------------------------------------------------!
!----------5---5---5---5---5---5---5---5---5---5---5---5---5---5--!
!------------5---5---5---5---5---5---5---5---5---5---5---5---5----!
!-----------------------------------------------------------------!
!------------------------------------------!
!------------------------------------------!
!-------5---7>9----------------------------!
!---7-7---7-----7---7---7---7---7---7---7--!
!-----------------7---7---7---7---7---7----!
!------------------------------------------!
Now for the chorus: (just follow the voice)
And I
r a a n I ran so far away...
!------------------------------------------------------------!
!------------------------------------------------------------!
file:///C|/olga_main/f-g/f/flock_of_seagulls/i_ran.tab (1 of 3) [4/28/2003 9:51:19 PM]
file:///C|/olga_main/f-g/f/flock_of_seagulls/i_ran.tab
!--7--7>9--7--5-----5--7--5--7--7>9--9--7--7--5--7--7-7--5---!
!----------------7-------------------------------------------!
!------------------------------------------------------------!
!------------------------------------------------------------!
(it's the same thing for "I just ran, I ran all night and day")
Listen to the song to know what parts to repeat (after the chorus
comes the intro again, with the space-age delay and then the verse again).
Here comes the solo:
Play this very fast, muting at first and gradually letting go of the string
so that at the end it's ringing.
!------------------------------------------------!
!------------------------------------------------!
!------------------------------------------------!
!------------------------------------------------!
!-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3--!
!------------------------------------------------!
!--5-5-5---5-5-3-5----5-5-5--5-5-5--5-3-3---3-3---3--3-3--!
!-----------------------------------------------5---------!
!---------------------------------------------------------!
!---------------------------------------------------------!
!---------------------------------------------------------!
!---------------------------------------------------------!
!--5>7--5>7--7--5-5--3-5--5-5-5--5-5-5-5-3-3---3-------!
!--------------------------------------------5---------!
!-------------------------------------------------2>9--!
!------------------------------------------------------!
!------------------------------------------------------!
!------------------------------------------------------!
!--10-8-8-----8-8-8----8-10>12-12-10-10-8-10--8-10-10>12-10-8-----!
!----------10-------10----------------------------------------10--!
!-----------------------------------------------------------------!
!-----------------------------------------------------------------!
!-----------------------------------------------------------------!
!-----------------------------------------------------------------!
!------8-8-8----8-10>12-12-10-10-8-10-!
!--10--------10-----------------------!
!-------------------------------------!
!-------------------------------------!
!-------------------------------------!
!-------------------------------------!
When the voice comes again, play the intro chords and also scratch
the strings for the seagull effect again. Then play the normal verse figure
and the chorus, and after the chorus comes the finale:
Play this a couple of times
!--12-12-13-13-12-12-10-10-10-12-13-13-12-12-10-10-10-!
!-----------------------------------------------------!
!-----------------------------------------------------!
!-----------------------------------------------------!
!-----------------------------------------------------!
!-----------------------------------------------------!
file:///C|/olga_main/f-g/f/flock_of_seagulls/i_ran.tab
Then this
!--12-12-13-13-12-12-10-10-12-12-13-13-12-12-10-10-!
!--------------------------------------------------!
!--------------------------------------------------!
!--------------------------------------------------!
!--------------------------------------------------!
!--------------------------------------------------!
And then this, with the last chord played like the intro.
!--8-10-10-10-8-10-10>12-12-10-10-8-10---------------!
!------------------------------------------------10--!
!-------------------------------------------------9--!
!-------------------------------------------------7--!
!----------------------------------------------------!
!----------------------------------------------------!
That's it. Enjoy!
file:///C|/olga_main/f-g/f/flock_of_seagulls/telecommunication.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
A Flock of Seagulls
Telecommunication
----------------Transcribed by Enrique Zamudio
(by ear)
(Muted string - add light distorsion, chorus and delay)
E|---------------------------------------------------|
B|---------------------------------------------------|
G|---------------------------------------------------|
D|-7--7--7--7--7--7--7--7--7--7--7--7--7--7--7--7--7-|
A|---------------------------------------------------|
E|---------------------------------------------------|
Ultraviolet
video light
to your solar system
on a three mile flight
(Figure 2)
(still muting the strings)
thinking telecommunication, telecommunication
telecommunication, telecommunication
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|---------9-9-7-6---------9-9-7-6---------9-9-7-6---------9-9-7-6-|
|-7-7-7-7---------7-7-7-7---------7-7-7-7---------7-7-7-7---------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
(Same as figure 1, but play D instead of A)
(string 5, step 5 instead of string 4, step 7)
(keep muting the string)
laser beam
coming through the night
to my TV screen
tune my color right
(Same As figure 2, but let ring)
thinking
telecommunication, telecommunication
telecommunication, telecommunication
(Same as figure 1, playing D instead of A)
(muting the string again)
video dream
silver pane
with a new calibration
for the nuclear age
repeat chorus (no more muting!)
Solo:
file:///C|/olga_main/f-g/f/flock_of_seagulls/telecommunication.tab
|---------------------------------------------------------------|
|--------7--7-7--8--7-8--7-8-7----------7-7-7-7-8-8-7-8-8-7-8-7-|
|---------------------------------------------------------------|
|-9--9-9------------------------9-9-9-9-------------------------|
|---------------------------------------------------------------|
|---------------------------------------------------------------|
Repeat chorus, then play this twice:
|-------------12-12-10-9-------------12-12-10-9-|
|-10-10-10-10------------10-10-10-10------------|
|-----------------------------------------------|
|-----------------------------------------------|
|-----------------------------------------------|
|-----------------------------------------------|
telecommunication, telecommunication
Repeat solo, chorus, and at the end of the song mute the string again
playing D (string 5, fret 5).
................
file:///C|/olga_main/f-g/f/flotsam_and_jetsam/no_place_for_disgrace.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Kevin Phillips <kphill@iconz.co.nz>
**
**
**
**
Hey! F&J are a pretty cool band so where is the TAB for these guys?!!
Take songs like 'She took an Axe', 'Dreams of Death', 'I Live You Die'
and the like... Howz about somebody get tabbing!! Take a look at this
pathetic attempt and laugh - Laugh at it so much that you just have to Tab
F&J correctly! There is a large amount of TAB missing, but perhaps these little
drips n' drabs will encourage you, or help you play the song?
Otherwise, please use this TAB as a guide to the song. Then, using your
superior skills at transcribing, correct all the mistakes, fill in the gaps
and eMail me a copy (Please!)
Enjoy!
Kev.
file:///C|/olga_main/f-g/f/flotsam_and_jetsam/no_place_for_disgrace.tab
e:--------------------------------------------------|
b:--------------------------------------------------|
g:--------------------------------------------------|
D:--------------------------------------------------|
A:-----------------------3-3------------------3---5-|
E:-000000000000000000000-1-1-00000000000000---1---3-|
xxxxxxxxxxxxxxxxxxxxx x x xxxxxxxxxxxxxx
RIFF C x 2
RIFF B x 2
RIFF D x 4
RIFF C x 2
RIFF YYY Here.. Anybody?
RIFF XXX Here
Acoustic Intelude:
e:------------------------------------------------|
b:-12--15--14--15--19--17--10--14--12--13--17--15-|
g:------------------------------------------------|
D:------------------------------------------------|
A:------------------------------------------------|
E:------------------------------------------------|
Second Guitar? Well, I'm Not sure
but here are the BASS notes:
g:------------------------------------------------|
D:------------------------------------------------|
A:------------------------------------------------|
E:-7----------10-----------5------------8---------|
RIFF E x 6(?) -(w/Lead Break.)
e:-------------------------------------------|
b:-------------------------------------------|
g:-------------------------------------------|
D:-------------------------------------------|
A:-9---7-9-12---7----10-10-10-9--9--9--10-10-|
E:-7---5-7-10---5----8--8--8--7--7--7--8--8--|
x x x x x x x x
Some Fills, then its..
RIFF D x 4
RIFF C x 2
RIFF YYY again!
RIFF XXX
And to the end!!!
Well, that must be one of the most incomplete and lazy tab's I have ever done!
I hope that somebody might find a use for it.. Perhaps to help them finish
doing a Tab of the song themselves!!
file:///C|/olga_main/f-g/f/flying_burrito_brothers/hot_burrito_1.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Sat, 23 Sep 1995 20:31:25 -0400 (EDT)
From: EJL <EJL33@delphi.com>
Hot Burrito #1 (I'm Your Toy)..Chris Etheridge & Gram Parsons
Recorded on "The Gilded Palace of Sin" by the Flying Burrito Bros.
G
Bm
Dm/F
E
You may be, sweet and nice, but that won't keep you warm at night
Am
Am(+Maj7)
Am7
D
Cuz I'm the one, who showed you how, to do the things you're doing now
G
Bm
Dm/F
E7
He may feel, all your charms, he may hold you in his arms
Am
D(7)
Am
D7
G G+4th EM G+5th
But I'm the one, who let you in, I was right beside you then ^^^^^^^^^^^^^^
|
play the 4th and the 5th
|
on the D string.
Walk it up D#,E,E# then the C crd
--------------------------------------------------------------------- |
|
C
Cm
G
Em
CH: Once upon a time, you let me feel you deep inside
A
A7
C
D
and nobody knew, nobody saw, do you remember the way you cried
G
Bm
I'm your toy, I'm your ol' boy
Dm/F
E7
Am
And I don't want no one but you to love me
D
Am
D
G
No, I wouldn't lie, you know I'm not that kind of guy
............Sneeky Pete's steel instrumentel.........................
Same chord progression as verse, leading into CH: once more then out.
.....................................................................
I grabbed a version of this song from a newsgroup, and it helped me work
out the progression. I changed to the key of G to work this out especially
for a single acoustic guitar. I lost my original, so I don't know who it
was from. So thanks to whoever you are !!
ed latham
ejl33@delphi.com * RIME->203 * ejl33@aol.com * RaceNet
yuma AZ
Comments,notes,corrections ???? Feel free.
file:///C|/olga_main/f-g/f/flying_burrito_brothers/hot_burrito_1.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: rjb@bby.com.au (R.J.(George) Bissett)
Subject: CRD Hot Burrito Number 1 - The Flying Burrito Brothers
This is how we've worked out the chords and they are on their
fifteenth iteration. I would be very interested to hear if anybody
else has a different ``interpretation'' of what they hear.
{title: Hot Burrito No. 1}
{subtitle: Chris Ethridge/Gram Parsons}
{subtitle: Also known as I'm Your Toy}
{define Daug5: base-fret 0 frets x x 0 3 3 2}
[Bm] [Bb] [D] [E]
[D]You may be [F#m]sweet and nice
[Am]But that won't keep you [B]warm at night
[Em]'Cause I'm the one who taught you how
[Em]To do the things you're [A]doing now
[D]He may feel [F#m]all your charms
[Am]He may hold [B]in his arms
[Em]But I'm the one [A]who let you in
[G]I was right be[A]side you then
{c: Repeat from here}
[D] [Daug5] [Bm] [C]
[G]Once upon a [G#m]time
You let me [D]feel you deep in[Bm]side
and [E]nobody knew, nobody saw
do you remember the [A]way you cried
[D]I'm your toy, [F#m]I'm your old boy
[Am]And I don't want [B] no-one but you to [Em]love me
No I [A]wouldn't lie [G]You know I'm not that [A]kind of guy
[D] [F#m] [Am] [B]
[Em] [A] [G] [A]
{c: And repeat...}
{c: Finish on D}
file:///C|/olga_main/f-g/f/focus/hocus_pocus.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
HOCUS POCUS by Focus (from Moving Waves, their fourth album)
Written by: Probably Van Leer and Akkerman
Transcribed by: Jeffrey Weiss (jw@mckinsey.com)
E
B
G
D
A
E
E
B
G
D
A
E
E
B
G
D
A
E
E
B
G
D
A
E
A
Em7 Fmaj7
Cmaj7 Bbmaj7 E7#9
-----------------|-----------------|-7---8-----------|-----------------|
-----------------|-----------------|-8--10-------8---|-----6---8~~~~~~~|
-----------------|-----------------|-7---9-------9---|-----7---7-------|
-5^7-7-7-7---7-7-|-5^7-7-7-7---7-7-|-9--10-------9---|-----7---6-------|
-0---0-0-0---0-0-|-0---0-0-0---0-0-|-7---8-----------|---------7-------|
-----------------|-----------------|-------------8---|-----6-----------|
|_|_|_| |
|_|
|_|_|_| |
|_|
|
|
}
|
|
|
!
\___/
A
E
F
D
B
E
-----------------|-----------------|-7---8-------5---|-----7---7-------|
~7---------------|-----------------|-9--10-------7---|-----7---9-------|
-----------------|-----------------|-9--10-------7---|-----8---9-------|
-5^7-7-7-7---7-7-|-5^7-7-7-7---7-7-|-9--10-------7---|-----9---9-------|
-0---0-0-0---0-0-|-0---0-0-0---0-0-|-7---8-------5---|-----9---7-------|
-----------------|-----------------|-----------------|-----7-----------|
|_|_|_| |
|_|
|_|_|_| |
|_|
|
|
}
|
|
|
|
}
\___/
A
C
D
D
F
G
-0------3----5---|-----------------|~5------8----10--|-----------------|
-2------5----7---|-----------------|~7-----10----12--|-----------------|
-2------5----7---|-----------------|~7-----10----12--|-----------------|
-2------5----7---|-----------------|~7-----10----12--|-----------------|
-0------3----5---|-----------------|~5------8----10--|-----------------|
-----------------|-----------------|-----------------|-----------------|
| _|. |
]|
@
| _|. |
]|
@
\_/
\_/ \___/
\_/
\_/ \___/
E7#9
-----------------|-8---------------|-7---------------|-6---------------|-7---------------|-----------------||
Note: Yes, the E7#9 at the end of measure 4 (and elsewhere) is the dreaded
"Hendrix" chord (as far as I can tell....either that, or I just use it
as a surrogate for distorted-guitar-chaos). The pinky slide from the
G in this chord to the F# (added sixth) at the start of the A is, at
best, a subtle effect. I think I hear it in places, others disagree.
Anyway, I like it, and it occurs naturally with my lousy (lazy) fingers.
On the A strumming in measures 1, 2, and others, pick real hard, and
shake the fretted A (D string). The out-of-tuneness this causes is very
noticable on the song. BTW, if your amp is not capable of at least 50%
total harmonic distortion, don't even bother with this song!
Key:
@
!
= whole note
= half note
}
= quarter rest
\__/ = tied notes (don't re-sound)
file:///C|/olga_main/f-g/f/focus/hocus_pocus.tab
|
_|
_|.
|_|
]
=
=
=
=
=
quarter note
single eighth note
dotted eighth note
eighth notes
sixteenth note
^
~
file:///C|/olga_main/f-g/f/focus/house_of_the_king.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
From: jdenton1@ix3.ix.netcom.com
Date: Sat, 10 Aug 1996 01:00:46 -0700
Subject: TAB: House of the King By Focus
Any Focus fans out there? Well, here's one or my favorites. Its the chords
for "House of the King" from "Focus 3". Its pretty easy, but its fun to play
with two guitars - one on melody (the flute part) and the other on the
chords. Any comments or corrections from other focus fans would be great! Jeff Denton
The format is: Intro
Verse 2X
Bridge
Verse (a beat is dropped at the end of some of the phrases listen to the record to see what I mean)
Solo
Intro 2
Verse 2x (I think)
Intro:
A E |
E D |
Em D |
B | Bm E | F#m
G | Am D | Am
Am
Verse:
||: G D |
F C |
Am D |
Bridge:
||: D |
A | Am D | Em
G | F Em | A
Em | F G | A
Am
| Em
G |
:||
C :||
[]-------------------------------------------------[]
| Replies/comments to:
Guitar
`/-\'
|
|
is
`| |'
|
| Jeff Denton
a
`\_/'
|
| 2406 19th Ave
way
|-|
|
| Rockford, Ill. 61108 USA
of
|-|
|
| (815)398-9000
life
|-|
|
| email:
|-|
|
| jdenton1@ix.netcom.com
,/|-|\.
|
|
(^its a one - not an "el")
( 000 )
|
|
)
(
|
file:///C|/olga_main/f-g/f/focus/house_of_the_king.crd
|
I've got
/ 000 \
|
|
blisters on
(
-=- o )
|
|
my fingers!
\
o /
|
|
(John Lennon)
``---''
|
[]-------------------------------------------------[]
file:///C|/olga_main/f-g/f/fogelberg_dan/as_the_raven_flies.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From uunet!cis.ohio-state.edu!rutgers!cbmvax!macon Wed Jul 15 15:55:20 PDT 1992
Article: 748 of alt.guitar.tab
Path: nevada.edu!uunet!cis.ohio-state.edu!rutgers!cbmvax!macon
From: macon@gallifry.Berkeley.EDU (Glen Macon)
Newsgroups: alt.guitar.tab
Subject: music : as the raven flies
Keywords: d fogelberg
Message-ID: <32975@cbmvax.commodore.com>
Date: 15 Jul 92 15:10:30 GMT
Sender: news@cbmvax.commodore.com
Reply-To: macon@cbmvax.commodore.com (Glen Macon)
Organization: COMMODORE West Cester PA
Lines: 73
052
Title:
|: Am
(D. Fogelberg)
1972
F Em :|
Am
C
D
F
I see the raven's made her nest in your eyes
Am
C
D
F
She's got you thinkin' that her love is a prize
Am
C
D
F
And you'll go under from the weight of her lies
Am
C D F
Am
C
D F
As the raven flies, as the raven flies
Am
C
D
F
She'll bring you stories that just never sound true
Am
C
D
F
She'll bring you secrets that were never meant for you
Am
C
D
F
And just as you come round she'll send you back through
Am
C D F
Am
C D F
She's in love with you, she's in love with you
D
Darker,
darker
Am
G
Don't let her talk her way into you
D7
Lonely, lonely
E
F
You know she's only no good for you
Lead
|: Am
D
Darker,
Am
Am
F :|
darker
Am
G
Don't let her talk her way into you
D7
Lonely, lonely
E
F
file:///C|/olga_main/f-g/f/fogelberg_dan/as_the_raven_flies.crd
\_
\_
\_
\_
|: Am
\_
\_
Em :|
\_
\_\_\_
\_
\_
Glen Macon
\_
\_\_ \_\_
any-net: macon@cbmvax.commodore.com
\_
\_ \_\_ \_
Standard disclaimer...
\_
\_\_\_
\_ \_ \_
Commodore doesn't endorse what I say, I do
\_
\_
\_
\_
Who wants to know...
\_
\_
\_
\_
\_\_\_
\_
\_
\_
\_
\_
\_
\_
\_
\_
\_
\_
\_
All those moments will be lost in time, like tears in the rain.
file:///C|/olga_main/f-g/f/fogelberg_dan/leader_of_the_band.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From uunet!stanford.edu!agate!sennet Fri Aug 21 10:33:28 PDT 1992
Article: 1695 of alt.guitar.tab
Path: nevada.edu!uunet!stanford.edu!agate!sennet
From: sennet@ocf.berkeley.edu (Sennet Williams)
Newsgroups: alt.guitar.tab
Subject: Leader of the Band SIMP
Date: 19 Aug 1992 09:45:10 GMT
Organization: U.C. Berkeley Open Computing Facility
Lines: 101
Distribution: world
Message-ID: <16t576INNfhm@agate.berkeley.edu>
NNTP-Posting-Host: tornado.berkeley.edu
Keywords: SIMP, Fogelberg, Cat Stevens
This song was recently posted, but it was in a format not easy for me to
play. If the previous post worked for you, you should stop reading this
post now.
Basically, I wanted to be able to play this song without memorizing it,
and my ear is real bad, and my girlfriend wants it and is just starting
to play, so it had to be real easy. Chords are printed with every line,
You can skip the chords in ( ), and I moved the chords to where they
sound right, not where the music says. (this is SIMP format)
.
Leader of the Band - Dan Fogelberg
.
.
Intro: G7 C Am Em D G (C/G) G (C/G) G (C/G) G
Verse:
G
(C/G)
G
Bm
C
An only child alone and wild, a cabinet maker's son
Am
Em
Am
C
D
His hands were meant for different work and his heart was known to none.
G
(C/G)
G
Bm
C
He left his home and went his lone and solitary way
.
Am
Em
Am
D7
G
(C/G) G (C/G) G (C/G) G
And he gave to me a gift I know I never can repay
G
(C/G)
G
Bm
C
A quiet man of music, denied a simpler fate
Am
Em
Am
C
D
He tried to be a soldier once but his music wouldn't wait
G
(C/G)
G
Bm
C
He earned his love through discipline, a thund'ring velvet hand
.
Am
Em
Am
D7
G
His gentle means of sculpting souls took me years to understand
Chorus:
.
C
Bm
C
.
The leader of the band is tired and his eyes are
.
Am
Em
.
But his blood runs through my instrument and his
.
C
Bm
C
.
My life has been a poor attempt
to imitate
.
Am
Em
Am
C
. I'm just a living legacy to the lea--der of-- the
.(C/G)
(C/G)
(C/G)
G
growing old
Am
F
D
song is in my soul
G
the
man
G
band
file:///C|/olga_main/f-g/f/fogelberg_dan/leader_of_the_band.crd
G
(C/G)
G
Bm
C
My brothers' lives were different for they heard another call
Am
Em
Am
C
D
One went to Chicago, the other to St. Paul
G
(C/G) G
Bm
C
And I'm in Colorado when I'm not in some hotel
Am
Em
Am
D7
G
(C/G) G
Living out this life I chose and come to know so well
.
G7 C Am Em D7
G (C/G) G (C/G) G (C/G) G
(no lyrics)
G
(C/G)
G
Bm
C
I thank you for the music and your stories of the road
Am
Em
Am
C
D
I thank you for the freedom when it came my time to go
G
(C/G)
G
Bm
C
I thank you for the kindness and the times when you got tough
Am
Em
Am
D7
G
And papa I don't think I said "I love you" near enough.
.
(Chorus followed by ending: )
.
Am
Em
Am
C D
G
.
I am the living legacy to the leader of
the band
.
(C/G) G (C/G) G (C/G) G G7 C Am Em D7 G
.
Chord chart:
Am
- 0 2 2 1 0
Bm
- 2 4 4 3 C
- 3 2 0 1 0
C/G
3 3 2 0 1 0
D
x x 0 2 3 2
D7
x x 0 2 1 2
Em
0 2 2 0 0 0
F
1 3 3 2 1 1
G
3 2 0 0 0 3
G7
3 2 0 0 0 1
originally posted by Chris Butler SIMPed by Sennet
What do you think of this format? If you like it, then SIMP
(Stupidity Induced Music Page) format is for you. I SIMPed this song
because I want to play the song without spending a lot of time
practicing/memorizing it, my ear is not good, and I wanted it in a form
where I could play it correctly the even if I had not practiced it for
weeks.
I'm trying to get several hundred rock songs in this format. If you
are interested in cooperating, please Email me. I currently have
20 or 30 songs in the SIMP format, which I have found easier to
play than any other format I have seen.
SIMP format briefly:
A: Chords printed with every line
B: It should be easily printable on 1 (sometimes 2) pages.
C: Chord chart included.
D: If some of the chord changes aren't really apparent, put them
in ( ) so that some players can skip them
E: You should be able to play it really easily
Does this sound like something you are interested in? If so, please
E-mail me. If you're interested in bilaterally exchanging songs in SIMP,
I'll send you a list of what I have so far.
Happiness is a LEARNed condition
Sennnet@OCF.berkeley.edu
file:///C|/olga_main/f-g/f/fogelberg_dan/leader_of_the_band.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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with SMTP id <AA09439>; Fri, 26 Mar 1993 06:35:32 -0800
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Date: 26 Mar 1993 08:34:31 -0600 (CST)
From: SANDERP@ctrvax.Vanderbilt.Edu
Subject: Leader of the Band - Dan Fogelberg
To: jamesb@animal-farm.nevada.edu
Message-Id: <01GW9AF5X1QU8WZC0W@ctrvax.Vanderbilt.Edu>
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Leader of the Band - Dan Fogelberg
Here is the way I play the intro to this tune. I'm not sure
if it's exactly like Danny Boy does it, but it works for me.
As always, corrections are welcome. Chords to the entire song
are available from ftp.nevade.edu in pub/guitar/Dan_Fogelberg.
By the way, if there's anything I can do to improve the tabbing
please let me know. This is the first thing I've ever tabbed.
h
= hammer on
___
| | = eighth notes
= quarter
|. = dotted quarter
4
4
G7/B
C
___ ___ ___
___ ___ ___
___ ___ ___
|
| | | | | |
| | | | | | |
|
| | | | | |
E|----------------0-|----------------|-----------------|
B|--3---------3-----|---3---1---0----|-1---------1-----|
G|--0-----0---------|----------------|-------0-------0-|
D|------3-------3---|-----3-------3--|-----2-------2---|
A|--2-------2-------|-2-------2------|-3---------------|
E|------------------|----------------|---------3-------|
G
Am
Em
___ ___ __
___ ___ ___
___ ___
| | | | | |.
| | | | | | |
|
| | | | |
E|----0-------------|--h----0--------|-----------------|
B|--3---3-1---0-----|-0-1-------1----|-0-----3---0-----|
G|----------0-------|----------------|-----------------|
D|------------------|-----2-------2--|-----2-------2---|
A|--3---------------|-0-------0------|-----------------|
E|------------3-----|----------------|-0-------0-------|
D
G
C/G
G
G/C
___ ___ ___
___ ___
___ ___
|h| | | | | |
|
| | | | |
|
| | | | |
E|--0-2---0---2-----|-3------h--3----|--------h--3-----|
B|------------------|-------0-1---1--|-0-----0-1---1---|
G|------2-------2---|-----0--h-------|-----0--h--------|
file:///C|/olga_main/f-g/f/fogelberg_dan/leader_of_the_band.tab (1 of 2) [4/28/2003 9:51:22 PM]
file:///C|/olga_main/f-g/f/fogelberg_dan/leader_of_the_band.tab
D|--0-------0-------|-------0-4------|-------0-4-------|
A|------------------|----------------|-----------------|
E|------------------|-3--------------|-3---------------|
G
G/C
G
___ ___
___ ___
|
| | | | |
|
| | | | |
E|--------h--3------|----------------||
B|-0-----0-1---1----|-0---------0----||
G|-----0--h---------|-------0--------||
D|-------0-4--------|-----0-------0--||
A|------------------|----------------||
E|-3----------------|-3-------3------||
Phil Sanders (sanderp@ctrvax.vanderbilt.edu)
Nashville, Tennessee
file:///C|/olga_main/f-g/f/fogelberg_dan/longer.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Longer by Dan Fogelberg
Intro
G
Am7
Gmaj7/B
C/G
Am7
Gmaj7/B
Am7
Gmaj7/B
Bb
D7/A
G
Am7
Gmaj7/B
C
Longer than there've been fishes in the ocean
G
Am7
Gmaj7/B
C
Higher than any bird ever flew
G
Am7
Gmaj7/B
C
Longer than there've been stars up in the heavens
Bb
D7/a
I've been in love with you
G C/G D
Stronger than any mountain cathedral
Truer than any tree ever grew
Deeper than any forest primeval
I am in love with you
(don't do the G C/G D here)
G
F+2/C C
Eb+2/Bb
Bb
I'll
bring fire in the winters
F+2/C C
Eb+2/Bb
Bb
You'll send showers in the spring
F+2/C C Eb+2/Bb
Bb
We'll fly through the falls and summers
D7sus/G D7/F#
Dm7/F D7/f#
With love
on our wings
Through the years as the fire starts to mellow
Blurring lines in the book of our lives
Though the binding's cracked and the pages start to yellow
I'll be in love with you
G G/A
Bb
D7/A
G
I'll be in love with you
F+2/C
D7sus/G
Eb+2/Bb
D7/F#
Bb
F+2/C
Dm7/F
D7/f#
Eb+2/Bb
Bb
F+2/C
320001
x02010
Eb+2/Bb
Bb
file:///C|/olga_main/f-g/f/fogelberg_dan/longer.crd
Gmaj7/B
C
Bb
D7/A
C/G
D
F+2/C
Eb+2/Bb
D7sus/G
D7/F#
Dm7/F#
x24030
x32010
x13331
x00212
302010
004230
03x213
6x5260
005530
004530
003530
or
0153x1
file:///C|/olga_main/f-g/f/fogelberg_dan/longer.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
This should get you started...this version uses "double dropped D tuning",
which just means you tune the top and bottom strings (E's) down to D.
Fogelberg uses an open G tuning , which is almost the same (you just also tune
the A down to G....sorry if you know all this already). I had already figured
out this version before I realized he used open G, but it's close enough
that I never bothered relearning it.
Enjoy,
Hank Mallison
whm@physics.att.com
D
B
G
D
A
D
|-0-----0-------0|-------0-2---0--|-0-----0-------0|-0-2-4s5-----5--|
|---0-----1------|-3---------0--1s3---0-----1------|-0-------5---5--|
|-----0-----0----|---0------------|-----0-----0----|-0---------0-0--|
|-------------2--|-----0----------|-------------2--|----------------|
|---------0------|-2-------3---0--|---------0------|-2-----3-----3--|
|-5--------------|----------------|-5--------------|----------------|
Bb
Am
G
|-0-----0-------0|-------0-2---0--|---------------------------0-----0---|
|---0-----1------|-3---------0---1|-3-1---0H1-------------------1---3---|
|-----0-----0----|---0------------|-----3-------2-0H2---0---0-----0---0-|
|-------------2--|-----0----------|-----------2-------0---0-----2---4---|
|---------0------|-2-------3---0--|-1-----0-------0---------------------|
|-5--------------|----------------|---------------------5---------------|
bring
fire in the winter
(1)
send showers in the spring (2)
fly thru the falls & summers (3)
F
C
Ab/Eb
Bb/F
|--------------------------------------------------|
|--1-------1--------4-----4-s-6--------------------|
|------2-------0--------5---------7----------------|
|----3---3---2---2----6---------8---8--------------|
|--3-------3--------6---------8--------------------|
|--------------------------------------------------|
with love
on our
wings
|---------------------------------|-------------0--|-------0--------|
|-3-----3--3-----3--3-----3--3--3-5-3-------------0|-1--------------|
|-----5--------5--------5---------|---5-4-2-0------|---0------------|
file:///C|/olga_main/f-g/f/fogelberg_dan/longer.tab (1 of 4) [4/28/2003 9:51:23 PM]
file:///C|/olga_main/f-g/f/fogelberg_dan/longer.tab
|---5--------4--------5-----------|-----------0----|-----2----------|
|-0--------0--------0--------0----|----------------|-0--------------|
|---------------------------------|---------5------|----------------|
^
^
|---------|
Fast run between chords
From: chief764@aol.com (Chief764)
Longer By Dan Fogelberg (open "G" tuning)
Intro
d:-----------0-----------0|-----------0-----------0|-----------0----------0|
B:--------------1---------|--3-----------5---------|--0-----------1--------|
G:--------0-----------0---|--------0--------0--0---|--------0-----------0--|
D:-----0-----------2------|-----4------------------|-----0-----------2-----|
G:--0-----------2---------|--4-----------5---------|--0-----------2--------|
D:------------------------|------------------------|-----------------------|
d:-----------5------------|-----------0-----------0|--------------------0--|
B:--3--5--7-----------5---|--0-----------1---------|--3--5--3-----5--------|
G:-----------------5-----5|--------0-----------0---|-----------0-----0----0|
D:--------------5---------|-----0-----------2------|-----------------------|
G:--4--------5------------|--0-----------2---------|--4-----------5--------|
D:------------------------|------------------------|-----------------------|
d:--0-----------------------|------------------------|
B:-----1-----1--------------|-----------0--1-----3---|
G:--------3-----------0H2--0|--------0--------0-----0|
D:-----------------0--------|-----0--------2-----4---|
G:--3-----------2-----------|--0---------------------|
D:--------------------------|------------------------|
Verse X3
d:--0--------0-----------0|-----------0-----------0|
B:--------------1---------|--3-----------5---------|
G:--------0-----------0---|--------0--------0--0---|
D:-----0-----------2------|-----4------------------|
G:--0-----------2---------|--4-----------5---------|
file:///C|/olga_main/f-g/f/fogelberg_dan/longer.tab (2 of 4) [4/28/2003 9:51:23 PM]
file:///C|/olga_main/f-g/f/fogelberg_dan/longer.tab
D:------------------------|------------------------|
Longer than...
d:--0-----------------------|------------------------|
B:-----1-----1--------------|-----------0--1-----3---|
G:--------3-----------0H2--0|--------0--------0-----0|
D:-----------------0--------|-----0--------2-----4---|
G:--3-----------2-----------|--0---------------------|
D:--------------------------|------------------------|
I've been...
2nd time
d:--0-----------------------|--------------5-----5---|
B:-----1-----1--------------|-----------0------------|
G:--------3-----------0H2--0|--------0--------0-----0|
D:-----------------0--------|-----0------------------|
G:--3-----------2-----------|--0---------------------|
D:--------------------------|------------------------|
I've been...
Chorus x3
d:-----------5------------|-----------3------------|--------0-----------0--|
B:------------------------|------------------------|-----------------------|
G:--------5-----------5--7|--------3--------3------|-----5-----5-----5----5|
D:-----7-----------5------|-----5--------------3---|--5-----------4--------|
G:--5-----------5---------|--3-----------3--------3|-----------------------|
D:------------------------|------------------------|-----------------------|
I'll
bring
fire in the winters
With lo-------ve on
our
x3
d:--------0-----------0--|-----------0-----------0|-----------0----------0|
B:-----------------------|--0-----------1---------|--3-----------5--------|
G:-----5-----5-----5----5|--------0-----------0---|--------0--------0--0--|
D:--3-----------4--------|-----0-----------2------|-----4-----------------|
G:-----------------------|--0-----------2---------|--4-----------5--------|
D:-----------------------|------------------------|-----------------------|
wings
Through the years...
d:--0-----------------------|--------------0---------|
file:///C|/olga_main/f-g/f/fogelberg_dan/longer.tab
B:-----1-----1--------------|-----------0------------|
G:--------3-----------0H2--0|--------0--------0------|
D:-----------------0--------|-----0-----------------0|
G:--3-----------2-----------|--0-----------------2---|
D:--------------------------|------------------------|
I'll be...
d:--0-----------------------|--------------5-----5---|
B:-----1-----1--------------|-----------0------------|
G:--------3-----------0H2--0|--------0--------0-----0|
D:-----------------0--------|-----0------------------|
G:--3-----------2-----------|--0---------------------|
D:--------------------------|------------------------|
I am...
End
d:--0-----------------------|-------------5|
B:-----1-----1--------------|--------------|
G:--------3-----------0H2--0|--------2/4---|
D:-----------------0--------|-----0--------|
G:--3-----------2-----------|--0-----------|
D:--------------------------|--------------|
file:///C|/olga_main/f-g/f/fogelberg_dan/make_love_stay.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: steve.johnson@his.com
Make Love Stay
Dan Fogelberg (c) 1982, 1983
Now
Now
How
Now
The
How
file:///C|/olga_main/f-g/f/fogelberg_dan/run_for_the_roses.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: "Phil Jones" <phil_jones@tsl.texas.gov>
RUN FOR THE ROSES
Dan Fogelberg
(Unhurried waltz temp)
(Capo to taste. I usually capo one fret, but I am not sure
whether this is the original key or not.)
INTRO:
E
E
C#m
C#m
A
A
B7
B7
(VERSE 1)
E
C#m
A
B7
Born in the valley, and raised in the trees
E
C#m
A
B7
Of Western Kentucky, on wobbly knees
E
C#m
A
Am
With Mama beside you, to help you along,
E
C#m
F#m
B7
You'll soon be a-growing up strong.
(VERSE 2)
All the long lazy mornings, in pastures of green,
The sun on your withers, the wind in your mane
Could never prepare you for what lies ahead:
The run for the roses so red. And it's
(CHORUS)
A
B7
G#m
Run for the roses as fast as you can
A
B7
G#m
Your fate is delivered. Your moment's at hand.
A
B7
G#m
A
It's the chance of a lifetime, in a lifetime of chance,
F#m
B7
And it's high time you joined in the dance.
D
A
It's high time you joined in the dance.
<Repeat Intro>
(VERSE 3)
E
C#m
A
B7
>From sire to sire, it's born in the blood.
E
C#m
A
B7
The fire of a mare and the strength of a stud.
E
C#m
A
Am
It's breeding, and it's training, and it's something unknown,
E
C#m
A
B7
That drives you and carries you home.
So it's <repeat chorus>
<take it out acoustically>
Submitted by Philip Eric Jones
phil@delta2.tsl.texas.gov
file:///C|/olga_main/f-g/f/fogelberg_dan/run_for_the_roses.crd
file:///C|/olga_main/f-g/f/fogelberg_dan/sutters_mill.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Date: Tue, 19 Nov 1996 20:47:11 -0800
From: Hakan Sjostrom <Hakan.Sjostrom@va.itv.se>
MIME-Version: 1.0
To: cowpie@olga.net
Subject: CRD: SUTTER'S MILL by Dan Fogelberg
SUTTER'S MILL
Dan Fogelberg
Key: originally E, here C (capo 4th fret)
[C]In the [Am]spring[F] of forty- [C]seven
So the [Am]story[F] it is [C]told
Old John [Am]Sutter[F] went to the Mill [C]site [Am]
Found a [Dm7]piece[G7] of shinin' [C]gold.
Well, he [Am]took it[F] to the [C]city
Where the [Am]word[F] like wildfire [C]spread
Old John [Am]Sutter[F] soon came to [C]wishin' [Am]
He'd left that [Dm7]stone[G7] in the river [Am]bed.
Oh, they [F]came like herds of [C]locusts
Every [F]wo-[C]man, child and [Am]man
In their [F]lumberin' connes- [C]togas [Am]
They left their [Dm7]track[G7] upon the [Am]land.
REFRAIN:
Some would
Some would
Some would
Some would
Cali-[C]fornia
take their [C]rest
of eighteen-[C]sixty [Am]
up the [C]west.
file:///C|/olga_main/f-g/f/fogelberg_dan/sutters_mill.crd
file:///C|/olga_main/f-g/f/fogelberg_dan/sweet_magnolia.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: StevenJ1@aol.com
Date: Tue, 21 Nov 1995 01:39:33 -0500
Subject: CRD Sweet Magnolia/Fogelberg
Sweet Magnolia
Dan Fogelberg (c) 1984
C
E7
Am7
Em7
Two hearts throwing off sparks
Fmaj7
Dm7
F
G
Young and in love with our freedom
C
E7
Am7
D7
Moonlight, those soft summer nights
F
G4
G C
We were both ripe to fall
C E7 Am7
Em7
I was out on my own
Fmaj7
Dm7
Playing for all who
C
E7
Am7
You were as free as
F
G4
G
flying from nest to
F
G
would listen
D7
a bird
C
nest
C C/B
Am7
Em7
But somewhere our eyes met
Fmaj7
And our hands reached out
Dm7
G4 G
and we felt a kindred spirit
Am7
Em7
And as our faces touched
Fmaj7
I could feel the fire
Dm7
G4
G
And needed so to just be near it
C E7
Am7
Em7
Oh Lord, those moments we soared
Fmaj7
Dm7
F
G
Borne on the wings of our passion
C
E7
Am7
D7
It seemed then like they'd never end
F
G4 G
C
But times like that always must
C C/B
Am7
Em7
'cause then one day I flew
Fmaj7
far away from you
Dm7
G4 G
I never knew how I'd regret it
Am7
Em7
My sweet Magnolia belle
file:///C|/olga_main/f-g/f/fogelberg_dan/sweet_magnolia.crd (1 of 2) [4/28/2003 9:51:23 PM]
file:///C|/olga_main/f-g/f/fogelberg_dan/sweet_magnolia.crd
Fmaj7
You know I loved you well
Dm7
G4
G
Even if I never said it
[Instrumental verse]
Am7
Em7
Magnolia, now I see
Fmaj7
that freedom isn't free
Dm7
G4 G
and love's the only true redeemer
Am7
Em7
And when this journey's through
Fmaj7
I'll be coming home for you
Dm7
G4
G
If you'll have this foolish dreamer
C E7
Am7
Em7
I spend a night now and then
Fmaj7
Dm7
F
G
Passing through town on my travels
C
E7
But someday,
Am7
D7
I'm gonna come back to stay
F
G4 G
C
Magnolia, I'm coming home.
C Fmaj7 G7, C Fmaj7 G7 C.
file:///C|/olga_main/f-g/f/fogelberg_dan/the_reach.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From uunet!zaphod.mps.ohio-state.edu!sdd.hp.com!hpscdc!hplextra!hpcc05!hpcc01!bearce Sat Jul 18
13:20:27 PDT 1992
Article: 853 of alt.guitar.tab
From: bearce@hpcc01.corp.hp.com (Phil Bearce)
Date: Fri, 17 Jul 1992 21:31:17 GMT
Subject: MUSIC: The Reach by D. Fogelburg
Message-ID: <73410001@hpcc01.corp.hp.com>
Organization: the HP Corporate notes server
Path: nevada.edu!uunet!zaphod.mps.ohio-state.edu!sdd.hp.com!hpscdc!hplextra!hpcc05!hpcc01!bearce
Newsgroups: alt.guitar.tab
Lines: 100
I've been really enjoying alt.guitar for the last few weeks and I just stumbled
on to alt.guitar.tab.... Jeez Louise, I pulled 24 songs off the net yesterday.
I thought I'd better give some back. Here's a few I've had around here. Please
enjoy, I'll be posting some more soon.
The Reach
by Dan Fogelburg
------------------------------------------------------------------------------D D- A E
...
D D- A E
E
It's Maine and it's Autumn
F#m B
The Birches have just begun turning
E
It's life and it's dying
F#m
B
The lobsterman's boats come returning
C#m
A
With the catch of the day in their holds
E
F#m
B
And the young boys cold and complaining
A
The fog meets the beaches
And out on the Reach it is raining.
D-
...
-E
It's father and son
F#m B
It's the way it's been done since the old days
E
It's hauling by hand ten miles out from the land
F#m
B
Where their chow waits
C#m
A
And the days are all lonley and long
E
F#m
B
And the seas grow so stormy and strong, but...
E
The Reach will sing welcome
as homeward they hurry along
D-
file:///C|/olga_main/f-g/f/fogelberg_dan/the_reach.crd
-CHORUS:
E
And the morning will blow away
A
As the waves crash and fall
E
And The Reach like a siren sings
F#m A
As she beckons and calls
E
As the coastline recedes from view
A
And the seas swell and grow
E
I will take from The Reach
F#m A
All the she has to teach
B
E
To the depths of my soul
-E
The wind brings a chill
F#m B
There's a frost on the sill in the morning
E
It creeps through the door
F#m B
And out on the shore, ice is forming
C#m
A
Soon the Northers will bluster and blow
E
F#m B
And the woods will be whitened with snowfall
E
And The Reach will lie frozen
For the lost and unchosen to row.
CHORUS:
------------------------------------------------------------------------Note: D- I don't know the name of this chord, but it's just a D with
your finger off the E string.
________________________________________________________________
___
Phil Bearce at HP San Jose - Components
(/__) /_
. /) internet: phil@hpmsfpb.sj.hp.com
/
/ )_(__(_ "Look out for that root." -James Taylor
________________________________________________________________
file:///C|/olga_main/f-g/f/fogelberg_dan/these_days.lyr
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: BS7841@mis.hrb.com
Subject: Re: REQ: Lyrics to D. Fogelberg's "These Days"
Per the 1975 FullMoon/Epic release "Captured Angel" album sleeve (remember
those)...the lyrics to "These Days" are as follows:
I used to think of myself as a soldier
Holding his own against impossible odds
Badly outnumbered and caught in a crossfire
Of devils and gods.
All
All
Oh,
Are
Oh,
Are
file:///C|/olga_main/f-g/f/fogerty_john/centrefield.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: pjoe@charon.muc.de (Peter Eybert)
Subject: CRD: Centerfield - Fogerty
CENTERFIELD
by John Fogerty
Intro:
(3x)
Bm Am D7
G
Well beat the drum and hold the phone
C
G
The sun came out today
G
Em
D
We're born again there's new grass on the field
G
A-'roundin' third and headed for home
C
G
It's a brown-eyed handsome man
C
D
G
Anyone can understand the way I feel.
D7
chorus
G
Put me in Coach
C
G
I'm ready to play today
G
Put me in Coach
C
Bm
I'm ready to play today
Am
Look at me
D7
I can be
G
Centerfield
G
Well I spent some time in the Mudville Nine
C
G
Watchin' it from the bench
G
Em
D
You know I took some lumps when the Mighty Case struck out
G
So Say Hey Willie tell the Cobb
C
G
And Joe DiMaggio
C
Don't say it ain't so
D
G
You know the time is now.
chorus
intro
G
D7
file:///C|/olga_main/f-g/f/fogerty_john/centrefield.crd
file:///C|/olga_main/f-g/f/fogerty_john/centrefield.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: ascheng@netcom.com (Ed Cheng)
:CENTERFIELD
:by John Fogerty
intro/riff
e--------|-------------|----------------|-------------|----------------|
B--------|-------------|---0-3----------|-------------|----------------|
G--------|-----0-----2-|-0--------------|-----0-----2-|-0-2-4----------|
D--------|---2---0-4---|-------0--------|---2---0-4---|-------0--------|
A----0-2-|-3-----------|------------0-2-|-3-----------|------------0-2-|
E--3-----|-------------|----------3-----|-------------|----------3-----|
e--------------|----------------|
B--------------|---0-3----------|
G------0-----2-|-0--------------|
D----2---0-4---|-------0--------|
A--3-----------|------------0-2-|
E--------------|----------3-----|
... then play: |C
|G
|D
|G
G
:Well beat the drum and hold the phone
C
G
:The sun came out today
D / Dsus4
:We're born again there's new grass on the field
G
:A-'roundin' third and headed for home
C
G
:It's a brown-eyed handsome man
D
G
:Anyone can understand the way I feel.
:chorus
:
Put me in Coach
:
:
C
G
I'm ready to play today
Put me in Coach
C
G
I'm ready to play today
:
:
D
Look at me
I can be
G
Centerfield
file:///C|/olga_main/f-g/f/fogerty_john/centrefield.tab
file:///C|/olga_main/f-g/f/fogerty_john/have_you_ever_seen_the_rain.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From uunet!cs.utexas.edu!torn!watserv2.uwaterloo.ca!watdragon.uwaterloo.ca!drraymon Mon Aug 10
11:35:46 PDT 1992
Article: 1446 of alt.guitar.tab
Newsgroups: alt.guitar.tab
Path: nevada.edu!uunet!cs.utexas.edu!torn!watserv2.uwaterloo.ca!watdragon.uwaterloo.ca!drraymon
From: drraymon@watdragon.uwaterloo.ca (Darrell Raymond)
Subject: Re: REQ: "Have you ever seen the rain?"
Message-ID: <Bsrr83.JD9@watdragon.uwaterloo.ca>
Organization: University of Waterloo
References: <1992Aug10.075810.14965@eua.ericsson.se>
Date: Mon, 10 Aug 1992 13:09:39 GMT
Lines: 56
In article <1992Aug10.075810.14965@eua.ericsson.se>, euanor@eua.ericsson.se (Patrik.Norman)
writes:
> Hi,
> Could anyone please post the lyrics and tabs for the great song
> "Have you ever seen the rain?" with John Foggerty?
>
> Thanks,
>
Patrik
>
Here you go. The words are probably not quite right; this is the best
I could make out of Fogerty's grating vocal. Corrections are welcome.
Have You Ever Seen The Rain
John Fogerty
A
Someone told me long ago
There's a calm before the storm
E
I know
A
It's been coming for some time
When it's over, so they say
It'll rain a sunny day
E
I know
A
Shinin' down like water
D
E
I wanna know
A
C#m
F#m
Have you ever seen the rain
D
E
I wanna know
A
C#m
F#m
Have you ever seen the rain
D
E
A
Comin' down a sunny day
D A C#m
E
A
file:///C|/olga_main/f-g/f/fogerty_john/have_you_ever_seen_the_rain.crd
file:///C|/olga_main/f-g/f/fogerty_john/rock_and_roll_girls.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
Date: Sat, 4 Jan 1997 21:49:00 -0500 (EST)
From: lordcope@magi.com
Subject: CRD: Rock and Roll Girls by John Fogerty
Rock and Roll Girls
by John Fogerty
from the album "Centerfield"
intro: G
C D x4
G
Sometimes I think
D
G
Life is just a rodeo
G
The trick is to ride
D
G
And make it to the bell
G
But there is a place
D
As sweet as you will
G
In music and love
D
And things you never
C
C
C
G
ever know
C
G
tell
G
You see it in their face
D
G
Secrets on the telephone
G
C
A time out of time
D
G
For you and no one else
G
C
Hey let's go
D
G
All over the world
D
G
Rock and Roll Girls
D
G
Rock and Roll Girls
Sax solo: G
G
G
G
C
C
C
Em
x3
Em
x3
G
C
If I had my way
D
G
I'd shuffle off to Buffalo
G
C
Sit by the lake
file:///C|/olga_main/f-g/f/fogerty_john/rock_and_roll_girls.crd
D
G
And watch the world go by
G
C
Ladies in the sun
D
G
C
Listening to the radio
G
Like flowers on the sand
D
G
C
A rainbow in my mind
G
C
Hey let's go
D
G
All over the world
D
G
Rock and Roll Girls
D
G
Rock and Roll Girls
G
C
Hey let's go
D
G
All over the world
D
G
Rock and Roll Girls
D
G
Rock and Roll Girls
D
C
D
C
C
C
C
C
C
file:///C|/olga_main/f-g/f/folk_implosion/simean_groove.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Wed, 2 Oct 1996 18:53:05 +1200 (NZST)
From: Eerie Canal <halfadog@ihug.co.nz>
Subject: TAB: Simean Groove By Folk Implosion
>This is not the whole song just some of it....
>
>e|--------------------------------------------------------------------------|
>B|--------------------------------------------------------------------------|
>G|--------------------------------------------------------------------------|
>D|--------------------------------------------------------------------------|
>A|-----6---6---6---3---2------6---6---6---3---2---0---2---------------------|
>E|---7---7---7---7----------7---7---7---7-----------------------------------|
>
>only two parts i worked out... listen to the song and you'll know the right
timing.....
>:) By Jarrod Yap
>healthysick@as-if.com
one more thing.. this tab is played on a bass but i played it on a guitar
and it sounds good and i think my guitar is a little outta tune
file:///C|/olga_main/f-g/f/foo_fighters/big_me.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
From: sports2@genie.geis.com
Date: Thu, 27 Jul 95 00:42:00 UTC
Subject: Big Me by the Foo Fighters
Big Me - Foo Fighters - v1.1 (July 17,1995)
=====================
by: Duncan
sports2@genie.com
with corrections by: Nelson,
nvelazqu@lonestar.jpl.utsa.edu
Chords:
C Am
E
F
C7
G
x32013
x02213
022100
x03211 or 133211
x32310
320033 or 355433
Intro: C Am G F x 2
When I talk about it
C
it carries on
Am
reasons only knew
G
F
when I talk about it
C
aries of treasons
Am
all renew
G
F
big me to talk about it
E
F
I could stand to prove
C
C7
if we can get around it
E
F
I know that it's true
F
G
well I talked about it
C
file:///C|/olga_main/f-g/f/foo_fighters/big_me.crd
carried on
Am
reasons only knew
G
F
but it's you I fell into
C
G F
C
(repeat)
well I talked about it
C
put it on
Am
never was it true
G
F
but it's you i fell into
C
G F
C
(X2)
Verse:
C
C
F
}
When I talk about it ,
}
new
X2
Chorus:
E
carries
C
C7
Big Me to get around it , I can't stand the proof
E
F
C
If we can get around it , I know that it's true
Other Bit:
C
G
But it's you......I
F
fell
in
to
You should be able to sort it out from this- it's not a very complex
song.The
final chord he strikes is a C7. I really don't have a clue about any of
the
lyrics so the ones I have here are simply as a guide. If you can make any
sense
of them could you E-mail them to me or something.
Date: Fri, 20 Dec 1996 11:47:36 -0300
From: * <user@adinet.com.uy>
file:///C|/olga_main/f-g/f/foo_fighters/big_me.crd
(C - Am - G - F) x 2
C
Am
G
When I-talk about it carry on reasons only knew
C
Am
G
when I-talk about it every is awful treasures only knew
E
F
C
C7
Big me talk about it I-could stand it trough
E
F
F
G
If we can get around it Iknow that is true
C
Am
G
When I-talk about it carry on reasons only knew
C
G F
C G
but it's you I-fell into
C
Am
G
When I-talk about it carry on reasons only knew
C
Am
G
when I-talk about it every is awful treasures only knew
E
F
C
C7
then we talk about it I-could stand it trough
E
F
F
G
if we can get around it I-know that is true
C
Am
Well I-talk about it put it on
G
F
C
never was it true but is you
G F
C G
I-fell into
C
Am
G
When I-talk about it put it on never was it true
C
But it's you
G F
C
I-fell into
G F
C
I-fell into
G F
C
I-fell into
F
F
F
F
file:///C|/olga_main/f-g/f/foo_fighters/big_me.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
[too many versions]
From: Keith18NJ@aol.com
Date: Wed, 23 Aug 1995 21:52:44 -0400
"big me" by foo fighters
E 022100
F 133211 or xx3211
G 320033
Am7 x02213
C(add G) x32013
C x32010
C7 x32310
C7
F
I
C(add G)
fell into
F
C(addG)
(repeat)
file:///C|/olga_main/f-g/f/foo_fighters/big_me.tab
i
G
fell into
F
C
the song ends with one guitar playing C (or C(add G)) and another playing C7.
From: sports2@genie.geis.com
Date: Thu, 27 Jul 95 00:42:00 UTC
Subject: Big Me by the Foo Fighters
=====================================================================
Big Me - Foo Fighters - v1.1 (July 17,1995)
=====================
by: Duncan
sports2@genie.com
with corrections by: Nelson,
nvelazqu@lonestar.jpl.utsa.edu
Chords:
C Am
E
F
C7
G
x32013
x02213
022100
x03211 or 133211
x32310
320033 or 355433
Intro: C Am G F x 2
When I talk about it
C
it carries on
Am
reasons only knew
G
F
when I talk about it
C
aries of treasons
Am
all renew
G
F
big me to talk about it
E
F
file:///C|/olga_main/f-g/f/foo_fighters/big_me.tab
(X2)
Verse:
C
C
F
}
When I talk about it ,
}
new
X2
Chorus:
E
carries
C
C7
Big Me
E
to get around it
F
file:///C|/olga_main/f-g/f/foo_fighters/big_me.tab
F
fell
C
in
to
You should be able to sort it out from this- it's not a very complex
song.The
final chord he strikes is a C7. I really don't have a clue about any of
the
lyrics so the ones I have here are simply as a guide. If you can make any
sense
of them could you E-mail them to me or something.
file:///C|/olga_main/f-g/f/foo_fighters/down_in_the_park.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Wed, 10 Apr 1996 22:47:42 -0300
To: guitar@nevada.edu
Subject: TAB:Down in the park, by,Foo Fighters
Tabbed by Loel(foo foo)Campbell
Album:X-Files
Song:Down in the park
Band:Foo Fighters(Orignally done by Gary Newman)
THis Is a pretty simple song same chords as
penroyalm tea. Standard tuning the first play
along with the bass.
Chords used:
A
B5
Af5
A5
G5
E
E|--0--|
E|------|
|-----|
|-----|
|-----| |----|
B|--2--|
B|------|
|-----|
|-----|
|-----| |----|
G|--2--|
G|--4--|
|--6-|
|--0--| |--0-|
|-0-|
D|--2--|
D|--4--|
|--6-|
|--7--| |--5-|
|-2-|
A|--0---|
A|---2--|
|--4-|
|--7--| |--5-| |-2-|
E|-------|
E|------|
|-----|
|--5--| |--3-| |-0-|
The First Part Goes:
AAAAAAAAAA,BBBBBBBBBB,AFAFAFAFAFAFAFAFAFAF
then repeat
The next part is:
A5..............G5................E................
and repeat
Then do the first part palm muted then do the second part again
then do the first part real fast.
Just listen to the record and get the beat!!!And thats it pretty simple huh.
Questions,Comments,and other stuff e-mail me at
j.campbell@north.nsis.com
file:///C|/olga_main/f-g/f/foo_fighters/down_in_the_park.crd
THEN
----------------------------------------------------------------------------------------------------------------------------------------------5-5-5-5-5-5-5-5-/--7-7-7-7-7-7-7-7------------------------------------5-5-5-5-5-5-5-5-/--7-7-7-7-7-7-7-7/--8-8-8-8-8-8-8-8-/--3-3-3-3-3-3-3
--3-3-3-3-3-3-3-3-/--5-5-5-5-5-5-5-5/--8-8-8-8-8-8-8-8-/--3-3-3-3-3-3-3
------------------------------------/--6-6-6-6-6-6-6-6-/--1-1-1-1-1-1-1
pm.....................................................................
----------------------------------------------------------------------------------------------------------------------------------------------5-5-5-5-5-5-5-5-/--7-7-7-7-7-7-7-7------------------------------------5-5-5-5-5-5-5-5-/--7-7-7-7-7-7-7-7--7-7-7-7-7-7-7-7-------------------3-3-3-3-3-3-3-3-/--5-5-5-5-5-5-5-5--7-7-7-7-7-7-7-7-------------------------------------------------------5-5-5-5-5-5-5-5-----------------pm.....................................................................
THEN W/DISTORTION
----------------------------------------------------------------------------------------------------------------------------------------------5-5-5-5-5-5-5-5-/--7-7-7-7-7-7-7-7------------------------------------5-5-5-5-5-5-5-5-/--7-7-7-7-7-7-7-7/--8-8-8-8-8-8-8-8-/--3-3-3-3-3-3-3
--3-3-3-3-3-3-3-3-/--5-5-5-5-5-5-5-5/--8-8-8-8-8-8-8-8-/--3-3-3-3-3-3-3
------------------------------------/--6-6-6-6-6-6-6-6-/--1-1-1-1-1-1-1
----------------------------------------------------------------------------------------------------------------------------------------------5-5-5-5-5-5-5-5-/--7-7-7-7-7-7-7-7------------------------------------5-5-5-5-5-5-5-5-/--7-7-7-7-7-7-7-7--7-7-7-7-7-7-7-7-------------------3-3-3-3-3-3-3-3-/--5-5-5-5-5-5-5-5--7-7-7-7-7-7-7-7-------------------------------------------------------5-5-5-5-5-5-5-5------------------
IF ANYONE FINDS THE SOLO OR ANY OF THE OTHER PARTS PLEASE E-MAIL IT TO
ME!!!
FIZbANx69
file:///C|/olga_main/f-g/f/foo_fighters/easy_target.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Thu, 27 Jul 1995 13:58:35 -0500 (CDT)
From: Marvin Peiken <pike@merle.acns.nwu.edu>
Alone & Easy Target (easy_target.crd)
Foo Fighters
I know that this has been posted already, but I think that there is a
better way to play it (without
using dropped D tuning) Plus, here are the lyrics:
INTRO:
Guitar 1:
Guitar 2:
F#7
E7
VERSE:
D Dsus D Dsus D Dsus
they knew all along
F#7
E7
they're not dumb, they were so wrong
D Dsus D Dsus D Dsus
she's not always fun
F#7
E7
hate it now, call when I'm done
D Dsus D Dsus D Dsus
pieces fell in place
F#7
E7
puzzles suck, laugh in my face
D Dsus D Dsus D Dsus
turn and swing the pace
F#7
E7
I'll give this, keep the good waist
CHORUS:
D
G
head is on
D
A
I want out
C
A
I'm alone and I'm an easy target
D
G
metronome
D
A
I want out
C
A
I'm alone and I'm an easy target
VERSE 2:
file:///C|/olga_main/f-g/f/foo_fighters/easy_target.crd (1 of 2) [4/28/2003 9:51:26 PM]
file:///C|/olga_main/f-g/f/foo_fighters/easy_target.crd
Bb
you ever listen?
Bb
you ever listen?
Bb
you ever listen?
C
out, get out, get out!
C
out, get out, get out!
etc...
Personally, I think the Foo Fighters are incredible and its too bad that
the only reason that they get
airplay is because of Dave Grohl (At least around here. They can't play
a single song without
mentioning that he used to play w/ Nirvana) The whole album kicks ass,
and I can't wait for them
to get out to Chicago. BTW- I figured out Wattershed also. I tab it
when I get the time. E-mail me
with suggestions, corrections, or just to talk about cool music. Thanks.
-Adam
pike@merle.acns.nwu.edu
file:///C|/olga_main/f-g/f/foo_fighters/easy_target.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: 18 Jul 1995 12:31:37 -0400
=========================
Alone + Easy Target
------------------FOO FIGHTERS
=========================
Tabbed by Jeff Aldrich (ArglBargle@aol.com)
Intro/Verse:
e:-------------3---2---3---2---3---2---|
B:-------------2---2---2---2---2---2---|
G:-------------------------------------|
D:-0---0-------------------------------|
A:-0---0---0---------------------------|
D:-0-------0---------------------------|
e:-------------2-------------------0---|
B:-------------2-------------------0---|
G:-------------------------------------|
D:-4---4---------------2---2-----------|
A:-4---4---4-----------2---2---2-------|
D:-4---4---4-----------2---2---2-------|
Chorus:
e:-----------------------------------------------------------------|
B:-----------------------------------------------------------------|
G:-----------------------------------------------------------------|
D:-0---0---0---3---5---5---5---3---0---0---0---3---7---7---7---7---|
A:-0---0---0---3---5---5---5---3---0---0---0---3---7---7---7---7---|
D:-0---0---0---3---5---5---5---3---0---0---0---3---7---7---7---7---|
Head
is
on
I want
out.
e:---------------------------|---------------------------|
B:---------------------------|---------------------------|
G:---------------------------|---------------------------|
file:///C|/olga_main/f-g/f/foo_fighters/easy_target.tab (1 of 2) [4/28/2003 9:51:27 PM]
file:///C|/olga_main/f-g/f/foo_fighters/easy_target.tab
D:-3------3---3------3---3---|-10-----10--10-----10--10--|
A:-3------3---3------3---3---|-10-----10--10-----10--10--|
D:-3------3---3------3---3---|-10-----10--10-----10--10--|
I'm alone
and I'm an
easy target..
Bridge:
e:------------------------------------------------|
B:------------------------------------------------|
G:------------------------------------------------|
D:-5--5--5--5---5--5--5--5---5--5--5--5---5--7~~--|
A:-5--5--5--5---5--5--5--5---5--5--5--5---5--7~~--|
D:-5--5--5--5---5--5--5--5---5--5--5--5---5--7~~--|
Did
you
ever
listen?
x3
e:-------------------------------------------------|
B:-------------------------------------------------|
G:-------------------------------------------------|
D:-7--7--7--7---7--7--7--7---7--7--7--7---7--10~~--|
A:-7--7--7--7---7--7--7--7---7--7--7--7---7--10~~--|
D:-7--7--7--7---7--7--7--7---7--7--7--7---7--10~~--|
Get out!
Get out!
Get out!
I hope you enjoy the Tab!
x4
file:///C|/olga_main/f-g/f/foo_fighters/enough_space.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
Date: Mon, 16 Dec 1996 06:33:18 -0500 (EST)
From: ~justin <caffeine@bigfoot.com>
Subject: Tab "Enough Space" by Foo Fighters
this Song should be on their next album its on a few bootlegs and
its pretty cool.
here's the main riff of the song:
e-----------------------------------------------------------------------------b-----------------------------------------------------------------------------g-------------------------------------------------------5---------7--------0d-------6----/-----7----7----7------- 5------------5---------7--------0a-------6----/-----7----7----7--------5------------3---------5--------0e-------4------/---5----5----5--------3------------------------------------
file:///C|/olga_main/f-g/f/foo_fighters/enough_space.tab
file:///C|/olga_main/f-g/f/foo_fighters/exhausted.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Sun, 30 Jul 1995 17:52:49 -0400 (EDT)
From: Anthony Tong <ad201@freenet.toronto.on.ca>
Exhausted
by the Foo Fighters
Transcription by Anthony Tong (ad201@torfree.net).
Dropped-D tuning (D-A-D-G-B-E). Crank up the FUZZ!
Chords used:
Asus2 add? E/B add?
C
Am
Bb5
G
-
x
x
x
x
x
5
0
2
3
0
1
5
2
x
2
2
3
5
2
0
0
2
3
x
0
0
1
1
x
x
1
1
0
0
x
x
Verse/Intro
----------Asus2add?, E/B add?, C, Am, C, Am
Despite of the weird chord (names) it's pretty easy to play.
It's tough to tab because of the picking pattern. Listen to the
song to figure it out.
Pre-Chorus
---------Bb5 Am G
Chorus/Instrumental Section
--------------------------G
D
A
D
Bridge/Interlude
--------------There's some weird feedback/noise, the verse is played quietly by
second guitar and bass. Near the end of the verse Am is played loudly
and repeatedly.
file:///C|/olga_main/f-g/f/foo_fighters/exhausted.tab
And pardon for the Internet advertising, but get the Foo Fighter's
album--it's GREAT!
I'm pretty sure of this one (except for chord names) ;-), but don't
hesistate to e-mail me with comments, questions, whatever at:
Anthony Tong, ad201@torfree.net
Ltr,
==================
FOO FIGHTERS
-----------Exhausted
==================
Tabbed by Jeff Aldrich (ArglBargle@aol.com)
New Intro Tabbed by Bill Bright (bright@erda.rl.af.mil)
Alrighty then...
Exhausted, by Foo Fighters...wow this is my first transcription, but I
think I got it right. I looked for this song after watching Foo Fighters'
I'm ok, Eur ok concert on MTV and I noticed that Dave Grohl plays the
opening chord with a simple open Dm chord...but when I tried to figure the
song out by ear, I couldn't, so I went to ***OLGA***. Anyway, I played the
tab that it came with and you know, it didn't sound quite right, so here's
my interpretation of the intro/verse...
It's still in the drop D tuning...
Intro/Verse:
e:---------1------------|----------1------------|
B:---------3----3-----3-|----------3----3-----3-|
G:---------2-------2----|----------2-------2----|
D:-0----0---------------|-0----0----------------|
A:-0----0---------------|-2----2----------------|
D:-0----0---------------|-x----x----------------|
I'm not
around that much.
I'm
e:----------0------------|-----------0------------|
B:----------1----1-----1-|-----------1----1-----1-|
G:----------2-------2----|-2----2----2-------2----|
D:-x----x----------------|-2----2-----------------|
A:-3----3----------------|-0----0-----------------|
D:-3----3----------------|-x----x-----------------|
near
exhausted
e:----------0------------|-----------0------------|
B:----------1----1-----1-|-----------1----1-----1-|
G:----------2-------2----|-2----2----2-------2----|
D:-x----x----------------|-2----2-----------------|
A:-3----3----------------|-0----0-----------------|
D:-3----3----------------|-x----x-----------------|
and lost.
...everything else seemed fine, if played right, you should be able to play
this with minimal hand movement. The way I play the intro Dm chord is also
a prep for the second chord...
file:///C|/olga_main/f-g/f/foo_fighters/exhausted.tab
Intro/Verse:
e:---------1------------|------------------------|
B:--------------3--0--3-|----------6-------0-----|
G:----------------------|--------------7-------7-|
D:-0----0---------------|-5----5-----------------|
A:-0----0---------------|-5----5-----------------|
E:-0----0---------------|-5----5-----------------|
I'm not
around that much.
I'm
e:----------0------------|-----------0------------|
B:---------------1-----1-|------------------------|
G:------------------2----|----------------5-----5-|
D:-3----3----------------|-7----7------------7----|
A:-3----3----------------|-7----7-----------------|
E:-3----3----------------|-7----7-----------------|
file:///C|/olga_main/f-g/f/foo_fighters/exhausted.tab (3 of 5) [4/28/2003 9:51:28 PM]
file:///C|/olga_main/f-g/f/foo_fighters/exhausted.tab
near
exhausted
e:----------0------------|-----------0------------|
B:---------------1-----1-|------------------------|
G:------------------2----|----------------5-----5-|
D:-----------------------|-7----7------------7----|
A:-3----3----------------|-7----7-----------------|
E:-3----3----------------|------------------------|
and lost.
Pre-Chorus:
e:-------------------------------------|-----------------------|
B:-------------------------------------|-----------------------|
G:-------------------------------------|-----------------------|
D:-8-8-8-8--8-8-8-8---7-7-7-7--7-7-7-7-|-5-----5---5---5---5---|
A:-8-8-8-8--8-8-8-8---7-7-7-7--7-7-7-7-|-5-----5---5---5---5---|
E:-8-8-8-8--8-8-8-8---7-7-7-7--7-7-7-7-|-5-----5---5---5---5---|
... and alone ...
Riff 2 (Chorus?)
e:------------------------------------------------------------|
B:------------------------------------------------------------|
G:------------------------------------------------------------|
D:------------------------------------------------------------|
A:-0---3---5---7---3---0---3---0---3---0----------------------|
E:-0---3---5---7---3---0---3---0---3---0----4---5---7^~~~~--7-|
A few tips:
Feel free to E-Mail me (or me!!! -bill) with comments, suggestions, questions,
file:///C|/olga_main/f-g/f/foo_fighters/exhausted.tab (4 of 5) [4/28/2003 9:51:28 PM]
file:///C|/olga_main/f-g/f/foo_fighters/exhausted.tab
file:///C|/olga_main/f-g/f/foo_fighters/floaty.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: ArglBargle@aol.com
Date: Mon, 31 Jul 1995 13:15:16 -0400
Subject: TAB: Foo Fighters - "Floaty"
==================
FOO FIGHTERS
-----------Floaty
==================
Tabbed by Jeff Aldrich (ArglBargle@aol.com)
This song is pretty cool. I really like the wierd intro chords; they're
different. All the TABs for the album are now done, I hope you enjoy
them all.
The intro is played on an acoustic guitar, then it turns into a heavydistortion, power chord guitar. The beginning of the chorus is played
with 2 guitars, though one guitar only plays an E chord.
Please E-Mail me with any comments, suggestions, questions
or criticisms about the TAB.
Intro/Verse:
e:----------------------------------------------------|
B:----------------------------------------------------|
G:-8---8--8---8--8---8---8---8---8--8---8--8---8---8--|
D:-9---9--9---9--9---9---9---9---9--9---9--9---9---9--|
A:-7---7--7---7--7---7---7---7---7--7---7--7---7---7--|
E:-0-------------------------0------------------------|
He
floats
e:----------------------------------------------------|
B:----------------------------------------------------|
G:-8---8--8---8--8---8---8---8---8--8---8--8---8---8--|
D:-9---9--9---9--9---9---9---9---9--9---9--9---9---9--|
A:-7---7--7---7--7---7---7---7---7--7---7--7---7---7--|
E:-0-------------------------0------------------------|
Floats
away
e:----------------------------------------------------|
B:----------------------------------------------------|
G:-6---6--6---6--6---6---6---6---6--6---6--6---6---6--|
D:-7---7--7---7--7---7---7---7---7--7---7--7---7---7--|
A:-5---5--5---5--5---5---5---5---5--5---5--5---5---5--|
E:----------------------------------------------------|
On
the
ground
he
e:-----------------------------------------------------|
B:-----------------------------------------------------|
G:-4---4--4---4--4---4---4-----------------------------|
D:-5---5--5---5--5---5---5---5---5--5---5--5---5---5---|
A:-3---3--3---3--3---3---3---5---5--5---5--5---5---5---|
E:---------------------------3---3--3---3--3---3---3---|
comes
back
down.
Chorus:
file:///C|/olga_main/f-g/f/foo_fighters/floaty.tab (1 of 3) [4/28/2003 9:51:28 PM]
file:///C|/olga_main/f-g/f/foo_fighters/floaty.tab
Guitar 1
e:----------------------------------------------|
B:----------------------------------------------|
G:----------------------------------------------|
D:----9---9--9---7---6-------9---9--9---7---6---|
A:----------------------------------------------|
E:0----------------------0----------------------|
|
Guitar 2
|
e:----------------------------------------------|
B:----------------------------------------------|
G:----------------------------------------------|
D:2----------------------2----------------------|
A:2----------------------2----------------------|
E:0----------------------0----------------------|
e:-----------------------------------------------------|
B:-----------------------------------------------------|
G:-----------------------------------------------------|
D:-6---6--6---6--6---6---6----7---7--7---7--7---7---7--|
A:-6---6--6---6--6---6---6----7---7--7---7--7---7---7--|
E:-4---4--4---4--4---4---4----5---5--5---5--5---5---5--|
That's not as big as what's float - ing...
Then end on this cutesy little riff.
e:-------------------------------------|
B:-------------------------------------|
G:-------------------------------------|
D:-2-----------------------------------|
A:-2--------2--2---2----2--2---0-------|
E:-0-------------------------------4---|
Bridge:
e:-------------------------------------------|
B:-------------------------------------------|
G:-4--4--4--4--4--4--4---7-7-7-7-7---4---7---|
D:-4--4--4--4--4--4--4---7-7-7-7-7---4---7---|
A:-2--2--2--2--2--2--2---5-5-5-5-5---2---5---|
E:-------------------------------------------|
e:---------------------------------------------------|
B:---------------------------------------------------|
G:---------------------------------------------------|
D:-6---6--6---6--6---6---6---2---2---2---6---6---6---|
A:-6---6--6---6--6---6---6---2---2---2---6---6---6---|
E:-4---4--4---4--4---4---4---0---0---0---4---4---4---|
Lyrics:
He floats
Floats away
On the ground
He comes back down.
file:///C|/olga_main/f-g/f/foo_fighters/floaty.tab
file:///C|/olga_main/f-g/f/foo_fighters/foo_fighters_album.lyr
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Sun, 9 Jul 95 02:53:20 PDT
From: Nate Jayne <njayne@efn.org>
Subject: FF Lyrics
Official Foo Fighters Song Lyrics
The following lyrics are in the same order as they appear on the album
(except for Watershed), and are accurate (except where noted). Enjoy!
Available at the Foo Fighters page -http://www.muohio.edu/~carmance/foo.html
this is a call
visiting is pretty
visiting is good
seems that all they ever wanted was a brother
this can be a secret
we can keep it good
even all the ever wanting had a problem
this is a call to all my
past resignations
it's been too long
fingernails are pretty
fingernails are good
seems that all they ever wanted was a marking
them balloons are pretty big
and say they should
ever fall to ground
call the magic marker
this
past
this
this
past
it's
is a call to all my
resignations
is a call to all
is a call to all my
resignations
been too long
minicyn is pretty
minicyn is good
seems that all the cysts and mollusks tend to barter
ritalin is easy
ritalin is good
even all the ones
who watered down the daughter
I'll stick around
I thought I knew all it took to bother you
every word I said was true that you'll see
how could it be I'm the only one who sees your rehearsed insanity
file:///C|/olga_main/f-g/f/foo_fighters/foo_fighters_album.lyr
file:///C|/olga_main/f-g/f/foo_fighters/foo_fighters_album.lyr
good grief
oh, george
the train that I got onto up and left that town
threw it up as it went down
strange enough it left me rude and turned around
watched as they all took their vows
fools were drawing trying to save that day
I don't doubt that anyway
phase it out until the older ones return
have a seat and watch it burn
trace around the corner this is what I've learned
always waited for my turn
weenie beenie
I'm molasses hung in rent
read a sponsor one shot no post-show
file:///C|/olga_main/f-g/f/foo_fighters/foo_fighters_album.lyr
file:///C|/olga_main/f-g/f/foo_fighters/foo_fighters_album.lyr
oh
and fallen.
after bliss is gone in bed, use caution.
it's gone.
even the breeze that's flowin' there is caustic,
and i talked,
and i missed it.
file:///C|/olga_main/f-g/f/foo_fighters/foo_fighters_album.lyr
winnebago
--------able bodied, chew the word
cop to plenty, sell the tour
split the moment, seal the sheet
take the hemlock, beg to see
feed the lawn from the palms of their hands
never holding, to a pole
winnebago, we were one
hold in wonder, spoke and wheel
she divorces, party zeal
daddy loves little son, no demand
able bodied, chew the word
cop to plenty, sell the tour
split the moment, seal the sheet
take the hemlock, beg to see
crawl along, lookin'up 'til you stand
wattershed
---------stick it to the mailman
reading is a problem
see you all suntanned
only with the ray bans
take that to the man you call the chair
pissing on a wet wall
skinny yellow spit, man
dealin' with the shit, man
make it with my bad hand
just another rock band
take that to the man they call the chair
trouble with the contract
hey there, boy, you been catchin' the black widow
that's what we want you to know
i
i
i
i
want
want
lost
keep
pissin'
pissin'
pissin'
miss it
to swim in a wattershed
to listen to crawdads
the counter so bad
on thinking i get ahead, i'm
on the disc jam
'bout the farm hand
'bout the greek state
and i can't wait
file:///C|/olga_main/f-g/f/foo_fighters/foo_fighters_album.lyr
i
i
i
i
want
want
lost
keep
pissin'
pissin'
pissin'
miss it
to swim in a wattershed
to listen to crawdads
the counter so bad
on thinking i get ahead, i'm
on the disc jam
'bout the farm hand
'bout the greek state
and i can't wait
butterflies
----------where's this come from? he's just as
dumb as he denies
he never lies, her new
disguise is butterflies
i'm all sick for you
i'm not a fool
you're the one bothers me
i'm not a fool
you're the one pretending to be
i die for some rare
pelicans in wonderland
if she was true, she'd make them
blue, every time. it goes
i'm all sick for you
i'm not a fool
you're the one, bothers me
i'm not a fool, you're the one pretending to be
where's this come from?
dumb as he denies
he's just as
file:///C|/olga_main/f-g/f/foo_fighters/foo_fighters_album.lyr
file:///C|/olga_main/f-g/f/foo_fighters/foo_fighters_album.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: GeekStink@aol.com
Date: Sat, 16 Sep 1995 22:32:40 -0400
FOO FIGHTERS ALBUM
"This is a Call"
Chords used in this song:
F
- xx3211
G5 - 355xxx
Ab - xx6544
Bb5 - 688xxx
F5 - 133xxx
A5 - 577xxx
Ab5 - 466xxx
Eb5 - x688xx
G
- xx5433
C5 - x355xx
Bb - xx8766
Ab5 (root) - 066xxx
A
- xx7655
__________________________________________________________________________
Sound of plugging in Guitar
Intro:
F
Visiting is pretty, Visiting is good,
Ab
Seems that all they ever wanted
F
Ab5
Was a brother.
//
Verse 1:
F + F5
This'll be a secret, We can keep it good,
Ab + Ab5
Even all he ever wanted
F + F5
Had a problem.
Chorus 1:
G + G5
Bb + Bb5
This is a call to all my
A + A5
G + G5
Past resignations.
Bb + Bb5 A + A5
This is a call
Ab5 (root) Ab5
To all.
/
/
Verse 2:
F+F5
Finger nails are pretty, Finger nails are good,
Ab + Ab5
Seems that all they ever wanted
F + F5
Ab5 (root) Ab5
Was a market.
/
/
F + F5
Their balloons are pretty, Big and say they should,
Ab + Ab
Ever fall around,
file:///C|/olga_main/f-g/f/foo_fighters/foo_fighters_album.tab
F + F5
Call him magic marker.
Chorus 2:
G + G5
Bb + Bb5
This is a call to all my
A + A5
G + G5
Past resignations.
Bb + Bb5 A + A5
This is a call to all.
G + G5
Bb + Bb5
This is a call to all my
A + A5
G + G5
Past resignations.
Bb + Bb5
It's been too long
Coda:
A5 Eb5
// /
Ab5
///
C5
/
Eb5
/
Ab5
//
x6
Repeat Verse 2
Repeat Chorus 2
Repeat Coda
Repeat Intro
Repeat Verse 1
Repeat Chorus 2
Repeat Coda twice
Behind last Coda:
Ab|-----6-------3-6-----|
Eb|-5-5---4-4-4-----4-4-|
Outro
Db|-----1-----0-1-|
Ab|---------------|
Eb|-1-1---1-1-----|
Db|-----1--1-0-1-|
Ab|--------------|
Eb|-1-1----------|
Db|-----1-3-3-|
Ab|-------3-3-|
Eb|-1-1---1-1-|
file:///C|/olga_main/f-g/f/foo_fighters/foo_fighters_album.tab
Pre-Chorus (2x) :
------------------------------------------------3-3-3---5-5-5---(-3-)----4-4-4---5-5-5---(-3-)----4-4-4---3-3-3---(-1-)----2-2-2--------------During PreChorus,Guitar #2 plays:
------------------------------------------------5-5-5---3-3-3----5-5-5---3-3-3----3-3-3---1-1-1-------------------------Intro / Chorus (2x) :
------------------------------------------------6-6---3-3---5-5-5----5-5---3-3---5-5-5----5-5---1-1---3-3-3----3-3----------------During Chorus,Guitar #2 plays:
---------------------------8----8------8-8----9-9-9-9-9-9-9-9----9-9-9-9-9-9-9-9----7-7-7-7-7-7-7-7------------------------"Big Me"
E
022100
F
133211
G
320033
Am7
x02213
C(add G)x32013
C
x32010
C7
x32310
or
xx3211
Verse:
C(add
When I talk about
Am7
it carries on
G
reasons only knew
C(add G)
when I talk about
Am7
G
aries of treasons
G)
it
it
F
all renew
Chorus:
E
F
big me to talk about it
C
I could stand to prove
C7
file:///C|/olga_main/f-g/f/foo_fighters/foo_fighters_album.tab
E
F
if we can get around it
C
G
I know that it's true
C
well I talked about it
Am7
carried on
G
F
reasons only knew
C(add G)
but it's you
G
F
C(addG)
I
fell into
C
well I talked about it
Am7
carried on
G
F
reasons only knew
C(add G)
but it's you
G
F
C(addG)
I
fell into
C(add G)
well I talked about it
Am7
put it on
G
F
never was it true
C(add G)
but it's you
G
F
C
i
fell into
the song ends with one guitar playing C
and another playing C7.
"Alone + Easy Target"
Intro/Verse:
e:-------------3---2---3---2---3---2---|
B:-------------2---2---2---2---2---2---|
G:-------------------------------------|
D:-0---0-------------------------------|
A:-0---0---0---------------------------|
D:-0-------0---------------------------|
e:-------------2-------------------0---|
B:-------------2-------------------0---|
G:-------------------------------------|
D:-4---4---------------2---2-----------|
A:-4---4---4-----------2---2---2-------|
D:-4---4---4-----------2---2---2-------|
file:///C|/olga_main/f-g/f/foo_fighters/foo_fighters_album.tab
Chorus:
e:-----------------------------------------------------------------|
B:-----------------------------------------------------------------|
G:-----------------------------------------------------------------|
D:-0---0---0---3---5---5---5---3---0---0---0---3---7---7---7---7---|
A:-0---0---0---3---5---5---5---3---0---0---0---3---7---7---7---7---|
D:-0---0---0---3---5---5---5---3---0---0---0---3---7---7---7---7---|
Head
is
on
I want
out.
e:---------------------------|---------------------------|
B:---------------------------|---------------------------|
G:---------------------------|---------------------------|
D:-3------3---3------3---3---|-10-----10--10-----10--10--|
A:-3------3---3------3---3---|-10-----10--10-----10--10--|
D:-3------3---3------3---3---|-10-----10--10-----10--10--|
I'm alone
and I'm an
easy target..
Bridge:
e:------------------------------------------------|
B:------------------------------------------------|
G:------------------------------------------------|
D:-5--5--5--5---5--5--5--5---5--5--5--5---5--7~~--|
A:-5--5--5--5---5--5--5--5---5--5--5--5---5--7~~--|
D:-5--5--5--5---5--5--5--5---5--5--5--5---5--7~~--|
Did
you
ever
listen?
e:-------------------------------------------------|
B:-------------------------------------------------|
G:-------------------------------------------------|
D:-7--7--7--7---7--7--7--7---7--7--7--7---7--10~~--|
A:-7--7--7--7---7--7--7--7---7--7--7--7---7--10~~--|
D:-7--7--7--7---7--7--7--7---7--7--7--7---7--10~~--|
Get out!
Get out!
Get out!
x3
x4
"Good Grief"
Intro/Pre-Verse:
e:--------------------------------|------------------------------|
B:--------------------------------|------------------------------|
G:--------------------------------|------------------------------|
D:-------9---7---9---7---7-9---7--|-0-0---9---7---9---7---7-9-7--|
A:-9-9----------------------------|------------------------------|
E:--------------------------------|------------------------------|
e:-------------------------|------------|
B:-------------------------|------------|
G:-6---9~~~--6---9---6-----|------9~~~--|
D:-------------------------|-9----------|
A:-------------------------|------------|
E:-------------------------|------------|
Verse:
e:------------------------------------|------------------------------------|
file:///C|/olga_main/f-g/f/foo_fighters/foo_fighters_album.tab
B:------------------------------------|------------------------------------|
G:-4-4-4-4--4-4-4-4--4-4-4-4--4-4-4-4-|-7-7-7-7--7-7-7-7--7-7-7-7--7-7-7-7-|
D:-4-4-4-4--4-4-4-4--4-4-4-4--4-4-4-4-|-7-7-7-7--7-7-7-7--7-7-7-7--7-7-7-7-|
A:-2-2-2-2--2-2-2-2--2-2-2-2--2-2-2-2-|-5-5-5-5--5-5-5-5--5-5-5-5--5-5-5-5-|
E:------------------------------------|------------------------------------|
Since I'm
good
and
down
All the
e:------------------------------------|------------------------------------|
B:------------------------------------|------------------------------------|
G:------------------------------------|------------------------------------|
D:-4-4-4-4--4-4-4-4--4-4-4-4--4-4-4-4-|-7-7-7-7--7-7-7-7--7-7-7-7--7-7-7-7-|
A:-4-4-4-4--4-4-4-4--4-4-4-4--4-4-4-4-|-7-7-7-7--7-7-7-7--7-7-7-7--7-7-7-7-|
E:-2-2-2-2--2-2-2-2--2-2-2-2--2-2-2-2-|-5-5-5-5--5-5-5-5--5-5-5-5--5-5-5-5-|
truth
is
around
but I
like
it...
Chorus:
e:------------------------------------|-----------------------------------|
B:------------------------------------|-----------------------------------|
G:-2-2-2-2--2-2-2-2-------------------|-------------------2-2-2-2--2-2-2-2|
D:-2-2-2-2--2-2-2-2--2-2-2-2--2-2-2-2-|-4-4-4-4--4-4-4-4--2-2-2-2--2-2-2-2|
A:-0-0-0-0--0-0-0-0--2-2-2-2--2-2-2-2-|-4-4-4-4--4-4-4-4--0-0-0-0--0-0-0-0|
E:-------------------0-0-0-0--0-0-0-0-|-2-2-2-2--2-2-2-2------------------|
Hate it!
Hate it!
Hate it!
Hate it!
e:------------------------------------|------------------------------------|
B:------------------------------------|------------------------------------|
G:------------------------------------|-2-2-2-2--2-2-2-2-------------------|
D:-2-2-2-2--2-2-2-2--4-4-4-4--4-4-4-4-|-2-2-2-2--2-2-2-2--2-2-2-2--2-2-2-2-|
A:-2-2-2-2--2-2-2-2--4-4-4-4--4-4-4-4-|-0-0-0-0--0-0-0-0--2-2-2-2--2-2-2-2-|
E:-0-0-0-0--0-0-0-0--2-2-2-2--2-2-2-2-|-------------------0-0-0-0--0-0-0-0-|
Hate it!
Hate it!
Hate it!
Bridge:
e:---------------------------|------------------------------|
B:---------------------------|------------------------------|
G:---------2---2---2---2---2-|---------2---2---2---2---2---4|
D:---------2---2---2---2---2-|---------2---2---2---2---2---4|
A:-2---2---------------------|-2---2------------------------|
E:---------------------------|------------------------------|
e:------------------------------------|------------------|
B:------------------------------------|------------------|
G:-------------------2-2-2-2--2-2-2-2-|------------------|
D:-4-4-4-4--4-4-4-4--2-2-2-2--2-2-2-2-|-2-2-2-2--2-2-2-2-|
A:-4-4-4-4--4-4-4-4--0-0-0-0--0-0-0-0-|-2-2-2-2--2-2-2-2-|
E:-2-2-2-2--2-2-2-2-------------------|-0-0-0-0--0-0-0-0-|
"Floaty"
Intro/Verse:
e:----------------------------------------------------|
B:----------------------------------------------------|
G:-8---8--8---8--8---8---8---8---8--8---8--8---8---8--|
D:-9---9--9---9--9---9---9---9---9--9---9--9---9---9--|
A:-7---7--7---7--7---7---7---7---7--7---7--7---7---7--|
E:-0-------------------------0------------------------|
He
floats
file:///C|/olga_main/f-g/f/foo_fighters/foo_fighters_album.tab (6 of 15) [4/28/2003 9:51:30 PM]
file:///C|/olga_main/f-g/f/foo_fighters/foo_fighters_album.tab
e:----------------------------------------------------|
B:----------------------------------------------------|
G:-8---8--8---8--8---8---8---8---8--8---8--8---8---8--|
D:-9---9--9---9--9---9---9---9---9--9---9--9---9---9--|
A:-7---7--7---7--7---7---7---7---7--7---7--7---7---7--|
E:-0-------------------------0------------------------|
Floats
away
e:----------------------------------------------------|
B:----------------------------------------------------|
G:-6---6--6---6--6---6---6---6---6--6---6--6---6---6--|
D:-7---7--7---7--7---7---7---7---7--7---7--7---7---7--|
A:-5---5--5---5--5---5---5---5---5--5---5--5---5---5--|
E:----------------------------------------------------|
On
the
ground
he
e:-----------------------------------------------------|
B:-----------------------------------------------------|
G:-4---4--4---4--4---4---4-----------------------------|
D:-5---5--5---5--5---5---5---5---5--5---5--5---5---5---|
A:-3---3--3---3--3---3---3---5---5--5---5--5---5---5---|
E:---------------------------3---3--3---3--3---3---3---|
comes
back
down.
Chorus:
Guitar 1
e:----------------------------------------------|
B:----------------------------------------------|
G:----------------------------------------------|
D:----9---9--9---7---6-------9---9--9---7---6---|
A:----------------------------------------------|
E:0----------------------0----------------------|
|
Guitar 2
|
e:----------------------------------------------|
B:----------------------------------------------|
G:----------------------------------------------|
D:2----------------------2----------------------|
A:2----------------------2----------------------|
E:0----------------------0----------------------|
e:-----------------------------------------------------|
B:-----------------------------------------------------|
G:-----------------------------------------------------|
D:-6---6--6---6--6---6---6----7---7--7---7--7---7---7--|
A:-6---6--6---6--6---6---6----7---7--7---7--7---7---7--|
E:-4---4--4---4--4---4---4----5---5--5---5--5---5---5--|
That's not as big as what's float - ing...
Then end on this little riff.
e:-------------------------------------|
B:-------------------------------------|
G:-------------------------------------|
D:-2-----------------------------------|
A:-2--------2--2---2----2--2---0-------|
E:-0-------------------------------4---|
file:///C|/olga_main/f-g/f/foo_fighters/foo_fighters_album.tab
Bridge:
e:-------------------------------------------|
B:-------------------------------------------|
G:-4--4--4--4--4--4--4---7-7-7-7-7---4---7---|
D:-4--4--4--4--4--4--4---7-7-7-7-7---4---7---|
A:-2--2--2--2--2--2--2---5-5-5-5-5---2---5---|
E:-------------------------------------------|
e:---------------------------------------------------|
B:---------------------------------------------------|
G:---------------------------------------------------|
D:-6---6--6---6--6---6---6---2---2---2---6---6---6---|
A:-6---6--6---6--6---6---6---2---2---2---6---6---6---|
E:-4---4--4---4--4---4---4---0---0---0---4---4---4---|
Lyrics:
He floats
Floats away
On the ground
He comes back down.
(Repeat, substituting the he with she, we, and they)
That's not as big as
What's floating here.
"Weenie Beenie"
Intro/Verse:
e:---------------------------------------------|
B:----------------------------5-6-6-6--5-6-6-6-|
G:-3---3---3---5------5---5--------------------|
D:-3---3---3---5------5---5--------------------|
A:-1---1---1---3------3---3--------------------|
E:-------------3------3---3--------------------|
e:---------------------------------------------|
B:----------------------------5-6-6-6--5-6-6-5-|
G:-3---3---3---5------5---5--------------------|
D:-3---3---3---5------5---5--------------------|
A:-1---1---1---3------3---3--------------------|
E:-------------3------3---3--------------------|
Chorus:
e:-------------------------------------------------|
B:-------------------------------------------------|
G:-------------------------------------------------|
D:-6--6--6--6---6--6--6--6---6--6--6--6---8---8----|
A:-6--6--6--6---6--6--6--6---6--6--6--6---8---8----|
E:-4--4--4--4---4--4--4--4---4--4--4--4---6---6----|
Move it along..
Move it along..
Bridge:
e:-------------------------------|----------------------------|
B:-------------------------------|----------------------------|
G:-------------------------------|----------------------------|
D:-------------3-----------------|---------1------------------|
file:///C|/olga_main/f-g/f/foo_fighters/foo_fighters_album.tab
A:-------------3-----------------|---------1------------------|
E:-1---2---3-------3---2---1---0-|-1---2----------3---2---1---|
Won't shut my mouth!
"Oh, George"
Intro/Verse:
e:---------------------------|---------------------------|
B:--------5---5------5-------|--------8----------8-------|
G:---------------------------|-8------8---8------8---8---|
D:-7------7---7------7---7---|-8------8---8------8---8---|
A:-7------7---7------7---7---|-6------6---6------6---6---|
E:-5------5---5------5---5---|---------------------------|
e:--------1---1----------1---|---------------------------|
B:--------1---1----------1---|---------------------------|
G:---------------------------|-5------5---5------5---5---|
D:-3------3---3------3---3---|-5------5---5------5---5---|
A:-3------3---3------3---3---|-3------3---3------3---3---|
E:-1------1---1------1---1---|---------------------------|
e:---------------------------|--------5---5----------5---|
B:--------5---5----------5---|---------------------------|
G:---------------------------|-7------7---7------7---7---|
D:-7------7---7------7---7---|-7------7---7------7---7---|
A:-7------7---7------7---7---|-5------5---5------5---5---|
E:-5------5---5------5---5---|---------------------------|
e:------------------------------------|
B:------------------------------------|
G:------------------------------------|
D:-5------5---5---5---5---5---5---5---|
A:-5------5---5---5---5---5---5---5---|
E:-3------3---3---3---3---3---3---3---|
Chorus:
e:--------1----------1-------|--------0----------0-------|
B:--------1----------1-------|--------0----------0-------|
G:---------------------------|---------------------------|
D:-3------3---3------3---3---|-2------2---2------2---2---|
A:-3------3---3------3---3---|-2------2---2------2---2---|
E:-1------1---1------1---1---|-0------0---0------0---0---|
Solo:
e:--------------------------------------------------------------------------|
B:--------------------------------------------------------------------------|
G:----14--12----------------------------------------------------------------|
D:------------13--12----10-------10/12--------------------------------------|
A:--------------------------------------12--12--12--12--12--12--12--12--10--|
E:--------------------------------------------------------------------------|
e:-----------------------------------------------------------------------|
B:----------------------------13-----13--13--13--13--12------------------|
G:-14-----14--14--14--12---------------------------------12--14------12--|
D:-----------------------------------------------------------------------|
A:-----------------------------------------------------------------------|
file:///C|/olga_main/f-g/f/foo_fighters/foo_fighters_album.tab
E:-----------------------------------------------------------------------|
Repeat this.
e:--------13---------13------13-|--------12---------12------12-|
B:-13---------13---------13-----|-12---------12---------12-----|
G:------------------------------|------------------------------|
D:------------------------------|------------------------------|
A:------------------------------|------------------------------|
E:------------------------------|------------------------------|
Repeat.
e:--------13---------13------13--|-15--15--15--15--15--15--15--15-|
B:-13---------13---------13------|--------------------------------|
G:-------------------------------|--------------------------------|
D:-------------------------------|--------------------------------|
A:-------------------------------|--------------------------------|
E:-------------------------------|--------------------------------|
e:-15\14--14-----14-----14--|
B:--------------------------|
G:--------------------------|
D:--------------------------|
A:--------------------------|
E:--------------------------|
"For All The Cows"
Intro/Verse:
e:-------------------------------------|
B:-------------------------------------|
G:---------------------9-------------9-|
D:------10-----9-------9---------9---9-|
A:------10-----9-----------------7---7-|
E:-8-----------------------------------|
I'm called a cow.
e:------------------------------------------------------|
B:------------------------------------------------------|
G:----------------------9-----------------------7--8--9-|
D:------10-----9--------9--------------7--8--9----------|
A:------10-----9--------------7--8--9-------------------|
E:-8----------------------------------------------------|
And I'm not about
to
blow it now...
Chorus:
e:-----------------------------------|------------------------------------|
B:-----------------------------------|------------------------------------|
G:-----------------------------------|------------------------------------|
D:-5-----5--5-----5--5-----5--5----5-|-9-----9--9-----9--9-----9--9-----9-|
A:-5-----5--5-----5--5-----5--5----5-|-9-----9--9-----9--9-----9--9-----9-|
E:-3-----3--3-----3--3-----3--3----3-|-7-----7--7-----7--7-----7--7-----7-|
My
kind
has
all
run
out
Part II
e:---------------------------------------|
file:///C|/olga_main/f-g/f/foo_fighters/foo_fighters_album.tab
B:---------------------------------------|
G:---------------------5--5--5---5--5--5-|
D:-7--7--7---7--7--7---5--5--5---5--5--5-|
A:-7--7--7---7--7--7---3--3--3---3--3--3-|
E:-5--5--5---5--5--5---------------------|
Everything worn
in.... (like it's)
x 3
e:----------------------------|
B:----------------------------|
G:----------------------------|
D:-2--2--2---2--2--2---2------|
A:-2--2--2---2--2--2---2------|
E:-0--0--0---0--0--0---0------|
a friend.
Lyrics:
I'm called a cow
And I'm not about to blow it now
For all the cows.
It's funny how money allows all to browse
and be endowed.
This wish is true.
It falls into pieces new.
The cow is you
My kind has all run out, as if kinds could blend.
Some time if time allows,
Everything worn in, everything worn in,
Everything worn in like it's a friend.
I said you're all a painted doll
And it caused the walls to fall
How far is he?
Impatiently
That's as far as far can be
"X-Static"
Intro/Verse:
(Guitar 1)
e:-------------------------------|
B:-------------------------------|
G:-8---8---8---8-8---------8---8-|
D:-8---8---8---8-8---------8---8-|
A:-6---6---6---6-6---5/6---6---6-|
E:-------------------------------|
Verse:
(Guitar 2)
e:---------------------------------------------------------------|
B:---------------------------------------------------------------|
G:---------------------------------------------------------------|
D:-8---8---8---8---8---8----7----6---6---6---6---6---6---6----8--|
A:-8---8---8---8---8---8----7----6---6---6---6---6---6---6----8--|
E:-6---6---6---6---6---6----5----4---4---4---4---4---4---4----6--|
file:///C|/olga_main/f-g/f/foo_fighters/foo_fighters_album.tab
e:---------------------------------------------------------------|
B:---------------------------------------------------------------|
G:---------------------------------------------------------------|
D:-4---4---4---4---4---4----5----6---6---6---6---6---6---6----5--|
A:-4---4---4---4---4---4----5----6---6---6---6---6---6---6----5--|
E:-2---2---2---2---2---2----3----4---4---4---4---4---4---4----3--|
e:----------------------------------------------------------------------|
B:----------------------------------------------------------------------|
G:----------------------------------------------------------------------|
D:-4---4---4---4---4---4---4----6----3---3---3---3---3---3---3---3---3--|
A:-4---4---4---4---4---4---4----6----3---3---3---3---3---3---3---3---3--|
E:-2---2---2---2---2---2---2----4----1---1---1---1---1---1---1---1---1--|
e:------------------------------------|
B:------------------------------------|
G:------------------------------------|
D:-5---5---5---5---5---5---5---5---5--|
A:-5---5---5---5---5---5---5---5---5--|
E:-3---3---3---3---3---3---3---3---3--|
Chorus:
e:---------------------------------------------------------|
B:---------------------------------------------------------|
G:-5---5---5---5---3---3---3-------------------------------|
D:-5---5---5---5---3---3---3---3---3---3---3---3---3---3---|
A:-3---3---3---3---1---1---1---3---3---3---3---3---3---3---|
E:-----------------------------1---1---1---1---1---1---1---|
e:--------------------------------|--------------------|
B:--------------------------------|--------------------|
G:-6---6---6---6---5---5---5---4--|--------------------|
D:-6---6---6---6---5---5---5---4--|--------------------|
A:-4---4---4---4---3---3---3---2--|-2---/4---/6---/8---|
E:--------------------------------|--------------------|
"Watershed"
Intro/Verse:
e:----------------------------------------------|
B:----------------------------------------------|
G:----------------------------------------------|
D:-6/8---8---8---8---8---6/8---8---8---8----9\8-|
A:-6/8---8---8---8---8---6/8---8---8---8----9\8-|
E:-4/6---6---6---6---6---4/6---6---6---6----7\6-|
Stick it to the mailman.
Pre-Chorus:
e:--------------------|--------------------|
B:--------------------|--------------------|
G:--------------------|-8----8--8----8--8--|
D:-4----4--4----4--4--|-8----8--8----8--8--|
A:-4----4--4----4--4--|-6----6--6----6--6--|
E:-2----2--2----2--2--|--------------------|
Take that to the man
you call the
file:///C|/olga_main/f-g/f/foo_fighters/foo_fighters_album.tab
e:--------------------|--------------------|
B:--------------------|--------------------|
G:--------------------|--------------------|
D:-8----8--8----8--3--|--------3-----3-----|
A:-8----8--8----8--3--|--------3-----3-----|
E:-6----6--6----6--1--|--------1-----1-----|
chair
e:-------------------------|
B:-------------------------|
G:-------------------------|
D:-6--6--6--6--6--6--------|
A:-6--6--6--6--6--6--------|
E:-4--4--4--4--4--4--------|
Pissin' on a wet wall.
Chorus:
e:-------------------------------------|------------------------------------|
B:-------------------------------------|------------------------------------|
G:-----------9------9------------------|-6------6--9------9-----------------|
D:-6------6--9------9--8----------8--8-|-6------6--9------9--6---------6--6-|
A:-6------6--7------7--8----------8--8-|-4------4--7------7--6---------6--6-|
E:-4------4------------6----------6--6-|---------------------4---------4--4-|
Hey there boy you been catchin' the black widow.
e:---------------------------------------|----------|
B:---------------------------------------|----------|
G:-----------9------9--------------------|----------|
D:-6------6--9------9--8------------8--8-|-8--------|
A:-6------6--7------7--8------------8--8-|-6----8---|
E:-4------4------------6------------6--6-|------6---|
That's what we want you to know.
Bridge:
e:-------------------------------------------------------|
B:-------------------------------------------------------|
G:-------------------------------------------------------|
D:---------------------------------------------------4---|
A:---------------------------------------------------4---|
E:-2---1---1---1---0---1---1---0---1---1---2---------2---|
I want to swim in a water - shed...
Lyrics:
Stick it to the mailman.
Reading is a problem.
See you all suntanned,
only with the Ray Bans
Take that to the man you call the chair.
Pissing on a wet wall
Skinny yellow spit, man
Dealin' with the shit, man
Make it with my bad hand
Just another rock band
Take that to the main they call the chair.
file:///C|/olga_main/f-g/f/foo_fighters/foo_fighters_album.tab
want
want
lost
keep
to swim in a watershed
to listen to crawdads
the counter so bad
on thinking I get ahead, I'm
want
want
lost
keep
to swim in a watershed
to listen to crawdads
the counter so bad
on thinking I get ahead, I'm
file:///C|/olga_main/f-g/f/foo_fighters/foo_fighters_album.tab
A:-8-8-8-8--8-8-8-8---7-7-7-7--7-7-7-7-|-5-----5---5---5---5---|
E:-8-8-8-8--8-8-8-8---7-7-7-7--7-7-7-7-|-5-----5---5---5---5---|
... and alone ...
Riff 2 (Chorus?)
e:------------------------------------------------------------|
B:------------------------------------------------------------|
G:------------------------------------------------------------|
D:------------------------------------------------------------|
A:-0---3---5---7---3---0---3---0---3---0----------------------|
E:-0---3---5---7---3---0---3---0---3---0----4---5---7^~~~~--7-|
Lyrics:
I'm not around that much.
I'm near exhausted and lost.
If it could be undone,
Will it have cost it?
It's torn and alone
Knowing the way we strain
And tear, exhausted, and fall.
What if today I'd stayed in bed,
And was bored? Oh, we've gone
And fall.
After bliss is gone in bed,
Use caution. It's gone.
Even the breeze that's flowing.
There is caustic. And I talked.
And I missed it.
"Winnebago(unreleased)"
e|---------------------------------------------------|
B|-----0-----0---0-----0---0-----0-------------------|
G|---6---6-6---6---6-6---6---6-6---------------------|
D|---6---6-6---6---6-6---6---6-6---------------------|
A|---4---4-4---4---4-4---4---4-4---4-2-4-2-4-2-4-2---|
E|---------------------------------------------------|
I don't know the words I don't know the words I don
Play that for a while, then do this:
|---3---3---3---3---3---3---1-1-1---|
|---3---3---3---3---3---3---1-1-1---|
|---4---4---4---4---4---4---2-2-2---|
|---5---5---5---5---5---5---3-3-3---|
|---5---5---5---5---5---5---3-3-3---|
|---3---3---3---3---3---3---1-1-1---|
Then this:
|---------------------------------------------------------------------|
|--------0-------0-------0-------0-------0-------0--------------------|
|---6-6-----4-4-----9-9-----4-4-----5-5---------------2-2-2-0-2-0-2---|
|---6-6-----4-4-----9-9-----4-4-----5-5-----5-5-------2-2-2-0-2-0-2---|
|---4-4-----2-2-----7-7-----2-2-----3-3-----5-5-------1-1-1-0-1-0-1---|
|-------------------------------------------3-3----l
-GeekStink@aol.com
file:///C|/olga_main/f-g/f/foo_fighters/for_all_the_cows.btab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: JarvisSlus@aol.com
Date: Tue, 7 Nov 1995 22:58:11 -0500
Subject: BTAB: Foo Fighters "For All The Cows"
Foo Fighters "For All The Cows"
im pretty sure its right on. its just the main part. I dont see any other
Foo bass in here so here goes nothing. feel free to correct
(NOTE: im pretty sure between the 2 and 7 you slide)
----------------------------------------2-3-0-3-2----7
-------------------tell me if you like it and please, please, post any Foo Fighters btab's you
happen to know or run across.
file:///C|/olga_main/f-g/f/foo_fighters/for_all_the_cows.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Date: Tue, 9 Jan 1996 19:56:30 -0500
From: ianv@ViaNet.on.ca (Ian Vaithilingam)
Subject: TAB: For All the Cows by the Foo Fighters
for all the cows... foo fighters (D. Grohl)
chorded and tabbed by Ian Vaithilingam (ianv@vianet.on.ca)
tab corrected from original tab by Jeff Aldrich (ArglBargle@aol.com)
(played in standard tuning)
C7sus2
C7sus2
C7sus2
C7sus2
B7
I'm
B7
I'm
B7
for
B7
for
E
called a cow
E
not about, to blow it now
E
all the cows
E
all the cows
B5
my kind has all run out
B5
as if kinds could blend
B5
some time if time allows,
A5
C5
A5
C5
A5
C5
everything worn in, everything worn in, everything worn in
E5
like it's a friend
file:///C|/olga_main/f-g/f/foo_fighters/for_all_the_cows.crd
OR
|-------------7-8-9---|
|-------7-8-9---------|
|-7-8-9---------------|
|---------------------|
|--x--|
|--3--|
|--3--|
|--2--|
|--3--|
|--x--|
e
B
G
D
A
E
|--x--|
|--0--|
|--2--|
|--1--|
|--2--|
|--x--|
e
B
G
D
A
E
|--0--|
|--0--|
|--1--|
|--2--|
|--2--|
|--0--|
B7:
E:
The "5" chords (ie. G5, B5, A5, C5, E5) are simply distorted power (or
"bar") chords on the given notes.
are
4 3
2 3
1 2
2 1
5 x
4 4
2 2
5 5
9 9
2
3
x
0
x
x
x
x
x
1
x
x just slide up from the c and move youe pinkey
0
x
x
x
x
x
file:///C|/olga_main/f-g/f/foo_fighters/for_all_the_cows.crd
rift 1
1:----------------------------------2:----------------------------------3:------------------2-3-4-----------4:------------0-1-2-----------------5:-----0-1-2------------------------6:--0-------------------------------INTRO
Guitar 1: C9 B7 E
Guitar 2: C9 B7 E
C9 B7 RIFT 1 C9 B7 E
C9 B7 E
C9 B7 E
C9 B7 E
C9 B7 E
VERSE
GUITAR 1:C9 B7 E \
DO THAT
11 TIMES
GUITAR 2:C9 B7 E /
CHORUS DISTORTED
GUITAR 1: G5 B5 G5 B5 G5 B5 A5 C5 A5 C5 A5 C5 E5
GUITAR 2: G5 B5 G5 B5 G5 B5 A5 C5 A5 C5 A5 C5 E5
AFTER THIS PLAY THE INTRO AGAIN
THEN THE SECOND VERSE IS THE SAME
BUT ONLY PLAY THE CHORD PROGRESSION
SEVEN TIMES THEN DO ANOTHER CHORUS
THEN PLAY DISTORTED
GUITAR 1: C9 B7 E
C9 B7 RIFT 1
GUITAR 2: C9 B7 E
C9 B7 E
THEN PLAY THE VERSE DISTORTED SEVEN TIMES
AND END WITH THE CHORUS
IF YOU HAVE ANY QUESTIONS OR COMMENTS EMAIL ME
I'M ALSO LOOKING FOR THE SOLOS TO ZERO BY THE SMASHING PUMKINGS IF YOU HAVE
IT I WOULD LIKE IT
From jjjessee@naxs.com Wed Mar 13 17:35:05 1996
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To: GUITAR@NEVADA.EDU
From: jjjessee@naxs.com (JJ Jessee)
Subject: FOR ALL THE COWS TAB
Date: Wed, 13 Mar 1996 18:28:49 -0500
Message-ID: <19960313232846551.AAB90@LOCALNAME>
X-email-warning: As a cautionary note, there have been recent instances of
people forging mail addresses. If you have any reason to believe
this message is not authentic, please contact the listed sender or
System Computing Services at (702) 895-4585.
Status: RO
file:///C|/olga_main/f-g/f/foo_fighters/for_all_the_cows.crd
are
4 3
2 3
1 2
2 1
5 x
4 4
2 2
5 5
9 9
2
3
x
0
x
x
x
x
x
1
x
x just slide up from the c and move youe pinkey
0
x
x
x
x
x
rift 1
1:----------------------------------2:----------------------------------3:------------------2-3-4-----------4:------------0-1-2-----------------5:-----0-1-2------------------------6:--0-------------------------------INTRO
Guitar 1: C9 B7 E
Guitar 2: C9 B7 E
C9 B7 RIFT 1 C9 B7 E
C9 B7 E
C9 B7 E
C9 B7 E
C9 B7 E
VERSE
GUITAR 1:C9 B7 E \
DO THAT
11 TIMES
GUITAR 2:C9 B7 E /
CHORUS DISTORTED
GUITAR 1: G5 B5 G5 B5 G5 B5 A5 C5 A5 C5 A5 C5 E5
GUITAR 2: G5 B5 G5 B5 G5 B5 A5 C5 A5 C5 A5 C5 E5
AFTER THIS PLAY THE INTRO AGAIN
THEN THE SECOND VERSE IS THE SAME
BUT ONLY PLAY THE CHORD PROGRESSION
SEVEN TIMES THEN DO ANOTHER CHORUS
THEN PLAY DISTORTED
GUITAR 1: C9 B7 E
C9 B7 RIFT 1
GUITAR 2: C9 B7 E
C9 B7 E
THEN PLAY THE VERSE DISTORTED SEVEN TIMES
AND END WITH THE CHORUS
IF YOU HAVE ANY QUESTIONS OR COMMENTS EMAIL ME
I'M ALSO LOOKING FOR THE SOLOS TO ZERO BY THE SMASHING PUMKINGS IF YOU HAVE
IT I WOULD LIKE IT
file:///C|/olga_main/f-g/f/foo_fighters/for_all_the_crows.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: ArglBargle@aol.com
Date: Sat, 29 Jul 1995 13:36:36 -0400
Subject: TAB: Foo FIghters - "For All The
======================
FOO FIGHTERS
---------------For All The Cows
======================
Tabbed by Jeff Aldrich (ArglBargle@aol.com)
This song is very simple. It's in 3/4 time, for anyone who's interested
in stuff like that. The intro and verse are played on a clean soundind
guitar with no distortion. Then the chorus is played with loud power
chords and heavy distrortion. The last verse is played with distortion.
Standard tuning, just take the parts and fit them where they belong.
Please E-Mail me with comments, suggestions, questions or criticisms
about the TAB. I love hearing from people, and it can really suck to
post all these TABs and not get any mail about it! :)
Intro/Verse:
e:-------------------------------------|
B:-------------------------------------|
G:---------------------9-------------9-|
D:------10-----9-------9---------9---9-|
A:------10-----9-----------------7---7-|
E:-8-----------------------------------|
I'm called a cow.
e:------------------------------------------------------|
B:------------------------------------------------------|
G:----------------------9-----------------------7--8--9-|
D:------10-----9--------9--------------7--8--9----------|
A:------10-----9--------------7--8--9-------------------|
E:-8----------------------------------------------------|
And I'm not about
to
blow it now...
Chorus:
e:-----------------------------------|------------------------------------|
B:-----------------------------------|------------------------------------|
G:-----------------------------------|------------------------------------|
D:-5-----5--5-----5--5-----5--5----5-|-9-----9--9-----9--9-----9--9-----9-|
A:-5-----5--5-----5--5-----5--5----5-|-9-----9--9-----9--9-----9--9-----9-|
E:-3-----3--3-----3--3-----3--3----3-|-7-----7--7-----7--7-----7--7-----7-|
My
kind
has
all
run
out
Part II
e:---------------------------------------|
B:---------------------------------------|
G:---------------------5--5--5---5--5--5-|
file:///C|/olga_main/f-g/f/foo_fighters/for_all_the_crows.tab
D:-7--7--7---7--7--7---5--5--5---5--5--5-|
A:-7--7--7---7--7--7---3--3--3---3--3--3-|
E:-5--5--5---5--5--5---------------------|
Everything worn
in.... (like it's)
x 3
e:----------------------------|
B:----------------------------|
G:----------------------------|
D:-2--2--2---2--2--2---2------|
A:-2--2--2---2--2--2---2------|
E:-0--0--0---0--0--0---0------|
a friend.
Lyrics:
I'm called a cow
And I'm not about to blow it now
For all the cows.
It's funny how money allows all to browse
and be endowed.
This wish is true.
It falls into pieces new.
The cow is you
My kind has all run out, as if kinds could blend.
Some time if time allows,
Everything worn in, everything worn in,
Everything worn in like it's a friend.
I said you're all a painted doll
And it caused the walls to fall
How far is he?
Impatiently
That's as far as far can be
Enjoy the TAB!
file:///C|/olga_main/f-g/f/foo_fighters/gaschamber.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Tablature By:Darren Cloutier (Dcloutier@envirolink.org)
Gas Chamber
As performed by the Foo Fighters
Written by:The Angry Somoans
INTRO:
G#5 F#5
B5 (x4)
VERSE 1:
G#5
Gas Chamber!
G#5
Where's the light?
G#5
Stay at home
G#5
Don't feel right
CHORUS:
A#5
Well In
A#5
all the
A#5
Trapped
A#5
Twisted
F#5
B5
F#5
B5
F#5
B5
F#5
B5
G#5
C#5
G#5
C#5
G#5
C#5
G#5
C#5
my room
time
inside
mind
BRIDGE:
A5 C#5 G#5 B5 E5
G#5 F#5 B5 (x4)
VERSE 2:
G#5
Gas chamber
G#5
Cannot Breathe
G#5
Time for lunch
G#5
cannot believe
CHORUS:
A#5
Well in my room
A#5
All the time
A#5
trapped inside
A#5
this fucking mind
OUTRO:
E
G5
G5
B5
E5
F#5
B5
F#5
B5
F#5
B5
F#5
B5
B5
G#5
C#5
G#5
C#5
G#5
C#5
G#5
C#5
E5
B5
E5
A5
No Action!
D5
NO! NO!
file:///C|/olga_main/f-g/f/foo_fighters/gaschamber.crd
G5
G5
G5
G5
A5
No Action!
D5
Gas Chamber!
A5
NO!
D5
No Action!
file:///C|/olga_main/f-g/f/foo_fighters/good_grief.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: ArglBargle@aol.com
Date: Mon, 24 Jul 1995 11:40:01 -0400
Subject: TAB: Foo Fighters - "Good Grief"
==================
Good Grief
---------FOO FIGHTERS
==================
Tabbed by Jeff Aldrich (ArglBargle@aol.com)
This TAB is pretty straight-forward. The entire song is mostly barre
chords, but the intro riff is pretty interesting and the odd amount
of chord changes in the chorus is pretty neat. During the intro,
the guitar plays its part while the bass plays B-D-F#-A underneath
it.
Please feel free to write to me about the TABs because it can get kind
of frustrating to keep posting these TABs and never get any responses,
so feel free to E-Mail me anytime about the TAB.
Intro/Pre-Verse:
e:--------------------------------|------------------------------|
B:--------------------------------|------------------------------|
G:--------------------------------|------------------------------|
D:-------9---7---9---7---7-9---7--|-0-0---9---7---9---7---7-9-7--|
A:-9-9----------------------------|------------------------------|
E:--------------------------------|------------------------------|
e:-------------------------|------------|
B:-------------------------|------------|
G:-6---9~~~--6---9---6-----|------9~~~--|
D:-------------------------|-9----------|
A:-------------------------|------------|
E:-------------------------|------------|
Verse:
e:------------------------------------|------------------------------------|
B:------------------------------------|------------------------------------|
G:-4-4-4-4--4-4-4-4--4-4-4-4--4-4-4-4-|-7-7-7-7--7-7-7-7--7-7-7-7--7-7-7-7-|
D:-4-4-4-4--4-4-4-4--4-4-4-4--4-4-4-4-|-7-7-7-7--7-7-7-7--7-7-7-7--7-7-7-7-|
A:-2-2-2-2--2-2-2-2--2-2-2-2--2-2-2-2-|-5-5-5-5--5-5-5-5--5-5-5-5--5-5-5-5-|
E:------------------------------------|------------------------------------|
file:///C|/olga_main/f-g/f/foo_fighters/good_grief.tab
Since
I'm
good
and
down
All the
e:------------------------------------|------------------------------------|
B:------------------------------------|------------------------------------|
G:------------------------------------|------------------------------------|
D:-4-4-4-4--4-4-4-4--4-4-4-4--4-4-4-4-|-7-7-7-7--7-7-7-7--7-7-7-7--7-7-7-7-|
A:-4-4-4-4--4-4-4-4--4-4-4-4--4-4-4-4-|-7-7-7-7--7-7-7-7--7-7-7-7--7-7-7-7-|
E:-2-2-2-2--2-2-2-2--2-2-2-2--2-2-2-2-|-5-5-5-5--5-5-5-5--5-5-5-5--5-5-5-5-|
truth
is
around
but I
like
it...
Chorus:
e:------------------------------------|-----------------------------------|
B:------------------------------------|-----------------------------------|
G:-2-2-2-2--2-2-2-2-------------------|-------------------2-2-2-2--2-2-2-2|
D:-2-2-2-2--2-2-2-2--2-2-2-2--2-2-2-2-|-4-4-4-4--4-4-4-4--2-2-2-2--2-2-2-2|
A:-0-0-0-0--0-0-0-0--2-2-2-2--2-2-2-2-|-4-4-4-4--4-4-4-4--0-0-0-0--0-0-0-0|
E:-------------------0-0-0-0--0-0-0-0-|-2-2-2-2--2-2-2-2------------------|
Hate it!
Hate it!
Hate it!
Hate it!
e:------------------------------------|------------------------------------|
B:------------------------------------|------------------------------------|
G:------------------------------------|-2-2-2-2--2-2-2-2-------------------|
D:-2-2-2-2--2-2-2-2--4-4-4-4--4-4-4-4-|-2-2-2-2--2-2-2-2--2-2-2-2--2-2-2-2-|
A:-2-2-2-2--2-2-2-2--4-4-4-4--4-4-4-4-|-0-0-0-0--0-0-0-0--2-2-2-2--2-2-2-2-|
E:-0-0-0-0--0-0-0-0--2-2-2-2--2-2-2-2-|-------------------0-0-0-0--0-0-0-0-|
Hate it!
Hate it!
Hate it!
Bridge:
e:---------------------------|------------------------------|
B:---------------------------|------------------------------|
G:---------2---2---2---2---2-|---------2---2---2---2---2---4|
D:---------2---2---2---2---2-|---------2---2---2---2---2---4|
A:-2---2---------------------|-2---2------------------------|
E:---------------------------|------------------------------|
e:------------------------------------|------------------|
B:------------------------------------|------------------|
G:-------------------2-2-2-2--2-2-2-2-|------------------|
D:-4-4-4-4--4-4-4-4--2-2-2-2--2-2-2-2-|-2-2-2-2--2-2-2-2-|
A:-4-4-4-4--4-4-4-4--0-0-0-0--0-0-0-0-|-2-2-2-2--2-2-2-2-|
E:-2-2-2-2--2-2-2-2-------------------|-0-0-0-0--0-0-0-0-|
Enjoy!
From: MadMac1013@aol.com
Date: Fri, 4 Aug 1995 19:55:50 -0400
Subject: Good Grief by Foo Fighters
Hello, everyone. I have enjoyed many of the transcriptions out there. They
are very helpful. I used previous versions of this posting to form my own
file:///C|/olga_main/f-g/f/foo_fighters/good_grief.tab
interpretation.
So here it goes.
file:///C|/olga_main/f-g/f/foo_fighters/good_grief.tab
G|----------------------------------------------------------------------------D|---6--8--6--8--6--8--6--8---3--3--3--3--3---6--8--6--8--6--8--6--8---A|---6--8--6--8--6--8--6--8---3--3--3--3--3---6--8--6--8--6--8--6--8----E|---6--8--6--8--6--8--6--8---3--3--3--3--3---6--8--6--8--6--8--6--8------E|---------------------------------------------------------------------------B|---------------------------------------------------------------------------G|----------------------------------------------------------------------------D|----3--3--3--3--6--6--6--6--1--1--1--1---3--3--3--3--6--6--6--6--1--1--1--1A|----3--3--3--3--6--6--6--6--1--1--1--1---3--3--3--3--6--6--6--6--1--1--1--1E|----3--3--3--3--6--6--6--6--1--1--1--1---3--3--3--3--6--6--6--6--1--1--1--1Repeat Verse 1
And that's about it. It's a little different. I think it sounds cool this
way, and it's easy enough for me to play while singing. You can try without
the "Dropped-D" but the bridge is a lot harder. Have fun. Send comments to
madmac1013@aol.com.
file:///C|/olga_main/f-g/f/foo_fighters/good_grief.tab
HATE IT
HATE IT
HATE IT
1:---------------------------------------------------------------------------------2:---------------------------------------------------------------------------------3:--8-8-8-8-8-8-8-8-8-8-----------------------------------------8/7/8/7/8/7/
8/7/8/7/8
4:--8-8-8-8-8-8-8-8-8-8-3-3-3-3-3-3-3-3-3-3/6-6-6-6-6-6-6-6-6-6-8/7/8/7/8/7/
8/7/8/7/8
5:--6-6-6-6-6-6-6-6-6-6-3-3-3-3-3-3-3-3-3-3/6-6-6-6-6-6-6-6-6-6-6/5/6/5/6/5/
6/5/6/5/6
6:----------------------1-1-1-1-1-1-1-1-1-1/4-4-4-4-4-4-4-4-4-4---------------------
file:///C|/olga_main/f-g/f/foo_fighters/good_grief.tab
INTRO AGAIN
VERSE BOTH GUITARS
RUN
ME
TOWN
SOMEWHERE A MOVE MIGHT INTENED
A GOWN AT
PISSED AT ALL THE BOWELS
ALWAYS THE BLUES
AND DELICATED SMILE
MISSED ALL OF THE
SIDEWAYS
GULL AND
NOUN
GULL AND NOUN
1:-------------------------------------------------------------------------------------2:-------------------------------------------------------------------------------------3:--3-3-3-3-3-3-3-3-3/6-6-6-6-6-6-6-6-6-6----------------------------------------------4:--3-3-3-3-3-3-3-3-3/6-6-6-6-6-6-6-6-6-6-3-3-3-3-3-3-3-3-3-3-3-3-3-6-6-6-66-6-6-6-6-6-6
5:--1-1-1-1-1-1-1-1-1/4-4-4-4-4-4-4-4-4-4-3-3-3-3-3-3-3-3-3-3-3-3-3-6-6-6-66-6-6-6-6-6-6
6:----------------------------------------1-1-1-1-1-1-1-1-1-1-1-1-1-4-4-4-44-4-4-4-4-4-4
CHILLS AND PETTY BAND-AIDE
WRAPPED ARUOND
1:----------------------------------------------------------------------2:----------------------------------------------------------------------3:-3-3-3-3-3-3-3-3-3/6-6-6-6-6-6-6-6-6-6--------------------------------4:-3-3-3-3-3-3-3-3-3/6-6-6-6-6-6-6-6-6-6-3-3-3-3-3-3-3-3-3-3-3-3-3------5:-1-1-1-1-1-1-1-1-1/4-4-4-4-4-4-4-4-4-4-3-3-3-3-3-3-3-3-3-3-3-3-3------6:---------------------------------------1-1-1-1-1-1-1-1-1-1-1-1-1-------
HATE IT
HATE IT
HATE IT
1:---------------------------------------------------------------------------------2:---------------------------------------------------------------------------------3:--8-8-8-8-8-8-8-8-8-8-----------------------------------------8/7/8/7/8/7/
8/7/8/7/8
4:--8-8-8-8-8-8-8-8-8-8-3-3-3-3-3-3-3-3-3-3/6-6-6-6-6-6-6-6-6-6-8/7/8/7/8/7/
8/7/8/7/8
5:--6-6-6-6-6-6-6-6-6-6-3-3-3-3-3-3-3-3-3-3/6-6-6-6-6-6-6-6-6-6-6/5/6/5/6/5/
6/5/6/5/6
6:----------------------1-1-1-1-1-1-1-1-1-1/4-4-4-4-4-4-4-4-4-4---------------------
file:///C|/olga_main/f-g/f/foo_fighters/good_grief.tab
BRIDGE GUITAR 1
GOOD GREIF
GOOD GREIF
1:-----------------------------------------2:-----------------------------------------3:------------------------------------------\
4:-----6---6---6---6-7-----6---6---6---6-7-- \ PLAY GUITAR ONES PART TWICE
5:--/8---8---8---8---9--/8---8---8---8---9-- \ PLAY GUITAR TWOS PART ONCE
6:-----------------------------------------\ WHEN GUITAR 1 PLAYS ITS PART
} THE 2ND TIME GUITAR 2
PLAYS AN F CHORD
BRIDGE GUITAR 2
/
UNDER GUITAR 1 THEN WHEN
GUITAR ONES
/
PART IS OVER THEY BOTH
PLAY F,G#,D# TWICE
/
THEN PLAY THE INTRO AGAIN DO ANOTHER VERSE
/
THEN DO ANOTHER CHORUS
AND END ON THESE NOTES
/
1:------1:----------------------------------------------------------------------------2:------2:----------------------------------------------------------------------------3:------3:--1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-11-14:--6~~~~
4:--3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-33-35:--8~~~~
5:--3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-33-36:------6:--1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1QUESTIONS COMMENTS OR SOLO FOR ZERO EMAIL ME AT
JJJESSEE@NAXS.COM
file:///C|/olga_main/f-g/f/foo_fighters/how_i_miss_you.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
From: Jason_Sisk@together.cudenver.edu (Jason Sisk)
Subject: How I miss You, By The Foo Fighters
"How I miss You"
On the Foo Fighters' Self Titled Release "Foo fighters"
Music & Lyrics by Dave Grohl
This is during all of the Quiet parts..for the loud part...just use the barre
chord equivalents with bags of distortion.
e|-x--- x---x---x---x---x---x---x---x---x---x---x
B|-x---x---x---x---x---x---x---x---x---x---x---x
G|-5---5---5---5---5---5---7---7---7---7---7--7D|-6---6---6---6---6---6---8---8---8---8---8---8
A|-7---7---7---7---7---7---9---9---9---9---9---9
E|-x---x---x---x---x---x---x---x---x---x---x---x
Lyrics
How I miss You
How I miss You
How I miss You
I should never call
Did I lose you
Did I lose you
Did I lose you
somewhere along the way
Hide and seek's allright, If I find
Do you miss me,
Like I miss You
If You miss Me
Never go away
I think I forgot a verse..but When I remember, I'll send a revision.
file:///C|/olga_main/f-g/f/foo_fighters/how_i_miss_you.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
Date: Fri, 29 Nov 1996 15:53:18 GMT-400
From: "." <v7b39@unb.ca>
how i miss you - foo fighters
tabbed by David Cogswell & Josiah Bean
This is a cool song from their "Big Me" EP. It might
not be quite right, but anyway, here goes. I play it
in dropped-D tuning (low to high- D A D G B E)
Verse
e|------------------------------------------------------------b|------------------------------------------------------------g|-11--------11--------11--13--------13--------13----------13-d|------------------------------------------------------------a|-9---------9---------9---11--------11--------11----------11-d|-0--0--0---0--0--0---0---0---0--0--0---0--0--0---0---0---0--1.
How i miss you [x3]
2.
Did i lose you [x3]
3.
Do you miss me
Like i miss you
If you miss me
Verse [cont'd]
e|--------------------------------------------------------------b|--------------------------------------------------------------g|--9--------9--9--7--------7--7---10-------10----10----10-10-10d|--------------------------------------------------------------a|--7--7--7--7--7--5--5--5--5--5---8--8--8--8--8--8--8--8--8--8-e|--0--0--0--0--0--0--0--0--0--0---0--0--0--0--0--0--0--0--0--0-1.I should never call
how i hope that you still miss me
2.Somewhere down the line
hide and seeks alrigt if i find
3.
Never go away
hopefully you'll come and stay someday
e|-------------------------------------------------------------b|-------------------------------------------------------------g|--12-12-12-12-12-12-12-12-10-10-10-10-10-10-10-10-13-13-13-13d|-------------------------------------------------------------a|--10-10-10-10-10-10-10-10-8--8--8--8--8--8--8--8--11-11-11-11d|--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0-If you're leaving
come back soon
that's not easy
to say
I will wait here
dream of you
e|----------------------------------------------------b|----------------------------------------------------g|--12-12-12-12-12-12-12-12-10-10-10-10-10-10-10-10-5-d|----------------------------------------------------a|--10-10-10-10-10-10-10-10-8--8--8--8--8--8--8--8--3-e|--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0-all
alone
as
i
ache
[Now kick on the Distortion]
e|------------------------------------------------------------b|------------------------------------------------------------g|-11--------11--------11--13--------13--------13----------13--
file:///C|/olga_main/f-g/f/foo_fighters/how_i_miss_you.tab
d|------------------------------------------------------------a|-9---------9---------9---11--------11--------11----------11-d|-0--0--0---0--0--0---0---0---0--0--0---0--0--0---0---0---0--1.
Did i lose you [x3]
2.
Did you miss me
Like i miss you
If you miss me
e|--------------------------------------------------------------b|--------------------------------------------------------------g|--9--------9--9--7--------7--7---10-------10----10----10-10-10d|--------------------------------------------------------------a|--7--7--7--7--7--5--5--5--5--5---8--8--8--8--8--8--8--8--8--8-e|--0--0--0--0--0--0--0--0--0--0---0--0--0--0--0--0--0--0--0--0-1. Somewhere down the line
hide and seeks alrigt if i find
2. Never go away
hopefully you'll come and stay someday
e|-------------------------------------------------------------b|-------------------------------------------------------------g|--12-12-12-12-12-12-12-12-10-10-10-10-10-10-10-10-13-13-13-13d|-------------------------------------------------------------a|--10-10-10-10-10-10-10-10-8--8--8--8--8--8--8--8--11-11-11-11d|--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0-If you're leaving
come back soon
that's not easy
to say
I will wait here
dream of you
e|----------------------------------------------------b|----------------------------------------------------g|--12-12-12-12-12-12-12-12-10-10-10-10-10-10-10-10-5-d|----------------------------------------------------a|--10-10-10-10-10-10-10-10-8--8--8--8--8--8--8--8--3-e|--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0-all
alone
as
i
ache
[Now turn the Distortion off]
e|------------------------------------------------------------b|------------------------------------------------------------g|-11--------11--------11--13--------13--------13----------13-d|------------------------------------------------------------a|-9---------9---------9---11--------11--------11----------11-d|-0--0--0---0--0--0---0---0---0--0--0---0--0--0---0---0---0--How i miss you [x3]
[quiet]
[unplug guitar]
e|--------------------------------------------------------------b|--------------------------------------------------------------g|--9--------9--9--7--------7-----------------------------------d|--------------------------------------------------------------a|--7--7--7--7--7--5--5--5--------------------------------------e|--0--0--0--0--0--0--0--0--0-----------------------------------1. I should never call
how i hope that you still miss me
That's it.
file:///C|/olga_main/f-g/f/foo_fighters/how_i_miss_you.tab
file:///C|/olga_main/f-g/f/foo_fighters/how_i_miss_you.tab
e|--------------------------------------------------------------b|--------------------------------------------------------------g|--9--------9--9--7--------7--7---10-------10----10----10-10-10d|--------------------------------------------------------------a|--7--7--7--7--7--5--5--5--5--5---8--8--8--8--8--8--8--8--8--8-e|--0--0--0--0--0--0--0--0--0--0---0--0--0--0--0--0--0--0--0--0-- 1.
Somewhere down the line
hide and seeks alrigt if i find 2. Never
go away
hopefully you'll come and stay someday
e|-------------------------------------------------------------b|-------------------------------------------------------------g|--12-12-12-12-12-12-12-12-10-10-10-10-10-10-10-10-13-13-13-13d|-------------------------------------------------------------a|--10-10-10-10-10-10-10-10-8--8--8--8--8--8--8--8--11-11-11-11d|--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0-If you're leaving
come back soon
that's not easy
to say
I will wait here
dream of you
e|----------------------------------------------------b|----------------------------------------------------g|--12-12-12-12-12-12-12-12-10-10-10-10-10-10-10-10-5-d|----------------------------------------------------a|--10-10-10-10-10-10-10-10-8--8--8--8--8--8--8--8--3-e|--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0-all
alone
as
i
ache
[Now turn the Distortion off]
e|------------------------------------------------------------b|------------------------------------------------------------g|-11--------11--------11--13--------13--------13----------13-d|------------------------------------------------------------a|-9---------9---------9---11--------11--------11----------11-d|-0--0--0---0--0--0---0---0---0--0--0---0--0--0---0---0---0--How i miss you [x3]
[quiet]
[unplug guitar]
e|--------------------------------------------------------------b|--------------------------------------------------------------g|--9--------9--9--7--------7-----------------------------------d|--------------------------------------------------------------a|--7--7--7--7--7--5--5--5--------------------------------------e|--0--0--0--0--0--0--0--0--0------------------------------------ 1. I
should never call
how i hope that you still miss me
file:///C|/olga_main/f-g/f/foo_fighters/ill_stick_around.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: arglbargle@aol.com (ArglBargle)
Date: 9 Jul 1995 03:28:39 -0400
'll Stick Around - by the FOO FIGHTERS
TAB by Jeff Aldrich (ArglBargle@aol.com)
This song is another fine example of how damned good this album is. I
wrote
down all the parts, I think you can figure out where everything goes. If
not, please feel free to E-Mail me, and please write me with comments
about
the tab, or any other FOO related comments.
Enjoy!
Intro/Chorus:
(The words aren't sung until the chorus.)
e:----------------------------|
B:----------------------------|
G:------------8---8-------5---|
D:-5---5------8---8---8---5---|
A:-5---5------6---6---8---3---|
E:-3---3--------------6-------|
I
don't
owe
you...
Verse:
e:----------------------------------------------------------------|
B:----------------------------------------------------------------|
G:---------------------------------5---5---5---5------------------|
D:-5---5---5---5---3---3---3---3---5---5---5---5---5---5---5---5--|
A:-5---5---5---5---3---3---3---3---3---3---3---3---5---5---5---5--|
E:-3---3---3---3---1---1---1---1-------------------3---3---3---3--|
I
thought I
knew what it took to bother
you
e:-----------------------------------------------|
B:-----------------------------------------------|
G:-----------------5---5---5---5-----------------|
D:-3---3---3---3---5---5---5---5---5---5---5---5-|
A:-3---3---3---3---3---3---3---3---5---5---5---5-|
E:-1---1---1---1-------------------3---3---3---3-|
Every word I said was true
Natural "C"
Pre-Chorus
file:///C|/olga_main/f-g/f/foo_fighters/ill_stick_around.tab (1 of 4) [4/28/2003 9:51:34 PM]
file:///C|/olga_main/f-g/f/foo_fighters/ill_stick_around.tab
e:------------------------------------------------------|
B:------------------------------------------------------|
G:----------------------------------5---5---5---5---5~~-|
D:-8---8---8---8---5---5---5----5---5---5---5---5---5~~-|
A:-8---8---8---8---5---5---5----5---3---3---3---3---3~~-|
E:-6---6---6---6---3---3---3----3-----------------------|
I'm taking
all of that and
more...
Bridge:
e:-------------------------------------------------------------------------|
B:-------------------------------------------------------------------------|
G:8-8-8-8-8-8-8-8--10-10-10-10-10-10-10-10-------------------7-7-7-7-7-7-7
-7|
D:8-8-8-8-8-8-8-8--10-10-10-10-10-10-10-10--5-5-5-5-5-5-5-5--7-7-7-7-7-7-7
-7|
A:6-6-6-6-6-6-6-6--8--8--8--8--8--8--8--8---5-5-5-5-5-5-5-5--5-5-5-5-5-5-5
-5|
E:------------------------------------------3-3-3-3-3-3-3-3----------------|
I'll stick around, I'll stick around...
Hope you enjoy the TAB!
Date: Fri, 3 Nov 1995 00:32:49 -0600
From: roneal@mail.utexas.edu (Robert O'Neal)
Subject: TAB: I'll Stick Around by Foo Fighters
The other version of this song is fine except for one thing.
You may notice on the video that Dave's hand isn't moving that much.
If you tune your guitar up one half-step or use a capo on the first fret,
the song is way easier to play.
Note: The song "Butterflies" is also in this tuning.
I'll Stick Around
Foo Fighters
Intro/Pre-Chorus
(with guitar tuned one half-step up)
F#
D
B
E|------------------------------|---B|-------X-X--3--3--3-----------|---G|-------X-X--2--2--2-----4--4--|---D|4--4---X-X--0--0--0--0--4--4--|---A|4--4---X-X-----------0--2--2--|---E|2--2--------------------------|---I
don't
owe
Repeat...many times
you ....
Verse
F#
E
Eb
E|--------------|--------------|--------------|---B|--7--7--7--7--|--5--5--5--5--|--4--4--4--4--|----
file:///C|/olga_main/f-g/f/foo_fighters/ill_stick_around.tab
G|--X--X--X--X--|--X--X--X--X--|--X--X--X--X--|---D|--8--8--9--8--|--6--6--6--6--|--5--5--5--5--|---A|--9--9--9--9--|--7--7--7--7--|--6--6--6--6--|---E|--------------|--------------|--------------|---I thought i
knew all it
took to bother...
Interlude
A
F#
B7
E|--------------|--------------|--2--2--2--2--|-B|--------------|--------------|--0--0--0--0--|-G|--2--2--2--2--|--------------|--2--2--2--2--|-D|--2--2--2--2--|--4--4--4--4--|--1--1--1--1--|-A|--0--0--0--0--|--4--4--4--4--|--2--2--2--2--|-E|--------------|--2--2--2--2--|--------------|-I've taken
Repeat once
endured ....
Pre-chorus
Chorus
D
E
F#
C#
E|--------------|--0--0--0--0--|--------------|--------------|-B|--3--3--3--3--|--0--0--0--0--|--------------|--------------|-G|--2--2--2--2--|--1--1--1--1--|--------------|--6--6--6--6--|-D|--0--0--0--0--|--2--2--2--2--|--4--4--4--4--|--6--6--6--6--|-A|--------------|--2--2--2--2--|--4--4--4--4--|--4--4--4--4--|-E|--------------|--0--0--0--0--|--2--2--2--2--|--------------|--
Repeat...
file:///C|/olga_main/f-g/f/foo_fighters/ill_stick_around.tab
G7 F7 C
1:-3---1----2:-3---1---53:-4---2---54:-3---1---55:-5---3---36:-3---1----It's not perfect, and it's not how I think they play the song, but it sounds
decent. Finally, somewhere I saw it posted this way for the pre-chorus, and
it's definitely right. The secret is that the last chord played is a C9, an
uncommon chord. It goes something like this:
A#5/F
G
C9
1:--------------3-3-3-3-3-3--0-0-0-0-0-0-0-0-0-0-0-02:--------------3-3-3-3-3-3--3-3-3-3-3-3-3-3-3-3-3-33:-3-3-3-3-3-3--0-0-0-0-0-0--3-3-3-3-3-3-3-3-3-3-3-34:-3-3-3-3-3-3--0-0-0-0-0-0--2-2-2-2-2-2-2-2-2-2-2-25:-1-1-1-1-1-1--2-2-2-2-2-2--3-3-3-3-3-3-3-3-3-3-3-36:-1-1-1-1-1-1--3-3-3-3-3-3-------------------------Hope this helps.
file:///C|/olga_main/f-g/f/foo_fighters/my_hero.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
Date: Thu, 7 Nov 1996 22:47:17 +0000
Artist: Foo Fighters
Song: My Hero
Tabbed by: Dave McBrayer (davidncsu@aol.com)
-------------------------------------------------------------------------------Riff 1
-------------------------------------------------------------------------------intro:
e------------------------------------------------------------------------------b------------------------------------------------------------------------------g-9-p-8---9p8----8--9p8--9p8---------------------------------------------------d------------999-------------999-----------------------------------------------a------------------------------------------------------------------------------e-------------------------------------------------------------------------------------------------------------------------------------------------------------Riff 2 (Main Riff)
-------------------------------------------------------------------------------e------------------------------------------------------------------------------b------------------------------------------------------------------------------g-9--8--8--8--9--8--8--8--9--8--8--8--11--9--9--9------------------------------d------------------------------------------------------------------------------a------------------------------------------------------------------------------e-------------------------------------------------------------------------------------------------------------------------------------------------------------Riff 3 (Rythym Riff)
-------------------------------------------------------------------------------e------------------------------------------------------------------------------b------------------------------------------------------------------------------g-9---------6---------------------------------------------4/--7----------------d-9--(x7)---6--(x7)--Repeat a few times----close out with-4/--7----------------a-7---------4---------------------------------------------2/--5----------------e-------------------------------------------------------------------------------------------------------------------------------------------------------------Riff 4
-------------------------------------------------------------------------------e-----------------------------------------------------------------------------b------------------------------------------------------------------------------g-x--x--x--8-8-8-8-9-9-9-9-11-11-11--------------------------------------------d------------------------------------------------------------------------------a------------------------------------------------------------------------------e------------------------------------------------------------------------------QUESTIONS????? COMMENTS???? Email me with corrections or anything.
If you just want to talk about Foo Fighters than E-Mail me.
davidncsu@aol.com
-thanks. enjoy!
file:///C|/olga_main/f-g/f/foo_fighters/my_hero.tab
file:///C|/olga_main/f-g/f/foo_fighters/my_hero.tab
-------------------------------------------------------------------------------e-----------------------------------------------------------------------------b-----------------------------------------------------------------------------g-x--x--x--8-8-8-8-9-9-9-9-11-11-11-------------------------------------------d-----------------------------------------------------------------------------a-----------------------------------------------------------------------------e------------------------------------------------------------------------------
file:///C|/olga_main/f-g/f/foo_fighters/oh_george.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: ArglBargle@aol.com
Date: Mon, 24 Jul 1995 13:17:59 -0400
Subject: TAB: Foo Fighters - "Oh, George"
==================
FOO FIGHTERS
-----------Oh, George
==================
Tabbed by Jeff Aldrich (ArglBargle@aol.com)
This song is not too complicated, just the verse and chorus. The solo was
a little tough to figure out, but I got it eventually. Please E-Mail me
if you have any questions, comments, suggestions, or criticisms about
this TAB (or any of the others I've done, for that matter.) This is the
6th song I've tabbed already, and there are 2 already posted. A couple
more TABs, and the album's all done!
Intro/Verse:
e:---------------------------|---------------------------|
B:--------5---5------5-------|--------8----------8-------|
G:---------------------------|-8------8---8------8---8---|
D:-7------7---7------7---7---|-8------8---8------8---8---|
A:-7------7---7------7---7---|-6------6---6------6---6---|
E:-5------5---5------5---5---|---------------------------|
e:--------1---1----------1---|---------------------------|
B:--------1---1----------1---|---------------------------|
G:---------------------------|-5------5---5------5---5---|
D:-3------3---3------3---3---|-5------5---5------5---5---|
A:-3------3---3------3---3---|-3------3---3------3---3---|
E:-1------1---1------1---1---|---------------------------|
e:---------------------------|--------5---5----------5---|
B:--------5---5----------5---|---------------------------|
G:---------------------------|-7------7---7------7---7---|
D:-7------7---7------7---7---|-7------7---7------7---7---|
A:-7------7---7------7---7---|-5------5---5------5---5---|
E:-5------5---5------5---5---|---------------------------|
e:------------------------------------|
B:------------------------------------|
G:------------------------------------|
D:-5------5---5---5---5---5---5---5---|
A:-5------5---5---5---5---5---5---5---|
E:-3------3---3---3---3---3---3---3---|
file:///C|/olga_main/f-g/f/foo_fighters/oh_george.tab
Chorus:
e:--------1----------1-------|--------0----------0-------|
B:--------1----------1-------|--------0----------0-------|
G:---------------------------|---------------------------|
D:-3------3---3------3---3---|-2------2---2------2---2---|
A:-3------3---3------3---3---|-2------2---2------2---2---|
E:-1------1---1------1---1---|-0------0---0------0---0---|
Solo:
e:--------------------------------------------------------------------------|
B:--------------------------------------------------------------------------|
G:----14--12----------------------------------------------------------------|
D:------------13--12----10-------10/12--------------------------------------|
A:--------------------------------------12--12--12--12--12--12--12--12--10--|
E:--------------------------------------------------------------------------|
e:-----------------------------------------------------------------------|
B:----------------------------13-----13--13--13--13--12------------------|
G:-14-----14--14--14--12---------------------------------12--14------12--|
D:-----------------------------------------------------------------------|
A:-----------------------------------------------------------------------|
E:-----------------------------------------------------------------------|
Repeat this.
e:--------13---------13------13-|--------12---------12------12-|
B:-13---------13---------13-----|-12---------12---------12-----|
G:------------------------------|------------------------------|
D:------------------------------|------------------------------|
A:------------------------------|------------------------------|
E:------------------------------|------------------------------|
Repeat.
e:--------13---------13------13--|-15--15--15--15--15--15--15--15-|
B:-13---------13---------13------|--------------------------------|
G:-------------------------------|--------------------------------|
D:-------------------------------|--------------------------------|
A:-------------------------------|--------------------------------|
E:-------------------------------|--------------------------------|
e:-15\14--14-----14-----14--|
B:--------------------------|
G:--------------------------|
D:--------------------------|
A:--------------------------|
E:--------------------------|
file:///C|/olga_main/f-g/f/foo_fighters/this_is_a_call.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
[three diff versions]
Date: Sat, 24 Jun 1995 21:33:14 +0100
From: David Worsley <m.worsley@bbcnc.org.uk>
This is "This is a Call" by the Foo Fighters, tabbed by David and Jamie
Worsley. It's good to see that Dave Grohl can perform without Nirvana.
All chord illustrations are from low strings to high.
Tune down half step:
Eb Ab Db Gb Bb Eb
Chords used in this song:
F
- xx3211
G5 - 355xxx
Ab - xx6544
Bb5 - 688xxx
F5 - 133xxx
A5 - 577xxx
Ab5 - 466xxx
Eb5 - x688xx
G
- xx5433
C5 - x355xx
=20
Bb - xx8766
Ab5 (root) - 066xxx
A
- xx7655
__________________________________________________________________________
Sound of plugging in Guitar
Intro:
F
Visiting is pretty, Visiting is good,
Ab
Seems that all they ever wanted
F
Ab5
Was a brother.
//
Verse 1:
F + F5
This'll be a secret, We can keep it good,
Ab + Ab5
Even all he ever wanted
F + F5
Had a problem.
Chorus 1:
G + G5
Bb + Bb5
This is a call to all my
A + A5
G + G5
Past resignations.
Bb + Bb5 A + A5
This is a call
Ab5 (root) Ab5
To all.
/
/
Verse 2:
F+F5
Finger nails are pretty, Finger nails are good,
file:///C|/olga_main/f-g/f/foo_fighters/this_is_a_call.tab
Ab + Ab5
Seems that all they ever wanted
F + F5
Ab5 (root) Ab5
Was a market.
/
/
F + F5
Their ballons are pretty, Big and say they should,
Ab + Ab
Ever fall around,
F + F5
Call him magic marker.
Chorus 2:
G + G5
Bb + Bb5
This is a call to all my
A + A5
G + G5
Past resignations.
Bb + Bb5 A + A5
This is a call to all.
G + G5
Bb + Bb5
This is a call to all my
A + A5
G + G5
Past resignations.
Bb + Bb5
It's been too long
Coda:
A5 Eb5
// /
Ab5
///
C5
/
Eb5
/
Ab5
//
x6
Repeat Verse 2
Repeat Chorus 2
Repeat Coda
Repeat Intro
Repeat Verse 1
Repeat Chorus 2
Repeat Coda twice
Behind last Coda:
Ab|-----6-------3-6-----|
Eb|-5-5---4-4-4-----4-4-|
Outro
Db|-----1-----0-1-|
Ab|---------------|
Eb|-1-1---1-1-----|
Db|-----1--1-0-1-|
Ab|--------------|
Eb|-1-1----------|
file:///C|/olga_main/f-g/f/foo_fighters/this_is_a_call.tab
E
F#
A
E
past resignation This is a call
Gtr 2
e-----0-----------0--------------0-------0-------0------B---0---0------0-----0---------0---0---0---0---0---0----G-4---------3---------------2---------3------4----------D-------------------------------------------------------A-------------------------------------------------------E-------------------------------------------------------Post-Chorus Riff:
Gtr 1
E7
NC B
D op A
e--(0)------------2--0--B---5---------4-X-3--0-2G---7---------4-X-2--0-2D---6---------4-X-0----2A---7-7-------2--------0E-0-0-0-0-3-4------------
Gtr 2
e--------------------------(0)------------2--0--B---------------------------5---------4-X-3--0-2G---------------------------7---------4-X-2--0-2D---------------------------6---------4-X-0----2- etc...
A------------------6b(1/2)--7-7-------2--------0E-------------------------0-0-0-0-3-0-----------If available, have a second guitarist, itll sound better.
Outro:
The first part is the same as the post chorus riff,
the second part goes like this:
file:///C|/olga_main/f-g/f/foo_fighters/this_is_a_call.tab
Gtr 1
E-0-0-7-0-0-7-6-7-0-0-7-0-0-7-6-7-0-0--7-0-0--7--6--7Gtr 2
E---------------------------------0-0-11-0-0-11-10-11
etc
Ending:
E----B----G----D-2-2A-2-2E-0-0I think youll find yourself what goes where.
Enjoy !
Send comments or corrections to duchetjl@zeus.univ-poitiers.fr
and to ad201@torfree.net.
From: duchetjl@zeus.univ-poitiers.fr
Date: Mon, 14 Aug 1995 16:49:37 UTC+2
A
E
F#
call to all my past resignations
E
A
call to all ....
Riff:
E|--------------------------------|
B|----0----------------4-3-(0)-2--|
G|----X----------(4)-4-4-2-(0)-2--|
D|-2-(2)-2--------4--4-4-0-(0)-2--|
A|-2-----2--------2--2-----(0)-0--|
E|-0-----0-0-3-4------------------|
Outro:
E|---------------------|
B|---------------------|
G|---------------------|
D|---------------------|
A|---------------------|
E|-0-0-11-0-0-11-10-11-|
Repeat
this...
Repeat
this...
file:///C|/olga_main/f-g/f/foo_fighters/this_is_a_call.tab
E|----------|
B|----------|
G|-X-X------|
D|-2-2------|
A|-2-2------|
E|-0-0------|
Verse 1
Chorus 1
Verse 2
Chorus 1 (2 xs)
Riff
Verse 3
End with
this.
Chorus 1 (2 xs)
Riff
Verse 2
Chorus 1 (2 xs)
Riff
Outro & End
I don't think I need to give the lyrics (they're avaible from OLGA).
Send comments, suggestions or corrections to:
duchetjl@zeus.univ-poitiers.fr (sylvain)
Enjoy the TAB !!...
Sylvain
-------------------------------------------------------------------------DUCHET Jean-Louis
Tel. : (33) 49.45.32.09
Lettres et Langues
Internet : duchetjl@zeus.univ-poitiers.fr
Universite de Poitiers
--------------------------------------------------------------------------
file:///C|/olga_main/f-g/f/foo_fighters/up_in_arms.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: slusarz@ucsu.colorado.edu (Michael M Slusarz)
Subject: TAB: "Up In Arms" by the Foo Fighters
Date: Wed, 29 Nov 95 21:34:21 GMT
This is a new song they first played at the Ogden Theatre in Denver in August.
It appeared in the MTV special "I'm OK-Eur OK". This is just a quick outline,
and if anyone can figure out the words or the solo or how to really play this
song, please tell me (slusarz@ucsu.colorado.edu). Well, here goes:
Verse:
======
C - Bb
G#
(x2)
C
C
Am
file:///C|/olga_main/f-g/f/foo_fighters/up_in_arms.tab
-----------FOO FIGHTERS
-----------UP IN ARMS (live in london)
(hhf93023@hjoerhs.dk)
Chords used:
C: X32010
A: X0222X
F5: 133XXX
G#5: 466XXX
G#: 46654X
So enjoy
hhf93023@hjoerhs.dk
file:///C|/olga_main/f-g/f/foo_fighters/watershed.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: ArglBargle@aol.com
Date: Sun, 30 Jul 1995 10:53:12 -0400
Subject: TAB: Foo Fighters - "Wattershed"
==================
FOO FIGHTERS
-----------Watershed
==================
Tabbed by Jeff Aldrich (ArglBargle@aol.com)
This song is another pretty much straight forward song. There are a
couple things to keep in mind. First, when it gets to the bridge (I
want to swim in a watershed) the song switches from 4/4 to 7/4 time;
that is, a measure of 4/4 and a measure of 3/4. The bridge is right,
I think, but I think there is some effect that Dave uses on riffs like
those that makes a single note sound like a whole chord, which I don't
think is chorus, but it might be. Please E-Mail me with comments,
suggestions, questions, or criticisms about the TAB. Also, write to
me about whether or not you would be interested in seeing a TAB for the
entire album.
Intro/Verse:
e:----------------------------------------------|
B:----------------------------------------------|
G:----------------------------------------------|
D:-6/8---8---8---8---8---6/8---8---8---8----9\8-|
A:-6/8---8---8---8---8---6/8---8---8---8----9\8-|
E:-4/6---6---6---6---6---4/6---6---6---6----7\6-|
Stick it to the mail - man.
Pre-Chorus:
e:--------------------|--------------------|
B:--------------------|--------------------|
G:--------------------|-8----8--8----8--8--|
D:-4----4--4----4--4--|-8----8--8----8--8--|
A:-4----4--4----4--4--|-6----6--6----6--6--|
E:-2----2--2----2--2--|--------------------|
Take that to the man
you call the
e:--------------------|--------------------|
B:--------------------|--------------------|
G:--------------------|--------------------|
D:-8----8--8----8--3--|--------3-----3-----|
A:-8----8--8----8--3--|--------3-----3-----|
E:-6----6--6----6--1--|--------1-----1-----|
chair
e:-------------------------|
B:-------------------------|
G:-------------------------|
D:-6--6--6--6--6--6--------|
file:///C|/olga_main/f-g/f/foo_fighters/watershed.tab (1 of 3) [4/28/2003 9:51:36 PM]
file:///C|/olga_main/f-g/f/foo_fighters/watershed.tab
A:-6--6--6--6--6--6--------|
E:-4--4--4--4--4--4--------|
Pissin' on a wet wall.
Chorus:
e:-------------------------------------|------------------------------------|
B:-------------------------------------|------------------------------------|
G:-----------9------9------------------|-6------6--9------9-----------------|
D:-6------6--9------9--8----------8--8-|-6------6--9------9--6---------6--6-|
A:-6------6--7------7--8----------8--8-|-4------4--7------7--6---------6--6-|
E:-4------4------------6----------6--6-|---------------------4---------4--4-|
Hey there boy you been catchin' the black widow.
e:---------------------------------------|----------|
B:---------------------------------------|----------|
G:-----------9------9--------------------|----------|
D:-6------6--9------9--8------------8--8-|-8--------|
A:-6------6--7------7--8------------8--8-|-6----8---|
E:-4------4------------6------------6--6-|------6---|
That's what we want you to know.
Bridge:
e:-------------------------------------------------------|
B:-------------------------------------------------------|
G:-------------------------------------------------------|
D:---------------------------------------------------4---|
A:---------------------------------------------------4---|
E:-2---1---1---1---0---1---1---0---1---1---2---------2---|
I want to swim in a water - shed...
Lyrics:
Stick it to the mailman.
Reading is a problem.
See you all suntanned,
only with the Ray Bans
Take that to the man you call the chair.
Pissing on a wet wall
Skinny yellow spit, man
Dealin' with the shit, man
Make it with my bad hand
Just another rock band
Take that to the main they call the chair.
Trouble with the contract
Hey there, boy, you been catchin' the black widow?
That's what we want you to know.
I
I
I
I
want
want
lost
keep
to swim in a watershed
to listen to crawdads
the counter so bad
on thinking I get ahead, I'm
file:///C|/olga_main/f-g/f/foo_fighters/watershed.tab
want
want
lost
keep
to swim in a watershed
to listen to crawdads
the counter so bad
on thinking I get ahead, I'm
file:///C|/olga_main/f-g/f/foo_fighters/weenie_beenie.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: arglbargle@aol.com (ArglBargle)
Date: 18 Jul 1995 13:01:29 -0400
===================
Weenie Beenie
------------FOO FIGHTERS
===================
Tabbed by Jeff Aldrich (ArglBargle@aol.com)
This is another great song from this CD, also one of the more loud
and obnoxious songs. I really hate when FOO gets compared to Nirvana,
but I must say that the singing in this song is very reminiscent of
TOURETTES, don't you think?
I've tabbed all the parts, I think you know where they go. The bridge
was a little difficult to figure out, but I think it's right. On the
verse, the recording sounds like the second chord is lower than the first.
However, I beleive that this effect is achieved by playing 3 on the E
string in the C chord. It also might have to do with what the bass is
playing.
Please E-Mail me with comments and suggestions, I need to know what I've
done wrong and what I've done right, and I always enjoy general comments
about FOO FIGHTERS.
Intro/Verse:
e:---------------------------------------------|
B:----------------------------5-6-6-6--5-6-6-6-|
G:-3---3---3---5------5---5--------------------|
D:-3---3---3---5------5---5--------------------|
A:-1---1---1---3------3---3--------------------|
E:-------------3------3---3--------------------|
e:---------------------------------------------|
B:----------------------------5-6-6-6--5-6-6-5-|
G:-3---3---3---5------5---5--------------------|
D:-3---3---3---5------5---5--------------------|
A:-1---1---1---3------3---3--------------------|
E:-------------3------3---3--------------------|
Chorus:
e:-------------------------------------------------|
B:-------------------------------------------------|
G:-------------------------------------------------|
D:-6--6--6--6---6--6--6--6---6--6--6--6---8---8----|
A:-6--6--6--6---6--6--6--6---6--6--6--6---8---8----|
E:-4--4--4--4---4--4--4--4---4--4--4--4---6---6----|
Move it along..
Move it along..
file:///C|/olga_main/f-g/f/foo_fighters/weenie_beenie.tab
Bridge:
e:-------------------------------|----------------------------|
B:-------------------------------|----------------------------|
G:-------------------------------|----------------------------|
D:-------------3-----------------|---------1------------------|
A:-------------3-----------------|---------1------------------|
E:-1---2---3-------3---2---1---0-|-1---2----------3---2---1---|
Won't shut my mouth!
file:///C|/olga_main/f-g/f/foo_fighters/winnebago.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Fri, 11 Aug 1995 15:17:48 -0700 (PDT)
From: Nathan Huddle <nhuddle@belle.bham.wednet.edu>
Subject: /pub/guitar/f/foo_fighters
-=-=-=-=-=-=-=-=-=-=Foo Fighters - Winnebago
-=-=-=-=-=-=-=-=-=-=-=Transcribed by Nate Huddle=nhuddle@belle.bham.wednet.edu
I think this song is on some singles or something. Whatever... It's a
cool song though. This should help you play it kinda:
e|---------------------------------------------------|
B|-----0-----0---0-----0---0-----0-------------------|
G|---6---6-6---6---6-6---6---6-6---------------------|
D|---6---6-6---6---6-6---6---6-6---------------------|
A|---4---4-4---4---4-4---4---4-4---4-2-4-2-4-2-4-2---|
E|---------------------------------------------------|
I don't know the words I don't know the words I don
file:///C|/olga_main/f-g/f/foo_fighters/winnebago.tab
It starts out:
-----------------E.------------------------------------B.-------------------------------------G.-4-x-4-4-x-4-x-4-4-x-4-x-4-4----------------D.-3-x-3-3-x-3-x-3-3-x-3-x-3-3---------------A.-4-x-4-4-x-4-x-4-4-x-4-x-4-4--4-2-4-2-4-2-4-2E.--------------------------------------------------Then comes:
--------------E.-3-3-3-3-3-3-1-1-1
B.-3-3-3-3-3-3-1-1-1
G.-4-4-4-4-4-4-2-2-2
D.-5-5-5-5-5-5-3-3-3
A.-5-5-5-5-5-5-3-3-3
E.-3-3-3-3-3-3-1-1-1
-------------------Then comes this:
-------------------E-----------------------------------------------------B-----------------------------------------------------G------4-----4-------4-------4------4-------4--1-1-1-1
D---------------2-2------------------------------2-2-2-2
A-4-4---2-2------------2-2----3-3-------------2-2-2-2
E----------------------------------------4-4-----0-0-0-0
------------LYRICS
-----------ABLE BODIES, CHEW THE WORD
CROP TO PLENTY, SABATORE
SPLIT THE MOMENT, SEAL THE SHEETS
TAKE THE HEMLOCK, BEG TO SEE
FEED THE LAWN FROM THE PALMS OF THEIR HANDS
NEVER HOLDING, TO UPHOLD
WINNEBAGO, WE ARE ONE
HOLD IN WONDER, SMOKING VEAL
SHE DIVORCES, PARTY ZEAL
DADDY LOVES LITTLE SON NO DEMAND
REPEAT FIRST VERSE
CRAWL ALONG LOOKIN' UP TILL YOU STAND
Well that is all. If you ever get to see foo fighters in concert do it, it is
a real treat. If anyone has any ???'s just email me (geekbreth3). comments,
put downs, and simple thank you's are appreciated. If the last chord does
not come out right when you print it, all it is a E chord.
file:///C|/olga_main/f-g/f/foo_fighters/x-static.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: ArglBargle@aol.com
Date: Mon, 24 Jul 1995 11:42:26 -0400
Subject: TAB: Foo Fighters - "X-Static"
==================
X-Static
-------FOO FIGHTERS
==================
Tabbed by Jeff Aldrich (ArglBargle@aol.com)
Hello again.
This song is one of the less complex songs on the album, with only two
main parts, but the 2 guitars can get a little tricky. One cleansounding guitar starts the intro with it's part, then the 2nd guitar
starts playing over it, giving it a harmonizing effect (which for some
reason seems to remind me of Soundgarden.)
It's all pretty simple. If anything is wrong, please tell me. Also,
please wrote to me about the TAB in general, or just tell me what a
great guy I am for posting these TABs! :)
Intro/Verse:
(Guitar 1)
e:-------------------------------|
B:-------------------------------|
G:-8---8---8---8-8---------8---8-|
D:-8---8---8---8-8---------8---8-|
A:-6---6---6---6-6---5/6---6---6-|
E:-------------------------------|
Verse:
(Guitar 2)
e:---------------------------------------------------------------|
B:---------------------------------------------------------------|
G:---------------------------------------------------------------|
D:-8---8---8---8---8---8----7----6---6---6---6---6---6---6----8--|
A:-8---8---8---8---8---8----7----6---6---6---6---6---6---6----8--|
E:-6---6---6---6---6---6----5----4---4---4---4---4---4---4----6--|
e:---------------------------------------------------------------|
B:---------------------------------------------------------------|
G:---------------------------------------------------------------|
D:-4---4---4---4---4---4----5----6---6---6---6---6---6---6----5--|
A:-4---4---4---4---4---4----5----6---6---6---6---6---6---6----5--|
E:-2---2---2---2---2---2----3----4---4---4---4---4---4---4----3--|
e:----------------------------------------------------------------------|
B:----------------------------------------------------------------------|
file:///C|/olga_main/f-g/f/foo_fighters/x-static.tab
G:----------------------------------------------------------------------|
D:-4---4---4---4---4---4---4----6----3---3---3---3---3---3---3---3---3--|
A:-4---4---4---4---4---4---4----6----3---3---3---3---3---3---3---3---3--|
E:-2---2---2---2---2---2---2----4----1---1---1---1---1---1---1---1---1--|
e:------------------------------------|
B:------------------------------------|
G:------------------------------------|
D:-5---5---5---5---5---5---5---5---5--|
A:-5---5---5---5---5---5---5---5---5--|
E:-3---3---3---3---3---3---3---3---3--|
Chorus:
e:---------------------------------------------------------|
B:---------------------------------------------------------|
G:-5---5---5---5---3---3---3-------------------------------|
D:-5---5---5---5---3---3---3---3---3---3---3---3---3---3---|
A:-3---3---3---3---1---1---1---3---3---3---3---3---3---3---|
E:-----------------------------1---1---1---1---1---1---1---|
e:--------------------------------|--------------------|
B:--------------------------------|--------------------|
G:-6---6---6---6---5---5---5---4--|--------------------|
D:-6---6---6---6---5---5---5---4--|--------------------|
A:-4---4---4---4---3---3---3---2--|-2---/4---/6---/8---|
E:--------------------------------|--------------------|
Enjoy!
file:///C|/olga_main/f-g/f/fools/guilt_trip.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
Date: Mon, 16 Dec 1996 22:05:16 -0500
From: John Hoptak <imagine@prolog.net>
Subject: THE FOOLS ; " Guilt Trip "
" Guilt Trip " lyrics by Daniels, music by Daniels, Solga, Hoptak and
Eisenhauer
CHORD PROGRESSIONS:
Verses 1 & 2
E)----2------3----3---2
A)----2------3----5---4
D)----4------5----5---4
G)----4------5----4---3
B)----4------5----3---2
e)----4------5----3---2
Bridge:
E)--3---2---3---2
A)--5---4---5---4
D)--5---4---5---4
G)--4---3---4---3
B)--3---2---3---2
e)--3---2---3---2
Chorus:
Barre Chords : B,A,G
B,A,G
B,A,G,F
B,A,G
Solo:
A)---3-4-3-4-5-6-3-4-3-4-5-6
Chorus: same as above
If you have any questions, comments, or any thing to say about this
tab you can e-mail me at imagine@ptd.net
file:///C|/olga_main/f-g/f/fools_garden/lemon_tree.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Wed, 20 Nov 1996 20:36:02 +0100
From: Enrico Angella <gelpa@flashnet.it>
Subject: Lemon Tree by Fool's Garden
Bm
F#m
VERSE 2
CHORUS:
A
I wonder how.
E
I wonder why.
F#m
C#m
Yesterday you told me about the blue-blue sky
D
And all that I can see
E
A
E
It's just a yellow lemon tree
A
E
I'm turning my head up and down
F#m
C#m
I'm turning turning turning turning turning around
B
And all that I can see
file:///C|/olga_main/f-g/f/fools_garden/lemon_tree.crd
E
A
E
It's just a yellow lemon tree
POST CHORUS: C#m F#m C#m F#m C#m Bm C#m F#m
VERSE 3
BRIDGE:
B
C#m
F#m
Isolation It's not good for me
B
C#m
F#m
Isolation, and I don't want to sit on the lemon tree
VERSE 4
CHORUS
file:///C|/olga_main/f-g/f/for_love_not_lisa/swallow.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Keith18NJ@aol.com
Subject: TAB: "Swallow" by For Love Not Lisa
"Swallow" by For Love Not Lisa
/ = slide
chords:
E5 (022x00)
F5 (133xxx)
F#5 (244xxx)
G5 (355xxx)
A5 (577xxx)
B5 (x244xx)
Cadd9 (x32030)
Cadd9(ii) (x32033)
D5 (x577xx)
Dsus2 (x00230)
Dsus4 (x00233)
verse:
Dsus2
Cadd9
i'm not gonna bother tabbing this out, but it's pretty basic anyway.
a while add in Dsus4 and Cadd9(ii).
chorus:
G5
A5 N.C.
-----------------------------------------------------------------------------------------------------------------------------------5---5---5-5-5--5-5--5/7------7--7--7-7---5---5---5-5-5--5-5--5/7------7--7--7-7---3---3---3-3-3--3-3--3/5------5--5--5-5--
once in
A5
bridge:
Asus2
G5
F#5
-------0------------3-------------2------------3--------0------------3-------------2------------3-----------------------------------------------------2----------5--5---------4--4---------5----5------0----------5--5---------4--4---------5----5-----------------3--3---------2--2---------3----3----Asus2
G5
F#5
-------0------------3---------2--2------1--1--1--------0------------3---------2--2------1--1--1----------------------------------------------------2----------5--5---------4---4--4---3--3--3--3---0----------5--5---------4---4--4---3--3--3--3--------------3--3---------2---2--2---1--1--1--1--
G5
F5
file:///C|/olga_main/f-g/f/for_love_not_lisa/swallow.crd
file:///C|/olga_main/f-g/f/for_squirrels/mighty_k_c.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Date: Mon, 29 Jan 1996 02:15:19 -0800 (PST)
From: "Scott." <scottf@scs.unr.edu>
Subject: CRD: Mighty KC by For Squirrels
Mighty K.C.
by For Squirrels
off Example
VerseEm D C G Em Am B
ChorusG D Dsus2 D C G C G A D
C
G
name scrawled on her back
B
say his name like that
his head burned to the back
say his name like that
ChorusG
D
Dsus2 D C
G
C
and by the grace of god
go I, into the grave unknown
G
A
D
things then will change in our favor
and if we gather, if we fall, over the grave unknown
things then will change in our favor
VerseII100, 200, 300, 400, 500, 600, oh they're found dead, dead
and i am numb from watching T.V.
100, 200, 300, 400, 500, 600, oh there're just there, there
and i am numb from watching T.V., please don't break me
ChorusBreak- (verse progression 4x.. arpeggiating..)
the play on 1st,2nd,3rd strings while holding a Barred G ...
(adding 2nd and 3rd now and then)
please just take one...
ChorusChorus-(2nd half of chorus)
End on Em
***Chords used:
Verse:
Em
G
D
0
3
2
0
0
3
C
0
1
Am
0
1
Dsus2
3
3
file:///C|/olga_main/f-g/f/for_squirrels/mighty_k_c.crd
0
2
2
0
0
0
2
3
2
0
0
x
Chorus:
G D C (see above)
0
2
3
x
2
2
0
x
2
0
0
x
A
0
2
2
2
0
x
file:///C|/olga_main/f-g/f/ford_lita/gotta_let_go.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Tue, 12 Mar 96 16:01:52 LOC
From: Judy Letostak <judy.letostak@lasernet.com>
Lita Ford - Gotta Let Go
letostak@ix.netcom.com
(Judy Letostak)
music.shop@lasernet.com
Intro play 8x (4x alone and 4x with drums)
---------------------------------------------------------------------------|
-----------------3--2--------------1--0------------------------------------|
-----------------2--2--------------0--0------------------------------------|
---------------------------------------------------------------------------|
--0--0--0--0--0--------0--0--0--0------------------------------------------|
---------------------------------------------------------------------------|
Verse
--------------------------------|-----------------------|--------------------------------------------------|-----------------------|--------------------------------------------------|-----------------------|--------------------------------------------------|-----------------5--3--|---------------------3-/--5--5---3-/-5-/-8-\-7----|--3-/-5-5--3--5--3--1--|--3-/-5--5-----------1-/--3--3---1-/-3-/-6-\-5----|--1-/-3-3--1--3--------|--1-/-3--3--------Bridge
You wanna be the main attraction...
---------------|------------------------------------------------------------|
---------------|------------------------------------------------------------|
---------------|------------------------------------------------------------|
---------------|---3------5-----3------7----5----5----5---------------------|
---3-/-5--5----|---1------3-----1------5----3----3----3------5--5--5--5--5--|
---1-/-3--3----|---------------------------------------------3--3--3--3--3--|
Chorus - play intro + at end
Verse
Chorus
------------------------|----------------------|
------------------------|----------------------|
------------------------|----7----7----5~------|
--10--9--7--5--7--5-----|----7----7----5~------|
---8--7--5--3--5--3-----|----------------------|
------------------------|----------------------|
Verse
Bridge
Chorus
----------------------------------------------------------------------------|
file:///C|/olga_main/f-g/f/ford_lita/gotta_let_go.tab (1 of 2) [4/28/2003 9:51:38 PM]
file:///C|/olga_main/f-g/f/ford_lita/gotta_let_go.tab
----------------------------------------------------------------------------|
----------------------------------------------------------------------------|
----------------------------------------------------------------------------|
--3----5----3---------------------------------------------------------------|
--1----3----1----3--3--3----5--5--5----7--7--7----8--8--8----10--10--10---12|
Interlude
------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------3----5--5----3----5----------5----7----------------------------------------1----3--3----1----3----1~----3----5-----------------------------------------------------------------------------------------------------------------
Lead
---------------------------------7b(8)--rb7--8b(10)-|----------------------|
---------7b(8)--5--7b(8)-(8)--5---------------------|-tapping-part-I-------|
--7b(9)---------------------------------------------|-couldn't figure out--|
----------------------------------------------------|-----anyone??---------|
----------------------------------------------------|----------------------|
----------------------------------------------------|----------------------|
-----------10---13b(15)--13--13b(15)--10-------------------------------------13b(15)--------------------------------13--11-----------------------------------------------------------------------------12~-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------3b-----------------Bridge
Chorus
End
----------------------15-----------15-----------------------------------------18b(20)---18b(20)------18b(20)-------18b~~~-----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------=======================================================================
h = hammeron
Judy Letostak
p = pulloff
Internet letostak@ix.netcom.com
\ = slide
Fidonet 1:202/1105
x = ghost note
MetalNet 282:100/2
t = tap (right hand)
The Music Shop BBS (619)423-4970 24hrs
~ = vibrato
* = picked harmonic
bf = bend full
tr = trill
rb = release bend
p.s. = pick scrape
dive = dive with bar
b = bend / step written over note
file:///C|/olga_main/f-g/f/foreigner/hello_its_me.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Received: from animal-farm.nevada.edu by redrock.nevada.edu (5.65c/M1.4)
with SMTP id <AA15219>; Mon, 29 Mar 1993 03:52:05 -0800
Received: from kunrc1.urc.kun.nl by animal-farm.nevada.edu id <AA24848@animal-farm.nevada.edu>;
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<01GWDSGTBTIO8WW2U5@KUNRC1.URC.KUN.NL>; Mon, 29 Mar 1993 13:52 MET
Date: Mon, 29 Mar 93 13:52 MET
From: Jeroen van der Laak <PA_ELEC@aznvx1.azn.nl>
Subject: Please add to ftp.nevada.edu
To: jamesb@animal-farm.nevada.edu
Message-Id: <5C3E2654A45F00034A@AZNVX1.AZN.NL>
X-Envelope-To: jamesb@animal-farm.nevada.edu
X-Vms-To: IN%"jamesb@animal-farm.nevada.edu"
X-Vms-Cc: PA_ELEC
Comments: Sent using PMDF-822 V3.1, routing is done by KUNRC1
Hello it's me - Lou Reed/John Cale
(from the album Songs for Drella, 1990)
Basically the chord progression is A F#m E.
Most of the time, however, the F#m is played
as a F#m7. The way the chords are played varies, I
only sorted out the first verse.
(intro)
A
F#m7
E
A
F#m
E
-----0---------0---------------------0---------2-------------0---------2---------2---------1-----------2---------2-----------0---------2---2-----2---2-----2---2-------2---2-----2---2-----0/1-----------------------------------------2---------------------------------0---------------------------------------------------------------------------2---------0---------------------2---------0------------A
F#m7
-----0-------0------------------------0--------------------------------2-------2--------------2---------2---------------2--------2-----2---2-------2------------2------------2------------2--------2---2-----------------------2-----2--------------------2---2--------2--------------------------------------------------------------------------------------2---------------------------0/2---------------Andy it's me haven't seen you in a while
I wish I...
E
A
etc
---------------------0-----------0---------------------------------2----0-----------0--------------2---------------------------------2----1--------1---------------2---2------------------------------------------2--------2-------2-------------------------------------------------------------------------------------------------------2----0-----------------------------------------------------------when you were alive
I thought ...
(at the end of the verse)
F#m7
E
--------------------------------------0------------------2-0-2-0-2-0--------0-----------------------------------0/1----------------------2-2-2-2-2-2---------------------------2------------------------file:///C|/olga_main/f-g/f/foreigner/hello_its_me.tab (1 of 2) [4/28/2003 9:51:39 PM]
file:///C|/olga_main/f-g/f/foreigner/hello_its_me.tab
------------------------------0---------Hello it's me
(I know I messed up the timing, but to play it correctly you'll have
to listen to the original anyway. It's too complex to put on paper
for me).
Andy it's me, haven't seen you in a while
I wished I talked to you more when you were alive
I thought you were self-assured when you acted shy
hello it's me
I really miss you, I really miss your mind
I haven't heard ideas like that for such a long, long time
I loved to watch you draw and watch you paint
but when I saw you last I turned away
When Billy Name was sick and locked up in his room
you asked me for some speed, I thought it was for you
I'm sorry that I doubted your good heart
things always seem to end before they start
Hello it's me, that was a great gallery show
your cow wallpaper and your floating silver pillows
I wish I paid more attention when they laughed at you
Hello it's me
Pop goes pop artist, the headline said
is shooting a put on, is Warhol really dead?
you get less time for stealing a car
I remember thinking as I heard my own record in a bar
They really hated you, now all that's changed
but I have some resentments that can never be unmade
you hit me where it hurt I didn't laugh
your diaries are not a worthy epitaph
Well now Andy, guess we've got to go
I hope some way somehow you like this little show
I know it is late in coming but it's the only way I know
hello it's me, goodnight Andy
goodbye Andy
That's it, please send corrections, reactions etc to
Jeroen van der Laak
<PA_ELEC@AZNVX1.AZN.NL>
Someone please post something of Prince or Miles Davis.
file:///C|/olga_main/f-g/f/forgotten_rebels/angry.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
From: howards@computime.bc.ca
Date: Tue, 23 Apr 1996 15:31:57 -0700
X-Sender: howards@computime.bc.ca
Subject: angry by forgotten rebels
Angry
The Forgotten Rebels
riff 1
12
11
A 10
E 8
10 10 10 10 10 10 10 10
8 8 8 8 8 8 8 8
12
11
12
11
A 10
E 8
riff 2
12 10 10 12 10 10 12 10 10 10 10
8 8 8 8 8 8 8 8 8 8 8
A 10
E 8
riff 3 part 1
10 10 10 10 10 10 15 15 15 15 15 15 /
8 8 8 8 8 8 13 13 13 13 13 13 /
8
6
12
11
10
6
12
11
8
6
8
6
8
6
8
6
8
6
8
6
8
6
2
0
8
6
2
0
8
6
3
5
3
5
3
5
riff 3 part 2
10 10 10 10 15 15 15 15 15 15
8 8 8 8 13 13 13 13 13 13
outro
D 5 5 5 7 7 7 12 12 12 7 7 7
A 5 5 5 7 7 7 12 12 12 7 7 7
E 3 3 3 5 5 5 10 10 10 5 5 5
G 4 6b
D
A
E
5
3
riff 1 6x
riff 2 2x
riff 3 part 1
riff 3 part 2 3x
solo ?
riff 1 2x
riff 2 2x
riff 3 part 1
riff 3 part 2 3x
solo ?
riff 1 4x
riff 2 2x
riff 3 part 1
riff 3 part2 3x
outro 5x
file:///C|/olga_main/f-g/f/forgotten_rebels/angry.tab
howards@computime.bc.ca
file:///C|/olga_main/f-g/f/formacja_niezywych_schabuff/baboki.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Dariusz Sitko <karol@student.uci.agh.edu.pl>
Group
Title
|
|
|
|
| B5 |
| e7 |
| A7 | B Fis | Fis E |
|
|
|
|
| B |
| e7 |
| A9 | B Fis | E* E |
Posluchaj i spij
Bo nie ma babokow
Jestem ja i Ty
Tylko ja i Ty
I choc glaszcze Cie nocami
Pod Twoimi powiekami
Robie psoty, same bzdury
Przeciez wiesz
Ze moj swiat jest taki maly
Czemu tak wytrzeszczasz galy
Ja naprawde
Bardzo kocham Cie
B5
e7
A5
B5
B5
e7
A
B5
|
|
|
|
|
|
|
|
|
|
|
|
B Fis | E* E |
B Fis | E* E |
A9 |
E |
|
|
|
|
|
|
|
|
B |
e7 |
A |
B |
B |
e7 |
A D4 |
e7 D |
Posluchaj i spij
Bo nie ma babokow
Jestem ja i Ty
Tylko ja i Ty
B5
e7
A5
A9
E*
D4
XXX470
XXX030
XXX250
002000
0223XX
X00233
file:///C|/olga_main/f-g/f/formula_3/eppur_mi_son_scordato_di_te.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
# by Maurizio Codogno (mau@beatles.cselt.stet.it)
{title: Eppur mi son scordato di te}
{subtitle: Formula 3}
# originariamente in La
Ep[G]pur mi son scordato di [Bm]te, come ho [Em]fatto non so.[Eb]
U[G]na ragione vera non [Bm]c', lei era [Em]bella per.[Eb]
{soc}
Un [G]tuffo dove l'acqua pi [Bm]blu, niente di [B]pi...
Ma [Em]che disperazione, nasce da una distrazione
era un [C]gioco, non era un [D]fuoco.
Non [Em]piangere salame dai capelli verde rame
solo un [C]gioco, e non un [D]fuoco.
Lo sai che [G]t'amo, io ti [A]amo vera[B]mente.
{eoc}
Eppur mi son scordato di te, non le ho detto di no.
Ti ho fatto tanto pianger perch io sono un bruto, lo so.
{soc}
Un tuffo dove l'acqua pi blu, niente di pi...
Ma che disperazione, nasce da una distrazione
era un fuoco, non era un gioco.
Non piangere salame dai capelli verde rame
solo un gioco, e non un fuoco.
Lo sai che t'amo, io ti amo veramente.
{eoc}
[N.C.]Che disperazione, nasce
una distrazione, nasce da una
Che disperazione, nasce da
una distrazione, nasce da una
Che disperazione, nasce da
una distrazione, nasce da una
da
distrazione
distrazione
distrazione
file:///C|/olga_main/f-g/f/fortis_alberto/milano_e_vincenzo.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
# by Maurizio Codogno (mau@beatles.cselt.stet.it)
{title: Milano e Vincenzo}
{subtitle: Alberto Fortis}
{define: B/D# base-fret 4 frets x 3 1 1 1 4}
# originariamente in Sol
Mi[D]lano sono [A/C#]tutto [Bm]tuo [Bm/A]
Vincenzo [G]no non mi rin[Esus4]chiude [A]pi
oh Milano sii [G]buona almeno, al[F#7]meno tu [Bm][A]
Lui [D]mi picchiava [A/C#]tutto l'anno[Bm][Bm/A]
e [G]mi faceva [Esus4]dire s[A]
Mi-Milano tu [G]non trattarmi [F#7]mai cos.[Bm][A]
{soc}
[D] Vincenzo [A/C#]io ti ammazze[Bm]r[Bm/A]
[G] sei troppo [E]stupido per vi[A]vere
oh Vin[D]cenzo io ti am[F#7]mazze[Bm]r per[G]ch
[D] perch non [A]sai decidere.[Bm][A]
{eoc}
Mi piacciono i tuoi quadri grigi
le luci gialle, i tuoi cortei
oh Milano, sono contento che ci sei.
Vincenzo dice che sei fredda,
frenetica senza piet
ma cretino e poi vive a Roma, che ne sa?
{soc}
[D] Vincenzo [A/C#]io ti spare[Bm]r[Bm/A]
[G] sei troppo [E]ladro per ca[A]pire
[D] che il tuo la[F#7]voro amici [Bm]non trove[G]r mai
[D] perch non [A]sai soffrire[Bm][B7]
{eoc}
Ti [E]devo tanto [B/D#]come uomo[C#m][C#m/B]
la[A]voro insieme ai [F#sus4]figli tuoi[B]
oh Milano, [A]fa' di me quel[G#7]lo che vuoi.[C#m][B]
Ti [E]lascio tutti i [B/D#]miei progetti[C#m][C#m/B]
le [A]mie vendette [F#sus4]e la mia e[B]t
oh non tradirmi [A]sono vecchio e il [G#7]tempo va.[C#m]..[B]
[E][B/D#][C#m][C#m/B][A][F#sus4][B][A][G#7][C#m][B][C][D]la la la la...
{soc}
[G] Vincenzo [D/F#]io ti insegui[Em]r[Em/D]
[C] sei troppo [A]stupido per [D]vivere
oh Vin[G]cenzo io ti am[B7]mazze[Em]r per[C]ch
[G] perch non [D]sai decide[Em]re.[D]
{eoc}
{soc}
Vincenzo io ti prender
sei troppo stupido per vivere
Vincenzo io ti ammazzer perch
sei troppo ladro per amare.
{eoc}
file:///C|/olga_main/f-g/f/fortis_and_saharof/ein_lets_layaldut.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: kdbt157@bgumail.bgu.ac.il (yehudai sigalit )
I will start by posting the chords to "ein kets layaldut" by fortis/saharof
the basic chord progression during the verses is
D A A#
the chorus is
D A A# F C
play 2 times
then go to
C G Am F
X2
X2
and start the second verse and outro with the bridge.
Play each chord in the song for about 4 beats. Listen to the song to get
the hang of it.
And last but not least:
"nag'a bashama'im" by Mashina
the song is a perfect example of a three chord song: Am C F , during the
whole song, including the chorus. Listen to the song to find out where to
do the chord changes, not very hard after you get a hold of it.
Anyway, if you want more, I know some more Fortis and Saharof songs, and
a few other songs(more Mashina, Artsi, etc.). Post some songs to the net,
and don't email me for them, because I don't have the time to type them
all up. Sometime in the future I will post some more, IF I find the time
for it.
file:///C|/olga_main/f-g/f/fortunes/youve_got_your_troubles.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 15:28:15 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./f/fortunes/youve_got_your_troubles.crd
A #7 hit for the Fortunes in October, 1965. It would be nearly six
years before they would hit the US Top 20 again, with 'Here Comes That
Rainy Day Feeling Again'. --AWR
"You've Got Your Troubles"
(R. Greenaway - R. Cook)
Intro:
A
B7
Dm
Verse 1:
A
B7
I see that worried look upon your face
Dm
E
A
You've got your troubles, I've got mine
A
B7
She's found somebody else to take your place
Dm
E
A
You've got your troubles, I've got mine
Chorus 1:
G
A
I too have lost my love today
G
A
All of my dreams have blown away
Verse 2:
Now just like you I sit and wonder
You've got your troubles, I've got
You need some sympathy well, so do
You've got your troubles, I've got
why
mine
I
mine
Chorus 2:
G
A
She used to love me, that I know
G
A
And it don't seem so long ago
Bridge:
D
That we were walking
Bm
And we were talking
G
A
G
The way lovers do
file:///C|/olga_main/f-g/f/fortunes/youve_got_your_troubles.crd
file:///C|/olga_main/f-g/f/fossati_ivano/dedicato.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
# by Maurizio Codogno (mau@beatles.cselt.stet.it)
{title: Dedicato}
{subtitle: Ivano Fossati}
Ai suona[D]tori un po' sballati
ai balordi come me
a chi non sono mai piaciuto
a chi non ho incontrato
chiss [F#m]mai perch
ai dimenti[G]cati
ai play boy fi[Em7]niti[A7]
e anche per [D]me.
A chi si guarda nello specchio
e da tempo non si vede pi
a chi non ha uno specchio
e comunque non per questo
non ce la fa pi
a chi ha lavorato
a chi stato troppo solo
e va sempre pi gi.
[D]
[Bm]
[E7] [A7] [D]
A chi ha cercato la maniera
e non l'ha trovata mai
alla faccia che ho stasera
dedicato a chi ha paura
e a chi sta nei guai
dedicato ai cattivi che
poi cos cattivi
non sono mai.
Per chi ti vuole una volta sola
e poi non ti cerca pi
dedicato a chi capisce
quando il gioco finisce
e non si butta gi
ai miei pensieri,
a come ero ieri
e anche per me.
[D]
[Bm]
[E7] [A7] [D]
E questo [Eb]schifo di canzone
non pu mica finire qui
manca giusto un'emozione
dedicato all'amore
lascia che [Gm]sia cos
ai miei pen[Ab]sieri
a come ero [Fm7]ieri[Bb7]
e anche per [Eb]me.
Ai miei pen[Ab]sieri
a come ero [Fm7]ieri[Bb7]
e anche per [Eb]me.
[Eb]
[Cm]
{c: a piacere}
file:///C|/olga_main/f-g/f/fossati_ivano/la_mia_banda_suona_il_rock.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
# by Maurizio Codogno (mau@beatles.cselt.stet.it)
{title: La mia banda suona il rock}
{subtitle: Ivano Fossati}
[Am][G][Em][Am]
La mia banda suona il [G]rock
e tutto il [Em]resto all'occor[Am]renza;
sappiamo bene che da [G]noi
fare [Em]tutto un'esi[Am]genza.
E' un rock bambino
soltanto un po' latino
una musica che speranza,
una musica che pazienza.
E' come un treno che passato
con un carico di frutti:
eravamo alla stazione,
s, ma dormivamo tutti.
E la mia banda suona il rock
per chi l'ha visto e per chi non c'era
e per chi quel giorno l
inseguiva una sua chimera
{soc}
Oh, non sve[C]glia[G]te[Em7]vi, [Am]non ancora
e non fer[C]mate[G]ci, no, [Em7]no,
[Am]per favore no.
{eoc}
La mia banda suona il rock
e cambia faccia all'occorrenza
da quando il trasformismo
diventato un'esigenza
ci vedrete in prima linea
come brutte ballerine
ci vedrete danzare
come giovani zanzare
ci vedrete alla frontiera
con la macchina bloccata
ma lui ce l'avr fatta
la musica passata
E' un rock bambino
soltanto un po' latino
viaggia senza passaporto
e noi dietro col fiato corto.
Lui ti penetra nei muri
ti fa breccia nella porta
ma in fondo viene a dirti
che la tua anima non morta.
{soc}
E non svegliatevi, non ancora
file:///C|/olga_main/f-g/f/fossati_ivano/la_mia_banda_suona_il_rock.pro
file:///C|/olga_main/f-g/f/fossati_ivano/la_musica_che_gira_intorno.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
# by Maurizio Codogno (mau@beatles.cselt.stet.it)
{title: La musica che gira intorno}
{subtitle: Ivano Fossati}
{define: A/B base-fret 0 frets 0 2 2 2 2 0}
{define: Bm7/E base-fret 0 frets 0 2 4 2 3 2}
Per niente [E]facili
uomini [Bm7/E]cos poco allineati
li puoi chia[A]mare ai numeri di ieri
se nella [A/B]notte non li avranno cam[B]biati
per niente [E]facili
uomini [Bm7/E]sempre poco allineati
li puoi pen[A]sare nelle strade di ieri
se non [A/B]saranno rien[B]trati
Sar possibile si
incontrarli in aereo
avranno mani e avranno faccia di chi
non fa per niente sul serio
Perch l'America cos come Roma
gli fa paura
il Medio-Oriente che qui da noi
non ri[Am]scuote nessuna fortuna
{soc}
Sar la [C#m]musica che gira in[C#m/B]torno
quella [F#/A#]che non ha futuro
Sar la [A]musica che gira in[E/G#]torno
saremo [F#m7]noi che abbiamo nella [F#m7/B]testa
un [B7]maledetto [A/E]mu-[E]ro[A/E][E]
{eoc}
Ma uno che tiene i suoi anni al guinzaglio
e che si ferma ancora ad ogni lampione
o fa una musica senza futuro, o,
non ha capito mai nessuna lezione
Sar che l'anima della gente
funziona dappertutto come qui
Sar che l'anima della gente
Non ha imparato a dire ancora un solo s
{soc}
Sar la musica che gira intorno
quella che non ha futuro
Sar la musica che gira intorno
saremo noi che abbiamo nella testa
un maledetto muro
{eoc}
Per niente facili
uomini cos poco allineati
li puoi chiamare ai numeri di ieri
se nella notte non li avranno cambiati
Per niente facili
uomini poco affezionati
li puoi tenere fra i pensieri di ieri
se non ci avranno scordati
file:///C|/olga_main/f-g/f/fossati_ivano/la_musica_che_gira_intorno.pro
{soc}
Sar la musica che gira intorno
quella che non ha futuro
Sar la musica che gira intorno
saremo noi che abbiamo nella testa
un maledetto muro
{eoc}
file:///C|/olga_main/f-g/f/foster_radney/just_call_me_lonesome.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: bross@uoguelph.ca (Brian R Ross)
Subject: CRD:Randy Foster "Just Call Me Lonesome"
A
E
Just call me lonesome, heartbroke and then some
B7
E
Cause I ain't got no one, since youv'e been gone
A
E
You called me baby, now I've got a new name
B7
E
Don't need my old one, call me lonesome from now on
B7
E
You used to call me, your one and only
A
B7
But now you only call me someone you once knew
E
You were my angel, before some stranger
A
B7
E
Stole your heart and stole my world when he stole you
CHORUS
B7
E
I see you with him, and fall apart again
A
B7
Remembering when I was the only man you needed
E
We said forever, we'd be together
A
B7
E
He came between us and now forever lies in pieces
CHORUS
B7
E
I don't need my old one, call me lonesome from now on
file:///C|/olga_main/f-g/f/four_horseman/nobody_said_it_was_easy.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From sportiga@uoguelph.ca Thu Sep 23 10:35:38 1993
Received: from herman.cs.uoguelph.ca by snowhite.cis.uoguelph.ca (5.64/1.35)
id AA15649; Thu, 23 Sep 93 10:35:38 -0400
Message-Id: <9309231435.AA15649@snowhite.cis.uoguelph.ca>
Received: by herman.cs.uoguelph.ca
(1.37.109.4/16.2) id AA17597; Thu, 23 Sep 93 10:36:20 -0400
Date: Thu, 23 Sep 93 10:36:20 -0400
From: Steve L Portigal <sportiga@uoguelph.ca>
To: sportiga@herman.cs.uoguelph.ca
Subject: (fwd) TAB: Nobody Said It Was Easy - The 4 Horsemen
Newsgroups: alt.guitar.tab
Organization: Akbar and Jeff's Thesis Hut
Reply-To: stevep@snowhite.cis.uoguelph.ca
Status: O
Path:
nermal.cs.uoguelph.ca!torn!howland.reston.ans.net!vixen.cso.uiuc.edu!sdd.hp.com!decwrl!decwrl!concert!newsfeed-2.peachnet.edu!hobbes.cc.uga.edu!UGA.CC.UGA.EDU!RBARRETT
From: RBARRETT@UGA.CC.UGA.EDU
Newsgroups: alt.guitar.tab
Subject: TAB: Nobody Said It Was Easy - The 4 Horsemen
Date: Wed, 22 Sep 93 23:06:22 EDT
Organization: University of Georgia
Lines: 19
Message-ID: <16C51144EE.RBARRETT@UGA.CC.UGA.EDU>
NNTP-Posting-Host: uga.cc.uga.edu
X-Newsreader: NNR/VM S_1.3.2
Howdy:
Someone requested this song and I thought I'd post what I know of it.
Intro/Main Riff
D:--2-------------------------2--A:--2---5-----7-----5---7-----2--E:--0---3--0--5--0--3---5--0--0--Verses just go E --> Main Riff
A --> Main Riff
B
This should give you an Idea..just follow the song for exactness.
Later,
Richard
-+----------------------------------------------------------------------------+
| Steve Portigal, Dep't of CIS, University of Guelph, Guelph, ON, N1G 2W1
|
| email: stevep@snowhite.cis.uoguelph.ca
Phone: (519) 824-4120 ext 3580 |
| ~~~~~~~~ ask me about 'undercover' the Rolling Stones mailing list ~~~~~~~ |
|
I wanna ride the big wave...open up the bomb bay..
|
+----------------------------------------------------------------------------+
file:///C|/olga_main/f-g/f/four_seasons/big_girls_dont_cry.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:39 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./f/four_seasons/big_girls_dont_cry.crd
"Big Girls Don't Cry"
(B. Gaudio/B. Crewe)
Intro [a cappella; chords are implied]:
G
D
C
D
Big girls don't cry
[2X]
Verse 1:
G
E7
Am D7
G
E7
Am
D7
Big girls
don't cry-yi-yi (they don't cry)
G
E7
Am D7
G
E7
Am
D7
Big girls
don't cry (who said, they don't cry)
G E7 Am D7
G
E7 Am
D7
My girl
said goodbye-yi-yi (my, oh, my)
G E7 Am D7
G
C
G
My girl
didn't cry (I wonder why)
Chorus 1:
E7
(Silly boy) Told my girl we had to break up
A7
(Silly boy) Thought that she would call my bluff
D7
(Silly boy) Then she said to my surprise
G
D
C
D
Big girls don't cry
Verse 2:
Big girls don't cry-yi-yi (they don't cry)
Big girls don't cry (who said, they don't cry)
[trumpet break over first two lines of verse chords]
Baby, I was cruel (I was cruel)
Baby, I'm a fool (I'm such a fool)
Chorus 2:
(Silly girl)
(Silly girl)
(Silly girl)
Big girls do
Verse 3 [half-length]:
Big girls don't cry-yi-yi (they don't cry)
Big girls don't cry (that's just an alibi)
Coda:
file:///C|/olga_main/f-g/f/four_seasons/big_girls_dont_cry.crd
G
D
C
D
Big girls don't cry
file:///C|/olga_main/f-g/f/four_seasons/big_man_in_town.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:40 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./f/four_seasons/big_man_in_town.crd
"Big Man In Town"
(Bob Gaudio)
Intro:
harmonica: Eb D Bb G G' F Eb D
Bb/F
/ r r r
Bb
Eb
/ r r r
Ab Eb Db
Big man in town
Verse 1:
Db
Gb
Ab
Each day as I grow older
Db
Gb
Ab
The nights are getting colder
Db
Gbmaj7
Ab
Db/Ab
Some day the sun will shine on me
Db
Gb
Ab
Money, I don't have any
Db
Gb
Ab
I'm down to my last penny
Db
Gbmaj7
Ab Db
But darlin' don't cry over me
Gb/Ab
Ab
Chorus:
Bb
Eb
F
I'll be a big man in town, honest honey
Bb
Eb
F
I'll be a big man in town, promise darlin'
Bb
Eb
F
Ab C7/G Ebm/Gb F7
I'll be a big man in town, just you wait and see
Bb Eb
You'll be proud of me
Ab Eb Db
Big man in town
Verse 2:
They think that I'm a rover
But my rovin' days are over
Some day your folks will welcome me
I went away a small man
But I'll come home a tall man
Then what a pretty bride you'll be
[repeat chorus]
file:///C|/olga_main/f-g/f/four_seasons/big_man_in_town.crd
Coda:
Ab Eb Db Db7
(Big man in town)
Gb/Db
Gbm/Db
Db
Db7
I'm gonna make it,
just wait and see
Gb/Db
Gbm/Db
Db
Db7
Oh, I'm gonna make it,
just wait and see
Gb/Db
Gbm/Db
Db
Db7
Girl I'm gonna make it,
just wait and see
Gb/Db
Db [oboe: Gb F Eb F]
-- another ace 60's tab from Andrew Rogers
Gbm/Db
file:///C|/olga_main/f-g/f/four_seasons/bye_bye_baby.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:40 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./f/four_seasons/bye_bye_baby.crd
"Bye Bye Baby (Baby Goodbye)"
(Gaudio - Crewe)
Intro:
Bm
Bb+
Bm7/A
If you hate me after what I say
G
G/F#
Em
I can't put it off
any longer
D D+
D6
D#dim
I just got to tell you anyway
Chorus:
F#
F#maj7
G#m7
C#7 G#m7 C#7
Bye bye baby, baby goodbye (bye baby, baby bye bye)
F#
F#maj7
G#m7
C#7 G#m7 C#7
Bye bye baby, don't make me cry (bye baby, baby bye bye)
Verse 1:
A
You're the one girl in town I'd marry
D
Girl I'd marry you now if I were free
D6
A
E7
I wish it could be
D6
Dmaj7
A
I could love you, but why begin it
'Cause there ain't any future in it
D
D+
D6
D#dim
She's got me and I'm not free so
[repeat chorus]
Verse 2:
Guess I never will know you better
Wish I knew you before I met her
Gee, how good you would be for me
Should have told you that I can't linger
There's a wedding band on my finger
She's got me and I'm not free so
[repeat chorus]
Coda [repeat to fade w/wordless falsetto]:
A
/
Amaj7
/ /
Bm7
/ /
E7
/
Bm7 E7
/ /
file:///C|/olga_main/f-g/f/four_seasons/bye_bye_baby.crd
file:///C|/olga_main/f-g/f/four_seasons/candy_girl.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:41 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./f/four_seasons/candy_girl.crd
"Candy Girl"
(L. Santos)
Intro:
F
Dm
I've been a-searchin' all this wide world
Gm7
Bb
Now finally I've found my
F Db Eb
F Db Eb
Candy girl
Candy girl
Verse 1:
F Am
Gm7 C7-9-5
F
Am
Gm7 C7
[C7-9-5: x32322]
I-yi-yi-yi found me a girl (Candy girl)
F
Am
Gm7 C7-9-5
F
Am
Gm7 C7
She-ee-ee-ee sets my heart a-whirl (Candy girl)
F
Am
Dm G7
With huggin' and kissin' and lov-in'
F
Am
(She's mine) mi-ine (mine) mi-ine
Gm7[n.c.] C7[n.c]
F
Am Gm7 C7
Whoa-oa-oa-oh-oh (Candy girl)
Verse 2:
We get along so well (Candy girl)
I know just why I fell (Candy girl)
She's thrillin' (thrillin') oh, chillin' (chillin'), yes she's so divine
(She's mine) mi-ine (mine) mi-ine
Gm7[n.c.] C7[n.c]
Am
Dm [n.c.]
Whoa-oa-oa-oh-oh (Candy girl)
Chorus:
Gm7
C7
Fmaj7 Dm
When we're out together
Gm7
C7
Fmaj7 Dm
Everyone knows the way we feel
Gm7
C7
Am
Dm
We both seem to glow with the glow of a love
G7
And it's plain to see
C7
[gliss]
Our love is real
Verse 3 [key changes to F#]:
F# A#m G#m7 C#7-9-5
F# A#m
G#m7 C#7
I-yi-yi-yi'm happy as can be (Candy girl)
F# A#m G#m7 C#7-9-5
F#
A#m
G#m7 C#7
She-ee-ee-ee vows eternally (Candy girl)
file:///C|/olga_main/f-g/f/four_seasons/candy_girl.crd (1 of 2) [4/28/2003 9:51:42 PM]
file:///C|/olga_main/f-g/f/four_seasons/candy_girl.crd
F#
A#m
D#m
G#7
To hold me (hold me) and love me (love me) until the end of time
F#
A#m
(She's mine) mi-ine (mine) mi-ine
G#m7[n.c.] C#7[n.c.]
Whoa-oa-oa-oh-oh
Coda [repeat to fade]:
F# D
E
Candy girl
-- another ace 60's tab from Andrew Rogers
file:///C|/olga_main/f-g/f/four_seasons/cant_take_my_eyes.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:42 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./f/four_seasons/cant_take_my_eyes.crd
"Can't Take My Eyes Off You"
(B. Gaudio / B. Crewe)
Intro:
F#7/E
/ /
Am6/E
/ /
E
/
/ /
C#7#9
/
/ /
(2x)
Verse 1:
E
You're just too good to be true
Emaj7
Can't take my eyes off of you
E7
You'd be like heaven to touch
A
I wanna hold you so much
Am6
At long last love has arrived
E
And I thank God I'm alive
F#7/E
You're just too good to be true
Am6/E
E
Can't take my eyes off of you
Verse 2:
Pardon the way that I stare
There's nothing else to compare
The sight of you leaves me weak
There are no words left to speak
So if you feel like I feel
Please let me know that it's real
You're just too good to be true
Can't take my eyes off of you
Break:
F#m7
/ /
F#m7
/ /
B9
/
B9
/
E6
/
E6
/
Chorus:
F#m9
B13
B7
I love you baby and if it's quite all right
G#m7
C#m7
I need you baby to warm the lonely nights
F#m7 B7sus4
B7
Emaj7 C#7#9
I love you baby, trust in me when I say
file:///C|/olga_main/f-g/f/four_seasons/cant_take_my_eyes.crd (1 of 2) [4/28/2003 9:51:42 PM]
file:///C|/olga_main/f-g/f/four_seasons/cant_take_my_eyes.crd
F#m9
B13
B7
Oh pretty baby, don't bring me down I pray
G#m7
C#m7
Oh pretty baby, now that I've found you stay
F#m7
D9
And let me love you baby, let me love you
[repeat verse 1 in key of G]:
G
Gmaj7
G7
Cm6
A7/G
Cm6/G
file:///C|/olga_main/f-g/f/four_seasons/cmon_marianne.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:42 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./f/four_seasons/cmon_marianne.crd
"C'mon Marianne"
(Brown - Bloodworth)
Intro [a cappella; chords implied]:
Bb
C7
Ebm
Bb
Marianne, Marianne, Marianne, Marianne
[guitar]
Am Abm
/ /
Gm
/ / / /
Verse 1:
Cm
Cm/F
F
Whoa-ho-ho here I am on my knees again
Bb
Gm
I'll do anything just to make it right
Cm
D7
Say you'll understand, oh I know you can
Gm
C'mon Marianne
No matter what people say, it didn't happen that way
She was a passing fling and not a permanent thing
Say you'll understand, oh I know you can
Gm
C'mon Marianne (baby)
Eb
C'mon Marianne (baby)
Dbdim
C'mon Marianne (baby)
Bb D7 Gm
D7
Say you can understand
Gm
My Marianne, Marianne, Marianne, Marianne
[key changes DOWN to F#m]
F#m
/ / / /
/ / / /
/ / / /
Verse 2:
Bm
Bm/E
E
Well now your big brown eyes are all full of tears
A
F#m
From the bitterness of my cheatin' years
Bm
C#7
file:///C|/olga_main/f-g/f/four_seasons/cmon_marianne.crd
file:///C|/olga_main/f-g/f/four_seasons/dawn.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:43 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./f/four_seasons/dawn.crd
"Dawn (Go Away)"
(B. Gaudio - S. Linzer)
LP intro:
A
F#m
Pretty as a midsummer's morn
E7-9
A
They call her Dawn
Intro:
[drum roll]
[chimes arr. for guitar]
Asus2 A
Asus2 A
/ / / /
/ / / /
Dmaj7 D
Dmaj7 D
/ / / /
/ / / /
Verse 1:
A
D
Dawn, go away, I'm no good for you
A
D
Oh, Dawn, stay with him, he'll be good to you
A
F#m
Hang on, hang on to him
Bm
C#m
D
E
Think (think) what a big man he'll be
Bm
C#m
D
E
Think (think) of the places you'll see
Bm
C#m
D
E
A
Now think what the future would be with a poor boy like me
F#m
A
Me...
Bridge:
D
Dm
A
Dawn go away,
please go away
Bm E
A
Although I know
I want you to stay
D
Dm
A
Dawn go away,
please go away
Dm
E
C D
Baby don't cry,
it's better this way
Verse 2:
Dawn, go away back where you belong
Girl, we can't change the places where we were born
Before you say (you say) that you want me
I want you to think (think) what your family would say
file:///C|/olga_main/f-g/f/four_seasons/dawn.crd
file:///C|/olga_main/f-g/f/four_seasons/ive_got_you.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: rogers@hi.com (Andrew Rogers)
Date: Thu, 9 Nov 1995 10:21:19 -0500
Subject: ./f/four_seasons/ive_got_you_under_my_skin.crd
"I've Got You Under My Skin"
(Cole Porter)
[Arrangement: Charles Calello]
[piano/strings:]
D
Dmaj7/C#
D7/C
G/B
Gm/Bb
D/A
E7/G#
A7sus4 Adim
Em7
A13-9
Dmaj7 D6
575755 567575
x05322
I've
got you
under my skin
Em7
A13-9
Dmaj7
D6
I've got you
deep in the heart of me
Em7
A13-9
Dmaj7
So deep in my heart
you're really a part of me (baby, baby, baby)
Em7/D
A7/D
D
I've got you
under my skin
A7sus4 Adim Em7
A13-9
Dmaj7 D6
I've
tried so
not to give in
Gm7
A7+5-9 A7
Dmaj7 D6
x05666
I said to myself this affair
never would go so well
C#m7
F#
F#/B
B
But why should I try to resist when darling I know so well
Em7
A7
D
I've got you
under my skin
Em7/D
A7/D
I'd sacrifice anything come what might
Dmaj7
D6
For the sake of having you near
Em7/D
A7/D
In spite of the warning voice that comes in the night
F#m
F7
Em7
And repeats and repeats in my ear
G
F#7 Bm
Don't you know (little fool)
G
A
D
That you never can win (never win, never win)
Em7
Use your mentality (never win, never win)
A7
D
Wake up to reality (never win)
Am7/D D7
G
But each time I do
Gm7
D/F# [n.c.]
Just the thought of you makes me stop
Before I begin
[A7]
v
v
file:///C|/olga_main/f-g/f/four_seasons/ive_got_you.crd
-0-0---0-------0-|-0-0---0-------0-|
-7-8---8-------8-|-7-8---8-------5-|
-7-9---9-------9-|-7-9---9-------6-|
-----------------|-----------------|
-----------------|-----------------|
-----------------|-----------------|
D
v
v
v
v
v
v
v
v
-----------------|-----------------|
-5-7---7-------5-|-8-7---7---------|
-6-7---7-------6-|-9-7---7---------|
-----------------|-----------------|
-----------------|-----------------|
-----------------|-----------------|
Em7
A7
Whoa-oa-oa (never win, never win)
D
Under my skin (never win, never win)
Em7
A7
Baby (never win, never win)
D
Under my skin
Am7/D
D7
G
Don't you know that each time I do
Gm7
D/F#
Just the thought of you makes me stop
Before I begin
D
Dmaj7/C#
D7/C G/B
Gm6/Bb
'Cause I've got you
under my skin
(under my skin)
[winds/bass arr. for guitar:]
[A7]
[D]
------------------5---3---6---6---2---5-------0-------0-----------------[drums enter]
[repeat to fade:]
Em7
A7
Never win, never win
D
Under my skin...
-- another ace 60's (30's?) tab from Andrew Rogers
D/A
file:///C|/olga_main/f-g/f/four_seasons/ive_got_you_under_my_skin.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:43 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./f/four_seasons/ive_got_you_under_my_skin.crd
"I've Got You Under My Skin"
(Cole Porter)
[Arrangement: Charles Calello]
[piano/strings:]
D
Dmaj7/C#
D7/C
G/B
Gm/Bb
D/A
E7/G#
A7sus4 Adim
Em7
A13-9
Dmaj9 D6
575755 567575
x05322
I've
got you
under my skin
Em7
A13-9
Dmaj9
D6
I've got you
deep in the heart of me
Em7
A13-9
D6
So deep in my heart
you're really a part of me (baby, baby, baby)
Em7/D
A7/D
D
I've got you
under my skin
A7sus4 Adim Em7
A13-9
Dmaj9 D6
I've
tried so
not to give in
Gm7
A7+5-9 A7
Dmaj9 D6
x05666
I said to myself this affair
never would go so well
C#m7
F#
F#/B
B
But why should I try to resist when darling I know so well
Em7
A7
D
I've got you
under my skin
Em7/D
A7/D
I'd sacrifice anything come what might
Dmaj7
D6
For the sake of having you near
Em7/D
A7/D
In spite of the warning voice that comes in the night
F#m
F7
Em7
And repeats and repeats in my ear
G
F#7 Bm
Don't you know (little fool)
G
A
D
That you never can win (never win, never win)
Em7
Use your mentality (never win, never win)
A7
D
Wake up to reality (never win)
Am7/D D7
G
But each time I do
Gm7
D/F# [n.c.]
Just the thought of you makes me stop
Before I begin
file:///C|/olga_main/f-g/f/four_seasons/ive_got_you_under_my_skin.crd
[A7]
v
v
v
v
v
v
v
v
-0-0---0-------0-|-0-0---0-------0-|
-7-8---8-------8-|-7-8---8-------5-|
-7-9---9-------9-|-7-9---9-------6-|
-----------------|-----------------|
-----------------|-----------------|
-----------------|-----------------|
D
v
v
v
v
v
v
v
v
-----------------|-----------------|
-5-7---7-------5-|-8-7---7---------|
-6-7---7-------6-|-9-7---7---------|
-----------------|-----------------|
-----------------|-----------------|
-----------------|-----------------|
Em7
A7
Whoa-oa-oa (never win, never win)
D
Under my skin (never win, never win)
Em7
A7
Baby (never win, never win)
D
Under my skin
Am7/D
D7
G
Don't you know that each time I do
Gm7
D/F#
Just the thought of you makes me stop
Before I begin
D
Dmaj7/C#
D7/C G/B
Gm6/Bb
'Cause I've got you
under my skin
(under my skin)
D/A
file:///C|/olga_main/f-g/f/four_seasons/lets_hang_on.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:44 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./f/four_seasons/lets_hang_on.crd
"Let's Hang On!"
(B. Crewe - S. Linzer - D. Randell)
Intro:
G
B7+5 [xx5445] Em
Ebm Dm Dbm C
There ain't no good in our goodbye-in'
E(no 3)
Am
True love takes a lot of tryin'
D
Oh, I'm cryin'
Fuzz guitar [4X]:
v
v
v
v
-----------------|
-----------------|
-----------------|
-----------------|
-----1-0---------|
(3)------3-1-2-3-|
Bass (enters 3rd time):
v
v
v
v
-----------------|
-----5-3---------|
---------5-3-1---|
(3)------------3-|
Chorus:
C
G
C
G
Let's hang on to what we got
C
G
C
D7/F#
Don't let go girl, we got a lot
Am
D
Bm
Em
Got a lot of love between us
Am
D
Hang on, hang on, hang on
G
C6
G C6
G C6
G
To what we got [doo-doo doo-doo doo-doo]
Verse 1:
G
D7/F#
You say you're gonna go and call it quits
Am
D
Gonna chuck it all and break our love to bits
Am
D7
(Breakin' up) I wish you never said it
Am
D7
(Breakin' up) No, no, we'll both regret it
file:///C|/olga_main/f-g/f/four_seasons/lets_hang_on.crd (1 of 2) [4/28/2003 9:51:44 PM]
file:///C|/olga_main/f-g/f/four_seasons/lets_hang_on.crd
G
D7/F#
That little chip 'o diamond on your hand
Am
D7
Ain't a fortune, baby, but you know it stands
Am
D7
(For your love) A love to try and bind us
Am
D7
(Such a love) We just can't leave behind us
G
Gdim
Baby (don't you go) Baby (oh no no)
Am
D
Baby (think it over and stay)
[repeat chorus]
Horn break [2X]:
G
/
D7/F#
/ /
Am
/
D7
/
Verse 2:
There isn't anything I wouldn't do
I'd go to any price to get in good with you
(Patch it up) Give me a second turn
(Patch it up) Don't cool off while I'm burnin'
You got me cryin', dyin' at your door
Don't shut me out, open your arms for
(Open up) Your arms I need to hold
(Open up) Your heart, oh girl, I told you
Baby (don't you go) Baby (oh no no)
Baby (think it over and stay)
[repeat chorus]
Coda:
[repeat horn break to fade]
[repeat chorus]
-- another ace 60's tab from Andrew Rogers
file:///C|/olga_main/f-g/f/four_seasons/rag_doll.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:44 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./f/four_seasons/rag_doll.crd
"Rag Doll"
(B. Gaudio - B. Crewe)
Intro:
Bb
Eb
Eb/D Cm
Ooh, oo-oo-oo-ooh (Ooh-oo-ooh)
F
Bb
Ooh-oo-oo-oo-oo-oo-oo-ooh
Bb
Eb
Eb/D Cm
Ahh, ah-ah-ah-ahh (Rag doll, ooh)
F
Bb
Ooh-oo-oo-oo-oo-oo-oo-ooh
Verse 1:
Eb Bb F7
Bb
F7
(Hand-me-down) When she was just a kid her clothes were hand-me-down
Eb Bb F7
Bb
F7
(Hand-me-down) They always laughed at her when she came into town
F7
Bb
Eb
Bb
Eb
Bb
Called her
rag doll, little
rag doll
Gm C7 F
Gm
C7 F
F7 [xx7867]
Such a pretty face should be dressed in lace
[half-length intro:]
Ooh, oo-oo-oo-ooh (Ooh-oo-ooh)
Ooh-oo-oo-oo-oo-oo-oo-ooh
Verse 2:
(Sad rag doll) I'd change her sad rags into glad rags if I could
(If I could) My folks won't let me 'cause they say that she's no good
She's a rag doll, such a rag doll
Though I love her so, I can't let her know
[repeat intro:]
Ooh, oo-oo-oo-ooh (Ooh-oo-ooh)
Ooh-oo-oo-oo-oo-oo-oo-ooh
Ahh, ah-ah-ah-ahh (Rag doll, ooh)
I love you just the way you are
Coda [intro chords; repeat to fade]:
A-ahh, ah-ah-ah-ah ah-ahh
Ooh-oo-oo-oo-oo-oo-oo-ooh
file:///C|/olga_main/f-g/f/four_seasons/sherry.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:45 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./f/four_seasons/sherry.crd
"Sherry"
(B. Gaudio)
Intro:
C
Am
Dm
G
v
v
v
v
v
v
v
v
-----------------|-----------------|
-----------------|-----------------|
-----------------|-----------------|
-2-----2---------|-3-----3-5-5-3-3-|
-3-----3-3-----3-|-5-----5-7-7-5-5-|
---------5-----5-|-----------------|
C
Am
Sherry,
C
Am
Sherry,
[2X]
Dm
G
Sherry baby
Dm
G
Sherry baby
Verse 1:
C
Am
Dm
G
C Am Dm
G
She - e - e-e-e-e-ry baby (Sherry baby)
C
Am
Dm
G
C
She - e - rry, can you come out tonight
C
Am
Dm
G
(Come, come, come out tonight)
C
Am
Dm
G
C Am Dm
G
She - e - e-e-e-e-ry baby (Sherry baby)
C
Am
Dm
G
C
She - e - rry, can you come out tonight
Eb F C [n.c.]
Chorus 1:
E7
Why don't you come out (come out) to my twist party
A7
(Come out) Where the bright moon shines
D7
(Come out) We'll dance the night away
G7 [n.c.]
I'm gonna make-a you mi-yi-yi-yine
Verse 2:
She - e - e-e-e-e-ry baby (Sherry baby)
She - e - rry, can you come out tonight
(Come, come, come out tonight) [2X]
You-oo-ooh better ask your mama (Sherry baby)
Tell her everything is all right
Chorus 2:
file:///C|/olga_main/f-g/f/four_seasons/sherry.crd
Why don't you come out (come out) with your red dress on
(Come out) Mmm, you look so fine
(Come out) Move it nice and easy
Girl, you make me lose my mind
Coda:
She - e - e-e-e-e-ry baby (Sherry baby)
She - e - rry, can you come out tonight
(Come, come, come out tonight) [repeat to fade]
-- another ace 60's tab from Andrew Rogers
file:///C|/olga_main/f-g/f/four_seasons/silence_is_golden.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:45 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./f/four_seasons/silence_is_golden.crd
"Silence Is Golden"
(B. Gaudio - B. Crewe)
Intro:
[Bb7]
v
v
v
v
-----6-6-6-6-6-6-6
-----9-8-6h8p6-6-6
---------------8-7
---------------------------------------------------^^^^^
triplet
Eb
/ /
[2X]
Verse 1:
Eb
Ab
Eb
Ab
Oh, don't it hurt deep inside
Eb
Bb7
Eb
Bb7
To see someone do something to her
Eb
Ab
Eb
Ab
Oh, don't it pain to see someone cry
Eb
Bb7
Eb
Oh, especially when someone is her
Chorus:
Eb
Gm
Fm
Bb
Eb
Silence is golden,
but my eyes still see
Eb
Gm
Cm
Silence is golden, golden
Fm
Bb
Eb
But my eyes still see
Verse 2:
Talking is cheap, people follow
Even though there is nowhere to
How could she tell, he deceived
Pity, she'll be the last one to
like sheep
go
her so well
know
file:///C|/olga_main/f-g/f/four_seasons/silence_is_golden.crd
G#m
F#m B E
G#m C#m F#m B
Coda:
[wordless vocal over chorus chords; repeat to fade]
-- another ace 60's tab from Andrew Rogers
file:///C|/olga_main/f-g/f/four_seasons/tell_it_to_the_rain.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:46 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./f/four_seasons/tell_it_to_the_rain.crd
"Tell It To The Rain"
(Petrillo - Cifelli)
Intro:
Verse 1:
C
Dm7/C
G/C
F/C
C
You're cryin' now just like I used to cry before (rain, rain, rain)
C
Dm7/C
Bb G
Turn off the tears, girl, I don't care anymore
Cm7
F7
Dm7
G7
You can save all your lies 'cause I've heard them all before
Chorus:
C
Tell it to the rain and the stars that shine above
Dm7/C
That it's me you're thinking of
G
And I'm your love [3: Forget him, love]
[1: C; repeat intro; to verse 2
2: Cm; to break
3: C; repeat intro; repeat chorus
4,5: low C on cellos; repeat chorus]
Tell it to the rain
Verse 2:
I gave you love, girl, and got nothing in return (rain, rain, rain)
How does it feel to feel what I had to learn
Baby don't say you're sorry 'cause I'm just not concerned
[repeat chorus]
Break:
Cm
Cm/Bb
(Tell it baby) yeah
Cm/Ab
(Tell it baby) yeah
(Tell it baby)
Cm/G
file:///C|/olga_main/f-g/f/four_seasons/tell_it_to_the_rain.crd
file:///C|/olga_main/f-g/f/four_seasons/walk_like_a_man.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:47 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./f/four_seasons/walk_like_a_man.crd
"Walk Like A Man"
(B. Gaudio - B. Crewe)
Intro:
[drum roll (2X)]
Bb Eb
/ / / /
[8X]
Bb
Eb/Bb Bb
Walk like a man
F7
Verse 1:
Bb
Cm7
Bb
Cm7
Oh, how you tried to cut me down to size
Bb
Cm7
Bb
Cm7
Tellin' dirty lies to my friends
Bb
Cm7
Bb
Cm7
But my own father said "Give her up, don't bother
Bb
Cm7
Bb
The world isn't comin' to an end"
[N.C.]
(He said)
Chorus 1:
Eb
Ab
Eb
Walk like a man, talk like a
Eb
Gm
Fm
Bb
Walk like a man my son
Eb
Ab
No woman's worth crawlin' on
Eb
Gm
Ab
So walk like a man, my son
Ab
man
the earth
F
Link:
Bb Eb [6X]
/ / / /
Bb
F7 [special Four Seasons voicing: xx7868]
/ / / / / / / /
Verse 2:
Bye bye baby, I don't-a mean maybe
Gonna get along somehow
Soon you'll be cryin' on account of all your lyin'
Oh yeah, just look who's laughin' now
(I'm gonna)
Chorus 2:
Walk like a man, fast as I can
file:///C|/olga_main/f-g/f/four_seasons/walk_like_a_man.crd
file:///C|/olga_main/f-g/f/four_seasons/working_my_way.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:47 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./f/four_seasons/working_my_way.crd
"Working My Way Back To You"
(S. Linzer - D. Randell)
Intro:
Bass:
v
v
v
v
v
-----------------|-----------------2-|-5---------2-5-5---|---------3---------|--Keyboard arr. for guitar:
G7(no 3) C/G G
[sim.]
v
v
v
v
v
v
v
v
-----------------|-----------------|
-----6---5---3---|-6-5---3---------|
-----7---5---4---|-7-5---4---------|
-----5---5---5---|-5-5---5---------|
-----------------|-----------------|
-----------------|-----------------|
[2X]
Chorus:
Dm7
G7/B
Working my way back to you, babe
C F
C E7/B Am
With a burnin' love inside
Dm7
G7/B
Yeah, I'm workin' my way back to you, babe
C F C
E7/B Am
And the happiness that died
D7
G [keyboard riff]
I let it get away
[keyboard riff]
Been payin' every day
Verse 1:
G
D7/F#
When you were so in love with me
C
D
I played around like I was free
G
D7/F#
Thought I could have my cake
and eat it too
C
D
But how I cried over losin' you
C
Cm
See me cryin' now, but I ain't about to go
G
Gdim
file:///C|/olga_main/f-g/f/four_seasons/working_my_way.crd
file:///C|/olga_main/f-g/f/frampton_peter/baby_i_love_your_way.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: glen.word@equinox.org (Glen Word)
Words and Music by:
PETER FRAMPTON
BABY I LOVE YOUR WAY
<gw>
G
Bm
Em
C
F7
SHADOWS GROW SO LONG BEFORE MY EYES, AND THEY'RE MOVING, ACROSS THE PAGE
G
Bm
Em
C
F7
SUDDENLY THE DAY TURNS INTO NIGHT, FAR AWAY, FROM THE CITY
Bm
E7
Am
D7
BUT DON'T, HESITATE, CAUSE YOUR LOVE, WON'T WAIT
CHORUS:
G
G
G
D
Am
OOH, BABY I LOVE YOUR WAY
D
Am
WANNA TELL YOU I LOVE YOUR WAY
D
Am
WANNA BE WITH YOU NIGHT AND DAY
G
Bm
Em
C
F7
MOON APPEARS TO SHINE, AND LIGHT THE SKY, WITH THE HELP, OF SOME FIREFLY
G
Bm
Em
WONDER HOW THEY HAVE, THE POWER TO SHINE, SHINE, SHINE
C
F7
I CAN SEE THEM, UNDER THE PINE
Bm
E7
Am
D7
BUT DON'T, HESITATE, CAUSE YOUR LOVE, WON'T WAIT
CHORUS:
G
Bm
Em
C
F7
I CAN SEE THE SUNSET IN YOUR EYES, BROWN AND GREY, AND BLUE BESIDES
G
Bm
EM
C
F7
CLOUDS ARE STALKING ISLANDS IN THE SUN, I WISH I COULD BUY ONE, OUT OF SEASON
Bm
E7
Am
D7
BUT DON'T, HESITATE, CAUSE YOUR LOVE, WON'T WAIT
CHORUS:
G
Am
file:///C|/olga_main/f-g/f/frampton_peter/feel_like_i_do.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: pauls@hogpe.ho.att.com (-P.SALVA)
Feel Like I DO
Peter Frampton
D - F - C - D)
CHORDS:
A
Woke up this morning
E
with a wine glass in my hand
A
blah blah, blah blah, why the hell did I die?
A
must have been a dream
E
I don't believe where I've been
A
come on, let's do it again
D
Do you
F
you
C
feel like I
D
do
I think it pretty much repeats that progression through the rest of the
song. Sorry, I can't remember all the lyrics from the song.
Paul
file:///C|/olga_main/f-g/f/frampton_peter/penny_for_your_thoughts.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Thu, 4 Jan 96 13:38:01 PST
From: ralph@thecoast.gvg.TEK.COM (Ralph Williams)
Subject: Description of Penny for Your Thoughts by Peter Frampton
Penny for Your Thought written by Peter Frampton, off of Frampton Comes Alive
released somewhere around 1975:
Original poster:
Lee Van Dyke
(no current Email address or phone number)
This is pretty easy once you tune to an open G (DGDGBD) the 2 E'S down to a D
and the A down to G.
The first bit is on the high D starting at the 12th fret,
pull off and then quickly play sliding 3rds on the 2nd and 3rd string
starting at A (3rd str) C (2nd). The other part is ascending 3rds.
> The ascending thirds are played on the 2nd and 4th strings.
The verse part consists of bar chords at the V, III, VII frets.
> The chord is just a flat bar across the middle 4 strings.
Modified by:
Ralph Williams
ralph@thecoast.gvg.tek.com
file:///C|/olga_main/f-g/f/frazier_rob/still_small_voice.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: johnmidi@atl1.america.net (John A. Sisk)
Subject: CRD: "Still Small Voice" by Rob Frazier
till Small Voice
by Rob Frazier
the "Heartland" CD
**************************************************************************
--------------------------------intro
---------------------------G
/
/ O / Em
/ G
O / Em / C / D
/ C
---------------------------------------------------------------------------G
O
Em C
highways run
heart
O
Em C
highways run
part
O
here i
G
across my
all
C G
to the wildest
Em C
G
C G
stand at the crossroads
how will i
Am C
know
D
which way to go---
O
Em C
'cause i have been
Holy book
C G
to the
O Em C
a time of prayer
i have not over looked
G
but
O
C G
theres a thin thin
Am C
that i might cross
out a guide
Em C
line
next to compromise
D
over
with
----------------------------
chorus
O
Em C
then a still small
voice
whispers in my ear
O
Em C
a still small
voice only i can hear
---------------------
G C G
D C
file:///C|/olga_main/f-g/f/frazier_rob/still_small_voice.crd
O Em C
G
C
G
when the Spirit speaks i must make my choice
Am C
D
to head or ignore the still small voice
_____________________________
end of chorus
___________________
O
Em C
G
C G
is a battle ground
O Em C
and far to often i've laid my
weapons down
O Em C
and there
are times i have been confused
Am C
D
but
know i know there's no excuse
---------------------------------chorus
----------------------------------------------------
C G
repeat
bridge
Em
C
Em
C
it's a voice that gives me courage -- a voice that makes
me strong
Em
C
Em
C
it's a voice that gives me wisdom to know the right the
right from the wrong
Em
C
Em
C
a voice that calls me gently but it's a voice i must obey
Em
C
Em
C
it's the
voice of God with-in me and He's showin' me the way-----------------------------------repeat chorus
-------O = STRUM A&D strings open once
(2nd
& 3rd string from top)
file:///C|/olga_main/f-g/f/frazier_rob/the_long_run.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: StrydomB@busad.unp.ac.za (Barry.Strydom)
Subject: CRD: The Long Run - Rob Frazier
this is my first complete attempt at working out a song and although it
works I know there are places where it can be improved. If
anyone knows the song I'd appreciate it if they could make
any suggestions as to how I can improve it. Enjoy.
THE LONG RUN
INTRO:
Rob Frazier
G D G D Em D G C D
D
G
They never said it'd be easy
C
G
D
But I never though it'd be this hard
Am
Em
Two hearts trying to pull together
C
G
D
But so many times we're pullin' apart
Bm
Em
We try it your way, try it mine
C
Am
D
G
But thank God we find the faith to keep on tryin.
CHORUS:
D
G
And I don't care what the cynics say
D
Em
How many lose their love along the way
D
G
I'm holding on till the race is won
C
D
G
'Cause I am in this love for the long run.
REPEAT INTRO
D
G
In the heat of the moment
C
G
D
We say things we're gonna regret
Am
Em
Words can leave a bitter memory
C
G
D
Or help us to forgive and forget
Bm
Em
Communication - its our lifeline
C
Am
D
G
'Cause honey things are getting tougher all the time
REPEAT CHORUS
Em
Am
Remember when our love began
D
G
D
Em
Oh baby I still feel the very same way
Am
D9 D D9 D
file:///C|/olga_main/f-g/f/frazier_rob/the_long_run.crd (1 of 2) [4/28/2003 9:51:47 PM]
file:///C|/olga_main/f-g/f/frazier_rob/the_long_run.crd
file:///C|/olga_main/f-g/f/freakpower/turn_on_tune_in.btab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
From: "Mike Ackley" <phsmaa@south-01.novell.leeds.ac.uk>
Date: Thu, 18 Jan 1996 11:37:59 GMT0BST
Subject: BTAB: "Turn on, tune in, and cop out." by "Freakpower"
Turn on, Tune in, & Cop out
====================
By Freakpower.
From:
Mike Ackley.
file:///C|/olga_main/f-g/f/free/all_right_now.btab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: EWJR18C@prodigy.com (Billy Karren)
Subject: BTAB: All Right Now - Free
All Right Now
Free
there's a heck of a lot of guitar before the bass comes in
g
d 7 7 7
a
9 7
e
this is the groovy part in the middle
g
d 0 0 0
0
a
2 0 2
2 0
e
19
17
17
17 15
15
file:///C|/olga_main/f-g/f/free/all_right_now.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: pachuta@horta (usmmm3hj@ibmmail.com)
A while back I requested a TAB of this song, but got no response. I'll post
a couple of alternative TABs for the main riff the way I play it, then I'll
give you the lyrics. Note that these TABs are imperfect, but they are a
reasonable approximation. If anyone has a better way to play this, PLEASE
send it in!
The song is really just two riffs: Riff 1 is played with all the verses,
and Riff 2 is played during the chorus. I'll give Riff 1, and I'll work out
Riff 2 sometime soon, unless someone scoops me. The solo is not difficult,
so I'll also work out the TAB for that when I have time.
ALL RIGHT NOW - Free (1970)
Riff 1 (easy method)
----------------3--3------2--2-3-2----2-3--3--2---2--2-2-2----2-2--2--2-- Repeat throughout verses
--2--2-2-2----2-2--2--2-------------------------------------------------^ ^
Strum these several times fast
Riff 1 (alternate method)
--5--5-5-5----5-5--5--5---5--5-5-5----5-8--8--5---6--6-7-6----6-7--7--6-- Repeat throughout verses
--7--7-7-7----7-7--7--7---7--7-5-7----7-5--5--7---5--5-5-5----5-5--5--5-^ ^
Strum these several times fast
Lyrics (Obtained by listening--not from a book. Questionable parts are in
brackets. I have no idea what he says at the end of verse 2, so I just
filled in with something approximate. Once again, if anyone finds mistakes
here, please correct me.)
ALL RIGHT NOW - Free (1970)
There she stood in the street
Smilin' from her head to her feet.
I said hey what is this now baby maybe
Maybe she's in need of a kiss.
I said a-hey, what's your name baby?
Maybe we can see things the same.
Now don't you wait, don't hesitate
Let's move before they raise the parking rate
(CHORUS)
file:///C|/olga_main/f-g/f/free/all_right_now.tab
file:///C|/olga_main/f-g/f/free/all_right_now.tab
The solo isn't very hard either, but I don't remember it all off the top
of my head.
Chad
file:///C|/olga_main/f-g/f/freebeer/ice_in_my_pants.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
ice in my pants
by: FreeBeer
written by:Josh "Ker0uaC" Tatum, Steve "Fuzzboy" Morgan
it goes a little like this but really fast
H
Pm
i got ice in my pants...lets all dance
i got ice in my pants...lets all dance
i got ice in my pants...lets all dance
H
Mm
H#m
hear me sing...it is your last chance
H
your moma
your moma
your moma
H
you smell
Pm
is gay...lets all play
is gay...lets all play
is gay...lets all play
Mm
H#m
bad...so go away
solo: you put your big finger on the fourthy fret then slide it up the
down then up and the sideways 3 times...after you do that put your right
hand on the big string and pluck it as hard as you can...almost to
braking it...repeat until finished...
H
Pm
keep on tripping...the tempo is slippin'
keep on tripping...the tempo is slippin'
keep on tripping...the tempo is slippin'
Lb
W#
i like my chicks when they are nippin'
i hear the
i hear the
i hear the
kick 'em a
the
the
the
you
chops
chops
chops
stop!
solo #2: start by lighting your guitar on fire ...ala jimi hendrix.
Urinate on it to put it out _ONLY_ after the 1st and fourth strings have
popped...tune the guitar to sound like a saxaphone...the slide the pointy
finger to the top and eat the strings wiht mustard and cheese...clap
loudly and runa round like a chincken...if you are a girl, take off your
clothes, take pictures, scan them, mail them to me...boys should _NOT_ do
this part...they should just kill themselves by eating the guitar now...
outro: yell like cat on fire and scream "Kick 'em in the nads!!!!!"
file:///C|/olga_main/f-g/f/frehley_ace/do_ya.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
From rcwoods@nevada.edu Mon Jan 15 02:30:09 1996
Received: from post-office.nevada.edu (rcwoods@post-office.nevada.edu [131.216.1.11]) by
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Received: (rcwoods@localhost) by post-office.nevada.edu (8.6.12/8.6.4) id SAA23780 for rcwoods;
Sun, 14 Jan 1996 18:27:43 -0800
Date: Sun, 14 Jan 1996 18:27:43 -0800
From: Cal Woods - guitar ftp coadmin <rcwoods@nevada.edu>
Message-Id: <199601150227.SAA23780@post-office.nevada.edu>
Apparently-To: rcwoods@post-office.nevada.edu
X-Status:
Status: RO
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Do Ya
----by Ace Frehley
from the album Trouble Walkin'
Tabbed by James Lee (jameslee@leland.stanford.edu)
Tune down 1/2 step
/ = slide up
\ = slide down
b = bend (the number of parentheses is the number of steps)
pb = pre-bend
r = release bend
^ = legato (hammer-ons and pull-offs)
Intro:
D5 A5 G5 <-- play 4 times
After the 1st and 3rd repeat, play the following with a slide:
-----------12\--12\-----------After the 4th repeat, play this:
---------------------------------------------------------------------------------------------------/12---11-12-11-12-11-12-11-12-11-12-11-12-11-12--
file:///C|/olga_main/f-g/f/frehley_ace/do_ya.tab
---------------------------------------------------------------------------------------------------------------------------------------------------Verse:
D5
A5
G5
Well in this life I've seen everything
A5
I can see woman
Use same chord pattern unless otherwise noted:
I've seen lovers flying thru the air
Hand in hand
I've seen babies dancing in the midnight sun
And I've seen dreams come from the heavenly skies above
I've seen old men crying
At their own grave sites and
I've seen pigs all sittin'
G5
Watching picture slides
G5
* G5
But I ain't never seen nothin' like you
* = play this with a slide: -----------12\--12\-----------D5 A5 G5 A5
Chorus:
D5
A5
G5
Do ya do ya want my love
A5
woman
file:///C|/olga_main/f-g/f/frehley_ace/do_ya.tab
|-----7---7----------10--10----------12--12-----------19--19---|---7-------7------10------10------12------12-------19------19-|-5------------5/8-------------8/10------------10/17-----------|--------------------------------------------------------------|
| Gtr. 2 (dirty)
|--------------------------------------------------------------|-3--------------6---------------8----------------15-----------|-5b(1)----------8b(1)-----------10b(1)-----------17b(1)-------|--------------------------------------------------------------|--------------------------------------------------------------|--------------------------------------------------------------D
Dsus4 D
Asus4
A
In the country where the sky touches down
Gsus4
G
On the field she lay her down to rest
(play the arpeggiated figure)
In the waterside
Use same chord pattern:
They come a-runnin' just to get a look
Just to feel, to touch her long black hair
They don't give a damn
After another chorus, play this fill w/ a slide:
-/15-15--15-15--15-15--15-15--15--/15-15--15-15--15-15--15-15--15-------------------------------------------------------------------------------------------------------------------------------------(I don't think this is actually right)
Verse:
I think you know what I'm tryin' to say woman
That is I'd like to save you for a rainy day
I've seen enough of this world to know that I've gotta
Gotta get it all, get it all to (???)
After the last chorus, play these outro chords:
C5 C5/B(?) Bb5 G5
C5 Bb5(?) G5
Outro solo (approximation):
-----------------------------------------------------------------------------------------------------------------------18b(1)-20b(1)-18b(1)--17b(1)r^15-17--17-15-----------15-17b(1)r^15--15-------------------------------------------17-17--17--------------17---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------15----------18--------------18-------------------------------------15----15-18b(1)---r18-15-------18-----------------------18b(1)--17b(1)-------------------------17b(1)---r17-17pb(1)r-15^17^15----------------------------------------------------------------------------------------------------------------------------------------------------file:///C|/olga_main/f-g/f/frehley_ace/do_ya.tab (3 of 4) [4/28/2003 9:51:48 PM]
file:///C|/olga_main/f-g/f/frehley_ace/do_ya.tab
-----------------------------------------------------------------------
file:///C|/olga_main/f-g/f/frehley_ace/shot_full_of_rock.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Shot Full Of Rock
----------------by Ace Frehley
from the album Trouble Walkin'
Tabbed by James Lee (jameslee@leland.stanford.edu)
Here's a song from guitar god Ace. I'm not too sure about the intro so
I put in two possibilities. I didn't tab the solo, sorry...
Tune down 1/2 step
PM = palm mute
b = slight bend and release
^ = legato (hammer-ons and pull-offs)
T = right-hand tap
Lead up to the intro with E5 chords
Intro:
Here's the easy way to play it:
P P
M M
---------------------------------------------------------------------------------------9-----12-12-------9-----------------------9-----12-12-------9-----------------------7-----10-10-------7----5^7-5------------0------0--0----3b-0------------5-3--3b-0-|_______|
(double these five notes an octave higher)
P P
M M
---------------------------------------------------------------------------------------9-----12-12-------9-----------------------9-----12-12-------9-----------------------7-----10-10-------7----------5----------0------0--0----3b-0------5-6-7---7-6-5-3-Here's another way to play it:
/-- Attack these two open strings with your fingers each time
|
---0-----3--3--------0----------------------0-----3--3--------0----------------------------0--0-------------------------------------0--0-------------0^2-0------------------------------------------0---------0-------3--3---3b-0--------------3--3b-0|_______|
(double these five notes an octave higher)
---0-----3--3--------0-----------------------0-----3--3--------0-----------------------------0--0------------------------------
file:///C|/olga_main/f-g/f/frehley_ace/shot_full_of_rock.tab
---------0--0-------------------0-----------------------------------0-1-2---2-1-0----0-------3--3---3b-0--------------------3-Verse:
G5
Wake
G5
Here
G5
Hold
G5
Over
Bb5 C5
up Jack get ready
Bb5 A5
we come to rock this town
Bb5 C5
on tight and steady
(pick noise)
under sideways down
file:///C|/olga_main/f-g/f/frehley_ace/shot_full_of_rock.tab
file:///C|/olga_main/f-g/f/frente/accidentally_kelly_street.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From:
jacy quadros <cba1a@Bayou.UH.EDU>
I am not sure if you are the one to receive this, but since I've been using
the ftp for a while, I thought it would be just fair if I sent the ftp
something. This is a "feeling good" song, easy to play and sing!
ACCIDENTLY KELLY STREET
Frente!
A
F#m
Here's a door and here's a window
D
E
Here's the ceiling, here's the floor
A
F#m
The room is lit lika a black and white movie
D
E
The TV's on, that's what it's for
D
F#m
Bm
E
And if you walk real slowly, you can feel the planet breathe
D
F#m
Bm
E
There's no need to feel so lonly now that we've all learned to give
A
F#m
D
E
Accidently Kelly Street where friends and strangers sometimes meet
A
F#m
D
E
A
Accidently Kelly Street I never thought life could be so sweet
A
F#m
In the garden birds are singing
D
E
The sun is shining on the path
A
F#m
The wind is talking to the flowers
D
E
The dogs and cats all take a bath
D
F#m
Bm
E
And if you stop that talking you can hear the traffic sigh
D
F#m
Bm
E
Throw away those keys, start walking and watch those tiny things go by
chorus
F#m
D
E
A
It's Sunday everyday and there's no need to rush around
F#m
Bm
D
E
Inside of everybody there's sun and laughter to be found
A
F#m
It seems that we're on holidays
D
E
And sleeping in is not a sin
A
F#m
All the house work's done by teatime
D
E
I'm felling good about the way I've been
D
F#m
Bm
E
Perhaps this optimism will crash on down like a house of cards
D
F#m
Bm
E
I know that my decision to change my life was not that hard
file:///C|/olga_main/f-g/f/frente/accidentally_kelly_street.crd (1 of 2) [4/28/2003 9:51:49 PM]
file:///C|/olga_main/f-g/f/frente/accidentally_kelly_street.crd
chorus
***
- -=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=
David Hisaw, Software Systems Analyst
Internet: hisaw@nevada.edu
UCCSN System Computing Services
BITnet: hisaw@nevada
4505 Maryland Parkway
Phone: (702)895-4584
Las Vegas, NV 89154
FAX: (702)895-3791
=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=:=
------- End of Forwarded Message
file:///C|/olga_main/f-g/f/frente/bizarre_love_triangle.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: indigo@ucscb.UCSC.EDU (Adam Schneider)
BIZARRE LOVE TRANGLE (Frente!)
-----------------------------[Capo 1.]
[See tab at end for chord fingerings.]
C
[intro]
Fmaj7
G
Every time I think of you
Em
F
I get a shot right through into a bolt of blue
F
G
It's no problem of mine but it's a problem I find
Em
F
F(#4)
Living a life that I can't leave behind
F
G
There's no sense in telling me
Em
F
The wisdom of a fool won't set you free
F
G
But that's the way that it goes and it's what nobody knows
Em
F
And every day my confusion grows
Fmaj7
G(9)
Every time I see you falling
Em
F - F(#4)
I get down on my knees and pray
F
F(#4)
G
I'm waiting for that final moment
Em
F
You say the words that I can't say
C
[instr.]
I feel fine and I feel good
I feel like I never should
Whenever I get this way I just don't know what to say
Why can't we be ourselves like we were yesterday
I'm not sure what this could mean
I don't think you're what you seem
I do admit to myself that if I hurt someone else
Then I'd never see just what we're meant to be
Every time I see you falling
I get down on my knees and pray
I'm waiting for that final moment
You say the words that I can't say
Every time I see you falling
I'll get down on my knees and pray
file:///C|/olga_main/f-g/f/frente/bizarre_love_triangle.tab
[end on C]
TAB:
This is for the first verse and chorus; the second is similar.
C
------------------------|
------------1-----------|
--------0-------0-------|
----2---------------2---|
3-----------------------|
(triplets)--------------|
^ . ^ . ^ . ^ .
[intro]
E
B
G
D
A
E
Fmaj7
G
Em
F
------0---------|----------------|----------------|----------------|
----1-----1---1-|3-----3-----3---|0-----0-----0---|1-----1-----1---|
--2---------2---|--0-----0-----0-|--0-----0-----0-|--2-----2-----2-|
3---------------|----0-----0-----|----2-----2-----|----3-----3-----|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
Every time I think of you I get a shot right through into a bolt of blue
E
B
G
D
A
E
F
G
Em
F
F(#4)
----------------|--------3-------|--------0-------|----------------|
1-----1-----1---|3-----3---------|0-----0-------0-|1-----0---------|
--2-----2-----0-|--0---------0---|--0---------0---|--2---------2---|
----3-----3-----|----0---------0-|----2-----------|----3---------3-|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
It's no problem of mine but it's a problem I find,
living a life that I can't leave behind
E
B
G
D
A
E
F
G
Em
F
----------------|--------3-------|----------------|----------------|
1-----1-----1---|3-----3---3-----|0-----0-----0---|1-----1-----1---|
--2-----2-----2-|--0---------0---|--0-----0-----0-|--2-------2---2-|
----3-----3-----|----0---------0-|----2-----2-----|----3-----------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
There's no sense in telling me, the wisdom of a fool won't set you free
E
B
G
D
A
E
F
G
Em
F
----------------|--------3-------|----------------|----------------|
1-----1-----1---|3-----3---3-----|0-----0-----0---|1-----1-----1---|
--2-----2-----2-|--0---------0---|--0-----0-----0-|--2-------2---2-|
----3-----3-----|----0---------0-|----2-----2-----|----3-----------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
But that's the way that it goes and it's what nobody knows,
and every day my confusion grows
E
B
G
D
A
E
file:///C|/olga_main/f-g/f/frente/bizarre_love_triangle.tab
Fmaj7
G(9)
Em
F
F(#4)
----------0-----|--------5-------|--------3-------|----------------|
1-------1---1---|3-----3---------|0-----0-------0-|1-----0---------|
------2-------2-|--4---------4---|--0---------0---|--2---------2---|
----3-----------|----5---------5-|----2-----------|----3-----3---3-|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
Every time I see you falling, I get down on my knees and pray
E
B
G
D
A
E
F
G
Em
F
----------------|----------------|--------0-------|----------------|
1-----0-----0---|3-----0---------|0-----0-------0-|1-----1-----1---|
--2-----2-----2-|--4---------4---|--0---------0---|--2-----2-----0-|
----3-----3-----|----5-----5---5-|----2-----------|----3-----3-----|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
I'm waiting for that final moment you say the words that I can't say
E
B
G
D
A
E
==-=--=---=----=-----=-------=---------=---------=-------=-----=----=---=--=-==
Adam Schneider
indigo@ucscb.ucsc.edu
St. Paul, MN
Mail me if you want guitar chords for Mary-Chapin Carpenter,
Indigo Girls, Suzanne Vega, Lucinda Williams, etc.
==-=--=---=----=-----=-------=---------=---------=-------=-----=----=---=--=-==
>From: robertf@uhunix3.uhcc.Hawaii.Edu (Robert Fukumoto)
>Subject: CRD: Bizarre Love Triangle - Frente!
>Organization: University of Hawaii
>Date: Thu, 26 May 1994 03:26:24 GMT
This is taken from Frente!'s performance on the Conan O'Brien
show but I think it should be the same as on the CD. Enjoy!
-Ray
<Intro>
C
e|------------------|
B|----------1-------|
G|-------0-----0----|
D|----2-----------2-|
A|-3----------------|
E|------------------|
F
G
Every time I think
Em
I get a shot right
F
It's no problem of
Em
Living a life that
of you
F
through into a bolt of blue
G
mine but it's a problem I find
F
I can't leave behind
F
G
There's no sense in telling me
Em
F
The wisdom of a fool won't set you free
F
file:///C|/olga_main/f-g/f/frente/bizarre_love_triangle.tab
But that's the way that it goes and it's what nobody knows
Em
G
And every day my confusion grows
<Chorus>
F
G
Every time I see you falling
Em
F
I get down on my knees and pray
F
G
I'm waiting for that final moment
Em
F
You say the words that I can't say
Repeat <Intro>
F
G
I feel fine and I feel good
Em
F
I feel like I never should
F
G
Whenever I get this way I just don't know what to say
Em
F
Why can't we be ourselves like we were yesterday
F
G
I'm not sure what this could mean
Em
F
I don't think you're what you seem
F
G
I do admit to myself that if I hurt someone else
Em
F
Then I'd never see just what we're meant be
<Chorus>
C
Chords
C
F
G
Em
EADGBe
-----x3201x
x33211
320003
022000
file:///C|/olga_main/f-g/f/frente/bizarre_love_triangle.tab
file:///C|/olga_main/f-g/f/frente/labour_of_love.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: indigo@ucscb.UCSC.EDU (Adam Schneider)
LABOUR OF LOVE (Frente!)
-----------------------[Capo 2.]
[Each chord is about one measure, or groups of chords joined by hyphens
are about one measure total.]
[I play Gsus9 as 300233.]
[I've carefully notated the rhythm for the first verse at the end; that
should be easier to follow than the chords above the lyrics.]
Em Em Em
[intro]
Em
Em
Gsus9
Asus
A
Asus - A
Am I fooling you, do you fall for it all, do you just see right through
Em
Gsus9
D - Dsus - Dsus9
Dsus9 - Dsus - D
Are you as cool as you believe
Em
Gsus9
D Dsus - D
A
Asus - A
Or are you playing hard, are you waiting just to quietly clock my card
Em
Gsus9
D - Dsus9
Dsus - D
Are you waiting for a moment to leave
A
A - Dsus
[instr.]
I don't know how I bent what you said to what I believe you meant
I don't know anything at all
I'm standing in the push and shove and I'm just within the rescue of the
labour of your love
I can't do anything but fall, fall, fall fall fall
C
C
Why do I feel like I can never find you
D
D
Why do I feel like I'm the only survivor
Em
Em
Gsus9
n.c.
Why am I thinking of you and me and the labour of love
One chance, one shot, that's all anybody ever got
Newborn, still warm, naked in the rush hour, dancing in my gutter
And if you want to find me, call me I'll be far from the cars and guitars
and everybody
Why do I feel like I can never find you
Why do I feel like I'm the only survivor
Why am I thinking of you and me and the labour of love
[flute solo, same chords as verse]
And I never knew before, but I feel like a child in a cold cold war
So strong, so tough, sitting in suburbia waiting for the wind-up
And I don't wanna dance, I just wanna jump from the prison of circumstance
Why am I thinking of you and me and the labour of love
Why do I feel like I can never find you
Why do I feel like I'm the only survivor
Why am I thinking of you and me and the labour of love
file:///C|/olga_main/f-g/f/frente/labour_of_love.crd
RHYTHM:
Hopefully, this should be self-explanatory. The slashes
are strums, the x's are...I don't know what they're called;
you know, when you stop the strings with your right hand.
The slashes with periods are staccato.
This is for the first verse; the rest of the verses are _almost_
identical.
Em
/
/ x
/
/ x
/
/ x
/
/ / / /
------------------------ -----------------------1
- 2
- 3
- 4
- 1
- 2
- 3
- 4
[intro]
Em
/
x
/
/ x
/
/ /.
/.
/.
------------------------ -----------------------1
- 2
- 3
- 4
- 1
- 2
- 3
- 4
[intro]
Em
Gsus9
/
/
/ /
/
/
/
/ /
------------------------ -----------------------1
- 2
- 3
- 4
- 1
- 2
- 3
- 4
Am
I
fooling
you,
do you
Asus
A
Asus A
/
/
/
/ /
/
/ x
/ x
/ / / /
------------------------ -----------------------1
- 2
- 3
- 4
- 1
- 2
- 3
- 4
fall for it all or do you just see right through
Em
Gsus9
/
/
/ /
/
/
/
/ /
------------------------ -----------------------1
- 2
- 3
- 4
- 1
- 2
- 3
- 4
Are you as cool
as
you
believe
D
Dsus Dsus9
Dsus9
Dsus D
/.
/.
/.
x /
x
x
/ x
/ / / /
------------------------ -----------------------1
- 2
- 3
- 4
- 1
- 2
- 3
- 4
Em
/
/
/
/
-----------------------1
- 2
- 3
- 4
Or are you
Gsus9
/
/
/
/ /
-----------------------1
- 2
- 3
- 4
playing
hard,
D5
D
Dsus D
A
Asus A
/
/
/
/ x
/
/ x
/ x
/ x / /
------------------------ -----------------------1
- 2
- 3
- 4
- 1
- 2
- 3
- 4
are you waiting to just quietly clock my card?
file:///C|/olga_main/f-g/f/frente/labour_of_love.crd
Em
Gsus9
/
/
/
/ /
/
/
/
/ /
------------------------ -----------------------1
- 2
- 3
- 4
- 1
- 2
- 3
- 4
Are you waiting for a moment to leave
D
Dsus9
Dsus
D
/
x
/
/ x
/
/ x
/
/ /
/
------------------------ -----------------------1
- 2
- 3
- 4
- 1
- 2
- 3
- 4
A
Dsus
/.
/.
/
/ /.
/ / / / / / x
/
------------------------ -----------------------1
- 2
- 3
- 4
- 1
- 2
- 3
- 4
-
Em
/
x
/
/ x
/
/ x
/
/ /
------------------------ -----------------------1
- 2
- 3
- 4
- 1
- 2
- 3
- 4
Why
am
I
thinking of
Gsus9
/
------------------------ -----------------------1
- 2
- 3
- 4
- 1
- 2
- 3
- 4
You
and
me
and the labour of love
==-=--=---=----=-----=-------=---------=---------=-------=-----=----=---=--=-==
Adam Schneider
indigo@ucscb.ucsc.edu
St. Paul, MN
Mail me if you want guitar chords for Mary-Chapin Carpenter,
Indigo Girls, Suzanne Vega, Lucinda Williams, etc.
==-=--=---=----=-----=-------=---------=---------=-------=-----=----=---=--=-==
From: amiet@ssmd.mrl.dsto.gov.au (Andrew Amiet)
Subject: TAB: Labour of love, Frente
Labour of love
F#m 244222
E
022100
D* xxx23x
A
B
Dsus2
Frente
002220
224442
xxx230
F#m
A
Am I fooling you,
E
B
Do you fall for it all, do you just see right through?
F#m
A
E
B
Are you as cool as you believe?
F#m
A
Are you playing hard,
E
B
Are you waiting just to quietly clock my card?
F#m
A
E
B
Are you waiting for a moment to leave?
file:///C|/olga_main/f-g/f/frente/labour_of_love.crd
file:///C|/olga_main/f-g/f/frente/labour_of_love.crd
E|--------------------------------------|
file:///C|/olga_main/f-g/f/frente/labour_of_love.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Labour of your Love (Frente!)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
from Marvin the Album
transcribed by Graham Takata
gtakata@uoguelph.ca
(Capo on 2nd)
D(1) strum pattern w/Capo on 2nd
e--2--3--5--x--2------3p2--2---B--3--3--3--x--3------3----3---G--2--2--2--x--2------2----2---D--0--0-----x------------------A-----------x------------------E-----------x-------------------
e---2-2----0-0----3-3----2-2---B---3-3----3-3----3-3----3-3---G---2-2----2-2----2-2----2-2---D---0-0----0-0----0-0----0-0---A------------------------------E-------------------------------
A A A A A A Asus4 A
(Asus4 = X02230)
^note
Em
Em
G
Am I fooling you
D
Do you fall for it all
A
Or do you just see right through
Em
G
D(1)
Are you as cool as you believe?
Em
G
Are you playing hard
D
A
Are you waiting just to quietly clock my card
Em
G
D(2)
Are you waiting for a moment to leave
A
Em
G
I don't know how I bent
D
A
what you've said to what I believe you meant
Em
G
D(1)
I don't know anything at all
Em
G
I'm staying within the push and shove
D
A
and I'm just within the rescue of labour of your love
Em
G
D(2)...
I can't do anything but fall
a-fall a-fall fall fall
C
file:///C|/olga_main/f-g/f/frente/labour_of_love.tab
Em D Em D Em D Em D
Em
G
And I never knew before
D
A
But I feel like a child in a cold cold war
Em
G
So strong so tough
D(1)
Sitting in suburbia waiting for the wind up
Em
G
And I don't want to dance
D
A
I just want to jump from a prison of circumstance
Em
G
Why am I thinking of
D
you and me and the labour of love
C
Why do I feel I can never find you
F#/D
Why do I feel like the only survivor
Em
Why an I thinking of
D
You and me and the labour of love
file:///C|/olga_main/f-g/f/frente/no_time.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: HISCAP@LUSTA.LATROBE.EDU.AU (PERRETT,Andrew)
No Time
Frente [T.O'Conner]
Bm
D
A G# G
You know you never know your self
All of thos awkward
silences
G
All the years youve lived you
Over
break fast as you
F#m
Bm
could be someone
else
fumble
with your toast
D
A G# G
And all the times youve been
alone
and now the
ma-gics gone for good
G
All the lies you told
now
Little things get on your nerves that
F#m
B
haunt ya perfect spacious home and now
never bothered
you be - fore and now
C
D C
D
G C
theres no time
and now theres no time
G
F# F
Em
A
its not such a crime to say you dont love her (repeat from beginning)
F#m
Bm
and you swore it would never happen to you
F#m
G
C
and you said you'd always be so true
A7
C
D
but ah_
and now theres no time
C
D
Am
Bb
and now theres no time now theres no time
E/B C D B7/D Em D/F# G D/A
C#m7 D Am7
Bm xx0321
G# xx1114
E/B x22100
B7/D xx1202
D/F# xx4232
D/A x00232
Cm7 xx1313
Am7 002010
file:///C|/olga_main/f-g/f/frente/not_given_lightly.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
from parrott@cachuma.callutheran.edu
Frente! - "Not Given Lightly" (from the EP "Labour Of Love")
I think this is a cover tune, but it is so lovely they could
have written it themselves. It is very beautiful.
C
A
Hello my friend
F
G
It's morning, time to wake now
C
A
In body in mind
F
G
In twined will have to break now
C
A
But I need your flesh
F
G
Your warmth to stay beside me
C
A
F
Oh how I wish you could be
G
Deep inside me
C
A
Show me your eyes
F
G
Your low most tender feelings
C
A
And I'll give you mine
F
G
Be truthful and revealing
C
And it's you that I love
A#
And it's true that I love
F
G
And it's love not given lightly
C
But I knew that it's love
A#
And it's you that I love
F
file:///C|/olga_main/f-g/f/frente/not_given_lightly.crd
B -1-1-1-1--G --0-0-0-0--
C
A
This is a love song
F
G
For John and Desha's mother
C
A
This isn't easy
F
G
I might not write another
file:///C|/olga_main/f-g/f/frente/not_given_lightly.crd
file:///C|/olga_main/f-g/f/frente/ordinary_angels.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: HISCAP@LUSTA.LATROBE.EDU.AU (PERRETT,Andrew)
Ordinary Angels
E
A
You get the world for you birthday baby
E
C#m
open your eyes and say yes no maybe the
A
box ticks on the core is a bomb, the world
A
F#m
Esus4 E
is silent you listen like a lover to it
Amaj7
Some times a mirrors a miracle
E
C#m7
sometimes it nothing at all in
Amaj7
F#m7
Amaj7
F#m7
this reflection even angels fall
Amaj7
F#m7
Bbmaj7
Gm7
you could fly anytime ba da da da de dal da be
Bmaj7
G#m7 N.C
da da da de da da even though you own your own come
E
Amaj7
ordinary people its ok
E
G#7
Amaj7
you dont have to wear those wings they're
C#7
Dmaj7 Esus4* E Esus4* E
stupid things
Amaj7
I know some dizzy easy heigyts
E
C#m7
dont stop your life at the lights
Amaj7
F#m7
Amaj7
F#m7
Amaj7
Dont be smart be a beginner dont be wrong even when its right
E
Amaj7
Ordinary people its okay
E
G#7* Amaj7
were not watching any-way
C#7 Dmaj7 N.C
its okay be de da da da da da da be
de da da de de da da da da da
C#m7 F#m6
de da da de be da da de da
Amaj7 F#5m9 C#m7 F#m6* Amaj7 F#5m9
Amaj7
F#m7
Amaj7
F#m7
de de da de be da da be de da de de be da da de da de
C#m xx2120
F#m x04232
Esus4 002100
Amaj7 002120
C#m7 022120
F#m7 002222
F#m7
file:///C|/olga_main/f-g/f/frente/ordinary_angels.crd
Bbmaj7 x13231
Gm7 xx3333
G#m7 xx1102
N.C Voice only (No Chord)
G#7 xx1112
C#7 xx3424
Dmaj7 x00222
Esus4* 0x2200
G#7* xx1102
F#m6 x01222
F#5m9 xx2124
F#m6* x00222
file:///C|/olga_main/f-g/f/friedman_marty/night.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Night
----by Marty Friedman
from the album Scenes
Tabbed by James Lee (jameslee@leland.stanford.edu)
(Warning: this is only a partial tab)
Intro:
* = soft strum
*
*
*
*
---------0---------------0---------------0---------------0--------------0---------------0---------------0---------------0--------------0---------------0---------------0---------------0-------------------------1---------------0-------------------------------------------------------------------------------3-----------3-2-0--------------------------------------------------------------*
*
*
*
---------0---------------0---------------0------------------------------0---------------0---------------0----------------0-------------0---------------0---------------0----------------0--------------------------------------------------------------0---------0---------------2---------------3---------------2------------------------------------------------------------------------------Repeat the above figure with another guitar playing this on top:
*
--------------------------------------------------12--------------------------------------------------------12-----9-------9-------9-------9-------9-------9----------12------9-------9-------9-------9-10----9-10----9---------14-------10------10------10-----------------------10------14----------------------------------------------------------Main Theme:
(Note: These are the right notes but probably the wrong positions.
This is the easiest way I can think of to play it.)
b = bend (the number in parentheses is the number of steps)
r = release bend
pb = pre-bend (the number in parenthesis is the number of steps)
/ = slide up
^ = legato (hammer-on or pull-off)
Repeat this twice (with different endings):
/-- slide up to this note on the second repeat
|
---------------------------------------------------------------------------------5-7-7b(.5)--7-5------------------------------------9-7b(.5)-------------------7---------------2b(1)r-0-2-------9------------------------------7b(1)r-5----2------------file:///C|/olga_main/f-g/f/friedman_marty/night.tab (1 of 2) [4/28/2003 9:51:51 PM]
file:///C|/olga_main/f-g/f/friedman_marty/night.tab
-7-10-----------------------------------------/3----------------------------------------------------------------------------1st ending:
/-- not quite a full bend
|
--------------------------0----------------------------------------------------------0-2-2b(1)-2b(1)r-0-2b(1)---2^3^0-2-0-------------------------------------------2-0-------------------------------------------------------------------------------------2nd ending:
---------------------------0-2-0--------------2-2-2---------------------------After all that:
---------------------------------------------------0-2-4--4-5--5pb(1)r-5-5-- Here's where I got lazy and stopped...
---------------------------------------------------------------------------...it's not much, but it's all I've figured out so far. If anybody has
the full tab to this or any other Marty Friedman song, please e-mail
them to me.
file:///C|/olga_main/f-g/f/from_good_homes/cool_me_down.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Date: Fri, 19 Jan 1996 20:12:41 -0500
From: friedrb@interactive.net (Bill Friedrich)
Subject: TAB: Cool Me Down - From Good Homes
Cool Me Down
----------->From Good Homes
Singy riff:
C
Bb
e|----------------------------------------------------B|----------------------------------------------------G|---12-------14--14p15--15-15-15--14--14--15-15-15---D|----------------------------------------------------A|----------------------------------------------------E|----------------------------------------------------F
C
e|--------------------------B|--------------------------G|---4p12-14--12p14-12------D|--------------------------A|--------------------------E|--------------------------Verse:
C
Bb
F
C
She knows, that the Devils started, a burning fire inside of me...
Chorus:
C
When I need it
When I need it
C
When I need it
Bb
Bb
F
Bb
F
She's there to cool me down
____________________________________________________________________
err... Ok
Bill Friedrich
friedrb@interactive.net
file:///C|/olga_main/f-g/f/frost_max/shape_of_things.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
From: rogers@hi.com (Andrew Rogers)
Date: Sat, 17 Feb 1996 00:01:37 -0500
Subject: ./f/frost_max/shape_of_things_to_come.crd
"Shape Of Things To Come"
(Barry Mann - Cynthia Weil)
Intro:
Fm
/ / / /
/ / / /
[staccato eighth-notes]:
Fm
/ / / /
Ab
/ / / /
Bb
/ / / /
C
/ / / /
Verse 1:
Fm
Ab
There's a new sun
Bb
Db
Risin' up angry in the sky
Fm
Ab
And there's a new voice
Bb
C
Sayin' "we're not afraid to die"
Fm
Cm
Let the old world make believe
Fm
Bb
It's blind and deaf and dumb
Fm
Ab/Eb
Bb/D
Db
Fm
But nothing can change the shape of things to come
Verse 2:
There are changes
Lyin' ahead in every road
And there are new thoughts
Ready and waiting to explode
When tomorrow is today
The bells may toll for some
But nothing can change the shape of things to come
Bridge:
Eb
The future's comin' in, now
Ab
Sweet and strong
Bb
C
Ain't no-one gonna hold it back for long
Verse 3:
There are new dreams
Crowdin' out old realities
[1: C]
file:///C|/olga_main/f-g/f/frost_max/shape_of_things.crd
There's revolution
Sweepin' in like a fresh new breeze
Let the old world make believe
It's blind and deaf and dumb
(But) nothing can change the shape of things [4X]
Fm [end cold]
To come
-- another ace 60's tab from Andrew Rogers
file:///C|/olga_main/f-g/f/frost_max/shape_of_things_to_come.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 15:28:15 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./f/frost_max/shape_of_things_to_come.crd
Max Frost and the Troopers of course didn't exist - they were actually 'Wild
In The Streets' star Christopher Jones backed by the usual low-budget biker
movie soundtrack mafia, in this case Davie Allan and the Arrows. --AWR
"Shape Of Things To Come"
(Barry Mann - Cynthia Weil)
Intro:
Fm
/ / / /
/ / / /
[staccato eighth-notes]:
Fm
/ / / /
Ab
/ / / /
Bb
/ / / /
C
/ / / /
Verse 1:
Fm
Ab
There's a new sun
Bb
Db
Risin' up angry in the sky
Fm
Ab
And there's a new voice
Bb
C
Sayin' "we're not afraid to die"
Fm
Cm
Let the old world make believe
Fm
Bb
It's blind and deaf and dumb
Fm
Ab/Eb
Bb/D
Db
Fm
But nothing can change the shape of things to come
[1: C]
Verse 2:
There are changes
Lyin' ahead in every road
And there are new thoughts
Ready and waiting to explode
When tomorrow is today
The bells may toll for some
But nothing can change the shape of things to come
Bridge:
Eb
The future's comin' in, now
Ab
Sweet and strong
Bb
C
Ain't no-one gonna hold it back for long
file:///C|/olga_main/f-g/f/frost_max/shape_of_things_to_come.crd
Verse 3:
There are new dreams
Crowdin' out old realities
There's revolution
Sweepin' in like a fresh new breeze
Let the old world make believe
It's blind and deaf and dumb
(But) nothing can change the shape of things [4X]
Fm [end cold]
To come
-- another ace 60's tab from Andrew Rogers
file:///C|/olga_main/f-g/f/fruvous_moxy/river_valley.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Received: from MIT.EDU (ATHENA-AS-WELL.MIT.EDU [18.72.1.1]) by post-office.nevada.edu
(8.6.4/8.6.4) with SMTP id PAA08912 for <jamesb@nevada.edu>; Sun, 20 Mar 1994 15:46:09 -0800
From: wes@MIT.EDU
Received: from DEATHTONGUE.MIT.EDU by MIT.EDU with SMTP
id AA11710; Sun, 20 Mar 94 18:46:10 EST
Received: by deathtongue.MIT.EDU (5.0/4.7) id AA11535; Sun, 20 Mar 94 18:46:08 EST
Message-Id: <9403202346.AA11535@deathtongue.MIT.EDU>
To: jamesb@nevada.edu
Subject: "River Valley" by Moxy Fruvous: CHORDPRO arrangement
Date: Sun, 20 Mar 94 18:46:08 EST
Content-Length: 2309
{title: River Valley}
{st: Moxy Fruvous}
{st: copyright 1993 Warner Music Canada Ltd.}
{st: Guitar arrangement by Wes Carroll (wes@mit.edu)}
[F#].
[C#m].
[F#].
[C#m].
[F#]Me an' Pete went [C#m]swimming last night, [G#m]he's my friend from [Bm7]Boy Scouts
[F#]All the fish were [C#m]floating upright, [G#m]we got scared, and [Bm7]we got out
[B]Mother says don't [G]play down where your [A]fa[E]ther [A]does his [E]job
[B]You know he's got to [G]make a living [A]or [C#]move to [F#]Russia...
(this is my [C#m]world, this is my [F#]world, don't make it [C#m]go away
[F#]is it a [C#m]crime, spending my [F#]time, dreaming of [C#m]yesterday)
[F#]Meet me in the [C#m]river valley, [G#m]you can tell me [Bm7]stories
[F#]'Bout a time be[C#m]fore pinstripe suits, [G#m]dippers, grits, and [Bm7]tories
[B](my mother sang the [G]songs her mother [A]taught [E]her [A] [E]
[B]we'd be swimming [G]off in cool cool [A]wa[E]ter [A] [E]
[Bm]and when she'd call us [G]from the yard
[Bm]running home it [G]felt like god...)
[D].
[F#].
[D#m]river valley?
the [D#m]river valley?
the [D#m]river valley?
the [D#m]river valley?
file:///C|/olga_main/f-g/f/fruvous_moxy/river_valley.crd
file:///C|/olga_main/f-g/f/fsk/el_pastor_aleman.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
To: campervan-etc@mando.engr.sgi.com, guitar@nevada.edu
From: Dave Madden <jenny1@erols.com>
Subject: Even More FSK Chords!
El Pastor Aleman
---------------A
Not kennt keine Grenzen, sagt man
ausser der des Deutschen reiches
Pastor Aleman
Kiefersfelden, oder-neisse
du musst draussen bleiben leider
raus bist du
riff:
e-7-|-9-7--------|------7-9--7-|-9-7--------|---------|
B---|-----10-----|-7-10--------|-----10-----|-7-10-10-|
G---|--------9-9-|-------------|--------9-9-|---------|
A
Arbeite fuer Essen, sagst du
doch dir knurrt on Hosenboden
Pastor Aleman
kurz vor Bayerisch Eisenstein
du musst draussen bleiben leider
raus bist du
riff
A
hell sein leibchen weht am Arber
blaues Leinen, gelber Flitter
Pastor Aleman
Heult bis in die Bukowina
du musst draussen bleiben leider
raus bist du
riff
-------------------------------------------------------------------------------1+1=3
----INTRO:
C
VERSE:
C
G
C
Lola sagt, ihr Zueckerpappi stoesst sie
F
C
Jeden Abend unsanft in den Schlaf
F
file:///C|/olga_main/f-g/f/fsk/el_pastor_aleman.crd
file:///C|/olga_main/f-g/f/fsk/mein_kubano_girl.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 22 Aug 1996 13:07:00 -0400 (EDT)
From: Dave Madden <jenny1@erols.com>
Subject: FSK Chords and Tab
Here are 2 songs from FSK's recent album "FSK International"
Mein Kubano Girl
opening and closing low horn riff:
E -5-3-2-1-|--2-3--|-5-3-5-3-2-1-|--2-3--|--3-4--|--4-5--|--4-5--|--2-3--|
and that repeats.
the high horn part that comes in the second time is:
e||o---5-6-7-7---|-5-5-------|---5-5-o||
B||o-8---------8-|-----6-8-6-|-5-----o||
e-------|-8-7-4-0-|-8-7-4-0-|-7-7-7-7-6-5-|-10-7-5---|-8-7-5-|7-5-------|
B-5-4-5-|---------|---------|-------------|--------7-|-------|----8-7-6-|
then the verses:
C
F
C
Ein Babydoll und ein blankes Gewehr
G
C
Ein Push-up-BH eine Strasse auf Teer
C
F
Zwoelf Paeckchen Nylons gegen Castros Kaeppi
G
C
Ein DDR-Zerstaeuber von der falschen Marie
F
C
Das taegliche Glas Milch fuer die Revolution
D
G
Und tausend Barrel Oel gegen die Depression
CHORUS:
C
F
C
Mein Kuba Mein Kuba Mein Kubano Girl
G
F
C
Fidel die Nylons und sexy das Oel
C
F
C
Mein Kuba Mein Kuba Mein Kubano Girl
G
F
C
Fidel die Nylons und sexy das Oel
and then its back to the opening/closing riffs.
file:///C|/olga_main/f-g/f/fsk/mein_kubano_girl.crd (1 of 2) [4/28/2003 9:51:53 PM]
file:///C|/olga_main/f-g/f/fsk/mein_kubano_girl.crd
F
F
die Welt ist Mist
file:///C|/olga_main/f-g/f/fugazi/birthday_pony.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: 22 Dec 95 04:43:58 EST
From: Rene Jung <100613.2677@compuserve.com>
Subject: Fugazi:Birthday Pony
Album: Red Medicine
This is a version for one guitar. A few noises are left out therefore,
but it is quite recognisable this way.
Riff 1:
1 + 2 + 3
4
+
E-|-5--5-x--5-----0------|play
B-|-5--5-x--5-------0----|Riff 1 4x
G-|-6--6-x--6---------0--|4th without
D-|-7--7-x--7------------|open strings
A-|-7--7-x--7------------|Then:
E-|-5--5-x--5------------|
1 + 2 + 3 + 4
+
-------------------------|
-------------------------|
-------------------------|
-------------------------|
-------------------------|
--3--3--7------3--7-3-7--|
Riff 2:
1
2 + 3 + 4 +
E-|----------------------Play
--------|----------------|
B-|----------------------|Riff 2 7x --------|----------------|
G-|----------------------|Then:
--------|----------------|
D-|----------------------|
-7------|-6-------5------|
A-|----------------------|
-5------|-4-------3------|
E-|-3----6------3--7--7--|
-5------|-4-------3------|
Riff 3:
Riff 3A:
1
2
3
+ 4
+
1
2
3
4
E-|------------------------|-----------------------|
B-|------------------------|-----------------------|
G-|-0----0-----------------|-0----0--0--0--0--0----|
D-|-0----0-----------------|-0----0--0--0--0--0----|
A-|-5----5-------5---------|-5----5--5--5--5--5----|
E-|-3----6-------3--7-3-7--|-3----3--3--3--3--3----|
E-|--------------------| Riff 3 10x, Riff 3A 1x,
B-|--------------------| Riff 3 2x,Riff 3A 1x (repeat this
G-|-0--0--0--0--0--0---| Line 3x)
D-|-0--0--0--0--0--0---|
A-|-4--4--4--3--3--3---|
E-|-2--2--2--1--1--1---|
Riff 4:
1
2
3
4
1
2 + 3 4
E-|------------------------|--------0------|
B-|------------------------|--------0------|
G-|------0--2--0--------0--|---------------|
D-|------0--------2--0-----|-0-------------|
A-|------------------------|---------------|
E-|-3----------------------|---------------|
Riff 4 2x
Riff 5: (4x)
E-|--------|
B-|--------|
G-|--------|
---------------|
---------------|
---------------|
file:///C|/olga_main/f-g/f/fugazi/birthday_pony.tab
D-|--------|
A-|<3>-----|
E-|<3>-----|
Harmon. (4 bars)
-5------2------|
-5------2------|
-3------0------|
file:///C|/olga_main/f-g/f/fugazi/blueprint.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From uunet!noc.near.net!news.Brown.EDU!news.Brown.EDU!news Fri Jun 26 11:03:49 PDT 1992
Article: 349 of alt.guitar.tab
Path: nevada.edu!uunet!noc.near.net!news.Brown.EDU!news.Brown.EDU!news
From: ST201585@brownvm.brown.edu (Brendan Crill)
Newsgroups: alt.guitar.tab
Subject: Tab: Blueprint
Date: Thu, 25 Jun 1992 13:10:12 EDT
Organization: Brown University - Providence, Rhode Island USA
Lines: 98
Message-ID: <12cumiINNku6@stanley.cis.Brown.EDU>
NNTP-Posting-Host: brownvm.brown.edu
News-Software: BNN via BNN_POST v1.0 beta
Hello all,
This is a very simple song, but quite cool, so I thought I'd post it.
BLUEPRINT
by Fugazi
Intro:
(repeat 4 times)
|-------------------------|-------------------------|------------------------|-------------------------|-------------------------|------------------------|-------------------------|-------------------------|------------------------|-12-12-12-12-12-12-12-12-|-12-12-12-12-12-12-12-12-|-10-10-10-10-10-10-10-10|-10-10-10-10-10-10-10-10-|-0--0--0--0--0--0--0--0--|-12-12-12-12-12-12-12-12|-------------------------|-------------------------|------------------------|------------------------|------------------------|------------------------|-10-10-10-10-10-10-10-10|-10-10-10-10-10-10-10-10|------------------------throughout the next part,
"I'm not playing with you, I'm not playing with you, etc...", the guitar
plays this B chord:
|--|--|-4|--|-2|--When the verse gets to "But you still come around...", the guitar plays a
part that notewise is exactly the same as the intro. Listen to the tape to
get down the rhythm. The words are as follows:
But you still come around
In fact I invite you down
Maybe together
We can wipe that smile off your face
Cuz what a difference
What a difference
What a difference
file:///C|/olga_main/f-g/f/fugazi/blueprint.tab
a blueprint
easy
matter
when to say no or yes
At this point, all the other instruments stop, and the guitar plays eigth notes
of that same B chord for 4 measures, then all the other instruments come in
again, and the guitar continues to play the B chord through:
Frustrating, frustrating, frustrating
Always waiting for the bigger axe to fall.
Another tacet for the other instruments, this time only 1 measure long, while
the guitar plays an E chord thus:
--------------------------------------/9-9-9-9-9-9-9-9--------------------/7-7-7-7-7-7-7-7------------------Then back to the B chord again
An emotional game
I can't find my way to play
one more measure of B's, then 4 measures of E's until the next part.
Throughout
this part, simply play bar chords.
E
E
B
C
D
E
Never mind what's been selling, it's what you're buying
G A
G
And recieving undefiled
Go through this four times, then back to that first B chord for 2 measures,
then
play the previous part again in double time:
E E B
C
nevermind
play...
C D
E
nevermind
E G
A
nevermind
A
A A
G
not no way to
Play this four times, then go back to B for 2 measures, and then the 4 measures
of E, then the song ends.
Have fun. I'd be happy to figure out anything else by this band if
you'd like.
Questions and comments to:
Brendan Crill
brendan@cici.unh.edu or st201585@brownvm.brown.edu
file:///C|/olga_main/f-g/f/fugazi/combination_lock.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Fri, 25 Aug 1995 15:06:29 -0500
From: ddd127@psu.edu (Shleestak)
Subject: CORRECTION "Combination lock" by FUGAZI
This is "Combination Lock" by FUGAZI. It's on their latest album "Red
Medicine." If you have any corrections or tangs to add you just feel more
than free to mail me buck-a-roo. I'd love to hear from ya. You kids take
care now...
-shlee
p=pull-off
h=hammer(awww yEah)-on
e|------11-11-11-11h12p11--|------11-11-11-11h12p11--|
B|-12-12-------------------|-12-12-------------------|
G|-------------------------|-------------------------|
D|-------------------------| you get the idea
A|-------------------------|-------------------------|
E|-------------------------|-------------------------|
e|-------------------------|
B|-------------------------|
G|--9^7-9^7----------------|
D|---------9-9*9-9-9^7-----|
A|---------------------9---|
E|-------------------------|
*=only fret theses note as you play them..don't let it ring out.
you end up almost tapping the string as you pick it.
There are of course other things to the song but just more obscure notes.
The first riff has a little variation every forth measure. Just listen and
play along.
"Shleestak" ddd127@psu.edu
shleestack@aol.com
"My head is a scary place to spend away your time"
-=Linda Hopper of Magnapop=###### #
#
######
##
####### #
#
#
# #
# #
#
#
####
#
# #
###
######
#
#
#
#
# #
# #
#
#
#
#
#####
###### #
# ####### #
file:///C|/olga_main/f-g/f/fugazi/give_me_the_cure.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: cborst@cs.tamu.edu (Christoph W Borst)
Fugazi tab for "Give me the Cure"
Transcribed by Christoph Borst (mohawk@tamu.edu) sometime in 1994
http://tam2000.tamu.edu/~cwb2900/
Please send me comments, corrections, etc.
README: Over the past couple years I have seen several ASCII tabs for
Fugazi songs. Not until recently did I actually dig out the old
record and realize how far off most were. So, I played along
with the songs a couple times to find something that sounds better:
Think of this as an improvement to the already available tab.
I don't claim that it's perfect -- I am not a big Fugazi fan and
this is typed from memory.
Note: At one point, the second half of that part is left off.
Also, some chorus or an overdub is added for a while.
Then, it does this:
-----------------3- (repeat
-2-2--- several
------- times)
-------
-----3-2-----
file:///C|/olga_main/f-g/f/fugazi/give_me_the_cure.tab
-----6-6-4---
-----4-4-2---
-------------8/9\8-6/7\6-------------
^^
Note as above
This riff is thrown in periodically for good measure:
(the last chord is cut from the figure that precedes it)
----------------------------------------------------------------------5--5--5--5--7--7--7-5--5--5--5--5--7--7--7-5--3--3--3--3--5--5--5-3--
-------2-2-0^^^
This last chord just begins the next figure,
which was given about 30 lines up.
file:///C|/olga_main/f-g/f/fugazi/last_chance.add
--
FUGAZI!!!!!
B|----------------------|----------------|
G|--5/7-7---------------|--5/7-7---------|
D|--5/7---7777-7^5------|--5/7--7--------|<--(that 7)
A|--3/5-----------7-----|--3/5---5-------|<--or play two 5's and no 7
E|----------------------|---------7-5----|
on the D string. whatever...
couple power chords while Ian sings:
"shot shooting...shot shot..."
B|--------------|
G|---7----------|
D|---7---7----5-|
A|---5---7----5-|
E|-------5----3-|
real tuff ;)
#
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--
FUGAZI!!!!!
e|----------------|-------------------|
file:///C|/olga_main/f-g/f/fugazi/last_chance.add
B|--2/3-3---------|-----3-------------|
G|--2/3-----------|--2/3--------------|
D|--------0-2^0---|-------0-22-2^0-0--|
A|-------------0--|-------------------|
E|----------------|-------------------|
couple power chords while he sings:
"shot shooting...shot shot..."
B|--------------|
G|---7----------|
D|---7---7----5-|
A|---5---7----5-|
E|-------5----3-|
real tuff ;)
shleestak
revised by:
Jeremiah Wade (stud)
mail:
ddd127@psu.edu or belial@psu.edu
A cowardly man......"
-=Korn=-
FVGAZI.
me homepage.... http://www.comland.com/~darrend/Belial.htm
file:///C|/olga_main/f-g/f/fugazi/last_chance.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Fri, 2 Jun 1995 18:42:56 -0700
From: drclark@mail.utexas.edu (Shleestak)
Here's "Last Chance For A Slow Dance" by fugazi....if you have any
suggestions or corrections please email me! And if you have any fugazi
tabs please mail them too!!!!
/ = Oh you know...
^ = Pull off
"Last Chance For A Slow Dance"
--
FUGAZI!!!!!
B|----------------------|----------------|
G|--5/7-7---------------|--5/7-7---------|
D|--5/7---7777-7^5------|--5/7--7--------|<--(that 7)
A|--3/5-----------7-----|--3/5---5-------|<--or play two 5's and no 7
E|----------------------|---------7-5----|
on the D string. whatever...
couple power chords while Ian sings:
"shot shooting...shot shot..."
B|--------------|
G|---7----------|
D|---7---7----5-|
A|---5---7----5-|
E|-------5----3-|
real tuff ;)
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file:///C|/olga_main/f-g/f/fugazi/last_chance_for_a_slow_dance.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Mon, 4 Dec 1995 04:45:34 -0500
From: belial@psu.edu (shleestak)
Here's "Last Chance For A Slow Dance" by fugazi....if you have any
suggestions or corrections please email me! And if you have any fugazi
tabs please mail them too!!!!
/ =3D Oh you know...
^ =3D Pull off
"Last Chance For A Slow Dance"
--
FUGAZI!!!!!
e|----------------|-------------------|
B|--2/3-3---------|-----3-------------|
G|--2/3-----------|--2/3--------------|
D|--------0-2^0---|-------0-22-2^0-0--|
A|-------------0--|-------------------|
E|----------------|-------------------|
couple power chords while he sings:
"shot shooting...shot shot..."
B|--------------|
G|---7----------|
D|---7---7----5-|
A|---5---7----5-|
E|-------5----3-|
real tuff ;)
ddd127@psu.edu or belial@psu.edu
file:///C|/olga_main/f-g/f/fugazi/long_division.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Thu, 24 Aug 1995 13:24:21 -0500
From: ddd127@psu.edu (Shleestak)
Subject: COrrection for "long division" by FUGAZI
Here is the Fugazi tab for "Long Division." if ya got any
improvements/additions to this lemme know please (mail me), or if you just
wanna kiss my hiney..hee hee. Seriously, we all know this is THE best
band...so any tabs are appreciated...i'll type up my others....if you will.
/&\= i think you know...
"LONG DIVISION"
B|------------|-----------|-----------|--------------|
G|------------|-----------|-----------|--------------|
D|------------|-----------|-----------|--------------| x2
A|-5-4-5--7---|-5-4-5--7--|-5-4-5--7--|------------7-|
E|---------7--|---------7-|---------7-|-7\5---5\7--0-|
then...
B|--------------|-------------|---------------|
G|--------------|-------------|---------------|
D|--------------|-------------|---------------|
A|-5-4/7\4-5----|-5-4/7\4-5---|-5-4/7\4-5-----|
E|-----------7--|----------7--|-----------7-7-|
cont'd...
B|---------------------|
G|---------------------|
D|---------------------|
A|-------7\5-4-7-------|
E|--7\5----------7-7---|
blah blah blah...
Enjoy!
Tabbed by:
Derrick Daugherty
"Shleestak" ddd127@psu.edu
or
Shleestack@aol.com (don't forget the "c")
file:///C|/olga_main/f-g/f/fugazi/merchandise.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: jblack@hep.uchicago.edu (James Black)
Subject: TAB: Merchandise - Fugazi
Someone asked for Fugazi tab, so here goes.
Here's my stab at "Merchandise" from Repeater:
The first chord is just a G octave like thus:
e---B---G-12D---A-10E---Then, Guy comes in with:
e--------------------------------B--------------------------------G--------------------------------D--------------------------------A-----------------------------3-3E-3-3-3-3-4-4-4-4-5-5-5-5-0-0----The catchy little bass riff near the end is like such:
G------------------D------------------A---------------0-3E-3-3-0-3-3-0-3----Try it; you'll like it!
-James Black
jblack@hep.uchicago.edu
University of Chicago
High Energy Physics
|
|
|
|
file:///C|/olga_main/f-g/f/fugazi/public_witness_program.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
Date: Sat, 30 Nov 1996 20:08:25 EST
From: "Mr. Coin Operated" <KRANDELL@NMU.EDU>
-----------------------------------------------------------------------"Public Witness Program" - FUGAZI - from "in on the kill taker"
-----------------------------------------------------------------------Transcribed By:Kent Randell KRANDELL@NMU.edu
"http://vm.nmu.edu/~krandell/http/lcl.html"
My new band manRay plays this song. Here is how we play
First Chord: (played a whole bunch of times)
(Eb)
------8---8---8---6-----Verse riff:
e|-----------------------------3--3--3--------------------------------|
B|-----------------------------3--3--3--------------------------------|
G|-----------------------------0--0--0--------------------------------|
D|-----------------------------0--0--0--------------------------------|
A|--------------------------------------------------------------------|
E|--3--3--6-6-6-6--8-8-8-3-----3--3--3--------------------------------|
Fill
e|------------------------------------------------------------------|
B|------------------------------------------------------------------|
G|---7-7-7--7-7-7------10-10-10-10-12-12-12---12--------------------|
D|---7-7-7--7-7-7------10-10-10-10-12-12-12---12--------------------|
A|---5-5-5--5-5-5------8--8--8--8--10-10-10---10--------------------|
E|---5-5-5--5-5-5------8--8--8--8--10-10-10-------------------------|
Verse riff again.
Fill again.
Chorus:
(G)
(Bbm)
(D)
(F)
e|--------------------------------------------------------------------|
B|-3-3-3-3-3-3-3-3-3--2-2-2-2-2-2-2-2--3-3-3-3-3-3-3-3--1-1-1-1-1-1-1-|
G|-0-0-0-0-0-0-0-0-0--3-3-3-3-3-3-3-3--2-2-2-2-2-2-2-2----------------|
D|-0-0-0-0-0-0-0-0-0-------------------0-0-0-0-0-0-0-0--3-3-3-3-3-3-3-|
A|------------------------------------------------------3-3-3-3-3-3-3-|
E|-3-3-3-3-3-3-3-3-3------------------------------------1-1-1-1-1-1-1-|
SOlo - Chorus chord progression
if you can't figure out the 3 notes in the solo you don't need to know
Bridge back to chorus:
Eb /
D /
F
CHORUS
play an Eb chord than end.
file:///C|/olga_main/f-g/f/fugazi/song_number_one.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: John Fail <failj@mary.iia.org>
Song Number One Fugazi
>From the "3 Songs" 7" record
The riff at the beginning and throughout the song:
e-------------------------------------------------B---------------------------------------------------G-------------------------------------------------D----------5-----------------------------------------A---3-p-0-----------------------------------------E-------------muted:3-3-3-3--2-2-2-2-----------------p:=pull-off
Then the chorus is E-D-A, power chords or whatever you want to call them.
The interlude is A-G-E-D.
John fail
fail@oberon.pps.pgh.pa.us
failj@iia.org
If it's wrong, mail me with your corrections.
John Fail
fail@oberon.pps.pgh.pa.us
fail@iia.org
No stupid message in this .sig!
file:///C|/olga_main/f-g/f/fugazi/song_number_one.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From John Fail
Jun 28 '94 at 4:59 pm -240
Return-Path: <failj@iia.org>
Date: Tue, 28 Jun 1994 16:59:50 -0400 (EDT)
Subject: another submission
To: guitar@nevada.edu
Song Number One Fugazi
From the "3 Songs" 7" record
The riff at the beginning and throughout the song:
e-------------------------------------------------B---------------------------------------------------G-------------------------------------------------D----------5-----------------------------------------A---3-p-0-----------------------------------------E-------------muted:3-3-3-3--2-2-2-2-----------------p:=pull-off
Then the chorus is E-D-A, power chords or whatever you want to call them.
The interlude is A-G-E-D.
John fail
fail@oberon.pps.pgh.pa.us
failj@iia.org
If it's wrong, mail me with your corrections.
John Fail
fail@oberon.pps.pgh.pa.us
fail@iia.org
No stupid message in this .sig!
file:///C|/olga_main/f-g/f/fugazi/suggestion.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: cborst@cs.tamu.edu (Christoph W Borst)
Date: 24 May 1995 07:52:06 GMT
Fugazi tab for "Suggestion"
Transcribed by Christoph Borst (mohawk@tamu.edu) sometime in 1994
http://tam2000.tamu.edu/~cwb2900/
Please send me comments, corrections, etc.
README: Over the past couple years I have seen several ASCII tabs for
Fugazi songs. Not until recently did I actually dig out the old
record and realize how far off most were. So, I played along
with the songs a couple times to find something that sounds better:
Think of this as an improvement to the already available tab.
I don't claim that it's perfect -- I am not a big Fugazi fan and
this is typed from memory.
Fugazi - Suggestion
Most of the song is based on the following pattern.
It is sometimes played on the D and G strings (e.g. at first),
and sometimes on the A and D strings.
beat: 1
&
2
&
3
&
4
&
.
.
-----------------7-------5-------7\------------------------------0---0-0-0---0-----------------------------------3---3---5---5--pm............
pm...........
.
7
7 (or whammy bar or sliding stuff,
5 what happens here varies)
file:///C|/olga_main/f-g/f/fugazi/suggestion.tab
file:///C|/olga_main/f-g/f/fugazi/turnover.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Since i've gotten so much out of alt.guitar.tab, and OLGA, i decided
to contribute a bit. This has probably been around somewhere, but i
haven't found it, so here it is--"Turnover" from Fugazi:_Repeater_.
I like this tune, and like Fugazi's sound in general. Anyone notice how
many octave type things are in their music, _Repeater_ anyway? I dig that!
Anyway, without further ado, "Turnover."
For the intro, you have to hit the harmonic with the volume down, and
swell to full. Then *after* you stop the harmonic, crank your volume
down again, hit the other, swell. Stop, turn down volume, and repeat.
I recommend using a volume pedal, if you don't have one, GET ONE! They're
really useful. I use mine all to hell.
For the second part, turn on max distortion, try a little chorus maybe. I
don't have a chorus effect, you might want to try it. Also, try making
lots of string noise sliding and such. The riff is meant to be slid, i
guess. I slide somewhat.
If there are any other fugazi fans out there, email me at mattz@netc.com.
I'd love to talk about them.
Intro
Verse
E-|-----------------|--------------------|
B-|-----------------|--------------------|
G-|----------------o|o--9----14--12---9-o|
D-|----------------o|o------------------o|
A-|-----------<12>--|---7----12--10---7--|
E-|-<12>------------|--------------------|
harm.
harm.
That's all i have for now. I'm working on the chorus and solo. It's
an interesting solo.....sounds like a chugging-type guitar riff, and a
solo-ish bass riff. Hmmm....
file:///C|/olga_main/f-g/f/fugazi/waiting_room.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: cborst@cs.tamu.edu (Christoph W Borst)
Date: 24 May 1995 07:50:22 GMT
Fugazi tab for "Waiting Room"
Transcribed by Christoph Borst (mohawk@tamu.edu) sometime in 1994
http://tam2000.tamu.edu/~cwb2900/
Please send me comments, corrections, etc.
README: Over the past couple years I have seen several ASCII tabs for
Fugazi songs. Not until recently did I actually dig out the old
record and realize how far off most were. So, I played along
with the songs a couple times to find something that sounds better:
Think of this as an improvement to the already available tab.
I don't claim that it's perfect -- I am not a big Fugazi fan and
this is typed from memory.
First, here is some bass tab:
The first time only, this is played:
-----2-.-------2-.---------------2---4---4-4---4-------------4-------------------4-4-4-4-4------------------------------Then this is through most of the song:
---------------2-.---------------2-3-4---4-4---4-------------4-------------------4-4-4-4-4------------------------------Here is my version of the guitar rythm that enters next:
|| --------------------------------- ||
||:---------------------------------:||
|| --------------------------------- ||
|| --------------------------------- ||
||:-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-:||
|| -2-2-2-2-2-2-2-4-4-4-4-4-4-4-4-4- ||
pm..............................
^^^^
Note 1: you can hear some chord shifting because
he plays the second chord differently -you can try this one: -6- or -6-4-4---4Before the change, only the first chord of the previous rythm is used,
then the next part goes:
-----------------------------------------------------------------------------------------------------6-6-6-6-6-----------------4-4-4-4-4---------------6-6-6-6-6---2-2-2-2-2-2---4-4-4-4-4---6-6-6-6-6-6-4-4-4-4-4---2-2-2-2-2-2---2-2-2-2-2---7-7-7-7-7-7-
file:///C|/olga_main/f-g/f/fugazi/waiting_room.tab
-------------0-0-0-0-0-0--------------------------^^^^^^^^^^^
Note 2: he probably plays more notes in
this chord and plays it lower on
the neck, or maybe it's wrong.
Try something like: -1-2-2-0Then we have this part, a variation of the main rythm:
--------------------------------------------------------------6-6-6-6-4-4-4-4-4------6-6-6-6-4-4-4-4-4------4-4-4-4-2-2-2-2-2--------------
Note 3:
the chord that
is added sometimes
(e.g. at the end of
the song) is an E:
-----9-9-7-0-
file:///C|/olga_main/f-g/f/fugees/killing_me_softly.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Sun, 30 Jun 1996 02:17:18 -0500
From: Sam Stewart <samcarla@sowega.net>
this song is nothing new. I learned it as a Roberta Flack song. but
here it is if you don't know who she is. I play it acousticly with a
friend singing so needless to say it doesn't sound like the Fugees's
version but the chords are the same. If you won't to add to the song
have another person play the second position chords along with
yourself. well here it is.
TAB: Sam Stewart
"killing me softly"
by
fugees
(CHORUS)
Em
Am
D7
G
Strumming my pain with my fingers. singing my life with his words.
G
A
D
C
Killing me softly with his song. Killing me softly with his song.
G
C
Telling my whole life with his words.
Esus4
E
Killing me softly, with his song.
G: 320033
Am7
D
A: x02220
I heard he sang the good song.
Am: x02210
G
C
B7: 224232
I heard he had a style.
C: x32010
Am7
D
D: xx0232
And so I came to see him,
D7: xx0212
Em
Am7: x02010
and listen for a while.
Esus4: 02220x
Am7
D7
E: 022100
And there he was a young boy
Em: 02200x
G
B7
a stranger to my eyes.
(CHORUS)
I felt all flushed with fever
embarrassed by the crowd.
I felt he found my letters
and read each one out loud.
I prayed that he would finish
but he just kept right on.
(CHORUS)
He sang as if knew me
in all my dark despair.
And then he looked right through me
as if I wasn't there.
And he just kept on singing
sining clear and strong
file:///C|/olga_main/f-g/f/fugees/killing_me_softly.crd
(CHORUS)
harmony....
file:///C|/olga_main/f-g/f/fugees/killing_me_softly.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Tue, 30 Jul 1996 15:37:18 -0400
From: Jeffrey Thomas Doyle <rascal9@SNET.Net>
This is the Fugee's version of "Killing Me Softly" which is by Charles Fox,
and the lyrics are by Norman Gimbel. I tabbed it to go along with the
melody, so it includes all the "whoas" and other voice effects. If I have
forgotten any, please let me now because I don't have this song on tape, so
I'm doing it from memory.
Crystal Doyle:)
P.S. This isn't written in time, so you'll have to figure out the rhythm
yourself.
Killing Me Softly
Part A (Verse 1): (for verses 2 and 3, play the same melody, but substitute
the words.
E-----------1--|-----------|-1------------|-------|
B-1--2--4------|4--------4-|---4---2---1--|-2-----|
G--------------|----3------|--------------|----1--|
I heard he sang|a good song|I heard he had|a style|
E----------1--|---1---3---3-|-4---3---1-----1--4--1-|
B--1--2-4-----|-4-----------|------------4----------|
G-------------|-------------|-----------------------|
and so I came|to see him to|lis-ten for a whi-i-ile|
E-4---1----------|--------------|----------0-|0--1--3-|
B----------2---1-|-------1----2-|4------4----|--------|
G----------------|--3-----------|------------|--------|
And there he was|this young boy|stran-ger to|my ey-es|
Part B (Chorus):
E--4----4---4---4----1-----------|----|-3----3--3---3--|
B-------------------------1---4--|-2--|----------------|
G--------------------------------|----|----------------|
Strum-ming my pain with his fin-|gers|Sing-ing my life|
E---------------|-----------------1---4----3-|
B--4---------1--|-1----1--1---1--------------|
G-------3-------|----------------------------|
with his words|Kill-ing me soft-ly with his|
E-1-----6----6---6---6--|-4----3------|--3-|-1----1---4---1--|
B-----------------------|-----------4-|----|-----------------|
G-----------------------|-------------|----|-----------------|
song, kill-ing me soft-| ly with his |song|Tell-ing my whole|
E----|--------------|---------------------|--------|-----|
B-4--|--1---4----2--|-2----2--1-----------|--------|-----|
G----|--------------|------------5---3---3|--3---3-|-5---|
life|with his words|kill-ing me so-oft-ly|with his|song.|
Go to next verse, after third verse play "song" like this:
Part C:
E-------------------------|
B-------------------------|
G-5-6-5-6-5-6-5-6-5-6-5-6-|
file:///C|/olga_main/f-g/f/fugees/killing_me_softly.tab
soooooooooooooooooooooong|
Then play this:
E--4---3--1--3--1--3--4--3--4--3--1-------------------|
B------------------------------------4--6--4--2---4--6|
G-----------------------------------------------------|
whoa-oa-oa-oa-oa-oa-oa-oa-oa-oa-oa-oa Ah-ah-ah-ah-ah |
E--------------------|----------|--------|
B-9--9--9--8--8--8---|-11---9--8|-4--8--6|
G-------------------6|----------|--------|
La-la-la-la-la-la-la|whoa-oa-oa|Ah-ah-ah|
E----------|--------------------------------|
B--9---6--4|-1--6--4--2--1-----1------------|
G----------|----------------3-----3--3----3-|
whoa-oa-oa|Ah-ah-ah-ah-uh-oa-oa-oo with his|
(play part c)Then play part b (the chorus) again, and end it there.
Verse 2:
I felt all flushed with fever, embarassed by the crowd,
I felt he found my letters and read each one aloud.
I prayed that he would finish but he just kept right on.
Verse 3:
He sang as if he knew me, in all my dark despair.
And then he looked right through me as if I wasn't there.
But he was there this stranger singing clear strong.
If you have any comments or complaints, whatever, write to me at
<rascal9@mail.snet.net> If you like it, please tell me:)
__________________________________________
|"In my thoughts I have seen rings of smoke|
|through the trees, and the voices of those|
|who stand looking."--Led Zeppelin:)
|
file:///C|/olga_main/f-g/f/fugees/no_woman_no_cry.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
Date: Sun, 1 Dec 1996 17:55:18 -0500 (EST)
From: Donald Potts <dpotts@netcom.ca>
Subject: "No Woman No Cry" by Fugees
"No Woman No Cry"
Performed by the Fugees
Written by V. Ford
Produced by Wyclef and Lauryn Hill
From the album, "The Score"
Tabbed by Paula Potts and Julianna Johnson at dpotts@netcom.ca
Riff 1 is repeated throughout the introduction and the verses.
Listen to the track to get the proper rhythm.
RIFF 1 :
C
G
Am
e-------0-----------------------------------------]
B----1--1-----------3--------1--------------------]
G----0--0-----------0--------2--------------------]
D---------------------------------0--2--3--3--2--0]
A-3--------------------2--0-----------------------]
E----------1/2/3--3-------------------------------]
For the chorus play Riff 2:
RIFF 2: x7 finish the chorus with Riff 3 and then go back to
Riff 1
e-----0-]
B-------]
G-------]
D-------]
A-3-0---]
E-------]
RIFF 3:
e--------]
B--------]
G--------]
D--------]
A--------]
E-3-5-7-3]
Lyrics:
Intro: RIFF 1
A dedication to all the refugees worldwide, aie, one time...
Verse 1: RIFF 1
Say, say say
I remember, when we used to say,
We a gotta a venu (?) in Brooklyn.
Aba aba sufferin' the crookedness,
file:///C|/olga_main/f-g/f/fugees/no_woman_no_cry.tab
file:///C|/olga_main/f-g/f/fugees/no_woman_no_cry.tab
file:///C|/olga_main/f-g/f/fugs/dirty_old_man.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 15:28:16 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./f/fugs/dirty_old_man.crd
'When patterns are broken, new worlds can emerge'
-- Tuli Kupferberg, as quoted in _Reader's Digest_ (4/87)
I don't know what was more of a sign that the 60s were over... Lawrence
Welk owning the Country Joe and the Fish catalog (Welk Music Group bought
Vanguard) or one of the Fugs being quoted in _Reader's Digest_...
"Dirty Old Man"
(E. Sanders - L. Goldbart)
Intro [6X]:
E
(E7)
/ / / / / /
A (G) E
/ . / /
[2] disgusting!)
Verse 2:
Handin' out joints to the kids at school
Givin' out pictures and porn and pills
Fillin' the front of my shirt with drool
I'm a dirty old man (dirty old man, dirty old man)
([2] ya prevert!)
Verse 3:
Nervously wiggling my toes in my boots
Communist literature in my hands
Pinchin' all the bosoms I can
I'm a dirty old man (dirty old man, dirty old man)
([2] you!)
[instrumental break over verse chords]
Recitation (over two repeats of verse chords)
[cackle] Hello, kiddies, here I am again on the ol' schoolyard!
got thrill pills for all the little chickies, and I got funny
file:///C|/olga_main/f-g/f/fugs/dirty_old_man.crd
cigarettes for all you boys (sniff), and I got dirty pictures for
all of you together! Well, I guess I better go, I see the campus
cop's coming... I better split now. Remember Leon Trotsky! [cackle]
[repeat verses 1-3]
Coda:
A
B
E
I'm a dirty old man
-- another ace 60's tab from Andrew Rogers
file:///C|/olga_main/f-g/f/fuller_jesse/san_francisco_bay_blues.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Fri, 15 Nov 1996 09:32:44 +0100
From: Franz Schedl <franz.schedl@atlottery.co.at>
Subject: Clapton Unplugged
San Francisco Bay Blues
by Jesse FULLER
C
F
C C7
I got the Blues for my baby down beside the San Francisco bay,
F
C C7
An ocean-liner took her so far away.
F
G
I didn't mean it treat me so bad,
C
am
She was the best girl I ever ever had.
F
G7
She said goodbye, she like to make me cry, gonna lay down my
head and die.
C
F
C
C7
I ain't got a nickel and ain't got a lousy time.
F
em7 em
She don't come back I thing I'm gonna loose my mind,
F
G7
C
am
She ever come back to stay, it's gonna be another brand new day.
F
G
C G
Walking with my baby down beside the San Francisco bay.
C
F
C
F
C C7
I'm sittin' here by my back door, I wounder which way to go.
F
C
C7
Woman I'm so crazy about you don't love me anymore,
F
G7
C
am
Think I'll take me a freight train, cause I'm feelin' blues.
F
G7
Ride all the way to the end of the line thinking only at you.
C
F
C
F
C
C7
Meanwhile in a other city, just about the goin' same.
F
G7
Thought I heard my sweet baby, and the way she used to call my
name.
F
G7
C
If she ever come back to stay, it's gonna be another brand new
am
day.
F
G
C am
Walking with my baby down beside the San Francisco bay.
F
G
C am
Walking with my baby down beside the San Francisco bay......
Fade Out
file:///C|/olga_main/f-g/f/fuller_jesse/san_francisco_bay_blues.crd
file:///C|/olga_main/f-g/f/funkadelic/hit_itand_quit_it.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: chuck@spectrum.cs.unsw.oz.au (Mark Andrew Hawling)
Funkadelic - Hit it and Quit It
This is from the album Maggot Brain a classic funk album.
Here are the riffs for "Hit it and Quit it".
----------------------!----------------------!------------------------!
----------------------!----------------------!------------------------!
-------0--------------!-------0---2-0--------!-----0----0----0--------!
-----2---2----2p0-----!-----2---------2p0----!----2----2----2--2-0----!
-2-4-------4----------!-2-4-----4------------!-2-4--2-4--2-4----------!
------------------3-0-!------------------3-0-!--------------------3-0-!
The order of these riffs are sometimes altered during the singing
so just listen to the recording to find out where.
For the bit where the lyrics go "You can shake it to the east and to
the west. " the chords are just A C D. And that is basically it.
(chuck@spectrum.cs.unsw.oz.au)
file:///C|/olga_main/f-g/f/funkadelic/maggot_brain.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Wed, 20 Dec 1995 11:05:16 -0800
From: PMosinsk@lmumail.lmu.edu (Peter Mosinskis)
Subject: TAB: Maggot Brain by Funkadelic
Maggot Brain
by Funkadelic
from the LP MAGGOT BRAIN
from: Peter Mosinskis <pmosinsk@lmumail.lmu.edu>
heavy, heavy, HEAVY metal...from Eddie Hazel. This album has some
other heavy grind on it (check out "Super Stupid"). Flea and former
RHCP guitarist John Frusciante called Funkadelic "heavier than Black
Sabbath" in a Guitar Player magazine interview a few years ago.
Intro words: Mother Earth is pregnant for the third time, for y'all
have knocked her up. I have tasted the maggots in the mind of the
universe, and was not offended, for I knew I had to rise above it all,
or drown in my own SHIT...
The arpeggio guitar is clean Strat (I think), neck pickup (or center
and neck), and turn the tone control down to 5 or so? The lead is
probably Strat as well, running a distortion or fuzzbox --> wah -->
delay (or reverb or both), something like that.
ARPEGGIOS--
Em, D, Bm, C
file:///C|/olga_main/f-g/f/funkadelic/maggot_brain.tab
file:///C|/olga_main/f-g/f/furies/green_fields_of_france.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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From: Wes Jester <jester@sulu.orl.mmc.com>
Subject: /F/Furies/GreenFieldsOfFrance.crd
To: jamesb@animal-farm.nevada.edu (jamesb@nevada.edu)
Date: Mon, 28 Jun 93 9:05:39 EDT
Mailer: Elm [revision: 70.85]
>From The Furies and Davey Arthur
Written by ERic Bogle
Green Fields Of France
CAPO
G
Em
C
Am
Well how do you do young Willie McBride,
D
D7
C
G
Do you mind if I sit here down by your graveside,
Em
C
Am
And rest for a while neath the warm summer sun,
D
D7
C
G
I've been working all day and I'm nearly done.
G
Em
C
Am
I see by your gravestone you were only 19,
D
C
G D7
When you joined the great fallen in 1916,
G
Em
Am
I hope you died well and I hope you died clean,
D
D7
C
G
Or young Willie McBride was it slow and obscene.
(CHORUS:)
G
D
D7
C
G
Did they beat the drum slowly, did they play the fife lowly,
D
D7
C
D
Did they sound the dead march, as they lowered you down,
C
G
Em
Did the band play the last post and chorus,
G
C
D7
G
Did the pipes play the Flowers of the Forest.
Did you leave ere a wife or a sweetheart behind,
In some faithful heart is your memory enshrined,
Although you died back in 1916,
In that faithful heart are you forever 19.
Or are you a stranger without even a name,
Enclosed in forever behind a glass frame,
In an old photograph all torn battered and stained,
And faded to yellow in a brown leather frame.
file:///C|/olga_main/f-g/f/furies/green_fields_of_france.crd
CHO:
The sun now it shines on the green fields of France,
There's a warm summer breeze that makes the red poppies dance,
And look how the sun shines from under the trees,
There's no gas, no barbed wire, there's no guns firing now.
But here in this graveyard it's still "No Man's Land",
The countless white crosses stand mute in the sand,
To man's blind indifference to his fellow man,
To a whole generation that were butchered and damned.
CHO:
Ah, young Willie McBride I can't help wonder why,
Do all those who lie here know why did they die,
And did they believe when they answered the call,
Did they really believe that this war would end wars.
Well, the sorrow, the suffering, the glory, the pain,
The killing and dieing were all done in vain,
For young Willie McBride it all happened again,
And again, and again, and again, and again.
file:///C|/olga_main/f-g/f/fury_in_the_slaughterhouse/down_there.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: finc20@zx2.hrz.uni-dortmund.de
Subject: CRD: "Down there" (Fury in the Slaughterhouse) (Repost)
Date: Monday, November 20, 1995
This is the first time for me to write down the chords of a song.
Thanks to J_MORENZIN@darkness.gun.de for giving me the idea by writing it down
in a different version and to Athyra@aol.com for the correct lyrics.
At the moment I'm not very satisfied with Am in the chorus, but to me there
seems to be no better chord.
If somebody has an idea or any improvement on this or knows where to find
other Fury songs please let me know ...
* means to play ----------------------------------------------0-2-3-0--
Am
Em
there is America
Am
Em
there is Africa
Am
Em
G
A
there are still people who think
D
Em
mankind is the most important thing
*Am
Em
We circle 'til eternity
file:///C|/olga_main/f-g/f/fury_in_the_slaughterhouse/down_there.crd (1 of 4) [4/28/2003 9:51:59 PM]
file:///C|/olga_main/f-g/f/fury_in_the_slaughterhouse/down_there.crd
*Am
Em
around the world in minutes we
Am
understand the history
C
the whole human catastrophy
D
G
good morning ground control
G
Down
*G
Down
*G
Down
C
that
Am
Em
there is America
Am
Em
there is Australia
Am
Em
G
A
there are still people who think
D
C D C D
mankind is the most important
E
Am
Will my dog still know who i am (get shaved and it will be allright)
E
Am
will we return to what we know (everything's gonna be allright)
E
Am
but if you ask me, I don't know
C
if I really wanna go
D
G
back down there
G
Down
*G
Down
*G
Down
C
that
Am
Em
there is America
Am
Em
there is Asia
Am
Em
G
A
there are still people who think
D
Em
mankind is the most important thing
[slower]
G
Am
Em
Down there is America
*G
Am
Em
Down there is Africa
*G
Am
Em
G
A
Down there are still people who think
C
D
G
that mankind is the most important thing
file:///C|/olga_main/f-g/f/fury_in_the_slaughterhouse/down_there.crd
Am7
Em
Between the stars we're sitting here
Am7
Em
our wifes are having breakfast now
Am7
C
D
down on earth, the skies are clear
D
Em
how we wish that they were here
Tell me what we're doing here
Watching the dirty atmosphere
We're searching for a place
For the human race
Out in space
chorus:
G
D
Em
Down there is America
G
D
Em
Down there is Africa
G
D
Em
A
Down there are still people who think
C
D
Em
that mankind is the most important thing
We circle 'til eternity
around the world in minutes we
understand the history
the whole human catastrophy
good morning ground control
Down there is America
Down there is Australia
Down there are still people who think
C
D
C
that mankind is the most important thing
[verse 2]
D C D
Em
Am7
Will my dog still know who i am (get shaved and it will be allright)
Em
Am7
will we return to what we know (everything's gonna be allright)
Em
Am7
but if you ask me, I don't know
C
D
if I really wanna go
G
back down there
chorus (with Asia instead of Africa)
Down
Down
Down
that
Greetings
Jan
--------------------------------------------------------------------file:///C|/olga_main/f-g/f/fury_in_the_slaughterhouse/down_there.crd (3 of 4) [4/28/2003 9:51:59 PM]
file:///C|/olga_main/f-g/f/fury_in_the_slaughterhouse/down_there.crd
Jan Morenzin
eMail: j_morenzin@darkness.gun.de
## CrossPoint v3.0 R ##
file:///C|/olga_main/f-g/f/fury_in_the_slaughterhouse/spit_into_the_fire.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Peter Uhd Jepsen <puhd@frhe20.physik.uni-freiburg.de>
Subject: CRD: Spit into the fire/Fury in the Slaughterhouse
Date: Wed, 12 Jul 95 10:17:06 MESZ
"SPIT INTO THE FIRE" - FURY IN THE SLAUGHTERHOUSE
------------------------------------------------OK, here is another FTSH tune, a song which features very mellow verses and
powerful choruses. It is easiest played with a capo at the 2nd fret position.
The lyrics are shown first, together with the main chords of the song. Then I
tab out the melodies, which the rhythm guitar uses to intonate the verses.
"Spit into the fire"
-------------------VERSE 1:
F#
Burn a candle set a light
F#
keep on going against the stream
F#
be as mean as mean can be
F#
as long as you're not too extreme
F#
read the papers watch the news
F#
be informed and get the blues
F#
collect your garbage use the subway
F#
B
swaying you stay on the roof
VERSE 2:
F#
Search for solutions for the future
F#
find resources drill for oil
F#
raise some powerplants and then
F#
burry them under the soil
F#
Rome is burning the emperor sings
F#
waiting for what time may bring
F#
his body caressed by the virgins
F#
B
laughing shy he turns around
CHORUS 1:
A
And spits into the fire
D
and hopes that he can calm it down
file:///C|/olga_main/f-g/f/fury_in_the_slaughterhouse/spit_into_the_fire.crd
A
fights the flames with words
D
'cause they're cheaper than water
A
thinking he can heal the world
D
but the only thing he really does
B
is sitting on a sofa
F#
and spit into the fire
VERSE 3:
F#
Rabbits running on the green
F#
and jump directly in your pan
F#
turtles transform into soup
F#
B
enjoy them as long as you can
VERSE 4:
F#
Silent sitting writing songs
F#
'bout all the idiots that pretend
F#
that their words can change the world
F#
B
I think I'm right but in the end
CHORUS 2:
A
I spit into the fire
D
and hope that I can calm it down
A
fight the flames with words
D
'cause they're cheaper than water
A
thinking I can heal the world
D
but the only thing I really do
B
is sitting on the sofa
B
and spit into the fire
OUTRO:
F#
and spit into the fire (spit into
E5
spit into it
(spit into
F#
and hope that I can calm it down
A
fight the flames with words
A
spit into)
B5
spit into)
file:///C|/olga_main/f-g/f/fury_in_the_slaughterhouse/spit_into_the_fire.crd
E5
'cause they're cheaper than water
B5
thinking I can heal the world
D
but the only thing I really do
Bm
is sitting on the sofa
and spit into the
Bm
is sitting on the sofa
and spit into the
Bm
is sitting on the sofa
and spit into the
B
spit into it...
D
fire
D
fire
B
fire
----OK - that's it, man - remember: calm verses, intense choruses and outro
is the key point.
Chord legend:
F#
B
Bm
B5
A
D
E5
244322
*24442
*24432
*2442*
542225
*54232
**2452
file:///C|/olga_main/f-g/f/fury_in_the_slaughterhouse/spit_into_the_fire.crd
|-----------------|-----------------|
|-----------------|---------2-42----|
|-----3-----------|-----3-4---------|
|-4-4---4-2---4---|-4-4-------------|
|-----------6-----|-----------------|
|-----------------|-----------------|
|-----------------|-----------------|
|-----------------|-----------------|
|-----3-4-43------|-----------3-4---|
|-4-4---------4---|-4-4-6-4-6-------|
|-----------------|-----------------|
|-----------------|-----------------|
VERSE 4:
|-----------------|-----------------|
|-----------------|---------2-42----|
|-4-3-4-3-43------|-----3-4---------|
|------------4----|-4-4-------------|
|-----------------|-----------------|
|-----------------|-----------------|
|-----------------|-----------------|
|-----------------|-----------------|
|-----3-4-43------|-3-3-------3-4---|
|-4-4---------4---|--6--4-4-6-------|
|-----------------|-----------------|
|-----------------|-----------------|
During the verses, the acoustic rhythm guitar plays the F# superimposing
the most dominant notes of the above melody line. I didn't bother writing
it all out, it is a lot easier just to try it out. It kind of falls into
place after a few tries.
OK, enjoy this great tune from the best rockband in Germany,
any comments and criticisms are extremely welcome.
Peter Uhd Jepsen, puhd@frhe20.physik.uni-freiburg.de
puhd@kemi.aau.dk (after september 1, 1995)
-----------------------------------------------------------------------------
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file:///C|/olga_main/f-g/g/index.html (1 of 4) [4/28/2003 9:52:00 PM]
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bella_linda.crd
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bird_song.tab
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deal.crd
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dire_wolf.crd
eyes_of_the_world.crd
fire.crd
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franklins_tower.crd
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friend_of_the_devil.pro
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help_on_the_way.crd
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ill_take_a_melody.crd
it_must_have_been_the_roses.crd
jack_straw.crd
jackaroe.crd
let_it_grow.crd
looks_like_rain.crd
loser.crd
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me_and_my_uncle.tab
mexicali_blues.crd
might_as_well.crd
mission.crd
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ripple.crd
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rosemary.crd
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saint_stephen.tab
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scarlet-fire.crd
scarlet_begonias.crd
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she_belongs_to_me.crd
ship_of_fools.crd
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slipknot.tab
standing_on_the_moon.crd
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409_in_your_coffeemaker.crd
80.btab
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86.btab
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all_by_myself.btab
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android.btab
armatage_shanks.crd
babs_uvula_who.crd
basket_case.crd
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best_thing_in_town.crd
brain_stew.crd
brat.crd
burnout.crd
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christie_road.crd
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coming_clean.crd
dominated_love_slave.crd
dont_leave_me.tab
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dookie_album.crd
dry_ice.tab
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f_o_d.crd
f_o_d.tab
geek_stink_breath.btab
geek_stink_breath.crd
going_to_pasalacqua.crd
good_riddance.crd
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having_a_blast.tab
i_wanna_be_alone.crd
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i_was_there.crd
insomniac_album.crd
j_a_r.btab
j_a_r.crd
j_a_r.tab
j_a_r_.crd
jaded.crd
jaded.tab
knowledge.btab
knowledge.crd
knowledge.tab
longview.btab
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my_generation.crd
no_pride.crd
on_the_wagon.crd
one_for_the_razorbacks.crd
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only_of_you.tab
panic_song.tab
paper_lanterns.btab
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paper_lanterns.crd
private_ale.crd
road_to_acceptance.crd
sassafras_roots.crd
she.btab
she.crd
strangeland.crd
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stuck_with_me.crd
sweet_children.crd
tight_wad_hill.crd
walking_contradiction.btab
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welcome_to_paradise.btab
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westbound_sign.crd
westbound_sign.tab
when_i_come_around.btab
when_i_come_around.crd
when_i_come_around.pro
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who_wrote_holden_caufield.crd
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words_i_might.crd
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i_dont_wanna_talk_about_love.tab
its_a_hard_life.crd
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tecumseh_valley.crd
these_days_in_an_open_book.crd
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double_talkin_jive.crd
double_talkin_jive.tab
double_talking_jive.tab
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estranged.tab
hair_of_the_dog.tab
i_dont_care_about_you.tab
i_used_to_love_her.tab
knockin_on_heavens_door.tab
lies_album.lyrics
live_and_let_die.tab
locomotive.tab
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song_collection.tab
sweet_child_o_mine.tab
sympathy_for_the_devil.crd
talkin_double_jive.tab
used_to_love_her.crd
file:///C|/olga_main/f-g/g/guns_n_roses/index.html (1 of 2) [4/28/2003 9:52:14 PM]
file:///C|/olga_main/f-g/g/guns_n_roses/index.html
used_to_love_her.tab
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file:///C|/olga_main/f-g/g/g_gina/just_a_little_bit.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
(Ooh... Ahh...) Just a little bit
Performed by Gina G
Transcribed by Lee Webb
Britain`s Europop entry for the last eurovision song contest. Easy to play and great at parties!!!
Basic chord sequence
Ohh Ahh just a little bit, Ohh Ahh a little bit more
C
Ohh Ahh just a little bit, You know what i`m looking for
Here`s the little synth bit that goes between chorus and verse:
C
H.O
H.O
E -----------------/~\---------------------------------/~\--------------B ---8-6-5-6-5-6-5-6-8---8-6-5-6-5-6/8---8-6-5-6-5-6-5-6-8---8-6-5-6-5--G -5-------------------5---------------5-------------------5-----------5There is also a little breakdown in the middle, but I don`t have the whole song so I haven`t
worked that bit out,(if you are familiar with the song it`s the `Hey girls, What can you do for
me` bit).
The Verses and choruses are the same structure, but I don`t know the words to the verses.
Enjoy!!!
Lee Webb (webble@dircon.co.uk)
file:///C|/olga_main/f-g/g/g_love_and_special_sauce/blues_music.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
From: GLove1012@aol.com
Song :
Group:
CD
:
Blues Music
G. Love & Special Sauce
G. Love & Special Sauce
(main riff)
---------------0----------------------------------------0----------------------------------------9---------------------------------9------9------------------------------6---------7---------------------------7------------0-------------------------ah how me and my band
all must agree we like to get groovy
with the sounds of the old time
we like to jam cause man
sounds from the bandstand
hand for the cause man
hang from the old ones
the tones the gears the props and the rides very much in
chillin outside
way back...
from where music really started
I'm a child of the eighties
from where i departed since then i started
a collection of the people
who started it all
I reckon therefor
I kept them
in my sock like money
blues music...
it's all about rockin the van not rock to roll
but sway to sway
shocks work out I play
what that fly girl Sabine say...
about eight miles to the gallon that's some
hiway sailing
cool cool lounging
Atlantic City bounding
1920's to the 1970's a stream with some
pool solid steady
getting ready real cool
the earth amp sock hat hihat dope
Dobro D'Addario strings for my things
the bass wail sings
let the rhyme bring
the tense of the time
of the old time
blues music
blind lemon Jefferson and juice
file:///C|/olga_main/f-g/g/g_love_and_special_sauce/blues_music.tab
file:///C|/olga_main/f-g/g/g_love_and_special_sauce/coast_to_coast_motel_album.btab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Tue, 19 Dec 1995 23:32:36 -0500 (EST)
From: david a piniella <dpinie01@fiu.edu>
Subject: /g/g_love_and_special_sauce/coast_to_coast_motel_album.btab
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-="sweet sugar mama"
main lick, vamp.
variation
fill
G|-----2-2p0-----------------|----7-7p5-----------------|-------6-7-9-6----|
D|------------2--0--2--0--2--|-----------7--5--7--5--7--|------7--------7--|
A|--0------------------------|--5-----------------------|--5/7-------------|
E|---------------------------|--------------------------|------------------|
[ pretty simple, main lick throughout, with the variation being just the ]
[ main vamp a fourth up. the fill is near the end of one or two of the
]
[ verses, you can hear it clearly. slight swing, smooth and tight feel. ]
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
"leaving the city"
main vamp
bridge
G|---------------------|------------------------------------------|
D|----7-------7--5--7--|------------------------------------------|
A|------7p5------------|--7-7-7-7-7-7--8-8-5-5-5-5-5-5-5-7-7-7-7--|
E|--5-------5----------|------------------------------------------|
[ main vamp throughout the song, with the bridge section played during ]
[ the guitar's single chord strum before "yeah, i'm leaving the city" ]
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
"nancy"
main vamp
breakdown
transition to vamp
G|----------------|--------------------------|-------------|
D|----------------|----9-87--------9-77------|-------------|
A|----77-----77---|---------5/9--------------|----77---77--|
E|--5----5-5----5-|--7-----------7------5/7--|--5----5-----|
[
[
[
[
the main vamp has a samba feel and can be played in the open position
if you want the notes to ring, but i like the muted sound of the fifth
position. the breakdown is short, but sweet --the transition back to
the vamp is pretty smooth, and there are a few rests to watch out for.
]
]
]
]
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
"kiss and tell"
main vamp
shift in solo section
G|-----------------------------------------|-----------------------------|
D|--5-------5--------5----------5---5------|-0-2-3-55555555---5--------5-|
A|--------3---33-3--------0-2-3---5---55-5-|-----------------------------|
E|-3-33-3----------3--33-3-----------------|----------------3---33-3-3---|
[ the main vamp seems complicated, but it's just him walk/swinging the ]
[ notes G C G D while playing off a pedal G (D string/5th fret) and a ]
[ little walk on A to the D. the solo section is basically the same as ]
file:///C|/olga_main/f-g/g/g_love_and_special_sauce/coast_to_coast_motel_album.btab
[ the main vamp, except for this small piece which takes it back to the]
[ vamp almost as soon as it walked away from it.
]
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
"chains #3"
main vamp
fills/variations
G|----------------|-----------------|-----------------|
D|----------------|--------------1--|---5-------------|
A|----5--------3--|----5----------3-|--------------3--|
E|--3---33-1-1----|--3---33--1-1----|-3----55--1-1----|
[ look simple? it is. use the fills/variations before the guitar solo ]
[ after the "ain't no chains gonna hold me down..." vocal part.
]
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
"sometimes"
main vamp
"sometimes..."
G|---------------------|-----------------|
D|------6-r-6--6-------|----6------------|
A|------------8---8-6--|------8-6--------|
E|--5-5----------------|--5-------8-6-5--|
[ the r in the main vamp is a rest. the "sometimes..." part is a walk, ]
[ follow the guitar's chords.
]
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
"everybody"
main vamp.
G|--------------------------------------|
D|-------------------5---5--------------|
A|----3---33---3-1---------3---3---1----|
E|--1---1----1-----3---3-----3---3---1--|
[ it's basically a shuffle/walk through the notes F, G and C with a Bb ]
[ every once in a while just for good measure.
]
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
"soda pop"
main vamp
variation 1
variation 2
fill/transition
G|---------------|----1-2----1-2--|----6-7----6-7--|-------------------|
D|---------------|----------------|----------------|----------4-6-7-7--|
A|----4-5---4-5--|----------------|--0------0------|----4-5-7----------|
E|--5-----5------|--0------0------|----------------|--5----------------|
[ bass is tacet at first, then kicks in with the vamp. it plays the
]
[ variations at different points, you can hear the open strings buzz. ]
[ the fill/transition is at the end, it's just a walk up and down.
]
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
"bye bye baby"
intro/verse
1st trombone solo horns solo key change
G|------------|-------------------|-----------|--3----1--|
D|------------|----2--------------|--3-----1--|----22----|
file:///C|/olga_main/f-g/g/g_love_and_special_sauce/coast_to_coast_motel_album.btab (2 of 3) [4/28/2003 9:52:16 PM]
file:///C|/olga_main/f-g/g/g_love_and_special_sauce/coast_to_coast_motel_album.btab
A|----3----2--|------3-2-0--------|----22-----|----------|
E|--0---00----|--0---------3-2-0--|-----------|----------|
[the intro/verse is used after a few slides (while the guitar is strumming
[the opening chord(s) and when the drums kick in. the 1st 'bone solo uses
[this walk along an Em chord. there is a solo section where the 'bone, a
[trumpet and a clarinet go off, there's a key change in there too. the
[second trombone solo has no bass, so that's that.
]
]
]
]
]
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
"tomorrow night"
verse vamp
G|------------|--------2-4--|----4-2------|
D|-(2)-(00)---|----2-4------|--------4----|
A|----2-55-2--|--2(4)-------|--2-------2--|
E|--0---------|-------------|-------------|
[
[
[
[
the notes in parenthesis can be use in place of the ones that they're
above. the first bar is the intro, and is used occasionally in other
places. the other two bars go together and are used for much of the
song, after the intro and almost all the way until the end.
]
]
]
]
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
"small fish"
intro
main vamp
variation
G|------------|----2p0-----44-5/--|----2p0-----44-4b--|
D|------------|--------4-2--------|--------4p2--------|
A|----5-7-7/--|-------------------|-------------------|
E|--5---------|--0----------------|--0----------------|
[
[
[
[
the intro is just accents on some chords the guitar plays, with a slide ]
at the last one. the main vamp is used throughout, with the low E being ]
help out throughout the measure. the variation is used sometimes, with ]
the B being bent up to C sometimes, and sometimes slid up from C.
]
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
"coming home" is just guitar, but if you want to play a thicker version
live or something, the notes that you should walk are C, B, A, G, with
G being the main note you should accent or use as a pedal tone.
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=enjoy.
-d.
-"negative d" and "-d."
"Find myself singing the same songs every day/Ones that make me feel good
when things behind a smile ain't OK." [Shannon Hoon/Blind Melon]
"But I don't want to go among mad people," said Alice.
"Oh you can't help that," replied the Cat. "We're all mad here."
"There you go; stark raving sane."
[Guildenstern]
file:///C|/olga_main/f-g/g/g_love_and_special_sauce/g_love_album.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Fri, 20 Oct 1995 20:07:24 -0400 (EDT)
From: DAVID PINIELLA <DPINIE01@servax.fiu.edu>
Status: RO
=================================================================
"the things that i used to do" guitar tab
by g. love and special sauce from their debut album
[this ain't perfect, but the chords are
]
[similar and it doesn't sound *bad* this way]
e|------------------------|
]
B|-----3---4p3--0------3--|
]
G|-----3h4---3--0----0----|
it's]
D|--0--3-----3--0--0------|
]
A|------------------------|
E|------------------------|
=================================================================
"the things that i used to do" bass tab
by g. love and special sauce from their debut album.
fig. 1
G|--0---0----------------|
D|----0---0--------------|
A|----------3---0--2--3--|
E|------------3----------|
repeat fig. 1 vamp throughout the song.
=================================================================
"blues music" guitar tab
by g. love and special sauce from their debut album.
verse
D#(aug)(add6)E7#9
e|-----------------------|
B|------------------8----|
G|------(4)(5)-----7-----|
D|----5-----------6------|
A|--6------------7-------|
E|-----------------------|
notes:
B C
chorus
e|-------------------|
B|-------------------|
G|--5/7-7--7---------|
D|--4/6-6--6--4-6-7--|
A|--5/7-7--7--4-5-6--|
E|------------5-6-7--|
[
[
[
[
[
[
[
[
[
[
[
]
]
]
]
file:///C|/olga_main/f-g/g/g_love_and_special_sauce/g_love_album.tab
=================================================================
"blues music" bass tab
by g. love and special sauce from their debut album
verse
G|-5-5---------|--7/9~--|[The first slide here: slow and raise your finger
]
D|----5/x2-----|--------|[off the string as you slide, so that by the time
]
A|---------2---|--------|[you get to around the 2nd fret, it's a buzzed
out]
E|-------------|--------|[note. The second slide: use vibrato--tastefully.
]
chorus
G|-------------------|
]
D|-------------------|
]
A|--5/7-7--7---------|
]
E|------------5-6-7--|
]
]
=================================================================
"this ain't living" guitar tab
by g. love and special sauce from their debut album.
main verse and intro variation of intro
e|-------------------|---------------------|
B|-------------------|---------------------|
G|-------------------|---------------------|
D|----8--5-----6--3--|-------8-5------6-3--|
A|----7--5-----5--3--|---5/7------3/5------|
E|--8--------6-------|---------------------|
=================================================================
"this ain't living" bass tab
by g. love and special sauce from their debut album
vamp throughout most of the song
G|-----3-(0)-|-----1-----| [ it's pretty cut and dry here, just play the ]
D|--------0--|-----------| [ rhythm and stay in pocket. Alternate the () ]
A|--3--------|--1-----3--| [ notes every once in a while.
]
E|-----------|-----------|
=================================================================
"garbage man" guitar tab
by g. love and special sauce from their debut album
intro
verse
verse fill
bridge
outro
e|-----------------|---------------|------------|--------------|-------------|
B|-----------------|---------------|------------|--6--5--5--7--|-------------|
G|------5h7-5h7-5--|---------------|------------|--5--5--5--5--|-9b7---101010|
D|-/0-0-0---0---0--|--0-0-0-0-4-0--|--5bfrp3----|--4--4--4--5--|----10-101010|
A|-----------------|--5-5-4-5-5-5--|---------5--|--5--5--0-----|-------------|
E|-----------------|---------------|------------|--------------|-------------|
file:///C|/olga_main/f-g/g/g_love_and_special_sauce/g_love_album.tab
[intro: slide into the open D from around the 10th fret on the D string.
]
[verse: sloppy is good here--remember this is about a lazy little love
affair]
[
and play it with your eyes closed, and hit strings that aren't
writen]
[ fill: pick the 5th fret and bend it up a full step, release it, and then
pull-off to the 3rd and play the D (5th/A) staccatto
]
[bridge:this part is near the end, and i dont know what else to call it,
]
[
'cept a bridge...it's a free strum, changing the chords every so
often]
[
...also, in the last verse, these become sort of fills, strummed
]
[
freely in between the little verse lick.
]
[outro: drone the open D when you bend that E, and do the same type of bend
]
[
as before, then play the 10th fret doublestops and the first chord
in]
[
the bridge section.
]
=================================================================
"garbage man" bass tab
by g. love and special sauce from their debut album
G|-------------7--|-------7--7~7--|
]
D|----------------|---------------|
]
A|--5-5---5-5-----|--5-5----------|
]
E|----------------|---------------|
fills]
]
[ (D7#9) and in the groove.
]
[ D7#9= D F# A E F
]
=================================================================
"eyes have miles" guitar tab
by g. love and special sauce from their debut album
intro
verse
solo
outro
Bb7 Bb9 Bb7 Bb6 Bb7
(freestrum) Ab6
e|--4--0--4--4--3--4---|--4--4--3h4--1--|--4-0-0--0--8br-----0--|--3-4-5--|
B|--3--3--3--3--3--3---|--3--3--3-3--1--|--3-3-5b-5b-----8---8--|--2-3-4--|
G|--3--3--3--3--3--3---|--3--0--3-3--1--|------------------7-7--|--2-3-4--|
D|---------------------|----------------|-----------------------|---------|
A|---------------------|----------------|-----------------------|---------|
E|---------------------|----------------|-----------------------|---------|
[intro: pretty simple, just pulloff and hammeron, emphasis on the high
notes.]
[verse: freestrum, nothing organised and very sloppy; the Ab6 chord is
tossed]
file:///C|/olga_main/f-g/g/g_love_and_special_sauce/g_love_album.tab
in near the end of one of the verses, you can hear it clearly.
]
[solo: this is partial (duh) but it covers the most important part(s), and
]
[
just freestrum the last triad into the next verse.
]
[outro: play the first 2 chords and hold the last chord.
]
=================================================================
"cold beverage" guitar tab
by g. love and special sauce from their debut album
intro and verse
bridge
lick 1
lick 2
e|--------------------|-------|-----10-12-----|--10/--|
B|------6--6--5-6/11--|---6---|--12b------12--|--12/--|
G|----6----6--5-6/11--|---6---|--12b------12--|--12/--|
D|--7-----------------|---7---|---------------|-------|
A|--------------------|---0---|---------------|-------|
E|--------------------|-------|---------------|-------|
[intro :
[ and :
[verses:
[bridge:
[
[lick 1:
[lick 2:
===================================================================
print this out in a monospatial font at 'bout 8 point (10 max) and it'll
come out okeh, it was done on a 80x24 screen and it fit.
email questions/comments/requests to
dpinie01@servax.fiu.edu
or
thatguy@pro-entropy.cts.com
transcribed by david piniella.
---------------------------------------------------------------------------"Intelligence is not knowledge, knowledge is not wisdom, wisdom is not truth,
truth is not beauty, beauty is not love, love is not music. Music is best."
[Frank Zappa]
"I keep talking just for talking." [G. Love]
"...and--those who had a knack for it--lived happily ever after."
[Baron Von Munchausen]
I am me, these opinions not to be bought, sold, traded/exchanged or collected.
===============dpinie01@servax.fiu.edu/thatguy/uncle meat/dave===============
file:///C|/olga_main/f-g/g/g_love_and_special_sauce/small_fish.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Mon, 8 Jan 1996 11:20:48 -0500 (EST)
From: david a piniella <dpinie01@fiu.edu>
Subject: /g/g_love_and_special_sauce/small_fish.tab
"small fish" by g. love and special sauce
from their album _coast to coast motel_
intro/bridge
verse
variation
e|--------------------------------------|--0---0--|--5-/0------|
B|--------------------------------------|--5---7--|--5-/11-----|
G|-----77777---------------77777--------|--6---7--|--6-/10-----|
D|--5--------5-6-7-77777---------5-6-7--|--7---7--|--7-/9------|
A|--0--------------------5--------------|--0---0--|--0--0------|
E|--------------------------------------|---------|------------|
[
[
[
[
[
[
[
[
the intro bridge part i have written out here is just a guide, ]
really; you get the idea --near the 3 minute mark (a bit before]
the "coast to coast to coast" part) he repeats the ascending
]
lick on the D string { D|--5-6-7-5-6-7-5-6-7-| }. the verse is ]
just a free strum on the A and D/A chords (sometimes he plays ]
7th chords (A: x 0 7 6 7 0 | D/A: x 0 7 7 7 8) and sometimes
]
he plays them open --he appregiates them before the "lovin' it"]
part.
]
all the transcriptions (from coast to coast) will have the lyrics,
since the liner notes don't have 'em.
lyrics:
------(ah-hahahahaha ha)
ever since i been a small fish
oh yeah
oh yea-yeah
yea-yeah-yeah
i'm sitting on the street, man
playing my guitar
looking at all the people
passing by the store
well they don't even know
i'm a small fish for a swim
and they just don't know
where we are to begin
ever since i been a small fish
oh yeah oh cmon
...
laa-la-la
looka that,
lova that,
pushin it
shoving it,
kicking it,
licking it,
looka that,
cooka that,
kicking it,
file:///C|/olga_main/f-g/g/g_love_and_special_sauce/small_fish.tab
baking it,
[
]
shakin it,
[
]
baking it,
[
]
i gotta take it, (na-nana naaa)
oh i'm gonna take it,
[
]
man im gonna making it, [ na-na's continue ]
i already made it.
[
]
you
you
you
and
watch out
watch out
watch out
you watch
for
for
for
out
the
the
the
for
file:///C|/olga_main/f-g/g/g_love_and_special_sauce/this_aint_livin.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Sat, 30 Sep 1995 1:21:24 -0400 (EDT)
From: DAVID PINIELLA <DPINIE01@servax.fiu.edu>
"this aint livin'" by G. Love and Special Sauce
from their self titled debut album
main intro and verse riff
variation (in preverse and a bit in the
chorus)
|---------------------------|----------------------------------|
|---------------------------|----------------------------------|
|---------------------------|----------------------------------|
|-----8-----5-------6----3--|---------8--5-5--------6--3-------|
|-----7-----5-------5----3--|---5/(7)--------3/(5)-------------|
|--8-------------6----------|----------------------------------|
^slight palm mute========^
****************************************************************
Interlude Chords:
(these are probably wrong, but they're as close as I can get 'em, and they
sound okay when played along to the CD.)
Gaug(no 3rd)
x x 5 0 4 3
Gadd6
x x 5 4 5 3
Fadd6
x x 3 2 3 1
Ddim(no 3rd)
x x x 2 3 4
****************************************************************
Lyrics
======
(g. love vox)
this town's so hype it's got soul
as a Philly cat
I'm with the roll
and the swing of my things
how they work like clockwork
tick tock
tick tock
the time always lurking in your head
got to go to work and get fed
that man didnt eat but he goes to sleep
gets up at dawn not to see the sunrise
but because it's too damn cold outside
underneath the bridge they pump the city's bilge
into the alley they sweep the city's filth
the flowers wilt
the flowers wilt
dont tell me about no game
cos that is a man
and his family
the revolution family
look at the family
file:///C|/olga_main/f-g/g/g_love_and_special_sauce/this_aint_livin.crd
file:///C|/olga_main/f-g/g/g_love_and_special_sauce/this_aint_livin.crd
file:///C|/olga_main/f-g/g/gabriel_peter/big_time.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: ez003151@chip.ucdavis.edu (Chris Tapio)
Big Time (Peter Gabriel)
-----------------------(Disclaimer: no guarantee of correctness or completeness of transcription
is given with respect to 7ths, inversions, fingering, and choice of #/b.
Any major blunders, questions and suggestions to djb@uk.ac.bath.maths ;^)
Intro:
-----I'm on my way
Abm Abm/B
Db/F
I'm making it
Db7sus4/Gb
Abm
Abm/B
Db/F
Db7sus4/Gb
it show, yeah
Db7sus4/Gb Abm
Abm/B
Db/F
Db7sus4/Gb
Dbm/F
Db7sus4/Gb
Abm/B
Abm
Abm/B
Db/F
Hey......
Abm, Ebsus4/Ab, Abm, B/Ab, Db7/Ab, Bbm/Ab, Abm
Verse:
-----Db7/Ab
Dbm7/Ab
Dbm7/Ab
I've been stretching my mouth to let those big words come right out
Abm
Dbm7/Ab
I'll be a big noise with all the big boys, so much stuff I will own
Abm
And I will pray to a big god,
G-5
Chorus:
-------Big time, I'm on my way,
Abm
Abm/B
Db/F
show-yeah,
Db7sus4/Gb
big time
Abm
Abm/B Dbsus4/Gb
file:///C|/olga_main/f-g/g/gabriel_peter/big_time.crd
oh oh oh
Gb,
oh oh oh,
Gbsus4
oh oh oh
Gb
[verse]
My parties all have big names
And I greet them with the widest smile
Tell them how my life is one big adventure^
And always they're amazed
When I show them round my house, to my bed
I had it made like a mountain range
With a snow-white pillow for my big fat head
And my heaven will be a big heaven
And I will walk through the front door
[chorus to end]
Big time, I'm on my way, I'm making it, big time
Big time, I've got to make it show-yeah, big time
Big time, so much larger than life
Big time, I'm going to watch it growing, big time
Dbsus4/Gb
My car getting bigger
Big time, my house getting bigger
Big time, my eyes getting bigger
Big time, and my mouth
Gbsus4/Gb Gb
Big
Big
Big
Big
time,
time,
time,
time,
-///////////////////////////////////////////////////
// What makes mass society so difficult to bear //
// is not the number of people involved...but
//
// the fact that the world between them has lost //
// its power to gather them together, to relate //
// and to separate them. -- Hannah Arendt, 1958 //
//-----------------------------------------------//
// Chris Tapio
gctapio@ucdavis.edu //
///////////////////////////////////////////////////
file:///C|/olga_main/f-g/g/gabriel_peter/blood_of_eden.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: ez003151@chip.ucdavis.edu (Chris Tapio)
Blood Of Eden (Peter Gabriel)
----------------------------(Disclaimer: no guarantee of correctness or completeness of transcription
is given with respect to 7ths, inversions, fingering, and choice of #/b.
Any major blunders, questions and suggestions to djb@uk.ac.bath.maths ;^)
Intro:
-----Bb, Eb
Verse:
------
Bb
Bb
They had been there from the start
Eb
And the darkness still has work to do
Bb
The knotted chord's untying
Eb
The heated and the holy
Bb
Oh they're sitting there on high
Eb
So secure with everything they're buying
Bb
Eb
Chorus:
------In the blood of Eden
Ab
Eb
With the man in the woman and the woman in the man
Ab
Eb
Bb
Cm
In the blood of Eden
Ab
Eb
file:///C|/olga_main/f-g/g/gabriel_peter/blood_of_eden.crd
...........
Bb Eb
[verse]
My grip is surely slipping
I think I've lost my hold
Yes I think I've lost my hold
I cannot get insurance any more
They don't take credit, only gold
Is that a dagger or a crucifix I see
You hold so tightly in your hand
And all the while the distance grows between you and me
I do not understand
[chorus]
In the blood of Eden lie the woman and the
With the man in the woman and the woman in
In the blood of Eden lie the woman and the
We wanted the the union
oh the union of
Ab
Eb Bb
Ab/Bb
man
the man
man
the woman, the woman and the man
Bb
Fm/Bb
Cm
Bridge:
------At my request
you take me in
Cm
Cm/Ab Bb
Bb/G
Cm/Ab
Cm
In that tenderness
I am floating away
Cm/Ab Bb Bb/G
Cm/Ab
Cm
No certainty,
Cm/Ab Bb Bb/G
nothing to rely on
Cm/Ab
Holding still
for a moment
Cm Cm/Ab
Bb
Bb/G
Cm/Ab
What a moment this is
F
Oh for a moment of forgetting
Cm/Ab
A moment of bliss
F
Oh....
Eb
Bb, Eb
[verse]
I can hear the distant thunder
Of a million unheard souls
Of a million unheard souls
Watch each one reach for creature comfort
For the filling of their holes
[chorus]
In the blood of Eden lie the woman and the man
I feel the man in the woman and the woman in the man
In the blood of Eden lie the woman and the man
I feel the man in the woman and the woman in the man
Ab
Eb
Bb
Cm
In the blood of Eden we have done everything we can
file:///C|/olga_main/f-g/g/gabriel_peter/blood_of_eden.crd
-///////////////////////////////////////////////////
// What makes mass society so difficult to bear //
// is not the number of people involved...but
//
// the fact that the world between them has lost //
// its power to gather them together, to relate //
// and to separate them. -- Hannah Arendt, 1958 //
//-----------------------------------------------//
// Chris Tapio
gctapio@ucdavis.edu //
///////////////////////////////////////////////////
file:///C|/olga_main/f-g/g/gabriel_peter/come_talk_to_me.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: ez003151@chip.ucdavis.edu (Chris Tapio)
Come Talk To Me (Peter Gabriel)
------------------------------(Disclaimer: no guarantee of correctness or completeness of transcription
is given with respect to 7ths, inversions, fingering, and choice of #/b.
Any major blunders, questions and suggestions to djb@uk.ac.bath.maths ;^)
Intro:
-----A D, A D, A D, E Gbm [repeat]
D A
Verse:
-----The wretched desert takes it's form,
A
D/A
The jackal proud and tight,
A
In search of you I feel my way,
A
D/A
Through slowest heaving night
A
Whatever fear invents,
Dsus4
Bm
file:///C|/olga_main/f-g/g/gabriel_peter/come_talk_to_me.crd
file:///C|/olga_main/f-g/g/gabriel_peter/come_talk_to_me.crd
file:///C|/olga_main/f-g/g/gabriel_peter/digging_in_the_dirt.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: sbigelow@dante.nmsu.edu
Digging In The Dirt (Peter Gabriel)
----------------------------------(Disclaimer: no guarantee of correctness or completeness of transcription
is given with respect to 7ths, inversions, fingering, and choice of #/b.
Any major blunders, questions and suggestions to djb@uk.ac.bath.maths ;^)
Verse:
-----[lots of Eb7 riffs all over the place]
Something in me, dark and sticky
All the time it's getting strong
No way of dealing with this feeling
Can't go on like this too long
Bridge:
------This time you've gone too far
Eb
This time you've gone too far
Eb
This time you've gone too far,
Eb
I told you, I told you, I told you, I told you
Eb
[repeat]
Don't talk back,
Ab/C-Absus4/Db-Ab/Db
keep your hands on the wheel
Gb/Eb-Db/Eb-Gb/Eb
Ab/C-Absus4/Db
Don't turn around,
this is for real
Ab/Db
Gb/Eb-Db/Eb-Gb
Ab/C-Absus4/Db
Chorus:
------Digging in the dirt
Bbm
Ab
Stay with me I need support
Gb
Db/F
Ab
Db
Bbm
file:///C|/olga_main/f-g/g/gabriel_peter/digging_in_the_dirt.crd
Db
Gb
Db/F
Ab
file:///C|/olga_main/f-g/g/gabriel_peter/dont_give_up.btab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Pete.Paluch@Microserve.com (Pete Paluch)
BTAB: Peter Gabriel / Don't Give Up with bassist Tony Levin.
G----------8--7-----------7--8-|----------8--7-----------7--8-|
D---------10--8-----------8-10-|---------10--8-----------8-10-|
A---10-10----------10-10-------|---10-10----------10-10-------|
E-8--------------8-------------|-8--------------8-------------|
G------------12-10----------10-12--\-|----------8--7-----------7--8-|
D------------13-12----------12-13--\-|----------8--8-----------8--8-|
A------13-13----------13-13----------|----8--8-----------8--8-------|
E-/-11-------------11----------------|-6--------------6-------------|
G----------------8--7-----------------------7--8-|
D---------------10--8-----------------------8-10-|
A---------10-10----------------------10-10-------|
E-6--/--8--------------H--8--8--8--8-------------|
Key:
H
/
\
Hammer On
Slide Up
Slide Down
You
wanna try BTAB for the Drum Stick part in Big Time?
-E-Mail:
file:///C|/olga_main/f-g/g/gabriel_peter/dont_give_up.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: ez003151@chip.ucdavis.edu (Chris Tapio)
Don't Give Up (Peter Gabriel)
----------------------------(Disclaimer: no guarantee of correctness or completeness of transcription
is given with respect to 7ths, inversions, fingering, and choice of #/b.
Any major blunders, questions and suggestions to djb@uk.ac.bath.maths ;^)
Verse:
-----In this proud land we grew up strong
Cm
Bb/C
Cm
We were wanted all along
Bb/D
Eb
Ab/Eb Eb
I was taught to fight, taught to win
Bb
Eb/Bb
Bb
I never thought I could fail
Cm
Bb/C Cm
No fight left or so it seems
I am a man whose dreams have all deserted
I've changed my face, I've changed my name
But no one wants you when you lose
Chorus:
------Don't give up - 'cos you have friends
Ab/F
Eb/G
Cm7/Ab
Ab/F
Ab/F
[verse]
Though I saw it all around
Never thought I could be affected
Thought that we'd be the last to go
It is so strange the way things turn
Drove the night toward my home
The place that I was born, on the lakeside
As daylight broke, I saw the earth
The trees had burned down to the ground
[chorus]
don't give up - you still have us
don't give up - we don't need much of anything
don't give up - 'cos somewhere there's a place where we belong
Ab
Bm
Eb
Bridge:
------Rest your head
Ab/Eb-Eb
file:///C|/olga_main/f-g/g/gabriel_peter/dont_give_up.crd
Bb
Eb/Bb-Bb
Ab/Eb-Eb
[verse]
Moved on to another town
Tried hard to settle down
For every job, so many men
So many men no-one needs
[chorus]
Don't give
Don't give
Don't give
Don't give
Don't give
Don't give
Don't give
up
up
up
up
up
up
up
-///////////////////////////////////////////////////
// What makes mass society so difficult to bear //
// is not the number of people involved...but
//
// the fact that the world between them has lost //
// its power to gather them together, to relate //
// and to separate them. -- Hannah Arendt, 1958 //
//-----------------------------------------------//
// Chris Tapio
gctapio@ucdavis.edu //
file:///C|/olga_main/f-g/g/gabriel_peter/dont_give_up.crd
///////////////////////////////////////////////////
file:///C|/olga_main/f-g/g/gabriel_peter/in_your_eyes.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Fri, 01 Nov 1996 16:40:17 -0500
From: Chris Ambrose <csa4e@faraday.clas.virginia.edu>
Subject: in your eyes, peter gabriel
There are many versions of In Your Eyes on Olga, but it seems that not
of them work very well. Here's a version that works, taught to me by a
musical genius.
Verse:
Bm
G
D
I get so
Bm ...
lost sometimes...
Third part:
E
A repeats
In your eyes, I see the doorway to a thousand churches
Hope it works for ya.
Chris Ambrose
file:///C|/olga_main/f-g/g/gabriel_peter/in_your_eyes.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: rclements@aol.com (RClements)
Date: 18 Aug 1995 12:43:45 -0400
Subject: TAB: In Your Eyes (detailed)
In Your Eyes
============
by Peter Gabriel, from the 'So' album
This beautiful song from the 1986 'So' album is a classic. I have not
been able to find good sheet music for a guitar version of the tune, so
I did it myself. These simplified chords are not the ones David
Sanctious (Peter's keyboard player; sp?) plays, but they sound good
solo and with the record. Your comments, flames, etc. are invited. This
is my first TAB post so be kind :)
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>o<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<
<<<
Performace notes: Play with your fingers if you can; it makes the
arpeggios easier. Obviously, listen to the recorded version. The rythms
are fairly simple but some of the chord positions are, um, original.
The verses are best understood in phrases that last 8 counts as follows:
chord
chord
chord
chord
1
2
3
4
E A
5
0
2
0
D
4
2
0
x
G
4
2
0
x
B e
3
3
3
0 0
lasts
lasts
lasts
lasts
3
1
3
1
counts
count
counts
count
pattern 1a:
etc.
pattern 1b:
file:///C|/olga_main/f-g/g/gabriel_peter/in_your_eyes.tab
D|--14-------------14-----------------|--12-------------12----------------|
A|------------------------------------|-----------------------------------|
E|------------------------------------|-----------------------------------|
(repeats serveral times)
Note to the digitally adventuresome: Patterns 1a & b can be played
with some
diffculty on the 9th & 10th frets using the high e string, but I
fould it
awkward to make pattern 1b work there.
Bridge:
vocals are the swelling "oooooooo--woh-woh" phrases
e|--------------------|
B|--------------------|
G|--7--6--5-----------|
D|--7--7--7-----------|
A|--0--0--0-----------|
E|--------------------|
(repeat 3-4x)
recommend anchoring 3rd finger on 7th fret
pattern 2b:
:-)
Other Versions
===============
Serveral Live versions of the song have an added
interlude during the 2nd part of the chorus where it gets quiet and
Peter does a vocal that goes (approx) "Accepting all I've done and
said/ I want to stand and stare again/ till there's nothing left out/
wo-wo-wo/ it remains there in your eyes/whatever comes and goes/wo-oh
its in your eyes" -> back to second part of chorus w/ full band. There
seem to be two quiet chords that alternate for this section as
follows:
file:///C|/olga_main/f-g/g/gabriel_peter/in_your_eyes.tab
chord 1
chord 2
e
lasts 8 counts
lasts 8 counts
Peter Gabriel
Chords used:
Capo 7th fret:
Verses: (These 4 repeat throughout:)
x
x
10
10
9
9
9
9
9
0
0
0
0
0
0
0
10
10
10
10
0
0
0
0
Where x means muted string and 0 means open string, and the #'s correspond
to fret #'s.
TAB:
(A chord formation)
(D chord formation)
-----------------------|--------10-9------10-9-----------------------------------10-9------10-9----|----10--------10--------------------------------------9---------9----------|---9---------9---------------------------------------9---------9-----------|---------------------------------------------------------------------------|---------------------------------------------------------------------------|-----------------------------------------------------
file:///C|/olga_main/f-g/g/gabriel_peter/kiss_that_frog.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: ez003151@chip.ucdavis.edu (Chris Tapio)
Kiss That Frog (Peter Gabriel)
-----------------------------(Disclaimer: no guarantee of correctness or completeness of transcription
is given with respect to 7ths, inversions, fingering, and choice of #/b.
Any major blunders, questions and suggestions to djb@uk.ac.bath.maths ;^)
Intro:
-----Aaah yeah..
Fsus4 Am
Fsus4...
Verse:
-----[C based riffs variations on Bb-Bb-Bb-C C-C-F Bb-C-F]
Jump in the water....
Sweet little princess, let me introduce his frogness
You alone can get him singing,
He's all puffed up, wanna be your king
Chorus:
------Oh you can do it, c'mon c'mon c'mon c'mon c'mon c'mon
Am
Lady kiss that frog
[Bb-C riffs]
[verse]
Splash, dash, heard your call,
Bring you back your golden ball
He's gonna dive down in the deep end
He's gonna be just like your best friend
[chorus]
So what's one little kiss, one tiny little touch?
Aah, he's wanting it so much
I swear that this is royal blood, running through my skin
Oh, can you see the state I'm in
Kiss it better, kiss it better
[Bb-C riffs]
[verse]
Get it into your head
He's living with you he sleeps in your bed
Can't you hear beyond the croaking
Don't you know that I'm not joking
[chorus]
Aah, you think you won't, I think you will
Don't you know that this tongue can kill
file:///C|/olga_main/f-g/g/gabriel_peter/kiss_that_frog.crd
Am
-///////////////////////////////////////////////////
// What makes mass society so difficult to bear //
// is not the number of people involved...but
//
// the fact that the world between them has lost //
// its power to gather them together, to relate //
// and to separate them. -- Hannah Arendt, 1958 //
//-----------------------------------------------//
// Chris Tapio
gctapio@ucdavis.edu //
///////////////////////////////////////////////////
file:///C|/olga_main/f-g/g/gabriel_peter/mercy_street.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: sbigelow@dante.nmsu.edu
Mercy Street (Peter Gabriel)
---------------------------(Disclaimer: no guarantee of correctness or completeness of transcription
is given with respect to 7ths, inversions, fingering, and choice of #/b.
Any major blunders, questions and suggestions to djb@uk.ac.bath.maths ;^)
Verse:
-----Looking down on empty streets, all she can see
Dbm
E/Db
Are the dreams all made solid, are the dreams made real
Gbm/A
Gbm
All of the buildings, all of the cars
Dbm
E/Db
Were once just a dream in somebody's head
Gbm/A
E/Db
She pictures the broken glass, pictures the steam
Dbm
E/Db
She pictures a soul with no leak at the seam
A
A/Gb
Bridge:
------Let's take the boat out (wait until darkness)
Dbm
Let's take the boat out (wait until darkness comes)
Dbm
[verse]
Nowhere in the corridors of pale green and grey
Nowhere in the suburbs, in the cold light of day
There in the midst of it so alive and alone
Words support like bone
A
B
Chorus:
------Dreaming of Mer--cy Street, wear your inside out
E/Db A B
Dbm
Abm/B A9
Dreaming of mercy
in your daddy's arms again
E
A B
Dbm
B
Dreaming of Mer--cy Street, swear they moved that sign
E/Db A B
Dbm
Abm/B A9
Dreaming of mercy
in your daddy's arms
E
A B
Dbm
file:///C|/olga_main/f-g/g/gabriel_peter/mercy_street.crd
Solo:
----E/Db A
Dbm
[repeat twice]
[verse]
Pulling out the papers from the drawers that slide smooth
Tugging at the darkness, word upon word
Confessing all the secret things in the warm velvet box
To the priest-he's the doctor, he can handle the shocks
Dreaming of the tenderness-the tremble in the hips
Of kissing Mary's lips
A
B
[chorus]
Dreaming of
Dreaming of
Dreaming of
Looking for
Mercy
mercy
Mercy
mercy
Street,
in your
Street,
in your
[solo]
Mercy, mercy looking for mercy
Dbm
Mercy,
Dbm
B
file:///C|/olga_main/f-g/g/gabriel_peter/modern_love.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: bgg@connect.com.au (Ben Golding)
Subject: CHOPROL: Peter Gabriel: "Modern Love"
This is from Peter Gabriel's first self-titled album from about '77.
I've always really liked this up tempo, pop song.
The intro might be a little off, but it's pretty close. It's hard to
pick out exactly what it is through the two guitars and distortion.
Ben.
-{t: Modern Love}
{st: Peter Gabriel}
{c: Intro, four times}
{sot}
-7-|-4-5-4-5---4-5-4-------4--4--2---|
-9-|-5-5-5-5---5-5-5-5--5--5--5--3---|
-9-|-4-4-4-4---4-4-4-5--5--6--6--2---|
-9-|-----------------5--5--6--6------|
-7-|---------------------------------|
---|---------------------------------|
{eot}
[F]Hey I'm feeling so [Am]dirty, you're looking so [G]clean
[F]All you can give me is a [Am]spin in your washing [G]machine
[F]I fly off to Rome to my [Dm]prima bella
[F]She leaves me in the rain with a [Dm]telescopic umbrella
{soc}
[C]Ooh the pain [C]
[C]Ooh the pain [C]
{eoc}
[G]
[G]
[C]
[C]
[G]
[G]
[Bb]
[Bb]
[F]
[F]
file:///C|/olga_main/f-g/g/gabriel_peter/modern_love.pro
file:///C|/olga_main/f-g/g/gabriel_peter/red_rain.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: sbigelow@dante.nmsu.edu
Red Rain (Peter Gabriel)
-----------------------(Disclaimer: no guarantee of correctness or completeness of transcription
is given with respect to 7ths, inversions, fingering, and choice of #/b.
Any major blunders, questions and suggestions to djb@uk.ac.bath.maths ;^)
Intro:
-----D/C
Chorus:
------Red rain is coming down, red rain
Cmaj7
D
Cmaj7
D
Red rain is pouring down, pouring down, all over me
D
Cmaj7
D
Em
Cmaj7
Verse:
-----I am standing up at the water's edge in my dream
Em
D/E
Em
I cannot make a single sound as you scream
D/E
Em
Em
Em7
file:///C|/olga_main/f-g/g/gabriel_peter/red_rain.crd
rain is
rain is
rain is
bathing
coming down
pouring down
coming down all over me
in
Red
Red
Red
I'm
file:///C|/olga_main/f-g/g/gabriel_peter/secret_world.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: ez003151@chip.ucdavis.edu (Chris Tapio)
Secret World (Peter Gabriel)
---------------------------(Disclaimer: no guarantee of correctness or completeness of transcription
is given with respect to 7ths, inversions, fingering, and choice of #/b.
Any major blunders, questions and suggestions to djb@uk.ac.bath.maths ;^)
Verse:
-----I stood in this unsheltered place
D
D/B
'Til I could see the face behind the face
Bm/G
A
D
All that had gone before had left no trace
D
D/B
Chorus:
------Down by the railway siding
G
D/Gb
In our secret world, we were colliding
G
D/A
[verse]
So I watch you wash your hair
Underwater, unaware
And the plane flies through the air
[chorus]
Did you think I didn't have to choose it
That I alone could win or lose it
In all the places we were hiding love
What was it we were thinking of?
[verse]
In this house of make believe
Divided in two like Adam and Eve
You put out and I receive
[chorus]
Bridge:
------[D bass riff]
Oh the wheel it is turning spinning round and round
D
D
And the house it is crumbling but the stairways stand
file:///C|/olga_main/f-g/g/gabriel_peter/secret_world.crd
..........................
C/D
D
With no guilt and no shame, no sorrow or blame
D
D
Whatever it is, we are all the same
D
D
C/D
C/D
C/D
Shaking it up
G
Breaking it up
G
[verse]
Seeing things that were not there
On a wing, on a prayer
In this state of disrepair
[chorus]
Ssh, listen....
End Section:
-----------D G/D D, C/D G/D D
[repeat to end]
-///////////////////////////////////////////////////
// What makes mass society so difficult to bear //
// is not the number of people involved...but
//
// the fact that the world between them has lost //
// its power to gather them together, to relate //
// and to separate them. -- Hannah Arendt, 1958 //
//-----------------------------------------------//
// Chris Tapio
gctapio@ucdavis.edu //
///////////////////////////////////////////////////
file:///C|/olga_main/f-g/g/gabriel_peter/sledgehammer.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Hi,
First off I would like to thank you for providing this service. I had
all but given up on playing when I found this resource. This fresh input
has revived my love.
I noticed a request for Sledgehammer in the most-wanted list. I found
the following crd for this at another site. The originators address is
at the top. I attempted to contact him/her to see if they minded me
forwarding this to you but couldn't get mail through to that address. I
kinda figured if it was in a public ftp directory they might not mind it
being spread around. I am sending the file intact incase you or anyone
else wishes to attempt to contact him/her.
Again thanks for being there and doing all this for all of us.
Regards,
Christopher Martin (cmartin@martin.idi.oclc.org)
Sledgehammer (Peter Gabriel)
---------------------------(Disclaimer: no guarantee of correctness or completeness of transcription
is given with respect to 7ths, inversions, fingering, and choice of #/b.
Any major blunders, questions and suggestions to djb@uk.ac.bath.maths ;^)
Intro:
-----[Ebm brass riffs]
Ebm Ebm Ebm/B Ebm/Bb Ebm/Ab
Verse:
-----[Eb bass & guitar riffs]
You could have a steam train
Eb Db/Eb, Eb Db/Eb
If you'd just lay down your tracks
Ab/Eb
Eb Db/Eb
Eb
You could have an aero-plane flying
Db/Eb
Ab/Eb
Eb Db/Eb
Eb Db/Eb
If you'd bring your blue skies back
Ab/Eb
Eb
Db/Eb
Eb
All you do is call me
Db/Eb
Cm
I'll be anything you need
Eb Db/Eb, Eb
You could have a big dipper
Going up and down, all around the bends
You could have a bumper car, bumping
file:///C|/olga_main/f-g/g/gabriel_peter/sledgehammer.crd (1 of 3) [4/28/2003 9:52:21 PM]
file:///C|/olga_main/f-g/g/gabriel_peter/sledgehammer.crd
your sledgehammer
Fm
Cm Db,
Cm Db
Cm Db
Yeah....
[Eb riffs]
[verse]
Show me round your fruitcage
Eb
Ab/Eb
Eb
file:///C|/olga_main/f-g/g/gabriel_peter/sledgehammer.crd
file:///C|/olga_main/f-g/g/gabriel_peter/solsbury_hill.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From rpaley1@cc.swarthmore.edu (Bob Paley)
Subject: Improved Tab: Solsbury Hill; P. Gabriel
Date: Fri, 30 Apr 1993 18:28:39 GMT
Earlier this week I posted a request for Peter Gabriel's "Solsbury Hill",
and a number of folks either sent the "nevada" version or directed me
there. (Thanks everyone!) It turns out that though the chords on "nevada"
are basically right, the tab for the instrumental bits weren't even close.
Also, the display of the chords over the lyrics was misleading. So, I
worked on it in order to improve the tab. The lyrics come from
'/pub/music/lyrics/g/gabriel.peter/volume.1'....I made some real minor
modifications. I'll send this to nevada after I've posted it.
The song IS in the key of B, but the capo should be on the FOURTH fret
rather than the second. It makes it sound a lot better! The chords of the
instrumental bits tend to be rapidly arpeggiated (perhaps they're
finger-picked, but I do better flat-picking quickly...), and the chords of
the verses are strummed, with some light appregiation prior to each vocal
phrase. [The vertical bars represent phrases, not actual measures].
Intro:
Section A (1X)
Section B (5X)
to
Verse..
E||--------|-----------|-----------||--------|-----------|----------||--------B||--------|-0---1---0-|-1---0---3-||--------|-1---3--0--|-1---0--3-||--------G||----0-2-|--0---0--0-|--0---0--2-||----0-2-|--0-----0-0|--0--0--2-||----0-2-D||--4-----|---0---2-0-|---2---0-0-||--4-----|---2----0--|---2-0--0-||--4-----A||--------|-----------|-----------||--------|-----------|----------||--------E||--------|-----------|-----------||--------|-----------|----------||--------(G) (C)(G) (C) (G)(D)
(C)
(G)
(C)(G)(D)
G
G
Climbing up on Solsbury Hill
Em
I could see the city lights
Em
Wind was blowing, time stood still
G
Eagle flew out of the night
He was something to observe
Em
Came in close, I heard a voice
Em
Em
Em
Em
D
Em
Standing stretching every nerve
Cmaj7 D
Cmaj7
Had to listen had no choice I did not believe the
information
D
Cmaj7
[I] just had to trust imagination
D
Cmaj7
My heart going boom boom boom
"Son," he said
home."
file:///C|/olga_main/f-g/g/gabriel_peter/solsbury_hill.crd
Bob Paley
rpaley1@cc.swarthmore.edu
Submitted by jkr@ifi.uio.no
SOLSBURY HILL - Gabriel
=======================
Intro:
A E
A
E
Climbing up on Solsbury Hill
F#m E
I could see the city lights
A
F#m
F#m E F#m
Wind was blowing, time stood still
A
E
A
Eagle flew out of the night
A
E
A
He was something to observe
F#m
E
F#m
file:///C|/olga_main/f-g/g/gabriel_peter/solsbury_hill.crd
file:///C|/olga_main/f-g/g/gabriel_peter/solsbury_hill.crd
imagination
Abm/Db
My heart going
Gb/Db
Abm/Db-Abm/Db
boom-boom-boom
"Son", he said,
Abm/Db Gb/Db
Abm/Db
"Grab your things, I've come to take you home"
Dbm
Ebm
E
Db
E/B
[intro]
file:///C|/olga_main/f-g/g/gabriel_peter/solsbury_hill.crd
file:///C|/olga_main/f-g/g/gabriel_peter/solsbury_hill.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From rpaley1@cc.swarthmore.edu (Bob Paley)
Subject: Improved Tab: Solsbury Hill; P. Gabriel
Date: Fri, 30 Apr 1993 18:28:39 GMT
Earlier this week I posted a request for Peter Gabriel's "Solsbury Hill",
and a number of folks either sent the "nevada" version or directed me
there. (Thanks everyone!) It turns out that though the chords on "nevada"
are basically right, the tab for the instrumental bits weren't even close.
Also, the display of the chords over the lyrics was misleading. So, I
worked on it in order to improve the tab. The lyrics come from
'/pub/music/lyrics/g/gabriel.peter/volume.1'....I made some real minor
modifications. I'll send this to nevada after I've posted it.
The song IS in the key of B, but the capo should be on the FOURTH fret
rather than the second. It makes it sound a lot better! The chords of the
instrumental bits tend to be rapidly arpeggiated (perhaps they're
finger-picked, but I do better flat-picking quickly...), and the chords of
the verses are strummed, with some light appregiation prior to each vocal
phrase. [The vertical bars represent phrases, not actual measures].
Intro:
Section A (1X)
Section B (5X)
to
Verse..
E||--------|-----------|-----------||--------|-----------|----------||--------B||--------|-0---1---0-|-1---0---3-||--------|-1---3--0--|-1---0--3-||--------G||----0-2-|--0---0--0-|--0---0--2-||----0-2-|--0-----0-0|--0--0--2-||----0-2-D||--4-----|---0---2-0-|---2---0-0-||--4-----|---2----0--|---2-0--0-||--4-----A||--------|-----------|-----------||--------|-----------|----------||--------E||--------|-----------|-----------||--------|-----------|----------||--------(G) (C)(G) (C) (G)(D)
(C)
(G)
(C)(G)(D)
G
G
Climbing up on Solsbury Hill
Em
I could see the city lights
Em
Wind was blowing, time stood still
G
Eagle flew out of the night
He was something to observe
Em
Came in close, I heard a voice
Em
Em
Em
Em
D
Em
Standing stretching every nerve
Cmaj7 D
Cmaj7
Had to listen had no choice I did not believe the
information
D
Cmaj7
[I] just had to trust imagination
D
Cmaj7
My heart going boom boom boom
"Son," he said
home."
file:///C|/olga_main/f-g/g/gabriel_peter/solsbury_hill.tab
Bob Paley
rpaley1@cc.swarthmore.edu
From: "Kean,John" <KeanJ@agresearch.cri.nz>
Well, here goes. There are two different E chord forms,
E(2), just to confuse you...
Solsbury Hill
~~~~~~~~~~~~~
- Peter Gabriel
file:///C|/olga_main/f-g/g/gabriel_peter/solsbury_hill.tab
||*------4-------2---------------4-------2-------------------*||
||---0-------0-------0-------0-------0-------0-------0--------||
||------------------------------------------------------------||
In addition there is a simple melodic figure played at the start of each bar
throughout the verses over top of the chords:
Beats 1
+
2
+
3
+
4
+
5
+
6
+
7
+
||------------------------------------------------------------||
||---2-----------0--------------------------------------------||
||*----------------------2---2-------------------------------*||
||*----------------------------------------------------------*||
||------------------------------------------------------------||
||------------------------------------------------------------||
Intro:
Guitar motif x6
Verse 1:
A
E/A
A E/A A
Climbing up on Solsbury Hill
F#m E/F# F#m
I could see the city lights
F#m E/F# F#m
Wind was blowing, time stood still
A E/A A
Eagle flew out of the night
A E/A A
He was something to observe
F#m E/F# F#m
Came in close; I heard a voice
F#m E/F# F#m
Standing, stretching every nerve
Dmaj7 E/D Dmaj7
I had to listen; had no choice
Dmaj7
I did not believe the information
E/D
Dmaj7
F#m
Just had to trust imagination
E(1)
Dmaj7
My heart going boom boom boom
Dmaj7
E/D Dmaj7
D
A
Esus4
E(2)
Son, he said,
grab your things I've come to take you home
Guitar motif x2
Verse 2:
To keep in silence I resigned
My friends would think I was a nut
Turning water into wine
Open doors would soon be shut
So I went from day to day
Though my life was in a rut
Till I thought of what I'd say
And which connection I should cut
file:///C|/olga_main/f-g/g/gabriel_peter/solsbury_hill.tab (3 of 4) [4/28/2003 9:52:22 PM]
file:///C|/olga_main/f-g/g/gabriel_peter/solsbury_hill.tab
x02220
244222
xx0222
022100
0xx455
E/A:
E/F#:
E/D:
D:
E(2):
x02100
2x2100
xx0100
xx0232
0xx454
file:///C|/olga_main/f-g/g/gabriel_peter/washing_of_the_water.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: ez003151@chip.ucdavis.edu (Chris Tapio)
Washing Of The Water (Peter Gabriel)
-----------------------------------(Disclaimer: no guarantee of correctness or completeness of transcription
is given with respect to 7ths, inversions, fingering, and choice of #/b.
Any major blunders, questions and suggestions to djb@uk.ac.bath.maths ;^)
Intro:
-----River, river, carry me on
C
Living river, carry me on
C
River, river, carry me on
F/C
C
To the place where I come from
Bb/C
C
Verse:
-----So deep, so wide, will you take me on your back for a ride
C F/D
C/E
F
C
If I should fall, would you swallow me deep inside
C G/B
Am
F
C
River, show me how to float, I feel like I'm sinking down
C
F/D
G/B
C
F
C
Thought that I
could
Am/C
C
Em/B G/B
get along
C
Chorus:
------But here
in this water, my feet won't touch the ground
C
Am/F
D/Gb
Fmaj7/G
Dm/G
C
I need something to turn myself around
C Am/F D/Gb
Fmaj7/G Dm/G C
[verse]
Going away, away toward the sea
River deep, can you lift up and carry me
Oh roll on through the heartland
'Til the sun has left the sky
River, river, carry me high
[chorus]
'Til the washing of the water, make it all alright
Let your waters reach me, like she reached me tonight
Bridge:
-------
file:///C|/olga_main/f-g/g/gabriel_peter/washing_of_the_water.crd
file:///C|/olga_main/f-g/g/gabrielle/dreams.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Joe <danziger@eden.rutgers.edu>
DREAMS
by Gabrielle
This is a dance song, but there is also an acoustic version of this song.
This is the CRD to the acoustic version.
Basically, it's just:
Dmaj7 - A - F#m7 - E throughout the song.
During the verse, it's actually an A(9), not an A, and an A in the
chorus, but I don't know how much of a difference it makes.
Dmaj7:
A:
F#m7:
E:
222xxx
0222xx
2222xx
002210
file:///C|/olga_main/f-g/g/gaines_jeffrey/headmasters_of_mine.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Sun, 02 Jul 1995 16:34:12 -0400
Headmasters of Mine
by Jeffrey Gaines
transcribed by James M. Lawrence. (jl@student.umass.edu)
The chords are:
D
E
F#
G
G*
A
Bm
Bm*
E
X
0
2
3
3
X
X
X
A
X
2
4
2
5
0
2
0
D
0
2
4
0
5
2
4
4
G
2
1
3
0
4
2
4
4
B
3
0
2
3
3
2
3
3
E
2
0
2
3
3
0
2
0
Bm* stands for Bmsus4/A (B minor suspended 4th over A, or whatever it is)
G* means the bar-chord form of G
intro
Bm
Bm*
Bm
Bm*
1st verse
Bm
Bm* D
Bm
Bm* D
D
F#
Bm
D
F#
Bm
D
F#
Bm
G
G
A
F#
F#
Bm*
Bm*
Bm*
A
chorus
D
F#
G
G
D
F#
G
G
Bm
A
Bm
F#
Bm*
A
Bm*
F#
bridge 1
E
G
E
G
D
A
D(E on top)
A
F#
A
F#
A
(5 times)
chorus
ending
E
E
F#
F#
(1st verse)
file:///C|/olga_main/f-g/g/gaines_jeffrey/headmasters_of_mine.crd
Bm
Bm*
D
F#
I realize they meant no harm and that they'd seen the truth
Bm
Bm*
D
F#
These men and women young and old who tried to mold my youth
D
F#
Bm
Bm*
They were only teaching me how to get through life
D
F#
Bm
Bm*
How to punch the clock and get a home and get a wife
D
F#
Bm
Bm*
They knew I was searching for things I'd never find
G
A
So they tried to break my mind by paddling my behind
(chorus)
D
F#
Bm
All for the love of an innocent mind
Bm*
G
A
They were the blind leading the blind
D
F#
Bm
Bm*
All for the love of molding young minds
G
They were to kind
F#
Headmasters of mine
(bridge 1)
E
G
D
D(E on top)
They themselves were products of a past society
E
G
A
They themselves were victims of the same atrocities
(2nd verse)
Bm
Bm*
D
F#
I realize I must forgive but I will never forget
Bm
Bm*
D
F#
These men and women young and old I'm forever in your debt
D
F#
Bm
Bm*
They were only teaching me how to run the race
D
F#
Bm
Bm*
Fill my position with a smile upon my face
D
F#
Bm
Bm*
Don't ask the question if it isn't from the text
G
A
Throw me out into the hall and ask who wants to be next
file:///C|/olga_main/f-g/g/gaines_jeffrey/headmasters_of_mine.crd
(chorus)
(bridge 2)
E E F# F#
E E
F#
E
I feel it's really sick how so much is wasted
F#
E
There's so much food for thought that never is tasted
F#
E
Just read the instructions and fill out the form
F#
G*
A
And whatever you do my son don't stray from the norm
(chorus)
(ending)
E
F# :repeat
file:///C|/olga_main/f-g/g/gaines_jeffrey/hero_in_me.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: jl@student.umass.edu
Date: Sun, 02 Jul 1995 16:35:53 -0400
Subject: Jeffrey Gaines: "Hero In Me"
Hero In Me
by Jeffrey Gaines
Transcribed by James M. Lawrence (jl@student.umass.edu)
You need to tune your guitar up a little bit in order to play
along with the recording. For example, the E string needs to be
tuned somewhere between E and F.
-------------------------------------------(intro)
(1st verse)
He's lived as long as he possibly can
given the circumstance
'cause he's protected himself from the world
he never gave it a chance
(semi-chorus)
and he says: here in my security
I've put a limit on my self-potential and my possibility
(2nd verse)
She's seen these walls and they never change
everything's in its place
her relationships so neatly arranged
down to religion and race
(semi-chorus)
and she says: here in my security
I don't make a move unless my friends approve
I do what's expected of me
(bridge)
And as I grow older
and there's so much that I do not know
I'm drawn to those who are bolder
and go where no one dare to go
(chorus)
And I sleep and I dream of the person I might have been
then I'll be free again
And I speak like someone who's been to the highest peaks
and back again
And I swear that my grass is greener than anyone's
'til I believe again
Then I wake and the dream fades away and I face the day
and I realize that there's got to be some hero in me
There's got to be some hero in me
There's got to be some hero in me
There's got to be some hero in me
(3rd verse--same as 2nd)
They've been suppressing their every desire
file:///C|/olga_main/f-g/g/gaines_jeffrey/hero_in_me.tab (1 of 4) [4/28/2003 9:52:23 PM]
file:///C|/olga_main/f-g/g/gaines_jeffrey/hero_in_me.tab
G
Am
C
Csus2
D
Em
E
3
X
X
X
2
0
Emdim/C#
A
2
0
3
3
0
2
D
0
2
2
0
0
2
G
0
2
0
0
3
0
B
3
1
1
3
2
0
E
3
0
0
X
3
0
E A D G B E
X 4 2 0 2 0
repeat 4 times
(semi-chorus)
E]--0--00-0--00-0--00-0--00-0--00-0--00-0--00-0--00-]
B]--------------------------------------------------]
G]--------------------------------------------------] repeat twice
D]----0-----0-----0-----0-----0-----0-----0-----0---]
A]--2-----2-----------------------------3-----3-----]
E]--------------2-----2-----3-----3-----------------]
The chords of the semi-chorus are played by guitar only after the
file:///C|/olga_main/f-g/g/gaines_jeffrey/hero_in_me.tab
repeat 6 times
The low notes of this second verse are really for a bass, but you can
use your imagination and pretend you're playing one.
(semi-chorus)
(bridge)
Emdim/C#
Emdim/C#
C
C
Emdim/C#
Emdim/C#
C
C
(chorus)
G
Am
Em
And I sleep and I dream of the person I might have been
D
then I'll be free again
G
Am
Em
And I speak like someone who's been to the highest peaks
D
and back again
G
Am
Em
And I swear that my grass is greener than anyone's
D
'til I believe again
G
Am
Em
Then I wake and the dream fades away and I face the day
D
C
D
G Am
and I realize that there's got to be some hero in me
Em
D
G
There's got to be some hero in me
Am
Em
D
G
There's got to be some hero in me
Am
Em
D
C
There's got to be some hero in me
file:///C|/olga_main/f-g/g/gaines_jeffrey/hero_in_me.tab
file:///C|/olga_main/f-g/g/gaines_jeffrey/in_your_eyes.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: jl@student.umass.edu
Date: Sun, 02 Jul 1995 16:30:07 -0400
Subject: Jeffrey Gaines: "In Your Eyes"
In Your Eyes (Live version)
Performed by Jeffrey Gaines. Written by Peter Gabriel.
Transcribed by James M Lawrence. (jl@student.umass.edu)
You probably will need the recording to get a really good feel for the
song. It is on the single of "Headmasters of Mine".
For starters, the primitive chords are:
intro
Bm A
(4 times)
1st verse
Bm A
D
Bm A
G
D
G
(4 times)
bridge
A
A
(4 times)
G
G
G
G
chorus
E
E
D
D
(6 times)
E,Esus4,E,Esus4
2nd intro
Bm A
D
Bm A
D
D
D
file:///C|/olga_main/f-g/g/gaines_jeffrey/in_your_eyes.tab
E]------||------||-----------------|------E]--2--2||-2--22||-2-220-00332---3-3320---B]--3--3||-3--33||-2-223-33333------3-----G]--4--4||-4--44||-2-222-22222------2-----D]--4--4||-4--44||-2-220-00000------0-----A]--2--2||-2--22||-0-00-------------------E]------||------||------------------------E]--2--2||-2--22||-2-220-00332---333320---B]--3--3||-3--33||-2-223-33333------3-----G]--4--4||-4--44||-2-222-22222------2-----D]--4--4||-4--44||-2-220-00000------0-----A]--2--2||-2--22||-0-00-------------------E]------||------||------------------------(1st verse)
E]--2--2||-2--22||-2-220-00332--22--2-----B]--3--3||-3--33||-2-223-33333--33--3-----G]--4--4||-4--44||-2-222-22222--22--2-----D]--4--4||-4--44||-2-220-00000--00--0-----A]--2--2||-2--22||-0-00-------------------E]------||------||------------------------love
I get so
E]--2--2||-2--22||-2-22---3333--33-3-0----B]--3--3||-3--33||-2-223--3333--33-3-3----G]--4--4||-4--44||-2-220--0000--00-0-0----D]--4--4||-4--44||-2-220--0000--00-0-0----A]--2--2||-2--22||-0-002---2-2--22-2-2----E]------||------||-----------3---3-3------lost
sometimes
E]--2--2||-2--22||-2-220-00332--22(2)2----B]--3--3||-3--33||-2-223-33333--33(3)3----G]--4--4||-4--44||-2-222-22222--22(2)2----D]--4--4||-4--44||-2-220-00000--00(0)0----A]--2--2||-2--22||-0-00-------------------E]------||------||------------------------days
pass
and this
E]--2--2||-2--22||-2-22--3333--33-330-----B]--3--3||-3--33||-2-223-3333--33-333-----G]--4--4||-4--44||-2-220-0000--00-000-----D]--4--4||-4--44||-2-220-0000--00-000-----A]--2--2||-2--22||-0-002--2-2--22-222-----E]------||------||----------3---3-33------emptiness
fills my heart
E]--2--2||-2--22||-2-220--0332--33--320---B]--3--3||-3--33||-2-223--3333--33--333---G]--4--4||-4--44||-2-222--2222--22--222---D]--4--4||-4--44||-2-220--0000--00--000---A]--2--2||-2--22||-0-00-------------------E]------||------||------------------------when I want to run away
I
E]--2--2||-2--22||-2-22--3333--33-330-----B]--3--3||-3--33||-2-223-3333--33-333-----G]--4--4||-4--44||-2-220-0000--00-000-----D]--4--4||-4--44||-2-220-0000--00-000-----A]--2--2||-2--22||-0-002--2-2--22-222------
file:///C|/olga_main/f-g/g/gaines_jeffrey/in_your_eyes.tab
E]------||------||----------3---3-33------drive off
in my car
E]--2--2||-2--22||-2-220-0332--33320------B]--3--3||-3--33||-2-223-3333--33333------G]--4--4||-4--44||-2-222-2222--22222------D]--4--4||-4--44||-2-220-0000--00000------A]--2--2||-2--22||-0-00-------------------E]------||------||------------------------but whichever way I choose, I come
E]--2--2||-2--22||-2-22--3333--33-3333----B]--3--3||-3--33||-2-223-3333--33-3333----G]--4--4||-4--44||-2-220-0000--00-0000----D]--4--4||-4--44||-2-220-0000--00-0000----A]--2--2||-2--22||-0-002--2-2--22-2222----E]------||------||----------3---3-3-------back to the place you are
(bridge)
E]-(2)(2)2-||2------------------2------3333----------3-03----B]--2--2(2)||2------------------2---0--3333----------3-33----G]--2--2||-||2------------------2---0--0000----------0-00----D]--2--2||-||2------------------2---0--0000----------0-00----A]--0--0||-||0------------------0---2---2-2----------2-22----E]------||-||-----------------------3-----3------------------and all my instincts
they return
E]-(2)(2)2-||2------------------2------3333----------3-03----B]--2--2(2)||2------------------2---0--3333----------3-33----G]--2--2||-||2------------------2---0--0000----------0-00----D]--2--2||-||2------------------2---0--0000----------0-00----A]--0--0||-||0------------------0---2---2-2----------2-22----E]------||-||-----------------------3-----3------------------and the grand facade
so soon will burn
E]-(2)(2)2-||2-----------22-----2-22---3333----3--3--3-03----B]--2--2(2)||2-----------22-----2-220--3333----3--3--3-33----G]--2--2||-||2-----------22-----2-220--0000----0--0--0-00----D]--2--2||-||2-----------22-----2-220--0000----0--0--0-00----A]--0--0||-||0-----------00-----0-002---2-2----2--2--2-22----E]------||-||-----------------------3-----3------------------without a
noise
without my pride
E]-(2)(2)2-||2------------------2-22---3333-----333----------B]--2--2(2)||2------------------2-220--3333-----333----------G]--2--2||-||2------------------2-220--0000----00000---------D]--2--2||-||2------------------2-220--0000----00000---------A]--0--0||-||0------------------0-002---2-2----22--2---------E]------||-||-----------------------3-----3----3---3---------I reach out from the inside
oohhh...
The intro to the chorus is just a repeated G.
(chorus)
E]--0--(0)0||-0-------------------0-(00)0--00332----------2-22---B]--0--(0)0||-0-------------------0-(00)3--33333----------3-33---G]--1--(1)2||-1-------------------1-(11)2--22222----------2-22---D]--2--(2)2||-2-------------------2-(22)0--00000----------0-00---A]--2--(2)2||-2-------------------2-(22)-------------------------E]--0--(0)0||-0-------------------0-(00)--------------------------
file:///C|/olga_main/f-g/g/gaines_jeffrey/in_your_eyes.tab
eyes
I am complete...
file:///C|/olga_main/f-g/g/gaines_jeffrey/love_disappears.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: yarch@karin.att.com
Date: 13 Oct 95 09:11:29 -0400
Jeffrey Gaines
Love Disappears
G
G/F#
Em
C
D
I was gathering all
the things I had to tell you
and found that there were more things
I had to hide
C
D
G
G/F#
like lovers and tears....doubts and fears inside me
Em
C
D
Em
cause when you're away,
there's nothing to say at all
C
D
cause when you're not here,
love disappears.....
I was dreaming of the last time we lied together
seems whenever I need you, you're across the sea
Pressured by peers, sometimes it appears you don't want me
cause when you're away, I've nothin to say at all
cause when you're not here, love disappears
There's frame after frame, the dream ends the same without you
cause when you're away, I've not much to say at all
cause when you're not here, love disappears
file:///C|/olga_main/f-g/g/gainsbourg_serge/ballade_de_melody_nelson.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Jean Marc Orliaguet <jmo@fy.chalmers.se>
Subject: TAB : Ballade de Melody Nelson ( Serge Gainsbourg )
Date: Thu, 15 Jun 1995 02:20:36 +0200 (MET DST)
Ballade de Melody Nelson ( Serge Gainsbourg 1971 )
Notes : The song is extremely more complex in harmony and rythm than
it sounds.
The time signature is a mixture of 3/4, 4/4 and 5/4,
and it can be heard on the record that pieces of bars were pasted
together, which makes it even more difficult to follow with the guitar.
And the vocals ( in french ) usually start on the 2nd beat,
in syncopated time ...
Intro :
3/4 > . > . > .
> . . . > .
> . > . > .
e-||--------------------|--------------------|--------------------|
B-||--------------------|--------------------|--------------------|
G-||--------------------|--------------------|--------------------|
D-||--------------------|--------------------|--------------------|
A-||--9-----7-----9-----|--------------------|--------------------|
E-||--------------------|--5-----------5-----|--7-----5-----7-----|
( let ring )
Dmaj7/E
> . . . . . 4/4 > . . . . . . .
e-|--------------------|--2-----------------------|
B-|--------------------|--2-----------------------|
G-|--------------------|--2-----------------------|
D-|--------------------|--0-----------------------|
A-|--------------------|--------------------------|
E-|--0-----------------|--------------------------|
Verse :
F#m
> . . > . . . .
> . . > . . . .
e-|-----------2--------------|-----------2--------------|
B-|--2--------------2-----2--|--2--------------2-----2--|
G-|--------2-----------2-----|--------2-----------2-----|
D-|--4-----------4-----------|--4-----------4-----------|
A-|--------------------------|--------------------------|
E-|--------------------------|--------------------------|
file:///C|/olga_main/f-g/g/gainsbourg_serge/ballade_de_melody_nelson.tab
Ca,
c'est l'histoire
F#m/C#
D/F#
> . . > . . . .
> . . > . . . .
e-|-----------2--------------|-----------2--------------|
B-|--2--------------2-----2--|--3--------------3-----3--|
G-|--------2-----------2-----|--------2-----------2-----|
D-|--------------4-----------|--4-----------4-----------|
A-|--4-----------------------|--------------------------|
E-|--------------------------|--------------------------|
de,
Me-lo - dy
Nel -
F#m
> . . > . . . .
> . . > . . . .
e-|-----------2--------------|-----------2--------------|
B-|--2--------------2-----2--|--2--------------2-----2--|
G-|--------2-----------2-----|--------2-----------2-----|
D-|--4-----------4-----------|--4-----------4-----------|
A-|--------------------------|--------------------------|
E-|--------------------------|--------------------------|
son
F#m/C#
D/F#
> . . > . . . .
> . . > . . . .
e-|-----------2--------------|-----------2--------------|
B-|--2--------------2-----2--|--3--------------3-----3--|
G-|--------2-----------2-----|--------2-----------2-----|
D-|--------------4-----------|--4-----------4-----------|
A-|--4-----------------------|--------------------------|
E-|--------------------------|--------------------------|
Qu'a
part
moi
me - me
per -
F#m
> . . > . . . .
> . . > . . . .
e-|-----------2--------------|-----------2--------------|
B-|--2--------------2-----2--|--2--------------2-----2--|
G-|--------2-----------2-----|--------2-----------2-----|
D-|--4-----------4-----------|--4-----------4-----------|
A-|--------------------------|--------------------------|
E-|--------------------------|--------------------------|
sonne
F#m/A
> . . > . . . .
> . . > . . . .
e-|-----------5--------------|-----------5--------------|
B-|--7--------------7-----7--|--7--------------7--------|
G-|--------6-----------6-----|--------6-----------6-----|
D-|--7-----------7-----------|--7-----------7-----------|
A-|--------------------------|--------------------------|
E-|--------------------------|--------------------------|
n'a
ja -
mais
pris
dans
ses
file:///C|/olga_main/f-g/g/gainsbourg_serge/ballade_de_melody_nelson.tab
C#m/G#
> . . > . . . . 3/4 > . . > . .
e-|-----------4--------------|--------------------|
B-|--5--------------5--------|--5--------5--------|
G-|--------6-----------6-----|--------6-----------|
D-|--6-----------6-----------|--6-----------6-----|
A-|--------------------------|--------------------|
E-|--------------------------|--------------------|
bras
ca
vous
e -
D#m/F#
D/F#
5/4 > . . > . . . . > . 4/4 > . . > . . . .
e-|-----------2--------------------|-----------2--------------||
B-|--4--------------4--------4-----|--3--------------3--------||
G-|--------3-----------3-----------|--------2-----------2-----||
D-|--4-----------4-----------4-----|--4-----------4-----------||
A-|--------------------------------|--------------------------||
E-|--------------------------------|--------------------------||
tonne
Chords voicing :
F#m
F#m/C#
D/F#
F#m
C#m/G#
D#m/F#
:
:
:
:
:
:
xx4222
x44222
xx4232
xx7675
xx6654
xx4342
Lyrics :
Ca c'est l'histoire
De Melody Nelson
Qu'a part moi-meme personne
N'a jamais pris dans ses bras
Ca vous etonne
Mais c'est comme ca
Elle avait de l'amour
Pauvre Melody Nelson
Ouais, elle en avait des tonnes
Mais ses jours etaient comptes
Quatorze automnes
Et quinze etes
Un petit animal
Que cette Melody Nelson
Une adorable garconne
Et si delicieuse enfant
Que je n'ai conNue qu'un instant.
Oh! Ma Melody
file:///C|/olga_main/f-g/g/gainsbourg_serge/ballade_de_melody_nelson.tab (3 of 4) [4/28/2003 9:52:24 PM]
file:///C|/olga_main/f-g/g/gainsbourg_serge/ballade_de_melody_nelson.tab
Ma Melody Nelson
Aimable petite conne
Tu etais la condition
Sine qua non
De ma raison
jmo@fy.chalmers.se , http://fy.chalmers.se/~jmo
file:///C|/olga_main/f-g/g/gainsbourg_serge/je_suis_venu_te_dire.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Jean Marc Orliaguet <jmo@fy.chalmers.se>
Subject: TAB : Je suis venu te dire que je m'en vais ( Serge Gainsbourg )
Date: Thu, 15 Jun 1995 21:21:06 +0200 (MET DST)
Je suis venu te dire que je m'en vais ( Serge Gainsbourg )
4/4
Dadd9
Asus2
e-|-----------------0-h1--0--|--------0-----------0-----|
B-|--------------3-----------|--3--------3-----------0--|
G-|-----------2--------------|-----2-----------2--------|
D-|--------0-----------------|--------------------------|
A-|--------------------------|--------------------------|
E-|--------------------------|--------------------------|
Je suis venu te
dire que je
m'en
F#m7sus4
e-|-----------------------0--|-----------0-----------0--|
B-|-----------0--------------|--------------------------|
G-|-----2-----------2--------|-----2-----------2--------|
D-|--4-----4-----4-----4-----|--4-----4-----4-----4-----|
A-|--------------------------|--------------------------|
E-|--------------------------|--------------------------|
vais
Amaj7/E ( bass C# )
e-|-----------------------0--|-----------0-----------0--|
B-|-----2-----2-----2--------|-----2-----------2--------|
G-|--1-----------1-----------|--1-----------1-----------|
D-|--------2-----------2-----|--------2-----------2-----|
A-|--------------------------|--------------------------|
E-|--------------------------|--------------------------|
et tes larmes n'y
pourront
rien
chan -
G6
A(7)/E ( bass A )
e-|-----------0--------------|-----0-----0-----0--------|
B-|-----0-----------0-----2--|-----------------------0--|
file:///C|/olga_main/f-g/g/gainsbourg_serge/je_suis_venu_te_dire.tab (1 of 5) [4/28/2003 9:52:25 PM]
file:///C|/olga_main/f-g/g/gainsbourg_serge/je_suis_venu_te_dire.tab
G-|--0-----0-----0-----0-----|--2-----------2-----------|
D-|--------------------------|--------2-----------2-----|
A-|--------------------------|--------------------------|
E-|--------------------------|--------------------------|
ger.
Dadd9
e-|-----------0-----2-----3--|-----2-----0--------------|
B-|--------------------------|-----------------3--------|
G-|-----2--------------------|-----------------------2--|
D-|--0-----0-----0-----0-----|--0-----0-----0-----0-----|
A-|--------------------------|--------------------------|
E-|--------------------------|--------------------------|
Comme dit bien
Verlaine
"Au
vent
mau -
F#m7-9
Asus2 ( bass F# )
e-|-----------------2-----3--|-----2-----0--------------|
B-|-----------5--------------|-----------------0-----0--|
G-|-----2--------------------|--------------------2-----|
D-|--4-----4-----4-----4-----|--4-----4-----2-----------|
A-|--------------------------|--------------------------|
E-|--------------------------|--------------------------|
vais"
Amaj7/E ( bass C# )
e-|-----------------------0--|-----------0-----------0--|
B-|-----2-----2-----2--------|-----2-----------2--------|
G-|--1-----------1-----------|--1-----------1-----------|
D-|--------2-----------2-----|--------2-----------2-----|
A-|--------------------------|--------------------------|
E-|--------------------------|--------------------------|
je suis venu te dire
que
je
m'en
G6
A/E ( bass A )
e-|-----------0--------------|-----0-----------0--------|
B-|-----0-----------0-----2--|-----------2-----------2--|
G-|--0-----0-----0-----0-----|--2-----------2-----------|
D-|--------------------------|--------2-----------2-----|
A-|--------------------------|--------------------------|
E-|--------------------------|--------------------------|
vais
F#m7sus4
Asus2 ( bass F# )
e-|-----------0-----------0--|-----------------0-----0--|
B-|--------------------------|-----------0--------------|
G-|-----2-----------2--------|-----2--------2-----2-----|
D-|--4-----4-----4-----4-----|--4-----4-----------------|
A-|--------------------------|--------------------------|
E-|--------------------------|--------------------------|
Tu t'souviens des jours anciens
et tu
file:///C|/olga_main/f-g/g/gainsbourg_serge/je_suis_venu_te_dire.tab
Emadd9
e-|--------------------------|--------------------------|
B-|-----0-----0-----0-----0--|-----0-----0-----0-----0--|
G-|--0-----------------------|--------------------------|
D-|--------4-----2-----5-----|--4-----2-----0-----2-----|
A-|--------------------------|--------------------------|
E-|--------------------------|--------------------------|
pleures
F#m7sus4
Asus2
e-|-----------0-----------0--|-----------------0-----0--|
B-|--------------------------|-----------0--------------|
G-|-----2-----------2--------|-----2--------2-----2-----|
D-|--4-----4-----4-----4-----|--4-----4-----------------|
A-|--------------------------|--------------------------|
E-|--------------------------|--------------------------|
Tu suffoques
tu
blemis
a pre -
G6
Asus4
e-|-----------0--------------|--------------------------|
B-|-----0-----------0-----2--|-----2-----3-----2-----0--|
G-|--0-----0-----0-----0-----|--------2-----2-----------|
D-|--------------------------|--2-----------------2-----|
A-|--------------------------|--------------------------|
E-|--------------------------|--------------------------|
- sent qu'a sonne
l'heure
Dadd9
e-|-----------0--2-----------|--0-----------0-----------|
B-|--------3-----------3-----|--------3--3--------3-----|
G-|--------------------------|--------------------------|
D-|--0--------------0-----0--|-----0-----------0-----0--|
A-|--------------------------|--------------------------|
E-|--------------------------|--------------------------|
Des adieux a ja -
mais
F#m7-9
Asus2 ( bass F# )
e-|-----------------2-----3--|-----2-----0--------------|
B-|-----------5--------------|-----------------0-----0--|
G-|-----2--------------------|--------------------2-----|
D-|--4-----4-----4-----4-----|--4-----4-----2-----------|
A-|--------------------------|--------------------------|
E-|--------------------------|--------------------------|
ouais
je suis au re -
gret
Amaj7/E ( bass C# )
e-|-----------------------0--|-----------0-----------0--|
B-|-----2-----2-----2--------|-----2-----------2--------|
G-|--1-----------1-----------|--1-----------1-----------|
D-|--------2-----------2-----|--------2-----------2-----|
A-|--------------------------|--------------------------|
E-|--------------------------|--------------------------|
file:///C|/olga_main/f-g/g/gainsbourg_serge/je_suis_venu_te_dire.tab
oui,
mais
...
Chord voicing :
D
F#m7sus4
Asus2
Amaj7/E
G6
A
:
:
:
:
:
:
xx0232
xx4200
xxx200
xx2120
xxx000
xx2220
Lyrics :
Je suis venu te dire que je m'en vais
Et tes larmes n'y pourront rien changer
Comme dit si bien Verlaine au vent mauvais
Je suis venu te dire que je m'en vais
Tu t'souviens des jours anciens et tu pleures
Tu suffoques, tu blemis a present qu'a sonne l'heure
Des adieux a jamais (ouais)
Je suis au regret de te dire que je m'en vais
Je t'aimais, oui, mais
Je suis venu te dire que je m'en vais
Tes sanglots longs n'y pourront rien changer
Comme dit si bien Verlaine au vent mauvais
Je suis venu te dire que je m'en vais
Tu t'souviens des jours heureux et tu pleures
Tu suffoques, tu gemis a present qu'a sonne l'heure
Des adieux a jamais (ouais)
Je suis au regret de te dire que je m'en vais
Car tu m'en a trop fait
Je suis venu te dire que je m'en vais
Et tes larmes n'y pourront rien changer
Comme dit si bien Verlaine au vent mauvais
Je suis venu te dire que je m'en vais
Tu t'souviens des jours anciens et tu pleures
Tu suffoques, tu blemis a present qu'a sonne l'heure
Des adieux a jamais (ouais)
Je suis au regret de te dire que je m'en vais
Je t'aimais, oui, mais
Je suis venu te dire que je m'en vais
Tes sanglots longs n'y pourront rien changer
Comme dit si bien Verlaine au vent mauvais
file:///C|/olga_main/f-g/g/gainsbourg_serge/je_suis_venu_te_dire.tab
jmo@fy.chalmers.se
http://fy.chalmers.se/~jmo
file:///C|/olga_main/f-g/g/gallagher_rory/ghost_blues.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From uunet!wupost!waikato.ac.nz!comp.vuw.ac.nz!mbremfor Fri Jul 17 12:12:13 PDT 1992
Article: 823 of alt.guitar.tab
Path: nevada.edu!uunet!wupost!waikato.ac.nz!comp.vuw.ac.nz!mbremfor
Newsgroups: alt.guitar.tab
Subject: SLIDE INTRO: Ghost Blues (Rory Gallagher)
Message-ID: <BrIqG4.29q@comp.vuw.ac.nz>
From: Michael.Bremford@comp.vuw.ac.nz (Michael Bremford)
Date: Fri, 17 Jul 1992 05:40:52 GMT
Sender: news@comp.vuw.ac.nz (News Admin)
Organization: Dept. of Comp. Sci., Victoria Uni. of Wellington, New Zealand.
Nntp-Posting-Host: otari.comp.vuw.ac.nz
Originator: mbremfor@otari.comp.vuw.ac.nz
Lines: 102
~~
5/8
(5)/8
5/(8)
/10
\10
0h1
3-/-5
To mean vibrato
To mean play 5, slide up to 8 and play 8
To mean slide up from 5 to 8, play 8. (But dont play 5)
To mean play 5, slide up to 8, but dont play 8.
Slide up to 10 from a few frets below
Slide down to 10 from a few frets above
Play open, hammer to 1
Long slow slide from 3rd to 5th.
~~~~~~~~~~~
E +---------------------------------------------------------------------------B +-(5)/8-/8-/8-/8\6-5----(5)/8-/8-/8-/8\6-5----(5)/8-/8-/8-/8\6-5------------G#+-(5)/8-/8-/8-/8\6-5----(5)/8-/8-/8-/8\6-5----(5)/8-/8-/8-/8\6-5------------E +----------------------------------------------------------------/10--------B +---------------------------------------------------------------------------E +----------------------------------------------------------------------------
|-FAST-|
Slower slide ~~~~~~~~
|---Tempo Slowing--->
E +-------------------|-------------------------------------------------------B +-------------------V----------(5)/8-/8-/8-/8\6-5----(5)/8-/8-/8-/8\6-5-----G#+------------------------------(5)/8-/8-/8-/8\6-5----(5)/8-/8-/8-/8\6-5-----E +-12\5/8-5---3----3-/-5-----------------------------------------------------B +--------------3--3-/-5-----------------------------------------------------E +----------------------------------------------------------------------------
Quiet
|---Long slides------|
-----------------|
|---|
~~~~~~~ ~~~~~~
E +---------------------------------------------------------------------------B +-(5)/8-/8-/8-/8\6-5--------------------------------------------------------G#+-(5)/8-/8-/8-/8\6-----------------------------------------------------------
file:///C|/olga_main/f-g/g/gallagher_rory/ghost_blues.crd
Slow Slide
~~~ Hold 5th
~~~~~
~~~~~ |
~~~~~
E +----------------------------------------------|----------------------------B +---------5------------------------------------|----------------------------G#+-------5---5----------------------------------V----------------------------E +-----5-------5---------------14---------12---------10----------------------B +-8--(8)-...-(8)------------14---------12---------10---------10--/12--------E +-----------------------5/14---------12-----7-/-10-----------10--/12---------
|---Quiet------|
|-Slow Slides-|
|--Without Slide, Finger Normally-|
~~~~~~~~~~~~
E +------------------------0-----------------------------------3-/-5--5--5-/-8B +---------------------------------------------------------------------------G#+------------------------------------------------------------------------^--E +-7-/-8----7-/-8---5-----------------------------------------------------|--B +------------------------------0h1-0h1-0h1-0h1-0h1-0---------------Real-SlowE +-7-/-8----7-/-8---5-----0-2-5-----------------------5-----------------------
________________________________________________________
~~~ |
Slightly Quiter
|
E +---------------------------------------------------------------------------B +---------------------------------------------------------------------------G#+---------------------------------------------------------------------------E +---3---3--3---2--2---1--0------3---3--3--3---2--2---1--1--0----------------B +------3--3---2--2---1---0---------3--3--3---2--2---1--1---0----------------E +---3-3--3--/2--2--/1----0------3-3--3--3--/2--2--/1--1----0-----------------
file:///C|/olga_main/f-g/g/gallagher_rory/i_fall_apart.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: zxmtr07@hp07.zdv.uni-tuebingen.de (Dirk Hoffmann)
Date: 19 Jun 1995 09:47:28 GMT
Subject: TAB: Rory Gallagher - I fall apart
This TAB transcription was created using TAB MASTER version 1.0
***************************************************************
Bye Rory...
RORY GALLAGHER: I FALL APART
A quiet early and sort of melancholic Rory-tune. You find it
on his solo debut entitled "Rory Gallagher". If you have a
live-version, please let me know.
Some parts are difficult to note in
duration bars, but I hope, together
recording, it will work. I tried to
the main parts of the first and the
The song is to play in standard tuning with a capo on the 3rd fret.
I noted the frets up from the capo, only the solo I noted originally,
because there are no open strings.
The Intro (about this way):
Gm
Gm9/F
e:-------------0----------------------0-----------|
B:------------------------------------------------|
G:----------0-----0-----0----------0-----------0--|
D:--5----5----------------------4-----------4-----|
A:--7----------------5-----5-------------5--------|
E:------------------------------------------------|
???
Eb
Eb9
e:-------------0---------------------------|
B:-------------------------3---------------|
G:----------0-----------0------------------|
D:-------2-----------2---------------------|
A:--3-------------3---------------------0--|
E:-----------------------------------------|
Gm
Gm9/F
e:--------------0-------------------0--------|
B:-------------------------------------------|
G:-------------------------------0-----------|
D:-----5-----5--------5-------4--------------|
A:-----7-----------------5----------------5--|
E:--0-----0x---------------------------------|
file:///C|/olga_main/f-g/g/gallagher_rory/i_fall_apart.tab
Eb
Eb9
e:-------------0----------------------------|
B:-------------------------3----------------|
G:----------0--------------0----------------|
D:-------2-----------2-----2----------------|
A:--3----------------3----------------------|
E:------------------------------------------|
The chorus:
Gm
Gm9/F
e:------------------------------------------------|
B:--0----0--0--0--0--0--0--0----0--0--0--0--0--0--|
G:--0----0--0--0--0--0--0--0----0--0--0--0--0--0--|
D:--5----5--5--5--5--5--5--4----4--4--4--4--4--4--|
A:--7----7--7--7--7--7--7--5----5--5--5--5--5--5--|
E:------------------------------------------------|
Like a cat that's playing
with a
Ebj7
e:------------------------------------------|
B:--0--0--0--0--0--0--0---------------------|
G:--0--0--0--0--0--0--0---------------------|
D:--2--2--2--2--2--2--2----------0----------|
A:--3--3--3--3--3--3--3--0---2-------3---0h-|
E:------------------------------------------|
ball of twine
that you call my
Gm
Gm9/F
e:------------------------------------------------|
B:--0----0--0--0--0--0--0--0----0--0--0--0--0--0--|
G:--0----0--0--0--0--0--0--0----0--0--0--0--0--0--|
D:--7----7--7--7--7--7--7--4----4--4--4--4--4--4--|
A:--5----5--5--5--5--5--5--5----5--5--5--5--5--5--|
E:------------------------------------------------|
heart
oh but
baby
is
it so
Ebj7
e:-------------------------------------------|
B:--0----0--0--0--0--0--0--------------------|
G:--0----0--0--0--0--0--0--------------------|
D:--2----2--2--2--2--2--2----------0---------|
A:--3----3--3--3--3--3--3--0---2-------3--0h-|
E:-------------------------------------------|
hard
to tell the two a-
Gm
Gm9/F
e:------------------------------------------------|
B:--0----0--0--0--0--0--0--0----0--0--0--0--0--0--|
G:--0----0--0--0--0--0--0--0----0--0--0--0--0--0--|
D:--2----5--5--5--5--5--5--4----4--4--4--4--4--4--|
A:--7----7--7--7--7--7--7--5----5--5--5--5--5--5--|
file:///C|/olga_main/f-g/g/gallagher_rory/i_fall_apart.tab (2 of 10) [4/28/2003 9:52:27 PM]
file:///C|/olga_main/f-g/g/gallagher_rory/i_fall_apart.tab
E:------------------------------------------------|
part
and so
slowly
you un-
Ebj7
F
Fsus4
e:----------------------------------------|--2----2--2====2----3----3--3--|
B:--0----0--0--0--0--0--0-----------------|--3----3--3====3----3----3--2--|
G:--0----0--0--0--0--0--0-----------------|--2----2--2====2----2----2--2--|
D:--2----2--2--2--2--2--2-----------------|--0----------------------------|
A:--3----3--3--3--3--3--3--3---2---0------|-------------------------------|
E:-------------------------------------3--|-------------------------------|
wind it
'til I fall apart
F
(Solo after 2nd chorus)
e:--2----2--0--2----2------------------|
B:--3----3--3--3----3------------------|
G:--2----2--2--2----2------------------|
D:--0---------------------5----7----8)-|
A:---------------5--6--7---------------|
E:------(5--6--7-----------------------|
(noted without capo)
Gm
Gm/F
e:------------------------------------------------|
B:------------------------------------------------|
G:------------------------------------------------|
D:--7h8p7--------------------(7)h8--(7)h8--(7)h8--|
A:--------10--10--10\-----------10-----10-----10--|
E:------------------------------------------------|
Eb
e:--------------------------------------------|
B:--------------------------------------------|
G:--------------------------------------------|
D:--(7)h8-p7--------------------8-p7--8---8---|
A:-----10-----10--8--10-----------------------|
E:--------------------------------------------|
Gm
Gm/F
e:------------------------------------|
B:------------------------------------|
G:------------------------------------|
D:--8~--p7-------------7--8--10====/--|
A:----------10--8--10-----------------|
E:------------------------------------|
Eb
e:---------------------------------------------|
B:---------------------------------------------|
file:///C|/olga_main/f-g/g/gallagher_rory/i_fall_apart.tab
G:---------------------------------------------|
D:--10-p8-p7-8-------10-p8-p7-8-------10-p8-p7-|
A:---------------------------------------------|
E:---------------------------------------------|
Gm
Gm/F
e:----------------------------------------------------|
B:----------------------------------------------------|
G:----------------------------------------------------|
D:--8~---7------7--8--10-------10-p8-p7--8--7---------|
A:----------10---------------------------------10--8--|
E:----------------------------------------------------|
Eb
e:-------------------------------------------------|
B:-------------------------------------------------|
G:---------------------------------------7----7----|
D:--------8-------7-h8-p7------7--8--10------------|
A:--10~--------------------10----------------------|
E:-------------------------------------------------|
F
e:--------------------------------|
B:--------------------------------|
G:-----10---------10-----10-------|
D:--------------------------------|
A:--8------8----------8------8----|
E:--------------------------------|
F
e:-------------------------------------------|
B:-------------------------------------------|
G:--10------10------10------10------10--/12==|
D:------8~------8~------8~------8~-----------|
A:-------------------------------------------|
E:-------------------------------------------|
Gm
Gm/F
e:------------------------------10--10--------------|
B:------------------10--11--13----------------------|
G:==12------10--12--------------------------10--12--|
D:--------------------------------------------------|
A:--------------------------------------------------|
E:--------------------------------------------------|
file:///C|/olga_main/f-g/g/gallagher_rory/i_fall_apart.tab
Eb
e:------------------------------------------------|
B:--10--11--13--/15--15---------------10--11--13--|
G:--------------------------------12--------------|
D:----------------------------12------------------|
A:------------------------------------------------|
E:------------------------------------------------|
Gm
Gm/F
e:----------------------------------------------------------|
B:--13b(15)--r13--p11--13--11--10-h11-p10---------------10--|
G:-----------------------------------------12--10--12~------|
D:----------------------------------------------------------|
A:----------------------------------------------------------|
E:----------------------------------------------------------|
(pre-bend)
Eb
e:------------------------------------------------|
B:-----------10--11--13----13b(15)----b15----b15==|
G:-------12---------------------------------------|
D:------------------------------------------------|
A:------------------------------------------------|
E:------------------------------------------------|
Gm
Gm/F
e:----------------------------------------------------------------------|
B:==(b15)----(15)r13--11--13----11--p10---------------------------------|
G:---------------------------------------12==------10-h12-p10-9-10--12==|
D:----------------------------------------------------------------------|
A:----------------------------------------------------------------------|
E:----------------------------------------------------------------------|
Eb
e:------------------------------------------------------------------|
B:----------------------10-----------------------(10)h12--(10)h12~--|
G:==(12)-------10--h12------12--\10--8--10--/12---------------------|
D:------------------------------------------------------------------|
A:------------------------------------------------------------------|
E:------------------------------------------------------------------|
file:///C|/olga_main/f-g/g/gallagher_rory/i_fall_apart.tab
The bridge:
Gm
Gm7
e:--------------|
B:--0------0----|
G:--0------0----|
D:--2------0----|
A:--2------2----|
E:--0------0----|
I
don't
Csus2
Csus2
Gm
Gm
Gm7
e:--------------------------------------|------7--7--7--7----------------|
B:--0----0----0--0----0----0----0----0--|------8--7--8--7----0------0----|
G:--2----2----2--2----2----2----2----2--|------7--7--7--7----0------0----|
D:--2----2----2--2----2----2----2----2--|------7-------------2------0----|
A:--0-----------------0-----------------|--------------------2------2----|
E:--------------------------------------|--0-----------------0------0----|
mind
waiting for your
love
for
of
Csus2
Csus2
Gm
Gm
Gm7
e:--------------------------------------|------7--7--7--7----------------|
B:--0----0----0--0----0----0----0----0--|------8--7--8--7----0------0----|
G:--2----2----2--2----2----2----2----2--|------7--7--7--7----0------0----|
D:--2----2----2--2----2----2----2----2--|------7-------------2------0----|
A:--0-----------------0-----------------|--------------------2------2----|
E:--------------------------------------|--0-----------------0------0----|
time
I've got plenty of
rain
or
Csus2
Csus2
Gm
Gm
Gm7
e:--------------------------------------|------7--7--7--7----------------|
B:--0----0----0--0----0----0----0----0--|------8--7--8--7----0------0----|
G:--2----2----2--2----2----2----2----2--|------7--7--7--7----0------0----|
D:--2----2----2--2----2----2----2----2--|------7-------------2------0----|
A:--0-----------------0-----------------|--------------------2------2----|
E:--------------------------------------|--0-----------------0------0----|
shine
please bring out your love
make
it
Csus2
Csus2
e:--------------------------------------|
B:--0----0----0--0----0----0----0----0--|
G:--2----2----2--2----2----2----2----2--|
D:--2----2----2--2----2----2----2----2--|
A:--0-----------------0-----------------|
E:--------------------------------------|
shine
like the stars a-
Gm
Gm9/F
Ebj7
e:-----------------------------|--------------------------|
B:--0-------------0------0--0--|--0------0--0-------------|
G:--0------0--0---0------0--0--|--0------0--0-------------|
file:///C|/olga_main/f-g/g/gallagher_rory/i_fall_apart.tab (6 of 10) [4/28/2003 9:52:27 PM]
file:///C|/olga_main/f-g/g/gallagher_rory/i_fall_apart.tab
D:--5------5--5---4------4--4--|--2------2--2-------------|
A:--7------7--7---5------5--5--|--3-----------------------|
E:--0--------------------------|--------------------------|
bove
The Coda:
e:-----------------------|
B:-----------------------|
G:-----------------------|
D:-------------------2~--|
A:-------------0--2------|
E:--0--2--3~-------------|
Csus2
Cm
e:----------------------------------------------|
B:--0----0--0--0--0--0--0-----------------------|
G:--2----2--2--2--2--2--2-------------------2~--|
D:--2----2--2--2--2--2--2-------------0--2------|
A:--0----------------------0--2--3~-------------|
E:----------------------------------------------|
Gm
Gm
e:----------------------------------------------|
B:--0----0--0--0--0--0--0-----------------------|
G:--0----0--0--0--0--0--0-----------------------|
D:--2----2--2--2--2--2--2-------------------2~--|
A:--2---------------------------------0--2------|
E:--0----------------------0--2--3~-------------|
Csus2
Cm
e:---------------------------------------------|
B:--0----0--0--0--0--0--0----------------------|
G:--2----2--2--2--2--2--2-------------------0--|
D:--2----2--2--2--2--2--2-------------0--2-----|
A:--0----------------------0--2--3~------------|
E:---------------------------------------------|
Gm
e:---------------------------------------------------------|
B:---------------------------------------------------------|
G:--2b(4)----b4----b4----b4----b4--b4--b4--b4--b4b4b4b4b4--|
D:---------------------------------------------------------|
A:---------------------------------------------------------|
E:---------------------------------------------------------|
(Harmonics....)
Gm
Gm9/F
Ebj7
file:///C|/olga_main/f-g/g/gallagher_rory/i_fall_apart.tab
e:---------------------|---------------------------------|
B:--0---------0--------|--0------------------------------|
G:--0---------0--------|--0------------------------------|
D:--5---------4--------|--2---------------------------0--|
A:--7---------5--------|--3--------3--p2--3--p3--3~------|
E:--0---------0--------|---------------------------------|
(etc...)
e:-----|-----|---------|-----|-----|------|------|-----|-----|-----|------|
B:-----|-----|---------|-----|-----|------|------|-----|-----|-----|------|
G:-----|--0--|---------|-----|-----|------|------|--4--|--5--|--7--|--9---|
D:--5--|--4--|--2---2--|--5--|--7--|---9--|--10--|--5--|--7--|--9--|--10--|
A:--7--|--5--|--3---3--|--7--|--9--|--10--|--12--|-----|-----|-----|------|
E:-----|-----|---------|-----|-----|------|------|-----|-----|-----|------|
(play with palm mute...)
Gm
Gm9/F
Ebj7
e:--------0---------------|----------------------|
B:--------0----0----0--0--|--0--------2b(4)-/----|
G:--------0----0----0--0--|--0-------------------|
D:--------5----4----4--4--|--2-------------------|
A:-----7-------5----5--5--|--3-------------------|
E:--0---------------------|----------------------|
Gm
Gm9/F
Ebj7
e:------------------------|--------------------------------------------|
B:--------0----0----0--0--|--0----0-------5----3--5----3--5-p3-----5p--|
G:--------0----0----0--0--|--0----0-----------------------------4------|
D:--------5----4----4--4--|--2----2------------------------------------|
A:-----7-------5----5--5--|--3----3------------------------------------|
E:--0---------------------|--------------------------------------------|
Gm
Gm9/F
e:----------------------------------|
B:----------0--0--0--0-----------0--|
G:--0-------0--0--0--0-----------0--|
D:--5-------5--5--5--5--------4-----|
A:--7----7--------------5~~---------|
E:----------------------------------|
Ebj7
e:---------------------------0-------------|
B:------------------------3--3-------------|
G:---------------------3b(4)-----2--p0-----|
D:--------2--2--------------------------2--|
A:--3~~~-----3~~---------------------------|
E:-----------------------------------------|
file:///C|/olga_main/f-g/g/gallagher_rory/i_fall_apart.tab
Gm
Gm9/F
Ebj7
e:---------------------------------------------|-------------------------|
B:--------0--0--0--0---0--0--0--0--0--0--0--0--|--0----0--0--0--0--0--0--|
G:--------0--0--0--0---0--0--0--0--0--0--0--0--|--0----0--0--0--0--0--0--|
D:--------5--5--5--5---4--4--4--4--4--4--4--4--|--2----2--2--2--2--2--2--|
A:-----7---------------5--5--5--5--5--5--5--4--|--3----3--3--3--3--3--3--|
E:--0------------------------------------------|-------------------------|
e:-----|-----|------|------|-----|-----|-----|-----|
B:-----|-----|------|------|-----|-----|-----|-----|
G:-----|-----|------|------|-----|-----|-----|-----|
D:--5--|--7--|---9--|--12--|--9--|--9--|--9--|--9--|
A:--7--|--9--|--10--|--10--|--7--|--7--|--7--|--7--|
E:-----|-----|------|------|-----|-----|-----|-----|
Gm
Gm9/F
Ebj7
F
Fsus2
e:-------------------------------------|---------------------2---------0--|
B:--0----0--0----0--0--0----0--0----0--|--0----0--0----0--0--3----3-------|
G:--0----0--0----0--0--0----0--0----0--|--0----0--0----0--0--2------------|
D:--5----5--5----5--5--4----4--4----4--|--2----2--2----2--2--0------------|
A:--7----7--7----7--7--5----5--5----5--|--3----3--3----3--3---------------|
E:-------------------------------------|----------------------------------|
Gm
(let ring....)
e:--0-----------------------------------|
B:--0-----------------------------------|
G:--0-----------------------------------|
D:--5-----------------------------------|
A:--7-----------------------------------|
E:--------------------------------------|
file:///C|/olga_main/f-g/g/gallagher_rory/i_fall_apart.tab
file:///C|/olga_main/f-g/g/gallagher_rory/in_your_town.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: zxmtr07@studserv.zdv.uni-tuebingen.de (Dirk Hoffmann)
Subject: TAB: Rory Gallagher - In your town
Hi Rory Fans,
since I use to take a look at the netnews, there's never been a Rory
Gallagher TAB. So I tried to work out one myself. It's my first
TAB-posting, so feel free to make suggestions.
This TAB contains the intro and the main riffs. I think, it's senseless to
tab the whole song exactly, because Rory usually does a lot of tricking and
spontanous improvisation, especially during this song. Listen to the
recordings, e.g. on Deuce and Live in Europe.
So that's the way you should play this song. Take this material as basic
and variate it. If requested, I could try to work out the solo, too.
So have fun...
Dirk
RORY GALLAGHER: IN YOUR TOWN
Rory uses a Fender Tele tuned to Open-E: E H E G# H E (low to high) and
a capo on the third fret. I noted the the frets up from the capo to mark
the open played strings.
Be careful with the picking. Rory holds the plectrum between his thumb
and the 1st finger and addidionally picks the upper strings with his 2nd
and 3rd finger.
The slide he mostly puts on the 3rd finger.
The Intro:
!--------------------------------!--------------------------------!
!--------------------------------!----------------------------------!
!--------------------------------!----------------------------------!
!--------------------------------!----------3-5-3--3h5p3-3-5--3-----!
!-/5-5-5--/5-5-5--/5-5-5--/5-5-5-!-/5---5-----------------------5-5-!
!--0-0-0---0-0-0---0-0-0---0-0-0-!--0-------------------------------!
The main riff goes something like this:
!------------------------!-------------------------!
!----3--------3--3-------!-----3--------3--3-------!
!----3--------3--3-------!-----3--------3--3-------!
!----------x-----------0-!-----------x-----------0-!
!------------------------!-------------------------!
!-0-----0-----0-----0----!--0-----0-----0-----0----! [...]
!-------------------------!
!----3--------3--3-----5~=!
!----3--------3--3-----3~=!
!----------x--------------!
!-------------------------!
!-0-----0-----0-----0-----!
!----------------------------!----------------------------!
!=5~--------5~==5~--------5~=!=5~--------5~==5~--------5\-!
!=3~--------3~==3~--------3~=!=3~--------3~==3~--------3\-!
!-----x-------------x--------!-----x-------------x--------!
!----------------------------!----------------------------!
file:///C|/olga_main/f-g/g/gallagher_rory/in_your_town.tab
!-0------0------0------0-----!-0------0------0------0-----! [...]
look out baby,
For the instrumental bridge after "so look out..." try this pattern:
!-----4------4------4------4-!-----5------5------5-------5-!
!----------------------------!-----------------------------!
!---3------3------3------3---!---3------3------3------3----!
!-0------0------0------0-----!-0------0------0------0------!
!----------------------------!-----------------------------!
!----------------------------!-----------------------------!
!-----4------4--4--4p0-!-2------------------!
!----------------------!--------------------!
!---3------3----3------!-3------------------!
!-0------0------0--0---!-0------------------!
!----------------------!--------------------!
!----------------------!--------------------!
look out baby, your man is back in town
look out baby, I won't stand no messin'`round
the first man I wanna see is the Chief Police
bring that man right over here
I wanna speak (?) my peace
I wanna cause no trouble, no fuzz, no fight
but you look out man, you know this is saturday night
the second man I wanna see is the old fire chief
bring that man right over here
stand him right in front of me
I wanna cause no trouble, no fuzz, no fight
see this match, I might set this place alight
so look out...
the third man I wanna see is the old D.A.
he was the man who sent me away
twenty two years, twenty three days, twenty four minutes
I was locked away
you come along baby, ask me where I've been
up-the-river-holiday (??), up in Sing Sing
one cold floor, four bare walls
that's all they gave me, nothing else at all
Sing Sing, Sing Sing, Sing Sing
when I came out I could not feel a thing...
now I'm back in your town
in your town, in your town, in your town...
**********************************************************
* transcribed 9/94 by
*
* dirkhoffmann@student.uni-tuebingen.de
*
**********************************************************
file:///C|/olga_main/f-g/g/gallagher_rory/laundromat.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Tue, 26 Sep 1995 18:40:44 +0100 (MEZ)
From: Dirk Hoffmann <dirk.hoffmann@student.uni-tuebingen.de>
Subject: Laundromat corr. + solo
!---------------!--------------------!--------------------!-------------!
!---------------!--------------------!--------------------!-----7-------!
!---------------!-5------------------!-5------------------!-5---7---5---!
!-5~~---5-7p5---!----7---7---5-7p5---!----7---7---5-7p5---!-----------7-!
!-------------7-!------------------7-!------------------7-!-------------!
!---------------!--------------------!--------------------!-------------!
!-------------!
!-------------!
!-------------!
!-------------!
!-7-----------!
!-------------!
The chorus:
Am
D
G
Aadd9
!-------------------!------------------!--------------------!------------!
!-1-----------------!-3----------------!-3------------------!-0----------!
!-2-----------------!-2----------------!-0------------------!-2----------!
!-2-----------------!-0----------------!-0------------------!-2----------!
!-0-----------------!------------------!-2------------------!-0----------!
!-------------------!------------------!-3------------------!------------!
what do you think of that? I'm sleeping down at the laundromat,
if
Aadd9
file:///C|/olga_main/f-g/g/gallagher_rory/laundromat.tab
!--------------------!------------------------!
!-0------------------!-3----------------------!
!-2------------------!-2----------------------!
!-2------------------!-0----------------------!
!-0------------------!------------------------!
!--------------------!------------------------!
you should pass by
be sure to drop my
!-----------------!
!-5-x-5-----------!
!-6-x-6-----------!
!-7-x-7---5-7p5---!
!-7-x-7---------7-!
!-----------------!
bag
!-------------------!-------------------!------------!
!-------------------!-------------------!------------!
!-5-----------------!-5-----------------!-5----------!
!-5--7--7---5-7p5---!-5--7--7---5-7p5---!------------!
!-----------------7-!----7--7---------7-!------------!
!-------------------!-------------------!------------!
come
The Bridge:
D7/9
D7/9
A
A
!--------------!--------------!--------------!---------------!
!-5-x-5-x------!-5-x-5-x------!-2-x-2-x------!-2-x-2-x-------!
!-5-x-5-x------!-5-x-5-x------!-2-x-2-x------!-2-x-2-x-------!
!-4-x-4-x------!-4-x-4-x------!-2-x-2-x------!-2-x-2-x-------!
!-5-x-5-x------!-5-x-5-x------!--------------!---------------!
!--------------!--------------!--------------!---------------!
`round
and meet my friends
they'll be
D7/9
D7/9
E
E
!----------------!--------------!--------------------!-------------------!
!-5-x-5-x--------!-5-x-5-x------!--------------------!-------------------!
!-5-x-5-x--------!-5-x-5-x------!--------------------!-------------------!-4-x-4-x--------!-4-x-4-x--2---!---------2-0--------!---------2-0-------!
!-5-x-5-x--------!-5-x-5-x--3---!-------------2------!-------------2-----!
!----------------!--------------!-0===0--------------!-0===0-------------!
there with me
right through to the end
E
E
!--------------------!--------------------!
!--------------------!--------------------!
!--------------------!--------------------!
!---------2-0--------!---------2-0--------!
!-------------2------!-------------2------!
!-0===0--------------!-0===0--------------!
right through to the end
Esus4
Esus4
Esus
Esus
!---------------!---------------!---------------!------------------------!
!-8===8===8===8=!=8===8===8===8=!=10==10==10==10!=10==10==10==10---------!
!-7===7===7===7=!=7===7===7===7=!=7===7===7===7=!=7===7===7===7----------!
!-7===7===7===7=!=7===7===7===7=!=7===7===7===7=!=7===7===7===7--5-7p5---!
!---------------!---------------!---------------!----------------------7-!
!---------------!---------------!---------------!------------------------!
right through to the end
The solo:
+
+
+
+
+
+
+
+
e:---------------------------|----------------------------------------|
B:---------------------------|------------13-p12----------------------|
file:///C|/olga_main/f-g/g/gallagher_rory/laundromat.tab (2 of 7) [4/28/2003 9:52:28 PM]
file:///C|/olga_main/f-g/g/gallagher_rory/laundromat.tab
G:-----------------------12--|--14-p12-----------14-12-p11-------12b==|
D:---------------14--14------|---------14------------------14---------|
A:--------------------0------|----------------------------------------|
E:---------------------------|----------------------------------------|
+
+
+
+
e:--------------------------------|
B:--------------------------------|
G:==(14)~~~~~-----------------12--|
D:--------------------------------|
A:--------------------------------|
E:--------------------------------|
+
+
+
+
e:------------------------------------------------|
B:------------12----------------------------------|
G:--14-p12-------------12--14-p12------11----12b==|
D:---------14----------------------14-------------|
A:------------------------------------------------|
E:------------------------------------------------|
+
+
+
+
e:------------------------------|
B:------------------------------|
G:==(14)~~~~~-------------------|
D:------------------------------|
A:------------------------------|
E:------------------------------|
+
+
+
+
e:-------------------------------------------|
B:----------------------13-p12---------------|
G:---------12-14-p12-----------14-12-p11-----|
D:--12-h14-----------14------------------14--|
A:-------------------------------------------|
E:-------------------------------------------|
+
+
+
+
e:--------------------------------|
B:--------------------------------|
G:--11---12---12b(14)~~~----------|
D:--------------------------------|
A:--------------------------------|
E:--------------------------------|
+
+
+
+
+
+
+
+
e:-----------------------------------------|----------------------------|
B:-----------------------------------------|----------------------------|
G:--(14)r12--11--12------------------------|-------11---12~~~~----------|
D:-------------------14--12-p11----11--12--|--14------------------------|
A:------------------------------14---------|----------------------------|
E:-----------------------------------------|----------------------------|
+
+
+
+
+
+
+
+
e:---------------------------|-----------------------------|
B:---------------------------|-----------------------------|
file:///C|/olga_main/f-g/g/gallagher_rory/laundromat.tab (3 of 7) [4/28/2003 9:52:28 PM]
file:///C|/olga_main/f-g/g/gallagher_rory/laundromat.tab
G:---------------------------|------------11------12--11---|
D:-11--11-----11-----11------|-12--14----------------------|
A:--0---0------0------0------|--0---0----------------------|
E:---------------------------|-----------------------------|
+
+
+
+
+
+
+
+
e:------------------------------|--------------------------------|
B:------------------------------|--------------------------------|
G:------------------------------|-----------11-----12----14--12--|
D:-11--11-----11-----11-----11--|-12--14-------------------------|
A:--0---0------0---0--0--0---0--|--0---0-------------------------|
E:------------------------------|--------------------------------|
+
+
+
+
+
+
+
+
e:--------------------------|-----------------------------------------|
B:--15b(17)------(17)~~-----|-(17)r15--13--15--13--12-----------------|
G:--------------------------|--------------------------14--12-p11-----|
D:--------------------------|-------------------------------------14--|
A:--------------------------|-----------------------------------------|
E:--------------------------|-----------------------------------------|
+
+
+
+
e:------------------------------------|
B:------------------------------------|
G:--11---12-----12b(14)~~~~~~---------|
D:------------------------------------|
A:------------------------------------|
E:------------------------------------|
+
+
+
+
+
+
+
+
e:----------------------------------------|------------------------------|
B:----------------------------------------|------------------------------|
G:------(14)r12--11--12-p11---------------|--------------11--12--11--12b=|
D:--------------------------14-12-p11-----|--11--12--14------------------|
A:------------------------------------14--|------------------------------|
E:----------------------------------------|------------------------------|
+
+
+
+
e:---------------------------------------|
B:---------------------------------------|
G:==(14)~---(14)r12--11--12--11--12--12b=|
D:---------------------------------------|
A:---------------------------------------|
E:---------------------------------------|
+
+
+
+
e:---------------------------------------|
B:---------------------------------------|
G:==(14)~---(14)r12--11--12--11--12--12b=|
D:---------------------------------------|
A:---------------------------------------|
E:---------------------------------------|
+
+
+
+
e:---------------------------------------|
B:---14----------------------------------|
file:///C|/olga_main/f-g/g/gallagher_rory/laundromat.tab
G:==(14)~---(14)r12--11--12--11--12--12b=|
D:---------------------------------------|
A:---------------------------------------|
E:---------------------------------------|
+
+
+
+
e:---------------------------------------|
B:---14----------------------------------|
G:==(14)~---(14)r12--11--12--11--12--12b=|
D:---------------------------------------|
A:---------------------------------------|
E:---------------------------------------|
+
+
+
+
+
+
+
+
e:---------------------------------------|-----------------------|
B:---14----------------------------------|-----------------------|
G:==(14)~---(14)r12--11--12--11--12--12b=|==(14)~----------------|
D:---------------------------------------|-----------------------|
A:---------------------------------------|-----------------------|
E:---------------------------------------|-----------------------|
+
+
+
+
+
+
+
+
e:----------------------|------------------|
B:----------------------|------------------|
G:--(14)~-----(14)~-----|--(14)~~~~/-------|
D:----------------------|------------------|
A:----------------------|------------------|
E:----------------------|------------------|
+
+
+
+
+
+
+
+
e:---------10--------------------|---------------------------|
B:----------------x-------x------|--11~~~~-------------------|
G:--10/11-------------x-------x--|-----------------------14--|
D:-------------------------------|---------------------------|
A:-------------------------------|---------------------------|
E:-------------------------------|---------------------------|
+
+
+
+
+
+
+
+
e:------------------------------|--------------------------|
B:--13b(14)---------------------|---(14)-------------------|
G:----------14------------------|-----x---14---------------|
D:------------------------------|--------------------------|
A:------------------------------|--------------------------|
E:------------------------------|--------------------------|
+
+
+
+
+
+
+
+
e:---------------------------------------|-------------------------------|
B:--(17)-r15-p13-15--13------------------|-------------------------------|
G:-----------------------14--13--12------|--14--12--11------11--12-------|
D:-----------------------------------14--|--------------14---------------|
A:---------------------------------------|-------------------------------|
E:---------------------------------------|-------------------------------|
pre-bend
+
file:///C|/olga_main/f-g/g/gallagher_rory/laundromat.tab
e:------------------------------------|------------------------|
B:------------------------------------|------------------------|
G:--12b(14)~------------12--11--------|------------------------|
D:--------------------------------14==|==(14)~-----------------|
A:------------------------------------|------------------------|
E:------------------------------------|------------------------|
+
+
+
+
+
+
+
+
e:-----------------------------------|------------------------|
B:-----------------------------------|------------------------|
G:--12b(14)~-----------12--11--------|------------------------|
D:-------------------------------14==|==(14)------------------|
A:-----------------------------------|------------------------|
E:-----------------------------------|------------------------|
+
+
+
+
+
+
+
+
e:----------------------------------|--------------------------------|
B:----------------------------------|--------------------------------|
G:--12b(14)~---------12b(14)~-------|--12b(14)~---------12b(14)~-----|
D:----------------------------------|--------------------------------|
A:----------------------------------|--------------------------------|
E:----------------------------------|--------------------------------|
+
+
+
+
e:------------------------|
B:------------------------|
G:--13~~~~~~--------------|
D:------------------------|
A:------------------------|
E:------------------------|
!------------------!-------------------!---------------------!
!-15b17--15--13----!-------------------!-2-------------------!
!---------------14-!-14--------0-2p0---!-2--0--------0-2p0---!
!------------------!-----------------2-!-------2-----------2-!
!------------------!-------------------!---------------------!
!------------------!-------------------!---------------------!
!--------------------!-------------!----------------!
!-2------------------!-2-----------!----------------!
!-2--0-------0-2p0---!-2---0-------!----------------!
!-------2----------2-!---------2-0-!----------------!
!--------------------!-------------!-4--------------!
!--------------------!-------------!----------------!
file:///C|/olga_main/f-g/g/gallagher_rory/laundromat.tab (6 of 7) [4/28/2003 9:52:28 PM]
file:///C|/olga_main/f-g/g/gallagher_rory/laundromat.tab
file:///C|/olga_main/f-g/g/gallagher_rory/moon_child.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Thu, 28 Sep 95 10:32:44 +0100
From: ftdfrmo@ftd.ericsson.se (Frank Monden EXP Tel.+49-5121-707323)
Subject: TAB: "Moonchild" by Rory Gallagher
This is my 1st trial of sending a tab.
I`ve tried to "filter out" the riffs and lyrics out of the "CD"
and may`be I`m a little bit successful.
The parts signed with a (?) I`m not very shure about.
So be careful by singing the lyrics.
( Use a lots of chewing gum !!)
Moonchild
by Rory Gallagher
(1976 ??)
+ solo
Am
Dm
Am
Dm
You are a moonchild and
Am
Dm
Am
Dm
pretty
soon child I`ve
Am
Dm
Am
Dm
got a
feeling
that
Am
Dm
Am
Dm
G
I`ve gonna make you smile forever
If I can
[riff]
F
G
just give me a sign
Dm
and I show you my grain(??)
[riff]
Am
You are a
Am
ever
Am
know that
Am
scrape(?)
Dm
Am
Dm
blue child forDm
Am
Dm
true child you
Dm
Am
Dm
I tried to
Dm
Am
Dm
G
the skies blue forever
file:///C|/olga_main/f-g/g/gallagher_rory/moon_child.tab
If I can
[riff]
[solo]
F
G
just give me a sign
Dm
and I show you my grain(??)
[riff]
F
G
tell me why
Dm
you look so sad
[riff]
F
G
time slips by
Dm
like trace(?) of sand
[riff]
F
G
just put your future
Dm
in my hand
[solo]
F
G
tell me why
Dm
you look so sad
[riff]
1.verse again
fade out
\\\\\//
|
|
(.) (.)
==========oOO==(_)==OOo=====================================================
Frank Monden
Email : ftdfrmo@ftd.ericsson.se
============(
)-___=======================================================
\ ( (
)
\_) ) /
(_/
file:///C|/olga_main/f-g/g/gallagher_rory/pistol_slapper_blues.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Tue, 26 Sep 1995 18:46:41 +0100 (MEZ)
From: Dirk Hoffmann <dirk.hoffmann@student.uni-tuebingen.de>
Subject: TAB: Rory Gallagher - Pistol slapper blues
RORY GALLAGHER - Pistol slapper blues
You find this acoustic song on the "Live! in Europe"-album from 1972,
not an original Rory-composition, but a fine work-out of theold Blind
Boy Fuller song. Rory himself played it for years.
I think for the '72 recording he used his Martin acoustic,later indeed
he prefered a restaurated 30er National.
A little part towards the end I couldn't finger out yet, sorry.
The Intro:
n.c.
e:-12p--0-----12p--0-----------|-11p--0-----11p--0-----------|
B:---------0--------------0----|---------0--------------0----|
G:-12-----------------12-------|-11-----------------12-------|
D:-----------------------------|-----------------------------|
A:-----------------------------|-----------------------------|
E:-----------------------------|-----------------------------|
C
e:-10p--0-----10p--0-------------|----------------------------|
B:---------0---------------------|-----8--10--8-----8--10-----|
G:-10-----------------10--10\----|-/9------------9------------|
D:-------------------------------|----------------------------|
A:-------------------------------|----------------------------|
E:-------------------------------|----------------------------|
n.c.
e:-12p--0-----12p--0-----------|-11p--0-----11p--0-----------|
B:---------0--------------0----|---------0--------------0----|
G:-12-----------------12-------|-11-----------------11-------|
D:-----------------------------|-----------------------------|
A:-----------------------------|-----------------------------|
E:-----------------------------|-----------------------------|
C
G
e:-10p--0-----10p--0--------------|---------------------------|
B:---------0----------------------|-----8--10--8--------0-----|
G:-10-----------------10--10\9----|-/9------------9-----0-----|
D:----------------------------10--|---------------------------|
A:--------------------------------|---------------------------|
E:--------------------------------|---------------------------|
file:///C|/olga_main/f-g/g/gallagher_rory/pistol_slapper_blues.tab
F
F
e:--------------------------|--------------------------|
B:-----------6-----------6--|-----------6-----------6--|
G:-----8-----------8--------|-----8-----------8--------|
D:--------7-----------7-----|--------7-----------7-----|
A:--8-----------------------|--8-----------------------|
E:--------------8-----------|--------------8-----------|
C
C
e:--------------------------|--------------------------|
B:--------------------------|--------------------------|
G:--------------0-----------|--------------------------|
D:-----0--1--2-----2--1--0--|--------------------------|
A:--3-----------------------|--3--1--0-----0-----0--0--|
E:--------------------------|-----------3-----3--------|
F
e:-----1--------------------|-------------------------|
B:-----1-------/4--4--4--4--|--/6--6--6--6--4----0----|
G:-----2-------/5-----5-----|--/7-----7-----5----0----|
D:-----3--------------------|-------------------------|
A:-----3--------------------|-------------------------|
E:--1-----------------------|-------------------------|
D7/F#
G7
e:-----2----------------|-----1--------1----|
B:-----1----------1-----|-----0--------0----|
G:-----2-------2--------|-----0--------0----|
D:----------------0-----|-----0--------0----|
A:----------0-----------|-----2-----2-------|
E:--2-------------------|--3----------------|
well, I
The Chorus:
C
C/G
G7
G7/B
C
e:-----0-------0-----|-----1-------1----|-----0-------0----|
B:-----1-------1-----|-----0-------0----|-----1-------1----|
G:-----0-------0-----|-----0-------0----|-----0-------0----|
D:-----2-------2-----|-----0-------0----|-----2-------2----|
A:--3----------------|-----2----2-------|--3---------------|
E:----------3--------|--3---------------|----------3-------|
know
my
dog
anywhere I hear him
F
C
D7/F#
G7
e:-----1-------------1--|-----0-------0----|-----2-------1----|
B:-----1----------------|-----1-------1----|-----1-------0----|
G:-----2-------2--------|-----0-------0----|-----2-------0----|
D:-----3----------3-----|-----2-------2----|-----0-------0----|
A:-----3----3-----------|--3---------------|------------------|
file:///C|/olga_main/f-g/g/gallagher_rory/pistol_slapper_blues.tab
E:--1-------------------|----------3-------|--2-------3-------|
bark
well I
know my rider if I see her in the
C
G7
e:-----0-----------0--|-----1-------------1--|
B:-----1--------------|-----0----------------|
G:-----0-----0--------|-----0-------0--------|
D:-----2--------2-----|-----0----------0-----|
A:--3-----------------|-----2----2-----------|
E:--------3-----------|--3-------------------|
dark
F
e:----------8------------8--|----------8---------------|
B:--9b(10)-------9b(10)-----|--9b(10)-------9b(10)-----|
G:--------------------------|--------------------------|
D:--------------------------|--------------------------|
A:--8------------8----------|--8------------8-------0--|
E:--------------------------|--------------------------|
C
e:--------------------------|--------------------------|
B:--------------------------|--------------------------|
G:--------------0-----------|--------------------------|
D:-----0--1--2-----2--1--0--|--------------------------|
A:--3-----------------------|--3--1--0-----0-----0--0--|
E:--------------------------|-----------3-----3--------|
C
G7
e:-----0-------0----|-----1-------------1--|
B:-----1-------1----|-----0----------------|
G:-----0-------0----|-----0-------0--------|
D:-----2-------2----|-----0----------0-----|
A:--3---------------|-----2----2-----------|
E:----------3-------|--3-------------------|
C
e:---------------|--------------|--------------|---------------|
file:///C|/olga_main/f-g/g/gallagher_rory/pistol_slapper_blues.tab
B:------5-----5--|-----6-----6--|-----7-----7--|--7------------|
G:---------0-----|--------0-----|--------0-----|--0------------|
D:---------------|--------------|--------------|---------------|
A:--3------------|--5-----------|--6-----------|--7------------|
E:---------------|--------------|--------------|---------------|
C
e:---------------|--------------|--------------|---------------|
B:------5-----5--|-----6-----6--|-----7-----7--|--7------------|
G:---------0-----|--------0-----|--------0-----|--0------------|
D:---------------|--------------|--------------|---------------|
A:--3------------|--5-----------|--6-----------|--7------------|
E:---------------|--------------|--------------|---------------|
F
e:----------------------------|-----------------------------|
B:-------1--3--1--4--1--3--1--|-----------------------------|
G:--1/2-----------------------|--1h-2p-1-----0--------------|
D:----------------------------|-----------3-----2--0--------|
A:----------------------------|-----------------------3--0--|
E:----------------------------|-----------------------------|
C
e:------------3---------------|--3-----------------3-----|
B:--4b(5)-----------4b(5)-----|----------4b(5)-----------|
G:----------------------------|--------------------------|
D:----------------------------|--------------------------|
A:--3------3-----3---------3--|--3----3---------3-----3--|
E:----------------------------|--------------------------|
F
e:----------------------------------------------------|
B:------------10-p0---------------10-p0---------------|
G:--10-p0---------------10-p0---------------10-p0-----|
D:----------------------------------------------------|
A:--8------8---------8---------8---------8---------8--|
E:----------------------------------------------------|
C
e:-------------------------|--------------------------|
B:-------------------------|--------------------------|
G:-------------0-----------|--------------------------|
D:--2----0--1-----2--1--0--|--------------------------|
A:--3----------------------|--3--1--0-----0--1--2--0--|
E:-------------------------|-----------3--------------|
C
G7
e:-----0-------------0--|-----1-------------1--|
B:-----1----------------|-----0----------------|
file:///C|/olga_main/f-g/g/gallagher_rory/pistol_slapper_blues.tab
G:-----0-------0--------|-----0-------0--------|
D:-----2----------2-----|-----0----------0-----|
A:--3-------------------|-----2----2-----------|
E:----------3-----------|--3-------------------|
The Coda:
C
e:--0----1----2----3--|-----2--------1-----|------------|
B:--1----3----4----5--|--4-----4--3-----3--|--1---------|
G:--------------------|--------------------|--0------2--|
D:--------------------|--------------------|--2---------|
A:--------------------|--------------------|--3------3--|
E:--0----0----0----3--|--2--------1--------|------------|
C7
e:--1------0--------------------|----------------|---0--0--0--0--|
B:--x---3-----1-----------------|--/5----4----3--|---1--1--1--1--|
G:--x------------1h-2p-1--------|----------------|---3--3--3--3--|
D:------------------------3-----|--/5----4----3--|---2--2--2--2--|
A:------------------------------|----------------|---3-----------|
E:------------------------------|----------------|---------------|
file:///C|/olga_main/f-g/g/gallagher_rory/signals.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: gjo@iris10.biosym.com
Subject: TAB: Signals by Rory Gallagher
Date: Mon, 06 Nov 95 11:50:45 -0800
Signals - Rory Gallagher, from the Jinx album. It wasn't a big
seller since new wave was hitting at the time, but it is chock
full of some the best blues rock guitar playing ever recorded.
Transcribed by Glenn Olander.
Main riff used for intro and bridge:
e-|-----------------------------|-----------------------------|--------------B-|-----------------------------|-----------------------------|--------------G-|-----------------------------|-----------------------------|--------------D-|--------4--5--5--4-h5-p4-----|-----------------------------|--------------A-|--5--7--------------------7--|--------4--5--5--4-h5-p4-----|--------------E-|-----------------------------|--5--7--------------------7--|--------------e-|--------------------------------------------|-----------------------------B-|--------------------------------------0--0--|-----------------------------G-|--------------------------------------2--2--|-----------------------------D-|-----------5-----------5-----------5--2--2--|-----------------------------A-|--------------------------------------------|-----------------------------E-|--3--3--3-----3--3--3-----3--3--3-----------|-----------------------------Verse chords (with flanger): D A C G
Chorus chords (second guitar comes in): A B G D A
Interlude chords: F#m F#m Em Em Em Bm, F#m F#m Em Em Em Bm A
Solo on third guitar (bridge pickup):
e-|--------------|-----------------|-----------|-----------------------------B-|--------------|----------b5-----|-----------|-----------------------------G-|--------------|-----5--7-----7--|-(7-(7--7--|-----------------------------D-|--------5--7--|--7--------------|-----------|-----------------------------A-|--5--7--------|-----------------|-----------|-----------------------------E-|--------------|-----------------|-----------|-----------------------------e-|-----------------------8-----|--------------------------------------------B-|-----------5--7-10b10----10--|b10b10-10--8--------------------------------G-|-----5--7-----------------9--|--------------9-11-12-10h11p10--9-12--------D-|-----------------------------|--------------------------------------------A-|-----------------------------|--------------------------------------------E-|-----------------------------|--------------------------------------------e-|--------------------------------------|--------9-----9--------------------B-|--------------------------------------|---b10---b10---b10-\0--------------G-|-10h11p10-------10h11p10--9-----------|--9--------------------------------D-|----------12-12-------------12-12-12--|-----------------------------------A-|--------------------------------------|-----------------------------------E-|--------------------------------------|------------------------------------
file:///C|/olga_main/f-g/g/gallagher_rory/signals.tab
e-|-----9--------------------------|-----------------------------------------B-|-b9----b9--9-10--9--7--7--------|-------------------------------------b5--G-|--------------------------9--7--|-----------------------------------------D-|--------------------------------|--------------------------------5--7-----A-|--------------------------------|--------------0--3--5--5--5--7-----------E-|--------------------------------|--2--3--2--3-----------------------------e-|--------------------|-----------5--8--9-10--|-b8--5-b5--5--5-h8-p5--------B-|--------------------|-----5--8--------------|-----------------------------G-|--7-h9-p7-----5--7--|--7--------------------|-----------------------------D-|-----------7--------|-----------------------|-----------------------------A-|--------------------|-----------------------|-----------------------------E-|--------------------|-----------------------|-----------------------------e-|-----5-h8-p5--------------------------------------------------------------B-|--8--------------5--8b10--7-h9-p7-h9-p7-h9-p7/12-\0-----------------------G-|--------------7-----------------------------------------------------------D-|--------------------------------------------------------------------------A-|--------------------------------------------------------------------------E-|---------------------------------------------------------------------------
file:///C|/olga_main/f-g/g/galvan_manolo/adios.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Adios
By
Manolo Galvan
From: Yira@dorsai.dorsai.edu
Date: 7/8/95
New York City
D
A
D
A veces amamos sin saberlo
G
D
A
Y otras veces creemos amar
D
G
Adios le dije al viento
E
A
Adios le dije al mar
D
G
D A
D
Ayer fuimos un beso Y manana quien sabra.
D
A
D
A veces amamos sin saberlo
G
D
A
Y otras veces creemos amar
D
A
Bm
Cuanta pena me produce el sufrimiento
G
E
A
De comprobar que a la gente le da igual.
A veces vivimos sin saverlo
Y otras veces creemos vivir
Cuanta pena me produce el sentimiento
De comprobar que la gente no es feliz
Coro:
D
G
Adios le dije al viento
E
A
Adios le dije al mar
D
G
D A
D
Ayer fuimos un beso Y manana quien sabra.
D
G
E
A
Adios a mis montanas , adios a mi lugar.
D
G
D A
D
Ayer fuimos un beso Y manana quien sabra.
file:///C|/olga_main/f-g/g/galvan_manolo/adios.crd
file:///C|/olga_main/f-g/g/galvan_manolo/deja_de_llorar.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Deja de Llorar
by
Manolo Galvan
From: Yira@dorsai.dorsai.edu
Date: 7/8/95
New York City
Gm
D7
Deja de llorar , deja de llorar por mi que no lo meresco.
Gm
D7
Se que hice mal , si no comprendi tu amor ahora me arrepiento.
Bb
F
Vasta de llorar, dejame secar tus lagrimas con mi panuelo.
Coro:
Gm
Bb
No podia sospechar que era verdadero amor
F
Bb
Cuando me dijiste adios con aquel te quiero.
Gm
Bb
Como hiba yo a saber que podia suceder
F
Bb
A Gm
Que de mi te enamoraras por primera vez.
Gm
D7
Deja de llorar, deja de llorar por mi que no lo meresco.
Gm
D7
Es verdad que fui con otra mujer ayer a ver el concierto.
Gm
D7
Deja de llorar , deja de llorar por mi que no lo meresco.
Gm
D7
Se que hice mal , si no comprendi tu amor ahora me arrepiento. {coro}
file:///C|/olga_main/f-g/g/galvan_manolo/por_que.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
q
A Quien?
By
Manolo Galvan
From: Yira@dorsai.dorsai.edu
Date: 7/8/95
New York City
A
D
Por que?
E
D
Por Que?
Em
A
Robaste el color del amor.
D
Bm
Robaste el sabor a besos.
G
Em
A
A quien , a quien le ofresite tu corazon sediento?
A
D
A quien?
E
D
A quien?
Em
A
D
Bm
Podras amar despues y dar tu corazon.
G
EM
A
A quien , a quien le entregaste tu vida?
G
D
A
Quisiera ser el eco de tu voz
G
D
A
La sombra que quedo de tu pasado.
D
A
El hielo que derita tu calor,
G
D
La luz que se combierta en armonia.
Em
A
Em
A
Quiero serlo todo y se que no soy nada.
D
A
El hielo que derita tu calor,
G
D
La luz que se combierta en armonia.
Em
A
Em
A
Quiero serlo todo y se que no soy nada.
A
D
Por que?
E
D
Por Que?
Em
A
Robaste el color del amor.
D
Bm
Robaste el sabor a besos.
G
Em
A
A quien , a quien le ofresite tu corazon sediento?
file:///C|/olga_main/f-g/g/galvan_manolo/por_que.crd
G
D
A
Quisiera ser murmullo de tu aliento
G
D
A
Quisiera ser el aire en tus carisias.
D
A
El fuego que se enciende en tu calor
G
D
El agua que lo apaga en un momemto.
Em
A
Em
A
Y de tanto querer ya no quiero nada.
D
A
El fuego que se enciende en tu calor
G
D
El agua que lo apaga en un momemto.
Em
A
Em
A
Y de tanto querer ya no quiero nada.
Parte instrumental:
|:D
|Bm
|G
|A
:||
file:///C|/olga_main/f-g/g/galvan_manolo/solo_pienso_en_ti.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Solo Pienso En Ti
By
Manolo Galvan
From: Yira@dorsai.dorsai.edu
Date: 7/8/95
New York City
D
G
D
Intento pintarte
y no lo consigo.
Bm
G
Em7
A
Despues de estudiarte lentamente termino pensando,
D
G
D
Que faltan sobre mi maleta
Bm
G
Em7
A
Colores intensos que reflejan tu rara belleza.
G
A
D
No puedo captar tu sonrisa
Bm
G
A
D
G
Plasmar tu mirada pero poco a poco.
Coro:
D
A
Bm
Solo Pienso en ti ,
solo pienso en ti.
D
A
D
Solo Pienso en ti ,
solo pienso en ti.
G
G
D
G
A
Tu sigues viniendo
y sigues posando
Bm
G
Em7
A
Con mucha pasiencia por que mi liento esta en blanco.
D
G
A
Las horas se pasan volando
Bm
G
A
Y hay poco trabajo adelantado para tu retrato.
G
A
D
Bm
Sospecho que no tienes prisa
G
A
D
G
Y que te complace ver que poco a poco.
{coro}
G
A
D
Bm
Sospecho que no tienes prisa
G
A
D
G
Y que te complace ver que poco a poco.
{coro}
file:///C|/olga_main/f-g/g/galvan_manolo/tanto_amor.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Tanto Amor
Por
Manolo Galvan
From: Yira@dorsai.dorsai.edu
Date: 7/8/95
New York City
intro: |:D|G|A|G|D:|
Bm
F#
Aquel bello despertar al encontrarte a mi lado
G
Em
Bm
Y nuestras almas fundidas en un descuidado abrazo.
Bm
F#
Te senti mia y lejana tuve miedo de perderte
G
F#
Bm
A7
Desde aquel momento supe no dejare de quererte.
F#7
Coro:
D
A
D
Amame como yo te estoy amando
D
Em
Quiereme siempre te estare esperando
Bm
F#
Undete en mis brazos tan ardientes
Em
A
D
A
Alegrate com mis mananas alegres.
(2x)
Bm
F#
Desde que te conosi , me duele tu sufrimiento
G
F#
Bm
Tanto amor que yo te di , tanto amor que no tengo.
Bm
F#
Escucha quiero decirte , algo que siento muy dentro
G
F#
Bm
A
Tendras que amarme con fuerza por todo lo que te quiero.
{coro}
file:///C|/olga_main/f-g/g/game_theory/ericas_word.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Sat, 3 Jun 1995 10:31:56 -0500
From: aotwell@mail.utexas.edu (Andrew H. Otwell)
here's Erica's Word by Game theory.
Erica's Word
(See CHORUS for INTRO chords)
G#
D#
Erica's gone shy
A#m
C#
D#
A#m
Some unknown X behind the Y
G#
D#
All is some less today
A#m
C#
D#
A#m
Mass not conserving in the old way
E#m
D# B#m A#
Checking out with Brother Jay
E#m
D#
B#m A#
I'll miss your half
of
me
D#
G#
Girl are you leaving something you might later ne ed?
(CHORUS)
G#
D#
G#
C#
Cm
Cm
D#
Erica's word, taking me clear and leaving me blurred
G#
D#
G#
C#
Cm
Erica's news, singing the praise and playing the blues
Cm
D#
F#
B#
C#
Pulling the rug out under my shoes
G#
D#
Twelve years ago
A#m
C#
D#
A#m
Shorthand allegiance to the long throw
G#
D#
Make believe and pretend
A#m
C#
D#
A#m
I remember when they served the same end
E#m
D#
B#m
A#
You always liked the
photo of us
E#m
D# B#m
A#
Sitting in
our
car
D#
Just like we're driving
G#
D#
A#m
Girl it's not looking like we'll go all that far
(Chorus)
Erica's word, taking me clear and leaving me blurred
Erica's find, blowing my hair and tearing my mind
Throwing for grabs and leaving behind
(SOLO over CHORUS chords)
E#m
D#
Maybe you'll find that
E#m D#
B#m
The tingle to
the
D# A#m C#
D#
D#
C#
B#m
A#
promised love
A#
touch
file:///C|/olga_main/f-g/g/game_theory/ericas_word.crd
D#
A#m(sus4)
Girl and I hope it comes through for you in a clutch
C#
But I wouldn't bet much
(CHORUS
Erica's
Erica's
Pulling
G#
2X)
word, taking me clear and leaving me blurred
news, singing the praise and playing the blues
the rug out under my shoes
D#
A#m
file:///C|/olga_main/f-g/g/game_theory/girl_with_a_guitar.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Mon, 3 Jul 1995 20:22:15 -0500
From: aotwell@mail.utexas.edu (Andrew H. Otwell)
Game Theory's "Girl With a Guitar" bonus song on "The Big Shot Chronicles" CD
[please view in courier font- as I always have trouble with spacing]
Girl With a Guitar (S. Miller)
D
G
Her eyes are dangerous to stand around
C
G
Twelve miles down
C
G
Transparent brown
D
Ground zero
D
G
And when you ask for her she's not around
C
G
Will she come down
C
G
>From tinsel town
Em
I don't know
D
C G
Don't know
A
D
Girl with a guitar says "Oh yeah"
C G
"Oh yeah"
Bm
F#m G
A
"Oh-h-h-h
Oh yeah"
D
G
Sharp line contrivance seems like long ago
C
G
Leaves hanging low
C
G
Only the sun
D
Down your lane
D
G
Sometimes your breath's too short to understand
C
G
Fold down your hands
C
G
Come into land
Em
All says
D
C G
Low rays
A
D
Girl with a guitar says "Oh yeah"
C
G
"Oh yeah"
Bm
F#m
G A
"Oh-h-h-h Oh
yeah"
file:///C|/olga_main/f-g/g/game_theory/girl_with_a_guitar.crd
file:///C|/olga_main/f-g/g/game_theory/look_away.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Mon, 19 Jun 1995 11:48:52 -0400 (EDT)
From: pudman <AAMILENSKI@OCVAXC.CC.OBERLIN.EDU>
Enclosed is the tab for "Look Away" by Game Theory.
Please let me know if this works this way! I don't know how
to use FTP correctly! I have three more Game Theory songs
I'd like to submit when I figure out how!
Aaron Milenski
Look Away
by Game Theory, from "Lolita Nation"
Opening chords: D A E
E
B
G
D
A
E
A
F#m
D
A
F#m
D
A
F#m D
|---------------------|-----------------------|------------------|
|---------------------|------------2-2------2-|--2b3r2-----------|
|---------------------|--------2-4-----4-2----|---------4-2------|
|-0-----------------2-|-4-2-4-----------------|------------------|
|---4-2-4-2-0-0-2-4---|-----------------------|------------------|
|---------------------|-----------------------|------------------|
E
B
G
D
A
E
A
F#m
D
|------------------|------------------|------------------|
|------------------|------------------|------------------|
|-2222222222222222-|-2222222222222222-|-2222222222222222-|
|-2222222222222222-|------------------|------------------|
|-0000000000000000-|------------------|------------------|
|------------------|------------------|------------------|
E
B
G
D
A
F#m
D
A
|-------------------------|-------------------------|------------------|
|-------3-3-2-------3-3-2-|-------3-3-2-------3-3-2-|-5555555555555555-|
|-2-2-2-------2-2-2-------|-2-2-2-------2-2-2-------|------------------|
|-------------------------|-------------------------|------------------|
file:///C|/olga_main/f-g/g/game_theory/look_away.tab (1 of 2) [4/28/2003 9:52:31 PM]
file:///C|/olga_main/f-g/g/game_theory/look_away.tab
A |-------------------------|-------------------------|------------------|
E |-------------------------|-------------------------|------------------|
E
B
G
D
A
E
F#m
D
A
|-8-8-8-------------|-8-8-8-------------|-8---8---8---8---8---8-|
|-------10-10-------|-------10-10-------|--10--10--10--10--10---|
|-------------9-9-9-|-------------9-9-9-|----9---9---9---9---9--|
|-------------------|-------------------|-----------------------|
|-------------------|-------------------|-----------------------|
|-------------------|-------------------|-----------------------|
E
B
G
D
A
E
F#m
D
A
|-15-15-15-12-15-15-15-15-15-12-|-15-15-15-15-12-15-|-12-15-15-15 (4X)|
|-------------------------------|-------------------|-----------------|
|-------------------------------|-------------------|-----------------|
|-------------------------------|-------------------|-----------------|
|-------------------------------|-------------------|-----------------|
|-------------------------------|-------------------|-----------------|
E
B
G
D
A
E
A
F#m
D
|-12-15-15-|-10-10-10-10-10-10-|-10-10-10-10-10-10-10-|
|----------|-------------------|--9--9--9--9--9--9----|
|----------|-------------------|----------------------|
|----------|-------------------|----------------------|
|----------|-------------------|----------------------|
|----------|-------------------|----------------------|
E
B
G
D
A
E
A
F#m
|-----------10-10-10-----------10-10-10-|-10--10--10--10---|
|-9-9-12-12----------9-9-12-12----------|----9---9---9---9-|
|---------------------------------------|------------------|
|---------------------------------------|------------------|
|---------------------------------------|------------------|
|---------------------------------------|------------------|
E
B
G
D
A
E
D
A F#m D
A
|-10--10--10--10---|-0---------|-------3-3-2--------3-3-2---|
|----9---9---9---9-|-2---------|-2-2-2--------2-2-2---------|
|------------------|-2---------|----------------------------|
|------------------|-2---------|----------------------------|
|------------------|-0---------|----------------------------|
|------------------|-----------|----------------------------|
E
B
G
D
A
E
Chords go A A F# D
D
(play harmonics on these notes)
|-----------------------------------------------|
|-----------------------------------------------|
|-------7-7-6---7-7---7-7---7-7---7-7---7-7-7---|
|-7-7-7-------7-----7-----7-----7-----7---------|
|-----------------------------------------------|
|-----------------------------------------------|
D A E
D A E
D A E
D A E
file:///C|/olga_main/f-g/g/game_theory/the_last_day_that_were_young.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Tue, 20 Jun 1995 08:57:56 -0400 (EDT)
From: pudman <AAMILENSKI@OCVAXC.CC.OBERLIN.EDU>
Subject: tab: Game Theory, "Last Day That We're Young"
Here's another tab for the Game Theory archive.
later today.
A7 C F F/E
E
B
G
D
A
E
D
A7
C
F
F/E
|-10-9-10-9-10-9-10/-|-------------------------|------------------|
|--------------------|-------------------------|------------------|
|--------------------|-------------------5-4---|-----5-----5-5----|
|--------------------|-2-2-5-2-------5-------5-|-3-3---3\2--------|
|--------------------|-0-0-----5-3-3---3-------|------------------|
|--------------------|-------------------------|------------------|
E
B
G
D
A
E
D
|------------------|
|------------------|
|-2-2-5-5-2-x-2----|
|-0-0-0-0-0-x-0----|
|------------------|
|------------------|
One guitar plays this for a few times, then the second guitar plays:
A7
C
F
F/E
D
E |-------------------------|------------------|------------------|
B |-------------------1-----|-------2-------2--|------------------|
G |-2-2-2-0---------0---0---|-----0-------0----|-2-2-5-5-2-x-2----|
D |-0h2-2---2-----2-------2-|-2h3-----3r2------|-0-0-0-0-0-x-0----|
A |-----------0-3-----------|------------------|------------------|
E |-------------------------|------------------|------------------|
Dsus2
D
C
G
F
E
Adds up a shame to leave it all so unresolved
D
C
G
F
E
Shakes all the sheathing loose from the wire
D
C
G
F
C
D
D7
Time's going to be a luxury now in the responsibility empire
D
C
G
F
E
Give me some false hope I can take seriously
D
C
G
F
E
Set me some roadblocks I can't break through
D
C
G
F
And watch what I'll risk to get what I want
C
D
I think too much, I always do
CHORUS: (play tab from above)
A7
C
F
F/E
D
No changing your side, no thinking it's time to start things over
A7
C
F
F/E
D
No favors denied, no not on the last day that we're young
file:///C|/olga_main/f-g/g/game_theory/the_last_day_that_were_young.tab
file:///C|/olga_main/f-g/g/game_theory/throwing_the_election.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Tue, 20 Jun 1995 13:07:11 -0400 (EDT)
From: pudman <AAMILENSKI@OCVAXC.CC.OBERLIN.EDU>
Subject: TAB: GAME THEORY: THROWING THE ELECTION
THROWING THE ELECTION
by Game Theory,
Guitar#2:
|-----------------------|
|-----------------------|
|-----------11-14/16-11-|
|-9-9/11-11-------------|
|-----------------------|
|-----------------------|
E
B
G
D
A
E
E
B
F#m
There's a light on the nineteenth floor tonight
E
B
F#m
They don't know there won't even be a fight
E
B
F#m
B
But they'll find out I've tired of all the things I've called my own
E
B
F#m
When they go to the final mat alone
B
F#m
Don't even waste the man hours on us
A
B
A
We are finding no solution
F#m
B
F#m
A
Call all the boys in from the fighting fronts
B
A
We have lost the revolution
F#m
G
F#m
B
None of the soaring flight we dreamed is any closer to perfection
E
F#m
A
B
A B
And all I want is one to fold my arms around, we are throwing the election
There's a light on in Joanie's room tonight
And she won't sleep 'till summer's going right
She thought she saw something that would lead her to believe
I'm the kind who'll accept the strokes and leave
Make me an offer, I don't waste them now
We have no more fixed intentions
Give all the faithful long-deserved rests
We've abandoned our dissentions
You could be one of someone's hundreds who'll be chosen for affection
And all I want is one to fold my arms around, we are throwing the election
E B F#m
A
B
E
I've got a feeling it's all rigged
F#m
B
E
F#m
B
I've got a feeling it ended a long time ago, nobody tells me
F#m
A B
I've got a feeling it's over now
F#m
A B
file:///C|/olga_main/f-g/g/game_theory/throwing_the_election.tab
E
B
G
D
A
E
E
B
F#m
E
B
|-------------------|----------------------|
|-------------------|----------------------|
|-9-----------8-9-8-|-----------9-11-13-11-|
|---9----9-11-------|-11-9----9------------|
|-----11------------|------11--------------|
|-------------------|----------------------|
file:///C|/olga_main/f-g/g/game_theory/together_now.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Tue, 20 Jun 1995 00:37:35 -0500
From: aotwell@mail.utexas.edu (Andrew H. Otwell)
Subject: Game Theory: Together Now, Very Minor.crd
Together Now, Very Minor
By Game Theory c. 1987 Lolita Nation album
Chorded out by Andrew Otwell for Loud-Fans list
This songis a bit of a pain to show visually because of Scott's sort of
idiosyncratic vocal timing, so get the chords down (very easy) and fool
with the rhythym a bit.
Keep in mind that the guitar rhythym is pretty much the same through the
whole thing, which gives it that feel. :-)
Chords are bracketed.
(Main/Intro chord progression is F#-B-E-C#)
[F#]Become the [B]agile [F#]ones with [B]legal means
[C#]The men who bring the message to [B]Abilene
[A#m]Look-at-me [F#]togs [D]boxed up at [E]mom's on the [B]floor [E][B][E]
[F#]The news came [B]hard and has [F#]never been [B]taken right
[C#]Toplevel-cleared and riding the [B]satellite
[A#m]Girl, stretch your [F#]legs and [D]find what [E]besides me is [B]new
[E][B][E]
And [B]write the obit when you do
He [C#]never ran [B]out when the [A#m]spirits were [C#]low
A [C#]nice guy [B]as minor [A#m]celebrities go[C#]
All [C#]right all [B]together [E]now very [C#]minor I [F#]know [B][E][C#] [2x]
[F#]The levee [B]view reads like [F#]life as it [B]used to be
[C#]But coming now the only thought [B]striking me
Is [A#m]take it in [F#]well
As [D]eyelids of [E]evening come [B]down [E][B][E]
Your [B]beautiful longing world unwound
He [C#]never ran [B]down when the [A#m]spirits were [C#]low
A [C#]nice guy [B]as minor [A#m]celebrities go [C#]
All [C#]right all [B]together [E]now very [C#]minor I [F#]know
And [C#]please don't pay attention to
A [G#]thing I do or say
[A]It's a ploy to [F#]drag you out
And [E]take it [A]all a[E]way
[C#]
All [F#]away [B][E][D] [repeat until fade. . .]
[B][E][C#]
Extra Bonus!!
chorus to "Beach State Rocking" by Alternate Learning, Scott Miller's very
old band. Song appears on the Game Theory best of collection "Tinker to
Evers to Chance" (out of print)
[A]Beach state [D]rocking, [E]everybody's [Bm]talking
But its [D]all been [F#m]told, its [D]never [F#m]old
[A]Beach state [D]rocking, [E]Christmas without [Bm]stockings
Its the [D]formal [F#]coat you've [D]never [F#m]owned
It [E]takes the [A]children [B]from thier [E]homes!
---------------------------------------------------------------------------file:///C|/olga_main/f-g/g/game_theory/together_now.crd (1 of 2) [4/28/2003 9:52:32 PM]
file:///C|/olga_main/f-g/g/game_theory/together_now.crd
----------------------------------------This message may contain content that may be offensive to some readers.
Some content is not supposed to be viewed by those under 18 according to
U.S. laws. You will unfortunately see this type of annoying notice
throughout the net. Right now, that's only because we're trying to prove a
point. If the amended version of US Senator Exon's "Decency Act", S.314,
now tacked onto the telecomm reform bill, passes we'll all be required to
put these notices everywhere. Please contact your Congressmen to protest
the bill. Please, put warnings like this in your own electronic
communications, to spread the word about what the future of the net could
be like if we don't act.
file:///C|/olga_main/f-g/g/game_theory/you_drive.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Tue, 20 Jun 1995 11:44:02 -0400 (EDT)
From: pudman <AAMILENSKI@OCVAXC.CC.OBERLIN.EDU>
YOU DRIVE
By Game Theory, from the Two Steps From The Middle Ages album
E
B
G
D
A
E
|-----------------------------------------|
|-12----12----12----12----12----12----12--|
|----14----12----14----12----14----12-----|
|-----------------------------------------|
|-----------------------------------------|
|-----------------------------------------|
E
B
G
D
A
E
B
E
A
|------------------|------------------|
|----------4b5-----|----------4b5-----|
|-6-4--4-6-----6-4-|-6-4--4-6-----6-4-|
|------------------|------------------|
|------------------|------------------|
|------------------|------------------|
E
B
G
D
A
E
B
E
A
|------------------|------------------|
|----------4b5-----|----------4b5-----|
|-6-4--4-6-----6-4-|-6-4--4-6-----6-4-|
|------------------|------------------|
|------------------|------------------|
|------------------|------------------|
E
B
G
D
A
E
G7
A
|------------------|------------------|
|----------4b5-----|----------4b5-----|
|-6-4--4-6-----6-4-|-6-4--4-6-----6-4-|
|------------------|------------------|
|------------------|------------------|
|------------------|------------------|
E
B
G
D
A
E
G7
A
|------------------|------------------|
|----------4b5-----|----------4b5-----|
|-6-4--4-6-----6-4-|-6-4--4-6-----6-4-|
|------------------|------------------|
|------------------|------------------|
|------------------|------------------|
Repeat
B
E
A
A/F#
All over El Cerrito hair gets combed in tangles down
B
E
A
A/F#
And every radio's aligned onto the finest sound
G
D
Look out for love lost when the lights are changing
A
G
All last year's cassettes together melted on the ground
file:///C|/olga_main/f-g/g/game_theory/you_drive.tab
E
B
G
D
A
E
|------------------|
|------------------|
|------------------|
|-4-4--------------|
|-----4h6-7--------|
|-----------5h7--0-|
All over London, England young lines take the old lines on
The weight of never making any difference almost gone
And it's a headache being right when everybody wants to
Jump on you the first time that you're wrong
Across the nation every sports bar turns the pregame on
And every regular is sneering like we don't belong
No it's not true I played a lot of baseball in my younger days
One day the diamonds were all gone
E
B
G
D
A
E
C#m
|-4-----------------|
|---2-4---4h5-4h5-4-|
|-------------------|
|-------------------|
|-------------------|
|-------------------|
C#m
A
The notices I never thought would be sent out have arrived
(this next part is played under "out have arrived")
E
B
G
D
A
E
|------------------|
|-4-5-4-5----------|
|---------6-4-2----|
|------------------|
|------------------|
|------------------|
C#m
A
The notices I never thought would be sent out have arrived
G
D
A
G
Why can't we throw them in the faces that say we may not survive
Why can't we cruise the night alive?
You drive.
file:///C|/olga_main/f-g/g/gang_james/funk49.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: richardm@green.cse.ogi.edu (Richard Marshall)
Funk #49
by James Gang
Intro:
e
b
g
d
a
E
---------5----------X---X---X------------------------------------6^(8)--(8)^6--5---8---7---5---------------------------------------------------------------7--7-P-5-P-0---------------------------------------------------------------5----------------------------------------------------------------------------------------------------------------------------------------------
e
b
g
d
a
E
---------------------------------------------------------------5--------7--5------7-H-8--7-------7--5------------------------5-H-6----7--5-H-6--7------7-------7--5-H-6--------------------5--------7--5------7------7-------7--5----------------------------------------------------------------------------------------------------------------------------------------------------
Main riff:
e
b
g
d
a
E
--------------------------------------------------------------------------5-----X-X-X-X--7--5-----X-X-X-X--7-H-8--7---X-X-X-X--7--5-------X-X-X-X-X
-5-H-6-X-X-X-X--7--5-H-6-X-X-X-X--7------7---X-X-X-X--7--5-H-6---X-X-X-X-X
-5-----X-X-X-X--7--5-----X-X-X-X--7------7---X-X-X-X--7--5-------X-X-X-X-X
-------X-X-X-X-----------X-X-X-X-------------X-X-X-X-------------X-X-X-X-X
--------------------------------------------------------------------------
First break:
e
b
g
d
a
E
----------------------X--X---5------------------------X--X--X--X--X-|
----------------------X--X---5------------------------X--X--X--X--X-|
----------------------X--X---6------------------------X--X--X--X--X-| Play
-7--5-----------------X--X---7---7--5-----------------X--X--X--X--X-| twice
-------7--5-----------X--X---7---------7--5-----------X--X--X--X--X-|
-------------8--3--5--X--X---5---------------8--3--5--X--X--X--X--X-|
e
b
g
d
a
E
----------------------X--X---7------------------------X--X--X--X--X-|
----------------------X--X---7------------------------X--X--X--X--X-|
----------------------X--X---8------------------------X--X--X--X--X-|
-9--7-----------------X--X---9---9--7-----------------X--X--X--X--X-|
-------9--7-----------X--X---9---------9--7-----------X--X--X--X--X-|
-------------10-5--7--X--X---7---------------10-5--7--X--X--X--X--X-|
e
b
g
d
a
E
----------------------X--X---7--------------------------------|
----------------------X--X---7-------------------------7------| Back to
----------------------X--X---8-------------------------7------| Main riff
-9--7-----------------X--X---9---9--7------------------7------|
-------9--7-----------X--X---9---------9--7-------------------|
-------------10-5--7--X--X---7---------------10-5--7----------|
H = hammer on
P = Pull off
X = Muted string
file:///C|/olga_main/f-g/g/gang_james/funk49.tab
There is another break in the recording (where Joe gets REALLY funky) and
I dont't have the words handy but this should be enough to get most people
started.
Have fun
richardm
file:///C|/olga_main/f-g/g/gangi_mike/fast_food_is_good_food.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
Date: Mon, 9 Dec 1996 06:48:36 -0500
From: JukerMan@aol.com
Subject: Mike Gangi - "Fast Food Is Good Food"
The following song is from the funniest local artist in North Carolina. His
name is Mike Gangi. He is a hilarious replica of Adam Sandler. For
information on buying his tape, E-Mail me at Jukerman@aol.com.
The following song is called Fast Food is Good Food
The verse is spoken in a sarcastic tone. The last line of each verse is
spoken stronger than the previous lines. The chorus is sang with great heart.
You have to get into what your singing and really make people feel like Fast
Food IS Good Food! This is a great song to do at parties, so learn it well,
and enjoy the laughs you will receive! Peace!
Intro: D chord
(4x)
D
A
E
A
Ronald McDonald makes good french fries
(Upbeat strum pattern.)
D
A
E
A
Pizza Hut and Domino's make damn good pizza pies.
D
A
E
A
Burger King and Dairy Queen; What a great pair!
D
A
E
A
Only eat at Arby's if you get a double dare.
(Single, solid strums.)
E
D
A
Fast food is good to eat
E
D
A
I could eat it every day!
E
D
A
Greasy foods are such a treat,
E
D
I don't care what the health experts say.
CHORUS:
harshly.)
Biscuits from Bojangle's are the best.
Miami Subs combos should cost less.
Taco Bell is so good when I'm stoned.
My girl goes to Subway after she gets boned!
CHORUS
The best thing at Wendy's is the Super Bar.
Thank God the nearest Hardees isn't very far.
Chick-Fil-A has some damn good chicken
Don't forget that KFC is finger fucking lickin'!
CHORUS
Outro : A - D - A - E - A
A
(Spoken
file:///C|/olga_main/f-g/g/gangi_mike/i_love_my_dip.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
Date: Mon, 9 Dec 1996 06:48:48 -0500
From: JukerMan@aol.com
Subject: Mike Gangi - I Love My Dip
This song is about dip, or spitting tobacco. Mike dips on stage and makes
everybody roll! This is a lively tune, one every dipper should know!
I Love My Dip
C D
G
I
love my dip!
C D
G
It feels good in my lip.
C
D
G
When I dip I have to spit.
C
D
Chicks say that dip looks like shit.
CD
G
I love my dip
C
D
More than my mom,
C
D
More than my dad,
C
D
G
Dipping could never be bad!
C
D
G
Being without dip is such a pity.
C
D
G
I dip as I drive around the city.
C
D
The best time to dip is before bed.
C
D
FUCK SMOKING! I'd rather dip instead!
CD
G
I love my dip
C
D
More than my dog,
C
D
More than my ferret,
C
D
G
I like dip so much that I share it!
G
G
C
D
G
Dipping is the best thing in this world.
C
D
The first time I dipped, of course, I hurled.
C
D
G
Spilling a dip cup sucks fat cock.
C
D
G
If dip was a corporation I'd buy stock.
CD
G
I love my dip
C
file:///C|/olga_main/f-g/g/gangi_mike/i_love_my_dip.crd
C
D
G
Chuck dips, Stan dips, Earl dips, and Bob dips.
C
D
G
Buck dips, Dan dips, Merle dips, and Rob dips
C
D
G
Because they love their dip.
C
D
G
And I, too, love my dip!
Em
CD
I love my
C
More than
C
More than
C
More than
C
More than
C
More than
C
More than
Em
G
dip.
D
my girlfriend Anna,
D
a glass of Tropicana,
D
Bugs Bunny
D
file:///C|/olga_main/f-g/g/gangi_mike/randomality.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
Date: Mon, 9 Dec 1996 06:48:58 -0500
From: JukerMan@aol.com
Subject: Mike Gangi - Randomality
This song makes no sense, but Gangi wrote it, so here goes nothing...
Chord Sequence throughout the entire song : C-Am-F-G
RANDOMALITY
Toothpaste tastes better with chili dogs and girls
Siberian yaks dance with several jerri curls
Books about pencils and kites are the best
Eastern Wales donkeys pass every AIDS test
Randomality,
The opposite of normality.
Randomality.
Full of originality.
As a very old man would scream in the rain,
"Good ass plays a bad role when there's pain!"
Q-tips get dirty in a pool full of Cheetos
Balkie Bartokamous was from the island of Mepos.
CHORUS
Gonzo's nose kind of resembles
Raise your hand if you thought
Jabba the Hut just joined the
Just because I play darts with
a limp dick.
my last line was sick!
Bulgarian mob,
Yoda at my job!
CHORUS
They should have made Mork and Mindy Underoos.
Cigarette butts clash with red when worn by kangaroos.
Gilbert Godfrey plays with candles in the shower.
I wish people could spit off of the Eiffel Tower.
CHORUS
(REPEAT CHORUS as many times as possible, in a different voice every time!
Must make people laugh!!!)
file:///C|/olga_main/f-g/g/garageland/beelines_to_heaven.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Sun, 15 Sep 1996 14:48:50 +1200 (NZST)
From: Stupid Dumb <halfadog@ihug.co.nz>
Subject: CHORDS: "Beelines To Heaven" by Garageland
Intro:
G
Em
C
D (twice)
second time play D a few times and bend the high e string
Verse:
G
Em
C
D
G
Em
Here we go I just got given what I owe
C
D
G
Em
and blown it on a stereo
C
D
G
Em
C
D
can I have some more
G
Em
C
D
G
Em
Crashed the car drinking at the candybar
C
D
G
Em
makes you sick inside your heart
C
D
G
and no one ever knows
Chorus:
(hit Em repeatedly for this line)
When the honey don't come . . . .
(back to the general chord progession for this line)
We're making beelined to heaven . . . .
La la la la la . . . .
There is a lead riff to this song which I have figured out yet.
file:///C|/olga_main/f-g/g/garbage/only_happy_when.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Mon, 15 Jul 1996 08:50:16 -0800 (PST)
From: "Carl Brown (415) 855-5621" <Carl.BROWN@ROCHE.COM>
Song: ONLY HAPPY WHEN IT RAINS
Arstist/Group: Garbage
'Tabbed' and chorded By: Carl Brown (carl.brown@roche.com)
Riff:
e|---5------------------|
b|-----5----------------|
g|-------5--7(b)9-------|
D|----------------------|
A|----------------------|
E|----------------------|
7(b)9 = Bend 7 to 9 (D to E)
Verse 1:
Am
G
I'm only happy when it rains
F
D
I'm only happy when it's complicated
F
G
And though I know you can't appreciate it
Am
G
I'm only happy when it rains
F
D
You know I love it when the news is bad
F
G
Why it feels so good to feel so sad
C
I'm only happy when it rains
Chorus:
D
Bb
Bb
Am
Pour your misery
C
Pour your misery
Am
Pour your misery
C
Pour your misery
down
D
down on me
down
G
down on me
Verse 2:
I'm only happy when it rains
I feel good when things are going wrong
I only listen to the sad, sad songs
I'm only happy when it rains
Chorus (Instr):
Am
Bb
C (2x)
file:///C|/olga_main/f-g/g/garbage/only_happy_when.crd
Verse 3:
I only smile in the dark
My only comfort is the night gone black
I didn't accidentally tell you that
I'm only happy when it rains
You'll get the message by the time I'm through
When I complain about me and you
I'm only happy when it rains
Chorus:
D
Bb
D
Bb
D
Bb
D
Am
Pour your misery
C
Pour your misery
Am
Pour your misery
C
Pour your misery
Am
Pour your misery
C
Pour your misery
Am
Pour your misery
down
D
down on me
down
D
down on me
down
D
down on me
down
Bb
You can keep me company
C
G
As long as you don't care
Verse 4:
I'm
You
I'm
I'm
F
D
Pour some misery down on me
Am
I'm only happy when it rains
file:///C|/olga_main/f-g/g/garbage/only_happy_when_it_rains.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
Date: Mon, 09 Dec 1996 20:38:36 +0000 (GMT)
From: "HAKENBERG R.J." <hakenber@dutccis.ct.tudelft.nl>
Subject: tab: I'm Only Happy When It Rains by Garbage
Band:
Album:
Song:
Garbage
Garbage
Transcribed by:
F#
file:///C|/olga_main/f-g/g/garbage/only_happy_when_it_rains.crd
F#
file:///C|/olga_main/f-g/g/garbage/supervixen.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Date: Sat, 03 Feb 1996 19:01:08 -0800
From: Freek de Kruijf <F.deKruijf@RC.TUDelft.NL>
Subject: CRD: Supervixen by Garbage
Supervixen- by Garbage
transribed by Jaco de Kruijf
It's just the chords, and a trial to a tab of the intro, I'm not good at
this stuff, but it should give you an idea of what the song is about.
Intro (something similar, played under A-like-chord)
e--0---------b--2~-0---3-2g--2----2----d--2---------a--0---------E--0----------
^
Silence
A
C
D
Come down to my house, stick a
A
C
D
You can always pull out if you
Chorus:
B
A
G
A
Make a whole new religion
B
A
G
A fallen star that you cannot
B
A
G
And I'll feed your obsessions
B
A
There'll but nothing but this
A
It is
A
I can
G
A
C D G
stone in your mouth
G
A
C D G
like it to much
A
live without
A
G
A
thing that you'll never doubt
C
D
G
A
C D G
hard to resist and I'll never amiss (?)
C
D
G
A
C D G
take you out with just a flick of my wrist
Chorus:
B
A
G
A
Make a whole new religion
B
A
G
A fallen star that you cannot
B
A
G
And I'll feed your obsessions
B
A
There'll but nothing but this
A
This thing you'll never doubt
A
live without
A
G
thing that you'll never doubt
Intro 2X
Bridge
Chords are B A G A
file:///C|/olga_main/f-g/g/garbage/supervixen.crd
B
A
G
A
And I'll feed your obsessions
B
A
G
A
The fallen star that you cannot live without
B
A
G
A
I will be your religion
B
A
G
This thing you'll never doubt, you're not the only one
A
You're not the only one
Intro 4X
With lyrics:
Come on down to me (or) No doubting me (can't figure it out)
Have fun
Please sent comments and more tabs to Jaco de Kruijf
st932705@rulfsw.leidenuniv.nl
file:///C|/olga_main/f-g/g/garbage/vow.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
From: Daniel Meijer <p3034558@hardy.ocs.mq.edu.au>
Date: Thu, 3 Oct 1996 17:56:19 +1000 (EST)
Subject: TAB: "Vow" by Garbage
"Vow" by Garbage.
Transcribed by Daniel Meijer
p3034558@hardy.ocs.mq.edu.au
or
daniel_meijer@baud.matra.com.au
A great song, the only problem is that when I met the band I forgot to
ask how to get that guitar effect at the beginning! Ok people, are we
ready for some nice riffs using that weak old 4th finger? :-) There are a
lot of fills and lead guitar parts, have a good listen to the CD.
Fill 1:
e--5-7-5^^^^----5-7-5-7-5--Fill 2:
e-------12-------12-----b--s/13----13-13----13--Fill 3:
g-----------4--4h5p4------d---5---5----------------5-a----7---7------------7---Fill 4:
e-------------------------10-10-10-10-7-b--10-9-10-9^^-10-9-10-9----------------Fill 5: same as fill 3 but an octave up
e-----------7-7h8p7------b--10---8-------------8--g-----9---9---------9----Fill 6:
b--8-7-8^^--7-5-7^^--8-7-8^^---D7sus2 is xx0210 (eadgbe)
Verse 1:
Am
file:///C|/olga_main/f-g/g/garbage/vow.crd
file:///C|/olga_main/f-g/g/garbage/vow.crd
F
world apart
F
world apart
F
world apart....
F
world apart....
file:///C|/olga_main/f-g/g/garbage/vow.crd
F
C
I can't stop when it comes to you....
<repeat to fade>
file:///C|/olga_main/f-g/g/garcia_jerry/deep_elm_blues.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Bo.Parker@msfc.nasa.gov (Bo Parker)
Subject: CRD: Deep Elem Blues
Here's "Deep Elem Blues" as done by Jerry Garcia and his (then new, now ex)
wife, Sara, on a 1963 bootleg. They do it bluegrass style. Very nice!
"Deep Elem" is Elm Street, the old red-light district in (I think?) Dallas.
CRD: Deep Elem Blues (traditional, CRD by Bo Parker, Bo.Parker@msfc.nasa.gov)
G
Once I knew a preacher,
Preached the Bible through and through,
He went down to Deep Elem,
Now his preachin' days are through.
Chorus:
C7
Oh sweet mama
G
Your daddy's got them Deep Elem blues.
D7
Oh sweet mama
G
Your daddy's got them Deep Elem blues.
G
Once I had a girlfriend.
She meant the world to me.
She went down to Deep Elem,
Now she ain't what she used to be.
[chorus]
G
When you go down to Deep Elem,
Put your money in your socks.
'Cause them women in Deep Elem
Will sure put you on the rocks.
[chorus]
G
If you go down to Deep Elem
To have a little fun,
Have your ten dollars ready
When the policeman comes.
[chorus]
Enjoy
-Bo Parker
Bo.Parker@msfc.nasa.gov
bo_parker@fbpmac.msfc.nasa.gov
"I poked at it with a stick."
file:///C|/olga_main/f-g/g/garcia_jerry/deep_elm_blues.crd
file:///C|/olga_main/f-g/g/garcia_jerry/mission_in_the_rain.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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Date: Sun, 30 Jan 94 18:34 PST
From: pha@reed.edu (Paul Anderson)
To: jamesb@nevada.edu
Subject: Guitar Tab - Jerry.Garcia (Grateful.Dead), Mission in the Rain
Hi James,
I was looking through your Grateful Dead guitar database and was
taken aback to find one of my own postings from years back - moreso
to realize it was inaccurate. Now a few years' wiser, I'm resubmitting
what are almost certainly the correct chords for my favorite song.
The old file is in the "Grateful.Dead" directory under the name
"Mission.crd." The song is technically by the Jerry Garcia Band,
but I think it's just as well to keep it as it is, all in one
directory.
------begin file-----Mission in the Rain
by Jerry Garcia and Robert Hunter
Copyright 1973, Ice Nine Publishing
Single note riffs are mostly excluded, since I haven't found anything
especially consistent. One note for the enthusiast - any time an
F#m is played before a Bm, Jerry plays it on the 2nd fret and hammers
in a D note on the B string (3rd fret) on the first upswing between the
chord's two downbeats. Also, the third beat of the D chord over
'missio-o-o-on' in the chorus is staccatto.
Bm - C#7 - F#m
F#m
C#7
Em
G
I turn and walk away, then I come around again.
D
A
C#7
F#m
It looks as though tomorrow I'll do pretty much the same.
F#m
C#7
Em
G
I must turn down your offer, but I'd like to ask a break
D
A
C#7
F#m - F#
You know I'm ready to give everything for anything I take
Bm - C#7 - D....
(bass: b-c#-e-c#-b-lower e)
A... D, A... (walk down: a-g#-f#-)
E
D
A
D
F#m(c# bass)
Someone called my name, you know I turned around to see
Bm
Bm7
E
A
D
E
It was midnight in the Mission, and the bells were not for me.
D
..E.. Bm
C#m
D
A
Come again,
walking along in the Mission in the rain
G
D
F#m(c# bass) Bm
C#m
D
A
Come again,
walking along in the Mission in the rain.
(walk down: a-g#-f#-)
Ten years ago I walked this street, my dreams were riding tall.
Tonight I would be thankful Lord for any dream at all.
file:///C|/olga_main/f-g/g/garcia_jerry/mission_in_the_rain.crd
Some folks would be happy just to have one dream come true,
But anything you gather is just more that you can lose,
Come again... (chorus repeat)
All the things I planned to do I only did halfway,
Tomorrow will be Sunday born of rainy Saturday
There's some satisfaction in the San Francisco rain,
No matter what comes down the Mission always looks the same
Come again... (chorus repeat,
keep repeating: Bm, C#m, D, A, G, D, F#m...)
End: Bm, C#m, D, A.
-----end file---Hope this is all laid out right. And thanks for the archive!
Cheers,
Paul Anderson
pha@reed.edu
file:///C|/olga_main/f-g/g/garcia_jerry/senor.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: gt6234b@prism.gatech.edu (Joshua Bardwell)
Senor
Words and Music by
Bob Dylan
This is my version of Dylan's "Senor", as played by the Jerry Garcia Band
on the JGB double disc set. It's probably pretty true to Dylan's version,
though, although there may be about 1000 more verses that Dylan wrote and
Jerry didn't sing (Dylan is a rather loquacious songwriter). Each chord
is 1/2 measure (two beats) except for the [F-Em] figure which is 1/2 measure
total. I originally thought that each chord would be one full measure, but
when I listened to it again, I realised that the actual beat was half as
fast as I thought it was. Listen to the recording if you've got it and
see if you agree. Just for reference, I counted the recording at about
55-60 bpm.
Also, if anybody can fill me in on the spots where I've got ???'s instead
of lyrics, I'd most appreciate it.
Am
Am
Am
E
Am
E
Am
Am
Am
Em
Em
Sen or,
Sen or,
can you
F
C
tell me where we're heading; Lincoln
Em
Am
Am
County or Arma geddon?
G
F
F
Seems like I've been down this road be fore.
Dm
Dm
Am
Is there any truth in that, Sen or?
Am
Am
Em
Em
Sen or,
Sen or,
do you
F
C
know where she's hiding?
Em
Am
Am
How long we gonna be riding?
G
F
How long must I keep my eyes ??? to the door?
Dm
Dm
Am
Will there be any comfort there, Sen or?
[F-Em]
[F-Em]
C
C
E
Is that wicked wind still blowin' on that upper deck?
F
F
Am
Is that iron cross still hangin' down from a round your neck?
C
C
E
Is that marchin' band still playin' in that vacant lot,
F
F
Am
where she held me in her arms one time and said for get me not?
Am
Sen or,
F
Am
Em
Sen or,
C
Em
I can
file:///C|/olga_main/f-g/g/garcia_jerry/senor.crd
[F-Em]
Can you
Am
Am
C
C
E
Well the last thing I reme mber, 'fore I stripped in heat
F
F
Am
Was that trainload of fools bogged down in a ???
C
C
E
and a gypsy with a broken bag and a flashing ring
F
F
Am
said son this aint no dream, this time it's the real thing
Am
Am
Em
Em
Sen or,
Sen or,
you know their
F
C
hearts are hard as leather, gimme a
Em
Am
Am
minute, lemme get it to gether.
G
F
F
I just gotta pick my self up off the floor
Dm
Dm
Am
I'm ready when you are, Sen or
Am
Am
Em
Em
Sen or,
Sen or,
let's
F
C
disconnect these cables,
Em
Am
overturn these tables.
G
F
F
This place don't make sense to me no more.
Dm
Dm
Am
tell me what we're waiting for, Sen or
[F-Em]
[F-Em]
Can you
------------------------------------------------------------------------------Joshua Bardwell
| "May be going to hell in a bucket, baby
Internet: gt6234b@prism.gatech.edu | But at least I'm enjoying the ride!"
------------------------------------------------------------------------------
file:///C|/olga_main/f-g/g/garfunkel_art/99_miles_from_l_a.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Thu, 23 Nov 1995 16:58:38 +0000 (GMT)
From: Rich Kent <R.P.Kent@durham.ac.uk>
Subject: TAB: 99 miles from LA by Art Garfunkel
99 Miles From L.A.
-----------------This cool tune is easy to play, Travis pick just as Paul Simon does.
Tabbed and transcribed by Rich Kent r.p.kent@dur.ac.uk
Intro
----Cmaj7
, . , . , . , .
, . , . , . , .
, . , . , . , .
, . , . , . , .
|-0---------0-----|-0---------0-----|-----------0-----|-0---------0-----|
|-------0---------|-------0---------|-------0---------|-------0---------|
|-----0-------0---|-----0-------0---|-----0-------0---|-----0-------0---|
|-----------------|-----------------|-----------------|-----------------|
|-3-------3-------|-3-------3-------|-3-------3-------|-3-------3-------|
|-----------------|-----------------|-----------------|-----------------|
Verse 1
------, . , . , . , .
, . , . , . , .
, . , . , . , .
, . , . , . , .
|-0---------0-----|-0---------0-----|-0---------0-----|-0---------0-----|
|-------0---------|-------0---------|-------0---------|-------0---------|
|-----0-------0---|-----0-------0---|-----0-------0---|-----0-------0---|
|-----------------|-----------------|-----------------|-----------------|
|-3-------3-------|-3-------3-------|-3-------3-------|-3-------3-------|
|-----------------|-----------------|-----------------|-----------------|
Keeping
my
eyes on the
road
I
B
, . , . , . , .
, . , . , . , .
, . , . , . , .
, . , . , . , .
|-----------------|-----------------|-----------------|-----------------|
|-4---------4-----|-4---------4-----|-----------4-----|-4---------4-----|
|-------4---------|-------4---------|-------4---------|-------4---------|
|-----4-------4---|-----4-------4---|-----4-------4---|-----4-------4---|
|-2-------2-------|-2-------2-------|-2-------2-------|-2-------2-------|
|-----------------|-----------------|-----------------|-----------------|
see you.
Bbmaj7
, . , . , . , .
, . , . , . , .
, . , . , . , .
, . , . , . , .
|-----------------|-----------------|-----------------|-----------------|
|-3---------3-----|-3---------3-----|-----------3-----|-3---------3-----|
|-------2---------|-------2---------|-------2---------|-------2---------|
|-----3-------3---|-----3-------3---|-----3-------3---|-----3-------3---|
|-1-------1-------|-1-------1-------|-1-------1-------|-1-------1-------|
|-----------------|-----------------|-----------------|-----------------|
Keeping my hands on the wheel
I
A
, . , . , . , .
, . , . , . , .
, . , . , . , .
, . , . , . , .
|-----------------|-----------------|-----------------|-----------------|
|-2---------2-----|-2---------2-----|-2---------2-----|-2---------2-----|
file:///C|/olga_main/f-g/g/garfunkel_art/99_miles_from_l_a.tab
|-------2---------|-------2---------|-------2---------|-------2---------|
|-----2-------2---|-----2-------2---|-----2-------2---|-----2-------2---|
|-0-------0-------|-0-------0-------|-0-------0-------|-0-------0-------|
|-----------------|-----------------|-----------------|-----------------|
hold you.
Abmaj7
, . , . , . , .
, . , . , . , .
, . , . , . , .
, . , . , . , .
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-5---------5-----|-5---------5-----|-----------5-----|-----------5-----|
|-------6---------|-------6---------|-------6---------|-------6---------|
|-----6-------6---|-----6-------6---|-----6-------6---|-----6-------6---|
|-4-------4-------|-4-------4-------|-4-------4-------|-4-------4-------|
99 miles from L.A.
G
, . , . , . , .
, . , . , . , .
, . , . , . , .
, . , . , . , .
|-----------------|-----------------|-----------------|-----------------|
|-0---------0-----|-0---------0-----|-----------0-----|-0---------0-----|
|-------0---------|-------0---------|-------0---------|-------0---------|
|-----0-------0---|-----0-------0---|-----0-------0---|-----0-------0---|
|-----------------|-----------------|-----------------|-----------------|
|-3-------3-------|-3-------3-------|-3-------3-------|-3-------3-------|
I kiss you,
I miss you
please be
Cm
, . , . , . , .
, . , . , . , .
, . , . , . , .
, . , . , . , .
|-----------------|-----------------|-----------------|-----------------|
|-4---------4-----|-4---------4-----|-4---------4-----|-4---------4-----|
|-------5---------|-------5---------|-------5---------|-------5---------|
|-----5-------5---|-----5-------5---|-----5-------5---|-----5-------5---|
|-3-------3-------|-3-------3-------|-3-------3-------|-3-------3-------|
|-----------------|-----------------|-----------------|-----------------|
there.
Verse 2 as verse 1
-----------------The chorus alternates between Cm and G with the same pattern..
Verse 3 as before
-----------------************************************************************************
* Rich Kent; email r.p.kent@dur.ac.uk ; http://www.dur.ac.uk/~d213ga *
************************************************************************
file:///C|/olga_main/f-g/g/garfunkel_art/bright_eyes.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Subject: upload
Date: Mon, 23 Oct 1995 09:51:26 +0100 (MET)
From: Frans Bosma <f.l.bosma@telecom.ptt.nl>
Title: Bright Eyes
Artist: Art Garfunkel
Album: Fate for breakfast
Chords:
C#dim xx2323
G/D
xx0001
B/D#
xx1442
B7/D# xx1202
D/C
x3x232
D7/F# xx4212
G
C
G
Is it a kind of dream
Em
C G
Floating out on the tide
D
D/C
G
C
Following the river of death downstream
am7
D
Or is it a dream
D7
G
C G
There's a fog along the horizon
Em
C G
A strange glow in the sky
D
D/C
G
C
And nobody seems to know where you go
B/D#
And what does is mean
C#dim G/D D7
G
Oh,
oh
is it a dream
Chorus:
Bm
C
D7
Bright eyes, burning like fire
Bm
C
Am
Bright eyes, how can you close and fail
B7/D#
Em
D7/F#
G
How can the light that burned so brightly
C
Am
D7
G
Suddenly burn so pale, bright eyes
Em
Is it a kind of shadow
Reaching in to the night
Wandering over the hills unseen
Or is it a dream
There's a high wind in the trees
A cold sound in the air
file:///C|/olga_main/f-g/g/garfunkel_art/bright_eyes.crd
file:///C|/olga_main/f-g/g/garner_errol/misty.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: jon@zeus.med.utah.edu (Jonathan Byrd)
Misty
by Errol Garner
tablature by Jonathan Byrd
Note: Play the first two lines of tab, and part (1.). Repeat the
first two lines of tab, and then jump down to (2.), continuing through
to the bridge, and the last verse.
Dmaj7
1
2
e
B
G
D
A
E
Am7
1
2
D7b9
3
4
Gmaj7
1 2 3
Gm7
4
Bm7
3
4
Em7
1
2
A7b9
3
4
-2----3-5------0-2-3--------------0-2--------3----------0---------2-3--2--------2------------0---3--------0--------4------------0---5-----------------2----------------4--------------------------0-------5--------
(1.)
F#7b5
1
2
e
B
G
D
A
E
B7
3
E7b5
1
2
A7
3
-2-----------------------------||
-----1-------0-------3---2-----||
---3---------2-------3---0-----||
-----------1-------2-----2-----||
--------2----------------0-----||
-2---------------0-------------||
(2.)
D6
1 2
e
B
G
D
A
E
C13
4
|--5--------------------7-7-5-7-5------------------3-5-5-5-3-5---3|---7---------------------5---4---7---------------3--3---3---3----|-----6---6---6-----4-5---5---5-----7------------3---3---3---3----|-----7---7---7---7---5---5---4-------4--4--4-4-5----3-------2----|-----5---5---5-------0---0---5-------5--5--5--------5-------3----|-------------------------------------3--3--3--------3------------Dmaj7
1
2
e
B
G
D
A
E
---------------------------5-7-3-------------------3-5-6-----4-----------------------------4-----------------------------5----------------------------------------------------------Am7
D7b9
Gmaj7
file:///C|/olga_main/f-g/g/garner_errol/misty.tab
1
e
B
G
D
A
E
C#7
1
2
E7
3 4
F#m7b5
1
2
B7
3
Em7
1 2
A7
3 4
Am7
1
2
D7b9
3
4
Gmaj7
1
2
Gm7
1
2
C13
3 4
--------------------7-7-5-7-5-------------------3-5-5-5-3-5---3----------------------5---4---7----------------3--3---3---3------6---6---6-----4-5---5---5-----7-------------3---3---3---3------7---7---7---7---5---5---4-------4---4--4-4-5----3-------2------5---5---5-------0---0---5-------5---5--5--------5-------3--------------------------------------3---3--3--------3------------Dmaj7
1
2
e
B
G
D
A
E
-9--9--9--9--9---------9-----12-----------------------------------5--9-----9-----9-----------12--12-14-12--10--10--10--10--8--8--5-----7-11----------------10--------13--------9---9---8---8---7--7--6-------9-----------------9---------12--------10--10--9---9---9--9--5-------11----------------11------------------9---9-----------7--7--7-------------------------9-----------------------------------------5------Dmaj7
1
2
e
B
G
D
A
E
-8-8-8-8-8---------8-10-11-10-8--7-7-7-7-7----------------7-8-10-5---8---5-----4--------------8--7---7---7-----5--5--5-----------5-------------5--------------8--7---7---7-----4--4--4-7-9-------5-------------4--------------10-9-------------5--5--3-----------0-------------5-----------------10---------------------------------------------------------------------------------------------G#m7
1
e
B
G
D
A
E
Bm7
3
4
Em7
1
2
A7b9
3
4
D
1
-2----3-5------0-2-3--------------0-2-2--------3----------0---------2-3--3-2--------2------------0---3--------2-0--------4------------0---5--------0----------2----------------4--------0-------------------0-------5----------
-jonathan byrd
jon@apollo.med.utah.edu
file:///C|/olga_main/f-g/g/gasoline/rabalderstraede.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Received: from animal-farm.nevada.edu by redrock.nevada.edu (5.65c/M1.4)
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Date: Tue, 19 Oct 1993 14:02:27 +0100
From: Claus Myltoft <myltoft@iesd.auc.dk>
Message-Id: <199310191302.AA24141@cauchy.iesd.auc.dk>
To: jamesb@animal-farm.nevada.edu
Subject: /g/gasolin/Rabalderstraede.tab
Here's something from the danish rock scene:
-----Rabalderstraede
Gasolin'
Intro:
A D G E
1st verse:
---------------------------------------------------------|
---------------------------------------------------------|
---------------------------------------------------------|
-7-7-7-7-7-7-7-7-7-7-7-7-----5-6-7-----------------5-6-7-|
---------------------------7-----------------------------|
---------------------------------------------------------|
Rabalderstraede
---------------------------------------------------------|
---------------------------------------------------------|
--------------------------------------6-------------8----|
------------5-6-7--------9-------------------------------|
---------------------------------------------------------|
---------------------------------------------------------|
Er en gade
hvor den slet slet ikke faar for lidt
---------------------------------------------------------|
---------------------------------------------------------|
---------------------------------------------------------|
-----------------3---------------------------------5---6-|
-5-----3-----5-------5---4---5---5----3----5---5---------|
---------------------------------------------------------|
For der er sprut i stride stroemme og lamperne gaar aldrig
---------------------------------------------------------|
---------------------------------------------------------|
---------------------------------------------------------|
-----------------5---------------------------------------|
-7-----5-----7-------7---6---7---7----5----7---6---------|
--------------------------------------------------7----6-|
---------------------------------------------------------|
file:///C|/olga_main/f-g/g/gasoline/rabalderstraede.tab
ud!
og
---------------------------------------------------------|
---------------------------------------------------------|
---------------------------------------------------------|
-----------------3---------------------------------5---6-|
-5-----3-----5-------5---4---5---5----3----5---5---------|
---------------------------------------------------------|
der er tinge linge latter, naar tumberne, de ruller sig
---------------------------------------------------------|
---------------------------------------------------------|
---------------------------------------------------------|
-----------------5---------------------------------------|
-7-----5-----7-------7---6---7---7----5----7-------------|
-----------------------------------------------8---5---6-|
---------------------------------------------------------|
ud!
------------------------------------------------------------|
------------------------------------------------------------|
-9----9---9----9--7----7--7---7-9---9--9-----9--7----7-7--7-|
-9----9---9----9--7----7--7---7-9---9--9-----9--7----7-7--7-|
-9----9---9----9--7----7--7---7-9---9--9-----9--7----7-7--7-|
-7----7---7----7--5----5--5---5-7---7--7-----7--5----5-5--5-|
------------------------------------------------------------|
Fraekke chicks og friske fyre, droener rundt og spiller dyre
kom og tag mig ...
file:///C|/olga_main/f-g/g/gaye_marvin/mercy_mercy_me.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
>From: shotokan@diku.dk (Kim H|glund)
font@stlvm10.vnet.ibm.com writes:
>This is a great song I'd love to know the chords of.
>It's not at Nevada, so I'm hoping someone out there knows 'em.
I haven't seen any replies so I'll take a shot at it. This song uses a
simple four chord progression: Emaj7 - C#m7 - F#m7 - Amaj7.
Mercy Mercy Me
==============
Marvin Gaye
Verse 1:
Emaj7 Emaj7
Ah, mercy, mercy me,
C#m7
C#m7
F#m7
Ah, things ain't what they used to be, no, no.
F#m7
Where did all the blue skies go?
Amaj7
Amaj7
Poison is the wind that blows from the north and south and east.
Verse 2:
Mercy, mercy me,
Ah, things ain't what they used to be, no, no.
Oil wasted on the ocean and upon
our seas fish full of mercury,
Verse 3:
Oh, mercy, mercy me.
Ah, things ain't what they used to be, no, no, no.
Radiation underground and in the sky;
animals and birds who live near by are dying.
Verse 4:
Oh, mercy, mercy me.
Ah, things ain't what they used to be.
What about this over crowded land?
How much more abuse from man can she stand?
Simple fingerings for the four chords are:
Emaj7
======
||**||
-----|*||||
-----||||||
-----||||||
C#m7
======
||||||
-----||*|*|
-----||||||
-----|||*|*
F#m7
======
||||||
-----||****
-----||||||
-----||||||
Amaj7
======
|||*||
-----||*|*|
-----||||||
-----||||||
o211oo
xx1314
xx1111
xo212o
file:///C|/olga_main/f-g/g/gaye_marvin/mercy_mercy_me.crd
Enjoy,
--Kim
_____
Kim H|glund, shotokan@diku.dk,
CS Dept. at U of Copenhagen, Denmark
"I've got plenty of common sense. I just choose to ignore it." -- Calvin
file:///C|/olga_main/f-g/g/gaye_marvin/mercy_mercy_me.lyr
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: ertrinid@aludra.usc.edu (Elson R. Trinidad)
Yup, it's "Mercy Mercy Me (The Ecology)" by Marvin Gaye. That and
"What's Goin' On" are very similar. Heh, I was once in a band that played
the two songs as a medley!
The chord progression is: E
C#m7
F#
B7
This song was written in 1970, I believe. Marvin Gaye also wrote "Inner City
Blues." Those songs are still relevant today. The man was clearly ahead of
his time.
-- 30 -:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
E l s o n T r i n i d a d
_______________________________
etrinida@scf.usc.edu
/_____________
/
University of Southern California
/_____________
/
Los Angeles, California
O.J. did what Tom Arnold should have done instead.
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
file:///C|/olga_main/f-g/g/gaye_marvin/whats_going_on.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Harlan L Thompson <harlant@uhunix.uhcc.Hawaii.Edu>
WHAT'S GOING ON- Marvin Gaye
E
C#m
Mother, mother, there's too many of you crying
E
C#m
Brother, brother, brother, there's far too many of you dying
A
You know we'ver got to find a way
B7
To bring some lovin' here today, hey
Father, father, we don't need to escalate
War is not the answer, for only love can conquer hate
You know we've got to find a way
To bring some lovin' here today
CHORUS #1:
A
Picket lines and picket signs
Don't punish me with brutality
Talk to me, so you can see
E
C#m
Oh what's going on, what's going on
E
C#m
Yeah, what's going on, ah, what's going on
A
B7
Ahhh....
Mother, mother, everybody thinks we're wrong
Ah but who are they to judge us
Simply 'cos our hair is long
Ah you know we'ver got to find a way
To brind some understanding here today
CHORUS #2:
Picket lines and picket signs
Don't punish me with brutality
Talk to me, so you can see
What's going on, yeah what's going on
Tell me what's going on, I'll tell you what's going on
(from What's Going On, 1971)
(sent by Harlan at harlant@hawaii.edu)
file:///C|/olga_main/f-g/g/gayle_crystal/dont_it_make_my_brown_eyes_blue.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: schn0170@maroon.tc.umn.edu (Adam Schneider)
Subject: /g/crystal_gayle/dont_it_make_my_brown_eyes_blue.crd
DON'T IT MAKE MY BROWN EYES BLUE (Richard Leigh)
-----------------------------------------------[Each chord is half of a 4/4 measure]
C Am Dm7
[intro]
G7
Am
Dm7
G7
Am
Dm7
G7
Don't know when
I've been so blue
C
Am7
Bm7-5 E7
Don't know what's come over you
Am
C/G
D7/F#
D7
You've found someone new
F
Em7
F
G7
And don't it make my brown eyes blue
I'll be fine when you're gone
I'll just cry all night long
Say it isn't true
F
F/G
C
And don't it make my brown eyes blue
Am
Em7
F
C
Tell me no secrets,
tell me some lies
Am
Em7
F
C
Give me no reasons, give me
alibis
Am
Em7
F
C
Tell me you love me and don't let me cry
Dm7
Em
F
F/G
Say anything but don't say goodbye
I didn't mean to treat you bad
Didn't know just what I had
But honey now I do
F
Em7
F
Em7
And don't it make my brown eyes, don't it make my brown eyes
F
F/G
C
Am
Dm7
G7
Don't it make my brown eyes blue.
[Repeat the last four measures for as long as you want, then end on C
or play the intro over and over and then end on C.]
Here's a little bit of tab for the intro; the spacing/timing is CORRECT.
Fill in your own chords and bass and hammer-ons and stuff...
C
Am
Dm7
G7
E ----0-3---0-------------|------------------------|
B ------------1-----------|------1---1-------------|
G ----------------2-------|----2-------2---0-------|
+
+
+
+
+
+
+
+
file:///C|/olga_main/f-g/g/gayle_crystal/dont_it_make_my_brown_eyes_blue.crd
file:///C|/olga_main/f-g/g/gayle_crystal/this_is_my_year_for_mexico.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Date: 9/17/96; 5:45:37 PM
From: ah827@rgfn.epcc.Edu (Gene L. Graham)
Subject: THIS MY YEAR FOR MEXICO
THIS IS MY YEAR FOR MEXICO
Recorded by Crystal Gayle
Written by V. Matthews
[G] You no longer notice [C] if I'm wearing per-[G] fume
I seldom hear a lover's word from [D] you
Your [G] attention's wrapped up [C] in the mornin' [G] paper
And I feel a restless [D] yearn for somethin' [G] new.
We used to whisper love across the nighttime
Now we never whisper nor recall
Our love is left upon the shelf of winter
Where the sunlight never touches it at all.
CHORUS
It's a [D] habit for us to be to-[G] geth-[G7] er
We [C] sit and watch the dead'ning [D] shadows [G] go
Ev'ry day last year I [C] left for Cali-[G] fornia
This is my [D] year for Mexi-[G] co.
Your back is turned to me while you are leaving
I close my eyes while I pretend to go
>From the road I hear the sound of passing traffic
Some of them are bound for Mexico.
CHORUS
file:///C|/olga_main/f-g/g/gayle_crystal/wrong_road_again.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Date: 9/17/96; 5:46:09 PM
From: ah827@rgfn.epcc.Edu (Gene L. Graham)
Subject: (HERE I GO DOWN THAT) WRONG ROAD AGAIN
(HERE I GO DOWN THAT) WRONG ROAD AGAIN
Recorded by Crystal Gayle
Written by A. Reynolds
CAPO: 1st Fret KEY: G# PLAY: G
[G] I can't seem to [C] learn not to [G] love you
You get to [D] me ev'ry [G] time
You're someone I [C] just can't say [G] no to
And you're so good at [D] changin' my [G] mind.
CHORUS
Here I go down that [C] wrong road a-[G] gain
Goin' back where I've [D] already [G] been
Even knowin' [C] where it will [G] end
Here I go down that [D] wrong road a-[G] gain.
Tho' I see the web that you're weavin'
You and your soft easy lines
Before I stop to think I'm believin'
And I'm fallin' for you one more time.
CHORUS
file:///C|/olga_main/f-g/g/gayle_crystal/you_and_i.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Path:
news.ttu.edu!newshost.lanl.gov!ncar!newsxfer.itd.umich.edu!agate!howland.reston.ans.net!ix.netcom.com!netnews
From: Midiman1@ix.netcom.com (Michael Thurber)
Newsgroups: rec.music.makers.guitar.tablature
Subject: RE: Tab - You & I - E.Rabbit & C.Gale
Date: 21 Feb 1995 08:39:36 GMT
Organization: Netcom
Lines: 48
Distribution: world
Message-ID: <3ic8s8$5qa@ixnews2.ix.netcom.com>
References: <3i8ut2$ccl@newsbf02.news.aol.com>
NNTP-Posting-Host: ix-lv1-09.ix.netcom.com
In <3i8ut2$ccl@newsbf02.news.aol.com> ed125@aol.com (ED125) writes:
>
>I'm looking for this Duet in the key of F - Thank You
>
YOU AND I
Frank Myers
Artists
composer
Bb
Bb
*
WE'LL BE ALL RIGHT
JUST YOU AND I
G-7(b5)[Bbm]
G-7(b5)
F
F
*
JUST YOU AND I
SHARING OUR DREAMS TOGETHER
AND I KNOW IN TIME
WE'LL BUILD THE DREAMS WE TREASURE
*
WE'LL BE ALL RIGHT
JUST YOU AND I
*
AND I REMEMBER OUR FIRST EMBRACE
THE SMILE THAT WAS ON YOUR FACE
THE PROMISES THAT WE MADE
CHORUS
AND NOW
YOUR LOVE IS MY REWARD
AND I LOVE YOU EVEN MORE
THAN I EVER DID BEFORE
Bb
C/Bb
A-7
D7(b9)
G-7
C7(b9)
F^7
Bb/F
Bb
D7(b9)
Bb/C
C/Bb
G-7
F
*
JUST YOU AND I
WE CARE AND TRUST WACH OTHER
WITH YOU IN MY LIFE
THERE'LL NEVER BE ANOTHER
*
WE'LL BE ALL RIGHT
JUST YOU AND I
*
CHORUS
WE MADE IT YOU AND I
Yours Truly
midiman1
A-7
file:///C|/olga_main/f-g/g/geatano_rino/ma_il_cielo.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
# by Maurizio Codogno (mau@beatles.cselt.stet.it)
{title: Il cielo sempre pi blu}
{subtitle: Rino Gaetano}
[D] Chi vive in ba[Bm]racca,
[D] chi suda il sa[Bm]lario
[D] chi ama l'a[Bm]more e
[D]
i sogni di [Bm]gloria
[D] chi ruba pen[A]sioni, chi ha scarsa me[G]moria
Chi mangia una volta,
chi tira al bersaglio
chi vuole l'aumento,
chi gioca a Sanremo
chi porta gli occhiali,
chi va sotto un treno
Chi ama la zia chi va a Porta Pia
[D] chi trova scon[Bm]tato, chi come ha tro[D]vato
na na na na [Bm]na na na na na
{soc}
[G] Ma il cielo [A]sempre pi [D]blu uh [Bm]uh, uh [G]uh,
ma il cielo [A]sempre pi [D]blu uh [Bm]uh, uh [G]uh, uh [A]uh...
{eoc}
[D]
[D]
chi fa il contadino,
chi spazza i cortili
chi ruba, chi lotta, chi ha fatto la spia
na na na na na na na na na
{soc}
Ma il cielo sempre pi blu uh uh, uh uh,
ma il cielo sempre pi blu uh uh, uh uh, uh uh...
{eoc}
{c: strumentale su Re e Sim}
[D] Chi assunto alla [Bm]Zecca, chi ha fatto ci[D]lecca
chi ha crisi interiori, chi scava nei cuori
chi legge la mano, chi regna sovrano
chi suda, chi lotta, chi mangia una volta
chi gli manca la casa, chi vive da solo
chi prende assai poco, chi gioca col fuoco
chi vive in Calabria, chi vive d'amore
chi ha fatto la guerra, chi prende i sessanta
chi arriva agli ottanta, chi muore al lavoro
na na na na na na na na na
{soc}
Ma il cielo sempre pi blu uh uh, uh uh,
ma il cielo sempre pi blu uh uh, uh uh, uh uh...
{eoc}
{c: mentre il coro continua il ritornello}
[D] Chi assicu[Bm]rato, chi stato mul[G]tato
chi possiede ed a[A]vuto, chi va in farma[D]cia
chi morto di invidia o di gelosia
chi ha torto o ragione, chi Napoleone
chi grida "al ladro!", chi ha l'antifurto
chi ha fatto un bel quadro, chi scrive sui muri
chi reagisce d'istinto, chi ha perso, chi ha vinto
chi mangia una volta, chi vuole l'aumento
chi cambia la barca felice e contento
chi come ha trovato, chi tutto sommato
chi sogna i milioni, chi gioca d'azzardo
file:///C|/olga_main/f-g/g/geatano_rino/ma_il_cielo.pro (1 of 2) [4/28/2003 9:52:39 PM]
file:///C|/olga_main/f-g/g/geatano_rino/ma_il_cielo.pro
file:///C|/olga_main/f-g/g/geezinslaws/country_music_i_gone_crazy.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Date: Wed, 8 Jan 97 23:39:33 MST
From: ah827@rgfn.epcc.Edu (Gene L. Graham)
Subject: BECAUSE OF COUNTRY MUSIC I'VE GONE CRAZY
BECAUSE OF COUNTRY MUSIC I'VE GONE CRAZY
As recorded by The Geezinslaw Brothers
Music by Alan Syms
I [D] sit here by the men's room in this country bar
Consuming so much beer that I can't [A7] walk too far
A month ago my lovin' lady had a cow
When she heard that RALPH would not be back on [D] NASHVILLE NOW;
Those old country songs that I've been singing all the time
Finally drove away my [D7] wife and drove me [G] outta my mind
And the [A7] future's lookin' wierd, it's enough to make you scared
And Because Of Country Music, I've Gone [D] Crazy.
I got [G] holes in my boots, I got [D] holes in my jeans
Hold [A7] on, I'll be right back, man you [D] know what that means
Between the [G] bar tab and the jukebox my [D] mind got up and went
I even [E] voted for CLINTON for [A7] president;
Play some [D] HANK, Play some WILLIE, Play some PATSY CLINE
Keep your finger off of [D7] CRAZY, It'll [G] blow my mind
And the [A7] future is the pits, it's enough to make you....quit
And Because Of Country Music, I've Gone [D] crazy.
Repeat 3rd and 4th Verses
The [A7] future's lookin' dim, but at least I'm gettin' slim
And Because Of Country Music, I've Gone [D] Crazy.
file:///C|/olga_main/f-g/g/geezinslaws/i_couldnt_spell_yuuk.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Date: 10/13/96; 8:00:58 PM
From: ah827@rgfn.epcc.Edu (Gene L. Graham)
Subject: I COULDN'T SPELL YUUK
I COULDN'T SPELL YUUK
Recorded by the Geezinslaw Brothers
(Sam Allred and DeWayne Smith)
Words and music by Wayne Thompson
I [D] drew a mustache on your picture
[G] Threw your ring awa-[D] ay-ay
I'd a [G] wrote you a letter, but I [D] couldn't [Pause] spell Y-U-U-K!
And [D] that's all I got to say, [A] that's all I got to [D] say.
When I found out you was untrue
Not a minute did I de-la-ay
I'd a wrote you a letter, but I couldn't [Pause] spell Y-U-U-K!
And that's all I got to say, that's all I got to say.
[D7] [G] Even went to where we used to go
[D] outside of town
[E] Found the tree where we carved our names
[A] chopped [Pause] the dang thing down
[D] Burnt the tie you gave me
I Never did dig it [G] much any-[D] wa-a-ay
I'd a [G] wrote you a letter, but I [D] couldn't [Pause] spell Y-U-U-K!
And that's all I got to say, [A] that's all I got to [D] say.
file:///C|/olga_main/f-g/g/geils_band_j/centerfold.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
From: danamrich@aol.com (DanAmrich)
CENTERFOLD
by the J. Geils Band
Transcribed by Dan Amrich (DanAmrich@aol.com)
An 80's classic, and it's real easy. All you need are three
chords and that infectious riff and you've got a guaranteed crowd pleaser.
The riff:
E------10-----------------------------------------------------B --/12-----12-10---------------------------10--------10-------G ----------------12-12----12-9-12-12--9-12----12-12-----------D -------------------------------------------------------------A -------------------------------------------------------------E -------------------------------------------------------------E
B
G
D
A
E
------10--------------------------------------------------------12-----12-10---------------------------10---------------------------------12-12----12-9-12-12--9-12----12-12---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
--------------------------------------------------------------------------------------------------------------------------------7----------------OR------7--------------------------------/9---9--7--5--5----------/9---9--7---------------------------------------------------------------10--10-----------------------------------------------------------------------------
There are other places to play it on the neck too; do what's most
comfortable.
The chords are a simple G, F, C through most of the song:
G
(MUTE)
F
C
F
C
-------------------------------------------------------------12--12--X-X-X-X--10-10-----------------10------------------12--12--X-X-X-X--10-10------9---9------10--------9---------12--12--X-X-X-X--10-10------10--10-----10--------10--------10--10--X-X-X-X--8--8----0--10--10-----8---------10------------------------------------8---8----------------8-------My blood runs cold
MY
memory has just been sold
E
B
G
D
A
E
If that
play it
believe
playing
The pre-chorus:
Em
Am
G
D
E ---0-----------------------------------0-----------3---2------B ---0-----------------------------------1-----------0---3------file:///C|/olga_main/f-g/g/geils_band_j/centerfold.tab (1 of 5) [4/28/2003 9:52:40 PM]
file:///C|/olga_main/f-g/g/geils_band_j/centerfold.tab
G
D
A
E
---0-----------------------------------2-----------0---2---------2-----------------------------------2-----------0---0---------2-----------------------------------0-----------2-------------0-----------------------------------0-----------3----------A part of me has just been ripped the pages of my mind are
stripped
And that's pretty much all you need to know. No solo, and the
rest is easy if you try it with the song, even that little low
riff after the false ending. Towards the fade out, Peter Wolf
sings a harmony to the main riff on "Na-na", which you can play
on guitar if you choose:
E
B
G
D
A
E
/12-10-10-12-10-10--10-10-8-8----8-10-8-8-10--and-repeat-----------------------------------10----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
Dan Amrich
danamrich@aol.com
Welcome to life. Spelling counts.
C
F
C
my memory has just been sold
G
F
C
F
C
My angel is tha centrefold (angel is the centrefold)
My blood runs cold, my memory has just been sold
file:///C|/olga_main/f-g/g/geils_band_j/centerfold.tab
-------------------------------------------------------------------------------------7--------------------------------------9---9-7-------------------------7-------7
---------10-10---10-7-10-10-7-10---10-10-------------------------------------------
Main Riff
The main riff consists of the chords G F C F in that order. To get the actual pattern of
the strums you'll have to listen to the original.
E
B
G
D
A
E
F
-1-1-2-3-3-1-
G
-3-3-4-5-5-3-
C
-3-4-4-4-3-X-
----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------3--5--------------------------------0----------5---------------------------------------------
---------------------------------------------------------------------------------------------------------------------
file:///C|/olga_main/f-g/g/geils_band_j/centerfold.tab
G
D
A
E
----7-------------------------------------------------------9---9-7-----------------------------------------------------------10-10------------------------------------------------------------------------------------------------------
(Riff 3) The following four sections come during the third verse, about 2 minutes into the song,
again you'll have to listen to the song to figure out where but they are played once each in the
order I've shown.
E
B
G
D
A
E
-------------|-----------------|---------|-------10--------------------|--------------8--|---8-10^-|-11-11^---8------------------|-----------------|---------|------------------8----------|---10-8----------|---------|--------------------10-8-10--|--------10-10----|---------|-----------------------------|-----------------|---------|-----------------
The words
(Intro)
(1)
Does she walk, Does she talk
Does she come complete
My homeroom homeroom angel
Has pulled me from my seat
She was pure like snowflakes
No one could ever stain
The memory of my angel
Had never caused me pain
Riff 1
The years go by I'm looking through a girly magazine
And there's my homeroom angel on the pages in between
(Chorus)
My blood runs cold
My memory has just been sold
My angel is the centrefold
My blood runs cold
My memory has just been sold
Riff 2
Angel is the centrefold
(2)
Slip me notes under the desk
While I was thinking about her dress
I was shy, I turned away
Before she caught my eye
I was shaking in my shoes
Whenever she flashed those baby blues
Something had a hold on me
When my angel passes by
Riff 1
Those soft ? sweaters, to magical to touch
To see her in that negligee is really just to much
(Chorus)
Followed by the
Na na na na na na
you know the bit I mean!
this is played with the same rythmn as the chorus
file:///C|/olga_main/f-g/g/geils_band_j/centerfold.tab
(3)
It's ok I understand
This ain't no never never land
I hope that when this issues gone
I'll see you when your clothes are on
Take your car, yes we will
We'll take your car and drive it
Take it to a motel room
And take them off in private
Riff 1
A prt of me has just been ripped
The pages from my mind are stripped
Oh no, I can't deny it
Oh yeah, I guess I gotta buy it
(Chorus)
If anybody has found this usefull or thinks it's a load of Bollocks
please Email me as critism will be accepted with a baptism of fire <g>
Damian Giddins
100604.63@compuserve.com
file:///C|/olga_main/f-g/g/geldof_bob/great_song_of_indifference.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: armour@gov.nt.ca (4,9203240,)
Here's a real jelly of a song, by our good buddy
Bob Geldoff....
The Great Song of Indifference
off The Vegetarians of Love
The song is played with the capo on fret II and
the chords are F# B F# Db F# B F# Db B
I dont mind if you go
come or go
say no
baby let it flow
all
Na na na etc
I dont care if you sink or swin
Lock me out or let me in
Where I'm going or where I've been
I dont mind at all
I dont mind if the government falls
Implements more futile laws
I dont care if the nation stalls
I dont care at all
I dont care if they tear down trees
I dont feel the hotter breeze
Sink in dust in dying seas
I dont care at all
Na na na etc
I dont mind if culture crumbles
I dont mind if religion stumbles
I cant hear the speakers mumble
And I dont mind at all
I dont care if the THird World fries
Its hotter there I'm not surprised
baby I can watch whole nations die
And I dont care at all
Na na na etc
I dont mind about peoples fears
Authority no longer hears
file:///C|/olga_main/f-g/g/geldof_bob/great_song_of_indifference.crd
file:///C|/olga_main/f-g/g/gene/for_the_dead.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Date: 26 Jan 96 12:06:33 EST
From: Mark Sullivan <100746.3536@compuserve.com>
Subject: TAB BY "GENE"
FOR THE DEAD
============
BY GENE
MAIN RIFF:
e|--------------------------------------------------|
B|-----------------------------10-10----------------|
G|-----9----------------------9--9------------------|
D|-----9-9----9-9h11p9----9h11------------9h11------|
A|-9h11---9h11--------h11-------------9h11----h11---|
E|--------------------------------------------------|
REPEAT WITH
SOME MINOR
VARIATION AT
END.
E
F#m
A
WITH EVERY WIND, I HEAR YOU SING
E
F#m
A
YOU WILL BE FOUND
E
F#m
A
WITH EVERY NOTE, STUCK IN YOUR THROAT
E
F#M
A
THIS IS YO___UR TIME
E
EVERYONES JUST WALKING AWAY FROM ME
F#m
A
AM I RELLY THAT NASTY?
E
ALL THE DUST IN THE DIRT EFFECTS MY SKIN
F#M
A
EVERYONES JUST TURNING AWAY FROM ME
E
AM I REALLY THAT DIRTY?
F#m
A
IT'S DARK AND COLD SO LET ME IN
OH YES,
B
I'M IN LOVE WITH THIS LAND OF PLENTY
F#M
I'M FULL OF HOPE THAT STILL OFFENDS ME
G#m
A - G#m - F#m - F#m
I'VE LOST MY WILL BUT STILL I SEE SOME HOPE
OH,
B
GIVE ME A ROPE I'LL TAKE IT GLADLY
F#m
GIVE ME A DREAM MAKE SURE IT'S DIRTY
G#m
BYE MUM, IT'S MY TIME TO GO
file:///C|/olga_main/f-g/g/gene/for_the_dead.crd (1 of 2) [4/28/2003 9:52:41 PM]
file:///C|/olga_main/f-g/g/gene/for_the_dead.crd
file:///C|/olga_main/f-g/g/gene/her_fifteen_years.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Date: Sun, 21 Jan 1996 23:39:40 +0100
From: esbjorn@algonet.se (Kolbjorn Guwallius)
Subject: TAB: <Her_Fifteen_Years> by <Gene>
Gene: Her Fifteen Years (by Martin Rossiter/Steve Mason/Matt James/Kevin Mil=
es)
This is number 3 on the single Sleep Well Tonight, which I believe is their
third single.
It is very simple to play, the following tab just repeats all the time.
Tabbed for guitar by Kolbjorn Guwallius, Sweden <esbjorn@algonet.se>
Please send additions/corrections.
E
e!!--0--0---5--5----2---2--2--!!
B!!--0--0---5--5----4---4--4--!!
G!!--1--1---6--6----4---4--4--!!
D!!--2--2---7--7----4---4--4--!!
A!!--2--2---7--7----2---2--2--!!
E!!--0--0---5--5----2---2--2--!!
If someone=B4s got any more Gene tabs, please send me them!
file:///C|/olga_main/f-g/g/gene/london.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
From: "Tim Fidler (Afid" <Tim@recogexp.demon.co.uk>
Date: Fri, 05 Apr 1996 20:45:52 GMT
Band: Gene
Song: London, Can You Wait?
Album: From the first and second albums, "Olympian" and "To See The Lights".
Intro is lead guitar.
T -----------------------------------------------------------------------------5-----------------5---------------5-3-2-0-2-0A ------2-2/4-2-6-----------2-2/4-6-----------2-2/4--------------2-4-------------2---2-4-----------2---2-4------------------B ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------5-5-------0
T ----------------5-------------------5-----------------5-3-6---6-----0
--------2-2/4-6-------------2-2/4-6-------------2-2/4-----7-----7---1
A --4-2-4-----------2---2-4-------------2---2-4-------------7-------7-2
----------------------------------------------------------5---------2
B ----------------------------------------------------------5---------0
NB. This lead intro does not appear on the "To See The Lights" album.
A
My kith and kin
A
I have sinned
D
I didn't hear the siren, or see them giving in
A
My kith and kin
A
Bm
I have sinned, again
C#m
He said
C#m
D
"London can you wait
C#m
For all the things I have to say
D
E
London can you wait?"
A
My kith and kin
A
I have sinned
D
The alarm rang loud, the lights were on
D
And I didn't see a thing
A
file:///C|/olga_main/f-g/g/gene/london.tab
D(on 4th)
Twiddely bit
C#m(on 5th)
T --------2-------------4-------------------------2---------------5-------5
------3---3---3-----5---5---5-5-5-7-5-2-------3---3---3-------6---6-----7
A ----2-------2-----4-------4---4-4-6-4-2-----2-------2-------7-------7---7
--0-------------0-------------------------0---------------7-----------7-6
B ----------------------------------------0---------------5---------------5
------------------------------------------------------------------------5
This outro, although on the right lines is not exactly correct to how it
should be played. The TAB above is just the chords used, broken up.
Despite this it is correct and works quite well....
I hope you know what Im talking about.
Anyway, lets hear someone elses attempts at some GENE TAB. I cant do all the
work you know... BTW, Ive never seen any before and the brilliant band we
all know and love deserve it (or something (?)). So, come on Gene fans, lets
see it...
N.B. This very rough guide to London... should be played so it sounds right
to you. Most of the chords, as you will find out, are broken but you can
file:///C|/olga_main/f-g/g/gene/london.tab
file:///C|/olga_main/f-g/g/gene/olympian.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Date: Thu, 1 Feb 1996 12:56:03 -0500 (EST)
From: Thomas Kenniston <kenn+@pitt.edu>
Subject: TAB: "Olympian" by Gene
"Olympian"
by Gene
Tabbed by Tommy K
.
.
Intro
. and
verse
.
------------------------0--------2--2--2--0----2------0-------2--2--2--2----2------1-------2--2--2--2----2------2------0--0--0--0----0------2----------------------------0-----
F#m
G#m
F#m
(2x)
The end part (ie " You...I...I wanted to be there with you")
is this pattern: F#m
of the A5 and B5)
G#m
A5
B5
Enjoy!
file:///C|/olga_main/f-g/g/genesis/after_the_ordeal.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
This was an intercontinental project. Andreas Lemke in Germany did the
first part (on acoustic guitar) and Bill Thomas did the electric solo at
the end here in Pittsburgh. Love that internet. Frankly, I think Andreas
did the hard part, and his is certainly better developed, with timing
and everything!
We hope this will shake loose some more Steve Hackett fans.
After The Ordeal by Genesis - Selling England By The Pound (1973)
=================================================================
(From Andreas Lemke:)
03/14/93
This is my personal interpretation of the non-drum part of the song.
It is not intended to be an exact transcription of the original
guitar part only. The weakest part of this interpretation is the
beginning of Part C (sorry).
Please send comments to andreas.lemke@arbi.informatik.uni-oldenburg.de
Intro:
======
1 - - - 2 - - - 1 - - - 2 - - - 1 - - - 2 - - Dm
C
Bb
-|10----------------------8-----------------------1-----------------------|
-|10----------------------8-----------------------3-----------------------|
-|10----------------------9-----------------------3-----------------------|
-|------------------------------------------------3-----------------------|
-|------------------------------------------------------------------------|
-|------------------------------------------------------------------------|
1 - - - 2 - - - 1 - - - 2 - - C
-|8-----------------------------------------------|
-|8-----------------------------------------------|
-|9-----------------------------------------------|
-|------------------------------------------------|
-|------------------------------------------------|
-|------------------------------------------------|
Part A:
=======
1 - - - 2 - - - 1 - - - 2 - - - 1 - - - 2 - - Am
G
Fmaj7
-|------------------------------------------------------------------------|
-|1-----------------1-----0-----------------------------0-----1-----------|
-|------2-----2-----------------2-----0-----------2-----------2-----------|
-|---------2--------------------------------------3-----------------------|
-|0-----------------------------------------------------------------------|
-|------------------------3-----------------------------------------------|
1
file:///C|/olga_main/f-g/g/genesis/after_the_ordeal.tab
G
Am
G
-|------------------------------------------------------------------------|
-|0-----------------------1-----------------1-----0-----h1----3-----------|
-|------------0-----------------2-----2-----------------------------------|
-|------0--------------------------2--------------------0-----------------|
-|------------------------0-----------------------------------------------|
-|3-----------------------------------------------3-----------------------|
1 - - - 2 - - - 1 - - - 2 - - - 1 - - - 2 - - C
F
-|------------0-----------1-----------0-----------5-----------------3-----|
-|1-----3-----1-----------1-----------1-----------4-----------------------|
-|2-----------------------0-----------0-----------5-----------------------|
-|------------------------------------------------------------------------|
-|3-----------------------------------------------------------------------|
-|------------------------------------------------------------------------|
1 - - - 2 - - - 1 - - - 2 - - - 1 - - - 2 - - Bb
C
Bb(C)
-|1-----------0-----1-----0-----------------------------------------------|
-|3-----------------------1-----------1-----------------------3(1)--------|
-|3-----------------------------------0-----------3(0)--------3(0)--------|
-|------------------------------------------------3(2)--------------------|
-|------------------------------------------------------------------------|
-|------------------------------------------------------------------------|
repeat Part A and play notes in parenthesis in last bar
Part B:
=======
1 - - - 2 - - - 1 - - - 2 - - - 1 - - - 2 - - Bbmaj7
Cadd12
Bb
-|------------5-----------3-----------------------------------1-----------|
-|3-----------3-----------5-----------5-----------3-----------------------|
-|3-----------3-----------5-----------5-----------3-----------------3-----|
-|3-----------------------5-----------------------3-----------------------|
-|------------------------------------------------------------------------|
-|------------------------------------------------------------------------|
1
1 - - - 2 - - C
-|------------0-----------------------3-----1-----0-----------------------|
-|3-----------------1-----3-----------------------1-----------1-----------|
-|------------------------3-----------------------0-----------0-----------|
-|------------------------3-----------------------------------------------|
-|------------------------------------------------3-----------------------|
-|------------------------------------------------------------------------|
1 - - - 2 - - - 1 - - - 2 - - Bbmaj7
Cadd12
-|0-----------3-----------5-----3-----5-----------3-----------0-----------|
-|1-----------1-----------3-----3-----3-----------1-----------1-----------|
-|------------------------3-----3-----3-----------0-----------0-----------|
-|------------------------3-----------------------------------------------|
-|------------------------------------------------3-----------------------|
-|------------------------------------------------------------------------|
1 - - - 2 - - - 1 - - - 2 - - - 1 - - - 2 - - Bb
-|------------1-----------------------0-----------------------3-----1-----|
-|3-----------------------3-----------------1-----3-----------------------|
file:///C|/olga_main/f-g/g/genesis/after_the_ordeal.tab
-|3-----------------3-----------------------------3-----------------------|
-|3-----------------------------------------------3-----------------------|
-|------------------------------------------------------------------------|
-|------------------------------------------------------------------------|
1 - - - 2 - - - 1 - - - 2 - - - 1 - - - 2 - - C
A
B
-|0-----------------------------------0-----------------------2-----------|
-|------------1-----------2-----3-----2-----------4-----------4-----------|
-|------0-----------------2-----2-----2-----------4-----------4-----------|
-|------------------------2-----------------------------4-----------------|
-|3-----------------------------------------------------------------------|
-|------------------------------------------------------------------------|
1 - - - 2 - - - 1 - - - 2 - - - 1 - - - 2 - - G#
C#m
B
-|------------------------------------0-----------2-----0-----------------|
-|------------4-----------2-----------2-----------4-----------4-----------|
-|5-----6-----5-----------1-----------1-----------4-----------4-----------|
-|6-----------------------2-----------------------4-----------4-----------|
-|------------------------------------------------------------------------|
-|------------------------------------------------------------------------|
Part C:
=======
1 - - - 2 - - - 1 - - - 2 - - - 1 - - - 2 - - A
B
-|0-----------------------------------------------2-----4-----/5----5-----|
-|------2-----------------------------------------4-----------------------|
-|------------2-----1-----------------------------4-----------------------|
-|------------------------4-----2-----1-----2-----------------------------|
-|0-----------------------------------------------------------------------|
-|------------------------------------------------------------------------|
1
1 - - - 2 - - - 1 - - - 2 - - A
-|------4-----------2--p0-0-----------------------------------------------|
-|------------------------------2-----------------------------------------|
-|------------------------------------2-----1-----------------------------|
-|------------------------------------------------4-----2-----1-----2-----|
-|------------------------0-----------------------------------------------|
-|------------------------------------------------------------------------|
1
-|------------------------------------------------------------------------|
-|------------------------------------0-----------2-----------------------|
-|------1-----2-----1-----------------------1-----------------------2-----|
-|4-----------------------------------------------------------2-----------|
-|------------------------2-----------------------0-----------------------|
-|------------------------------------------------------------------------|
1
2 - - - 1 - - - 2 - - B
-|------------------0--------0--2-----------------------------2-----p0----|
-|------2-----------2-----4-----------------4--------------------------4--|
-|------2-----------------------------------------4-----------------------|
-|2-----------2-----------------------------------------4-----------------|
-|------------------------------------------------------------------------|
-|------------------------------------------------------------------------|
file:///C|/olga_main/f-g/g/genesis/after_the_ordeal.tab
1 - - - 2 - - - 1 - - - 2 - - - 1 - - - 2 - - A
B
-|------------------------------------------0--------0--2-----------------|
-|2-----------------------------2-----------2-----4-----------------4-----|
-|------------------2-----------2-----------------------------------------|
-|------------2-----------2-----------2-----------------------------------|
-|0-----------------------------------------------------------------------|
-|------------------------------------------------------------------------|
1
1 - - - 2 - - - 1 - - - 2 - - C#
G
-|------------2-----p0-4--1-----2-----4-----------------------------------|
-|------------------------2-----------------------0-----1-----3-----------|
-|4-----------------------1-----------------------0-----------------------|
-|------4-----------------------------------------------------------------|
-|------------------------------------------------------------------------|
-|------------------------------------------------3-----------------------|
1 - - - 2 - - - 1 - - - 2 - - - 1 - - - 2 - - B
E
Dm
-|------------2-----------------------0-----------1-----------------------|
-|4--------------------------------------------------------3--------------|
-|4-----------------------1-----------------------------------------2-----|
-|4-----------------------------------------------0-----------------------|
-|------------------------------------------------------------------------|
-|------------------------0-----------------------------------------------|
1 - - - 2 - - - 1 - - - 2 - - - 1 - - - 2 - - E
increasing volume
Dm
-|------0-----0-----0-----0-----0-----0-----------1-----------------------|
-|------0-----0-----0-----0-----0-----0--------------------3--------------|
-|------1-----1-----1-----1-----1-----1-----------------------------2-----|
-|------------------------------------------------0-----------------------|
-|------------------------------------------------------------------------|
-|0-----------0-----0-----0-----0-----0-----------------------------------|
1 - - - 2 - - - 1 - - - 2 - - - 1 - - - 2 - - E
increasing volume
Dm
-|------0-----0-----0-----0-----0-----0-----------1-----------------------|
-|------0-----0-----0-----0-----0-----0--------------------3--------------|
-|------1-----1-----1-----1-----1-----1-----------------------------2-----|
-|------------------------------------------------0-----------------------|
-|------------------------------------------------------------------------|
-|0-----------0-----0-----0-----0-----0-----------------------------------|
1 - - - 2 - - E
-|------------0-----------|
-|------0-----------------|
-|1-----------------------|
-|------------------------|
-|------------------------|
-|0-----------------------|
repeat Part A (parenthesis variation), PART B and PART 3
Bridge to drum part:
====================
1 - - - 2 - - - 1 - - - 2 - - - 1 - - - 2 - - Am
G
F
-|------------------------------------------------------------------------|
file:///C|/olga_main/f-g/g/genesis/after_the_ordeal.tab
-|1-----------------------0-----------------------------------------------|
-|2-----------------------0-----------------------2-----------------------|
-|2-----------------------0-----------------------3-----------------------|
-|0-----------------------------------------------3-----------------------|
-|------------------------3-----------------------------------------------|
1 - - - 2 - - - 1 - - - 2 - - G
-|------------------------------------------------|
-|0-----------------------------------------------|
-|0-----------------------------------------------|
-|0-----------------------------------------------|
-|------------------------------------------------|
-|3-----------------------------------------------|
----------(From Bill Thomas:)
ELECTRIC GUITAR SOLO
Note that the main part repeats. Also, the notes in the parentheses are
only played the second time through.
Play LEGATO, as in, very smoothly and with no discernible connection
between notes -- a hallmark of the Steve Hackett guitar style.
----------------------------------------------7)--12--12--12--12-12--12--12--12--10--10--10--8--7--8--(8--10-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------10--10--10--8--7--8--(8--10--12)--15--14--12------13--12--------------------------------------------------------15----------15--13----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------||---------------------------------13--11--10--11--10--12s13s12---o||-----------------------------------------------------------------||-----------------------------------------------------------------||----------------------------------------------------------------o||-----------------------------------------------------------------||---------------------------------17b15--14--15--------------------------------------------------------------------12b10--8--10-----8--7-----------------------------------------------------------9--------7--------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------Then there's the ending, when Gabriel plays flute, and the guitar part
becomes very minor.
-----Originally transcribed and posted by Bill Thomas, corrected by Andreas Lemke.
file:///C|/olga_main/f-g/g/genesis/afterglow.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Afterglow
(Genesis)
G
Gmaj7
C/G
Gsus
Gmaj7
C/G
Gmaj7
C/G
Gsus
Like the dust that settles all around me
Gmaj7
C/G
I must find a new home
Gmaj7
C/G
Gsus
The ways and holes that used to give me shelter
A
B /
Are all as one to me now
Eb
Fm
Db
Eb
But I, I would search everywhere, just to hear your call
Fm
And walk upon stranger roads than this one
Db
Eb
Bb
C /
In a world I used to know before, I miss you more
Gsus
Gmaj7
C/G
Gsus
Than the sun reflecting on my pillow
Gmaj7
C/G
Bringing the warmth of new life
Gmaj7
C/G
Gsus
And the sounds that echoed all around me
A
B /
I caught a glimpse of in the night
Eb
Fm
Db
Eb
But now, now I've lost everything, I give to you my soul
Fm
The meaning of all that I believed before
Db
Eb
Bb
C
Escapes me in this world of none, no thing no-one
Dm
Bb
C
And I would search everywhere, just to hear your call
Dm
And walk upon stranger roads than this one
Bb
C
In a world I used to know before
Dm
Bb
C
For now I've lost everything, I give to you my soul
Dm
The meaning of all that I believed before
file:///C|/olga_main/f-g/g/genesis/afterglow.crd
Bb
C
G
A
Escapes me in this world of none, I miss you more
D
Dmaj7
Dsus
Dmaj7
A
]
Repeat
-=-=-=-=-=-=-=-=-=-=- Put your problems out with the cat -=-=-=-=-=-=-=-=-=-=Written by:
Mick Anderson
micka@jolt.mpx.com.au
-=-=-=-=-=-=-=-=- Must be lamb today cause beef was last week =-=-=-=-=-=-=-=-
file:///C|/olga_main/f-g/g/genesis/alone_tonight.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Alone Tonight
(Genesis)
D
F#m
Bm
There's nothing here I can understand
F#m
Bm
And no-one cares I'm a lonely man
G
Bm7
I touch your face and I don't know why
G
Bm7
E
Em
G
I call your name but you're going by now I'm alone again
F#m
Bm
I have no name for each and every day
F#m
Bm
Until the year is done, and fades away
G
Bm7
There's a time in between the two
G
Bm7
Asus
The old year's gone but it's not the new and I, I,
A
D
Em7
D
Em7
I know that I'll be all alone again, alone again tonight
D
Em7
D
Em7
Oh I'm alone again, alone again tonight
D
Em7
F#m
Bm
Em7
Oh I'm alone again and it seems to me that every time I try to change
Bm
Asus
E
Asus
Say that you'll say that you'll help me reach the other side
F(8th fret)
Eb
F
Eb
F
And when the morning comes the sun is out and warms me up again
Eb
F
Eb
F
What a funny world it is for me and all I'll ever be
Eb
Em
Bm
A
Em
It's not enough, it's not enough, this feeling I'm feeling inside
Asus
Oh I know it,
A
I know tonight that I'll be
D
Em7
D
Em7
On my own tonight, alone again tonight
D
Em7
D
Em7
Oh I'm alone again, alone again tonight
D
Em7
F#m
Bm
Em7
Oh I'm alone again and it seems to me that every time I try to change
Bm
Asus
Em7
file:///C|/olga_main/f-g/g/genesis/alone_tonight.crd
Say that you'll say that you'll help me reach the other side
Asus
A
Help me please cos I know I'm gonna be
D
Em7
D
Em7
On my own again, alone again tonight
D
Em7
D
Em7
Oh I'm alone again, alone again tonight
D Em7
D
Em7
D
Em7
I'm all alone, alone again tonight, tonight, tonight
-=-=-=-=-=-=-=-=-=-=- Put your problems out with the cat -=-=-=-=-=-=-=-=-=-=Written by:
Mick Anderson
micka@jolt.mpx.com.au
-=-=-=-=-=-=-=-=- Must be lamb today cause beef was last week =-=-=-=-=-=-=-=-
file:///C|/olga_main/f-g/g/genesis/blood_on_the_rooftops.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Jeffrey Lo <jeffreylo@delphi.com>
Subject: TAB: "Blood On the Rooftops" - Genesis
Blood on the Rooftops - Genesis (Guitar intro by Steve Hackett)
Tabbed by Paul Meekin (PMEEKIN@ESOC.BITNET) and Jeff Lo (JEFFREYLO@delphi.com).
The intro up until the vocals was done by Paul Meekin. I have made a
few minor changes to Paul's intro. The rest is my fault. :)
During the verses, I have added a bass staff and some pedal notes below
that. I don't play bass or bass pedals so I probably _really_ screwed
things up there. I just liked the way the bass part sounded.
During the choruses, I just added my best approximation of some guitar
chords to substitue for the synth.
Right after the choruses, there are a couple of measures with two or
three guitars, bass and keyboards weaving a pattern that I haven't
figured out yet.
Please send me any comments, corrections, etc.
to improve upon this.
file:///C|/olga_main/f-g/g/genesis/blood_on_the_rooftops.tab
-|-0-----2-0--0-----2-0--0-----2-0--0-----2-0--0----2-0--0----2-0--0------|
-|----0----------0----------0----------0----------------------------------|
-|------------0---------------------0------------0-------0--0--------0----|
-|------------------------------------------------------------------------|
-|---------------------------------------------3-------------------3------|
-|-0---------------------0------------------------------------------------|
+
*
*
|Faster now...
H H H
H H H
-|-2-0--0-----2-0------7------12-----7-----3--2^3^2^0-2^3^2^0-2-----------|
-|---------0-------0------0--------0--------------------------------------|
-|------0-----2----1---0---------0------0-------------0---------0---------|
-|------------------------------------------------------------------------|
-|------------------------------------------------------------------------|
-|-----------------------------0-----0--------0---------------0-----------|
H H H
H H H
H H H
H H H
-|-0-12------7-----3--2^3^2^0-2^3^2^0-2-----0-5^7^5^0-5^7^5^0-5-----------|
-|---------0--------------------------------------------------------------|
-|-------0------0-------------0----------0------------0----------0--------|
-|------------------------------------------------------------------------|
-|--------------------------------------------0---------------0-----------|
-|----0------0--------0---------------0-----------------------------------|
H H H
H H H
H H
H H H H H
H H
H H H H
-|-0-5^7^5^0-5^7^5^0-5----0-10^12^10-7^9^7^9^7^10-------10^12^10-7^9^7^9^-|
-|----------------------------------------------------0-------------------|
-|-----------0---------0-------------0-------------0-------------0--------|
-|------------------------------------------------------------------------|
-|---0---------------0----------------------------------------------------|
-|---------------------------0------------------0--------0----------------|
H H
|Slower...
-|^7^10---------3------2------2------2------------------------------------|
-|-------------------3------3------3--------------------------------------|
-|-------0---------0------0------0-----0----------------------------------|
-|------------------------------------------------------------------------|
-|------------------------------------------------------------------------|
-|----0---------0---------------------------------------------------------|
-|-3--------2---------2-----2---3---3------------------(2)------2---------|
-|--------3---------3-----3---3/--5-----5-------------------3-------3-----|
-|------0---------0-----0-------------5-------------------2---2---2-------|
-|----------------------------------0-------------------------------------|
-|------------------------------------------------------------------------|
-|-0------------------0---------------------------------3-----------------|
|
|
G|---------------------------------------------------------------------------D|----------2----------------------------------------------------------------A|--------2------------------------------------------------------------------E|-0----------------------------------------------------3--------------------1. Dark and gray,
2. Hypnotised
E|------4----------2---4--------9-----------9--------------------------------B|------5--------4---------4--------9-----9----------------------------------G|------4------4---------4------------9---------------------------------------
file:///C|/olga_main/f-g/g/genesis/blood_on_the_rooftops.tab
D|------6------------------------11------------------------------------------A|------------------------------0-------0------------------------------------E|----0------2---------0-----------------------------------------------------|
|
G|---------------------------------------------------------------------------D|---------------------------------------------------------------------------A|--------------------------------2----/7------------------------------------E|----0------2---------0--------0--------------------------------------------1. We always watch the queen on christmas day
2. You've won the West in time to be our guest
E|-9-----5---2-------2-------------------------------------------------------B|-9-----7-------3-------3---------------------------------------------------G|-9-----6-----2---2---2-----------------------------------------------------D|11-----0-------------------------------------------------------------------A|-0-------------------------------------------------------------------------E|-----------3---------------------------------------------------------------|
|
G|---------------------------------------------------------------------------D|-------0-------------------------------------------------------------------A|---------------------------------------------------------------------------E|-----------3---------------------------------------------------------------D
1. Won't you stay?
2. Name your prize!
E|-2-------------4---1---------------2-------0-------2-------0---------------B|-3-----4-------6---3-----2---------3---3---1---1---3---3---1---1-----------G|-2-----5-------6---3---------2-------0---0---0---0---0---0---0-------------D|-0-----6------(0)--0-------2-----------------------------------------------A|-------4-----------------0-------------------------------------------------E|------(4)--0---------------------------------------------------------------|
|
G|---------------------------------------------------------------------------D|---------------------------------------------------------------------------A|---------------------------------------------------3-----------------------E|-------------------------------------------------3-------------------------D
C# E
D
A
C
E|--3-----------2--------2------2---3---3-----------------------(2)------2---B|--3------3-----------3------3---3---5-----5------------------------3-------3
G|--0----------------0------0-------------5------------------------2---2---2-D|-(2)----------------------------------0------------------------------------A|-(2)-----------------------------------------------------------------------E|-(0)-------------------0---------------------------------------3-----------|
|
G|---------------------------------------------------------------------------D|---------------------------------------------------------0-----------------A|------------------------------2---0----------------------------------------E|---------------------------------------------------------------3-----------D
1. Though your eyes
see shipwrecked sailors you're still dry
file:///C|/olga_main/f-g/g/genesis/blood_on_the_rooftops.tab
2.
Drop of wine,
E|------4----------2---4--------9-----------9--------------------------------B|------5--------4---------4--------9-----9----------------------------------G|------4------4---------4------------9--------------------------------------D|------6------------------------11------------------------------------------A|------------------------------0-------0------------------------------------E|----0------2---------0-----------------------------------------------------|
|
G|---------------------------------------------------------------------------D|---------------------------------------------------------------------------A|--------------------------------2----/7------------------------------------E|----0------2---------0--------0--------------------------------------------1. The outlook's fine though wales might have some rain
2. The grime on the Tyne is mine all mine all mine
E|-9-----5---2-------2-------------------------------------------------------B|-9-----7-------3-------3---------------------------------------------------G|-9-----6-----2---2---2-----------------------------------------------------D|11-----0-------------------------------------------------------------------A|-0-------------------------------------------------------------------------E|-----------3---------------------------------------------------------------|
|
G|---------------------------------------------------------------------------D|-------0-------------------------------------------------------------------A|---------------------------------------------------------------------------E|-----------3---------------------------------------------------------------D
1. Saved again.
2. Five past nine.
1st time only...
E|-9-----------9-----------9---8-----------8-----------8---------------------B|-----9-----9-----9-----9---9-----8-----8-----8-----8---8-------------------G|-------9-----------9---------------9-----------9---------------------------D|--11----11----11----11--------10----10----10----10-------------------------A|-------------0---------------------------0---------------------------------E|-0---------------------------0---------------------------------------------|
|
G|---------------------------------------------------------------------------D|-----------------------------2---------------------------------------------A|---------------------------------------------------------------------------E|-0-------------------------------------------------------------------------1st time only...
E|-7-----------7-------------------4-----------4-----------4-------------------B|-----7-----7-----7-9---7---------------5-----------5-------------------------G|-------9-----------------9-(9\8)-----8-----8-----8-----8---------------------D|---9-----9-----9-----9-------------6-----6-----6-----6-----------------------A|-------------0---------------------------------------------------------------E|-0-------------------------------0-----------0-------------------------------file:///C|/olga_main/f-g/g/genesis/blood_on_the_rooftops.tab (4 of 6) [4/28/2003 9:52:44 PM]
file:///C|/olga_main/f-g/g/genesis/blood_on_the_rooftops.tab
|
|
G|-------------------------------------------------------1-------------------D|-----------------------------------------------2---4-----------------------A|---------------------------------------------2-----------------------------E|-0-----------------------------------------0-------------------------------E|-9-----------9-----------9---8-----------8-----------8---------------------B|-----9-----9-----9-----9---9-----8-----8-----8-----8---8-------------------G|-------9-----------9---------------9-----------9---------------------------D|--11----11----11----11--------10----10----10----10-------------------------A|-0-----------0---------------0-----------0---------------------------------E|---------------------------------------------------------------------------|
|
G|---------------------------------------------------------------------------D|---------------------------------------------------------------------------A|---------------------------------------------------------------------------E|---------------------------------------------------------------------------E|-7-----------7-----------7-------------------------------------------------B|-----7-----7-----7-----7---------------------------------------------------G|-------9-----------9-------------------------------------------------------D|---9-----9-----9-----9-----------------------------------------------------A|---------------------------------------------------------------------------E|-0-----------0-------------------------------------------------------------|
|
G|---------------------------------------------------------------------------D|---------------------------------------------------------------------------A|---------------------------------------------------------------------------E|-0-------------------------------------------------------------------------E|-0--------------------2---------0-----------------------------3------------B|-0--------------------0---------0-----------------------------0------------G|-0--------------------2---------2-----------------------------0------------D|-2--------------------0---------2-----------------------------0------------A|-2--------------------2---------0-----------------------------2------------E|-0--------------------2---------0-----------------------------3------------1.
1.
1.
2.
2.
2.
2.
2.
2.
E|-3------------2-------3--------2-------------------------------------------B|-0------------2-------0--------2-------------------------------------------G|-0------------2-------0--------2-------------------------------------------D|-0------------4-------0--------4-------------------------------------------A|-2------------4-------2--------4-------------------------------------------E|-3------------2-------3--------2--------------------------------------------
file:///C|/olga_main/f-g/g/genesis/blood_on_the_rooftops.tab
1.
2.
2.
E|-4-----------------0--------------------4----------------------2-----------B|-4-----------------2--------------------5----------------------3-----------G|-4-----------------1--------------------4----------------------0-----------D|-6-----------------2--------------------6----------------------2-----------A|-6-----------------0--------------------4----------------------2-----------E|-4-----------------0--------------------4----------------------0-----------1.
2.
For when we got bored, we'd have a world war, happy but poor
2.
-The lower string is plucked very slightly earlier than the top one. Almost
like a grace note.
file:///C|/olga_main/f-g/g/genesis/can_utility_and_the_coastliners.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
from andreas.lemke@arbi.informatik.uni-oldenburg.de
Partial tablature:
Can-Utility and the Coastliners
===============================
taken from the album "Foxtrot" by Genesis.
This is my attempt of transcribing the electric guitar parts at the
end of the song.
- the < at the beginning means a fast fade-in with a volume pedal
- the finger settings in the 2nd and 3rd line are my 'personal note'
I exercised it that way but there surely are better ways for this part
Any suggestions and corrections are highly welcome,
Andreas
< < < < < <
< < < < <
-|12----11----9--------12----14----16-|
-|------------------------------------|
-|---9-----8-----9--------9-----11----|
-|------------------------------------|
-|------------------------------------|
-|------------------------------------|
________________
|1.
||--12-p8-5---2-h3-5---4-7---1-4----------------2-----------------11-14-|
||.--------------------------------2-p0---0-2-----4-2----11-12-14-------|
||--------------------------------------3-------------------------------|
||.---------------------------------------------------------------------|
||----------------------------------------------------------------------|
||----------------------------------------------------------------------|
-|9-9-9-9-10--------12---/14-12-------11-8----|
-|-----------10-9-------------------9------9--|
-|----------------9----9----------8-----------|
-|--------------------------------------------|
-|--------------------------------------------|
-|--------------------------------------------|
-|--------------------------------9--------------4-9-p8-----11-11-11-/13---|
-|9-h11-9-h11-9-h11-9-h11-9-h11-9---5-/9-5---7-4-------------------------9-|
-|------------------------------------------------------8------------------|
-|-------------------------------------------------------------------------|
-|-------------------------------------------------------------------------|
-|-------------------------------------------------------------------------|
____
C
F
C
F
C
F
C
F |1. |
||------------------8------------------------------------|
||.-8--8--10--8--8-----6--6--5---------------------------|
||------------------------------5--5--4-/5--5--5--5---5--|
||.------------------------------------------------------|
||-------------------------------------------------------|
file:///C|/olga_main/f-g/g/genesis/can_utility_and_the_coastliners.tab (1 of 2) [4/28/2003 9:52:44 PM]
file:///C|/olga_main/f-g/g/genesis/can_utility_and_the_coastliners.tab
||-------------------------------------------------------|
Nothing can my peace destroy...
-|------------------------------------------3-5------------|
-|----------------5-------8-5-6-5--------------------------|
-|------------5-7-----------------5-------5--------------5-|
-|--------5-7---------5-----------------5--------2-h3-h5---|
-|3---5-7-----------7-----------------3--------------------|
-|---------------------------------------------------------|
-|-------------0---0-----|
-|---------3-5---------1-|
-|-2-2-3-5-----------0---|
-|-----------------------|
-|-----------------------|
-|-----------------------|
file:///C|/olga_main/f-g/g/genesis/cinema_show.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Newsgroups: rec.music.makers.guitar.tablature
Subject: TAB: intro, Cinema Show, GENESIS
Date: 12 May 93 18:09:19 GMT
Bob Paley
rpaley1@cc.swarthmore.edu
INTRO:
1st guitar:
--17--17--17------15--15--15-------------------------------------20--20--20--18--18--18--18--18--18--18--18----17--17--17-----------------------------------21--21--21----19--19--19--19
---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------2nd guitar:
----6--6--6--------6--6--6--------3---3---3--------3--3--3--------------------------------------------------------------------7--7--7--------7--7--7--------3---3---3--------3--3--3-----0-------------0---------------0---------------0--------------------------------------------------------------------------------------------------------------------------------------1st:
--------------------------------------------------------17--17--17--17----15--15--15----13--13--13--13-----------19--19--19----17--17--17--17----16--16--16-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------2nd:
----1--1--1----------1--1--1--------------------------------------------------------------------------------------2--2--2----------2--2--2--------7--7--7--------------0----------------0--------------0----------------------------------------------------------------------------------------------------------------------------------1st:
---------------------------------------------------------------12--12--12------12--12--12------10--10--10------10--10--10-14--14--14--14--12--12--12--12--12--12--12--12--10--10--10--10
---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------slower
2nd:
-----------------------------------------------------------------------------------------------------------------------------7--7---7--------7--7---7--------5--5--5----------5--5--5--0----------------0--------------0-----------------0------------------------------------------------------------------------------------------------------------------------------------1st:
file:///C|/olga_main/f-g/g/genesis/cinema_show.tab
----------------------------------------------------|-----8--8--8------8-8-8------8--8--8------8-8-8-------|---10-10-10-10---9-9-9-9---10-10-10-10---9-9-9-9------|------------------------------------------------------|------------------------------------------------------|------------------------------------------------------|--a tempo
slow
slower
even slower
2nd:
----------------------------------------------------|------------------------------------------------------|------3-3-3-------3-3-3------3-3-3---------3-3-3------|----5------------5----------5------------5------------|------------------------------------------------------|------------------------------------------------------|--VERSE:
one guitar (I think...)
-----10------10-----10---10--10-------10-----10-----10---10--10
---14------14-----14---14--14-------14-----14-----14---14--14--11------11-----11----------------12-----12-----12------------0-------0------0-----------------0------0------0------------------------------------------------------------------------------------------------------------------------------------------(4X; 2X without vocals, 2X with vocals....)
Home from work, our Juliet..............
Then, 2 guitars again:
1st: Dm
Bb
--5---5-5------5---5-5------6----6-6-------6-------6-6-----------6-----6------6-----6------6------6-------6---------6-----------7-----7__----7-----7__----7(?)---7(?)__--7(?)__----7(?)__-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------I will make my bed,
she said, and turned to go
2nd:
--0-1-0-1-0-1---0-1-0-1-0-1---0-1-0-1-0-1-----0-1-0-1-0-1---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------ONE GUITAR:
___________________ __________________
Bb
C
|1. Dm
| 2. Gmaj7
Am
----6--6----8--8--8--8-----10__--8-10-8-5--|----------------------6--6----8--8--8--8-----10__------------|----To next section
--7---------9--9--9--9-----10__-----------!|------------------------------------------------------------!|-------------------------------------------------------------|-------------------------------------------------------------|------------------1. Can she be late for her cinema show?
2. Can he fail armed with his
chocolate surprise?
From: rpaley1@cc.swarthmore.edu (Bob Paley)
Subject: TAB: Cinema Show (middle section); GENESIS
Bob Paley
rpaley1@cc.swarthmore.edu
file:///C|/olga_main/f-g/g/genesis/cinema_show.tab
Gmaj7
C
chocolate surprise
----7--------7--------7--------7--------8--------8--------8----10-8---7---7----7---7----7---7----7---7----8---8----8---8----8---8--8--8-7--------7--------7--------7--------9--------9--------9-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------Gmaj7
C
Take a little trip back with
Father Tiresias
----7--------7--------7--------7--------8--------8--------8----10-8---7---7----7---7----7---7----7---7----8---8----8---8----8---8--8--8-7--------7--------7--------7--------9--------9--------9-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------Gmaj7
C
----7--------7--------7--------7--------8--------8--------8----10-8---7---7----7---7----7---7----7---7----8---8----8---8----8---8--8--8-7--------7--------7--------7--------9--------9--------9-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------Gmaj7
C
listen to the old one speak
of all he has lived through
----7--------7--------7--------7--------8--------8--------8----10-8---7---7----7---7----7---7----7---7----8---8----8---8----8---8--8--8-7--------7--------7--------7--------9--------9--------9-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------F
Em
D
C
I have crossed between the
poles and for me there's no mystery
----8-------8-------8------8-----7----7----7----5-------------3-------10-10---10-10---10-10--10-10--8-8--8-8--8-8--7-------------5-5----10------10------10-----10------9----9----9----7-------------5-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------B
C#m
B
A
Once a man like the sea I raged once a woman like the earth
--3----3----2------4----4----4----4----4----2-----0----0----0---3-0--5-5--5-5--4------5-5--5-5--5-5--5-5--5-5--4-----2-2--2-2--2-2--2-2-5----5----4------6----6----6----6----6----4-----2----2----2----2----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------A7
A
C
Cdim
I gave but there is in fact more earth than
-----------------3-----0-0--------0----2-------------------2-----2-2--------1----1-------------------2-----2-2--------0----2-------------------2-----2-2--------2----1------------------------------------3-----------------------------------------3--------
file:///C|/olga_main/f-g/g/genesis/cinema_show.tab
________________________________________...........
| 1st ending(quiet interlude)
|sea
||-------13----13----13----13----13-||-||-------0----0----0----0----0-||
||-----11----11----11----11----11---||-||-----12---12---12---12---12--||
|| -0------------------------------ ||-|| --14---14---14---14---14--- ||
|| --12----12----12----12----12---- ||-|| -0------------------------- ||
||----------------------------------||-||-----------------------------||
||-----------(repeat 4X)------------||-||----------(repeat 4X)--------||
(first guitar)
||---6---8---10---8---10---8--------||-||--13--15--13--15--13--15-----||
||---8---10--11---10--11---10-------||-||-----------------------------||
|| -------------------------------- ||-|| --------------------------- ||
|| -------------------------------- ||-|| --------------------------- ||
||----------------------------------||-||-----------------------------||
||-----------(repeat 4X)------------||-||---------(repeat 4X)---------||
(second guitar)
(this seems to fade out of the mix)
[REPEAT THE SECTION ABOVE 3X, then, only one guitar for the next part]
||-------0------0-------0-------0----------0-------0------0-------0--||
||-----6------6-------6-------6----------6-------6------6-------6----||
|| --7------7-------7-------7----------7-------7-------7------7----- ||
|| 0------0-------0-------0----------5-------5-------5------5------- ||
||-------------------------------------------------------------------||
||-------------------------------------------------------------------||
(Repeat 4X; 2X without vocals, 2X with CSN-like vocals)
-----0----0----0----0------0----0----0----0------------------------------6----6----6----6------8----8----8----8------------------------------7----7----7----7------9----9----9----9-----back to verse (Gmaj7)
--8----8----8----8-----10---10---10---10-----------------------------------------------------------------------------------------------------------------------------------------------------------------------_______________________________________
| 2nd ending (instrumental..)
| (Strum chords)
G
Gmaj7
C(choke)
Gmaj7
Gm
Eb
file:///C|/olga_main/f-g/g/genesis/dancin_with_the_moonlight.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: asa@civ.bio.unipd.it (Moretto Maurizio)
I'm not sure that words and chords are ok, perhaps the tune
is wrong (it's an 15 years old job). Correction are welcome.
DANCING WITH THE MOOLIGHT KNIGHT
GENESIS
Can you tell me where my coutry lies?
Said the unifaun to his true love's eyes
Dm
Am
It lies with me cried the queen of maybe
Dm
Bb
Dm
Am Bb
For her merchandise he traded in his prize
C
F
Paper late - cried a voice in the crowd
old man dies
C
Dm
C
The note he left was signed old father thames it seems he's drowned
Dm
Bb
Gm
Dm
Dm Am Bb7 Dm
Selling England
by
the pound
C
Bb
C
F
Citizens of hope and glory time goes by it's the time of your life
F
C
Easy now sit you down
chewing through you wimpey dreams
Dm
C
Dm
Bb
C
Dm
they eat without a sound
disgesting England by the pound
Dm Am Bb Dm x3
Dm
Am
Bb
Dm
Am
Young man says "You are what you eat, eat well"
Dm
Am
Bb
Dm
Am
Old man says "You are what you wear, wear well"
Dm
Am
Bb
Dm
Am
You know what you are you don't give a damn
Dm
Am
Bb
Bursting your belt that is your home-made sham
C
The captain leads his
F
G
A
D7
G
Dance right on through the night
join the dance
G
D
Follow on
G
D
Follow on
F
C
Dancing out
Gm
Knight soft
G
D
G
D
Em
till the grail sunset in the mould
G
D
C
till the gold is cold
F
Gm F
C
with the moonlight knight
Eb
F
G
the greenshield stamp and shout
Bb
Dm
Bb
Dm
Bb
Dm
MTM
Strum (?)
Dm
Am
Bb
Dm
Am
Bb Dm
There's a fat old lady outside the saloon
Dm
Am
Bb
Dm
Am
Bb Dm
Laying out a credit cards she play fortune
Dm
Am
Bb
Dm
Am
Bb Dm
The desk is uneven right from the start
Dm
Am
Bb
C
file:///C|/olga_main/f-g/g/genesis/dancin_with_the_moonlight.crd (1 of 2) [4/28/2003 9:52:45 PM]
file:///C|/olga_main/f-g/g/genesis/dancin_with_the_moonlight.crd
G
D
G
D
Em
will a twist of the world we go
G
D
C
till the gold is cold
F
Gm
F
C
with the moonlight knight
Eb
F
G
the greenshield stamp and shout
-+ - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - +
| Maurizio Tiziano Moretto
system07@cribi1.bio.unipd.it |
| CIS Vallisneri - Universita' di Padova
asa@civ.bio.unipd.it |
+ - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - +
file:///C|/olga_main/f-g/g/genesis/firth_of_fifth.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
FIRTH OF FIFTH -- the chords!
In B, five sharps, chords are *above* the words they belong to.
Firth Of Fifth
----- -- ----B
The path is clear
A 6/9
E/G#
Though no eyes can see
B
Em/G#
F#m7 F#m
The course laid down long be
Bsus4
fore.
B7
E
F#m7/E (ugh!)
And so with gods and men
Bm/D
Cmaj7/D (ugh again!)
The sheep remain inside their pen,
G
E
Bb dim
Though many times they've seen the way to leave.
This is exactly the same as above. They're written both together, one
verse under the next.
||:
He rides majestic
Past homes of men
Who care not or gaze with joy,
To see reflected there
The trees, the sky, the lily fair,
The scene of death is lying just below.
:||
E
A
Emaj7
A
The mountains cuts off the town from view,
Bbm
Ebm
Bb7
Eb
Like a cancer growth is removed by skill.
Eb/F F
Let it be
re
G
vealed.
Bb/C
Cm/F
A waterfall, his madrigal.
E6
B
An inland sea, his symphony.
Instrumental passage before Undinal: E6 B C#m7/F# (ugh!)
B
Undinal songs
A 6/9
E/G#
Urge the sailors on
file:///C|/olga_main/f-g/g/genesis/firth_of_fifth.crd (1 of 2) [4/28/2003 9:52:46 PM]
file:///C|/olga_main/f-g/g/genesis/firth_of_fifth.crd
B
Em/G
Asus4
D
C#m7 F#
Till lured by sirens' cry.
No music for these verses, they're listed only as lyrics.
Now as the river dissolves in sea,
So Neptune has claimed another soul.
And so with gods and men
The sheep remain inside their pen,
Until the Shepherd leads his flock away.
The sands of time were eroded by
The river of constant change.
file:///C|/olga_main/f-g/g/genesis/firth_of_fifth.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Here's my attempt at a favorite Steve Hackett guitar solo from Genesis'
"Selling England by the Pound," a classic from the Peter Gabriel era.
This is the guitar solo in "Firth of Fifth." Genesis fans would probably
agree that this is one of Hackett's finest moments.
I'm not saying the tab is perfect. In fact, it's incomplete, and it's a
simplified version. But it sounds pretty good along with the record.
Send flames and other comments to bt16@andrew.cmu.edu.
Standard tuning.
/=slide up
\=slide down (occasionally slide down to nothing)
p=pull off
h=hammer on
v=vibrato (use liberally on this song)
t=trill; I accomplish the trill on this song with my version of fret
tapping, basically hitting the G string at the 4th fret and tapping it
at the 7th fret with my right index finger.
--14----------------------------------------------------------------------12---------------------------15/17--17--17--17\7------------------------11/12\11----------12p11-------------------------------------------------------12--14--------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------10/12--12--12--12--12\3---15/17--17--17--17--17\7--12\3--5--7--8---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------10--12--14b15--14b15b14-------------------------12--13--12--10--12------------------------------4t7--7/9/11/12--14----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------12--11---12--13\7b8v\--12--12--13------13------13------12-----------12---------------------------------14------12------11-----------12----------------------------------------------------------------14---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------12--10--12p10h12------------------------------------------------------------------------------------------------------11--12--14----------------------12--14/16--14--10--12/14--13--14--------------------------------------------------------------------------------------------------------------------------------------------------file:///C|/olga_main/f-g/g/genesis/firth_of_fifth.tab (1 of 2) [4/28/2003 9:52:46 PM]
file:///C|/olga_main/f-g/g/genesis/firth_of_fifth.tab
--------------12--14b15--14b15b14-----------------------------------12--13--15-----------------------12--13\7b8v\--12--12--13---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------12--11----------------------------13------13------12----------12----------12--10--12p10h12\------14------12------11----------12------------------------------------------------------------14----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------12--14/16--14--10--12/14--13--14---------------------------------------------------------------------------------------------------------------------------------------------------------------------
file:///C|/olga_main/f-g/g/genesis/follow_you_follow_me.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Follow You Follow Me
(Genesis)
G
Gmaj7
Gmaj7
G
Am
G
Am
Stay with me, my love I hope you'll always be
Dm
G
C
Am7
D
Right here by my side, if ever I need you, oh my love
G
Am
G
Am
In your arms, I feel so safe and so secure
Dm
G
C
Am7
D
Every day is such a perfect day to spend, alone with you
G
Gmaj7
C
D
I will follow you if you follow me
G
Gmaj7
C
D
All the days and nights that we know will be
G
Am
D7
B7
I will stay with you if you stay with me
Em
G
C
D
single tear in each passing year
Just one
G
Am
G
Am
With the dark, oh I see so very clearly now
Dm
G
C
Am7
D
All my fears are drifting by me so slowly now, fading away
Am
G
Am
I can say, the night is long but you are here
Dm
G
C
Am7
D
Close at hand though I'm better for the smile you give, and while I live
G
Gmaj7
C
D
I will follow you if you follow me
G
Gmaj7
C
D
All the days and nights that we know will be
G
Am
D7
B7
I will stay with you if you stay with me
Em
Just one
G
C
D
single tear in each passing year
Gmaj7
Am
D7
/
/
D
B7
/
/
Gmaj7
Em
/
C
C
/
/
D
G
Gmaj7
C
D
I will follow you if you follow me
G
Gmaj7
file:///C|/olga_main/f-g/g/genesis/follow_you_follow_me.crd
G
C
D
single tear in each passing year
-=-=-=-=-=-=-=-=-=-=- Put your problems out with the cat -=-=-=-=-=-=-=-=-=-=Written by:
Mick Anderson
micka@jolt.mpx.com.au
-=-=-=-=-=-=-=-=- Must be lamb today cause beef was last week =-=-=-=-=-=-=-=-
file:///C|/olga_main/f-g/g/genesis/for_a_while.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
For A While
(Tony Banks)
C
Em
Am
Em
Am
C
Em Am F
C
Em
I feel it leading me,
away to I don't know where
Am
C
Em Am
F
Bb7
Cmaj7(3rd fret)
I might be back someday,
but the people and things will change
Eb
Dm
C /
And no one will remember me then
Em
Am
C
Em Am
F
C
Em
Don't need no sympathy,
for soon I'll forget everything
Am
C
Em Am
F
Bb7
Cmaj7(3rd fret)
I feel it fading now,
and I see in the eyes of my love
Eb
Dm
C /
Tears for how it might have been
Cm
Ab
Gm
Csus Cm
It sure felt good for a while,
Ab
Gm
Csus
yes it was good for a while
Cm
Ab
Gm
Fm
Gm
Fm
Gm
C Em
I found somebody to take my hand to the promised land of your love
C
Em Am
F
C
Em
Now as the night draws in,
a dark with no promise of dawn
Am
Am
C
Em Am
F
Bb7
Cmaj7(3rd fret)
I feel my eyes grow dim,
as I see in the eyes of my love
Eb
Dm
C /
Tears for how it might have been
Cm
Ab
Gm
Csus Cm
It sure felt good for a while,
Ab
Gm
Csus
yes it was good for a while
Cm
Ab
Gm
Fm
Gm
Fm
Gm
Csus
I found somebody to take my hand to the promised land of your love
Ab
Gm
Csus Cm
Yes it was good for a while,
Ab
Gm
Csus
it sure felt good for a while
Ab
Cm
Gm
Fm
Gm
Fm
Gm
C Em
I found somebody to take my hand to the promised land of your love
C
Em
Am
Cm
Am
/
]
-=-=-=-=-=-=-=-=-=-=- Put your problems out with the cat -=-=-=-=-=-=-=-=-=-=Written by:
Mick Anderson
micka@jolt.mpx.com.au
-=-=-=-=-=-=-=-=- Must be lamb today cause beef was last week =-=-=-=-=-=-=-=-
file:///C|/olga_main/f-g/g/genesis/guide_vocal.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Guide Vocal
(Genesis)
Eb
Bbm7
Ab
I am the one who guided you this far
Bb
Gm
Dm
All you know and all you feel
Em
Am
Nobody must know my name
Dm
Ab
Eb
For nobody would understand and you kill what you fear
Bbm7
Ab
I call you for I must leave
Bb
Gm
Dm
You're on your own until the end
Em
Am
There was a choice but now it's gone
Dm
G
Fmaj7 Dm
A
I said you wouldn't understand take what's yours,
and be damned
-=-=-=-=-=-=-=-=-=-=- Put your problems out with the cat -=-=-=-=-=-=-=-=-=-=Written by:
Mick Anderson
micka@jolt.mpx.com.au
-=-=-=-=-=-=-=-=- Must be lamb today cause beef was last week =-=-=-=-=-=-=-=-
file:///C|/olga_main/f-g/g/genesis/heathaze.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Heatwave
(Genesis)
Bm
C#7
Bm
Em7
B
E
No cloud, a sleepy calm
A
F#m
G#m
B
Sunbaked earth that's cooled by gentle breeze, and trees
F#m
B
Bm
C#7
With rustling leaves, only endless days without a care
Bm
Em7
Nothing must be done
B
E
Silent, as a day can be
A
F#m
G#m
B
Far off sounds of others on their chosen run
F#m
B
Bm
C#7
As they do, all those things they feel give a life some meaning
Bm
Em7
Even if they're dull
D
Am
D
Am
It's time to stop this dreaming, must rejoin the real world
D
Am
D
Am
As revealed by orange lights and a smoky atmosphere
C
Bb
Bb
D7
F#
Ebm
B
Bbm
C#
The trees and I are shaken by, the same winds but whereas
B
Ebm
The trees will lose their withered leaves
Bbm
G#m
I just can't seem to let them loose
Ebm
B
Bbm
C#
And they can't refresh me, those hot winds of the south
B
C#
B
C#
Oh I feel like an alien, a stranger in an alien place
B
E
A
F#m
Now the light is fading fast, chances slip away
G#m
B F#m
B
A time will come to pass,
when there'll be none
Bm
C#7
Bm
Em7
Then addicted to a perfumed poison, betrayed by its aftertaste
D
Am
D
Am
Oh we shall lose the wonder and find nothing in return
D
Am
D
Am
Many are the substitutes but they're powerless on their own
C
Bb
Bb
D7
F#
Ebm
B
Bbm
C#
Beware the fisherman who's casting out his line
B
Ebm
Into a dried up river bed
file:///C|/olga_main/f-g/g/genesis/heathaze.crd
Bbm
G#m
But don't try to tell him cos he won't
Ebm
B
Throw some bread to the ducks instead,
B
Ebm
Bbm
I feel like an alien, a stranger in an
believe you
Bbm
C#
it's easier that way
G#m
alien place
Ebm
B
Bbm
C#
The trees and I are shaken by, the same winds but whereas
B
Ebm
The trees will lose their withered leaves
Bbm
G#m
I just can't seem to let them loose
Ebm
B
Bbm
C#
And they can't refresh me, those hot winds of the south
B
Ebm
Bbm
G#m
I feel like an alien, a stranger in an alien place
Ebm
Bbm
C#
Ebm
Bbm
G#m
/
]
-=-=-=-=-=-=-=-=-=-=- Put your problems out with the cat -=-=-=-=-=-=-=-=-=-=Written by:
Mick Anderson
micka@jolt.mpx.com.au
-=-=-=-=-=-=-=-=- Must be lamb today cause beef was last week =-=-=-=-=-=-=-=-
file:///C|/olga_main/f-g/g/genesis/home_by_the_sea.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From cbk8702@hertz.njit.edu (christopher b king bmed stnt)
Subject: CRD: Home By The Sea by Genesis
Date: 27 Mar 94 14:22:20 GMT
Here's some newer Genesis material I've figured out recently.
Questions, comments, corrections all welcome.
Please respond by email as I normally don't have the time to
read news.
----------------------------------------------------------------------SONG: Home By The Sea
----------------------------------------------------------------------(intro) 4 bars of Em. I usually play it on the 7th fret.
Em
D
Creeping up the blind side, shinning up the wall
D
Em
stealing thru the dark of night
Em
D
Climbing thru a window, stepping to the floor
D
Em
checking to the left and the right
Em
D
Picking up the pieces, putting them away
D
C
Am
something doesn't feel quite right
Em
C
Am
Em
Help me someone, let me out of here
C
Am
D
Bm
then out of the dark was suddenly heard
C
Am
Em
welcome to the Home by the Sea
Coming out the woodwork, thru the open door
pushing from above and below
shadows without substance, in the shape of men
round and down and sideways they go
adrift without direction, eyes that hold despair
then as one they sign and they moan
Help us someone, let us out of here
living here so long undisturbed
dreaming of the time we were free
so many years ago
before the time when we first heard
welcome to the Home by the Sea
Em
G
Bm
D
Sit down Sit down
Em
G
Bm
as we relive out lives in what we tell you
file:///C|/olga_main/f-g/g/genesis/home_by_the_sea.crd
a.k.a. cbk8702@hertz.njit.edu
"why me?"
file:///C|/olga_main/f-g/g/genesis/horizons.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Thu, 1 Apr 1993 12:44:58 EST
From: <LCORBETT@MAINE.MAINE.EDU>
Subject: HORIZONS BY STEVE HACKETT
-----------------------------|-----------------------------|
-----------------------12----|-----------------------------|
------------------12---------|---------12-------------12---|
-------------12--------------|----------------12-----------|
-----------------------------|---7-------------------------|
------7----------------------|-----------------------------|
-----------------------------|-----------------------------|
------------------------12---|-----------------------------|
------------------12---------|---------12------------12----|
-----------12----------------|----------------12-----------|
-----------------------------|---7-------------------------|
----7------------------------|-----------------------------|
-----------------------------|------------------------------|
----------------------12-----|-------------------0----------|
---------------12------------|------------------------2-----|
---------12------------------|---------0--------------------|
-----------------------------|------------------------------|
---7-------------------------|----3-------------------------|
-----------------------------|-------------------------------|
----0------------0-----------|--------------------0----------|
-----------------------0-----|--------------------------2----|
---------0-------------------|-----------0-------------------|
-----------------------------|-------------------------------|
-----------------------------|---3---------------------------|
-----------------------------|------------------------------|
------0---------------0------|------------------1-------0---|
--------------------------0--|------------------2-----------|
------------0----------------|---------2--------------------|
-----------------------------|---0--------------------------|
-----------------------------|------------------------------|
-----------------------------|------------------------------|
---1---------------1---------|-------------------1------0---|
-----------------------------|-------------------2----------|
----------2------------------|--------0---------------------|
---0-------------------------|------------------------------|
-------------------3-----0---|---2--------------------------|
repeat marks
-----------------------------|------------------0-----------|
------0----------------------|----0-------------------------|
---------------------2-------|------------------------------|
------------0------------0---|----------0---------------0---|
-----------------------------|------------------------------|
------3----------------------|------------------------------|
-----------------------------|-----------------------------|
----3-------------------0----|--------1---------------0----|
-----------------2-----------|--------2---------------0----|
----------0------------------|-----------------------------|
file:///C|/olga_main/f-g/g/genesis/horizons.tab
-----------------------------|-----------------------------|
---2-------------------------|-----------------------------|
-----0----------------2------|--3----------------5-------|
-----1---------3------3------|--3----------------5-------|
---------0-------------------|--0----------------5-------|
-------------------0------0--|---------------------------|
-----3-----------------------|--2----------------3-------|
---------------2-------------|---------------------------|
---7---------10-----|---7---------5------|---3----------3-----|
---8----------------|---7-------------4--|-------0---------0--|
---7----------------|-------------4------|--------------------|
---0----------------|-------------4------|--------------------|
--------------------|---6---7------------|--------------------|
--------------------|--------------------|---0----------------|
|---|
-----0-----7---5---3---2----|---0-----------------0--------|
----------------------------|------------0-----------------|
-----0----------------------|--------------------------0---|
---------------0------------|------------------------------|
----------------------------|---3--------------------------|
----------------------------|------------------------------|
----------------------------|---0------3-------2------2----|
---0-------------------0----|---------------------2------2-|
-------------------0--------|------------------------------|
-------2--2----4------------|------------------------------|
----------------------------|-------------------1----------|
----------------------------|------------------------------|
---2--------------3--------|----2---------------3---------|
---------3-------------3---|----------3--------------3----|
------------------0--------|--------------------0---------|
---------------------------|------------------------------|
---2-----------------------|----2-------------------------|
---------------------------|------------------------------|
________________________________________________________
| 1
|
|
|
--2--2--------------3-------|----2------------3----------||
----------2-------------2---|----------2------------2---.||
--------------------0-------|-----------------0----------||
----------------------------|---------------------------.||
-----1----------------------|----1-----------------------||
----------------------------|----------------------------||
_________________________________________________________
| 2.
|
|
|
-----2----------3-----------|-----2-------------0--------|
----------2-----------2-----|-------------------------0--|
----------------0-----------|----------------------------|
----------------------------|----------------------------|
-----1----------------------|-----1----------------------|
----------------------------|-------------------4--------|
||-------------------------|----------------------------|
||.---1---------------0----|----1------------3----------|
||---------------2---------|-----------------------2----|
file:///C|/olga_main/f-g/g/genesis/horizons.tab
||.-------2----------------|----------0-----------------|
||----0--------------------|----------------------------|
||-------------------------|----2-----------------------|
_____________________________
| 1
|
---------------------------|--------------------0-------||
----0----------------------|---0-------------------0---.||
-------------0-------2-----|---------0------------------||
--------0------------------|---------------------------.||
---------------------------|----------------------------||
----3----------------------|---2----------------4-------||
____________________________
| 2
|
-------------------0--------|-------------------2---------|
--0----------------1--------|----3--------------3---------|
--------0---------------0---|-----------------------------|
----------------------------|----------0--------------0---|
-------------------3--------|-----------------------------|
----------------------------|----2------------------------|
----3-------5-----|---7---------|----5------------------|
----3-------5-----|---8---------|----5------------------|
----0-------5-----|---7-----7---|----5----------7-------|
------------------|---0---------|----0------------------|
----2-------3-----|-------------|-----------------------|
------------------|-------------|-----------------------|
----3----------------------|------5--------------|
----3----------------------|------5--------------|
----4--------------7-------|------5--------------|
----0----------------------|------0--------------|
---------------------------|---------------------|
---------------------------|---------------------|
-----7------8------10------|----------10-------10-----|
---------------------------|----10--------------------|
-----0---------------------|--------------------------|
---------------------------|--------------------------|
---------------------------|--------------------------|
---------------------------|--------------------------|
-----------------10--------|--------------------------|
-----8---------------------|-------10-----------------|
---------------------------|--------------------------|
---------------------------|--------------------------|
---------------------------|--------------------------|
---------------------------|--------------------------|
---------------------------|-------------------------|
-------12------------------|-------------------------|
-------------------7-------|-----------------7-------|
---------------------------|-------7-----------------|
---------------------------|-------------------------|
---------------------------|-------------------------|
---------------------------|-------------------------|
---------------------------|-------------------------|
-------12-----------7------|-----------------7-------|
---------------------------|------7------------------|
---------------------------|-------------------------|
file:///C|/olga_main/f-g/g/genesis/horizons.tab
---------------------------|-------------------------|
*D.C.
Repeat the first 12 measures
then first 5 measures
end on first note of measure 6
file:///C|/olga_main/f-g/g/genesis/illegal_alian.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: cbk8702@hertz.njit.edu (christopher b king bmed stnt)
Subject: CRD: Genesis, "Illegal Alien"
Date: 29 Apr 94 15:08:30 GMT
A while ago someone posted a request for this, so here it is:
Intro(which is like the chorus)
Bb
Eb | Bb
Eb F|
x4
Lyric
G
D
Bb
F
Got out of bed, wasn't feeling too good
C
Cm
Bb
With my wallet and my passport, a new pair of shoes
G
D
Bb
F
The sun was shining so I head for the park
C
Cm
Bb
With a bottle of tequila and a new pack of cigarrettes
I got a cousin, and sge got a friend
Who thought that her aunt knew a man who could help
At his apartment, I knock on the door
He wouldn't come out until he got paid
Pre-chorus
Bb
Eb
Bb
Eb
Bb
Eb
Now don't tell anybody what I wanna do
Bb
Eb
Bb Eb
Eb
Bb
If they find out, you know that they'll never let me through
Chorus
Bb
Eb
Bb Eb
F Bb
Eb
Bb
Cos it's no fun being an illegal alien
Eb
F
(X2 or however many you feel like)
Eb
|D
|A
x2
file:///C|/olga_main/f-g/g/genesis/illegal_alian.crd
then back to pre-chorus and chorus. Lyrics I left out can be found
at uwp among other places.
Enjoy!
-=Chris
-Chris King
a.k.a. cbk8702@hertz.njit.edu
"why me?"
file:///C|/olga_main/f-g/g/genesis/in_hiding.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: cbk8702@hertz.njit.edu (christopher b king bmed stnt)
Subject: CRD: In Hiding (Genesis)
Date: 24 Oct 93 17:14:28 GMT
Here it is, as promised- another very old Genesis tune:
In Hiding
Genesis, _From Genesis to Revelation_
(chorus)
Em
A7
Pick me up, put me down
Em
A7
Push me in, turn me round
Em
A7
Switch me on, let me go
Em
A7
D
I have a mind of my own
D
In hiding
F#M
G
Em
C
Far from the city of night
D7
G
and the factories of truth
Bm
I stand upon the mountain
Am
D7
A million miles from my home
G
And the faces of fear
A7sus4
A7
I have freedom to think
D
In hiding
I may take off my clothes
that I wear on my face
I float upon the river
A million miles from the plains
that are piercing the clouds
I am lost in the beauty
D
In hiding
(chorus)
file:///C|/olga_main/f-g/g/genesis/in_hiding.crd
G A7sus4
A7
I wish you were here
In hiding
I lie silent at last
I'm free from my past
I walk among the tall trees
This is beauty I know
I'm in love with it all
I have freedom to love
In hiding
(chorus)
(chorus)
On the second time thru the chorus, slow down to the end on the final line
to the D chord.
Hope you enjoy it. I'll post more as I figure 'em out.
-Chris
file:///C|/olga_main/f-g/g/genesis/jesus_he_knows_me.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: lvvo@fs1-par.oce.nl (Robert van Vonderen)
I seem to remember there's one chord wrong somewhere, B->Bb or Eb->E
or something like that...
{t: Jezus He Knows Me}
{st: Genesis}
#transcribed by Robert van Vonderen, rvvonder@iaehv.nl
{c:intro(keyboard)}
[Bb]
[Ebm]
[C#]
[Bbm]
[Ebm]
[Ebm]Do you see the face [C#]on the TV [Bbm]screen coming at you [Ebm]every Sunday
[Ebm]See the face on the [C#]billboard, [Bbm]that man is [Ebm]me
[Ebm]On the cover of the [C#]magazine, [Bbm]there's no question [Ebm]why I'm smiling
[Ebm]You buy a piece of [C#]paradise, [Bbm]you buy a piece of [Ebm]me
[C#]I'll get you [Eb]everything you wanted (oohoh)
[C#]I'll get you [Eb]everything you need (oohoh)
[C#]Don't need to be[Eb]lieve in hereafter (oohoh), [C#]just believe in [Eb]me
{c:chorus}
{start_of_chorus}
'cos [Abm]Jezus He [C#]knows me, and He [F#]knows I'm [B]right
[Abm]I've been talking to [C#]Jezus [F#]all my [B]life
[Abm]Oh yes, He [C#]knows me, and He [F#]knows I'm [B]right
[Abm]And He's been [C#]telling me [Eb]everything's (gonna be) allright
{end_of_chorus}
I believe in the family with my ever loving wife beside me
But she don't know about my girlfriend or the man I met last night
Do you believe in God, 'cos that's what I'm selling
And if you wanna go to heaven, I'll see you right
You won't ever have to leave your house (oohoh)
Or get out of your chair (oohoh)
You don't even have to touch that dial (oohoh), 'cos I'm everywhere
{c:chorus}
{c:bridge}
[Ebm]
[Gm]Won't find me [Bb]practising [Dm]what I'm [Gm]preaching
[Gm]Won't find me [Bb]making no [Dm]sacri[Gm]fice
[Gm]But I can [Bb]get you a [Dm]pocketful of [Gm]miracles
[Gm]If you promise to be [Bb]good, [Dm]try to be [Gm]nice
[Ab]God will take good care of [Gm]you
Just [Ab]do as I say, don't do as I [Bbsus]do
-- keys[Bb]
file:///C|/olga_main/f-g/g/genesis/jesus_he_knows_me.pro
{c:chorus}
{c:fade}
-Robert van Vonderen (lvvo@oce.nl) - Oce Nederland B.V. - tel: (+31 77-59)4003
+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+
[30]
I haven't lost my mind, it's around here somewhere.
-- Topher G. Eliot
file:///C|/olga_main/f-g/g/genesis/lamb_lies_down_on_broadway.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Here's a classic for Genesis/Gabriel fans. Has anyone transcribed the
keyboard intro for guitar? It would make a nice addition to this file.
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
Artist: Genesis
~Title: The Lamb Lies Down On Broadway
Album: The Lamb Lies Down On Broadway (1974)
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
THE LAMB LIES DOWN ON BROADWAY
Words and Music by
Tony Banks, Phil Collins, Mike Rutherford,
Peter Gabriel, and Steve Hackett
Chord Voicings:
Asus2 Amaj7 Bb Bsus4 C# C#m D6 Dmaj7 Dmaj7/C#
e---0-----0---1----2---4---4---2----2------2---B---0-----2---3----5---6---5---0----2------3---G---2-----1---3----4---6---6---2----2------x---D---2-----2---3----4---6---6---0----0------x---A---0-----0---1----2---4---4---x----x------4---E---x-----x---x----x---x---x---x----x------x---E Eb Ebm7 E5 Emaj7 Esus2 F#m6 G#m
e--0--3---2---4----4-----0----2----4-B--0--4---2---5----4-----0----2----4-G--1--3---3---3----4-----4----2----4-D--2--1---1---2----2-----4----1----6-A--2--x---x---x----x-----2----x----6-E--0--x---x---x----x-----0----2----4-Moderately Bright
4/4 time
Key of E (four sharps)
[Intro]
~~~~~
|
And the
|
___
on
|Bb
|
lamb_______________
|Esus2
Broad
lies
|
-
|Bsus4
|
down_____________
|
[Verses 1, 2, and 3]
~~~~~~~~~~~~~~~~~~
|: Esus2
1. Ear - ly
morn - ing
2. Night-time's fly - ers
3. Su - zanne
tired,_ her
way.
|
Man
feel____
work____
|Esus2
|
hat
their
all
tan,___
pains._
done,__ thinks
|
o - cean
Drug
mon - ey,
winds
store
hon
-
blow
takes
ey,
|
on
down
be
the
the
on,
land.______
chains.____
ne - on.___
file:///C|/olga_main/f-g/g/genesis/lamb_lies_down_on_broadway.crd
|G#m
Mov - ie
Met - al
Cab - man's
|
Pal - ace is
now
un - done.___
mo - tion
comes in
bursts,_
vel - vet glove sounds the horn,___
The
|Asus2
all - night
gas
sta saw - dust
|
The
but
and
the
the
watch - men
have
tion_
can
king_
spits
|G#m
Sleep - ing
pen - sion
Won - der
had
quench
out
their
that
his
fun.____
thirst._
scorn.__
Sus -
|
cheap - ly on
cracked___
wom - en,
|Asus2
same
old
truck- er's
look
at
the
on
mid - night
un - made
draw your
show,___
road.___
blind!__
|
end eyes
me!
ing;
read
I'm
|E
____
time
to
"o - ver not your
go._____
load."__
kind.___
it's
the
The
Don't
|
Get out!___
I'm Rael!__
|E5
|
It
And
out
of
the
sub - way,
____
|Eb
|
seems they can - not leave____
their
Ra - el
Im - pe - ri - al
Aer - o Some-thing in - side
me
has
just be -
|Ebm7
some-thing
ex - its
Lord
|
mov - ing in the
side - walk
in
- to day-light, spray gun
knows__
what
I
have
|
dream.___
sol Kid_
gun._____
There's
|
steam.__
hid.____
done.___
And
And
And
|Bb
|
lamb_________________________________
lamb_________________________________
lamb_________________________________
lies
lies
lies
|Bsus4
|
down_________________________________
down_________________________________
down_________________________________
on
on
on
the
the
the
{ *
{ &
{ #
|
*
&
#
go to |1.
}
go to |2. [Bridge] }
go to |3. [Outro] }
_____________________________________________________________________
|1.
|Esus2
|
|
Broad
way.
|
:|
file:///C|/olga_main/f-g/g/genesis/lamb_lies_down_on_broadway.crd
|Esus2
Broad
way.
|Amaj7
lamb
seems
right
|Emaj7
Broad
way
place,
yet
the
scene
finds
|
in
its
face.
|
it's
ly - ing
there,
brings
|
-
ness
to
|C#m
man
the
air.
Though
Dmaj7/C# |C#m
made
light,
Dmaj7/C#
white
D6
-
|Dmaj7
vic -
wash
|
at
Dmaj7/C#
|C#m
ver - y
bright,_____
is
|Dmaj7
no
|Amaj7
ne -
of
street
cus
|F#m6
Some - how
|C#m
night
|
out
|
-
|Amaj7
fo
-
|C#
still
|
The
Dmaj7/C#
|
there's
D6
tim,
as
the
|
ons
dim,____
to
|E
white.
|E5
|Eb
Ra - el
|
Aer - o
sol
|
got - ten what he
did.
lies
|
____
on
of
|
Im - pe
ri - al
|
his
gun --
he's
for -
|Bb
|
the lamb______________________________
And
|
____
coat
|Ebm7
wipes
Kid,
the
|Bsus4
|
down______________________________
|Esus2
Broad
|
|
-
way.
[Outro]
~~~~~
_____________________________________________________________________
|3. Repeat and fade
|: Esus2
|
|
Broad
way.
On
|
|
Broad
way.
:|
On
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
file:///C|/olga_main/f-g/g/genesis/lamb_lies_down_on_broadway.crd
| Frank Palcat
| ac365@freenet.carleton.ca |
| Ottawa, Ontario, Canada
| /\/\/\/\/\/\/\/\/\/\/\/\/\|
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
file:///C|/olga_main/f-g/g/genesis/many_too_many.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Many Too Many
(Genesis)
C#m
G#m
F#m
G#m
C#m
G#m
F#m
G#m
Many too many have stood where I stand
C#m
G#m
F#m
Many more, will stand here too
G#m
F#
C#
I think what I find strange is the way
D#m
G
F#
You built me up and knocked me down again
C#m
G#m
F#m
The part was fun but now it's over
C#m
G#m
F#m
Why can't I just leave the stage?
G#m
G#m
F#
C#
Maybe that's because you securely
D#m
G
D
Locked me up and threw away the key
G D
G
Oh mama, please would you find the key
G D
G
D
Oh pretty mama, please won't you let me go free
F#m
I thought I was lucky,
F#m
F#m
B
I thought that I'd got it made
F#m
G#
How could I be so blind?
C#m
G#m
F#m
G#m
You said goodbye on a corner
C#m
G#m
F#m
G#m
That I thought led to the straight
F#
C#
You set me on a firmly laid
D#m
G
D
And simple course and then removed the road
G D
G
Oh mama, please help me find my way
G D
G
D
Oh pretty mama, please lead me through the next day
F#m
I thought I was lucky,
F#m
B
I thought that I'd got it made
F#m
file:///C|/olga_main/f-g/g/genesis/many_too_many.crd
F#m
G#
How could I be so blind?
C#m
G#m
F#m
Oh oh
G#m
C#m
G#m
F#m
G#m
C#
-=-=-=-=-=-=-=-=-=-=- Put your problems out with the cat -=-=-=-=-=-=-=-=-=-=Written by:
Mick Anderson
micka@jolt.mpx.com.au
-=-=-=-=-=-=-=-=- Must be lamb today cause beef was last week =-=-=-=-=-=-=-=-
file:///C|/olga_main/f-g/g/genesis/more_fool_me.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
More Fool Me
(Genesis)
B
F#(add G#)
D#m
Here am I,
who while away the mornings, since you've gone
C#m
G#m
B
F#
Too long have I lain alone, not knowing which way to turn
B
F#(add G#)
D#m
And there you are,
quite sure that you were right
C#m
G#m
B
F#
Knowing full well, that I'd be the first one to go down
Bsus
B
And you'd be the one who was laughing
F#m7
E
Except when things weren't going your way
G#m7
And then the lady would say that she'd had enough
C#m7
F#
Wandering around on her own
B
F#(add G#)
D#m
The day you left,
well I think you knew you'd not be back
C#m
G#m
D#sus
D#
Well at least it would seem that way, because you never said goodbye
B
G#m
But when it comes round to you and me
E
B
I'm sure it will work out alright
Bsus
B
And you'd be the one who was laughing
F#m7
E
And giving me something I don't need
G#m7
And you know I'd always hold you and keep you warm
D#sus
D#
Oh, more fool me
B
G#m
Oh but when it comes round to you and me
E
B
G#m
I ask myself do I really believe in your love
E
B
And yes I'm sure it will work out alright
______
file:///C|/olga_main/f-g/g/genesis/more_fool_me.crd
||||||
oo--o|||o||
||o||o
F#(add G#)
-=-=-=-=-=-=-=-=-=-=- Put your problems out with the cat -=-=-=-=-=-=-=-=-=-=Written by:
Mick Anderson
micka@jolt.mpx.com.au
-=-=-=-=-=-=-=-=- Must be lamb today cause beef was last week =-=-=-=-=-=-=-=-
file:///C|/olga_main/f-g/g/genesis/musical_box.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From simko@acs2.bu.edu (Peter Simko)
Subject: TAB: The Musical Box (Genesis)
Date: 15 Mar 1994 00:58:33 GMT
Hi All. I've picked up a few gems here and there over
the last couple of months so I guess it's time to start
contributing as well. Much thanks to the genius who posted
Pleiades by King's X!
Anyway, what we have here is essentially the intro to
The Musical Box by Genesis as it is performed on Genesis Live.
I've also managed to pick out to first couple of arpeggios
that immediately follow. Obviously, this is by no means complete!
If anyone out there has more, or wants to make corrections, feel
free! I'd like this to be a group effort, if at all possible.
Key of F#min (I think, I suck with theory)
Intro
F#
C#sus4
F#
C#sus4
---6--------6--7--6---4---4-----6--7--6----6--6--6---4-----------7--------7--7--7---7---7-----7--7--7----7--7--7---7-----------6--------6--6--6---6---6-----6--6--6----6--6--6---6-----------4--------4--4--4---6---6-----4--4--4----4--4--4---6-----------4--------4--4--4---4---4-----4--4--4----4--4--4---4----------------------------------------------------------------------I'm not convinced that the C#sus4 is right, but there are two
guitars going here, and it's tough to get the voicing exactly
right.
From here...
GTR I
Play me Old King Cole....
Bm
F#
-----2-------2-------2-------2-------2-------2-------2-------2-----3---3---3---3---3---3---3---3---2---2---2---2---2---2---2---2-4-------4-------4-------4-------3-------3-------3-------3------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------>snip here<
And that's it for now! Sorry! I'm pretty sure the next
chord stays F# but with a different arpeggio. By the way, before
I get flamed for posting such a tiny chunk of such a great song,
let me just add that I have figured out more of the song, but I
don't want to just throw in all the different bits until I get
the bits in between.
Don't forget, the live version has three guitars going
at once, so this is going to be real ugly when I finish it.
More Guitar, less Thesis!
From: christopher b king bmed stnt <cbk8702@hertz.njit.edu>
Here's the way I've figured out the closing section to "the Musical Box"
file:///C|/olga_main/f-g/g/genesis/musical_box.tab
by Genesis. This is the bit they segue into from "The Lamb Lies Down
on Broadway" when they play live (Check out Seconds Out to see what
I mean)
Here are the major patterns for the first bit (the "she's a lady" part)
all below are 2 beats each...
F# pattern
D#m pattern
C# pattern
E pattern
e----9-7-9--------6-4-6--------4-2-4----------0-------------------------B---7-7-7-7------4-4-4-4------2-2-2-2--------0-0------------------------G-------------------------------------------1---1-----------------------D------------------------------------------2-----2----------------------A--9------------6------------4------------2-------2---------------------E-----------------------------------------------------------------------Below is 8 beats (2 measures)
F# pattern 2
e-----------------------------------------------------------------------B----2---2---2---0----2---2---2-----------------------------------------G-----3---3---3---1----3---3---3----------------------------------------D------4---4---4---2----4---4---4---------------------------------------A-----------------------------------------------------------------------E---2---2---2---0----2---2---2---2--------------------------------------Putting it together:
(the chord name is the pattern name here. each "/" is 1 beat)
|F# /
C#
F#
/ |F# / F# / |D#m /
D#m
/
|D#m /
She's a lady, she's got time
She's a lady, she is mine
D#m
/|
Oh
Oh
/
C#
/
|E
/
E
/
|F# no. 2 :||
Brush back your hair, and let me get to know your face
Brush back your hair, and let me get to know your flesh.
|C#
G#m
|F#
C#
F# |/. B
/
|F#. E F#
E F#| E. F# E F# E |
and all this time has passed me by
It hardly seems to
why don't you touch me, touch me why don't you touch me, touch me
____________
|1.
|F# / / / :||
|B.
E F# E B E
matter now
touch me now now now now now
________________
|2.
||: F# . E F# E B E |B . E F# E B E F# :||
now now now now now
ending
|B / / / |C# / / / |F# / / / | B / / / |C# / / / | F# / / B C# |F#
The rapidly alternating part flips between an F# and a C#, and
finally ends on F#
file:///C|/olga_main/f-g/g/genesis/musical_box.tab
Sorry there's no solo here, but I haven't quite figured it out yet.
Questions, comments, corrections all welcome. If anyone has the rest
of this, I'd love to see it!
enjoy!
-=Chris
file:///C|/olga_main/f-g/g/genesis/please_dont_ask.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Please Don't Ask
(Genesis)
Dm7
Bb
Dm7
Bb
C/G
Dm7
Bb
Dm7
Bb
C/G
Please don't ask me how I feel, I feel fine
Dm7
Bb
Dm7
Bb
C/G
Oh I cry a bit, I don't sleep too good, but I'm fine
Eb6
Fm
Eb6
Bb
When can I see you?
When can I touch you?
Dm7
Bb
Dm7
Bb
C/G
Again and again I ask myself was I wrong
Dm7
Bb
Dm7
Bb
C/G
Oh but time's a healer and heaven knows I've been strong
Eb6
Fm
Eb6
Bb
Maybe we could try,
oh maybe we would work this time
Ab
Eb
Fm
Eb
Oh I can remember when it was easy to say I love you
Ab
Eb
Fm
Eb
Ab
But things have changed since then, now I really can't say if I still do
Gm
Dm
But I can try, cos I know that the kids are well
Gm
Dm
Yes you're a mother to the world
Fm
Cm
Ab
Db
Ab Db
Oh but I miss my boy, I hope he's good as go-old
Ab
Db
Dm7
Bb
Dm7
Bb
C/G
But enough of me, tell me
how are you, you look good
Dm7
Bb
Dm7
Bb
C/G
Well you've lost some weight I can see, your hair looks nice, you look good
Eb6
Fm
Eb6
Bb
Maybe we should try,
don't say it cos I know why
Ab
Eb
Fm
Eb
But you know I can remember when it was easy to say I love you
Ab
Eb
Fm
Eb
Ab
But things have changed since then, now I really can't say if I still do
Gm
Dm
But I can try, cos I know that the kids are well
Gm
Dm
Yes you're a mother to the world
Fm
Cm
Ab
Db
Ab Db
Oh but I miss my boy, I hope he's good as go-old
Ab
Db
Ab
file:///C|/olga_main/f-g/g/genesis/please_dont_ask.crd
-=-=-=-=-=-=-=-=-=-=- Put your problems out with the cat -=-=-=-=-=-=-=-=-=-=Written by:
Mick Anderson
micka@jolt.mpx.com.au
-=-=-=-=-=-=-=-=- Must be lamb today cause beef was last week =-=-=-=-=-=-=-=-
file:///C|/olga_main/f-g/g/genesis/return_of_the_giant.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Sat, 23 Mar 1996 18:36:52 -0500 (EST)
From: "Nick Rose" <rose2@eniac.seas.upenn.edu>
"Return of the Giant Hogweed (intro)" by Genesis
transcribed by Nick Rose, rose2@eniac.seas.upenn.edu
Play each [bracket] 4 times
Notation: + = tap, p = pull off from tap,
h = hammer on
GUITAR:
tapping on A string,
+ p h
[ 10 3 6
+ p h etc.
11 3 6 ] [ 10 2 5
11 2 5 ]
[ 10 1 4
11 1 4 ]
[ 15 5 8 ]
[ 15 4 8 ]
+ p + p + p
[ 15 3 15 3 15 3]
SYNTH: the synth plays the exact same thing but one octave higher
file:///C|/olga_main/f-g/g/genesis/ripples.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Ripples
(Genesis)
E
B
Esus
E
Bluegirls come in every size, some are wise and some otherwise
B
Dm
E
They got pretty blue eyes, for an hour a man may change
Dm
C
D
G
For an hour her face looks strange, looks strange, looks strange
E
B
Marching to the promised land
Esus
E
Where the honey flows and takes you by the hand
B
Dm
E
Pulls you down on your knees, while you're down a pool appears
Cdim
Em
Cdim
C
The face in the water looks up, and she shakes her head as if to say
D
B
That it's the last time you'll look like today
Amaj7
B
E(add F#)
E
Sail away, away, ripples never come back
F#m
F#sus
Gone to the other side,
F#
Amaj7
B
sail away, away
E
B
The face that launched a thousand ships
Esus
E
Is sinking fast that happens you know
B
Dm
E
The water gets below, seems not very long ago
Dm
C
D
G
Lovelier she was than any that I know
E
B
Esus
E
Angels never know it's time, to close the book and gracefully decline
B
Dm
E
The song has found a tale, my what a jealous pool is she
Cdim
Em
Cdim
C
The face in the water looks up, she shakes her head as if to say
D
B
That the bluegirls have all gone away
Amaj7
B
E(add F#)
E
Sail away, away, ripples never come back
F#m
F#sus
F#
file:///C|/olga_main/f-g/g/genesis/ripples.crd
F#
Amaj7
B
E(add F#)
E
Sail away, away, ripples never come back
-=-=-=-=-=-=-=-=-=-=- Put your problems out with the cat -=-=-=-=-=-=-=-=-=-=Written by:
Mick Anderson
micka@jolt.mpx.com.au
-=-=-=-=-=-=-=-=- Must be lamb today cause beef was last week =-=-=-=-=-=-=-=-
file:///C|/olga_main/f-g/g/genesis/snowbound.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Snowbound
(Genesis)
C/A(3rd fret)
C/A
G
Lay your body down upon the midnight snow
C/A
G
Feel the cold of winter in your hair
Cmaj7
E7sus
Gm
Here in a world of your own, in a casing that's grown
C/A
Gm
C/A
To the children's delight, that arrived on the night
C/A
G
Here they come to play their magic games
C/A
G
Carving names upon your frozen hand
Cmaj7
E7sus
Gm
Here in a world of your own, like a sleeper whose eyes
C/A
Gm
C/A
Sees the pain with surprise, as it smothers your cries
A
They'll never, never know
C/G
G
C/G
G
Hey, there's a snowman, hey, hey what a snowman
D
Amaj7
D
Amaj7
Pray for the snowman, ooh, ooh, what a snowman
F
C
They say a snow year's a good year
Bb
Am
C/A / / /
Filled with the love of all who lie so deep
C/A
G
Smiling faces tear your body to the ground
C/A
G
Covered red that only we can see
Cmaj7
E7sus
Gm
Here in a ball that they made, from the snow on the ground
C/A
Gm
C/A
See it rolling away, with wild eyes to the sky
A
They'll never, never know
C/G
G
C/G
G
Hey, there's a snowman, hey, what a snowman
D
Amaj7
D
Amaj7
Pray for the snowman, ooh, ooh, what a snowman
F
C
They say a snow year's a good year
Bb
Am
A
Filled with the love of all who lie so deep
C/G
G
C/G
G
Hey, there goes the snowman, hey, there what a snowman
D
Amaj7
D
Amaj7
Hey, there lies the snowman, hey, he was a snowman
F
C
file:///C|/olga_main/f-g/g/genesis/snowbound.crd (1 of 2) [4/28/2003 9:52:51 PM]
file:///C|/olga_main/f-g/g/genesis/snowbound.crd
-=-=-=-=-=-=-=-=-=-=- Put your problems out with the cat -=-=-=-=-=-=-=-=-=-=Written by:
Mick Anderson
micka@jolt.mpx.com.au
-=-=-=-=-=-=-=-=- Must be lamb today cause beef was last week =-=-=-=-=-=-=-=-
file:///C|/olga_main/f-g/g/genesis/squonk.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: cbk8702@hertz.njit.edu (christopher b king bmed stnt)
Subject: CRD: Squonk (Genesis)
Date: 24 Oct 93 18:25:31 GMT
Hello again! here's something a little newer, still from a time when
Genesis was writing very creative songs. This one's actually
written by Banks and Rutherford.
Squonk
by Genesis, from
_A Trick of the Tail_
unless otherwise noted, chords are in open position.
The intro is basically just like the first verse.
(1)
Dm7
C/D
Like father, like son
Dm7
C/D
Not flesh nor fish nor bone, a red rag hangs from an open mouth
Dm7
C/D
Alive at both ends but a little dead in the middle
Dm7
C/D
A-tumbling and a-bumbling he will go
Em7/A
F#m7/A
All the king's horses and all the king's men
Em7/A
F#m7/A
could never put a smile on that face
(2)
file:///C|/olga_main/f-g/g/genesis/squonk.crd
-----------------|-------------------|-------------------|----------------- ||
chance.
you don't stand a :||
tears.
just a pool of tears
out.
night.
They don't have eyes
Bridge 1
The second time through the bit above, the measure of the G/D chord becomes
in 5/4 time, with a Gm6/D on the second half of beat 2. This only happens
here, leading into the first bridge.
C/D
Dm7
Gm7
Gm
Go a little faster now, you might get there in time
F
Am7
Dm7
Mirror mirror on the wall
Dm7
Em7
Dm7
Dmsus2,4
Em7
Eb
Bb
F
his heart was broken long before he ever came to you
Am7
Dm7
Stop your tears from falling
Dm7
Em7
Dm7
Em7
Eb
Bb
F
The trail they leave is very clear for all to see at night
Am7
all to see at night
(to "chorus")
(3) like (1)
In season, out of season
what's the dff'rence when you don't know the reason?
In one hand bread, the other a stone
the hunter enters the forest
All are not huntsmen who blow thw huntsman's horn
By the look of this one, you've not got much to fear
(4)
Here I am, I'm very firce and fright'ning
Come to match my skill to yours
Now listen here, listen to me, don't you run away now
I am a friend, I'd really like to play with you
Making noises my little furry friend would make
I'll trick him, then I'll kick him into my sack
You'd better watch out, you'd better watch out
(to "chorus", no lyrics this time)
Bridge 2
(just like bridge 1)
I've got you, I've got you, you'll never get away
Walking home that night
the sack across my back, the sound of sobbing on my shoulder
when suddenly it stopped
I opened up the sack, all that I had
a pool of bubbles and tears
just a pool of tears
(to "chorus")
Second time through chorus, go up to an A chord on the second half
of beat 2 (still in 4/4), then go to the ending
Dm add E
file:///C|/olga_main/f-g/g/genesis/squonk.crd
Ending
Bsus4 B
F#m
All in all you are a very dying race
A
E
Placing trust upon a cruel world
B
You never had the things you thought you should have had
F#m
and you'll not get them now
A
E
B
and all the while in perfect time your tears are falling on the ground
Where this goes from there, I'm not sure. I think there's a C# after the
B, but again I'm not entirely sure. But, this is the grand portion of
Sqounk, so don't let a little thing like the ending stop you from
enjoying it!
-Chris
file:///C|/olga_main/f-g/g/genesis/the_carpet_crawlers.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: christopher b king bmed stnt <cbk8702@hertz.njit.edu>
The Carpet Crawlers
from The Lamb Lies Down on Broadway
I don't know the intro ("there is lambs wool under my naked feet"),
althiugh I think it's in A. Here's the main chords
verses:
D
Em
The crawlers cover the floor in the red ochre corridor
for my second sight of people they've more lifeblood than before
they're moving in time
to a heavy wooden door
where the needle's eye is winking
closing on the poor
chorus
F#m
The carpet
A
You got to
A
You got to
Bm
You got to
And that's basically it. The other verses follow the same chrds as the
first, and the outro is repeating "you got to get in to get out" over
the verse chords, with another run through the chorus if you'd like.
Have fun with it!
-=Chris
file:///C|/olga_main/f-g/g/genesis/throwing_it_all_away.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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Date: Wed, 12 Jan 94 00:05:15 -0600
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Message-Id: <9401120605.AA05667@csd4.csd.uwm.edu>
To: jamesb@nevada.edu
Subject: CRD: Throwing it All Away (GENESIS)
Genesis
Throwing It All Away
--------------------
F/C
Fsus4
F/C
away
F
file:///C|/olga_main/f-g/g/genesis/throwing_it_all_away.crd
Throwing it all
Fsus4
F/G
away
F
F/C
Fsus4
F/C
can say
F
whoa
C
whoa
F/C
whoa
C
ay ay
oh oh....
file:///C|/olga_main/f-g/g/genesis/undertow.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Undertow
(Genesis)
Esus E
C#m
A
The curtains are drawn now the fire warms the room
Am
Esus
Bm
C#m
Meanwhile, outside, wind from the north-east chills the air
F#m
D A
It will soon be snowing out there
Am
Esus Bm
C#m
And some, there are, cold they prepare for a sleepless night
F#m
D A
Maybe this will be their last fight
C#m
A
C#m
A
But we're safe in each other's embrace, all fears go as I look on your face
D
E
Bm
D
A
Better think awhile or I may never think again
D
G
Gm
If this were the last day of your life my friend
F#m
B
Tell me what do you think you would do then
E
Amaj7
Stand up to the blow
that fate has struck upon you
E
Amaj7
Make the most of all
you still have coming to you
F#m
F#m7 B
Lay down on the ground and let the tears run from you
C#m
A
B
Crying to the grass and trees and heaven finally on your knees
E
Amaj7
Let me live again
let life come find
E
Amaj7
Spring must strike again
against the
F#m
F#m7 B
Let me feel once more
the arms of love
C#m
A
G#sus
Telling me the danger's past, I need not
me wanting
shield of winter
surround me
G#
C#
fear the icy blast again
Esus E
C#m
A
Laughter and music and perfume linger here
Am
Esus
Bm
C#m
And there, and there, wine flows from flask to glass and mouth
F#m
D A
As it soothes confusing our doubts
Am
Esus Bm
C#m
And soon, we feel, why do a single thing today
F#m
D A
There's tomorrow sure as I'm here
C#m
A
C#m
A
So the days they turn into years, and still no tomorrow appears
D
E
Bm
D
A
Better think awhile or I may never think again
D
G
Gm
If this were the last day of your life my friend
F#m
B
file:///C|/olga_main/f-g/g/genesis/undertow.crd (1 of 2) [4/28/2003 9:52:52 PM]
file:///C|/olga_main/f-g/g/genesis/undertow.crd
me wanting
shield of winter
surround me
G#
C#
fear the icy blast again
-=-=-=-=-=-=-=-=-=-=- Put your problems out with the cat -=-=-=-=-=-=-=-=-=-=Written by:
Mick Anderson
micka@jolt.mpx.com.au
-=-=-=-=-=-=-=-=- Must be lamb today cause beef was last week =-=-=-=-=-=-=-=-
file:///C|/olga_main/f-g/g/genesis/your_own_special_way.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Here's another classic for Genesis fans. Enjoy.
Regards,
Frank
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
Artist: Genesis
Title: Your Own Special Way
Album: Wind & Wuthering (1976)
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
YOUR OWN SPECIAL WAY
Words and Music by Mike Rutherford
Chord Voicings:
Ab C
C6 Cmaj7 C/E Dm7 Em7 F Fmaj7 F#m7-5 G
e---4---0---0----0----0---1---0---1---0-----0----3-B---4---1---1----0----1---1---3---1---1-----1----0-G---5---0---2----0----0---2---0---2---2-----2----0-D---6---2---2----2----2---0---2---3---3-----2----0-A---6---3---3----3----x---x---2---3---x-----x----x-E---4---x---x----x----x---x---0---1---x-----2----3-Note: In the tab section, a note in brackets is not to be played.
Moderately Fast, in 3
3/4 time (except chorus in 2/4)
Key of C
[Intro]
~~~~~
|C
|C6
|Cmaj7
|C6
|C
|C6
|Cmaj7
|C6
[Verse 1]
~~~~~~~
|C
Go
far
|Cmaj7
you
reach
|C6
nough,_____
|
and
|C6
|C
|C6
|Cmaj7
|C6
will
|
a
|C
place
|Cmaj7
un
|C
where
der
the
|C6
sea_____
|
runs
|C6
|C6
- neath.____
file:///C|/olga_main/f-g/g/genesis/your_own_special_way.crd
|Cmaj7
|C6
|
And
|Ab
we'll
|
see
|G
high
|F#m7-5
dy
-
our____
in
the
ing
shad
ow
|
sky,_____
|
way______
|
in
the
|F
|
night._______________________________
|C
|C6
|Cmaj7
|C6
|
I've
|C6
wind?_____
dreams____
|
for
Not
night
|C6
|C
|C6
|Cmaj7
|C6
en
or
ter
years
I.
night?
|
and
But
The
|C
left
when
man
|Cmaj7
hind
pass
blind
all
the
in
|C6
love_____
moves,____
moon's____
I
ship
the
|
be she's
a
|C6
|C
|C6
|Cmaj7
1.
2.
3.
|C6
|Ab
Won't
tween
Won't
in
ing
ing
tears.____
by._______
light.____
Be
|
you
you
you
come____
and_____
come____
|
here,
me,
out,
wher I
who -
file:///C|/olga_main/f-g/g/genesis/your_own_special_way.crd
|G
ev
real
ev
|
-
|F#m7-5
been
knows
fol
-
er
ly
er
all
where
lowed
you
don't
you
are?
think
are?
|
lone_____
go
quite____
a
she's
me
I've
she
You've
|
long
ing
long
e
at
e
|F
|
nough._______________________________
all._________________________________
nough._______________________________
[Chorus]
~~~~~~
2/4 time
|
Moderately slow, in 2
|C
You,
You,
You,
|Dm7
own___________
own___________
own___________
|
you
you
you
have
have
have
your
your
your
|
spe
spe
spe
cial
cial
cial
|F
way
way
way
|
|
of
of
of
hold - ing
car - ry'ng
hold - ing
my
me
my
|C/E
Fmaj7
|C/E
Fmaj7
|
hand. Keep it way 'bove the wa - ter. Don't ev - er
let
twice 'round the world, nev - er clos - er
to
home than the
hand.______________________________________________________________
|Em7
go,
day,
___
|Dm7
_______________
- ed._________
_______________
|C
You,
You,
You,
|Dm7
own___________
own___________
own___________
|
oh, no, no,____
the day I______
Don't ev - er let
|
you
you
you
have
have
have
|
spe
spe
spe
cial
cial
cial
no.___
start
go.___
your
your
your
|
way
way
way
file:///C|/olga_main/f-g/g/genesis/your_own_special_way.crd
|F
|C/E
world
hand.
world
|Em7
ev
go,
ev
so it's
Keep it
so it's
Fmaj7
|C/E
fac - ing the way that
way 'bove the wa - ter.
fac - ing the way that
the
my
the
Fmaj7
I'm
go - ing.
Don't ev - er
I'm
go - ing.
Don't
let
Don't
|
-
er,
er,
don't
no,
don't
|Dm7
____________
____________
____
me.
{ *
{ &
{ #
|
of turn - ing
Hold on - to
of turn - ing
ev - er
no,
ev - er
|
stop.__
no.____
leave__
|
*
&
#
go to |1. }
go to |2. }
go to |3. }
_____________________________________________________________________
|1.
3/4 time
|C
|C6
|
|Cmaj7
|C6
:|
|
|
|
|
|
e--0-(0)--0-(0)-----6-(6)--6--3------(3)(3)-(3)(3)----(3)(3)-(3)(3)-B--|--|---|--|------|--|---|--|-------|--|---|--|------|--|---|--|--G--|--|---|--|------|--|---|--|-------|--|---|--|------|--|---|--|--|
|
|
|
|
e--1-(1)--1-(1)-----8-(8)--8--5------(5)(5)-(5)(5)----(5)(5)-(5)-5--B--|--|---|--|------|--|---|--|-------|--|---|--|------|--|---|--|--G--|--|---|--|------|--|---|--|-------|--|---|--|------|--|---|--|--|
|
|
|
|
e--5--6--(6)(6)-----1-(1)-------------3-(3)-(3)(3)----(3)(3)-(3)-1--file:///C|/olga_main/f-g/g/genesis/your_own_special_way.crd (4 of 5) [4/28/2003 9:52:53 PM]
file:///C|/olga_main/f-g/g/genesis/your_own_special_way.crd
B--|--|---|--|------|--|---3-(3)------|--|---|--|------|--|---|--|--G--|--|---|--|------|--|---|--|-------|--|---|--|------|--|---|--|--|
|
|
|
e--0-(0)-------------------------------------------|
B--|--|---3-(3)-----1-(1)-(1)(1)-----(1)(1)-(1)(1)-|
G--|--|---|--|------|--|---|--|-------|--|---|--|--|
3/4 time
|C
|C6
|Cmaj7
|C6
{The end}
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
| Frank Palcat
| ac365@freenet.carleton.ca |
| Ottawa, Ontario, Canada
| /\/\/\/\/\/\/\/\/\/\/\/\/\|
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
file:///C|/olga_main/f-g/g/george_gershwin/summertime.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Wed, 6 Sep 1995 19:35:05 -0400 (EDT)
From: Douglas French <dfrench@site.gmu.edu>
Subject: Summertime, corrected chords and lyrics
Summertime
George Gershwin
DuBose Heyward
Doug French, dfrench@site.gmu.edu
Intro/vamp:
|:
Dm6
A7
:|
Dm6
Dm6
time,
A7
Dm6
Dm6
ea
A7
sy,
Dm6
A+
SummerA7
an' the livin' is
A7
Dm6
Fish are
Gm7
jumpin'
Bb6
Gm7
A
high.
E7(#9)
Dm6
dad - dy's
A7
rich,
Dm6
A7
an' yo' ma is good
Dm6
look
A7
in',
Dm6
G7
F
Dm
hush, little ba - by,
Am6 A7-5
Oh, yo'
So
|
G
don'
Gm7
yo'
Dm
Dm#7
Dm6
A+
One of these
Dm
cry.
Dm6
A7
Dm6
mornin's,
A7
Dm6
sing
A7
in'
Dm6
Bbmaj7 G#dim |
an' the cotton is
Dm6
A7
you goin' to rise up
A7 Dm6
Then you'll
Gm7
spread yo'
Bb6
wings
Gm7
an' you'll
Bbmaj7 G#dim |
take
the
A
sky.
E7
Am6 A7-5
|
But till that
Dm6
A7
Dm6
A7
file:///C|/olga_main/f-g/g/george_gershwin/summertime.crd
mornin'
|
Dm6
harm
Dm6
G7
With
F
Dm
Dad- dy and Mammy
G
stand
Gm7
in'
Dm
by.
Bb7
F6
Ebmaj7
A13
Dm7
Dm7
Dm6
Bb9
-------------------------------------------------------Simplified chords:
|:
|
|
|
|
|
|
|
|
Dm6
Dm7
Dm7
Gm7
A
Dm7
Dm7
F
Dm
A7
A7
A7
Bb
E7
A7
A7
Dm
:|
|
|
|
|
|
|
|
|
Dm7
Dm7
Dm7
Gm7
A
Dm7
Dm
G
Dm
A7
A7
A7
Bb7
A7
A7
G7
Gm7
Dm7
|
|
|
|
|
|
|
|
|
|
|
|
Dm7
Dm7
Dm7
Gm7
A
Dm7
Dm7
F
Dm
F
Dm7
Dm6
A7
A7
A7
Bb
E7
A7
A7
Dm
|
|
|
|
|
|
|
|
|
|
|
|
Dm7
Dm7
Dm7
Gm7
A
Dm7
Dm7
G
G
Eb7
Dm7
A7
A7
A7 Dm7
Bb7 G#dim
A7
A7
G7
Gm7
Bb7
A7
Bb7
Dm7
G#dim
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Doug
dfrench@site.gmu.edu
file:///C|/olga_main/f-g/g/george_lowell/lowell_george/index.html
Filename
..
dixie_chicken.crd
Created by DIR2HTML 1.1.0
file:///C|/olga_main/f-g/g/george_lowell/lowell_george/dixie_chicken.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: mtrcycl@aol.com (Mtrcycl)
Subject: CRD: DIXIE CHICKEN
The rythm you will have to find on your own. The only way I can describe
it is (bump bump ba-dump bump). I learn this from a friend of mine who
put his on a record.
Dixie Chicken
Lowell George
Capo 2 to play with record
Intro
F# --> G
Ive seen the bright lights of Memphis and the Commodore Hotel
file:///C|/olga_main/f-g/g/george_lowell/willin
<1>
|----------7-----------7---7---7--|
|----------8-----------8---8---8--|
|----------0-----------0---0---0--|
|--5------------------------------|
|---------------------------------|
|---------------------------------|
1
.
2
.
3
.
4
.
<3>
|----------3-----------3----------|
|----------3-----------3----------|
|----------0-----------0----------|
|--2---------------------------0--|
|---------------------------------|
|---------------------------------|
1
.
2
.
3
.
4
.
<5>
|------3---------------3---3---3--|
|------0---------------0---0---0--|
|------0---------------0---0---0--|
|------0---------------0---0---0--|
|----------------------x---x---x--|
|--3------------------------------|
1
.
2
.
3
.
4
.
<2>
|----------5---5-------5---5---5--|
|----------3---3-------3---3---3--|
|----------0---0-------0---0---0--|
|--4------------------------------|
|---------------------------------|
|---------------------------------|
1
.
2
.
3
.
4
.
<4>
|--------------8---8-----|
|--------------8---8-----|
|--------------9---9-----|
|------------------------|
|------------------------|
|--8---------------------|
1
.
2
.
3...4
<6>
|---0---0-----------0-----|
|---1---1-------3---1-----|
|---0---0-------0---0-----|
|---2---2-------4---2-----|
|---3---3-------5---3-----|
|-------------------------|
1
.
2
.
3...4
D/F#<2>
o
|-+-+-+-+-|
| | | | @ | III
|-+-+-+-+-|
Em7<3>
o
===========
| | | | | |
|-+-+-+-+-|
C<4>
|-+-+-+-+-|
@ | | | @ @ VIII
|-+-+-+-+-|
file:///C|/olga_main/f-g/g/george_lowell/willin
| | | | | |
|-+-+-+-+-|
| | | | | @
|-+-+-+-+-|
| | | | @ |
| | @ | | |
|-+-+-+-+-|
| | | | | @
|-+-+-+-+-|
| | | | | |
G(1)<5>
o o o
===========
| | | | | |
|-+-+-+-+-|
| x | | | |
|-+-+-+-+-|
@ | | | | @
|-+-+-+-+-|
| | | | | |
C(1)<6>
o
o
===========
| | | | @ |
|-+-+-+-+-|
| | @ | | |
|-+-+-+-+-|
| @ | | | |
|-+-+-+-+-|
| | | | | |
| @ @ | | |
|-+-+-+-+-|
| | | | @ @
|-+-+-+-+-|
| | | | | |
Dmaj9sus4<6>
o
|-+-+-+-+-|
| | | | @ | III
|-+-+-+-+-|
| | @ | | |
|-+-+-+-+-|
| @ | | | |
|-+-+-+-+-|
| | | | | |
| | | @ | |
|-+-+-+-+-|
| @ @ | | |
|-+-+-+-+-|
| | | | | |
D
o
===========
| | | | | |
|-+-+-+-+-|
| | | @ | @
|-+-+-+-+-|
| | | | @ |
|-+-+-+-+-|
| | | | | |
NOTE: I'm not sure if all the chord names are correct; don't hesitate
to correct them!
Intro:
|<1>
|<3>
|<5>
|<2>
|<4>
|<6>
|G(1)
|<1>
|<2>
I've been warped by the rain, driven by the snow;
|<3>
|<4>
I'm drunk and dirty, don't you know,
|<5> |<6> |G(1)
|
and I'm still
willin'.
|<1>
|<2>
And I was out on the road, late at night,
|<3>
|<4>
I seen my pretty Alice in every headlight,
|<5>
|<6>
|G
Alice, Dallas Alice.
|C(1)
|D
And I've been from Tuscon to Tucumcari,
|
|G(1)
Tahachapi to Tonapah.
|
!
|C
|
Driven every kind of rig that's ever been made,
|
!
|D
driven the back roads so I wouldn't get weighed.
|Tacet
|c
b
a |G(1)
And if you give me weed, whites, and wine,
|
|D
and you show me a sign
|
|G(1) |<6>
I'll be willin' to be movin'.
(Intro) x2
Well, I've been kicked by the wind, robbed by the sleet,
had my head stove in, but I'm still on my feet
and I'm still willin'.
I smuggled some smokes and folks from Mexico;
baked by the sun every time I go to Mexico;
file:///C|/olga_main/f-g/g/george_lowell/willin
file:///C|/olga_main/f-g/g/george_lowell/willin.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From uunet!stanford.edu!ames!riacs!neti.arc.nasa.gov!ben Sun Oct 25 14:40:37 PST 1992
Article: 3199 of alt.guitar.tab
Newsgroups: alt.guitar.tab
Path: nevada.edu!uunet!stanford.edu!ames!riacs!neti.arc.nasa.gov!ben
From: ben@neti.arc.nasa.gov (Ben Chang)
Subject: CHRDS: Willin'
Message-ID: <1992Oct23.165226.1239@riacs.edu>
Followup-To: alt.guitar
Sender: news@riacs.edu
Reply-To: ben@neti.arc.nasa.gov
Organization: VNW, Inc.
Date: Fri, 23 Oct 92 16:52:26 GMT
Lines: 124
I had posted this before, but it never made it into ftp.nevada.edu, so I
don't know how far the posting got. I see, though, that someone else has a
transcription there, but mine's transcribed from a different source.
Ben
----------------------------------------------------------------------------Willin'
(Lowell George)
Notes:
I transcribed it from the version on Little Feat's _Sailin' Shoes_.
- Standard tuning.
- 4/4 time and 2/4 wherever the measure begins with an "!".
Lowercase letters are notes (c b a), not worth tabbing.
Tablature for intro and verses:
|----------7-----------7---7---7--|
|----------8-----------8---8---8--|
<1> |----------0-----------0---0---0--|
|--5------------------------------|
|---------------------------------|
|---------------------------------|
1
.
2
.
3
.
4
.
|----------5---5-------5---5---5--|
|----------3---3-------3---3---3--|
<2> |----------0---0-------0---0---0--|
|--4------------------------------|
|---------------------------------|
|---------------------------------|
1
.
2
.
3
.
4
.
|----------3-----------3----------|
|----------3-----------3----------|
<3> |----------0-----------0----------|
|--2---------------------------0--|
|---------------------------------|
|---------------------------------|
1
.
2
.
3
.
4
.
|--------------8---8-----|
|--------------8---8-----|
<4> |--------------9---9-----|
|------------------------|
|------------------------|
|--8---------------------|
1
.
2
.
3...4
|------3---------------3---3---3--|
|------0---------------0---0---0--|
<5> |------0---------------0---0---0--|
|------0---------------0---0---0--|
|----------------------x---x---x--|
|--3------------------------------|
1
.
2
.
3
.
4
.
|---0---0-----------0-----|
|---1---1-------3---1-----|
<6> |---0---0-------0---0-----|
|---2---2-------4---2-----|
|---3---3-------5---3-----|
|-------------------------|
1
.
2
.
3...4
file:///C|/olga_main/f-g/g/george_lowell/willin.crd
D/G<2>
o
|-+-+-+-+-|
| | | | @ | III
|-+-+-+-+-|
| | @ | | |
|-+-+-+-+-|
| | | | | @
|-+-+-+-+-|
| | | | | |
G<5>
o o o
===========
| | | | | |
|-+-+-+-+-|
| x | | | |
|-+-+-+-+-|
@ | | | | @
|-+-+-+-+-|
| | | | | |
C(2)<6>
o
o
===========
| | | | @ |
|-+-+-+-+-|
| | @ | | |
|-+-+-+-+-|
| @ | | | |
|-+-+-+-+-|
| | | | | |
Em7<3>
o
===========
| | | | | |
|-+-+-+-+-|
| @ @ | | |
|-+-+-+-+-|
| | | | @ @
|-+-+-+-+-|
| | | | | |
Dmaj9sus4<6>
o
|-+-+-+-+-|
| | | | @ | III
|-+-+-+-+-|
| | @ | | |
|-+-+-+-+-|
| @ | | | |
|-+-+-+-+-|
| | | | | |
C(1)<4>
|-+-+-+-+-|
@ | | | @ @ VIII
|-+-+-+-+-|
| | | @ | |
|-+-+-+-+-|
| @ @ | | |
|-+-+-+-+-|
| | | | | |
D
o
===========
| | | | | |
|-+-+-+-+-|
| | | @ | @
|-+-+-+-+-|
| | | | @ |
|-+-+-+-+-|
| | | | | |
NOTE: I'm not sure if all the chord names are correct; don't hesitate
to correct them!
Intro:
|<1>
|<3>
|<5>
|<2>
|<4>
|<6>
|G(1)
|<1>
|<2>
I've been warped by the rain, driven by the snow;
|<3>
|<4>
I'm drunk and dirty, don't you know,
|<5> |<6> |G(1)
|
and I'm still
willin'.
|<1>
|<2>
And I was out on the road, late at night,
|<3>
|<4>
I seen my pretty Alice in every headlight,
|<5>
|<6>
|G
Alice, Dallas Alice.
|C(2)
|D
And I've been from Tuscon to Tucumcari,
|
|G(1)
Tahachapi to Tonapah.
|
!
|C
|
Driven every kind of rig that's ever been made,
|
!
|D
driven the back roads so I wouldn't get weighed.
|Tacet
|c
b
a |G(1)
And if you give me weed, whites, and wine,
|
|D
and you show me a sign
|
|G(1) |<6>
I'll be willin' to be movin'.
file:///C|/olga_main/f-g/g/george_lowell/willin.crd
(Intro) x2
Well, I've been kicked by the wind, robbed by the sleet,
had my head stove in, but I'm still on my feet
and I'm still willin'.
I smuggled some smokes and folks from Mexico;
baked by the sun every time I go to Mexico;
and I'm still...
And I've been from Tuscon to Tucumcari,
Tahachapi to Tonapah.
I've driven every kind of rig that's ever been made;
driven the back roads so I wouldn't get weighed.
And if you give me weed, whites, and wine,
and you show me a sign
and I'll be willin' to be movin'.
file:///C|/olga_main/f-g/g/georgia_satellites/keep_your_hands_to_yourself.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From uunet!wupost!uwm.edu!rutgers!cbmvax!macon Tue Jun 23 14:33:43 PDT 1992
Article: 285 of alt.guitar.tab
Path: nevada.edu!uunet!wupost!uwm.edu!rutgers!cbmvax!macon
From: macon@cbmvax.commodore.com (Glen Macon)
Newsgroups: alt.guitar.tab
Subject: keep yo hands to your self
Message-ID: <32398@cbmvax.commodore.com>
Date: 23 Jun 92 14:15:58 GMT
Sender: news@cbmvax.commodore.com
Reply-To: macon@cbmvax.commodore.com (Glen Macon)
Organization: COMMODORE West Cester PA
Lines: 74
file:///C|/olga_main/f-g/g/georgia_satellites/keep_your_hands_to_yourself.crd
D
I said honey I'll live with ya for the rest of my life
A
She said no huggy no kissy till you make me your wife
E
Now honny now baby don't put my love opon no shelf
(no chord)
don't hand me no lines and keep your hands to your self
\_
\_
\_
\_
\_
\_
\_
\_
\_\_\_
\_
\_
Glen Macon
\_
\_\_ \_\_
any-net: macon@cbmvax.commodore.com
\_
\_ \_\_ \_
Standard disclaimer...
\_
\_\_\_
\_ \_ \_
Commodore doesn't endorce what I say, I do
\_
\_
\_
\_
Who wants to know...
\_
\_
\_
\_
\_\_\_
\_
\_
\_
\_
\_
\_
\_
\_
\_
\_
\_
\_
All those moments will be lost in time, like tears in the rain.
file:///C|/olga_main/f-g/g/gerry_and_the_pacemakers/dont_let_the_sun.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: B51MC@aol.com
Date: Wed, 5 Jul 1995 01:58:49 -0400
"Don't Let The Sun Catch You Crying" - Gerry & The Pacemakers
(can be found on "The Best of Gerry & The Pacemakers, Capitol. 1979)
(Cmaj7) Don't Let the (Fmaj7) Sun Catch You (Cmaj7) Crying (Fmaj7)
(Cmaj7) The night's the (Fmaj7) time for your (G) tears
(Am) Your heart may (Em) break tonight
(Am) But remember the (Em) morning's bright
(F) Don't let the (G) sun catch you (Cmaj7) crying (Fmaj7)
(Cmaj7)
(Cmaj7)
(Am) Oh
(Am) to
(F) So,
bridge:
(G) We know crying's not a (Am) bad thing
(F) But stop your crying when the (G) birds sing
(Cmaj7)It may be (Fmaj7) hard to dis-(Cmaj7)-cover (Fmaj7)
(Cmaj7)that you've been (Fmaj7) left for a-(G)-nother
(Am) but remember that (Em) love's a game
(Am) if you want it, it can (Em)always come again
(F) So, Don't Let the (G) Sun Catch You (Cmaj7) Crying (Fmaj7)
(F) Don't Let the (G) Sun Catch You (Cmaj7) Crying (Fmaj) no, no, no
(Cmaj7)no.
file:///C|/olga_main/f-g/g/gianluca_grignani/la_mia_storia.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Thu, 19 Oct 95 15:38:44 -0700
From: Marco Linguanti <marcolin@mbox.vol.it>
Subject: CRD: "La_Mia_Storia_Tra_Le_Dita" by Gianluca_GRIGNANI
Artist: GIANLUCA_GRIGNANI
Album title: Destinazione Paradiso
@Song: LA MIA STORIA TRA LE DITA
Intro: Dm G Em Am
Dm
G
Sai penso che
Em
non sia stato inutile
Am
stare insieme a te
Dm
G
Ok te ne vai
Em
decisione discutibile
Am
ma si lo so lo sai.
Dm
G
Almeno resta qui per questa sera
Em
Am
ma no che non ci provo stai sicura
Dm
G
puo' darsi gia' mi senta troppo solo
Em
perche' conosco quel sorriso
Am
di chi gia' deciso
Em
quel sorriso gia' una volta
Am
mi ha aperto il Paradiso
Dm
G
Em
Si dice che per ogni uomo
Am
c'e' un'altra come te
Dm
G
e al posto mio quindi
Em
tu troverai qualcun altro
Am
uguale non non credo io
Dm
G
ma questa volta abbassi gli occhi e dici
Em
Am
noi resteremo sempre buoni amici
Dm
G
ma quali buoni amici maledetti
Em
io un amico lo perdono
Am
file:///C|/olga_main/f-g/g/gianluca_grignani/la_mia_storia.crd
mentre a te ti amo
Em
puo' sembrarti anche banale,
Am
ma e' un istinto naturale
Am7
E c'e' una cosa
G
che non ti ho detto mai
Em7
i miei problemi senza te
G
si chiaman guai
Bb
ed e' per questo
Am
che mi vedi fare il duro
F
in mezzo al mondo
G
per sentirmi piu' sicuro.
Am7
E se davvero non vuoi dirmi
G
che ho sbagliato
Em7
ricorda a volte un uomo
G
va anche perdonato
Bb
e invece tu,
Am
tu non mi lasci via d'uscita
F
Am
e te ne vai con la mia storia tra le dita.
Dm
G
Ora che fai
Em
cerchi una scusa,
Am
se vuoi andare vai
G
tanto di me
Dm
Em
non ti devi preoccupare,
Am
me la sapro' cavare
Dm
G
Stasera scrivero' una canzone
Em
Am
per soffocare dentro un'emozione
Dm
G
Senza pensare troppo alle parole
Em
parlero' di quel sorriso
Am
di chi ha gia' deciso
Em
quel sorriso che una volta
Am
file:///C|/olga_main/f-g/g/gianluca_grignani/la_mia_storia.crd (2 of 3) [4/28/2003 9:52:56 PM]
file:///C|/olga_main/f-g/g/gianluca_grignani/la_mia_storia.crd
mi ha aperto il paradiso
Rit:
Am7
E c'e' una cosa
G
che io non ti ho detto mai
Em7
i miei problemi senza te
G
si chiaman guai
Bb
ed e' per questo
Am
che mi vedi fare il duro
F
in mezzo al mondo
G
per sentirmi piu' sicuro.
Am7
E se davvero non vuoi dirmi
G
che ho sbagliato
Em7
ricorda a volte un uomo
G
va anche perdonato
Bb
e invece tu,
Am
tu non mi lasci via d'uscita
F
Am
e te ne vai con la mia storia tra le dita.
Dm
G
naaa na na na'
Em
Am
naa na na na
Dm
G
naaa na na na'
Em
Am
naa na na na
Ciao a tutti.
<Marco>
marcolin@mbox.vol.it
file:///C|/olga_main/f-g/g/gibson_bob/super_rooster.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#061
{title:Super Rooster}
1.
We've got some[C] chickens, no eggs would they [G7]lay.
We've got some chickens, no eggs would they [C]lay.
My wife said, [C]"Honey, this isn't [G7]funny. We're losing money."
No eggs would they [C]lay.
[C7]One day a [F]rooster came into our [C]barnyard,
He caught those [G7]chickens right off their [C]guard.
[C7]They're laying [F]eggs now just like they [C]used to,
Ever since that [G7]rooster came into our [C]yard.
2.
3.
4.
5.
6.
file:///C|/olga_main/f-g/g/gibson_bob/super_rooster.pro
#
# Submitted to the ftp.nevada.edu:/pub/guitar archives
# by Steve Putz <putz@parc.xerox.com>
# 7 September 1992
file:///C|/olga_main/f-g/g/gibson_bob/the_horse_named_bill.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#051
# As Performed by Bob Gibson; also in Folk Songs of North America by Alan Lomax
{title:The Horse Named Bill}
{st:Traditional}
[C]I had a horse and his name was Bill
[F]When he ran he couldn't stand still
Ran aw[C]ay
One day
[G]Also I ran w[C]ith him.
He ran so fast he couldn't stop
He ran into a barber shop
And fell exhaustionized
With his eye teeth
In the barber's left shoulder.
I had a girl and her name was Daisy
When she sang the cat went crazy
With Saint Vituses
And deleriums
And all kinds of cataleptics.
One day she sang a song about
A man who turned himself inside out
And jumped
into the river
'Cause he was... so very sleepy.
I'm going out in the woods next year
I'll hunt for beer and not for deer
I am
I was
I'll be a great sharp-shooter.
At shooting birds I am a beaut
There is no bird I cannot shoot
In the eyes
Or in the ears
Or in the teeth... or in the fingers.
Well I went up in a balloon so big
The people on the Earth, they looked like a pig
Like mice
Like katydids
Like flieses and like fleasins.
The balloon turned up with its bottom side higher
It fell on the wife of a country squire
She made a noise
Like a hound dog
Like a steam whistle... also like dynamite.
In 'Frisco Bay there lives a whale
She eats pork chops by the bale
By the hogshead
By the schooner
Sometimes by the pillbox.
file:///C|/olga_main/f-g/g/gibson_bob/the_horse_named_bill.pro
file:///C|/olga_main/f-g/g/gibson_bob/the_pig_and_the_inebriate.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#050
# As Performed by Bog Gibson
{title:The Pig and the Inebriate}
{st:Traditional}
[C]It was early last December,
As w[F]ell as I remember,
I was w[G]alking down the street in tipsy p[C]ride.
[C]No one was I disturbin',
As I l[F]ay down by the curb-in',
And a p[G]ig came up and lay down by my s[C]ide.
[C]As I lay there in the gutter,
Thinking th[F]oughts I cannot utter,
A l[G]ady passing by was heard to s[C]ay,
"[C]You can tell a man who boozes
By the c[F]ompany he choses."
And the p[G]ig got up and slowly walked aw[C]ay.
#
# Submitted to the ftp.nevada.edu:/pub/guitar archives
# by Steve Putz <putz@parc.xerox.com>
# 7 September 1992
file:///C|/olga_main/f-g/g/gibson_bob/to_morrow.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#046
{title:To Morrow}
{st:Bob Gibson}
I st[C]arted on a journey, ab[F]out a year ag[C]o
To a little town called "Morrow" in the st[D7]ate of Ohi[G7]o.
I've n[C]ever been much of a traveler, and I r[F]eally didn't kn[C]ow
That M[F]orrow was the h[C]ardest place I'd [G7]ever try to g[C]o.
So I w[Am]ent down to the st[Em]ation for my t[Am]icket and appl[Em]ied
For t[Am]ips regarding M[Em]orrow, not exp[Dm7]ecting to be g[G7]uyed.
Said [C]I, "My friend, I'd like to go to M[F]orrow and ret[C]urn
No l[F]ater than tom[C]orrow, for I h[G7]aven't time to b[C]urn."
Said he to me, "Now let me see if I have heard you right:
You'd like to go to Morrow and and return tomorrow night?
You should have gone to Morrow yesterday and back today,
For the train that goes to Morrow is a mile upon its way.
If you had gone to Morrow yesterday, now don't you see,
You could have gone to Morrow and returned today at three;
For the train today to Morrow, if the schedule is right,
Today it goes to Morrow and returns tomorrow night.
Said I, "My friend, it seems to me you're talking through your hat;
There is a town named 'Morrow' on the line, now tell me that!"
"There is," said he, "but take from me a quiet little tip:
To go from here to Morrow is a fourteen-hour trip.
The train today to Morrow leaves today at eight thirty-five,
At half past ten tomorrow is the time it should arrive.
So if from here to Morrow is a fourteen-hour jump,
Can you go today to Morrow and get back today, you chump?"
Said I, "I'd like to go to Morrow, but can't I go today
And get to Morrow by tonight, if there is no delay?"
"Well, well," said he to me, "and I've got no more to say;
Can't get anywhere tomorrow and get back again today!"
Said I, "I guess you know it all, but kindly let me say:
How can I get to Morrow if I leave this town today?"
Said he, "You can not go to Morrow any more today,
For the train that goes to Morrow is a mile upon its way."
I was so disappointed I was mad enough to swear;
The train had gone to Morrow, and had left me standing there.
That man was right in telling me I was a howling jay;
I could not go to Morrow, so I guess in town I'll stay.
#
# Submitted to the ftp.nevada.edu:/pub/guitar archives
# by Steve Putz <putz@parc.xerox.com>
# 7 September 1992
file:///C|/olga_main/f-g/g/gift/giving_ground_intro.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: eigenstr@falstaff.cs.rose-hulman.edu
I happened to have Gift on when I was washing dishes, heard that, and
thought I'd take a break and figure it out. Pretty simple, but it's
the "melody" for a good portion of the song. Kind of catchy, I think.
e|---------------------------------------------------------------B|--------5-5-------------5-5-------------6-6-------------5-5----G|-----5-5----5-5-----5-5-----5-5-----5-5-----5-5-----5-5-----5-5D|-7-7------------5-5-------------7-7-------------5-5------------A|---------------------------------------------------------------E|---------------------------------------------------------------Todd
file:///C|/olga_main/f-g/g/giganti/tema.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
# by Maurizio Codogno (mau@beatles.cselt.stet.it)
{title: Tema}
{subtitle: I Giganti}
[Em] Tema: un [Em]giorno qual[D]cuno [C]ti chiede[B]r:
{ts: 10}
{ci: (parlato) "Cosa pensi dell'amor?"}
{ts:12}
A[Em]mor, amor, amor, a[Em6]mor.
{ts: 10}
{ci: (parlato) Apre il tema Sergio:}
{ts:12}
[Em]Penso che l'amor
sia la pi [Am]bella cosa che
[D7]dia felicit
ma ci che [G]vedo poi veri[B7]t?
[Em]Vedo tutti che
si dan da [Am]fare per trovar
[D]una donna che
col pianto in [G]gola poi li lasce[B7]r.
{soc}
[C]Viva, viva l'a[Am]mor
per l'a[D7]more che si [G]ca-[F]an-[E7]ta
[Am]viva, viva l'a[D7]mor
e per l'a[G]more ancora si vi[B7]vr.
{eoc}
Amor, amor, amor, amor.
{ts: 10}
{ci: (parlato) Continua il tema Giacomo:}
{ts:12}
Amore una parola
amore vero non esiste
solo nei sogni
di chi ha passato una triste giovent.
E' un sentimento che
ora vicino con la tua mano
cade una stella
ed lontano mille anni fa.
{soc}
Viva,
per
viva,
e per
{eoc}
viva l'amor
l'amore che si canta
viva l'amor
l'amore ancora si vivr.
file:///C|/olga_main/f-g/g/giganti/tema.pro
viva l'amor
l'amore che si canta
viva l'amor
l'amore ancora si vivr.
viva l'amor
l'amore che si canta
viva l'amor
l'amore ancora si vivr.
piacere}
file:///C|/olga_main/f-g/g/giganti/una_ragazza_in_due.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
# by Maurizio Codogno (mau@beatles.cselt.stet.it)
{title: Una ragazza in due}
{subtitle: I Giganti}
# originariamente in Re
[Dm][G][C][Am][Dm][G][Gmaj7][G7]
Or[Dm]mai ama [G]me, e [C]se ver[Am]r
le [Dm]parle[G]r carez[C]zan[Am]dola
[D7]certo che il mio [G]amor capi[C]r[Am]
e [D7]poi mi dir che ci [G]sta...[G+]
{soc}
Mai le di[C]r (le dir,[Am] le dir,[F] le dir)
che [G]muoio per [C]lei (le dir), [Am]no, (le dir,[F] le dir)
la [G]tratter [C]ma[Am]le
[F] e [G]mi ame[C]r[Am][Dm][G7]
{eoc}
Con lei io sar dolcissimo,
perch il suo amor un miracolo,
quindi qui da me lei verr,
perch solo a me amer...
{soc}
Mai le dir (le dir, le dir, le dir)
che credo in lei (le dir), no, (le dir, le dir)
la tratter male
[F] e [G]mi ame[C]r[Am]
[F]oh, e [G]mi ame[C]r (e [Am]mi ame[F]r)
e [G]mi ame[C]r![Eb][F][C][Eb][F][C]
{eoc}
file:///C|/olga_main/f-g/g/gilbert_paul/intense_rock.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: deanm@Sun.COM (Dean Myers)
PAUL GILBERT
=============
INTENSE ROCK - Sequences & Techniques
______________________________________________________________________________
Alternate Picking:
--------------12-----------||
--12--13--15------15--13---||
--------------------------o||
--------------------------o||
---------------------------||
---------------------------||
^
v
^
v
^
v
--------------12------12-----------||
--12--13--15------15------15--13---||
----------------------------------o||
----------------------------------o||
-----------------------------------||
-----------------------------------||
^
v
^
v
^
v
^
v
--------------12--14--15--14--12-----------||
--12--13--15----------------------15--13---||
------------------------------------------o||
------------------------------------------o||
-------------------------------------------||
-------------------------------------------||
^
v
^
v
^
v
^
v
^
v
--------------12----------------------12--14--15--14--12-----------||
--12--13--15------15--13--12--13--15----------------------15--13---||
------------------------------------------------------------------o||
------------------------------------------------------------------o||
-------------------------------------------------------------------||
-------------------------------------------------------------------||
^
v
^
v
^
v
^
v
^
v
^
v
^
v
^
v
---------------------------------------------------------------------||
--------------------------------------------------------11--12--14---||
---------------------------------9--10--12--10--12--14---------------||
----------------------9--10--12--------------------------------------||
------------7--9--10-------------------------------------------------||
--7--8--10-----------------------------------------------------------||
^ v
^ v ^
v ^
v
^ v
^
v
^
v
^
v
^
v
file:///C|/olga_main/f-g/g/gilbert_paul/intense_rock.tab
--------------------------------------15--17--19---||
--------------13--15--17--15--17--19---------------||
--12--14--16---------------------------------------||
---------------------------------------------------||
---------------------------------------------------||
---------------------------------------------------||
--------------------------------------------------------------------||
--------------------------------------------------------------------||
--------------------------------------------------------------------||
------------------------------------------9---------------9-10-12---||
----------8---------------8-10-12-8-10-12---12-10-8-10-12-----------||
--8-10-12---12-10-8-10-12-------------------------------------------||
----------------------------------------------------------------------||
------------------------------------------10---------------10-12-13---||
----------9---------------9-10-12-9-10-12----12-10-9-10-12------------||
--9-10-12---12-10-9-10-12---------------------------------------------||
----------------------------------------------------------------------||
----------------------------------------------------------------------||
--------------10----------------------10--12--13---||
--10--12--13------13--12--10--12--13---------------||
---------------------------------------------------||
---------------------------------------------------||
---------------------------------------------------||
---------------------------------------------------||
--13--12--10------10--12--13--12--10---------------||
--------------13----------------------13--12--10---||
---------------------------------------------------||
---------------------------------------------------||
---------------------------------------------------||
---------------------------------------------------||
--8-10-12---10-12-13-12-10-----------------------------------------------|
----------8----------------13-12-10-13-12-10----10-12-13-12-10-----------|
---------------------------------------------12----------------12-10-9---|
-------------------------------------------------------------------------|
-------------------------------------------------------------------------|
-------------------------------------------------------------------------|
----------------------------------------------------------------------|
----------------------------------------------------------------------|
--12-10-9----9-10-12-10-9---------------------------------------------|
file:///C|/olga_main/f-g/g/gilbert_paul/intense_rock.tab
----------12--------------12-10-9---12-10-9----9-10-12-10-9-----------|
--------------------------------------------12--------------12-10-8---|
----------------------------------------------------------------------|
-----------------------------------------------||
-----------------------------------------------||
-----------------------------------------------||
-----------------------------------------------||
--12--10--8------8--10--12--10--8--------------||
-------------12--------------------12--10--8---||
-------------8--10--12--13--12--10------------------||
--8--10--12-------------------------13--10--12--8---||
----------------------------------------------------||
----------------------------------------------------||
----------------------------------------------------||
----------------------------------------------------||
------------------------8-10-12-13-12-10------------------------------||
----------------8-10-12------------------13-12-10---------------------||
---------7-9-10-----------------------------------12-10-9-------------||
--7-9-10--------------------------------------------------12-10-9-7---||
----------------------------------------------------------------------||
----------------------------------------------------------------------||
_____________________________________________________________________________
G U I T A R
T R I C K
# 1
_____________________________________________________________________________
Three note-per-string scales:
-----------------------------------------------3--5--7---||
--------------------------------------3--5--6------------||
-----------------------------2--4--5---------------------||
--------------------2--3--5------------------------------||
-----------2--3--5---------------------------------------||
--1--3--5------------------------------------------------||
-----------------------------------------------------8--10--12---||
------------------------------------------8--10--12--------------||
--------------------------------7--9--10-------------------------||
----------------------7--9--10-----------------------------------||
------------7--8--10---------------------------------------------||
--7--8--10-------------------------------------------------------||
file:///C|/olga_main/f-g/g/gilbert_paul/intense_rock.tab
----------------------------------------------------10--12--13---||
----------------------------------------10--12--13---------------||
------------------------------7--9--10---------------------------||
--------------------7--9--10-------------------------------------||
-----------5--7--8-----------------------------------------------||
--5--7--8--------------------------------------------------------||
--17--15--13-------------------------------------------------------------||
--------------17--15--13-------------------------------------------------||
--------------------------14--12--10-------------------------------------||
--------------------------------------14--12--10-------------------------||
--------------------------------------------------12--10--8--------------||
-------------------------------------------------------------12--10--8---||
-------------------------------------------------------11--12--15---||
-------------------------------------------10--13--15---------------||
---------------------------------8--9--12---------------------------||
----------------------7--10--12-------------------------------------||
------------6--7--10------------------------------------------------||
--5--8--10----------------------------------------------------------||
______________________________________________________________________________
G U I T A R
T R I C K
# 2
______________________________________________________________________________
--12--10--8------------------------------------------------------||
-------------12--10--9-------------------------------------------||
------------------------10--9--7---------------------------------||
----------------------------------10--9--7-----------------------||
--------------------------------------------11--8--7-------------||
------------------------------------------------------10--8--7---||
------------------------------------------------------5--4--3---/|
---------------------------------------------7--6--5------------ |
------------------------------------8--7--6--------------------- |
--------------------------10--9--8------------------------------ |
--------------12--11--10---------------------------------------- |
--14--13--12----------------------------------------------------\|
-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------8----------------8-9-10-------------10----------------10-11-12---10-11-12---12-11-10-11-12-----------12-13-14----14-13-12-13-14-------------------------------------------------------------------------------------------------------------------------------------------4-----------4-5-6---
file:///C|/olga_main/f-g/g/gilbert_paul/intense_rock.tab
---------6-------------6-7-8---6-7-8---8-7-6-7-8----------8-9-10---10-9-8-9-10----------------------------------------------------------------------------------------------------------------------------------------------------------2-----------2-3-4---2-3-4---4-3-2-3-4---------||
--4-5-6---6-5-4-5-6---------------0-----------0-1-2---||
------------------------------------------------------||
------------------------------------------------------||
------------------------------------------------------||
------------------------------------------------------||
_____________________________________________________________________________
Hammer-On's
&
Pull-Off's:
--5-------------------------||
-----8--6--5-----5--6--8----||
--------------7------------o||
---------------------------o||
----------------------------||
----------------------------||
v ^ P P ^ v H H
--5--7--8--7--5------||
-----------------8---||
--------------------o||
--------------------o||
---------------------||
---------------------||
v H H P P ^
--5--7--8--7--5-----5------------------------||
-----------------8-----8--6--5-----5--6--8---||
--------------------------------7-----------o||
--------------------------------------------o||
---------------------------------------------||
---------------------------------------------||
v H H P P ^ v ^ P P ^ v H H
-----------13----------------15----------------17------------||
--13-15-17----17-15-13-15-17----17-15-13-15-17----17-15-13---||
-------------------------------------------------------------||
-------------------------------------------------------------||
-------------------------------------------------------------||
-------------------------------------------------------------||
----------------------------------------------------10-13-10-12-13---||
-------------------------------------------10-12-13------------------||
------------------------------9-12-9-10-12---------------------------||
----------------------9-10-12----------------------------------------||
----------8-2-8-10-12------------------------------------------------||
--8-10-12------------------------------------------------------------||
file:///C|/olga_main/f-g/g/gilbert_paul/intense_rock.tab (5 of 13) [4/28/2003 9:52:59 PM]
file:///C|/olga_main/f-g/g/gilbert_paul/intense_rock.tab
______________________________________________________________________________
G U I T A R
T R I C K
# 3
______________________________________________________________________________
Appregio Techniques:
--15--12-----------||
----------13-------||
--------------12--o||
------------------o||
-------------------||
-------------------||
^
v
v
v
--15--13--15--12-----------||
------------------13-------||
----------------------12--o||
--------------------------o||
---------------------------||
---------------------------||
^
v
^
v
v
v
--15--13--15--12------------------------------12---||
------------------13----------------------13-------||
----------------------12--------------12----------o||
--------------------------14--12--14--------------o||
---------------------------------------------------||
---------------------------------------------------||
v
^
v
^
v
v
^
v
^
^
^
^
--15--12----------------------12----------15--12------12-----------||
----------16--12------12--16------16--12----------16------16--12---||
------------------14-----------------------------------------------||
-------------------------------------------------------------------||
-------------------------------------------------------------------||
-------------------------------------------------------------------||
^
P
^
P
^
v
H
v
^
P
^
P
^
v
^
P
------------7--10--12--10--7-------------||
-----------------------------------------||
--7--9--12--------------------12--9--7--o||
----------------------------------------o||
file:///C|/olga_main/f-g/g/gilbert_paul/intense_rock.tab
-----------------------------------------||
-----------------------------------------||
v H
H v
^
v
P P
^ P P
----------------7--10--12--10--7-------------||
---------------------------------------------||
------7--9--12--------------------12--9--7--o||
--------------------------------------------o||
--10-----------------------------------------||
---------------------------------------------||
^ v H
H v
^
v
P P
^ P P
----------------------------||
--12--15--19--15--12--------||
----------------------16---o||
---------------------------o||
----------------------------||
----------------------------||
v
H
H
P
P
^
------------------19---------------||
------12--15--19------19--15--12---||
----------------------------------o||
--16------------------------------o||
-----------------------------------||
-----------------------------------||
^
v
H
H
v
^
P
P
--------------12--15--19--15--12-----------||
-------------------------------------------||
------------------------------------------o||
--14--17--21----------------------21--17--o||
-------------------------------------------||
-------------------------------------------||
^
v
^
v
^
v
P
P
^
P
--------------------------12--15--19--15--12---------------------------||
-----------------------------------------------------------------------||
-----------------------------------------------------------------------||
--------------14--17--21----------------------21--17--14---------------||
-----------------------------------------------------------------------||
--12--15--19----------------------------------------------19--15--12---||
^
v
^
v
H
H
v
^
v
P
P
^
P
P
^
v
^
_____________________________________________________________________________
G U I T A R
T R I C K
# 4
_____________________________________________________________________________
PAUL GILBERT
=============
INTENSE ROCK 2
______________________________________________________________________________
file:///C|/olga_main/f-g/g/gilbert_paul/intense_rock.tab (7 of 13) [4/28/2003 9:52:59 PM]
file:///C|/olga_main/f-g/g/gilbert_paul/intense_rock.tab
Example 1
Em
-----------------------------------------------||
-----------------------------------------------||
-------------9---------------------9----------o||
--9--10--12-----12--10--9--10--12-----12--10--o||
-----------------------------------------------||
-----------------------------------------------||
1
2
4 1
4
2 1
2
4 1
4
2
______________________________________________________________________________
Example 2
Gm
--------------18--22--18--20--22--20--18--17--18--20--18--17---------------18--20--22--------------------------------------------------20--18--16-----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------1
3
4
1
4
1
3
4
3
1
1
2
4
2
1
4
2
1
--------------15--18--15--17--18--17--15--13--15--17--15--13---------------15--16--18--------------------------------------------------13--11--10-----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------1
2
4
1
4
1
3
4
3
1
1
3
4
3
1
4
3
1
--------------11--15--11--13--15--13--11--10--11--13--11--10---------------11--13--15--------------------------------------------------13--11--10-----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------1
3
4
1
4
1
3
4
3
1
1
2
4
2
1
4
2
1
-------------8--11--8--10--11--10--8--6--8--10--8--6-------------8--10--11-------------------------------------------10--8--6-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------1
3
4 1
4 1
3
4
3 1 1 3
4 3 1
4 3 1
------------5--8--5--6--8--6--5--3--5--6--5--3------------4--6--8---------------------------------------6--4--3------------------------------------------------------------------------------------------------------------------
file:///C|/olga_main/f-g/g/gilbert_paul/intense_rock.tab
----------------------------------------------------------------------------------------------------------------1 3 4
1 4 1 2 4 2 1 1 3 4 3 1 4 2 1
-----------5--8--5--6--8--6--5--6--8--10--8--6-------------4--6--8---------------------------------------10--8--6-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------1 3 4 1 4 1 2 4 2 1 1 3
4 3 1
4 3 1
-------------8--11--8--10--11--10--8--10--11--13--11--10---------------8--10--11-----------------------------------------------13--11--10-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------1
3
4 1
4 1
3
4
3 1
1
2
4
2
1
4
2
1
--------------11--15--11--13--15--13--11--13--15--17--15--13---------------11--13--15--------------------------------------------------16--15--13-----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------1
3
4
1
4
1
3
4
3
1
1
3
4
3
1
4
3
1
--------------15--18--15--17--18--17--15--17--18--20--18--17--------------||
--15--16--18--------------------------------------------------20--18--16--||
-------------------------------------------------------------------------o||
-------------------------------------------------------------------------o||
--------------------------------------------------------------------------||
--------------------------------------------------------------------------||
1
2
4
1
4
1
3
4
3
1
1
2
4
2
1
4
2
1
______________________________________________________________________________
Example 3
Am
------------------------------------------------------------5------||
--------------------------------------------5-----8=5---5=8---8=5--||
----------------------------5-----7=5---5=7---7=5-----7------------||
------------5-----7=5---5=7---7=5-----7----------------------------||
--7=5---5=7---7=5-----7--------------------------------------------||
------8------------------------------------------------------------||
3 1 4 1 3 1 3 1 3 1 3 1 3 1 3 1 3 1 3 1 3 1 3 1 4 1 3 1 4 1 4 1
______________________________________________________________________________
file:///C|/olga_main/f-g/g/gilbert_paul/intense_rock.tab
Example 4
Am
-----------------------------------------------------------------------5--||
-----------------------------------------------------5--8==5-----5==8-----||
-----------------------------------5--7==5-----5==7-----------7-----------||
-----------------5--7==5-----5==7-----------7-----------------------------||
--7==5-----5==7-----------7-----------------------------------------------||
--------8-----------------------------------------------------------------||
3 1 4 1 3 1 3 1 3 1 3 1 3 1 3 1 3 1 4 1 3 1 4 1
_______________________________________________________________________________
Example 5
"A" Blues
---------------------------------------------------------||
---------------------------------------------------------||
--------------------7---------8==7-----------------------||
--10==7------7==10-----10==7--------10==7------7---------||
---------10--------------------------------10-----10==7--||
---------------------------------------------------------||
4 1
4 1
4 1
4 1 2 1
4 1
4 1
4 1
______________________________________________________________________________
Example 6
Dmaj
--10----------------10----------------10------------||
-----14-11----11-14----14-11----11-14----14-11------||
-----------12----------------12----------------12--o||
---------------------------------------------------o||
----------------------------------------------------||
----------------------------------------------------||
1 4 1 2 1 4 1 4 1 2 1 4 1 4 1 2
______________________________________________________________________________
Example 7
Dmaj
file:///C|/olga_main/f-g/g/gilbert_paul/intense_rock.tab (10 of 13) [4/28/2003 9:52:59 PM]
file:///C|/olga_main/f-g/g/gilbert_paul/intense_rock.tab
------14==10------10--------------10------------------------------------------------------------------------------------------------11----------14------14==11----------14==11--14==11------11-----------------------------------12----------------------12-----------------------------------------------------------------------12------------------------------------------------------------------1
4
1
4
1
4
1
2
1
4
1
4
1
2
1
2
--------------10----------14==10------10---------12==10----------||
-----------------------------------------------------------------||
------11==14------14==11----------14------14==11--------14--12--o||
--12------------------------------------------------------------o||
-----------------------------------------------------------------||
-----------------------------------------------------------------||
2
1
4
1
4
1
4
1
4
1
4
1 2
1
4
2
______________________________________________________________________________
Example 8
Dmaj
Amaj
--14==10----------------------10-------------------------------------------------------------------------------10--14==10-------------------14==11------11==14-------------------------------------------------------12------------------11==14--------------14==11-----------------------------------12----------------------------------------------------------------------------------------------4
1
4
1
2
1
4
1
2
1
4
1
4
1
4
1
Bm
F#m
--10==7-------------------7-------------------------------------------------------------------7--10==7-----------------11==7-----7==11-----------------------------------------------9---------------7==11------------11==7------------------------------9--------------------------------------------------------------------------------3 1
4 1 2 1
4 1 2 1
4 1
3 1
4 1
Gmaj
Dmaj
--7==3-----------------3------------------------------------------------------------3--7==3---------------7==4-----4==7------------------------------------------5--------------4==7-----------7==4---------------------------5-----------------------------------------------------------------------4 1 4 1 2 1 4 1 2 1 4 1 4 1 4 1
Gmaj
Amaj
--7==3-----------------3-----------5--9==5---------||
---------------------------------------------------||
--------7==4-----4==7--------6==9-----------9==6--o||
--------------5-----------7-----------------------o||
---------------------------------------------------||
---------------------------------------------------||
4 1 4 1 2 1 4 1 2 1 4 1 4 1 4 1
file:///C|/olga_main/f-g/g/gilbert_paul/intense_rock.tab
______________________________________________________________________________
Example 9
Em
------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------9--10--12//
-------------------7--9--10//12--10--9--10--12--------------10--8--7--8--10-----------------------------------------4 2 1 2
4 1 3
4===4
2 1
2
4 1
2
4==
-----------------------------------------------------------------------------------------------------------------------13--15--17//
----------------------11--12--14//16--14--12--14--16-------------//14--12--10--12--14-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------===4
2
1
2
4
1
2
4===4
2
1
2
4
1
2
4==
----------------------15--17--19//20--||
//19--17--15--17--19------------------||
--------------------------------------||
--------------------------------------||
--------------------------------------||
--------------------------------------||
===4
2
1
2
4
1
2
4===4
_______________________________________________________________________________
Example 10
Em
--17--19--20--19--17-------------------------------------------------------------------20--19--17--15--17--19--17--15-------------------------------------------------------------------17--16--14----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------1
3
4
3
1
4
3
1
1
3
4
3
1
4
3
1
------------------------------------------------------------------------------------------------------------------------------------12--14--16--14--12-------------------------------------------------------------------16--14--12--10--12--14--12--10-------------------------------------------------------------------14--12--10------------------------------------------------------------------1
3
4
3
1
4
3
1
1
3
4
3
1
4
3
1
----------------------------------||
----------------------------------||
----------------------------------||
----------------------------------||
--9--10--12--10--9----------------||
file:///C|/olga_main/f-g/g/gilbert_paul/intense_rock.tab (12 of 13) [4/28/2003 9:52:59 PM]
file:///C|/olga_main/f-g/g/gilbert_paul/intense_rock.tab
--------------------12--10--8--7--||
1
2
4
2 1
4
2 1 1
file:///C|/olga_main/f-g/g/gilberto_astrud/girl_from_impanema.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From alt.guitar.tab Thu Apr 14 11:08:31 1994
Path: news.tcd.ie!ieunet!EU.net!sunic!ericom!eua.ericsson.se!euas67c06!euakan
From: euakan@eua.ericsson.se (Theo Kanter)
Newsgroups: alt.guitar.tab
Subject: Re: REQ: The Girl from Impanema by Astrud Gilb
Date: 13 Apr 1994 06:58:23 GMT
Organization: Ellemtel Telecom Systems Labs, Stockholm, Sweden
Lines: 91
Distribution: world
Message-ID: <2og56f$ls7@euas20.eua.ericsson.se>
References: <2ofkp6$3f0@uqcspe.cs.uq.oz.au>
Reply-To: euakan@eua.ericsson.se
NNTP-Posting-Host: euas67c06.eua.ericsson.se
NNTP-Posting-User: euakan
In article 3f0@uqcspe.cs.uq.oz.au, seb@cs.uq.oz.au (Steven
>A friend of mine who is into jazz asked me to try and get
>I don't know the song at all, so the names of the artists
>incorrect. He thinks the song was in the key of C major,
>be happy to get it in any key that he can :)
>
>BTW, I checked on nevada and linfield etc. and I couldn't
Butler) writes:
this song for him.
might be slightly
but I guess he will
find it.
I typed this in from some book that I had, stripped off the
piano parts, etc. This should get you going.
--theo
-------------------------------------------------The Girl from Ipanema
(Garota de Ipanema)
Music: Antonio Carlos Jobim
Lyrics: Vinicius de Moraes
Verse 1
Tall and tan and young
| Fmaj7
From Ipane| G7
She passes each one
| Gm7
A-a-h!
| Fmaj7
Verse 2
When she walks she's lika a samba that
| Fmaj7
|
Swings so cool and sways so gentle that when
| G7
|
She passes, each one she passes goes
| Gm7
| Gb7
A-a-h!
| Fmaj7
| Fmaj7
|
|
|
|
Break
file:///C|/olga_main/f-g/g/gilberto_astrud/girl_from_impanema.tab
Oh,
| Gbmaj7
sadly
| Cb9
| F#m7
love her?
| D9
| Cb9
can I tell her I
| F#m7
|
How
|
|
yes
|
| D9
I would give my heart
| Gm7
| Gm7
|
gladly
But each
| Eb9
| Eb9
|
day when she walks to the sea
she
| Am7
| D7b9
|
looks straight ahead not at me
| Gm7
| C7b9
|
Verse
Tall and tan and young and lovely the Girl
| Fmaj7
|
|
from Ipanema goes walking and when
| G7
|
|
she passes I smile,
but she doesn't
| Gm7
| Gb7
|
see
(1)
She doesn't
(2)
| Gb7
:| Gb7
|
see
No she doesn't
| Fmaj7
| Gb7
|
see
| Fmaj7
Gb7
| Fmaj7
||
The second time around you'll have to substitute
some words:
lovely
girl
she
her
--Theo Kanter
handsome
boy
he
him
file:///C|/olga_main/f-g/g/gilberto_astrud/girl_from_ipanema.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 15:28:17 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./g/gilberto_astrud/girl_from_ipanema.crd
"The Girl From Ipanema"
("Garota de Ipanema")
(music: Antonio Carlos Jobim
Portuguese lyrics: Vinicius de Moraes
English lyrics: Norman Gimbel)
[chords and arrangement according to Getz/Gilberto version]
Intro:
(wordless vocal over Db6/9 on nylon-string guitar)
Verse 1 (w/nylon-string guitar only):
Db6/9 [x4334x]
Olha que coisa mas linda mas cheia
Eb9 [x6566x]
De graca e ela menina que vem
Ebm9* [x6466x] Ab7+5 [4x455x]
Db6/9
E que passa
num doce balanco a caminho do mar
* Ebm9/Ab after bass enters
[1: D9]
file:///C|/olga_main/f-g/g/gilberto_astrud/girl_from_ipanema.crd
And when she passes, each one she passes goes "ahh"
Verse 5:
When she walks she's like a samba
That swings so cool and sways so gentle
That when she passes, each one she passes goes "ahh"
Chorus 2:
Oh, but he [1: watches 2: sees her] so sadly
How can he tell her he loves her?
Yes, he would give his heart gladly
But each day when she walks to the sea
She looks straight ahead not at he
Verse 6:
Tall and tan and young and lovely
The girl from Ipanema goes walking
And when she passes he smiles, but she doesn't see
[sax solo over two verses, chorus, verse]
[piano solo over two verses]
[repeat chorus 2]
[repeat verse 6]
Coda:
D9
D9
D9
D9
D9
Db6/9
She just doesn't see
Db6/9
No, she doesn't see
Db6/9
But she doesn't see
Db6/9
She doesn't see
Db6/9 [fade]
No, she doesn't see
-- another ace 60's tab from Andrew Rogers (Portuguese lyrics transcribed
by ROUQUI@HUSC3.HARVARD.EDU)
file:///C|/olga_main/f-g/g/gilberto_joao/aos_pez_da_cruz.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: brazile@cs.utexas.edu (P. Jason Brazile)
Aos Pes da Cruz
(At the Foot of the Cross)
-------------------------written by Marino Pinto and Ze da Zilda
transcribed and translated by
Jason Brazile (brazile@cs.utexas.edu) from:
The Legendary Joao Gilberto
The Original Bossa Nova Recordings (1958-1961)
World Pacific CDP 7 93891 2
Notes:
(1) under the grid, "x" means don't play this string
(2) under the grid, "O" means play the open string
(3) "minor 7 b5" is the same as "half-diminished 7"
E maj 7
+-+-+-+-+-+
| | o | | | 2
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
o | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
C# 7
+-+-+-+-+-+
| | | | o | 2
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
o | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
F# min 7
+-+-+-+-+-+
o | o o o | 2
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
O
D# min 7
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | o o
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x x
Aos pes da
santa cruz
voce se
ajoelhou
Em nome de
Jesus um
grande
amor voce
jorou. Jorou
mas nao
cum-
-priu. Fin-
G# 7 +5
+-+-+-+-+-+
o | o | | | 4
+-+-+-+-+-+
| | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
C# min 7
+-+-+-+-+-+
| o | o | | 4
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
F# 13
+-+-+-+-+-+
o | o | | | 2
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
F# 7 +5
+-+-+-+-+-+
o | o | | | 2
+-+-+-+-+-+
| | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
-giu e me
en-
-ganou Pra
-tiu pra
file:///C|/olga_main/f-g/g/gilberto_joao/aos_pez_da_cruz.tab
F# min 7
+-+-+-+-+-+
o | o o o | 2
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
G min 7
+-+-+-+-+-+
o | o o o | 3
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
G# min 7
+-+-+-+-+-+
o | o o o | 4
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
G min 7
+-+-+-+-+-+
o | o o o | 3
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
F# min 7
+-+-+-+-+-+
o | o o o | 2
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
F# dim 7
+-+-+-+-+-+
| | o | o |
+-+-+-+-+-+
o | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
E maj 9
+-+-+-+-+-+
| | o o | |
+-+-+-+-+-+
| | | | | o
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x
O
G dim 7
+-+-+-+-+-+
| | o | o | 2
+-+-+-+-+-+
o | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
O coracao
tem
razoes que a
propia razao
descon-
-hece
F# min 7
+-+-+-+-+-+
o | o o o | 2
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
F# min 6
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
o | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
E maj 9
+-+-+-+-+-+
| | o o | |
+-+-+-+-+-+
| | | | | o
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x
O
G# min 7
+-+-+-+-+-+
o | o o o | 4
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
Faz
promessas
e
juras De-
-pois
esquece
G min 7
+-+-+-+-+-+
o | o o o | 3
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
F# min 7
+-+-+-+-+-+
o | o o o | 2
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
D# min 7
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | o o
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x x
G# 7
+-+-+-+-+-+
o | o | o o 4
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
Sequindo
este prin-
-cipio
Vo-
Deus voce
pecou
file:///C|/olga_main/f-g/g/gilberto_joao/aos_pez_da_cruz.tab
C# min 7
+-+-+-+-+-+
| o | o | | 4
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
G dim 7
+-+-+-+-+-+
| | o | o | 2
+-+-+-+-+-+
o | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
F# 13
+-+-+-+-+-+
o | o | | | 2
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
F# 7 +5
+-+-+-+-+-+
o | o | | | 2
+-+-+-+-+-+
| | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
-ce tambem
prome-
-teu Che-
-gou ate a
ju-
-rar um
grande a-
F# min 7
+-+-+-+-+-+
o | o o o | 2
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
F# dim 7
+-+-+-+-+-+
| | o | o |
+-+-+-+-+-+
o | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
E maj 7
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| o | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
O
x
x
D6 b5
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | o
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x O
O
-pois, esque-
-ceu
D min 7
+-+-+-+-+-+
| | | o | o
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x O
O
A maj 7
+-+-+-+-+-+
o | | | o | 5
+-+-+-+-+-+
| | o o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
A min #7
+-+-+-+-+-+
o | | o o | 5
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
G# min 7
+-+-+-+-+-+
| | | | | | 3
+-+-+-+-+-+
o | o o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
G# min 6
+-+-+-+-+-+
| | o | | | 3
+-+-+-+-+-+
o | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
F# min 7
+-+-+-+-+-+
o | o o o | 2
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
F# dim 7
+-+-+-+-+-+
| | o | o |
+-+-+-+-+-+
o | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
G# min 7 b5
+-+-+-+-+-+
| | | | o | 3
+-+-+-+-+-+
o | o o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
G# dim 7
+-+-+-+-+-+
| | o | o | 3
+-+-+-+-+-+
A maj 7
+-+-+-+-+-+
o | | | o | 5
+-+-+-+-+-+
A min #7
+-+-+-+-+-+
o | | o o | 5
+-+-+-+-+-+
G# min 7
+-+-+-+-+-+
| | | | | | 3
+-+-+-+-+-+
file:///C|/olga_main/f-g/g/gilberto_joao/aos_pez_da_cruz.tab
o | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
| | o o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
| | o | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
o | o o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
G min 6 +5
+-+-+-+-+-+
| | o | | | 2
+-+-+-+-+-+
o | | o | |
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
F# min 7 b5
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
o | o o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
F7
+-+-+-+-+-+
o | o | o |
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
E maj 7
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| o | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
O
x
x
\>
\>
\>
\>
\>
\>
\>
\>
\>
\>
\>
\>
file:///C|/olga_main/f-g/g/gilberto_joao/aos_pez_da_cruz.tab
\\
Chegou at\a'e a jurar
um grande amor
Mas depois esqueceu
\end{tabbing}
\end{document}
file:///C|/olga_main/f-g/g/gilberto_joao/este_seu_olhar.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: brazile@cs.utexas.edu (P. Jason Brazile)
Este Seu Olhar
(These Eyes of Yours)
--------------------written by Antonio Carlos (Tom) Jobim
transcribed and translated by
Jason Brazile (brazile@cs.utexas.edu) from:
The Legendary Joao Gilberto
The Original Bossa Nova Recordings (1958-1961)
World Pacific CDP 7 93891 2
Notes:
(1) under the grid, "x" means don't play this string
(2) under the grid, "O" means play the open string
(3) "minor 7 b5" is the same as "half-diminished 7"
E maj 7
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| o | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
O
x
x
F# 7
+-+-+-+-+-+
o | o | o | 2
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
F7 b5
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
o | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
O x
F dim 7
+-+-+-+-+-+
o | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x O
O x
F# min 6
+-+-+-+-+-+
o | | o | o 2
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x x
F# min +5
+-+-+-+-+-+
o | | o | o 2
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x x
F# min 7
+-+-+-+-+-+
o | | o o o 2
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x x
C min 6 +5
+-+-+-+-+-+
| | o | o |
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | o
+-+-+-+-+-+
x x
E maj 7
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| o | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
F 9
+-+-+-+-+-+
o | | | | |
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | o o
+-+-+-+-+-+
E maj 7
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| o | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
F dim 7
+-+-+-+-+-+
o | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
file:///C|/olga_main/f-g/g/gilberto_joao/este_seu_olhar.tab
x x
x O
-har
O x
F# min 7
+-+-+-+-+-+
o | o o o | 2
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
G dim 7
+-+-+-+-+-+
| | o | o | 2
+-+-+-+-+-+
o | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
E maj 7
+-+-+-+-+-+
| | o | | | 2
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
o | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
Ab 7 +5
+-+-+-+-+-+
o | o | | | 4
+-+-+-+-+-+
| | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
quando
encontra o
meu
fala de umas
coisas que
eu nao
A maj 7
+-+-+-+-+-+
o | | | o | 5
+-+-+-+-+-+
| | o o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
A min 6
+-+-+-+-+-+
| | o | | | 4
+-+-+-+-+-+
o | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
E maj 7
+-+-+-+-+-+
| | o | | | 2
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
o | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
G dim 7
+-+-+-+-+-+
| | o | o | 2
+-+-+-+-+-+
o | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
Doce e son-
-har E pen-
G# min 7
+-+-+-+-+-+
o | o o o | 4
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
G# min 6
+-+-+-+-+-+
| | o | | | 3
+-+-+-+-+-+
o | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
gosta de mim
como
E maj 7
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| o | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
F dim 7
+-+-+-+-+-+
o | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
posso
acreditar
F# min 7
+-+-+-+-+-+
o | o o o | 2
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
F# min 6
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
o | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
-sar que
voce
F# min 7
+-+-+-+-+-+
o | o o o | 2
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
F# min 6
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
o | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
file:///C|/olga_main/f-g/g/gilberto_joao/este_seu_olhar.tab
eu de voce
x O
Mas a ilu-
-sao
O x
F# min 7
+-+-+-+-+-+
o | o o o | 2
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
G dim 7
+-+-+-+-+-+
| | o | o | 2
+-+-+-+-+-+
o | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
E maj 7
+-+-+-+-+-+
| | o | | | 2
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
o | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
Ab 7 +5
+-+-+-+-+-+
o | o | | | 4
+-+-+-+-+-+
| | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
quando se
des-
-faz
doi no cora-
-cao de
quem son-
A maj 7
+-+-+-+-+-+
o | | | o | 5
+-+-+-+-+-+
| | o o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
A min 6
+-+-+-+-+-+
| | o | | | 4
+-+-+-+-+-+
o | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
E maj 7
+-+-+-+-+-+
| | o | | | 2
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
o | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
G dim 7
+-+-+-+-+-+
| | o | o | 2
+-+-+-+-+-+
o | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
-hou sonhou
de-
mais
Ah, se
eu pudesse
enten-
B min 7
+-+-+-+-+-+
o | | o | | 2
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x O
O x
F min 6 +5
+-+-+-+-+-+
o | | o | |
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x O
x
F# 13
+-+-+-+-+-+
o | o | | | 2
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
F# 7 +5
+-+-+-+-+-+
o | o | | | 2
+-+-+-+-+-+
| | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
-der
que di-
-zem
F# min 7
+-+-+-+-+-+
o | o o o | 2
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
F# dim 7
+-+-+-+-+-+
| | o | o |
+-+-+-+-+-+
o | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
E maj 7
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| o | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
F9
+-+-+-+-+-+
o | | | | |
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | o o
+-+-+-+-+-+
file:///C|/olga_main/f-g/g/gilberto_joao/este_seu_olhar.tab
x
os seus
x x
olhos
file:///C|/olga_main/f-g/g/gilberto_joao/felicidade.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: brazile@cs.utexas.edu (P. Jason Brazile)
[note to archive maintainers: I would suggest putting this under
joao_gilberto as the chords and phrasings are from a particular
recording of his arrangement of it.]
A
Felicidade
(Happiness)
----------written by Tom Jobim and Vinicius de Moraes
transcribed and translated by
Jason Brazile (brazile@cs.utexas.edu) from:
Joao Gilberto
Live in Montreux
Elektra Musician 9 60760-2
Notes:
(1) under the grid, "x" means don't play this string
(2) under the grid, "O" means play the open string
(3) "minor 7 b5" is the same as "half-diminished 7"
C maj 6 9
+-+-+-+-+-+
| | o o | | 2
+-+-+-+-+-+
o | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
E min 7
+-+-+-+-+-+
| | | | o o 3
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x x
F# min 6
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
o | | o | o
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
E min 7
+-+-+-+-+-+
| | o | | | 2
+-+-+-+-+-+
| | | | o o
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x x
Tristeza
nao tem fin
fe-
-lici-
-dade
sim
A7
+-+-+-+-+-+
o | o | o | 5
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
D min 7
+-+-+-+-+-+
| o | o | | 5
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
G7
+-+-+-+-+-+
o | o | o | 3
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
C maj 7
+-+-+-+-+-+
| o | | | o 3
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
A
C maj 9
+-+-+-+-+-+
| o | | o | 3
B min 7 b5
+-+-+-+-+-+
| o | o | | 2
E7 +5
+-+-+-+-+-+
| | | o o |
C maj 6
+-+-+-+-+-+
| | | | o |
file:///C|/olga_main/f-g/g/gilberto_joao/felicidade.tab
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
+-+-+-+-+-+
| | o | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x O
x
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x O
O
x
felici-
-dade e
como
a pluma
que o vento
vai le-
file:///C|/olga_main/f-g/g/gilberto_joao/felicidade.tab
G7 +5
+-+-+-+-+-+
o | o | | | 3
+-+-+-+-+-+
| | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
G min 7
+-+-+-+-+-+
o | o o o | 3
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
G dim 7
+-+-+-+-+-+
| | o | o | 2
+-+-+-+-+-+
o | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
F maj 7
+-+-+-+-+-+
o | | | o |
+-+-+-+-+-+
| | o o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
-vando pelo
ar
E7 +5
+-+-+-+-+-+
| | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x O
x
A min 7
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | o
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x O
x
D maj 6
+-+-+-+-+-+
| | | o | o 2
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x x O
O
A min 7
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | o
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x O
x
leve mas
tem a vida
breve Pre-
-cisa que
haja
E7 +5
+-+-+-+-+-+
| | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x O
x
A min 7
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | o
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x O
x
G maj 6 9
+-+-+-+-+-+
| | o o | | 2
+-+-+-+-+-+
o | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
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x
O
C maj 9
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| | | o | |
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x
x
vento sem
pa-
-rar
A felicidade
do
pobre pa-
C maj 7
+-+-+-+-+-+
| o | | | | 3
+-+-+-+-+-+
| | | o | |
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| | o | o |
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x
x
G min 7
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o | o o o | 3
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x
x
G min 6
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| | o | | | 2
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o | | o o |
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x
F maj 6
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o | | | o |
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| | | o | |
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| | | | | |
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| | | | | |
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x O
x
-rece
a grade ilu-
-sao do
Carnival
Voa tao
file:///C|/olga_main/f-g/g/gilberto_joao/felicidade.tab
F maj 7
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o | | | o |
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x
x
D11
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| | | | | o
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x x O
G7 +5
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o | o | | | 3
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x
x
C maj 7
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| o | | | o 3
+-+-+-+-+-+
| | | o | |
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x
x
gente traba-
-lha o
ano in-
C maj 9
+-+-+-+-+-+
| | o | | | 2
+-+-+-+-+-+
| o | | o |
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| | | o | |
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x
x
F# min 11
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o | | o | | 2
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x x
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B7
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x
x
E min 7
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| | | | o o 3
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| | | o | |
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O x x
-teiro Por
um momen-
-to de sonho
pra
fazer a
A7
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| | | | o | 2
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x O x O
O
D min 7
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x x O
E7 +5
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O x O
x
A min 7
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| | | | o |
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| | | | | o
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x O x O
fanta-
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D maj 6
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x x O
O
D min 6
+-+-+-+-+-+
| | | | | o
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| | | o | |
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| | | | | |
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x x O
O
-neira
de
rei ou de
pirata ou
jardi-
A min 7
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| | | | o |
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| | o | | |
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| | | | | o
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x O
x
E7 +5
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| | | | | |
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| | | | | |
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| | | | | |
+-+-+-+-+-+
O x O
x
tudo se aca-
-bar na
quarta
file:///C|/olga_main/f-g/g/gilberto_joao/felicidade.tab
A min 7
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | o | | |
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| | | | | o
+-+-+-+-+-+
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x O
x
C maj 6 9
+-+-+-+-+-+
| | o o | | 2
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o | | | o |
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x
x
E min 7
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| | | | o o 3
+-+-+-+-+-+
| | | o | |
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| | | | | |
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O x x
F# min 6
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
o | | o | o
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
feira Tri-
-steza nao
tem fin fe-
-lici-
-dade
E min 9
+-+-+-+-+-+
| | o | | o 2
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
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x x
O
C maj 6 9
+-+-+-+-+-+
| | o o | | 2
+-+-+-+-+-+
o | | | o |
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x
x
E min 7
+-+-+-+-+-+
| | | | o o 3
+-+-+-+-+-+
| | | o | |
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O x x
F# min 6
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
o | | o | o
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
sim
-steza nao
tem fin fe-
-lici-
-dade
E min 9
+-+-+-+-+-+
| | | | | o 2
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
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| | | | | |
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O x x O
A min 7 b5
+-+-+-+-+-+
| | o | o | 2
+-+-+-+-+-+
| | | | | |
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x O
O
x
D min 9
+-+-+-+-+-+
| | | | o |
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x x O
O
E7
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| | | | | |
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O x O
O x
C maj 6
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| | | | o |
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| | o | | |
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x O
O
x
C maj 7
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| | o | | | 2
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| o | | | |
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| | | | | |
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x
O O x
B min 7 b5
+-+-+-+-+-+
| o | o | | 2
+-+-+-+-+-+
| | o | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
E7
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| | | o | |
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| | o | | |
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x
x
A felici-
-dade e como
a gota de
Tri-
file:///C|/olga_main/f-g/g/gilberto_joao/felicidade.tab
A min 7
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | o
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x O
x
G7 +5
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o | o | | | 3
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| | | o o |
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| | | | | |
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| | | | | |
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x
x
G min 7
+-+-+-+-+-+
o | o o o | 3
+-+-+-+-+-+
| | | | | |
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| | | | | |
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x
x
G dim 7
+-+-+-+-+-+
| | o | o | 2
+-+-+-+-+-+
o | | o | |
+-+-+-+-+-+
| | | | | |
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| | | | | |
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x
x
orvalho numa
petala de
flor
F maj 7
+-+-+-+-+-+
o | | | o |
+-+-+-+-+-+
| | o o | |
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x
x
E7 +5
+-+-+-+-+-+
| | | o o |
+-+-+-+-+-+
| | | | | |
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| | | | | |
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| | | | | |
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O x o
x
A min 7
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | o
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x O
x
D maj 6
+-+-+-+-+-+
| | | o | o 2
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| | | | | |
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| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x x O
O
Brilha tran-
-quilha de-
-pois de le-
-ve oscila e
A min 7
+-+-+-+-+-+
| | | | o |
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| | o | | |
+-+-+-+-+-+
| | | | | o
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| | | | | |
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x O
x
E7 +5
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| | | o o |
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| | | | | |
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| | | | | |
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| | | | | |
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O X O
x
A min 7
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | o
+-+-+-+-+-+
| | | | | |
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x O
x
G maj 6 9
+-+-+-+-+-+
| | o o | | 2
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o | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
O x
lagrima de
amor
A minha
felicidade
esta sonhando
G min 7
+-+-+-+-+-+
o | o o o | 3
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
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| | | | | |
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x
x
G min 6
+-+-+-+-+-+
| | o | | | 2
+-+-+-+-+-+
o | | o o |
+-+-+-+-+-+
| | | | | |
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| | | | | |
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x
x
F maj 6
+-+-+-+-+-+
o | | | o |
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
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| | | | | |
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x O
x
F maj 7
+-+-+-+-+-+
o | | | o |
+-+-+-+-+-+
| | o o | |
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| | | | | |
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| | | | | |
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x
x
nos olhos
da minha
namora-
-da
file:///C|/olga_main/f-g/g/gilberto_joao/felicidade.tab
D11
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | o
+-+-+-+-+-+
| | | | | |
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x x O
G7 +5
+-+-+-+-+-+
o | o | | | 3
+-+-+-+-+-+
| | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
C maj 7
+-+-+-+-+-+
| o | | | o 3
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
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x
x
C maj 9
+-+-+-+-+-+
| | o | | | 2
+-+-+-+-+-+
| o | | o |
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
E como esta
noite pa-
-sando pa-
-sando
F# min 11
+-+-+-+-+-+
o | | o | | 2
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x x
O O
B7
+-+-+-+-+-+
| o | o | | 2
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | o | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
E min 7
+-+-+-+-+-+
| | | | o o 3
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x x
A7
+-+-+-+-+-+
| | | | o | 2
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x O x O
O
em busca da
madrugada
Falem
baixo por
fa-
D min 7
+-+-+-+-+-+
| | | | o o
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x x O
E7 +5
+-+-+-+-+-+
| | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x O
x
A min 7
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | o
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x O x O
D maj 6
+-+-+-+-+-+
| | | o | o 2
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x x O
O
-vor
pra que
ela acorde
alegre como o
dia
D min 6
+-+-+-+-+-+
| | | | | o
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x x O
O
A min 7
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | o
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x O x O
E7 +5
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| | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x O
x
A min 7
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | o
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x O
x
-frecendo
beijos de a-
-mor
o-
Tri-
file:///C|/olga_main/f-g/g/gilberto_joao/felicidade.tab
C maj 6 9
+-+-+-+-+-+
| | o o | | 2
+-+-+-+-+-+
o | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
E min 7
+-+-+-+-+-+
| | | | o o 3
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x x
F# min 6
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
o | | o | o
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
E min 9
+-+-+-+-+-+
| | o | | o 2
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x x
O
-steza nao
tem fin fe-
-lici-
-dade
sim
A7
+-+-+-+-+-+
| | o | o | 2
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x O
O
x
D min 9
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x x O
O
G7
+-+-+-+-+-+
o | o | o | 3
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
C maj 7
+-+-+-+-+-+
| o | | | o 3
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
A
C maj 9
+-+-+-+-+-+
| o | | o | 3
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
B min 7 b5
+-+-+-+-+-+
| o | o | | 2
+-+-+-+-+-+
| | o | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
E7 +5
+-+-+-+-+-+
| | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x O
x
C maj 6
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x O
O
x
felici-
-dade e
como a pluma
que o
vento vai
le-
G7 +5
+-+-+-+-+-+
o | o | | | 3
+-+-+-+-+-+
| | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
G min 7
+-+-+-+-+-+
o | o o o | 3
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
G dim 7
+-+-+-+-+-+
| | o | o | 2
+-+-+-+-+-+
o | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
F maj 7
+-+-+-+-+-+
o | | | o |
+-+-+-+-+-+
| | o o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
-vando pelo
ar
Voa tao
file:///C|/olga_main/f-g/g/gilberto_joao/felicidade.tab
E7 +5
+-+-+-+-+-+
| | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x O
x
A min 7
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | o
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x O
x
D maj 6
+-+-+-+-+-+
| | | o | o 2
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x x O
O
A min 7
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | o
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x O
x
leve mas
tem a vida
breve pre-
-cisa que
haja
E7 +5
+-+-+-+-+-+
| | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x O
x
A min 7
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | o
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x O x O
C maj 7
+-+-+-+-+-+
| | o | | | 2
+-+-+-+-+-+
| o | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
O O x
G min 7
+-+-+-+-+-+
o | o o o | 3
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
vento sem
pa-
-rar
A felicidade
e uma coisa
louca e
tao deli-
G min 6
+-+-+-+-+-+
| | o | | | 2
+-+-+-+-+-+
o | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
F maj 6
+-+-+-+-+-+
o | | | o |
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x O
x
F maj 7
+-+-+-+-+-+
o | | | o |
+-+-+-+-+-+
| | o o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
D11
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | o
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x x O
cada tam-
-bem
Tem
flores e a-
G7
+-+-+-+-+-+
o | o | o | 3
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
G7 +5
+-+-+-+-+-+
o | o | | | 3
+-+-+-+-+-+
| | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
-mores
de
C maj 7
+-+-+-+-+-+
| o | | | | 3
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | o | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
C maj 9
+-+-+-+-+-+
| | o | | | 2
+-+-+-+-+-+
| o | | o |
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
todas as
cores Tem
file:///C|/olga_main/f-g/g/gilberto_joao/felicidade.tab
F# min 11
+-+-+-+-+-+
o | | o | | 2
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x x
O O
B 7
+-+-+-+-+-+
| o | o | | 2
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | o | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
ninhos de
passarinhos
Tudo
D min 9
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x x O
O
E7 +5
+-+-+-+-+-+
| | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x O
x
A min 7
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | o
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x O x O
D maj 6
+-+-+-+-+-+
| | | o | o 2
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x x O
O
e por ela
ser assim
tao
delicada
tem
Pois
E min 7
+-+-+-+-+-+
| | | | o o 3
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x x
A7
+-+-+-+-+-+
| | o | o | 2
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x O
O
x
bom
ela
D min 6
+-+-+-+-+-+
| | | | | o
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x x O
O
A maj 7
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | o
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x O x O
E7 +5
+-+-+-+-+-+
| | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x O
x
A min 7
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | o
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x O x O
Que eu
trato dela
sempre muito
bem
C maj 6 9
+-+-+-+-+-+
| | o o | | 2
+-+-+-+-+-+
o | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
E min 7
+-+-+-+-+-+
| | | | o o 3
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x x
F# min 6
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
o | | o | o
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
E min 7
+-+-+-+-+-+
| | | | o o 3
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x x
-steza nao
tem fin fe-
-lici-
-dade
sim
Tri-
Tri-
file:///C|/olga_main/f-g/g/gilberto_joao/felicidade.tab
C maj 6 9
+-+-+-+-+-+
| | o o | | 2
+-+-+-+-+-+
o | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
E min 7
+-+-+-+-+-+
| | | | o o 3
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x x
B7
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
o | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
O x
E min 9
+-+-+-+-+-+
| | | | | o 2
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x x O
-steza nao
tem fin fe-
-lici-
-dade
sim
C maj 6 9
+-+-+-+-+-+
| | o o | | 2
+-+-+-+-+-+
o | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
E min 7
+-+-+-+-+-+
| | | | o o 3
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x x
B7
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
o | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
O x
E min 9
+-+-+-+-+-+
| | | | | o 2
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x x O
-steza nao
tem fin fe-
-lici-
-dade
sim
C maj 6 9
+-+-+-+-+-+
| | o o | | 2
+-+-+-+-+-+
o | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
E min 7
+-+-+-+-+-+
| | | | o o 3
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x x
B7
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
o | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
O x
E min 9
+-+-+-+-+-+
| | | | | o 2
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x x O
-steza nao
tem fin fe-
-lici-
-dade
sim
C maj 6 9
+-+-+-+-+-+
| | o o | | 2
+-+-+-+-+-+
o | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
E min 7
+-+-+-+-+-+
| | | | o o 3
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x x
B7
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
o | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
O x
E min 9
+-+-+-+-+-+
| | | | | o 2
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x x O
-steza nao
-lici-
-dade
sim
Tri-
Tri-
Tri-
Tri-
file:///C|/olga_main/f-g/g/gilberto_joao/felicidade.tab
file:///C|/olga_main/f-g/g/gilberto_joao/felicidade.tab
C maj 6 9
+-+-+-+-+-+
| | o o | | 2
+-+-+-+-+-+
o | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
E min 7
+-+-+-+-+-+
| | | | o o 3
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x x
F# min 6
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
o | | o | o
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
E min 9
+-+-+-+-+-+
| | | | o o 3
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x x
-steza nao
tem fin fe-
-lici-
-dade
sim
E min 6 9
+-+-+-+-+-+
| | | | o o 2
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x x O
D min 7
+-+-+-+-+-+
| | | | o o
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x x O
G7
+-+-+-+-+-+
o | o | o | 3
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
C maj 7
+-+-+-+-+-+
| o | | | o 3
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
file:///C|/olga_main/f-g/g/gilberto_joao/felicidade.tab
file:///C|/olga_main/f-g/g/gilberto_joao/morena_boca_de_ouro.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: brazile@cs.utexas.edu (P. Jason Brazile)
Morena Boca de Ouro
(Golden Mouthed Brunette)
------------------------written by Ary Barroso
transcribed and translated by
Jason Brazile (brazile@cs.utexas.edu) from:
The Legendary Joao Gilberto
The Original Bossa Nova Recordings (1958-1961)
World Pacific CDP 7 93891 2
Notes:
(1) under the grid, "x" means don't play this string
(2) under the grid, "O" means play the open string
(3) "minor 7 b5" is the same as "half-diminished 7"
(voice only)
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
Morena boca
de ouro que
me
B min 7
+-+-+-+-+-+
| o | o | o 2
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
G# dim 7
+-+-+-+-+-+
| | o | o | 3
+-+-+-+-+-+
o | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
E7 min 9
+-+-+-+-+-+
| | o | | | 3
+-+-+-+-+-+
o | | o | |
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
faz sofrer
F# min 6
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
F# min 7
+-+-+-+-+-+
o | o o o | 2
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
O
o teu
jeitinho e
que me
B7
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
B min 7
+-+-+-+-+-+
| o | o | o 2
+-+-+-+-+-+
E7 b9
+-+-+-+-+-+
| | o | o | 6
+-+-+-+-+-+
file:///C|/olga_main/f-g/g/gilberto_joao/morena_boca_de_ouro.tab
o | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
o | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
O x
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x
x
ma-
-ta
roda morena
A maj 7
+-+-+-+-+-+
o | | | o | 5
+-+-+-+-+-+
| | o o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
Ab 7
+-+-+-+-+-+
o | o | o | 4
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
Db min 7
+-+-+-+-+-+
| o | o | | 4
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
F# 7
+-+-+-+-+-+
o | o | o | 2
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
ginga morena
cai nao cai
B min 7
+-+-+-+-+-+
| o | o | | 2
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
x
G# dim 7
+-+-+-+-+-+
| | o | o | 3
+-+-+-+-+-+
o | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
B min 7
+-+-+-+-+-+
samba e me
desa-
-cata
E7 b9
+-+-+-+-+-+
| | o | o | 6
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x
x
A maj 7
+-+-+-+-+-+
o | | | o | 5
+-+-+-+-+-+
| | o o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
B min 7
+-+-+-+-+-+
o | o o o | 7
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
Mo-
-rena e uma
brasa viva
pronta
pra queimar
F# min 7
+-+-+-+-+-+
o | o o o | 2
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
F# min 6
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
o | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
B 7
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
o | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
O x
queimando a
gente sem
cle-
-men-
-cia
E7 b9
+-+-+-+-+-+
A maj 7
+-+-+-+-+-+
Ab 7
+-+-+-+-+-+
file:///C|/olga_main/f-g/g/gilberto_joao/morena_boca_de_ouro.tab
| o | o | o 2
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
| | o | o | 6
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x
x
o | | | o | 5
+-+-+-+-+-+
| | o o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
o | o | o | 4
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
roda morena
ginga morena
cai nao cai
samba morena
com malemo-
Db min 7
+-+-+-+-+-+
| o | o | | 4
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
C min 7
+-+-+-+-+-+
| o | o | | 3
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
B min 7
+-+-+-+-+-+
| o | o | | 2
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
Ab 7
+-+-+-+-+-+
o | o | o | 4
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
-len-
-cia
meu coracao
e um pan-
Db min 7
+-+-+-+-+-+
| o | o | | 4
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
F# 7
+-+-+-+-+-+
o | o | o | 2
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
B min 7
+-+-+-+-+-+
| o | o | | 2
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
G 13
+-+-+-+-+-+
o | o | | | 3
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
-deiro
gin-
-gando ao
compasso
dum
samba feiti-
Db min 7
+-+-+-+-+-+
| o | o | | 4
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
F# 7+5
+-+-+-+-+-+
o | o | | | 2
+-+-+-+-+-+
| | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
B min 7
+-+-+-+-+-+
| o | o | | 2
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
E7 b9
+-+-+-+-+-+
| | o | o | 6
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x
x
samba que
mexe com a
gente o
amor e um
-ceiro
file:///C|/olga_main/f-g/g/gilberto_joao/morena_boca_de_ouro.tab
A maj 7
+-+-+-+-+-+
o | | | o | 5
+-+-+-+-+-+
| | o o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
Ab 7
+-+-+-+-+-+
o | o | o | 4
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
Db min 7
+-+-+-+-+-+
| o | o | | 4
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
C min 7
+-+-+-+-+-+
| o | o | | 3
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
samba que
zomba da
gente
o amor e um
samba tao
dife-
-ren-
-te
B min 7
+-+-+-+-+-+
| o | o | | 2
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
Ab 7
+-+-+-+-+-+
o | o | o | 4
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
Db min 7
+-+-+-+-+-+
| o | o | | 4
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
F# 7
+-+-+-+-+-+
o | o | o | 2
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
morena
samba no te-
-rreiro
pi-
B min 7
+-+-+-+-+-+
| o | o | | 2
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
G 13
+-+-+-+-+-+
o | o | | | 3
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
C maj 7
+-+-+-+-+-+
| o | | | | 3
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | o | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
F# 7
+-+-+-+-+-+
o | o | o | 2
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
-sando
vaidosa se-
-strosa meu
cora-
-cao
mo-
B min 7
+-+-+-+-+-+
| o | o | | 2
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
G 13
+-+-+-+-+-+
o | o | | | 3
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
Db min 7
+-+-+-+-+-+
| o | o | | 4
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
F# 7+5
+-+-+-+-+-+
o | o | | | 2
+-+-+-+-+-+
| | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
-rena tem
pena
de
mais um
sofre-
-dor que se
quei-
file:///C|/olga_main/f-g/g/gilberto_joao/morena_boca_de_ouro.tab
F# min 6
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
o | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
G# min 7 b5
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| o | | | o
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
A maj 7
+-+-+-+-+-+
o | | | o | 5
+-+-+-+-+-+
| | o o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
A 7+5
+-+-+-+-+-+
o | o | | | 5
+-+-+-+-+-+
| | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
-mou na
brasa
viva do
teu a-
-mor
D maj 7
+-+-+-+-+-+
| o | | | | 5
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | o | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
Ab 7
+-+-+-+-+-+
o | o | o | 4
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
Db min 7
+-+-+-+-+-+
| o | o | | 4
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
F# 7
+-+-+-+-+-+
o | o | o | 2
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
B min 7
+-+-+-+-+-+
| o | o | | 2
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
E7
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x O
O x
A maj 7
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | o | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x O
x
A7+5
+-+-+-+-+-+
o | o | | o 5
+-+-+-+-+-+
| | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
D maj 7
+-+-+-+-+-+
| o | | | | 5
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | o | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
Ab 7
+-+-+-+-+-+
o | o | o | 4
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
Db min 7
+-+-+-+-+-+
| o | o | | 4
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
F# 7
+-+-+-+-+-+
o | o | o | 2
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
B min 7
+-+-+-+-+-+
| o | o | | 2
+-+-+-+-+-+
| | | | o |
E 13
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | o |
A maj 7
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | o | o |
file:///C|/olga_main/f-g/g/gilberto_joao/morena_boca_de_ouro.tab
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
O x O
x
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x O
x
file:///C|/olga_main/f-g/g/gilberto_joao/presente_de_natal.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Presente de Natal
(Christmas Present)
------------------written by Nelcy Noronha
transcribed and translated by
Jason Brazile (brazile@cs.utexas.edu) from:
The Legendary Joao Gilberto
The Original Bossa Nova Recordings (1958-1961)
World Pacific CDP 7 93891 2
Notes:
(1) under the grid, "x" means don't play this string
(2) under the grid, "O" means play the open string
(3) "minor 7 b5" is the same as "half-diminished 7"
Bb maj 7
+-+-+-+-+-+
| o | | | |
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | o | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
A7+5
+-+-+-+-+-+
| | | | o | 2
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x O
O
x
Ab dim 7
+-+-+-+-+-+
| | o | o | 3
+-+-+-+-+-+
o | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
G7
+-+-+-+-+-+
o | o | o | 3
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
C min 7 b5
+-+-+-+-+-+
| o | o | | 3
+-+-+-+-+-+
| | o | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
F7+5
+-+-+-+-+-+
o | o | | |
+-+-+-+-+-+
| | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
Bb maj 7
+-+-+-+-+-+
| o | | | |
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | o | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
Db 9 +5
+-+-+-+-+-+
| | o | | o
+-+-+-+-+-+
| | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x x
Bb maj 7
+-+-+-+-+-+
| o | | | |
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | o | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
Bb 6
+-+-+-+-+-+
| o | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | o | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
O
x
Bb min 7
+-+-+-+-+-+
| o | o | o
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
C min 11
+-+-+-+-+-+
| | o o | o 3
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x x
Papai No-
-el me
deu um bom
-sente
file:///C|/olga_main/f-g/g/gilberto_joao/presente_de_natal.tab
pre-
file:///C|/olga_main/f-g/g/gilberto_joao/presente_de_natal.tab
F9
+-+-+-+-+-+
| | | o | | 2
+-+-+-+-+-+
| | o | | o
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x x
Bb maj 7
+-+-+-+-+-+
| o | | | o
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
Bb 6
+-+-+-+-+-+
| o | | | o
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x O
de Na-
-tal
C min 7
+-+-+-+-+-+
| | o | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
o | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
F7+5
+-+-+-+-+-+
o | o | | |
+-+-+-+-+-+
| | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
G11
+-+-+-+-+-+
o | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x O O
x
A min 7 b5
+-+-+-+-+-+
| | o | o |
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | o
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x x
-pel Mo-
-numen-
-tal
Quem ganha
bo-
Bb min 7
+-+-+-+-+-+
| o | o | o
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
Bb min 7 b5
+-+-+-+-+-+
| | o | o | 2
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | o
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x x
Bb 6
+-+-+-+-+-+
| o | | | o
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x O
D min 7
+-+-+-+-+-+
| | | | o o
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x x O
-neca
e menina eu
sei
mas eu
Vo-
G min 7
+-+-+-+-+-+
| | | | | o
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
o | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x x
-ce
embrulhadinha
num pa-
file:///C|/olga_main/f-g/g/gilberto_joao/presente_de_natal.tab
G7
+-+-+-+-+-+
o | o | o | 3
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
C maj 7
+-+-+-+-+-+
| o | | | | 3
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | o | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
C# dim 7
+-+-+-+-+-+
| | | o | | 3
+-+-+-+-+-+
| o | | | |
+-+-+-+-+-+
| | o | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
G11
+-+-+-+-+-+
| | | | | o 3
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
x x O
sou me-
-nino
G7
+-+-+-+-+-+
o | o | o | 3
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
Db min 7
+-+-+-+-+-+
| o | o | | 4
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | o | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
Gb 13
+-+-+-+-+-+
o | o | | | 2
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
D min 7
+-+-+-+-+-+
| | | | o o
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x x O
tambem ca-
-ei
G 13
+-+-+-+-+-+
o | o | | | 3
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
C maj 7
+-+-+-+-+-+
| o | | | o 3
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
D min 7 b5
+-+-+-+-+-+
| | | o o o
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x x O
E min 7 b5
+-+-+-+-+-+
| o | o | | 7
+-+-+-+-+-+
| | o | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
uma
bola nem se
quer um cava-
-linho
nao foi
file:///C|/olga_main/f-g/g/gilberto_joao/presente_de_natal.tab
G min 7 b5
+-+-+-+-+-+
| | o | | | 5
+-+-+-+-+-+
| | | o o o
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x x
A7 +5
+-+-+-+-+-+
o | o | | o 5
+-+-+-+-+-+
| | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
F maj 7
+-+-+-+-+-+
| | o | | | 3
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | o o o
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x x
F# dim 7
+-+-+-+-+-+
| | o | o | 4
+-+-+-+-+-+
| | | o | o
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x x
-ce
a-
E min 7
+-+-+-+-+-+
| | o | | | 2
+-+-+-+-+-+
| | | | o o
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x x
A7 +5
+-+-+-+-+-+
| | o | | | 5
+-+-+-+-+-+
| | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x O
x
A min 6
+-+-+-+-+-+
| | o | | | 4
+-+-+-+-+-+
| | | o o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x O
x
Ab dim 7
+-+-+-+-+-+
| | o | o | 3
+-+-+-+-+-+
o | | o | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
-mor que
veio en-
-tao pra
ser o meu
ben-
D min 7 b5
+-+-+-+-+-+
| o | o | | 5
+-+-+-+-+-+
| | o | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
C maj 7
+-+-+-+-+-+
| o | | | | 3
+-+-+-+-+-+
| | | o | |
+-+-+-+-+-+
| | o | o |
+-+-+-+-+-+
| | | | | |
+-+-+-+-+-+
x
x
-zi-
-nho
file:///C|/olga_main/f-g/g/gilberto_joao/presente_de_natal.tab
file:///C|/olga_main/f-g/g/gilberto_joao/wave.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Fri, 13 Sep 1996 23:38:44 -0300
From: Daniel Marchionatti Barbosa <tito@zeus.sispronet.com.br>
Subject: Wave by =?iso-8859-1?Q?Jo=E3o?= Gilberto
This is one of my
favorites Tom Jobim's song, and whith Jo=E3o Gilberto's=
voice it=20
gets almost unreal. I hope you enjoy it as much as I do. By the way I have a=
lot of=20
Brazilian songs, and I'd like to exchange it. Please e-mail me!
=09
This song must be played in the good and old bossa-nova way. It's very=
simple: bass-fingers,
fingers, bass, fingers. The chords mai not be easy in the begining, but=
whith some time you
'll get it. I'm sorry by my English and my mistakes, and if you find some=
please notify me.=20
My e-mail: tito@sispronet.com.br
=
=
=20
C6.9 G7.5+
Gm7 C7.9Vou te contar os olhos j=E1 n=E3o podem ver
F7M
Fm7
E7.13 E7.5+ A7.9
Coisas que s=F3 o cora=E7=E3o pode entender
=20
A.7.5+ D7.9=20
Fundamental =E9 mesmo o amor
G7.5+
Cm7 G7.5+
=C9 imposs=EDvel ser feliz sozinho
C6.9 G7.5+
Gm7 C7.9O resto =E9 mar =E9 tudo que eu n=E3o sei contar
=20
F7M
Fm7
E7.13 E7.5+ A7.9
=20
S=E3o coisas lindas que eu tenho pr=E1 te dar
A7.5+ D7.9
Fundamental =E9 mesmo o amor
=20
G7.5+
Cm7
=C9 imposs=EDvel ser feliz sozinho
=20
Fm7
Bb7
Eb7M.9
Da primeira vez era a cidade
=20
Ebm7
Ab7.13
Db7M.9 Dm7.9
Da segunda o cais e a eternidade
G7.5+
C6.9
Agora eu j=E1 sei
=20
=20
file:///C|/olga_main/f-g/g/gilberto_joao/wave.crd
G7.5+
Gm7 C7.9=20
Da onda que se ergueu no mar
=20
F7M
Fm7
E7.13 E7.5+ A7.9
E das estrelas que esquecemos de contar
=20
A7.9
A7.5+
D7.9
O amor se deixa surpreender
G7.5+
Cm7
Enquanto a noite vem nos envolver
C6.9
C
C7.9Cm7
D7.9
Dm7.9
Db7M.9
E7.13
E75+
Eb7M
Eb7M.9
Fm7
F7M
Gm7
G7.5+
A7.9
A7.5+
Ab7.13
Bb7
X3223X
X3X010
X3232X
X3X343
X5455X
X5355X
X4354X
0XX120
0XX110
X6X333
X6576X
1X111X
1X221X
3X333X
3X344X
X0542X
X0X021
4X456X
X1X131
=20
=20
=20
=20
file:///C|/olga_main/f-g/g/gill_vince/amy.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Path:
news.ttu.edu!seas.smu.edu!convex!hermes.oc.com!news.unt.edu!cs.utexas.edu!howland.reston.ans.net!europa.eng.gtefsd.com!ulowell!vtc.tacom.army.mil!news1.oakland.edu!news
From: mje@pookie.pass.wayne.edu (Michael J. Edelman)
Newsgroups: rec.music.makers.guitar.tablature
Subject: Re: PLEASE ID!!
Date: 27 Sep 1994 14:53:31 GMT
Organization: Wayne State University
Lines: 43
Message-ID: <369blb$8um@oak.oakland.edu>
References: <369525$7o9@charm.magnus.acs.ohio-state.edu>
Reply-To: mje@pookie.pass.wayne.edu
NNTP-Posting-Host: pookie.pass.wayne.edu
AMY
Pure Prairie League
Verse:
A - G D | A - G D |
A
G
D
| A
- G D |
I can see why you think you be- | long to me.
|
A
G
D
| A
|
I never tried to make you think, or | let you feel one thing for your- |
D
self.
|
|
D
lone.
| C
|
You see I | thought that I might keep you for my |
E
own.
| C
But now you're | off with someone else & I'm a-
| E
|
|
|
Chorus:
A
- - A- my
think
| G
| What you gonna
D
do?
|
|
| G
|
| I could stay with you for a|
Bm
| E
while, maybe longer if I | do.
|
|
--mike
file:///C|/olga_main/f-g/g/gill_vince/high_lonesome_sound.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Date: 1/2/97; 10:38:00 AM
From: "Stranieri, Paul" <straniep@eng1.otis.com>
Subject: High Lonesome Sound - Vince Gill
High Lonesome Sound
Vince Gill (High Lonesome Sound)
By: Vince Gill
Transcribed by: Paul Stranieri
Key of C
Intro
G \ C \ | G \ \ \ | C \ \ \ | G \ \ \ |
G \ C \ | G \ \ \ | F \ C \ | G \ \ \
Verse 1
G
C
G
Whenever my soul is lonely
C
G
whenever I'm feelin' blue
C
G
I start thinkin' 'bout my blue eyed darlin'
F
C
G
and my heart starts pinin' for you
Chorus
C
G
I wanna hear that high lonesome sound
C
G
'cause my sweet baby ain't around
C
G
when my life's got me down
F
C
G
I wanna hear that high lonesome sound
Instumental :: Repeat Verse Chords
Verse 2
G
C
G
When I'm lost in this ocean of darkness
C
G
not knowin' which way I should turn
C
G
and my eyes are filled with the sadness
F
C
G
of knowin' you'll never return
Chorus
Instumental :: Repeat Verse Chords
Chorus
Chorus
file:///C|/olga_main/f-g/g/gill_vince/high_lonesome_sound.crd
Chord Chart
E A D G B e
+-----------+
G 3 2 0 0 0 3
C 3 3 2 0 1 0
F 1 3 3 2 1 1
file:///C|/olga_main/f-g/g/gill_vince/look_at_us.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: brushing@whale.st.usm.edu (Ben H. Rushing Jr)
This is my first attempt at posting chords to a song so bear
in mind that this may be really messed up, but. . .
Here's a really nice tune from Vince Gill. Suggested that
you Capo on the third fret, but. . .Vince has a really high
tenor voice so you might want to experiment with Capo
location to match your voice.
Hope you enjoy it.
LOOK AT US--Vince Gill & Max D. Barnes
from Vince Gill Pocket Full of Gold
file:///C|/olga_main/f-g/g/gill_vince/look_at_us.crd
file:///C|/olga_main/f-g/g/gill_vince/one_more_last_chance.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
One More Last Chance - Vince Gill
Intro:
D (8 bars)
Verse1: D
She was standing at the front door
G
D
when I came home last night
the Good Book in her left hand and a
A
rollin' pin in her right
D
she said you've come home for the last time
G
D
with whiskey on your breath
if you don't listen to my preachin' boy
A
D
I'm gonna have to beat you half to death
Chorus:
D
gimme just one more last chance
G
D
before you say we're through
I know I drive you crazy baby
A
it's the best that I can do
D
we're just some good ole boys a'makin noise
G
D
I ain't running 'round on you
G
D
gimme just one more last chance
A
D
before you say we're through
Verse2:
At first she hid my glasses
because she knows that I can't see
she said you ain't goin' nowhere boy
until you spend a little time with me
then the boys called from the honky tonk
said there's a party goin' on down here
well she might'a took my car keys
but she forgot about my old John Deere
[CHORUS]
Solo:
[over chorus]
[CHORUS]
gimme just one more last chance
before you say we're through
file:///C|/olga_main/f-g/g/gill_vince/one_more_last_chance.crd
file:///C|/olga_main/f-g/g/gill_vince/tryin_to_get_over_you.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Date: 11/22/96; 11:55:41 PM
From: "Jeff Gary" <jwgary@mail.utexas.edu>
Subject: Tryin' to get over you - Vince Gill
TRYIN' TO GET OVER YOU
written and performed by Vince Gill
transcribed by Jeff Gary
INTRO:
D
You
G
But
D
You
G
You
D G A D G A D
G
A
could've given me a million reasons why
A
D
that wouldn't change a thing
G
A
G
said it all when you said goodbye
A
D
took off your wedding ring
CHORUS:
D
I've been
D
I've been
D
I've been
G
But it'll
G
trying to get
G
spending time
G
trying to get
A
take dyin' to
A
D
over you
A
D
alone
A
G
over you
D
get it done
D
G
A
G
All my friends keep trying to fix me up
G
A
D
Say I need somebody new
D
G
A
When it comes to love I've all but given up
G
A
D
'Cause life don't mean nothin' without you
CHORUS
INSTRUMENTAL: D G A G A D G A G A D
CHORUS
G
A
(no chord)
D(pick each note)
But it'll take dyin' to get it done
}:8
Hook'em Horns!
-Jeff Garyjwgary@mail.utexas.edu
voice: (512)495-5142
http://ccwf.cc.utexas.edu/~jwgary
Give a man a fish, and he eats for a day.
Teach him how to fish, and he will eat for a lifetime.
file:///C|/olga_main/f-g/g/gill_vince/tryin_to_get_over_you.crd
-Lao Tzu-
file:///C|/olga_main/f-g/g/gill_vince/whenever_you_come_around.lyr
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Date: Sat, 03 Jun 1995 09:57:23 +0000
From: Ken Jongsma <kjongsma@p06.dasd.honewell.com>
Subject: Vince Gill; Whenever You Come Around; Lyrics
To: G.Vaughn@ttacs.ttu.edu
Organization: Honeywell Defense Avionics Systems
MIME-version: 1.0
Whenever You Come Around
file:///C|/olga_main/f-g/g/gilmore_jimmie_dale/banks_of_the_colorado.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Juddy@aol.com
Date: Sun, 31 Dec 1995 15:28:46 -0500
Subject: Jimmie Dale Gilmore, "Banks of the Colorado"
Banks of the Colorado
Jimmie Dale Gilmore
D
Down by the banks of the Colorado
Bm
My true love and I, one night did lie.
D
And we laughed and played and made fun
Bm
of the entire world spinnin' round the sun
D
down by the banks of the Colorado.
Up from the banks of the Colorado,
night watchmen stood guard, round the wagon yard
and I took a pillar as a sign
that the salt of the earth would soon be mine
up from the banks of the Colorado.
chorus:
G
There is another Colorado
G
wise men have told me, wise women, too.
G
that I have found sweet Eldorado
D
D
A
down by the banks of one sweet Colorado.
Down by the banks of Colorado
the years flowed softly before my eyes.
And a circus joined me in my quest
and stood with me throughout my test
down by the banks of the Colorado
chorus, solo and out
file:///C|/olga_main/f-g/g/gilmore_jimmie_dale/tonight_i_think.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Member2945@aol.com
"Tonight I Think I'm Gonna Go Downtown" by Jimmie Dale Gilmore
VERSE 1
C
Tonight I think I'm gonna go downtown.
G
Tonight I think I'm gonna look around.
C
Em
F
For something I couldn't see when this world was more real to me.
G
C
And tonight I think I'm gonna go downtown.
VERSE 2
C
My love, my love has gone away.
G
My love, my love what can I say?
C
Em
F
My love would never see that this world's just not real to me.
G
C
And tonight I think I'm gonna go downtown.
INSTRUMENTAL
????????
VERSE 3
C
I told my love a thousand times
G
That I can't say what's on my mind.
C
Em
F
But she would never see that this world's just not real to me.
G
C
And tonight I think I'm gonna go downtown.
INSTRUMENTAL VERSE THEN REPEAT 1ST VERSE
file:///C|/olga_main/f-g/g/gilmour_david/murder.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From andrade@elm.circa.ufl.edu (Prashant Andrade)
Subject: Murder (David Gilmour)
Date: 4 May 93 14:29:01 GMT
Hi guys,
Lots of discussion about Murder so I spent some time with the song
Here goes
Murder
------
G
Dm
G
Some of them standing, some were waiting in the line
G
F
C
Em Am
As if there was something that they thought they might find
Am
G
F E(bass)D(bass)
Taking some strength from the feelings that always were shared
Dm
G7
C
And in the background, the eyes that just stared
What was it brought you out here in the dark?
Was it your only way of making your mark
Did you get rid of all the voices in your head?
Do you now miss them and the things that they said?
(Modulate to key of D)
A
Em
A
On your own admission you raised up the knife
A
G
D
F#m Bm
And you brought it down ending another man's life
Bm
A
G
F#(bass)E(bass)
When it was done you just threw down the blade
Em
A
D
While the red blood spread wider like the anger you made
I don't want this anger that's burning in me
It's something from which it's so hard to be free
But none of the tears that we cry in sorrow or rage
Can make any difference, or turn back the page
Prashant Andrade
<andrade@elm.circa.ufl.edu>
file:///C|/olga_main/f-g/g/gilmour_david/out_of_the_blue.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Date: Sat, 3 Feb 1996 21:40:34 -0500
From: Michael Uzquiano <mgu1@cornell.edu>
Subject: TAB: "Out of the Blue" by David Gilmour
Out of the Blue - by David Gilmour
Tabbed by Michael Uzquiano
from the "About Face" solo album.
----------------------------------------------------------------------------This is my first attempt at tabbing a song, so please excuse any mistakes
that I may have made. Gilmour does a wonderful job with this song - quite
a lot of keyboard fillers and synthesization is used to create the musical
effect, but I've provided the chord changes, so it should be pretty easy
to piece together and play on either piano or guitar.
Note: I put the chords above the word to play on. However, since the song
is slow tempo, you'll have to hear the song to know where to play the chord
inside of the lyric.
----Verse
----Bb
F
Out of the blue,
Bb
F
On the wings of a dove,
Bb
F
A messenger comes,
C
with the beating of drums,
Bb
it's not a message of love
Bb
F
Our children are born,
Bb
F
and we keep them warm,
Bb
F
they must have the right
C
to live in the light,
Bb
to be safe from the storm.
Bb
F
And out of the blue,
Bb
F
with wings on his heels,
Bb
F
a messenger comes,
C
bearing regrets
Bb
for the time that he steals.
Bb
file:///C|/olga_main/f-g/g/gilmour_david/out_of_the_blue.tab
F
believe...
F
pretend...
Bb
F
that the thunder I hear,
C
will just disappear,
Bb
and the nightmare will end.
Bb
F
So hold back the fire,
Bb
F
because this much is true,
Bb
F
when all's said and done,
C
then ending will come,
Bb
from out of the blue.
F Bb F C
file:///C|/olga_main/f-g/g/gilmour_david/out_of_the_blue.tab
-------------------------------------------------------------------------->>>>>>>>>
Michael Uzquiano - mgu1@cornell.edu
<<<<<<<<<<<
>> Any questions, errors, concerns, Pink Floyd or David Gilmour talk,
<<
>> send me some email. I'll be working on tabbing Cruise next, also from <<
>> Gilmour's terrific About Face album. See ya'll later.
<<
----------------------------------------------------------------------------=====================_823412456==_--
file:///C|/olga_main/f-g/g/gin_blossoms/29.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Date: Tue, 9 Jan 1996 22:44:45 -0800 (PST)
From: "M. Schweisthal" <mschweis@u.washington.edu>
Subject: Chords/Lyrics to "29" by the Gin Blossoms
"29" as performed by the Gin Blossoms (written by J. Valenzuela)
>From their album "New Miserable Experience"
Brought to you by Mike Schweisthal [mschweis@u.washington.edu]
Chords used: G:320003 C:X32010 D:XX0232 Em:022000 G/B:X20033 Am:X02210
Notes: I normally play this acoustic and without an instrumental
break/solo, so that's how I have it laid out here...After the last two
choruses, I play the intro progression through once and end on G...a '|'
denotes a measure break...this is one of my faves off of NME...I hope
some others out there appreciate it, too...enjoy--Mike
INTRO:
| G
| G
C | D
C | D
G | Em | D |
G | Em | D |
G
C
D
G
Em
D
Time won't stand by forever if I know it's true
G
C
D
G
Em
D
And I've learned not to say never or else I'll seem the fool
G
C
D
G
Em
D
Twenty-nine you'd think I'd know better...Living like a kid
G
C
D
G
Em
D
When my lies may seem less than clever...is when I fall for it
C
G/B
Am
D
CHORUS: Only time will tell if wishing wells will bring us anything
C
G/B
Am
D
Or fade like scenes from childhood dreams--forgotten memories
| G
C | D
G | Em | D |
G
C
D
G
Em
D
Some rides don't have much of a finish...that's the ride I took
G
C
D
G
Em
D
Through good and bad and straight through indifference without a second look
G
C
D
G
Em
D
There's no intentions worthy of mention if we never try
G
C
D
G
Em
D
So hang your hopes on rusted-out hinges...take 'em for a ride
CHORUS
G
C
D
G
Em
D
Some rides don't have much of a finish...that's the ride I took
G
C
D
G
Em
D
Through good and bad and straight through indifference without a second look
CHORUS 2X
file:///C|/olga_main/f-g/g/gin_blossoms/allison_road.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Wed, 28 Jun 1995 15:12:32 -0700
From: kclamp@cctr.umkc.edu (Ken Lamp)
Allison Road
The Gin Blossoms
Tabbed by kclamp@cctr.umkc.edu (Ken Lamp)
Listen to the record to get the rhythm of the intro.
The solo chords may not be exactly over the correct notes.
A
A
A
G
E
E
E
Asus4
Asus4
Asus4
A
A
A
Asus2
Asus2 (drums and 2nd guitar enter)
Asus2
A
E
Asus4 A Asus2
I've lost my mind
A
E
Asus4 A Asus2
On what I'd find
A
E
Asus4 A Asus2
And all of the pressure that I left behind
A
E
Asus4 A Asus2
On allison road
A
E
Asus4 A Asus2
Fools in the rain
A
E
Asus4 A Asus2
If the sun gets through
A
E
Asus4 A Asus2
Fire's in the heaven of the eyes I knew
A
E
Asus4 A Asus2
On allison road
B
D
Dark clouds fall when the moon was near
A
E
Birds fly by AM in her bedroom stare
B
D
There was no tellin what I might find
A
G
I couldn't see I was lost at the time
A
A
E
E
Asus4 A Asus2
Asus4 A Asus2
On allison road
A
E
Asus4 A Asus2
Yeah I didn't know I was lost at the time
A
E
Asus4 A Asus2
On allison road
A
E
Asus4 A Asus2
So she fills up her sails
A
E
Asus4 A Asus2
With my wasted breath
file:///C|/olga_main/f-g/g/gin_blossoms/allison_road.tab (1 of 3) [4/28/2003 9:53:08 PM]
file:///C|/olga_main/f-g/g/gin_blossoms/allison_road.tab
A
E
Asus4 A Asus2
And each one's more wasted than the others you can bet
A
E
Asus4 A Asus2
On allison road
A
E
Now I can't hide
A
E
So why not drive
A
I know I want to
A
E
On allison road
Asus4 A Asus2
(on allison road)
Asus4 A Asus2
(on allison road)
E
Asus4
A Asus2
love her but I can't decide
Asus4 A Asus2
B
D
I didn't know I was lost at the time
A
E
Eyes in the sun where the road wasn't wide
B
D
So I went looking for an exit sign
A
G
All I wanted to find tonight
A
A
E
E
Asus4 A Asus2
Asus4 A Asus2
On allison road
A
E
Asus4 A Asus2
Yeah I didn't know I was lost at the time
A
E
Asus4 A Asus2
On allison road
Solo
G
D
G
D
e------------------------------------------------------B------------------------------------------------------D---7--7-7-7-7-7p6------------------------------7-9----G-------------------9--7--5-5--5--7--9-7----7-9-----7-9A------------------------------------------------------E------------------------------------------------------G
D
A
E
Asus4 A Asus2
e------------------------------------------------------B------------/10-8-7---------------------2-------------D--7-9--7-7/9--------9----------------2-----4-2---2-2--G-----------------------------2-2---4-----------4------A-------------------------4----------------------------E-----------------------5------------------------------A
E
Asus4 A Asus2
A
E Asus4 A Asus2
e------------5/7-7/5-5-5-----------12---------12-12----B-5-7-5h7-5--5/7-7/5-5-5-----12-14----14------------14-D--------6---------------------------------------------G------------------------------------------------------A------------------------------------------------------E------------------------------------------------------A
E
G
e-14-12-------------------14-12---------------------------------B-------14--12--14-15-14--14-12--10-10h12-12--10-10h12-10-------D----------------------------------------------------------12-12G----------------------------------------------------------12-12-
file:///C|/olga_main/f-g/g/gin_blossoms/allison_road.tab
A---------------------------------------------------------------E---------------------------------------------------------------A
E
Asus4 A Asus2
I've lost my mind
A
E
Asus4 A Asus2
If the sun gets through
A
E
Asus4 A Asus2
Fire's in the heaven of the eyes I knew
A
E
Asus4 A Asus2
On allison road
A
E
Asus4 A Asus2
On allison road,
On allison road
A
E
Asus4 A Asus2
Allison road
A
E
Asus4 A Asus2
A
E
Asus4 A Asus2
Ken Lamp, PharmD
School of Pharmacy
University of Missouri-Kansas City
||==\\
||==//
|| \\//
//\\
file:///C|/olga_main/f-g/g/gin_blossoms/as_long_as_it_matters.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 29 Feb 1996 17:40:58 -0800 (PST)
From: Evan MALVOLIO Hulka <evahulk@nueva.pvt.k12.ca.us>
SONG NAME: As Long As It Matters
ARTIST: Gin Blossoms
ALBUM: Congratulations I'm Sorry
YEAR: 1996
TABBED BY: Malvolio
"As Long as It Matters" -- Gin Blossoms
(Note: the solo is not tabbed here because I'm a lazy ass)
You could do an arpeggio (I think it's Bass-1-2-3, 1-2-3-2) or you could
do the two-strum then mute, "Brain Stew" pattern (especially good if
you're playing with distortion and/or power chords - but I don't suppose
all you acoustic types out there would care for that too much.)
The first verse (I'm too lazy to get the lyric sheet and write out the
others)
G
D
Em
D
How can I find us something that two can take
C
G
Em
D
C
Without stumbling as we glide into our future's wake (??)
G
D
Em
D
I'm like a broken record that you can play
C
G
Em
D
Repeating as if it matters everything I wanna say
G
D
Em
Ahhh, it's all right
C
D
As long as it matters, as long as you're here with me now
The chords remain the same thruout the rest of the song.
--- no signature
evahulk@ace.nueva.pvt.k12.ca.us
file:///C|/olga_main/f-g/g/gin_blossoms/cheatin.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Cheatin' - Gin Blossoms
From the album "New Miserable Experience"
tabbed by Steve Vetter [vetters@vax1.elon.edu]
Fixed by arandell@students.wisc.edu
F#m:
244222
tacet means don't play ;-)
Intro:
(tacet) D
G
New York City where it's cold as hell
Em
F#m
G
A
D
And the streetlights shown in my blue room
D
G
I was thinking about the nights we spent
Em
F#m
G
A
D
Back in Galveston beneath the Georgia moon
I was early and I'd had my share
I was countin' change for a cab ride back to bed
She looked at me through the cold night air
And thoughts of you kicked off inside my head
G
D
Well she was tall hair dark as midnight
A
D
She had a way just like you do
G
D
Bm
To make me feel just like a woman should
(tacet)
D
You can't call it cheatin'
A
G
Cause she reminds me of you
Though I loved you and the trust we
Lord don't tell me that I've thrown
A moments weakness shouldn't change
That I need you and there's nothing
shared
it all away
the fact
more to say
G
D
Lord she was tall hair dark as midnight
A
D
She had a way just like you do
G
D
Bm
To make me feel just like a woman should
(tacet)
D
You can't call it cheatin'
A
G
Cause she reminds me of you... etc.
file:///C|/olga_main/f-g/g/gin_blossoms/follow_you_down.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Tue, 13 Feb 1996 15:05:25 -0800
From: enthalpy@ix.netcom.com (Chris Fargis )
Song: Follow You Down
Album: Congratulation, I'm Sorry
Artist: Gin Blossoms
Status: RO
Rejoyce! The new GB's album is out.
all I care, it's awesome...
file:///C|/olga_main/f-g/g/gin_blossoms/follow_you_down.tab
file:///C|/olga_main/f-g/g/gin_blossoms/found_out_about_you.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: rds@zk3.dec.com
Found Out About You - The Gin Blossoms
[charted by Andre' St. Laurent]
[submitted by Rick Schofield (rds@mv.mv.com)]
------------------C
D
Em
D
C
D
Em
VERSE1: All last summer in case you don't recall
C
D
Em
D
C
D
Em
I was yours and you were mine -- forget
it
all
C
D
Em
D
Is there a line that I could write?
C
D
Em
D
I was sad enough to make you cry
C
D
Em
D
C
D
You know the lines that you wrote to me were right
D
D
Em
VERSE2: The months roll past the love that you've struck down
Did you love me only in my head?
The things you said and did to me
Seemed to come so easily
Love I thought I'd won you with me
C/D
D
D/E
CHORUS: Whispers at the bus-stop, well I've heard about
C/D
D
D/E C
Nights at the schoolyard I found out about you
D
C
D
Em
I found out about you
Em
file:///C|/olga_main/f-g/g/gin_blossoms/found_out_about_you.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Subject: UPDATE: "Found out about you" by The Gin Blossoms
Date: Fri, 01 Sep 95 10:27:36 +1000
From: Ben Golding <bgg@connect.com.au>
{t: Found Out About You}
{st: The Gin Blossoms}
{c: Intro:}
{sot}
|-----------|-----------------|
|---4---2-0-|---0-----2-4-2-0-|
|-2---0-----|-2---2-0---------|
|-----------|-----------------|
|-----------|-----------------|
|-----------|-----------------|
{eot}
[Em]All last [D]summer in [C]case you [D]don't re[Em]call [D]
[C]
[D]
[Em]I was [D]yours and [C]you were [D]mine -- for[Em]get [D]it [C]all
[D]
[Em]Is there a [D]line that [C]I could [D]write
[Em]That's [D]sad enough to [C]make you [D]cry?
[Em]You know the [D]lines that you [C]wrote to [D]me were [Em]right
[D]
[C]
The months roll past the love that you've struck dead
Did you love me only in my head?
Well the things you said and did to me
Seemed to come so easily
The love I thought I'd won, your gift to me
{soc}
[C]Whispers at the busstop, well [G]I [D]heard about
[C]Nights at the schoolyard [G]
I found [D]out about [C]you
[D]
[Em]
I found [D]out about [C]you
[D]
[Em]
{eoc}
Rumours follow everywhere you go
When you left and I was last to know
Well, you're famous now and there's no doubt
All the places you hang out
They know your name and they know what you're about
{c: Chorus}
{c: Solo}
Street lights blink on through the car window
And the time too often on AM radio
Well, you know it's all I think about
I write your name, drive past your house
Your boyfriend's over, I watch your light go out.
{c: Chorus twice}
{sot}
From: Ben Golding <bgg@connect.com.au>
From: klein@convex.com (Dave Klein)
{eot}
[D]
file:///C|/olga_main/f-g/g/gin_blossoms/found_out_about_you.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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Subject: TAB: Found Out About You by Gin Blossoms
Article 8255 of alt.guitar.tab:
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Subject: TAB: Found Out About You - Gin Blossoms
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From: VETTERS@VAX1.ELON.EDU (Steve Vetter )
Date: 27 Feb 1994 05:25:15 GMT
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This is a rerun of whata was post about a week ago.
dissappeared of my system.
It seems to have
Steve
The intro is something like
I-------------I------------------I
I-----0-------I-----------0------I
I---------2-0-I---0-----2---2-0--I
I--2----0-----I-2---2-0----------I
I-------------I------------------I
I-------------I------------------I
file:///C|/olga_main/f-g/g/gin_blossoms/hey_jealousy.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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Date: Fri, 15 Oct 1993 01:40:18 -0400 (EDT)
From: DBRAUE@PEARL.TUFTS.EDU
Subject: "Hey Jealousy" by Gin Blossoms - tab for FTP
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HEY JEALOUSY by Gin Blossoms
============================
]]] means continue picking the note with the beat
... means hold the note
Two guitars in this one besides the bass: 1 is not distorted but uses some
effect to get a sharp/crispish sound; 2 is just distorted. This tab is my
best guess at the song from repeated listens... of course, listening to
the song will help smooth it out and make sense of everything.
***************** Special note about the verse parts **********************
GUITAR 1
Arpeggiate each chord something like this:
E(vii)
-----------------|
-----------------|
------9-----9----|
--------9--------|
-7--7-----7------|
-----------------|
GUITAR 2
The part marked with a single asterisk (*) is played this way:
Play the first chord, then hold it.
When the next chord comes, pick the last chord then slide to the
new one. Strum and hold until the next change.
The part marked with the double asterisk (**) is played with constant
strumming (16th notes).
Again, listening to the song will clear everything up.
============================ CUT HERE ===================================
INTRO
=====
D(v)
E(vii) F#m(ix)
----------------|-------|-------------------------|-------|---------------------7---|---9---|--11-----------------7---|---9---|--11-----------------5---|---7---|---9------
[2 times]
file:///C|/olga_main/f-g/g/gin_blossoms/hey_jealousy.tab
----7-9-7-0-----|-------|---------VERSE 1
=======
D(v)
E(vii)
Tell me do you think it'd be alright
*
F#m(ix)
E(vii)
If I could just crash here tonight
D(v)
E(vii)
You can see I'm in no shape for drivin'
F#m(ix)
And anyway I've got no place to go
D(v)
E(vii)
**
And you know it might not be that bad
F#m(ix)
E(vii)
You were the best I ever had
D(v)
E(vii)
If I hadn't blown the whole thing years ago
F#m(ix)
E(vii)
I might not be alone
GUITAR 2 ====================>
A(v)
D(v)
------------------------------------------------------------------------10---10--10-10-]]]----------10-----10-10-10-10---10-9-7---------------------------------------------------------------------9-----------[this part played by GUITAR 1]--------------------------------------------------------------------------------------------------------------------------------------------------------------------------Tomorrow we can drive around this town
A(v)
D(v)
-------------------------------------------------------------------------9/11-11-11-11-9------------------------------------12-11-12------------------------------------------------------------------------------And let the cops chase us around
F#m(ix)
E(vii)
D(v)
-----------------------------------------------------------------------------------9/10-10-]]]]]]]]--10/12-]]]]]]]]]]]]]]-10--------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------The past is gone but something might be found to take its place
[each time:
hey jealousy
hey jealousy
hey jealousy
hey jealousy
D(v)
E(vii)
F#m(ix)
E(vii)]
file:///C|/olga_main/f-g/g/gin_blossoms/hey_jealousy.tab
Cause all I really want's to be with you, to feel like I matter too
If I hadn't blown the whole thing years ago, I might be here with you
Tomorrow we can drive around this town
And let the cops chase us around
The past is gone but something might be found to take its place
hey jealousy
[solo - GUITAR 1]
------------------------------------------------10-10-----10-9-7-----------10----------------------------------9--9-9/11----11-9----9------------------------------------------11-----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------9--9/11-9\7--9P7-7---------------------------------------------------------------------------------9-12-14-16-16P14P12------------------------------------10-10-12---------------------14-12------------------------------------------------------------------------------------------------------------------------------------------------------------14-14----14-16-16P14-14-14-14-14-14-14-----------------14/16-16-16-16-16-16-16-16----16-16-16-16-16-16--------12-14/16--------------------------------------------------12/14----------------------------------------------------------------------------------------------------14P13P11-14P13P11-14P13P11-14P13P11---------------------------------------------- [2 times]
--------------------------------------------------------------------------------------------------------------------------------12-12----12-12----12----12-12-12-12-12--------------14-------14-------14----------------------14P12P10---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------12---12-12-12---------------------14P12P10-14P12P10-14P12P10-14---------------14P12P10-12-10...-----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------Tomorrow we can drive around this town
And let the cops chase us around
The past is gone but something might be found to take its place
hey jealousy
hey jealousy
hey jealousy
hey jealousy
file:///C|/olga_main/f-g/g/gin_blossoms/hey_jealousy.tab
hey jealousy,
D(v) | E(vii)
| F#m(ix) | E(vii)
listen to my heart
D(v)
E(vii)
There's only one thing I can start
F#m(ix)
E(vii)
E(vii)
----------------------------------------------------------------------------------------------------------------------------------------9...----9...-----v===final drum/guitar crash comes here---------9...--9-9...-----x----------------------------------------------7...--7-7...--------5-<===hold this note until you--------7-9-7-0-------------------------feel like you're done---------===========================================================================
"You know it might not be that bad/ You were the best I ever had"
Hope you enjoyed this tab!
<<<Brought to you by Should-Be-Studying Productions>>>
David Braue
(dbraue@pearl.tufts.edu)
file:///C|/olga_main/f-g/g/gin_blossoms/highwire.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Tue, 11 Jun 1996 18:50:23 -0400 (EDT)
From: olivierp@accent.net (Olivier Prud'Homme)
song: Highwire
group: Gin Blossoms
Album: Congratulations I'm Sorry
This is my version of Highwire. That's one of the best songs by Gin Blossoms
and it's pretty easy to play. There are 4 parts in this song.
part 1:
--------------2-2-2--3-3--2-------------------------------------------3-3-3--3-3--3-------------------------------------------2-2-2--2-2--2-------------------------------------------0-0-0--0-0--0---------------------------------------------------------------------------------------------------------------------------------------------part 2:"But they do, they do
--3--------0------------3--------2------------0--------2------------0--------2------------2--------0------------3-------------------part 3:
---------------------------------------------------------------------------------------4-----------------------------5-------4----------5-5----------------5-------2----------5-5----------------3------------------3-3-------------part 4: THE SOLO!!
2-3-3-2-2-0---2-3-2-0----2-3-3-2-2-0----2-3-2-0----7-8-8-7-7-----------------3---------3--------------3----------3------------10-8---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------7-8-7--------2-3-3-2-2-0----2-3-2-0--------------------------------10-8---------------3----------3---2-3-3-2-2-0-0--------------------------------------------------------------2-2--------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------2-3-3-2-2-0-0---------------------------3------------------------------------
file:///C|/olga_main/f-g/g/gin_blossoms/highwire.tab
------------------------------------------------------------------------------Lyrics:
I wanna take so far
but they don't want to let us out
But they do, they do, they do
I don't wanna walk on that highwire
They ain't gonna let us down
But they do, they do, they do
What I could never believe in
I was never really even
And I forgot about the cost
And then I got lost, I got lost, I got lost, I got lost
Didn't really wanna live it over
Or even wanna live it down
I do, I do, I do
"SOLO"
What I could never believe in
I was never really even
And I forgot about the cost
And then I got lost, I got lost, I got lost, I got lost
Didn't really wanna live it over
Or even wanna live it down
I do, I do, I do
I do, I do, I do
I do, Oh, I do
Any corrections? Please E-mail me. olivierp@accent.net
file:///C|/olga_main/f-g/g/gin_blossoms/lost_horizons.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: rbarrett@ranger.lanl.gov (Richard Barrett)
Subject: CHORDPRO: Lost Horizons, Gin Blossoms
Ok, so I've been pretty pathetic about posting. Figured out several tunes lately (most Lyle Lovett
stuff)
which I'll try to find time to post. In the meantime, here's my contribution to the G-C-D catalog.
Ok, incredibly easy, but there is a nice collection of Gin Bloosoms at Nevada, so this might
as well join them. I consider any song to be an instant classic if it contains the phrase "I'm
drunk
drunk drunk"...
I believe the chords are mostly correct, although I sure would appreciate any corrections.
Especially the G here: And [C]when the sin smiles [Am]how could it be [G]wrong
{title: Lost Horizons}
{st: Gin Blossoms}
{c: Intro: C G C G C G C G}
The [C]last horiozons [D]I can see are [C]filled with bars and [G]factories
And [C]in them all we fight to stay [G]awake
{start_of_chorus}
[G]Drink enough of any[D]thing to [G]make this world seem [C]new again
[C]Drunk drunk drunk in the [D]gardens and the [G]graves
{end_of_chorus}
{c: repeat intro}
[C]She had nothing [D]left to say [C]so she said she [G]loved me
and [C]I stood there thankful for the [G]lie
{c: repeat chorus (...to make this girl look new again...)}
[G]
[C]Turn summer trees to [D]bones and ice
[C]Turn insect songs a[D]gainst the night
[C]With words we build and [D]words we break
I'm [C]drunk drunk drunk in the [D]gardens and the [G]graves
[G]......[D]......[G]......[C]......[G]......[C]
[G]Maybe I could [C]use you [G]to reas[C]sure myself
[G]I wouldn't wish this indecision [C]on anybody else
[G]Drink enough of any[D]thing to [G]make this world look [C]new again
And [C]when the sin smiles [Am]how could it be [G]wrong
[C]The last horizons [D]I could see are [C]now resigned to [G]memories
I [C]never thought I'd still be here [G]today
{c: repeat chorus (...to make myself look new again...)}
{c: repeat intro}
file:///C|/olga_main/f-g/g/gin_blossoms/mrs_rita.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: klein@convex.com (Dave Klein)
"Mrs. Rita"
[D]
I can see it
[D]
Her response
[D]
Tell me Mrs.
[D]
Read my palm
[Cadd9]
[G]
[D]
in her letters on the paper with her pen.
[Cadd9]
[G]
[D]
is getting stranger, think she's coming round again.
[Cadd9]
[G]
[D]
Rita what's it say in my tarot?
[Cadd9]
[G]
[D]
and tell me why do lovers come and go?
[G]
[A]
[G]
[A]
Is she coming `round for me once again, around, Or was that the end?
[G]
[A]
[D] [Cadd9] [G] [D]
I just hope she's coming `round again.
[D]
[Cadd9]
[G]
[D]
I've been keeping myself busy with my books and with my tapes.
[D]
[Cadd9]
[G]
[D]
Everyday's much better since I slowed my drinking pace.
[D]
[Cadd9]
[G]
[D]
There's no swimming in the bottle, it's just someplace we all drown.
[D]
[Cadd9]
[G]
[D]
I lost myself in sorrow, lost my confidence in doubt.
[G]
[A]
[G]
[A]
Is she coming `round for me once again, around, Or was that the end?
[G]
[A]
[D] [Cadd9] [G] [D]
I just hope she's coming `round again.
[A]
[G]
[D]
Get in the car and drive through town, Down the block and back around.
[A]
[G]
[A]
[D][Cadd9][G]
Pretending that she's there with me, we drive............gone forever.
[D]
[Cadd9]
[G]
[D]
My patience keeps me plaintive, my high hopes keep me alone.
[D]
[Cadd9]
[G]
[D]
My lover's will is shaken, I wish she would just come home.
[D]
[Cadd9]
[G]
[D]
So, tell me Mrs. Rita what's it say in my tarot?
[D]
[Cadd9]
[G]
[D]
Read my palm and tell me why do lovers come and go?
[G]
Is she coming `round for
[G]
[A]
I just hope she's coming
[G]
Is she coming `round for
[G]
[A]
I just hope she's coming
[D]
I just hope she's coming
[D]
I just hope she's coming
[A]
me once again,
[D]
`round again.
[A]
me once again,
[D]
`round again.
[Cadd9]
[G]
`round, I just
[Cadd9]
[G]
`round, I just
[G]
[A]
around, Or was that the end?
[G]
[A]
around, Or was that the end?
[D]
hope she's coming `round,
[D]
hope she's coming `round...etc.
file:///C|/olga_main/f-g/g/gin_blossoms/mrs_rita.crd
*************************************************************************
Cadd9 I'm using is:
e|---3--B|---3--G|---O--D|---2--A|---3--E|---O---
file:///C|/olga_main/f-g/g/gin_blossoms/perfectly_still.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 29 Feb 1996 17:26:53 -0800 (PST)
From: Evan MALVOLIO Hulka <evahulk@nueva.pvt.k12.ca.us>
evahulk@ace.nueva.pvt.k12.ca.us
file:///C|/olga_main/f-g/g/gin_blossoms/perfectly_still.crd
file:///C|/olga_main/f-g/g/gin_blossoms/until_i_fall_away.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: youtwo@nevada.edu (Marc Virata)
"Until I Fall Away" - Gin Blossoms
(any corrections or additions are appreciated)
Intro: A E B
C#m A E B
C#m
A
E
B
I want to tell if I am or I am not myself
C#m
A
E
B
It's hard to know how far or if at all could go
C#m
A
E
B
I've waited far too long for something I forgot was wrong
A
B
I don't know all the answers I think that I'll find
E
A
B
Or have it within the time, but it's all that I have in mind
C#m
A
Until I fall away
(Until I fall away)
E
B
I won't keep you waiting long
C#m
A
Until I fall away
(Until I fall away)
E
B
I don't know what to do anymore
C#m
A
E B
Until I fall away
(Until I fall away)
(same chords as above)
My fear pretend that I'll never be in love again
It's real to me but not like these fools and not like this scene
I won't find or have it within the time
If it's all rusted and faded in the spot where we fell
Where I thought I'd left behind
It's loose now but we could try
Until I fall away....
F#m
F#m
file:///C|/olga_main/f-g/g/gin_blossoms/until_i_fall_away.crd
file:///C|/olga_main/f-g/g/gin_blossoms/until_i_fall_away.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: JeremyH109@aol.com
Subject: Corrected "Until I Fall Away"tab
This is a corrected version - I had to reformat the tab...
Here's my transcription of "Until I Fall Away" by the Gin Blossoms- I only
tabbed the intro and the solo. The picking pattern is like the intro. When
you do it, you can add parts of the chords that I left out. Also, I think
that sometimes they play the chords in a different position, leaving the B
and high E strings ringing. These chords are:
E Chord
A Chord
B Chord
e 0
0
0
B 0
0
0
G 9
6
8
D 9
7
9
A 7
7
9
E 0
5
7
Intro:
A
E
0-0-----0--0-----0--0--------0--------0--------0-------0--------0------0-3/5-----5--4-----2--0-----------0--------0----------------0--------0--------------------------------2--------2--------2-----------------1--------1-----------------------------2----------------------------------------------------------------------------0--------------------------------------------------2
------------------------------------------------------0----------------------C#m
-0---0--------2--------0-----0--------4--------------0-------0-----0
--------4--------4--------------5--------5--------------0-------0---1---------4--------4--------------6--------6--------------2-------2-------------------------------------------------6--------------------------2----------------------4-----------------------0---------------------------------------------------------------------------------------------E
B
--0---0-----0-----0--------2--------0-----0--------2---------------------0---0-------------4--------4--------------4--------4-------------------1---1--------------4--------4--------------4--------4----------------------------------------------------------------------------------------------------2-----------------------2-------------------------------0------------------------------------------------------------------------Solo:
C#m
A
E
B
C#m
-----------------------------------------------------------------------------------------------9h10p9------------------------------------------------------------------------11--9-----9h11--------------------------6h7p6--------/9--------------------------------------6h7p6-------------------9--7------------------------------------------------------9--7---------------------------------------------------------------------------A
E
B
---------------------------------------------------------------------------------------------------------------------------------------------------
file:///C|/olga_main/f-g/g/gin_blossoms/until_i_fall_away.tab
-------------------------------------------------------------------------/9----(7)--6--7--7/9--7--7--7--6--4--4/6--4--2---------------------------------------------------------------------------2/4----------------------------------------------------------------------------------------C#m
A
E
B
I want to tell if I am or I am not myself
C#m
A
E
It's hard to know how far or if at all could go
C#m
A
E
Waiting far too long for something I forgot was wrong
A
B
I don't know all the answers I think that I'll find
E
Or have it within the time
A
but it's all that I'll have in mind
Chorus:
C#m
A
Until I fall away
E
That won't keep us waiting long
C#m
A
Until I fall away
E
I don't know what to do anymore
C#m
A
Until I fall away... etc.
Verse 2
My fear pretend that I'll never be in love again
It's real to me but not like these fools and not like this scene
I won't find or have it within the time
If it's all rusted and fade in the spot where we fell
Where I thought I'd left behind
It's loose now but we could try..
Chorus
Bridge
F#m A
When there's no good answers
F#m
B
To those new questions
F#m
A
Another personal disaster
B B/A
B/G#m
B/F#m
There's nowhere to go but down...
Solo
Repeat chorus
I realize I've left out some of the fills and stuff, but this should be
enough for anyone who wants to
play it
Good luck and good playing!
Jeremy
file:///C|/olga_main/f-g/g/gin_blossoms/until_i_hear_it.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Date: Mon, 22 Jan 1996 00:24:54 -0500 (EST)
Subject: The Gin Blossoms - Until I Hear It From You
From: gambito@visi.net (Ed Gambito)
The Gin Blossoms play this song with the capo on the second
fret. (watch the video). It looks like a Gretsch is used to play the
riff, and Gibson Les Pauls, and some other guitars are used thoughout the rest
of the song. But who knows how they recorded it anyway. I am however
partial to Gibson Les Pauls, and believe this whole song sounds great played
through one anyway.
"Until I Hear It From You"
-by the Gin Blossoms
Capo on the 2nd fret.
Standard tuning
Intro/Riff
G
Em
|------3--------2----0-----|----3-------2----0-----|
|--------3-------------3---|------3------------3---|
|----------0-------------0-|--------0------------0-|
|--------------------------|--2--------------------|
|--------------------------|--2--------------------|
|--3-----------------------|-----------------------|
Bm
|--------2--------2--------|--2---2-------2--------|
|-----------3--------3---0-|--3-----3-------3---0--|
|--2----------2--------2---|--2--------2------2----|
|--4-----------------------|--0--------------------|
|--2-----------------------|-----------------------|
|--2-----------------------|-----------------------|
(2 times)
G
Em
Bm
I didn't ask, you shouldn't have told me
D
but first I'd laugh right now
G
Em
Bm
I'm sinking in it fast, whatever you sold me
D
well baby,
C
D
I don't want to take advice from fools
C
D
I just figured everything is cool
G
G/F#m
Em
D
C
Until I hear it from you (hear it from you)
file:///C|/olga_main/f-g/g/gin_blossoms/until_i_hear_it.tab
G
it get me up
A
my train of thought
G
know nothing's wrong
C
G
hear it from you
G
Em Bm D
file:///C|/olga_main/f-g/g/gin_blossoms/until_i_hear_it_from_you.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Zync@aol.com
Date: Wed, 9 Aug 1995 02:02:23 -0400
Subject: CHORDS: "Until I hear it from you" by Gin Blossoms
"Until I hear it from you"
by the Gin Blossoms
A
F#m
C#m
I didn't ask, you shouldn't have told me
E
but first I'd laugh right now
A
F#m
C#m
I'm sinking in it fast, whatever you sold me
E
well baby,
D
E
I don't want to take advice from fools
D
E
I just figured everything is cool
A
A/G#m
F#m
E
D
Until I hear it from you (hear it from you)
A
F#m
C#m
It gets hard, the memory's faded
E
who gets what they say
A
F#m
C#m
it's likely they're just jealous and jaded
E
well maybe
I don't want to take advice from fools
I just figured everything is cool
Until I hear it from you (hear it from you)
Until I hear it from you (hear it from you)
E
A
I can't let it get me up
D
B
or break up my train of thought
E
A
as far as I know nothing's wrong
G
D
A
but still I hear it from you
<solo to a whole verse, pre-chorus>
still thinking about not living without it
else I'd look it in
still talking about not stepping around it
well maybe
I don't want to take advice from fools
I just figured everything is cool
Until I hear it from you (hear it from you)
Until I hear it from you (hear it from you)
Until I hear it from you (hear it from you)
A
F#m
C#m
E
'til I hear it from you, oh no
file:///C|/olga_main/f-g/g/gin_blossoms/until_i_hear_it_from_you.crd (1 of 2) [4/28/2003 9:53:12 PM]
file:///C|/olga_main/f-g/g/gin_blossoms/until_i_hear_it_from_you.crd
A
F#m
C#m
E
'til I hear it from you, oh no
A
F#m
C#m
E
'til I hear it from you (won't take advice from
thinking everything is
A
F#m
C#m
E
'til I hear it from you (won't take advice from
thinking everything is
'til I hear it from you
fools,
cool)
fools,
cool)
file:///C|/olga_main/f-g/g/giorgio_gaber/lo_shampoo.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
# by Maurizio Codogno (mau@beatles.cselt.stet.it)
{title: Lo shampoo}
{subtitle: Giorgio Gaber}
Una brutta gior[A]nata,
chiuso in casa a pensare,
una vita spre[D]cata
non c' niente da [A]fare,
non c' via di [E7]scampo
mah... quasi quasi mi faccio uno [A]sciampo,
uno [G]sciampo.
Una strana gior[A]nata,
non si muove una foglia,
ho la testa ovat[D]tata,
non ho neanche una [A]voglia,
non c' via di [E7]scampo
s... quasi quasi mi faccio uno [A]sciampo,
uno [G]sciampo?
S, uno [E7]sciampo.
[A]Sc....
{soc}
[A]Scende l'acqua, scroscia l'acqua,
calda, fredda, calda: [G]giusta!
[D]Sciampo rosso e giallo,
quale marca mi va meglio? [A]questa!
Schiuma... [G]soffice morbida bianca,
lieve [D]lieve,
sembra panna sembra [A]neve...
{eoc}
{c:parlato}
{textsize:10}
{ci:La schiuma una cosa buona.}
{ci:Come la mamma}
{ci:che ti accarezza la testa}
{ci:quando sei triste e stanco.}
{ci:Una mamma enorme,}
{ci:una mamma in bianco.}
{textsize:12}
[A]Sciacquo, sciacquo, sciacquo!
{textsize:10}
{ci:(seconda passata)}
{textsize:12}
{soc}
[A]Son convinto che sia meglio
quello giallo senza [G]canfora.
[D]I migliori son pi cari
perch sono anti [A]forfora.
Schiuma... [G]soffice morbida bianca,
lieve [D]lieve,
sembra panna sembra [A]neve...
{eoc}
{c:parlato}
{textsize:10}
file:///C|/olga_main/f-g/g/giorgio_gaber/lo_shampoo.pro (1 of 2) [4/28/2003 9:53:12 PM]
file:///C|/olga_main/f-g/g/giorgio_gaber/lo_shampoo.pro
file:///C|/olga_main/f-g/g/gipsy_kings/bamboleo.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Riff 1:
----------------|----------------|
----3---3---/---|--3-/-2-/-0-/---|
----0---0---/---|--0---0---0---0-|
----2---2-------|--2---2---2---2-|
----------------|----------------|
0---------------|0---------------|
Riff 2:
B7+5
B7
B7sus4
3---2-0---3---2-|
0---0-0---0---0-|
2---2-2---2---2-|
1---1-1---1---1-|
----------------|
----------------|
Intro:
Riff 1
Em
7x
B7
Em
Riff 2
No tiene la culpa
B7
Caballo le ven sabana
Porqu muy depreciado
Em
Em6(add9)
Em
B7
Em
Riff 2
No tiene la culpa
B7
Amor de comprementa
Amor del mes pasado
file:///C|/olga_main/f-g/g/gipsy_kings/bamboleo.tab
Am
Bamboleo, bambolea
B7
Porque mi vida,
Em
Em6(add9)
Am7
Am7
Em6(add9)
Lo mismo soy yo
Em
Am7
No te encuentro a l'abandon
D7
Gmaj7
Am
Em6(add9)
Yo pienso en ti
Refrain
file:///C|/olga_main/f-g/g/gipsy_kings/bamboleo.tab
Instrumental:
C6 Gmaj7
8x
Refrain
Riff 1
4x
Refrain
Ending:
Em Am Em Am Em Em6(add9)
...vivir asi
file:///C|/olga_main/f-g/g/gipsy_kings/el_mauro.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
El Mauro
intro:
A#m G#m Bb G#m
A#m G#m Bb
Bb
D#m
Bb4
Bb4
G#m6
file:///C|/olga_main/f-g/g/gipsy_kings/el_mauro.tab
G#m7
del Mauro
A#m7
vengo vengo del Mauro
G#m7
Bb
D#m
Bb4 Bb
:
:
:
:
464444
688866
464464
244622
file:///C|/olga_main/f-g/g/girls_against_boys/in_like_flynn.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
Transcribed by Marko Martens. E-mail at jmartens@worldaccess.nl
Hi, I didn't see any of the Girls Against Boys songs transcribed anywhere on
the Internet, so I decided to give it a go myself. Here is :
In Like Flynn
---=======---
# Verse
"So come down ...."
"It's like you're ...."
"I can't talk ...."etc.
"You're over like ...."etc.
e:-5---5----------------------5-------------------------7--5------7-------b:-5---5----------------------5-------------------------7--5------7-------g:-5---5----------------------5-------------------------7--5------7-------D:-7---7----------------------7-------------------------9--7------9-------A:-7---7----------------------7-------------------------9--7------9-------E:-5---5----------------------5-------------------------7--5------7-------R
R
Bass
8 1
8 Chorus
On Guitar
# Chorus
"So you like that ...."etc
"Best at ...."
e:-5--8--5-----5--8--5----------------3--5-------:--5--3--5---------------b:-5--8--5-----5--8--5----------------3--5-------:--5--3--5---------------g:-7--8--5-----7--8--5----------------3--5-------:--5--3--5---------------D:-7--10-7-----7--10-7----------------5--7-------:--7--5--7---------------A:-5--10-7-----5--10-7----------------5--7-------:--7--5--7---------------E:-x--8--5-----x--8--5----------------3--5-------:--5--3--5---------------16 8 8
16 8 8
16 1 Verse
1 1 1 End
# Bass-lines on Guitar. (Verse)
E:-5--5--7-7-7-7-7-8-7-8-8-8-8-8-10-8----------------------:--------------Continue Verse
Note : Small explanation needed, maybe. The info. behind the # tells the part
of the song that's transcribed there. e-E are wires with the cords
written behind them as in the usual TAB-like manner. The text
inbetween the ""'s are lyrics. They're written exactly above the TABs
that need to be played at that point in time. The numbers and text
under the TABs are amount of strokes and info on where to continue
when played. All strokes are 1/2 (1&2&3&4&) except the numbers 1.
Those are 1-strokes (1234). An R stands for a random amount of strokes.
Get it ?. Okay.
See. It's easy, realy. (So it's probably wrong. And if it is, or if
you've anything to ad or if you have any
comments, mail me at the adress above with
*InLikeFlynnComment* in the body.)
I'm currently working on :
- "Satin Down" by "Girls Against Boys"
- "Go Be Delighted" by "Girls Against Boys"
- "Bullitproof Cupid" by "Girls Against Boys"
- "Price Yeah!" by "Pavement"
- "Fillmore Jive" by "Pavement"
file:///C|/olga_main/f-g/g/girls_against_boys/in_like_flynn.tab
Information on those songs are very welcome. Send to the adress above
with the title of the song in the body.
Later, Marko Martens.
file:///C|/olga_main/f-g/g/girls_under_glass/when_i_think_about_you.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Mon, 8 Jul 1996 12:39:57 -0500 (CDT)
From: Avelino Andretti Benavides <al448482@academ01.cem.itesm.mx
Subject: TAB: When I Think About You by Girls Under Glass
file:///C|/olga_main/f-g/g/go-gos/head_over_heels.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: marc@owlnet.rice.edu (Marc Bennett Hirsh)
Subject: TAB: "Head Over Heels" (Go-Go's)
The second greatest pop song ever written ("What I Like About You" is
#1). An easy song to play, and loads of fun. My band plays this and it
is easily our best cover. As always, a few pointers:
1) Guitar 1 - If it's in TAB, chances are it's the piano/keyboard part.
I've written it in as Guitar 1. I haven't written out the verse
part because I don't know it. I don't think you REALLY need to
know it. It's basically single notes, and while interesting, not
especially important to the overall flow of the song. So, the way
I've written it, guitar 1 is silent for most of the song. You can,
if you want, have it double guitar 2 or, if you're daring, combine
the two parts on one guitar. It's not that hard and was what my
band was going to do until we found a singer who played keyboard.
2) Guitar 2 - Rhythm. All of the chord names above the words and TABs
are guitar 2. Although it just plays basic chords, it plays a
vital part in keeping the song moving smoothly. NEVER
underestimate the power of playing a single chord for an entire
bar. You can get the rhythm for guitar 2 from the recording. It's
a bit too difficult for me to transcribe, and I know what I play,
which may not be what the recording does. Anyway, go by ear. It's
not tough.
3) I've written out the cool bass part for the chorus because it fills
in what would be a large whole and it sounds neat besides.
4) Any time I have separated two chords with a | (as in D | A), that
means that we are dealing with more than one measure. So, in the
above example, you would play a D chord for one measure (using
whatever rhythm) and then play an A chord for one measure. I just
did this so I wouldn't have to write out in TAB chords for which
I don't know the rhythm.
5) The C and B chords in the bridge should be A-form barre chords.
6) I saw the Go-Go's live in Virginia, for the 1994 WHFS-mas Holiday
Nutcracker (with Vicki Peterson of the Bangles on guitar!), and
they didn't have a keyboard - Vicki played all the piano parts on
guitar. I'd like to think that she read my original post of this
song to learn it, but I'm sure that wasn't the case. BTW, they
were terrific, easily one of the best live bands I've ever seen.
7) As always, Belinda Carlisle's voice is way too high for more mere
mortals to reproduce. Don't hurt yourself.
"Head Over Heels" (Kathy Valentine/Charlotte Caffey)
Performed by the Go-Go's
From the album _Talk_Show_ (or _Return_To_The_Valley_Of_The_Go-Go's_ or
_Greatest_Hits_, but if TS is available on CD, I'd highly recommend it,
though _Return_ is mighty damn good)
Transcribed by Marc Hirsh with absolutely no permission
Notation:
s - sixteenth note
e - eighth note
q - quarter note
h - half note
w - whole note
. - play note for one and a half times the value before it (just like a dot in
file:///C|/olga_main/f-g/g/go-gos/head_over_heels.tab
standard notation)
^ - ties two note lengths together
NOTE LENGTHS IN CAPITAL LETTERS MEAN REST FOR THAT VALUE OF TIME!
/ - slide up
\ - slide down
h - hammer-on
p - pull-off
(guitar 1)
E-2-2-------------|-----------------|-2-2-------------|----------------B-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3G-----2-2-0-0-2-2-|-4-4-0-0-2-2-2-2-|-----2-2-0-0-2-2-|-4-4-0-0-2-2-2-2D-----------------|-------------0-0-|-----------------|-------------0-0A-----------------|-----------------|-----------------|----------------E-----------------|-----------------|-----------------|----------------(guitar 1)
E-2-2-------------|-----------------|-2-2-------------|----------------B-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3G-----2-2-0-0-2-2-|-4-4-0-0-2-2-2-2-|-----2-2-0-0-2-2-|-4-4-0-0-2-2-2-2D-----------------|-------------0-0-|-----------------|-------------0-0A-----------------|-----------------|-----------------|----------------E-----------------|-----------------|-----------------|----------------|
|(guitar 2)
E-0---------------|-(0)-------------|-0---------------|-(0)------------B-2---------------|-(2)-------------|-2---------------|-(2)------------G-2---------------|-(2)-------------|-2---------------|-(2)------------D-2---------------|-(2)-------------|-2---------------|-(2)------------A-0---------------|-(0)-------------|-0---------------|-(0)------------E-----------------|-----------------|-----------------|----------------w
(w)
w
(w)
Been running
D
G
So long, I've nearly lost all track of time
D
G
In every direction, I couldn't see the warning signs
Cadd9
G
I must be losin' it, cause my mind plays tricks on me
D
A
It looks so easy, but you know looks sometimes deceive
D
G
Been running so fast, right from the starting line
D
G
No more connections, I don't need any more advice
Cadd9
G
One hand's just reaching out, and one's just hanging on
D
A
It seems my weaknesses just keep going strong
D
A
E
Head over heels, where should I go
(E)
B
Can't stop myself, out of control
D
A
E
Head over heels, no time to think
(E)
B
D
Looks like the whole world's out of synch
D
| D
file:///C|/olga_main/f-g/g/go-gos/head_over_heels.tab
| A
D
G
D
G
E-------------|-------------|-------------|------------B-3-----------|-------------|-3-----------|------------G-2-5-5-4-2-0-|-(0)-0-0-0-2-|-2-5-5-4-2-0-|-(0)-0-2-4-0D-0-0-0-0-0-0-|-(0)-0-4-2-0-|-0-0-0-0-0-0-|-(0)-0-0-0-0A-------------|-------------|-------------|------------E-------------|-------------|-------------|------------q e e e q e
(e) q q q e
q e e e q e
(e) q q q e
C
B
A
E-----0-1-|-0-0-0-0-|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0B-1-3-1-1-|-4-5-7-5-|-5-5-5-5-5-5-5-5-|-5-5-5-5-5-5-5-5G-0-0-----|---------|-6-6-6-6-6-6-6-6-|-6-6-6-6-6-6-6-6D---------|---------|-----------------|----------------A---------|---------|-----------------|----------------E---------|---------|-----------------|----------------q q q q
q q q q
e e e e e e e e
e e e e e e e e
D
G
D
G
E-------------|-------------|-------------|------------B-3-----------|-------------|-3-----------|------------G-2-5-5-4-2-0-|-(0)-0-0-0-2-|-2-5-5-4-2-0-|-(0)-0-2-4-0D-0-0-0-0-0-0-|-(0)-0-4-2-0-|-0-0-0-0-0-0-|-(0)-0-0-0-0A-------------|-------------|-------------|------------E-------------|-------------|-------------|------------q e e e q e
(e) q q q e
q e e e q e
(e) q q q e
C
B
A
E-----0-1-|-0-0-0-0-|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0B-1-3-1-1-|-4-5-7-5-|-5-5-5-5-5-5-5-5-|-5-5-5-5-5-5-5-5G-0-0-----|---------|-6-6-6-6-6-6-6-6-|-6-6-6-6-6-6-6-6D---------|---------|-----------------|----------------A---------|---------|-----------------|----------------E---------|---------|-----------------|----------------q q q q
q q q q
e e e e e e e e
e e e e e e e e
D | Cadd9 | G6 | Asus4
D | Cadd9 | G6 | A
(bass only)
E----------|----------|----------|----------B----------|----------|----------|----------G--------2-|----------|------1-4-|---4-4-2-1D-0--0-4---|------5-4-|-2--2-----|----------file:///C|/olga_main/f-g/g/go-gos/head_over_heels.tab (3 of 5) [4/28/2003 9:53:14 PM]
file:///C|/olga_main/f-g/g/go-gos/head_over_heels.tab
A----------|-0--0-----|----------|-2--------E----------|----------|----------|----------q. e e q. q. e e q. q. e e q. q e e q q
E----------|----------|----------|----------B----------|----------|----------|----------G--------2-|----------|------1-4-|---4-4-2-1D-0--0-4---|------5-4-|-2--2-----|----------A----------|-0--0-----|----------|-2--------E----------|----------|----------|----------q. e e q. q. e e q. q. e e q. q e e q q
D
A
E
Head over heels, where should I go
(E)
B
Can't stop myself, out of control
D
A
E
Head over heels, no time to think
(E)
B
D
Looks like the whole world's out of synch
D
A
E
Head over heels, where should I go
(E)
B
Can't stop myself, out of control
D
A
E
Head over heels, no time to think
(E)
B
D
Looks like the whole world's out of synch
D
A
E
Head over heels, where should I go
(E)
B
Can't stop myself, out of control
D
A
E
Head over heels, no time to think
(E)
B
Looks like the whole world's out of
D
A
E
B
E-------------|-------------|-0-0-0-0-0---|------------B-------------|-------------|-3-3-2-0-----|-------0-0-0G-5-5-4-2-0---|-------------|---------2-4-|-(4)-4-1-2-4D-0-0-0-0-0-2-|-(2)-2-4-5-2-|-----------4-|-(4)-4------A-----------0-|-(0)-0-0-0-0-|-------------|------------E-------------|-------------|-------------|------------e e q q e e
(e) e q q q
e e q q e e
(e) e q q q
synch
D
A
E
B
D
E-------------|-------------|-0-0-0-0-0---|-------------|--B-------------|-------------|-3-3-2-0-----|-------0-0-0-|-3G-5-5-4-2-0---|-------------|---------2-4-|-(4)-4-1-2-4-|-2D-0-0-0-0-0-2-|-(2)-2-4-5-2-|-----------4-|-(4)-4-------|-0A-----------0-|-(0)-0-0-0-0-|-------------|-------------|--E-------------|-------------|-------------|-------------|--e e q q e e
(e) e q q q
e e q q e e
(e) e q q q
q
The end. Chords you'll need to know are:
Cadd9
G6
Asus4
E---3----|--0--|---0--B---3----|--3--|---3--file:///C|/olga_main/f-g/g/go-gos/head_over_heels.tab (4 of 5) [4/28/2003 9:53:14 PM]
file:///C|/olga_main/f-g/g/go-gos/head_over_heels.tab
G---0----|--0--|---2--D---2----|--0--|---2--A---3----|--2--|---0--E--------|--3--|------Not terribly difficult chords. but ones that may confuse some
and are vital to making the song sound right.
-Marc Hirsh (marc@owlnet.rice.edu)
\ /
^ --"It's easy to be nuts. Try being me."
V
(_The_Fisher_King_)
file:///C|/olga_main/f-g/g/go-gos/mercenary.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: marc@owlnet.rice.edu (Marc Bennett Hirsh)
Subject: TAB: "Merecenary" (Go-Go's)
A brilliant song. Fun to play, but you have to be careful, because
the main "riff" sounds bad if you don't play it just right. Also,
Belinda Carlisle has a very high range, so you might not be able
to hit some of the notes if you're singing, but tuning down has
sounded very bad when I tried it. But do what you want. Notes:
1) Wow, this song was a bitch to figure out. And I thought the
main acoustic part (guitar 1) was tough. I can barely hear
the electric lead (guitar 2) throughout the chorus, so a lot
of this is speculation on my part. It should sound decent
the way I've tabbed it out here. The blank spots on guitar 2
are probably where I couldn't figure out what the guitar was
doing. I can't vouch for the accuracy of guitar 2. I tried
my best, I swear to you.
2) Obvious from the transcription, but guitar 1 is a 12-string
acoustic, guitar 2 is a clean (flanged? chorused?) electric
guitar, guitar 3 is a distorted electric. Guitar 3 only
really comes in during the prechorus and chorus. During the
chorus it muffles itself a lot for a percussive sound. BTW,
if you have to ditch one guitar, kill guitar 3. It adds
color, but who has 3 guitars live?
3) Watch out for the changes. The intro is based on an eight-bar
pattern, but the verse is a six-bar pattern. Confusing, but
an interesting series of changes.
4) No solo, per se. Just all 3 guitars blasting away at chords
for 8 bars. Gotta love that.
"Mercenary" (Jane Wiedlin, Kathy Valentine, Charlotte Caffey)
Recorded by the Go-Go's
From the album _Talk_Show_ (which REALLY needs to be rereleased
on CD. Until then, you can find this on _Greatest_Hits_ or, in
slightly altered form (acoustic only) on the terrific _Return_To_
_The_Valley_Of_The_Go-Go's_)
Notation:
s - sixteenth note
e - eighth note
q - quarter note
h - half note
w - whole note
. - play note for one and a half times the value before it (just like a dot in
standard notation)
^ - ties two note lengths together
NOTE LENGTHS IN CAPITAL LETTERS MEAN REST FOR THAT VALUE OF TIME!
/ - slide up
\ - slide down
h - hammer-on
p - pull-off
x - muffle strings with fretting hand
3/4 time
[8-bar drum fill]
file:///C|/olga_main/f-g/g/go-gos/mercenary.tab
file:///C|/olga_main/f-g/g/go-gos/mercenary.tab
A-2-2---|-----|-2-2---|-------|-0-0-0-|--0--0-0-|-0-0-0-|--0--0-0E-0-----|-----|-0-----|-------|-------|---------|-------|--------| q q q
h.
q q q
h.
q q q
q q q
q q q
q q q
|
|(guitar 2 - clean electric)
E-0-2-3-|-----|-------|-------|-------|---------|-------|--------B-------|--3--|-(3)---|-3-2---|-------|---------|-------|--------G-------|-----|-------|-----2-|-------|---------|-------|--------D-------|-----|-------|-------|-2-----|-(2)-----|-(2)---|-(2)----A-------|-----|-------|-------|-------|---------|-------|--------E-------|-----|-------|-------|-------|---------|-------|--------q q q
h.
(h.)
q q q
h.
(h.)
(h.)
(h.)
He's
(guitar 2 out)
(guitar 1)
Em
A
E-------|--0--|-------|--0----|-------|--0--0-0B-------|--0--|-------|--0----|-2-2-3-|-(2)-0-2G-----0-|-----|-----0-|-------|-2-2-2-|--2--2-2D---2-2-|-----|---2-2-|-------|-2-2-2-|--2--2-2A-2-2---|-----|-2-2---|-------|-0-0-0-|--0--0-0E-0-----|-----|-0-----|-------|-------|--------q q q
h.
q q q
h.
q q q
q q q
Crying inside, he can't tear the hurt out
Em
A
E-------|--0--|-------|--0----|-------|--0--0-0B-------|--0--|-------|--0----|-2-2-3-|-(2)-0-2G-----0-|-----|-----0-|-------|-2-2-2-|--2--2-2D---2-2-|-----|---2-2-|-------|-2-2-2-|--2--2-2A-2-2---|-----|-2-2---|-------|-0-0-0-|--0--0-0E-0-----|-----|-0-----|-------|-------|--------q q q
h.
q q q
h.
q q q
q q q
Life's passing by like an old movie backdrop
(all guitars)
Bm
G
E-2-2-2-2-2-|-2-2-2-2-2-|-3-3-3-3-3-|-3-3-3-3-3B-3-3-3-3-3-|-3-3-3-3-3-|-3-3-3-3-3-|-3-3-3-3-3G-4-4-4-4-4-|-4-4-4-4-4-|-0-0-0-0-0-|-0-0-0-0-0D-4-4-4-4-4-|-4-4-4-4-4-|-0-0-0-0-0-|-0-0-0-0-0A-2-2-2-2-2-|-2-2-2-2-2-|-2-2-2-2-2-|-2-2-2-2-2E-----------|-----------|-3-3-3-3-3-|-3-3-3-3-3q e e e e
q e e e e
q e e e e
q e e e e
The radio's
blasting
A
Bm
E-0-0-0-0-0-|-0-0-0-0-0-|-2-2-2-2-2-|-2-2-2-2-2B-2-2-2-2-2-|-2-2-2-2-2-|-3-3-3-3-3-|-3-3-3-3-3G-2-2-2-2-2-|-2-2-2-2-2-|-4-4-4-4-4-|-4-4-4-4-4D-2-2-2-2-2-|-2-2-2-2-2-|-4-4-4-4-4-|-4-4-4-4-4A-0-0-0-0-0-|-0-0-0-0-0-|-2-2-2-2-2-|-2-2-2-2-2E-----------|-----------|-----------|----------q e e e e
q e e e e
q e e e e
q e e e e
Song after song
D
A
E-2-2-2-2-2-|-2-2-2-2-2-|-0-0-0-0-0-|-0-0-0-0-0B-3-3-3-3-3-|-3-3-3-3-3-|-2-2-2-2-2-|-2-2-2-2-2G-2-2-2-2-2-|-2-2-2-2-2-|-2-2-2-2-2-|-2-2-2-2-2D-0-0-0-0-0-|-0-0-0-0-0-|-2-2-2-2-2-|-2-2-2-2-2-
file:///C|/olga_main/f-g/g/go-gos/mercenary.tab
A-----------|-----------|-0-0-0-0-0-|-0-0-0-0-0E-----------|-----------|-----------|----------q e e e e
q e e e e
q e e e e
q e e e e
About the
big romance
F#
E-2-2-2-2-2-|-2-2-2-2-2-|-2-2-2-2-2-|-2-2-2-2-2B-2-2-2-2-2-|-2-2-2-2-2-|-2-2-2-2-2-|-2-2-2-2-2G-3-3-3-3-3-|-3-3-3-3-3-|-3-3-3-3-3-|-3-3-3-3-3D-4-4-4-4-4-|-4-4-4-4-4-|-4-4-4-4-4-|-4-4-4-4-4A-4-4-4-4-4-|-4-4-4-4-4-|-4-4-4-4-4-|-4-4-4-4-4E-2-2-2-2-2-|-2-2-2-2-2-|-2-2-2-2-2-|-2-2-2-2-2q e e e e
q e e e e
q e e e e
q e e e e
That all went wrong
She says,
(guitar 1 plays similar figure over chords)
(guitar 2)
D
A
E---2-|-3-2-------|-----|-0-2-3----B-3---|-----3-----|--5--|-2-3-5----G-----|-----------|-----|----------D-----|-----------|-----|----------A-----|-----------|-----|----------E-----|-----------|-----|----------| q h
e e h
h.
q q q
|
|(guitar 3 - distorted electric)
E--2--|-2-x-x-x-x-|--0--|-0-x-x-x-xB--3--|-3-x-x-x-x-|--2--|-2-x-x-x-xG--2--|-2-x-x-x-x-|--2--|-2-x-x-x-xD--0--|-0-x-x-x-x-|--2--|-2-x-x-x-xA-----|-----------|--0--|-0-x-x-x-xE-----|-----------|-----|----------h.
q e e e e
h.
q e e e e
"I just wanted to make you
D
A
E---2-|-3-2-------|-----|-0-2-3----B-3---|-----3-----|--5--|-2-3-5----G-----|-----------|-----|----------D-----|-----------|-----|----------A-----|-----------|-----|----------E-----|-----------|-----|----------| q h
e e h
h.
q q q
|
|(guitar 3 - distorted electric)
E--2--|-2-x-x-x-x-|--0--|-0-x-x-x-xB--3--|-3-x-x-x-x-|--2--|-2-x-x-x-xG--2--|-2-x-x-x-x-|--2--|-2-x-x-x-xD--0--|-0-x-x-x-x-|--2--|-2-x-x-x-xA-----|-----------|--0--|-0-x-x-x-xE-----|-----------|-----|----------h.
q e e e e
h.
q e e e e
"I never meant to break you." He says,
(guitar 2)
G
A
E-----|-----------|-----|----------B-----|-----------|-----|----------G-----|-----------|-----|----------D-----|-----------|-----|-2-4-------
file:///C|/olga_main/f-g/g/go-gos/mercenary.tab
A-----|-----------|-----|----------E-----|-----------|-----|----------| H.
H.
H.
h q
|
|(guitar 3)
E--3--|-3-x-x-x-x-|--0--|-0-x-x-x-xB--3--|-3-x-x-x-x-|--2--|-2-x-x-x-xG--0--|-0-x-x-x-x-|--2--|-2-x-x-x-xD--0--|-0-x-x-x-x-|--2--|-2-x-x-x-xA--2--|-2-x-x-x-x-|--0--|-0-x-x-x-xE--3--|-3-x-x-x-x-|-----|----------h.
q e e e e
h.
q e e e e
"Have some mercy on me
(guitar 2)
G
A
E-----|-----------|-----|----------B-----|-----------|-----|----------G-----|-----------|-----|----------D--5--|-(5)-4-----|--7--|-(7)------A-----|-----------|-----|----------E-----|-----------|-----|----------| h.
(h) q
h.
h.
|
|(guitar 3)
E--3--|-3-x-x-x-x-|--0--|-0-x-x-x-xB--3--|-3-x-x-x-x-|--2--|-2-x-x-x-xG--0--|-0-x-x-x-x-|--2--|-2-x-x-x-xD--0--|-0-x-x-x-x-|--2--|-2-x-x-x-xA--2--|-2-x-x-x-x-|--0--|-0-x-x-x-xE--3--|-3-x-x-x-x-|-----|----------h.
q e e e e
h.
q e e e e
Why do you have to be such a mercena(guitar 3 out)
(guitar 1)
E---------|---------|---------|------B-7-7-7-7-|-5-5-5-5-|-5-5-5-5-|-3-1-0G-7-7-7-7-|-7-7-7-7-|-5-5-5-5-|-4-2-0D-0-0-0-0-|-0-0-0-0-|-0-0-0-0-|-0-0-0A---------|---------|---------|------E---------|---------|---------|------| q e e q
q e e q
q e e q
q q q
|
|(guitar 2)
E---------|---------|---------|--------B---------|-------3/|/5-------|-(5)-7-8G---------|---------|---------|--------D---------|---------|---------|--------A---------|---------|---------|--------E---------|---------|---------|--------H.
H
q
h.
(q) q q
ry?"
(guitar 1)
E-(0)-(0)-(0)-(0)-|-(0)-(0)-(0)-|-(0)-(0)-(0)-(0)-|-(0)-(0)-(0)B--10--10--10--10-|--12--10--10-|--10--10--10--10-|--12--10--0-G--11--11--11--11-|--11--11--12-|--11--11--11--11-|--11--11--0-D--0---0---0---0--|--0---0---0--|--0---0---0---0--|--0---0---0-A-----------------|-------------|-----------------|------------E-----------------|-------------|-----------------|-------------
file:///C|/olga_main/f-g/g/go-gos/mercenary.tab
| q
e
e
q
q
q
q
q
e
e
q
q
q
q
|
|(guitar 2)
E-----------------|-------------|-----------------|-------------B-10--------------|-(10)--------|-(10)------------|-(10)--------G-11--------------|-(11)--------|-(11)------------|-(11)--------D-----------------|-------------|-----------------|-------------A-----------------|-------------|-----------------|-------------E-----------------|-------------|-----------------|-------------h.
(h.)
(h.)
(h.)
She's
(guitar 1)
Em
A
E-------|--0--|-------|--0----|-------|--0--0-0B-------|--0--|-------|--0----|-2-2-3-|-(2)-0-2G-----0-|-----|-----0-|-------|-2-2-2-|--2--2-2D---2-2-|-----|---2-2-|-------|-2-2-2-|--2--2-2A-2-2---|-----|-2-2---|-------|-0-0-0-|--0--0-0E-0-----|-----|-0-----|-------|-------|--------| q q q
h.
q q q
h.
q q q
q q q
|
|(guitar 2 - clean electric)
E-0-2-3-|-----|-------|-------|-------|--------B-------|--3--|-(3)---|-3-2---|-------|--------G-------|-----|-------|-----2-|-------|--------D-------|-----|-------|-------|-2-----|-(2)----A-------|-----|-------|-------|-------|--------E-------|-----|-------|-------|-------|--------q q q
h.
(h.)
q q q
h.
(h.)
scheming inside, can't stop the wheels turning
(guitar 1)
Em
A
E-------|--0--|-------|--0----|-------|--0--0-0B-------|--0--|-------|--0----|-2-2-3-|-(2)-0-2G-----0-|-----|-----0-|-------|-2-2-2-|--2--2-2D---2-2-|-----|---2-2-|-------|-2-2-2-|--2--2-2A-2-2---|-----|-2-2---|-------|-0-0-0-|--0--0-0E-0-----|-----|-0-----|-------|-------|--------| q q q
h.
q q q
h.
q q q
q q q
|
|(guitar 2 - clean electric)
E-0-2-3-|-----|-------|-------|-------|--------B-------|--3--|-(3)---|-3-2---|-------|--------G-------|-----|-------|-----2-|-------|--------D-------|-----|-------|-------|-2-----|-(2)----A-------|-----|-------|-------|-------|--------E-------|-----|-------|-------|-------|--------q q q
h.
(h.)
q q q
h.
(h.)
Been through this before, there's no profit or learning
(all guitars)
Bm
G
E-2-2-2-2-2-|-2-2-2-2-2-|-3-3-3-3-3-|-3-3-3-3-3B-3-3-3-3-3-|-3-3-3-3-3-|-3-3-3-3-3-|-3-3-3-3-3G-4-4-4-4-4-|-4-4-4-4-4-|-0-0-0-0-0-|-0-0-0-0-0D-4-4-4-4-4-|-4-4-4-4-4-|-0-0-0-0-0-|-0-0-0-0-0A-2-2-2-2-2-|-2-2-2-2-2-|-2-2-2-2-2-|-2-2-2-2-2E-----------|-----------|-3-3-3-3-3-|-3-3-3-3-3q e e e e
q e e e e
q e e e e
q e e e e
file:///C|/olga_main/f-g/g/go-gos/mercenary.tab
file:///C|/olga_main/f-g/g/go-gos/mercenary.tab
E-----|-----------|-----|----------| q h
e e h
h.
q q q
|
|(guitar 3 - distorted electric)
E--2--|-2-x-x-x-x-|--0--|-0-x-x-x-xB--3--|-3-x-x-x-x-|--2--|-2-x-x-x-xG--2--|-2-x-x-x-x-|--2--|-2-x-x-x-xD--0--|-0-x-x-x-x-|--2--|-2-x-x-x-xA-----|-----------|--0--|-0-x-x-x-xE-----|-----------|-----|----------h.
q e e e e
h.
q e e e e
"I just wanted to make you
D
A
E---2-|-3-2-------|-----|-0-2-3----B-3---|-----3-----|--5--|-2-3-5----G-----|-----------|-----|----------D-----|-----------|-----|----------A-----|-----------|-----|----------E-----|-----------|-----|----------| q h
e e h
h.
q q q
|
|(guitar 3 - distorted electric)
E--2--|-2-x-x-x-x-|--0--|-0-x-x-x-xB--3--|-3-x-x-x-x-|--2--|-2-x-x-x-xG--2--|-2-x-x-x-x-|--2--|-2-x-x-x-xD--0--|-0-x-x-x-x-|--2--|-2-x-x-x-xA-----|-----------|--0--|-0-x-x-x-xE-----|-----------|-----|----------h.
q e e e e
h.
q e e e e
"I never meant to break you." He says,
(guitar 2)
G
A
E-----|-----------|-----|----------B-----|-----------|-----|----------G-----|-----------|-----|----------D-----|-----------|-----|-2-4------A-----|-----------|-----|----------E-----|-----------|-----|----------| H.
H.
H.
h q
|
|(guitar 3)
E--3--|-3-x-x-x-x-|--0--|-0-x-x-x-xB--3--|-3-x-x-x-x-|--2--|-2-x-x-x-xG--0--|-0-x-x-x-x-|--2--|-2-x-x-x-xD--0--|-0-x-x-x-x-|--2--|-2-x-x-x-xA--2--|-2-x-x-x-x-|--0--|-0-x-x-x-xE--3--|-3-x-x-x-x-|-----|----------h.
q e e e e
h.
q e e e e
"Have some mercy on me
(guitar 2)
G
A
E-----|-----------|-----|----------B-----|-----------|-----|----------G-----|-----------|-----|----------D--5--|-(5)-4-----|--7--|-(7)------A-----|-----------|-----|----------E-----|-----------|-----|----------| h.
(h) q
h.
h.
file:///C|/olga_main/f-g/g/go-gos/mercenary.tab
|
|(guitar 3)
E--3--|-3-x-x-x-x-|--0--|-0-x-x-x-xB--3--|-3-x-x-x-x-|--2--|-2-x-x-x-xG--0--|-0-x-x-x-x-|--2--|-2-x-x-x-xD--0--|-0-x-x-x-x-|--2--|-2-x-x-x-xA--2--|-2-x-x-x-x-|--0--|-0-x-x-x-xE--3--|-3-x-x-x-x-|-----|----------h.
q e e e e
h.
q e e e e
Why do you have to be such a mercena(guitar 1)
E---------|---------|-------------|--------B-7-7-7-7-|-5-5-5-5-|-7-7-7-7-7---|-8-7-5--G-7-7-7-7-|-7-7-7-7-|-7-7-7-7-7---|-7-7-7-7D-0-0-0-0-|-0-0-0-0-|-0-0-0-0-0---|-0-0-0-0A---------|---------|-------------|--------E---------|---------|-------------|--------| q e e q
q e e q
q e e e e
e e q q
|
|(guitars 2 and 3)
E---------|---------|-2-2-2-2-2-2-|-2-2-2-2-2-2B---------|---------|-3-3-3-3-3-3-|-3-3-3-3-3-3G---------|---------|-2-2-2-2-2-2-|-2-2-2-2-2-2D---------|---------|-0-0-0-0-0-0-|-0-0-0-0-0-0A---------|---------|-------------|------------E---------|---------|-------------|------------H.
H.
e e e e e e
e e e e e e
ry?"
(guitar 1)
E
G
E-0-0-0-0-|-0-0-0-0-0-|-3-3-3-3-|-3-3-3-3-3B-0-0-0-0-|-0-0-0-0-0-|-3-3-3-3-|-3-3-3-3-3G-1-1-1-1-|-1-1-1-1-1-|-0-0-0-0-|-0-0-0-0-0D-2-2-2-2-|-2-2-2-2-2-|-0-0-0-0-|-0-0-0-0-0A-2-2-2-2-|-2-2-2-2-2-|-2-2-2-2-|-2-2-2-2-2E-0-0-0-0-|-0-0-0-0-0-|-3-3-3-3-|-3-3-3-3-3| q e e q
q e e e e
q e e q
q e e e e
|
|(guitars 2 and 3)
E-7-7-7-7-|-7-7-7-7-7-|-3-3-3-3-|-3-3-3-3-3B-9-9-9-9-|-9-9-9-9-9-|-3-3-3-3-|-3-3-3-3-3G-9-9-9-9-|-9-9-9-9-9-|-4-4-4-4-|-4-4-4-4-4D-9-9-9-9-|-9-9-9-9-9-|-5-5-5-5-|-5-5-5-5-5A-7-7-7-7-|-7-7-7-7-7-|-5-5-5-5-|-5-5-5-5-5E-0-0-0-0-|-0-0-0-0-0-|-3-3-3-3-|-3-3-3-3-3q e e q
q e e e e
q e e q
q e e e e
(guitar 1)
E
G
E-0-0-0-0-|-0-0-0-0-0-|-3-3-3-3-|-3-3-3-3-3B-0-0-0-0-|-0-0-0-0-0-|-3-3-3-3-|-3-3-3-3-3G-1-1-1-1-|-1-1-1-1-1-|-0-0-0-0-|-0-0-0-0-0D-2-2-2-2-|-2-2-2-2-2-|-0-0-0-0-|-0-0-0-0-0A-2-2-2-2-|-2-2-2-2-2-|-2-2-2-2-|-2-2-2-2-2E-0-0-0-0-|-0-0-0-0-0-|-3-3-3-3-|-3-3-3-3-3| q e e q
q e e e e
q e e q
q e e e e
|
|(guitars 2 and 3)
E-7-7-7-7-|-7-7-7-7-7-|-3-3-3-3-|-3-3-3-3-3-
file:///C|/olga_main/f-g/g/go-gos/mercenary.tab
B-9-9-9-9-|-9-9-9-9-9-|-3-3-3-3-|-3-3-3-3-3G-9-9-9-9-|-9-9-9-9-9-|-4-4-4-4-|-4-4-4-4-4D-9-9-9-9-|-9-9-9-9-9-|-5-5-5-5-|-5-5-5-5-5A-7-7-7-7-|-7-7-7-7-7-|-5-5-5-5-|-5-5-5-5-5E-0-0-0-0-|-0-0-0-0-0-|-3-3-3-3-|-3-3-3-3-3q e e q
q e e e e
q e e q
q e e e e
(all guitars)
F#
A
E-2-2-2-2-|-2-2-2-2-2-|-0-0-0-0-|-0-0-0-0-0B-2-2-2-2-|-2-2-2-2-2-|-2-2-2-2-|-2-2-2-2-2G-3-3-3-3-|-3-3-3-3-3-|-2-2-2-2-|-2-2-2-2-2D-4-4-4-4-|-4-4-4-4-4-|-2-2-2-2-|-2-2-2-2-2A-4-4-4-4-|-4-4-4-4-4-|-0-0-0-0-|-0-0-0-0-0E-2-2-2-2-|-2-2-2-2-2-|---------|----------q e e q
q e e e e
q e e q
q e e e e
F#
A
E-2-2-2-2-|-2-2-2-2-2-|-0-0-0-0-|-0-0-0-0-0B-2-2-2-2-|-2-2-2-2-2-|-2-2-2-2-|-2-2-2-2-2G-3-3-3-3-|-3-3-3-3-3-|-2-2-2-2-|-2-2-2-2-2D-4-4-4-4-|-4-4-4-4-4-|-2-2-2-2-|-2-2-2-2-2A-4-4-4-4-|-4-4-4-4-4-|-0-0-0-0-|-0-0-0-0-0E-2-2-2-2-|-2-2-2-2-2-|---------|----------q e e q
q e e e e
q e e q
q e e e e
She says,
(guitar 1 plays chorus figure over chords)
(guitar 2)
D
A
E---2-|-3-2-------|-----|-0-2-3----B-3---|-----3-----|--5--|-2-3-5----G-----|-----------|-----|----------D-----|-----------|-----|----------A-----|-----------|-----|----------E-----|-----------|-----|----------| q h
e e h
h.
q q q
|
|(guitar 3 - distorted electric)
E--2--|-2-x-x-x-x-|--0--|-0-x-x-x-xB--3--|-3-x-x-x-x-|--2--|-2-x-x-x-xG--2--|-2-x-x-x-x-|--2--|-2-x-x-x-xD--0--|-0-x-x-x-x-|--2--|-2-x-x-x-xA-----|-----------|--0--|-0-x-x-x-xE-----|-----------|-----|----------h.
q e e e e
h.
q e e e e
"I just wanted to make you
D
A
E---2-|-3-2-------|-----|-0-2-3----B-3---|-----3-----|--5--|-2-3-5----G-----|-----------|-----|----------D-----|-----------|-----|----------A-----|-----------|-----|----------E-----|-----------|-----|----------| q h
e e h
h.
q q q
|
|(guitar 3 - distorted electric)
E--2--|-2-x-x-x-x-|--0--|-0-x-x-x-xB--3--|-3-x-x-x-x-|--2--|-2-x-x-x-xG--2--|-2-x-x-x-x-|--2--|-2-x-x-x-x-
file:///C|/olga_main/f-g/g/go-gos/mercenary.tab
D--0--|-0-x-x-x-x-|--2--|-2-x-x-x-xA-----|-----------|--0--|-0-x-x-x-xE-----|-----------|-----|----------h.
q e e e e
h.
q e e e e
"I never meant to break you." He says,
(guitar 2)
G
A
E-----|-----------|-----|----------B-----|-----------|-----|----------G-----|-----------|-----|----------D-----|-----------|-----|-2-4------A-----|-----------|-----|----------E-----|-----------|-----|----------| H.
H.
H.
h q
|
|(guitar 3)
E--3--|-3-x-x-x-x-|--0--|-0-x-x-x-xB--3--|-3-x-x-x-x-|--2--|-2-x-x-x-xG--0--|-0-x-x-x-x-|--2--|-2-x-x-x-xD--0--|-0-x-x-x-x-|--2--|-2-x-x-x-xA--2--|-2-x-x-x-x-|--0--|-0-x-x-x-xE--3--|-3-x-x-x-x-|-----|----------h.
q e e e e
h.
q e e e e
"Have some mercy on me
(guitar 2)
G
A
E-----|-----------|-----|----------B-----|-----------|-----|----------G-----|-----------|-----|----------D--5--|-(5)-4-----|--7--|-(7)------A-----|-----------|-----|----------E-----|-----------|-----|----------| h.
(h) q
h.
h.
|
|(guitar 3)
E--3--|-3-x-x-x-x-|--0--|-0-x-x-x-xB--3--|-3-x-x-x-x-|--2--|-2-x-x-x-xG--0--|-0-x-x-x-x-|--2--|-2-x-x-x-xD--0--|-0-x-x-x-x-|--2--|-2-x-x-x-xA--2--|-2-x-x-x-x-|--0--|-0-x-x-x-xE--3--|-3-x-x-x-x-|-----|----------h.
q e e e e
h.
q e e e e
Why do you have to be
that way?"
(guitar 1 plays chorus figure over chords)
(guitar 2)
D
A
E---2-|-3-2-------|-----|----------B-3---|-----3-----|--5--|-----3----G-----|-----------|-----|-0-2------D-----|-----------|-----|----------A-----|-----------|-----|----------E-----|-----------|-----|----------| q h
e e h
h.
q q q
|
|(guitar 3 - distorted electric)
E--2--|-2-x-x-x-x-|--0--|-0-x-x-x-xB--3--|-3-x-x-x-x-|--2--|-2-x-x-x-xG--2--|-2-x-x-x-x-|--2--|-2-x-x-x-x-
file:///C|/olga_main/f-g/g/go-gos/mercenary.tab
D--0--|-0-x-x-x-x-|--2--|-2-x-x-x-xA-----|-----------|--0--|-0-x-x-x-xE-----|-----------|-----|----------h.
q e e e e
h.
q e e e e
"I just wanted to make you
D
A
E---2-|-2h3-------|-----|----------B-3---|-----3-----|--5--|----------G-----|-----------|-----|----------D-----|-----------|-----|-5-4-2----A-----|-----------|-----|----------E-----|-----------|-----|----------| q h
e e h
h.
q q q
|
|(guitar 3 - distorted electric)
E--2--|-2-x-x-x-x-|--0--|-0-x-x-x-xB--3--|-3-x-x-x-x-|--2--|-2-x-x-x-xG--2--|-2-x-x-x-x-|--2--|-2-x-x-x-xD--0--|-0-x-x-x-x-|--2--|-2-x-x-x-xA-----|-----------|--0--|-0-x-x-x-xE-----|-----------|-----|----------h.
q e e e e
h.
q e e e e
"I never meant to break you." He says,
(guitar 2)
G
A
E-----|-----------|-----|----------B-----|-5-7-------|--8--|-(8)-10-12G-----|-----------|-----|----------D--0--|-----------|-----|----------A-----|-----------|-----|----------E-----|-----------|-----|----------| h.
h q
h.
(h) e e
|
|(guitar 3)
E--3--|-3-x-x-x-x-|--0--|-0-x-x-x-xB--3--|-3-x-x-x-x-|--2--|-2-x-x-x-xG--0--|-0-x-x-x-x-|--2--|-2-x-x-x-xD--0--|-0-x-x-x-x-|--2--|-2-x-x-x-xA--2--|-2-x-x-x-x-|--0--|-0-x-x-x-xE--3--|-3-x-x-x-x-|-----|----------h.
q e e e e
h.
q e e e e
"Have some mercy on me
(guitar 2)
G
A
E-----|-----------|-----|----------B-10--|-(10)------|-14--|-(14)-----G-----|-----------|-----|----------D-----|-----------|-----|----------A-----|-----------|-----|----------E-----|-----------|-----|----------| h.
(h.)
h.
(h.)
|
|(guitar 3)
E--3--|-3-x-x-x-x-|--0--|-0-x-x-x-xB--3--|-3-x-x-x-x-|--2--|-2-x-x-x-xG--0--|-0-x-x-x-x-|--2--|-2-x-x-x-xD--0--|-0-x-x-x-x-|--2--|-2-x-x-x-xA--2--|-2-x-x-x-x-|--0--|-0-x-x-x-x-
file:///C|/olga_main/f-g/g/go-gos/mercenary.tab
E--3--|-3-x-x-x-x-|-----|----------h.
q e e e e
h.
q e e e e
Why do you have to be such a mercena(guitars 2 and 3 out)
(guitar 1)
E---------|---------|---------|------B-7-7-7-7-|-5-5-5-5-|-5-5-5-5-|-3-1-0G-7-7-7-7-|-7-7-7-7-|-5-5-5-5-|-4-2-0D-0-0-0-0-|-0-0-0-0-|-0-0-0-0-|-0-0-0A---------|---------|---------|------E---------|---------|---------|------q e e q
q e e q
q e e q
q q q
ry?"
E-(0)-(0)-(0)-(0)-|-(0)-(0)-(0)-|-(0)-(0)-(0)-(0)-|-(0)-(0)-(0)B--10--10--10--10-|--12--10--10-|--10--10--10--10-|--12--10--0-G--11--11--11--11-|--11--11--12-|--11--11--11--11-|--11--11--0-D--0---0---0---0--|--0---0---0--|--0---0---0---0--|--0---0---0-A-----------------|-------------|-----------------|------------E-----------------|-------------|-----------------|------------q
e
e
q
q
q
q
q
e
e
q
q
q
q
(guitar 1)
ritard.
E---------|---------|---------|-------|--B-7-7-7-7-|-5-5-5-5-|-5-5-5-5-|-3-1-0-|-7G-7-7-7-7-|-7-7-7-7-|-5-5-5-5-|-4-2-0-|-7D-0-0-0-0-|-0-0-0-0-|-0-0-0-0-|-0-0-0-|-0A---------|---------|---------|-------|--E---------|---------|---------|-------|--| q e e q
q e e q
q e e q
q q q
w
|
|(guitar 2)
E---------|---------|---------|-------|--B-3-------|-(3)-----|-(3)-----|-5-7-8-|-7G---------|---------|---------|-------|--D---------|---------|---------|-------|--A---------|---------|---------|-------|--E---------|---------|---------|-------|--h.
(h.)
(h.)
q q q
h.
-Marc Hirsh (marc@owlnet.rice.edu)
\ /
^ --"It's easy to be nuts. Try being me."
V
(_The_Fisher_King_)
file:///C|/olga_main/f-g/g/god_machine/out.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
Date: Thu, 12 Dec 1996 17:14:55 +0100
From: "[iso-8859-1] Frdric Lambotte" <s930712@segi.ulg.ac.be>
Subject: out - the god machine
THE GOD MACHINE - OUT
You only need the two first strings for intro (E + B)
(1)
-0------0------0--3-----3-----3--2------2-----2----------0-----2----0------0
-----0--- (one time)
----0-0---0-0---0--0-0---0-0--0---0-0---0-0--0-3-0-0---0-0---0----0-0---0-0---0(2)
3-----3-----3---2-----2-----2--3-----2-----3----(one time)
--0-0---0-0--0---0-0---0-0--0--0-0---0-0---0(3)
7-----7------7---5------7-----7----5------5------5---2-----3------2----(do
it four times)
--0-0---0-0---0----0-0---0-0---0----0-0----0-0--0----0-0---0-0--0-(4)
-0------0------0--(only one
time)3-----3-----3--2------2-----2----------0-----2----0------0-----0------0-0---0-0---0--------------------0-0---0-0--0---0-0---0-0--0-3-0-0---0-0
---0----0-0---0-0---03-----3-----3--2------2-----2--5------2-----3---2---2------2
--0-0---0-0--0---0-0---0-0--0---0-0---0-0--0---0----0-0---0(do the four part many times, I don't know how many, just listen the CD)
(during the four part, Robin sings ' why is your sky so much bluer than mine ')
After the intro begins the songs, you only needs four chords
E
0
G 3
F# 2
A
5
0
3
2
5
1
4
3
6
2
5
4
7
2
5
4
7
0
3
2
5
It goes like this:
E - G - F# - A - G
Sometimes it goes like this:
E - G - F#
Sorry, I don't have the solo
It was my first attempt at tabbing, so comments are welcome
s930712@student.ulg.ac.be
Enjoy!
file:///C|/olga_main/f-g/g/god_machine/seven.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
Date: Thu, 12 Dec 1996 17:15:56 +0100
From: "[iso-8859-1] Frdric Lambotte" <s930712@segi.ulg.ac.be>
Subject: seven - the god machine
SEVEN - THE GOD MACHINE
I think that's what Jimmy played with bass.
I play it with my guitar on the E-string:
5 ~ 5 3-5-8-7 ~ 7 7-7/8/7
When Robin begins to play guitar, I think it goes like this:
e-3-3----3---3---5-3---5---5---6-3---6---6---5-3----5----5----B------3---3---3------3---3---3-----3---3---3------3----3----3--It's all I've got for this song except somwhere in the final solo:
I play something like that:
B------6----6----6-5---5---5------5----5----5----5G-6/7----7----7------7---7---7-6----6----6----7---Try it!
If you have comments:
s930712@student.ulg.ac.be
file:///C|/olga_main/f-g/g/god_machine/the_blind_man.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
Date: Thu, 12 Dec 1996 17:12:00 +0100
From: "[iso-8859-1] Frdric Lambotte" <s930712@segi.ulg.ac.be>
Subject: god machine - the blind man
THE BLIND MAN - THE GOD MACHINE
This is how I play the intro of the song:
----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------0-----0---------0-----0-----------0------0---------0------0-------------------------------------2---2-----2-----2---2-----2------0---0------0-----0---0------0--------------------------------2-------2-----2-3-------3------3-2--------2-----2-2-------2------2--------------------------------------------------------------------------------------------------------------------------------------Can anybody mail me the rest of the song ?
s930712@student.ulg.ac.be
file:///C|/olga_main/f-g/g/god_machine/the_hunter.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
Date: Thu, 12 Dec 1996 17:13:34 +0100
From: "[iso-8859-1] Frdric Lambotte" <s930712@segi.ulg.ac.be>
Subject: the hunter - the god machine
THE HUNTER - THE GOD MACHINE
This is how I play the intro:
0-----5-------3-------5----------3------3-------3-------3---------2-------2-------2-------2-----------------------------------------------------------------------------------------------------Then before Robin begins to sing:
0-----5-------3-------3----------3------3-------3-------3---------2-------2-------2-------2-----------------------------------------------------------------------------------------------------When he sings:
0--------3---------2----------------------That's all I can play for this song!
If you can do more, mail me
s930712@student.ulg.ac.be
file:///C|/olga_main/f-g/g/godhead_silo/booby_trap.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
Date: Sat, 30 Nov 1996 20:29:25 EST
From: "Mr. Coin Operated" <KRANDELL@NMU.EDU>
Subject: TAB: booby trap by godhead silo
--------------------------booby trap by godhead silo
--------------------------There are currenty no godhead silo tabs on OLGA! (shame, shame....)
The first one transcribed by Kent Randell KRANDELL@NMU.EDU
"http://vm.nmu.edu/~krandell/http/lcl.html"
Intro riff: (after bass solo that is just the main riff)
(Eb) (F)
(G)
(Bb)
e|--------------------------------------------------------------------|
B|--8-----------------------------------------------------------------|
G|--8------10----12------15-------------------------------------------|
D|--8------10----12------15-------------------------------------------|
A|--6------8-----10------13-------------------------------------------|
E|--------------------------------------------------------------------|
The main riff:(x4)
(F5)
(C)
(Eb)
(G5)
(F)
e|--------------------------------------------------------------------|
B|-----------------5-5-5---8-8-8-8-8----------------------------------|
G|--10-10-10-10-10-5-5-5---8-8-8-8-8-12-12-12---10--------------------|
D|--10-10-10-10-10-5-5-5---8-8-8-8-8-12-12-12---10--------------------|
A|--8--8--8--8--8--3-3-3---6-6-6-6-6-10-10-10---8---------------------|
E|--------------------------------------------------------------------|
Intro riff once
Main riff 4x again
Intro riff twice
Main riff 4x again
ending riff (4x quiet 4x loud)
e|--------------------------------------------------------------------|
B|--------------------------------------------------------------------|
G|-8-8-8-8-8-8-8-8--8-8-8-8-8-12-12-12---10--10--10--10-10-10-10-12-12|
D|-8-8-8-8-8-8-8-8--8-8-8-8-8-12-12-12---10--10--10--10-10-10-10------|
A|-6-6-6-6-6-6-6-6--6-6-6-6-6-10-10-10---8---8---8---8--8--8--8--10-10|
E|--------------------------------------------------------------------|
Main riff once.
file:///C|/olga_main/f-g/g/goich_wilma/se_stasera_sono_qui.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
# by Maurizio Codogno (mau@beatles.cselt.stet.it)
{title: Se stasera sono qui}
{subtitle: Wilma Goich}
Se stasera sono [E]qui[Emaj7][E7]
perch ti voglio [A]bene
[Am] per[Am7]ch tu hai bi[G#m7]sogno di [C#m7]me
anche se non lo [F#m7]sai.[B7]
Se stasera sono qui
perch so perdonare
e non voglio gettar via cos
[F#m7] il mio a[B7]more per [E]te.
{soc}
Per [A]me venire qui
stato come sca[E]lare
la mon[Emaj7]tagna pi alta del [E7]mondo
e [A]ora che son qui
voglio dimenti[G#m7]care
i ri[C#m7]cordi pi [F#7]tristi gi in [F#m7]fon[B7]do.
{eoc}
Se stasera sono qui
perch ti voglio bene
perch tu hai bisogno di me
anche se non lo sai.
file:///C|/olga_main/f-g/g/golden_earring/another_45_miles.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Group : Golden Earring
Song : Another 45 Miles....
Album : Naked Truth
Intro:
G G / Em Em (2x)
Couplet
G G / Em Em (2x)
C G / D,Dsus2 D,Dsus (2x)
G G / Em Em
D,Dsus2 D Dsus / D,Dsus2 D,Dsus
D7 G / G7 C
G D / Em C
- - / C C
Chorus:
G D / Em Em (2x)
C G / D,Dsus2 D,Dsus (2x)
---------------------------------------------------------------------------Sorry I kept it so simple, but he....it's a simple song (A good one though!)
Could anyone please e-mail me the text to this song? or the Tab from any
song from Heather Nova's album Oyster? OK,now go enjoy this pretty song!
Greetings,
Martin (mvaert@iaehv.IAEhv.nl).
----------------------------------------------------------------------------
file:///C|/olga_main/f-g/g/golden_earring/going_to_the_run.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: lucas@twofence.wlink.nl (Lucas Tepper)
Subject: CRD: Golden Earring - Going To The Run
Didn't see this song on Nevada so I thought I post it here.
Hope ya like it. Any comments are welcome......
I also have some Dutch songs. Anyone interested in me posting it here ?
Transcribed from Live Performance 'The Naked Truth' on Veronica Television
by Lucas Tepper <lucas@twofence.wlink.nl>
Intro goes something like this
Em
C
G
E-|-------------0--------0-----------0--------0----------3------3--------3----|
B-|-------------0-----------0--------1-----------1-------0--------0------0----|
G-|-------------0-----0--------0-----0-----0--------0----0----0-----0----0----|
D-|-------------2--2--------------0--2--2--------------0-0--0---------0--0----|
A-|-------2--5--2--------------------3-------------------x--------------------|
E-|-3--5--------0--------------------0-------------------3--------------------|
Em
C
D
E-|-------------0--------0-----------0--------0----------2------2--------2----|
B-|-------------0-----------0--------1-----------1-------3--------3------3----|
G-|-------------0-----0--------0-----0-----0--------0----2----2-----2----2----|
D-|-------------2--2--------------0--2--2--------------0-0--0---------0--0----|
A-|-------2--5--2--------------------3-------------------0--------------------|
E-|-3--5--------0--------------------0-------------------0--------------------|
This can be repeated throughout the rest of the song
Lyrics and chords are as follows:
1:
Em
C
G
I could bet on new years eve he call me up at night
Em
C
D
From the other side of the world Ed was always there allright
Am
G
D
C
Ed's got the looks of a moviestar Eds got the smile of a prince
D
G
C
D
He ride a bike instead of a car I wanna be his friend
Em
C
G
Dancing in the living room with a lady so nice
Em
C
D
Like the child with the wisdom tooth He's just a friend of mine
Am
G
D
C
Ed's got the rings and the collars Eds got the wind in his hair
D
G
C
D
He goes a riding with the brothers he got a fist in the air
REF:
Em
C
D
Going to the run the run angel
Em
D
Em
Going to the run the run angel
C
D
Well, heaven and hell came together that night
file:///C|/olga_main/f-g/g/golden_earring/going_to_the_run.tab
C
D
Only for you that time
Am D
G
Going to the run forever angel
solo (haven't been able to transcribe this yet!)
2:
Em
C
G
On summer at the festival holding on real tight
Em
C
D
On the back of a harley you took me for a ride in the sky
Am
G
D
C
Ed's got the looks of a winner Ed's got the smile of a prince
D
G
C
D
He ride a bike instead of a car I always be his friend
Em
C
D
Going to the run the run angel
Em
D
Em
Going to the run the run angel
C
D
There's rich star that shines so bright
C
D
Like a fire in the night
Am D
G
Going to the run forever angel
Em
C
G
Going to the run the run angel
Em
C
D
Forever going to the run the run angel
C
D
Well, heaven and hell came together that night
C
D
Only for you this time
Am C
G
Going to the run forever angel
end.
Groeten, Lucas
+--( LT's Homebase (2#) )----------------------------------------------------+
|
Lucas Tepper <lucas@twofence.wlink.nl> Groningen, The Netherlands
|
+----------------------------------------------------------------------------+
file:///C|/olga_main/f-g/g/golden_earring/radar_love.btab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: karl@BofA.com (Karl Nicholas)
Well, I've sort of got something. I am a BASS player,
and whipped this up once upon a time for the band. Not
very accurate, and it leaves out a lot a detail, but
it will help to clear my own guilty feelings by posting
something!
Play this with single notes to get the idea. Good luck
with the cords. I suggest using "Power Cords", which
to me means lots of barring and use of the low strings.
The song is in f#Minor as far as I can tell.
Where I've simply put 'F#' followed by lots
of lyrics, the song goes more like (on bass)
F# F# F# F# F# F# F#->A
F# F# F# F# F# F# F#->E
E
E
E
B
F#
B
F# A E
E
<- This goes down to the lowest E
file:///C|/olga_main/f-g/g/golden_earring/radar_love.btab
file:///C|/olga_main/f-g/g/golden_earring/radar_love.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Received: from nevada.edu (animal-farm.nevada.edu) by redrock.nevada.edu (5.65c/M1.4)
with SMTP id <AA10002>; Fri, 18 Dec 1992 07:45:29 -0800
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18 Dec 92 7:39 PST
Received: Fri, 18 Dec 92 10:38:56 EST by jaameri.gsfc.nasa.gov (4.1/1.5)
From: "patrick m. ryan" <pat@jaameri.gsfc.nasa.gov>
Message-Id: <9212181538.AA23093@jaameri.gsfc.nasa.gov>
Subject: Radar Love (revised)
To: James Bender <jamesb@nevada.edu>
Date: Fri, 18 Dec 1992 10:38:56 -0500 (EST)
Reply-To: "patrick m. ryan" <pat@jaameri.gsfc.nasa.gov>
Organization: Oceans & Ice Branch, NASA/GSFC/STX
X-Mailer: ELM [version 2.4 PL17]
Mime-Version: 1.0
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james,
i found a few mistakes in my original message to you.
below is a corrected version.
oh yea, you misspelled Golden_Earring as Golden_Earing
in /pub/guitar.
ciao,
pat
-Radar Love
by Golden Earring, from _Moontan_ (1974)
transcribed by
pat@jaameri.gsfc.nasa.gov (patrick m. ryan)
original chords from karl@BofA.com (Karl Nicholas)
"/" means slide up
"^" means bend up to note
There are actually two guitars in this song. I've
written this tab for just one.
The song is in E. Most of the little riffs in
this song are played in the 2nd and 14th positions using
a pentatonic scale.
There's some noodling around during the choruses
and during verse 3 that I haven't gotten down yet. In
verse 3, the two guitars are doing distinctly different
things.
Additions and corrections welcome.
[intro]
-------------------------------------------------------------------------------------------------2------------------2-4----2------2-4---2-----------file:///C|/olga_main/f-g/g/golden_earring/radar_love.tab (1 of 5) [4/28/2003 9:53:19 PM]
file:///C|/olga_main/f-g/g/golden_earring/radar_love.tab
---4------4---2--4----------0-2-2------------------------------------0----[drum intro]
[bass intro]
verse 1
i been drivin all night, my hands wet on the wheel
[riff 1]
----------------------------------4/6-4-2-4-4-2---4/6-4-2-4-4-2---------------------------------theres a voice in my head that drives my heel
my baby call, said i need you here
[riff 1]
[riff 1]
[riff 1]
[riff 1]
file:///C|/olga_main/f-g/g/golden_earring/radar_love.tab
[repeat chorus]
[bass and keyboard interlude with guitar solo fading in]
----------------------------------------------10-9--12-10-9-9-10----10-9--12-10-10-10-------9-9---9--9-9-9--9-----9-9---9--9--9--9-------9-9---9--9-9-9--9-----9-9---9--9--9--9------------------------------------------------------------------------------------------------
--------------------------------------------14-12--15-14-12-12-14---14-12--15-14-12-14-12-12--12-12-12-12-12---12-12--12-12-12-12---------------------------------------------------------------------------------------------------------------------------------A A
(hold bend)
---------------------2-------------------2--2-----------------------------------2--2-----2---2-4^6--4^6-2---2-4-2-2--- [play twice]
--2--2---4---4--------------4------------0--0----------------------------------------------------------------------------------5----5-7^9-5-------7^9-5-------7^9------5-7-7----7-----------5-7---------5-7--------6--------------------6-----------6--------------------------------------------------------------------------------------------------------------------------------------------------------5-8-7-5-----------------7---------8-7-5---------------------------8-7-5---------------------------7-----------------------------------------------------[crescendo]
F#
Ab
F#
---------------------------------------------------------14--14-14--14-14-----14-14-14-14--14-14-14--------------14--14-14--14-14-----14-14-14-14--14-14-14--------------------------------16-----------------------16-----------------------------------------------------------------------------------------------------------------------------------------------------------------------17------------------------------16^18----16^18-16--17^19-17^19-17^19-------------------------------------------------------------------------------------------------------------------C# C# C# C# C# C# C#
file:///C|/olga_main/f-g/g/golden_earring/radar_love.tab
[drum solo]
------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------0-3-2----0-2------------0-3-2----0-2---------2--------2-----2--------2--------2-----2--------------------------------------------------------------------------------------------------------------------------------------------------------2-1---------------------2-1------------------0--------0-2------------0--------0-2---------2--------2-----2--------2--------2-----2----------------------------------------------------------------------------------------------------------------------------------------------------------------2-3-4--------------------------------0-3-2-3-4-------2----0-3-2-3-4-0-2-3---------2--------------------2-----------------0-----[drum break]
verse 3
no more speed I'm almost there
----------------------------------------------------------------------------------------------------4^6-4^6-4-2--------------------------------------------------4------------------------------------------------------------------------------------------------------------------------------------gotta keep cool now gotta take care
-----------------------------------------------------------------------------------------------------------2---2-4-4^6-^6-2---------------------------2-3-4---4---------------------------------------------------------------------------------------------------------------------------------------last car to pass, here i go
---14-14---14-14------------------------------------14-14---14-14------------------------------------14-14---14-14------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------the line of cars go down real slow
------17---------------------------------------------------------------------------------------------------16^18^18-14--------------------------------16----------------------------------------------------------------------------------------------------------------------------------------------the radio plays that forgotten song
file:///C|/olga_main/f-g/g/golden_earring/radar_love.tab (4 of 5) [4/28/2003 9:53:19 PM]
file:///C|/olga_main/f-g/g/golden_earring/radar_love.tab
file:///C|/olga_main/f-g/g/golden_earring/the_naked_truth.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: jmf5149@exodus.valpo.edu
Subject: The Naked Truth
THE NAKED TRUTH-preformed by Golden Earring
--------------"It's me again!!!........ha ha,........
alright, this is a song called the Naked Truth"
intro
Em
Am
Em
Am
^ ^ ^ ^ V
^ ^ ^ ^ V
^ ^ ^ ^ V
^ ^ ^ ^ V
|---------0-----------0-----------0-----------0-|
|---------0---------1-1-----------0---------1-1-|
|-------0-0-------2---2---------0-0-------2---2-|
|-----2---2-----2-----2-------2---2-----2-----2-|
|---2-----2---0-------0-----2-----2---0-------0-|
|-0-------0-----------0---0-------0-----------0-|
^ = pick
V = strum toward bass E
Am
Used to be younger,
Gettin' high on crystal,
D
Daddy's wish used to be nothin'
D
Took to a switch to my back,
%G
xEm
Am
Em
Momma couldn't give me
Instead of momma sufferin'
%G
& D &
Spent my life fightin'
From trials and tribulation
Em
Am
out on the
hard streets,
drinkin' scotch and smokin' weed,
C
C
x &(D-D/G-D-Dsus4-D-Dsus4)&
less than my command,
&(D-D/G-D-Dsus4-D-Dsus4)&%
nailed me to a cross with both hands,
Am
x
the thing a young boy needs,
she was smart enough to leave,
C
&(D-D/G-D-Dsus4-D-Dsus4)&
tryin' to stay free,
and the state penitantory,
Em
(oh, i know)
legend:
x ==> pick and strum like intro
& ==> this is just strummed while playing around with D
% ==> strum
*note: after this, it's just a very simple rhythm, if you know the tune *
%Em
Am
I suppose really lookin' cool,
Until that day i saw you walkin',
Em
Am
just makin' both ends meet,
down
Blue Angel Street,
G
D
C
&D&
The sweetest lies of lily white,
comin' from you lips,
You brush away
all my pain, with a lazy finger tip!
Em
Am
Em
Am
file:///C|/olga_main/f-g/g/golden_earring/the_naked_truth.crd
C
& D &
I don't need no more proof,
G
D
C
D ^^^^^^^^^^(strum)
Lyin' here, safe and warm, it's just the naked truth!
G
D
C
D
This man loves you, this man loves you,
G
D
C
D
%
This man loves you, this man loves you.
x Em
Am
That's the naked truth.
Em
Em
Goin' down that
Life treated me
Em
Am
It's the naked truth.........
Am
Am
graveyard spiral,
much harder,
Em
Am
x
there was nothin' I could do,
?than me'in' an
ole corkscrew?
>(meeting)<
%G
D
C
D
Lyin' here, in your arms, I don't need no more proof,
G
D
C
D^^^^^^^(strum)
Lyin' here, safe and warm, it's just the naked truth!
%G
D
C
D %
This man loves you, this man loves you,
This man loves you, this man loves you...............
x
Em
It's the....
Em
Am
Em
Am
It's the....
naked truth
Am x
Em
|-----------0-|
|---------0---|
|-------0-----|
|-----2-------|
|---2---------|
|-0-----------|
It's the naked truth............
(APPLAUSE)
--monty python)
^^^^^^^^^^^^i love this guy
file:///C|/olga_main/f-g/g/golden_earring/twilight_zone.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Benbassat_Alain/denkart_lab@denkart.be
Date: Thu, 4 Jan 96 09:33:12 +0100
Subject: Chords & Lyrics: Twilight Zone by Golden Earring
Item Subject: twi
Twilight Zone by Golden Earring
===============================
The lyrics:
Verse 1:
It's 2 A.M. the fear has gone
I'm sitting here waiting the gun still warm
Maybe my connection is tired of taking chances
Verse 2:
Yeah there's a storm on the loose
Sirenes in my head
Wrapped in silence all circuits are dead
Cannot decode my whole life spins into a frenzy
Chorus:
Help I'm stepping into the twilight zone
Place is a madhouse feels like being cloned
My beacon's been moved under moon and star
Where am I to go now that I've gone too far
Help I'm stepping into the twilight zone
Place is a madhouse feels like being cloned
My beacon's been moved under moon and star
Where am I to go now that I've gone too far
So you'll come to know
When the bullet hits the bone
So you'll come to know
When the bullet hits the bone
Verse 3:
I'm falling down a spiral destination unknown
Double crossed messenger all alone
Can't get connection, can't get through where are you
Verse 4:
Well the night weighs heavy on his guilty mind
This far from the border line
When the hitman comes he knows damn well
he has been cheated
And he says
Chorus
Solo
Chorus
Outro
So you'll come to know
When the bullet hits the bone
..
file:///C|/olga_main/f-g/g/golden_earring/twilight_zone.crd
The chords:
Intro
Bm Bm
Bm Bm Em
F#m F#m Bm
Em
Bm
Verse 1
Bm Bm Em7 Em7
F#m F#m Bm Bm
Verse 2
Bm Bm Em7 Em7
F#m F#m Bm Bm
Chorus
Bm Bm
G
G
Bm Bm
G
G
G
Em
G
Em
A
F#
A
F#
Bm
Bm
A
F#
A
F#
Bm
Bm
Verse 3
Bm Bm Em7 Em7
F#m F#m Bm Bm
Verse 4
Bm Bm Em7 Em7
F#m F#m Bm Bm
Chorus
Bm Bm
G
G
Bm Bm
G
G
G
Em
G
Em
N.C.
A
F#
A
F#
Bm
Bm
A
F#
A
F#
Bm
Em
A
F#
A
F#
Bm
Bm
A
F#
A
F#
Bm
Bm
Bm
Bm
Bm
Bm
Bm
Bm
Bm
Bm
Solo
Chorus
Bm Bm
G
G
Bm Bm
G
G
G
Em
G
Em
Outro
G
Em
G
Em
G
Em
G
Em
..
file:///C|/olga_main/f-g/g/golden_earring/twilight_zone.crd
file:///C|/olga_main/f-g/g/golden_smog/glad_and_sorry.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Tue, 12 Nov 1996 10:29:06 -0800
From: Sylmar Converter Station Control Room <sylcab@dwp.ci.la.ca.us>
Subject: Archive
Golden Smog
Glad & Sorry
From:sylcab@dwp.ci.la.ca.us
Intro: e
b
(0) (alternate fingering)
g 1-2 44
1-2 44 1-2 4 1-2 44
d
a
e
Chords:
G#m
F#m
(0)
1-2 44
(010)
1-2 464
repeat
a
e
file:///C|/olga_main/f-g/g/goldfinger/anything.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Sat, 9 Nov 1996 18:38:08 -0500 (EST)
From: "Matt A. Neff" <ib700@cleveland.Freenet.Edu>
Subject: TAB: Anything by Goldfinger
Goldfinger: Anything
=====================
from the LP "Goldfinger"
released in 1996 by Mojo Records
tabbed by Matt Neff (ib700@po.CWRU.edu)
=======================[Intro]:=======================
-----------------------------------------------------------------------------------------------------------------------2-------6--------4-------5-----4---4---7---7----5---5---7---7-------------------
[repeat once]
======================[Verse 1]:======================
A
B
C#
E*
After all this time you're still asking questions
A
B
C#
You love to fill me up with emptiness
A
B
C#
I'm a mortal in search of a party
E*
A
B
C#
I'm a lover in search of a quest
E*
E*
======================[Chorus]:======================
A
F#
C# E*
I can see that you don't want anything
A
F#
C#
I can see sometimes you don't want me
E*
A
F#
C#
E*
Just love me the times that I need you
A
F#
C#
I can say then that I am still free!
A B C# E
A
Freeeeeeeeeeeeeee
C#
E* E* E*
======================[Verse 2]:======================
A.
A.
B. B.
C#. C#.
So you and I walk to the ocean
E*.
E*.
file:///C|/olga_main/f-g/g/goldfinger/anything.tab
A.
A.
B.
B.
C#. C#. E*. E*.
The water, it breaks hard against the stone
A
B
C#
E*
A silouhette of you in the moonlight
A
B
C#
E*
Sends chills dancing right to my heart
======================[Chorus]======================
====[Break, play chords to Chorus without words]====
==================[Chorus repeat]===================
======================[Ending]:======================
D
D / E*\ D
A
----------------------------------------7---7-/-9-\-7-------7---7-/-9-\-7----7--5---5-/-7-\-5----7-------------------5--====================================================
Chords Used:
A:
B:
C#:
E*:
F#:
D:
577xxx
799xxx or x244xx
x466xx
x799xx
244xxx
x577xx
--- - -- --- -
file:///C|/olga_main/f-g/g/goldfinger/here_in_your_bedroom.btab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Sun, 10 Nov 1996 13:30:53 -0700
From: "Helge R. Berg" <helge@aracnet.com>
Subject: Goldfinger BTAB
Goldfinger- Here In Your Bedroom
Lyrics and Music by John Feldmann
Transcribed by Nick Michaels
Verse A
e s s e e e e e e trip
e e e e
e e e e e s s e e e e e e
trip
G--------------------------|------------------|-----------------------|--------------------|
D---------------6--6--7--9-|------------------|-------------4-4-5-7---|--------------------|
A-r--7-7--7-7--------------|----------6-6-7-6-|--r--5-5-5-5-----------|--------4-4-5-4-----| .
E--------------------------|-7-7-7------------|-----------------------|--5-5
-5--------------|
Verse B
e s s e e e e e e
trip
e e e e
trip e e e e
e s s e e e e e e
G----------------------------|--------------------|----------------------|-----------------|
D--------------2-2-3--2------|--------------------|-------------0-0-1-0--|-----------------|
A-r--3-3-3-3-----------------|---------2-2-3-5----|-r--1-1-1-1-----------|---------0-0-1-0-|
E----------------------------|--3-3-3-------------|----------------------|-1
-1-1------------|
Prechorus
e e e e e e e e e e e e e e e e e e e e e e e e e e
e e e e e e
G--------------------|-------------------------|------7-7---5-5-4-----|------9-9-7-7-5-----|
file:///C|/olga_main/f-g/g/goldfinger/here_in_your_bedroom.btab
D------9-9-7-7-------|------10-10-------10-----|-5-5----------------5-|--7-7
--------------0-|
A-7-7-----------7-7--|-8-8---------8-8-----8---|----------------------|--------------------|
E--------------------|-------------------------|----------------------|--------------------|
1st and 2nd Endings
e e e e e e e e e e e e e e e e w
G--------------------|-------------------------|------|
D------9-9-7-7-------|------10-10-----10-------|------|
A-7-7-----------7-7--|-8-8--------8-8-----8----|-10---|
E--------------------|-------------------------|------|
3rd Ending
e e e e e e e e e e e e e e e e e
w
G--------------------|-------------------|-------------|
D--------------------|-------------------|-------------|
A-7-7-7-7-7-7-7-7----|-7-7-7-7-7-7-7-7---|---10--------|
E--------------------|-------------------|-------------|
Chorus A
q q q e e q q q q q q q e e q q q q
G--------------|----------|-------------|-----------|
D-------6-7-6--|----------|------4-5-4--|-----------|
A--7-7---------|----6-7-6-|-5-5---------|----4-5-4--|
E--------------|-7--------|-------------|-5---------|
Chorus B1
q q q e e q q q q q q q e e q q q e e
q q q q e e
q q q e e
q q q
G--------------|-----------|------------|---------------|-------------|---------|-------------|
D-------2-3-2--|-----------|-----0-1-0--|---------------|-----2-3-2---|---------|-------0-1-0-|
A-3-3----------|----2-3-2--|-1-1--------|---------------|-3-3---------|---23-2--|-1-1---------|
E--------------|-3---------|------------|-1-1-1--1--1---|-------------|-3-------|-------------|
e e e e e e e e
G-------------------------|
D-------------------------|
A-------------------------|
E-1-1-1-1--1-1-1-1--------|
Chorus B2
q q q e e q q q q q q q e e q q q q q q q e e q q q q q q q e e q q q q
file:///C|/olga_main/f-g/g/goldfinger/here_in_your_bedroom.btab
G------------|----------|-----------|----------|------------|---------|-------------|---------|
D------2-3-2-|----------|-----0-1-0-|----------|------2-3-2-|---------|-----0-1-0---|---------|
A-3-3--------|----2-3-2-|-1-1-------|---0-1-0--|-3-3--------|---2-3-2-|-1-1---------|---0-1-0-|
E------------|-3--------|-----------|-1--------|------------|-3-------|-------------|-1-------|
w--tie--w e e
G-------|-----|--------|
D-------|-----|--------|
A--3----|--3--|-3-3----|
E-------|-----|--------|
Song Structure-Rest Two Measures for Drum Intro,Verse A x2(vocals kick
in),Verse A x2,Verse B x2,Prechorus x1,Chorus A x2,Verse A x2,Verse B x2,
Prechorus x1,Chorus A x2,Chorus B1 x1,Verse A x2,Verse B x2,Prechorus
x1(use third ending this time),Chorus A x4,Chorus B2 x1
Very cool song if you notice it's based around a major scale,it's in the
key of E,after finding those two fact made this song easy to figure out. In
the beginning when right before the bass kicks in,and the guitars playing
mutes if you listen,you might wanna throw in a E as you start.I'm not sure
if the verse right after the first chorus is correct because the guitars
drown it out,but it sounds right.Very difficult to play,you have to use
upstroke/downstroke picking or you won't have the right speed for it,and
you have to really have a feel for the song,if you play it exactly to the
speed I have each note here,and think too much about the notated speed it
won't sound right.Enjoy...Any comments,corrections,or anyone who wants to
talk about No Doubt or Goldfinger...e-mail me at uxsv99b@prodigy. com
Nick Michaels
file:///C|/olga_main/f-g/g/goldfinger/here_in_your_bedroom.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Mon, 7 Oct 1996 20:15:32 -0500 (CDT)
From: eiko ogata <eogata@keller.clarke.edu>
Subject: "Here in Your Bedroom" by Goldfinger
Song: "Here in Your Bedroom"
Band: Goldfinger
Album: Goldfinger
transcribed by: Eiko Ogata (eogata@keller.clarke.edu)
I play Green Day's stuff most of the time, so my guitar has been tuned 1/2
step down. I could've fix the tune, but I didn't, so try this one with
your guitar 1/2 step down. It has been only a year and half since I
started playing guitar, so this may not be perfectly right, but I think
this one sounds O.K., so if you have any comments, send me E-mail to
eogata@keller.clarke.edu.
Guitar tune down 1/2 step
G#5(466xxx) C#5(x466xx) B5(x244xx) F#5(244xxx) F5(x81010xx)
C5(81010xx) D#5(x688xx) A#5(688xxx) F5(133xxx)
(Bass and Drums)
Here in your bed room
I can turn my head off
The less that I feel
Is the less that I'm on top
-----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------8--8--8--8--6--6--6--6--6--6--6--6--4--4--4--4
----------------------------------------------I wonder what you think As we lay here in bed
I don't know what I'm thinking But it's better for my head
-----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------3--3--3--3--4--4--4--4--6--6--6--6--8--8--8--8
----------------------------------------------When I wake up tommorow Will you still feel the same?
When I wake up tommorow
G#5
Will you have changed?
(Chorus)
C#5 G#5
'Cuz I still feel the same
B5
F#5
'Cuz I still feel the same
C#5 G#5
B#5
F#5
file:///C|/olga_main/f-g/g/goldfinger/here_in_your_bedroom.tab
I,
F5(x81010xx) C5
Here in your bed room
D#5
A#5
I can turn my head off
F5(x81010xx)
C5
The less that I feel
D#5
A#5
Is the less that I'm on top
C#5
G#5
I wonder what you think
B5
F#5
As we lay here in bed
C#5
G#5
I don't know what I'm thinking
B5
F#5
But that's better for my head
***
C#5
G#5
When I wake up tommorow
B5
F#5
Will you still feel the same?
C#5
G#5
When I wake up tommorow
B5
F#5
Will you have changed?
(Chorus)
(Bridge/Solo)
----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------3-4-3-------------1-2-1-------------3-4-3--------------1-2-1---------4-4-------3-4-6--2-2---------------4-4---------3-4-6--2-2-----------------------4-----------------2-2-2-2------------4------------------2-2-2-2-
file:///C|/olga_main/f-g/g/goldfinger/here_in_your_bedroom.tab
C#5
G#5
I wonder what you think
B5
F#5
Sometimes I feel so old
C#5
G#5
I don't know if it's worth it
B5
F#5
When I just do what I'm told
(***Repeat)
(Chorus)
C#5 G#5
I,
B5
F#5
I still feel the same
(x2)
Won't you?
(Solo/Outro)
-----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------3-4-3--------------1-2-1--------------3-4-3-------------1-2-1---------4-4---------3-4-6--2-2---------1-2-4--4-4--------3-4-6--2-2---------1-2-4-----------4------------------2------------------4-----------------2----------------------I
----------------I
----------6-6---I
----------6-6---I
-4--6--8--4-4---I
----------------I
file:///C|/olga_main/f-g/g/goldfinger/mable.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
From: Palascqua@aol.com
Date: Sun, 21 Apr 1996 00:34:01 -0400
Subject: "mable" by goldfinger
mable
goldfinger
chord chart
e
g
a
b
c
d
e|--0---3---5--------------|
b|--0---3---5--------------|
g|--1---4---6---4---5---7--|
d|--2---5---7---4---5---7--|
a|--2---5---5---2---3---5--|
e|--0---3---5--------------|
intro riff: play 2x over intro progression
e|------5-7----5-7----5-7-8-7-5-5-7-5----|
b|--8-8-----8-8----8-8----------------8--|
g|---------------------------------------|
d|---------------------------------------|
a|---------------------------------------|
e|---------------------------------------|
play intro progression g e c 2x under intro riff
i met her sunday, that was yesterday
the girl i knew from 1990
g
e
her eyes are hazel, her name is mable
c
i kissed her once and now i'm able to
d
walk the mile, crack a smile
c
b a (slide up)
she makes me want to kiss all the
g
d
e
b
babies, hug the puppy dogs
c
d
she makes me feel like my mom
g
d
e
b
smell the flowers and plant a tree
c
d
i gotta say that mable
she's the bomb
play intro riff 1x over g e c
g
e
now it's monday, better than sunday
c
mable told me that she would stay
file:///C|/olga_main/f-g/g/goldfinger/mable.crd (1 of 2) [4/28/2003 9:53:21 PM]
file:///C|/olga_main/f-g/g/goldfinger/mable.crd
g
e
her curly hair shines in her eyes
c
boy that mable sure is fly
d
I'm with her now until i die
c
b a (slide up)
she makes me want to kiss all the
g
d
e
b
babies, hug the puppy dogs
c
d
she makes me feel like my mom
g
d
e
b
smell the flowers and plant a tree
c
d
i gotta say that mable
she's the bomb
g
e
then on tuesday mable left me
c
i heard she's going out with charlie
g
e
she saw his package from what i know she said:
c
"that looks like a tube of cookie dough!"
d
mine, she said then, looks like a
c
b
a
small pencil with broken lead
g
e
rabieS got the puppy dogs
c
d
and now i really need my mom
g
e
i bought her flowers, so woe is me
c
d
it sucks i still think mable
she's the bomb
g
d
e
b
rabieS got the puppy dogs
c
d
and now i really need my mom
g
d
e
i bought her flowers, so woe is me
c
d
it sucks i still think mable
file:///C|/olga_main/f-g/g/goldfinger/stay.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Sat, 9 Nov 1996 18:35:15 -0500 (EST)
From: "Matt A. Neff" <ib700@cleveland.Freenet.Edu>
Subject: TAB: Stay by Goldfinger
Goldfinger: Stay
===================
from the LP "Goldfinger"
released in 1996 by Mojo Records
tabbed by Matt Neff (ib700@po.CWRU.edu)
=====================[Verse 1]:=====================
G
A
And if I'm sorry
C
D
Does that mean I have to change?
G
A
'Cuz change does scare me
C
D
I'd like to know how I will feel
B
D (-4-5-4-2- on the A string)
And if you'll have me
B
D
A
Well I won't leave or make you hurt
B
D (-4-5-4-2- on the A string)
Because I need you
B
D
A
And I hope you'll let me
D
E* C
D
E* G*
stay-hey-hey, let me staaaaay
D
E* C
D
E* G*
So let me stay-hey-hey, let me staaaaay
=====================[Verse 2]:=====================
--[no chords here, play 'em if you're bored]-(G)
(A)
So when I see you
(C)
(D)
Please understand the way I think
(G)
(A)
Your smile it heals me
file:///C|/olga_main/f-g/g/goldfinger/stay.tab
(C)
(D)
\\\\\\\
I never wanna go away
B
D (-4-5-4-2- on the A string)
Believe I love you
B
D
A
No matter how selfish I get
B
D (-4-5-4-2 on the A string)
I know you'll help me
B
D
A
The way I feel I won't
D E* C
D E* G*
forge-heh-het, let me staaaay
D
E* C
D
E* G*
So let me stay-hey-hey, let me staaaaay
=====================[Bridge]:=====================
(some little quiet harmonics with quitar)
(just play single notes here, not chords)
D
B
C
I feel so cold sometimes, I turn my faith to fear
D
B
C
CCCCCCCCCCCCCCC
I feel so lost sometimes, can ya find it? CAN YA FIND IT?
^(start playing chords again)^
==[Verse 1, hammering at chords pretty darn fast]:==
G
A
And if I'm sorry
C
D
Does that mean I have to change?
G
A
'Cuz change does scare me
C
D
I'd like to know how I will feel
G
A
And if you'll have me
C
D
Well I won't leave or make you hurt
G
A
Because I need you
C
D
And I hope you'll let me
D
C
D
E* C
stay-hey-hey, let me staaaaay
D
G*
file:///C|/olga_main/f-g/g/goldfinger/stay.tab
D\
--- - -- --- -
file:///C|/olga_main/f-g/g/goldman_jean-jacques/encore_un_matin.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: i2b03b@iut-nantes.univ-nantes.fr (i2b03b)
Date: Fri, 13 Oct 95 12:27:20 +0100
By
ENCORE UN MATIN
--------------[Bm]
Encore un matin, un matin pour rien
[G]
[A]
Une argile au creux de mes mains.
[Bm]
Encore un matin sans raison ni fin,
[G]
[A]
Si rien ne trace son chemin.
[Em]
[F#m]
[Bm]
Matin pour donner ou bien matin pour prendre,
[Em]
[F#m]
[Bm]
Pour oublier ou pour apprendre,
[Em]
[F#m]
[Bm]
Matin pour aimer, maudire ou mpriser,
[G]
[A]
Laissez tomber ou resister
[Bm]
Encore un matin qui cherche et qui doute,
[G]
[A]
[Bm]
Matin perdu cherche une route,
[Bm]
Encore un matin du pire ou du mieux,
[G]
[F#m]
A teindre ou mettre le feu.
[A]
[G]
[A]
[Bm]
Un matin, ca ne sert a rien
[G]
[A]
[Bm]
Un matin sans un coup de main,
[G]
[A]
[Bm]
Ce matin, c'est le mien, c'est le tien,
[Em]
[F#m]
Un matin de rien,
file:///C|/olga_main/f-g/g/goldman_jean-jacques/encore_un_matin.crd (1 of 2) [4/28/2003 9:53:22 PM]
file:///C|/olga_main/f-g/g/goldman_jean-jacques/encore_un_matin.crd
[G] [A]
Pour en faire
[Bm]
Un reve plus loin.
Encore un matin juge ou coupable,
Ou bien victime ou bien capable,
Encore un matin ami ennemie,
Entre la raison et l'envie,
Matin pour agir ou attendre la chance,
Ou bousculer les evidences,
Matin innocence, matin intelligence,
C'est toi qui decide du sens
Un matin, ca ne sert a rien
Un matin sans un coup de main,
Ce matin, c'est le mien, c'est le tien,
Un matin de rien,
Pour en faire
Un reve plus loin.
file:///C|/olga_main/f-g/g/goldman_jean-jacques/il_changeait_la_vie.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Jean-Baptiste.Jacob@mx.univ-compiegne.fr
Artist: Jean-Jacques GOLDMAN
Song: Il changeait la vie
Intro: Dm
Bb
Gm7
A4
A7
Couplet1:
D
F#m7
C'etait un cordonnier sans rien d'particulier
Em7
A7
Dans un village dont le nom m'a echappe
D
F#m7
Qui faisait des souliers si jolis si legers
Em7
A7
Que nos vies semblaient un peu moins lourdes a porter
Em7
F#m7
Il y mettait du temps du talent et du coeur
D
G
Bm7
Ainsi passait sa vie au milieu de nos heures
Em7
A7
Et loin des beaux discours des grandes theories
Bb
C9
A sa tache chaque jour on pouvait dire de lui
Dm
Il changeait la vie
Instru:
Dm
F
F
1.
2.
Bb
C7
C7
Gm7
Gm7
Gm7
A4 A7
Dm7 C7
Dm7 A4
(bis)
A7
Couplet2:
C'etait un professeur, un simple professeur
Qui pensait que savoir etait un grand tresor
Que tous les moins que rien n'avaient pour s'en sortir
Que l'ecole et le droit qu'a chacun de s'instruire
Il y mettait du temps du talent et du coeur
Ainsi passait sa vie au milieu de nos heures
Et loin des beaux discours des grandes theories
A sa tache chaque jour on pouvait dire de lui
Il changeait la vie
-> Part. Instr.
Couplet3:
A7
F#m7
file:///C|/olga_main/f-g/g/goldman_jean-jacques/il_changeait_la_vie.crd
file:///C|/olga_main/f-g/g/goldman_jean-jacques/il_y_a.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Tue, 02 Apr 1996 12:05:49 +0200
From: PARMENTIER Benoit <parmenb7@cti.ecp.fr>
Subject: TAB: Il y a by Jean-Jacques Goldman
Jean-Jacques Goldman: Il y a
Accords
G
G7Maj
Em7
Am7
Cadd9
D
Dsus4
C
utilises:
320033 ou 320003
2x0033
022033
002213
x32033
xx0232
xx0233
x32010
G
---3-------3-----|
-------3-------3-|
-----0-------0---|
---------0-------|
-----------------|
-3---------------|
4x
G
Il y
a
---3-------3-----|
-------3-------3-|
-----0-------0---|
---------0-------|
-----------------|
-3---------------|
G7M
Em7
Du thym, de la bruyere
---3-------3-----|---3-------3------|
-------3-------3-|-------3-------3--|
-----0-------0---|-----0-------0----|
---------0-------|---------2--------|
-----------------|------------------|
-2---------------|-0----------------|
Am7
G
Et des bois de pin
---3-------3-----|---3-------3-----|
-------1-------1-|-------3-------3-|
-----2-------2---|-----0-------0---|
---------2-------|---------0-------|
-0---------------|-----------------|
-----------------|-3---------------|
Cadd9
Dsus4 D
Rien de bien malin
Il
file:///C|/olga_main/f-g/g/goldman_jean-jacques/il_y_a.tab
|---3-------3-----|--3------|---2-----|
|-------3-------3-|-------3-|-------3-|
|-----0-------0---|-----2---|-----2---|
|---------2-------|-0-------|-0-------|
|-3---------------|---------|---------|
|-----------------|---------|---------|
Em
y a
----0-------0-----|
--------0-------0-|
------0-------0---|
----------2-------|
------------------|
-0----------------|
Am
G
Des ruisseaux, des clairieres
---0-------0-----|---3-------3-----|
-------1-------1-|-------3-------3-|
-----2-------2---|-----0-------0---|
---------2-------|---------0-------|
-0---------------|-----------------|
-----------------|-3---------------|
Cadd9
G
Pas de quoi en faire
---3-------3-----|---3-------3-----|
-------2-------2-|-------3-------3-|
-----0-------0---|-----0-------0---|
---------2-------|---------0-------|
-3---------------|-----------------|
-----------------|-3---------------|
Dsus4
D
Un plat de ce coin
---3-------2-----|
-------3-------3-|
-----2-------2---|
-0-------0-------|
-----------------|
-----------------|
G
Il y a
---3-------3-----|
-------3-------3-|
-----0-------0---|
---------0-------|
-----------------|
-3---------------|
G7M
Em7
Des odeurs de menthe
---3-------3-----|---3-------3------|
-------3-------3-|-------3-------3--|
-----0-------0---|-----0-------0----|
---------0-------|---------2--------|
-----------------|------------------|
-2---------------|-0----------------|
file:///C|/olga_main/f-g/g/goldman_jean-jacques/il_y_a.tab
Am7
G
Et des cheminees
---3-------3-----|---3-------3-----|
-------1-------1-|-------3-------3-|
-----2-------2---|-----0-------0---|
---------2-------|---------0-------|
-0---------------|-----------------|
-----------------|-3---------------|
Cadd9
Dsus4 D
Et des feux dedans
Il y
|---3-------3-----|--3------|---2-----|
|-------3-------3-|-------3-|-------3-|
|-----0-------0---|-----2---|-----2---|
|---------2-------|-0-------|-0-------|
|-3---------------|---------|---------|
|-----------------|---------|---------|
Em
a
----0-------0-----|
--------0-------0-|
------0-------0---|
----------2-------|
------------------|
-0----------------|
Am
G
Des jours et des nuits lentes
---0-------0-----|---3-------3-----|
-------1-------1-|-------3-------3-|
-----2-------2---|-----0-------0---|
---------2-------|---------0-------|
-0---------------|-----------------|
-----------------|-3---------------|
Cadd9
G
Et l'histoire absente
---3-------3-----|---3-------3-----|
-------2-------2-|-------3-------3-|
-----0-------0---|-----0-------0---|
---------2-------|---------0-------|
-3---------------|-----------------|
-----------------|-3---------------|
Dsus4 D
Banalement
---3-------2-----|
-------3-------3-|
-----2-------2---|
-0-------0-------|
-----------------|
-----------------|
G
C
---3-----------3-|
-------0-----1---|
-----0-----------|
file:///C|/olga_main/f-g/g/goldman_jean-jacques/il_y_a.tab
---------0H2-----|
-----------------|
-3---------------|
G
Cadd9
Et loin de tout,
loin de
---3-------3-----|---3-------3-----|
-------0-------0-|-------3-------3-|
-----0-------0---|-----0-------0---|
---------0-------|---------2-------|
-----------------|-3---------------|
-3---------------|-----------------|
Dsus4
D
moi
---3-------2-----|
-------3-------3-|
-----2-------2---|
-0-------0-------|
-----------------|
-----------------|
G
C
---3-----------3-|
-------0-----1---|
-----0-----------|
---------0H2-----|
-----------------|
-3---------------|
G
Cadd9
C'est la que tu
---3-------3-----|---3-------3-----|
-------0-------0-|-------3-------3-|
-----0-------0---|-----0-------0---|
---------0-------|---------2-------|
-----------------|-3---------------|
-3---------------|-----------------|
Dsus4 D
te sens chez toi
---3-------2-----|
-------3-------3-|
-----2-------2---|
-0-------0-------|
-----------------|
-----------------|
G
C
---3-----------3-|
-------0-----1---|
-----0-----------|
---------0H2-----|
-----------------|
-3---------------|
Em
Dsus4
D
De la que tu pars
|---0-------0-----|--3------|---2-----|
|-------0-------0-|-------3-|-------3-|
file:///C|/olga_main/f-g/g/goldman_jean-jacques/il_y_a.tab
|-----0-------0---|-----2---|-----2---|
|---------2-------|-0-------|-0-------|
|-----------------|---------|---------|
|-0---------------|---------|---------|
C
G
ou tu reviens chaque fois
---0-------0-----|---3-------3-----|
-------1-------1-|-------0-------0-|
-----0-------0---|-----0-------0---|
---------2-------|---------0-------|
-3---------------|-----------------|
-----------------|-3---------------|
Am
G
Dsus4 D
Et ou tout finira
---0-------0-----|---3-------3-----|---3-------3-----|---2-------2-----|
-------1-------1-|-------3-------3-|-------3-------3-|-------3-------3-|
-----2-------2---|-----0-------0---|-----2-------2---|-----2-------2---|
---------2-------|---------0-------|-0-------0-------|-0-------0-------|
-0---------------|-----------------|-----------------|-----------------|
-----------------|-3---------------|-----------------|-----------------|
(Memes arpeges pour les deux couplets suivants et le refrain)
G
Il y a
G7M
Em7
Des enfants, des grands-meres
Am7
G
Une petite eglise
Cadd9
Dsus4 D
Et un grand cafe
Em
Il y a
Am
G
Au fond du cimetiere
Cadd9
G
Des joies, des miseres
Dsus4
D
Et du temps passe
G
Il y a
G7M
Em7
Une petite ecole
Am7
G
Et des bancs de bois
Cadd9
Dsus4 D
Tout comme autrefois
Em
Il y a
Am
G
Des images qui collent
Cadd9
G
Au bout de tes doigts
Dsus4
D
file:///C|/olga_main/f-g/g/goldman_jean-jacques/il_y_a.tab
Cadd9 Dsus4 D
G C G
Et loin de tout,
loin de moi
Cadd9
Dsus4
D
G C G
C'est la que tu te
sens chez toi
Em
Dsus4 D
C
G
De la que tu pars
ou tu reviens chaque fois
Am
G
Dsus4
Et ou tout finira
D
C
Dsus4 D
Em
G
Et plus la terre est aride,
et plus cet amour est grand
---2-------2-------|-0-------3-------3---|-1-----2-------2-----|-0- ...
-0-------0---------|-2-------------------|-3-------------------|--C
G
C
Dsus4 D
Comme un mineur a sa mine, un marin a son ocean
Em
G
C
G
Plus la nature est ingrate, avide de sueur et de boue
Am
G
C
Dsus4
Parce que l'on a tant besoin que l'on ait besoin de vous
D
C
G
Am7
G
Elle porte les stigmates de leur peine
et de leur sang
Cadd9
G
Gsus4
G C
Comme une mere prefere un peu son plus fragile enfant
G
Cadd9 Dsus4 D
G C G
Et loin de tout,
loin de moi
Cadd9
Dsus4
D
G C G
C'est la que tu te
sens chez toi
Em
Dsus4 D
C
G
De la que tu pars
ou tu reviens chaque fois
Am
G
Dsus4
Et ou tout finira
: (16 1)46 83 78 85
file:///C|/olga_main/f-g/g/goldman_jean-jacques/pas_toi.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: i2b03b@iut-nantes.univ-nantes.fr (i2b03b)
Subject: "pas toi" by Jean-Jacques Goldman (a french singer)
Date: Fri, 13 Oct 95 12:28:48 +0100
-----------F#m7
D
Graver l'ecorce jusqu'a saigne-er
Bm7
A
Clouer les portes, s'emprisonner
F#m7
D
Vivre des songes a trop veiller
Bm7
A
Prier des ombres et tant marcher
Pre-Chorus.
----------
F#m
F#m
J'ai beau me dire qu'il faut du temps
D
E7
J'ai beau l'ecrire si noir sur blanc
Chorus 1.
--------
A
F#m
Quoique je fasse, ou que je sois
D
A
Rien ne t'efface, je pense a toi
Chorus 1.
--------
Chorus 2.
--------
Bridge.
------
F#m7
D
Et quoi que j'apprenne, je ne sais pas
Bm7
A
Pourquoi je saigne et pas toi
(instrumental) A
Chorus 1.
file:///C|/olga_main/f-g/g/goldman_jean-jacques/pas_toi.crd (1 of 2) [4/28/2003 9:53:23 PM]
file:///C|/olga_main/f-g/g/goldman_jean-jacques/pas_toi.crd
--------Chorus 2.
------------------------------------------------------J'espere que vous aller vous y retrouver parce que c'est un peu le bordel.
Enfin, bonne chance quand meme et que la force soit avec vous !
LOOPING
i2b03b@iut-nantes.univ-nantes.fr
file:///C|/olga_main/f-g/g/goldman_jean-jacques/peur_de_rien.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Tue, 10 Oct 1995 18:17:30 +0100 (MET)
From: PARMENTIER Benoit <parmenb7@cti.ecp.fr>
Subject: Peur de rien by Jean Jacques Goldman
Peur de rien
(Paroles et musique : J J Goldman, album entre gris clair et gris fonce)
Cm Gm
Y'a les choses qu'on peut faire,
Cm Gm
Et puis celles qu'on doit pas,
Cm Gm
Y'a tout c'qu'on doit taire,
Cm Gm
Tout c'qui ne se dit pas,
Fm Bb
Des vies qui nous attirent,
Fm Bb
De brulures et de clous,
Cm Gm
Oui, mais ne pas les vivre,
Cm Cm
C'est encore pire que tout.
Gm Gm
De sagesse en derive,
Fm Bb
De regrets en degout,
Cm Fm Gm
Y'a qu'une guitare a la main
Qu'j'ai peur de rien.
|--------------------|-------------------------|-----(11)-b11-11-8--|--11-sb11/\/\/\/\--------|--------------------|-------------------8/10--|--------------------|-------------------------|--------------------|-------------------------|--------------------|-------------------------|-----------------------------|----------------------------------------------|------------8----------------|----------------------------------------------|------------8----------------|------------------8--10--b10-10-8-10-(8)-(8)-10
|---10_____-------------------|--------8-(8)/10------------------------------|---------------(10)/8--6/\/\-|--8/10----------------------------------------|-----------------------------|----------------------------------------------|---------------8-----------------------------------------------|-------------8--------------------------------------------11-13file:///C|/olga_main/f-g/g/goldman_jean-jacques/peur_de_rien.crd (1 of 4) [4/28/2003 9:53:24 PM]
file:///C|/olga_main/f-g/g/goldman_jean-jacques/peur_de_rien.crd
file:///C|/olga_main/f-g/g/goldman_jean-jacques/peur_de_rien.crd
|18-20-20/\/------15-16-18-20-20/\/\--20-19-20|-(20)b20-(20)b20-(20)b20-(20)b20
|------------16-18----------------------------|-------------------------------|----------17---------------------------------|-------------------------------|---------------------------------------------|-------------------------------|---------------------------------------------|-------------------------------|---------------------------------------------|-------------------------------( BREAK )
Y'a les choses qu'on pense
Qu'on voyait pas comme ca,
Mais on garde le silence
Et on presse le pas,
Des regards qu'on detourne,
Des gestes qu'on fait pas,
La conscience un peu sourde
Et pas tres fier de soi.
Quand la dose est trop lourde,
Quand le blues va un peu loin,
J'prends ma guitare a la main
Et j'ai peur de rien.
(from now, there are two guitars: G1 and G2)
(derniere mesure du couplet)
|-------------------18-|----------------------------((G1))---------|
|------15-16-18-sb18---|-18-b18/\/\-------------------b18-18-16-18-|
|-15-17----------------|-------((G2))--8-(10)-b10-10---------------|
|----------------------|------------6-8----------------------------|
|----------------------|-------------------------------------------|
|----------------------|-------------------------------------------|
((G1))
((G2)) ((G1))
|-------------------------------|-18-sb(18)-b18/\-------(18)b18---------------|
|-16-sb(16)----------((G2))-----|----------------(6)/8-11------(20)\18-16(b/4)|
|----------17-17/\/\---8--------|---------------------------------------------|
|------------------------10-10\8|---------------------------------------------|
|-------------------------------|---------------------------------------------|
|-------------------------------|---------------------------------------------|
|-------------------------------------------|
|-----((G2))------------((G1))--------------|
|-17/\--(10)b10-10-8--10---15/\/\-(12)\10-8-|
|-------------------10----------------------|
|-------------------------------------------|
|-------------------------------------------|
|-------------------------------------|-((G1))-8-11-8---------------------|
|----------((G2))---------------------|-11-b11-------(11)b11-11-8-11--8---|
|-(8)-10/\/\----8-(10)b10-10-8-10/\/\-|-----------------------------10--8-|
|-----------8-10----------------------|-----------------------------------|
|-------------------------------------|-----------------------------------|
|-------------------------------------|-----------------------------------|
|---------------------------------|--------------------------------------------|
|--------8------------------------|-----------------------11----11-------------|
|-(10)b10-8(b/4)----------------8-|----------8-10-(10)b10-(10)b10-(10)b10-10b10|
|-------------10-8-10/\/-8\X---8--|-10/\(8)/10---------------------------------|
|--------------------------8-10---|--------------------------------------------|
|---------------------------------|--------------------------------------------|
file:///C|/olga_main/f-g/g/goldman_jean-jacques/peur_de_rien.crd
|------------------------------------|----------------------------------|
|------------------------------------|--------8-11----------------------|
|-(10)b10--b10-10-8-10-(8)-10/\/--\X-|-(10)b10----(10)b10-10-8-10/\/-\X-|
|------------------------------------|----------------------------------|
|------------------------------------|----------------------------------|
|------------------------------------|----------------------------------|
|-----------------------------------|------------------------------|
|------11---------------------------|------------------------11-13-|
|-(10)b10--10-8----8----------8-----|-----------------(10)-12------|
|--------------(8)-10-8------8-10-8-|-10/\/-8-10-8/\/X-------------|
|----------------------8-6-10-------|------------------------------|
|-----------------------------------|------------------------------|
|------------11-----|(13)b13--(13)b13-(13)b13-(13)b13/(Vib)-(13)b13-13-11-13-11|
|-(11)b13/\/---13/\/|----------------------------------------------------------|
|-------------------|----------------------------------------------------------|
|-------------------|----------------------------------------------------------|
|-------------------|----------------------------------------------------------|
|-------------------|----------------------------------------------------------|
|-----------------8-------------------------|
|-13/\/\/--------8--8-11-8------------------|
|--------(10)b10----------11-10-8-----------|
|--------------------------------10---------|
|-------------------------------------------|
|-------------------------------------------|
|--------------------------------------------------------------|
|----------------------------------------------8-11----------8-|
|-10-8--------8-(10)b10-(10)b10-(10)b10-(10)b10----(10)b10\X---|
|-----10--8-10-------------------------------------------------|
|--------------------------------------------------------------|
|--------------------------------------------------------------|
Enjoy it!
Cm
Gm
Fm
Bb
335543
355333
133111
113331
B10
sb 10
8(b/4)
10/\/\
(Vib)
:
:
:
:
:
/
/
/
_/
_/
/
/
_/
/
_/
Tel: 46 83 78 85
file:///C|/olga_main/f-g/g/goldman_jean-jacques/quand_la_musique_est_bonne.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Tue, 10 Oct 1995 18:20:07 +0100 (MET)
From: PARMENTIER Benoit <parmenb7@cti.ecp.fr>
Subject: quand la musique est bonne by Jean Jacques Goldman
Quand la musique est bonne
(Paroles et musique: J J Goldman)
Dm
J'ai trop saigne
C Dm
C Dm
sur les Gibson,
C
Bb
C Dm
dans les "Tobacco road"
C Dm
Y'a plus les caisse
C Bb
qui me resonnent
C
J'voyage toujours en fraude
C Dm
Des champs d'coton
C Dm
C Dm
dans ma memoire
C
Bb
c'est un peu d'amour noir
C Dm
C Dm
C Dm
C
Dm
C'est un recours pour un autre histoire
Chorus:
Dm
Quand la musique est bonne
Gm
Dm7
Cm7
(bonne, bonne, bonne)
F
Quand la musique donne
Gm
Dm7
Cm7
(donne, donne, donne)
F
Gm
Quand la musique sonne
Dm7
(sonne, sonne, sonne)
Cm7
Dm
Quand elle ne triche pas
Em
(quand elle ne triche pas)
Dm
Quand la musique est bonne
Gm
Dm7
Cm7
(bonne, bonne, bonne)
F
Quand la musique donne
Gm
Dm7
Cm7
(donne, donne, donne)
F
Gm
Quand la musique sonne
Dm7
(sonne, sonne, sonne)
Cm7
Dm
Quand elle guide mes pas
Em
(quand elle guide mes pas)
Gm D7 C Dm
file:///C|/olga_main/f-g/g/goldman_jean-jacques/quand_la_musique_est_bonne.crd
C Dm
J'ai plus d'amour
C Dm
j'ai pas le temps
C
Bb
j'sais plus d'ou vient le vent
C Dm
J'ai plus qu'un clou,
C Dm
C Dm
une etincelle,
C
C Dm
qui me brisent les ailes
C Dm
Un peu de swing,
C Dm
un peu du King
C Bb
C Dm
Pas mal de de feeling et de decibels
C Dm
C'est pas l'usine,
C'est pas la mine,
C Dm
C
Dm
Mais ca suffit pour se faire la belle.
+ Chorus
/
/
___
/
/
/
_/
_/
/
/
_/
/
_/
Tel: 46 83 78 85
: i2b03b@iut-nantes.univ-nantes.fr
: Quand la musique est bonne
: Jean-Jacques Goldman
file:///C|/olga_main/f-g/g/goldman_jean-jacques/quand_la_musique_est_bonne.crd
[Dm] [C] [Bb] [C] [Dm] [C] [Bb] [C] [A] [C]
[Dm]
[C] [Dm]
[C]
J'ai trop saigne
sur les Gibson,
[Dm]
[C]
[Bb]
[C]
J'ai trop rode dans les "tobacco road"
[Dm]
[C]
[Dm]
[C]
Il n'y a plus qu'les caisses qui me resonnent
[Bb]
[C]
Et quand j'me casse, j'voyage
toujours en fraude.
[Dm]
[C] [Dm]
[C]
Des champs d'coton
dans ma memoire
[Dm]
[C]
[Bb]
[C]
Trois notes de blues, c'est un
peu d'amour noir.
[Dm]
[C] [Dm]
[C]
Quand j'suis trop court, quand j'suis trop tard.
[Dm]
[C]
[Dm]
C'est un recours pour une autre histoire.
[Dm]
[Gm]
[Dm7]
[Cm7]
Quand la musique est bonne (bonne, bonne , bonne)
[F]
[Gm]
[Dm7] [Cm7]
Quand la musique donne (donne, donne, donne)
[F]
[Gm]
[Dm7]
Quand la musique sonne (sonne, sonne, sonne)
[Cm7]
[Dm]
[Eb]
Quand elle ne triche pas
(quand elle ne triche pas)
[Gm]
Quand
Quand
Quand
Quand
J'ai plus
J'ai plus
J'ai plus
Des trucs
[D7]
la musique
la musique
la musique
elle guide
file:///C|/olga_main/f-g/g/goldman_jean-jacques/quand_la_musique_est_bonne.crd
Quand
Quand
Quand
Quand
Quand
Quand
Quand
file:///C|/olga_main/f-g/g/goo_goo_dolls/aint_that_unusual.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Ain't That Unusual -- Goo Goo Dolls
(tabbed by randell@heinous.music.uiowa.edu)
Intro: Eb5-B5-F#5(IX)-Eb5-Db5
Eb5-B5-F#5(IX)
(3x)
Verse: Eb5-F#5-B5-Eb5-Db5
Eb5-F#5-B5
Bridge: E5-F#5-G#5
Chorus: Intro
(intro)
(verse)
Can you talk to me
Honestly
Cuz I never heard a word you said now
And I ain't just being mean
(bridge)
Cuz all we are is what we're told
And most of that's been lies
It's like a made for TV movie
And I just blew my lines
(chorus)
Someday you never made it
and maybe you never will
Hey, you never made it
It ain't that unusual
(verse)
Now I feel unknown
And it's safe that way
Are you too bored to care or too dumb to be scared
What's that supposed to mean
(bridge)
I'm burnt out on some empty reasons
And other wastes of time
Something that I wish I'd said
But I don't think it rhymed
(chorus)
Someday you never made it
and maybe you never will
Hey, you never made it
It ain't that unusual
(verse)
See I'd love to be you
Least then I'd see you
Sorry I put them words in your mouth
but you wouldn't talk to me
(Solo over verse chords in traditional Johnny Reznick style)
file:///C|/olga_main/f-g/g/goo_goo_dolls/aint_that_unusual.crd (1 of 2) [4/28/2003 9:53:24 PM]
file:///C|/olga_main/f-g/g/goo_goo_dolls/aint_that_unusual.crd
(bridge 2 -- F#5-G#5-E5)
Everything I want I haven't got
Sick of everything I'm not
Put my heavy coat on for a while
It's freezing in the corner of my mind
(chorus)
Someday you never made it
and maybe you never will
Hey, you never made it
Now ain't that unusual
file:///C|/olga_main/f-g/g/goo_goo_dolls/burnin_up.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Burnin' Up by the Goo Goo Dolls
(off of A Boy Named Goo)
(tabbed by randell@heinous.music.uiowa.edu)
(Riff A):
e--3-3-3-3-3-2-(2)-(2)-B--3-3-3-3-3-3-(3)-(3)-G--0-0-0-0-0-0-(0)-(0)-(4 times)
D--0-0-0-0-0-0-(0)-(0)-A----------------------E----------------------Bass notes are:
1st time - G, 2nd - E, 3rd - C, 4th - G
Intro: Riff A (2x)
(verse)
G5
E5
C5
G5
You said you're burnin' up inside, and no one seems to tell.
G5
E5
C5
G5
You're living from a personalized manual from hell.
C5
D5
G5
E5
Life it seems pretty easy when it's from my easy chair.
C5
B5 A5
And you're burnin' up inside and no one cares.
Riff A (2x)
(verse)
You said you had enough this time, this town don't treat you well.
You always find coincidence, well I do parallel.
C5
D5
G5
E5
Life it seems pretty easy when it's from my easy chair.
C5
B5 A5
And you're burnin' up inside
C5
B5 A5
And you're burnin' up inside
C5
B5 A5
And you're burnin' up inside
(the "And you hurt me" part/solo)
E5-E5(VII)-E5-E5(VII)-E5-E5(VII)-B5 (4x)
(verse)
Come and take my hand tonight, I'll show you where to start.
'Cuz every word that left your lips, like a needle through my heart.
C5
D5
G5
E5
Life it seems pretty easy when it's from my easy chair.
C5
B5 A5
And you're burnin' up inside
C5
B5 A5
And you're burnin' up inside
C5
B5 A5
file:///C|/olga_main/f-g/g/goo_goo_dolls/burnin_up.crd
file:///C|/olga_main/f-g/g/goo_goo_dolls/eyes_wide_open.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Thu, 14 Sep 1995 01:19:33 +0700
From: mcarman@du.edu (Michael P. Carman)
Subject: Goo Goo Dolls - "Eyes Wide Open"
"Eyes Wide Open"
Intro / Chorus:
-----------------------------------------------------------9--9--9--9-9--7--6--7--9----0--0--0--0-0--0--0--0--0--------------------------------------------------------------------------------------------------------------------9--9--9--9-9--7--6--7--9----0--0--0--0-0--0--0--0--0--------------------------------------------------------------------------------------------------------------------------9--9--9--9-9--7--6--7--0-------0--0--0--0-0--0--0--0--0--7------------------------------7------------------------------5-Verse:
I'm a fortunate son of a fortunate son
---------------------------------------------------------------------------------------------------7------------7\\--4---------7--------7---------7--7\\--4---------7--------5---------7--5\\--2---------5------------------5-Livin' large on the wrong side of town
---------------------------------------------------------------------------------------------------------------4------7------------2--2-2--2--2--2--4------7------------0--0-0--0--0--0--2------5------------0--0-0--0--0--0--I want to kick it all down
----------------------------------------------------------------------------11------9-----------7----------------11------9-----------5----------------9-------7-----------5---------------------------------------------------Play the intro and chorus to this:
Eyes wide open. . .I can't see
file:///C|/olga_main/f-g/g/goo_goo_dolls/eyes_wide_open.tab
----------------------------------------------------------------------9----9----9--9-----9-7-----6--7--9-0----0----0--0-----0-0-----0--0--0-----------------------------------------------------------------------Lyrics:
I'm a fortunate son,
Living large
Too many friends and
Drinkin' and
of a fortunate son,
on the wrong side of town.
the fun never ends,
hangin' around.
Michael P. Carman
(mcarman@du.edu)
#### #
# #
### # # #
# #
# #
#
# # # # University of Denver
#
# #
# #
##### # # #
College of Law
#### o ### o ##### #
# ## ##
file:///C|/olga_main/f-g/g/goo_goo_dolls/fallin_down.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: st93vtzh (dan)
Alright I just raed this message and decided to try to tab this. Please
be understanding, not only is this my first post but it is also my first
written tab. It's not all that hot but I got the gist of it, lyrics are
either wrong or missing anyone wanna fill them in, please do, any
criticism or additions are greatly appreciated. By the way the Goo Goo
Dolls rule! New albums awesome too.
Fallin Down
----------by the Goo Goo Dolls
Intro w/ distortion
------------------------------------------------------------------------------------------------------------------------------------------------6---9---4----4---6---9-9---4--2----------------------------------------6---9---4----4---6---9-9---4--2----------------------------------------4---7---2----2---4---7-7---2--0-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------6---9---4---6---2-----2-2-2---4--4-------------------------------------6---9---4---6---2-----2-2-2---4--4-------------------------------------4---7---2---4---0-----0-0-0---2--2-----------------------------------------------------------------------------------------------------------
------------------------------------------------------------------------------------------------------------------------------------------------6---9---4----4---6---9-9---4--2----------------------------------------6---9---4----4---6---9-9---4--2----------------------------------------4---7---2----2---4---7-7---2--0-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------6---9---4---6----------------------------------------------------------6---9---4---6---2------------------------------------------------------4---7---2---4---2----------------------------------------------------------------------0----------------------------------------------------B5
Do you know
C#5
Where you want to go
G#5
A5
I ain't got time for you now
B5
Do you think
C#5
That'll ever be
Pre Chorus:
file:///C|/olga_main/f-g/g/goo_goo_dolls/fallin_down.tab (1 of 2) [4/28/2003 9:53:25 PM]
file:///C|/olga_main/f-g/g/goo_goo_dolls/fallin_down.tab
E5
D#5
C#5
B5
A5 ( or some sorta slide like that)
Cuz all I ever want is so far gone
E5
D#5
C#5
B5
A5
And if I had my chance I'd go along
Chorus:
(Just play the intro through the chorus)
You're making me fall down
I'm fallin' down again
I wish you could fall down
Can you catch me darlin
Do you see What you do for me
You make time for me now
Do you think that'll ever be
Pre Chorus
Chorus
Alright, next we have a solo, I suck at tabbing solos, but I did tab the
lead in to the solo, and then for the solo I just play the intro, which is
being played also.
----------------------------------4--4h5p4-0-4-5----6-6----------------------6-6---------------------x3
--4-4----------------------------------------------
------------------------------------5-4---7--5--5------------------------------------------------------------------------------------------------------------------------------------------------------
file:///C|/olga_main/f-g/g/goo_goo_dolls/flat_top.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Fri, 22 Sep 1995 02:18:03 -0600
From: mcarman@du.edu (Michael P. Carman)
Subject: Goo Goo Dolls "Flat Top" -- revised
"Flat Top" by the Goo Goo Dolls
Tune the high E string up to F#
Intro / Chorus:
---------0-------------------0---------------------------------------0-------------------0---------------------------------4------0-------2-2--2--2---2----0-------11-11-11\8-8-8\4-4--4--------------2-2--2--2---2----0---2----9--9--9\6-6-6\4-4--2--------------0-0--0--0---0----0---2-----------------------------------------------------------0------------------------------0-------------------0----------------0-0-0-0-0---------0-------------------0----------------0-0-0-0-0--4------0-------2-2--2--2---2----0-----------0-0-0-0-0--4--------------2-2--2--2---2----0---2---2---2-2-2-2-2--2--------------0-0--0--0---0----0---2---2---2-2-2-2-2--------------------------------------0---0---0-0-0-0-0Flat top intervention, bringing home the new invention.
-0-------------0--------0-----------------0--------------------0-------------0--------0-----------------0--------------------0-------------0--------0-----------------0--------------------4-------------6--------9-----------------4--------------------4-------------6--------7-----------------2--------------------2-------------4--------0-------------------------------------You can see it there in pieces on the ground.
---------0---------------0-------------0-------------------------------0---------------0-------------0-------------------------------0---------------0-------------0-------------------------------6---------------4-------------2-------------------------------6---------------4-------------2-------------------------------4---------------2-------------0----------------------Look at all the washed-out hippie dreams.
-0---------------0-----------------0-----------------0---------------0-----------------0-----------------0---------------0-----------------9----------------6---------------8-----------------7-----------------6---------------8-----------------0-----------------4---------------6----------------------------------And my dirty dreams all come alive on my TV
-0------0----------------0----------0---------------0------0----------------0----------0---------------0------2----------------6----------4---------------6------2----------------6----------4---------------6------0----------------4----------2---------------4-------------------------------------------------Give it all to me
file:///C|/olga_main/f-g/g/goo_goo_dolls/flat_top.tab
-----------------------------------------------------------4------2---------4------2---------2------0--
Michael P. Carman
(mcarman@du.edu)
#### #
#
#
# #
#
#
# #
#
#### o ### o
#
###
#
#
#
#
#####
##### #
#
# # #
# # #
# # #
## ##
University of Denver
College of Law
file:///C|/olga_main/f-g/g/goo_goo_dolls/girl_right_next_to_me.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Girl Right Next To Me by the Goo Goo Dolls
(off SuperstarCarWash)
Tabbed by randell@heinous.music.uiowa.edu
Intro:
B5(VII)-B5(VII)-B5(VII)
<---- (mute the first one)
F#5(IX)-B5(VII) (3x)
Eb5(XI)-B5(VII)-F#5(IX)-C#5(IX)-B5(VII)
Verse:
B5-B5-B5 (mute the first one)
F#5-C#5-B5-C#5-F#5
F#5-C#5-Eb5-B5-F#5-C#5-B5
Chorus:
B5-B5-B5 (mute the first one)
C#5-F#5-C#5
F#5-C#5-B5 (2x)
Solo:
F#5(IX)-F#5/F-B5(VII)-C#5(IX)-F#5(IX)
B5(VII): 7-9-9
Eb5(XI): 11-11-13
F#5: 2-4-4
B5: 2-4-4
F#5(IX): 9-11-11
C#5(IX): 9-11-11
F#5/F: 8-11-11
C#5: 4-6-6
Eb5: 6-8-8
bed
can't sleep at night
tossin and turnin
but you know it ain't right
I love to bet
See but I'm just too proud
And don't even know what to say
So I'm thinkin out loud
And when you dream, 17
I ain't there, so I don't care
Cause in all my dreams, she's 23
And see that girl right next to me
See that girl right next to me
Please send any Goo Goo Dolls lyrics you have for songs that aren't on
file:///C|/olga_main/f-g/g/goo_goo_dolls/girl_right_next_to_me.crd
file:///C|/olga_main/f-g/g/goo_goo_dolls/james_dean.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Tue, 8 Aug 1995 13:31:58 -0400 (EDT)
From: "Daryl N. Landcastle" <dnlandca@mailbox.syr.edu>
Subject: CRD: JAMES DEAN by GOO GOO DOLLS
"JAMES DEAN" by the Goo Goo Dolls
from the album "JED"
The major part of the song is D - A - G - G, through the intro and
verses and most of the choruses. The pre-chorus and the other part
of the choruses ("I wanna be oversexed...") is Em - G - Am - Am.
These are all open chords played on an acoustic.
VERSE 1
Look around outside
Ain't nothin' to do but hang around
Thinkin' 'bout all the stupid things that I've done
I guess I ain't nothin' but a clown
PRE-CHORUS
And if I had a wish, I swear I'd wish, I'd wish for just one thing
And I don't even think about all the things my wish'd bring,
cause...
CHORUS
I just
I just
I just
...For
file:///C|/olga_main/f-g/g/goo_goo_dolls/james_dean.crd
VERSE 3
I'm goin' crazy cause I'm always all alone
I'm goin' crazy, no one calls me on the phone
I think about Dean and I know Dean he wouldn't care
If I was Dean I know there'd be somebody there
Yeah, there'd be somebody there for me
Yeah I think about all the really cool things I could do and say
And then you go and tell me that you found out Dean was gay...
No...
CHORUS
I don't wanna be James Dean
I don't wanna be James Dean
I don't wanna be James Dean
...Anymore...
CHORDS:
D : x x
A : x 0
G : 3 2
Em: 0 2
Am: x 0
0
2
0
2
2
2
2
0
0
2
3
2
3
0
1
2
0
3
0
0
------------------------------------------------------------------Daryl Landcastle
dnlandca@mailbox.syr.edu
E-mail me for any questions or corrections. Goofans, keep those
tabs and chords comin'. Anybody got "Only One" or anything else off
of "A BOY NAMED GOO"?
file:///C|/olga_main/f-g/g/goo_goo_dolls/just_the_way_you_are.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Thu, 29 Jun 1995 13:34:06 -0400 (EDT)
From: "Daryl N. Landcastle" <dnlandca@mailbox.syr.edu>
"JUST THE WAY YOU ARE" by the Goo Goo Dolls
from the album "HOLD ME UP"
INTRO
F# F# - E E - D
F# F# - D D - A
VERSE 1
A
B
D
A
I'm in love because I know you
And I'm sorry I don't show you
And if I find that you ain't by me
I'm afraid no one will know the things you see
PRE-CHORUS
D
A
D
How could you believe in someone sorry sad like
D
A
F#
E
I know the deal and I thank you anyway
D
A
D
And if you leave, you know I'm crawlin' at your
D
A
F#
D
You never get weak when I'm leanin' hard on you
A
me
A
feet
D-C#-D-C#-D-C#-A
CHORUS
F#
And I guess
F#
And I guess
F#
And I guess
F#
And I guess
E
it's just
E
it's just
E
it's just
E
it's just
D-C#-D-C#-D-C#-A
the way you are...
D-C#-D-C#-D-C#-A
the way you are...
D-C#-D-C#-D-C#-A
the way you are...
D
the way you...are...
VERSE 2
A
B
D
A
And all the things that you don't show me
Like when you pretend that you don't know me
I wasted a dime and I can't call you
I'll spend a lifetime if I fall for you
PRE-CHORUS
CHORUS
SOLO over these changes:
F# - E - F# - D C# D
x3
F# - E - F# - D C# D C#
OUTRO
(same as chorus riff)
Hold me up! x4
-----------------------------------------------------------file:///C|/olga_main/f-g/g/goo_goo_dolls/just_the_way_you_are.crd (1 of 2) [4/28/2003 9:53:26 PM]
file:///C|/olga_main/f-g/g/goo_goo_dolls/just_the_way_you_are.crd
Daryl Landcastle
dnlandca@mailbox.syr.edu
E-mail me for any questions or corrections. Goofans, keep those tabs and chords comin'. Anybody
got "Only One" or anything else off of "A BOY NAMED GOO"?
file:///C|/olga_main/f-g/g/goo_goo_dolls/laughing.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
"Laughing" by the Goo Goo Dolls
(off the Hold Me Up album)
from randell@heinous.music.uiowa.edu
Intro: C#-B-A-E-B (2x)
C#
B
I wake up I'm staring at the clock
A
E
B
my belly hurts and my head is like a rock
C#
B
I get up to see what I can see
A
E
B
furthest I got was my black and white TV
C#
B
eyewitness news brought to you at noon
A
E
B
oh my God guess I got up too soon because
E
oh I feel like
E
oh I feel like
E
oh I feel like
B
A
all because of
B
A
all because of
A
laughing
A
laughing
A
laughing
E
you
E
you
C#-B-A-E-B (2x)
C#
B
I didn't mean to wear this disguise
A
E
B
but I can't stand the look in my eyes
C#
B
oh I didn't mean to lie
A
E
B
I was doing what I thought was right
C#
B
come on walk right down the line
A
E
B
you'll be walking til the end of time because
E
oh I feel like
E
oh I feel like
E
oh I feel like
B
A
all because of
B
A
all because of
A
laughing
A
laughing
A
laughing
E
you
E
you
file:///C|/olga_main/f-g/g/goo_goo_dolls/laughing.tab
E
oh I feel like
E
oh I feel like
E
oh I feel like
B
A
all because of
B
A
all because of
A
laughing
A
laughing
A
laughing
E
you
E
you
file:///C|/olga_main/f-g/g/goo_goo_dolls/long_way_down.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
"Long Way Down"- by the GooGooDolls off A Boy Named Goo
Tabbed by Misfitkev@Aol.com--Kevin Fuller
(short rest after 1st A/B)
Intro 2x:A/B B D C# B A G A
1x:A/B B D C# B A G A A/B
Oh here you are
There's nothin' left to say
B
A
G
G
G/A
A
A/B
you're not supposed to be that way
and did they push you out
did they throw you away
B
A
G
G
A
G
touch me now and I don't care
G
A
G
when you take me I'm not there
G
A
B
I'm assumin' but I'll never be the same
(Chorus)
A/BB DD C# B A
Long way down
G
A
I don't think I'll make it on my own
A/BB DD C# B A
Long way down
G
A
I don't wanna live in here alone
A/BB D C# B A
Long way down
G
A
A/B
I don't think I'll make it on my own
I never put you down
I never pushed you away
you're not supposed to be that way
and anything you want
there's nothin' l could say
Is there anything to feel
is it pain that makes you real
cut me off before it kills me
(Chorus)
(solo)???
I never put you down
I never pushed you away
Take another piece of me
give my mind a new disease
file:///C|/olga_main/f-g/g/goo_goo_dolls/long_way_down.tab
:-----------------------------------|----------------------|
:-----------------------------------|----------------------|
:-----------------------------------|----------------------|
:7-9---9-----12---12-11-11-9-9-7-7-5|--5-5---5-7-7-7-7----7|
:7-9---9-----12---12-11-11-9-9-7-7-5|--5-5---5-7-7-7-7----7|
:5-7---7-----10---10--9--9-7-7-5-5-3|--3-3---3-5-5-5-5----5|
=============================================================================
E
B
G
D
A
E
E
B
G
D
A
E
:--------------------------------|------------------|----------------|
:p3-2-3--3-3--3--3----2---3-3-3-3|3-----------------|----------------|
:--------------------------------|------------------|----------------|
:--------------------------------|------------------|----------------|
:--------------------------------|------------------|----------------|
:--------------------------------|------------------|----------------|
ahh here you are
:--------------------------------|------------------|----------------|
:--------------------------------|------------------|----------------|
:--------------------------------|------------------|----------------|
:-9-9---12---12-11-11-9-9-7-5---5|--5-5-7-7-7-7---9~|----------------|
:-9-9---12---12-11-11-9-9-7-5---5|--5-5-7-7-7-7---9-|----------------|
:-7-7---10---10--9--9-7-7-5-3---3|--3-3-5-5-5-5---7-|----------------|
=============================================================================
you're not supposed....
never put...
take me now...
E :----------------|----------------|----------------|----------------|
B :----------------|----------------|----------------|----------------|
G :----------------|----------------|----------------|----------------|
D :---9-7--5-5-5-5-|-7-7-7-7----9---|---------9--7---|-5-5-5-5-7-7-7-7|
A :---9-7--5-5-5-5-|-7-7-7-7----9---|---------9--7---|-5-5-5-5-7-7-7-7|
E :---7-5--3-3-3-3-|-5-5-5-5----7---|---------7--5---|-3-3-3-3-5-5-5-5|
file:///C|/olga_main/f-g/g/goo_goo_dolls/long_way_down.tab
=============================================================================
E
B
G
D
A
E
:----------------|----------------|----------------|
:----------------|----------------|----------------|
:----------------|----------------|----------------|
:-5-5-5-5-7-7-7-7|-5-5-5-5-7-7-7-7|-9--------------|
:-5-5-5-5-7-7-7-7|-5-5-5-5-7-7-7-7|-9--------------|
:-3-3-3-3-5-5-5-5|-3-3-3-3-5-5-5-5|-7--------------|
Drop me a line sometime. We'll trade secrets and teach each other stuff.
jizm@juno.com
file:///C|/olga_main/f-g/g/goo_goo_dolls/lucky_star.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Lucky Star -- by the Goo Goo Dolls
transcribed by: randell@heinous.music.uiowa.edu
Intro:
C B A G F E G
C
B
If I could walk a straight mile
A
G
I could write it down in shorthand
F
E
I could show you
G
If you want me to
C
And
A
I'd
F
And
G
But
B
if I had an hourglass
G
save the grains of time I spent with you
E
that's what I'd do
I remember
F
E
G
You always said it could be great
And I knew it could be
Well there's a way you look at things
That no one needs to know but you
And you shout em with me
Like every time the leaves would fall
You'd promise me that they'd be back again
And I believed in you
F
E
You always said it could be
But I hadn't time to waste
F
E
Now it seems that I've gone
C
As bright
A#
Don't get
C
Bright as
A#
Don't get
G
great
D
too far
G
as you are
F
burned by your lucky star
G
you are
F
burned by your lucky star
file:///C|/olga_main/f-g/g/goo_goo_dolls/lucky_star.tab
lucky
lucky
lucky
lucky
as you are
burned by your lucky star
you are
burned by your lucky star
star
star
star
star
file:///C|/olga_main/f-g/g/goo_goo_dolls/name.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
[many versions]
Goo Goo Dolls - "Name"
tabbed by randell@heinous.music.uiowa.edu and mcarman@du.edu
Drop the low E to D
Raise the G string to A
and drop the B string down to A
h - hammer on
/ - slide up
\ - slide down
Verse:
-----0---------0---------0----------0------0-------------0---------0---------0------0-------0----------0-----0---0-----0---0-----0-----------------------------------------0-----------------------------0------------------5------------------------------7---------6--------------------4------2------0----0---0---0-----0-0-0-0-0---0---0---0---0---0----0--0---0--0---0---0-----0-0-0-0-0---0---0---0---0---0----0--0---0--0---0---0-----0-0-0-0-0---0---0---0---0---0----0--0---0--7-9/11-11/14-14-14-14-14-12---7--9/11-11--11\9-0-11\9-0--0---0---0-----0-0-0-0-0---0---0---0---0---0---12--0--12---------------------------------------------------------chorus
Now we're grown up orphans, that never knew their names
---0---------------0----------------0------0---------------0----------------0------0---------------0----------------0------4---------------2----------------0------4---------------2----------------0------4---------------2----------------0---We don't belong to no one, that's a shame
---0---------------0----------------0------0---------------0----------------0------0---------------0----------------0------4---------------2----------------0------4---------------2----------------0------4---------------2----------------0---solo (only half of it yet, strum all but low E while playing)
---------------------------------------------0-0-0-0-0-0--------0-2-4-4-4-4-2-0--0--2-4-2-0----2-4-5-4-2-4-------------5-4-2-----------------------------------------------------------------------------------------------------------------------------
file:///C|/olga_main/f-g/g/goo_goo_dolls/name.tab
---------------------------------------------------------------0-----------0-2-2-4-4-4/5-5-5-4-5-5-4-4-5-5-4-4-5-7-9-10-9-----5-4-2-4-5----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------Ending
-0---0---0---0---0---0---0---0--0---0---0---0---0---0---0---0--0---0---0---0---0---0---0---0--9--11--11--11--11---9---0---0--0---0---0---0---0---0--12--12--------------------------------Lyrics:
And even though the moment passed me by,
I still can't turn away.
I saw the dreams you never thought you'd lose,
Tossed along the way.
Letters that you never meant to send,
Lost and thrown away.
Now we're grown up orphans, that never knew their names.
We don't belong to no one, that's a shame.
You could hide beside me, maybe for a while.
And I won't tell no one your name, no I won't tell 'em your name.
Scars are souveneers you never lose,
The past is never far.
Did you lose yourself somewhere out there?
Did you get to be a star?
Don't it make you sad to know that life,
Is more than who we are.
You grew up way too fast, and now there's nothing to believe.
And re-runs all become our history.
A tired song keeps playing on a tired radio.
And I won't tell no one your name, no I won't tell 'em your name.
I think about you all the time
but I don't need the same.
If it's lonely where you are come back down,
and I won't tell no one your name.
#
Here is Name by the Goo Goo Dolls, if you don't want to re-tune your
guitar. If you really must play it this way, do, otherwise retune.
-- randell@heinous.music.uiowa.edu
--------0--------0--------0---------0-----0----0---0---0-------------------------------------------------------3---3---3------------------2---------2--------2----2-----2------2---2---2-------------------------------0-----------------------0 --0---0-----------0---------------------------------------------------------------------------4-----------------2----0-------------------------(2nd guitar plays 2-4-6-7-9-2-4-6-7-9-7-6-7-6-4-2 on the G
file:///C|/olga_main/f-g/g/goo_goo_dolls/name.tab (2 of 7) [4/28/2003 9:53:28 PM]
file:///C|/olga_main/f-g/g/goo_goo_dolls/name.tab
file:///C|/olga_main/f-g/g/goo_goo_dolls/name.tab
A
A
E
= - hammer on
/ - slide up
\ - slide down
- -----0-----0-----0-----0-----0-----0-----0-----0----- -----0-0---0-----0-0---0-----0-0---0---0-----0------- ---0---0-0-----0---0-0-----0---0-0------------------- -------------------------0--------------------------- -0-----------0-----------5--------------------------- -7-----------6-----------------------4-----2-----0--(Strum Rhythm)
| | ^ ^ | ^ | | ^ ^ | ^ | | ^ ^ | ^ | | | | | | |
v v | | v | v v | | v | v v | | v | v v v v v v v
-
-0---0---0---0-0-0-0-0---0---0---0--0---0-0-0---0--0---0---0---0-0-0-0-0---0---0---0--0---0-0-0---0--0=2-2/4-4/7-7-7-7-7-7---0=2-2/4-4--4\2-0-2-4\2-0--0---0---0---0-0-0-0-0---0---0---0--0---0-0-0---0------------------------------------------------------------------------------------------------------
file:///C|/olga_main/f-g/g/goo_goo_dolls/name.tab
(purepig@aol.com)
this goes along with the intro i put in. not exactly like the cd, though it
sounds reasonably good.
this part i where i ended the intro
\\\
e----0--0-0--------------------------------------0-- strum this
b----3--3-3-----------------0h2----2h3-------3-- chord up
g----2--2-2---------2h4------------------------2-- and down
d----0--0-0--------------------------------------0-in rhythm
a-----------------------------------------------------a total of
e------------------------------------------------------- seven times
e---------------------------------------------------------b-------------0h2--2---2p0-----0--2--0-------------g-----2h4----------------------2-------------2---------d---------------------------------------------------------a---------------------------------------------------------e---------------------------------------------------------questions, comments, corrections:
purepig@aol.com
Date: Tue, 9 Jul 1996 18:19:20 -0700 (PDT)
From: Steven Mattison <smattiso@linknet.kitsap.lib.wa.us>
Subject: TAB:Name by The Goo Goo Dolls
E-->E
B-->A
G-->A
D-->D
A-->A
E-->E
[Retune your guitar this way, your strings shouldn't break.]
Verse Riff:
-----0-----0-----0-----0-----0-----0-----0-----0-----0-----0-----0-----0-----0-----0-----0-----0-----------0-----------0-----------0-------------------------------------------0-----------------------0-0-------------------------------------------------------------4-----------------------2-----0-------
file:///C|/olga_main/f-g/g/goo_goo_dolls/name.tab
file:///C|/olga_main/f-g/g/goo_goo_dolls/name.tab
file:///C|/olga_main/f-g/g/goo_goo_dolls/never_take_the_place_of_your_man.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
GooGooDolls--"Never Take the Place of Your Man"-(with Lyrics by the Incredible LanceDiamond-)
Brought to you by: Goo Goo Tab, Inc.
<randell@heinous.music.uiowa.edu (chords)>
<MisfitKev@Aol.com (lyrics)>
Intro: B-F#-E (2x)
B
F#
E
It was only last june when her old man ran away
B
F#
E
She couldn't stop cryin' , she knew he was goin' to stay
B
F#
E
10:35 on a lonely friday night
B
F#
E
she was standin' by the fire--umm-- she was lookin' alright
B
F#
I asked her if she wanted to dance and she said,
E
All she wanted was a good man who wanted to
B
F#
E
know if I thought I was qualified
B
F#
E
I said baby don't waste your time,
B
F#
E
I know what's on your mind
E
F#
E
I may be qualified for a one night stand
E
F#
But I can never take the place of your man
B-F#-E (2x)
<I think you get the picture for the rest of this song>
file:///C|/olga_main/f-g/g/goo_goo_dolls/never_take_the_place_of_your_man.tab
G
A
C
D
Never take the place of your man
G
A
C
D
That's all I need girl
G
A
C
D
Is a ,one night one night one night stand
G
A
C
D
I don't wanna be like a steak in your mind
G
A
C
D
oh girl if you need a friend I'm there by your side
G
A
C
D
sha la la la sha la la
(fade out)
file:///C|/olga_main/f-g/g/goo_goo_dolls/slave_girl.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 17 Oct 1996 21:18:38 +0000
From: Toby Nelson <nelson@digisys.net>
Subject: TAB:Slave Girl by The Goo Goo Dolls
Slave Girl by The Goo Goo Dolls
________________________________________________________
This song is from their album A Boy Named Goo.The rythym isn't
very hard to figure out if you listen to the song.
b=bend
Main riff:
"Let me tell you bout a girl I know...."
| --------------------------------------------------------- |
| --------------------------------------------------------- |
|0--------------------------------------------------------- 0|
|0--------------------------------------------------------- 0|
| --------------------------------------------------------- |
| ----0--(0)----4---5------4---5------4---5---7---5---4--- |
file:///C|/olga_main/f-g/g/goo_goo_dolls/two_days_in_february.tab
E
right
E
right
E
C#m
G#m
Asus2
You said that this is crazy....you're half a world away
E
C#m
G#m
Asus2
Well I'm sitting and I'm thinking but I didn't know what to say
E
B
Asus2
E
So I said something I can't touch I always want way too much.... anyway
E
B
Asus2
Cause everything's wrong....well it's all
E
B
Asus2
Cause everything's wrong....well it's all
E
right
E
right
(BREAK)
Use a E chord form but move it up to different frets
E E F# A
E E F# A B Am G#m F# E
E
C#m
G#m
Asus2
I hung your picture on the wall and that's all it is...
E
C#m
G#m
Asus2
I break my fingers to make a call and that's all it is...
E
C#m
G#m
Asus2
I know you're living way out west don't get me wrong I'm not impressed
E
B
Asus2
Asus2 Asus2 Asus2 Asus2 E
with you....no more
file:///C|/olga_main/f-g/g/goo_goo_dolls/you_know_what_i_mean.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
"You Know What I Mean" by the Goo Goo Dolls
(off the Hold Me Up album)
from arandell@students.wisc.edu
Verse riff:
------0----------------------------------0----------------------------------0-----------------------------2---------------0------------------2--------------------3----2--------0---------------------------------Intro: The verse riff, end with C and G powerchords
(that riff)
It's been a long dark lonely hall
between the cracks I can read the scrawl
it's written down in a crooked rhyme
that sold me out before my time but
(riff)
since then I been back down to the edge
I can't believe the things you never said
I can't explain the words I never found
my whole world should come crashing down but
A
you can't sell me out
B
C
with everything you think about
(riff)
I think back now I draw a blank
there ain't no need to dig the past
I don't wanna live my life in a day
I ain't got no need for this plastic cage
A
but you don't think about
B
anything I think about
you
you
you
you
know
know
know
know
what
what
what
what
I
I
I
I
mean
mean
mean
mean
(riff)
now you know for sure
you watched her leave
now I'm afraid to say
but I ain't afraid to
D
D
D
D
C
C
C
C
you're alive
before your eyes
your name
share this blame
A
but you can't sell me out
B
C
with everything you think about
file:///C|/olga_main/f-g/g/goo_goo_dolls/you_know_what_i_mean.tab
you
you
you
you
know
know
know
know
what
what
what
what
I
I
I
I
mean
mean
mean
mean
D
D
D
D
C
C
C
C
Bridge:
D C D C D C G
(riff)
It's been a long dark lonely hall
between the cracks I can read the scrawl
find a place it feels like home
get some clue to where I'm going
you don't think about
anything I think about
you
you
you
you
know
know
know
know
what
what
what
what
I
I
I
I
mean
mean
mean
mean
D
D
D
D
C
C
C
C
you
you
you
you
know
know
know
know
what
what
what
what
I
I
I
I
mean
mean
mean
mean
D
D
D
D
C
C
C
C
file:///C|/olga_main/f-g/g/goodman_steve/city_of_new_orleans.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#005
{title:City of New Orleans}
{st:Steve Goodman}
{c:(capo 3)}
[G]Riding on the [D]City of New Or[G]leans,
[Em]Illinois Central, [C]Monday morning [G]rail,
[G]Fifteen cars and fi[D]fteen restless [G]riders,
Three con[Em]ductors, and t[D]wenty five sacks of [G]mail.
All a[Em]long the southbound odyssey,
The [Bm]train pulls out of Kankakee,
And [D]rolls along the houses, farms and [A]fields.
[Em]Passing trains that have no name,
And [Bm]freight yards full of old black men,
And [D]graveyards of the rusted automo[G]biles.
{c:Chorus:}
[C]Good morning Am[D]erica, how a[G]re you?
Say [Em]don't you know me, [C]I'm your native [G]son.
[D]I'm the [G]train they call the [D]City of New [Em]Orleans,
I'll be gon[F]e five [C]hundred miles[D] when the day is [G]done.
Dealing card games with the old men in the club cars,
A penny a point, ain't no one keeping score.
Pass the paper bag that holds the bottle,
And feel the wheels rumbling 'neath the floor.
And the sons of Pullman porters,
And the sons of engineers,
Ride their fathers' magic carpet made of steel.
Mothers with their babes asleep,
Rocking to the gentle beat,
And the rhythm of the rails is all they feel.
{c:Chorus.}
Nighttime on the City of New Orleans,
Changing cars in Memphis, Tennesee.
Halfway home, and we'll be there by morning,
Through the Misissippi darkness, rolling down to the sea.
But all the towns and people seem
To fade into a bad dream,
The steel rail still ain't heard the news.
The conductor sings his songs again,
The passengers will please refrain,
This train's got the disappearin' railroad blues.
{c:Chorus:}
Goodnight America, how are you?
Say don't you know me, I'm your native son.
I'm the train they call the City of New Orleans,
I'll be gone five hundred miles when the day is done.
#
# Submitted to the ftp.nevada.edu:/pub/guitar archives
file:///C|/olga_main/f-g/g/goodman_steve/city_of_new_orleans.pro
file:///C|/olga_main/f-g/g/goodman_steve/lincoln_park_pirates.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Jazzman401@aol.com
Lincoln Park Pirates
from the Steve Goodman LP "Somebody Else's Troubles"
AmDm Am
The streetlamps are on in Chicago tonight,
Dm
C
And lovers a'gazin' at stars;
DmAm DmAm
The stores are all closin', and Daley is dozin',
Dm Em
And the fat man is counting the cars...
Am
Dm
Am
And there's more cars than places to put 'em, he says,
Dm
C
But I've got room for them all;
Dm Am
Dm
Am
So 'round 'em up boys, 'cause I want some more toys,
Dm
Em
In the lot by the grocery store...
Chorus
Am
Em
Dm
Am
To me, way, hey, tow them away,
Dm
C
The Lincoln Park Pirates are we,
Dm Am
Dm Am
>From Wilmette to Gary, there's nothin' so hairy
Dm
Em
And we always collect our fee!
Am
Em
Dm
Am
So it's way, hey, tow 'em away,
Dm
C
We plunder the streets of your town,
Dm
Am
DmAm
Be it Edsel or Chevy, there's no car too heavy,
Em
Am
And no one can make us shut down.
We break into cars when we gotta,
With hammer and pickaxe and saw;
And they said this garage had no license;
But little care I for the law!
Our drivers are friendly and courteous;
Their good manners you always will get;
'Cause they all are recent graduates
Of the charm school in Joliet.
To me, way, hey, tow them away,
The Lincoln Park Pirates are we,
>From Wilmette to Gary, there's nothin' so hairy
And we always collect our fee!
So it's way, hey, tow 'em away,
We plunder the streets of your town,
Be it Edsel or Chevy, there's no car too heavy,
And no one can make us shut down.
file:///C|/olga_main/f-g/g/goodman_steve/lincoln_park_pirates.crd
file:///C|/olga_main/f-g/g/goodman_steve/the_twentieth_century.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Sun, 31 Dec 1995 09:02:42 -0800
From: "Al Price" <banjoman@pop.seanet.com>
Subject: The 20th Century Is Almost Over
The Twentieth Century Is Almost Over
Steve Goodman, John Prine
G
C
G
Back in 1899, when everyone was singing "Auld Lang Syne",
D
A century took a long, long time for every boy and girl.
G
Now there's just one thing I'd like to know,
C
G
Where did the 20th century go?
G
I'd swear it was here just a minute ago.
D
All over this world.
(Chorus:)
G
C
G
And the 20th century is almost over, almost over,
G
The 20th century is almost over, all over this world,
G
C
G
All over this world, all over this world.
G
D
The 20th century is almost over, all over this world.
file:///C|/olga_main/f-g/g/goodman_steve/the_twentieth_century.crd
file:///C|/olga_main/f-g/g/goodman_steve/yellow_coat.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Yellow Coat
Steve Goodman
This song appears on the albums "Steve Goodman" and
"The Essential Steve Goodman". I'll leave it to the chord gurus
to name some of the variations.
Enjoy,
Denny Straussfogel
Chords: A
x02220
A(?)
Em
F#m
Bm
G
D
x02200
022000
244222
x24432
320003
x00232
file:///C|/olga_main/f-g/g/goodman_steve/yellow_coat.crd
A(?)
saw you last
Bm
yellow coat?
Bm
yellow coat?
file:///C|/olga_main/f-g/g/goodman_steve/you_never_even_call_me.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
OK, this is the way I play "You Never Even Call Me By My Name",
written by Steve Goodman and embellished by D.A.C.
------------------------------------You Never Even Call Me By My Name - Steve Goodman (and David Allen Coe?!?)
G
D
G
It was all that I could do to keep from cryin'
C
D
G
Sometimes it seems so useless to remain
C
D
G
Em
You don't have to call me darlin', darlin'
G
D
C
G
You never even call me by my name
G
D
G
You don't have to call me Waylon Jennings
C
D
G
And you don't have to call me Charlie Pride
C
D
G
Em
And you don't have to call me Merle Haggard...anymore
A7
D
Even though you're on my fightin' side
Chorus:
C
G
And I'll hang around as long as you will let me
C
D
G
'Cause I never minded standin' in the rain
C
D
G
Em
You don't have to call me Darlin', Darlin'
G
D
C
G
But you never even call me by my name
G
D
G
Well I've seen my name a few times in your phone book
C
D
G
And I've seen it on the signs where I've played
C
D
G
Em
But the only time I know I'll hear "David Allen Coe"
A7
D
Is when Jesus has his final judgement day
Chorus:
So I'll hang around...
Talk:
"Well, a friend of mine, Steve Goodman, wrote this song
and he said it was the perfect country and western song.
I wrote him back a letter and told him that it was not the
perfect country-western song because he hadn't said anything
at all about Momma, or trains, or trucks, or prison, or getting
drunk. Well, he sat down and wrote another verse to the song
and he sent it to me and, after reading it, I realized that
my friend had written the perfect country-western song, and I
file:///C|/olga_main/f-g/g/goodman_steve/you_never_even_call_me.crd
G
D
G
Well I was drunk the day my Momma got out of prison
C
D
G
And I went to pick her up in the rain
C
D
G
Em
But before I could get to the station in my pickup truck
A7
D
My Momma, she got run over by a damned old train
Chorus:
C
D
G
So I'll hang around just as long as you will let me
C
D
G
'Cause I never minded standing in the rain
C
D
G
Em
You don't have to call me darlin', darlin'
G
D
But you never even call me...
G
Em
I wonder why you don't call me...
G
D
C
G
Why don't you even call me by my name?
------------------------There it is -- if you have questions or corrections
E-mail me @:
dwatwood@utw.com
dwatw@geog.utah.edu
D. Wesley Atwood
BLM-Utah State Office
Univ. of Utah - Dept. of Geography
Ph. 801-539-4241
Fax 801-539-4134
file:///C|/olga_main/f-g/g/gorka_john/christmas_bells.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From rec.music.makers.guitar.tablature Fri Dec 16 13:38:58 1994
From: dwd@hpsyvae1.syntex.com (Dan Dickinson)
Date: 15 Dec 1994 17:20:26 GMT
Newsgroups: rec.music.makers.guitar.tablature
Subject: Re: REQUEST: John Gorka's Christmas Bells
Donald L. Yarman (dyarman@infinet.com) wrote:
> I need some quick and dirty guitar chords for the Gorka
> version of the song "Christmas Bells." It's the one
> that's on the Windham Hill "A Winter's Solstice III."
Christmas Bells - John Gorka
Capo 3
| C | G6 | Fmaj7-6 | Am G | F | Am G | F G | Am G | F | Fmaj7 |
C
G6
I heard the bells on Christmas day
Fmaj7-6
Am
G
Their old familiar carols play
F
Am
G
And wild and sweet, the words repeat
F
G
Am
G
Of peace on earth, good will to men
F
G
C
Peace on earth, good will to men
C
G6
I thought how, as the day had come
Fmaj7-6
Am
G
The belfries of all Christendom
F
Am
G
Had rolled along the unbroken song
F
G
Am
G
Of peace on earth, good will to men
F
G
C
Peace on earth, good will to men
Fmaj7-6
Am
G
And in despair, I bowed my head
F
Am
G
"There is no peace on earth," I said
F
Am
G
For hate is strong, and mocks the song
F
G
Am
G
Of peace on earth, good will to men
F
G
C
Peace on earth, good will to men
| C | G6 | Fmaj7-6 | Am G | F | Am G | F G | Am G | F | Fmaj7 |
C
G6
Then pealed the bells, more loud and deep
Fmaj7-6
Am
G
God is not dead, nor doth he sleep
F
Am
G
file:///C|/olga_main/f-g/g/gorka_john/christmas_bells.crd
right prevail
Am
G
will to men
to men
C
G6
I heard the bells on Christmas day
Fmaj7-6
Am
G
Their old familiar carols play
F
Am
G
Wild and sweet, the words repeat
F
G
Am
G
Of peace on earth, good will to men
F
G
C
Peace on earth, good will to men
F
G
Am
Peace on earth, good will to men
__________________________________________________________________________
Dan Dickinson
San Jose CA USA
dwd@hpsyvae1.syntex.com
file:///C|/olga_main/f-g/g/gorka_john/flying_red_horse.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Darrel Huish <Darrel.Huish@ASU.EDU>
Flying Red Horse by John Gorka
C
G
The flying red horse from the gasoline wars
F
C
G
Took off from her station in the sun
C
G
Turning her back on the pack at the pump
F
G
C
She jumped down from the sign to run
Am
G
F
G
Full serve attendants were spilling their hoses
Am
G
F
(G)
Self-serve was doing the same
Am
G
F
G
The manager dialed the emergency numbers
Am
G
F
Insurance man won't take the claim
The sight of a horse crossing highways is frightening
But not with the breed that can fly
She's risen up to the level of oak trees
Too low for the radar man's eyes
I am not much of a
That's not where I
Some of the go for
While most of them
file:///C|/olga_main/f-g/g/gorka_john/heart_upon_demand.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Clarence Darrow <heretic@universe.digex.net>
Heart Upon Demand - John Gorka
Played with capo IV: key of E
Intro:
C
C/G
F
*
H P
*
H
E-------|-----|------|---0^1^0-|--------------------------------B-------|-1---|--1---|--1(----1|--1---------1-----1-----1^3-----G------0|----0|-----0|-0(------|-2(-----2-------------2-2-------D-----2-|---0-|---2--|(--------|(-----3-------3-----3-----------A--3----|2----|0-----|(--------|(-------------------------------E-------|-----|------|3--------|1---------1-----1-------1-------C
Am7
Am7
C/A
C/A
C/G
F
* H P
*
* H
E--0----|-----|------|---0^1^0-|---1----------------------------B--1----|--1--|--1---|--1(----1|--1(--------1-----1-------1^3---G--0---0|----0|-----0|-0(------|-2(-----2-------------2--2(-----D-----2-|---0-|---2--|(--------|(-----3-------3-----3----(------A--3----|2----|0-----|(--------|(------------------------(------E-------|-----|------|3--------|1---------1-----1-------1(------I dreamed of Judy Garland
and of
her Bottled
blues
Am7
C/A
C/G
BarF
C
Am7
*
E-------|-----|------|---------|---1-----------|--------|-------B-------|--1--|--1---|--1------|--1(--------1--|--1-----|--1----G------0|----0|-----0|-------0-|-2(-----2------|------0-|------0D-----2-|---0-|---2--|----2----|(-----3-------3|----2---|----0-A--3----|2----|0-----|---------|(--------------|3-------|2------E-------|-----|------|3--------|1---------1----|--------|-------Resting in her dressing room shakin stardust from her shoes
F
G
F
G
*
*
strum
E-----1------------|----------------|----1------------|-||--3---B----1(------------|---0--------0---|---1(--------1---|-||------G---2(-----2---2---|-------0--------|--2(-----2-------|-||-----0D--(-----3---------|-----0--------0-|-(-----3-------3-|-|-----0-A--(-------------1-|----------------|-(---------------|-|-------E--1---------1-----|-3--------3-----|-1---------1-----|3---3----See chorus intro for second G measure:
She spoke of her beginnings at Metro Goldwyn Mayor.
And of touching millions with no one really there.
A child of the movies in a pyrite golden age.
I never knew the price she paid for a life upon that stage.
Chorus:
Judy had that catch in her voice....
G
C
Am7
H P
*
strum
strum
E---3--------------|----1-------------|--||---3----|---||-|--0--B----------0^1^0---|---1(--------1----|--||--------|---||-|-----G-------2----------|--2(-----2--------|--||-------0|---||-|----0F
file:///C|/olga_main/f-g/g/gorka_john/heart_upon_demand.tab
Judy
C
C/G
had no
Am7
choice
C/A
C/G
demand
G
demand
C
back to intro
file:///C|/olga_main/f-g/g/gorka_john/heart_upon_demand.tab
file:///C|/olga_main/f-g/g/gorka_john/houses_in_the_fields.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
From: Cljohnso@aol.com
Date: Tue, 16 Jan 1996 14:39:46 -0500
Subject: CRD: Houses In The Fields (John Gorka)
Houses in the Fields
--
John Gorka
C
C
C
C
Chorus:
G C
D
There's houses in the fields, no prayers for steady rain this year
C
D
C
Houses in the fields, there's houses in the fields
G Am
D
G
C
The last few farms are growing out of here
Verse 3:
G
D
C
At first he wouldn't sell and then he would
Em
D
Now there'll be children playing where the silos stood
G
D
The word came from the marrow of his bones
Em
D
It was the last sure way to pay off all the loans
C
C
Verse 4:
G
D
The new streets will be named for kings and queens
file:///C|/olga_main/f-g/g/gorka_john/houses_in_the_fields.crd (1 of 2) [4/28/2003 9:53:32 PM]
file:///C|/olga_main/f-g/g/gorka_john/houses_in_the_fields.crd
Em
And a ransom will be paid
G
The model sign is crested
Em
And the farmers they will
D
C
for every castle's dream
D
C
with a lion
D
have enough to die on
(Chorus)
Verse 5:
G
D
C
Oh I guess no one should be afraid of change
Em
D
G
But tell me why is there a fence for every open range?
G
D
C
It's a sign I'm getting on in years
Em
D
C
When nothing new is welcome to these eyes and ears
(Chorus)
Final Verse:
G
D
They're growing houses in the fields between the towns
Em
D
C
And the Starlight Drive-in movie is all closed down
G
D
C
The road is gone to the way it was before
Em
D
C
And the spaces won't be spaces anymore
G Am
D
G
No the spaces won't be spaces anymore
C
G
file:///C|/olga_main/f-g/g/gorka_john/land_of_the_bottom_line.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: steidlr@ccmail.orst.edu
Land of the Bottom Line
by John Gorka
I have chorded the song as if played in first postion.
However, he plays with a capo at the 4th fret.
Dsus2 = xx0210
Intro:
Verse:
C
G
D
Em
I couldn't bribe a wino, on what I used to make
C
G
D Dsus2 D
My fortune was as sure as the wind
C
G
D
Em
But I was free to wonder, time was on my hands
C
G
D Dsus2 D
It was mine to burn and to bend
Chorus:
Em
C
D
Em
Freedom for freedom, call that an even scheme
C
G
Give me time to wonder and to dream
D Dsus2 D
Em
C
D
Em
I'll take the money, they'll take the time
C
G
D Dsus2 D
Down to the land of the bottom line
Em
To the bottom line.
Verses
Then there came a chance, to make some steady dough
Bouncing up my alley to the door
You fill your clothes with keys, and dammned responsibilities
Trading the maybe for the sure.
(Chorus)
All I ever wanted, was to be a kid and play
Fighting every change along the way
I don't like work, I don't like waste
And I don't like waiting for a taste.
(Chorus)
file:///C|/olga_main/f-g/g/gorka_john/land_of_the_bottom_line.crd
file:///C|/olga_main/f-g/g/gorka_john/raven_in_the_storm.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: steidlr@ccmail.orst.edu (Bob Steidl)
Raven In the Storm
written by John Gorka and Geoff Bartley
performed by John Gorka from "Land of the Bottom Line"
He plays this with a capo on the 1st fret (or tunes up).
I've chorded it as if played in the first position.
Intro:
Em D C D (4x)
|-------------------------------------|
|-------------------------------------|
|----5-h353----0----------------------|
|-3----------5---3---6--h565--0--2----|
|----------------------------------3--|
|-------------------------------------|
h = hammer on
Played with
capo on 1st fret
Solo is similar
Verse:
Em
D
C
D
I'm the latest apparition
Em
D
C
D
Cutting slices in the night
Em
D
C
D
I come through without permission
Em
D
C
D
Moving in and out of sight
I'm the tapping on your shoulder
I'm the raven in the storm
I'll take shelter in your rafters
I'm the shiver when you're warm
Chorus:
G
D
I'm the gold in California
C
D
I'm the well in Mexico
G
D
Like the vultures in the valley
C
I will wait for you to go
Em D C D (4x)
I'm
I'm
I'm
I'm
the
the
the
the
file:///C|/olga_main/f-g/g/gorka_john/raven_in_the_storm.crd
file:///C|/olga_main/f-g/g/gorka_john/stranger_with_your_hair.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: darrel.huish@asu.edu (Darrel Huish)
Stranger with your hair -- John Gorka
G
C
I saw a stranger with your hair
Am
Tried to make her give it back...
G
C
So I could send it back to you
Am
Maybe Federal Express
D
Cause I know you'd miss it
I saw another with your eyes
The flash just turned my head...
I went to try them on for size
but they looked the other way
And they wouldn't listen
A
Em
Chorus: But you're never hard to find in a crowd
A
Em
The people around you are smiling out loud
B
Em
Their feet don't touch the ground
B
Em
No, their feet don't touch the ground
B
A
No, their feet don't touch the ground
I heard a stranger with your voice
It took me by surprise...
Again I found it wasn't you
Just an angel in disguise
In for a visit
By the way how is my heart
Haven't seen it since you left...
I'm almost sure it followed you
Could you sometime send it back,
I'll buy the ticket
Chorus
G
C
fade)
I saw a stranger with your hair
I saw another with your eyes
I heard an angel with your voice
By the way how is my heart
By the way how is my heart....
-----------------------
G/B
Thanks!
file:///C|/olga_main/f-g/g/gorka_john/stranger_with_your_hair.crd
file:///C|/olga_main/f-g/g/gorkeys_zygotic_mynci/eating.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
'Eating Salt Is Easy' by Gorkey's Zygotic Mynci
From the album 'Bwyd Time', by Richard James
Play on acoustic guitar, normal tuning (eadgbe)
G7 = 320001
The picking pattern is quite simple, mainly use your G, B and E high strings.
eg. With the intro, try this..
(Am)
e:------0---b:--1-------g:----2---2-d:----------a:----------E:-----------
[x8]
[Intro]
Am
[Verse]
D
Who's book is looking over my shoulder
G
D
I'm sure I've read it but then again I'm far too kind
Look make me feel colder
G
Am
I'm kindess trines my fear of whispering blind
[Bridge]
D
Am
Isn't it just fine
D
With your cheese biscuits and wine
[Chorus]
G
G7
D
I've seen my way across a room with you
So I'll see my way across the Malibu moon
[Verse]
I've learnt a lot from drinking Brookebond tea
You were born to walk the streets at night with me ya know
Catacombic laughter
A flower pulled with sinners in our camera
[Bridge]
And with manners of a statesman
Oh what a reputation
(Chorus)
G
G7
C
D
G
And eating salt is easy when it's from a spoon
==============================================================================
file:///C|/olga_main/f-g/g/gorkeys_zygotic_mynci/eating.tab
file:///C|/olga_main/f-g/g/gorkeys_zygotic_mynci/iechyd.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
'Iechyd Da' by Gorkey's Zygotic Mynci
(Translation: Good Health)
From the album 'Bwyd Time', by Euros Childs and RH.H.Rowlands
Play on acoustic guitar, normal tuning (eadgbe)
Dsus4 = xx0233
[Intro/Verse]
D
[x6]
[Bridge or Chorus]
G
D Dsus4 D
[x4]
==============================================================================
Tabbed by Steven Stanley (stanley@birksfc.demon.co.uk)
I can't speak Welsh, so writing the lyrics would be impossible! :[
If anyone else likes Gorkey's, could they mail me as I'd be interested if
anyone has even heard of this great Welsh band! As a guideline, if you like
The Cardigans, you'll probably like them.
file:///C|/olga_main/f-g/g/gosdin_vern/love_is_like_an_echo.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
**************** LOVE IS LIKE AN ECHO *****************
written by Rayburn Anthony,Patsy Littrell and Stan Plumlee
and performed by Vern Gosdin.
Verse 1:
D
Honey you been sayin'
G
D
A
I don't love you anymore
That i'm not doin' loving things
D
Like i did before
But have you thought about it
G
D
A
How you're treatin' me these days
I think it's time you realize
D
That lovin' goes two ways
Chorus:
D
G
D
And love is like an echo
A
It will always return
D
G
When you give me all you got
D
G
And you love me through and through
D
Then just like an echo
A
D
Love will come back to you
Verse 2:
D
Looks like you could figure out
G
D
A
That what you need to learn
When you say those hurtin' words
D
They always return
So hold me close say lovin' things
G
D
A
Honest,pure and true
The more love that you give to me
D
The more i'll give to you
file:///C|/olga_main/f-g/g/gosdin_vern/love_is_like_an_echo.crd
Chorus.
D
G
D
Love is like an echo
file:///C|/olga_main/f-g/g/gosdin_vern/loving_you_is_like_losing.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
*************** LOVING YOU IS MUSIC TO MY MIND ****************
written by Rex Gosdin and Vernon Reed
performed by Vern Gosdin.
Verse 1:
D
When the words have all been said
C/G
D
And the songs have all been sung
G
D
Babe,i'll still be needin' you
C/G
D
And your shoulder to lay my head on
Verse 2:
D
When the stories
C/G
And tomorrow has
G
You know i still
C/G
To take me in,to
Chorus:
G
D
Loving you is music to my mind
Bm
You're the rhythm in my song
G
A
It's melody alive
G
D
You give all the words special meaning
G
A
D
Loving you is music to my mind
Bm
Verse 3:
D
When the boys have lost their lives
C/G
D
And our dreams have past us by
G
D
You know i'll still be needin' you
C/G
D
To lay beside,satisfied
Chorus.
G
D
Yes,loving you is music to my mind
file:///C|/olga_main/f-g/g/gosdin_vern/loving_you_is_like_losing.crd
file:///C|/olga_main/f-g/g/gosdin_vern/my_baby_sings_the_blues.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
**************** MY BABY SINGS THE BLUES ***************
written by Max D. Barnes and Patsy Barnes
performed by Vern Gosdin.
Capo on the 4th fret.
Verse 1:
A
She could dance and she could sing
She left Texas with her dreams
E
She swore that she could make it on her own
Verse 2:
E
She was young and she was fine
She had looks and she had time
A
And the feelings of a woman fully grown
Verse 3:
A
She hit Nashville like a storm
As soft as she was warm
D
Knowin' she'd be discovered any day
Verse 4:
D
But the things she did the best
A
Was her overnight success
E
A
And the singing just got lost along the way
Chorus:
D
A
Baby sings the blues down on Broadway
E
A
Singing from bottom of her heart
D
A
Baby sings the blues down on Broadway
E
A
Then cries herself to sleep there in the dark
Verse 5:
A
From a blessing to a curse
file:///C|/olga_main/f-g/g/gosdin_vern/my_baby_sings_the_blues.crd
file:///C|/olga_main/f-g/g/graham_davey/anji.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Received: from animal-farm.nevada.edu by redrock.nevada.edu (5.65c/M1.4)
with SMTP id <AA29966>; Wed, 18 Aug 1993 08:40:21 -0700
Received: from madrone.ece.ucdavis.edu by animal-farm.nevada.edu id <AA20916@animalfarm.nevada.edu>; Wed, 18 Aug 1993 08:40:09 -0700
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id AA29534; Wed, 18 Aug 93 08:40:05 -0700
Date: Wed, 18 Aug 93 08:40:05 -0700
From: darsie@ece.ucdavis.edu (Richard Darsie)
Message-Id: <9308181540.AA29534@madrone.ece.ucdavis.edu>
To: jamesb@animal-farm.nevada.edu
Subject: TAB: "Anji"
>From the acoustic guitar list...
============================================================================
TAB for ANJI
by
Davey Graham
(this is from Bert Jansh version not Simon + Garfunckel)
This is the main theme I'll Tab and Post the rest next week.
Notes
Time is 4/4 (mostly)
Most of it is based on standard Am chord
Fret base notes with 4th finger and thumb around neck
Strum like flamenco rasguado ie. with open hand
I've marked the beats in a couple of places as my spacing is not accurate.
0^1^0 means hammer-on and pull-off
the ^ above a note means bend.
E+-------------------------------------+-------------------------------------+
B+-------------0^1^0----0--------------+-0-------0---------------------------+
G+-------------------2---------------2-+----2--------------------------------+
D+-------------------------------------+-------------------------2-----------+
A+--0------0---------------------------+-------------------------------------+
E+----------------------3---------3----+-1-------1----------0---------0------+
_____________
__________
4th finger
thumb
E+-------------------------------------+-------------------------------------+
B+-------------0^1^0----0--------------+-0^1^0---0---------------------------+
G+-------------------2---------------2-+------2---------------------------2--+
D+---------------------------2---------+-------------------------2-----------+
A+--0------0---------------------------+-------------------------------------+
E+----------------------3---------3----+-1-------1----------0---------0------+
E+-------------------------------------+-------------------------------------+
B+---------0^1^0--------0--------------+-0^1^0---0---------------------------+
G+-----2----------2------------------2-+-------2-----------------------------+
D+-------------------------------------+-------------------------2-----------+
A+--0------0---------------------------+-------------------------------------+
E+----------------------3---------3----+-1-------1----------0---------0------+
strum
file:///C|/olga_main/f-g/g/graham_davey/anji.tab (1 of 4) [4/28/2003 9:53:34 PM]
file:///C|/olga_main/f-g/g/graham_davey/anji.tab
E+---------------------------0---------+------------------------------0------+
B+---------0^1^0--------0--------------+-1-------1-----0--------------0------+
G+------2---------2------------------2-+-----2------------------------2------+
D+-------------------------------------+------------------------------2------+
A+--0------0---------------------------+-------------------------------------+
E+----------------------3---------3----+-1-------1----------0---------0------+
E+-------------------------------------+-------------------------------------+
B+---------0^1^0--------0--------------+-0^1^0---0---------------------------+
G+-----2----------2------------------2-+-------2-----------------------------+
D+-------------------------------------+-------------------------------------+
A+--0------0---------------------------+-------------------------------------+
E+----------------------3---------3----+-1-------1----------0---------0------+
E+-------------------------------------+-------------------------------------+
B+---------0^1^0--------0--------------+-0^1^0---0---------------------------+
G+------2---------2------------------2-+-------2-----------------------------+
D+-------------------------------------+-------------------------------------+
A+--0------0---------------------------+-------------------------------------+
E+----------------------3---------3----+-1-------1----------0---------0------+
strum
E+---------------------------0---------+------------------------------0------+
B+---------0^1^0--------0--------------+-1-------1-----0--------------0------+
G+------2---------2------------------2-+-----2------------------------2------+
D+-------------------------------------+------------------------------2------+
A+--0------0---------------------------+-------------------------------------+
E+----------------------3---------3----+-1-------1----------0---------0------+
strum
E+-------------------------------------+------------------------------0------+
B+---------0^1^0--------0--------------+-1-------1---0----------------0------+
G+------2---------2------------------2-+----2-------------------------2------+
D+-------------------------------------+------------------------------2------+
A+--0------0---------------------------+-------------------------------------+
E+----------------------3---------3----+-1-------1----------0---------0------+
PICK
E+-------------------------------------+------------------------0------------+
B+---------1------------1----1---------+-1-------1----0---------0------------+
G+-----2--------2--------------------2-+-----2------------------2------------+
D+-------------------------------------+------------------------2------------+
A+--0------0---------------------------+-------------------------------------+
E+----------------------3---------3----+-1-------1----------0---------0------+
E+-------------------------------------+------------------------0------------+
B+---------1------------1----1---------+-1-------1----0---------0------------+
G+------2--------2-------------------2-+-----2------------------2------------+
D+-------------------------------------+------------------------2------------+
A+--0------0---------------------------+-------------------------------------+
E+----------------------3---------3----+-1-------1----------0---------0------+
E+--------------------------------0----+-------------------------------------+
B+----------------------1---------1----+----------0^1^0-----1----------------+
G+-----2--------------------------2----+------2----------2-------------------+
D+--------------------------------2----+-------------------------------------+
A+--0------0------------0--------------+--0-------0---------0----------0-----+
E+-------------------------------------+-------------------------------------+
bend
E+---------------^---------------------+------------------------0------------+
file:///C|/olga_main/f-g/g/graham_davey/anji.tab
B+---------1-----3----------1----------+------------------------1------------+
G+------2------------------------2-----+---------1-------2------2-----2------+
D+-----------------------------------0-+------2-----------------2------------+
A+--0------0-----------0---------0-----+---------2-------0-------------------+
E+-------------------------------------+--0----------------------------------+
^
^
^
^
E+-------------------------------------+-------------------------------------+
B+--0^1^0---0--------------------------+-----------0^1^0---------------------+
G+--------2----------------------------+-------2-------------------------2---+
D+-------------------------------------+-------------------------------------+
A+-------------------------------------+---0-------0-------------------------+
E+--1-------1-----------0----------0---+--------------------3---------3------+
E+-------------------------------------+-----------^--------^----------------+
B+--0^1^0---0--------------------------+-----------3--------3-----1----------+
G+--------2----------------------------+------2-----------------------2------+
D+--------------------------2----------+-------------------------------------+
A+-------------------------------------+---0-------0--------0---------0------+
E+--1-------1----------0---------0-----+-------------------------------------+
E+--^--------^-------------------------+------------^------------------------+
B+--3--------3--------3----1-----------+------------3--------3----1----------+
G+-------------------------------2-----+-------2----------------------0------+
D+-------------------------------------+-------------------------------------+
A+--0--------0--------0----------0-----+---0--------0--------0--------0------+
E+-------------------------------------+-------------------------------------+
E+-------------------------------------+-----------^-------------------------+
B+-------------------------------------+-----------3---------3----1----------+
G+----------0--------2---------2-------+-------2-----------------------2-----+
D+---2-------------------------2-------+-------------------------------------+
A+-------------------0---------0-------+---0-------0---------0---------0-----+
E+---0------0--------------------------+-------------------------------------+
E+---^-------^-------------------------+-----------^-------------------------+
B+---3-------3--------3----1-----------+-----------3---------3---1-----------+
G+------------------------------0^2----+-------2-----------------------2--0--+
D+-------------------------------------+-------------------------------------+
A+---0-------0--------0---------0^2----+---0-------0---------0---------0-----+
E+-------------------------------------+-------------------------------------+
^
E+-------------------------------------+-------------------------------------+
B+-------------------------------------+-------------------------------------+
G+------------2------------------------+--Repeat 1st 4 bars -----------------+
D+-----2-------------------------------+-------------------------------------+
A+-------------------------------------+-------------------------------------+
E+-----0------0------------------------+-------------------------------------+
This bar 2/4 time
I'll do the rest of this next week, it's more fun to play than to tab.
Cheers
Allan
file:///C|/olga_main/f-g/g/graham_davey/anji.tab
file:///C|/olga_main/f-g/g/gramm_lou/midnight_blue.cho
Dsus4 Dadd9
D5?
G5
e|--2--|--3--|--0--|--5--|--0--|--3--|--3--|
b|--3--|--3--|--3--|--3--|--2--|--0--|--3--|
g|--2--|--2--|--2--|--2--|--2--|--0--|--0--|
d|--0--|--0--|--0--|--0--|--2--|--0--|--0--|
a|-----|-----|-----|-----|--0--|--2--|--2--|
e|-----|-----|-----|-----|-----|--3--|--3--|
I'm not sure whether the song uses G or G5, hence I included both; I'll
just refer to the chord as G and you can decide yourself which sounds better.
There's no real picking in this songs so this is a chord version; I
don't know all the lyrics; I'll just put the chords, listen to the song to
get the strumming right.
Anyway, the intro and the verse go something like this:
D
G
Dsus4
A
D
G
Dsus4
A
D5
A
Dsus4
G
D
A
Dadd9
Dsus4
(x2)
file:///C|/olga_main/f-g/g/gramm_lou/midnight_blue.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From etlnbb@etlxdmx.ericsson.se Sat Jun 18 05:29 CDT 1994
From: etlnbb@etlxdmx.ericsson.se ( neil bergin xd/gk)
Date: Sat, 18 Jun 94 11:29:24 BST
To: jcarson@tivoli.com
Subject: CRD: Midnight Blue - Lou Gramm
Posted by: afowler@minerva.cis.yale.edu (Charles A. Fowler (GD 1999))
Midnight Blue
Lou Gramm
Define Chords:
D
Dsus4 Dadd9
D5?
G5
e|--2--|--3--|--0--|--5--|--0--|--3--|--3--|
b|--3--|--3--|--3--|--3--|--2--|--0--|--3--|
g|--2--|--2--|--2--|--2--|--2--|--0--|--0--|
d|--0--|--0--|--0--|--0--|--2--|--0--|--0--|
a|-----|-----|-----|-----|--0--|--2--|--2--|
e|-----|-----|-----|-----|-----|--3--|--3--|
I'm not sure whether the song uses G or G5, hence I included both; I'll
just refer to the chord as G and you can decide yourself which sounds better.
There's no real picking in this songs so this is a chord version; I
don't know all the lyrics; I'll just put the chords, listen to the song to
get the strumming right.
Anyway, the intro and the verse go something like this:
D
G
Dsus4
A
D
G
Dsus4
A
D5
A
Dsus4
G
D
A
Dadd9
Dsus4
(x2)
Snail Mail:
624 Orange Street
Apartment 1B
New Haven, CT 06511
file:///C|/olga_main/f-g/g/grand_funk/bad_time.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: kblackle@freenet.edmonton.ab.ca
Date: Sun, 17 Sep 1995 20:50:40 -0600 (MDT)
Subject: TAB Bad Time -Grand Funk
Here's a nice little ditty from Grand Funk's Top Forty phase from an old
diehard Mark Farnar fan.
BAD TIME
c 1974 by Cram Renraff Co./BMJ Written by Mark Farnar
C
I'm in love with
Am
the girl that I'm talkin' about
F
Dm
I'm in love with a girl that I can't live without
F
G
I'm in love but I sure picked a bad time . . .
Dm
G
Dm
To be in love . . . to be in love.
Dm
Dm
G
Dm
G
But let her be somebody else's queen, I don't wanna know about it
Dm
G
There's too many others that know what I mean
Dm
G
And that's why I gotta live without it.
(Chorus)
C
Am
I'm in love with the girl I'm talkin' about
F
Dm
I'm in love with a girl I can't live without
F
Dm
I'm in love but I feel like I'm livin' it out
F
G
Dm
G
I'm in love but I must'a picked a bad time to be in love. . . a
Dm
G
Dm
G
bad time to be in love . . . a bad time to be in love . . . a
Dm
G
bad time to be in love.
Dm
G
All the stories comin' back to me
file:///C|/olga_main/f-g/g/grand_funk/bad_time.crd
Dm
G
About my friends and the people I don't wanna see
Dm
G
The things they say I know just couldn't be true
Dm
G
Least not till I hear it from you
chorus
Guitar break
chorus
Here's the solo. It's a nice melodic little thing that proves
lead doesan't have to be complicated to be good!
Dm G
Dm
G
Dm
G
------------------------------------------------------------------5---5---5-6-8-8-6-5-6-5---5---5-6-------5-4---4-5-5---7---7-----------------7---7---------7-----5-----------------------------------------------------------------------------------------------------------------------------------------------------Dm
G
----------------------------------------------------8-7-6---6-----------------------------------------------------7---7-5-4----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------KEN BLACKLEY
7215 43 AVENUE
EDMONTON, AB, T6K 0V6
email: kblackle@freenet.edmonton.ab.ca
phone: 450-2498
file:///C|/olga_main/f-g/g/grand_funk/bad_time.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: kblackle@freenet.edmonton.ab.ca
Date: Thu, 7 Sep 1995 09:10:24 -0600 (MDT)
Subject: bad time.tab
Here's a Grand Funk song from their bubblegum phase.
BAD TIME
c 1974 by Cram Renraff Co./BMJ Written by Mark Farnar
C
I'm in love with
Am
the girl that I'm talkin' about
F
Dm
I'm in love with a girl that I can't live without
F
G
I'm in love but I sure picked a bad time . . .
Dm
G
Dm
To be in love . . . to be in love.
Dm
Dm
G
Dm
G
But let her be somebody else's queen, I don't wanna know about it
Dm
G
There's too many others that know what I mean
Dm
G
And that's why I gotta live without it.
(Chorus)
C
Am
I'm in love with the girl I'm talkin' about
F
Dm
I'm in love with a girl I can't live without
F
Dm
I'm in love but I feel like I'm livin' it out
F
G
Dm
G
I'm in love but I must'a picked a bad time to be in love. . . a
Dm
G
Dm
G
bad time to be in love . . . a bad time to be in love . . . a
Dm
G
bad time to be in love.
Dm
G
All the stories comin' back to me
Dm
G
About my friends and the people I don't wanna see
file:///C|/olga_main/f-g/g/grand_funk/bad_time.tab (1 of 2) [4/28/2003 9:53:35 PM]
file:///C|/olga_main/f-g/g/grand_funk/bad_time.tab
Dm
G
The things they say I know just couldn't be true
Dm
G
Least not till I hear it from you
chorus
Guitar break
chorus
Here's the solo. It's a nice little thing that proves
lead doesn't have to be complicated to be good!
Dm G
Dm
G
Dm
G
------------------------------------------------------------------5---5---5-6-8-8-6-5-6-5---5---5-6-------5-4---4-5-5---7---7-----------------7---7---------7-----5-----------------------------------------------------------------------------------------------------------------------------------------------------Dm
G
----------------------------------------------------8-7-6---6-----------------------------------------------------7---7-5-4----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------KEN BLACKLEY
7215 43 AVENUE
EDMONTON, AB, T6K 0V6
email: kblackle@freenet.edmonton.ab.ca
phone: 450-2498
file:///C|/olga_main/f-g/g/grand_funk_railroad/closer_to_home.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
Date: Wed, 11 Dec 1996 15:44:00 -0500
From: Pradeep Bansal <pbansal@ix.netcom.com>
Subject: Chordpro:"Closer to Home" by "Grand Funk Railroad"
{c:Transcribed by Pradeep Bansal - didn't find it on OLGA, just giving
back some!}
{t: Closer To Home}
{st: Grand Funk Railroad}
{c: Intro: D G (4 times), D Dm9 Dsus D Dm9 C D}
{nd: Dm9 x002301}
{nd: Dsus x002331}
{c:Succession of
Everybody, listen to me
And return me my ship
I^m your captain, I^m your captain
Though I^m feeling mighty sick
I^ve been lost now, days uncounted
And it^s months since I^ve seen home
Can you hear me? Can you hear me?
Poor am I, all alone
If you return me to my home port
I will kiss you mother earth
Take me back now, take me back now
To the port of my birth
[A]Am [Dm]I in my cab[Bb]in dream[Dm]ing
Or are you really scheming
To take my ship away from [F]me?[A]
[Dm]You better [Bb]think about it[Dm]
I just can^t live without it
So please don^t [Bb]take my ship from[F] me[A]
{c: [D] [G] [D] [G] (4 times)}
Yeah yeah yeah
{c: Succession of D Dm9 Dsus D Dm9 C D}
I can feel the hand of a stranger
And it^s tied me around my throat
Heaven help me, heaven help me
Take this stranger off my boat
I^m your captain, I^m your captain
Though I^m feeling mighty sick
Everybody, listen to me
And return me me ship
I^m your captain, yeah, yeah yeah
I^m getting closer to my home (27 times till fade)
file:///C|/olga_main/f-g/g/grand_funk_railroad/im_your_captain.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
I'm Your Captain
Lyrics
Album:
TABBED
E-MAIL
by
This is one of those songs that is impossible to sing while you are playing.
Although, if you know a decent bass player, then this song is great to play.
The bass part to this song is great. This song is easy, but it is tiring.
You play the same chords for about 5 minutes. There is a combination of
acoustic and electric guitars in this song. There is no solo, but there
is a small lead riff for the electric guitar at the very beginning, and it
is not tough at all. There is also a part where the electric uses a WAH-WAH
pedal along with the chords.
Standard Tuning
Intro Riff for ELECTRIC
e|-----------------------------------|------------------------------------|
B|----------------------------0-1-0--|----------------------------1-------|
G|-----7-----5-----4------0-2--------|-----7-----5-----4------0-2---2/----|
D|--0-----0-----0------0-------------|--0-----0-----0------0--------------|
A|-----------------------------------|------------------------------------|
E|-----------------------------------|------------------------------------|
e|-----------------------------------|------------------------------------|
B|----------------------------0-1-0--|----------------------------1-------|
G|-----7-----5-----4------0-2--------|-----7-----5-----4------0-2----0-2--|
D|--0-----0-----0------0-------------|--0-----0-----0------0--------------|
A|-----------------------------------|------------------------------------|
E|-----------------------------------|------------------------------------|
Now the acoustic immediately jumps in with this chord progression:
ACOUSTIC
D
Cadd9
e|--2------------3-----|
B|--3------------3-----|
G|--2------------0-----|
D|--0------------2-----|
A|--0------------3-----|
E|---------------------|
Then Electric JOINS the Acoustic by playing the same chords, D and Cadd9.
But, the Electric uses Wah-Wah. They play D & Cadd9 twice, like above.
The Electric drops out and the Acoustic plays. During the second time this
is played, the lyrics come in, "Ev'rybody listen to me...".
ACOUSTIC
D Dsus2 D
Cadd9
e|--2---2-0---2--3---3---3--3--3---|
B|--3---3-3---3--3---3---3--3--3---|
G|--2---2------------0---0--0--0---|
D|--0----------------2---2--2--2---|
A|--0----------------3---3--3--3---|
file:///C|/olga_main/f-g/g/grand_funk_railroad/im_your_captain.tab
Dm
Bb
F
A
e|--1--|-(3)-|--1--|--0--|
B|--3--|--3--|--1--|--2--|
G|--2--|--3--|--2--|--2--|
D|--0--|--3--|--3--|--2--|
A|--0--|--1--|--3--|--0--|
E|-----|-----|--1--|-----|
file:///C|/olga_main/f-g/g/grand_funk_railroad/im_your_captain.tab
E|-------------------------------5-----------------------------------5----|
--------------------------------------------------------------------------Play this about 4 times, but the 3rd and 4th times Acoustic substitutes
this:
e|------5--5--5-------------5--5--5----------|
B|------7--7--7-------------7--7--7----------|
G|------7--7--7-------------7--7--7----------|
D|--7-------------7--7--7-------------7--7---|
A|--5-------------5--5--5-------------5--5---|
E|-------------------------------------------|
e|------3--3--3-------------3--3--3----------|
B|------3--3--3-------------3--3--3----------|
G|------5--5--5-------------5--5--5----------|
D|--5-------------5--5--5-------------5--5---|
A|--3-------------3--3--3-------------3--3---|
E|-------------------------------------------|
For the rest of the time the Acoustic plays these chords with the Electric
playing this:
Csus2
e|-----------------------------------|------------------------------------|
B|-----------------------------------|------------------------------------|
G|---5---5------------5---5----------|----5---5------------5---5----------|
D|-5-7---5----------5-7---5----------|--5-7---5----------5-7---5----------|
A|----------7\5--3-----------7\5--3--|-----------7\5--3-----------7\5--0--|
E|-----------------------------------|------------------------------------|
---------------------------------------------------------------------------D
e|----------------------------------------------|
B|----------------------------------------------|
G|---7---7--7---7---7--7---7---7--7---7---7--7--|
D|-7-9---7--7-7-9---7--7-7-9---7--7-7-9---7--7--|
A|----------------------------------------------|
E|----------------------------------------------|
I'm
get
ting
---------------------------------------------------------------------------e|------------------------------------------|
B|------------------------------------------|
G|---7---7--7---7---7--7---7---7--7-------7-|
D|-7-9---7--7-7-9---7--7-7-9---7--7-------7-|
A|-----------------------------------7-9----|
E|------------------------------------------|
clos
er
to
my
---------------------------------------------------------------------------Csus2
e|-----------------------------------|-----------------------------------|
B|-----------------------------------|-----------------------------------|
G|-5--5--5-------5---5--5--5-------5-|-5--5--5-------5---5--5--5-------5-|
D|-5--5--5-------5---5--5--5-------5-|-5--5--5-------5---5--5--5-------5-|
A|----------5-7---------------5-7----|----------5-7---------------5-7----|
E|-----------------------------------|-----------------------------------|
home________________________________
---------------------------------------------------------------------------Repeat as needed.
Here are the lyrics:
file:///C|/olga_main/f-g/g/grand_funk_railroad/im_your_captain.tab
file:///C|/olga_main/f-g/g/grand_funk_railroad/locomotive.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: "A. (Tony) Beukes" <toncat@iacces.za>
Date: 3 Jul 1995 05:13:07 GMT
Subject: The Locomotion by Grand Funk Railroad
this is my transcript of The Locomotion by Grand Funk Railroad.
I took it off the Capitol Collectors Series CD - Track 12.
[Other info on the CD - (CDP 7 90608 2 - BIEM/STEMRA LC0148)]
No chord
Everybody's do-ing a brand new dance no-ow
Come on baby do the locomotion
I know you'll get to like it if you give it a chance no-ow
Come on baby do the locomotion
D
B
My little baby sister can do it with ease
D
B
It's easier than learning your ABC's
D
A
So come on come on and d-o the locomotion with me
D
you got to swing your hips no-ow
G
come on
D
jump up
jump back
A
oh well i think you got the kna-ack
woh woh
D
B
now that you can do it well lets make a chain no-ow
D
B
come on baby do the locomotion
D
B
a chugga chugga motion like a railroad train no-ow
D
B
come on baby do the locomotion
G
E
do it nice and easy now and don't loose control
G
E
a little bit of rythm and a lot of soul
D
A
Well come on come on and d-o the locomotion with me
Lead
D///G///D///G///D///G///D///A///
D
B
woh woh move around the floor in a locomotion
D
B
come on baby do the locomotion
D
B
do it holding hands if'n you get the notion
D
B
come on baby do the locomotion
G
E
theres never been a dance that so easy to do
file:///C|/olga_main/f-g/g/grand_funk_railroad/locomotive.crd (1 of 2) [4/28/2003 9:53:37 PM]
file:///C|/olga_main/f-g/g/grand_funk_railroad/locomotive.crd
G
it even
D
so come
D
come on
D
so come
D
come on
D
so come
D
come on
D
come on
D
come on
D
come on
E
makes you happy when your feeling blue
A
on come on d-o the locomotion with me
B
baby do the locomotion
A
on come on d-o the locomotion with me
B
baby do the locomotion
A
on come on d-o the locomotion with me
B
baby do the locomotion
B
baby do the locomotion
B
baby do the locomotion
B
baby do the locomotion
---------------------------------258662032328897--
file:///C|/olga_main/f-g/g/grand_funk_railroad/were_an_american_band.lyr
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Tue, 11 Jun 1996 17:00:40 +0000
From: Pat Devaney <Devaney_Patrick@bah.com>
Verse 1
Out on the road for forty days
Last night in little rock put me to haze
LAST NIGHT IN LITTLE ROCK PUT ME IN A HAZE
Sweet sweet Connie doing her act
See had the whole show and that's a natural fact
SHE HAD THE WHOLE SHOW AND THAT'S A NATURAL FACT
?? Live all night like a king
PLAYING ALL NIGHT WITH FREDDIE KING
?? I gotta tell you polks his name
I GOTTA TELL YOU "POKER'S" HERE TO STING
Booze and ladies keep me right
As Long as we can make it to the show tonight
Chorus
We're an American Band
We're an American Band
We're coming to your town
We'll help you party it down
We're an American Band
Verse 2
Four you chiceetas in Omaha
FOUR YOUNG CHICITAS* IN OMAHA
(Spanish for "young girls"-pronounced "chick-KEE-tas")
Was waiting for the band to return from the show
Feelin' good feelin' right its Saturday night
The hotel detective he was out of sight
file:///C|/olga_main/f-g/g/grand_funk_railroad/were_an_american_band.lyr
Whooo hoooos
file:///C|/olga_main/f-g/g/grant_amy/big_yellow_taxi.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Tue, 19 Sep 1995 19:14:04 -0400 (EDT)
From: Joe Riess <joer@lexis-nexis.com>
BIG YELLOW TAXI - by Joni Mitchell
>From Amy Grant's "House of Love" album.
Transcribed by Joe Riess (jriess@ddt.eng.uc.edu).
E
Emaj7
Esus4
E(no 3)
A
Asus4
A/C#
B/D#
B
Bsus
022100
021100
022200
022400
002220
002230
04222x
06444x
224442
224452
Intro:
E
Emaj7
A/C#
B/D#
E
Emaj7
A/C#
B/D#
E Esus4 E
E Esus4 E Esus4 E
E Esus4 E(no 3) Esus4 E Esus4 E
First verse:
A
Asus4
A
Asus4
E Esus4 E(no 3) Esus4 E Esus4 E
Esus4 E
They paved paradise and put up a parking lot
A
Asus4
B
Bsus
E
With a pink hotel, a boutique, and a swinging hot spot
Chorus:
E
Emaj7
Don't it always seem to go
A/C#
B/D# E
That you don't know what you've got till it's gone
A
Asus4
B
Bsus
E
They paved paradise and put up a parking lot
E Esus4 E(no 3) Esus4 E Esus4 E Esus4 E
(Shoo
bop
bop
bop
bop
Second verse:
They took all the trees and put 'em in a tree museum
And they charged all the people twenty-five bucks just to see 'em
Repeat chorus:
Third verse:
Hey farmer, farmer, put away your DDT now
Give me spots on my apples but leave me the birds and the bees, please
Repeat chorus twice:
file:///C|/olga_main/f-g/g/grant_amy/big_yellow_taxi.tab
Fourth verse:
Late last night I heard the screen door slam
And a big yellow taxi carried off my old man
Repeat chorus twice:
file:///C|/olga_main/f-g/g/grant_amy/children_of_the_world.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Sun, 24 Sep 1995 13:20:14 -0400 (EDT)
From: Joe Riess <jriess@ddt.eng.uc.edu>
Subject: TAB: Children of the World by Amy Grant
CHILDREN OF THE WORLD - by Tommy Sims, Amy Grant, Wayne Kirkpatrick
>From Amy Grant's "House of Love" album.
Transcribed by Joe Riess (jriess@ddt.eng.uc.edu).
F
Fmaj7
Bb
Fsus
Gm
G
C
Dm
133211
x33210
113331
x11311
355333
355433
032010
xx0231
First verse:
F
Fmaj7
Every life, every beating heart
Bb
Has a searching soul inside
Fsus
Ever needing, ever seeking out
Gm
The meaning to life
F
Fmaj7
Bb
I refuse to believe that we're only here to live and die
Fsus
Gm
In the futile days of a faithless haze
Dm
G
C
Never asking why, why would I
Dm
G
C
When I've felt the hand of eternity
Dm
G
Bb
It's a legacy I will leave, I want to leave
F
For the children of the world
Bb
Every single little boy and girl
C
Heaven plants a special seed
Dm
Bb
And we must have faith for these
Second verse:
F
I will stand for the
Bb
So the truth is seen
Fsus
I will give from the
Dm
G
Fmaj7
truth I've seen
in me
Gm
source of love
C
file:///C|/olga_main/f-g/g/grant_amy/children_of_the_world.tab
file:///C|/olga_main/f-g/g/grant_amy/el_shaddai.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Sun, 24 Sep 1995 13:22:56 -0400 (EDT)
From: Joe Riess <jriess@ddt.eng.uc.edu>
Subject: CORRECTION TAB: El Shaddai by Amy Grant
EL SHADDAI - by Michael Card
>From Amy Grant's "Age to Age" album
Transcribed by Joe Riess (jriess@ddt.eng.uc.edu).
Dm
G
C
F
Bb
E/D
Am
A
xx0231
320003
x32010
122311
x13331
022130
002210
002220
Chorus:
Dm
G
El Shaddai, El Shaddai,
C
F
El-Elyon na Adonia,
Bb
Age to age You're still the
Am
A
By the power of the name.
Dm
G
El Shaddai, El Shaddai,
C
F
Erkamka na Adonai,
Bb
We will praise and lift You
C
El Shaddai.
E/D
same,
E/D
high,
First verse:
Dm
G
Through your love and through the ram,
C
F
You saved the son of Abraham;
Bb
E/D
Through the power of your hand,
Am
A
Turned the sea into dry land.
Dm
G
To the outcast on her knees,
C
F
You were the God who really sees,
Bb
And by Your might,
E/D
C
You set Your children free.
Repeat Chorus:
file:///C|/olga_main/f-g/g/grant_amy/el_shaddai.tab
Second Verse:
Dm
G
Through the years You've made it clear,
C
F
That the time of Christ was near,
Bb
E/D
Though the people couldn't see
Am
A
What Messiah ought to be.
Dm
G
Though Your Word contained the plan,
C
F
They just could not understand
Bb
E/D
Your most awesome work was done
Am
A
Through the frailty of Your Son.
Repeat Chorus twice:
file:///C|/olga_main/f-g/g/grant_amy/house_of_love.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Sat, 21 Oct 1995 23:01:47 -0400 (EDT)
From: Joe Riess <jriess@ddt.eng.uc.edu>
Subject: TAB: House of Love by Amy Grant
Message-Id: <Pine.SOL.3.91.951021225836.12224A-100000@mite.occ.uc.edu>
HOUSE OF LOVE - by Wally Wilson, Kenny Greenberg, and Greg Barnhill
>From Amy Grant's "House of Love" album.
Transcribed by Joe Riess (jriess@ddt.eng.uc.edu).
Db
Db/C
F#
F#m
A#m
G#
B11
x46664
x46564
244322
244222
x12231
466544
799877
Intro:
Db Db/C
F# G#
Chorus:
Db
Db/C
Well I bet you any amount of money
F#
He'll be coming back to you
F#m
Db
Ooh I know there ain't no doubt about it
Db/C
Sometimes life is funny
F#
You think you're in your darkest hour
F#m
B11
Db
When the lights are coming on in the house of love
(Db/C F# G#)
First verse:
A#m
You've been up all night
G#
Thinking it was over
A#m
He's been out of sight
G#
At least for the moment
F#
But when something this strong
G#
Gets a hold on you
F#
The odds are ninety-nine to one
G#
It's got a hold on him too
Repeat chorus:
Second verse:
file:///C|/olga_main/f-g/g/grant_amy/house_of_love.crd
A#m
Now when the house is dark
G#
And you're all alone inside
A#m
You've gotta listen to your heart
G#
And put away your foolish pride
F#
Though the storm is breaking
G#
And thunder shakes the walls
F#
Love with a firm foundation
G#
Ain't never gonna fall
Repeat chorus:
Solo:
---6--6--4----------------------------------------------|---------------6--4-----------6-----4----------------------|---------------------6--3--------6--------6h8--6--5--------|---------------------------6-------------------------6-----|--------------------------------------------------------6--|-----------------------------------------------------------|---------6-----4h6--6--------6-----4-----8h9--8------------|------6-----6-------------6-----6----------------9---------|----------------------------------------------------8------|-----------------------------------------------------------|-----------------------------------------------------------|-----------------------------------------------------------|---F#
Though the storm is breaking
G#
And thunder shakes the walls
F#
Love with a firm foundation
G#
Ain't never gonna fall
Repeat chorus:
(on this last chorus, play all chords up one octave)
file:///C|/olga_main/f-g/g/grant_amy/the_power.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Tue, 19 Sep 1995 19:19:36 -0400 (EDT)
From: Joe Riess <joer@lexis-nexis.com>
Subject: TAB: The Power by Amy Grant
THE POWER - by Judson Spence and Tommy Sims
>From Amy Grant's "House of Love" album.
Transcribed by Joe Riess (jriess@ddt.eng.uc.edu).
Am
E
G
C
A
F
Fmaj7
F#maj
002210
022100
320003 or 355433
032010
002220
133211 or x03211
x03210
244322
E
E
E
E
Am
Am
Am
Am
First verse:
Am
E
Am
A king is crying from his throne
Am
E
Am
He had a queen but now she's gone
Am
E
Am
What is this magic that we seek
Am
E
C
The mighty strong turn mighty weak
G
Am
Every good girl hears it
C
F
file:///C|/olga_main/f-g/g/grant_amy/the_power.tab (1 of 2) [4/28/2003 9:53:38 PM]
file:///C|/olga_main/f-g/g/grant_amy/the_power.tab
E
touches me
E
helps us see
E
holds my hand
E
drives my crazy
Second verse:
A flower grows, an old man dies
And through it all we still survive
A poor man screams but no one hears
Ain't nothing changed much through the years
Every bad day needs it
Every good day breeds it
No matter how it feels
When it's real you know it's real
Stronger than any bomb any man has ever made
Repeat Chorus:
Bridge:
C
A
And it won't take long to understand
F
E
Just how amazed I am
F
F#maj
G
Open up your eyes and see
C
A
It won't take long to understand
F
E
Just how amazed I am
Every good day needs it
Every bad day needs it
No matter what I see
I believe, I believe
Stronger than any bomb any man has ever made
Repeat Chorus:
If I believe and you believe
And we believe everything is gonna be all right
It just might
file:///C|/olga_main/f-g/g/grant_amy/where_do_i_go.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Wed, 13 Sep 95 13:37:07 EDT
From: joer@lexis-nexis.com (Joe Riess)
Subject: TAB: Where Do I Go by Amy Grant
"Where do I go"
A
I go
A
I go
A
I go
A
I go
B
when I need a shelter
C#m
B
when I need a friend
B
when I need some helping
C#m B E
back on my knees a-gain
First verse:
B
A
Ask me this question I tell you no lies
B
A
How did I get this fire in my life
B
A
All is not certain but I will get by
F#m
B
Listen I will tell you why
Repeat Chorus:
Second verse:
B
A
Sure as the winter comes after the fall
B
A
Sure as true love tears down any wall
B
A
Oh, my Jesus is able to carry it all
F#m
B
He will answer are call
Repeat Chorus:
-Joe
--------------------------------------------------------------------joer@lexis-nexis.com
jriess@ddt.eng.uc.edu
http://www.lexis-nexis.com/~joer
http://www.eng.uc.edu/~jriess
---------------------------------------------------------------------
file:///C|/olga_main/f-g/g/grant_lee_buffalo/fuzzy.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: chel@ucfma3.univ-bpclermont.fr (Lamoureux-Emberger)
FUZZY
GRANT LEE BUFFALO
Words & Music by Grant Lee Phillips
Album : Fuzzy (1993)
Db(6)
Bring me home
Cm
To this house of many days
Db(6)
Just lay me on the floor
Cm
Hard and cool as slate
Db(6)
You know I love it more and more
Cm
Than before I ran away
Db(6)
It triggers off so many hurts
Cm
Hurtful words and broken plates
Eb/Bb
I've been lied to
Fm
Now I'm Fuzzy
Eb/Bb
I've been lied to
All and all
The world is small enough for both of us
To meet upon the interstate
Waiting on a train
And just when those big arms lift up
Fall in love with no time to say it
And I would have liked to
Now I'm Fuzzy
I would have liked to
Now I'm fuzzy
Fuzzy now
Here we are
In our car
Driving down the street
We're looking for a place to stop
Have a bite to eat
We hunger for a bit of faith
To replace the fear
We water like a dead bouquet
It does no good does it dear
And I've been lied to
Now I'm Fuzzy
We've been lied to
file:///C|/olga_main/f-g/g/grant_lee_buffalo/fuzzy.crd
file:///C|/olga_main/f-g/g/grant_lee_buffalo/fuzzy_album.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Sat, 27 Apr 1996 23:51:39 -0700
From: Smiffs <Smiffs@mailbox.uq.oz.au>
Fuzzy -
Here's the tab, lyrics and chords that I worked out for Grant Lee=20
Buffalo's album Fuzzy.
Fuzzy - Chords and Lyrics
Words and music: Grant Lee Phillips
Note: the entire album is tuned down half a step (i.e. E flat, A flat, D=20
flat, G flat, B flat, E flat) so the chords here relate to a guitar in=20
this tuning. =20
The Shining Hour
Am
C
Bm
Dm
Are we still on the phone=20
Am
C
Bm
Dm
With lady Anna Clarke and her trumpet solo?
Am
C
Bm Dm
Whose ghost sings for pay
Am
C
Bm
Dm
In the blue billiard room of the Monterey
Am
C
Bm
Dm
For room and for board
Am
C
Bm
Dm
And the back door key is a 19th century civil war sword
Am
C
Bm
Dm
Once owned by John Booth
Am
C
Bm
Dm
Am
And he misplaced his script when he caught his leather boot
G
F Dm
This could be the shining hour
G
F
Dm
Based on all this mad belief
G
F
In money oil and angel powder
G
F
Dm=09
In the new age magazine=20
Am
Am
Dm
Am
=20
file:///C|/olga_main/f-g/g/grant_lee_buffalo/fuzzy_album.crd
D
she=92s sleepin=92 in her bed
?
D
he=92s sleepin=92 in her bed
Bm
it=92s Jupiter and Teardrop
Bm
it=92s Jupiter and Teardrop
D
D
file:///C|/olga_main/f-g/g/grant_lee_buffalo/fuzzy_album.crd
Solo:
E [----------------5----9-7-9-7-5-5-7-5-------7--]
B [--5-5-5-5-7----7------------------------5-------]
And they want to have a child
Walk together down the aisle
But they live in is mean
And it=92s built on sheer denial
The phone rings, it=92s for her
"I gotta see you, Jupiter"
"I=92m in trouble with the law"
"Bring my 38-caliber"
Now she=92s sleepin=92
As she pulls the phone
And it=92s Jupiter and
And it=92s Jupiter and
And it=92s Jupiter and
And it=92s Jupiter and
And it=92s Jupiter and
And it=92s Jupiter and
And it=92s Jupiter and
Outro: E
?
E
in her bed
plug dead
Teardrop
Teardrop
Teardrop
Teardrop, oh
Teardrop
Tear...
Tear...
D =20
? D=09
Fuzzy
D
Bring me home
F#m
To this house of many days
D
Just lay me on the floor
F#m
Hard and cool as slate
D
You know I love it more and more
F#m
Than before I ran away
D
It triggers off so many hurts
F#m
Hurtful words and broken plates
E
I've been lied to
F#m
Now I'm Fuzzy
E
I've been lied to
All and all
The world is small enough for both of us
To meet upon the interstate
Waiting on a train
And just when those big arms lift up
Fall in love with no time to say it
file:///C|/olga_main/f-g/g/grant_lee_buffalo/fuzzy_album.crd
D5
Am
D5
Am
=09
file:///C|/olga_main/f-g/g/grant_lee_buffalo/fuzzy_album.crd
Em
=09
file:///C|/olga_main/f-g/g/grant_lee_buffalo/fuzzy_album.crd
=09
A
G
=91Cause this is the hook that drags you
D=09
This is the hook in the crook of your neck
A
G
It=92s the hook that snags you
D
This is the hook
And there's one thing I tell you friend
All of our trials are gonna come to an end
And you and I we=92re gonna fall
Like we never had stood on this little earth at all
=91Cause this is the hook that drags you
This is the hook in the crook of neck
It=92s the hook snags you
This is the hook in the crook of your neck
It=92s the hook that drags you
This is the hook
Solo:
E[-----------------------------------------------------------------------=
-------------------------------------------------------------------------=
---------]
B[---------------------------------------------------------------12--10--=
-----10--10h12--12--10------10 10h12---10-----------------------]
G[------------------------------------------7--7--9--10--11------------11=
---------------------------11---------------------11--99--7-- 7--7---]
D[-----------------7-----------------7--9--------------------------------=
-------------------------------------------------------------------------=
------]
A[---5--7--7s9 ----=20
5--5--7--7s9-------------------------------------------------------------=
-----------------------------------------------------]]
E[-----------------------------------------------------------------------=
-------------------------------------------------------------------------=
---------]
E[-----------------------------------------------------------------------=
-------------------------------------------------------------------------=
--]
B[--------------8h10--10--12--12--12--12--10--10-10--12--12--12--12--10--=
10--10-------------------------------------------]
G[---9--9s10-------------------------------------------------------------=
------------------------------------------------------------------------]=
D[-----------------------------------------------------------------------=
file:///C|/olga_main/f-g/g/grant_lee_buffalo/fuzzy_album.crd
-------------------------------------------------------------------------=
-]
A[-----------------------------------------------------------------------=
-------------------------------------------------------------------------=
--]
E[-----------------------------------------------------------------------=
-------------------------------------------------------------------------=
--]
Grant plays a bit more but it=92s a bit too soft to figure out (for me=20
anyway).
Soft Wolf Tread
(Lyrically, this is one of my favorite Grant Lee Buffalo songs)
Am
Em
=09
The soft wolf tread through Emerald Forest
Dm
He was looking to make a bed
C
F
Am
There in the spindly thicket, softly did he tread
The
Em
And
C
The
Am
And
Up comes Hood
Em
a sirloin steak to a pit bull chained up
Em
=20
such an old friend again, such an old friend again,=20
again
He=92s beautiful as
Dm
It's to good to see
such an old friend
Then he said "Dear Hood, what brings you to this neck of the woods?"
"With your scarlet cape and your basket full o=92 grapes, what lures you =
to=20
the woods?"
The soft wolf tread the clearing
And he's nervously tugging on his earring
He talked, "How good. Such an old friend again, such an old friend=20
again, such an old friend again.=94
Bridge:
Am
Em
Dm
file:///C|/olga_main/f-g/g/grant_lee_buffalo/fuzzy_album.crd
Intro:
Em
Em
D
Em
Steel mill streets, overrun
Em
D
The ghosts of cars in the yard
Em
D
Sunflower speaks of a one,
Em
D
Em D
Engines purr up above
Em
D
=09
The L train roars like a love,
D=09
Em
D=09
Em D
of a one
Em
Bm
Am=20
Bm
Am=09
like a love
B
A
E
It was muggy July, around supper time when I pulled into New Orleans
B
A
E
file:///C|/olga_main/f-g/g/grant_lee_buffalo/fuzzy_album.crd
I got dropped off at South Rampart Street, I was hungry for a plate of=20
greens
B
A
E=09
I made my down the banquette where I could see an open door
An overhead sign made of painted pine read =91The Dixie Drug Store=92
Peppers and roots were hangin=92 from the rafters above
There oils and sprays all on display, for money, luck and for love
I reached down to pick one up but a dark hand grabbed my arm
And before I could see just who it was, she said "You don=92t want that=
=20
charm."
"The last man to walk that thing outta here just up and disappeared."
"They found his wallet and his wing-tip shoes near a tombstone down in=20
Algiers."
"What you need my travelin=92 friend is a place to wash your jeans,"=20
"And I wouldn=92t be the least surprised if you were hungry for a plate o=
=92=20
greens."
She beckoned me on up the stairs =91cause she=92d done made up her mind
She said: "Take off your hat and kick off your boots and leave your pride=
=20
behind."
She took me down to a secret place in the bayou of her blankets
She offered to share her bourbon, I thanked her then I drank it
Through a small crack in the ceiling burst the Louisiana moon
It shone down on our bodies and we began to croon
Like a couple o=92 coyotes we were howlin=92 through the night
And I swear they were beatin=92 those congo drums outside
We laughed until the morning, by then my pants had dried
I picked up my hat and pulled on my boots and I gathered up my pride
I figured she had done slipped out, I couldn=92t see her anywhere
And I set out to find her and I headed on downstairs
I got down to the bottom and I couldn=92t believe my eyes: gone were all=20
the bottles and the remedy supplies
I shouted out for Mary, I darted out the door
An old man on the wooden porch said: "What you in there for?"
"Son, you got no business, the hoodoo store=92s been closed. Long as I=20
remember, a century I suppose."
" But, mister, I just spent the night with a young girl named Laveau."
He said: "The widow Paris done had a little laugh on you."
I said: "You mean to tell me that was the Voodooin'?"
He nodded, "Yes, none other - the Queen o=92 New Orleans."
=20
America Snoring
Intro:
E[--1------1-----1-----1--]
B[--1------0-----1-----0--]
G[- 2------2-----2-----2--]
D[--3------3-----3-----3--]
Bm
Am
G
=20
G=09
file:///C|/olga_main/f-g/g/grant_lee_buffalo/fuzzy_album.crd
Am
G=09
snoring
Bm
Am
file:///C|/olga_main/f-g/g/grant_lee_buffalo/fuzzy_album.crd
file:///C|/olga_main/f-g/g/grant_lee_buffalo/honey_dont_think.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Bryan Pero <perob@willow.uml.edu>
Grant Lee Buffalo-=B2Honey Don=B9t Think=B2
=46rom their album Mighty Joe Moon
Transcribed by Bryan Pero (perob@willow.uml.edu)
h=3D Hammer-on
p=3D Pull-off
Intro: I=B9ll call this rythym figure 1. =20
Fmaj7=09=09
C
Fmaj7=09
=09Em
G
E-----------------------------------------------------1-1-1--|
B--1-1-1--1-1-1-1--1-1-1--------1-1-1-1-1---1---------0-0-0--|
G--2-2h0--0-0h2p0--0-0-0------0-2-2h0-0-0h2p0---------0-0-0--|
D--3-3-3--3-3-3-3--2-2-2--2-3---3-3-3-3-3-3-3--2-2-2--0-0-0--|
A------------------3-3-3-----------------------2-2-2--2-2-2--|
E-----------------------------------------------------3-3-3--|
Verse I (w/ryth.fig.1):
It=B9s the luck of the draw.
w at=20
all. But I get you to stay.
rld=20
still small...
Chorus: (I don=B9t know the true name of this chord, so I=B9ll call i=
t F2:=20
|-0-0-3-2-1-3-|)
C
G
F2
G
Honey don=B9t think, about it too long, now...
C
G
F2
G
Honey don=B9t think, you=B9re liable to figure me out...
Verse II (w/ryth.fig.1):
Something wrong in my stories, could you look at my chart and help me=
=20
heal these scars? Could you learn to read minds? In the case of min=
e,=20
do you read in the dark?
Chorus II:
C
G
F2
G
Honey don=B9t think, about it too long, now...
C
G
F2
=20
Honey don=B9t think, you=B9re liable to figure me out...
G
F2
Don=B9t wanna figure me out, Don=B9t wanna figure me out,=20
=09=09 Em =09
Don=B9t wanna lose...
Interlude: play ryth. fig.1
Chorus III:
file:///C|/olga_main/f-g/g/grant_lee_buffalo/honey_dont_think.tab
C
Honey
C
Honey
C
Honey
C
Honey
G
don=B9t think,
G
don=B9t think,
G
don=B9t think,
G
don=B9t think,
F2
about it too long,
F2
you=B9re liable to
F2
about it too long,
F2
you=B9re liable to
G
now...
G
figure me out...
G
now...
G
figure me out...
=09=09=09-Bryan P.
file:///C|/olga_main/f-g/g/grant_lee_buffalo/lone_star_song.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: jeffnmoe@MCS.COM (jeffnmoe)
Subject: CRD: 'Lone Star Song' - Grant Lee Buffalo
'Lone Star Song' - Grant Lee Buffalo
from the album 'Mighty Joe Moon'
Thanks to Shane Shepherd (sdsheep@acpub.duke.edu) for
his lyrical interpretation.
Tune your guitar down a half step (Eb-Bb-Gb-Db-Ab-Eb).
A
B
Bm
D
chords
x02220
E
x24442
F#m
x24432
G
xx0232
- 022100
- 244222
- 320003
B-E-D (2x)
B
There's a bullet in the heart tonight
E
D
in the heart of Texas
B
they shot it through their own backsides
E
D
we are rolling home
B
they shot the angel in the flesh
E
D
and now she won't protect us
B
we shot it to the friendly mass
E
D
we are west, we're home
A
D
raid the _______, the fort is empty
Bm
like in the films of Hollywood
A
D
and the angels are descending
Bm
F#m
D
like Koresh said they would before too long
F#m
B
sing our lone star song
(play B-E-D progression 1x)
B
They had him nailed up to a T
file:///C|/olga_main/f-g/g/grant_lee_buffalo/lone_star_song.crd
E
D
with that T for Texas
B
his disciples with artillery
E
D
they held the fort inside
B
and by the time our story broke
E
D
(?)_______________
B
wheeled in a cloud of smoke
E
D
around the T, dear god
A
D
raid the ______, the fort is empty
Bm
like the films of Hollywood
A
D
and the choppers are ascending
Bm
F#m
D
like ______ said they would before too long
F#m
B
sing our lone star song
D
lone star song
A
D
the south, words can't help
Bm
D
but escape my mouth easy prey
A
Bm
down the house, day upon day
G
E
day upon day, day upon day
(play B-E-D progression 3x)
A
D
raid the ______, the fort is empty
Bm
like in the films of Hollywood
A
D
and the chopper's blast is blending
Bm
F#m
D
with the crack of burning wood before too long
F#m
B
sing our lone Star song
D
lone star song
lone star
(play Bm-E-D repeatedly as song fades out)
....questions, corrections, etc. to jeffnmoe@mcs.com
file:///C|/olga_main/f-g/g/grant_lee_buffalo/mighty_joe_moon.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: jeffnmoe@mcs.com
Subject: Re: CRD: Mighty Joe Moon - Grant Lee Buffalo
A correction to my original post. After playing it again I
realized that some of the verse A chords should be Am...so
so heres my revised transcription. Any other corrections
welcomed....Jeff.
Tune guitar to Eb (Eb Ab Db Gb Bb Eb).
E
Am
D Dsus4
Have you been to the Cumberland Gap oh no
E
Am
D Dsus4
Fix your eyes on the green of the mount oh no
E
Am
D Dsus4 C A
Where the Appalachians rise oh no oh no
E
Am
D Dsus4
Have you tasted the finest of trout oh no
E
Am
D Dsus4
Have you sleep in a log-burning house oh no
E
Am
D Dsus4 C
With your feet flopping over the couch oh no oh no
C
F#m C
But Mighty Joe Moon there is no controlling him
F#m
C
Drive off the bridge if you choose to swim
F#m
C
Mighty Joe Moon can't prevent where his spirits sent
F#m
C
Joe can't control where his money goes
A
Hes Mighty Joe
(E-A-D progression 1x no vocals)
E
Am
D Dsus4
Have you been to the Cumberland Gap oh no
E
Am
D Dsus4 C
The air is sweeter than oranges there oh no oh no
(repeat chorus)
file:///C|/olga_main/f-g/g/grant_lee_buffalo/mighty_joe_moon_album.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Sat, 27 Apr 1996 23:56:16 -0700
From: Smiffs <Smiffs@mailbox.uq.oz.au>
Here's the tab, lyrics and chords for Grant Lee Buffalo's album Mighty=20
Joe Moon as I and others have figured out to the best of our collective=20
ability!
=20
file:///C|/olga_main/f-g/g/grant_lee_buffalo/mighty_joe_moon_album.crd
=20
A
Hurray the holy war is ending
Bm
Like in the films of Hollywood
D
A
D
And the angels are descending
Bm
F#m
Like Koresh said they would before too long
F#m
B
Sing our lone star song
D
D
Bm
E
**Credit is due to Shane Shepard, David Kipp and the Mulchman for helping=
=20
to figure out the lyrics.**
Mockingbirds
A
G
D
Devastation at last, finally we meet
A
G
file:///C|/olga_main/f-g/g/grant_lee_buffalo/mighty_joe_moon_album.crd
F#
E
A
One day this ground will break =20
E
A
and open up for me I hope it will,
Solo:
F#
B
I hope it will=20
E[------------------------------------------------------]
B[---9--12--9s7--7--7--9--7--5-------5---------]
G[--------------------------------------6--------------]
E
D
A
=20
Salutations at last, I'm down on my knees
E
D
A=09
I heard the bugle this morn blast Revilie
E
D
A
Woke from a dream where I was in a terrible realm
E
D
A
All my sails were ablaze, I was chained to the helm
F#
A
Now I am overwhelmed, I'm overwhelmed
E
D
C#
And I thought if I toed the right lines
E
D
But these mockingbirds won't let me shine
A
G
F#
And I thought If I told the right lines
A
G
But these mockingbirds won't let me shine
=20
C#=20
F#
Outro solo:
E[---9--12--9s7--7--7--9--7--5-------5---------]
B[---------------------------------------7-------------]
file:///C|/olga_main/f-g/g/grant_lee_buffalo/mighty_joe_moon_album.crd
file:///C|/olga_main/f-g/g/grant_lee_buffalo/mighty_joe_moon_album.crd
F#m
D
He built it just for me
F#m
D
Hallelujah, you=92re the fan
F#m
D
That lead me to the ???
F#m
D
I built you a river=20
F#m
D
But I=92m still not through with this ark
A
G
F#m
Man built a furnace
D
E
A Mercedez Benz
A
G
F#m
D
E
Man built the cities of Kansas and Berlin
A
G
F#m
Man slew the bisons
D
E
And he built a Thieves=92 Road
A
G
F#m
D
That pass over Tel Aviv-Jaffa and lead to the motherlode
F#m
D
Motherlode
E
=20
F#m
can sing along
**Buggered if I can figure out the harmony part=20
'Miracle...' perhaps? Aaaggh!!**
F#m
A=09
can sing along, sing along=20
F#m
can sing along
F#m
A=09
can sing along, sing along, sing along
E
F#m=09
Man built a furnace
E
A
A Mercedez Benz
E
F#m
C#
E
Man built the cities of Kansas and Berlin
**Thanks to Dee Oneil for pointing out my glaring error i.e the 'legacy=20
of John Wayne Gacey" bit and Benjy Mokotoff for 'Mercedez Benz' and=20
'slew'!**
file:///C|/olga_main/f-g/g/grant_lee_buffalo/mighty_joe_moon_album.crd
C =20
Em=09
=09
=09
Em
=20
file:///C|/olga_main/f-g/g/grant_lee_buffalo/mighty_joe_moon_album.crd
As I am
As I am
As I am
Tight, and we=92re tight and we=92re tight, and we=92re...
D
G
Truth is low and tired
Em
D
I barely saw the light
D
G=09
And just as they came clean
Em
D
G
=09
Something saved my skin, something saved my skin
F#m
Em=09
D
A
G
She rides un-cloaked through the streets of Coventry
D
A
G
=09
Upon a great cock horse, ahead of the ????
D
A
G=20
I wore a minotaur=92s mask and I blame =91em on cow
D
A
G
I was the last to see her anyhow
Dm
G
F
No one=92s gonna lay eyes to see
Dm
G
F
Lady Godiva and me
Peeping Tom watched the whole thing from the side lines
=91Til the Peeping Tom=92s peepin=92 had stricken poor Peeping Tom blind
Even those things that we know can be seen with two eyes
All those who look her over are surely to die
No one=92s gonna lay eyes to see Lady Godiva and me
Heavier bit:
D
C
Bullet all the things of your hardened youth
D
C
F
Harder than you wanted to be
D
C
F
Bury my bones in the stinking sands
D
C
F=09
To save her for the world to see
D
C
F
I=92ve got the mean streak
D
C
F
I=92ve got the mean streak
=09
Bridge:
Em
Em
F
F
G
G
G
F
Em
D=09
file:///C|/olga_main/f-g/g/grant_lee_buffalo/mighty_joe_moon_album.crd
C#m
E
C#m=09
Shoot that cannonball into my wings
E
C#m
Shoot that cannonball into my wings
A
Into my wings
D
???????????
E
You better tell me sweet things
Fold your pretty head into my ????
Fold your pretty head into my ????
A
Isn=92t it quaint?=20
D=09
Isn=92t it queer?
E
C
E C
You better drag me back here,
here
Solo:
D[-----------2-------------2------2--4--6b---]
A[---2--4------4--2--4------4----------------]
E[------------------------------------------------]
Sing Van Morrison: "Would you kiss a-my eyes?"
Sing Van Morrison: "Would you kiss a-my eyes?"
Singing it low, singing it high
Would you kiss my eye? My eyes
B
Turn me on my ear=20
A
E
C
=09
When you drag me right back here, here
E C
E
You drag me back here,
you drag me back here
E
C
C
=20
You drag me back,
j-j-just drag me back here
E
C#m
C#m
=09
C=20
E
=20
file:///C|/olga_main/f-g/g/grant_lee_buffalo/mighty_joe_moon_album.crd
Last
Days of Tecumseh
F
C =09
Never mind me =91cause I=92ve been dead
G
D
F
Out of my body, been out of my head
C
Never mind the songs they hum
D
G
F
Don=92t wanna sing along with nothin=92 that I said
Am
Bm
Let him bring you happiness, happiness
F
C
D=09
It=92s hard to come by, I confess
Am
Bm
I=92m better at this than happiness,=20
F
C
G
Am
If you find it, share it with the rest of us
=09
**Thanks to David Kipp for help with the chorus and the songs they=20
'hum'.**
Am=09
file:///C|/olga_main/f-g/g/grant_lee_buffalo/mighty_joe_moon_album.crd
Side By Side
Intro:
E
C#m
C#m
then:
B[---5--5--5--5--7b--5--]=20
E
C#m
E
C#m=09
The fear of falling, a fear that I could
E
C#m
E
C#m
>From a place high above my stars, well, I would
file:///C|/olga_main/f-g/g/grant_lee_buffalo/mighty_joe_moon_album.crd
E
C#m
E
Be a liar to say "I=92m not scared anymore."
E
C#m
E
C#m
With a fear of falling on down to the floor
A
To the floor
C#m
=09
=09
G
A
Release the have-nots and the haves to life
G
A
But tablescraps and lantern light
G
And on this spot
A
G
E=09
At last tonight, side by side by side
The
But
And
But
A
G E
=09
A
G=09
I gotta tell you there=92s descension in the souplines
for they don=92=
t=20
have much to show
E
A
G
=09
But if you don=92t believe you=92re standing on a landmine
F#
A
F#
=09
A
E
You=92ll just have to wait =91til it blows,
you=92ll just have =
to=20
wait =91til it blows, blows
A
To the floor
Unlisted instrumental
It=92s just:
and
Rock of Ages
Intro:
Am
G
D
C
=09
Rock of ages, I am tumbling down
Am
G
Where the roots of trees embrace you, I do fall
D
C
Am=09
Upon my knees and ask you how you can just sit there and be
G
D
C=09
Rock of ages, I am crumbling now
Am
G
In an avalanche, I=92m reaching for the rock of ages
D
Am
C
Rock of ages
Solo:
E[--------------------------------------------------------------------7--=
---]
file:///C|/olga_main/f-g/g/grant_lee_buffalo/mighty_joe_moon_album.crd (11 of 12) [4/28/2003 9:53:42 PM]
file:///C|/olga_main/f-g/g/grant_lee_buffalo/mighty_joe_moon_album.crd
B[------------------------------------------------------------3----------=
---]
G[-----------------------------------------------------2--4-----4--------=
-]
D[---5--5s7--7s9--9--7--5--7--5------2s4s5-----------------------]
A[----------------------------------------7------------------------------=
---]
E[-----------------------------------------------------------------------=
---]
Father, oh, I have stepped beyond my bounds
And the pack I wear, it weighs a thousand pounds
It drags me down, making anything crazy=20
Oh, now rock of ages
I have gone astray
I heard my brother call and I turned the other way
Now I=92m ashamed to face him
Oh, now rock of ages, rock of ages
Oh, now rock of ages, rock of ages
Reach for the rock of ages, rock of ages
In the avalanche, in the avalanche
Heavy rock, and I reach for the rock, I reach for the rock
In the avalanche that falls
Oh, I reach for the rock and I reach for the rock,=20
In the avalanche, in the avalanche
Heavy rock, heavy rock, such a heavy rock
* Thanks to all the people who have contributed to this, especially=20
to those who helped with those hard-to-get lyrics! Check out my GLB page=20
at:=20
http://www.uq.edu.au/~zzsmiffs/GLB/grant.html
- Kyle Smith
file:///C|/olga_main/f-g/g/grant_lee_buffalo/mockingbirds.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: vetters@vax1.elon.edu (Steve Vetter)
Mockingbirds - Grant Lee Buffalo
tabbed by Steve Vetter [vetters@vax1.elon.edu]
This may be slightly incorrect. Please mail me if I'm wrong!
Tune:
Eb Ab Db Gb Bb Eb
A
G
D
Devastation at last finally we meet
A
G
D
After all of these years out here in the street
A
G
D
I had a feeling you would make yourself known
A
G
D
You came along just to claim your place on the throne
Bm
F#m
Now I have been overthrown, overthrown
A
G
D
And I thought If I told the right lines
A
G
D
But these mockingbirds won't let me shine
Devastation my door was left open wide
You brought me into your heart then you swallowed my pride
I had a feeling you were hiding your thoughts
I made a not to myself, I merely forgot
Now I am overwrought, I'm overwrought
And
But
And
But
Em
F#m
One day this ground will break
Em
F#m
Bm
and open up for me I hope it will I hope it will
[solo see below]
Salutations at last, I'm down on my knees
I hear the bugle this morn blast Revile
Woke from a dream where I was in a terrible realm
All my sails were ablaze, I was chained to helm
Now I am overwhelmed, I'm overwhelmed
And
But
And
But
file:///C|/olga_main/f-g/g/grant_lee_buffalo/mockingbirds.crd
--13--16--13--11-11-11-13---11-9-9-9----------------------------------------------------------------------------------------------------------------/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\
I Steve Vetter
I
"I'm not the same
I
\ vetters@vax1.elon.edu
I
As I was long ago,
/
I vetters@sun0.elon.edu
I
I've learned some new things
I
/ Elon College
I
And I hope that it shows..." \
I Alpha Kappa Psi
I
-Neil Young (Homefires)
I
\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/
file:///C|/olga_main/f-g/g/grant_lee_buffalo/rock_of_ages.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Rock Of Ages
-by Grant Lee Phillips
-----------From: Erik Reinhardt Hersl|v <erh@siri.unit.no>
(G.L.B. Plays this with guitars tuned down 1/2 step)
*The Bass guitar walks on the "Am" with A-B-C-D-G <- the "G" is on the "G" chord
Intro:
Am
G
D
C
Am
Rock of Ages I am tumblin' down with the roots of trees embrace you I do
G
Dm
C
Am
Fall Apon my knees and ask you how you can just sit there and be
G
D
C
Am
Rock of Ages I am crumblin' now In an Avalanche I'm reachin' for the
G
D
Am C
Rock of Ages, Rock of Ages
(solo thingy: G D C Am)
G
D
C
Am
Farther now I have stepped beyond my bounds Now the pack I wear weighs a
G
D
Am
thousand
Pounds it drags me down makin' e'r'thing crazy Oh my
G
D
C
Am
Rock of Ages I have gone astray, I heard my brother call, I turned the other
G
D
Am
Way now I'm ashamed to face him Oh my
G
D
C Am
Rock of Ages, Rock of Ages
Oh my
G
D
C Am
Rock of Ages, Rock of Ages
Reach for the
G
D
C
Am
Rock of Ages, Rock of Ages In the Avalanche, in the Avalanche heavy
G
D
C
Am
Rock and I reach for the Rock, And I reach for the rock, in the Avalanche falls
I reach for the
G
D
C
Am
Rock, I reach for the rock, and I reach for the rock, in the Avalanche, in the
Avalanche heavy
G
D
Rock, such a heavy Rock.
Am
(end on G)
/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\
I Steve Vetter
I
"I'm not the same
I
\ vetters@vax1.elon.edu
I
As I was long ago,
/
I vetters@sun0.elon.edu
I
I've learned some new things
I
/ Elon College
I
And I hope that it shows..." \
I Alpha Kappa Psi
I
-Neil Young (Homefires)
I
\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/-\-/
file:///C|/olga_main/f-g/g/grapes_of_wrath/all_the_things_i_wasnt.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: jkerr@harley.fcmr.forestry.ca (Jeff Kerr)
All the Things I Wasn't
by the Grapes of Wrath
Here's what I figured out so far, everything but the bridge. I don't
know when I'll have time to figure out the rest, so I decided to post
what I have so far:
capo 5th fret
----------------------3---------------0---0---0-----------------------0-------------1H3---3-------3----------
fig. 1
-------------------3-------1----0---0------------------3---3---------------3-------1-------
fig. 2
repeat fig.1...
fig.2
Hours of hiding, spent apart The wall was all we'd share
fig.2
About the closest you could get About all I would bear
Tell me...
-----------------------------------------------0-------------0----------3---------3----------------3-------------3---3---------3---3------0---0-----3-----3----------0-----0-------2-------2-----2-------2------------3---------3------0---------0---0-----------0-3-----------30-------1-------------1--0-------------0-------------------------------------------------------------------------------------------------------------------------------------------1-----3--------1-----3--------1-----3---1/8----0---0----------0---0----------0---0------0-------0------0-------0------0----------3-----------3--1-----------1--0-------------------------------------------------------and the rest of the words:
Tell me all the things I wasn't
Could have made this big a difference
To all the things you are
Years of listening, taking in
To one day take away
From all the guilt and pity I could
Barely keep at bay
Tell me all the things I wasn't
Could have made this big a difference
To all the things you are
The time apart, I've realised
Remains the most we've shared
Unlike you there's no way
I could spend forever there
file:///C|/olga_main/f-g/g/grapes_of_wrath/all_the_things_i_wasnt.tab (1 of 2) [4/28/2003 9:53:43 PM]
file:///C|/olga_main/f-g/g/grapes_of_wrath/all_the_things_i_wasnt.tab
(jkerr@harley.fcmr.forestry.ca)
file:///C|/olga_main/f-g/g/grapes_of_wrath/i_cant_find.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Tue, 19 Mar 1996 19:29:28 -0500 (EST)
From: Carlito Brigante <rebharat@undergrad.math.uwaterloo.ca>
The chord D_sus4 is just a transitional chord so try using something
like the following:
D_sus4
D*
--3---3---2---0---x---x--
Intro:
G
Gmaj7
Gm
G7
Em
Gmaj7
I'm feeling down,
G7
Oh so down,
C
And I can't do a thing.
Am
Em
D
It's been so long since I have seen the place.
Am
Em
D
Each day it looks as though I'll never stay.
Gmaj7
What can I do,
G7
to get to you?
C
Been waiting all these days.
Gm
The way I'm feeling right now,
G
Em
It's like I'll never get back,
D
G
When I can't find my home.
file:///C|/olga_main/f-g/g/grapes_of_wrath/i_cant_find.crd
Gmaj7
G7
C
I'm living in the past.
Am
Em
D
Remember (?) place where everything is right.
Am
Em
D
Where I can lie beside you every night.
Gmaj7
What can I do,
G7
to get to you?
C
Been waiting all these days.
Gm
The way I'm feeling right now,
G
Em
It's like I'll never get back,
D
G
When I can't find my home.
Am
B
Em
But hold (?) your eyes.
Am
B
Em
I can't see them any more.
D*
A
Your like an old friend I once knew before
B
Am C D_sus4 D
But I can't feel you, touch you anymore.
Gmaj7
What can I do,
G7
to get to you?
C
Been waiting all these days.
Gm
The way I'm feeling right now,
G
Em
It's like I'll never get back,
D
Em
When I can't find my home.
Gm
The way I'm feeling right now,
Em
G
It's like I'll never get back,
D
Em
When I can't find my home.
C
Gm
file:///C|/olga_main/f-g/g/grapes_of_wrath/i_cant_find.crd
Home.
G
I'm all alone.
file:///C|/olga_main/f-g/g/grapes_of_wrath/you_may_be_right.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: david.turner@rose.com (david turner)
You May Be Right
================
Intro:
G F / Em A
Grapes of Wrath
(3 x)
G C G
G
F
Em
A
Its been far too long, you know I've never been a friend
G
F
Em
A
You can't see a thing - the more I try the less you know
G
F
Em
So don't ask what's wrong, I'll tell you all the same things again
A
G
I'll tell you all the same things again
A
G
I'll tell you all the same things again
C
Bb
F
Ab
You may be right, I don't want to see you tonight
C
Bb
F
Ab
So don't call back, I'll probably never see you again
C
Bb
F
Don't ask what's wrong, I'll try to make you understand
Ab
Am
And tell you all over again
D
C
Tomorrow will be nothing then.
Chorus:
G
F
Em
A
No point of view, depending on who you knew
G
Em
A
Take me out fast and never let it happen again
G
F
Em
So don't ask what's wrong, I'll tell you all the same things again
A
G
I'll tell you all the same things again
A
G
I'll tell you all the same things again
Chorus:
Solo:
---5-3-2-3-2-0-1-0-------:|----5-3-2-7-5-3-6-5-3-2-3-2-0-----3-----------------3-1---:|--3---------------------------3---------------------------:|----------------------------------------------------------:|----------------------------------------------------------:|----------------------------------------------------------:|----------------------------------
G
F
Em
A
It's been far too long, I thought you're name was history
G
F
Em
A
And then one day, I saw your face in front of me
G
F
Em
So don't ask what's wrong, I'll tell you all the same things again
A
G
slide
guitar
with chorus
and
reverb
file:///C|/olga_main/f-g/g/grapes_of_wrath/you_may_be_right.crd
David Turner
Technical Specialist
National Grocers Retail Systems
Toronto, Ontario, Canada.
Internet: rn.2050@rose.com
(416) 240-3984
(800) 387-9929
FAX: (416) 235-2028
RoseNet: david turner@lynxng
file:///C|/olga_main/f-g/g/grass_roots/bella_linda.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:48 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./g/grass_roots/bella_linda.crd
"Bella Linda"
(Mogol/Battisti/Barri/Gross)
Intro:
Ab [single notes; piano/bass]
/ / / /
Chorus:
Db
Ab
Gb
Ab
Bella Linda, try and understand
Db
Ab
Gb
Ab
Bella Linda, I'm doin' all I can
Db
Ab
Gb
Ab
Bella Linda, I'm only what I am
String break 1:
[3/4]
Db
/ / /
Ab
/ / /
Db
/ / /
Ab
/ / /
Db
/ / /
Verse 1:
Ab
Cm/G
It's so hard for me to say
F7
Bbm/F
The things I really feel
Eb7/G
Ab
If I could I'd chase away
Cm/G
Fm
The pain your eyes reveal
Cm
Fm
The pain your eyes reveal
Cm
Fm
From foolish things I've done
Cm
Fm
The times that I let you down
Cm
Db
Ab
And I'll never change, believe me I try
Db
Ab
If you go away, you know that I'll die
Cm/G
Cm7-5/Gb
F7 [9/8: /// /// ///]
Oh I love you, please don't say goodbye
[repeat chorus]
[repeat string break 1]
Verse 2:
file:///C|/olga_main/f-g/g/grass_roots/bella_linda.crd
Ab
/ / /
Db
/ / /
Ab
/ / /
[2/4] [4/4]
Ab [single notes, piano/bass]
r r
/ / / /
[repeat chorus]
Coda [repeat to fade]:
Db
Ab
Bella Linda
Gb
Ab
file:///C|/olga_main/f-g/g/grass_roots/lets_live_for_today.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:48 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./g/grass_roots/lets_live_for_today.crd
"Let's Live For Today"
(Mogol-Shapiro-Julien)
Originally recorded in Italian by the Rokes. The acoustic rhythm part is
played on a 12-string tuned down a minor third, so (for example) the C#m
is played as Em, the E as G, etc.
Intro [2X]:
C#m
E
v
v
v
v
v
v
v
v
-9---9--[9-11-9]-|-7---7--[7-12-11]|
-----------------|-----------------|
-----------------|-----------------|
-----------------|-----------------|
-----------------|-----------------|
-----------------|-----------------|
[] quarter-note triplets
Verse 1:
C#m
E
C#m
When I think of all the worries people seem to find
E
C#m
And how they're in a hurry to complicate their mind
E
C#m
By chasing after money and dreams that can't come true
E
C#m
I'm glad that we are different, we've better things to do
E
C#m
May others plan their future, I'm busy lovin' you
(1-2-3-4)
Chorus:
C#m
G#m
Sha-la-la-la-la-la, live for today
C#m
G#m
Sha-la-la-la-la-la, live for today
A
B
And don't worry 'bout tomorrow, hey, hey, hey
C#m
G#m
E E/D# C#m
Sha-la-la-la-la-la, live for today
Live for today
Verse 2:
We were never meant to worry the way that people do
And I don't need to hurry as long as I'm with you
We'll take it nice and easy and use my simple plan
You'll be my lovin' woman, I'll be your lovin' man
We'll take the most from living, have pleasure while we can
[repeat chorus]
file:///C|/olga_main/f-g/g/grass_roots/lets_live_for_today.crd (1 of 2) [4/28/2003 9:53:44 PM]
(2-3-4)
file:///C|/olga_main/f-g/g/grass_roots/lets_live_for_today.crd
file:///C|/olga_main/f-g/g/grass_roots/midnight_confessions.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:49 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./g/grass_roots/midnight_confessions.crd
"Midnight Confessions"
(Lou Josie)
Originally done by the Evergreen Blues (Mercury 72756) earlier in 1968; the
Grass Roots' arrangement is more-or-less a note-for-note copy of theirs.
Intro:
Bass:
(G#m)
E
F#
v
v
v
v
v
v
v
v
|-----------------|-----------------|
|---------4-6-4---|-----------------|
|-------6-------6-|-----------------|
|-4---4-----------|-0-0-0-2---2-2---|
(G#m)
E
F# A
[5/4]
v
v
v
v
v
v
v
v
v
v
v
v
v
|-----------------|---------------------|-----------------|
|---------4-6-4---|---------------------|-------------X---|
|-------6-------6-|---------------------|-----------------|
|-4---4-----------|-0-0-0-2-2-5---------|-----------------|
(A)
v
v
v
v
v
v
v
v
|-----------------|-----------------|
|-----------------|-----7-6-4-------|
|-----------------|-----------7-6-4-|
|-5---5---5-5-5---|-5---------------|
Verse 1:
G#m
The sound of your footsteps
F#
Telling me that you're near
A#m
Your soft gentle motion, baby
D#m
C#
Brings out the need in me that no-one can hear, except
Chorus:
F#
C#
In my midnight confessions
G#m
C#
When I tell all the world that I love you
F#
C#
In my midnight confessions
G#m
C#
When I say all the things that I want to
file:///C|/olga_main/f-g/g/grass_roots/midnight_confessions.crd (1 of 2) [4/28/2003 9:53:44 PM]
X: snare
file:///C|/olga_main/f-g/g/grass_roots/midnight_confessions.crd
[N.C.]
I love you
Bridge:
E
B
F#
C#
But a little gold ring you wear on your hand makes me understand
E
B
F#
There's another before me, you'll never be mine
D#
I'm wasting my time
[repeat first four bars of intro, then 2/4 bar w/snare on 2]
Verse 2:
Staggering through the daytime
Your image on my mind
Passing so close beside you baby
Sometimes the feelings are so hard to hide, except
[repeat chorus]
Horn break:
F#
/ / / /
C#
/ / / /
F#
/ / / /
/ / / /
E
/ / / /
B
/ / / /
[2x]
[repeat bridge]
[repeat chorus; first two lines over arpeggiated organ chords only]
Coda [repeat to fade]
F#
Na na-na
E
Na na-na
C#
na na na na-na
B
na na na na-na
file:///C|/olga_main/f-g/g/grass_roots/temptation_eyes.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:50 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./g/grass_roots/temptation_eyes.crd
"Temptation Eyes"
(Harvey Price - Dan Walsh)
Intro [2X]:
Bbm
/ /
Bbm7/Ab
/ / /
Gbmaj7
/ /
F7sus4
/ /
F7
/ /
Verse 1:
Bbm
Bbm7/Ab
She's got something that moves my soul
Eb7/G
Gb
F
And she knows I'd love to love her
Bbm
Bbm7/Ab
But she lets me down every time
Eb7/G
Gb
F
Can't make her mine she's no-one's lover
Gb
Ab
Tonight with me she'll be so inviting
F/A
I want her all for myself
Chorus:
Bb
C7/Bb
Bb
C7/Bb
Temptation eyes looking through my-my-my soul
Bb
C7/Bb
Eb
Temptation eyes, you got to love me
F
Bbm
Got to love me tonight
[repeat intro]
Verse 2:
Her wild-eyed innocence is just a game
But just the same my head is spinnin'
She's got a way to keep me on her side
It's just a ride that's never ending
Tonight with me she'll be so exciting
I want her all for myself
[repeat chorus]
[repeat verse 2 with guitar solo over first four lines]
[repeat chorus to fade]
-- another ace 70's tab from Andrew Rogers
file:///C|/olga_main/f-g/g/grass_roots/things_i_should_have_said.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:50 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./g/grass_roots/things_i_should_have_said.crd
"Things I Should Have Said"
(P.F. Sloan - Steve Barri)
Intro (piano, in octaves; doubled with acoustic 12-string second time)
G
G
Fadd9 C
/ / / / /
/
[Fadd9: xx3213
C: x32013]
Verse 1:
G
Fadd9 C
I didn't cry
G
Fadd9
C
G
Fadd9 C
I just stood and watched her say goodbye
G
Fadd9 C
She closed the do-or
G
Fadd9
C
D
And said "I don't want to see you anymore"
Chorus:
G
Things I should have said to her
F
C
F
C
G
That maybe would have changed her mind to stay
G
Things I should have said to her
F
C
F
C
Dsus4 D
Like "girl, I love you so let love find a way"
Verse 2:
Was it that she
Just couldn't understand a man like me
Was I to blame
Did I leave too many things unexplained?
[repeat chorus]
Bridge:
Bm
Em
Why didn't I try telling her
A7
D
She was all I had
Bm
Em
file:///C|/olga_main/f-g/g/grass_roots/things_i_should_have_said.crd
[repeat to fade]
file:///C|/olga_main/f-g/g/grass_roots/wait_a_million_years.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:51 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./g/grass_roots/wait_a_million_years.crd
"Wait A Million Years"
(Gary Zekley - Mitch Bottler)
Intro [2x; horns enter 2nd time]:
Bm
A
v
v
v
v
v
v
v
v
-x-x-x-xx-xx-x-x-|-x-x-x-xx-xx-x-x-|
x: high F# on organ
G
F#sus
F#
v
v
v
v
v
v
v
v
-x-x-x-xx-xx-x-x-|-x-x-x-xx-xx-x-x-|
Verse 1:
Bm
A
All of the lonely nights
G
F#
Waiting for you to come, longing to hold you tight
Bm
A
I need you so desperately
G
F#
Waiting for you to come bringing your love to me [but]
Chorus:
Bm
A
I'd wait a million years
G
F#
Walk a million miles, cry a million tears
Bm
A
I'd swim the deepest sea
G
F#
Climb the highest hill, just to have you near me
Riff 1 [2X; doubled by horns 2nd time]:
[F#]
v
v
v
v
v
v
v
v
-----------------|-----------------|
---------------2-|---------------2-|
--------2--2-4---|--------2--2-4---|
-4-4-4-4--4------|-4-4-4-4--4------|
-----------------|-----------------|
-----------------|-----------------|
Verse 2:
As love is reality
When you are near to me, I am in ecstacy
I'd swallow the pain and pride
Baby, I just can't hide all that I feel inside [and]
file:///C|/olga_main/f-g/g/grass_roots/wait_a_million_years.crd
[repeat chorus]
Riff 2 [5X; vocal enters 2nd time]
[F#]
v
v
v
v
v
v
v
v
-----------------|-----------------|
---------------2-|-----------------|
--------2--2-4---|-----------------|
-4-4-4-4--4------|-4-4-4-44-44---2-|
-----------------|-------------4---|
-----------------|-----------------|
A
A
A
A
million
million
million
million
years,
tears,
miles,
years,
Verse 3:
Pacing the floor, detest
Sweat pouring down my chest, still I can't love you less
It's worth all the pain and pride
Baby, I just can't hide all that I feel inside [and]
[repeat chorus]
[repeat riff 2 (2X)]
[repeat chorus to fade]
-- another ace 60's tab from Andrew Rogers
file:///C|/olga_main/f-g/g/grass_roots/wake_up.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: rogers@sasuga.Hi.COM (Andrew Rogers)
Subject: CRD: Grass Roots - "Wake Up, Wake Up"
"Wake Up, Wake Up"
(P.F. Sloan - Steve Barri)
My all-time favorite Grass Roots single even if it didn't do squat on the
charts...
Intro [2x]:
Bm
Bm9(maj7)
v
v
v
v
v
v
v
v
-------7---------|-------9---7---------7-----7-----|-----7-------7-----7---------7---|---7-------------9-------------9-|-8-------------8-----------------|---------------------------------|----------------Verse 1:
Bm
Bm9(maj7)/F#
Open up your eyes and wake up
Bm7
E
F#7
Got a lot of time to make up, girl
Bm
Bm9(maj7)
Time goes by in such a hurry
Bm7
E
F#7
Why'd you sit around and worry so, don't you know
A
C#m
You've been living your life in a shell
G#m
F#m
E
Now's the time has come to break the spell
Chorus:
C
G
F
C
Everybody's got to shine sometime
C
G
F
G
It's just a matter of time you know
Am
G
F
C
There's a whole new world for you to discover
Bb
F
F
G
Wake up, wake up
Verse 2:
Life is just a book of pages
And you still got so many to fill in
Don't put down what's happenin' around you
Just because they told you it's a sin
How do you know until you try
Love is callin' so spread your wings and fly
[repeat chorus]
Bridge:
file:///C|/olga_main/f-g/g/grass_roots/wake_up.crd (1 of 2) [4/28/2003 9:53:46 PM]
file:///C|/olga_main/f-g/g/grass_roots/wake_up.crd
C#m7-5 F#7
Bm
Got so many things to show you
C#m7-5
F#7
Bm
Groovy things that we can share together
C#m7-5 F#7
Bm
Bb+
Am
Baby, no no no don't be afraid of tomorrow
Link:
C
D
La la la la
C
D
La la la la
Dsus4
/ / / /
file:///C|/olga_main/f-g/g/grass_roots/wake_up_wake_up.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:52 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./g/grass_roots/wake_up_wake_up.crd
"Wake Up, Wake Up"
(P.F. Sloan - Steve Barri)
My all-time favorite Grass Roots single even if it didn't do squat on the
charts...
Intro [2x]:
Bm
Bm9(maj7)
v
v
v
v
v
v
v
v
-------7---------|-------9---7---------7-----7-----|-----7-------7-----7---------7---|---7-------------9-------------9-|-8-------------8-----------------|---------------------------------|----------------Verse 1:
Bm
Bm9(maj7)/F#
Open up your eyes and wake up
Bm7
E
F#7
Got a lot of time to make up, girl
Bm
Bm9(maj7)
Time goes by in such a hurry
Bm7
E
F#7
Why'd you sit around and worry so, don't you know
A
C#m
You've been living your life in a shell
G#m
F#m
E
Now's the time has come to break the spell
Chorus:
C
G
F
C
Everybody's got to shine sometime
C
G
F
G
It's just a matter of time you know
Am
G
F
C
There's a whole new world for you to discover
Bb
F
F
G
Wake up, wake up
Verse 2:
Life is just a book of pages
And you still got so many to fill in
Don't put down what's happenin' around you
Just because they told you it's a sin
How do you know until you try
Love is callin' so spread your wings and fly
[repeat chorus]
file:///C|/olga_main/f-g/g/grass_roots/wake_up_wake_up.crd (1 of 2) [4/28/2003 9:53:46 PM]
file:///C|/olga_main/f-g/g/grass_roots/wake_up_wake_up.crd
Bridge:
C#m7-5 F#7
Bm
Got so many things to show you
C#m7-5
F#7
Bm
Groovy things that we can share together
C#m7-5 F#7
Bm
Bb+
Am
Baby, no no no don't be afraid of tomorrow
Link:
Am7
D
La la la la
Am7
D
La la la la
Dsus4
/ / / /
file:///C|/olga_main/f-g/g/grass_roots/where_were_you.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
From: rogers@hi.com (Andrew Rogers)
Date: Wed, 17 Jan 1996 14:37:35 -0500
Subject: ./g/grass_roots/where_were_you_when_i_needed_you.crd
"Where Were You When I Needed You"
(P.F. Sloan/Steve Barri)
Intro [acoustic 12-string]:
CaddD
G/B
G/A
G
v
v
v
v
v
v
v
v
|-----------------|-----------------|
|-----------------|-----------------|
|-----0-------0---|-----0-------0---|
|---0-------0-----|---0-------0-----|
|-3-----3-2-----2-|-0-----0---------|
|-----------------|---------3-----3-|
Verse 1:
D
G
Don't bother cryin', don't bother crawlin'
D
A
It's all over now, no use in stallin'
D
G
The love I once felt, I don't feel anymore for you
D
A
This time I'll even open the door for you
D
D7
You walked out when I was down
G
Well now I'm well off
E7
A
And look who's comin' round
Chorus:
D
G
Where were you when I needed you
D
A
Where were you when I wanted you
D
G
Where were you when I needed you
CaddD G/B
G/A G
[as per intro]
Where..ere...ere
Verse 2:
You're lookin' good, it's hard to fight it
But no use explainin', I've already decided
That livin' with you, it's worse than without you
I won't spend a lifetime a-worryin' about you
Oh, things got rough and you disappeared
Now I'm back on my feet
But look, look who's standing there
file:///C|/olga_main/f-g/g/grass_roots/where_were_you.crd
[repeat chorus]
Harpsichord solo:
D
/ / / /
/ / / /
/ / / /
G
/ / / /
D
A
/ / / /
D
/ / / /
Verse 3:
Oh, you were so young, and you were so wild
I knew you were nobody's innocent child
That first day I saw you, you really got to me
I thought I could change you, what good did it do me
Oh, things got rough and you wouldn't wait
Now you're tripping back
But babe, it's too late
[repeat chorus to fade]
-- another ace 60's tab from Andrew Rogers
file:///C|/olga_main/f-g/g/grass_roots/where_were_you_when_i_needed_you.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:52 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./g/grass_roots/where_were_you_when_i_needed_you.crd
"Where Were You When I Needed You"
(P.F. Sloan/Steve Barri)
Intro [acoustic 12-string]:
CaddD
G/B
G/A
G
v
v
v
v
v
v
v
v
|-----------------|-----------------|
|-----------------|-----------------|
|-----0-------0---|-----0-------0---|
|---0-------0-----|---0-------0-----|
|-3-----3-2-----2-|-0-----0---------|
|-----------------|---------3-----3-|
Verse 1:
D
G
Don't bother cryin', don't bother crawlin'
D
A
It's all over now, no use in stallin'
D
G
The love I once felt, I don't feel anymore for you
D
A
This time I'll even open the door for you
D
D7
You walked out when I was down
G
Well now I'm well off
E7
A
And look who's comin' round
Chorus:
D
G
Where were you when I needed you
D
A
Where were you when I wanted you
D
G
Where were you when I needed you
CaddD G/B
G/A G
[as per intro]
Where..ere...ere
Verse 2:
You're lookin' good, it's hard to fight it
But no use explainin', I've already decided
That livin' with you, it's worse than without you
I won't spend a lifetime a-worryin' about you
Oh, things got rough and you disappeared
Now I'm back on my feet
But look, look who's standing there
file:///C|/olga_main/f-g/g/grass_roots/where_were_you_when_i_needed_you.crd
[repeat chorus]
Harpsichord solo:
D
/ / / /
/ / / /
/ / / /
G
/ / / /
D
A
/ / / /
D
/ / / /
Verse 3:
Oh, you were so young, and you were so wild
I knew you were nobody's innocent child
That first day I saw you, you really got to me
I thought I could change you, what good did it do me
Oh, things got rough and you wouldn't wait
Now you're tripping back
But babe, it's too late
[repeat chorus to fade]
-- another ace 60's tab from Andrew Rogers
file:///C|/olga_main/f-g/g/grateful_dead/aiko_aiko.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: U270009@UNIVSCVM.CSD.SCAROLINA.EDU (black.peter@scarolina.edu)
Aiko Aiko -- Grateful Dead
Chords:
(Traditional)
A -- D
file:///C|/olga_main/f-g/g/grateful_dead/althea.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: U270009@UNIVSCVM.CSD.SCAROLINA.EDU
Althea -- Grateful Dead (Hunter/Garcia)
INTRO: Bm - A - E - A - Bm - A - E - Bm - A - E - A - Bm - A - E
Bm
A
E
A Bm
A
E
I told Althea I was feeling lost, lacking in some direction.
Bm
A
E
A
Bm
A
E
Althea told me upon scrutiny that my back might need protection.
A
C#m
D
A
I told Althea that treachery was tearing me limb from limb.
C#m
E
A
Bm
A
E
Althea told me better cool down boy, settle back, easy Jim.
Bm
A
E
A
You may be Saturday's child, all alone,
Bm
A
E
Moving with a tinge of grace.
Bm
A
E
A
You may be a clown in the burying ground,
Bm
A
E
Or just another pretty face.
A
C#m
D
A
You may meet in the fate of Ophelia sleeping and penchant to dream.
C#m
E
Bm
A
E
Honest to the point of recklessness, self-centered in the extreme.
Bm
A
E
A
Ain't nobody messing with you, but you,
Bm
A
E
Your friends are getting most concerned.
Bm
A
E
A
Bm
A
E
Loose with the truth baby it's your fire but baby don't get burned.
A
C#m
D
A
When the smoke has cleared, she said, that's what she said to me.
C#m
E
Bm
A
E
Gonna want a bed to lay your head and a little sympathy.
D
E
There are things you can replace, and others you cannot.
D
G
The time has come to weigh those things.
E
Bm
A
E
This space is getting hot, you know this space is getting hot.
file:///C|/olga_main/f-g/g/grateful_dead/althea.crd
Bm
A
E
A
Bm
A
E
I told Althea I'm a roving son, and I was born to be a bachelor.
Bm
A
E
Bm
A
E
Althea told me, okay, that's fine so now I'm trying to catch her.
A
C#m
Can't talk to you about talking to me,
D
A
We're guilty of the same old thing.
C#m
A
Been talking a lot about less and less
Bm
A
E
And forgetting the love we bring.
file:///C|/olga_main/f-g/g/grateful_dead/attics_of_my_life.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: U270009@UNIVSCVM.CSD.SCAROLINA.EDU
Attics Of My Life -- Grateful Dead (Hunter, Garcia)
Esus4 E B
E B7 E
A
E
B A
E
In the attics of my life, full of cloudy dreams unreal.
Esus4
E
B7 E
B7 E
A
E
B A
E
Full of tastes no tongue can know, and lights no eye can see.
E
G#
A
E F#m E/A
E
When there was no ear to hear, you sang to me.
E B7
E
B7 E
A
E
B
A
E
I have spent my life seeking all that's still unsung.
Esus4
E
B7 E
B7 E
A
E
B A
E
Bent my ear to hear the tune, and closed my eyes to see.
E
G#
A
E
F#m E/A
F#m
When there were no strings to play, you played to me.
F#
B
A
D
A E
Esus4
E7 Asus4 A
In the book of love's own dream, where all the print is blood.
Asus4 A Asus4 A Aus4 A D B
B7
E
Where all the pages are my days, and all my lights grow old.
A
Asus4 A D A E Esus4
D B
B7
A E
When I had no wings to fly, you flew to me, you flew to me.
E
B7
E
B7 E
A
E
B
A
E
In the secret space of dreams, where I dreaming lay amazed.
Esus4
E B7
E
B7 E
A
E B
A
E
When the secrets all are told, and the petals all unfold.
E
G#m
A
E
F#m E/A
E
A
When there was no dream of mine, you dreamed of me.
Esus4
file:///C|/olga_main/f-g/g/grateful_dead/beat_it_on_down_the_line.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: U270009@UNIVSCVM.CSD.SCAROLINA.EDU
Beat It On Down the Line -- Grateful Dead (Jesse Fuller)
C
F
C
Well this job I've got is just a little too hard
C
G
Running out of money, Lord, I need more to pay,
C
F
Gonna wake up in the morning Lord, gonna pack my bags,
C
A
D
G
C
I'm gonna beat it on down the line.
C
F
C
I'm goin' down the line (goin' down the line)
G
C
Goin' down the line (goin' down the line)
F
C
A
Goin' down the line (goin' down the line)
D
G
C
Beat it on down the line.
Yeah, I'm goin' back to that shack way across the railroad track
That's where I think I belong.
I got a sweet woman, Lord, she's waiting there for me
That's where I'm gonna make my happy home.
Happy home (happy home)
Happy home (happy home)
Happy home (happy home)
That's where I'm gonna make my happy home.
file:///C|/olga_main/f-g/g/grateful_dead/bertha.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: deadhead@remus.rutgers.edu (Give Peave A Chance)
Bertha
The Grateful Dead
Intro (Repeat a few times):
G C/G
Verse 1:
C
G C/G
I had a hard run, runnin' from your window
C
I was all night runnin', runnin', Lord I wonder if you
C
G
C/G
I had a run in, run around and run down
C
Run around the corner, corner, Lord I run smack into a
G C/G
care
G C/G
tree
Chorus:
C
D
Am
G D
I had to move, move, really had to move
C
G
D
C
That's why uf you please, I am on my hand and knees
Am
C
C/G
Bertha don't you come around here anymore
Verse 2:
C
G C/G
Dressed myself in green, I went down unto the sea
C
G C/G
Try to see what's goin' down, try to read between the lines
C
G C/G
I had a feelin' I was fallin', fallin, I turned around to see
C
G C/G
Heard a voice callin', you were comin' after me
(Chorus)
Verse 3:
C
G C/G
Ran into a rainstorm, I ducked back into a bar door
C
G C/G
It's all night pourin', pourin', Lord but not a drop on me
C
G
C/G
Test me, test me, test me, why don't you arrest me
C
G C/G
Throw me into the jail house, Lord until the sun goes down
(Chorus - Repeat a few times)
G
|
|
*
|
x
|
|
|
|
o
|
|
|
|
o
|
|
|
|
o
|
|
|
|
|
|
*
|
|
|
*
|
x
|
|
|
|
C/G
o
| |
* |
| |
| |
*
|
|
|
|
|
*
|
file:///C|/olga_main/f-g/g/grateful_dead/bertha.crd
(impose C onto G)
deadhead@remus.rutgers.edu
-----------------------Deadhead
@remus.rutgers.edu
The sun will shine in my backdoor someday...
file:///C|/olga_main/f-g/g/grateful_dead/bird_song.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: U270009@UNIVSCVM.CSD.SCAROLINA.EDU (black.peter@scarolina.edu)
Bird Song -- Grateful Dead
Intro/Riff:
(Hunter, Garcia)
D7--C-D7--C-D7
D7
Riff
All I heard was something like a bird within her sing,
D7
Riff
All I know she sang a little while and then flew on,
Bb
F
C
G
D7 Riff
Tell me all that you know and I'll show you snow and rain.
If you hear that same sweet song again will you know why?
Anyone who sings a tune so sweet is passing by.
Laugh in the sunshine, sing, cry in the dark, fly through the night.
Bm
A
G
D
A
G
D
A
G
D
Don't cry now, don't you cry, don't you cry anymore, la da da da.
Bm
A
G
D
A
G
D
A
G
D
D7
Sleep in the stars, don't you cry, dry your eyes on the wind, la da da da, da.
Just a note, I believe this is the version on "Garcia," in D, early live
versions were also in D but switched to E...
file:///C|/olga_main/f-g/g/grateful_dead/bird_song.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
Date: Sat, 14 Dec 1996 08:19:59 -0600
From: Dan Cotter <dcotter@uky.campus.mci.net>
Subject: TAB: Bird Song by Grateful Dead
Song Name: Bird Song
Artist Name: Grateful Dead
My Name: Dan Cotter (dcotter@uky.campus.mci.net)
Album: Reckoning
Words/Music: Hunter/Garcia
Main Riff in 'Bird Song' by The Grateful Dead
-------------------------------------------------------------------------------------------------------------------------------------15--12----------------------------12--13--15--12--------------13--15----------------15------------------13-------------------------------------------------------------------------------------___________________________________________________________________
From: U270009@UNIVSCVM.CSD.SCAROLINA.EDU (black.peter@scarolina.edu)
Chords For 'Bird Song' by The Grateful Dead
Intro/Riff:
D7--C-D7--C-D7
D7
Riff
All I heard was something like a bird within her sing,
D7
Riff
All I know she sang a little while and then flew on,
Bb
F
C
G
D7 Riff
Tell me all that you know and I'll show you snow and rain.
If you hear that same sweet song again will you know why?
Anyone who sings a tune so sweet is passing by.
Laugh in the sunshine, sing, cry in the dark, fly through the night.
Bm
A
G
D
A
G
D
A
G
D
Don't cry now, don't you cry, don't you cry anymore, la da da da.
Bm
A
G
D
A
G
D
A
G
D
D7
Sleep in the stars, don't you cry, dry your eyes on the wind, la da da
da, da.
Just a note, I believe this is the version on "Garcia," in D, early live
versions were also in D but switched to E...
file:///C|/olga_main/f-g/g/grateful_dead/black_muddy_river.lyr
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: bcurry@hpb.hwc.ca (Brent Curry)
Please add chords or tab if you know them.
Black Muddy River
by the Grateful Dead
When the last rose of summer pricks my finger
And the hot sun chills me to the bone
When I can't tell hear the song for the singer
And I can't tell my pillow from a stone
I will walk
And sing me
I will walk
And sing me
alone by the
a song of my
alone by the
a song of my
file:///C|/olga_main/f-g/g/grateful_dead/black_peter.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: U270009@UNIVSCVM.CSD.SCAROLINA.EDU
Black Peter -- Grateful Dead (Hunter, Garcia)
A7
D7
All of my friends come to see me last night,
A7
D7
I was layin' in my bed and dyin'.
Em
Bm
A
G F#m
Em
D7
Annie Bonneau from St. Angel say the weather down here so fine.
Just then the wind came squallin' through the door,
But who can the weather command?
Just want to have a little peace to die,
And a friend or two I love at hand.
Fever roll up to a hundred and five,
Roll on up, gonna roll back down.
One more day I find myself alive,
Tomorrow maybe go beneath the ground.
C
D/Em
See here how everything lead up to this day,
Dm
Am
Em
And it's just like any other day that's ever been.
D
G
C
Em
Am
Sun comin' up and then the sun goin' down.
F
C
D
Shine through my window and my friends they come around,
Dm
F
A7
Come around, come around.
The people might know, but the people don't care,
That a man can be as poor as me.
Take a look at poor Peter, he's lying in pain,
Now let's go run and see, run and see.
file:///C|/olga_main/f-g/g/grateful_dead/black_throated_wind.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: "Abe "Doc" Klagsbrun" <ask@aso.dec.com>
Date: Sat, 2 Dec 1995 00:50:28 -08:0
Subject: CRD: Black Throated Wind - Grateful Dead
BLACK THROATED WIND
By: Weir/Barlow
As performed on the Album Ace
Chorded by Abe Klagsbrun (AKlagsbrun@msn.com) 12/1/95
E
F#m
Bringing me down, I'm running aground,
D
A
E
Blind in the light of the interstate cars
E
F#m
Passing me by, the busses and semi's,
D
A
E
Plunging like stones from a slingshot on mars
A
D C#m
Bm
A
But I'm here by the road, bound to the load
Bm
E
That I picked up in ten thousand cafes and bars
A
D
C#m
Alone with the rush of the drivers who won't pick me up
Bm
E
The highway, the moon, the clouds, and the stars
Bm
D
C#m
A
Black throated wind, keeps on pouring in
E
C
With its words of a life where nothing is new
D
C#m
E
A
Ah, mother american night, I'm lost from the light
G
D
A
Oh, I'm drowning in you
E
F#m
D
A
E
I left St. Louis, city of blues, in the midst of a storm I'd rather forget
E
F#m
I tried to pretend it came to an end
D
A
E
Cause you weren't the woman I once thought I'd met
A
D C#m
Bm A Bm
But I can't deny, that times have gone by Bm
Bm
E
Where I never had doubts or thoughts of regret
A
D C#m Bm A
And I was a man when all this began
Bm
E
Who wouldn't think twice about being there yet
D
C#m
A
Black throated wind, keeps on pouring in
E
C
And it speaks of a life that passes like dew
file:///C|/olga_main/f-g/g/grateful_dead/black_throated_wind.crd
D
C#m
E
A
It's forced me to see that you've done better by me
G
D
A
Better by me than I've done by you
E
Now
D
You
E
All
D
You
F#m
what's to be found racing around.
A
E
carry your pain wherever you go
F#m
full of the blues and trying to lose
A
E
ain't gonna learn what you don't wanna know
A
D C#m
Bm
So I give you my eyes, and all of their lies
Bm
E
Please help them to learn as well as to see
A
D
C#m
Bm
A
Capture a glance, and make it dance
Bm
E
Of looking at you, looking at me
D
C#m
A
Black throated wind, keeps on pouring in
E
C
With its words of a lie that could almost be true
D
C#m
E
A
Ah, mother american night, here comes the light
G
D
A
I'm turning around, that's what I'm gonna do
G
D
A
Going back home that's what I'm gonna do
(Barlow, Weir)
E -- Esus4 -- E
E
F#m
You're bringing me down, I'm running around,
D
A
E
Esus4
Blind in the lights of the interstate cars,
E
F#m
Passing me by, the buses and semis,
D
A
E
Plunging like stones from a slingshot on Mars.
A
A7
D
DaddC#
But I'm here by the road, bound to the load,
Bm
E
I picked up in ten thousand cafes and bars.
A
A7
D
DaddC#
Alone with the rush of the drivers that won't pick me up,
file:///C|/olga_main/f-g/g/grateful_dead/black_throated_wind.crd
Bm
E
The highway, the moon and the clouds and the stars.
D
F#m
A
Black throated wind, keeps on pourin' in,
E
C
With its words of a life where nothing is new,
D
F#m
E
A
G
Ah, mother American night, I pass from the light,
D
A
Asus4
Ah, I'm drowning in you.
file:///C|/olga_main/f-g/g/grateful_dead/box_of_rain.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Paul Zimmerman <AUDSM@ASUVM.INRE.ASU.EDU>
Box Of Rain
Grateful Dead
Music by Phil Lesh
Words by Robert Hunter
======================
[INTRO]
(A) (Bm7/A) (A) (Asus4)
(D)
(Am)
Look out of any window
(Em)
(C)
Any morning, any evening, any day
(D)
(Am)
Maybe the sun is shining
(Em)
(G)
(A)
Birds are winging, no rain is falling from a heavy sky
(D)
(G)
(Am)
(Em)
(D)
What do you want me to do, to do for you to see you through?
(C)
(D)
(Am)
For this is all a dream we dreamed, one afternoon long ago
(D)
(Am)
Walk out of any doorway
(Em)
(C)
(G)
Feel your way, feel your way like the day before
(D)
(Am)
Maybe you'll find direction
(Em)
Around some corner where
(G)
(A)
It's been waiting to meet you
(D)
(G)
What do you want me to do?
(Am)
(Em)
(D)
To watch for you while you're sleeeeeeeeping?
(Am)
(C)
(G)
(D)
Then please don't be surprised when you find me dreaming too.
(D)
(Am)
Look into any eyes
(Em)
(C)
(G)
You find by you, you can see clear to another day
(D)
(Am)
(Em)
Maybe been seen before through other eyes
(G)
(A)
On other days while going home
(D)
(G)
(Am)
(Em)
(D)
What do you want me to do, to do for you, to see you through?
(C)
(Em)
(D)
(G)
It's all a dream we dreamed, one after-noon long a-go
file:///C|/olga_main/f-g/g/grateful_dead/box_of_rain.crd
(D)
(Am)
(Em)
Walk into splintered sunlight, inch your way through
(C)
(G)
Dead dreams to another land
(D)
(Am)
(Em)
Maybe you're tired and broken, your tongue is twisted with
(G)
(A)
Words half-spoken and thoughts unclear
(D)
(G)
(Am)
(Em)
(D)
What do you want me to do, to do for you, to see you through?
(Am)
(C)
(G)
(D)
A box of rain will ease the pain, and love will see you through.
(G)
(Am)
(Em)
Just a box of rain, wind and water
(C)
(A)
(D)
Be-lieve it if you need it, if you don't, just pass it on.
(G)
(Am)
(Em)
Sun and shower, wind and rain
(C)
(D)
(Em)
(A)
In and out the window, like a moth before a flame
(A)
(D)
(Em)
And it's just a box of rain
(Em)
(G)
(D)
I don't know who put it there;
(D)
(Bm)
(G)
(A)
Believe it if you need it, or leave it if you dare.
(A)
(D)
(Em)
And it's just a box of rain
(Em)
(G)
(D)
Or a ribbon for your hair
(Em)
Such a long, long time to be gone
(G)
(D)
And a short time to be there.
[OUTRO]
(D) (C) (G) (D) (Asus4)
A
o
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o
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Am
o
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o
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Em
o
o
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o
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o
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*
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*
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o
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o
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(Asus4)
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*
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o
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(Bm7/A)
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o
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(D)
o
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o
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x
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* |
o
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*
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o
o
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| * | | | |
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*
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o
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o
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file:///C|/olga_main/f-g/g/grateful_dead/box_of_rain.crd
| | | | | |
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Bm
x
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--------| | | * |
| * * | |
file:///C|/olga_main/f-g/g/grateful_dead/broke_down_palace.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
~From: Paul Zimmerman <AUDSM@asuvm.inre.asu.edu>
additional lyrics: From: bcurry@hpb.hwc.ca (Brent Curry)
Broke-down Palace
Grateful Dead
G
Am
Bb
C
Fare you well, my honey, fare you well my only true one.
G
Dm
Bb
C
All the birds that were singing are flown, except you alone
F
Bb
Going to leave this Broke-down Palace,
F
Dm
Bb
F
Gm
On my hands and knees, I will roll, roll, roll
F
A
Bb
F
Make myself a bed by the waterside,
F
G
Bb
F
In my time, in my time, I will roll, roll, roll
F
A
Bb
F
G
In a bed, in a bed, by the waterside I will lay my head
F
G
Bb
F
Listen to the river sing sweet songs to rock my soul
River gonna take me
Sing me sweet and sleepy
Sing me sweet and sleepy
all the way back home
It's a far-gone lullaby
sung many years ago
Mama, Mama, many worlds I've come
since I first left home
Going home, going home
by the waterside I will rest my bones
Listen to the river sing sweet songs
to rock my soul
Going to plant a weeping willow
On the bank's green edge, it will grow, grow, grow
Sing a lullaby beside the water
Lovers come and go-the river roll, roll, roll
Fare you well, fare you well
I love you more than words can tell
Listen to the river sing sweet songs
to rock my soul.
Thanks to the original poster.
Peace,
Paul Z
file:///C|/olga_main/f-g/g/grateful_dead/brokedown_palace.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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Date: Tue, 29 Jun 1993 15:01:57 -0700 (MST)
From: Paul Zimmerman <AUDSM@asuvm.inre.asu.edu>
Subject: CRD: Brokedown Palace - Grateful Dead
To: jamesb@animal-farm.nevada.edu
Message-Id: <01GZYDNOHCYA8ZDVNR@asu.edu>
Content-Transfer-Encoding: 7BIT
Brokedown Palace
Grateful Dead
G
Am
Bb
C
Fare you well, my honey, fare you well my only true one.
G
Dm
Bb
C
All the birds that were singing are flown, except you alone
F
Bb
Going to leave this Brokedown Palace,
F
Dm
Bb
F
Gm
On my hand and knees, I will roll, roll, roll
F
A
Bb
F
Make myself a bed by the waterside,
F
G
Bb
F
In my time, in my time, I will roll, roll, roll
F
A
Bb
F
G
In a bed, in a bed, by the waterside I will lay my head
F
G
Bb
F
Listen to the river sing sweet songs to rock my soul
Thanks to the original poster.
Peace,
Paul Z
file:///C|/olga_main/f-g/g/grateful_dead/brown_eyed_woman.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
From: U270009@UNIVSCVM.CSD.SCAROLINA.EDU
Date: Sat, 20 Jan 1996 20:11:47 -0800
correctionsFrom: lindsey@sirius.com (Tom Lindsey)
The person who posted this left out the bridge. I am including the bridge
below as well as a transposition to an easier key.
Brown-Eyed Woman
(Hunter, Garcia)
Dm
F
Gone are the days when the ox fall down,
C
Bb
Take up the yoke and plow the fields around.
Dm
F
Gone are the days when the ladies said, "Please,
Bb
F
Gentle Jack Jones, won't you come home to me?"
C
Brown-eyed women and red grenadine,
Bb
F
C
The bottle was dusty but the liquor was clean.
Bb
F
Dm
Sound of the thunder with the rain fallin' down,
Gm
Bb
F
And it looks like the old man's gettin' on.
1920 when he stepped to the bar,
Drank to the dregs of the whiskey jar.
1930 when the walls caved in,
He made his way sellin' red-eyed gin.
Delilah Jones was the mother of twins,
Two times over and the rest were sins.
Raised eight boys, only I turned bad,
Didn't get the lickin's that the other ones had.
BRIDGE:
Cm
Bb
F
Tumble down shack in Bigfoot county,
Cm
Bb
F
Snowed so hard that the roof caved in.
Dm
C
Bb
Am
Delilah Jones went to meet her God,
Bb
F
And the old man never was the same again.
Daddy made whiskey and he made it well,
Cost two dollars and it burnt like hell.
file:///C|/olga_main/f-g/g/grateful_dead/brown_eyed_woman.crd
file:///C|/olga_main/f-g/g/grateful_dead/built_to_last.lyr
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: bcurry@hpb.hwc.ca (Brent Curry)
BUILT TO LAST
by the Grateful Dead
There are times when you can beckon
There are times when you must call
You can take a lot of reckoning
But you can't take it all
There are times when I can help you out
And times that you must fall
There are times that you must live in doubt
And I can't help at all
Three blue stars rise on
Say no more, now just be
All these trials soon be
Look for something built
the hill
still
past
to last
file:///C|/olga_main/f-g/g/grateful_dead/built_to_last.lyr
file:///C|/olga_main/f-g/g/grateful_dead/candyman.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: U270009@UNIVSCVM.CSD.SCAROLINA.EDU
Candyman -- Grateful Dead (Hunter, Garcia)
C
Gm
F
Come all you pretty women with your hair a hangin' down,
F
G
Open up your windows 'cause the Candyman's in town.
Dm
G
Dm
Come on boys and gamble, roll those laughing bones,
F
G
Seven come eleven, boys, I'll take your money home.
Bb
F
C
Look out, look out, the Candyman,
Bb
F
C
Here he come and he's gone again,
Am
G
Pretty lady ain't got no friend 'til
F
G
The Candyman comes around again.
I come in from Memphis where I learned to talk the jive,
When I get back to Memphis, there'll be one less man alive.
Good mornin', Mr. Benson, I see you're doing well,
If I had me a shotgun, I'd blow you straight to hell.
Come on boys and wager if you have got the mind,
If you've got a dollar, boys, then lay it on the line.
Hand me my old guitar, pass the whiskey 'round,
Won't you tell everybody you meet that the Candyman's in town.
file:///C|/olga_main/f-g/g/grateful_dead/cassidy.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Cassidy
Weir/Barlow
I have seen where the wolf has slept by the silver stream.
F
Bb
I can tell by the mark he left you were in his dream
F
Bb
Ah, child of countless trees.
Fm7
Bbm
Ah, chile of boundless seas
Fm7
Bbm
What you are; what you're meant to be
Gm(add A)
Bb
TYPED BY CURT WILSON ST9996@SIUCVMB.SIU.EDU OR ST9996@SIUCVMB.BITNET
Speaks his name, though you were born to me
Gm(Add A)
Bb
Born to me, cassidy
F
(Music is same for 2nd verse)
Lost now on the country miles in his Cadillac
I can tell by the way you smile, he is rolling back
Come wash the nightime clean.
Come grow the scorched ground green.
Blow the horn, tap the tambourine.
Close the gap of the dark years in between
You and me, cassidy.
Quick beats in an icy heart
Bb
F
Catch-colt draws a coffin cart
Bb
F
There he goes and how here she starts
Bb
F
Hear her cry
C
Gm7 F
Flight of the sea-birds
C
Gm7
F
Scattered like the lost words
C
Gm7 F
Wheel to the storm and fly
C
Bb
F
Faring thee well, now let your life proceed by it's own design
F
Bb
Nothing to tell now, let the words be yours, I'm done with mine.
F
Bb
Faring thee well
Song ends with a jam in F
From: ahorgan@minerva.cis.yale.edu (Alec Horgan)
Subject: Re: REQ: TAB/CRD/LYR to Cassidy by Grateful Dead
file:///C|/olga_main/f-g/g/grateful_dead/cassidy.crd
F
Bb
I have seen where the wolf has slept by the silver stream,
F
Bb
I can tell by the mark he left you were in his dream
Fm7
Bbm
Fm7
Bbm
Ah, child of countless trees, ah, child of boundless seas
Gm
Bb
What you are, what you're meant to be
Gm
Bb
F
Speaks his name though you were born to me, born to me, Cassidy.
2. Lost now on the country miles in his Cadillac,
I can tell by the way you smile he is rolling back
Come wash the nighttime clean, come grow the scorched ground green
Blow the horn and tap the tambourine,
Close the gap on the dark years in between you and me, Cassidy.
Bb
F
Bb
F
Quick beats of an icy heart, catch colt(?) draws a coffin cart
Bb
F
C
There he goes and now here she starts, hear her cry
Gm7 F C
Flight of the seabirds,
Gm7 F C
Scattered like lost words
C
Bb
F
Wheel to the storm and fly
(Go through the verse chords again)
[2x]:
F
Bb
Faring the well now, let your life proceed by its own design
F
Bb
Nothing to tell now, let the words be yours I'm done with mine
Finally, go back to the "flight of the seabirds" bit and end on "fly"
That, more or less, is it.
Good luck.
Alec
-"Perhaps the only true dignity of man is his capacity to despise himself."
---George Santayana, _The Ethics of Spinoza_
To: guitar <guitar@nevada.edu>
CASSIDY- The Grateful Dead
E
A
I have seen where the wolf has slept by the silver stream
E
A
I can tell by the mark he left you were in his dream
file:///C|/olga_main/f-g/g/grateful_dead/cassidy.crd
Em
Am
Ah, child of countless trees
Em
Am
Ah, child of boundless seas
F#m/G#
Am
What you are, what you're meant to be
F#m/G#
A
Speaks his name, though you were born to me
A
E
Born to me, Cassidy
Lost now on the country miles in his Cadillac
I can tell by the way you smiled, he is rolling back
Come wash the nightime clean
Come grow the scorched ground green
Blow the horn, tap the tambourine
Close the gap of the dark years in between
You and me, cassidy
BRIDGE:
A
E
Quick beats in an icy heart
A
E
Catch-colt draws a coffin cart
A
E
There he goes and now here she starts
B
Hear her cry
F#m7 E B
(Do do do) Flight of the seabird
F#m7 E B
(Do do do) Scattered like the lost words
F#m7 E B
E
(Do do do) Wheel to the storm and fly
E
A
Fare thee well, now let your life proceed by it's own design
E
A
Nothing to tell now, let the words be yours, I'm done with mine
(repeat)
NOTE: This is ripped off of a previous posting, but I prefer this
key.
(from Ace by Bob Weir, 1972)
(sent by Harlan at harlant@hawaii.edu)
file:///C|/olga_main/f-g/g/grateful_dead/china_cat_sunflower.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From uunet!wupost!csus.edu!netcom.com!xtifr Thu Sep 17 22:27:14 PDT 1992
Article: 2344 of alt.guitar.tab
Newsgroups: alt.guitar.tab
Path: nevada.edu!uunet!wupost!csus.edu!netcom.com!xtifr
From: xtifr@netcom.com (Chris Waters)
Subject: Re: Request Grateful Dead (a little tab)
Message-ID: <v51n11b.xtifr@netcom.com>
Date: Wed, 16 Sep 92 23:35:02 GMT
Organization: Netcom - Online Communication Services (408 241-9760 guest)
References: <1992Sep9.122457.2258@wkuvx1.bitnet> <1992Sep16.122523.10795@cc.umontreal.ca>
Lines: 23
In <1992Sep16.122523.10795@cc.umontreal.ca> brunetm@JSP.UMontreal.CA (Brunet Martin) writes:
>China Cat Sunflower
>Garcia/Hunter
Here's what I've worked out for the tab to the intro (Bobby's part):
+------8p7--------10-7---7----8p7----------6p5---5-+
+----------8----8------8----------8----6-------6---+
+----7--------7-------------7--------5---5---------+ repeat
+--------------------------------------------------+
+-10--------10------------10-------8---------------+
+--------------------------------------------------+
The "p"s indicate pull-offs. This is all pretty much off the top of my
head, so comments, criticisms and corrections are invited.
If anyone has the tab for the jam on Europe '72, where they start out in
_China Cat_ and end up in _I Know You Rider_, it would be greatly
appreciated. :-)
-Chris Waters
| the insane don't | NOBODY for President!
xtifr@netcom.COM| need disclaimers | Because Nobody's perfect!!
file:///C|/olga_main/f-g/g/grateful_dead/china_doll.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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Date: Tue, 29 Jun 1993 15:03:41 -0700 (MST)
From: Paul Zimmerman <AUDSM@asuvm.inre.asu.edu>
Subject: CRD: China Doll - Grateful Dead
To: jamesb@animal-farm.nevada.edu
Message-Id: <01GZYDRKX51U8ZDVNR@asu.edu>
Content-Transfer-Encoding: 7BIT
CHINA DOLL - Grateful Dead
Words by Robert Hunter
Music by Jerome Garcia
Dm: xx0231
Bb: x13331
Fmaj7: xx3210
A7: x02020
Bo7: x2x131
G
It's only fractured;
D
G D
Just a little nervous from the fall.
G
D
La la la la la la la.
I would love chords for Brokedown please someone else supply those.
I have many other songs chords including some to thier covers.
Unfortunatley my ftp is all fucked up for the summer and then some so I
can only post 'em or email 'em. I'd like to get more, especially songs
like Dark Hollow, Race is On, etc. etc. I'm sure they are terribly easy
but I just never get around to figuring them out.
Just a little nervous from the fall,
Summerfield.
file:///C|/olga_main/f-g/g/grateful_dead/china_doll.crd (1 of 2) [4/28/2003 9:53:52 PM]
file:///C|/olga_main/f-g/g/grateful_dead/china_doll.crd
file:///C|/olga_main/f-g/g/grateful_dead/comes_a_time.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
"Comes a Time"
Jerry Garcia/Robert Hunter
(Chorus:)
A
Em
D
Comes a time, when the blind man takes your hand
A
Says don't you see
B
E
Gotta make it somehow
D
A
On the dreams you still believe
E
F
F#m7
Don't give it up, you got an empty cup
Em7
F#m7 Em7
F#m7
Only love can fill,
Only love can fill
(Verse 1:)
A
E
Bm
D
Been walking all morning, went walking all night
A
E
Bm
D
I can't see much difference between the dark and light
A
E
Bm
D
And I feel the wind, and I taste the rain
A
E
Bm
D
Never in my mind to cause so much pain
(Chorus)
(Verse 2:)
>From day to day, just letting it ride
You get so far away from how it feels inside
You can't let go cause you're afraid to fall
The day may come when you can't feel at all
(Chorus)
From: steved+@pitt.edu (Steve L Dondershine)
COMES A TIME
Grateful Dead
Chorus:
Em
F#m
file:///C|/olga_main/f-g/g/grateful_dead/comes_a_time.crd
F#m -> G
F#m
Verse 1:
A
(Chorus)
Verse 2:
From day to day, just letting it ride
You get so far away from how it feels inside
You can't let go cause you're afraid to fall
The day may come when you can't feel at all
(Chorus)
This was posted before and I have changed it a bit, any
further improvements are welcome... SD
-steved+@pitt.edu
- Buckaroo Bonzai
file:///C|/olga_main/f-g/g/grateful_dead/comesatime.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
"Comes a Time"
Jerry Garcia/Robert Hunter
(Chorus:)
A
Em
D
Comes a time, when the blind man takes your hand
A
Says don't you see
B
E
Gotta make it somehow
D
A
On the dreams you still believe
E
F
F#m7
Don't give it up, you got an empty cup
Em7
F#m7 Em7
F#m7
Only love can fill,
Only love can fill
(Verse 1:)
A
E
Bm
D
Been walking all morning, went walking all night
A
E
Bm
D
I can't see much difference between the dark and light
A
E
Bm
D
And I feel the wind, and I taste the rain
A
E
Bm
D
Never in my mind to cause so much pain
(Chorus)
(Verse 2:)
>From day to day, just letting it ride
You get so far away from how it feels inside
You can't let go cause you're afraid to fall
The day may come when you can't feel at all
(Chorus)
file:///C|/olga_main/f-g/g/grateful_dead/crazy_fingers.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: U270009@UNIVSCVM.CSD.SCAROLINA.EDU
Crazy Fingers -- Grateful Dead (Hunter, Garcia)
D
C
G
Your rain falls like crazy fingers
Bb
F
Fm
Gsus4
Peals of fragile thunder keeping time.
G
Bb
Bbm
Eb7
Cm
G
Gsus4 G
Recall the days that still are to come, some sing blue.
Hang your heart on laughing willow
Stray down in the water, deep sea of love,
Beneath the sweet calm face of the sea, swift undertow.
Fm
Ab
Eb
Life may be sweeter for this, I don't know;
Fm
Ab
Eb Cm/G
See how it feels in the end.
G7
Ab
A7
Eb7
D7
Db7
Gsus4
May Lady Lullaby sing plainly for you, soft, strong, sweet, and true.
Cloud hands reaching from a rainbow,
tapping at the window, touch your hair.
So swift and bright, strange fingers of light float in air.
Who can stop what must arrive now?
Something new is waiting to be born.
Dark as the night you are still by my side, shine inside.
Gone are the days we stopped to decide,
Where we should go, we just ride.
Gone are the broken eyes we saw through in dreams
Gone both dream and lie.
Life may be sweeter for this, I don't know,
Feels like it might be alright.
While Lady Lullaby sings plainly through you, love still rings true.
Midnight on a carousel ride,
Reaching for the gold ring down inside.
Never could reach it, just slips away, but I try.
file:///C|/olga_main/f-g/g/grateful_dead/cumberland_blues.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: U270009@UNIVSCVM.CSD.SCAROLINA.EDU
Cumberland Blues -- Grateful Dead (Hunter, Garcia)
G
I can't stay much longer, Melinda, the sun is getting high,
G
I can't help you with your troubles if you won't help with mine.
F#
Bb
B
Bb
A
Ab G
I gotta get down, I gotta get down, I gotta get down to the mine.
You keep me up just one more night, I can't sleep here no more.
Little Ben clock says quarter 'til eight, you kept me up 'til four.
I gotta get down, I gotta get down, or I can't work there no more.
G
Lotta poor man make a five dollar bill, keep him happy all the time.
G
Some other fella's makin' nothin' at all and you can hear him cry,
C
D
"Can I go buddy, can I go down, take your shift at the mine?"
C
Gotta get down to the Cumberland mine
F
C
(Gotta get down to the Cumberland mine)
F
C
That's where I mainly spend my time.
C
Make good money, five dollars a day,
F
C
Made any more I might move away.
Am7
C7
Em
G
C
G
Lotta poor man got the Cumberland blues,
C
He can't win for losin',
C
A
D
Lotta poor man got to walk the line just to pay his union dues,
C
D
C
Am7
G
I don't know now, I just don't know, if I'm goin' back again.
file:///C|/olga_main/f-g/g/grateful_dead/dark_hollow.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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Subject: Grateful Dead; Dark Hollow
To: jamesb@nevada.edu
Date: Fri, 17 Dec 93 18:17:28 EST
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Dark Hollow
This song can be played with a capo at the second fret, thus the
chord's are listed as you play them with the capo, and the true
chord is listed in parenthisis.
Intro: (This part isn't played with a capo, because of the low E,
so another guitar is needed if you want to play this part..
It can be used after each line that ends in the G (A) chord too.
(A)(true chord...)
|---------------|
|---------------|
|---------------|
|---------------|
|0-----0--------|
|----0----0-2-4-|
G (A) D (E)
G (A)
G (A)
C (D) G (A)
I'd rather be..in some..dark hollow....Where the sun...don't ever...shine...
G (A)
D (E)
G (A)
G (A)
C (D)
G (A)
Than to be...in some...big city....In a small room...with a girl on my mind...
Chorus:
G (A)
D (E)
So blow...your whistle
G (A)
D(E)
I'm goin' away.....I'm
G (A)
G (A)
C (D)
G (A)
freight train...take me far..on down...the track..
C (D)
G (A)
D (E)
G (A)
leavin' today...I'm goin', but I ain't comin' back...
file:///C|/olga_main/f-g/g/grateful_dead/deal.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: U270009@UNIVSCVM.CSD.SCAROLINA.EDU
Deal -- Grateful Dead (Hunter, Garcia)
A
C#7
F#m
D7
Adeg
Since it costs a lot to win, and even more to lose,
A
F#
B
D
You and me got to spend more time wonderin' what to choose.
A
C#7
Just goes to show, you don't ever know,
F#m
D7
Adim
Watch each card you play and play it slow.
A
G
D
Wait until that deal come 'round,
A
G
D
A
Don't you let that deal go down, no no.
I've been gamblin' hereabouts for ten good solid years,
And if I told you all that went down it would burn off both your ears.
Since you poured the wine for me and tightened up my shoes,
I hate to leave you sittin' there composing lonesome blues.
file:///C|/olga_main/f-g/g/grateful_dead/deal.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: U270009@UNIVSCVM.CSD.SCAROLINA.EDU
Deal -- Grateful Dead (Hunter, Garcia)
A
C#7
F#m
D7
Adeg
Since it costs a lot to win, and even more to lose,
A
F#
B
D
You and me got to spend more time wonderin' what to choose.
A
C#7
Just goes to show, you don't ever know,
F#m
D7
Adim
Watch each card you play and play it slow.
A
G
D
Wait until that deal come 'round,
A
G
D
A
Don't you let that deal go down, no no.
I've been gamblin' hereabouts for ten good solid years,
And if I told you all that went down it would burn off both your ears.
Since you poured the wine for me and tightened up my shoes,
I hate to leave you sittin' there composing lonesome blues.
A C#7 Fm A D7 B7/G#
file:///C|/olga_main/f-g/g/grateful_dead/dire_wolf.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: TPLBA@aol.com
Subject: Grateful Dead: Dire Wolf
Dire Wolf
Jerry Garcia, Robert Hunter
E
In the timbers of
D
The winter was so
E
D
Don't murder me.
D
Fennario the wolves are running 'round.
E
hard and cold froze ten feet 'neath the ground.
E
A
D
E - D D
A
I beg of you, don't murder me. Please don't murder me.
E
G
D
I sat down to my supper. 'twas a bottle of red whiskey.
A
(Ab-G-F#)
I said my prayers and went to bed. That's the last they saw of me.
E
D
A
(C#7)
E
D
A
Don't murder me. I beg of you, don't murder me. Please don't murder me.
F#m
E
A
G
D
When I awoke, the dire wolf, six hundred pounds of sin, was grinning at my.
E
D
E
A
window. All I said was 'come on in.' don't murder me. I beg of you, don't
C#7
F#m E-D
D
A
murder me. Please don't murder me.
E
D
In the backwash of Fennario, the black and bloody mire,
D
E
The dire wolf collect his due while the boys sing 'round the fire.
E
D
A
(C#7)
E
D
A
Don't murder me. I beg of you, don't murder me. Please don't murder me.
E
D
A
(C#7)
E
D
A
Don't murder me. I beg of you, don't murder me. Please don't murder me,...
-------------------cut here-----------------------
tplba@aol
file:///C|/olga_main/f-g/g/grateful_dead/eyes_of_the_world.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: U270009@UNIVSCVM.CSD.SCAROLINA.EDU
Eyes Of the World -- Grateful Dead (Hunter, Garcia)
E7
A
E7 Bm
Right outside this lazy summer home
E7
A
E7 Bm
You ain't got time to call your soul a critic, no.
A
C#m
B
A
Right outside the lazy gate of winter's summer home,
C#m
B
D
A
Wonderin' where the nut thatch winters, wings a mile long
E
A
E
A
Just carried the bird away.
G
C
G
C
Wake up to find out that you are the eyes of the world.
G
C
G
C
The heart has its beaches, its homeland and thoughts of its own.
D
C
G
C
Wake now discover that you are the song that the morning brings.
G
C
D
Bm
The heart has its seasons, its evenings and songs of its own.
There comes a redeemer and he slowly too fades away.
There follows his wagon behind him that's loaded with clay.
The seeds that were silent all burst into bloom and decay,
Night comes so quiet, it's close on the heels of the day.
Sometimes
Sometimes
Sometimes
Sometimes
AM7
C9
E7
file:///C|/olga_main/f-g/g/grateful_dead/eyes_of_the_world.crd
e--0------0-----3--B--0------2-----3--G--1------1-----0--D--1------2-----2--A--2------0-----3--E--0---------------EM7
AM7
EM7
Right outside this lazy summer home
Bm
EM7
AM7
EM7
You ain't got time to call your soul a critic, no.
Bm
A
C#m
B
A
Right outside the lazy gate of winter's summer home,
C#m
B
D
A
Wonderin' where the nut thatch winters, wings a mile long
E
A
E
A
Just carried the bird away.
G
C9
G
C9
Wake up to find out that you are the eyes of the world.
G
C9
G C9(slide up 1 fr)
The heart has its beaches, its homeland and thoughts of its own.
D
C9
G
C9
Wake now discover that you are the song that the morning brings.
G
C9
D
Bm
The heart has its seasons, its evenings and songs of its own.
EM7
file:///C|/olga_main/f-g/g/grateful_dead/eyes_of_the_world.crd
file:///C|/olga_main/f-g/g/grateful_dead/fire.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
file:///C|/olga_main/f-g/g/grateful_dead/foolish_heart.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Foolish Heart
I suppose it may be a little too early to be iconizing this song
by posting the chords 'n' lyrix, but here they are to "Foolish Heart".
As usual, chords that I don't know the names to I've either hazarded a
guess or assigned Roman numerals to. If there is a conflict between one
of the names chosen for the more abstruse chords in the song and the
diagrams rendered, by all means go with the diagrams. And as always, if
there are any corrections or questions (especially if you know the names
to some of these weirdoes [sp?]) PLEASE let me know.
Also, a big thank you to whoever posted Cats Under the Stars. 8*D
7
5
-|-|-|-|-|-|-|-|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|-|A
7
-|-|-|-|-|-|-|-|-|-|-|-|o|-|-|-|-|o|-|-|-|-|o|-|-|-|-|-|-|-|D(I)
6 5
-|-|-|-|-|-|-|-|-|-|-|-|-|o|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|-|Amaj 7
9
7
-|-|-|-|-|-|-|o|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|-|III
9
7
-|-|-|-|-|-|-|-|-|-|-|-|o|-|-|-|-|o|-|-|-|-|-|-|o|-|-|-|-|-|IV
9
7
-|-|-|-|-|-|-|-|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|-|V
5
3
-|-|-|-|o|-|-|-|o|-|-|-|o|-|-|-|-|-|-|o|-|-|o|-|-|-|-|-|-|o|C#9(?)
4
2
-|-|-|-|o|-|-|o|-|-|-|-|x|-|-|-|-|o|-|-|-|-|-|-|o|-|-|-|-|o|F#7aug3rd
2
-|-|-|-|-|-|-|-|o|-|-|-|-|-|-|-|-|-|o|-|-|-|-|-|-|-|-|-|-|-|E7aug3rd
8
6
-|-|-|-|-|-|-|-|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|-|I
9
7
-|-|-|-|-|-|-|o|-|-|-|-|x|-|-|-|-|o|-|-|-|-|-|-|o|-|-|-|-|-|II
4
2
-|-|x|-|-|-|-|-|-|-|-|-|o|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|-|o|VI (some variant of Bmin)
Other than the chords in the above diagrams, all chords are regular bar
chords, except for Gmaj7 and D at "unto a foolish heart" and the E7 at
the instrumental part, which are regular open chords at the low end of
the neck. Most of the action takes place above the fifth fret, one
notable exception being that the Bmin at "never give your love..." is
with the bar on the second fret, allowing easy passage into the VI
chord. Go nuts.
CHINACAT
A
D(I)
D(I)
D(I)
D(I)
Bmin
D
F#min
Carve your name, carve your name in ice and wind
Bmin
D
A
Amaj7
D(I)
Look to where, look to where the rivers end, or where the rivers start
E
F#min
file:///C|/olga_main/f-g/g/grateful_dead/foolish_heart.crd
E7 (16x)
Bmin
D
F#min
Bite the hand, bite the hand that bakes your bread
Bmin
D
A
Amaj7
D(I)
Dare to lead where the angels fear to tread, till you are torn apart
E
F#min
Stoke the fires of Paradise with coals from Hell to start
Bmin
VI
Gmaj7
But never give your love my friend,
D
A
D(I)
A
Unto a foolish heart, unto a foolish heart
D(I)
A
Unto a foolish heart,
D(I)
A
Unto a foolish heart,
D(I)
A
Unto a foolish heart,
D(I)
A
Unto a foolish heart,
D(I)
A
(etc.)
Unto a foolish heeaaaarrrrt.....
From: gt6234b@prism.gatech.edu (Joshua Bardwell)
file:///C|/olga_main/f-g/g/grateful_dead/foolish_heart.crd
Foolish Heart
------------Words By Robert Hunter
Lyrics By Jerry Garcia
CHORDS:
Low E <---------> High E
String: 6 5 4 3 2 1
A:
D:
Bm:
Bm:
F#m:
Bm7/A:
Gmaj7:
Gmaj7:
Bsus4:
Bsus4:
B:
B:
Bsus4/A:
B/A:
G#m:
C#m7-5:
F#7sus4:
F#7:
F#7-9:
D/E:
x
x
x
x
2
x
3
3
x
x
x
x
x
x
4
0
2
2
x
x
0
x
x
2
4
0
2
x
x
1
x
2
0
0
6
4
4
4
9
x
2
0
4
4
4
0
0
0
3
3
4
4
4
4
6
x
4
2
8
2
2
2
4
4
2
2
0
0
3
3
4
4
4
4
4
0
4
3
9
2
2
3
3
3
2
0
0
0
4
4
4
4
5
4
4
0
2
2
8
3
0
2
2
2
2
2
1
1
1
1
2
2
2
2
4
0
2
2
9
2
[D]
carve your name in ice and
leap from ledges high and
shun a brother and a
bite the hand that bakes your
[Bm]
Search for where,
Learn to speak,
Never look,
Dare to leap ,
[D]
search for where the river
speak with wisdom like a
never look around the
where the angels fear to
[E]
where the rivers
directly to the
check the weather
'til you are torn
[D]
start.
heart.
chart.
apart.
[F#m]
wind.
wide.
friend
bread.
[A]
end or
child
bend or
tread
[E]
Do everything that's in you
Crown yourself the king of clowns, or
Sign the Mona Lisa with a
Stoke the fires of Paradise with
[F#m]
feel to be your part, but
stand way back apart, but
apray can, call it art, but
coals from Hell to start, but
CHORUS: (play through 3 times, then go to BRIDGE before 4th verse, then go
to FINALE after playing 4th verse and through 4th chorus.)
file:///C|/olga_main/f-g/g/grateful_dead/foolish_heart.crd (3 of 4) [4/28/2003 9:53:54 PM]
file:///C|/olga_main/f-g/g/grateful_dead/foolish_heart.crd
[Bm]
[Bm7/A]
[Gmaj7]
[D]
[A]
never give your love my friend unto a foolish heart, unto a foolish heart
BRIDGE:
[A#] [Bsus4]
[B]
[Bsus4]
[B]
A foolish heart will call on you to toss your dreams a-way
[Bsus4/A]
[B/A]
[Bsus4/A]
[B/A]
then turn around and blame you for the way you wnt a-stray. A
[G#m]
[C#m7-5]
foolish heart will cost you sleep and often make you curse. A
[F#7sus4]
[F#7]
[F#7sus4]
[F#7-9] [E] [D/E] [E]
selfish heart is trouble, but a foolish heart is worse [to 4th verse]
FINALE:
[D] [A]
[D]
Unto a foolish heart.
------------------------------------------------------------------------------Joshua Bardwell
| "May be going to hell in a bucket, baby
Internet: gt6234b@prism.gatech.edu | But at least I'm enjoying the ride!"
------------------------------------------------------------------------------
file:///C|/olga_main/f-g/g/grateful_dead/franklins_tower.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Schof26@aol.com
Date: Fri, 3 Nov 1995 23:57:43 -0500
Subject: Franklin's Tower...From Bill
This is how I learned "Franklin's Tower" by the Dead. I don't know if the
chords are right because a friend of mine showed me how to play it. In any
case, here it is:
Artist:Greatful Dead
Song: "Franklin's Tower"
Album :Blues For Allah
Written By:Robert Hunter (Words); Jerry Garcia and Bill Kreutzmann (Music)
A: 002220
G:320033
D: 000323
G D
G
A
G
D
G
In another time's forgotten space, your eyes looked from your mother's face
A
G D
G A
G D
G
Wild flower seed on the sand and stone, may the four winds blow you safely
home
A
G
D G A
G
D
G A
G
D
G
Roll away the dew. Roll away the dew. Roll away the dew.
dew.
G A
G D
G A
G
D
G
I'll tell you where the four winds dwell, in Franklin's Tower there hangs a
bell
A
G D
G A
G D
G
It can ring, turn night to day, it can ring like fire when you lose your way
A
G
D
G A
G
D
G A
G
D
G
Roll away the dew. Roll away the dew. Roll away the dew.
dew.
A
G A
G A
G D
G
God save the child who rings the bell, it may have one good ring; baby, you
can't tell
A
G D
G A
D
G
One watch by night, one watch by day, if you get confused, listen to the
music play
A
G
G
D
Roll away the dew.
dew.
A
A
G
D
G A
G
Roll away the dew. Roll away the dew.
G A
file:///C|/olga_main/f-g/g/grateful_dead/franklins_tower.crd
G D
G
Some come to laugh thier past away, some come to make it one more day
A
G A
G D
G
Whichever way your pleasure tends, if you plant ice, you're gonna harvest
wind
A
G
D
G A
G
D G A
G
D
G
Roll away the dew. Roll away the dew. Roll away the dew.
dew.
G D
G A
G D
G
In Franklin's Tower the four winds sleep, like four lean hounds the
lighthouse keep
A
G D
G A
G D
G
Wild flower seed in the sand and wind, may the four winds blow you home again
A
G
D
G A
G
D
G A
G
D
Roll away the dew. Roll away the dew. Roll away the dew.
dew.
This song could be dead solid perfect or totally wrong, I don't know.
However, this is how I learned it and this is how I play it. If it is
totally wrong, at least the words are here. That is all!
No Worries!
Bill Schofield (and Caroline)
Schof26@aol.com
file:///C|/olga_main/f-g/g/grateful_dead/friend_of_the_devil.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Harlan L Thompson <harlant@uhunix.uhcc.Hawaii.Edu>
FRIEND OF THE DEVIL- Grateful Dead
G
G/F# G/E G/D C C/B C/A C/G
G
G/F#
G/E
G/D
C
C/B
C/A C/G
I lit out from Reno I was trailed by twenty hounds
G
G/F#
G/E G/D
C
C/B
C/A
Didn't get to sleep that night till the morning came around
C/G
CHORUS:
D
Set out runnin' but I take my time
Am
a friend of the devil is a friend of mine
D
If I get home before day light
Am
D
riff 1 (as D -> G)
I just might get some sleep tonight
Ran into the devil, babe, he loaned me twenty bills
I spent the night in Utah in a cave up in the hills ...CHORUS
Ran down to the levee but the devil caught me there
took my twenty dollar bill and he vanished in the air ...CHORUS
BRIDGE:
riff 2 D
Got two reasons why I cry away each lonely night
C/G
The first one's named Sweet Anne Marie and she's my heart's delight
D
Second one is prison, baby, the shefiff's on my trail
Am
C
D
riff 3 (D -> G)
and if he catches up with me I'll spend my life in jail
Got a wife in Chino, babe, and one in Cherokee
First one says she's got my child, but it don't look like me
...CHORUS
G:
G/F#:
G/E:
G/D:
x
x
x
x
x
x
x
x
x
4
2
0
0
0
0
0
0
0
0
0
3
3
3
3
riff 1: D -0-------0-\-/---\-/---0-4--- riff 2: D -0--------A -----0-2---\-/-0-\-/-4------A -------0--E ---2-------\-/---\-/--------E ---0-2----riff 3: D ---0-------0-\-/---\-/-0---0-4A -0-----0-2---\-/-0-\-/---4----E -----2-------\-/---\-/--------(from American Beauty, 1970)
(sent by Harlan at harlant@hawaii.edu)
file:///C|/olga_main/f-g/g/grateful_dead/friend_of_the_devil.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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Date: Mon, 28 Jun 93 10:18:44 EDT
From: mje@pookie.pass.wayne.edu (Michael J. Edelman)
Message-Id: <9306281418.AA05212@pookie.pass.wayne.edu>
To: jamesb@animal-farm.nevada.edu
Subject: /GreatfulDead/FriendOfTheDevil
{title:Friend Of The Devil}
{st:Greatful Dead}
{define: G 1 3 0 0 -1 -1 -1}
{define: G/F 1 3 0 0 3 -1 -1}
{define: G/E 1 3 0 0 2 -1 -1}
{define: G/D 1 3 0 0 0 -1 -1}
{define: C 1 0 1 0 2 3 -1}
{define: C/B 1 0 1 0 2 2 -1}
{define: C/A 1 0 1 0 2 0 -1}
{define: C/G 1 0 1 0 2 3 3}
[G]I lit [G/F]out of [G/E]Reno [G/D]I was [C]trailed by [C/B]twenty [C/A]hounds [C/G]
[G]Didn't [G/F]get to [G/E]sleep that [G/D]night 'til [C]morning [C/B]came a[C/A]round [C/G]
{c:Chorus}
[D]Set out running but I take my time
[Am]Friend of the Devil is a friend of mine
[D]If I get home before daylight
[Am]I just might get to sleep tonight
I ran into the Devil, babe, he gave me twenty bills.
Spent the night in Utah in a cave up in the hills
{c:Chorus}
I went down to the levee but the Devil beat me there
Took my twenty dollar bills and vanished in the air
{c:Chorus}
{c:Bridge}
[D]Got two reasons why I lie awake each lonely night
[C]First one's named sweet Ann Marie and she's my heart's delight
[D]Second one is prison bait, and the Sherriff's on my trail
[C]And if he catches up with me I'll [Am]spend the night in jail
Got a wife in Chino, babe, and one in Cherokee
First one says she's got my child but it don't look like me
{c:Chorus}
file:///C|/olga_main/f-g/g/grateful_dead/friend_of_the_devil.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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From: ad503@freenet.carleton.ca (Frederick Clark)
To: jamesb@animal-farm.nevada.edu
Subject: Grateful Dead - Friend of the Devil
Reply-To: ad503@freenet.carleton.ca
file:///C|/olga_main/f-g/g/grateful_dead/help_on_the_way.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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From: dgeetar@acs.bu.edu (Doug Gaskill)
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Subject: Help on the Way by The Grateful Dead
To: jamesb@animal-farm.nevada.edu
Date: Thu, 6 May 93 14:52:31 EDT
X-Mailer: ELM [version 2.3 PL11]
If anyone has corrections or knows how to play Slipknot, I'd
love to hear from you. Unfortunately, I'm losing net access
for the summer as of Saturday, May 8th. If anyone feels like
Snail mailing, my address is :
Doug Gaskill
75 Henry St
Manchester, CT 06040-3524
This is how I hear it....
Intro:
Em
|
|
Em
|
|------------------|
|------------------|
|------------------|
|------------9 7---|
|-------/7 10---9--|
|----------------10|
Verse:
Em
Bm
A
Em
|--------------|---------------|---------------|--------------------|
|--------------|---------------|---------------|--------------------|
|--------------|---------------|---------------|--------------------|
|--------9 7---|---------------|---------------|--------------9 7---|
|---/7 10---9--|---------------|---------------|-45754---/7 10---9--|
|------------10|7--------------|---------------|7-----------------10|
(A)
(Em)
Paradise waits.... on the crest of a wave, her angels in flame.
2nd time:
|--------------------|
|---------------0 2 3|
|--------------------|
|--------------------|
|-45757--------------|
|7-------------------|
(A)
(Em)
like a child she's pure, she is not to blame.
Chorus:
Em
F#m
Em
F#m
(high E) |----------------0 2|-------------------0 2 3|
Poised for flight
Wings spread bright
file:///C|/olga_main/f-g/g/grateful_dead/help_on_the_way.crd
Am
Bm
(Bm?)
Em
|-------------------|------------------------|
|------------------------|
|------------------------|
|------------------9 7---|
|-------------/7 10---9--|
|----------------------10|
Spring from night into the sun.
Verse: (similar patterns)
Em
Bm
A
Em
Don't stop to run. She can fly like a lie she can't be out done.
Tell me the cost.
I can pay, let me go(?), tell me love is not lost.
Sell everything.
Without love in the dream, insanities king(?).
Chorus:
Em
F#m
I will pay,
Em
F#m
Day by day,
Verse:
Em
Crippled but free,
Am
Bm
anyway,
(Bm?)
Em
lock bolt and key.
Bm
A
Em
I was blind all the time, I was learning to see.
Em
F#m
one more day,
Am
Bm
(Bm?)
Em
like I say, honey it's you.
Bm
A
Em
Without love in the dream, it'll never come true.
file:///C|/olga_main/f-g/g/grateful_dead/help_on_the_way.crd
file:///C|/olga_main/f-g/g/grateful_dead/here_comes_sunshine.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: U270009@UNIVSCVM.CSD.SCAROLINA.EDU
Here Comes Sunshine -- Grateful Dead (Hunter, Garcia)
C
Bb
Dm
Wake of the flood, laughing water, forty-nine,
C
Get out the pans, don't just stand there dreamin',
Bb
Dm C
G Am7
Get out the way, get out the way.
E7/B
Am
Bb
C G
Bb
Dm
F G
F/G
Here comes sunshine, here comes sunshine.
Em/G
Dm/G
C
Get out the pans, don't just stand there dreamin',
Bb
Dm C
G Am7
Get out the way, get out the way.
E7/B
Am
Bb
C G
Bb
Dm
F G
F/G
Here comes sunshine, here comes sunshine.
Em/G
Dm/G
file:///C|/olga_main/f-g/g/grateful_dead/hes_gone.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: U270009@UNIVSCVM.CSD.SCAROLINA.EDU
He's Gone -- Grateful Dead (Hunter, Garcia)
F
F7
Rat in a train ditch, caught on a limb,
Bb
C
F
You know better but I know him.
F
F7
Like I told you, what I said,
Bb
C
F
Steal your face right off your head.
F
Bb F
Bb F
Now he's gone, now he's gone.
Bb
C
He's gone.
Bb
C
Like a steam locomotive rollin' down the track,
Bb
F
F7/Eb
Bb
F
He's gone, gone, and nothin's gonna bring him back, he's gone.
Nine mile skid on a ten mile ride, hot as a pistol but cool inside.
Cat on a tin roof, dogs in a pile, nothin' left to do but smile, smile, smile.
C
Eb
Bb
Goin' where the wind don't blow so strange,
C
Eb
Bb
Maybe off on some high cold mountain chain.
Eb
Bb
Ab
Lost one round but the prize wasn't anything,
Eb
Ebm
Bb
C
A knife in the back and more of the same, same old.
file:///C|/olga_main/f-g/g/grateful_dead/high_time.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: U270009@UNIVSCVM.CSD.SCAROLINA.EDU
High Time -- Grateful Dead (Hunter, Garcia)
D
C#m Ab
Gb
You told me goodbye, how was I to know
A
E D
A
You didn't mean goodbye, you meant please don't let me go.
B
E
B A
E D A
E
I was having a high time, living the good life, well I know.
The wheels are muddy, got a ton of hay.
Now listen here baby, 'cause I mean what I say.
I'm having a high time, living the good life, well I know.
F
E
I was losing time, I had nothing to do,
B
C#m F#m E
No one to fight, I came to you.
F
E
Wheels broke down, the leader won't draw,
B
C#m
F#m E
Esus4
The line is busted, the last one I saw.
file:///C|/olga_main/f-g/g/grateful_dead/i_know_you_rider.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Wed, 27 Sep 1995 07:24:20 GMT
From: davel@greatdead.microserve.com (Dave Levinson)
I Know You Rider - Traditional
(as done by the Grateful Dead; first played sometime in '65)
(recorded on The Grateful Dead's 1st album, released 1966)
{chord pattern:}
D
C
G
D
I know you rider, gonna miss me when I'm gone;
I know you rider, gonna miss me when I'm gone;
F
C
F
C
F
D
Gonna miss your baby, from rollin' in your arms.
Lay down last night, Lord I could not take my rest;
Lay down last night, Lord I could not take my rest;
My mind was wanderin' like the wild geese in the west.
The sun will shine in my back door someday;
The sun will shine in my back door someday;
March winds will blow all my troubles away.
I wish I was a headlight, on a North bound train;
I wish I was a headlight, on a North bound train;
I'd shine my light through the cool Colorado rain.
I know you rider, gonna miss me when I'm gone;
I know you rider, gonna miss me when I'm gone;
Gonna miss your baby, from rollin' in your arms.
--=====================_812197323==_--
file:///C|/olga_main/f-g/g/grateful_dead/i_need_a_miracle.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: U270009@UNIVSCVM.CSD.SCAROLINA.EDU (black.peter@scarolina.edu)
I Need a Miracle -- Grateful Dead
(Barlow, Weir)
E7
I need a woman 'bout twice my age,
A lady of nobility, gentility and rage,
Splendor in the dark, lightning on the draw,
We'll go right through the book and break each and every law.
A5
E7
I got a feeling and it won't go away, oh no.
B
Just one thing then I'll be okay,
E7
I need a miracle every day.
I need a woman 'bout twice
Statuesque, raven-dressed,
Her secret incantations, a
We'll consult the spirits,
my height,
a goddess of the night.
candle burning blue,
maybe they'll know what to do.
E7 x8
Asus5 x2
E7 x2
B x2
file:///C|/olga_main/f-g/g/grateful_dead/ill_take_a_melody.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: "Abe Klagsbrun" <ask@zso.dec.com>
Date: Sun, 19 Nov 1995 23:19:47 -08:0
Subject: CRD: I'll Take a Melody - Grateful dead
Performed by Jerry Garcia on the album Reflections
By: Toussaint
This version chorded by: Abe Klagsbrun AKlagsbrun@msn.com
11/18/95
I'LL TAKE A MELODY
(RIFF 1)
E|--------------------------------B|--------------------------------G|-11-9--11-9---------------------D|-----11----11-9--9-11-7---------A|---------------12---------------E|--------------------------------A
D
E
A
I've seen the rain pouring down. The sky was grey with a speck of blue.
A
D
E
A
Deep through a hole in the clouds, the sun was screaming' hey you.
A
D
E
A
As you ramble through your sorrow, seems like everything come out wrong.
A
D
E
A
I'm living in yesterday's tomorrow's, I know something's helping me along.
(RIFF 2)
Forgot it for now - I'll post it later
A
D
E
I'll take a melody and see what I can do about it.
A
D
E
I'll take a simple C to G and feel brand new about it.
F#m
Bm
F#m
Bm
C
Bm C Bm C
I understand why the old mission men sail along, sail along, sail along.
D
E
Someday he'll be gone
(RIFF 1)
A
D
E
A
I hear you talking' 'bout your troubles. Everybody's got their troubles
too.
A
D
E
A
You can make them burst like clouds, if you know just what to do.
A
D
E
A
You know I've been called a dreamer. Dreams that never will come true.
A
D
E
A
But I've been called so many things before. Tell you what I'm gonna do.
(RIFF 2)
A
D
E
I'll take a melody and see what I can do about it.
file:///C|/olga_main/f-g/g/grateful_dead/ill_take_a_melody.crd (1 of 2) [4/28/2003 9:53:57 PM]
file:///C|/olga_main/f-g/g/grateful_dead/ill_take_a_melody.crd
A
D
E
I'll take a simple C to G and feel brand new about it.
F#m
Bm
F#m
Bm
C
Bm C Bm C
I understand why the old mission men sail along, sail along, sail along.
D
E
Someday he'll be gone
(RIFF 1)
RIFF 1>>ROCK RIFF >>SHINE ON
file:///C|/olga_main/f-g/g/grateful_dead/it_must_have_been_the_roses.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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Date: Tue, 29 Jun 1993 15:06:42 -0700 (MST)
From: Paul Zimmerman <AUDSM@asuvm.inre.asu.edu>
Subject: CRD: It Must Have Been the Roses - Grateful Dead
To: jamesb@animal-farm.nevada.edu
Message-Id: <01GZYDSSMV6A8ZDVNR@asu.edu>
Content-Transfer-Encoding: 7BIT
It Must Have Been The Roses - Grateful Dead
Words and Music by Robert Hunter.
D/F#: 2x023x
E/G#: 4x2400
G/B: x2x033
A7/C#: x42223
A E A D/F# A
A
Annie laid her head down in the roses. She had ribbons, ribbons, ribbons in
D
her long, brown hair.
I don't know.
E
A
F#m
Maybe it was the roses.
A
E
A
All I know, I could not leave her there.
D
I don't know.
E
A
D
E
It must have been the roses; the roses or the ribbons in
A
G
D
her long, brown hair. I don't know.
E
A
E/G#
Maybe it was the roses.
F#m
A
E
A
All I know, I could not leave her there.
A
G/B
A7/C#
D
A
Ten years the waves rolled the ships home from the sea.
One pane of glass in the window.
G/B
A7/C#
D
I'm thinking well, how it may blow in all good company.
No one is complaining, though. Come in and shut the door.
A
E
D
If I tell another what your own lips told to me,
Faded is the crimson from the ribbons that she wore,
A
E
D
let me lay 'neath the roses and my eyes no longer see.
and it's strange how no one comes 'round anymore.
Thanks to the original poster.
file:///C|/olga_main/f-g/g/grateful_dead/it_must_have_been_the_roses.crd
Peace,
Paul Z
file:///C|/olga_main/f-g/g/grateful_dead/jack_straw.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: U270009@UNIVSCVM.CSD.SCAROLINA.EDU
Jack Straw -- Grateful Dead (Hunter, Garcia)
E
F#m
C#m A
We can share the women, we can share the wine
E
Bm
D
A
E
G#m
We can share what we've got of yours 'cause we done shared all of mine.
E
F#m
C#m
Keep on rollin', just a mile to go,
E
Bm
D
A
E
B
Keep on rollin', my old buddy, you're movin' much too slow.
E7
Esus7
E7
Esus7
E7
I just jumped the watchman, right outside the fence,
Esus7
E7
Esus7
E7
Took his rings, four bucks in change, ain't that heaven sent?
F#sus7
F#7
F#sus7
F#7
Hurts my ears to listen, Shannon, burns my eyes to see,
F#sus7
F#7
F#sus7
D Bm
Cut down a man in cold blood, Shannon, might as well been me.
D
Bm
A
E
We used to play for silver, now we play for life;
D
Bm
A
E
And one's for sport and one's for blood at the point of a knife.
D
Bm
A
E
And now the die is shaken, now the die must fall;
D
Bm
A
E
A
There ain't no winner in the game, he don't go home with all,
D G
Not with all.
Esus4
Esus4
file:///C|/olga_main/f-g/g/grateful_dead/jack_straw.crd
file:///C|/olga_main/f-g/g/grateful_dead/jackaroe.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: U270009@UNIVSCVM.CSD.SCAROLINA.EDU
Jack-a-Roe -- Grateful Dead (Traditional)
Am
C
E
There was a wealthy merchant, in London he did dwell,
Am
C
F
C
He had a beautiful daughter, the truth to you we'll tell,
Am
E
Am
E
Oh, the truth to you we'll tell.
Am
file:///C|/olga_main/f-g/g/grateful_dead/let_it_grow.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Let it grow
10
8
-|-|-|-|-|-|-|-|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|-|I
10
8
-|-|-|-|-|-|-|o|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|-|C
12
10
-|-|-|-|-|-|-|o|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|-|D(I)
9
6
-|-|-|-|-|-|-|o|-|-|-|o|-|-|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|-|II
9
7
-|-|-|o|-|-|o|-|-|-|-|-|-|o|-|-|-|-|o|-|-|-|-|o|-|-|-|-|o|-|Bmin 7
7
5
-|-|-|-|-|-|-|-|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|-|A(I)
9
7
-|-|-|-|o|-|-|o|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|o|B
7
5
-|-|-|-|o|-|-|-|-|o|-|-|o|-|-|-|-|o|-|-|-|-|o|-|-|-|-|-|-|o|D(II)
7
5
-|-|-|-|o|-|-|o|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|o|A(II)
5
3
-|-|-|-|o|-|-|-|-|o|-|-|o|-|-|-|-|o|-|-|-|-|o|-|-|-|-|-|-|o|C(II)
4
2
-|-|-|-|o|-|-|-|-|o|-|-|o|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|-|o|Bmin
5
2
-|-|-|-|o|-|o|-|-|-|-|-|o|-|-|-|-|-|-|o|-|-|-|o|-|-|-|-|-|o|IV
10
8
-|-|-|-|o|-|-|o|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|o|C(III)
12 10
-|-|-|-|o|-|-|-|-|o|-|-|o|-|-|-|-|o|-|-|-|-|o|-|-|-|-|-|-|o|G(II)
12 10
-|-|-|-|o|-|-|o|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|o|D(III)
7 6
-|-|-|-|-|-|-|-|o|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|-|-|-|-|-|-|VI
10
7
-|-|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|-|-|o|-|-|-|-|-|-|-|-|-|-|VII
6 5
-|-|-|-|-|-|-|-|-|-|-|-|-|-|o|-|-|-|o|-|-|-|-|-|o|-|-|-|-|-|A 7
9
7
-|-|-|-|o|-|-|-|-|o|-|-|o|-|-|-|-|o|-|-|-|-|-|-|o|-|-|-|-|o|III
(some kind of E chord)
9
7
-|-|-|-|o|-|-|-|-|o|-|-|o|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|-|o|Emin
5 4
-|-|-|-|-|-|-|-|o|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|-|-|-|-|-|-|V
7
5
5
3
-|-|-|-|o|-|-|-|-|o|-|-|o|-|-|-|-|o|-|-|-|-|x|-|-|-|-|x|-|-|-|-|o|-|-|-|-|o|-|-|-|-|-|-|o|-|-|-|-|o|-|-|-|-|o|-|-|-|-|o|VIII
IX
(A suspended something) (same thing with G)
file:///C|/olga_main/f-g/g/grateful_dead/let_it_grow.crd
5
3
-|-|-|-|o|-|-|o|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|o|G(I)
I
I
II
II
Morning comes, she follows the path to the river shore.
I
I
II
II
Like the sun, her song is the latch on the morning's door.
I
C(I)
See the sun sparkle in the reeds;
I
C(I)
Bmin 7 D(I)
Silver beads fasten to the seeds.
D(I)
D(I)
A(I)
A(I)
She comes from the town where she's known as the woodcutter's daughter,
A 7
A7
D(I)
D(I)
She's brown as the bank where she kneels down to gather her water,
D(I)
D(I)
Bmin 7
She bears it away with the love that the river has taught her.
I
I
C(I)
III
Let it flow, let it flow, wide and clean.
I
I
II
'Round and 'round, the cut of the plough and the furrowed field
I
I
II
Seasons 'round, the bushels of corn and the barley meal
I
C(I)
Broken ground, open and beckoning
I
C(I)
Bmin 7
D(I)
To the stream, black dirt live again!
D(I)
D(I)
A(I)
A(I)
The ploughman is broad as the back of the land that he's sowing
A 7
A 7
D(I)
D(I)
As he dances the circular track of his plough ever knowing
D(I)
D(I)
Bmin 7
That the work of his days measures more than just the planting and growing.
I
I
II
III
Let it grow, let it grow, let me heal.
-REFRAINIII
B
D(II) A(II) Emin
What shall we say, shall we call it by a name?
C(II)
G(I)
Bmin
As well to count the angels dancing on a pin.
III
B
D(II)
A(II)
Emin
Water bright as the sky from which it came
D(II)
A(II)
Its name is on the earth and takes it in
G(I)
IV
Emin
It will not speak but stand inside the rain.
C(II) G(I)
Bmin
Emin
Listen to the thunder shout
I
I
C(I)
I AM, I AM, I AM
III
I AM.
D(II)
file:///C|/olga_main/f-g/g/grateful_dead/let_it_grow.crd
*then*
I
I
II
II
So it goes, we make what we make since the world began,
I
I
II
Nothing more than the love of woman, and the work of man.
I
C(I)
Seasons 'round, creatures great and small,
I
C(II)
Bmin 7
D(I)
Up and down, as they rise and fall
D(I)
C(III)
G(II)
D(III)(play twice as long as D(I),
Rise and fall.
then continue the pattern of
the last three chords for a
while until)...
I I I II (repeat three measures of I, one measure II another while
until) ...
V
VI
VII, V
VIII
A(II)
III
III
VI
IX
VII, V
G(II)
VI
VII
(repeat 4X)
-REFRAINThe final jam is just like the first, only it starts from the I
part, ending with a slow fade on the III chord.
Sorry for making you read and print this twice.
CHINACAT
II
file:///C|/olga_main/f-g/g/grateful_dead/looks_like_rain.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
LOOKS LIKE RAIN
by the Grateful Dead
Transcription notes:
->
Walk down to (A Gm F#m)
~>
Slide to (4nd fret to 9th fret)
E
A
->
F#m
I woke today, felt your side of bed,
E
B
C#m ~> F#m E
The covers were still warm where you'd been laying.
E
C#m Dmaj9 A
->
F#m
You were gone,
my heart was filled with dread.
E
B
C#m ~> F#m E
You might not be sleeping here again.
Chorus:
Dmaj9
A
F#m
D
A E
But its all right, I love you. That's not gonna change.
F#m
B
E
G#sus4 G# C#m
Run me round, make me hurt again and again.
C#m
B
A
But I'll still sing you love songs.
E
A
B
G#
C#m A
Written in the letters of your name.
E
E (D bass) ->
A
->
F#m
And brave the storm to come, for it surely looks like rain.
E
A
->
F#m
Did you ever listen to the sound, of street cats making love,
E
B
C#m ~> F#m E
And guess from their cries that you were listening to them fight?
E
C#m Dmaj9 A
->
F#m
Well you know,
hate's just the last thing they're thinking of.
E
B
C#m ~> F#m E
They're only trying to make it through the night.
(Instrumental Chorus)
E
A
->
F#m
I only want to hold you, I don't want to tie you down,
E
B
C#m ~> F#m E
Or fence you in the lines I might have drawn.
E
C#m Dmaj9 A
->
F#m
It's just that I've gotten used to having you around.
E
B
C#m ~> F#m E
My landscape would be empty if you were gone.
(Chorus)
E
E (D bass) ->
A
->
F#m
And brave the storm to come, for it surely looks like rain.
(from David Stern <David_Stern@qmrelay.mail.cornell.edu>)
file:///C|/olga_main/f-g/g/grateful_dead/loser.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Loser
If I had a gun for every ace I've drawn
I could arm a town the size of Abiliene.
Don't you push me baby because I'm all alone,
You know I'm only in it for the gold.
All
and
You
and
chorus:
Last fair deal in the country (sweet suzy),
Last fair deal in the town.
Put your gold money where your luck is baby,
Before you let my deal go down, go down.
Don't
Cause
Don't
Gonna
file:///C|/olga_main/f-g/g/grateful_dead/loser.crd
measure somewhere.
file:///C|/olga_main/f-g/g/grateful_dead/lost_sailor.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: U270009@UNIVSCVM.CSD.SCAROLINA.EDU (black.peter@scarolina.edu)
Subject: CRD: Lost Sailor -- Grateful Dead
Lost Sailor -- Grateful Dead
(Barlow, Weir)
F#m
Bm F#m
Bm F#m
Bm Em
Compass card is spinning, helm is swinging to and fro,
F#m Bm
F#m
Bm F#m Bm Em
Oh where is the dog star, oh where is the moon?
A AddG
D
Em
A
F#m Bm F#m Bm X2
You're a lost sailor, been way too long at sea.
Somedays the gales are howling, sometimes the sea is still as glass.
Oh raise the mainsail, oh lash the mast.
You're a lost sailor, been way too long at sea.
Bm
Em
Bm
A AaddG
F#m
F
A
Now the shorelines beckon, there is a price for being free.
AddG
G#m
There's a seabird cryin' and there's a ghost wind blowing,
B Bdropb
And it's calling you to that misting swirling sea.
G#m
Till the chains of your dreams are broken,
A AddG
There's no place in this world you can be.
F#m
file:///C|/olga_main/f-g/g/grateful_dead/man_smart_women_smarter.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: U270009@UNIVSCVM.CSD.SCAROLINA.EDU (black.peter@scarolina.edu)
Man Smart, Women Smarter -- Grateful Dead
Intro/Song:
(N. Span)
D -- A -- D
Let us put men and women together to see which one is smarter,
Some say men but I say no! The women got the men like a puppet show.
It ain't me, it's the people who say,
The men are leading the women astray.
But I say that the women today
Are smarter than the men in every way.
That's right,
That's right,
That's right,
The women are
file:///C|/olga_main/f-g/g/grateful_dead/me_and_my_uncle.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Return-Path: <TPLBA@aol.com>
Sender: "TPLBA" <TPLBA@aol.com>
To: guitar@nevada.edu
Date: Tue, 28 Jun 94 17:23:29 EDT
Subject: Grateful Dead, Me And My Uncle.tab
This cowboy comp style can be used for dozens of songs. This is one way
somebody showed me how to play it. Another disclaimer: the words aren't
perfect, either. I tried to take them off the record, but...
-----------------------------cut here------------------Me and My Uncle
John Phillips
C
Am
|--------------0----------|--------------0-----0---|
|--------------1-----1----|--------------1-----1---|
|--------------0-----0----|--------------3-----3---|
|--------------2-----2----|------------------------|
|-0--1--2--3------------3-|-3--2--1--0-----------0-|
|-----------------3-------|----------------0-------|
C
Am
|--------------0----------|--------------0-----0---|
|--------------1-----1----|--------------1-----1---|
|--------------0-----0----|--------------3-----3---|
|--------------2-----2----|------------------------|
|-0--1--2--3------------3-|-3--2--1--0-----------0-|
|-----------------3-------|----------------0-------|
C
Am
|--------------0----------|--------------0-----0---|
|--------------1-----1----|--------------1-----1---|
|--------------0-----0----|--------------3-----3---|
|--------------2-----2----|------------------------|
|-0--1--2--3------------3-|-3--2--1--0-----------0-|
|-----------------3-------|----------------0-------|
C
D
Am
E
|----0-----0----|------------2-----2-----2---|----------------|---------------|
|----1-----1----|------------1-----1-----1---|-----------1----|---------------|
|----0-----0----|------------2-----2-----2---|--------2-----2-|-----------1---|
|----2-----2----|---------------0-----0------|-----2----------|--------2-----0
-|
|-3-----------3-|--2--3--5-------------------|--0-------------|----2----------|
|------3--------|----------------------------|----------------|-0-------------|
Am (let ring)
repeat ad nauseam
|--0-------------|
|--1-------------|
|--2-------------|
|--2-------------|
file:///C|/olga_main/f-g/g/grateful_dead/me_and_my_uncle.tab
|--0-------------|
|----------------|
Me and My Uncle
John Phillips
C
Am
Me and my uncle went ridin' down
C
Am
To South Colorado, west Texas bound
C
Am
We stopped over in Santa Fe,
C
D
that day on the pony, just about half way
Am
E
Am
Hey and you know it was the hottest part of the day
I took the horses up to the stall,
Went to the barroom, ordered drinks for all
Three days in saddle, you know my body hurt.
It being Summer, I took off my shirt
And I tried to wash off some of that dusty dirt.
West Texas cowboys, they was
Wheat liquor and money, they
So soon after payday, no one
You know my uncle, he starts
(Hey!) a hollow Jack and the
all around,
loaded down.
seemed ashamed.
playin' the game.
winner take the hand.
file:///C|/olga_main/f-g/g/grateful_dead/mexicali_blues.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Tue, 5 Dec 1995 11:47:12 -0500 (EST)
From: Steve Comeau <scomeau@cnct.com>
Subject: Mexical Blues, Grateful Dead - Chords
Also, many thanks for maintaining OLGA. I've used it many times.
is my first submission and I hope to send more.
This
file:///C|/olga_main/f-g/g/grateful_dead/mexicali_blues.crd
Dsus4
EADGBe
xxx233
A
EADGBe
xx222x
G
EADGBe
355433
D9
EADGBe
xxx23x
B
EADGBe
224442
G(open)
EADGBe
32xxx3
Em
EADGBe
x22xxx
-Steve Comeau
scomeau@cnct.com
file:///C|/olga_main/f-g/g/grateful_dead/might_as_well.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: U270009@UNIVSCVM.CSD.SCAROLINA.EDU (black.peter@scarolina.edu)
Might As Well -- Grateful Dead
(Hunter, Garcia)
C
Bb
Great North Special with you all on board,
F
Eb
You can't find a ride like that no more.
D
The night the chariot swung down low,
G
G7
Ninety-nine children had a chance to go.
One long party from front to end,
Tune to the whistle goin' 'round the bend,
No great hurry, what do you say?
Might as well to be every way.
C
Bb
Might as well, might as well (might as well, might as well)
F
Eb
Might as well, might as well (might as well, might as well)
D
G
Might as well, might as well (might as well, might as well)
F
C
F
F# G
Might as well, might as well (might as well)
F
C
F
F# G
Might as well, might as well (might as well)
Ragtime slowly for twenty-five miles,
Then switch over to Cajun style.
Bar car blowing rhythm and blues,
Rock and roll wailing from the old caboose.
Long train running from coast to coast,
Bringin home a party when you need it most.
Work on the boxcar, beat on the bell.
Nothing else shaking so you might just as well.
Might as well...
(C, G)
Bb F
Never had such a good time in my life before,
(F#, G)
Bb
I'd like to have it one time more.
F
E9
file:///C|/olga_main/f-g/g/grateful_dead/might_as_well.crd
Whoa!
A
Bb
F
F# C
I'd like to take that ride again, again.
Ran out of track and I caught the plane,
Back in the country with the blues again.
Great North Special been on my mind,
I might like to ride it just one more time.
Might as well...
file:///C|/olga_main/f-g/g/grateful_dead/mission.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
I think the words here are pretty undisputed, since they're easy
to pick out. I put in almost no single note riffs because 1) I'm
typing this from memory, and 2) I only have one tape of this
song (Boston Music Hall, '76 I think). My attempt to construct
the opening base line from memory is sporadic at best - people
who know better are urged to speak up.
Also, anyone feel free to offer chord alternatives. The A(c# bass)
after "turned around to see" might be a C#m or an F#m... I'm only
certain about the bass there (when I play it, A sounds best).
For anyone who missed my Built to Last posting, hyphens and elipses
are for syntactic clarity and have no musical meaning.
Bm - C#7 - F#m
C#7
Em
G
I turn and walk away, then I come around again.
D
A
C#7
F#m
It looks as though tomorrow I'll do pretty much the same.
C#7
Em
G
I must turn down your offer, but I'd like to ask a break
D
A
C#7
F#m - F#
You know I'm ready to give everything for anything I take
Bm - C#7 - D....
(bass: b-c#-e-c#-b-lower e)
A... D-A...
D-E
D
A
D
A(c# bass)
Someone called my name, you know I turned around to see
Bm
E
A
D
E
It was midnight in the Mission, and the bells were not for me.
D
..E.. Bm
C#m
D
A
Come again,
walking along in the Mission in the rain
G
D
Bm
C#m
D
A
D...
Come again, walking along in the Mission in the rain.
Ten years ago I walked this street, my dreams were riding tall.
Tonight I would be thankful Lord for any dream at all.
Some folks would be happy just to have one dream come true,
But anything you gather is just more that you can lose,
Come again... (chorus repeat)
All the things I planned to do I only did halfway,
Tomorrow will be Sunday born of rainy Saturday
There's some satisfaction in the San Francisco rain,
No matter what comes down the Mission always looks the same
Come again... (chorus repeat, keep repeating)
Bm - C#m - D - E - A (oooh...)
I have chords for Picasso Moon, but not all the riffs yet. If even
one single person writes and asks me to post them, I will. Does
anyone have authoritative words for that song? I have a strange
copy with "Oooh, we're just dancin'..." all over it.
----------------------------------------------------------Paul Anderson
file:///C|/olga_main/f-g/g/grateful_dead/mission.crd
pha@reed.UUCP,
tektronic!ogccse!reed!pha
file:///C|/olga_main/f-g/g/grateful_dead/morning_dew.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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Subject: Grateful.Dead; Morning Dew
To: jamesb@nevada.edu
Date: Fri, 17 Dec 93 18:20:17 EST
X-Mailer: ELM [version 2.3 PL11]
Morning Dew
Intro: (Repeat a few times)
C
F
D
|-----------------|-----------------|
|-----------------|-----------------|
|-----------------|2----------------|
|---------3-----0-|--0--------------|
|-0-2-3------2-3--|-----------------|
|-----------3-----|-----------------|
D
Walk me out....
Walk me out....
C
in the morning
in the morning
G
D
dew.....my honey...
dew.....
today...
F
C
Em
D
Can't walk you out... in the morning dew... my honey...
Can't walk you out... in the morning,dew...
today..
This pattern repeats for every verse, and the jam is the second
pattern. So is the "guess it doesn't matter...."
Any corrections or additions welcome.
file:///C|/olga_main/f-g/g/grateful_dead/new_speedway_boogie.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: healy@nosc.mil (Mike Healy)
Subject: Re: REQ: Grateful Dead "New Speedway Boogie"
Ah yes, at the end of their acoustic set, before Jerry would play
pedal steel with the New Riders, he would break out an
electric guitar and twang into that opening lick ...
Here's a start from memory:
New Speedway Boogie (in memory of Altamont)
Am
G
Am
Please don't dominate the rap Jack, if you got nothin' new to say.
And also please, don't back up the tracks, this train's got to run today.
Am
G
Am
I spent a little time on the mountain, spent a little time on the hill.
Am
C
D
Like some say, better run away; others say you better stand still.
Am
Am
Now I don't know but I been told that it's hard to run with the
weight of gold
Am
G
On the other hand, I've heard it said, it's just as hard with the
D
weight of lead
Am
C
Am
Who can deny, who can deny, it's not just a change of style.
One step done and another begun, and I wonder how many miles.
Am
G
Am
I spent a little time on the mountain, spent a little time on the hill,
I saw things getting out of hand but I guess they always will.
Am
G
Am
Well, I don't know, but I've been told in the heat of the sun a man
died of cold
Am
G
D
Keep on comin' or stand and wait with the sun so dark and the hour so late.
Am
G
Am
You can't overlook the lack, Jack, of any other highway to ride,
It's got no signs or dividing lines, and very few rules to guide.
Am
G
Am
Now I don't know but I've been told if the horse don't pull you
got to carry the load.
Am
D
file:///C|/olga_main/f-g/g/grateful_dead/new_speedway_boogie.crd (1 of 2) [4/28/2003 9:54:01 PM]
file:///C|/olga_main/f-g/g/grateful_dead/new_speedway_boogie.crd
I don't know whose back`s that strong; maybe find out before too long.
Am
One way or another, one way or another, this darkness has got to give.
Mike Healy
healy@nosc.mil
file:///C|/olga_main/f-g/g/grateful_dead/ripple.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: BJCURRY@MECHANICAL.watstar.uwaterloo.ca (Brent Curry)
Subject: CRD:Ripple by the Grateful Dead
After posting a request for Chords or Tab to Ripple I got two
great responses through private e-mail. The first came from
Prashant Andrade (andrade@elm.circa.ufl.edu)
Ripple by Grateful Dead
G
C
>If my words did glow with the gold of sunshine,
C
G
>and my tunes were played on the harp unstrung,
G
C
>would you hear my voice come thru the music,
D
C
G
>would you hold it near as it were your own?
>
>It's a hand-me-down,
>the thoughts are broken,
>perhaps they're better left unsung.
>I don't know, don't really care,
>let there be songs to fill the air.
>
Am
D
>Ripple in still water,
C
>when there is no pebble tossed,
Am
D
>nor wind to blow.
>
>Reach out your hand if your cup be empty,
>if your cup is full may it be again,
>let it be known there is a fountain,
>that was not made by the hands of men.
>
>There is a road, no simple highway,
>Between the dawn and the dark of night,
>and if you go no one may follow,
>that path is for your steps alone.
>Ripple in still water,
>when there is no pebble tossed,
>nor wind to blow.
>
>You who choose, to lead must follow,
>but if you fall you fall alone,
>if you should stand then who's to guide you?
>If I knew the way I would take you home.
Then I got mail from John Lockney who not only gave me the chords
(which are similar to Prashant's) but he also gave me some tablature.
Ripple by the Grateful Dead
sent by "John Lockney! (bs cmsc)" <jlockn1@umbc.edu>
file:///C|/olga_main/f-g/g/grateful_dead/ripple.crd
(G)
If my words did glow
(C)
with the gold of sunshine
and my tunes, were played
(G)
on the harp unstrung
would you hear my voice
(C)
come through the music,
(G)
(D)
would you hold it near
(C)
(G)
as it were your own
(same chords for next verse)
Chorus:
5th string 3 3 2
(Am)
Ripple
(D)
in still water
(C)
(G)
WHen there is no peble tossed
(Am)
(D)
no wind, to blow,
Verse:
It's a hand me down....
This is the intro riff that leads into the verse:
(G)
e-----------------------b-----------------------g-----------------------d------------------------0
a----2---------2----3----e--------3---------------Hope this helps you out. (It sure did. Thank's John.)
-----------------------------------------------------------------------------Brent Curry
file:///C|/olga_main/f-g/g/grateful_dead/ripple.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: jh@cadre.com (Joe Hartley)
Subject: PRO: Ripple - GDead (was: Re: REQ: G Dead - Ripple)
Here's what I have. There's another version floating around
with these chords and someone's tab, but I can't find that on my
machine right now.
{t:Ripple}
{st:The Grateful Dead}
{c:Intro}
[G]
[C]
[G]
[D]
[C]
[G]
If my words could glow with the glow of [C]sunshine
And my tunes were played on the harp un[G]strung
Would you hear my voice come through the [C]music?
Would you [G]hold it [D]near [C]as it were your [G]own?
It's a hand-me-down; the thoughts are [C]broken
Perhaps they're better left un[G]sung.
I don't know; don't really [C]care
[G]Let there be [D]songs [C]to fill the [G]air.
{soc}
[Am]Ripple in still [D]water
Where there [G]is no pebble [C]tossed
Nor [A]wind to [D]blow
{eoc}
Reach out your [G]hand if your cup is [C]empty
If your cup is full, may it be a[G]gain
Let it be known there is a [C]fountain
[G]That was not [D]made [C]by the hand of [G]men
There is a road no simple [C]highway
Between the dawn and the dark of [G]night
And if you go no one may [C]guide you
[G]That path is [D]for [C]your steps a[G]lone
{c:Chorus}
You must [G]choose to lead or [C]follow
But if you fall you fall [G]alone
And if you stand then who's to [C]guide you?
[G]If I knew the [D]way, [C]I would take you [G]home.
{c:Verse chords over the hum; everybody sing!}
La-n-da-da-da-daa......
-==========================================================================
Joe Hartley - jh@cadre.com - Cadre Technologies, Inc.
Without deviation from the norm, "progress" is not possible. - Frank Zappa
... and in sports, Shoemaker-Levy 9, Jupiter 10.
file:///C|/olga_main/f-g/g/grateful_dead/ripple.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: walker2@ix.netcom.com (Matt Dickson)
So this is my first fledgling attempt at tabbing. Any constructive
criticism will be
appreciated. The rhythm and bars may be a little hard to decipher, since
there is some
syncopation in the melody, i.e., lead-ins to the one beat, but bear with
me. Again, criticism is
welcome here, too, and if there is a faq or instruction on writing tab,
I would be interested in
directions to it.
The melody line is mixed in among the chords and the trick is getting
the melody note to
stand out over the rest of the chord by either hitting that string a
little harder, or omitting the
notes on the higher strings so they don't drown it out. Play around with
it, that's what I do. I tried
to approximate the strumming under te melody as best i could -- You
know the groove, though,
it has a slow shuffle feel, with the bass at 1 and 3 and the chords on
the 2 beat and right before three if you think of it in terms of
4/4...the idea is
to get as many of those in as you can without sacrificing the melody
line.
Anyway, here it is as I play it:
Prost
Matt
Ripple intro, Grateful Dead, American Beauty Album,
|-----------------------|-----3--------------|-----------------------|-----------------------|-----0-----0--1--0--|-----------------------|-----------------------|--0--0-----0--0--0--|-----------------------|--------------------0--|-----0-----0--2--0--|-----------------------|--2-----2-----3--------|-----2--------------|-----------------------|-----------------------|-----3--------------|------------------------
---------------------|----------------------|------------------------------------0-----0--|-----1-------------1--|------------------------------0--0-----2-----|--0--0-------------0--|---------------------------------------------|-----2--------0h2--2--|---------------------------------------------|-----3-------------3--|------------------------3--------------------|----------------------|-------------------------
--------------------------|-------------------|----------------------------1-------------------|-----1-------------|----------------------------0----------------0--|-----0-----0h2--0--|----------------------------2-----------0h2-----|-----2-------------|----------------------3-----------3-------------|--3--3-------------|------------------------------------------------|-------------------|-----------------------
file:///C|/olga_main/f-g/g/grateful_dead/ripple.tab
---1--------------|--1--------------|-----------------|-----------------0-----------0--|--0--0-----------|-----------------|-----------------2-----0--2-----|--2--------2-----|--------------0--|--------------3--3--------------|--3--------------|--2--2-----3-----|--------------------------------|--------------0--|--3--------------|---------------
---3--------------|-----------------------|----------------|------------0-----0--1--0--|-----------0--------0--|-----1-------1--|---------0--0-----0--0--0--|--0-----0-----2--------|--0--0-------0--|------------0-----0--2--0--|-----------------------|-----2--0h2--2--|------------2--------------|-----------------------|-----3-------3--|------------3--------------|-----------------------|----------------|----------
------------|--------------------|-----2-------------------|---------------------|--0-----0-----1-----|-----3-------------------|------------0--0--2--|--0-----0-----0-----|--2--2-------------------|------------2--0--2--|--0-----0-----2-----|-----0-----------------0h|---------3--3--2--0--|--2-----------------|-------------------------|---------------------|--3--3--------------|-------------------------|----------
======================================================================
==
Created with the a shareware version of the BUCKET 'O TAB
==
==
tablature creation software for Windows
==
==
For more information:
==
==
email: gse@ocsystems.com
==
== US Mail: The Bucket, 3176-B5 Summit Square Dr., Oakton, VA 22124 ==
======================================================================
file:///C|/olga_main/f-g/g/grateful_dead/rosemary.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
Date: Tue, 24 Dec 1996 14:29:45 -0800
From: Insane Carnation <catfood3@ix.netcom.com>
Subject: Chords to "Rosemary" by the Grateful Dead
Here are the chords to the Grateful Dead's song "Rosemary".
Lyrics by Robert Hunter/Music by Jerry Garcia.
>From the album "Aoxomoxoa".
Chords figured by Insane Carnation. catfood3@ix.netcom.com
Upon listening to this song the lyrics are fuzzy due to the wonderful
filter on the vocals, giving it that creepy haunting sound. i have found
no less than three different "official" words to the first line, some
funnier than others. "Swath of heaven..." to (what i hear) "Scents of
heather...", the one here is from Hunter's book _Box of Rain_. That, to
me, is the final word, aye?
i also found that the chords listed in a certain music book are
very close, but not exact. Perhaps neither are mine, but here they are.
As always, corrections are welcome...
E (7th fret)
D (5th fret)
Her boots were of leather, a breath of cologne
A
Bm
A
E
Her mirror was the window, she sat quite alone.
E
F#
All around her the garden then grew
A
Bm
A
E
Scarlet and purple and crimson and blue.
E
D
She came and she went and at last went
A
Bm
A
Her garden was sealed when the flowers
E
F#
On the wall of the garden a legend did
A
Bm
A
"No one may come here since no one may
away
E
decayed.
say:
Bm
stay_____."
file:///C|/olga_main/f-g/g/grateful_dead/rosemary.lyr
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: bcurry@hpb.hwc.ca (Brent Curry)
Subject: LYR: Rosemary by the Grateful Dead
Please add Tab if you know it.
ROSEMARY
by the Grateful Dead
Boots were of leather
A breath of cologne
Her mirror was a window
She sat quite alone
All around her
the garden grew
scarlet and purple
and crimson and blue
She came and she went
and at last went away
The garden was sealed
when the flowers decayed
On the wall of the garden
a legend did say:
No one may come here
since no one may stay.
file:///C|/olga_main/f-g/g/grateful_dead/rubin_and_cherise.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Rubin & Cherise
(Garcia, Hunter)
Intro:
B F# E
B F# E F#
B
F#
E
B
F#
Cherise was brushing her long hair gently down
F# B
F#
E
E
B
F#
It was the afternoon of carnival; As she brushes it gently down,
B
F#
E
B
F#
Rubin was strumming his painted mandolin.
F#
B
F#
E
B
F#
E
It was inlaid with a pretty face in jade; Played the carnival parade.
(verse 2)
Cherise was dressing as Pirouette in white
When a fatal vision gripped her tight; Cherise beware tonight.
Rubin, Rubin tell me truly true.
I feel afraid and I don't know why I do. I there another girl for you?
C#m
F#
B
If you could see in my heart, you would know it's true.
B
C#m B C#m B
A
Ab
There's none Cherise except for you, except for you.
C#m
B
F#
B
B
F#
E
I'd swear to it on my very soul, if I lie may I fall down cold.
E E E E; E E E E F#
(verse 3)
When Rubin
The breeze
Masquerade
Like waves
(chorus 2)
Looking out at the crowd, who is standing there?
Sweet Ruby Claire at Rubin stared, at Rubin stared.
She was dressed as Pirouette in red and her hair hung gently down.
(verse 4)
The crowd pressed round, Ruby stood as though alone.
Rubin's song took on a different tone, and he played it just for her.
The song he played was the carnival parade,
Each note cut a thread of Cherise's fate, it cut through like a blade.
(verse 5)
Rubin was playing his painted mandolin,
When Ruby froze and turned to stone, for the strings played all alone.
The voice of Cherise from the face of the mandolin,
Singing Rubin Rubin tell me true, for I have no one but you.
(Chorus 3)
If you could see in my heart, you would know it's true.
There's none Cherise except for you, except for you.
I'd swear to it on my very soul, if I lie may I fall down cold.
(verse 6)
file:///C|/olga_main/f-g/g/grateful_dead/rubin_and_cherise.crd
file:///C|/olga_main/f-g/g/grateful_dead/saint_stephen.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From uunet!haven.umd.edu!wam.umd.edu!usenet Tue Aug 11 15:36:07 PDT 1992
Article: 1489 of alt.guitar.tab
Newsgroups: alt.guitar.tab
Path: nevada.edu!uunet!haven.umd.edu!wam.umd.edu!usenet
From: stretch@next16pg2.wam.umd.edu (Erik Rowland Janus)
Subject: Re: WANTED: Saint Stephen by Grateful Dead
Message-ID: <1992Aug11.184330.299@wam.umd.edu>
Sender: usenet@wam.umd.edu (USENET News system)
Nntp-Posting-Host: next16pg2.wam.umd.edu
Organization: Workstations at Maryland, University of Maryland, College Park
References: <rzlucy.9.713515089@hikos.rz.uni-konstanz.de>
Date: Tue, 11 Aug 1992 18:43:30 GMT
Lines: 40
In article <rzlucy.9.713515089@hikos.rz.uni-konstanz.de>
rzlucy@hikos.rz.uni-konstanz.de (Dierk Lucyga) writes:
> Does anybody know the chords of this song. I heard it on
> "Live/Dead" and loved it immeditely. It sounds very "scottish" :-)
St. Stephen! St. Stephen! Hey Garcia, play St. Stephen!
Actually, the main body of this song is very easy, it is the part that
starts with the words ...
"Lady finger dipped in moonlight..."
that is more difficult,
but anyhow....
E
D
A
E
St. Stephen with a rose, in and out of the garden he goes
E
D
A
E
Country garden in the wind and the rain, wherever he goes the people all
complain.
E
D
A
E
Stephen prospered in his time, well he may and he may decline
E
D
A
E
B
Did it matter? Does it now? Stephen would answer if he only knew how.
E
D
A
E
Wishing well with the golden bell, bucket hanging clear to hell
E
D
A
Hell halfway twixt now and then, Stephen filled it up and lowered it down
and lowered it down again
Ladyfinger.....
That is the basics....
Oh yeah, the song that follows it on "Live/Dead" is
"The Eleven",
which of course is in 11/4 time, and goes something like this
E
1
A
1
B
1
A
1
Enjoy!
Stretch @wam.umd.edu
file:///C|/olga_main/f-g/g/grateful_dead/scarlet-fire.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Scarlet/Fire
Garcia/Hunter
Intro starts with B.
As I was walking round Grosvenor square.
E
B
Not a chill to the winter but a nip to the air
E
B
From the other di- rec -tion She was calling my eye;
A
E
B
A
E
It could be an il-lu - sion but I might as well try, might as well try
A
E B
A
E
B
(Music keeps same pattern through next verses)
She had rings on her fingers and bells on her shoes
And I knew without asking she was into the blues.
She wore Scarlet Begonias, tucked into her curls.
I knew right away she was not like other girls, other girls.
In the thick of the evening when the dealing got rough
She was too pat to open and too cool to bluff.
As I picked up my matches, and was closing the door
I had one of those flashes, I'd been there before, been there before.
Well I aint often right but I've never been wrong,
F
Seldom turns out the way it does in the song.
B
A
E
Once in a while you get shown the light
F
in the strangest of places, if you look at it right
B
A
E
F
A B
Well there aint nothing wrong with the way she moved
Or scarlet begonias or a touch of the blues.
And there's nothing wrong with the look that's in her eye
I had to learn the hard way, to let her pass by, let her pass by
(Chords stay same behind lead break)
The wind and the willows played "Tea for two"
The sky was yellow and the sun was blue
Strangers stopping strangers, just to shake their hand
Everybody's playing, in the heart of gold band, heart of gold band
(Song jams in B for a while, and eventually moves into Fire on the
Mountain riff, which is B to A and repeat over and over again)
Long distance runner, what you standin there for
Get up get out, get out of the door.
Your'e playing cold music on the bar room floor.
Drowned in your laughter and dead to the core.
There's a dragon with matches, that's loose on the town
Takes a whole pail of water, just to cool him down
file:///C|/olga_main/f-g/g/grateful_dead/scarlet-fire.crd (1 of 2) [4/28/2003 9:54:04 PM]
file:///C|/olga_main/f-g/g/grateful_dead/scarlet-fire.crd
file:///C|/olga_main/f-g/g/grateful_dead/scarlet_begonias.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: U270009@UNIVSCVM.CSD.SCAROLINA.EDU (black.peter@scarolina.edu)
Scarlet Begonias -- Grateful Dead
(Hunter, Garcia)
E
B
A
As I was walkin' down Grosvenor Square,
E
B
Not a chill to the winter but a nip to the air,
A
E B
A
E
From the other direction she was calling my eye,
A
E B
A
E
B
A
Could be an illusion but I might as well try, might as well try.
She had rings on her fingers and bells on her shoes,
And I knew without askin' she was into the blues.
She wore scarlet begonias tucked into her curls,
I knew right away she was not like other girls, other girls.
In the heat of the evening when the dealin' got rough,
She was too pat to open and too cool to bluff.
As I picked up my matches and was closin' the door,
I had one of those flashes, I'd been there before, been there before.
F#
Well I ain't often right but I've never been wrong,
B
A
E
Seldom turns out the way it does in the song.
F#
Once in a while you get shown the light
B
A
E
In the strangest of places if you look at it right.
Well there ain't nothin' wrong with the way she moves,
All scarlet begonias or a touch of the blues.
And there's nothing wrong with the look that's in her eyes
I had to learn the hard way to let her pass by, let her pass by.
The wind in the willow's playing "Tea for Two,"
The sky was yellow and the sun was blue,
Strangers stopping strangers just to shake their hand,
Everybody's playing in the heart of gold band, heart of gold band.
As always, could someone please send this and the others to Nevada? Thanks a
million, and remember any requests for GDead songs send private email and I'll
post 'em here!
file:///C|/olga_main/f-g/g/grateful_dead/she_belongs_to_me.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: joshb@cc.gatech.edu (Joshua Bardwell)
Subject: updated "she belongs to me"
Date: Sat, 30 Dec 1995 15:04:21 -0500 (EST)
------------------------------------------------------------------------------From: gt6234b@prism.gatech.edu (Joshua Bardwell)
Subject: CRD: She Belongs to Me -- Bob Dylan/Grateful Dead
Here's the chords to this song. I figured it out from a the version
played by Bob Weir, Phil Lesh, and Jerry Garcia on "Backstage Pass" so
it might not be entirely true to the Dylan version (which i've never heard)
but I bet it's not far off...
Note: When I write [D-G-D] I mean for you to play this -v v
^ v ^
v v
v
^
1 and-a 2 and 3 four and-a
D D
D D G
G D
D
D
Intro: One measure each -- D D E G D
[D]
[D]
[D]
[G]
she got everything she needs, she's an [G] artist, she don't look [D] back
she got [G] everything she needs, she's an artist, she don't look [D] back
she can take the [E] dark out of the night time
paint the daytime black
you'll start out standing, vow to steal her anything she sees
you'll start out standing, vow to steal her anything she sees
you'll wind up peekin' through a keyhole, down upon your knees
she never stumbles, got no place to fall
she never stumbles, got no place to fall
she's nobody's child, lord can't touch her at all
she wears an egyptian ring, sparkles before she speaks
she wears an egyptian ring, sparkles before she speaks
she's a hypnotist collector, you are a walking antique
bow down to her on sunday, salute her when her birthday comes
bow down to her on sunday, salute her when her birthday comes
for halloween give her a trumpet, for christmas, give her a drum
<repeat first verse and close>
Enjoy!
------------------------------------------------------------------------------Joshua Bardwell
| "May be going to hell in a bucket, baby
Internet: gt6234b@prism.gatech.edu | But at least I'm enjoying the ride!"
------------------------------------------------------------------------------
file:///C|/olga_main/f-g/g/grateful_dead/ship_of_fools.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
From: kflood@asimov.oit.umass.edu
Date: Fri, 12 Jan 1996 20:39:59 -0500
Subject: /pub/guitar/g/grateful dead/ship of fools.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is a symbology interpreting an emotional instant in time that
this file's
creator has been fortunate enough to experience. It is the file creator's
own symbology
and is based upon the contemporaneous and recorded experience of the
emotional instants
in time entitled "Ship of Fools" by the creators of the experience and
represents my
reduction to symbols of the said emotional instants in time. You may use
this file
as you see fit to.
#-----------------------------------------------------------------------------##
Ship of Fools (Robert Hunter-Jerome Garcia(rest easy jerry))
------------[NOTE: CAN (AND FOR AUTHENTICITY SHOULD) BE PLAYED A WHOLE STEP DOWN BY
SUITABLE TRANSPOSITION TO THE APPROPRIATE BAR CHORDS (C-->Bb, G-->F, etc.) -BELOW IS THE MOST CONVENIENT OPEN CHORD RENDITION FOR ACOUSTIC GUITAR.]
IMPORTANT NOTE: I don't know the name of the chord labeled "?" below; it is
played: low E, A - not played
D - 1st fret
G - 2nd fret
B - 1st fret
high E - 2nd fret
(It's like a DM7 but with a D# replacing the fundamental on the D string; it
can also be played
by moving up the neck so that the D and B string are played on the 4th, 7th,
or 10th fret,
keeping the same relative structure.)
C
G
F
?
Went to see the captain, strangest I could find,
C
EM7
F
Em
Dm
G
laid my proposition down, laid it on the line -G
F
C
Em
I won't slave for beggar's pay, likewise gold and jewels,
(optional)
F
(D)
C
G
but I would slave to learn the way to sink your ship of
C
Ship of
G
F
fools on a cruel sea,
C
ship of
G F
fools sail away from me.
Dm
F
fools.
Am
file:///C|/olga_main/f-g/g/grateful_dead/ship_of_fools.crd
Am
?
It was later than I thought when I first believed you,
F
G
F
G
F
have played it at least these two ways
now I cannot share your laughter, ship of fools.
file:///C|/olga_main/f-g/g/grateful_dead/ship_of_fools.lyr
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: BJCURRY@MECHANICAL.watstar.uwaterloo.ca (Brent Curry)
Subject: LYR: Ship of Fools by Grateful Dead Please add TAB or CRD
If anyone has the tab or chords to this song please add them.
Ship of Fools
------------Went to see the captain, strangest I could find,
laid my proposition down, laid it on the line.
I won't slave for beggar's pay, likewise gold and jewels,
but I would slave to learn the way to sink your ship of fools.
Ship of
fools on a cruel sea,
ship of fools sail away from me.
It was later than I thought when I first believed you,
now I cannot share your laughter, ship of fools.
Saw your first ship sink and drown, from rockin of the boat,
and all that could not sink or swi
m was just left there to float.
I won't leave you drifting down, but woh it makes me wild,
with thirty years upon my head to have you call me child.
Ship of fools on a cruel sea,
ship of fools sail away from me.
It was later than I thought when I first b
elieved you,
now I cannot share your laughter, ship of fools.
The bottles stand as empty, as they were filled before.
Time there was and plenty, but from that cup no more
Though I could not caution all, I still might warn a few
Don't lend your hand to ra
ise no flag atop no ship of fools.
Ship of fools on a cruel sea,
ship of fools sail away from me.
It was later than I thought when I first believed you,
now I cannot share your laughter, ship of fools.
It was later than I thought when I first believed y
ou,
now I cannot share your laughter, ship of fools.
-----------------------------------------------------------------------------Brent Curry
file:///C|/olga_main/f-g/g/grateful_dead/slipknot.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
From: ad985@yfn.ysu.edu (Nicholas Zuccaro)
slipkmot intro
e:8--\----------------------------------|
B:10-\---------5------------------------|
G:10-\------6-----6---------------------|
D:-----6/8-----------8--6---------------|
A:--------------------------------10-8--|
E:-------------------------8--h11-------|
e:-----------------------------------------------|
B:--------------------------13-------------------|
G:--------------------11-14----14-11-------------|
D:--------10-8--10-13----------------13----------|
A:-8--h11-------------------------------12-9-----|
E:--------------------------------------------11-|
e:--------------------------------------------|
B:--------------------------------------------|
G:--------------------------------------------|
D:-12-10-------12-10--------------------12-10-|
A:-------10-13-------------12-10--10-13-------|
E:-------------------10-13--------------------|
e:--------------------------------------|
B:-------------15-----------------------|
G:-------13-16----16-13----13-----------|
D:-12/15----------------15----15-12-----|
A:----------------------------------14--|
E:--------------------------------------|
e:---------------17-14--------------------15-12----------------------------|
B:------------17-------17-15--17-14-------------15-12----------------------|
G:------14-16-----------------------16-14-------------14-11--12-9----------|
D:--/16------------------------------------------------------------12-9----|
A:----------------------------------------------------------------------12-|
E:-------------------------------------------------------------------------|
file:///C|/olga_main/f-g/g/grateful_dead/slipknot.tab
Am jam...
outro..
e:-----------------------------------------|------------|-----------------|
B:-----------------------------------------|------------|-----------------|
G:-------9--7---------9--7-----------------|------------|-----------------|
D:-7--10-------7--10--------10-7-----9--7--|------------|-------11-9--7---|
A:--------------------------------10-------|------------|-12-10-----------|
E:-----------------------------------------|------------|-----------------|
--------8<----------------ad985@yfn.ysu.edu------------8<------------------"Hustlers of the world, there is one mark
\ The Zen master says to the
you cannot beat: the mark inside"
\ hot dog vendor: make me
-William S. Burroughs, Naked Lunch
\
one with everything
file:///C|/olga_main/f-g/g/grateful_dead/standing_on_the_moon.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: gt6234b@prism.gatech.edu (Joshua Bardwell)
In article <396rlb$7bh@m.ehd.hwc.ca> bcurry@hpb.hwc.ca (Brent Curry) writes:
>Please add chords or tab if you know them.
>
>STANDING ON THE MOON
>
Standing On the Moon
-------------------Words by Robert Hunter
Music by Jerry Garcia
CHORDS: (Duplicate chords indicate optional fingerings)
G : 3 2 0 0 0 3
Am : x 0 2 2 1 0
F# : 2 4 4 3 2 2
C
: x 3 2 0 1 0
G/B : x 2 x 0 3 3
F
: x x 3 2 1 1
D : x x 0 2 3 2
F# : x x 4 3 2 2
F : 1 3 3 2 1 1
Intro: G G G C D D D C G G G C
[D]
Standing
Standing
Standing
Standing
on
on
on
on
the
the
the
the
[G]
moon,
moon,
moon,
moon,
I got
I see
I see
where
[D]
Standing
Standing
Standing
Standing
on
on
on
on
the
the
the
the
[G]
moon,
moon,
moon,
moon,
I'm
I see the
the stars go
but I would
[D]
Gulf of Mexi
metal flag be
hear a cry of
Somewhere in San
[C]
The
Old
A
just
[G]
co, as
side me someone
victory, a
Francisco, on a
[G]
coast of Cali
Glory standing
scrap of age old
looking up at
[D]
[G]
cobweb on my shoe.
battle rage below.
shadow on the sun.
cheap and vision true.
no
the
a
talk is
[D]
fornia
stiffly
lulla
heaven
[C]
feeling so alone and blue. I see the
soldiers come and go. There's a
fading one by one. I
rather be with you.
[C]
tiny as a
planted long a
nother of de
back porch in Ju
[G]
must be
Crimson
by down
at this
[G]
tear.
go.
feat.
ly,
[C]
somewhere over here,
white and indigo,
some forgotten street.
crescent in the sky,
[C]
[G]
[C]
over
here.
indi
go.
<no lyrics -- play chords and then go to BRIDGE>
in the sky. <go to FINALE>
BRIDGE:
[C]
[D]
[Am]
[D]
[Am]
I see all of Southeast Asia, I can see El Salva dor.
[G]
[C]
[G/B]
[Am]
[D]
[D]
I hear the cries
[Am]
file:///C|/olga_main/f-g/g/grateful_dead/standing_on_the_moon.crd
[D]
[Am] [G/B] [C]
rings down from the sky.
Standing here upon the moon, I
[G]
[D] [G]
[C] [G/B]
[Am]
watch it all roll by, all roll by, all roll by,
[G]
[F] [F#] [G] [C]
all roll by.
FINALE:
[D]
[C]
[G]
Standing on the moon, with nothing left to do.
[D]
[G]
[C]
heaven, but I'd rather be with you.
[C] [G]
A
lovely view of
[G]
[D]
[G]
A lovely view of heaven, but I'd
[C]
[G] [C]
[D]
[C]
[G]
rather be with you, be with you, be with you. I'd rather be with you.
------------------------------------------------------------------------------Joshua Bardwell
| "May be going to hell in a bucket, baby
Internet: gt6234b@prism.gatech.edu | But at least I'm enjoying the ride!"
------------------------------------------------------------------------------
file:///C|/olga_main/f-g/g/grateful_dead/standing_on_the_moon.lyr
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: bcurry@hpb.hwc.ca (Brent Curry)
Subject: LYR: Standing On The Moon by the Grateful Dead
Please add chords or tab if you know them.
STANDING ON THE MOON
by the Grateful Dead
Standing on the moon
I got no cobweb on my shoe
Standing on the moon
I'm feeling so alone and blue
I see the Gulf of Mexico
As tiny as a tear
The coast of California
Must be somewhere over here
Over here
Standing on the moon
I see the battle rage below
Standing on the moon
I see the soldiers come and go
There's a metal flag beside me
Someone planted long ago
Old Glory standing stiffly
Crimson, white and indigo
Indigo
I see all of Southeast Asia
I can see El Salvador
I hear the cries of children
And the other songs of war
It's like a mighty melody
That rings down from the sky
Standing here upon the moon
I watch it all roll by
All roll by
Standing on the moon
With nothing else to do
A lovely view of heaven
But I'd rather be with you
Standing on the moon
I see the shadow on the sun
Standing on the moon
The stars go fading on by one
I hear a cry of victory
And another of defeat
A scrap of age-old lullaby
Down some forgotten street
Standing on the moon
Where talk is cheap and vision true
Standing on the moon
But I'd rather be with you
Somewhere in San Francisco
file:///C|/olga_main/f-g/g/grateful_dead/standing_on_the_moon.lyr
file:///C|/olga_main/f-g/g/grateful_dead/stella_blue.crrd
|A
|
|
|
|B
Stella Blue
Verse 1
All the years combine
They melt into a dream
A broken angel sings
from a guitar
In the end there's just a song
Comes crying like the wind
Through all the broken dreams
and vanished years
chorus:
Stella Blue
Verse 2
When all the cards are down
There's nothing left to see
There's just the pavement left and broken dreams
In the end there's still that song Comes crying like the wind
Down every lonely street that's ever been
chorus:
Stella Blue
bridge:
I've stayed in every blue-light cheap hotel
Can't win for trying
Dust off those rusty strings just one more time
Gonna make 'em shine
Verse 3
It all rolls into one
And nothing comes for free
There's nothing you can hold for very long
And when you hear that song
Come crying like the wind
Seems like all this life
Was just a dream
chorus:
Stella Blue
Garcia/Hunter, written at the Chealsea Hotel, NYC, 1970.
>From the album After the Flood, 1973
file:///C|/olga_main/f-g/g/grateful_dead/stella_blue.crrd
file:///C|/olga_main/f-g/g/grateful_dead/sugar_magnolia.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: U270009@UNIVSCVM.CSD.SCAROLINA.EDU (black.peter@scarolina.edu)
Sugar Magnolia -- Grateful Dead
(Barlow, Weir)
A
D
A
G
E
A
Sugar magnolia, blossoms blooming, heads all empty and I don't care.
A
C#m
F#m
Saw my baby down by the river,
E
D
A
E
Knew she had to come up soon for air.
A
E
G
D
Come on out singing I'll walk you in the sunshine,
D
A
E
Come on honey, come along with me.
file:///C|/olga_main/f-g/g/grateful_dead/sugar_magnolia.crd
I wander around.
B
E
B F#
E
B
Sunshine daydream, walking in the tall trees,
B
E
B F# E
B
Going where the wind goes, blooming like a red rose,
Ride out singin', I'll walk you in the morning sunshine, sunshine daydream...
file:///C|/olga_main/f-g/g/grateful_dead/tennessee_jed.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: ad503@freenet.carleton.ca (Frederick Clark)
TENNESSEE JED - GRATEFUL DEAD
Co7: x3x242
Dm7: x00211
C7: 3x2310
C G C G C
C
G C
Cold iron shackles, ball and chain.
Drink all day and rock all night.
I run into Charlie Fog.
F
G
C
G C
Listen to the whistle of the evenin' train.
The law come to get you if you don't walk right.
Blacked my eye and he kicked my dog.
C
Co7
Dm7
C7
You know you bound to wind up dead
Got a letter this mornin', baby and all it read:
My doggie turned to me and he said.
C
F
G
C
G C
if you don't head back to Tennessee Jed.
"You better head back to Tennessee Jed."
"Let's head back to Tennesse Jed."
C
G C
Rich man step on my poor head.
I dropped four flights and cracked my spine.
I woke up feelin' mean.
F
G
C
G C
When you get back, you better butter my bread.
Honey, come quick with the iodine.
I went down to play the slot machine.
Co7
Dm7
C7
Well you know it's like I said:
Catch a few winks, baby, under the bed.
The wheels turned around and the letters read,
C
F
G
C
you better head back to Tennessee Jed.
Then you head back to Tennessee Jed.
"You better head back to Tennessee Jed."
Bb F G C
F
C
G
F
Tennessee, Tennessee, there ain't no place I'd rather be.
C
G
F
Baby won't you carry me
C
G
F
G C
back to Tennessee.
-From: Harlan L Thompson <harlant@uhunix.uhcc.Hawaii.Edu>
TENNESSEE JED- The Grateful Dead
RIFF: 2(4bend up) 2(3) 2(1) 3(2) 4(0h2) 4(0) 5(3) 6(3) C
file:///C|/olga_main/f-g/g/grateful_dead/tennessee_jed.tab
C RIFF C RIFF
C
RIFF
Cold iron shackles, ball and chain
F
G
C
RIFF
Listen to the whistle of the evenin' train
C
Co7
Dm7
C
C7
You know you bound to wind up dead
F
G
C
RIFF
If you don't head back to Tennessee Jed
C
RIFF
Rich man step on my poor head
F
G
C
RIFF
When you get back, you better butter my bread
Co7
Dm7
C C7
Well you know it's like I said:
F
G
C
you better head back to Tennessee Jed
CHORUS:
Bb F G C
F
C
G
F
Tennessee, Tennessee, there ain't no place I'd rather be
C
G
F
C
G
F
RIFF
Baby won't you carry me
back to Tennessee
Drink all day and rock all night
The law come to get you if you don't walk right
Got a letter this mornin', baby and all it read:
"You better head back to Tennessee Jed"
I dropped four flights and cracked my spine
Honey, come quick with the iodine
Catch a few winks, baby, under the bed
Then you head back to Tennessee Jed ...CHORUS
I run into Charlie Fog
Blacked my eye and he kicked my dog
My doggie turned to me and he said
"Let's head back to Tennesse Jed"
I woke up feelin' mean
I went down to play the slot machine
The wheels turned around and the letters read
"You better head back to Tennessee Jed"...CHORUS
Co7: x3x242
Dm7: x00211
C7: 3x2310
NOTE: This is exactly the same as the previous posting except that I
perfer this format and I thought others might too.
(from Europe 72, 1972)
(sent by Harlan at harlant@hawaii.edu)
file:///C|/olga_main/f-g/g/grateful_dead/the_golden_road.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
The Golden Road
McGannahan Skjellyfetti
See that girl barefootin along Whistling and singing
D
C6
G
She's a carrying on
Got laughin in her eyes, dancing in her feet
D
C6
She's a neon light diamond she can live on the street.
F
C
G
D
Hey, hey come right away. Come and join the party every day
D
C6
G
D
Hey, Hey, come right away Come and join the party every day
D
C6
G
D
(Music stays same for 2nd verse)
Well, everybodys dancing to a ring around the sun
Nobody's finished, we aint even begun
So take off your shoes, child, take off your hat
Try on your wings and find out where it's at.
Chorus (Hey, Hey...)
Take a vacation, fall out for a while
Summers comin in and it's goin out a style.
Well, lie down smoking, honey have yourself a ball,
cause your mothers down in Memphis,
Won't be back till the fall.
Chorus (Hey, Hey...) repeated several times. Ending consists of
D to F7-9/Bflat.
(Song typed in by Curt Wilson, ST9996@SIUCVMB.SIU.EDU or
ST9996@SIUCVMB.BITNET) Always looking for more tunes of any sort.
Feel free to send any interesting material, especially Dead tunes,
Pink Floyd songs, popular folk songs, Dylan songs, campfire tunes,
etc.
file:///C|/olga_main/f-g/g/grateful_dead/the_wheel.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Harlan L Thompson <harlant@uhunix.uhcc.Hawaii.Edu>
THE WHEEL- The Grateful Dead
CHORUS:
D
G
The wheel is turning and you can't slow down
D
G
You can't let go and you can't hold on
D
G
You can't go back and you can't stand still
C
F
G
If the thunder don't get you then the lightning will
C F G C F G
BRIDGE:
C
F
G
Won't you try just a little bit harder
C
F
G
Couldn't you try just a little bit more
C
F
G
Won't you try just a little bit harder
C
F
G
Couldn't you try just a little bit more
D
Round, round, robin run around
A
Gotta get back to where you belong
D
A little bit harder just a little bit more
A
D
A little bit farther than you gone before
CHORUS
G
C
Small wheel turning by the firing
G
C
Big wheel turning by the grace of
G
C
D
Every time that wheel turn round
G
Bound to cover just a little more
(n.c.)
Bound to cover just a little more
CHORUS
D
rod
D
God
ground
ground
BRIDGE
(from the first Jerry Garcia solo album, Garcia, 1972)
(sent by Harlan at harlant@hawaii.edu)
file:///C|/olga_main/f-g/g/grateful_dead/throwing_stones.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: "Abe Klagsbrun" <ask@zso.dec.com>
Date: Sun, 19 Nov 1995 23:19:47 -08:0
Subject: CRD: Throwing Stones - Grateful Dead
THROWING STONES
Performed by the Grateful Dead on the Album In the Dark
By: Weir/Barlow
This version chorded by: Abe Klagsbrun AKlagsbrun@msn.com
11/18/95
INTRO - A RIFF
Bm
A
E
A
Bm
G
A
Picture a bright blue ball just spinning spinning free,Dizzy with eternity
Em7
A
Em7
Painted with a skin of sky brush in some clouds and sea
Bm
A
Call it home to you and me
Bm
A
E
A
A peaceful place or so it looks from space.
Bm
G
A
A closer look reveals the human race
Em7
A
Em7
Full of hope full of grace is the human face
Bm
A
But afraid we may lay our home to waste
E
D
A
E
D
A
There's a fear down hear we can't forget. Hasn't got a name just yet
E
D
A
E
D
A
Always awake always around, singing' ashes ashes all fall down
Bm
A
E
A
Now watch the ball revolves as the nighttime falls
Bm
G
A
And again the hunt begins, and again the blood wind calls
Em7
A
Em7
By and by again, the morning sun will rise.
Bm
A
But the darkness never goes from some men's eyes
Bm
A
E
A
It strolls the sidewalks and it rolls the streets
Bm
G
A
Staking turf dividing up meat
Em7
A
Em7
Bm
A
Nightmare spook peace of heat, you and me, you and me
E
D
A
E
D
A
Flash switch blade in the ghetto night. Rudies looking for a fight
E
D
A
E
D
A
Ratcat alley roll them bones, need that cash to feed that jones
E
D
A
And the politicians throwing stones
E
D
A
E
Singing ashes ashes all fall down. Ashes ashes all fall down
C#m
A
E
Commissars and pinstripe bosses roll the dice.
Bm
A
E
E
Anyway they fall guess who gets to pay the price?
file:///C|/olga_main/f-g/g/grateful_dead/throwing_stones.crd
E
A
E
Bm
A
G A
Money green or proletarian grey, selling guns instead of food today
E
D
A
So the kids they dance and shake their bones
E
D
A
And the politicians throwing stones
E
D
A
E
Singing ashes ashes all fall down. Ashes Ashes all fall down.
Bm
A
E
Heartless powers try to tell us what to
Bm
G
If the spirit's sleeping then the flesh
Em7
A
History's page will be neatly carved in
Bm
A
The future's here, we are it, we are on
A
think
A
is ink
Em7
stone
our own.
A D A JAM
C#m
A
E
If the game is lost, then we're all the same.
Bm
A
E
A
No one left to place or take the blame
E
A
E
We will leave this place an empty stone
F#m
Bm
A
Or a shining ball of blue we can call our home
E
D
A
So the kids they dance and shake their bones
E
D
A
And the politicians throwing stones.
E
D
A
E
Singing ashes ashes all fall down. Ashes ashes all fall down
Shipping powders back and forth.
Singing black goes south and white comes north
And the whole world full of petty wars.
Singing I got mine and you got yours
While the latest fashions set the pace.
Lose your step fall out of grace
The radical he rant and rage.
Singing someone got to turn the page
And the rich man in his summer home.
Singing just leave well enough alone.
But his pants are down, his covers blown.
And the politicians throwing stones
So the kids they dance and shake their bones
Cause it's all too clear we're on our own
Singing ashes ashes all fall down, Ashes ashes all fall down
Bm
A
E
A
Picture a bright blue ball just spinning spinning free.
Bm
G
A
It's dizzying, the possibilities.
Ashes ashes all fall down ....
file:///C|/olga_main/f-g/g/grateful_dead/till_the_morning_comes.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Harlan L Thompson <harlant@uhunix.uhcc.Hawaii.Edu>
TILL THE MORNING COMES- The Grateful Dead
E D A
E D A
E G D
A
Till the morning comes, it'll do you fine
E G D
A
Till the morning comes, like a highway sign
E
D
Showing you the way, leaving no doubt
A
E
D
A
Of the way on in or the way back out
CHORUS:
E7+9
A7 E7+9
A7
Tell you what I'll do, I'll watch out for you
B7+5
B7
E7
A7
D
You're my woman now, make yourself easy
Dm
Am (Bm7) E
Make yourself easy, make yourself easy
Till we all fall down, it'll do you fine
Don't think about what you left behind
The way you came or the way that you go
Let your tracks be lost in the dark and snow ...CHORUS
When the shadows grow, it'll do you fine
When the cold winds blow, it'll ease your mind
The shape it takes could be yours to chose
What you may win, what you may lose ...CHORUS
Bm
A
E
You're my woman now (make yourself easy)
REPEAT AND FADE
E7+9: x 0 2 1 3 3
B7+5: x 2 1 2 0 3
file:///C|/olga_main/f-g/g/grateful_dead/touch_of_gray.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
rose@psych.toronto.edu>
Date: Wed, 27 Jul 94 21:40:52 EST
To: guitar@nevada.edu
Subject: touch_of_grey.crd
Touch of Grey
Grateful Dead
Intro - B F# B F# C# G# C# G# (X2)
B
F#
B E
A
E
Must be getting early, clocks are running late,
F#
B
E
First light of the morning sky, looks so phony.
B
F#
B
E
A
E
Dawn is breaking everywhere, not a candle, cursed the glare,
F#
B
E
Draw the curtains, I don't care, 'cause it's alright.
Chorus
F#
I
F#
I
F#
I
B
E
will get by,
B
E
will get by,
B
A E F#
will bet by,
E
A E
I will survive.
I see
Yes I
Sorry
Every
B F# B F#
you got your fist out, say your piece and get out,
get the gist of it, but it's alright.
that you feel that way, the only thing there is to say,
silver lining's got a touch of grey.
Chorus
C#m
It's a lesson
D#m
A#
The ABC's, we
C#m
It's a lesson
D#m
A#
The ABC's, we
F#
C#m
F#
to me, the eagles and the beggars and the seas
C#m
F#
all must face, try to keep a little grace.
F#
C#m
F#
to me, the delta's and the east and the freaks,
C#m
F#m
all think of, try to create a little love
No more rabbit's in out ears, the dog has not been fed in years,
It's even worse than it appears, but, it's alright.
Coward's given kerosene, he can't read at seventeen,
The words he knows are all obscene, but, it's alright.
Chorus
The shoe is on the hand it fits, there's really nothing much to it,
Whistle through your teeth and spit, 'cause, it's alright.
Oh well a touch of grey, kind of suits you anyway,
That's all I have to say, but, it's alright.
Chorus
file:///C|/olga_main/f-g/g/grateful_dead/touch_of_gray.crd (1 of 2) [4/28/2003 9:54:08 PM]
file:///C|/olga_main/f-g/g/grateful_dead/touch_of_gray.crd
file:///C|/olga_main/f-g/g/grateful_dead/touch_of_grey.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: bcurry@hpb.hwc.ca (Brent Curry)
Subject: CRD: Touch of Grey by the Grateful Dead
I took this out of the archives and put in the correct lyrics.
~From: rose@psych.toronto.edu
Touch of Grey
Grateful Dead
Intro - B F# B F# C# G# C# G# (X2)
B
F#
B E
A
E
Must be getting early, clocks are running late,
F#
B
E
Paint-by-number morning sky, looks so phony.
B
F#
B
E
A
E
Dawn is breaking everywhere, light a candle, curse the glare,
F#
B
E
Draw the curtains, I don't care, 'cause it's alright.
Chorus
F#
I
F#
I
F#
I
B
E
will get by,
B
E
will get by,
B
A E F#
will bet by,
E
A E
I will survive.
B F# B F#
I see you've got your list out, say your piece and get out,
Yes I get the gist of it, but it's all right.
Sorry that you feel that way, the only thing there is to say,
Every silver lining's got a touch of grey.
Chorus
C#m
F#
C#m
F#
It's a lesson to me, the Ables and the Bakers and the Cs
D#m
A#
C#m
F#
The ABCs we all must face, and try to keep a little grace.
C#m
F#
C#m
F#
It's a lesson to me, the deltas and the east and the freeze
D#m
A#
C#m
F#m
The ABCs, we all think of, try to give a little love
I know the rent is in arrears, the dog has not been fed in years,
It's even worse than it appears, but it's all right.
Cows giving kerosene, kid can't read at seventeen,
The words he knows are all obscene, but it's all right.
Chorus
The shoe is on the hand it fits, there's really nothing much to it
file:///C|/olga_main/f-g/g/grateful_dead/touch_of_grey.crd
Whistle through your teeth and spit, 'cause, it's all right.
Oh, well, a Touch of Grey, kind of suits you anyway
That was all I had to say, it's all right.
I will get by, I will get by
I will get by, I will survive
We will get by, we will get by
We will get by, we will survive
file:///C|/olga_main/f-g/g/grateful_dead/truckin.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Received: from animal-farm.nevada.edu by redrock.nevada.edu (5.65c/M1.4)
with SMTP id <AA19616>; Sat, 22 May 1993 13:57:17 -0700
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id AA22576; Sat, 22 May 93 16:56:35 EDT
Date: Sat, 22 May 93 16:56:35 EDT
Message-Id: <9305222056.AA22576@freenet.carleton.ca>
From: ad503@freenet.carleton.ca (Frederick Clark)
To: jamesb@animal-farm.nevada.edu
Subject: Grateful Dead - Truckin'
Reply-To: ad503@freenet.carleton.ca
TRUCKIN'
Bsus4: x2445x
- GRATEFUL DEAD
Amaj7: x02120
E
A
Truckin' got my chips cashed in, keep truckin' like the doo-dah man
Dallas got a soft machine, Houston too close to New Orleans,
Truckin like the doo-dah man once told me "You got to play your hand.
B
Bsus4 A
E
together more or or less in line just keep truckin' on.
New York got the ways and means, but just won't let you be.
Sometimes the cards ain't worth a dime if you don't lay 'em down.'
E
Arrow of neon and flashing marquees out on Main Street
Most of the cats that you meet on the street speak of truelove.
Chicago, New York, Detroit and it's all the same streeet.
Most of the time they're sittin' and cryin' at home.
(A?)
Your typical city involved in a typical daydream,
One of these days they know they gotta get goin'
E
hang it up and see what tomorrow brings.
out of the door and down to the street all alone.
A
Sometimes the lights all
A
D
other times I can barely
D
B
F#
Lately it occurs to me,
Amaj7
what a long strange trip
G D A
shinin' on me,
A
G D A
see.
E
it's been.
E
What in the world ever became of sweet Jane?
Sittin' and starin' out of the hotel window,
You're sick of hangin' around, and you'd like to travel.
She lost her sparkleU you know she isn't the same.
got a tip they're gona kick the door in again.
Get tired of travelin', you wanna settle down.
file:///C|/olga_main/f-g/g/grateful_dead/truckin.tab
(A?)
Livin' on reds, vitamin C and cocaine,
I'd like to get some sleep before I travel,
I guess they can't revoke your soul for tryin',
E
all a friend can say is "Ain't it a shame."
but if you got a warrant I guess you're gonna come in.
get out of the door, light out and look all around.
E
A
Truckin' up to Buffalo, been thinkin' you got to mellow slow.
Busted down on Bourbon Street. Set up like a bowlin' pin.
Truckin; I'm a-goin' home, whoa, whoa, baby back where I belong.
B
Bsus4 A
E
Takes time, you pick a place to go, just keep trukin' on.
Knocked down, it gets to wearin' thin, they just won't let you be.
Back home, sit down and patch my bones and get back truckin' on.
-Frederick Summerfield Clark
ad503@Freenet.carleton.ca
-or- 608316@acadvm1.uottawa.ca
University of Ottawa, Canada
file:///C|/olga_main/f-g/g/grateful_dead/unbroken_chain.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
Date: Tue, 31 Dec 1996 15:27:22 -0500 (EST)
From: Gregory EISENBERG <tele@cs.mcgill.ca>
Anyway the piece is pretty straight foward, of course listening
to it over and over will help.
The * is just to show you that the verses are almost the same,
except the line marked with the *
The ** means this chord is played in a bar with a funky meter
probably somethig like 3/8 but I am not totally sure.
Also the outro I am not completely sure of, but I think
I am close.
Unbroken Chain
-------------Am
C
Dm
F
Blue light rain,
Csus4
C
well unbroken chain,
Am
Eb
*
Looking for familiar faces
F
Em
G
C/G
in an empty window pane.
Am
Dm
Fsus4
Listening for the secret,
Csus4
Am
searching for the sound
C
G/B
Am
But I could only hear the preacher
G
F
Em
and the baying of his hounds.
Am
C/G G
Dm
F
Willow sky, woh,
Csus4
C
I walk and wonder why,
F
G
*
They say love your brother,
F
Em
G
C/G
but you will catch it when you try.
Dm
Roll you
Csus4
drop you
C
Ride you
G
and nail
||:
Am
Fsus4
down the line poor boy,
Am
for a loss,
G/B
Am
out on the cold railroad
F
Am
you to a cross.
C
Fsus4
:|| 4 times
file:///C|/olga_main/f-g/g/grateful_dead/unbroken_chain.crd
Am
Dm
F
November and more,
Csus4
C
as I wait for the score,
Dm7
Cmaj7
*
They're telling me forgiveness
F
Em
G
C/G
is the key to every door.
Dm
Fsus4
A slow winter day
Csus4
Am
a night like forever
C
G/B
sink like a stone,
G
F
Em
float like the feather.
||:
Cm7
C
Fmaj7
Fsus4
Dm7
Am
Am
Dm
Dm
:|| 4 times
Em**
Gsus4
Cm7
Fmaj7
Lilac rain, unbroken chain
Dm7
Em** G
Gsus4
Song of the Saw-Whet owl.
Cm7
Fmaj7
Out on a mountain, it'll drive you insane
Dm7
Em** G
Gsus4
Listening to the winds howl.
Cm7
Unbroken
Dm7
Unbroken
Cm7
Unbroken
Dm7
Unbroken
Fmaj7
chain of sorrow and pearls,
Em**
G
chain of sky and sea.
Fmaj7
chain of the western wind,
Em**
G
chain of you and me.
Outro:
A7
Bm
A
C
Em
Em
Gsus4
Am/G
D9
Cmaj7
D7
C
Em
Bm
(or something like this!!)
Gsus4
G
file:///C|/olga_main/f-g/g/grateful_dead/unbroken_chain.lyr
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: BJCURRY@MECHANICAL.watstar.uwaterloo.ca (Brent Curry)
Subject: LYR: Unbroken Chain by the Grateful Dead
If anyone has Tab or Chords to this song, Please add.
Unbroken Chain
-------------Blue light rain,
well unbroken chain,
Looking for familiar faces
in an empty window pane.
Listening for the secret,
searching for the sound
But I could only hear the preacher
and the baying of his hounds.
Willow sky, woh,
I walk and wonder why,
They say love your brother,
but you will catch it when you try.
Roll you
drop you
Ride you
and nail
chain
chain
chain
chain
of
of
of
of
-----------------------------------------------------------------------------Brent Curry
file:///C|/olga_main/f-g/g/grateful_dead/uncle_johns_band.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Uncle John's Band
3 2
-|-|o|-|-|-|-|-|o|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|o|-|-|G
4
2
-|-|-|o|-|-|-|-|o|-|-|o|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|-|o|-|Bmin
3
1
-|-|-|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|-|-|-|-|-|-|o|-|-|-|-|-|C
3 2
-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|o|-|-|-|o|-|-|-|-|-|o|-|D
2
-|-|-|-|-|-|-|-|o|-|-|-|-|o|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|Emin
3
1
-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|o|-|-|-|o|-|-|-|-|-|-|o|Dmin
3 2
-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|o|-|-|-|o|-|-|-|-|-|-|-|I
3 2
-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|o|-|-|-|o|-|-|-|-|-|x|-|II
2 1
-|-|-|-|-|-|-|-|-|-|-|-|-|o|-|-|-|-|o|-|-|-|-|-|o|-|-|-|-|-|Amin
G
C
G
Oh, the first days are the hardest days, don't you worry any more,
G
C
G
'Cause when life looks like Easy Street there is danger at your door.
Amin
Emin C
D
Think this through with me; let me know your mind.
C
D
G
D
C G
D
G
Whoa-oh, what I want to know-oh, is are you kind.
G
C
G
It's a buck dancer's choice, my friend, better take my advice;
G
C
G
You know all the rules by now, and the fire from the ice.
Amin
Emin C
D
Will you come with me, won't you come with me?
C
D
G
D
C
G
D
G
Whoa-oh, what I want to know-oh, will you come with me?
G
C G
Amin
G
D
God damn! well I declare! Have you seen the like?
D
C
G
D
C
D
Their walls are built of cannonballs, their motto is "Don't tread on me".
G
C
Amin
G
D
Come hear Uncle John's band playing by the riverside,
C
G
D
C
D
Got some things to talk about, here beside the rising tide.
G
Bmin
Bmin
Bmin
Bmin
G
C
G
It's the same story the crow told me, it's the only one he knows;
G
C
G
Like the morning sun you come, and like the wind you go.
Amin
Emin
C
D
Ain't no time to hate, barely time to wait.
C
D
G
D
C
G
D
G
file:///C|/olga_main/f-g/g/grateful_dead/uncle_johns_band.crd
Dmin
I II
I II
I II
Dmin
Dmin
I II
II
C
G
Whoa-oh, what I want to know-oh, how does the song go?
(A capella)
Come hear Uncle John's band by the riverside
Got some things to talk about, here beside the rising tide.
G
C
Amin
G
D
Come here Uncle John's band playing to the tide,
C
G
D
C
D
Come on along or go alone, he's come to take his children home.
Dmin
G
C
Dmin G
C
Dmin G
C
I
La lala lala, la lala lala, la lala lalaaaaa......
"Oooooooooo, you ztoopeed rrabbeet, zee plans zey arre *rrueened*!!"
"Hey, Daffy, they love ya, they want more!"
"I know, I know, but I can only do it once!"
CHINACAT
file:///C|/olga_main/f-g/g/grateful_dead/victim_or_the_crime.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Mon, 25 Sep 95 05:17:53 0800
From: Joe Melloy <jmelloy@SIRIUS.COM>
Subject: Victim Or The Crime
Thanks to Jolie Goodman, we have a start on this little ditty from Bob
Weir.
Victim or the Crime
(Graham/Weir)
file:///C|/olga_main/f-g/g/grateful_dead/victim_or_the_crime.crd
file:///C|/olga_main/f-g/g/grave/day_of_mourning.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
from parrott@cachuma.callutheran.edu
Grave - "Day Of Mourning" (From the album "Into The Grave" and
a demo verson on the EP "...And Here I Die...Satisfied")
One of the best death metal bands out there! "...Grave" is heavy
as hell, "You'll Never See..." LP is great too, so is the EP.
Drop guitars to C G C
Intro:
E
B
G
C
G
C
------------------------|
------------------------|
------------------------|4
-11-1-0---0-11-1-0-1-3--|x
-11-1-0-0---11-1-0-1-3--|
-11-1-0-----11-1-0-1-3--|
E
B
G
C
G
C
--------------|
--------------|
--------------|8
-----0--------|x
---0----------|
-0-----0-1-3--|
E
B
G
C
G
C
-------------|
-------------|
-------------|2
-0--8--4--6--|x
-0--8--4--6--|
-0--8--4--6--|
Verse:
E
B
G
C
G
C
--------------------------------------------------------------------------------------------------------------------------0000000000000-1-3-000000000000000-3-1---0000000000000-1-3-000000000000000-3-1---0000000000000-1-3-000000000000000-3-1--
Chorus:
E
B
G
C
G
C
-----------------------------------------------------------------0000-7777-11111111---0000-7777-11111111---0000-7777-11111111--
--------------------------|
--------------------------|
--------------------------|8
--------------------0000--|x
--------------------0000--|
--0-1-3-4-3-1-0-1-3-0000--|
file:///C|/olga_main/f-g/g/grave/day_of_mourning.tab (1 of 2) [4/28/2003 9:54:10 PM]
file:///C|/olga_main/f-g/g/grave/day_of_mourning.tab
E
B
G
C
G
C
-------------------------|
-------------------------|
-------------------------|4
-------------------------|x
---------0----------1----|
--0-00-0---0-1-11-1---1--|
E
B
G
C
G
C
--------------------------|
--------------------------|
--------------------------|8
--------------------0000--|x
--------------------0000--|
--0-1-3-4-3-1-0-1-3-0000--|
file:///C|/olga_main/f-g/g/gravity_kills/blame.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 7 Nov 1996 18:34:11 -0800
From: Miriam Fernando <lasanthi@ix.netcom.com>
Subject: TAB: BLAME BY GRAVITY KILLS
Blame by Gravity Kills
Tabbed By Shirantha Fernando
Okay heres my version of this song
Intro
e--------------------------b--------------------------g--------------------------d-0-0-0-5-5-5/7------------a-0-0-0-5-5-5/7------------e-0-0-0-3-3-3/5------------Verse
PM---e-------------------------b-------------------------g-------------------------d-2-2-2-2-----------------a-2-2-2-2-----------------e-0-0-0-0-----------------Pre- Chorus
e------------------------------------b------------------------------------g------------------------------------d-2-2-2-2-5-5-5-5-4-4-4-4-7-7-7-7----a------------------------------------e-0-0-0-0-3-3-3-3-2-2-2-2-5-5-5-5----Chorus
e--------------------------b--------------------------g--------------------------d-0-0-0-5-5-5/7------------a-0-0-0-5-5-5/7------------e-0-0-0-3-3-3/5-------------
and the solos are just pentatonic scale 1 on the 12th fret in the key
of E
with a lot of noises/wah/effects which i sure as hell ain't gonna type
out.
file:///C|/olga_main/f-g/g/gray_dobie/drift_away.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 15:28:17 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./g/gray_dobie/drift_away.crd
"Drift Away"
(Mentor Williams)
Intro:
B F#/B E/B F#/B B
F#7sus B
v
v
v
v
v
v
v
v
-----------------|-----------------|---4---7-9---7---4-|-----------------|---4---6-9---6---4-|------------4--4-|---4---8-9---8---4-|-----------2-----|-------------------|----------4------|-------------------|---------2-------|--Verse 1:
E
B
Day after day I'm more confused
E
F#
B
So I look for the light in the pouring rain
E
B
You know that's a game that I hate to lose
C#m
E
I'm feelin' the strain, ain't it a shame
Chorus:
B
Oh, give me
F#/A#
I wanna get
B
Oh, give me
F#
I wanna get
[repeat intro]
Verse 2:
Beginning to think that I'm wastin' time
I don't understand the things I do
The world outside looks so unkind
I'm countin' on you
to carry me through
[repeat chorus]
[repeat intro]
Bridge:
C#m
And when my mind is free
file:///C|/olga_main/f-g/g/gray_dobie/drift_away.crd
E
B
You know a melody can move me
C#m
And when I'm feelin' blue
E
F#
The guitar's comin' through to soothe me
E
B
Thanks for the joy that you've given me
E
F#
B
I want you to know I believe in your song
E
B
Rhythm and rhyme and harmony
C#m
E
You help me along
makin' me strong
[repeat chorus to fade - acappella first couple times]
-- another ace 70's tab from Andrew Rogers
file:///C|/olga_main/f-g/g/great_white/rock_me.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 22 Aug 1996 16:30:37 -0700
From: Thomas Clark <jclark@vacationtime.net>
Subject: Great White Guitar tab.
Rock Me
Great White
Once Bitten
TAB BY TC
Tuning
E-1
B-2
G-3
D-4
A-5
E-6
Notation
~~~ = vibrato
^
= bend
apg = apeggio
/
= slide up
\
= slide down
x
= muted
HO
PO
= hammer on
= pull off
First Riff
~~~
~~~
~~~
~~~
E|--------------------------------------------------------------B|--2---4------------------------------2---4--------------------G|--2---4---0---2----------------------2---4---0---2------------D|-------------------4---0---2---4---------------------4---0---4A|--------------------------------------------------------------E|--------------------------------------------------------------~~~
~~~ apg.
^~~~
~~~
E|----------------------------2----7----------------------------B|-----2---4-----------------2------------------2---4-----------G|-----2---4---0---2--------2-------------------2---4---0---2---D|--2----------------------4------------------------------------A|--------------------------------------------------------------E|--------------------------------------------------------------^
^
E|--------------------------------------------------------------B|-------------------9/10---10\9---9\7---7\5--------------------G|--------------------------------------------------2---4--0--2-D|--0---4---2--------6/7----7-\6---6\4---4\2---2/4--------------4
A|--------------------------------------------------------------E|--------------------------------------------------------------Second Part
(* section over and over)
^
E|--------------------------------------------------------------B|---------------------2---4------------------------------------G|---------------------2---4---0---2----------------------------D|--4-x-4-x-4-x-->---------------------4--------4-x-4-x-4-x-->--A|--------------------------------------------------------------E|--------------------------------------------------------------^
~~~
apg. ^ ^~~~
E|------------------------------------------------2-----7--7----B|-----------------------------------------------2--------------G|--------2-------4---4-------------------------2---------------D|----4-------4--------------4-x-4-x-4-x-->----4----------------A|--------------------------------------------------------------file:///C|/olga_main/f-g/g/great_white/rock_me.tab (1 of 4) [4/28/2003 9:54:11 PM]
file:///C|/olga_main/f-g/g/great_white/rock_me.tab
file:///C|/olga_main/f-g/g/great_white/rock_me.tab
file:///C|/olga_main/f-g/g/great_white/rock_me.tab
E|-----------------|
B|-----------------|
G|-------17--------|
D|--15-------------|
A|-----------------|
E|-----------------|
--------------5E3033B169E4--
file:///C|/olga_main/f-g/g/green_al/call_me.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:53 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./g/green_al/call_me.crd
"Call Me (Come Back Home)"
(Al Green - Willie Mitchell - Al Jackson)
Intro:
Gm9
Call me
A7
call me
Dm7
call me
G9
Verse 1:
F
C6
Dm7
Am7
What a beautiful time
we had together
F
C6
Dm7
Now it's gettin' late and we must leave each other
Bb
Eb
Just remember the time we had
Ab
Gb
C
And how right I tried to be
G9
Eb9
It's all in a day's work
F
Call me
Am7
Verse 2:
[F]
Fm9
Dm7
Am7
Losing your love, acting foolishly
F
Fm9
Dm7
Am7
Go on and take your time
'cause you're only losing me
Bbmaj7
Ebmaj7
Love is a long ways from here
Abmaj7
Gbmaj7
C
Tell you it's all in the way you feel
G9
Eb9
If your love is real
F
Come to me
Bridge/string break:
[F]
Call me
A+
call me
Bbm7
call me
Fmaj7
/ / / /
Fdim
/ / / /
Gm7
/ / / /
Eb9
come back home
Bbm9
/ / / /
file:///C|/olga_main/f-g/g/green_al/call_me.crd
(Gm9)
And come back home
Coda [3X; fade on 3rd repeat]:
Gm9
Call me
A7
call me
Bb
/ / / /
Eb
/ / / /
Dm7
call me
Ab
/ / / /
G9
come back home
1:
Eb9-5 [x65665]
It's all in a day's work
2:
G9
Eb9
It's all in a day's work
Gb C
/ / / /
file:///C|/olga_main/f-g/g/green_al/im_still_in_love.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:53 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./g/green_al/im_still_in_love.crd
"I'm Still In Love With You"
(Al Green - Willie Mitchell - Al Jackson)
Intro:
Gmaj7
Fmaj7
Gmaj7
/ / / / / / / / / / / /
D
F
/ / / /
G
Bb
/ / / /
Verse 1:
C
Spending my days
Cm9
Am9
Gmaj9
Thinking 'bout you, girl
G9
Being here with you, being near with you
Verse 2:
I can't explain myself
Why I... feel like I do (like I do)
Though it hurt me so to let you know
Verse 3:
When I look in your eyes
You ought to let me know
how you feel
Let me know that love is really real
Pre-chorus:
Cm9
[1: But 2: Well] it seems to me
Am9
That I'm
Cm9
Wrapped up in your love
Chorus:
(Cm9)
[1, 3: Don't you know 2: Heaven knows] that I'm
Cmaj7
Bm7
Am7
D
(Still in love with you)
Still...
Sure enough in love with you, hey
Break:
Eb
/ / / /
/ / / /
F
/ / / /
/ / / /
G
/ / / /
/ / / /
[repeat chorus]
Break:
file:///C|/olga_main/f-g/g/green_al/im_still_in_love.crd (1 of 2) [4/28/2003 9:54:12 PM]
file:///C|/olga_main/f-g/g/green_al/im_still_in_love.crd
G9
/ / / /
/ / / /
Verse 4:
When I look in your eyes
Oh, yes... I-i see (I-i see)
Me lovin' you and you lovin' me
[repeat pre-chorus]
[repeat chorus]
Pre-chorus 2:
Hey, I
I-i-i
I-i
Chorus 2:
(Cm9)
Don't you know that I'm
Cmaj7
Bm7
Am7
Bm7
(Still in love with you)
Still...
Sure enough in love with you
Cmaj7
Bm7
Am7
D
Hey, I try to make you love me too
I-i I-i
Coda [repeat to fade]:
Cm9
I-i
Am9
I-i-i
-- another ace 70's tab from Andrew Rogers
file:///C|/olga_main/f-g/g/green_al/lets_stay_together.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:54 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./g/green_al/lets_stay_together.crd
"Let's Stay Together"
(Al Green - Willie Mitchell - Al Jackson)
Intro:
Bbmaj7 Am7
Gm7
Am7
Bbmaj7 Am7
Gm7
C7
Verse 1:
F
Am/D
I, I'm so in love with you
Bb
Whatever you want to do
Bbm9
Is all right with me
Am7 Gm7
Fmaj7
'Cause you
make me feel
Am7 Gm7
Fmaj7
And I
want to spend my
Em
D9
so brand new
Am7
D9
life with you
Verse 2:
Since, since we've been together
Loving you forever
Is what I need
Let me be the one you come running to
I'll never be untrue
Bridge:
Gm9
Am7
Let's, let's stay together
Gm9
Lovin' you whether, whether
Bbmaj7
Am7 Dm7
C
Times are good or bad, happy or sad
String break:
Gm9
/ / / /
Abm9 Abmaj7
/ / / /
/ / / /
Gm9
/ / / /
Ab
/ / / /
Bbmaj7
Am7 Dm7
C
Whether times are good or bad, happy or sad
Verse 3:
Why, why some people break up
Then turn around and make up
I just can't see
You'd never do that to me (would you, baby)
Staying around you is all I see
(Here's what I want us to do)
/ / / /
file:///C|/olga_main/f-g/g/green_al/lets_stay_together.crd
file:///C|/olga_main/f-g/g/green_al/take_me_to_the_river.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: armour@gov.nt.ca (4,9203240,)
Subject: POST' More Commitments!
Take me to the river
by Al Green
BTW- whatever happened to the band????
I dont know why I love you like I do
E7
D A
After all these changes that you put me through
E7
D
You stole my money and my cigarettes
E7
D A
And I havent seen hide nor hair of you yet
E7
D
I wanna know
wont you tell me, am I in love to stay?
A
C
G
D
A7
(Take me, take me) Take me to the river
and wash me down
E7
D A
E7
Wont you cleanse my soul
get my feet on the ground
D
A
E7
D
A
E7
I dont know why you treated me so bad
Look at all these things that we could have had
Love is a notion that I wont forget
my sweet sixteen now I never regret
I wanna....
Bridge:
Hold me
C#m
love me squeeze me
tease me till I die
till I de
A7
C#m
A7
G
B7
yeah
yeah yeah
D
A
E7
dip me in the water baby
D
A
E:7
file:///C|/olga_main/f-g/g/green_day/1039_album.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: WECK0820@duq3.cc.duq.edu
94'-95'
PITTSBURGH PA
LIBRARY
========
Intro: D
G
E
G
a
B
D
D
C
E
D
D
B
a
DON'T LEAVE ME
===============
B
a b a
A
a
F#
e b
b a#
DISAPPEARING BOY
=================
A
F#
GREEN DAY
==========
Intro: B
G#
D
E
B
B
E
(7th fret)
G#
C#
F#
E
(7th fret)
GOING TO PASALACQUA
====================
file:///C|/olga_main/f-g/g/green_day/1039_album.crd
F#
16
===
a b c b a b
a b c b a b
REST
=====
G
A#
A#
G
G
G
G
F
F
G
G
1,000 HOURS
============
G#
F
F#
F#
F#
F#
G#
C#
G#
G#
C#
C#
G#
G#
G#
DRY ICE
========
G#
C#
F#
G#
G
C#
F
D#
F#
file:///C|/olga_main/f-g/g/green_day/1039_album.crd
ONLY OF YOU
============
F
F#
<=====(7th fret)
F#
E E
F#
F#
E E
F#
==============================================================================
Any questions or comments may be directed to E-mail:
weck0820@duq3.cc.edu
I know this is not anywhere near perfect, but I only took about a 30
minutes to put this together so what do you expect!!!!!!!
file:///C|/olga_main/f-g/g/green_day/2000_light_years_away.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: sunwukong@delphi.com
Subject: CRD: 2000 Light Years Away - Green Day
Just got Kerplunk.
Love it.
This is the first song on it.
May not be in the right key.
Just the easiest way to play it.
The minor chord threw me at first.
Didn't think Billy Joe knew them.
Douglas
From: SkunX42@aol.com
Date: Thu, 14 Dec 1995 13:41:48 -0500
Subject: 2000 Light Years Away by Green Day
Song:
Band:
Album:
posted
=0D
CHORDS
=0D
G#
F#
E
B
=0D
|-----------------------------------------|
|-----------------------------------------|
|------------------2-------4--------------|
file:///C|/olga_main/f-g/g/green_day/2000_light_years_away.crd
|---6-------4------2-------4--------------|
|---6-------4------1-------2--------------|
|---4-------2------0----------------------|
=0D
Intro:
=0D
B, G#, F#
Verse:
=0D
B
F#
B
F#
i sit alone in my bedroom staring at the wall
=0D
(same chords)
i've been up all damn night long
my pulse is speedin, my love is yearnin
=0D
CHORUS:
=0D
G#
B
=
i hold my breath and close my eyes and =
G#
dream about her
E
F#
Bb-B, Bb-B, Bb-B, Bb-B
cause she's 2000 light years away
G#
B =
she hold my malakite so tight so
G#
never let go
E
F#
B
G#
F#
cause she's 2000 light years away
=0D
repeat Intro
=0D
Verse2(w\same chords)
=0D
i sit outside and watch the sunrise look out as far as i can
i can't see her but in the distance
i hear some laughter, we laugh together
=0D
repeat CHORUS
=0D
repeat Intro
=0D
(bass only)
i sit alone in my bedroom starin at the wall
(rake low E)
i've been up all damn night long
my pulse is speedin, my love is yearnin
=0D
repeat CHORUS
=0D
repeat Intro
=0D
years away...
=0D
ok, that's it. have fun.
send all comments, questions, punk tabs, and\or requests(i'll
file:///C|/olga_main/f-g/g/green_day/2000_light_years_away.crd
do my best) to me at:
=0D
oi!=
SkunX42@aol.com
--PART.BOUNDARY.0.413.mail02.mail.aol.com.818966507--
file:///C|/olga_main/f-g/g/green_day/2000_light_years_away.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: miller6@aol.com
From: miller6@aol.com
Subject: 2000_light_years_away.tab
Here is
missing
This is
because
yet
key
NOT
the
another awesome Green Day song from Kerplunk! that was posted in an ftp, but it was
parts needed to play the song, so I have added them so you can play the whole song.
IN STANDARD TUNING!!! If you want to play it right you HAVE TO tune down a half step,
E is open.(looks best in Courier)
Intro: B B F# G# F#
Verse 1:
B
F#
I sit alone in my bedroom
B
F#
Staring at the walls
B
F#
I've been up all damn night long
B
F#
My pulse is speeding, my love is yearning
Chorus:
G#
B
I hold my breath and close my eyes
----play-this-twice-------G#
F#
--------------------------And dream about her...
--3\4-4-4--3\4-4-4--------E
F#
*===>
--3\4-4-4--3\4-4-4--------Cause she's 2000 light years away
--1\2-2-2--1\2-2-2--------G#
B
--1\2-2-2--1\2-2-2--------She holds my malakite so tight so
A
F#
Never let go...
E
F#
B B F# G# F# (4x)
Cause she's 2000 light years away
Verse 2:
B
F#
I sit outside and watch the sunrise
B
F#
Lookout as far as I can
B
F#
I can't see her, but in the distance
B
F#
I hear some laughter, we laugh together
Chorus
Solo
Chorus
zach
file:///C|/olga_main/f-g/g/green_day/409_in_your_coffeemaker.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: miller6@aol.com
Subject: 409_in_your_coffeemaker.crd
Im surprised no one posted this song before -- this was the easiest tab I ever did. Anyway, you
know the routine - tune to Eb, play barre chords
Intro:
C C C F G 4X
Verse 1:
G
F
I sit in the state of a daydream
G
F
With all of your words flying over my head
G
F
Even more time gets wasted
G
F
In a daze
G
F
It should seem obvious to you
G
F
Your screams and cries are never going to work
G
F
And all of your time gets wasted
G
F
In my daze
Chorus:
C
And I'm looking
C
At where I have
C
And why I could
G
back now
G
gone wrong
G
C
D
not seem to get along
C
G
My interests are longing
C
G
To break through these chains
C
G
These chains that control
C
D
C C C F G 4x
My future's aim
Verse 2:
I sit in the state of a daydream
With all of your words flying over my head
Even more time gets wasted
In a daze
Maybe I'm just too damn lazy
Or maybe I was just brainwashed to think that way
And all of your time gets wasted
In my daze
Chorus 2x
Solo(verse riff)
Chorus
file:///C|/olga_main/f-g/g/green_day/409_in_your_coffeemaker.crd
Outro:
C C
G
C C
G
C C
G
C C
G
G
G
G
G
zach
file:///C|/olga_main/f-g/g/green_day/80.btab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
From: Wolfman672@aol.com
Date: Fri, 19 Jan 1996 19:53:46 -0500
Subject: GreenDay Bass tab - 80
80 bass tab, normally tuned, if ya got a problem with it call
1-800-Bite-Me (or E-mail me at Wolfman672@AOL.COM )
here we go kids
Verses 1 2 & 3 ( also the intro, between the Bridge and chorus, and end on
it)
G-----7----7----7----7
D-5----5----5-----5--A----------------------E----------------------G----5----5----5-----5
D-3----3----3----3---A----------------------E----------------------G-----5-----5-----5-----5
D-2-----2-----2-----2---A-------------------------E-------------------------G-----3-----3-----3-----3
D-1-----1-----1-----1---A-------------------------E-------------------------Chorus part 1
Its just
D
C
D
C
D
C
Chorus Part 2
G--------------------D---0-2-------------A---------3-------3-3
E-3----------3-1----Bridge
G----------------------------D-----------0-0-0-0---------A-3-3-3-3---------------3--E--------------------4-4----4
(repeat that then,)
G--------------------------------------------D-----------0-0-0-0-2-2-2-2---------------A-3-3-3-3--------------------3-3-3-3------E----------------------------------------3-3-3
file:///C|/olga_main/f-g/g/green_day/80.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: SkunX42@aol.com
Date: Fri, 8 Dec 1995 15:24:29 -0500
Song:80
Band: Green Day
Album: Kerplunk
posted by: SkunX42@aol.com
=0D
i'm not 100% sure about this, but it sounds good to me.
file:///C|/olga_main/f-g/g/green_day/80.crd
C
G
A
so i lose my head or i bang it up against the wall
=0D
Verse:
=0D
D
A
C
G
sometimes i wonder if i should be left alone
(same chords)
lock myself up in a padded room
i'd sit and spew my guts ot into the open air
cause no one wants to hear a drunken fool
=0D
PreChrorus
=0D
CHORUS
=0D
Bridge:
=0D
D
C
G
C-G
i do not mind if this goes on
=0D
(same chords)
cause now it seems i'm too far gone
D
C
A
G
i must admit that i enjoy myself
D
C
G
80 please keep taking me away
=0D
D
A
C
G
away...
=0D
PreChorus
=0D
CHORUS
=0D
repeat Verse riff until end
=0D
that's it punks. send all questions, comments, punk tabs, or requests
(i'll do my best) to me at: SkunX42@aol.com
=0D
OI!=
--PART.BOUNDARY.0.685.emout05.mail.aol.com.818454264--
file:///C|/olga_main/f-g/g/green_day/80.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: neil.james@tclbbs.com (Neil James)
Subject: TAB: 80, by Green Day
Date: Sun, 3 Dec 1995 21:08:20 GMT
"80" by Greenday, from Kerplunk
TABBED by Neil James, <Neil.James@tclbbs.com>
Cool non-Dookie song that doesn't have a tab for it yet...
I haven't figured out the bassline...but if you're playing it live or
something, most people haven't heard it anyway, this is about as close
as I could figure it out.
A|---4---4---4---4---2---2---2---2---2---2---2---2---0---0---0---0-|
E|-2---2---2---2---0---0---0---0---2---2---2---2---0---0---0---0---|
And during the second verse, he plays some weird riff too, it's somethin
like --> (Riff 1)
|--------------------------------------------------------------|
|--------------------------------------------------------------|
|--11-11-11-11-11-11-11-11-11-9-9-9-9-9-9-9-9------------------|
|--11-11-11-11-11-11-11-11-11-9-9-9-9-9-9-9-9------------------|
|---9--9--9--9--9--9--9--9--9-7-7-7-7-7-7-7-7------------------|
|--------------------------------------------------------------|
If someone knows this, correct me.
Other than that, I got the whole song down pat.
(Bassline only)
My mental stability reaches it's bitter end
And all my senses are coming into bloom
Is there any cure for this disease someone called love
Not as long as there are girls like you
C#
B
C#
B
Everything she does questions my mental health
C#
B
C#
B
It makes me lose control I want to hurt myself
F#
B
C#
B
If anyone can hear me slap some sense in me
F#
B
C#
B
(Well you're doing alright) And I end up talking to myself
F#
B
C#
B
Anxiety has got me strung out every day
F#
B
C#
B
(And I do alright) My head bang it up against the wall
F#
B
C#
B
(Well you're doing alright) And I end up talking to myself
F#
C#
file:///C|/olga_main/f-g/g/green_day/80.tab
file:///C|/olga_main/f-g/g/green_day/86.btab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Fri, 6 Oct 1995 14:25:15 -0500
From: fujioka@uiuc.edu (LSM)
Subject: Greenday "86"(read me first)
I've finished figureing out and typing out the lyrics and bass lines for
"86", the new GreenDay song off their album "Insomniac", coming out on
October 10th (or late night 9th).
This is a explanation file and does not contain the lyrics or bass line,
they will follow afterwards.
Pleas set your display font to a "equal-width" font like "Courier" or the
kind so the tablature does not get mixed up and word rapped in a strange
way.
The lyrics and bass lines (and the guitar chord that I've sent before) has
been figured out off an analog cassette recording off the radio (Z-Rock
105.9FM) that aired on October 4th, 1995.
________________
LSM a FEMC company
fujioka@uiuc.edu
So here it goes; the lyrics for 86. They might be wrong, but they're damn close!
86
By: Greenday
What brings you around
Did you lose something the last time you were here
[You'll] never find it now
It's burried deep when you walked out of here
So stand aside and let the next one pass
Don't let that door kick you in the ass
[And] there's no return from 86
So don't even try
Exit out the back
And never show your head around again
Purchase your ticket
and quickly take the last train out of town
So stand aside and let the next one pass
Don't let that door kick you in the ass
[And] there's no return from 86
So don't even try
--bridge-[And] there's no return from 86
So don't even try
________________
LSM a FEMC company
fujioka@uiuc.edu
file:///C|/olga_main/f-g/g/green_day/86.btab
Now here's the bass line. They might be wrong, but they're god damn close!
86
By: Greenday
Note: tune a half step down to Eb, Ab, Db, and Gb.
"%" are rests.
Try down picking all the way, and mixing the variations for Part A.
INTRO
PART A
drumbeats
E
Ab
A
1------*
G----------||----------|----------|----------|-------------|
D----------||----------|----------|----------|-------------|
A----------||----------|----------|----------|-------4x-6x-|
E----------||-0xxxxxxx-|-4xxxxxxx-|-5xxxxxxx-|-5x-7x-------|
E
Ab
A
G------------|----------|---------|----------||
D------------|----------|---------|----------||
A------------|----------|---------|----------||
E--0x-4-5x-7-|-4xxxxxxx-|-5xxxxxx-|-5xxxxxxx-||
PART B
Em
B
A
G-||----------|----------|----------|----------|----------|----------|
D-||----------|----------|----------|----------|----------|----------|
A-||----------|----------|-2xxxxxxx-|-2xxxxxxx-|-0xxxxxxx-|-0xxxxxxx-|
E-||-0xxxxxxx-|-0xxxxxxx-|----------|----------|----------|----------|
1----Em
Am Em
2---Am Em
G-----------|------------||-----------|----------|
D-----------|------------||-----------|----------|
A-----------|-------0x---||--------0x-|----------|
E--0xxxxxxx-|-0xxxxx--%%-||-0xxxxx----|-0xxxxxxx-|
PART C
B
A
1----2----G-||----------|----------|----------|----------||-----------|
D-||----------|----------|----------|----------||----2-1-2--|
A-||-2xxxxxxx-|-2xxxxxxx-|-0xxxxxxx-|-0xxxxxxx-||-0---------|
E-||----------|----------|----------|----------||-----------|
PART D
B
A
G-----------|----p--------|----------------|-------------|----1x-2x-|
D-----------|---1^0--2-1--|---2-1-2-1------|-------1x-2x-|-4x-------|
A--2xxxxxxx-|-0----2----2-|-2x--------2-0x-|-2x-4x-------|----------|
E-----------|-------------|----------------|-------------|----------|
PART E
B
A
G-----------|----------||
D-----------|----------||
A--2xxxxxxx-|-0--------||
E-----------|----------||
file:///C|/olga_main/f-g/g/green_day/86.btab
*PART A: VARIATIONS
2A
3Ab A
|----------|
|-----------|
|----------|
|-----------|
|----------|
|-----------|
|-5xxxxxxx-|
|-4-5xxxxxx-|
________________
LSM a FEMC company
fujioka@uiuc.edu
From: Rooptroop@aol.com
Date: Wed, 29 Nov 1995 16:20:27 -0500
86 BASS TAB by Greenday
by Rooptroop@aol.com
note this has no rests in it
This may not be 100% right but's close
play twice
G---------------------------------------------------------------------------------D--------------------------------------------6h8h---------------------------------A-7 77 7h9------------------ 33 44 5555--7 77--------------------33 44
5555--------E--------- 4 44 4h6 5 55 555--------------------- 4 44h6 5 55
555------------------when the vocals come in
G--------------------------------------D--------------------------------------A--------2222222200000000--------------E00000000----------------0-00-000000 55around the part where he says "don't let the door kick you.." (i can't
remember 1'st line)
play
G------------------------------------D------------------------------ 2 210A2-22-22222-0-00-00000-2-22-2222-----20
E-------------------------------------during the part above the second time it's played the semi-bass solo goes
like this
G-------------------------D-----------------------220
A2-22-2222-0-00-0000-220---0
E--------------------------WELL THAT'S IT THE NOTES ARE RIGHT BUT I'M NOT SURE ABOUT THE RYTHM HERE
BUT YOU CAN FIGURE IT OUT FROM HERE
DA'S IT BYE BYE THEN
file:///C|/olga_main/f-g/g/green_day/86.btab
FROM ROOPTROOP@AOL.COM
(AND HIS FRIEND PINKY THE WONDER TURD)
file:///C|/olga_main/f-g/g/green_day/86.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Sun, 8 Oct 1995 21:30:05 -0500
From: fujioka@uiuc.edu (LSM)
Subject: 86-crd/greenday:corrections
There were a mismatch of the chords and the rythm in the previous version,
but now they are fixed.
Important: Change your font to a equal width font (ie. Courier).
86
By: Greenday
Off: Insomniac (1995)
Transcribed by: LSM
* Tune a 1/2 step down
Key:
%
*
~
M
m
|
/
=
=
=
=
=
1/4 rest
scratch
elongate
major
minor
= measure seperators
= 1/4 beat
INTRO:
Drum beats
|%%*~|
Part A:
Em
Ab
A
A
|////|////|////|////|
Part B:
Em
B
AM
Em EmAM Em
|////|////|////|////|////|////|////|////|
Part C:
B
A
|////|////|////|////|
Part D:
B
A
B
A
A
|////|/%%%|////|////|////|
Part E:
B
A
|////|/%%%|
Sequence:
Intro; Ax2;
Ax4;
E.
Bx2;
Cx2;
Ax4;
Bx2;
Cx2;
________________
LSM a FEMC company
fujioka@uiuc.edu
________________
Ax4;
Ax4;
D;
file:///C|/olga_main/f-g/g/green_day/86.crd
Verse:
A(PM)
What brings you around?
B(PM)
Did you lose something last time you were here?
A(PM)
You'll never find it now.
B(PM)
It's buried deep with your identity.
Pre-Chorus:
D
B
A
So stand aside and let the next one pass.
D
B
A
Don't let the door kick you in the ass.
Chorus:
E
B
There's no
E
B
There's no
E
B
There's no
E
B
There's no
B
D
Don't even
A
return
A
return
A
return
A
return
from 86.
from 86.
from 86.
from 86.
try.
Verse:
A(PM)
Exit out the back
B(PM)
and never show your head around here again.
A(PM)
Purchase your ticket and quickly take
B(PM)
the last train out of town.
file:///C|/olga_main/f-g/g/green_day/86.crd
Pre-Chorus:
D
B
A
So stand aside and let the next one pass.
D
B
A
Don't let the door kick you in the ass.
Chorus:
E
B
There's no
E
B
There's no
E
B
There's no
E
B
There's no
B
D
Don't even
A
return
A
return
A
return
A
return
from 86.
from 86.
from 86.
from 86.
try.
geekstink@aol.com
file:///C|/olga_main/f-g/g/green_day/86.lyr
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Tue, 10 Oct 1995 12:51:03 -0500
From: fujioka@uiuc.edu (LSM)
OK, so eggplant and I were wrong. I got the new Greenday CD, "Insomniac",
today (Oct. 10,1995) and now have the correct lyrics. Well, we were so
close! we only messed up one word! So here's the completely correct lyrics
to 86!
86
By: Greenday
What brings you around
Did you lose something the last time you were here
[You'll] never find it now
It's burried deep with your identity
So stand aside and let the next one pass
Don't let that door kick you in the ass
[And] there's no return from 86
[So] don't even try
Exit out the back
And never show your head around again
Purchase your ticket
and quickly take the last train out of town
So stand aside and let the next one pass
Don't let that door kick you in the ass
[And] there's no return from 86
[So] don't even try
--bridge-[And] there's no return from 86
[So] don't even try
------________________
LSM a FEMC company
fujioka@uiuc.edu
file:///C|/olga_main/f-g/g/green_day/all_by_myself.btab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
All By Myself
Tabbed by rcooke@capecod.net
By: Green Day
Album:Dookie
Secret Track (It's a secret, don't tell anyone!!!!!)
Here is the tab:
First Part:
w
w
w
w
w
w
G|-11----12-----11-----12----11----12--|
D|-------------------------------------|
A|-------------------------------------|
E|-------------------------------------|
Second part:
w
w
w
w
w
w
G|-13---14-----13----14-----13-----14--|
D|-------------------------------------|
A|-------------------------------------|
E|-------------------------------------|
As you can see, very easy song to play, and anyone can play it! Enjoy!
Listen to the song to get the specifics.
file:///C|/olga_main/f-g/g/green_day/all_by_myself.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: bob@ashram.com (mastermind)
Subject: TAB: All by Myself (GD)
Here's your one only anthem on masturbation.
Song: All By Myself
Artist: Green Day
Album: Dookie (Secret Song)
1st Part:
E-|-2----2----2----2----3----3----3----3--------------------------------------|
B-|---3----3----3----3----3----3----3----3------------------------------------|
G-|---------------------------------------------------------------------------|
D-|---------------------------------------------------------------------------|
A-|---------------------------------------------------------------------------|
E-|---------------------------------------------------------------------------|
2nd Part:
E-|-4----4----4----4----5----5----5----5--------------------------------------|
B-|---5----5----5----5----5----5----5----5------------------------------------|
G-|---------------------------------------------------------------------------|
D-|---------------------------------------------------------------------------|
A-|---------------------------------------------------------------------------|
E-|---------------------------------------------------------------------------|
From netcom.com!ashram!bob Fri Apr 21 06:14:06 1995
Return-Path: <ashram!bob@netcom.com>
Received: from alf2.tcd.ie by sadhbh.scrg.cs.tcd.ie with smtp
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Received: by ashram.com; Thu, 20 Apr 1995 20:16:18
Message-Id: <5530@ashram.com>
Reply-To: bob@ashram.com (mastermind)
To: guitar@nevada.edu
Date: Thu, 20 Apr 1995 20:16:18
Subject: TAB: All by myself
From: bob@ashram.com (mastermind)
Status: O
Song: All By Myself
Artist: Green Day
Album: Dookie (Secret Song)
Tabbed by
Bob@ashram.com
file:///C|/olga_main/f-g/g/green_day/all_by_myself.tab
1st Part:
E-|-2----2----2----2----3----3----3----3--------------------------------------|
B-|---3----3----3----3----3----3----3----3------------------------------------|
G-|---------------------------------------------------------------------------|
D-|---------------------------------------------------------------------------|
A-|---------------------------------------------------------------------------|
E-|---------------------------------------------------------------------------|
2nd Part:
E-|-4----4----4----4----5----5----5----5--------------------------------------|
B-|---5----5----5----5----5----5----5----5------------------------------------|
G-|---------------------------------------------------------------------------|
D-|---------------------------------------------------------------------------|
A-|---------------------------------------------------------------------------|
E-|---------------------------------------------------------------------------|
file:///C|/olga_main/f-g/g/green_day/android.btab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: amagnan@bonita.cerf.fred.org
Date: Sat, 21 Oct 95 11:16 pst
Subject: BTAB: android by green day
First Blillie Joe plays chords then the bass comes in
This is my attempt at Android's Verse
G-|---------------------------------------------------------------------D-|---------------------------------------------------------------------A-|---------------------------------------------------------------------E-|-5-77-55-77--------------------------------------------------------------------------------------|
D-|---------------------------------------------------------------------A-|---------------------------------------------------------------------E-|-777-5555-333-2------------------------------------------------------and that part near the end that is slow and has that guy laughing
G-|---------------------------------------------------------------------D-----------------------------------------|
A-|---------------------------------------------------------------------E-|-7777777777-5555555555-3333333333-2-----------------------------------
well, that shpuld've come out right, if you have any trouble email me;)
<amagnan@bonita.cerf.fred.org> ---------------- 32.39.28N, 117.01.45W
This E-Mail was written by Mushroom Head... He likes these quotes:
"All yer time gets wasted in my daze..." - Billie Joe Armstrong
"I hate it when people hate pot, that makes me mad!" - Tre Cool
file:///C|/olga_main/f-g/g/green_day/armatage_shanks.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: miller6@aol.com
Subject: armatage_shanks.crd
This is the REAL way to play Amatage Shanks. This song is going to
be on their new album. If you havent heard this song too bad for
you. Its great. Have Fun!!!!(looks best in Courier)
Tune to Eb
EADGBe
e: 022100
E: 7799-Verse 1:
A
D
Stranded
A
D
Lost inside myself
F#
A
My own worst friend my own biggest enemy
A
D
Well I'm branded
A
D
Maladjusted
F#
A
e
Never trusted anyone let alone myself.
Chorus:
D
A
e
F#
I must insist on being a pesimist
D
A
e
I'm a loner in a claustrophobic mind
Verse 2:
Elected
the rejected
I perfected the science of the idiot
I'm branded
Maladjusted
Never trusted anyone let alone myself
Chorus:
D
A
e
F#
I must insist on being a pesimist
D
A
E
I'm a loner in a claustrophobic mind
Bridge:
A
F# A
F#
D E
Whoa oh, whoa oh
(Play bridge twice and then like stop for a second)
Verse 1
Chorus:
D
A
e
F#
I must insist on being a pesimist
D
A
E
I'm a loner in a claustrophobic mind
then
file:///C|/olga_main/f-g/g/green_day/armatage_shanks.crd
D
A
e
F#
I'm taking pressure for other pessimists
D
A
E
I'm a loner in a claustrophobic mind
zach
From: GeekStink@aol.com
Date: Mon, 11 Sep 1995 23:54:09 -0400
"Armitage Shanks" by Green Day
Armitage Shanks by Green Day
(on the import "Teenage Rampage" as well as the 1994 MTV Music Awards)
This is tabbed by ear but it and the lyrics are pretty close. I had a hard
time tabbing this
'cause you can barely hear the guitar on the song.
Chords used:
String# 6 5 43 21
EADGBe
E
E
D
A
C
G
B
F
022100
X799XX
X577XX
577XXX
X355XX
355XXX
X244XX
244XXX
E
Intro...strum the chord about 12 times....
Verse #1:
A
D
A
D
Stranded, Lost inside myself
F#
A
E
My own worst friend, my own closest enemy
A
D
A
D
Well I'm branded, maladjusted
F#
A
E
never trusted anyone out of myself
Chorus #1:
D
A
E
I must insist on , being a pessimist
A
D
I'm a loner, in a claustrophobic mind
Verse #2:
A
D
A
D
Erected, feel rejected
F#
A
I perfected the science of the idiot
A
D
A
Well I'm branded, maladjusted
F#
A
F#
E(type#2)
E
D
E
file:///C|/olga_main/f-g/g/green_day/armatage_shanks.crd
Repeat Chorus #1
Chorus #2:
D
A
E
Well I'm taking pressure for other pessimists
A
D
E
I'm a loner in a claustrophobic mind.
F#
From: pike@merle.acns.nwu.edu
Subject: Claustrophobic Mind Fix (new lyrics and title) GREEN DAY
Date: Fri, 25 Aug 1995 11:16:54 -0500 (CDT)
Armatage Shanks (aka "Claustrophobic Mind")
Green Day
With some additional research, I uncovered this. Here are the real lyrics to
the song I thought was
called "Claustrophobic Mind". It's real title is "Armatage Shanks" and I
guess it was performed at
the 1994 MTV Video Music Awards. Sorry about the goof up. -Adam
Stranded
Lost inside myself
I always have been my own closest enemy
Well I'm branded
Maladjusted
Never trusted anyone out of myself
Why am I a sensation
Being a pesimist
I'm a loner in a claustrophobic mind
Erected
Feel rejected
I'm prepared to silence all 3 in a year
Well I'm branded
Maladjusted
Never trusted anyone out of myself
file:///C|/olga_main/f-g/g/green_day/armatage_shanks.crd
I must insist
On being a pesimist
I'm a loner in a claustrophobic mind
Whoa oh, whoa oh
Branded
Lost inside myself
I always have been my own closest enemy
Well I'm branded
Maladjusted
Never trusted anyone out of myself
Why am I a sensation
Being a pesimist
I'm a loner in a claustrophobic mind
Well I'm taking pressure for other pessimists
I'm a loner in a claustrophobic mind
Subject: GREEN DAY- Claustrophobic Mind
Date: Thu, 24 Aug 1995 16:21:22 -0500 (CDT)
Claustrophobic Mind- GREEN DAY
tabbed by Adam Peiken <pike@merle.acns.nwu.edu>
Here's a tab for only the truest of Green Day fans. This song is only played
at concerts,
and as of August '95, I have never seen it in release (even on imports). With
some luck,
this song will show up on Green Day's new album, along with "Geek Stink Love",
another great rarity. The lyrics (and the title) are guesses.
INTRO:
(downstroke 8'th notes)
Eb--------------------------------
VERSE:
G#
C#
Stranded,
G#
C#
Lost inside myself.
F
C#
I always had my emotions in demand.
G#
C#
Tragic,
G#
C#
A rejection.
F
C#
I never trusted anyone besides myself.
Eb
Eb
CHORUS:
C#
G#
Eb
I must have said something to get in this mess,
C#
G#
Eb
I'm a loner in a claustrophobic mind.
G#
BRIDGE:
X2
G#
F
Yeah, yeah
G#
F
file:///C|/olga_main/f-g/g/green_day/armatage_shanks.crd (4 of 5) [4/28/2003 9:54:16 PM]
X2
file:///C|/olga_main/f-g/g/green_day/armatage_shanks.crd
Yeah, yeah
C#
Eb
The Song Is All Power Chords Except For The E Major In The
Chorus.
E:X799XX
A:577XXX
D:X577XX
F#:244XXX
E(MAJOR):022100
THIS WAS DONE TUNED DOWN HALF A STEP TO Eb!!!
file:///C|/olga_main/f-g/g/green_day/babs_uvula_who.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: GeekStink@aol.com
Date: Wed, 11 Oct 1995 21:42:36 -0400
Subject: "bab's uvula who?" by green day
"Bab's Uvula Who?"
Intro:
B A C
Verse:
D
D
D A C
D
D
D A C
D
D
D
I've got a knack for fucking everything up.
A
C
My temper flies and I get myself all wound up.
D
D
D
My fuse is short and my blood pressure is high.
A
C
I lose control and l get myself all wound up.
D
D
D
Tension mounts and l fly off the wall.
A
C
l self-destruct and l get myself all wound up.
D
D
D
Petulance and irritation sets in.
A
C
I throw a tantrum and l get all wound up.
Chorus:
D
A
B
My temper flies and I get myself all wound up.
D
A
B
I lose control and l get myself all wound up.
D
A
B
l self-destruct and l get myself all wound up.
D
A
B
I throw a tantrum and l get all wound up.
Verse:
D
D
D
Chip on my shoulder and a leech on my back.
A
C
Stuck in a rut and l get myself all wound up.
D
D
D
Killed my composure and it will never come back.
A
C
Loss of control and l get myself all wound up.
D
D
D
Blown out of proportion again.
A
C
My temper snaps and l get all wound up.
D
D
D
Spontaneous combustion, panic attack.
A
C
I slipped a gear and l get myself all wound up.
geekstink@aol.com
file:///C|/olga_main/f-g/g/green_day/babs_uvula_who.crd (1 of 2) [4/28/2003 9:54:16 PM]
file:///C|/olga_main/f-g/g/green_day/babs_uvula_who.crd
file:///C|/olga_main/f-g/g/green_day/basket_case.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: ascheng@netcom.com (Ed Cheng)
Subject: CRD: Green Day Song (not Longview)
I think I've got down all the chords to this Green Day song. Actually,
I don't even know the name of the song, I've just heard it on the radio
and on MTV and thought it was pretty cool. I'd appreciate it if someone
who has the album could finish up the rest and fill in the lyrics!
Ed
ascheng@netcom.com
--------------???, by Green Day
E:
B:
C#m:
G#:
A:
EADGBe
x79997
799877
x46654
466544
577655
Verse:
E
B
Do you have the time
C#m
G#
To listen to me whine
A
E
B
About nothin' and everything all at once
E
B
I am one of those
C#m
G#
melodramatic fools
A
E
B
moronic ... ??? ... no doubt about it
Chorus:
A
B
E
Sometimes I give myself the creeps (???)
A
B
E
Sometimes my mind plays tricks on me
A
B
It all keeps adding up
E
C#m
I think I'm cracking up
A
B
E B C#m A (<-- repeat these 4 chords a few times)
Am I just paranoid, or ... ???
(I think there's a bridge part too that uses the chords in this last line
of the chorus)
file:///C|/olga_main/f-g/g/green_day/basket_case.crd (1 of 5) [4/28/2003 9:54:17 PM]
file:///C|/olga_main/f-g/g/green_day/basket_case.crd
file:///C|/olga_main/f-g/g/green_day/basket_case.crd
G#
Eb
Bb
Neurotic to the bone no doubt about it.
CHORUS:
G#
Bb
Sometimes I give myself
G#
Bb
Sometimes my mind plays
G#
Bb
It all keeps adding up,
G#
Bb
Am I just paranoid? I'm
Bridge?:
Eb
Bb
Bb
Eb
the creeps
Eb
tricks on me
Eb
C#
C
I think I'm cracking up
Eb
just stoned.
Eb
Bb
Bb
Verse:
I went to a shrink to analyze my dreams
She says it's lack of sex that's bringing me down
I went to a whore, she said my life's a bore
And quit my whining cause it's bringing her down.
_____________________________________________________________________________
I think the chorus is screwed up, but you'll have to forgive me, it's
from memory..
From: rvellani@magnus.acs.ohio-state.edu (Raymond Vellani)
Subject: CRD:basketcase greenday
E
B
do you have the time
C#min
G#
to listen to me whine
A
E
about ?everything¬hing?
B
all at once
E
B
i am one of those
C#min
G#
melodramatic fools
A
E
neurotic to the core
B
no doubt about it
A
B
E
sometimes i give myself the creeps
A
B
E
sometimes my mind plays tricks on me
A
B
it all keeps adding up
E
B
C#min
i think i'm cracking up
A
B
E B C#min B x4(?)
file:///C|/olga_main/f-g/g/green_day/basket_case.crd
E-B-C#m-G#m-A-E-B
A-B-E
It goes like:
Riff4:E-B-C#m
Play that twice and then play Riff1
Again and then Riff2,Riff3,Riff4 four times,and then play this:
Riff5:A-B
file:///C|/olga_main/f-g/g/green_day/basket_case.crd
Riff7:A-E-B~A-E-B~~
So the whole song goes:
Riff1 x2
Riff2 x3 or 4
Riff3 x1
Riff4 x2
Riff1 x2
Riff2 x3 or 4
Riff3 x1
Riff4 x4
Riff5 x1
Riff6 x2
Riff7 x2
file:///C|/olga_main/f-g/g/green_day/basket_case.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: "Matthew E. Harvey" <harvey@harve.demon.co.uk>
The 'x' below denotes an accent. All the other notes on the intro are palm muted. The rhythm is
probably totally incorrect.
E5
B5
C#5
e----------------|----------------|----------------------|
B----------------|----------------|----------------------|
G----------------|----------------|----------------------|
D--9-9-9-9-9-9-9-|----------------|----------------------|
A--7-7-7-7-7-7-7-|--9-9-9-9-9-9-9-|-11-11-11-11-11-11-11-|
E----------------|--7-7-7-7-7-7-7-|--9--9--9--9--9--9--9-|
x
x
x
x
x
x
x
x
x
'
To
lis-ten
to
me
G#5
A5
E5
e----------------|----------------|----------------------|
B----------------|----------------|----------------------|
G----------------|----------------|----------------------|
D----------------|----------------|--9--9--9--9--9--9--9-|
A--6-6-6-6-6-6-6-|--7-7-7-7-7-7-7-|--7--7--7--7--7--7--7-|
E--4-4-4-4-4-4-4-|--5-5-5-5-5-5-5-|----------------------|
x
x
x
x
x
x
x
x
x
whine.
About nothing and
B5
e---------------B---------------G---------------D---------------A--9-9-9-9-9-9-9E--7-7-7-7-7-7-7x
x
x
everything
all
at
once'
Thats the intro, probably totally wrong, but nevermind. I think he actually plays the chords 8
times in a bar instead of seven, but I can't be bothered to change it now (I don't have a tab
program, and can't get one 'cos I have an archimedes).
Play the intro once again with the words below :I am one of those
Melodramatic fools
Neurotic to the
bone no doubt about it.
The next bit is just palm muted chords on the same pattern as above (can't be bothered to write it
out again).
A5
B5
Sometimes I give myself the
E5
creeps.
A5
B5
Sometimes my mind plays tricks on
E5
file:///C|/olga_main/f-g/g/green_day/basket_case.tab (1 of 3) [4/28/2003 9:54:17 PM]
file:///C|/olga_main/f-g/g/green_day/basket_case.tab
me.
It
A5
B5
all keeps adding up.
E
D
C#5
Think I'm cracking up.
Now am
A
B
I just paranoid, or am I just stoned.
The next bit is just
E(7th fret)
C#m
E(7th fret)
C#m
The next bit is just a variant on the chords for the intro. Theres a standard strumming pattern,
which isn't that difficult to work out. The chords are below :E(7th fret A) B(bar on 7th fret E) C#m(bar on ninth fret E)
G#m(bar on fourth fret E) A(fifth fret E) E(7th fret A) B(7th fret E)
That should be adequate, apart from the ending. It's all in Emajor and good to muck about on the
chords with. I know the ending, and if anyone is desperate for it then just tell me and I'll EMail
it to you.
-Matt Harvey
EMail : harvey@harve.demon.co.uk
... It is better to be brief than boring.
-Matt Harvey
EMail : harvey@harve.demon.co.uk
... Don't blame me! I just test the thing!
From: "Matthew E. Harvey" <harvey@harve.demon.co.uk>
Subject: TAB: Basket Case - Green Day
Date: Sat, 03 Jun 1995 12:58:04 GMT
file:///C|/olga_main/f-g/g/green_day/basket_case.tab
A-|-7--7-7--7-7-7---------------|-7--7-x-x-7-7-x-2--2-2-2-|
E-|---------------9--9-9--9-9-9-|-5--5--------------------|
'stoned....................'
(fades away gradually)
Play that pattern 4 times (not necessarily exactly the same) and then play these chords. E5 in
this case is the first three notes of Em.
A5
E5
B5
file:///C|/olga_main/f-g/g/green_day/best_thing_in_town.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: millerr@interramp.com
Subject: best_thing_in_town.crd
This is a really cool song from the Sweet Children EP.
Once again, no ideas for the solo, but if someone knows
it, PLEASE post it. Post any Green Day solos you know,
for that matter. The intro and the chorus might be a tad
off, but it sounds ok. (looks best in Courier) Tune to Eb
Chords:
EADGBe
A: 577655
A#: 6887-B: 7998-C: 3355-- 8-10-10-9 In the intro (maybe)
D: 5577-F#: 2443-G: 3554-Intro:
C B A# A
Verse 1:
A
Come with me and lets go for a ride
A
Follow me to the other side
A
As I sit around and watch you pout
A
Cause I know that youre the
Chorus:
A B G A
Best thing in town
A B G A
Best thing around
A B G A
Best thing in town
A B G A
Best thing around
Verse 2:
Running wild and always running free
Doing things that I have never seen
Eerie colors and all I see are sounds
Now I know that youre the
Chorus
Bridge:
D A C G F#
Lyrics, anyone?
Solo:
?
Play C B A# A before repeating verse 1
file:///C|/olga_main/f-g/g/green_day/best_thing_in_town.crd
Verse 1
Chorus
Verse 2
Chorus
Outro:
C B A# A
zach
Currently working on:
Sweet Children
file:///C|/olga_main/f-g/g/green_day/brain_stew.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Date: Tue, 9 Jan 96 14:17:08 UT
From: "William Knaus" <BillKnaus@msn.com>
Subject:
Brain Stew/ Jaded Tab
Brain StewThe whole song is basically power chords and I found this out tuned down half
a step:
Eb
Ab
Db
Gb
Here's the chords:
E A D GBe
G: 3 5 5 XXX
F# :2 4 4 XXX
F:
1 3 3 XXX
E:
0 2 2 1XX
A:
5 7 7 XXX
Intro:G(pause)
Verse1:
G(pause)
F#(pause)
F E A(pause)
I'm having trouble trying to sleep
I'm countin' sheep but runnin' out
As time ticks by...
Still I try
No rest for crosstops in my mind...
On my own here we go
Same chords throughout the song.
Verse2:
My eyes feel like they're gonna bleed
Dried up and bulging out my skull
My eyes are dry...
My face is numb
F!@#$d up and spun out in my room...
On my own here we go
Chorus:G(3 pick scrapes)
scrape)A(3pick scrapes)
Verse3:
My mind is set on over drive
The clock is laughing in my face
my crooked spine...
My senses dulled
Past the point of delirium...
On my own here we go
Chorus
file:///C|/olga_main/f-g/g/green_day/brain_stew.crd
Verse2
Chorus
Date: Tue, 10 Oct 1995 15:45:31 -0700
From: fahq@primenet.com (David Nelson)
Subject: Green Day-"Brain Stew" Tab
A:
G:
F#:
F:
E:
577xxx
355xxx
244xxx
133xxx
022xxx
Each chord is played regularly, but only twice, then muted. If you
have NO musical ability and cannot follow the harmony, look elsewhere, cuz I
don't have the time or desire.
I'm having trouble trying to sleep
I'm counting sheep but running out
As time ticks by
And I still try
No rest for crosstops in my mind
On my own...here we go
(drums begin)
My eyes feel like they're going to bleed
Dried up and bulging out my skull
My mouth is dry
My face is numb
Fucked up and spun out in my room
On my own...here we go (Same chord progression, but each double strum is
followed by a regular strumming of the lightly muted power chord, producing
some very cool harmonics)
(each chord played twice, then muted, no harmonics)
My mind is set on overdrive
The clock is laughing in my face
A crooked spine
My sense dulled
Past the point of delirium
On my own...here we go (Begin harmonics again)
My eyes feel like they're going to bleed
Dried up and bulging out my skull
My mouth is dry
My face is numb
file:///C|/olga_main/f-g/g/green_day/brain_stew.crd
Same
That's it.
Happy Birthday Ian
Dave Nelson
fahq@primenet.com
I welcome any an all corrections, letters ahte mail, death threats, etc.
From: GeekStink@aol.com
Date: Wed, 11 Oct 1995 21:43:00 -0400
Subject: "brain stew" by green day
"Brain Stew"
Intro:
B(PM)
A(PM)
C(PM)
C#(PM)
A(PM)
Verse:
B(PM)
A(PM)
I'm having trouble trying to sleep.
C(PM)
C#(PM) A(PM)
I'm counting sheep but running out.
B(PM)
A(PM)
As time ticks by,
C(PM)
C#(PM) A(PM)
And l still try.
B(PM)
A(PM)
No rest for crosstops in my mind.
C(PM)
C#(PM) A(PM)
On my own...here we go.
Verse:
B(PM)
A(PM)
My eyes feel like they're going to bleed.
C(PM)
C#(PM) A(PM)
Dried up and bulging out my skull.
B(PM)
A(PM)
My mouth is dry.
C(PM)
C#(PM) A(PM)
My face is numb.
B(PM)
A(PM)
Fucked up and spun out in my room.
C(PM)
C#(PM) A(PM)
On my own...here we go.
Chorus:
B(PM) xxx A(PM)XXX C(PM) XXX C#(PM) XXX A(PM)
NO WORDS
Verse:
B(PM)
A(PM)
My mind is set on overdrive.
C(PM)
C#(PM) A(PM)
The clock is laughing in my face.
B(PM)
A(PM)
A crooked spine.
C(PM)
C#(PM) A(PM)
file:///C|/olga_main/f-g/g/green_day/brain_stew.crd
My sense dulled.
B(PM)
A(PM)
Passed the point of delirium.
C(PM)
C#(PM) A(PM)
On my own...here we go.
geekstink@aol.com
From: Robert Collette <sf3xe@scfn.thpl.lib.fl.us>
Brain Stew
(Green Day)
file:///C|/olga_main/f-g/g/green_day/brat.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Important: Change your font to "Courier" or the like for maximum quality.
Brat
By : Greenday
Note: Tune a half step down. All power chords.
Intro:
C G D
|%%%%|%%%%|////|////|
Part A:
G C G
C G D
:|////|////|////|////|:
Part B:
C G C G C G D
:|////|////|////|////|:
Part C:
C G C G A
D
|////|////|////|////|/%%/|
Sequence:
Intro; Ax3; B; C; Ax4; B; C; Ax4; B; C; Ends with G chord.
Transcribed by SJF of LSM, a loneman punk rock band.
From: GeekStink@aol.com
Date: Wed, 11 Oct 1995 21:42:49 -0400
Subject: brat by green day
"Brat"
Verse:
Mom and Dad don't look so hot these days
A
G
C
they're getting over the hill,
C
D
C
A
Death is closing in and catching up
C
A
D
as far as I can tell,
C
D
C
A
Got a plan of action and cold blood
C
A
D
and it smells of defiance,
C
D
C
A
I'll just wait for Mom and Dad to die
C
A
D
and get my inheritance.
Chorus:
C
D
C
A
Now I want more because I'm getting bored
C
D
A
and I'm going nowhere fast,
file:///C|/olga_main/f-g/g/green_day/brat.crd
C
D
C
A
I was once filled with doubt and now it's all figured out
C
D
D(PM)
D
that nothing good can last.
Verse:
C
D
C
A
Crows feet and rot are setting in
C
A
D
and time is running out,
C
D
C
A
My parents income interest rate
C
A
D
is gaining higher clout,
C
D
C
A
I'm a snot nosed sod without a job
C
A
D
and I know I damn well should,
C
D
C
A
Mom and Dad don't look so hot these days
C
A
D
but my future's looking good.
Chorus:
C
D
C
A
Now I want more because I'm getting bored
C
D
A
and I'm going nowhere fast,
C
D
C
A
I was once filled with doubt and now it's all figured out
C
D
D(PM)
D
that nothing good can last.
geekstink@aol.com
file:///C|/olga_main/f-g/g/green_day/burnout.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: KLeonard@aol.com
"Burnout" by Green Day
Verse:
F#5 B5
F#5 B5
F#5 E5
G#5
C#5
Chorus:
B5 F#5
B5 E5 F#5
B5 E5 C#5
Bridge:
F#5
E5
F#5
-----------------------------------------------4-4-4--2--4---4-4-4--2--4---2-2-2--0--2-The song is supposed to be tuned down 1/2 step, but it's not necessary for
this song so I wrote it in standard. I might've put a mistake in somewhere
(most likely the chorus). I'm not perfect...well, almost <g>.
keith
file:///C|/olga_main/f-g/g/green_day/burnout.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: syk@nyongwa.montreal.qc.ca (Bruno Lamoureux)
Subject: TAB: BurnOut by Green Day
Title:
Burn Out
Group:
Green Day
Album:
Dookie
Wrote by:
Green Day
Transcribe by: Bruno Lamoureux
Rhytm A (2 times)
Heavy Distortion
|-----------------------------------------------------------------------|-----------------------------------------------------------------------|----------4--4-4--4-4------------4--4-4--------------------------------|-4-4--4-4-4--4-4--4-4-4-4-4--4-4-4--4-4-2-2-2--4-4-4--4-4-2-2-2--2-2---|-4-4--4-4-2--2-2--2-2-4-4-4--4-4-2--2-2-2-2-2--4-4-4--4-4-2-2-2--2-2---|-2-2--2-2-------------2-2-2--2-2--------0-0-0--2-2-2--2-2-0-0-0--0-0----
Rhytm B
|----------------------------|------------------------------------------|----------------------------|------------------------------------------|-6-6-6--6-6--6-6-6-6--6-6-6-|-4-4--4-4------------------4--------------|-6-6-6--6-6--6-6-6-6--6-6-6-|-4-4--4-4-4--4-4-4-4-4-4-4-4--2--4--4-4---|-4-4-4--4-4--4-4-4-4--4-4-4-|-2-2--2-2-4--4-4-4-4-4-4-4-2--2--4--4-4---|----------------------------|----------2--2-2-2-2-4-4-4----0--2--2-2----
Rhytm A
(2 fois)
|--------------------------------------|------------------------|-------|--------------------------------------|------------------------|-------|-4--4-4--4-----------6-6-6-6-6-6-6-6-6|------------------------|-------|-4--4-4--4-2--2-2--2-6-6-6-6-6-6-6-6-6|------------------------|-------|-2--2-2--2-2--2-2--2-4-4-4-4-4-4-4-4-4|------------------------|-------|-----------0--0-0--0------------------|------------------------|--------
Rhytm B (2 times)
Rhytm C
|-----------------|-------------------------------------------------|---|-----------------|-------------------------------------------------|---|-----------------|-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-|---|-----------------|-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-|---|-----------------|-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-|---|-----------------|-------------------------------------------------|----
Rhytm B (2 times)
|-----------------------------------------------|------------------|----|-----------------------------------------------|------------------|-----
file:///C|/olga_main/f-g/g/green_day/burnout.tab
|-----------------------------------------------|------------------|----|-4-4-4-2-4---4-4-4-2-4---4-4-4-2-4---4-4-4-2-4-|------------------|----|-4-4-4-2-4---4-4-4-2-4---4-4-4-2-4---4-4-4-2-4-|------------------|----|-2-2-2-0-2---2-2-2-0-2---2-2-2-0-2---2-2-2-0-2-|------------------|-----
Rhytm C
End!
file:///C|/olga_main/f-g/g/green_day/christie_road.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: miller6@aol.com
Subject: christie_road.crd
Ok, Im pretty sure about this one, because I have it on video
tape and everything was pretty clear. I did this because: a) I
never really thoughtabout tabbing this before and b) no offense,
but some of the other tabs didnt sound right. Anyway, tune to
Eb, and enjoy (looks best in Courier)
Only non-barre-chords right here
EADGBe
--0232
0221--
D
E
Verse 1:
G
Staring out of my window
E
Watching the cars go rolling by
Verse 2:
See the hills from afar
Standing on my beat up car
The sun went down and the night fills the sky
Now I feel like me once again
As the train comes rolling in
Smoked my boredom gone
Slapped my brains up so high
Chorus
Bridge:
G G FFFF C C FFFF
G B
file:///C|/olga_main/f-g/g/green_day/christie_road.crd
zach
file:///C|/olga_main/f-g/g/green_day/christie_road.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Gargamel12@aol.com
Subject: TAB: Green Day-Christi Road,from the album Kerplunk!
Tune down 1/2 step
Christi Road
Kerplunk!
1st verse
Staring out of my Window
Watching the cars go rolling by
-----------------------------------------------------------------------------------------------------------------------------------------------------------------------5-------------------------2----------------------------5-------------------------2----------------------------3-------------------------0---------------------------My friends are gone
I've got nothing to do
----------------------------------------------------------------------------------------------------------------5-----------------5-----------------7-----------------5-----------------5-----------------7-------------------3-----------------3----------------5------------------------------------------------------------------------Repeat:
So I sit here Patiently
Watching the clock tick so slowly
Gotta get away
Or my brains will Explode
Chorus:
Give me something to do to kill some time
Take me to thet place that I call home
Take away the strains of being lonley
Take me to the tracks at Christi Road
----------------------------------------------------------------------------------------------------------------5--------------------------------7---------------------5------------------5-------------7----------------------3-----------------5-------------5-----------------------------------------3---------------------------------2nd verse
Repeat first verse Guitar part:
See the hills from above
Standing on my beat up car
The sun went down and the night fill the sky
Now I feel like me once again
As the train comes a rollin' in
Smoked my bordom gone
Slapped my brains up sp high
Repeat Chorus:
Ending part:
-------------------------------------------------------------------------------------------------------------------------------------------5--------------------------5-------------3------------5---------3-----------------5-------------3-----------3---------3-----------------3-------------1----------------------1--------------Mother stay out of my way
Of that place we go
file:///C|/olga_main/f-g/g/green_day/christie_road.tab
[ powerchords ]
file:///C|/olga_main/f-g/g/green_day/christie_road.tab
then a G powerchord
James Tozer[Stussy] 102137.347@compuserve.com
Compton BBS 204-897-3345 NUP RG4EVER
requesting: High Hopes - Pink Floyd - The Division Bell - 1994
102137.347@compuserve.com- e-mail comments on tablature
Christie Road - Green Day - Album - Kerplunk
Transcribed by James Oborne Tabbed by James Tozer[Stussy]
Song done by Popular demand
---============= - Christie Road - ==============--This song is basically power chords, like most of Green Day's songs
the chording goes
G F# E C
C G
here's the tab
[ powerchords ]
file:///C|/olga_main/f-g/g/green_day/coming_clean.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: bob@ashram.com (mastermind)
Here's Coming Clean by Green Day
Song: Coming Clean
Artist: Green Day
Album: Dookie
Verse:
B
Seventen and strung out
G
on confusion
B
Trapped inside a roll of
G
disillusion
Chorus 1:
F#
I found out what it takes
E
to be a man
F#
Mom and Dad will never
E
understand
Chorus 2:
F#
I found out what it takes
E
to be a man
F#
Mom and Dad will never
E
understand
C
What's happening to me
Song:
Verse
Chorus 1
Verse
Chorus 2
Verse w/o words
Chorus w/o words
Verse
Chorus 2
Other verses:
file:///C|/olga_main/f-g/g/green_day/coming_clean.crd
file:///C|/olga_main/f-g/g/green_day/dominated_love_slave.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: GeekStink@aol.com
Date: Mon, 11 Sep 1995 23:54:11 -0400
Subject: "DOMINATED LOVE SLAVE "by Green Day
Dominated Love Slave
by Green Day
(on Kerplunk)
I don't TAB so well, but it is correct.
Chords: (You should probably use the powerchords, it is easier that way)
String# 6 54 3 21
EADGBe
E
A
B
022100 or
X02220 or
XX4442 or
X79980
57760X
79980X
Verse:
E
I wanna
E
I wanna
E
You can
E
Mack me
A
be your dominated love slave
B
be the one who takes the pain
A
spank me when I do not behave
B
E
in the forehead with a chain
Chorus:
A
E
'Cause I love feelin' dirty
B
E
and I love feelin' cheap
A
E
And I love it when you hurt me
B
E
So drive those staples deep
Verse:
E
A
I want you to slap me and call me naughty
E
B
Put a beltsander into my skin
E
A
I want to feel pain all over my body
E
B
E
I can't wait to be punished for my sins
Chorus:
Solo:
e ------------------------3B ------8---9---9-----2-----G ------9---9---9-------------D-------9---9---9-------------file:///C|/olga_main/f-g/g/green_day/dominated_love_slave.crd (1 of 2) [4/28/2003 9:54:20 PM]
file:///C|/olga_main/f-g/g/green_day/dominated_love_slave.crd
file:///C|/olga_main/f-g/g/green_day/dont_leave_me.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Fool With A Plan <bkeating@jarthur.Claremont.EDU>
My name is Brett Keating. I figured this out,
"Dont Leave Me" by Green Day
e--------------------|
B--------------------|
G-2424-4------7-7--4-|
D-2424-4--7-7-7-7--4-|
A-0202-2--7-7-5-5--2-|
E---------5-5--------|
e----------------------------------------|
B----------------------------------------|
G----------7-------------------4---------|
D-7-7-77-7---7-7-7-7--4-4-44-4---4-4-4-4-|
A-7-7-77-----7---7-7--4-4-44-----4---4-4-|
E-5-5-55-----5---5-5--2-2-22-----2---2-2-|
Chords that are smashed together and not spaced by dashes are meant to
be played in quick succession... The opening part takes some getting used
to...
From: tubring2@aol.com (Tub Ring 2)
Green Day
Don't Leave Me - Smoothed Out Slappy Hours
Intro
----------------------------4--0--7--4---4--0--7--4---2--2--5--2--------------These are the chords for the intro figure
out the rythem yourself. It's very easy.
Chorus
--0-----0-----2-----2--------2--------2--2--------2-----2--2--------3--3-----------2-----------4--------------0-----------4--------------------------2------------These are repeated a lot.
Ta Dah This is the whole song.
Really tricky. If you want me to put more songs
on here. Please E-mail your opinions to Tub Ring 2.
If you have any songs you want me to post just write.
file:///C|/olga_main/f-g/g/green_day/dont_leave_me.tab
Get used to the fact that Green Day likes to make money.
Gregory.
file:///C|/olga_main/f-g/g/green_day/dont_want_to_fall_in_love.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: millerr@interramp.com
Subject: dont_want_to_fall_in_love.tab
This is a great new song from the Geek Stink Breath single.
I'm surprised that no one posted this song, because it is
really easy. I need some help with the last part in the solo,
though. Tune to Eb (looks best in Courier)
Chords:
EADGBe
A: 5776-B: 7998-E: -799-Intro:
E
Verse 1:
E
Don't want to have you hangin
Around me like a leech
I think you're just a problem
So stay the hell away from me because I don't believe in you
A
E
And I wanna sit here all my life alone
Chorus:
B
A
This may sound a little rough
(No Chords)
E
Don't wanna fall in love
Verse 2:
Don't need security
I ain't no dog without a bone
Don't have no time for love
So stay the fuck away from me because I don't believe in you
And I wanna sit here all my life alone
Chorus
Solo:
---------------------------------------------------------------------------------------------------------------------4-4--44-6-4----444-444-6-4---4---444-4--44-6-4-----------------------6--------------6-------------------6---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------444-44-6-4----444-6-4----I-need-some-help-on-this-part--------------6----------6-------------------------------------------------------------------------------------------------------------------------------------------------Chorus
file:///C|/olga_main/f-g/g/green_day/dont_want_to_fall_in_love.tab
Chorus
End On E
zach
file:///C|/olga_main/f-g/g/green_day/dookie_album.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: "Walter Y. Tien" <wt0d+@andrew.cmu.edu>
Subject: CRD: Green Day - Dookie
Here's the entire album. Didn't bother with Welcome To Paradise since
it's on Kerplunk! Anyway, this might seem a little cryptic at first but
you'll figure it out. I've written down all the riffs in each song.
You'll have to figure out how many times to repeat stuff and when to
play it but everything's here. It'll make sense once you follow along
with it. I don't have the time to write out all the lyrics with the
chords above the words. Please send me any revisions if you thing I
goofed or made a typo somewhere. Enjoy...
Green Day - Dookie
Tune 1/2 step down
Lower case = single note
Burnout
------G C G C A G F D
C G C F G C F D
G F G
Having A Blast
-------------A G g g b g
A F# G E
D A B G
A F# B E A F# D A E
F# D A F# G A G A
Chump
----B F# E
B E
F#
A E B
F#
F# E
Longview
-------D
B A E
E D
Pulling Teeth
------------B A
E A E B E A E B E
C# E
C# B
Basketcase
---------E B C# G# A E B
A B E
file:///C|/olga_main/f-g/g/green_day/dookie_album.crd
A
E
A
E
B E D C# A B
B C# B
B
C# A E B
She
--G
D C G
C G D
G D C G C G
G
Sassafras Roots
--------------D A E
A D E
D E
F# D F# D F# D E
When I Come Around
-----------------G D E C
A C
Coming Clean
-----------B G#
B G# F# E F# E
Emenius Sleepus
--------------B E B E B E A F#
E F#
B E B F# B E A F#
B A
A F#
In The End
---------A G
D E A F#
D E
a c# a g d g
F.O.D.
-----A G A
E G D A E G D
D C# A D C# G
Secret Track (tab)
-----------Never plan on playing the intro so I didn't bother.
--------||---------8-----||--9---------8--||-----8---------||---------6-----||--6------------||--------
Slide up 2 frets
file:///C|/olga_main/f-g/g/green_day/dookie_album.crd
G5
A5
Im taking all you down with me
F#5
Explosives duct taped to my spine
G5
E5
nothings gonna change my mind
I wont listen to anyones last words
Theres nothing left for you to say
soon youll be dead anyway.
Im loosing all my happiness
the happiness You pinned on me
loneliness still comforts me.
my anger dwells inside of me
im taking it all out on you
and all the shit you put me through.
chorus:
D5
A5
No one is getting out alive
H5
this time ive really lost my mind
G5
an i dont care
so close your eyes and kiss your self goodbye
and think about the time you spent
and what theyve.
A5
G5
to me its nothing. . . . . .
==================================================================
2.Chump ?
====================
3. Longview
H5
A5
E5
H5
Bite my lips and close my eyes
A5
E5
H5
take me away to paradise
A5
im so damn bored im going blind
E5
H5
A5
and i smell like shit
E5
D5
I got no motivation
==================================================================
4.Welcome to paradise
file:///C|/olga_main/f-g/g/green_day/dookie_album.crd (3 of 6) [4/28/2003 9:54:21 PM]
file:///C|/olga_main/f-g/g/green_day/dookie_album.crd
Intro: E5
D5 A5
E5
D5
E5
dear mother can you hear me whining
E5
D5
its been three whole weeks since
G5
A5 H5
i have left your home
this sudden fear has left me trembling
cause now it seem
that im here out here on my own
G5
A5 H5
and im feeling so alone
E5
G5
A5
C5
pay attention to the cracked streets and the broken homes
E5
G5
H5
some call it slums some call it nice
E5
G5
i wanna take you through a wasteland
A5
C5
i like to call my home
E5
Intro
welcome to paradise
SHE:
INTRO: G
1 .G
D
She, she screams in silence
C
G
a sullen riot penetrating through her mind
G
D
wai ting for a sign
C
to smash the silence with the bricks of self control
C G
G5
2.D5
C5
G5
Are you locked up in a world thats been planned out for you
are you feeling like a social tool without a use
G5
D5
G5
D5
scream at me until my ears bleed
G5
D5
A5
im taking heed just for you
1.......
-----------------------------------------------------Sassafras roots:
A5
roaming round your house
E D
C#
D5
E5
waisting your time_________
no obligation,just
W.Y.T
so why are you alone
W.Y.T
When you could be with me
W.Y.T
D5
E5
file:///C|/olga_main/f-g/g/green_day/dookie_album.crd
A5
F#5
===============================================================
TRANSCRIBED BY: mUSTARD sEED - s1036056@cedarville.edu:
>I've seen a lot of posts for this song, and others by Green Day.
The main
thing to remember is that Green Day's music is based upon the power (barre)
cords. They are really easy to play once you know these. Many don't know
what I mean, so:
E--X-E--X-B--X-B--10-G--2-- is a barre cord. For one octave higher
G--10-D--3-Just go to the A string
D--10-A--3-and move up 7 frets from A--8-E--1-the same position, yet
E--X-the B string one fret to
compensate for the
Half-step differential.
(Often, only the first three strings are played in the chord)
One of the easiest ways for me to crank the cords on the A string without
disturbing the E is to gently mute the E with the tip of my index finger
while holding the cord.
----------------------------------------------------------------------------"Basket Case"
(I don't have time to type out the rythym, so that is up to you)
Chord Progression:
E--X-------X-------X-------X-------X-------X-------X-B--X-------X-------X-------X-------X-------X-------X-G--8-------X-------5-------X-------X-------8-------X-D--8-------8-------5-------5-------6-------8-------8-A--6-------8-------3-------5-------6-------6-------8-file:///C|/olga_main/f-g/g/green_day/dookie_album.crd (5 of 6) [4/28/2003 9:54:21 PM]
file:///C|/olga_main/f-g/g/green_day/dookie_album.crd
file:///C|/olga_main/f-g/g/green_day/dry_ice.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Thu, 14 Dec 1995 19:07:53 -0500
Subject: Dry Ice by Green Day
Song: Dry Ice
Band: Green Day
Album: 1039\Smoothed Out Slappy Hours
posted by: SkunX42@aol.com
=0D
CHORDS
=0D
G#
C
C#
Eb
F
|---------------------------------------|
|---------------------------------------|
|----------5-----6------8---------------|
|----6-----5-----6------8--------3------|
|----6-----3-----4------6--------3------|
|----4---------------------------1------|
=0D
Intro: =
=0D
|-------------------------|
|-------------------------|
|----------------6--------|
|---6--------6-----6------|
|---6-----6-----------6---|
|---4--4------------------|
=0D
Verse:
=0D
G#
C
C#
G#
file:///C|/olga_main/f-g/g/green_day/dry_ice.tab
repeat CHORUS x2
=0D
Bridge:
=0D
G#
F
C#
come ease the pain that's in my heart
=0D
solo( i don't know it, improvise)
=0D
repeat Intro
repeat Verse1
repeat CHORUS
repeat Bridge
=0D
end on G#
=0D
ok, have fun. send all comments, questions, punk tabs, and\or requests
to me at: SkunX42@aol.com
=0D
OI!=
--PART.BOUNDARY.0.413.mail02.mail.aol.com.818986072--
file:///C|/olga_main/f-g/g/green_day/f_o_d.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date:
From:
"SOMETHINGS..." |
G5
A5
G5
A5
pre chorus:
|
E5
D5
A5
E5
G5
D5
-----------------------------------|-------------------------------------------------------------------------------------|-------------------------------------------------------------------------------------|----9------------7------------9--------------7---4----5-----4------5-----4----|----9-----5-----7------4-----9------5------7---4----5-----4------3-----2----|----7-----5-----5------4-----7------5------5---2----3-----2------3-----2----|-----------3-------------2------------3---------|
"IVE HAD THIS BURNING..... "
E5
G5
D5
A5
E5
G5
D5
------------------------------------------------------------------------------------------------------------------------------9--------------7-------------9---------------7------------9------5------7-----4------9-------5------5-------------7------5------5-----4------7-------3------5---------------------3-------------2--------------3-----------------"TO SAY....."
-------------------------------------------------------------------------------------------------------------------------------------7--7--7--7---7--7--7--7---7--7--7--7--------------------7--7--7--7---7--7--7--7---7--7--7--7---------------------5--5--5--5---5--5--5--5---5--5--5--5--------------------------------------------------------------------------------chorus:
"YOUR JUST....."
D5 C#5
G5
D5
C#5 A5
----------------------------------------------------------------------------------------------------------------------------7----6---------------------7------6----------------------7----6-------5------------7------6------4--------------5----4-------5------------5------4------4------------------------------3---------------------------2-----------these.....
pre-chorus
repeat
file:///C|/olga_main/f-g/g/green_day/f_o_d.crd
chorus
VERSE1:
somethings on my mind
its been for quite some time
this time im on to you
so wheres the other face
the face i heard before
your head trips boring me
PRE-CHORUS:
lets nuke the bridge you torched
2000 times before
this time we'll blast it all
to hell
ive had this burning in my guts
now for so long
my bellys achin now to say
CHORUS:
your just
a fu*k
i cant explain it cuz i think you suck
im taking pride
in telling you to fuck off and die
2ND PRE-CHORUS:
my bellys achin now to say
im taking pleasure in the doubts ive passed to you
so listen up as you bite this
CHORUS..... "good night"
file:///C|/olga_main/f-g/g/green_day/f_o_d.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Sender: "KLeonard" <KLeonard@aol.com>
To: guitar@nevada.edu
Date: Mon, 01 Aug 94 13:25:09 EDT
Subject: TAB for "F.O.D." by Green Day
"F.O.D." by Green Day
(I'm sure this is tuned down 1/2 step, but for this song there's no need to
tune down, so i'll write this in standard)
\ = slide down
The verse is real easy.
Just G#5
F#5
G#5
Something's on my mind, it's been for quite some time
F#5
This time I'm on to you
G#5
by Green Day
somethings on my mind
its been for quite some time
this time im on to you
so wheres the other face?
the face i heard before
your head trips boring me
lets nuke the bridge we torched
file:///C|/olga_main/f-g/g/green_day/f_o_d.tab
file:///C|/olga_main/f-g/g/green_day/geek_stink_breath.btab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Wolfman672@aol.com
Date: Thu, 28 Dec 1995 15:51:51 -0500
Subject: Geek Stink Breath
Geek Stink Breath - Btab
Intro
G
D
A
E-2-2- (guitar) -2-2- (G) -2-2- (G) -2-2- (G, Slide)
Verse
G
D
A
E-2-2-
1-2-
2-1
0-0-
Chorus pt.1
G
D
A
E-2-2-2-0-0
Chorus pt.2
G
D
A
E-5-5-5-5-5-0-0-0
(Go to verse then to chorus pt.1 and 2 then)
Bridge
G
D
A
E-2-2-2-0-0
-2
-0
Verse 3
G
D
A
E-2-2-2-2-0-0-0-0
(Chorus pt 1 and 2, to brige then end on 1st tab)
From: amagnan@bonita.cerf.fred.org
Date: Sun, 8 Oct 95 11:28 pst
Subject: BTAB: geek_stink_breath by green_day
This is the song off green day's insomniac album that is on MTV and was
played on saturday night live. It's called geek stink breath
this is the verse, keep playing this all the way thru
G-|------------------------------------------------------------------------D-|------------------------------------------------------------------------A-|---32--23---------------------------------------------------------------E-|-33--11-----------------------------------------------------------------this is the first half of the chorus
file:///C|/olga_main/f-g/g/green_day/geek_stink_breath.btab (1 of 2) [4/28/2003 9:54:22 PM]
file:///C|/olga_main/f-g/g/green_day/geek_stink_breath.btab
G-|------------------------------------------------------------------------D-|------------------------------------------------------------------------A-|------------------------------------------------------------------------E-|-66-0-111---------------------------------------------------------------Keep playing for the first half then move to this for the second half of the
chorus:
G-|------------------------------------------------------------------------D-|------------------------------------------------------------------------A-|------------------------------------------------------------------------E-|-33-0-111---------------------------------------------------------------then back to the verse. any turnarounds or scales or anything special like
that that is used may not be in here, this is just the raw tab.
Please email me if you have corrections or requests for green day bass tabs
file:///C|/olga_main/f-g/g/green_day/geek_stink_breath.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: GeekStink@aol.com
Date: Mon, 11 Sep 1995 23:54:13 -0400
"Geek Stink Breath"
by Green Day (currently unreleased, off new album,)
Don't worry it's all powerchords unless i say otherwise...
NOTE: On the chorus, A# is X133XX, not 688XXX
Intro/Riff:
G, E(barre) / B (as X244XX, not 799XXX)
Verse:
G(PM) /
F (PM) G(PM) /
F (PM)
I'm on a mission, I made my decision
G(PM) /
F (PM) G(PM) /
F (PM)
to lead a path of self destruction,
G(PM) /
F (PM)
G(PM) /
F (PM)
A slow progression, killing my complexion
G(PM) /
F (PM) G(PM) /
F (PM)
and it's rotting out my teeth.
Chorus:
A#
F
A#
F
I'm on a roll, no self control
A#
F
A#
F
I'm blowing off steam with methamphetamine,
G
F
G
Don't know what I want, and that's all that I've got
G
F
G
F
and I'm picking scabs off my face.
Verse#2:
G(PM) /
F (PM) G(PM) /
F (PM)
(NO WORDS)
G(PM) /
F (PM)
G(PM) /
F (PM)
Every hour ,my blood is running sour
G(PM) /
F (PM) G(PM) /
F (PM)
and my pulse is beating out of time
G(PM) /
F (PM) G(PM) /
F (PM)
l found a treasure, filled with sick pleasure
G(PM) /
F (PM) G(PM) /
F (PM)
and it sits on a thin white line.
Chorus:
A#
F
A#
F
I'm on a roll, no self control
A#
F
A#
I'm blowing off steam with methamphetamine,
G
F
G
F
F
file:///C|/olga_main/f-g/g/green_day/geek_stink_breath.crd
Don't know what I want, and that's all that I've got
G
F
G
F
and I'm picking scabs off my face.
G, E(barre) / B
G, E(barre) / B
G, E(barre) / B
G, E(barre) / B
G, E(barre) / B
G, E(barre) / B
G, E(barre) / B
G, E(barre) / B
Verse#3:
G(PM) /
F (PM)
I'm on a mission,
G(PM) /
F (PM)
to lead a path of
G(PM) /
F (PM)
Wish in one hand,
G(PM) /
F (PM)
and see which one
G(PM) /
F (PM)
I've got no decision
G(PM) /
F (PM)
self destruction,
G(PM) /
F (PM)
shit in the other
G(PM) /
F (PM)
gets filled first.
Chorus:
A#
F
A#
F
I'm on a roll, no self control
A#
F
A#
F
I'm blowing off steam with methamphetamine,
G
F
G
Don't know what I want, and that's all that I've got
G
F
G
F
and I'm picking scabs off my face.
G, E(barre) / B
G, E(barre) / B
G, E(barre) / B
G, E(barre) / B
Outro:
G, E(barre) / B
Geek,
G, E(barre) / B
Stink,
G, E(barre) / B
Breath...........
if you like this emailme at GEEKSTINK@aol.com
From: Grrrl69@aol.com
Date: Wed, 8 Nov 1995 13:59:43 -0500
Subject: green day's geek stink breathtab
band:green day
song:geek stink breath
album:insomniac
from:grrrl69@aol.com
hi i noticed every song off insomniac in this section was wrong.So i decided
to do it for everyone.
geek stink breath
tune down half step for better sound{doesnt really matter}
intro:G:355433 F:133211 C:X355XX
file:///C|/olga_main/f-g/g/green_day/geek_stink_breath.crd
From: data@kalltorp.jarfalla.se
Date: Wed, 7 Feb 1996 12:50:27 +0100
Subject: Tab:Geek Stink Breath by Green Day
Band:Green Day
Song:Geek Stink Breath
>From the album:Insomniac
Note:Tune down half step
Intro:
G
F
C
-----------------------------------------------5--------5-5-3-3-3-5--------5-5-3-3-3-3--------3-3-1-1-1---------Verse:
-------------------------------------------------------------------------------5-5--3-3-3---5-5--3-3-3---5-5--3-3-3---5-5--3-3-3---3-3--1-1-1---3-3--1-1-1--Chorus:
-------------------------------------------------3-3--------------------file:///C|/olga_main/f-g/g/green_day/geek_stink_breath.crd (3 of 5) [4/28/2003 9:54:23 PM]
file:///C|/olga_main/f-g/g/green_day/geek_stink_breath.crd
file:///C|/olga_main/f-g/g/green_day/geek_stink_breath.crd
Enjoy it!!!
E-mail me any corrections,critism,or something...
at Data@Kalltorp.Jarfalla.se
file:///C|/olga_main/f-g/g/green_day/going_to_pasalacqua.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: rosnbaum@inlink.com (Rosenbaum)
Going To Pasquala by Green Day
If you haven't heard this song, don't bother downloading it, or, if you
already have, delete it. This is NOT, repeat NOT, for you posers who think
Dookie is Green Day's first album and don't even know the words to "She."
Verse:
A
Here we go again
D
A
Infatuation touches me just when i thought that it would end
A
Oh, but then again it seems much more than that
D
A
But, I'm not sure exactly what you're thinkin'
Chorus:
D
A
Well, I toss and turn all night thinkin' of your ways of affection
D
A
But, to find out it's not different at all
D
A
Well, I throw away my past mistakes and
E
contemplate my future
D
That's when I say
A
What the hey?
Verse:
Would I last forever?
You and I together
hand in hand we run away
I'm in for nasty weather
But, I'll take whatever you can give that comes my way
Chorus
------------------------------------If any of you want to E-Mail me, my address is rosnbaum@inlink.com
Jeremy Rosenbaum
--========================_5833300==_--
From: miller6@aol.com
Subject: going_to_pasalacqua.tab
file:///C|/olga_main/f-g/g/green_day/going_to_pasalacqua.crd
Chorus:
D
A
I toss and turn all night thinkin' of your ways of affection
D
A
to find that it's not different at all
D
A
E
I throw away my past mistakes and contemplate my future
D
That's when I say
A
What the hey?!?
Verse 2:
A
Would I last forever?
E
F#
file:///C|/olga_main/f-g/g/green_day/going_to_pasalacqua.crd
A
I'm in for nasty weather
E
F#
A (Play this
file:///C|/olga_main/f-g/g/green_day/good_riddance.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
Date: Tue, 10 Dec 1996 22:45:06 -0500 (EST)
From: MONACO7320@duq3.cc.duq.edu
Subject: TAB: "Good Riddance" by Green Day
In actuality, I am really unsure if any even knows this song (or even
cares to know it for that matter.) But, as an avid Green Day fan (yes,
still), i figured I would give the chords. It is especially notable
because it is the only all-acoustic Green Day song that I know of.
Anyways, it is found on the "Brainstew/Jaded" Import Single.
Chords Used
G: 32OO33
Em: O22OOO
C: O32O1O
D: OOO232
Progression
G--Em--C--D
If this is not exact, it is pretty accurate. I do not have the CD with
me but I am pretty sure that is how it goes. And, if I remember
correctly, the chorus is the same chord progression. If you like Green
Day (or even if you hate them), it is still a cool song.
file:///C|/olga_main/f-g/g/green_day/green_day.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: bob@ashram.com (mastermind)
Song: Green Day
Artist: Green Day
Album: 39/Smooth
Intro:
B
G#
D
E
B
B
G#
G#
Verse 1:
E
D
A small cloud has fallen
C#
B
The white mist hits the ground
F#
A
E
My lungs comfort me with joy
E
D
Vegging on one detail
C#
B
The rest just crowds around
F#
A
E
My eyes itch of burning red
Chorus:
G# E
B
Picture sounds
G# E
B
A
Of moving insects so surreal
G# E
B
Lay around
G# E
B
A
Looks like I found something new
Outro:
E
C#
Song:
Intro
Verse
Chorus
Verse
Chorus
Verse w/o words
Solo (not given)
Verse
Chorus
Outro
file:///C|/olga_main/f-g/g/green_day/green_day.crd
Other lyrics:
Laying in my bed
I think I'm in left field
I picture someone, I think it's you
You're standing so damn close
My body begins to swell
Why does 1+1 make 2?
file:///C|/olga_main/f-g/g/green_day/having_a_blast.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Paul Wilson <Paul@frobish.demon.co.uk>
Having a Blast - Green Day
from Dookie
This is my first transcription so it's not perfect, but it isn't bad.
The tab doesn't show timing but it's easy to work out.
Any corrections are welcome.
(A)Intro
|----------------------------|
|----------------------------|
|------------------------3---|
|--5-5-5-5-5-3-3-3-3-3-3-3-3-|
|--5-5-5-5-5-3-3-3-3-3-3-1-3-|
|--3-3-3-3-3-1-0-1-0-1-0---0-|
play 4 times
(B)Verse
|-----------|
|-----------|
|-----------|
|--5-5-5-5--|
|--5-5-5-5--|
|--3-3-3-3--|
play 8 times
|---------------------------------------------------|
|---------------------------------------------------|
|------------------------------------------5-5-5-5--|
|--3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-5-5-5-5-5-5-5-5--|
|--3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-5-5-5-5-3-3-3-3--|
|--1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-3-3-3-3----------|
play twice
from (B)
(C)Chorus
|------------------------------------------|------------------------------------------|--7-7-7-7-7-7-7-7-7-7-7-------------------|--7-7-7-7-7-7-7-7-7-7-5-5-5-5-5-5-5-5-5-5-|--5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-|----------------------3-3-3-3-3-3-3-3-3-3--------------------------------------------|
-------------------------------------------|
--5-5-5-5-5-5-5-5-5-5----------------------|
--5-5-5-5-5-5-5-5-5-5-7-7-7-7-7-7-7-7-7-7--|
--3-3-3-3-3-3-3-3-3-3-7-7-7-7-7-7-7-7-7-7--|
----------------------5-5-5-5-5-5-5-5-5-5--|
play twice
play 4 times
file:///C|/olga_main/f-g/g/green_day/having_a_blast.tab
(E)Bridge
|---------------------------------------------------|---------------------------------------------------|----------------------------3----------3-3-3-3-3-3-|--5-----------5-5-5-5-5-5---3----------3-3-3-3-3-3-|--5-----------5-5-5-5-5-5---1----------1-1-1-1-1-1-|--3-----------3-3-3-3-3-3--------------------------Do you ever think back
to another time
|---------------------------------------------------------------|
|---------------------------------------------------------------|
|------------------------------------3-3------------------------|
|--3----------------5-5-5-5-5-5------3-3---------3-3-------5----|
|--3----------------5-5-5-5-5-5------1-1---------3-3-------5----|
|--1----------------3-3-3-3-3-3------------------1-1-------3----|
Did it bring you so down that you thought you lost your mind
|--------------------------------------------------------------------|
|--------------------------------------------------------------------|
|----------5-5-5-5----------------------------------3-3-3-3----------|
|--3-3-3-3-5-5-5-5-5-5-5-5-5-5-5-5--3-3-3-3-5-5-5-5-3-3-3-3-3-5-3-5--|
|--3-3-3-3-3-3-3-3-5-5-5-5-5-5-5-5--3-3-3-3-5-5-5-5-1-1-1-1-3-5-3-5--|
|--1-1-1-1---------3-3-3-3-3-3-3-3--1-1-1-1-3-3-3-3---------1-3-1-3--|
|------------------------------------------------------------|
|------------------------------------------------------------|
|----------5-5-5-5----------------------------------3-3-3-3--|
|--3-3-3-3-5-5-5-5-5-5-5-5-5-5-5-5--3-3-3-3-5-5-5-5-3-3-3-3--|
|--3-3-3-3-3-3-3-3-5-5-5-5-5-5-5-5--3-3-3-3-5-5-5-5-1-1-1-1--|
|--1-1-1-1---------3-3-3-3-3-3-3-3--1-1-1-1-3-3-3-3----------|
Play those bits in the following order:
A
I think part E is a bit dodgy but I don't think it is too far out
--------------------------| Paul Wilson
|
| paul@frobish.demon.co.uk |
--------------------------
__ __
/ /AA\ \
( oo )
\~~/
file:///C|/olga_main/f-g/g/green_day/i_wanna_be_alone.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Mon, 1 Jan 1996 14:35:54 -0500 (EST)
From: Absolut Keiger <jkeiger@gti.net>
this is "I Wanna Be Alone" by Green Day
-Tommy =)
This is "I Wanna Be Alone" by Green Day off 1039/SOSH
I haven't finished the solo yet, but here's everything else:
INTRO:
P.M
P.M P.M
P.M
----------------------------------------------------------------------------------------------------------------------------------------------------------------2----0-----2----0-------0---------0---------------0------------0--------0-0---0-0--0-0---0-0-----------0---------0----------------0-----------0------------------------------5----------3-------------5-------------3--------------------------------------------------------------------------------------at the beginning of the intro the open D string is palmed....
Verses are the same as chorus...
I lock myself inside my room,
I WANNA BE ALONE
with you around you'll only add on,
I WANNA BE ALONE,
just let me be alone with my thoughts,
I WANNA BE ALONE,
with you around you'll only add on,
I WANNA BE ALONE
Chorus: G (355xxx) - A (577xxx) - D (x577xx) - B (x244xx)
Please don't think I'm crazy
I don't want you to understand,
I mind is going hazy
To hell with your helping hand
Why dontcha just leave me alone
This conflict is my own
keep your sources away from me that's all
intro part again
***billie joe then does some harmonics on the 5th fret of the G and D
strings, play around with that until you get it, has to be distortion
pretty much***
second half of intro part
***more harmonics***
second half of intro again
solo...i'll try and post it ASAP
same words as first verse
chorus...
file:///C|/olga_main/f-g/g/green_day/i_wanna_be_alone.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
This is "I Wanna Be Alone" by Green Day off 1039/SOSH
I haven't finished the solo yet, but here's everything else:
INTRO:
P.M
P.M P.M
P.M
----------------------------------------------------------------------------------------------------------------------------------------------------------------2----0-----2----0-------0---------0---------------0------------0--------0-0---0-0--0-0---0-0-----------0---------0----------------0-----------0------------------------------5----------3-------------5-------------3--------------------------------------------------------------------------------------at the beginning of the intro the open D string is palmed....
Verses are the same as chorus...
I lock myself inside my room,
I WANNA BE ALONE
with you around you'll only add on,
I WANNA BE ALONE,
just let me be alone with my thoughts,
I WANNA BE ALONE,
with you around you'll only add on,
I WANNA BE ALONE
Chorus: G (355xxx) - A (577xxx) - D (x577xx) - B (x244xx)
Please don't think I'm crazy
I don't want you to understand,
I mind is going hazy
To hell with your helping hand
Why dontcha just leave me alone
This conflict is my own
keep your sources away from me that's all
intro part again
***billie joe then does some harmonics on the 5th fret of the G and D
strings, play around with that until you get it, has to be distortion
pretty much***
second half of intro part
***more harmonics***
second half of intro again
solo...i'll try and post it ASAP
same words as first verse
chorus...
comments to jkeiger@gti.net
-Tommy =)
file:///C|/olga_main/f-g/g/green_day/i_want_to_be_on_tv.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Tue, 10 Oct 95 18:23:54 -0700
From: "Tom L." <R20025@glo.be>
Allright, here's my first attempt ever to tab a song, so bear with me...
(Coz I'm bound to screw up!!!)
The song's called "I want to be on TV" by Green Day.
It's a previously unreleased non-LP track, but now you can find it on the single
CD "Geek Stink Breath" released in October '95.
Tune down half a step...
*** Heavy distortion + real fuzzed out sound ***
Riff A:
------e|----------------------------------------------------------------B|----------------------------------------------------------------G|--6r-4--6r-4--6r-4-6----4-4-4-4---------------------------------D|--6r-4--6r-4--6r-4-6----4-4-4-4---------------------------------A|--4--4--4--4--4--4-4----2-2-2-2---------------------------------E|----------------------------------------------------------------r=release
Drums, bass and 2nd guitar kicks in at first time the riff gets repeated.
2nd guitar plays the same riff.
Vocals kick in at 4th time the riff repeats itself.
Riff B:
------Play this riff when BJ sings "I wanna be on TV..."
e|----------------------------------------------------------------B|----------------------------------------------------------------G|--3--3-3-3----5--5-5-5----6--6-6-6----7-7-7--8-8-8--------------D|--3--3-3-3----5--5-5-5----6--6-6-6----7-7-7--8-8-8--------------A|--1--1-1-1----3--3-3-3----4--4-4-4----5-5-5--6-6-6--------------E|----------------------------------------------------------------End the song with riff A, but add this last chord:
C#5
e|-----B|-----G|--6--D|--6--A|--4--E|------
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
@ ANY COMMENT CAN BE SENT TO:@
@
@
@ Tommy Liu
@
@
@
@ Email: r20025@glo.be
@
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
The lyrics? I couldn't understand much of them, kinda hard if you're not
a native English speaker. =P
Sorry, but you're on your own for that one...
P.S. Could the "veterans" (i.e. the more experienced) amongst the tabbers,
file:///C|/olga_main/f-g/g/green_day/i_want_to_be_on_tv.tab
file:///C|/olga_main/f-g/g/green_day/i_was_there.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: SkunX42@aol.com
Date: Sun, 24 Dec 1995 14:27:21 -0500
Subject: I Was There by Green Day
Song: I Was There
Band: Green Day
Album: 1039/Smoothed Out Slappy Hours
posted by: SkunX42@aol.com
=0D
CHORDS
=0D
F
Bb
C
D
F#(?)
G(?)
|-----------------------------------------------------|
|---------------------------------9---------9---------|
|---------3--------5-------7-----10---------0---------|
|---3-----3--------5-------7-----10--------10---------|
|---3-----1--------3-------5--------------------------|
|---1-------------------------------------------------|
=0D
(those last 2 chords i have no clue as for the names.
i'm just guessing)
=0D
Intro: F#(?), G(?)
=0D
Verse:
=0D
C
Bb
C
Bb
looking back upon my life and the places that i've been
=0D
(same chords)
pictures, places, girls i've loved i try to remember when
faded memories on the wall, some names i have forgotten
but each one is a memory i look back on so often
=0D
CHORUS:
=0D
F
C
F
C
i looked into the past and i want to make it last
Bb
C
i was there i was there
=0D
Verse2:
=0D
looking back what i have done there's lots more life to live
sometimes i feel overwhelmed i question what i can give
but i don't let it get me down or cause me too much sorrow
there's no doubt about who i am i always have tomorrow
=0D
repeat CHORUS
=0D
Bridge:
=0D
D (w\ short improvs)
C (" "
"
)
=0D
file:///C|/olga_main/f-g/g/green_day/i_was_there.crd
C, Bb
=0D
C
Bb
C
Bb
looking back upon my life (on my life...)
=0D
(same chords)
faded memories on the wall (on that wall...)
looking now at who i am (who am i...)
i don't let it get me down (i don't let it get me down)
=0D
Verse3:
=0D
looking back upon my life and the places that i've been
pictures, places girls i've loved i try to remember when
but i don't let it get me down or cause me too much sorrow
i have no doubt about who i am i always have tomorrow
=0D
repeat CHORUS
=0D
F, C, F, C, Bb, C, Bb, C
=0D
this is a really rad old green day song. special thanx to Ryan Cannava
for this. send all comments, questions, punk tabs, and\or requests
(i'll do my best!) to me at: SkunX42@aol.com
=0D
to all of you who sent in requests: they're coming soon, i'm really
busy right now. =
=0D
as soon as i get it, i'll post the tab for the Bridge
=0D
oi!
file:///C|/olga_main/f-g/g/green_day/insomniac_album.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Sat, 28 Oct 1995 13:48:44 -0700 (PDT)
From: Graham Haworth <ghaworth@trumpet.aix.calpoly.edu>
Subject: g/green_day/insomniac_album.crd
Artist: Green Day
Album:Insomniac
Transcribed by Graham Haworth (ghaworth@oboe.calpoly.edu)
ok, I was looking through the other insomniac album chord file, and found
a lot of the songs weren't very accurate. So here's my version of the
album, and I'm almost 100% sure that the chords are right, because I
spent more than half an hour tabbing it out. I'm not gonna go into much
detail. If you've seen the dookie_album file, its gonna be like that. All
the chords are here, you just have to listen to the album to get the
timing. It shouldnt be too hard. Anyway, here it is.
All songs tuned down 1/2 step. Most chords are power chords. I like to
play D's in the open position to give it a more full sound, but it doen't
really matter...
Armatage Shanks
--------------E (7th fret)
A D A D F# D E
D A E A D A E
A F# A F# D E
Brat
---C G D
G C G
C G D
C G C G C G D
C G C G F D
Stuck With Me
------------E(7th fret) C# B A
E B A B A B
C# A E(7th fret)
A B E(7th fret)
Geek Stink Breath
----------------G F C
G F (palm mute)
A# F
G F
No Pride
file:///C|/olga_main/f-g/g/green_day/insomniac_album.crd
-------G# D# C#
C# D# G# C#
G# C C# E G# D#
Bab's Uvula Who?
---------------B A F#
B B B A E B
86
-E G# A
E B A E <--- palm mute
B A
E G# A
Panic Song
---------B (play around with the chord shape for awhile. If you want a tab of what
he's doing, email me. maybe I'll post it another time)
B G# F#
E B F# B E B A F#
Stuart and the Ave.
------------------D A
D E G D
D E G A
B G B G
D E G D
D A
Brain Stew
---------A G F# F E (later on, throw in some pick scrapes in between chords)
Jaded
----A G D
D A
D E
Westbound Sign
-------------B G# E
B F# G# E
B F# G# E(7th fret)
F# A E B
B F# G# E (second time= 7th fret)
B G# E
Tight Wad Hill
-------------A G A
C G A
C G C G C G A
Walking Contradiction
--------------------A
A D G A
file:///C|/olga_main/f-g/g/green_day/insomniac_album.crd
D G A
A D G F# E
(by the way, this rips off a Kinks riff from the song "Do it Again."
Well, there you have it. If you have any comments, flames, suggestions,
or anything else, send me email at ghaworth@oboe.calpoly.edu.
From: GeekStink@aol.com
Date: Thu, 12 Oct 1995 22:00:54 -0400
"insomniac"
BY GREEN DAY
This took me forever to get this on the computer. Other than that, I tabbed
the song by ear in
3omin. I was going to post on the 10th, but l just didn't have the time to
type it all out. The timing
and lyrics are probably off, because l tabbed it while l was still so fresh
to the songs, but the
powerchords are all right.
"Armitage Shanks"
E
Intro...strum the chord about 12 times....
Verse #1:
A
D
A
D
Stranded, Lost inside myself
F#
A
E
My own worst friend, my own closest enemy
A
D
A
D
Well I'm branded, maladjusted
F#
A
E
never trusted anyone let alone myself
Chorus #1:
D
A
E
I must insist on , being a pessimist
A
D
I'm a loner, in a catastrophic mind
Verse #2:
A
D
A
D
Elected, the rejected
F#
A
I perfected the science of the idiot
A
D
A
D
Well I'm branded, maladjusted
F#
A
E
never trusted anyone let alone myself
F#
E(type#2)
Repeat Chorus #1
Interlude:
E
A
F#
A F#
D E
A F#
A F#
...........Say,hey,whoa..whoa..say,hey,whoa..whoa..sing!!
Verse #3:
A
D
A
No meaning, and no healing
file:///C|/olga_main/f-g/g/green_day/insomniac_album.crd
F#
A
Self loathing freak and introverted deviot
A
D
A
D
Well I'm branded, maladjusted
F#
A
I've perfected the science of the idiot
Repeat Chorus #1
Chorus #2:
D
A
E
Well I'm taking pressure for other pessimists
A
D
E
I'm a loner in a claustrophobic mind.
F#
"Brat"
Verse:
Mom and Dad don't look so hot these days
A
G
C
they're getting over the hill,
C
D
C
A
Death is closing in and catching up
C
A
D
as far as I can tell,
C
D
C
A
Got a plan of action and cold blood
C
A
D
and it smells of defiance,
C
D
C
A
I'll just wait for Mom and Dad to die
C
A
D
and get my inheritance.
Chorus:
C
D
C
A
Now I want more because I'm getting bored
C
D
A
and I'm going nowhere fast,
C
D
C
A
I was once filled with doubt and now it's all figured out
C
D
D(PM)
D
that nothing good can last.
Verse:
C
D
C
A
Crows feet and rot are setting in
C
A
D
and time is running out,
C
D
C
A
My parents income interest rate
C
A
D
is gaining higher clout,
C
D
C
A
I'm a snot nosed sod without a job
C
A
D
and I know I damn well should,
C
D
C
A
Mom and Dad don't look so hot these days
C
A
D
file:///C|/olga_main/f-g/g/green_day/insomniac_album.crd
B
E
Verse#2:
E (PM)
E
What's my price and will you pay, it if it's alright?
A
/ B
Take it from my dignity and
A
/ B
waste it till it's dead.
B
Throw me back into the gutter, 'cause it's alright
A
/ B
Find another pleasure fuck
A
/ B
And drag 'em down to hell.
Chorus:
C#
A
E
Cast out, buried in a hole.
C#
A
Struck down, forcing me to fall.
C#
A
Destroyed, giving up the fight.
B
E
file:///C|/olga_main/f-g/g/green_day/insomniac_album.crd
C#
A
B
E
And l know i'm not alright.
Solo:
E (barre) (PM)
Chorus:
C#
A
E
Cast out, buried in a hole.
C#
A
Struck down, forcing me to fall.
C#
A
Destroyed, giving up the fight.
C#
A
B
E
B
And l know i'm not alright.
B
E
Verse#2:
G(PM) /
F (PM) G(PM) /
F (PM)
(NO WORDS)
G(PM) /
F (PM)
G(PM) /
F (PM)
Every hour ,my blood is running sour
G(PM) /
F (PM) G(PM) /
F (PM)
and my pulse is beating out of time
G(PM) /
F (PM) G(PM) /
F (PM)
l found a treasure, filled with sick pleasure
G(PM) /
F (PM) G(PM) /
F (PM)
and it sits on a thin white line.
Chorus:
A#
F
A#
F
I'm on a roll, no self control
A#
F
A#
file:///C|/olga_main/f-g/g/green_day/insomniac_album.crd
Verse#3:
G(PM) /
F (PM)
I'm on a mission,
G(PM) /
F (PM)
to lead a path of
G(PM) /
F (PM)
Wish in one hand,
G(PM) /
F (PM)
and see which one
G(PM) /
F (PM)
I've got no decision
G(PM) /
F (PM)
self destruction,
G(PM) /
F (PM)
shit in the other
G(PM) /
F (PM)
gets filled first.
Chorus:
A#
F
A#
F
I'm on a roll, no self control
A#
F
A#
F
I'm blowing off steam with methamphetamine,
G
F
G
Don't know what I want, and that's all that I've got
G
F
G
F
and I'm picking scabs off my face.
G, E(barre) / B
G, E(barre) / B
G, E(barre) / B
G, E(barre) / B
Outro:
G, E(barre) / B
Geek,
G, E(barre) / B
Stink,
G, E(barre) / B
Breath...........
"No Pride"
Intro:
A
B
Verse:
G
D
I'm just a mutt,
A
D
and nowhere is my home.
G
D
Where dignity's a land mine,
A
C
in the school of lost hope.
G
D
file:///C|/olga_main/f-g/g/green_day/insomniac_album.crd (7 of 20) [4/28/2003 9:54:26 PM]
file:///C|/olga_main/f-g/g/green_day/insomniac_album.crd
file:///C|/olga_main/f-g/g/green_day/insomniac_album.crd
Verse:
A(PM)
What brings you around?
B(PM)
Did you lose something last time you were here?
A(PM)
You'll never find it now.
B(PM)
It's buried deep with your identity.
Pre-Chorus:
D
B
A
So stand aside and let the next one pass.
D
B
A
Don't let the door kick you in the ass.
Chorus:
E
There's
E
There's
E
There's
B
A
no return from 86.
B
A
no return from 86.
B
A
no return from 86.
file:///C|/olga_main/f-g/g/green_day/insomniac_album.crd
E
B
A
There's no return from 86.
B
D
Don't even try.
Verse:
A(PM)
Exit out the back
B(PM)
and never show your head around here again.
A(PM)
Purchase your ticket and quickly take
B(PM)
the last train out of town.
Pre-Chorus:
D
B
A
So stand aside and let the next one pass.
D
B
A
Don't let the door kick you in the ass.
Chorus:
E
B
There's no
E
B
There's no
E
B
There's no
E
B
There's no
B
D
Don't even
A
return
A
return
A
return
A
return
from 86.
from 86.
from 86.
from 86.
try.
"Panic Song"
Intro / Solo:
Open A string...rapid...then
--------------2----5---------1--1----3----6--------2----0----2-------------------------4---------------------------------------------------------------D D# xxxxxxxxxxx
D D# XXXXXXXXXXX(MUTED STRINGS)
Verse:
E(PM)
Ready for a cheap escape.
E(PM)
On the brink of self-destruction.
B
D
Widespread panic.
E
D
A
Broken glass inside my head.
E
D
A
Bleeding down these thoughts of
B
D
Anguish... mass confusion.
file:///C|/olga_main/f-g/g/green_day/insomniac_album.crd
Chorus:
A
E
The world is a sick machine
B
E
breeding a mass of shit.
A
E
With such a desolate conclusion.
B
E
Fill the void with...l don't care.
Verse:
E
D
A
There's a plague inside of me.
E
D
A
Eating at my disposition.
B
D
Nothing's left
E
D
A
torn out of reality.
E
D
A
Into a satate of no opinion.
B
D
Limp with hate.
"Stuart and the Ave."
Intro:
B
B(PM)
Verse:
D
E
Standing on the corner of
C
D
Stuart and the Avenue.
D
E
Ripping up my transfer
C
D
and a photograph of you.
D
E
You are a blur of my dead past
C
D
and rotting existence.
D
E
I stand laughing on
C
D
the corner of insignificance.
Chorus:
A
B
Destiny is dead.
A
B
In the hands of bad luck.
D
E
Before it might've made some sense
C
N.C.
D
but now it's all fucked up.
Verse:
D
E
Season change as well
C
D
as well as minds.
file:///C|/olga_main/f-g/g/green_day/insomniac_album.crd (11 of 20) [4/28/2003 9:54:26 PM]
file:///C|/olga_main/f-g/g/green_day/insomniac_album.crd
D
E
And I'm a two Faced clown.
C
D
You're mommy's little nightmare
D
E
driving daddy's car around.
C
D
I'm beat down
D
E
and half brain dead.
C
D
The long lost king of fools,
D
E
I may be dumb.
C
D
But I'm not stupid enough
D
E
to stay with you.
C
D
Chorus:
A
B
Destiny is dead.
A
B
In the hands of bad luck.
D
E
Before it might've made some sense
C
N.C.
D
but now it's all fucked up.
"Brain Stew"
Intro:
B(PM)
A(PM)
C(PM)
C#(PM)
A(PM)
Verse:
B(PM)
A(PM)
I'm having trouble trying to sleep.
C(PM)
C#(PM) A(PM)
I'm counting sheep but running out.
B(PM)
A(PM)
As time ticks by,
C(PM)
C#(PM) A(PM)
And l still try.
B(PM)
A(PM)
No rest for crosstops in my mind.
C(PM)
C#(PM) A(PM)
On my own...here we go.
Verse:
B(PM)
A(PM)
My eyes feel like they're going to bleed.
C(PM)
C#(PM) A(PM)
Dried up and bulging out my skull.
B(PM)
A(PM)
My mouth is dry.
C(PM)
C#(PM) A(PM)
My face is numb.
B(PM)
A(PM)
Fucked up and spun out in my room.
C(PM)
C#(PM) A(PM)
file:///C|/olga_main/f-g/g/green_day/insomniac_album.crd
On my own...here we go.
Chorus:
B(PM) xxx A(PM)XXX C(PM) XXX C#(PM) XXX A(PM)
NO WORDS
Verse:
B(PM)
A(PM)
My mind is set on overdrive.
C(PM)
C#(PM) A(PM)
The clock is laughing in my face.
B(PM)
A(PM)
A crooked spine.
C(PM)
C#(PM) A(PM)
My sense dulled.
B(PM)
A(PM)
Passed the point of delirium.
C(PM)
C#(PM) A(PM)
On my own...here we go.
"Jaded"
Verse:
G
A
D
G
A
D
G
A
D
Somebody keep my balance,
G
A
D
I think I'm falling off.
G
A
D
Into a state of regression,
G
A
D
The expiration date.
G
A
D
Rapidly coming up,
G
A
D
I'ts leaving me behind to rank.
Chorus:
A
Always move forward,
A
G
A
Going straight will get you nowhere.
A
There is no progress,
A
G
A
DCDA
Evolution killed it all.
Verse:
G
A
D
I found my place in nowhere,
G
A
D
I'm taking one step sideways.
G
A
D
Leading wiht my crutch,
G
A
D
Got a fucked up equilibrium.
G
A
D
Count down from 9 to 5.
G
A
D
Hooray! We're gonna die!
G
A
D
file:///C|/olga_main/f-g/g/green_day/insomniac_album.crd (13 of 20) [4/28/2003 9:54:26 PM]
file:///C|/olga_main/f-g/g/green_day/insomniac_album.crd
file:///C|/olga_main/f-g/g/green_day/insomniac_album.crd
Pre-Chorus:
E
D
A
Begging for another fix.
E
D
A
Turning tricks for speedballs.
E
D
One more night.
E
D
Making your rounds again.
B
Turning up empty handed.
Chorus:
A
Bumming a ride,
A
Last up @ dawn,
G
A
Burning daylight.
G
A
tight wad hill.
Verse:
A
G
A
Drugstore hooligan.
A
G
A
Another white trash mannequin.
A
G
A
On display to rot up on the hill.
A
G
A
Living out a lie.
A
G
A
But having the time of his life.
A
G
A
Hating every minute of his existence.
"Walking Contradiction"
Intro:
B
B(PM)...
Verse:
E
D
A
E
Do as l say and not as l do
E
D
A
because the shit's so thick you can't run away.
E
D
A
E
I beg to differ and on the contrary,
E
D
A
l agree with every word that you say.
E
D
A
E
Talk is cheap and lies are expensive,
E
D
A
My wallet's fat and so is my head.
E
D
A
E
Hit and run and then l'll hit you again,
E
D
A
I'm a smart-ass but l'm playing dumb.
Chorus:
E
D
E
D
NO WORDS
Verse:
E
B
A
E
E
D
E
B
D
file:///C|/olga_main/f-g/g/green_day/insomniac_album.crd
B(type 2)
(xx9-11-12-x)
or (x-9-9-11-12-x)
Armatage Shanks
---------------
file:///C|/olga_main/f-g/g/green_day/insomniac_album.crd
Intro.E(type 2)
Verse.A, D, A, D, F#, D
Chorus.D, A, E, A
D, A, E(type 2)
Interlude.A, F#, A, F#, D, E(type2)
Brat
---Intro.C, G, D
Verse.G, C, G, G, C, G, D
Chorus.C, G, C, C, G, D
Interlude.G, C, G, E/G, C, G, D
Stuck with me
------------Intro.E(type 2), C#, B, A
Verse.E(type 2), B
A, B
Chorus.C#, A, E(type 2)
A, B, E(type 2)
During bass interlude just play with the strings muted.
Geek Stink Breath
----------------Intro/post chorus.G, F, C
Verse.G, F
Play w/palm mute, then slide to the next chord
Chorus.A, F
No pride
-------Intro/Post chorus.-
file:///C|/olga_main/f-g/g/green_day/insomniac_album.crd
G#, D#, C#
Verse.G#, D#, C#, G#
Chorus.D#, C#, G#, D#
G#, C, C#, E(type 2)
G#, D#
Bab's Uvula who?
---------------Intro.B, A, F#
Verse.B, B, B, A, E(type2)
Chorus.B, A, E(type 2)
Last Verse.B, A, B, A, B, A, E(type 2)
86
-Intro.(pick scrape)
E(type 2), G#, A
Verse.E(type 2), B, A, E, A
Pre - chorus.B, A
Chorus.E, G#, A
Ending.-
B, A
Panic Song
---------Intro.B (two times), then.|--------|
|--------|
|-----8--|
|--9-----|
|--------|
|--------|
E(type 2), B(type 2)
(play several times)
Strum a "B" chord then (w/palm muting) strum the higher string several
times and fast (7xxxxx) or (2xxxxx), I recomend the first one. Then do the
same, but without palm muting; it just sounds a little low (the string, less
volume).
Verse.B, G#, F#
file:///C|/olga_main/f-g/g/green_day/insomniac_album.crd (18 of 20) [4/28/2003 9:54:26 PM]
file:///C|/olga_main/f-g/g/green_day/insomniac_album.crd
Chorus.E, B, F#, B, E, B, A, F#
Post Chorus.B, A, F#
Stuart and the Avenue
--------------------Intro.D, A
Verse.D, E, G, D
D, E, G, A
Chorus.D, B, G
D, E, G
D, A
Brain Stew
---------All song.A, G, F#, F, E
For the harmonic part, make random harmonics from frets 12 to 21 on every
string (the bottom ones are the better). For the last part just play the
chord and then play the 3 bottom strings open (xxx000)
Jaded
----Intro/Verse.A, G, D
Chorus.D, A, G, A, G
D, E
Ending.- A
West Bound Sign
--------------Intro/Chorus.B, G#, E(type 2)
Verse.B, F#, G#, E
Interlude.F#, A, E, B
Tight Wad Hill
-------------Verse.-
file:///C|/olga_main/f-g/g/green_day/insomniac_album.crd
A, G
A, G, A, G, A, G, G
Chorus.C, G, A
Interlude.Play the verse part, but mute the strings in one part (you'll notice when
you listen to the record, I don't have it here so I don't remember exactly
where)
Walking Contradiction
--------------------Intro.A (w/palm muting)
Verse.A, D, G, A
Chorus.D, G, A
file:///C|/olga_main/f-g/g/green_day/j_a_r.btab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: amagnan@bonita.cerf.fred.org
Date: Sun, 8 Oct 95 10:19 pst
Subject: BTAB: J_A_R by Green Day
This is that neet bass tab in the beginning of j.a.r., it's not perfect
but it sounds good
This is that cool bass riff
G-|---------------------------------------------------------------------D-|---7-----------------------------------------------------------------A-|-55-0----------------------------------------------------------------E-|---------------------------------------------------------------------repeat this many times over
please write back if you use cuz I like to know if my posts are being
utilized, also, if you have any corrections or anything else.
<amagnan@bonita.cerf.fred.org> ---------------- 32.39.28N, 117.01.45W
This E-Mail was written by Mushroom Head... He likes these quotes:
"All yer time gets wasted in my daze..." - Billie Joe Armstrong
"I hate it when people hate pot, that makes me mad!" - Tre Cool
file:///C|/olga_main/f-g/g/green_day/j_a_r.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: miller6@aol.com
Subject: j_a_r.tab
Tune to Eb (Oh!!! -- looks best in Courier)
INTRO:
D A G
G A G
A
D
G
A
VERSE:
G
A
G
My friend drove off the other day,
D
A
G
Now he's gone and all they say,
A
G
D
Is you gotta live 'cuz life goes on.
A
G
But now I see I'm mortal, too,
D
A
G
I can't live my life like you,
A
G
Gotta live it up while life goes on.
CHORUS:
G
D
And I think that it's all right,
A
That I do what I like,
G
D
'Cuz that's the way I wanna live.
A
G
D
And so I give, and I'm still givin'
D (2x)
VERSE:
D
A
G
And now I wonder 'bout my friend,
D
A
G
If he gave all he could give,
A
G
D A
'Cuz he lived his life like I live mine.
G
A
G
If you could see inside my head,
D
A
G
Then you'd start to understand,
A
G
D A
The things I value in my heart.
CHORUS
C
G
You know that...
D
A
I know that...
C
G
D
You're watchin' me!
file:///C|/olga_main/f-g/g/green_day/j_a_r.crd
zach
file:///C|/olga_main/f-g/g/green_day/j_a_r.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: pimentec@sas.upenn.edu (Chad B Pimentel)
Date: Mon, 25 Sep 1995 15:20:16 -0400 (EDT)
J.A.R. (Jason Andrew Relva)
Green Day
"Angus" Soundtrack
Green Day strikes again with another 3 chord-wonder of a song. When
playing along with the cd, it sounds better down a half-step, but it
visually appears like they're playing it where the tab is. Whatever,
anyways, good luck.
Intro/Verses
D
A G
A
G
D
D
A G
e-----------3------5-----3-----x----------b-----------3------5-----3-----7----------g----7------4------6-----4-----7---7------d----7---7--5------7-----5-----7---7---7--5
a----5---7--5------7-----5-----5---5---7--5
E--------5--3------5-----3-----x-------5--3
D A G
A
G
D
D A G
Saw my friend the other day, now he's lost and gone away...
Just listen
file:///C|/olga_main/f-g/g/green_day/j_a_r_.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: GeekStink@aol.com
Date: Mon, 11 Sep 1995 23:54:17 -0400
"J.A.R." (Jason Andrew Relva)
by Green Day (currently unreleased, off new album)
It's all powerchords...kiddies
Bass Intro (converted to guitar):
------------------------------------------------------------------------3-------3--------3------4-------4--------4-----0------0--------0--------2-2--Guitar Riff:
---------------------------------5---3------------5---3-----------3---3---------------------G / A,
G / A,
Verse:
G
G, C#, G#
G, C#, G#
/ A,
G,
C#,
G#
My friend drove off the other day,now he's gone and all they say
G
/ A,
G,
C#,
G#
Is you gotta live because life goes on,
G
/ A,
G,
C#,
G#
But now I see I'm mortal, I can't live my life like you
G
/ A,
G,
C#,
G#
Gotta live it up while life goes on.
Chorus:
A
/
G
And I think it's alright,
C#
G#
that I do what I like,
D
/
C
cause that's the way I wanna live.
C#
G#
And so I give, and l'm still giving...
Verse:
G
/ A,
G,
C#,
G#
And now l wonder about my friend,if he gave all he could give
G
/ A,
G,
C#,
G#
cause he lived his life like l live mine,
G
/ A,
G,
C#,
G#
If you could see inside my head, then you'd start to understand
G
/ A,
G,
C#,
G#
the things l value in my heart.
file:///C|/olga_main/f-g/g/green_day/j_a_r_.crd
Chorus:
A
/
G
And I think it's alright,
C#
G#
that I do what I like,
D
/
C
cause that's the way I wanna live.
C#
G#
And so I give, and l'm still giving...
B(PM) / A(PM) B(PM) /A(PM) B(PM)
/
A(PM)
You know that......I know that......You're watching me!!!
Chorus:
A
/
G
And I think it's alright,
C#
G#
that I do what I like,
D
/
C
cause that's the way I wanna live.
C#
G#
And so I give, and l'm still giving...
Outro (w/Bass Riff)
Gotta make a plan, gotta do what's right,
Can't run around in circles,if you wanna build a life,
But l don't wanna make a plan, for a day far away,
While l'm young and while l'm able all l wanna do is...
if you like this emailme at GEEKSTINK@aol.com.....for a
nice little treat...
From: pike@merle.acns.nwu.edu
Subject: J.A.R. -Green Day
Date: Fri, 25 Aug 1995 11:45:10 -0500 (CDT)
J.A.R.
-Green Day
tabbed by Adam Peiken
<pike@merle.acns.nwu.edu>
F#
C#
F#
C#
G#
G#
file:///C|/olga_main/f-g/g/green_day/j_a_r_.crd
CHORUS:
F#
And I think that it's all right,
C#
That I do what I like,
G#
F#
Cuz that's the way I wanna live.
G#
And so I give, and I'm still givin'..
BREAK:
F#
C#
G#
C#
F#
C#
C#
G#
C# -- G#
X4
BRIDGE:
B
F#
You know that...
C#
G#
I know that...
B
F#
G#
You're watchin' me!
C# -- G#
SOLO:
chords under solo are same as the verse
CHORUS
BREAK
F#
C#
G#
C#
X4
file:///C|/olga_main/f-g/g/green_day/jaded.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Date: Tue, 9 Jan 96 14:17:08 UT
From: "William Knaus" <BillKnaus@msn.com>
JadedAlso mostly power chords and tuned down half a step.
Chords used:
A:
G:
D:
E:
E A
7
5
5
1
D G B e
7 X X
5 X X
7 7 X
2 2 0
5
3
X
0
X
X
X
0
Verse1:
Sombody keep my balance
I think I'm falling off
Into a state of regression
The experation date
Rapidly coming on
It's leaving behind a rank
Chorus: D
A
G D A
G D
D
E ( these aren't met to match the words I put below)
Always go forward going straight will get you nowhere
There is no progress... Evolution killed it all I found my place in nowhere
Verse2:
I'm taking one step sideways
Leaning on my crutch
Got a f!@#$%d equilbrium
Quick count down from 9 to 5
Hury...we're gonna die
Blessed into our own extinction
Chorus
Bridge
Chorus
From: GeekStink@aol.com
Date: Wed, 11 Oct 1995 21:44:10 -0400
Subject: 'jaded" by green day
"Jaded"
Verse:
G
A
D
G
A
D
G
A
D
Somebody keep my balance,
file:///C|/olga_main/f-g/g/green_day/jaded.crd
G
A
D
I think I'm falling off.
G
A
D
Into a state of regression,
G
A
D
The expiration date.
G
A
D
Rapidly coming up,
G
A
D
I'ts leaving me behind to rank.
Chorus:
A
Always move forward,
A
G
A
Going straight will get you nowhere.
A
There is no progress,
A
G
A
DCDA
Evolution killed it all.
Verse:
G
A
D
I found my place in nowhere,
G
A
D
I'm taking one step sideways.
G
A
D
Leading wiht my crutch,
G
A
D
Got a fucked up equilibrium.
G
A
D
Count down from 9 to 5.
G
A
D
Hooray! We're gonna die!
G
A
D
Blessed into our extinction.
file:///C|/olga_main/f-g/g/green_day/jaded.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: JK527@aol.com
Date: Thu, 4 Jan 1996 22:33:12 -0500
Subject: TAB: "Jaded" By Green Day
From: GeekStink@aol.com
Date: Wed, 11 Oct 1995 21:44:10 -0400
Subject: 'jaded" by green day
"Jaded"
Verse:
G
A
D
G
A
D
G
A
D
Somebody keep my balance,
G
A
D
I think I'm falling off.
G
A
D
Into a state of regression,
G
A
D
The expiration date.
G
A
D
Rapidly coming up,
G
A
D
I'ts leaving me behind to rank.
Chorus:
A
Always move forward,
A
G
A
Going straight will get you nowhere.
A
There is no progress,
A
G
A
DCDA
Evolution killed it all.
Verse:
G
A
D
I found my place in nowhere,
G
A
D
I'm taking one step sideways.
G
A
D
Leading wiht my crutch,
G
A
D
Got a fucked up equilibrium.
G
A
D
Count down from 9 to 5.
G
A
D
Hooray! We're gonna die!
G
A
D
Blessed into our extinction.
**********************************************************************
"Jaded" by Green Day
Transcribed by Jason Kolter (JK527@aol.com)
Guitar tuned down 1/2 step (or just play the chords a half step lower)
file:///C|/olga_main/f-g/g/green_day/jaded.tab
5
X
X
3
7
5
7
5
7
7
9
5
X
7
9
X
X
X
X
X
X
X
X
X
A5
You should be able to figure out the rhythm and song flow from listening to
the CD.
Send comments, questions, flames to JK527@aol.com
file:///C|/olga_main/f-g/g/green_day/knowledge.btab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
From: Wolfman672@aol.com
Date: Wed, 17 Jan 1996 19:06:23 -0500
Subject: Knowledge
its your average walking bass line.
its played normally not tuned any different way.
Verse
G
-2-4-7-4-2
D-0-4
-2
-5-7
A
-3-7
-5-7E
-3-7
(repeat, a few times)
Chorus - (play the Verse once then..)
G
-2-4-5-4-2
D-0-4
-2-7-5
A
-7-3
-5-7
E
-3-7
during the next 2 verses you do this.
G
D-0-0-0-0
-0-0-0-0-7-5
A
-3-3
-5-7
-7-3
E
-3-7
-3-7-5-7
'K thats it, I might of made a mistake, so if you see one E-mail me at
Wolfman672@AOL .COM
file:///C|/olga_main/f-g/g/green_day/knowledge.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
From Wolfman672@aol.com Thu Jan 18 03:37:20 1996
Received: from emout06.mail.aol.com (emout06.mail.aol.com [198.81.10.43]) by
mailhost.tcs.tulane.edu (8.6.12/8.5) with ESMTP id VAA28431; Wed, 17 Jan 1996 21:37:16 -0600
From: Wolfman672@aol.com
Received: by emout06.mail.aol.com (8.6.12/8.6.12) id WAA11073 for rwoods@mailhost.tcs.tulane.edu;
Wed, 17 Jan 1996 22:35:35 -0500
Date: Wed, 17 Jan 1996 22:35:35 -0500
Message-ID: <960117213353_45159009@emout06.mail.aol.com>
To: rwoods@rs3.tcs.tulane.edu
Subject: Re: Knowledge
Status: RO
oh I'm sorry, its a GreenDay song.
file:///C|/olga_main/f-g/g/green_day/knowledge.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Knowledge
Track 14 on the album "1,039 Smoothed-Out Slappy Hours."
Transcribed by Jim Fitzpatrick
This song is three chords and a solo.
D7
C7
G7
E------------------------------------------------------3--A-----------------5------------------3-----------------5--D-----------------7------------------5-----------------3--G-----------------5------------------3-----------------4--B-----------------7------------------5--------------------E---------------------------------------------------------Solo in B pentatonic, and feel free to jam. Try to get a bluesy feel
to this song. That's how it's meant to be. Any questions, or if you
want to flame me, e-mail me at mwrf30b@prodigy.com
file:///C|/olga_main/f-g/g/green_day/longview.btab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: WECK0820@duq3.cc.duq.edu
LoNgVieW
==============================================================================
Transcribed By:
Brian M. Weck
TAB 1
e e
q
q
q
e e
q
q
q
+------+-----------------------+-----------------------+
|------|----------7---5---4----|---------5--4----------|
|------|--3H5------------------|--5H3-------------3----|
+------+-----------------------+-----------------------+
e e
q
q
q
e e
q
q
q
+----------------------+---6/7---5---4---5-----+-------+
|--------7---5---4-----|-----------------------|-*--*--|
|--3H5-----------------|-----------------------|-*--*--|
+----------------------+-----------------------+-------+
TAB 2
<-------+
|
Listen to the
recording to
get the exact
number of times
these two lines
are played.
|
|
|
<------+
e e e e e e e e
e e e e e e e e
+--------------------+--------------------+---------+
|--------------------|--------------------|-*---*---|
|--------------------|-----------5-5--5-5-|-*---*---|
+-5-5--5-5--5-5--5-5-+-3-3--3-3-----------+---------+
TAB 3
q
q
e e q
q q
q
q
+-----7---4H5H7----+--5--4-------------+--------+
|------------------|----------7----5---|--*--*--|
|-5----------------|-------------------|--*--*--|
+------------------+-------------------|--------+
==========================================================================
January 1995
This is a great bass line from a great alternative
rock band's first single off a major record label album.
Enjoy! Play it with Mike's enthusiasm!
Brian Weck
==========================================================================
__
+|oo|+
+|oo|+
||
||
w = Whole
e = 8th
h = Half
s = 16th
q = Quarter
t = 32nd x = 64th
file:///C|/olga_main/f-g/g/green_day/longview.btab
||
||
||
||
||
_ || _
\\_||_//
| [] |
| || |
/ [] \
\______/
#
+----+
|*--*+
|*--*+
+----+
+----+
= MEASURE
|4:--|
REPEATS
|4:--|
(#=Num Repeats) +----+
+ = TIE
H = HAMMER ON
P = PULL OFF
= TIME
SIGNATURES
^ = TRIPLET
\ = SLIDE TO FRET
\X = SLIDE TO NOWHERE
> = BEND
R = Rest
~ = Trill
file:///C|/olga_main/f-g/g/green_day/longview.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: KLeonard@aol.com
"Longview" by Green Day
\ = slide down
r = quickly after striking, release
at the end of the verse at the drum roll, the guitar kicks in playing C#5.
then the chorus is A#5 G#5 and some sort of weird variation of D#5. what
i have here for D#5 is only a guess.
C#5
A#5
G#5
-----|----------------------------------------6---6--6
-----|----------------------------------------8---8--8
--6--|----------------------------------------8---8--8
--6--|--8r----8r----8r-----8r----6r----6r-----8---8--8
--4--|--8r----8r----8r-----8r----6r----6r-----6---6--6
-----|--6--6--6--6--6--6--6--6--4--4--4--4---0---0--0
D#(5)
G#5
D#5
---------------------------------------------------------------------------------------------------------------------------------------------------------------------8\---8r----8r----8r-----8r----6r----6r-----6r----6r-----8\---8r----8r----8r-----8r----6r----6r-----6r----6r-----6\---6--6--6--6--6--6--6--6--4--4--4--4--4--4--4--4------the bridge is
interlude.
D#5
C#5 and then it goes back into the chorus riff for the
file:///C|/olga_main/f-g/g/green_day/longview.tab
-|-44444444---|--8r----8r----8r-----8r----6r----6r-----6---6--6-|-|-00000000---|--6--6--6--6--6--6--6--6--4--4--4--4----0---0--0-|-|-------------------------------------------------------|-|-------------------------------------------------------|-|----------------------------------------------------8\-|-|-8r----8r----8r-----8r----6r----6r-----6r----6r-----8\-|-|-8r----8r----8r-----8r----6r----6r-----6r----6r-----6\-|-|-6--6--6--6--6--6--6--6--4--4--4--4--4--4--4--4--------|This the end (my way: probably wrong, please give me corrections)
-|-------------------------------|-|-8h9---11----------8h9--9---6--|-|-8------8----------8----8---6--|-|-------------------------------|-|-------------------------------|-|-------------------------------|By the way the bass goes like this:
Riff A - during the actual verse
-|--------------------------------8-6-5-6-|-|----8-6-5-----6-5----5----8-6-5---------|-|-6----------4------6---6----------------|-|----------------------------------------|Riff B - after chorus
-|---8-----8-----6-5-----------8-----8-----6-5---------|-|-----6h8-----------8-6(h8)-----6h8---8---------8-6h8-|-|-6-------------------------6-------------------------|-|-----------------------------------------------------|I didn't bother gettin the chorus, it's pretty easy though; just a variation
of the guitar.
Alfredo Ramos
psycho@io.org
From: cobain@cml.com
You won't BELIEVE how long it took me to figure out that damn baseline on
this regular guitar :) but it's here now... all of it except for those high
parts he plays at the end i've only partially figured those out.
================================================================
"Longview" by Greenday
TAB by Chris Peressotti
First thing before i give the TAB, you must know the way the power chords
are played in this song. The chords that you should play in this way i'll
just make a "+" sign after them.
A+
G+
D+
G
D
A
E
G
D
A
E
G
D
A
E
--------------7--5--7--5--7--5--7--5--5--5--5--5-
--------------5--3--5--3--5--3--5--3--3--3--3--3-
--7--5--7--5--7--5--7--5--5--5--5--5-------------
file:///C|/olga_main/f-g/g/green_day/longview.tab
C
-7-7-5---
G
D
A
E
-5-5-3---
This is the first bassline, it's usually played while Billy Joe sings.
D
G
A
E
------------------------------------------------------7-----------------------7----------10-9-7-----------10-9------10-9---7------10-9*-----------10-9-10--------10-8------8---10---------10-------------
L
O
O
P
When moving into the chorus, right after playing the note which i've put a
star after (9th fret on the A string) play the C chord for 4 beats, then
move into the chorus:
A+ A+ G+ D+ A+ A+ G+ D+ A+ A+ G+ D+ A+ A+
Followed by strumming a regular G chord once.
Then play the second bassline, usually played twice before going into the
first bassline.
D
G
A
E
----7--------7-----------------------7-9---9-10-9-7-----------------------------10-9-10---10---------------------
L
O
O
P
At the chorus when they start to sing "Where is the motivation..." after
playing the chorus chords play
D C D C D C D C (Re-play chorus chords, they will start around when Billy
Joe sings the word "inspiration")
As for the end where while the bassline is being played there are some high
notes being played, all i can figure out is what note it matches on the
HIGH e string:
e -2-3-3-0---2-3-5-10- (LOOP)
=============================================================
If you want the words... buy the CD :)
NO if you want them posted, i can do that... not right now though i'm tired
l8r
cobain@cml.com
--* WR [NR] * UNREGISTERED EVALUATION COPY
ComputerLink 'the easy way to bbs' (416) 233 - 7150
file:///C|/olga_main/f-g/g/green_day/my_generation.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: millerr@interramp.com
Subject: my_generation.crd
I'm not sure what key this is in, but I hope it gets the ball
rolling. It's not identicle to The Whos version, because The
Who did an intro part, and Green Day didn't. The only thing is
that I'm not sure which key it's in. Weather it goes from B to A
or from A to G, I'm not sure. Try both, but I think it's A and B.
Tune to Eb (looks best in Courier)
Chords:
EADGBe
A: 5776-B: 7998-G: 3554-Verse 1:
Well, people try to put us down.
B
A
B
Talkin' bout my generation.
Just because we get around.
B
A
B
Talkin' bout my generation.
The things they do look awful cold.
B
A
B
Talkin' bout my generation.
I hope I die before I get old.
B
A
B
Talkin' bout my generation.
Chorus:
B
A
My generation.
Verse 2:
Why don't you all just fade away?
Talkin' bout my generation.
And don't try to dig what we all say.
Talkin' bout my generation.
I'm not trying to cause a big sensation.
Talkin' bout my generation.
I'm just talkin' bout my generation.
Talkin' bout my generation.
Chorus
Bridge and solo part:
Improvise
Repeat Verse 2:
file:///C|/olga_main/f-g/g/green_day/no_pride.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: GeekStink@aol.com
Date: Wed, 11 Oct 1995 21:42:52 -0400
Subject: "no pride" by green day
"No Pride"
Intro:
A
B
Verse:
G
D
I'm just a mutt,
A
D
and nowhere is my home.
G
D
Where dignity's a land mine,
A
C
in the school of lost hope.
G
D
I've panhandled for a life
A
D
I'm not afraid to beg.
G
D
Hand me down your lost and founds
A
C
of second hand regret.
Pre- Chorus:
A
B
C
D
A
You better, swallow your pride, or you're gonna choke on it.
A
B
C
D
G
You better digest your values, because they turn to shit.
Chorus:
A
B
Honor's gonna knock you down,
C
D
before your chance to stand up and fight.
E
D
I know I'm not the one,
C
I've got no pride.
Verse:
G
D
Sects of disconnection,
A
D
and traditions of lost faith.
G
D
No culture's worth a stream of piss,
A
C
Or a bullet in my face.
G
D
To hell with unity,
A
D
separation's gonna kill us all.
G
D
Torn to shreds and disjointed,
file:///C|/olga_main/f-g/g/green_day/no_pride.crd (1 of 2) [4/28/2003 9:54:30 PM]
file:///C|/olga_main/f-g/g/green_day/no_pride.crd
A
C
Before the final fall.
geekstink@aol.com
file:///C|/olga_main/f-g/g/green_day/on_the_wagon.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
On the Wagon
Track 2 on the single "Basket Case"
Transcribed by Jim Fitzpatrick
INTRO: F# (X2), B, Bm, F#, C#, F#
The verse is just a variation on this progression: F#, Bm, B, Bm, F,
C#
CHORUS:
B
Today I'll say sweet things,
F/F#
Bm
F/F#
But tomorrow,
F#
I'll be making up excuses for my actions,
C#
N.C.
Cause it's been so long
PLAY THE VERSE PROGRESSION OVER THIS
Since I've been in love
That special kind of feeling
Guess my best excuse.
I'm on the wagon again.
I'm pretty sure this is right. It's at least close. Flame me or
suggest things by e-mailing me at mwrf30b@prodigy.com
-Jim
file:///C|/olga_main/f-g/g/green_day/one_for_the_razorbacks.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: pike@merle.acns.nwu.edu
Subject: One For the Razorbacks - Green Day
Date: Wed, 30 Aug 1995 21:43:25 -0500 (CDT)
One for the Razorbacks - GREEN DAY
Here is yet another Green Day tune off Kerplunk. Cool song, fun to play.
Write me if you
download this. I want to hear from you. If you have any Green Day requests,
I can play just
about everything. Thanks.
INTRO (Cleanly arpeggio. Listen to the CD.)
B
F#
B
E
B
F#
B
VERSE:
B
F#
Juliet's tryin
B
E
To find out what she wants, but she don't know
B
F#
B
F#
Experience has got her down
B
F#
Look this direction,
B
E
I know it's not perfection, it's just me...
B
F#
B
I want to bring you up again now.
CHORUS:
F#
E
B
I'm losing what's left of my dignity
F#
E
A small price to pay to see that you're happy.
F#
E
Forget all the disappointments you have faced
F#
E
Open up your worried world and let me in
B
B
VERSE 2:
Juliet's crying
Cause now she's realizing love can be
Filled with pain and distrust.
I know I am crazy, and a bit lazy
But I will try to bring you up again somehow.
CHORUS
SOLO (chords under the solo, same as verse)
Repeat VERSE 2
CHORUS
file:///C|/olga_main/f-g/g/green_day/one_for_the_razorbacks.crd
End on B.
Other Green Day posted by me:
Armitage Shanks (off the upcoming album)
J.A.R.
Paper Lanterns
Private Ale
file:///C|/olga_main/f-g/g/green_day/one_of_my_lies.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: rosnbaum@inlink.com (Rosenbaum)
One of My Lies by Green Day
Once more, this is not for you poser pansies who don't know anything past
"Longview" and "Basket Case".
Verse:
D
Chorus:
G
A
Well, do you think you're indestructable
G
A
and noone can touch you?
G
A
A
Well I think you're disposable and it's time you knew the truth.
D
A
'Cause It's just one of my lies
D
A
'Cause It's just one of my lies
D
A
And all I wanna do is get real high
D
A
'Cause It's just one of my lies
Verse:
Why does my life have to
be so small and
death is forever? And,
file:///C|/olga_main/f-g/g/green_day/one_of_my_lies.crd
A
(no chords)
A
I used to pray at night.
(no chords)
A
Before I laid my self down
(no chords)
A
My mother said it was right
(no chords)
Her mother said it too
D
Why?
Chorus
-------------------------------------EMail me if ya want at rosnbaum@inlink.com
Jeremy Rosenbaum
--========================_9457224==_--
file:///C|/olga_main/f-g/g/green_day/panic_song.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: GeekStink@aol.com
Date: Wed, 11 Oct 1995 21:42:57 -0400
Subject: "panic song" by green day
"Panic Song"
Intro / Solo:
Open A string...rapid...then
--------------2----5---------1--1----3----6--------2----0----2-------------------------4---------------------------------------------------------------D D# xxxxxxxxxxx
D D# XXXXXXXXXXX(MUTED STRINGS)
Verse:
E(PM)
Ready for a cheap escape.
E(PM)
On the brink of self-destruction.
B
D
Widespread panic.
E
D
A
Broken glass inside my head.
E
D
A
Bleeding down these thoughts of
B
D
Anguish... mass confusion.
Chorus:
A
E
The world is a sick machine
B
E
breeding a mass of shit.
A
E
With such a desolate conclusion.
B
E
Fill the void with...l don't care.
Verse:
E
D
A
There's a plague inside of me.
E
D
A
Eating at my disposition.
B
D
Nothing's left
E
D
A
torn out of reality.
E
D
A
Into a state of no opinion.
B
D
Limp with hate.
geekstink@aol.com
file:///C|/olga_main/f-g/g/green_day/panic_song.tab
file:///C|/olga_main/f-g/g/green_day/paper_lanterns.btab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Fri, 9 Jun 1995 22:49:22 -0500 (CDT)
From: Mike Farmer <mfarmer@mail.coin.missouri.edu>
Subject: Paper Lanterns btab by Green Day
This is my first ever tab, and I'm sure it is riddled with errors, but
here goes:
The guitar plays the intro twice, then the bass goes:
G--------------D--------------A--------5-5-3-0
E-5--3-3-------That gets played twice then it goes into the verse:
G----------------------------------D----------------------------------A----------------------------------E-5-5-5-5--3-3-3-3--2-2-2-2--5-5-5-5
G---------------------------D---------------------------A-------------------5-5-5-3-0
E-5-5-5-5--3-3-3-3----------Play twice then go into the chorus:
G-----------------------D---------2-2-2-2-------A-5-5-5-5--------------5E-----------------5-5-5-5
G---------------------D---------2-2-2-2-----A-5-5-5-5-----------5-0
E-----------------3---G-------------D-------------A-------------E-5-5-3-3-3-3/7
Then go back to the first part again. It is also played under Billy
Joe's solo. If you have comments, corrections (and there should be
plenty), e-mail me at mfarmer@mail.coin.missouri.edu. Have fun!
file:///C|/olga_main/f-g/g/green_day/paper_lanterns.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: miller6@aol.com
Subject: paper_lanterns.crd
This is how it was played at that Jaded in Chicago MTV thing.
I dont know why he would play it in a different key, so if
it dosnt sound right, sorry about that. Tune to Eb
(looks best in Courier)
This is weird, but youll catch on
EADGBe
A: 577--a: 00222B: 2244-b: 799--E: 02210e: 7799-Intro:
B a a e
b A A e
b A A e
b A A e
e
e
e
e
b
b
b
b
b
b
b
b
Verse 1:
B
F#
Now I rest my head from
E
B
Such an endless dreary time
B
F#
A time of hopes and happiness
E
B
That had you on my mind
B
F#
Those days are gone and now it seems
E
B
As if I'll get some rest
B
F#
But now and then I'll see you again
E
B
And it puts my heart to test
Chorus:
E
F#
So when are all my problems
B
Going to end?
E
F#
I'm understanding now that
B
G#
We are only friends
a
E
To this day I'm asking why
B a a e e b b 4x
I still think about you
Verse 2:
As the days go on I wonder
Will this ever end ?
file:///C|/olga_main/f-g/g/green_day/paper_lanterns.crd (1 of 3) [4/28/2003 9:54:32 PM]
file:///C|/olga_main/f-g/g/green_day/paper_lanterns.crd
zach
From: pike@merle.acns.nwu.edu
Paper Lanterns
GREEN DAY
(1039 / Smoothed Out Slappy Hours)
This post is for all you true Green Day fans who have heard more than Basket Case, When I
Come Around, and Longview. This is not for the people who say, "What?! Green Day has more
than one album???" In any case, here goes:
(INTRO:
(verse 1)
A
G
Now I rest my head from
D
A
Such an endless dreary time.
A
G
A time of hope and happiness
D
A
That had you on my mind.
A
G
Those days are gone and now it seems
D
A
As if I'll get some rest.
A
G
But now and then I'll see you again
D
A
And put my heart to the test.
(chorus)
D
E
So when are all my problems going to end?
D
E
I'm understanding now that we are
A
D
Only friends.
G
D
To this day I'm asking why
(N.C.)
A G-G D-D A-A
I still think about you.
A-A D-A
file:///C|/olga_main/f-g/g/green_day/paper_lanterns.crd
(verse 2)
As the days go on I wonder
will this ever end?
I find it hard to keep control
When you with your boyfriend.
I do not mind if all I an is
Just a friend to you.
But all I want to know right now
Is if you think about me too.
(Chorus)
Flame me at pike@merle.acns.nwu.edu if you are one of those suburban mosh pit "wannabees".
Otherwise forever hold your peace. (You can also mail me with comments, suggestions, other
- Adam)
file:///C|/olga_main/f-g/g/green_day/private_ale.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: pike@merle.acns.nwu.edu
Subject: Private Ale -GREEN DAY
Date: Wed, 30 Aug 1995 22:23:34 -0500 (CDT)
Private Ale - GREEN DAY
Here is yet another Green Day tune off Kerplunk. Cool song, fun to play.
Write me if you
download this. I want to hear from you. If you have any Green Day requests,
I can play just
about everything. Thanks.
INTRO:
(8'th notes, muted)
G#------------------------------------------VERSE:
G#----------------(muted)-------------------------I wonder down these streets all by myself
G#----------------(muted)---------------C#
Think of my future now I just don't know
C#
G#
I don't seem to care
G#----------------(muted)---------------------I stop to notice that I'm by your home
G#----------------(muted)------C#
I wonder if you're sitting all alone
C#
G#
Or is your boyfriend there?
CHORUS:
C# G#
Eb
Because I feel so right
C#
G#
Eb
Let my imagination go
C# G#
Eb
Until you're in my sight
C#
G#
And through my veins temptation flows
BREAK:
F#--G#
(quick slide)
F#
C#
Eb
X4
file:///C|/olga_main/f-g/g/green_day/private_ale.crd
F#-----
X4
CHORUS
BREAK
OUTRO: (last 3 chords of the song)
G#
C
F# (fade into feedback)
Other Green Day posted by me:
Armitage Shanks (off the upcoming album)
J.A.R.
One For the Razorbacks
Paper Lanterns
Adam Peiken <pike@merle.acns.nwu.edu>
file:///C|/olga_main/f-g/g/green_day/road_to_acceptance.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: SkunX42@aol.com
Date: Thu, 14 Dec 1995 08:37:17 -0500
Song: Road to Acceptance
Band: Green Day
Album: 1039\Smoothed Out Slappy Hours
posted by: SkunX42@aol.com
=0D
ok, here's an old but good green day song.
=0D
CHORDS
=0D
G
C
D
|--------------------------|
|--------------------------|
|-------------5------7-----|
|-----5-------5------7-----|
|-----5-------3------5-----|
|-----3--------------------|
=0D
Intro:
=0D
G
C
D
C
i always waste my time just wondering
G
C
D
C
what the next man thinks of me
=0D
(same chords)
i'll never do exactly what i wany
and i'll sculpt my life for your acceptance
=0D
(build up on C)
=0D
G, C, D-C
=0D
Verse:
=0D
G
C
D C
G
C
D C
i always waste my time just wondering
G
C
D C G
C
D C
what the next man thinks of me
=0D
(same chords)
i'll never do exactly what i want
and i'll sculpt my life for your acceptance
=0D
PreChorus:
=0D
D
C
i feel forgotten feel like rotting
G
D
C
do you feel the same?
D
C
adolescence just can't make sense
G
D C
file:///C|/olga_main/f-g/g/green_day/road_to_acceptance.crd
file:///C|/olga_main/f-g/g/green_day/sassafras_roots.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: bob@ashram.com (mastermind)
Song: Sassafras Roots
Artist: Green Day
Album: Dookie
Tabbed by
Bob@ashram.com
Tune 1/2 step down
Intro:
D
Verse:
A
A
Bb A
Bb A
D
D
E
E
A
Roaming round your house
Bb A
D E
Wasting your time
A
No obligation
Bb A
D E
Wasting your time
A
So why are you alone
Bb A
D E
Wasting your time
A
When you could be with me
Bb A
D E
Wasting your time
Chorus:
D
E
I'm a waste like you
D
E
With nothing else to do
D
A
E
May I waste your time too
Interlude:
A
A
F#
F#
F#
Bb A
D E
Bb A
D E
D
D
D E(7th fret)
A
file:///C|/olga_main/f-g/g/green_day/sassafras_roots.crd (1 of 2) [4/28/2003 9:54:32 PM]
file:///C|/olga_main/f-g/g/green_day/sassafras_roots.crd
file:///C|/olga_main/f-g/g/green_day/she.btab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Mon, 7 Aug 1995 12:48:33 -0500 (CDT)
From: Chris Lynn Blackburn <cblackbu@llions0.llion.org>
Subject: she.btab--by green day
.------------------------------|------------------------------|
.---5----5----5---5---5---5----|(5)---5---5----5----5---5-\-7-|
. -----------------------------|------------------------------|
.------------------------------|------------------------------|
-------------------------------|----------------------------------|
-------------------------------|----------------------------------|
--5----5-----5--5-----5--------|-(5)--5--5------5---5---5-----0---|
-------------------------------|----------------------------------|
-------------------------------|------------------------------|
-------------------------------|------------------------------|
--3-----3----3--3---------3----|--(3)--3--3----3---3---3---5--|
-------------------------------|------------------------------|
-------------------------------|------------------------------|
--5-------5-------5---5---5---5|--(5)---5---5------5---5---5--|
-------------------------------|------------------------------|
-------------------------------|------------------------------|
this is the basic lines to she ,it wasent easy so i hope
you enjoy it i do
file:///C|/olga_main/f-g/g/green_day/she.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: bob@ashram.com (mastermind)
Subject: CRD: She (Green Day)
Here's the CORRECT version of She.
Song: She
Artist: Green Day
Album: Dookie
Tune 1/2 step down
Verse 1:
N.C.
She, she screams in silence
A sullen riot penetrating through her mind
Waiting, for the sign, to smash
the silence with the
G
brick of self control
Chorus:
D
Are you locked up in a world
C
G
that's been planned out for you?
Are you feeling like a
social tool without a use?
D
G
D
Scream at me, until my ears
G
bleed
D
G
I'm taking heed just for
C
you
Verse 2:
G
D
C
She, she's figured out all her doubts
G
C G
We're someone else's point of view
G
D
Waking up this time to smash
C
the silence with the brick
G
C G
of self control
Song:
Verse 1
file:///C|/olga_main/f-g/g/green_day/she.crd
Chorus
Verse 2
Chorus
Verse w/o words
Chorus
file:///C|/olga_main/f-g/g/green_day/strangeland.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From nyleve@pipeline.com Sat Sep 9 20:31:54 1995
To: adam@cs.caltech.edu
Cc: nyleve@pipeline.com
Chords for Strangeland from Kerplunk
/=Beat
C# for 40 /S
G# for 7 /S
(Repeat once)
F#
C#
F#
G#
for
for
for
for
4
4
4
4
/S
/S
/S
/S
Repeat once but the second time you play G# play it for 16 /S
Solo: (You only have to move your pinky for this one)
C#
--4--4--4--4--4---6--4--7--6--7---6--6--6--6--6---6--6--6--6--6---4--4--4--4--4---4--4--4--4--4---4--4--4--4--4--4--4---6--6--4--7--7--7--4---6--6--6--6--6--6--6---6--6--6--6--6--6--6---4--4--4--4--4--4--4---4--4--4--4--4--4--4-G# FOR 7 /S
(Repeat solo once)
End with G# for 16 /S
From C.J. Stefos of Crunchy Children
nyleve@pipeline.com
Looking at the clouds in the sky
floating image in my mind
I don't believe I've found this?
now I wonder where this place is from
Evidence is everywhere
start to run now I'm scared
strange beings all around
come everyone, to this place I've found
Feeling phsyced
walking? wonder why
all my joys are open no more crimes
My eyes are clear
now I'm cured
file:///C|/olga_main/f-g/g/green_day/strangeland.crd
file:///C|/olga_main/f-g/g/green_day/stuart_and_the_ave.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: GeekStink@aol.com
Date: Wed, 11 Oct 1995 21:42:49 -0400
Subject: "stuart and the ave." by green day
"Stuart and the Ave."
Intro:
B
B(PM)
Verse:
D
E
Standing on the corner of
C
D
Stuart and the Avenue.
D
E
Ripping up my transfer
C
D
and a photograph of you.
D
E
You are a blur of my dead past
C
D
and rotting existence.
D
E
I stand laughing on
C
D
the corner of insignificance.
Chorus:
A
B
Destiny is dead.
A
B
In the hands of bad luck.
D
E
Before it might've made some sense
C
N.C.
D
but now it's all fucked up.
Verse:
D
E
Season change as well
C
D
as well as minds.
D
E
And I'm a two Faced clown.
C
D
You're mommy's little nightmare
D
E
driving daddy's car around.
C
D
I'm beat down
D
E
and half brain dead.
C
D
The long lost king of fools,
D
E
I may be dumb.
C
D
file:///C|/olga_main/f-g/g/green_day/stuart_and_the_ave.crd
file:///C|/olga_main/f-g/g/green_day/stuck_with_me.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: GeekStink@aol.com
Date: Mon, 11 Sep 1995 23:54:18 -0400
Subject: "STUCK WITH ME" by Green Day
"Stuck with Me"
by Green Day (currently unreleased)
You should know these chords (they are all powerchords, but don't worry, l
wont tell)...
Intro:
E , C# / B , A
E , C# / B , A
Verse:
B (PM)
B
I'm not part of your elite, I'm just alright
A
/ B
Class structure, Having colors
A
/ B
Bleeding from my throat
E
I'm not subservent to you, I'm just alright
A
/ B
Downclassed, by the powers that be
A
/ B
Give me loss of hope.
Chorus:
C#
A
E
Cast out, buried in a hole.
C#
A
Struck down, forcing me to fall.
C#
A
Destroyed, giving up the fight.
C#
A
B
E
B
And l know i'm not alright.
B
E
Verse#2:
E (PM)
E
What's my price and will you pay, it if it's alright?
A
/ B
Take it from my dignity and
A
/ B
waste it till it's dead.
B
Throw me back into the gutter, 'cause it's alright
A
/ B
Find another pleasure fuck
A
/ B
And drag 'em down to hell.
Chorus:
C#
A
E
Cast out, buried in a hole.
C#
A
Struck down, forcing me to fall.
C#
A
B
E
file:///C|/olga_main/f-g/g/green_day/stuck_with_me.crd
B
E
Ab------
X2
(VERSE 1)
Eb
Bb
I'm not part of your elite, I'm just all right
Ab
Class structure,
Bb
Waving colors
Ab
Bb
Bleeding from my throat
Eb
Bb
Not subservient to you, I'm just all right
Ab
Bb
Downclassed by the powers that be
Ab
Bb
Give me loss of hope
(CHORUS)
C
Cast out
Ab
Eb
Buried in a hole
C
Struck down
Ab
Eb
Forcing me to fall
C
Destroyed
file:///C|/olga_main/f-g/g/green_day/stuck_with_me.crd (2 of 3) [4/28/2003 9:54:34 PM]
file:///C|/olga_main/f-g/g/green_day/stuck_with_me.crd
Ab
Eb
Giving up the fight
Ab
Bb
Eb
I know I'm not all right
(VERSE 2)
Eb
Bb
What's my price and you will pay it, if it's all right
Ab
Bb
Take it from my dignity and
Ab
Bb
Waste it till it's dead
Eb
Bb
Through me back into the gutter, cause it's all right
Ab
Bb
Find another pleasure
Ab
Bb
Drag them down to hell
(Chorus)
SOLO:
Eb--------C Bb
Ab-----X4
Finally throw in a last switch to a Bb before the bass and drums solo.
(Chorus)
End on Eb
A quick note: this song was transcribed from the live performance at the '95
MTV Video Awards (the only reason to watch the show). I'm not sure it will be the same
version that is on the new album, but it should be close. The lyrics are
from the closed captioning of the show and seem to be exact.
And now a note for true Green Day fans that listen to more than "Basket Case",
"When I Come Around", and "Longview".
GD starts a new US tour soon. The opening band is possibly The Riverdales.
The new Green Day Album comes out on October 10, and here are the
rumored songs:
1. Armatage Shanks (This one was posted by us already)
2. Brat
3. Stuck With Me (You're looking at it)
4. Geek Stink Breath (Soon to be posted)
5. No Pride
6. Bab's Uvula Who?
7. 86
8. Panic Song
9. Stuart And The Ave
10. Brain Stew
11. Jaded (This is probably a cover of the Op IV song)
12. West Bound Sign
13. Tight Was Hill
14. Walking Contradiction
That is about it. Send in your comments, suggestions, or Green Day chords.
If you what a Green Day song, write us and we will post it.
Later, -Chad and Adam.
<pike@merle.acns.nwu.edu>
file:///C|/olga_main/f-g/g/green_day/sweet_children.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: millerr@interramp.com
Subject: sweet_children.crd
You might not have to put the A in the chorus with the * next
to it. This should be pretty accurate. The intro sounds like
Welcome to Paradise, with the same rythem and all. Billie
probably screwed up the intro and got Welcome to Paradise, they
really sound a lot alike. Tune to Eb(Looks best in Courier)
Chords:
EADGBe
A: 5774-B: 7998-D: 5577-E: 7799-Intro:
E A D
Verse 1:
E
A
D
E
See a young girl so soft and blonde
E
A
D
E
Doesn't attack me but she did once
E
A
D
E
Intoxications in her veins
E
A
D
E
Sweet young boy plays with her brain
E
A
D
E
Lydia'll bring to life
E
A
D
E
Putting his hand on her thigh
E
A
D
E
Ability has now been ripped
E
A
D
B
Take it away, I'd rather sit
Chorus:
B
A
D A
Sweet children
B
A
D A
Sweet children
B
A
D A
Sweet children
B
A D A
Remember when
Verse 2:
Johnny's playing fun and games
Or else he's ?in the storage shed?
Running from the light of day
Or maybe lie and celebrate
The funny circus from his head
Follow me if you understand
I'll trick her so she'll do it
Then I'll sing and now we run
Chorus
file:///C|/olga_main/f-g/g/green_day/sweet_children.crd (1 of 2) [4/28/2003 9:54:34 PM]
file:///C|/olga_main/f-g/g/green_day/sweet_children.crd
zach
file:///C|/olga_main/f-g/g/green_day/tight_wad_hill.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: GeekStink@aol.com
Date: Thu, 12 Oct 1995 22:03:27 -0400
Subject: "tight wad hill" by green day
"Tight Wad Hill"
Verse:
A
G
A
Cheapskate on the hill.
A
G
A
A thrill seeker making deals.
A
G
A
Sugar city urchin wasting time.
A
G
A
Town of lunatics.
Pre-Chorus:
E
D
A
Begging for another fix.
E
D
A
Turning tricks for speedballs.
E
D
One more night.
E
D
Making your rounds again.
B
Turning up empty handed.
Chorus:
A
Bumming a ride,
A
Last up @ dawn,
G
A
Burning daylight.
G
A
tight wad hill.
Verse:
A
G
A
Drugstore hooligan.
A
G
A
Another white trash mannequin.
A
G
A
On display to rot up on the hill.
A
G
A
Living out a lie.
A
G
A
But having the time of his life.
A
G
A
Hating every minute of his existence.
HOPE YOU LIKE THIS....GEEKSTINK@AOL.COM
Date: Fri, 22 Mar 1996 14:06:16 -0500 (EST)
file:///C|/olga_main/f-g/g/green_day/tight_wad_hill.crd
G#
F# F#
G#
F#
G#
F#
G#
F#
Bumming a ride
B
F#
Burning daylight
B
F#
G#
F# F#
G#
F# F#
file:///C|/olga_main/f-g/g/green_day/tight_wad_hill.crd
G#
Living out a lie, but having the time of his life
F#
G#
same as before
Bridge:
G#
G#
Chorus:
F#
F#
G#
G#
F# F#
ends on G#
file:///C|/olga_main/f-g/g/green_day/walking_contradiction.btab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Rooptroop@aol.com
Date: Wed, 6 Dec 1995 15:54:36 -0500
Subject: WALKING CONTRADICTIONBTAB
SUBJECT WALKING CONTRADICTION BY GREENDAY
FROM ROOPTROOP@AOL.COM
THIS IS ANOTHER KICK ASS GREEENDAY SONG AND IT'S REALLY SIMPLE
G-----------------------D------------------------A--------5-5-5--------E-5-55-------3-3-2-1-0
THAT'S ALL AND IT'S REALLY DAMN EASY
TABBED BY JON
(AND HIS MAGICAL FRIEND PINKY THE WONDER TURD)
(COME JOIN PINKY ON HIS MAGICAL ADVENTURES THROUGH THE TOILET OF TIME AND
SPACE)
IF YOU LIKE IT OR HAVE ANY COMMENTS OR SUGGESTIONS OR CORRECTIONS
E-MAIL ME AT ROOPTROOP@AOL.COM
file:///C|/olga_main/f-g/g/green_day/walking_contradiction.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: GeekStink@aol.com
Date: Thu, 12 Oct 1995 22:02:07 -0400
Subject: "walking contradiction" by green day
"Walking Contradiction"
Intro:
B
B(PM)...
Verse:
E
D
A
E
Do as l say and not as l do
E
D
A
because the shit's so thick you can't run away.
E
D
A
E
I beg to differ and on the contrary,
E
D
A
l agree with every word that you say.
E
D
A
E
Talk is cheap and lies are expensive,
E
D
A
My wallet's fat and so is my head.
E
D
A
E
Hit and run and then l'll hit you again,
E
D
A
I'm a smart-ass but l'm playing dumb.
Chorus:
E
D
E
D
NO WORDS
B
A
E
E
D
E
B
D
Verse:
E
D
A
E
Standards set and broken all the time,
E
D
A
Control the chaos from behind a gun.
E
D
A
E
Call it as l see it even if
E
D
A
I was born deaf, blind and dumb.
E
D
A
E
Losers winning big on the lottery,
E
D
A
Rehab rejects still sniffing glue.
E
D
A
E
Constant refutation with myself,
E
D
A
I'm a victim of a catch-22.
Chorus:
E
D
file:///C|/olga_main/f-g/g/green_day/walking_contradiction.crd
I have no belief.
E
D
B
E
DA
E
But I believe, I'm a walking contradiction.
E
D
A
And, l ain't got no right.
HOPE YOU LIKE THIS....GEEKSTINK@AOL.COM
Date: Thu, 21 Mar 1996 22:38:27 -0500 (EST)
From: padeon@inforamp.net (Phil D'Eon)
Walking Contradiction
By: Green Day
Album: Insomniac
Intro-- E(PM)
A
D
G
A
Do as I say not as I do because
A
D
G
A
The shit's so deep you can't run away.
A
D
G
A
I beg to differ on the contrary,
A
D
G
A
I agree with every word that you say.
A
D
G
A
Talk is cheap but lies are expensive,
A
D
G
A
My wallets fat and so is my head.
A
D
G
A
Hit and run and then I'll hit you again
A
D
G
A
I'm a smart ass but I'm playing dumb.
A
D
G
A
Standards set and broken all the time
A
D
G
A
Control the chaos behind the gun.
A
D
G
A
Call it as I see it even if
A
D
G
A
I was born deaf, blind, and dumb.
A
D
G
A
Losers winning big on the lottery,
A
D
G
A
Rehab rejects still sniffing glue.
file:///C|/olga_main/f-g/g/green_day/walking_contradiction.crd
A
D
G
A
Constant refutation with myself,
A
D G
A
I'm a victim of catch 22.
D
A
Well, I have no belief
A
But I believe
A
I'm a walking contradiction
A
And I ain't got no right.
file:///C|/olga_main/f-g/g/green_day/welcome_to_paradise.btab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Tue, 26 Dec 1995 23:10:28 -0500
From: Wolfman672@aol.com
To: mfarmer@mail.coin.missouri.edu
******************************************************************************
*************************
Btab, Welcome to paradice
Intro
G
D-2-2-2-2
A
E
(played twice)
0
0
Verce
G
D-2-2-2-2-0-0-0-0-2-2-2-2-2-2-2-2
A
E
G
D-2-2-2-2-0-0-0-0
A
E
-3-3-3-3
(repeat verce then end the verce with )
G
D
A
-2-2-2-2-2-2-2-2
E-3-3-3-3
Choris
G
D
A
-2-2-2-2
0-0-0-0-3-3-3-3
2-2-2-2-2-2-2-2
E-0-0-0-0-3-3-3-3
G
D
A
E-0-0-0-0-3-3-3-3(back to verce)
0-0-0-0-3-3-3-3
0-0-0-0-3-3-3-3
2
0-0-0-0
file:///C|/olga_main/f-g/g/green_day/welcome_to_paradise.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
[63] From: Mark P. Trepanier 11/8/94 2:22PM (2615 bytes: 52 ln)
~Subject: Green Day...
------------------------------- Message Contents ------------------------------Hi! Here is a fun Green Day song from Dookie. Remember to
tune your guitar to Eb, and play FAST!! Best..Mark...
Opening.. E E D A...Play 4 times...
E
D
E
Dear Mother, Can you hear me whining?
E
D
G
B
It's been 3 whole weeks since I have left your home
E
D
E
This sudden fear has left me trembling
E
D
G
B
'Cause now it seems that I am out here on my own
G
B
And I'm feeling all alone...
REFRAIN:
E
G
A
C
Pay attention to the cracked streets, and broken homes
E
G
B
Some call it slums, some call it nice...
E
G
A
I want to take you through a wasteland I like to call my
C
E
B
home...Welcome to Paradise
(Do the EE D A thingy twice)
2nd Verse...
E
D
E
A gunshot rings out at the station
E
D
G
B
Another urchin snaps, and left dead on his own
E
D
E
It makes me wonder why I'm still here
E
D
G
B
For some strange reason it's now feeling like my home
G
B
And I'm never gonna go...
REPEAT REFRAIN...PLAY E....There is a bridge here w/a bass
solo..I don't have time to do it now!(I have to give you
something to do eh?)
E
D
E
Dear Mother, Can you hear me laughing?
E
D
G
B
It's been six whole months since I have left your home
E
D
E
It makes me wonder why I'm still here
E
D
G
B
For some strange reason it's now feeling like my home
G
B
And I'm never gonna go...
REPEAT REFRAIN: and end after the 4th EE D A thingy...
file:///C|/olga_main/f-g/g/green_day/welcome_to_paradise.crd
file:///C|/olga_main/f-g/g/green_day/welcome_to_paradise.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: tubring2@aol.com (Tub Ring 2)
Subject: TAB: Green Day Kerplunk!
Welcome to Paradise
Kerplunk!!
Intro
-------------------------------------------------------------------------------------------8-6------------------------------------------8-6-6----------------------------------------6-4-6--------------------------------------------4---------------------------------------**********************************************
A gunshot rings...
-------------------------------------------------------------------------------------------8-6-8----------------------------------------8-6-8----------------------------------------6-4-6------------------------------------------------------------------------------------Another urchin snaps...
-------------------------------------------------------------------------------------------8-6------------------------------------------8-6-4-8--------------------------------------6-4-4-8------------------------------------------2-6-------------------------------------These two segments blocked of are repeated
**********************************************
**********************************************
Chorus
Pay attention to
-------------------------------------------------------------------------------------------8-6---4--------------------------------------8-6-6-4--------------------------------------6-4-6-2------------------------------------------4---------------------------------------Some call it..
-------------------------------------------------------------------------------------------8-6------------------------------------------8-6-8----------------------------------------6-4-8--------------------------------------------6---------------------------------------These two segments blocked of are repeated
**********************************************
Solo
----------------------------------------------x-x-8-x-x-11-x-x-10-x-x-9-x-x----------------x-x-8-x-x-11-x-x-10-x-x-9-x-x----------------
file:///C|/olga_main/f-g/g/green_day/welcome_to_paradise.tab
file:///C|/olga_main/f-g/g/green_day/welcome_to_paradise.tab
file:///C|/olga_main/f-g/g/green_day/welcome_to_paradise.tab
part E:
beat| 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + |
crd| E5
G5|
|
Eb|-x-----x--x--x--x--x--x-|----x--x--x--x--x--x--x-|
Bb|-x-----x--x--x--x--x--x-|----x--x--x--x--x--x--x-|
Gb|-x-----x--x--x--x--x--x-|----x--x--x--x--x--x--x-|
Db|-2--h--2--2--2--2--2--5-|-h--5--5--5--5--5--5--5-|
Ab|-2--h--2--2--2--2--2--5-|-h--5--5--5--5--5--5--5-|
Eb|-0--h--0--0--0--0--0--3-|-h--3--3--3--3--3--3--3-|
DN/UP: D
D U D U D D
U D U D U D D
part F:
beat| 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + |
crd| A5
C5|
|
Eb|-x-----x--x--x--x--x--x-|----x--x--x--x--x--x--x-|
Bb|-x-----x--x--x--x--x--x-|----x--x--x--x--x--x--x-|
Gb|-2--h--2--2--2--2--2--5-|-h--5--5--5--5--5--5--5-|
Db|-2--h--2--2--2--2--2--5-|-h--5--5--5--5--5--5--5-|
Ab|-0--h--0--0--0--0--0--3-|-h--5--5--5--5--5--5--5-|
Eb|-x-----x--x--x--x--x--x-|----x--x--x--x--x--x--x-|
DN/UP: D
D U D U D D
U D U D U D D
part D'':
beat| 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + |
crd| B5
|
|
Eb|-x-----x--x--x--x--x--x-|-x--x--x--x--x--x--x--x-|
Bb|-x-----x--x--x--x--x--x-|-x--x--x--x--x--x--x--x-|
Gb|-4--h--4--4--4--4--4--4-|-4--4--4--4--4--4--4--4-|
Db|-4--h--4--4--4--4--4--4-|-4--4--4--4--4--4--4--4-|
Ab|-2--h--2--2--2--2--2--2-|-2--2--2--2--2--2--2--2-|
Eb|-x-----x--x--x--x--x--x-|-x--x--x--x--x--x--x--x-|
DN/UP: D
D U D U D U
D U D U D U D D
part G:
beat| 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + |
crd| E5
| B5
|
Eb|-x-----x--x-----x--x--x-|-x----------------------|
Bb|-x-----x--x-----x--x--x-|-x----------------------|
Gb|-x-----x--x-----x--x--x-|-4----------------------|
Db|-2-----2--2-----2--2--2-|-4----------------------|
Ab|-2-----2--2-----2--2--2-|-2----------------------|
Eb|-0--h--0--0--h--0--0--0-|-x----------------------|
acnt: >
>
>
>
DN/UP: D
D U
U D D
D
part A':
beat| 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + |
crd| E5'
| D5
A5'
|
Eb|-x-----x--x--x-----x--x-|-x--x--x--x-------------|
Bb|-x-----x--x--x-----x--x-|-x--x--x--x-------------|
Gb|-9--h--9--x--9--h--9--x-|-7--7--x--x-------------|
Db|-9--h--9--x--9--h--9--x-|-7--7--x--7-------------|
Ab|-7--h--7--x--7--h--7--x-|-5--5--x--7-------------|
Eb|-x-----x--x--x-----x--x-|-x--x--x--5-------------|
DN/UP: D
D U D
D U
D U D U
part H:
beat| 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + |
crd| E
G
| F#
F
|
Eb|-x----------------------|------------------------|
Bb|-x----------------------|------------------------|
file:///C|/olga_main/f-g/g/green_day/welcome_to_paradise.tab
Gb|-x----------------------|------------------------|
Db|-2--h--h--h--h--h--h--h-|-h--h--h--h--h--h--h--h-|
Ab|-2--h--h--h--h--h--h--h-|-h--h--h--h--h--h--h--h-|
Eb|-0--h--h--h--h--h--h--h-|-h--h--h--h--h--h--h--h-|
DN/UP: U
beat| 1 + 2 + 3
crd| E
G
|(keep holding)
+ | 1 +
| F#
|
3
F
+ |
|
|
beat| 1 + 2 + 3
crd| E
G
|(keep holding)
+ | 1 +
| F#
|
3
F
+ |
|
|
beat| 1 + 2 + 3 + 4 + | 1 +
crd| E
G
| F#
|(keep holding+feedback) |
3
F
+ |
|
|
part H':
beat| 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + |
crd| E
G
| F#
F
|
Eb|------------------------|------------------------|
Bb|------------------------|------------------------|
Gb|------------------------|------------------------|
Db|------------------------|------------------------|
Ab|-/(7)--h--h--h--h--h--h-|------------------------|
Eb|------------------------|------------------------|
beat| 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + |
crd| E
G
| F#
F
|
Eb|------------------------|------------------------|
Bb|------------------------|------------------------|
Gb|------------------------|------------------------|
Db|------------------------|------------------------|
Ab|-/(2)--h--h--h--h--h--h-|-h--/(3)--\(2)--p(0)--m(2)
Eb|------------------------|------------------------|
beat| 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + |
crd| E
G
| F#
F
|
Eb|------------------------|------------------------|
Bb|------------------------|------------------------|
Gb|------------------------|------------------------|
Db|------------------------|------------------------|
Ab|-h--/(3)--\(2)--h--h--h-|------------------------|
Eb|------------------------|------------------------|
beat| 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + |
crd| E
G
| F#
F
|
Eb|------------------------|------------------------|
Bb|------------------------|------------------------|
Gb|------------------------|------------------------|
Db|---------------------m\(5)--\(4)--\(3)--\(2)-----|
Ab|------------------------|------------------------|
Eb|------------------------|------------------------|
part I:
beat| 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + |
crd| E
G
| F#
F
|
Eb|-------4-----------7----|-------6-----------5----|
Bb|------------------------|------------------------|
Gb|----------4-----------7-|----------6-----------5-|
Db|-2--2--------5--5-------|-4--4--------3--3-------|
file:///C|/olga_main/f-g/g/green_day/welcome_to_paradise.tab
Ab|------------------------|------------------------|
Eb|------------------------|------------------------|
PM:
M M
M M M
M
M M
M M M
M
DN/UP: D D U D D D U D
D D U D D D U D
part J:
beat| 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + |
crd| E
G
| F#
F
|
Eb|-------4-----------7----|-------6-----------5----|
Bb|------------------------|------------------------|
Gb|-4--4-----4--7--7-----7-|-6--6-----6--5--5-----5-|
Db|-2--2--------5--5-------|-4--4--------3--3-------|
Ab|------------------------|------------------------|
Eb|------------------------|------------------------|
DN/UP: D D U D D D U D
D D U D D D U D
part J':
beat| 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + |
crd| E
G
| F#
F
|
Eb|-4--4--4--x--7--7--7--x-|-6--6--6--x--5--5--5--x-|
Bb|-x--x--x--x--x--x--x--x-|-x--x--x--x--x--x--x--x-|
Gb|-4--4--4--x--7--7--7--x-|-6--6--6--x--5--5--5--x-|
Db|-2--2--2--x--5--5--5--x-|-4--4--4--x--3--3--3--x-|
Ab|------------------------|------------------------|
Eb|------------------------|------------------------|
DN/UP: D U D U D U D U
D U D U D U D U
part K:
beat| 1 + 2 + 3 + 4 + |
crd| E5
|
Eb|-x----------------------|
Bb|-x----------------------|
Gb|-x----------------------|
Db|-2----------------------|
Ab|-2----------------------|
Eb|-0----------------------|
DN/UP: D
file:///C|/olga_main/f-g/g/green_day/welcome_to_paradise.tab
E F E D''
E F G
A A A A'
bridge
H H'
I I I I
I I I I
J J J J'
verse 3
B C B D
B C B D
D D'
chorus
E F E D''
E F G
A A A A
coda
K
tab legend:
5
play note at fret 5
(5)
fret note at fret 5 to sound, don't pick
h
hold last note(s), don't pick
x
don't fret a note, muffle string(s) with fret finger; pick
/
slide up with fret hand
\
slide down with fret hand
p
pull off fretted note
m
hammer on fretted note
DN/UP: D means strum pick down (from low-E to high-E) for note
U means strum pick up (from high-E to low-E) for note
stco: staccato (play note and immediately release it)
on note indicated by a period "."
acnt: accent note indicated by a greater-than sign ">"
PM:
palm mute (picking hand) note indicated by "M"
chords:
E A
E5' x 7
D5 x 5
A5' 5 7
D
9
7
7
G
9
7
x
B
x
x
x
E
x
x
x
G5
B5
3 5 5 x x x
x 2 4 4 x x
E5
A5
C5
0 2 2 x x x
x 0 2 2 x x
x 3 5 5 x x
E
G
F#
F
x
x
x
x
x
x
x
x
2
5
4
3
4
7
6
5
x
x
x
x
4
7
6
5
file:///C|/olga_main/f-g/g/green_day/welcome_to_paradise.tab
lyrics:
(verse 1)
Dear mother can you hear me whinin(g)
It's been three whole weeks since [-aah-] I left your (h)ome
This sudden fear has left me tremblin(g)
'Cause now it seems that I am out here on my own
And I'm feelin(g) so alone
(chorus)
Pay attention to the cracked streets and the broken (h)omes
Some call it slums some call it nice
I wanna take you through a wasteland I like to call my (h)ome
Welcome to Paradise
(verse 2)
A gunshot rings out at the station
Another urchin snaps and left dead on his own
It makes my wonder why I'm still here
For some strange reason it's now feeling like my (h)ome
And I'm never gonna go
(chorus)
(bridge)
(verse 3)
Dear mother can you hear me laughin(g)
It's been six whole months since [-aah-] I left your (h)ome
It makes my wonder why I'm still here
For some strange reason it's now feeling like my (h)ome
And I'm never gonna go
(chorus)
--------------------------------------------------------
file:///C|/olga_main/f-g/g/green_day/westbound_sign.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Sun, 8 Oct 1995 21:23:46 -0500
From: fujioka@uiuc.edu (LSM)
Here is the new song "Westbound Sign", by Greenday, off their new album
"Insomniac". The album is coming out on October 10th, but I got the song
off the radio. The song only has a total of four chords, so it's pretty
damn easy. They are all power chords and it sounds just like "Basket Case",
just lower. So have fun!
Important: Change your font to a equal width font (i.e. Courier)
Note: Tune a 1/2 step down.
Westbound Sign
By: Greenday
Part A: (Intro, Chorus)
B
Ab Em
:|////|////|:
Part B: (Verse)
B
Cb
Ab
Em
:|////|////|////|////|:
Part C: (Bridge)
Bb
Db
Em
B
:|////|////|////|////|:
Part D: (End of bridge)
Bb
Db
Em
Em
|////|////|////|////|
Sequence:
Ax4; Bx4; Ax4; Bx4; Ax4; Cx3; Dx1; Bx4; Ax6; Ends with "Bb".
________________
LSM a FEMC company
fujioka@uiuc.edu
From GeekStink@aol.com Fri Oct 13 02:01:46 1995
Received: from post-office.nevada.edu (root@post-office.nevada.edu [131.216.1.11]) by
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From: GeekStink@aol.com
Received: from mail02.mail.aol.com (mail02.mail.aol.com [152.163.172.66]) by postoffice.nevada.edu (8.6.12/8.6.4) with ESMTP id TAA22508 for <guitar@nevada.edu>; Thu, 12 Oct 1995
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1995 22:00:52 -0400
Date: Thu, 12 Oct 1995 22:00:52 -0400
Message-ID: <951012220051_122700706@mail02.mail.aol.com>
To: guitar@nevada.edu
Subject: "westbound sign" by green day
Status: O
"Westbound Sign"
Verse:
file:///C|/olga_main/f-g/g/green_day/westbound_sign.crd
E
B
C
Boxed up, all of her favorite things.
E
B
C
Sold the rest at a rainy yard sale.
E
B
C
Big plans and leaving friends
E
B
C
and a westbound sign.
Chorus:
D
A
B
A
D
Weighed out, her choices on a scale.
D
A
B
A
Prevailing, nothing made sense
D
A
B
A
D
Just transportation and a blank decision...
D
A
B
A
She's taking off.
Verse:
E
B
C
She's burnig daylight and petrol
E
B
C
Heading westward on, strung out
E
B
C
On confusion road.
E
B
C
And ten minute nervous breakdowns
E
B
C
Xanex a beer for thought,
E
B
C
and she determined...she's taking off.
Chorus:
D
A
B
A
D
Is it salvation, or an escape from discontent?
D
A
B
A
D
Will she find her name in the California cement?
D
A
B
A
D
Punched out of the grind that punched her
D
A
B
A
D
one too many times.
D
A
B
A
D
Is tragedy 2000 miles away?...She's taking off...
geekstink@aol.com
file:///C|/olga_main/f-g/g/green_day/westbound_sign.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From Stephen Dranger
Ok, folks, this is Westbound Sign from Green Day's Insomniac (if you didn't
know that it is from Insomniac why are you reading this) and I figured it out within 5 minutes
because it sounds like Basket Case somewhat. Here gooes, any flames, comments,
to EB110DRANGER@VALPO.EDU or follow this up. What some people don't figure out
is that Green Day's music is power chords. Here goes:
If you can not figure out the rhytem, listen to the CD :)
(normal tuning)
Intro:
e
B
G
D
A
E
----------------9-9-9*|
--9-9-9-9--6-6--9-9-9 | (repeat 4X)
--9-9-9-9--6-6--7-7-7*|
--7-7-7-7--4-4------- |
Verse:
e
B
G
D --9-9-9-9--4-4-4--4-4--6-6-6-6--2-2-2--2-2*|
A --9-9-9-9--4-4-4--4-4--6-6-6-6--2-2-2--2-2 |
E --7-7-7-7--2-2-2--2-2--4-4-4-4--0-0-0--0-0*|
DOn't have the bridge (it would be welcome added onto this file)
Thanks for reading!!
--Yoda "Cool"
file:///C|/olga_main/f-g/g/green_day/when_i_come_around.btab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: alman@strangiato.res.wpi.edu (Benjamin Alman)
BTAB - "When I come around" - Green Day
--------------------------------------- Ben Alman - alman@wpi.edu -
Intro:
h+e s s s s s s
+-----------4h5p4---+
|4:-R---5-5-------7-|
|4:-----------------|
+-------------------+
Chorus:
e e e e e e e e
e e e e e s s e e
e e e e e e e e
e e e e q s e+s
+-----------------+-------------------+-----------------+-----------5p4---+
|-----------------|-----------5/7-5---|-----------------|-----------------|
|-----------------|-----------------7-|-----------------|-----------------|
+-5-5-5-5-5-5-5-7-+-8-8-8-8-8---------+-5-5-5-5-5-5-5-7-+-8-8-8-8-8-------+
-Date: Thu, 20 Jul 1995 22:12:48 -0500 (CDT)
From: Jason Alan Speer <jspeer@llions0.llion.org>
Subject: When I come around.tab--Green Day
When I come around.tab
Jason Speer
There are many ways to play this song this is just one way and the
one of the easiest ways I think.
x=palm mute
/=slide up
\=slide down
Use Distortion
--------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------7---7---7---9---9---4---5-----5---5------------------------------5---5---5---5---5---5---7---7---2---3-----3---3------------------------------3---3---3----------------------------------------------------------------
file:///C|/olga_main/f-g/g/green_day/when_i_come_around.btab
file:///C|/olga_main/f-g/g/green_day/when_i_come_around.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: 3EV1@QUCDN.QUEENSU.CA
Subject:
When I Come Around by Green Day
All the best songs on album we're tabbed already, but here's one that's really
fun to play...Turn down your tone and crank the distortion:
|-------------------------------------------|-------------------------------------------|-------------------------------------------|------4------4--------11-------13------9---|----4-4------4--------11-------13------9---|--------2-2--2----9-9--9----11-11----7-7---Chorus:
|--------------------------------|--------------------------------|--------------------------------|----6-6-6-6-6-6-6-6/-9-9-9-9-9--|----6-6-6-6-6-6-6-6/-9-9-9-9-9--|----4-4-4-4-4-4-4-4/-7-7-7-7-7---
etc.
-After the 2nd chorus add this little riff which is strangly reminiscent of
"Today":
|---------------------------------------------------|---------------------------------------------------|-11----11----13----13----------11----11------------- or something
|----11----11----11----11----13----13---------------like that
|---------------------------------------------------|----------------------------------------------------
3ev1@qucdn.QueensU.CA
(Van Vekris)
D
E
i heard you crying loud
all the way across town
etc.
chorus
A
C
no time to search the world around
'cause you know where i'll be found
when i come around
i don't know the solo, but it kinda sounds like the intro to 'today'
by smashing pumpkins.
roland
file:///C|/olga_main/f-g/g/green_day/when_i_come_around.crd
-roland
rw8063@rachel.albany.edu
: Chorus:
:
...that makes the
:
A A A A
:
:
:
:
..world go round
C C C C
On the
x
just Palm mute.
On the solo just bar the e,b,g strings at the 3rd fret and
apreggiate them and use pinky to play 5 or 6 on the e string
Then it look like the Em chord and then the A but I'm, not sure.
: G:
:
:
:
:
--4--5--5(E)--3-
: D:
:
:
:
:
:
--7--7--7--5--x-
: Em:
:
:
:
:
--8--9--9--7--x-
: A:
:
:
:
--2--2--0--x-
: C:
:
:
:
:
--5--5--5--3--x-
file:///C|/olga_main/f-g/g/green_day/when_i_come_around.crd
-------------------------------------------------------------------------------------------------------------------------( and the lyrics are like "No time to chase the world around , cuase ya
know where I'll be found! when i come around"
if you care..
file:///C|/olga_main/f-g/g/green_day/when_i_come_around.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
{title:When I Come Around}
{subtitle: By Green Day, tabbed by Robert Cooke}
{soc}
{c:verses}
[G]I heard [D] you crying loud [E]
[G]All The [D] way across town [E]
etc.
{eoc}
[C]
[C]
{c:chorus}
[A]No time to search the [C]World around
[A]Cuz you know where i'll be [C] found...
{c:go back to verses}
Any questions or comments e-mail me at rcooke@capecod.net
file:///C|/olga_main/f-g/g/green_day/when_i_come_around.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 07 Nov 1996 19:16:56 -0600
From: Gary Zerott <ziggy@server.northernnet.com>
When I Come Around By Green Day Words BY Billie Joe Armstrong
off the album Dookie tabbed by Danny Zerott
well this song is very easy its bacilly 2 riffs
play this 3 times
<=up stroke >down stroke -= rest
><><>
a ------6668884-444
d 44444-4446662-222
e 22222-----------then this 1
>>>>>>>
a -------4-4-4-4-------4--d 66666662-2-2-266666662--e 4444444-------4444444---then repeat that over and over till the song is over
solo
a 7---77777----7--7-7-77777
b -8-8-8888888888888888---g --9------9999-99-9-9----questions? E-mail at ziggy@northernet.com :)
file:///C|/olga_main/f-g/g/green_day/who_wrote_holden_caufield.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: SkunX42@aol.com
Date: Fri, 10 Nov 1995 09:51:07 -0500
Subject: Who Wrote Holden Caulfield? by Green Day
"Who Wrote Holden Caulfield?" by Green Day from Kerplunk
posted by: SkunX42
CHORDS USED:
D
123456-
5
5
3
7
7
5
5
7
7
5
Verse(PMed):
D
C
A
G
A thought burst in my head and i need to tell you it's some news that i
forthought
Or was it just a dream
that happened long ago i think i just forgot
PreChorus:
A
D
A
D
well it hasn't been the first time, and it sure does drive me mad
CHORUS:
D
A
C
There's a boy who fogs his world and now he's getting lazy
There's no motivation and frustration makes him crazy
He makes a plan to take a stand but always ends up sitting
Someone help him up or he is gonna end up quitting
file:///C|/olga_main/f-g/g/green_day/who_wrote_holden_caufield.crd
tabs (i'm looking for "I Wrote Holden Caulfield") to me at: SkunX42@aol.com
file:///C|/olga_main/f-g/g/green_day/why_do_you_want_him.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
This is an old Green Day song of 1039/SOSH..."Why Do You Want Him"
I don't know the solo, workin on it, but here are all the chords:
INTRO: E (x799xx) - C# (x466xx) - A (577xxx) - B (799xxx)
Verse: E (022xxx) - B (x244xx) - Ab (466xxx) - A (577xxx)
I saw you standing alone,
with a sad look on your face,
you call him on the phone,
looks like he left without a trace.
Tears falling out of your eyes,
He's living in a disguise
You've been feeling bad for so long,
you wonder if it's right or wrong...
Chorus
Why do
Why do
Why do
Why do
same as intro:
you want him?
you want him?
you want him?
you want him?
Verse:
Now many days have gone by,
and you still just sit there and cry
you're feeling bad for yourself,
his memory will always dwell,
you're so obsessed with his love,
thats why push came to shove,
you've been feeling bad for so long,
you wonder if it's right or wrong
Chorus...
Bridge: A (577xxx) - B (799xxx) - C# (x466xx) - A (577xxx)to B(799xxx) slide
Solo?
Chorus...
have fun with it
comments to jkeiger@gti.net
-Tommy
file:///C|/olga_main/f-g/g/green_day/words_i_might.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: SkunX42@aol.com
Date: Mon, 4 Dec 1995 16:47:49 -0500
Subject: Words I Might Have Ate by Green Day
this is a kinda softer song by green day, but it's really fun to play, and
here it is. send all questions, comments, punk tabs, or requests(i'll do my
best) to me at: SkunX42@aol.com
enjoy!
Song:
Band:
Album:
posted
=0D
CHORDS
=0D
Green Day
Kerplunk
by: SkunX42@aol.com
USED
A
G
E
A5
D5
F#
F
E5
=0D
|---------3-------------------------------------------|
|---2-----0-------------------------------------------|
|---2-----0-----1-----------7-----------------9-------|
|---2-----0-----2-----7-----7-----4-----3-----9-------|
|---0-----2-----2-----7-----5-----4-----3-----7-------|
|---------3-----0-----5-----------2-----1-------------|
=0D
Intro: A5, G (mess around with the top string on those chords)
=0D
Verses:
=0D
A
G
A
now it seems i can't keep my mind off you
=0D
A
G
E
my mind drifts back to better days we've been through
=0D
(same chords)
like sitting on blacktop of the school grounds
the love i bitched about i finally found
=0D
CHORUS:
=0D
D5
A5
G
F#
F
=
but now it's gone and i take the blame
=0D
D5
E5
A5
so there's nothing i can do but take the pain...why?
=0D
A, G
=0D
Verse2:
now i dwell on what you remind me of
a sweet young girl who sacrificed her love
as for me i am blind without a cause
file:///C|/olga_main/f-g/g/green_day/words_i_might.crd (1 of 2) [4/28/2003 9:54:39 PM]
file:///C|/olga_main/f-g/g/green_day/words_i_might.crd
file:///C|/olga_main/f-g/g/green_jello/green_jello_theme.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 16 May 1996 18:15:24 -0400 (EDT)
From: ShadowRunner <nightrunner@Server1.iop.com>
Here's a tablature for Green Jelly's "Green Jelly Theme Song" off the Cereal
Killer Soundtrack Album.
If anyone can send me any other Green Jelly tabs (esp- Obey the CowGod) I'd
be grateful. Now for the music!
Lyrics:
(play riff as you sing)
Got nothing to do, on a Friday night!
Green Jello Sucks!
Ain't got no talent, but that's alright.
Green Jello Sucks!
We're the worst, the worst in the land...
Green Jello Sucks!
But c'mon! Gotta give us a hand!
Green Jello Sucks!
Iggy and Girdie, they're both good names.
Green Jello Sucks!
Maynard and Poopie, they're both insane!
Green Jello Sucks!
But when life's, just a game, who's to blame?
Green Jello Sucks!
Green Jello.
file:///C|/olga_main/f-g/g/green_jello/green_jello_theme.crd
file:///C|/olga_main/f-g/g/green_jello/harley_house.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Received: from sparc (Sparc.uccb.ns.ca [142.12.4.50]) by post-office.nevada.edu (8.6.4/8.6.4) with
SMTP id OAA20075 for <jamesb@nevada.edu>; Tue, 8 Feb 1994 14:47:33 -0800
Received: by sparc (5.0/SMI-SVR4)
id AA04200; Tue, 8 Feb 1994 18:45:49 +0400
Date: Tue, 8 Feb 1994 18:45:48 -0400 (AST)
From: David John Ruginski <dr911433@sparc.uccb.ns.ca>
Subject: Green Jello - Harley House
To: jamesb@nevada.edu
Cc: dr911433@sparc.uccb.ns.ca
Message-Id: <Pine.3.89.9402081836.A4133-0100000@sparc>
Mime-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
content-length: 1691
Electric Harley House of Love - Green Jello
A x022xx
B x244xx
F# 244xxx
G 355xxx
E 022xxx
e 0xxxxx
E. x799xx
C x355xx
D x577xx
______________________________________________________________________
Riff A
B A G F# B A G F# E
/ / / / / / / / /
______________________________________________________________________
Fill 1
e
/// /// /// /// ///////
______________________________________________________________________
Riff B
e
E.
C B D E.
/// /// /// /// /////// / /
/ / /sl/
______________________________________________________________________
Riff C
A
B
/
/ / /
/ / /
/ / /
/ /
______________________________________________________________________
Riff D
D -2-------2-------2---------------------2A -2-7-----2-7-----2-7-----5---5---4-3---2E -0---7-6-0---7-6-0---7-6-3-0-3-0-2-5-0-0______________________________________________________________________
That's about it, you'll have to listen to the song to get the
timing correct. I still can't seem to get the acoustic opening to
sound right, so I left it out. If you have any questions, comments,
or if you just want to chat, drop me a line.
I'm also looking for the tabs to songs like
Big Bad Moon, War & At the Speed of Light (I think that's what
it's called, from Time Machine) - Joe Satriani
I'll have some partial Jackyl songs coming in a couple of weeks...
file:///C|/olga_main/f-g/g/green_jello/harley_house.tab
dr911433@sparc.uccb.ns.ca
Dave Ruginski
I hope this message actually makes it to where it's supposed to go. We
just got internet access here at UCCB and I don't know if it actually
works right yet.
file:///C|/olga_main/f-g/g/green_jello/three_little_pigs.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
GREEN JELLY
Three little pigs
Tabbed by Marco Ferretti
Here's the main riff
|--------------------------|---------------------------------------------------|--------------------------|---------------------------------------------------|--------5--5--6--5-----5--|---------------------------------------------------|--4--7--5--5--6--5--7--5--|---------------------------------------------------|--4--7--------------7-----|---------------------------------------------------|--------------------------|---------------------------------------------------followed by this progression
F# G Ab A
where each chord is played strumming all the time except for the first with
palm muting.
That's all folks
Posted by Stefano Moroni ( moroni@sidst4.unisi.it )
Special thanks to Fabrizio Biliotti who kindly gave us a hand (or I should say an ear)
file:///C|/olga_main/f-g/g/greenbaum_norman/spirit_in_the_sky.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: dwaite@uoguelph.ca (Dave S Waite)
SPIRIT IN THE SKY
Norman Greenbaum
submitted by:
Dave Waite
A
When I die and they lay me to rest,
D
Gonna go to the place that's best.
A
When they lay me down to die,
E
A
Goin on up to the spirit in the sky.
{chorus}
A
Goin on up to the spirit in the sky.
D
That's where I'm gonna go, when I die.
A
When I die and they lay me to rest,
E
I'm gonna go to the place that's the best.
{verse 2}
Prepare yourself, you know it's a must,
Gotta have a friend in Jesus.
So you know that when you die,
It's gonna recommend you to the spirit in the sky.
CHORUS **replace "I'm" with "you're" and 1st "I" with "you"**
{verse 3}
Never been a sinner, I've never sinned.
I've got a friend in Jesus.
So you know that when I die,
It's gonna set me up with the spirit in the sky.
CHORUS
-***************************************************************************
DAVE S. WAITE
# "Watch out where the huskies go
dwaite@uoguelph.ca
#
And don't you eat that yellow snow."
GO LEAFS
#
Frank Zappa
***************************************************************************
file:///C|/olga_main/f-g/g/greenbaum_norman/spirit_in_the_sky.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Received: from animal-farm.nevada.edu by redrock.nevada.edu (5.65c/M1.4)
with SMTP id <AA08160>; Sun, 18 Apr 1993 12:57:18 -0700
Received: from moe.rice.edu by animal-farm.nevada.edu id <AA19846@animal-farm.nevada.edu>; Sun, 18
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Received: from owlnet.rice.edu by moe.rice.edu (AA11798); Sun, 18 Apr 93 14:57:15 CDT
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From: Marc Bennett Hirsh <marc@owlnet.rice.edu>
Message-Id: <9304181957.AA00729@stygian.owlnet.rice.edu>
Subject: TAB: "Spirit In The Sky" (Norman Greenbaum)
To: jamesb@animal-farm.nevada.edu
Date: Sun, 18 Apr 93 14:57:09 CDT
X-Mailer: ELM [version 2.3 PL11]
Please add this to the ftp archives.
"Spirit In The Sky" by Norman Greenbaum
What album it's off of is anyone's guess.
Supermaximum distortion guitar (with light acoustic in the background):
E-------------------------|----------------------B-------------------------|----------------------G-2-2-2-2-2-2-2---2-----2-|-2-2-2-2-2-2-2---2---2- (repeat)
D-2-2-2-2-2-2-2---2-----2-|-2-2-2-2-2-2-2---2---2A-0-0-0-0-0-0-0-5---3h4---|-0-0-0-0-0-0-0-3---5--E-------------------------|----------------------A
When I die and they lay me to rest
A
D
I'm gonna go to the place that's the best
D
A
Don't you know that when I die
E
A
Goin' on up to the spirit in the sky
Chorus:
A
Goin' on up to the spirit in the sky
A
D
That's where I'm gonna go when I die
D
A
When I die and they lay me to rest I'm gonna
E
E
Go to the place that's the best.
(repeat main riff)
A
I've never been a sinner, I've never sinned
A
D
I've got a friend in Jesus
D
A
So you know that when I die
E
A
Gonna set me up with the spirit in the sky
Chorus
file:///C|/olga_main/f-g/g/greenbaum_norman/spirit_in_the_sky.tab
file:///C|/olga_main/f-g/g/gregory_clinton/country_music_i_gone_crazy.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Date: 1/8/97; 11:38:55 PM
From: ah827@rgfn.epcc.Edu (Gene L. Graham)
Subject: IF IT WEREN'T FOR COUNTRY MUSIC I'D GO CRAZY
IF IT WEREN'T FOR COUNTRY MUSIC I'D GO CRAZY
Recorded by Clinton Gregory
Words and music by Alan Syms
CAPO on 2nd FRET/KEY: E/PLAY: D
I [D] sit here by the Jukebox in this country bar
I gotta hear some fiddle and some [A7] steel guitar
A month ago my lovin' lady threw me out
And I don't know what to do, so I [D] do without;
This old city brings me down, it ain't been good to me
But it's all that I can [D7] do to keep my [G] sanity
But the [A7] future's lookin' bright, 'cause I'm finally feelin' right
And If It Weren't For Country Music I'd Go [D] Crazy.
I got [G] holes in my boots, I got [D] holes in my jeans
[A7] Holes in my pockets, man you [D] know what that means
Between the [G] bar tab and the jukebox, my [D] money's all been spent
I'd even [E] vote for Merle Haggard for [A7] president;
Play some [D] HANK, Play some
But don't play "A TENDER [D7]
But the [A7] future's lookin'
And If It Weren't For Country
INSTRUMENTAL BREAK
Repeat 3rd and 4th Verses
But the [A7] future's lookin' bright, 'cause I'm finally feelin' right
And If It Weren't For Country Music I'd Go [D] Crazy.
file:///C|/olga_main/f-g/g/gregory_clinton/darlin_does_he.lyr
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Date: Fri, 29 Nov 1996 13:35:51 -0600 (CST)
From: toschlog@houston.Geco-Prakla.slb.com (Jeff Toschlog)
Subject: LYR Darlin' Does He
by Clinton Gregory
Darlin' Does He
(Kathy Steele/Ruthie Steele/John Wayne Wiggins)
He wasn't lyin' there beside you
When I called you up this mornin'
Darlin' was he
He doesn't bring your coffee to you
In the bedroom like I used to
Darlin' does he
And at night when you lay down
Do you miss havin' me around
And when he holds you do I even cross your mind
And is he all you'll ever need
Darlin' tell me please
Does he replace me
Did he erase me from your mind
Have you forgotten all the times
You spent with me
And are you really sure
You want to spend your life with him
Have you and I been all we'll ever be
And at night when you lay down
Do you miss havin' me around
And when he holds you do I even cross your mind
Is he all you'll ever need
Darlin' tell me please
Does he replace me
And at night when you lay down
Do you miss havin' me around
And when he holds you do I even cross your mind
And is he all you'll ever need
Darlin' tell me please
Does he replace me
Is he all you'll ever need
Darlin' tell me please
Does he replace me
(c) Almarie Music (BMI)
file:///C|/olga_main/f-g/g/greta/is_it_what_you_wanted.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Is It What You Wanted
by Greta
from the album "No Biting" 1993
Acoustic Guitar
F#- E Bar on 2nd Fret
A - E Bar on 5th Fret (or regular A)
B- E Bar on 7th Fret (or A Bar on 1st Fret)
Intro
F#
\\V \\\V \\V \\\V (2 times)
same rythm over the whole song for the most part
F# ............
Man from the past
I feel your world is dying fast
When I wake each morning, I look out my door
I'm looking for the sunshine, but it ain't there no more
F#
A
Is it what you wanted
F#
Is it just your dream gone mad
And man from history
Took the world away from me
When I wake each morning, I look out my door
I'm looking for the rainbow, but it ain't there no more
F#
A F#
Is it what you wanted
A
Is it what you wanted
B
Is it what you want
B
Is it what you want
NO!
(solo)
Wicked men rule the world, always have, always will
You know the sun must beat
and the river must run
and the storm must come
But is it ever done, will it ever end
Is it ever done
A
F#
A
And I know to change we must grow
Can't do it anymore
Said I ain't got nothing left (electric guitar part below 8 times)
Well I could've had something
But I ain't got nothing
Said I ain't got nothing left
file:///C|/olga_main/f-g/g/greta/is_it_what_you_wanted.tab (1 of 2) [4/28/2003 9:54:41 PM]
file:///C|/olga_main/f-g/g/greta/is_it_what_you_wanted.tab
file:///C|/olga_main/f-g/g/greta/nature.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Thu, 7 Dec 1995 22:24:55 -0700
From: Adam Greenbaum <greenbau@u.arizona.edu>
Artist - Greta
Song - Nature
Album - No Biting
Transcribed by Adam Greenbaum
greenbau@u.arizona.edu
h
p
/
b
r
=
=
=
=
=
hammer on
pull off
slide
bend
release
Solo:
E|------------------------------------------------------------------------------------|
B|------------------------------------------------------------------------------------|
G|------------------------------------------------------------------------------------|
D|--h--p-h--p-h--p-h------h--p-h--p-h--p-h--------p-----------------------------------|
A|-9-10-9-10-9-10-9-10---9-10-9-10-9-10-9-10----10-8-8-8------------------------------|
D|-------------------------------------------------------8-10-10-10---10-11-10-8-6----|
E|---------------------------------------------------------------------|
B|----------------------------------------------------------b----------|
G|--------------------------------------------------------12-(12.5)----|
D|-----13---p------13---p------13---p------13------\10-13--------------|
A|-\11----11-10-10----11-10-10----11-10-10----10\3---------------------|
D|---------------------------------------------------------------------|
E|---------b----r---------b----r--------------b----r---------b----r---------|
B|-------12-(13)-12~----12-(13)-12----------12-(13)-12~----12-(13)-12-------|
G|----12---------------------------12----12---------------------------------|
D|-12----------------12---------------12----------------12------------12----|
A|--------------------------------------------------------------------------|
D|--------------------------------------------------------------------------|
E|---------------------------------------------------------------------|
B|-------12\13-15~-15-16-15-15-13-------------------b-------r---11~----|
G|----12----------------------------b-------r-----10-(10.75)-10--0-----|
D|-12-----------------------------10-(10.75)-10-8----------------------|
A|---------------------------------------------------------------------|
D|---------------------------------------------------------------------|
--=====================_818403565==_--
file:///C|/olga_main/f-g/g/grier_david/angeline_the_baker.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Sat, 06 Jan 1996 09:56:47 -0500
From: markklan@1stresource.com (Mark Klan)
Subject: TAB: Angeline the Baker by David Grier
ANGELINE THE BAKER
-
Pick-up measure
N/C
|
|
|
|
|-----------------|
|-----------------|
|---------------0~h~
|---------------0-|
|-----------------|
|-----------------|
Part A
D
D
D
G/D
1 |
|
|
|
2 |
|
|
|
3 |
|
|
|
4 |
|
|
|
|-----------------|-----------------|-------------0---|-----3-----3-----|
|---------3-------|-----3-----3-----|---------3-------|---------3-----3-|
|~2-2-4---2---2-2-|-4---2-------4---|-2---4---2-------|-4-----4-----4---|
|*--------0-------|-0---0-----------|-0-------0-------|-0---------------|
|*----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
fingering: (33 1 3~3 2 1~3 2) 1.______________
D
D
D
D
5 |
|
|
|
6 |
|
|
|
7 |
|
|
|
8 |
|
|
|
|-------------0---|-s-5--s--------0-|-s-5--s----------|-----------------|
|---------3-------|57---7~5-3-------|57---7~5-3-----3-|-------3------h--|
|-2---4---2-------|-----------------|-----------2~4---|-2---2---2---2~4*|
|-0-------0-------|-----------------|------------h----|-0---0---0---0--*|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
2._______________
D
16|
|
|
|hh
|-------------023-|
|-------3---------|
|-2---2---2-------|
|-0---0---0-------|
|-----------------|
|-----------------|
Part B
D
G/D
file:///C|/olga_main/f-g/g/grier_david/angeline_the_baker.tab
17|
|
|
| 18 |
|
|
| 19 |
|
|hp | 20 |
|
|
|
|-5---2---0-----0-|-2-0-------------|-5-5-2---020-----|-------3---3-3---|
|-------------3---|-----3--h--3-----|-3-----------3---|-------3---3-3---|
|*----------------|-------2~4---2---|-2---------------|-4---4-----4-4---|
|*----------------|-------0-----0---|-0---------------|-0---------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
1.______________
G/D
G/D
D/A
D
21|
|
|
| 22 |
|
|
| 23 |
|
|
| 24 |
|
|
|hh
|-5---2---0-----0~h~2-0-------------|-------0-2-0-----|-------------023-|
|-3---3-------3---|-----3-----------|-----3-------3---|-3---3-3-3-------|
|-0---0-----------|---------4---4-4-|-2-4-----------4-|-2---2-2-2------*|
|-0---0-----------|---------0-------|-----------------|-0---0-0-0------*|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
2.______________
A (to start over)
32|
|
|
|
|-----------------|
|-------0---------|
|-2-------2-----0~h~
|-2-------2-----0-|
|-0-------0-------|
|-----------------|
file:///C|/olga_main/f-g/g/griffith_nanci/across_the_great_divide.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: snd0@gov.nt.ca (Shaun Dean)
Subject: CRD:Across the Great Divide - Kate Wolf (Nanci Griffith)
Across the Great Divide - Kate Wolf
A
D
A
I've been walking in my sleep
F#m
D
Counting troubles 'stead of counting sheep
A
F#m
Where the years went I can't say
D
E
A
I just turned around and they've gone away
A
D
A
I've been sifting through the layers
F#m
D
Of dusty books and faded papers
A
F#m
They tell a story I used to know
D
E
A
And it was one that happened so long ago
Chorus:
A
D
A
It's gone away in yesterday
F#m
D
Now I find myself on the mountainside
A
E
F#m
A
Where the rivers change direction
D
E
A
Across the Great Divide
A
D
A
Now, I heard the owl a-callin'
F#m
D
Softly as the night was fallin'
A
F#m
With a question and I replied
D
E
A
But he's gone across the borderline
Chorus
A
D
A
The finest hour that I have seen
F#m
D
Is the one that comes between
A
F#m
The edge of night and the break of day
D
E
A
It's when the darkness rolls away
Chorus Twice
file:///C|/olga_main/f-g/g/griffith_nanci/across_the_great_divide.crd
file:///C|/olga_main/f-g/g/griffith_nanci/banks_of_the_pontchartrain.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Received: from nevada.edu (animal-farm.nevada.edu) by redrock.nevada.edu (5.65c/M1.4)
with SMTP id <AA07197>; Wed, 11 Nov 1992 16:37:36 -0800
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11 Nov 92 16:25 PST
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id AA14600; Wed, 11 Nov 92 16:24:57 -0800
Date: Wed, 11 Nov 92 16:24:57 -0800
From: Adam Schneider <indigo@ucscb.ucsc.edu>
Message-Id: <9211120024.AA14600@ucscb.UCSC.EDU>
To: jamesb@nevada.edu
Subject: Nanci_Griffith/BanksOfThePontchartrain.crd
"BANKS OF THE PONCHARTRAIN," by Nanci Griffith
[Capo 3]
F
Bb
F
I'm going back where my garden blooms all year
Am
Gm
F
Where the winter time speaks softly in the falling rain
Bb
F
I'm going back to my green-eyed lover there
Am
Bb
F
We will dance along the banks of old Lake Ponchartrain
Chorus:
C
Take me to the station
Bb
F
I am late to catch my south-bound train
C
Oh I'm gonna call my cousin Libby
Bb
F
She will be waitin' by the tracks when I roll in
Am
(And) I'm gonna roll across America
Bb
F
Just to stand beside my Ponchartrain again
Oh' I've grown pale beneath the streets of Montreal
Where the voices ring like bells in French-Canadian
And the rivers stand imprisoned till the thaws
I am alone at night and dream of my own Pontchartrain
These old rails shake like thunder through the night
Soon I'll have my green-eyed lover's arms to comfort me
Oh, I can see my cousin Libby by his side
Her hair will flow in waves like on Lake Pontchartrain
file:///C|/olga_main/f-g/g/griffith_nanci/banks_of_the_pontchartrain.crd (1 of 2) [4/28/2003 9:54:42 PM]
file:///C|/olga_main/f-g/g/griffith_nanci/banks_of_the_pontchartrain.crd
file:///C|/olga_main/f-g/g/griffith_nanci/boots_of_spanish_leather.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: schn0170@maroon.tc.umn.edu (Adam Schneider)
BOOTS OF SPANISH LEATHER (Bob Dylan)
[This is Nanci Griffith's version.]
-----------------------------------[Actually in A; capo 2. Each chord is one measure, except two chords
joined by hyphens (e.g., "G - G/F#") are one measure _total_.]
[See bottom of file for chord fingerings and picking pattern.]
D11 D11
[intro]
D11
D11
D/F#
G - C/G
G - G/F#
Em(9)
Em(9) C - C(9) G
C
G
G - G/F#
Oh I'm sailing away, my own true love
Em
D/F#
G
C
G
G - G/F#
I'm sailing away in the morning
Em(9)
Em(9)
C - C(9)
G
C
Is there something I can send you from across the sea
Em
D/F#
G
C
D/F#
G - C/G
>From the place where I'll be landing
G - G/F#
G - G/F#
file:///C|/olga_main/f-g/g/griffith_nanci/boots_of_spanish_leather.crd
D/F#: 2x023x
D11: x54030
Em: 0x200x
Em(9): 0x400x
C: x3201x
C(9): x3001x
C/G: 3x201x
|----------------|
|--*-------*-----|
|------*-------*-|
|----*-------*---|
|----------------|
|*-------*-------|
or
E
B
G
D
A
E
|----------------|
|--*-------*-----|
|------*-------*-|
|----*-------*---|
|*-------*-------|
|----------------|
[The bass notes (D and E strings, always played by the thumb) in the pattern
are the most important; the other notes get left out from time to time.]
file:///C|/olga_main/f-g/g/griffith_nanci/drive_in_movies.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Erik Karlson <stabnste@phoenix.phoenix.net>
Drive in Movies and Dashboard Lights
Words and music by Nanci Griffith
As performed on her album "Storms"
Note: this is as Nanci spelled things on the album...no flames about
my spelling of the word "cuz"!!! :)
F
Bb
Sister had a crystal voice
F
Bb
She played a Silvertone from Montgomery Ward
F
Bb
Baez songs and Monroe hair
F
Bb
She sure could turn the boy's heads to stare
Am
Dm
Swim wear saunter, tan and haunt them
Bb
C
That's all she learned in school
Am
Dm
Books were for the other girls
Bb
C
And the other girls were fools
Bb
C
Texas back in '69
Dm
C
Bb
Was drive-in movies and dashboard lights
F
Bb
Father waltzed her down the aisle
F
Bb
Cuz college didn't suit her style
F
Bb
Sad truth was she could barely read
F
Bb
But if you told poor father, well he wouldn't believe you
Am
Dm
The telephone rang drove Mother insane
Bb
C
With the hearts left on the shelf
Am
Dm
Sister's gone and she won't be home
Bb
C
Cuz she never took care of herself
Bb
C
Texas back in '69
Dm
C
Bb
Was drive in movies and dashboard lights
Chorus:
Bb
C
Where is she now?
F
C
Dm
The backseat queen of fraternity
file:///C|/olga_main/f-g/g/griffith_nanci/drive_in_movies.crd
Bb
C
Where is she now?
F
C
Dm
C
She's heavy of thigh and light on integrity
Bb
C
Someone should have told her
F
C
Dm
When beauty's all you offer
Bb
C
F
Too soon the world discovers that your bueaty's gone
F
Bb
(it's gone)
Bb
F
Bb
Mother can't you hear your daughter crying
F
Bb
Father wake up her youth is dying
F
Bb
Her kids are grown...husband's gone away
F
Bb
It's a shame cuz she had such a lovely face
Am
Dm
Can't you see she needed more
Bb
C
Than "Oh, what a pretty child!"
Am
Dm
You never taught her truth from lie
Bb
C
All you told her was to smile
Bb
C
Texas back in '69
Dm
C
Bb
Was drive in movies and dashboard lights
Chorus
transcribed by Erik Karlsson
Stabnste@phoenix.phoenix.net
file:///C|/olga_main/f-g/g/griffith_nanci/friend_out_in_the_madness.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: darrel.huish@asu.edu (darrel huish)
Friend out in the Madness
Nanci Griffith
G
D
C
Am
I am not a child, though you treat me as you've always seen me
C
D
You never saw the changes in a heart grown old and wise
G
D
C
Am
Hey, it's good to see you smile, it's been so long between the pages
C
D
Wheels out on the highway, seem to laugh between my lines.
Chorus:
G
D
C
Do you still want to know where does the love go when it dies?
G
Hey I want you to know
Em
C
Am
love never dies it is sheltered here very safe inside
F
C
D
and it's left you with a friend out in the madness
-----G
D
And you say you love me still
C
Am
how your soul does change and your heart still ponders
C
D
How I could grow fonder of a life out on my own
G
D
C
Am
I still sing the harmony, I'll have another wine and toast this madness
C
D
I'll howl out at your moon on my way home alone
Chorus twice
-Darrel Huish KADSH@asu.edu
file:///C|/olga_main/f-g/g/griffith_nanci/from_clare_to_here.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: schn0170@maroon.tc.umn.edu (Adam Schneider)
FROM CLARE TO HERE (Ralph McTell)
[This is Nanci Griffith's version.]
----------------------------------[Actually in G; capo 7.]
[Notes in parentheses are quiet or nonexistent.]
Am(9)
C/G
Fmaj9
G
Am7
Am(9)
|----------------|------------0---|----------------|--------0-------|
|------1-------1-|------1-1-----1-|3-----3-------3-|------1-------1-|
|----4-------0---|----0-----------|----0-------0---|----0-------4---|
|--2-------2-----|--3-------3-----|--0-------0-----|-(2)------2-----|
|0---------------|----------------|----------------|0-------0-------|
|--------3-------|1-------1-------|3-------3-------|----------------|
^
^
^
^
^
^
^
^
^
^
^
^
^
^
^
^
[intro]
Am(9)
C/G
Fmaj9
G
C
C(4)
C
|0---------------|------------0---|----------------|--------0-------|--------|
|------1-0-----1-|------1-1-----1-|3-----3-------3-|------1-------1-|---1---1|
|----4-------0---|----0-----------|----0-------0---|----0-------0---|--0---0-|
|--2-------2-----|--3-------3-----|--0-------0-----|--2-------3-----|-2---2--|
|0---------------|----------------|----------------|3-------3-------|3---3---|
|--------3-------|1-------1-------|3-------3-------|----------------|--------|
^
^
^
^
^
^
^
^
^
^
^
^
^
^
^
^
^ ^ ^ ^
[intro]
Fmaj9
Fmaj9
C
G(9)
G
|----------------|----------------|----------------|----------------|
|------1-------1-|------1-------1-|------1-------1-|------0-------0-|
|----0-------0---|----0-------0---|----0-------0---|----2-------0---|
|--3-------3-----|--3-------3-----|--2-------2-----|--0-------0-----|
|----------------|----------------|3-------3-------|----------------|
|1-------1-------|1-------1-------|----------------|3-------3-------|
^
^
^
^
^
^
^
^
^
^
^
^
^
^
^
^
Four who shared this room, we were caught up in the cracks
Fmaj9
Fmaj9
C
C/G
G
|----------------|----------------|0---------------|----------------|
|------1-------1-|------1-------1-|------1-------1-|------0------(0)|
|----0-------0---|----0-------0---|----0-------0---|----0-------0---|
|--3-------3-----|--3-------3-----|--2-------2-----|--2-------0-----|
|----------------|----------------|3------(3)------|----------------|
|1-------1-------|1-------1-------|----------------|3-------3-------|
^
^
^
^
^
^
^
^
^
^
^
^
^
^
^
^
Sleeping late on Sundays and we
never got to mass,
and
Fmaj9
G
C
C(4)
C
|--------0---0---|----------------|--------0-------|----------------|
|------1-------3-|------3------(3)|------1-------1-|------1-----1---|
|----0-----------|----0-------0---|----0-------0---|----0---------0-|
|--3-------3-----|--0-------0-----|--2-------3-----|--2-------2-----|
|----------------|----------------|3-------3-------|3-------3-------|
|1-------1-------|3-------3-------|----------------|----------------|
file:///C|/olga_main/f-g/g/griffith_nanci/from_clare_to_here.tab
^
^
^
^
It's a long way
^
^
^
^
^
from Clare to here
Fmaj9
G
E7/G#
Am(9)
Am(9)/G C/G
|------------0---|----------------|--------0-------|----------------|
|------1---------|3----(0)----0---|------1-------1-|------1-------1-|
|----0-----------|----0-----------|----4-------4---|----4-------0---|
|--3-------3-----|--0-------0-----|--2-------2-----|--2-------2-2---|
|----------------|----------------|0-------0-------|----------------|
|1-------1-------|3-------4-------|----------------|3-------3-------|
^
^
^
^
^
^
^
^
^
^
^
^
^
^
^
^
It's a long way
from Clare to here
Fmaj9
Esus4
Am(9)
Am(9)/G Fmaj9
|----------------|----------------|--------0-------|----------------|
|------1-------1-|------0-------0-|------1-------1-|------1-------1-|
|----0-------0---|----2-------2---|----4-------4---|----0-------0---|
|--3-------3-----|--2-------2-----|--2-------2-----|--3-------3-----|
|----------------|----------------|0---------------|----------------|
|1-------1-------|0-------0-------|--------3-------|1-------1-------|
^
^
^
^
^
^
^
^
^
^
^
^
^
^
^
^
It's a long, long way,
gets further by the day
Fmaj9
G
Am(9)
Am(9)
Am(9)/G
|----------------|----------------|--------0-------|0---------------|
|------1-------1-|------3------(3)|------1-------1-|------1-------1-|
|----0-------0---|----0-------0---|----4-------4---|----4---4---4---|
|--3-------3-----|--0-------0-----|--2-------2-----|--2-------2-----|
|----------------|----------------|0-------0-------|0---------------|
|1-------1-------|3-------3-------|----------------|--------3-------|
^
^
^
^
^
^
^
^
^
^
^
^
^
^
^
^
It's a long long way
from Clare to here
Fmaj9
Fmaj9
C
G
|----------------|----------------|0---------------|--------3-------|
|------1-------1-|------1-------1-|------1-------1-|------0-------0-|
|----0-------0---|----0-------0---|----0-------0---|----0-------0---|
|--3-------3-----|--3-------3-----|--2-------2-----|--0-------0-----|
|----------------|----------------|3-------3-------|----------------|
|1-------1-------|1-------1-------|----------------|3-------3-------|
^
^
^
^
^
^
^
^
^
^
^
^
^
^
^
^
Friday comes around,
we're only
into
fighting
Fmaj9
Fmaj9
C
G
|----------------|----------------|0---------------|----------------|
|------1-------1-|------1-------1-|------1-------1-|------0-------0-|
|----0-------0---|----0-------0---|----0-------0---|----0-------0---|
|--3-------3-----|--3-------3-----|--2-------2-----|--0-------0-----|
|----------------|----------------|3-------3-------|----------------|
|1-------1-------|1-------1-------|----------------|3-------3-------|
^
^
^
^
^
^
^
^
^
^
^
^
^
^
^
^
My ma would like a letter home, but I'm too tired for writing
And it's a long way from Clare to here
It's a long way from Clare from here
It's a long, long way, gets further by the day
It's a long, long way from Clare to here
It almost breaks my heart when I think of my family
I told them I'd be coming home with my pockets full of greens
file:///C|/olga_main/f-g/g/griffith_nanci/from_clare_to_here.tab
Am/G
file:///C|/olga_main/f-g/g/griffith_nanci/goin_gone.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Received: from animal-farm.nevada.edu by redrock.nevada.edu (5.65c/M1.4)
with SMTP id <AA11919>; Sun, 7 Feb 1993 13:07:18 -0800
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Received: by ucscb.UCSC.EDU (5.65/1.34)
id AA17376; Sun, 7 Feb 93 13:07:18 -0800
Date: Sun, 7 Feb 93 13:07:18 -0800
From: indigo@ucscb.UCSC.EDU (indigo)
Message-Id: <9302072107.AA17376@ucscb.UCSC.EDU>
To: jamesb@animal-farm.nevada.edu
Subject: Nanci_Griffith/GoinGone.crd
GOIN' GONE
---------F
F
C
C
There's a lighthouse in the harbor
F
F
C
C
Giving guidance with its light
Em
Em
F
F
But I had no one to return to
Dm7
Dm7
G7sus4 G7sus4
As I wandered through the night
>From the first time that I saw you
Standing silent by the shore
I knew my search was over
And I would look for love no more
F
F
C
C
Deep in the waters of love I am falling
F
F
C
C
Sinking like a stone
F
F
C
Em/B
Am
Deep in my heart I can hear love calling
F
C/E
F
F
Going once, going twice, going gone
F
G
C
C
Going once, going twice, going gone
file:///C|/olga_main/f-g/g/griffith_nanci/i_dont_wanna_talk_about_love.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: schn0170@maroon.tc.umn.edu (Adam Schneider)
Subject: /g/nanci_griffith/i_dont_wanna_talk_about_love.crd
I DON'T WANNA TALK ABOUT LOVE (Nanci Griffith)
---------------------------------------------[Thanks to owent@aol.com for the chords; I cleaned up the lyrics and added
the tab at the end...]
[Actually in F#; capo 2. Each chord is one measure.]
[E=022100, B(11)=x99800, A(9)=x77600, A=x02220, Am=x02210.]
[Try varying A(9) as x77607 and E as 022200, esp. at the end of the verse.]
E B(11) A(9) A(9)
E
[intro; see tab at end]
B(11)
A(9)
A(9)
B(11)
I don't wanna talk about love
A(9)
A(9)
'Cause I've heard it before, and it talks too loud
E
B(11)
You can hear it in a disco midnight
A(9)
A(9)
Shouting
E
B(11)
And I don't wanna think about it, think about it
A(9)
A(9)
Comes dressed in summer clothes
A
Am
E
E
When you're traveling through the heart of the winter's cold
And I don't wanna talk about changes
Changes come of their own free will
And if you wanna talk about leavin'
Well you've always walked and you always will
And every time you talk about love
Well you talk about your yesterdays
Yesterday's washing away with this morning's rain
A
Am
I don't wanna talk about it
E
A
'Cause love has a voice of its own
A
Am
E
E
If all we do is try to outshout it, then the love is gone
E
B(11)
A(9)
'Cause I don't wanna talk about love now
E
B(11)
A(9) A(9)
I don't wanna talk about love now
E
B(11)
A(9) A(9)
I don't wanna talk about love now
E
B(11)
A(9) A(9)
I don't wanna talk about love now
A(9)
file:///C|/olga_main/f-g/g/griffith_nanci/i_dont_wanna_talk_about_love.tab
A(9)
B(11)
A(9)
A(9)
A(9)
B(11)
A(9)
A(9)
E.
INTRO TAB:
Actually, the intro isn't even played on a guitar, but this is the melody.
Try throwing in some other notes below these (e.g., play the first 1 as
x221xx).
E
B
G
D
A
E
E
B(11)
A(9)
A(9)
E
B(11)
A(9)
A(9)
--------|--------|--------|--------|--------|--------|--------|--------|
--------|--------|--------|--------|--------|--------|--------|--------|
1----1--|--------|2-1-----|--------|1----1--|--------|--------|--------|
---2---4|--------|---4-2--|--------|---2---4|------21|--------|2-------|
--------|--------|-------4|--------|--------|--------|4-------|--------|
--------|--------|--------|--------|--------|--------|--------|--------|
^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^
file:///C|/olga_main/f-g/g/griffith_nanci/its_a_hard_life.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: schn0170@maroon.tc.umn.edu (Adam Schneider)
IT'S A HARD LIFE WHEREVER YOU GO (Nanci Griffith)
------------------------------------------------* Actually in C; capo 5.
* The whole song has pretty much the same chords, illustrated by the
following pattern (the strumming is just an example, taken from the intro).
The only exception is the beginning of the chorus.
E
B
G
D
A
E
D
C(9)
G
0h2-2-2-2-2-3---3-3-3-3-|3---3-3-3---3-----3-3-3-|
3---3-3-3-3-3---3-3-3-3-|3---3-3-3---3-----3-3-3-|
2---2-2-2-2-0---0-0-0-0-|0---0-0-0---0-----0-0-0-|
0---0-0-0-0-0h2-2-2-2-2-|0---0-0-0---0-----0-0-0-|
------------0h3-3-3-3-3-|0h2-2-2-2---2-----2-2-2-|
------------------------|0h3-3-3-3---3-----3-3-3-|
d
d u d u d
d u d u d
d u d
d
u d u
D C(9)
[intro]
C(9)
<--strumming
D
C(9)
G
G
I am a backseat driver from America
D
C(9)
G
G
We drive to the left on Falls Road
D
C(9)
G
G
And the man at the wheel's name is Seamus
D
C(9)
G
G
We pass a child on the corner he knows
And Seamus says, now what chance has that kid got
And I say from the back, I don't know
He says there's barbed wire at all of these exits
And there ain't no place in Belfast for that kid to go
C(9)
G
C(9)
G
'Cause it's a hard life, it's a hard life, it's a very hard life
D
C(9)
G
G
It's a hard life wherever you go
D
C(9)
G
G
And if we poison our children with hatred
D
C(9)
G
G
Then the hard life is all that they'll know
D
C(9)
G
G
And there ain't no place in Belfast for that kid to go
Cafeteria line in Chicago
The fat man in front of me
Is calling black people trash to his children
And he's the only trash here I see
And I am thinking this man wears a white hood
In the night when his children should sleep
But they'll slip to their windows and they'll see him
And they'll think that white hood's all they need
'Cause it's a hard life, it's a hard life, it's a very hard life
It's a hard life wherever you go
file:///C|/olga_main/f-g/g/griffith_nanci/its_a_hard_life.crd
'Cause it's a hard life, it's a hard life, it's a very hard life
It's a hard life wherever you go
And if we poison our children with hatred
Then the hard life is all that they'll know
And there ain't no place in this world for those kids to go
'Cause it's a hard life wherever you go
NOTE for a 2nd guitar:
Judy Neuwirth (judynew@pipeline.com) tells me that Frank Christian
(a friend and backup guitarist of Nanci Griffith's) was her guitar
teacher at one point, and he said that when he toured with Nanci, he
played these chords over Nanci's D C G sequence (NO capo for Frank's
chords)...
G: x-x-12-12-10-10
F: x-x-10-10-8-8
C: x-x-5-5-5-3
(also xx5533 for C)
file:///C|/olga_main/f-g/g/griffith_nanci/listen_to_the_radio.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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Date: Wed, 11 Nov 92 16:25:23 -0800
From: Adam Schneider <indigo@ucscb.ucsc.edu>
Message-Id: <9211120025.AA14619@ucscb.UCSC.EDU>
To: jamesb@nevada.edu
Subject: Nanci_Griffith/ListenToTheRadio.crd
"LISTEN TO THE RADIO," by Nanci Griffith, (c) 1989 MCA
Records. From the Nanci Griffith album "Storms."
G
C
D
I am leaving Mississippi in the evening rain
G
C
D
These Delta towns where satin gowns and the high-beam frame
G
C
D
Loretta Lynn guides my hands through the radio
G
C
D
Where would I be at times like these without the songs
Loretta wrote?
(chorus)
C
G
D
'Cause when you can't find a friend, you still got the radio
C
G
D
When you can't find a friend, you still got the radio
G C
D
The radio
listen to the radio
G C
D
The radio
listen to the radio
G C
D
It's the radio
listen to the radio
G C D
The radio
I left a handsome two-steppin' good ole' boy in Tennessee
Now he's sittin' on the sofa he's lookin' for his supper
wond'rin' what's become of me
I got a 00-18 Martin guitar in the back seat of the car
Hey I am leaving Mississippi with the radio on
(chorus)
There's a moon across the border in the Louisiana sky
I smell the Ponchatrain I hear "Silver Wings" and then
away Merle Haggard flies
That good old boy will find a band of gold on the stereo
Hey then my Mamma's gonna call say "where's she gone?" he'll say
"down the road with the radio on"
And when you can't find a friend, you still got the radio
And when you can't find a friend, you still got the radio
file:///C|/olga_main/f-g/g/griffith_nanci/listen_to_the_radio.crd
The
The
The
The
The
The
radio
radio
radio
radio
radio
radio
G: 320033
C: x32033 or x32030 (It's actually C(9).)
file:///C|/olga_main/f-g/g/griffith_nanci/love_at_the_five.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: schn0170@maroon.tc.umn.edu (Adam Schneider)
LOVE AT THE FIVE AND DIME (Nanci Griffith)
-----------------------------------------[Open G tuning (DGDGBD). Capo 3.]
[For the intro and verses, see the tab at the end. For the chorus, I'm not
sure exactly how to finger the chords. I think it might be like this:
G=000000, Am7=x22012, Am7(4)=x20012.]
G Gsus2 C/G G
[intro; repeat as necessary]
G
Gsus2
Rita was sixteen years, hazel eyes and chestnut hair
C/G
G
She really made the Woolworth counter shine
G
Gsus2
Eddie was a sweet romancer, and a darn good dancer
C/G
G
They'd waltz the aisles of the five and dime
Eddie played the steel guitar, and his mama cried cuz he played in the bars
And kept young Rita out late at night
So they married up in Abilene, lost a child in Tennessee
Still that love survived, 'cause they'd sing
G
G
G
Am7
Dance a little closer to me, dance a little closer now
Am7(4)
Dance a little closer tonight
Am7
Dance a little closer to me, 'cause it's closing time
Am7(4)
G
And love's on sale tonight at this five and dime
file:///C|/olga_main/f-g/g/griffith_nanci/love_at_the_five.crd
TAB:
[Don't forget to tune your guitar to open G.]
[The 0 on the high D string at the end of the sixth measure is optional;
sometimes she plays it, sometimes she doesn't.]
[The 12's on the high D string are probably harmonics; if you can play
them that way, do it, but it sounds okay to fret them too.]
[This is for the intro; in the verse, I think it's not quite the same,
but very similar.]
[Thanks to vwhwang@midway.uchicago.edu for suggesting this particular
pattern; it's much easier than what I had before.]
D
B
G
D
G
D
G
Gsus2
------9-------9-|------9-------0-|------0-------12|----------------|
--0-------0-----|--0-------0-----|--10------10----|----------------|
----0-------0---|----0-------0---|----0-------0---|----0-------0---|
----------------|----------------|----------------|----------------|
0-------0-------|0-------0-------|0-------0-------|0-------0-------|
----------------|----------------|----------------|----------------|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
D
B
G
D
G
D
C/G
G
------5-------7-|------5-------0-|--------------12|----------------|
--5-------5-----|--5-------5-----|----------0-----|----------------|
----5-------5---|----5-----------|----0-------0---|----0-------0---|
----------------|----------------|----------------|----------------|
0-------0-------|0-------0---0---|0-------0-------|0-------0-------|
----------------|----------------|----------------|----------------|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
file:///C|/olga_main/f-g/g/griffith_nanci/outbound_plane.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: schn0170@maroon.tc.umn.edu (Adam Schneider)
OUTBOUND PLANE (Nanci Griffith)
As performed by Suzy Bogguss on TNN's American Music Shop
--------------------------------------------------------[Transcribed by larry@iainc.com]
E5
G#m(E)
079900
x66400
B(4)
799800
F#m7(4) x44200
A(9) 577600
Bsus x24400
E5
(B(4)) A(9)
(B(4)) E5
(B(4))
[intro; B(4)'s in parentheses are short.]
A(9)
(B(4))
E5
B(4)
A(9)
I don't want to be standing here with this ticket for this outbound plane
E5
B(4)
A(9)
Cause I've been here before and somehow it doesn't feel the same
E5
B(4)
A(9)
But talk is cheap and we could talk all night long and we may
E5
B(4)
A(9)
Never figure out just where our love went wrong
A(9)
G#m(E)
And I don't want to be standing here and I don't want to be talking here
F#m7(4)
Bsus
And I don't really care who's to blame
E5
B(4)
A(9)
G#m(E)
'Cause if love won't fly on it's own free will
F#m7(4)
Bsus
E5
(B(4)) A(9)
(B(4))
It's going to catch that outbound plane [repeat intro]
The old folks say that love's not forever anymore
Because these young people walk away from love, alone to pace the floor
Young or old I say that love is still the same
And you may walk away from love but you won't fall over heels again
And I don't want to be standing here and I don't want to be talking here
And I don't really care who's to blame
'Cause if love won't fly on it's own free will
It's gonna catch that outbound plane
A(9)
G#m(E)
Two lonely hearts in this airport knowing,
F#m7(4)
Bsus
Neither one cares where that other heart is going
E5
B(4)
A(9)
G#m(E)
But if love won't fly on its own free will
F#m7(4)
Bsus
E5
It's gonna catch that outbound plane
That frown you're wearing's just your halo turned upside down.
Where's the laughter we once shared back in the lost and found?
These broken wings are gonna leave me here to stand my ground
And you can have this ticket, for that lonely plane that's flying out
And I don't want to be standing here and I don't want to be talking here
And I don't really care who's to blame
file:///C|/olga_main/f-g/g/griffith_nanci/outbound_plane.crd (1 of 2) [4/28/2003 9:54:45 PM]
file:///C|/olga_main/f-g/g/griffith_nanci/outbound_plane.crd
file:///C|/olga_main/f-g/g/griffith_nanci/speed_of_the_sound_of_loneliness.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: schn0170@maroon.tc.umn.edu (Adam Schneider)
SPEED OF THE SOUND OF LONELINESS (John Prine)
--------------------------------------------[Nanci Griffith's version is actually in C, with
a capo on the 5th fret.]
[Each chord is one 2/2 measure]
G
G
C
[intro]
G
C
C
You come home late and you come home early
D
D
G
G
You come on big when you're feeling small
G
G
C
You come home straight and you come home curly
D
D
G
G
Sometimes you don't come home at all
G
C
C
So what in the world's come over you
D
D
G
G
And what in heaven's name have I done
G
G
C
You've broken the speed of the sound of loneliness
D
D
G
G
You're out there running just to be on the run
G.
file:///C|/olga_main/f-g/g/griffith_nanci/speed_of_the_sound_of_loneliness.crd
file:///C|/olga_main/f-g/g/griffith_nanci/tecumseh_valley.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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Date: Wed, 5 May 93 17:19:10 -0700
Message-Id: <9305060019.AA26041@am.ucsc.edu>
To: jamesb@animal-farm.nevada.edu
From: indigo@cats.UCSC.EDU (Adam Schneider)
Subject: /Griffith.Nanci/TecumsehValley.crd
TECUMSEH VALLEY
C
C F
C
The name she gave was Caroline
F
F
C
C
Daughter of a miner
F
F
Em
Am
And her ways were free and it seemed to me
G
G
F
F
C
C
The sunshine walked beside her
She came from Spencer across the hill
She said her Pa had sent her
'Cause the coal was low and soon the snow
Would turn the skies to winter
She
She
For
She
But the times were hard, Lord, and the jobs were few
All through Tecumseh Valley
She'd ask around, and a job she found
Tendin' bar at Gypsy Sally's
She
And
But
The
file:///C|/olga_main/f-g/g/griffith_nanci/tecumseh_valley.crd
file:///C|/olga_main/f-g/g/griffith_nanci/these_days_in_an_open_book.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: schn0170@maroon.tc.umn.edu (Adam Schneider)
THESE DAYS IN AN OPEN BOOK (Nanci Griffith)
------------------------------------------[Capo 2; open G tuning (DGDGBD).]
[Note that Bm(G) probably isn't a good name for a chord; it's just my
shorthand for "Bm(addG)."]
[G=x00000; Gsus/A=x20010; Am11=x22010; Bm(G)=x44030; Csus2=x50030;
Dsus=x20030; C/G=x02010; D/G=x04030; Gsus=x00010; G/B=x40000.]
[Each chord, or group of chords joined by a hyphens (e.g., "Csus2 - Dsus")
is one measure; listen to the recording to get the rhythm.]
G
Gsus/A
[intro]
Am11 - Bm(G)
Csus2 - Dsus
Gsus
Shut it down and call this road a day
C/G
D/G
C/G
G - Gsus
And put this silence in my heart in a better place
G
Gsus
I had travelled with your ghosts now for so many years
Am11
Bm(G)
Csus2
G/B
That I see you in the shadows, in hotel rooms and headlights
Gsus/A
G/B
Csus2 - G/B - Gsus/A
You're coming up beside me whether it's day or night
G
Gsus/A
These days my life is an open book
G/B
Csus2
G
Missing pages I cannot seem to find
G
Gsus/A
These days your face in my memory
G/B
Csus2
(G)
Is in a folded hand of grace against these times
G
Gsus/A
Am11 - Bm(G)
Csus2 G - Dsus
(..times) [similar to intro]
No one's ever come between your memory and me
I have driven this weary vessel here alone
Will you still find me if I leave you here beside this road
'Cause I need someone who can touch me, who'll put no one above me
Someone who needs me like the air he breathes
These days my life is an open book
Missing pages I cannot seem to find
These days your face in my memory
Is in a folded hand of grace against these times
Csus2
G/B
Gsus/A
G/B
I can't remember where this toll road goes
Csus2
G/B
Gsus/A
G/B
Maybe it's Fort Worth, maybe it's a heart of gold
Csus2
G/B
Gsus/A
The price of love is such a heavy toll
Gsus/A
G/B
Csus2
G/B
That I've lived my life in the backroads with your love in my pocket
Gsus/A
G/B
Csus2
G/B - Gsus/A
If I spend the love you gave me, tell me, where will it go?
file:///C|/olga_main/f-g/g/griffith_nanci/these_days_in_an_open_book.crd (1 of 2) [4/28/2003 9:54:46 PM]
file:///C|/olga_main/f-g/g/griffith_nanci/these_days_in_an_open_book.crd
Gsus/A
These days your face in my memory
G/B
Csus2
Is in a folded hand of grace against these
G/B
Csus2
Folded hand of grace of mine
G/B
Csus2
(G)
Folded hand of grace against these times
G
Gsus/A
Gsus/A - G/B
Csus2 - G/B - Gsus/A
(..times) [ending]
G.
==-=--=---=----=-----=-------=---------=---------=-------=-----=----=---=--=-==
Adam Schneider
schn0170@maroon.tc.umn.edu
Minneapolis, MN
If you want guitar chords for Mary Chapin Carpenter, Indigo Girls,
Mary Karlzen, Lucinda Williams, etc., mail me or check my home page:
http://www-bprc.mps.ohio-state.edu/cgi-bin/hpp/acs.html
==-=--=---=----=-----=-------=---------=---------=-------=-----=----=---=--=-==
file:///C|/olga_main/f-g/g/griffith_nanci/this_heart.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: schn0170@maroon.tc.umn.edu (Adam Schneider)
THIS HEART (Nanci Griffith)
--------------------------[Each chord is half a measure.]
[In the verse, the chords are normal: E=022100, A=x02220, B7=x21202.
In the chorus, A(9)=x77600, B(4)=x99800, and E* is 0-14-14-13-0-0
(a normal E, but one octave higher).]
E
E
A
B7
E
[intro; bass only]
E
E
A
B7
E
[intro]
E
E
This heart
E
E
This heart
E
E
This heart
E
E
This heart
B7
B7
A
B7
E
E
A
B7
was almost taken;
this heart had a love of its own
A
B7
E
E
A
B7
was reawakened when you came along
A
B7
E
E
A
B7
was born feet running;
this heart saw your porch light on
A
B7
E
E
A
B7
hit the sidewalk wondering why you left it on
A(9)
A(9)
B(4)
B(4)
This heart was stranded in the winter
E*
E*
A(9)
A(9)
Was stuck out in a blizzard in its summer clothes
A(9)
A(9)
B(4)
B(4)
E*
E*
This heart knows when the love comes and when it goes
E
E
A
B7
[instrumental]
E* [stop]
B7
This heart hears the telephone ringing; this heart's gonna let it go
'Cause this heart knows the bells she's hearing aren't the telephone
This heart has heard your laughter; this heart has learned how to smile
This heart'll be a true believer if you'll stay awhile
This heart was stranded in the winter
Was stuck out in a blizzard in its summer clothes
This heart knows when the love comes and when it goes
E
E
A
B7
[instrumental]
E
E
A
B7
E
E
A
B7
This heart, this heart, this heart;
this heart, this heart, this heart
E
E
A
B7
[instrumental]
This heart was stranded in the winter
Was stuck out in a blizzard in its summer clothes
This heart knows when the love comes and when it goes
This heart was almost taken, and this heart was born feet running
This heart hears a telephone ringing, gonna let it go
This heart, this heart, this heart; this heart, this heart, this heart
E
B7
B7
file:///C|/olga_main/f-g/g/griffith_nanci/this_heart.crd
[instrumental]
E
E
A
B7
[instrumental]
B7
E.
==-=--=---=----=-----=-------=---------=---------=-------=-----=----=---=--=-==
Adam Schneider
schn0170@maroon.tc.umn.edu
Minneapolis, MN
If you want guitar chords for Mary Chapin Carpenter, Indigo Girls,
Suzanne Vega, Lucinda Williams, etc., mail me or check my home page:
http://www-bprc.mps.ohio-state.edu/cgi-bin/hpp/acs.html
==-=--=---=----=-----=-------=---------=---------=-------=-----=----=---=--=-==
file:///C|/olga_main/f-g/g/griffith_nanci/turn_around.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: schn0170@maroon.tc.umn.edu (Adam Schneider)
Subject: /g/nanci_griffith/turn_around.crd
TURN AROUND (Malvina Reynolds, Harry Belafonte, & Allen Greene)
--------------------------------------------------------------[I'm not sure about the capo on this song; it might be in a weird tuning.]
[the _notes_ in the G arpeggio are G-D-A-B-A-G.]
C
Bm
[intro]
D7
G
Bm
C
D7
Where are you going, my little one, little one
Em
Bm
C
D7
Where are you going, my baby, my own?
G
G
C
Cm
Turn around and you're two, turn around and you're four
G
Am
D7
G
Turn around and you're a young girl going out of my door
G
G
C
C
Turn around,
turn around
Bm
Am
D7
G
G
Turn around and you're a young girl going out of my door
Where are you going, my little one, little one
Little dirndls and petticoats, where have you gone?
Turn around and you're tiny, turn around and you're grown
Turn around and you're a young wife with babes of your own
Turn around, turn around
Turn around and you're a young wife with babes of your own
[instrumental, same chords as verse]
Turn around, turn around
Turn around and you're the young girl going out of the door
G
Where are you
Em
Where are you
Bm
C
D7
going, my little one, little one
Bm
C G/B D/A G
G
going, my ba-by, my
own?
Bm
D7
G.
file:///C|/olga_main/f-g/g/griffith_nanci/you_cant_go_home_again.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Received: from nevada.edu (animal-farm.nevada.edu) by redrock.nevada.edu (5.65c/M1.4)
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Received: from ucscb.UCSC.EDU by animal-farm.nevada.edu. id aa15277;
11 Nov 92 16:26 PST
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id AA14650; Wed, 11 Nov 92 16:26:23 -0800
Date: Wed, 11 Nov 92 16:26:23 -0800
From: Adam Schneider <indigo@ucscb.ucsc.edu>
Message-Id: <9211120026.AA14650@ucscb.UCSC.EDU>
To: jamesb@nevada.edu
Subject: Nanci_Griffith/YouCantGoHomeAgain.crd
"YOU CAN'T GO HOME AGAIN," by Nanci Griffith
G
A7
*
So much silence to my hometown streets
D7
G
Gonna put my cheek to the window and watch it sleep
G
A7
*
Where the shadows fall from sycamore trees
D7
G
Fight off this north wind and I'll be headin' back east
(chorus)
C
Bm
Am
G
Let the Colorado River roll on to the sea
C
Bm
Dsus7**
I will be crossing it in changes
C
Bm
This 'ole town never did really care that
C
Bm
Dsus7**
I don't know why I always come here in my
Am
G
much for me
G
dreams
file:///C|/olga_main/f-g/g/griffith_nanci/you_cant_go_home_again.crd
file:///C|/olga_main/f-g/g/griffith_nanci/you_made_this_love.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: schn0170@maroon.tc.umn.edu (Adam Schneider)
YOU MADE THIS LOVE A TEARDROP (Nanci Griffith)
---------------------------------------------[Each chord is half a measure, except two chords joined by a hyphen are
half a measure _total_.]
C
F
G
[intro]
G/E - G/D
G/E - G/D
C
F
G
What have you got to say for yourself, now baby
G/E - G/D
C
F
G
Now that I am leaving you, what have you got to lose
G
C
F
G
The truth you tried to keep from me, well it nearly drove me crazy
G/E - G/D
C
F
G
G/E - G/D
I have grown weary of sleepless nights with you
E/B
E/B
Am
Am/G
Is that a broken heart in the corner of your eye
F F
G
G/E G/F G/F
Something to remind me
C
F
G
You made this love a teardrop waiting to fall
G/E
G/D
C
F
G
There are those who can't love right, I just can't love wrong
G/E - G/D
C
F
G
When you're lonely in the night, how I hope you will recall
G/E
G/D
C
F
G
G/E G/F G/F
You made this love a teardrop waiting to fall
Though I will not forgive you for betraying the trust between us
Though I will always care for you, I've loved you half my life
And when I give my heart again, I know that I'll remember
Love is but a fragile flame, and trust just fuels the fire
When I think of all the years your love has taken from me
I can't believe I'm leaving you
D
G
A
A/F# - A/E
[instrumental]
D
G
A
A/F# - A/E
[instrumental]
A/F# - A/E
A/F# - A/E
D
G
A
You made this love a teardrop waiting to fall
A/F# A/E
D
G
A
There are those who can't love right, I just can't love wrong
A/F# - A/E
D
G
A
When you're lonely in the night, how I hope you will recall
A/F# - A/E
D
G
A
You made this love a teardrop waiting to fall
A/F# A/E
D
G
A
A/F# A/G A/G
You made this love a teardrop waiting to fall
You made this love a teardrop waiting to fall
There are those who can't love right, I just can't love wrong
file:///C|/olga_main/f-g/g/griffith_nanci/you_made_this_love.crd
When you're lonely in the night, how I hope you will recall
You made this love a teardrop waiting to fall
You made this love a teardrop waiting to fall
[repeat and fade]
E
B
G
D
A
E
C
F
G
G/E G/D C
F
G
G/E G/D
----------------|----------------|----------------|----------------|
------1-----1---|------0---------|------1-----1---|------0---------|
----0-----2-----|----0-----0---0-|----0-----2-----|----0-----0---0-|
--2-----3-----0-|--0-----2---0---|--2-----3-----0-|--0-----2---0---|
3---------------|----------------|3---------------|----------------|
----------------|3---------------|----------------|3---------------|
^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ . ^ .
file:///C|/olga_main/f-g/g/griffith_nancy/speed_of_snd_of_loneliness.crd
X-POP3-Rcpt: gvaughn@skye2
Date: Wed, 16 Oct 1996 22:11:53 -0700
From: Hakan Sjostrom <Hakan.Sjostrom@va.itv.se>
MIME-Version: 1.0
To: cowpie@olga.net
Subject: CRD: SPEED OF THE SOUND OF LONELINESS rec. by Nancy Griffith
X-URL: http://www.roughstock.com/cowpie/
SPEED OF THE SOUND OF LONELINESS
Recorded by Nancy Griffith
Written by John Prine
INSTRUMENTAL (C F G7 C twice, first time slowly)
C
F
You come home late and you come home early
G7
C
You come on big when you're feelin' small
F
You come home straight and you come home curly
G7
C
Sometimes you don't come home at all
CHORUS:
F
So what in the world's come over you
G7
C
And what in heavens name have you done
F
You broken the speed of the sound of loneliness
G7
C
You're out there runnin' just to be on the run
F
Well I've got a heart that burns with a fever
G7
C
And I've got a worried and a jealous mind
F
How can a love that'll last forever
G7
C
Now get left so far behind
CHORUS
INSTRUMENTAL (Same as chorus)
C
F
It's mighty mean and a dreadful sorrow
G7
C
It's crossed the evil line today
F
How can you ask about tomorrow
G7
C
When we ain't got one word to say
CHORUS (Repeated twice)
file:///C|/olga_main/f-g/g/griffith_nancy/speed_of_snd_of_loneliness.crd
G7
C
You're out there runnin' just to be on the run (Repeated twice)
INSTRUMENTAL (C F G7 C)
file:///C|/olga_main/f-g/g/grim_skunk/dont_hide.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: syk@nyongwa.montreal.qc.ca (Bruno Lamoureux)
Subject: TAB: Don't hide / Grim Skunk
Titre:
Don't Hide
Groupe:
Grim Skunk
Album:
Grim Skunk
Ecrit Par:
Grim Skunk
Transcrit Par: B. Lamoureux
---------------------------------------------------------------------I juste write the chord, find the rythm by yourself! it's easy..
---------------------------------------------------------------------guitar 1
|-----------------------------------------------------------------------|-----------------------------------------------------------------------|-------7---------------------------------------------------------------|-9--5--7--7------------------------------------------------------------|-9--5--5--7------------------------------------------------------------|-7--3-----5------------------------------------------------------------Don't Hide, 1,2,3,4!
play this riff a couple of time
guitar 2
|--------------------------------------|-----0-0|-----------------------|--------------------------------------|-2-2-2-2|-----------------------|------------------------2-0-----------|-2-2----|-----------------------|----------------0------0----4-2-2-0---|--------|-----------------------|----------2-2-4---0-2-4-------------4-|--------|-----------------------|-----------------3--------------------|--------|-----------------------rhytm A
rhytm B
|-------------------|-------------|-------------------------------------|-------------------|-------------|-------------------------------------|--------------7--6-|--------7----|-------------------------------------|-9--5--7---9--7--6-|--9--5--7--7-|-------------------------------------|-9--5--7---9--5--4-|--9--5--5--7-|-------------------------------------|-7--3--5---7--5--4-|--7--3--5--5-|--------------------------------------
pm.
....
....
....
....
....
|---------------------------------------------------|-------------------|---------------------------------------------------|-------------------|-------------------------------------------7-6/7\6-|-------------------|-----9------9------5------7------9------9--7-6/7\6-|-------------------|-----9------9------5------7------9------9--5-4/5\4-|-------------------|-7-7-7--7-7-7--3-3-3--5-5-5--7-7-7--7-7-7----------|--------------------
rhytm A rhytm B
|-----------------|--------|---------|-----------------------------------
file:///C|/olga_main/f-g/g/grim_skunk/dont_hide.tab
|-----------------|--------|---------|----------------------------------|-------------7-6-|--------|---------|----------------------------------|-9--5--7--9--7-6-|--------|---------|----------------------------------|-9--5--7--9--5-4-|--------|---------|----------------------------------|-7--3--5--7------|--------|---------|-------------------------------5h7-
1 step
1 step
|-----------------------------------------------------------------------|----------------------------------------------------10--10-------------|----------------------------------------------7-9-9^--9^--9^-9---------|-------------------------------------------7h9----------------7-9------|---5-7^------7^-5-7--------5-7^---7^-5-7/9-----------------------------|-7------------------5h7--7----------------------------------------------
vibrato
and make feedback with these harmonic
|-----------------------------------------------------------------------|-------10---------------------------------------(12)-------------------|-7-9-9^---9^-9-7-9-7---------------------------------------------------|--------------------9------------------------or------------------------|-----------------------------------------------------------------------|------------------------------------------(7)--------------------------Ce fichier a t cre par Tab 1.1
file:///C|/olga_main/f-g/g/grim_skunk/in_eight_years.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Bruno Lamoureux <syk@nyongwa.montreal.qc.ca>
Subject: TAB: In eight years by Grim Skunk
----------------------------------------------------------------------
|-0-----0-0-0-0-0-0-0-0----0-0-0-0-0-0--------0-0-0-0-0-0----/12-/12-/12|-0-----0-3-0-5-5-5-3-0-3--5-5-5-5-3-0-3-3-3--5-5-5-5-3-0-3--/12-/12-/12|-----------------------3-0------------3-3-3-0------------3-0-----------|-----------------------3-0------------3-3-3-0------------3-0-----------|-----------------------------------------------------------------------|-----------------------------------------------------------------------play 2 time
rhytm A
|------------------------------------------------------|----------------|------------------------------------------------------|----------------|------------------------------------------------------|----------------|----------------------------------------------8-8-7-5-|----------------|----------------------------------------------8-8-7-5-|----------------|-0-0-3-0-5-0-5-6-6-5-3-5-3-3-5-0-0-3-0-5-0-5--6-6-5-3-|-----------------
rhytm A
1 time
|----------------------------------------------------------|-----------||----------------------------------------------------------|-----------||----------------------------------------------------------|-----------||----------------------------------------------------------|-----------||----------------------------------------------------------|-----------||-0-3-0-5-0-5-6-6-5-3-5-3-3-5-0--3-0-5-0-5-6-6-5-3-5-3-3-5-|-----------|-
rhytm B
file:///C|/olga_main/f-g/g/grim_skunk/in_eight_years.tab (1 of 3) [4/28/2003 9:54:48 PM]
file:///C|/olga_main/f-g/g/grim_skunk/in_eight_years.tab
|------------------------------------------|----------------------------|------------------------------------------|----------------------------|------------------------------------------|----------------------------|-5--7--2---5--7--8--7-5--2--5--2--5--7--8-|----------------------------|-5--7--2---5--7--8--7-5--2--5--2--5--7--8-|----------------------------|-3--5--0---3--5--6--5-3--0--3--0--3--5--6-|----------------------------rhytm C
4 times
2 times
rhytm D
rhytm B
p.m............................................(see at the end)
|-------------------------------------------------|--------------|----|-|-------------------------------------------------|--------------|----|-|-------------------------------------------------|--------------|----|-|-----2-0-3-3-2-0-2-0-2h3-----2-0-8-8-7-5-8-7-5-7-|--------------|----|-|-2-2-2-0-3-3-2-0-2-0-2h3-2-2-2-0-8-8-7-5-8-7-5-7-|--------------|----|-|-0-0---------------------0-0---------------------|--------------|----|--
rhytm B
|---------------------------------------------|--------------------|----|---------------------------------------------|--------------------|----|---3---3-7---3---3-7---3-7---3-7---3-7---3-7-|--------------------|----|-2-3-2-3-7-2-3-2-3-7-2-3-7-2-3-7-2-3-7-2-3-7-|--------------------|----|-2-1-2-1-5-2-1-2-1-5-2-1-5-2-1-5-2-1-5-2-1-5-|--------------------|----|-0---0-----0---0-----0-----0-----0-----0-----|--------------------|----rythm C|rhytm D|
2 times|4 times|
|--------|----|-----------------------------------------|---------------|--------|----|-----------------------------------------|---------------|--------|----|--5-5-4-5---3-3-2-3----5-5-4-5---3-3-2-3-|---------------|--------|----|2-5-5-4-5-2-3-3-2-3-2--5-5-4-5-2-3-3-2-3-|---------------|--------|----|2-3-3-2-3-2-1-1-0-1-2--3-3-2-3-2-1-1-0-1-|---------------|--------|----|0---------0---------0----------0---------|----------------
satan make me do it
|---------------------|-------------------|-----------------------------|---------------------|-------------------|-----------------------------|---------------------|----------3------5-|-----------------------------|---------------------|-2-3-2--3-3--2-3-5-|-----------------------------|---------------------|-2-3-2--3-1--2-3-3-|-----------------------------|---------------------|-0-1-0--1----0-1---|-----------------------------I don't have the time to find all the soloing part at the end, if you
find it please e-mail me...
|-----------------------------------------------------------------------|-----------------------------------------------------------------------|-----------------------------------------------------------------------|-----------------------------------------------------------------------|-----------------------------------------------------------------------|------------------------------------------------------------------------
file:///C|/olga_main/f-g/g/grim_skunk/in_eight_years.tab
the rythm D is :
p.m...........................................
|-----------------------------------------------|-----------------------|-----------------------------------------------|-----------------------|-----------------------------------------------|-----------------------|-----2--2-2--2--2h3------2--2-8--8-7-5-8-7-5-7-|-----------------------|-2-2-2--2-2--2--2h3--2-2-2--2-8--8-7-5-8-7-5-7-|-----------------------|-0-0-----------------0-0-----------------------|-----------------------Ce fichier a =82t=82 cr=82e par Tab 1.1
file:///C|/olga_main/f-g/g/grim_skunk/rooftop_killer.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Bruno Lamoureux <syk@nyongwa.montreal.qc.ca>
Titre:
Rooftop Killer
Groupe:
Grim Skunk
Album:
Grim Skunk
Ecrit Par:
Grim Skunk
Transcrit Par: B.Lamoureux
----------------------------------------------------------------------
p.m..............................
|----------------------------|----|-------|-----------|----------------||----------------------------|----|-------|-----------|----------------||----------------------------|----|-------|-----------|----------------||----------------------------|----|-------|-----------|-------0--------||----------------------------|----|3-2-0--|-3-2-0-----|-3-2-0---3-2-0--||-5-5-5-5-1-1-1-1-3-3-3-3-0-0|0-3-|-----/5|-------3-/5|--------------/5|-
|------------|----------------------------------------------------------|------------|----------------------------------------------------------|------------|----------------------------------------------------------|------------|----------------------------------------------------------|----2-3-2---|----------------------------------------------------------|---------/5-|-----------------------------------------------------------
pm.....
........
........
|------------------------------------------|------------|---------------|------------------------------------------|------------|---------------|------------------------------------------|--------10--|---------------|---------7----------3----------5-5-5-5--2-|-7-10-7-10--|---------------|---------7----------3----------5-5-5-5--2-|-7-10-7-8---|---------------|-5-5-5-5-5--1-1-1-1-1--3-3-3-3-3-3-3-3--0-|-5-8--5-----|----------------
a couple of time
the end:
|------------------|--------------|-------------------------------------|------------------|--------------|-------------------------------------|------------------|--------------|-------------------------------------|------------------|--------5--2--|-------------------------------------|-7-7-7-7-7--7-7-7-|--------5--2--|-------------------------------------|-7-7-8-7-10-7-8-7-|--------3--0--|-------------------------------------Ce fichier a =82t=82 cr=82e par Tab 1.1
file:///C|/olga_main/f-g/g/groovy_aardvark/boisson_davril.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
Date: Sat, 4 Jan 1997 22:17:43 -0500 (EST)
From: lordcope@magi.com
Subject: TAB: Boisson d'avril by Groovy Aardvark
Boisson d'avril -- Groovy Aardvark
crit par Martin Dupuis et Vincent Peake
tir de l'album "Vacuum"
transcrit par Annie Lord
Cette chanson est constitue de plusieurs petits "riffs" qui reviennent
en alternance avec les paroles. Elle est aussi construite comme une
chanson rpondre traditionnelle, d'o la rptition des couplets.
J'ai crit les tous les riffs d'abord, et puis je les ai situs dans le
texte. La transcription n'est certainement pas parfaite, mais elle
donne une bonne ide de comment jouer la chanson.
Il y a deux guitares: guitare 1 est en haut et guitare 2 en bas.
RIFF 1:
1 + + + 2 + + + 3 + + + 4 + + +
e|--------------------------------------|
B|--------------------------------------|
G|----------9p7p6---12p11p9-12p11p9-12--| Guitares 1 et 2 jouent la
D|-7---11p7-----------------------------| mme chose pour la premire
A|--------------------------------------| mesure.
E|--------------------------------------|
________
1 + + + 2 + + + 3 + + + 4 + + +
|
e|------------------------------------------|
|
B|------------------------------------------|
| G1
G|-14p11p9-14-12--12p11---------------------|
|
D|----------------------14p12---------------|
|
A|----------------------------10-/12--------|
|
E|------------------------------------------|
|
|
1 + + + 2 + + + 3 + + + 4 + + +
|
e|---------------------------------|
|
B|---------------------------------|
| G2
G|-9p7p6-9-7---7p6-9p7-------------|
|
D|---------------------5--/7-------|
|
A|---------------------------------|
|______ E|---------------------------------|
RIFF 2:
_______
|
|
|
G1
|
|
|
|
|
|
1 + +
+ 2 + + + 3 + + + 4 + + +
1 2 3 4
e|---------------------------------------|-------------|
B|------------10-------------------------|-------------|
G|---------------------------------------|-------------|
D|-7---11p(7)-----11p9h11p9p7h9h11p9p7---|-------------|
A|---------------------------------------|-10----------|
E|---------------------------------------|-------------|
e|---------------------------------------|-------------|
B|---------------------------------------|-------------|
file:///C|/olga_main/f-g/g/groovy_aardvark/boisson_davril.tab
|
G2
|
|
|______
G|---------------------6-----------------|-4-----------|
D|-7-------------------7-----------------|-5-----------|
A|-7-------------------7-----------------|-5-----------|
E|-5-------------------5-----------------|-3-----------|
RIFF 3:
_______
|
|
|
G1
|
|
|
|
|
|
|
G2
|
|
|______
1 + + + 2 + + + 3 + + + 4 + + +
e|--------------------------------------|
B|--------------------------------------|
G|----------9p7p6---12p11p9-12p11p9-12--|
D|-7---11p7-----------------------------|
A|--------------------------------------|
E|--------------------------------------|
e|--------------------------------------|
B|--------------------------------------|
G|-6----------------7-------------------|
D|-7----------------7-------------------|
A|-7----------------5-------------------|
E|-5----------------5-------------------|
________
1 + + + 2 + + + 3 + + + 4 + + +
|
e|-------------------------------------------|
|
B|---------------------14p12p10-14p12p10-14--|
| G1
G|-14p11p9-14-12--14-------------------------|
|
D|-------------------------------------------|
|
A|-------------------------------------------|
|
E|-------------------------------------------|
|
|
e|-------------------------------------------|
|
B|-------------------------------------------|
| G2
G|-6-----------------------------------------|
|
D|-7-----------------------------------------|
|
A|-7-----------------------------------------|
|______ E|-5-----------------------------------------|
_______
|
|
|
G1
|
|
|
|
|
|
|
G2
|
|
|______
1 + + + 2 + + + 3 + + + 4 + + +
e|--------------------------------------|
B|--------------------------------------|
G|----------9p7p6---12p11p9-12p11p9-12--|
D|-7---11p7-----------------------------|
A|--------------------------------------|
E|--------------------------------------|
_______
|
|
|
G1
|
|
|
|
|
1 + + + 2 + + + 3 + + + 4 + + +
e|-----------------------------------------|
B|-----------------------------------------|
G|-12-------14-12--12p11-------------------|
D|----14-12--------------14p12-------------|
A|-----------------------------10-/12------|
E|-----------------------------------------|
e|--------------------------------------|
B|--------------------------------------|
G|-6----------------7-------------------|
D|-7----------------7-------------------|
A|-7----------------5-------------------|
E|-5----------------5-------------------|
e|-----------------------------------------|
file:///C|/olga_main/f-g/g/groovy_aardvark/boisson_davril.tab
|
|
G2
|
|
|______
B|-3---------------------------------------|
G|-4---------------------------4---6-------|
D|-5---------------------------5---7-------|
A|-5---------------------------5---7-------|
E|-3---------------------------3---5-------|
RIFF 4:
_______
|
|
|
G1
|
|
|
|
|
|
|
|
G2
|
|
|______
1 + + + 2 + + + 3 + + + 4 + + +
e|-----------------------------------------|
B|-----------------------------------------|
G|-14-11--14-11--14-11-14-12--14-12--14-12-|
D|-----------------------------------------|
A|-----------------------------------------|
E|-----------------------------------------|
_______
|
|
|
G1
|
|
|
|
|
|
|
|
G2
|
|
|______
1 + + + 2 + + + 3 + + + 4 + + +
e|-----------------------------------------------|
B|-----------------------15-12-------14----------|
G|-14-12----14-12--14-12-------14-12----14-12-11-|
D|-------14--------------------------------------|
A|-----------------------------------------------|
E|-----------------------------------------------|
_______
|
|
|
G1
|
|
|
|
|
|
|
|
G2
|
|
|______
1 + + + 2 + + + 3 + + + 4 + + +
e|-----------------------------------------|
B|-----------------------------------------|
G|-14-11--14-11--14-11-14-12--14-12--14-12-|
D|-----------------------------------------|
A|-----------------------------------------|
E|-----------------------------------------|
1 + + + 2 + + + 3 + + + 4 + + +
e|---------------------------------|
B|---------------------------------|
G|-9-6---9-6---9-6-9-7---9-7---9-7-|
D|---------------------------------|
A|---------------------------------|
E|---------------------------------|
1 + + + 2 + + + 3 + + + 4 + + +
e|-----------------------------------|
B|-----------------10-7-----10-7-----|
G|-9-7---9-7---9-7------9-7------9-7-|
D|-----9-----------------------------|
A|-----------------------------------|
E|-----------------------------------|
1 + + + 2 + + + 3 + + + 4 + + +
e|---------------------------------|
B|---------------------------------|
G|-9-6---9-6---9-6-9-7---9-7---9-7-|
D|---------------------------------|
A|---------------------------------|
E|---------------------------------|
_______
1 + + + 2 + + + 3 + + + 4 + + +
|
e|-------------------------------------------|
|
B|-------------------------------------------|
|
G1 G|-14-11-12----11----------------------------|
file:///C|/olga_main/f-g/g/groovy_aardvark/boisson_davril.tab (3 of 7) [4/28/2003 9:54:49 PM]
file:///C|/olga_main/f-g/g/groovy_aardvark/boisson_davril.tab
|
|
|
|
|
|
|
|
G2
|
|
|______
D|----------14----12-14-11-12p11-------------|
A|-------------------------------10-/12------|
E|-------------------------------------------|
1 + + + 2 + + + 3 + + + 4 + + +
e|----------------------------------|
B|----------------------------------|
G|-10-7-9-6-7---6-------------------|
D|------------9---7-9-7-5--/7-------|
A|----------------------------------|
E|----------------------------------|
RIFF 5:
_______
|
|
|
G1
|
|
|
|
|
|
|
G2
|
|
|______
1 + + + 2 + + + 3 + + + 4 + + +
e|----------------------------------|
B|----------------------------------|
G|----------------------------------|
D|-7---7h9h11--9h11p9---------------|
A|----------------------10--10------|
E|----------------------------------|
_______
|
|
|
G1
|
|
|
|
|
|
|
G2
|
|
|______
1 + + + 2 + + + 3 + + + 4 + + +
e|----------------------------------|
B|----------------------------------|
G|----------------------------------|
D|----------------------------------|
A|-7---7h9h10--9h10p9-------7-------|
E|----------------------10----------|
e|----------------------------------|
B|-5--------------------------------|
G|-6--------------------------------|
D|-7--------------------------------|
A|-7--------------------------------|
E|-5--------------------------------|
e|----------------------------------|
B|-------garder l'accord de---------|
G|-------la premire mesure---------|
D|----------------------------------|
A|----------------------------------|
E|----------------------------------|
RIFF 6
1 + + + 2 + + + 3 + + + 4 + + +
1 + + + 2 + + + 3 + + + 4
e|-----------------------------------|--------------------------------|
B|-----------------------------------|--------------------------------|
G|-------------------11--------------|--------------------------------|
D|-11--11h12h14--12------12--12------|-11--11h12h14--12h14p12---------|
A|-----------------------------------|-------------------------10--12-|
E|-----------------------------------|--------------------------------|
La guitare 2 ne joue pas pour le RIFF 6.
RIFF 7:
_______
1 + +
2 + + + 3 + + + 4 + + +
file:///C|/olga_main/f-g/g/groovy_aardvark/boisson_davril.tab
|
|
|
G1
|
|
|
|
|
|
|
G2
|
|
|______
e|-------------------------------------|-------------|
B|-------------------------------------|-------------|
G|------------(9)------9-7-6---7-6-----|-7-----------|
D|-7---11p(7)----------------9-----9-7-|-------------|
A|-------------------------------------|-------------|
E|-------------------------------------|-------------|
e|-------------------------------------|-------------|
B|-------------------------------------|-------------|
G|---------------------6---------------|-4-----------|
D|-7-------------------7---------------|-5-----------|
A|-7-------------------7---------------|-5-----------|
E|-5-------------------5---------------|-3-----------|
RIFF 8:
_______
|
|
|
G1
|
|
|
|
|
|
|
G2
|
|
|______
1 + +
+ 2 + + + 3 + + + 4 + + +
1 2 3 4
e|-------------------------------------|-------------|
B|------------10-7---------------------|-------------|
G|-----------------9---9-7-6---7-6-----|-------------|
D|-7---11p(7)----------------9-----9-7-|-5-----------|
A|-------------------------------------|-------------|
E|-------------------------------------|-------------|
e|-------------------------------------|-------------|
B|-------------------------------------|-------------|
G|---------------------6---------------|-4-----------|
D|-7-------------------7---------------|-5-----------|
A|-7-------------------7---------------|-5-----------|
E|-5-------------------5---------------|-3-----------|
En gnral, les riffs et les paroles sont alterns, mais ils viennent
en mme temps la fin de la chanson. Il y a aussi des accords la fin
qui sont simplement indiqus par des lettres (systme anglais) au-dessus
des paroles.
PAROLES avec riffs
M'a vous conter un vraie histoire)
} bis
Rapport au grand mont St-Hilaire )
Il cache un lac tellement profond
Qu'on en dit mme qu'il n'a pas de fond
RIFF 1 x2
Il cache un lac tellement profond
)
} bis
Qu'on en dit mme qu'il n'a pas de fond)
De la surface au fond des eaux
On y monte de grands bateaux
RIFF 2
De l'cosse au Lac Champlain
RIFF 2
Y'a des images mais on voit rien
RIFF 2
Pendant qu'les crdules font la file
RIFF 2
file:///C|/olga_main/f-g/g/groovy_aardvark/boisson_davril.tab (5 of 7) [4/28/2003 9:54:49 PM]
file:///C|/olga_main/f-g/g/groovy_aardvark/boisson_davril.tab
)
)
} avec RIFF 5 } bis
Rgne le monstre du Lac Hertel)
)
Certaines gens disent l'avoir vu
)
} avec RIFF 6
Les soirs d't quand la lune est nue)
RIFF 1 x2
G
Certaines gens disent l'avoir vu
)
A
} bis
Les soirs d't quand la lune est nue)
A
D
Il sort et se met hurler
)
A
G A
} bis (sans guitare la 2e fois)
Braves lomes, v'nez me chercher)
RIFF 7
De l'cosse au Lac Champlain
RIFF 8
Y'a des images mais on voit rien
RIFF 8
Pendant qu'les crdules font la file
RIFF 8
D'autres sirottent leur boisson d'avril
RIFF 1 x2
RIFF 4 x2
file:///C|/olga_main/f-g/g/groovy_aardvark/boisson_davril.tab
file:///C|/olga_main/f-g/g/grossman_stefan/bermuda_triangle_exit.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Received: from animal-farm.nevada.edu by redrock.nevada.edu (5.65c/M1.4)
with SMTP id <AA02098>; Wed, 19 May 1993 14:22:09 -0700
Received: from madrone.eecs.ucdavis.edu by animal-farm.nevada.edu id <AA14385@animalfarm.nevada.edu>; Wed, 19 May 1993 14:22:07 -0700
Received: by madrone.eecs.ucdavis.edu (5.57/Ultrix3.0-C/eecs 1.1)
id AA15655; Wed, 19 May 93 10:00:09 -0700
Date: Wed, 19 May 93 10:00:09 -0700
From: darsie@eecs.ucdavis.edu (Richard Darsie)
Message-Id: <9305191700.AA15655@madrone.eecs.ucdavis.edu>
To: jamesb@animal-farm.nevada.edu
Subject: TAB: Stefan Grossman, "Bermuda Triangle Exit"
>From the acoustic guitar mailing list...
==========================================================
Bermuda Triangle Exit
by
Stefan Grossman
Normal Tuning: EADGBE
H=harmonic, s=slide, h=hammer on, p=pull off
Intro:
------------0-----------12H|
-----0----5--------12H-----|
---2----7------12H---------|
-5-------------------------|
---------------------------|
---------------------------|
Section A
----|-----7---0--5-7-5-0-|3h5p3p0------------|-0--------------|0--------------|
----|-------8------------|--------3-0-0------|-----------3-0-3|---0-----2---0-|
----|--------------------|--------------4---0|---2p0---2------|---0-----2---0-|
----|--------------------|----------------2--|-------0--------|---2-----2---0-|
-2-s|-7----------6-------|5-----------4------|-3-------2------|-------0-------|
----|---0----------------|-------------------|----------------|0----------3---|
Section B
||----------------5------|-0-----------2-----|-0---------------|
||--3--2--3----2-------0-|---3-0-------3---0-|-----------------|
||.-4--------4-----------|-------------------|---2p0---2-0-----|
||.-4-----4----------2---|-----2---------0---|-------2-----2-0-|
||--2----------0---------|-------1-s-2-------|-3-------4---3---|
||-----------------------|-0-----------------|-----------------|
_______________
_______________________
| 1st time
| 2nd time
|----0---------------|----0------0----|---0------------||
|----0----2---0------|----0------2----|---0---2----0---||
|----0----2---0------|----0------2----|---0---2----0--.||
|-2-------2---0------|-2-------2----0-|-------2----0--.||
file:///C|/olga_main/f-g/g/grossman_stefan/bermuda_triangle_exit.tab
|-------0------------|-------0--------|-----0----------||
|-0----------3-------|-0--------------|-0--------3-----||
Section C
|-----5-------|--------------|
|-----5-------|--------------|
|-5h6-------9-|-2-0-2-0------|
|-5---------9-|---------2----|
|-------5s7---|-5---4---3----|
|-5--------0--|------------0-|
Section D1
|------------------|---0-----3-|
|------------------|---0-----0-|
|-2--2-0--2-0------|---0-----0-|
|-2--2-0--2-0--2-0-|---2-----0-|
|--------------2-0-|-----------|
|------------------|-0---0-3---|
Section D2
|------------7----0---|---0------0---|---0---------|
|-10--10-------8----3-|---0------2---|---0---2--0--|
|--9---9--------------|---0------2---|---0---2--0--|
|---------------------|-2------2---0-|-------2--0--|
|------7-6s7------3---|------0-------|-----0-------|
|--9------------------|-0------------|-0--------3--|
Section A2
------|---7---0-10h12p10-0-|-7p5------3h5p3---|-0---------------|
------|-----8--------------|----8p5-0-------0-|-----------3-0-3-|
------|--------------------|------------------|---2p0---2-------|
------|--------------------|-0----------------|-------0---------|
--2s7-|--------------------|----------4-------|-3-------2-------|
------|-0-------11---------|------------------|-----------------|
|-0-0---------|
|---0---2---0-|
|---0---2---0-|
|---2---2---0-|
|-----0-------|
|-0-------3---|
Outro
-----5---7s9-7-5-|-----7--9s11-9-7-|-------------------------12H--|
-----5-----------|-----7-----------|-----0------0--------12H------|
-5h6-----7s9-7-6-|-7h8----9s11-9-8-|---2------5------12H----------|
-5---------------|-7---------------|-5------7---------------------|
-----------------|-----------------|------------------------------|
-5---------------|-7---------------|------------------------------|
|------------3-|
|--------------|
|---0----------|
file:///C|/olga_main/f-g/g/grossman_stefan/bermuda_triangle_exit.tab (2 of 3) [4/28/2003 9:54:50 PM]
file:///C|/olga_main/f-g/g/grossman_stefan/bermuda_triangle_exit.tab
|-2---0---2----|
|--------------|
|-------0------|
I'd strongly recommend that you listen to the recording to get the
rhythm. It's on the album "Snap a little owl" by John Renbourn and
Stefan Grossman.
The main thing to get is the descending bass riff on the 5th string.
This is on the first and third beat of each bar.
The sections are played in the following order:
Intro,
A A B B A A
C D1 C D2
A2 A2 B B
C D1 C D2
A
Outro
file:///C|/olga_main/f-g/g/group_image/knew_a_lass.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Group Image, "Knew A Lass"
(C) Copyright 1993 Michael Stutz
This information is free; you can redistribute it and/or modify it
under the terms of the GNU General Public License as published by
the Free Software Foundation; either version 2 of the License, or
(at your option) any later version.
CHORD CHART
Gmaj7
Am7
III pos.
x
x
+--+--+--+--+--+
1 | | | 2 |
+--+--+--+--+--+
| | 3 4 | |
+--+--+--+--+--+
| | | | | |
+--+--+--+--+--+
| | | | | |
+--+--+--+--+--+
D7
x
+--+--+--+--+--+
| | | | | |
+--+--+--+--+--+
| | | | | |
+--+--+--+--+--+
2 | 3 3 3 |
+--+--+--+--+--+
| | | | | |
+--+--+--+--+--+
x
x
+--+--+--+--+--+
| | | | 1 |
+--+--+--+--+--+
| | 2 | | |
+--+--+--+--+--+
| 3 | 4 | |
+--+--+--+--+--+
| | | | | |
+--+--+--+--+--+
G#maj7
III pos.
x
+--+--+--+--+--+
| | | | | |
+--+--+--+--+--+
1 | | | 2 |
+--+--+--+--+--+
| | 3 4 | |
+--+--+--+--+--+
| | | | | |
+--+--+--+--+--+
LYRIC SHEET
(casually, dreamy-eyed)
Gmaj
Oh, yeah-Am7
D7
Gmaj7
Am7
I once knew a lass,
D7
liked to smoke grass
Gmaj7
That perky face
Am7
I would memorize
D7
file:///C|/olga_main/f-g/g/group_image/knew_a_lass.crd
Gmaj7
Am7
And this girl,
D7
made my head whirl
Gmaj7
That's all there was
Am7
D7
Gmaj7
Oh, yeah-Am7
She was kinda nuts,
D7
but there were no "but"s
Gmaj7
I had to have her
Am7
It was kinda nice,
D7
chilled me like ice
Gmaj7
Wakin' up next to her
Am7
She was the one,
D7
wore her hair in a bun
Gmaj7
And worked in the garden,
Am7
She went shopping for clothes,
D7
they were all old
Gmaj7
Down at Goodwill
Am7
Didn't know that I sang,
D7
Didn't know that it rang
Gmaj7
Outta key, too -- oh yeah
Am7
Just got a pencil,
D7
on a paper, and you just
Gmaj7
write it, write it on down,
Am7
Didn't like tv,
D7
just you and me, baby
Gmaj7
She was from the country
Am7
She knew a little french,
D7
got my monkeywrench
Gmaj7
And made some magic
Am7
D7
file:///C|/olga_main/f-g/g/group_image/knew_a_lass.crd
She's gone, she's gone, and that's all right, it's all right because I'm
Am7
Sittin' around,
D7
I'm not up I'm not down -- Just
Gmaj7
gettin' by, gettin' high, driving around and around in the sky yeah
Am7
Some say it's crazy,
D7
others lazy, but I
Gmaj7
know.
Am7
Do it all up there again someday,
D7
You might get lucky, today I know
Gmaj7
She's comin' back
Gmaj7
Gunny sack, gunny sack, gunny gunny sack--
And she's
Am7
She was the one
D7
Gmaj7
Wore her hair in the bun, and I ain't tellin' no more
G#maj7
Gmaj7
No, no no no--
ADDITIONAL NOTES
Of the 93.08.26 recording, there's two versions of the intro -- a long,
unedited one and a shorter one without all of the "let's see here -- what
kinda chords we got here" dialogue. The chord pattern is the same for
this intro.
A 1987 Fender Stratocaser (stock pickups, rosewood neck, jumbo frets, Kahler
tremolo, cream colored) was also used, plugged directly into the board (a
Yamaha MT-120 4-track recorder).
A Group Image demo tape (also released under the GPL) can be ordered for
$4 (Canada $5, World $7) cash or money order (US check made out to Michael
Stutz) from Michael Stutz, PO BOX 542, BEREA OH 44017-0542 USA. (This is
information dated as of 95.01.18 -- verify before ordering from
at118@po.cwru.edu.)
file:///C|/olga_main/f-g/g/group_image/something_catchys_missing.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Thu, 22 Jun 1995 19:27:57 -0400
From: stutz@rs6000.baldwinw.edu (Michael Stutz)
Subject: TAB: "Something Catchy's Missing" by Group Image
Group Image, "Something Catchy's Missing"
(C) Copyright 1995 Michael Stutz
This information is free; you can redistribute it and/or modify it
under the terms of the GNU General Public License as published by
the Free Software Foundation; either version 2 of the License, or
(at your option) any later version.
CHORD CHART
~~~~~~~~~~
Amaj2
x o
o o
V pos. +--+--+--+--+--+
| | | | | |
+--+--+--+--+--+
| | | 2 | |
+--+--+--+--+--+
| | 3 | | |
+--+--+--+--+--+
| | | | | |
+--+--+--+--+--+
G6(A)
x o
o o
III pos. +--+--+--+--+--+
| | | | | |
+--+--+--+--+--+
| | | 2 | |
+--+--+--+--+--+
| | 3 | | |
+--+--+--+--+--+
| | | | | |
+--+--+--+--+--+
Dadd7
x
o
x x
V pos. +--+--+--+--+--+
| 1 | | | |
+--+--+--+--+--+
| | 3 | | |
+--+--+--+--+--+
| | | | | |
+--+--+--+--+--+
| | | | | |
+--+--+--+--+--+
TAB LISTING
~~~~~~~~~~
Ryth. Fig. 1
(let ring)
+-----0--------------0--+-----0--------------0--+-------0-------------0-+
+-0-----0---------------+-0-----0---------------+-0-/0----0-------------+
+-6-------6--6-----6----+-6-------6--6-----6----+-6-/4------4-4-----4---+
+-7----------7---7------+-7----------7---7------+-7-/5--------5---5-----+
+-0------------0--------+-0------------0--------+-0-/0----------0-------+
+-----------------------+-----------------------+-----------------------+
+----0------------0-----||
+-0----0------------0-/0||
+-4------4-4----4---4-/6||
+-5--------5--5-----5-/7||
+-0---------0-------0-/0||
+-----------------------||
etc.
Ryth. Fig. 2
(let ring)
(let ring)
+-----0-------0--------+------------------------+-----------------------+
file:///C|/olga_main/f-g/g/group_image/something_catchys_missing.tab (1 of 3) [4/28/2003 9:54:51 PM]
file:///C|/olga_main/f-g/g/group_image/something_catchys_missing.tab
+-0-----0--------------+--------/----/----------+--0--0---/0--/--/-/-/--+
+-6-------6-6---6------+-------/----/-----------+--6--6---/4--/--/-/-/--+
+-7--------------------+------/----/------------+--7--7---/5--/--/-/-/--+
+-0--------------------+-----/----/-------------+--0--0---/0--/--/-/-/--+
+----------------------+------------------------+-----------------------+
+----------------------+
+--0--/--/-/-/--0-/-/0-+
+--4--/--/-/-/--4-/-/6-+
+--5--/--/-/-/--5-/-/7-+
+--0--/--/-/-/--0-/-/0-+
+----------------------+
Ryth. Fig. 3
1.
(let ring)
(muffled)
+-----0--------------0--+-----0--------------0--+-----------------------+
+-0-----0---------------+-0-----0---------------+-0-/0--/-/-/-/-/-/-----+
+-6-------6--6-----6----+-6-------6--6-----6----+-6-/4--/-/-/-/-/-/-----+
+-7----------7---7------+-7----------7---7------+-7-/5--/-/-/-/-/-/-----+
+-0------------0--------+-0------------0--------+-0-/0--/-/-/-/-/-/-----+
+-----------------------+-----------------------+-----------------------+
2.
(muffled)
(slide)
(repeat 4x and fade)
+----------------------|------------------------+-----------------------||
+-0--/-/-/-/-/-/---0-/-|------------------------+-----------------------||
+-4--/-/-/-/-/-/---4-/-|--6--/-/-/--/--/-/-/----+--6--/-/-/--/--/-/-/---||
+-5--/-/-/-/-/-/---5-/-|--0--/-/-/--/--/-/-/----+--0--/-/-/--/--/-/-/---||
+-0--/-/-/-/-/-/---0-/-|--5--/-/-/--/--/-/-/----+--5--/-/-/--/--/-/-/---||
+----------------------|------------------------+-----------------------||
FAKE SHEET
~~~~~~~~~
Amaj2 (w/ Ryth. Fig. 1)
G6(A)
G6(A)
there . . . but
G6(A)
in a ma-ga-
Amaj2
Other people's moments
G6(A)
gotten down--
Amaj2
not like mine.
file:///C|/olga_main/f-g/g/group_image/something_catchys_missing.tab
G6(A)
Amaj2
G6(A)
something catchy's missing,
G6(A)
I didn't get it again.
Amaj2
Amaj2
There's nothing really grabbing,
G6(A)
something catchy's missing,
G6(A)
Dadd7
I did not get it again.
ADDITIONAL NOTES
~~~~~~~~~~~~~~~
Song began as instant poem-writing on a scrap of paper; many months later,
the chord progression/riffage was written on guitar, and the combination of
both was an accident that turned out perfect. Ironic post-analysis of the
song reveals that it's a classic cookbook I-IV-V, made in a period when the
author was actively trying to compose music that wasn't "do-ray-me."
An '87 Fender Strat was used on the original 4-track recordings, plugged
straight into a vintage Music Man 112RD amp with no distortion.
Group Image tapes (also released under the GPL) can be ordered for $4 each
(Canada $5, World $7) cash or money order (US check made out to Michael
Stutz) from Michael Stutz, PO BOX 542, BEREA OH 44017-0542 USA. Email
at118@po.cwru.edu. Tape GI-01, _This is the Group Image_, contains a
recording of "Something Catchy's Missing."
file:///C|/olga_main/f-g/g/grunsky_jack/claudia_takes_the_summerwind.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Fri, 15 Nov 1996 09:25:22 +0100
From: Franz Schedl <franz.schedl@atlottery.co.at>
Subject: Jack Grunsky
CLAUDIA Takes The Summerwind
1974 by Jack GRUNSKY (a Canadian Artist)
G
C
G
C
D
Claudia takes the summerwind and locks it in her mouth,
G
D7
G
C
Keeps it there for a long, long time,
G
C
G
D
for a day, for a week but soon I'd find,
G
D7
G C G D7 G
she keeps it there for me.
G
C
G
C
D
Claudias eyes are restless, sometimes forget to see,
G
D7
G
C
The things I do, the words I say
G
C
G D
neverthere with the thoughts till suddenly,
G
D7
G C G D7 G
Her eyes belong to me.
G
C
G
C
D
Claudias smile is endless, showes into the wealth,
G
D7
G
C
So sunlight seeds into a crowed
G
C
G
D
And I know it's true and it makes me crow,
G
D7
G C G D7 G
When the smiles reflects are me.
G
C
G
C
D
Claudias hands are soft and warm, she gives them free away,
G
D7
G
C
Holds on to someone near to her,
G
C
G
D
There in the dark occasionly
G
D7
G
C G D7 G
She creeps up soft and touches me.
G
C
G
C
D
Claudia takes the summerwind and locks it in her mouth,
G
D7
G
C
Keeps it there for a long, long time,
G
C
G
D
for a day, for a week whish I could find,
G
D7
G
C G D7 G
my name within that wind.
Fade out....
file:///C|/olga_main/f-g/g/grunsky_jack/claudia_takes_the_summerwind.crd (1 of 2) [4/28/2003 9:54:51 PM]
file:///C|/olga_main/f-g/g/grunsky_jack/claudia_takes_the_summerwind.crd
file:///C|/olga_main/f-g/g/guardian/do_you_k_now_what_love_is.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Received: from mail.uncc.edu (mail.uncc.edu [152.15.10.135]) by post-office.nevada.edu
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From: Christopher M Pilato <cmpilato@uncc.edu>
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Date: Sat, 19 Mar 1994 18:15:11 -0500
Message-Id: <199403192315.SAA03298@ws196.uncc.edu>
To: etjaco00@mik.uky.edu, EL8192@ARK.SHIP.EDU, reicjond@david.wheaton.edu,
slaven@meeker.ucar.EDU, gt8421b@acme.gatech.edu, jamesb@nevada.edu
Subject: DoYouKnowWhatLoveIs.tab by Guardian
"DO YOU KNOW WHAT LOVE IS"
by Guardian
from the CD "Miracle Mile"
transcribed by Mike Pilato
using the standard tuning
and typical compu-tabbing
conventions: /,\ = slides
# = harmonic
^ = bend
p = pulloff
h = hammer on
(Special notation: top staff = GTR1, bottom staff (if present) = GTR2
Chords over top staff = played on background acoustic)
|-0-----------1----|------------------|-3----------------|------------------|
|------------------|------------------|-3------------1---|-------------3----|
|-------------3----|------------------|--------------2---|------------------|
|------------------|------------------|------------------|------------------|
|-3----------------|------------------|--------------0---|-------------2----|
|-------------1----|------------------|-3----------------|------------------|
|-------------1----|------------------|-3------------1---|------------------|
|-5--/6--/8--------|------------------|-3------------1---|------------------|
|-------------3----|------------------|------------------|------------------|
|------------------|------------------|------------------|------------------|
|-3--/5--/7--------|------------------|--------------1---|------------------|
|-------------1----|------------------|-3----------------|------------------|
[pause...]
****VERSE 1****
|-0----------------|-3---3-------0----|------------------|------------------|
|------------------|-3---3------------|------------------|-----1------------|
|------------------|------------------|------------------|-----0------------|
|------------------|------------------|------------------|-0h2--------------|
|-0----------------|-2---2-------3----|------------------|------------------|
|------------------|------------------|------------------|------------------|
Did you find that loneliness came when you lost you only love?
|-5----------------|-0---0-------1----|------------------|------------------|
|------------------|------------------|------------------|------------------|
|------------------|-------------3----|------------------|------------------|
|-0----------------|-2---2------------|------------------|------------------|
file:///C|/olga_main/f-g/g/guardian/do_you_k_now_what_love_is.tab
|------------------|-3---3------------|------------------|------------------|
|------------------|-------------1----|------------------|------------------|
And you didn't know which way to turn....
The
|------------------|-----3------------|------------------|------------------|
|------------------|-----3------------|-------------5----|-6--5---------5---|
|------------------|------------------|-----------5------|-7--5---------5---|
|------------------|------------------|---------5--------|-----7-(5)/7--5---|
|-0----------------|-2---2-------3----|-----5-7----------|------------------|
|------------------|------------------|------------------|------------------|
nights were cold and the days were long and you never knew
|------------------|-0---0------------|------------------|-------------3----|
|-6----------------|-------------3----|------------------|-----------3------|
|-5----------------|-------------3----|------------------|---------3--------|
|------------------|------------------|------------------|-----3-5----------|
|-5----------------|-3---3-------1----|------------------|------------------|
|-------------1----|------------------|------------------|------------------|
when a real love would come to you.
All the
|-5----------------|-------------12---|---------0--------|---------3--------|
|-------------5----|------------------|------------------|---------3--------|
|-5-----------5----|------------------|------------------|------------------|
|-0----------------|------------------|------------------|------------------|
|-------------3----|-------------0----|-------------2----|-----2------------|
|------------------|------------------|------------------|------------------|
times that you laughed, all the times that you cried.
|-1-----------0----|------------------|-0-----------3----|------------------|
|------------------|------------------|-1----------------|------------------|
|------------------|------------------|------------------|------------------|
|-0----------------|------------------|------------------|------------------|
|-------------0----|------------------|------------------|------------------|
|------------------|---------5-\-\-\--|-1-----------3----|------------------|
You never expected love
to
leave you behind.
|-------1-----0----|---------0--------|-3-------3---1----|------------------|
|-----1------------|---------1--------|-3-------3--------|------------------|
|---2--------------|------------------|-------------3----|------------------|
|-0----------------|------------------|------------------|------------------|
|-------------0----|---------0--------|-0-------0--------|-------------8-7--|
|------------------|------------------|-------------1----|------------------|
Through the years
I'll be more than a friend.
I was
|---------6--------|------------------|-----1-------0----|-0----------------|
|---------6---8----|---------8-\-\-\--|-----1-------1----|-1----------------|
|-------------8----|---------8-\-\-\--|------------------|------------------|
|------------------|------------------|------------------|------------------|
|-------------6----|---------6-\-\-\--|-----3-------3----|-3----------------|
|-6----------------|------------------|------------------|------------------|
there from the start and I'll
be
here to the end.
****CHORUS****
F
Dm
|-1----------------|------------------|-5----------------|------------------|
|-1----------------|------------------|-6----------------|------------------|
|-3----------------|------------------|------------------|------------------|
|------------------|------------------|-0----------------|------------------|
|------------------|------------------|------------------|------------------|
|-1----------------|------------------|------------------|------------------|
Do you know what love is ?
Can you feel what love is? Do you
file:///C|/olga_main/f-g/g/guardian/do_you_k_now_what_love_is.tab
Am
C
|-5----------------|------------------|-0----------------|-----5------------|
|-5----------------|------------------|-1----------------|------------------|
|------------------|------------------|------------------|------------------|
|------------------|------------------|------------------|-----5------------|
|-0----------------|------------------|-3----------------|-5-7-----7-5-3----|
|------------------|------------------|------------------|------------------|
know what love....
Do you know what love....
Love is
F
Dm
|-1----------------|------------------|-5----------------|------------------|
|-1----------------|------------------|-6----------------|------------------|
|-3----------------|------------------|------------------|------------------|
|------------------|------------------|-0----------------|------------------|
|------------------|------------------|------------------|------------------|
|-1----------------|------------------|------------------|------------------|
deeper than emotion, comin' stronger than all devotion.
Do you
Am
C
|-5----------------|------------------|-0----------------|-----5------------|
|-5----------------|------------------|-1----------------|------------------|
|------------------|------------------|------------------|------------------|
|------------------|------------------|------------------|-----5------------|
|-0----------------|------------------|-3----------------|-5-7-----7-5-3----|
|------------------|------------------|------------------|------------------|
know what love....
Do you know what love....
Love is
Dm
C
A#
D#
G
|-5-------0--------|------------------|-3----------------|------------------|
|-6-------1--------|-3-------8---8----|-3----------------|------------------|
|------------------|-3-------8---8----|------------------|------------------|
|-0----------------|------------------|------------------|------------------|
|---------3--------|-1-------6---6----|------------------|------------------|
|------------------|------------------|-3----------------|------------------|
| deeper than emotion.
[pause...]
|
|------------------|------------------|------------------|-8---8------------|
|------------------|------------------|------------------|-10--8------------|
|------------------|------------------|------------------|-------0-7-5---0--|
|------------------|------------------|------------------|------------------|
|------------------|------------------|------------------|------------------|
|------------------|------------------|------------------|------------------|
****VERSE 2****
C
G
Am
|-0----------------|-3---3-------0----|------------------|------------------|
|------------------|-3---3------------|------------------|------------------|
|------------------|------------------|------------------|------------------|
|------------------|------------------|------------------|------------------|
|-3----------------|-2---2-------0----|------------------|------------------|
|------------------|------------------|------------------|------------------|
| Those days are over, now it's time to carry on
Now you
|
|------------------|------------------|------------------|------------------|
|------------------|------------------|------------------|------------------|
|-5----------------|-4---4-------5----|------------------|-----5---7-5------|
|------------------|------------------|------------------|-5-7---7-----5-7--|
|------------------|------------------|------------------|------------------|
|------------------|------------------|------------------|------------------|
file:///C|/olga_main/f-g/g/guardian/do_you_k_now_what_love_is.tab
Dm
C
F
|-5----------------|-0---0-------1----|------------------|------------------|
|------------------|------------------|------------------|------------------|
|------------------|-------------3----|------------------|------------------|
|-0----------------|-2---2------------|------------------|------------------|
|------------------|-3---3------------|------------------|------------------|
|------------------|-------------1----|------------------|------------------|
| know
which
road to choose.
There
|
|------------------|------------------|------------------|------------------|
|------------------|------------------|------------------|------------------|
|-5----------------|------------------|---------5-5------|-(7)/9-5----------|
|------------------|------------------|-------------7-5--|------------------|
|------------------|------------------|------------------|------------------|
|------------------|------------------|------------------|------------------|
Am
G
C
|------------------|-----3------------|------------------|------------------|
|------------------|-----3------------|-------------5----|-6--5---------5---|
|------------------|------------------|-----------5------|-7--5---------5---|
|------------------|------------------|---------5--------|-----7-(5)/7--5---|
|-0----------------|-2---2-------3----|-----5-7----------|------------------|
|------------------|------------------|------------------|------------------|
| is no harder lesson learned than finding your
way
alone
|
|------------------|------------------|------------------|------------------|
|------------------|------------------|-10-10-10-10-8-8-8|-8----------------|
|------------------|------------------|------------------|---9-9-9-9--7--5h7|
|------------------|------------------|------------------|------------------|
|------------------|------------------|------------------|------------------|
|------------------|------------------|------------------|------------------|
F
C
A#
|------------------|-0---0------------|------------------|-------------3----|
|-6----------------|-------------3----|------------------|-----------3------|
|-5----------------|-------------3----|------------------|---------3--------|
|------------------|------------------|------------------|-----3-5----------|
|-5----------------|-3---3-------1----|------------------|------------------|
|-------------1----|------------------|------------------|------------------|
| So I'm reaching my hand out to you.
And
|
|------------------|------------------|------------------|------------------|
|------------------|------------------|------------------|------------------|
|-5----------------|------------------|-------------5-2--|-5-2-(5)/7--5-----|
|------------------|------------------|------------------|------------------|
|------------------|------------------|------------------|------------------|
|------------------|------------------|------------------|------------------|
F
Am
Em
F
|-------1-----0----|---------0--------|-3-------3---1----|------------------|
|-----1------------|---------1--------|-3-------3--------|------------------|
|---2--------------|------------------|-------------3----|------------------|
|-0----------------|------------------|------------------|------------------|
|-------------0----|---------0--------|-0-------0--------|-------------8-7--|
|------------------|------------------|-------------1----|------------------|
all of your life, I've been more than a friend
I was
A#
D#
CaddF
C
|---------6--------|------------------|-----1-------0----|-0----------------|
|-------6-----8----|---------8-\-\-\--|-----1-------1----|-1----------------|
|-----7-------8----|---------8-\-\-\--|------------------|------------------|
file:///C|/olga_main/f-g/g/guardian/do_you_k_now_what_love_is.tab
|------------------|------------------|------------------|------------------|
|-------------6----|---------6-\-\-\--|-----3-------3----|-3----------------|
|-6----------------|------------------|------------------|------------------|
there from the start, and I'll be here till the end.
****CHORUS****
F
Dm
|-1----------------|------------------|-5----------------|------------------|
|-1----------------|------------------|-6----------------|------------------|
|-3----------------|------------------|------------------|------------------|
|------------------|------------------|-0----------------|------------------|
|------------------|------------------|------------------|------------------|
|-1----------------|------------------|------------------|------------------|
Do you know what love is ?
Can you feel what love is? Do you
Am
C
|-5----------------|------------------|-0----------------|-----5------------|
|-5----------------|------------------|-1----------------|------------------|
|------------------|------------------|------------------|------------------|
|------------------|------------------|------------------|-----5------------|
|-0----------------|------------------|-3----------------|-5-7-----7-5-3----|
|------------------|------------------|------------------|------------------|
know what love....
Do you know what love....
Love is
F
Dm
|-1----------------|------------------|-5----------------|------------------|
|-1----------------|------------------|-6----------------|------------------|
|-3----------------|------------------|------------------|------------------|
|------------------|------------------|-0----------------|------------------|
|------------------|------------------|------------------|------------------|
|-1----------------|------------------|------------------|------------------|
deeper than emotion, comin' stronger than all devotion.
Do you
Am
C
|-5----------------|------------------|-0----------------|------------------|
|-5----------------|------------------|-1----------------|------------------|
|------------------|------------------|------------------|------------------|
|------------------|------------------|------------------|------------------|
|-0----------------|------------------|-3----------------|------------------|
|------------------|------------------|------------------|------------------|
know what love....
Do you know what love....
Love is
Dm
C
A#
Am
|-1----------------|-0----------------|-6----------------|-5----------------|
|------------------|------------------|------------------|-5----------------|
|------------------|------------------|-7----------------|------------------|
|-0----------------|------------------|------------------|------------------|
|------------------|-3----------------|------------------|-0----------------|
|------------------|------------------|-6----------------|------------------|
I want to show you one love that's true.
A#
Am
GaddC
|-6----------------|-5----------------|-3----------------|---3--------------|
|------------------|-5----------------|-1----------------|-1----------------|
|-7----------------|------------------|---------------0--|------------------|
|------------------|------------------|-------------0----|------------------|
|------------------|-0----------------|------------------|------------------|
|-6----------------|------------------|-3----------------|------------------|
Won't you open your heart my love
is for
G
****SOLO****
Bm
file:///C|/olga_main/f-g/g/guardian/do_you_k_now_what_love_is.tab
|-3----------------|------------------|------------------|------------------|
|-0----------------|------------------|------------------|------------------|
|------------------|------------------|---------7--------|(7)/11-7-9^9p7h9--|
|------------------|------------------|-7\0/7-------9-7--|------------------|
|------------------|------------------|------------------|------------------|
|-3----------------|------------------|------------------|------------------|
you....
G
A
D
|------------------|------------------|------------------|------------------|
|------------------|------------------|------------------|------------------|
|----7---9/(14)----|------------------|------------------|-------------7----|
|------------------|(7)/9--7----------|---------------7--|---------7-9------|
|------------------|---------(7)/9--7-|-7---5---5-7-9----|-7-5-7-9----------|
|------------------|------------------|-------7----------|------------------|
D
Bm
C
|------------------|------------10-10-|-----------|-------------------------|
|------------------|-----10-12--------|-----------|--10-12-10-12^12h10-13---|
|------------------|-9-11-------------|-----------|11-----------------------|
|---------9\(4)----|------------------|-----------|-------------------------|
|------------------|------------------|-----------|-------------------------|
|------------------|------------------|-----------|-------------------------|
G
C
G
|--------------------|----------------|------------------|------------------|
|-----13-12p13h12----|----------------|---10-12----------|---------12-------|
|---------------12-14|-11-------------|---------9-7------|-7-----------12---|
|--------------------|----12-12-------|---------------9--|-----7-9----------|
|--------------------|----------------|------------------|------------------|
|--------------------|----------------|------------------|------------------|
AaddD
A
|------------------|----------/17-----|------------------|------------------|
|------------------|--------------/19-|-17---------------|----------17-\-\15|
|-14---------------|--------14--------|------------------|------------------|
|------------------|------------------|------------------|------------------|
|------------------|------------------|------------------|------------------|
|------------------|------------------|------------------|------------------|
|-2----------------|------------------|------------------|------------------|
|-3----------------|------------------|-3----------------|------------------|
|------------------|------------------|-4----------------|------------------|
|-0----------------|------------------|-4----------------|------------------|
|------------------|------------------|-2----------------|------------------|
|------------------|------------------|------------------|------------------|
Do you know what love is?
Can you feel what love is? Do you
|-2----------------|------------------|------------------|------------------|
|-2----------------|------------------|------------------|------------------|
|-2----------------|------------------|------------------|------------------|
|-4----------------|------------------|------------------|------------------|
|------------------|------------------|------------------|------------------|
|------------------|------------------|------------------|------------------|
know what love is?
[pause...]
****CHORUS x ???**** (played as above but 1/2 step higher, and with various
file:///C|/olga_main/f-g/g/guardian/do_you_k_now_what_love_is.tab (6 of 7) [4/28/2003 9:54:52 PM]
file:///C|/olga_main/f-g/g/guardian/do_you_k_now_what_love_is.tab
file:///C|/olga_main/f-g/g/guccini-nomadi/canzone_per_un_amica.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Marco Cavadini <cavadini@ife.ee.ethz.ch>
Subject: /g/francesco_guccini/canzone_per_un_amica.pro
#by Marco Cavadini ( cavadini@ife.ee.ethz.ch)
{t:Canzone per un' amica}
{st:F.Guccini- Nomadi}
[A]Lunga e diritta corre[E]va la str[F#m]ada
l'[D] auto velo[A]ce corre[E]va
[A]la dolce est[E]ate era gi[F#m]a' comincia[D]ta
[A]vicino a lui sorrid[E]eva
[A]vicino a lu[E]i sorrid[A]eva [D][A][E]
[A]
Forte la mano teneva il volante
forte il motore cantava,
non lo sapevi che c'era la morte
quel giorno che ti aspettava
quel giorno che ti aspettava.
Non lo sapevi che c'era la morte
quando si e' giovani e' strano,
poter pensare che la nostra sorte
venga e ci prenda per mano
venga e ci prenda per mano.
Non lo sapevi ma cosa hai pensato
quando la strada e' impazzita,
quando la macchina e' uscita di lato
e sopra un'altra e' finita,
e sopra un'altra e' finita.
Non lo
quando
quando
quando
quando
file:///C|/olga_main/f-g/g/guccini-nomadi/canzone_per_un_amica.pro
Electronics Laboratory
Real Time Image Proc.
Marco Cavadini
_______
/
Gloriastr. 35 H97
CH-8092 Zurich
Phone: +41 1 632 2749
Fax:
+41 1 632 1210
/
____/____
_____
/
/
/ \ \
/ / \
/
/___/
\ \ / /
\
/
/ /\ \ \/ / /\ \
/_______/__/ \__\____/__/ \__\
/
e-mail: cavadini@ife.ee.ethz.ch
www home page : http://ife.ee.ethz.ch/~cavadini
______________________________________________________________________________
file:///C|/olga_main/f-g/g/guccini_francesco/il_veccio_e_il_bambino.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
# by Maurizio Codogno (mau@beatles.cselt.stet.it)
{title: Il vecchio e il bambino}
{subtitle: Francesco Guccini}
{define: Aadd9m base-fret 0 frets x 0 2 3 2 0}
Un [Dm]vecchio e un bambino si [C]preser per mano
e an[Bb]darono insieme in[Asus4]contro alla [A7]sera;
la [Dm]polvere rossa si al[C]zava lontano
e il [Bb]sole brillava di [Asus4]luce non [A7]vera;
l'im[F]mensa pianura sem[C]brava arrivare
fin dove l'[Dm]occhio di un uomo po[Aadd9m]teva guar[A7]dare
e [F]tutto d'intorno non c'[C]era nessuno
solo il [Dm]tetro contorno di [Aadd9m]torri di fumo.
I due camminavano, il giorno cadeva
il vecchio parlava e piano piangeva
con l'animo assente, con gli occhi bagnati
seguiva il ricordo di miti passati.
I vecchi subiscon l'ingiuria degli anni
non sanno distinguere il vero dai sogni.
I vecchi non sanno nel loro pensiero
distinguer nei sogni il falso dal vero.
E il vecchio diceva, guardando lontano
"immagina questo coperto di grano,
immagina i frutti, immagina i fiori
e pensa alle voci, e pensa ai colori.
E in questa pianura, fin dove si perde
crescevano gli alberi e tutto era verde,
cadeva la pioggia, segnavano i soli
il ritmo dell'uomo e delle stagioni".
Il bimbo ristette, lo sguardo era triste
e gli occhi guardavano cose mai viste
e [Dm]poi disse al vecchio con [C]voce sognante
"Mi [Bb]piaccion le fiabe, rac[Gmaj7]contane [D]altre![A7sus4][D]"
file:///C|/olga_main/f-g/g/guccini_francesco/lavvelenata.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
# by Maurizio Codogno (mau@beatles.cselt.stet.it)
{title: L'avvelenata}
{subtitle: Francesco Guccini}
Ma se [E]io avessi pre[B]visto tutto [C#m]questo:
(dati [G#7]causa e pre[C#m]testo), le at[B7]tuali conclu[E]sioni[B7]
cre[E]dete che per questo quattro [C#m]soldi,
questa [G#7]gloria da [C#m]stronzi, avrei [B7]scritto can[G#7]zoni;
va [A]be', lo ammetto che mi son sba[E]gliato
e ac[E]cetto il "crucifige" e cos [E]sia;[B7]
chiedo [E]tempo, son [B]della razza [C#m]mia,
per [G#7]quanto grande [C#m]sia il [B7]primo che ha stu[E]diato.[B7]
Mio padre in fondo aveva anche ragione
a dir che la pensione davvero importante
mia madre non aveva poi sbagliato,
a dir che un laureato conta pi di un cantante.
Giovane e ingenuo io ho perso la testa
son stati i libri, o il mio provincialismo;
e un cazzo in culo, e accuse di arrivismo,
dubbi di qualunquismo son quello che mi resta.
Voi critici, voi personaggi austeri,
militanti severi, chiedo scusa a "vossia"
per non ho mai detto che a canzoni
si fan rivoluzioni, si possa far poesia.
Io canto quando posso e come posso;
quando ne ho voglia, senza applausi o fischi.
Vendere o no "non passa" tra i miei rischi,
non comprate i miei dischi e sputatemi addosso.
Secondo voi, ma a me cosa mi frega
di assumermi la bega di star quass a cantare;
godo molto di pi nell'ubriacarmi,
oppure a masturbarmi, o al limite a scopare.
Se son d'umore nero allora scrivo
frugando dentro alle nostre miserie;
di solito ho da far cose pi serie,
costruir su macerie, o mantenermi vivo.
Io tutto, io niente, io stronzo ed io ubriacone,
io poeta, io buffone, io anarchico, io fascista
io ricco, io senza soldi, io radicale,
io diverso e io uguale, negro, ebreo, comunista,
io frocio, io perch canto so imbarcare
io falso, io vero, io genio e io cretino
io solo, qui, alle quattro del mattino,
l'angoscia e un po' di vino e voglia di bestemmiare.
Secondo voi, ma chi me lo fa fare,
di stare ad ascoltare chiunque ha un tiramento
ovvio il medico dice "sei depresso',
nemmeno dentro al cesso possiedo un mio momento;
ed io che ho sempre detto che era un gioco
sapere usare o no d'un certo metro
compagni il gioco si fa peso e tetro,
comprate il mio didietro io lo vendo per poco.
file:///C|/olga_main/f-g/g/guccini_francesco/lavvelenata.pro
file:///C|/olga_main/f-g/g/guess_who/glace_bay_blues.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Sun, 22 Oct 1995 23:06:01 -0600
From: brucea@tic.ab.ca (Bruce Armstrong)
Subject: CRD: Glace Bay Blues - Guess Who
Glace Bay Blues - Guess Who
E7
A7
When you're blue comin' unglued
C7#9
B7#9
Don't be late just make a date
E
F#
B7#9
To call me
E7
A7
So you're down, don't frown
C#7#9
B7#9
Look around, you're still alone
E
So call me
F#
I got creases in my pants, from sittin' around
C#7
And I hear they got a good band up from town
C#m7
F#
Glace Bay is where it's happenin' so fine
C#m7/G
F#
We'll go down and smoke our last dime
B7#9
A7
C#7#9
B7#9
Dancin' to music, beat the time
E7
A7
So don't care, it's time we shared
C#7#9
B7#9
E7
A lip to chew by listenin' to each other
F#
I got creases in my pants, from sittin' around
C#7
And I hear they got a good band up from town
C#m7/G
F#
Glace Bay is where it's happenin' so fine
C#m7/G
F#
We'll go down and smoke our last dime
B7#9
A7
Dancin' to music, beat the time
C#7#9
B7#9
Gonna beat the time, time, time
E7
A7
So don't care, it's time we shared
C#7#9
B7#9
E7
A7
A lip to chew by listenin' to each other
Eb7
E7
file:///C|/olga_main/f-g/g/guess_who/glace_bay_blues.crd
file:///C|/olga_main/f-g/g/guess_who/hand_me_down_world.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:55 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./g/guess_who/hand_me_down_world.crd
"Hand Me Down World"
(K. Winter)
Intro:
B5
B5/A B5/G# B5/G F#sus4
/ / / /
/ / / /
/ /
B5
B5/G#
F#sus4
x244xx
4x44xx
2444xx
B5/A
B5/G
E
/
D
/ /
[drum fill]
x044xx
3x44xx
Verse 1:
B5
B5/A
Anybody here see the
E7 [N.C.]
I think we
B5
B5/A
Anybody here see the
B5/G#
B5/G
F#sus4
noise, see the fear, the commotion
missed it
B5/G#
B5/G
F#sus4
love, see the hate, the emotion
Chorus:
G
Don't give me no
G
Don't give me no
G
Don't give me no
G
F
Got one already
[1, 2: Em
F
C
hand me down shoes
F
C
hand me down love
F
C
hand me down world
3: C
F#
F#
F; to coda]
Verse 2:
Anybody here see the long-distance cheer for the notion
I think we missed it
Anybody here see the sky weeping tears for the ocean
[repeat chorus]
Solo:
B5
B5/A B5/G# B5/G F#sus4
/ / / /
/ / / /
/ / / /
B5
B5/A B5/G# B5/G F#sus4 [N.C.]
/ / / /
/ / / /
/
E
/
B
/
Verse 3:
Anybody here see the fuzzy-wuzzy lovin' cup explosion
I think we missed it
Anybody here see the changing of the year and the motion
[repeat chorus]
C#m D
file:///C|/olga_main/f-g/g/guess_who/hand_me_down_world.crd
F#
file:///C|/olga_main/f-g/g/guess_who/laughing.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:55 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./g/guess_who/laughing.crd
"Laughing"
(R. Bachman - B. Cummings)
Intro (guitar, 2X):
v
v
v
v
-5---5---5---5---5---------------6---------------7----------------------------------------------Verse 1:
(chords are played as per intro)
A
A6
Dmaj7
xx7655
xx7675
x57675
A+
A7
Dm7
xx7665
xx7685
x57565
A
A+
I would laugh but I'd cry
A6
A7
Because your love has passed me by
Dmaj7
You took me by surprise
Dm7
C#m7 [N.C.]
You didn't realize that I was waiting
[1, 3: E7sus4 E7
/ / /
2: C# E G# (single notes)]
/
Verse 2:
Time goes slowly but carries on
And now the best years have come and gone
You took me by surprise
I didn't realize that you were laughing
Chorus:
D
A
Bm
Laughing - because you're doing it to me
D
A
Bm
Laughing - that ain't the way it should be
D
E
You took away everything I had
A
You put the hurt on me
Laughing - because you're doing it to me
Laughing - oh, what you're doing to me
file:///C|/olga_main/f-g/g/guess_who/laughing.crd
2: to coda]
file:///C|/olga_main/f-g/g/guess_who/laughing.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From uunet!zaphod.mps.ohio-state.edu!magnus.acs.ohiostate.edu!usenet.ins.cwru.edu!agate!pasteur!cory.Berkeley.EDU!green Mon Oct 19 18:46:46 PDT 1992
Article: 3015 of alt.guitar.tab
Newsgroups: alt.guitar.tab
Path: nevada.edu!uunet!zaphod.mps.ohio-state.edu!magnus.acs.ohiostate.edu!usenet.ins.cwru.edu!agate!pasteur!cory.Berkeley.EDU!green
From: green@cory.Berkeley.EDU (David W. Green)
Subject: CHORDS: Laughing - The Guess Who
Message-ID: <1992Oct18.030015.19596@pasteur.Berkeley.EDU>
Sender: nntp@pasteur.Berkeley.EDU (NNTP Poster)
Nntp-Posting-Host: cory.berkeley.edu
Organization: University of California, at Berkeley
Favorite_cookies: Bakery Wagon Ginger Snaps
Distribution: na
Date: Sun, 18 Oct 1992 03:00:15 GMT
Lines: 77
This is the first song I've ever really completely figured out.
you enjoy it. If you find any mistakes please let me know.
Hope
Also, if anyone has any the chords for Jim Croce's "I'll Have to Say I
Love You in a Song", I would greatly appreciate their posting (or emailing)
it.
David
---------------------------------------------------------------------Laughing
The Guess Who
Verse 1:
x---------x------------x-----------------x------------------x- E
x---------x------------x-----------------x------------------x- A
x---------x------------x-----------------x------------------x- D
6---------6------------6-----------------6------------------6- G
5---------5------------6-----------------7------------------8- B
5---------5------------5-----------------5------------------5- E
I should laugh, but I cry, because your love has passed me by.
------------------x---------------------x---------------x----- E
------------------x---------------------x---------------x----- A
------------------x---------------------x---------------x----- D
------------------6---------------------5---------------4----- G
------------------7---------------------6---------------5----- B
------------------5---------------------5---------------4----- E
You took me by surprise. You didn't realize that I was waiting.
Chorus:
E
A
Dm-maj7
|Time goes slowly, but carries on.
|
|
Dmaj7
A7
|And now the best years have come and gone.
|
|
Dmaj7
file:///C|/olga_main/f-g/g/guess_who/laughing.tab
A
A7
D
Dmaj7
Dm-maj7
E
F
EADGBE
-----x02220
x02020
xx0232
xx0222
xx0221
022100
xx3211
file:///C|/olga_main/f-g/g/guess_who/no_sugar_tonight.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:56 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./g/guess_who/no_sugar_tonight.crd
"No Sugar Tonight" (R. Bachman) /
"New Mother Nature" (B. Cummings)
This is in concert F#. The acoustic guitar (right channel) is capoed up
four frets and played in D (notated by []); the electric (left channel)
is played at standard pitch.
"No Sugar Tonight"
Intro:
[C]
[D]
[G]
[A]
/ / / / / / / / / / / /
(2x)
[C]
[D]
/ / / /
Verse 1:
D
Dsus4add2/C
/G
sugar
sugar
sugar
sugar
E
C]
tonight in my coffee
F#
D]
tonight in my tea
C
to stand beside me
F#
D]
to run with me
file:///C|/olga_main/f-g/g/guess_who/no_sugar_tonight.crd
[repeat fill]
Verse 2:
In the silence of her mind
Quiet movements where I can find
Grabbin' for me with her eyes
Now I'm fallin' from her skies
[repeat chorus]
[repeat fill]
[repeat intro (2x)]
"New Mother Nature"
Verse 1:
F#
Jocko says yes and I believe him
When we talk about the things I say
She hasn't got the faith or the guts to leave him
When they're standing in each other's way
You're driven back in time to places you been to
You wonder what you're gonna find
You know you been wrong but it won't be long
Before you leave 'em all far behind
Chorus:
B7
F#7
'Cause it's the new Mother Nature takin' over
B7
F#7
It's the new splendid lady come to call
B7
F#7
It's the new Mother Nature takin' over
E
F#
She's gettin' us all
E
F#
She's gettin' us all
Verse 2:
Jocko said no when I came back last time
It's lookin' like I lost a friend
No use callin' 'cause the sky is fallin'
It's gettin' pretty near the end
A smoke-filled room in a corner basement
The situation must be right
A bag of goodies and a bottle of wine
We're gonna get it on right tonight
[repeat NMN chorus]
[NMN and NST first verses - simultaneously]
[repeat NMN chorus]
[repeat NST chorus]
-- another ace 70's tab from Andrew Rogers
file:///C|/olga_main/f-g/g/guess_who/no_sugar_tonight.crd (2 of 2) [4/28/2003 9:54:55 PM]
file:///C|/olga_main/f-g/g/guess_who/no_time.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:56 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./g/guess_who/no_time.crd
"No Time"
(B. Cummings - R. Bachman)
Intro:
D
Fmaj7/D
G/D
D
v
v
v
v
v
v
v
v
v
v
v
v
v v v v
-----------------|----------------|-----------------|---------------------------|----------------|-----------------|---------------------------|----------------|-----------------|-----------0---0-0-0-2---3-|----------------|-5---5-5-5-7---0-|---------------------------|----------------|-----------------|---------3-----------------|----------------|-----------------|----------D
Fmaj7/D
G/D
D
v
v
v
v
v
v
v
v
v
v
v
v
v v v v
-----------------|----------------|-----------------|---------------------------|----------------|-----------------|-------------------5-7-7b9-|----------75--5-|-7-----5---------|-------------3-5-7---------|------------7---|---------5-3-----|-----------5---------------|----------------|---------------53|-5-------------------------|----------------|-----------------|----------Chorus:
D
Fmaj7/D
G/D
D
(No time left for you)
(No time left for you)
On my way to better things
I found myself some
D
Fmaj7/D
G/D
D
(No time left for you)
(No time left for
you...)
wings
Distant roads are calling me
Verse 1:
G
D
Am
D
No time for a summer friend
G
D
Am
D
No time for the love you send
G
D
Am
D
Seasons change and so did I
C
Bm
You need not wonder why
C
Bm
You need not wonder why
C
Bm
There's no time left for you
C
Bm
[Am]
No time left for you
[repeat intro]
[repeat chorus]
file:///C|/olga_main/f-g/g/guess_who/no_time.crd
Verse 2:
No time
No time
No time
No time
No time
There's
No time
[repeat intro]
[repeat verse 1]
Coda:
D
Fmaj7/D
G/D
No time no time no time
D
Fmaj7/C
I got got got got no time
D
no time [2x]
G/B
D/A
I got got got got no time [rant to fade]
file:///C|/olga_main/f-g/g/guess_who/no_time.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: rogers@sasuga.hi.com (Andrew Rogers)
Subject: CRD: Guess Who - "No Time"
"No Time"
(B. Cummings - R. Bachman)
intro:
D
Fmaj7/D
G/D
D
v
v
v
v
v
v
v
v
v
v
v
v
v v v v
-----------------|----------------|-----------------|---------------------------|----------------|-----------------|---------------------------|----------------|-----------------|-----------0---0-0-0-2---3-|----------------|-5---5-5-5-7---0-|---------------------------|----------------|-----------------|---------3-----------------|----------------|-----------------|----------D
Fmaj7/D
G/D
D
v
v
v
v
v
v
v
v
v
v
v
v
v v v v
-----------------|----------------|-----------------|---------------------------|----------------|-----------------|-------------------5-7-7b9-|----------75--5-|-7-----5---------|-------------3-5-7---------|------------7---|---------5-3-----|-----------5---------------|----------------|---------------53|-5-------------------------|----------------|-----------------|----------chorus:
D
Fmaj7/D
G/D
D
(No time left for you)
(No time left for you)
On my way to better things
I found myself some
D
Fmaj7/D
G/D
D
(No time left for you)
(No time left for
you...)
wings
Distant roads are calling me
verse 1:
G
D
Am
D
No time for a summer friend
G
D
Am
D
No time for the love you send
G
D
Am
D
Seasons change and so did I
C
Bm
You need not wonder why
C
Bm
You need not wonder why
C
Bm
There's no time left for you
C
Bm
[Am]
No time left for you
(repeat intro and chorus)
verse 2:
No time for a gentle rain
No time for my watch and chain
file:///C|/olga_main/f-g/g/guess_who/no_time.tab
No time
No time
No time
There's
No time
D
no time [2x]
G/B
D/A
I got got got got no time [rant to fade]
file:///C|/olga_main/f-g/g/guess_who/rain_dance.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:57 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./g/guess_who/rain_dance.crd
"Rain Dance"
(B. Cummings - K. Winter)
Intro (4X):
A5 [x02255]
Don't you wanna rain dance with me
Don't you wanna rain dance with me
Don't you wanna rain dance with me
Verse 1:
G/A
A
Fifi said to Don the baker
G/A
A
Can you show me how to bake another bun, Don?
G/A
A
And I'm still sittin' with my next door neighbor sayin
G [N.C.]
(spoken) Where'd you get the gun, John?
[repeat intro, 1X]
Verse 2:
Christopher was askin' the astronomer
Can your telescope tell me where the sun's gone?
And I'm still sittin' with my next door neighbor sayin
(spoken) Where'd you get the gun, John
[repeat intro, 1X]
Bridge:
D D7
Changin'
D D7
Laughin'
D D7
Changin'
D D7
Shootin'
G
just a few things
G
Bb
when the bell rings on the go
G
just a few things
G
A
when the bird sings
file:///C|/olga_main/f-g/g/guess_who/share_the_land.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:57 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./g/guess_who/share_the_land.crd
"Share The Land"
(B. Cummings)
Intro:
Bm
/ / / /
E (2x)
/ / / /
Verse 1:
Bm
Have you been around
E
Have you done your share of comin' down
G
A
D
F#
On different things that people do
Have you been aware
You got brothers and sisters who care
About what's gonna happen to you in a year from now
Chorus:
B
F#
Maybe I'll be there to shake your hand
E
B
Maybe I'll be there to share the land
F#
That they'll be givin' away
E
B
When we all live together
I'm talkin' 'bout together
[repeat chorus]
[repeat intro]
Verse 2:
Did you pay your dues
Did you read the news
This mornin' when the paper landed in your yard
Do you know their names
Can you play their games
Without losin' track and comin' down a bit too hard
[repeat chorus, 2X]
[guitar solo over verse chord pattern]
[repeat chorus, 2X]
Acappella break:
Shake your hand, share the land (repeat to fade)
file:///C|/olga_main/f-g/g/guess_who/share_the_land.crd (1 of 2) [4/28/2003 9:54:56 PM]
file:///C|/olga_main/f-g/g/guess_who/share_the_land.crd
F#
F# to fade)
file:///C|/olga_main/f-g/g/guess_who/these_eyes.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:58 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./g/guess_who/these_eyes.crd
"These Eyes"
(R. Bachman - B. Cummings)
Intro [2X]:
Dm7
/ / / /
Cmaj7
/ / / /
/ / / /
C
(2x)
/ / / /
Verse 1:
Dm7
Cmaj7
C
These eyes cry every night for you
Dm7
Cmaj7
C
These arms long to hold you again
C/B
Chorus 1:
Am
C
The hurtin's on me
Am
C
I will never be free
Am
C
You gave a promise to me
G
And you broke it
[repeat intro, 1X]
Verse 2:
These eyes watched you bring my world to an end
This heart could not accept and pretend
Chorus 2:
The hurtin's on me
I will never be free
You took a vow with me
When you spoke it
Bridge:
Fmaj7/G
Cmaj7
Fmaj7/G
Cmaj7
These eyes
are cryin'
Fmaj7/G
Cmaj7
These eyes have seen a lot of loves
Fmaj7/G
Cmaj7
D
But they're never gonna see another one like I had with you
(key modulates, lyrics repeat)
file:///C|/olga_main/f-g/g/guess_who/these_eyes.crd
Gmaj7/A
Dmaj7 [4x]
Amaj7/B
Emaj7 [4x]
F#
[1:
[2:
Bmaj7/C#
file:///C|/olga_main/f-g/g/guess_who/undun.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Thu, 14 Nov 1996 14:48:58 -0500
From: Andrew Rogers <rogers@hi.com>
Subject: ./g/guess_who/undun.crd
"Undun"
(R. Bachman)
Intro [3X]:
Cmaj7-5 B *
1
8x0977 799877
* harmonic on 12th fret of B string
Verse 1:
Em7
She's come undun
F#m7
B7
She didn't know what she was headed for
F#m7
Am7
And when I found what she was headed for
G
[1: C9 B9]
It was too late
Verse 2:
She's come undun
She found a mountain that was far too high
And when she found out she couldn't fly
It was too late
Chorus:
Cmaj7-5
B *
It's too late
Cmaj7-5
B *
She's gone too far
Cmaj7-5
B
[N.C.]
She's lost the sun
Verse 3:
She's come undun
She wanted truth but all she got was lies
Came the time to realize
And it was too late
[repeat verse 1]
[repeat chorus]
Bridge:
Em9/B
024000
She's come undun
Em9/C
034000
Em9/C#
044000
Em9/C
034000
file:///C|/olga_main/f-g/g/guess_who/undun.crd
Em9/B
Too many
Too many
Too many
Too many
Em9/C
Em9/C#
Em9/C
mountains
and not enough stairs to climb
churches and not enough truth
people and not enough eyes to see
lives to lead and not enough time
[repeat chorus]
[scat and flute solo over verses 1 and 2]
[repeat chorus]
[repeat verses 1, 2]
[repeat chorus]
Coda:
Em7
She's... come... undun
F#m7
Fmaj7
Em
file:///C|/olga_main/f-g/g/guided_by_voices/a_good_flying_bird.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
---------------------------------------------------->>>
A GOOD FLYING BIRD - ( Guided by voices )
<<<
=====================================================
F
G
Bb
C
Many years we spend unpressured that we thought so swell.
F
G
Bb
C
Love the times of simple pleasures, only time will tell, Oh!
Dm
G
C
F
This is not to say, we are not the way we used to be.
G
Bb
C
Yeah! Yeah! Yeah! Yeah!
file:///C|/olga_main/f-g/g/guided_by_voices/alien_lanes.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Special thanks to Michael Davidson for tabbing these<p>
<pre>
----------AS WE GO UP
-----------
The chorus and verse are both arpeggiated barre chords. These are the
notes I think they're playing, but the guitar is pretty hard to hear
for most of the song
Verse:
e---3-----------------------------------------------------------------B------3--------5-----------------------------------------------------G-----------------5-------9--------7----------------------------------D---------------------------9--------7--------------------------------A------------3-------3-7------7--5------------------------------------E-3-------3------------------------------------------------------------
Chorus:
Bm
e----3-------------------2-------------------------------------------B------3------5------------3------5----------------------------------G---------------5-------------------5--------------------------------D--------------------------------------------------------------------A-----------3------3--2------2--3------------------------------------E-3-------3-----------------------------------------------------------
file:///C|/olga_main/f-g/g/guided_by_voices/alien_lanes.crd
-----------BLIMPS GO 90
------------
e-----------------B-----------------G-----------------D---4-------4-----A-2---2-----------E-------0-0---0----
Followed by:
e---------------------------------------B---------------------------------------G----------------------------------------
etc.
file:///C|/olga_main/f-g/g/guided_by_voices/alien_lanes.crd
G------------------D----4-----4-------A--2---2-1---1-2---E-------------------
G#5
F#5
E5
G#5
E5
F#5
e---11---9----------
B-----------12---9--
e-----0-0-0-------0-0-0----------------------------------------------B---0-------0---0-------0-----0-0-0-------0-0-0----------------------G---------------------------0-------0---0-------0--------------------D--------------------------------------------------------------------A-0-----------0------------------------------------------------------E-------------------------0-----------0-------------------------------
file:///C|/olga_main/f-g/g/guided_by_voices/alien_lanes.crd
Csus2
e--3-----3----3---------------3----------------------3---------------B--5----------3---------------3----3--3--3-----------3---------------G--5--5----5--4---------------5-5-----------5--------4---------------D--5----------5---------------5----------------------5---------------A--3----------5---------------3----------------------5---------------E-------------3--------------------------------------3----------------
I get up
Seven o'clock
-----------LITTLE WHIRL
------------
D A G
E G A
End on a D.
F#
F#
---------PIMPLE ZOO
----------
file:///C|/olga_main/f-g/g/guided_by_voices/alien_lanes.crd
F#
F#
G.
-----------------WATCH ME JUMPSTART
------------------
e-0-----0----------2-----2----------5-----B-0-----0----------2-----2----------5-----G-1-----1----------3-----3----------6-----D-2-----2----------4-----4----------7-----A-2-----2----------4-----4----------7-----E---0-0---0-0-...----0-0---0-0-...----0-0--
file:///C|/olga_main/f-g/g/guided_by_voices/alien_lanes.crd
As you run from the places you love I remember the faces that cry
f g bflat c
f g bflat c
bflat g bflat c
f g bflat c
f g bflat c
f g bflat c
f g bflat c
bflat g bflat c
f g bflat c
f g bflat c
a bflat c f
file:///C|/olga_main/f-g/g/guided_by_voices/alien_lanes.crd
file:///C|/olga_main/f-g/g/guided_by_voices/alien_lanes.crd
-------b a f
b a
-------riff
g-------------------------3333----------------------------333----d-3333333222222211111115555---3333333322222222111111115555---0----a------------------------------------------------------------------0770-0550
e-----------------------------------------------------------------1----1----
a--0330-01111(alot of times)e-1----1--------------------0
f* f a g f
-------------------------------------------------------------------------------------------------------------------------------*king and caroline/alien lanes
this song is played on bass but it sounds fine on a six string
my notes on this one are far from perfect but they're good enough for me
e-333555-------------
file:///C|/olga_main/f-g/g/guided_by_voices/awful_bliss.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Subject: CRD: 'Awful Bliss' by Guided by Voices
Date: Tue, 19 Sep 1995 21:17:27 -0500 (CDT)
From: "jeffnmoe" <jeffnmoe@mcs.com>
'Awful Bliss' by Guided by Voices
from the album 'Bee Thousand'
standard tuning (EBGDAE) - the recorded versions guitar
is tuned somewhat sharp (approx A450 instead of A440) so
if you're playing along with the record, tune up to match...
otherwise no one will notice.
chords (from low E to high E)
-----------------------------Am
x02210
Dsus2 xx0230
C
x32010
Dsus4 xx0233
Csus2 x30010
Em
022000
D
xx0232
G
320003
(intro: C-Csus2-C-Em-G)
C
Em
D
G
you chose a giant step
caught your eye
C
Em
guaranteed sweetness
that you thought broken
D
Dsus4 D
and you were
not fine
Dsus2
C
Em
and bearing in mind
other ones
Am
C
that you could have wed
and hopefully dread
G
Em
and i
wouldn't
dare to
C
D
Dsus4 D
bring out
this
awful bliss
G
Em
no i
wouldn't
dare
to
C
D Dsus4 D
bring out your
awful bliss
G
Em
no i
wouldn't dare
to
C
D
Dsus2 D
bring out
this awful bliss
...questions, comments and corrections
to jeffnmoe@mcs.com
file:///C|/olga_main/f-g/g/guided_by_voices/bob.txt
04:18p
<DIR>
.
04:18p
<DIR>
..
02:07p
1,908 awful_bliss.crd
02:07p
1,685 a_good_flying_bird.tab
04:18p
0 bob
02:07p
2,842 circus_world.crd
02:07p
2,725 echoes_myron.crd
02:07p
2,230 exit_flagger.crd
02:07p
1,901 kicker_of_elves.crd
02:07p
2,297 motor_away.crd
02:07p
1,636 red_gas_circle.crd
02:07p
2,440 the_goldheart_mountaintop.crd
02:07p
3,491 tractor_rape_chain.tab
13 File(s)
23,155 bytes
158,693,888 bytes free
file:///C|/olga_main/f-g/g/guided_by_voices/bright_paper_werewolves.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
'Bright Paper Werewolves' by Guided by Voices
from the album 'Under the Bushes, Under the Stars'
- 002220
Bm
- 224432
- x32010
- xx0232
D/C# - x40232
Em
- 022000
- 320003
Em
Bm
and anyone can win
G
they cling to the cinema
D
then they can't find security
file:///C|/olga_main/f-g/g/guided_by_voices/bright_paper_werewolves.crd
D/C#
C
and misery
file:///C|/olga_main/f-g/g/guided_by_voices/circus_world.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
compliments (once again) to... Jeff (jeffnmoe@mcs.com)
'Circus World' - Guided by Vioces
from the Vampire on Titus/Propeller album
chords
A
- x02220
- 022100
Asus2
- x02200
F#m
- 244222 =
Bsus2
- x24422
- 320003
- x32010
G#m
- 466444
C#sus2 - x46644
F#m
C#sus2
its a (???)
F#m
Bsus2
understand me
C#sus2
Bsus2
this
F#m
C#sus2
Bsus2
file:///C|/olga_main/f-g/g/guided_by_voices/circus_world.crd
F#m
and demanding
C#sus2
it never fails
Bsus2
to amaze me
if i were a freak
in monster trucks
C
as you raise up
A
on your high heels
file:///C|/olga_main/f-g/g/guided_by_voices/circus_world.crd
F#m
daylight breaks
C#sus2
Bsus2
F#m
E
where were you then
C#sus2
Bsus2
C#sus2 =
Asus2
G#m
F#m
file:///C|/olga_main/f-g/g/guided_by_voices/circus_world.crd
file:///C|/olga_main/f-g/g/guided_by_voices/cut_out_witch.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Cut-Out Witch
-------------intro riff:
E-----------------------0---}
--0-B-----------------------0---}
--0-G-----0--0--6--0--5--0--4---}and as it speeds up>> --5-D-----7--0--7--0--7--0------}
A--O--0--0--0--0--0--0------}
E---------------------------}
after up to speed + band enters, gtr2 is
A
VERSE:
A
X05550
D
Do you suppose she could change your life?
XX0343
X05550
A
If she could then I wish she would.
file:///C|/olga_main/f-g/g/guided_by_voices/echoes_myron.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: jeffnmoe@MCS.COM (jeffnmoe)
'Echoes Myron' by Guided by Voices
from the album 'Bee Thousand'
The guitars are tuned a little sharp on this one, but not enough
to use a capo. Twist your pegs up until that opening G
sounds right.
This is how my aged ears heard the song, but I'm not totally
confident about the chords at the end...sometimes its hard to
hear through that lo-fi production...corrections are welcomed.
Chords
A
B
Bm
Bm/F#
C
x02220
x24442
x24432
224432
x35553
D
E
Em
F
G
xx0232
022100
022000
133211
320003
file:///C|/olga_main/f-g/g/guided_by_voices/echoes_myron.crd
G
Em
C
Bm C
and we're finally here
and shit yeah its cool
G
Em
C
Bm
C
and shouldn't it be
or something like that
....questions, comments and corrections to jeffnmoe@mcs.com
file:///C|/olga_main/f-g/g/guided_by_voices/exit_flagger.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Subject: Tab: Exit Flagger by GBV
From: michael.davidson@the-matrix.com (MICHAEL DAVIDSON)
Date: Tue, 12 Dec 95 15:41:00 -0600
Exit Flagger
from the Guided by Voices album Propellor
Tabbed by Michael Davidson
This one's really easy. First of all, here are the chords. (All barre,
but it sounds much better if you don't play the high e string on the
e-shaped ones. Listen to the song; they keep it pretty low.)
A
B
D
Db
G
577655
x2444x
x5777x
x4666x
355433
riff
I need you to help me find it
x4
A
G
I'm not going to race you today
riff
I need a life of sameness
riff
I don't compete in anything
riff
riff
I promise to leave you one of these days I promise to leave real soon
RIFF
Exit Flagger
x4
A
G
I'm not going to race you today
D
G
I promise to leave you
x4
Then through the solo it's just the RIFF four times,
an A, a G, and the riff eight times.
* Instead of A then G, you can play A (x0222x), B, Db, D instead which
file:///C|/olga_main/f-g/g/guided_by_voices/exit_flagger.crd (1 of 2) [4/28/2003 9:54:59 PM]
file:///C|/olga_main/f-g/g/guided_by_voices/exit_flagger.crd
follows the bass line instead of the guitar. (You can play the A that
way anytime, but I think it's easier to slide to the G if you go ahead
and play it on the fifth fret.)
Comment and miscellaneous T go to
michael.davidson@the-matrix.com
Enjoy!
file:///C|/olga_main/f-g/g/guided_by_voices/game_of_pricks.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
'Game of Pricks' by Guided by Voices
from the album 'Alien Lanes'
Thanks go out to Patrick A. Zukosky
Note that the guitar is tuned up about a half step on this one.
Chords
A
Amaj7
Bm
- x02220
- x02120
- x24432
C#m
D
F#m
- x46654
- xx0232
- 244222
A
C#m
F#m
I've waited too long to have you
D
Hide in the back of me
A
C#m
F#m
I've cheated so long I wonder
D
How you keep track of me
Bm
You could never be strong
D
You can only be free
A
Amaj7
Bm
And I never asked for the truth
C#m
D
But you owe that to me
A
C#m
F#m
I've entered the game of pricks
D
With knives in the back of me
A
C#m
F#m
Can't call you or on you no more
D
When they're attacking me
Bm
I'll climb up on the house
D
Weep to water the trees
A
Amaj7
Bm
And when you come calling me down
C#m
D
I'll put on my disease
Bm
You could never be strong
D
You can only be free
A
Amaj7
Bm
And I never asked for the truth
C#m
D
A
but you owe that to me
file:///C|/olga_main/f-g/g/guided_by_voices/gleemer.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
But, you ask, what about Gleemer?
It starts with G3 C3 D5 (all barre, the numbers are the frets for the
barre, DON'T play a D fifth).
G G* Em C
This G* is just a G with an F# (2nd fret, E string) in the bass, but I
can't play it with my thumb, so I hire a bassist.
and to get from the verses to the chorus, after the C go D C G and into the
chorus.
the album and you can probably figure it out (I actually got some help from
the Bevil Web version).
From Dougie:
INTRO: Cmajor9 with suspension....ok make a G chord...now move your 1st and
2nd
fingers down one (ie your 2nd finger which is on 2nd fret/5th string...
move it down to 2nd fret 4th string....OK?)
G G/F#M Em C
:0 0 2 2 3 3 3 3 2 2 0
Try this riff anyway you would like...you could add String 6 Fret 4
file:///C|/olga_main/f-g/g/guided_by_voices/gleemer.crd
file:///C|/olga_main/f-g/g/guided_by_voices/i_am_a_scientist.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Special thanks to sdw2@cornell.edu
"I am a Scientist"- Bee Thousand
First, the verse, twice:
E|55------------A|--575-55-5-5575 (x2)
D|--------5-----E|55-------------A|--575-55-------- (x6)
D|--------55554444
Then, the chorus (starts right after "...behaves like meeee"):
E|--(A5, 1 bar)A|567(D5, two bars)(A5, two bars)
D|--(D5, 1 bar)(E5, 1 bar)(D5, 1 bar)(E5, 1 bar)(A5, 1 bar)
Then, the verse and the chorus, but with the guitar solo
Then, the verse and chorus with "pharmacist" verse
Then, the first part (the x2 part) of the verse 3 times, ending on the
third.
file:///C|/olga_main/f-g/g/guided_by_voices/jar_of_cardinals.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Here's my lame attempt at the chords for Jar Of Cardinals (someone
requested them awhile ago).
The same thing gets played throughout, it's just a three-chord progression
that goes to another key for the next three chords (I think).
G G* Em C C* Am
The G is a standard 3rd fret barre, the rest are the standard open chords.
The C* chord is just
on the 7th fret, but to play it at the 3rd fret like it's supposed to be, I
think it's like this x34433.
G* as 3--2 with your thumb on the E string, but my thumb isn't big enough
to get that F# (I think the bass takes care of it on the album).
This
probably isn't exactly right, and you can substitute a Bm for the G*,
though it sounds a little off.
file:///C|/olga_main/f-g/g/guided_by_voices/kicker_of_elves.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Subject: CRD: 'Kicker of Elves' by Guided by Voices
Date: Tue, 28 Nov 1995 22:14:49 -0600 (CST)
From: "jeffnmoe" <jeffnmoe@mcs.com>
'Kicker of Elves' by Guided by Voices
from the album 'Bee Thousand'
NOTE: the recorded version is tuned higher than A440 so
if you are playing along with the album, tune your
strings up until the opening Asus2 chord sounds right.
CHORDS - (from low E to high E)
Asus2 - x02200
Bm
- x24432
C
- 332000 (open C chord works OK - x32010)
D
- xx0232
F
- 133211
INTRO - Asus2 (repeated several times)
Asus2
de de de de de de de
kicker of elves
C
de de de de de de de
Bm
kicker of elves
Asus2
de de de de de de de
kicker of elves
C
de de de de de de de
Bm
kicker of elves
C
Bm
on high seas in search of
D
F
the sickly sweet milk of selfish love
C
Bm
Asus2
and knife these for warm fresh blood
(repeat 'kicker of elves' chorus as shown above)
C
Bm
in studded crown the thief of souls
D
the parasites
F
the bugs of gold
C
Bm
Asus2
this fertile land now spoiled and sold
(fade out with Asus2 strummed over 'kicker of elves'
twice)
...questions, comments and corrections to
file:///C|/olga_main/f-g/g/guided_by_voices/kicker_of_elves.crd
jeffnmoe@mcs.com
file:///C|/olga_main/f-g/g/guided_by_voices/motor_away.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: jeffnmoe@MCS.COM (jeffnmoe)
'Motor Away' by Guided By Voices
from the album 'Alien Lanes'
(for two minutes the Beatles reincarnate as Sebadoh)
standard tuning (EBGDAE)
chords
- x24442
- x68886
- 022100
- 244322
- 144322
- 044300
- 466444
B
D#
E
F#
F#/F
F#/E
G#m
solo at end
-------------0---0--0---11--8--9-----------------------------------
E
when you motor away beyond the once-red lips
B
E
when you free yourself from the chance of a lifetime
B
E
you can be anyone they told you to
G#m
you can belittle every little voice that told you so
D#
and then the time will come when you add up the numbers
G#m
D#
and then the time will come when you motor away
F#
F#/F
F#/E
F#
oh why don't you just drive away
B
E
when you motor away down the icy streets
B
E
you can't lie to yourself that its the chance of a lifetime
B
E
you can be anyone they told you to
G#m
you can belittle every little voice that told you so
D#
and the time will come when you add up the numbers
G#m
D#
and then the time will come when you motor away
F# F#/F
F#/E
oh why don't you just drive away
(solo starts)
B
come on
B
speed on
file:///C|/olga_main/f-g/g/guided_by_voices/motor_away.crd
file:///C|/olga_main/f-g/g/guided_by_voices/my_valuable_hunting_knife.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Here is the music to My Valuable Hunting
Knife, in case you dont know it already. I am in the process of writing a new
kind of tablature. Its user friendly. The video version of this song
absolutely
kicks ass, I think on a level with the ep I am a scientist. They sound better
when they sit on for awhile, Dont stop now aint that great though. Just my
opinion.
<pre>
My valuable hunting Knife.
This whole song is like reduced bar chords, so just concentrate on the 3
lowest strings(or the top ones) you know e, a ,d
intro:nenenene de nene de Abar, Gbar
Cflat(8th fret bar) you drop the pointy finger to get the E but you leave
the
the other two fingers on the cflat
with the pointy dropped to E
If you can figure out what that means you get a Gold star
So you play the intro
Everything I think about I think about, everything i talk about I talk about
Fbar drop pointer to E(leave the rest on F) repeat
With You, but you dont know what I go through, you dont know
Gbar
Intro again
The Ill never know part goes
F but bar its like an open A(above the E) Slide pointer to E slide whole
chord to D
F E D
F E D
GEt it?
file:///C|/olga_main/f-g/g/guided_by_voices/my_valuable_hunting_knife.crd
anyways its F G A G F
</pre>
Those are all the parts
Im Am sure its right though, You can Ask Bob if you want.
I saw Sprout's photo realistic painting, I was pretty surprised. They are
rennaisance men. Love pete
file:///C|/olga_main/f-g/g/guided_by_voices/over_the_neptune.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Over The Neptune / Mesh Gear Fox (R.Pollard) - Propeller (Rockathon/Scat)
From:
1st part: D C B A G F E A
G Em Dm Am 2X (hold Am second time)
play this sequence twice, then repeat the G Em Dm Am sequence four times.
E.
after the solo, the song (obviously) changes....
2nd part: A
Bb
oh, mesh gear fox, pull out another bag of tricks from your
Em*
scientific box
G
Em*
file:///C|/olga_main/f-g/g/guided_by_voices/over_the_neptune.crd
And if you do, i'll come back and marry you, no use changing now, you
D
couldn't anyhow never
Em
it's not the way that i feel that i fear....it's the way you act, it's
C
0 3
0 2 3
that's all for that one....i believe it is correct, but any corrections w
ould be welcome.....hopefully it will come out right on the mailing list.
E..btw, over the neptune/mesh gear fox is by far the best thing the ban
d's ever done, in my humble opinion...
file:///C|/olga_main/f-g/g/guided_by_voices/quality_of_armor.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Quality of Armor (R.Pollard) - Propeller (Rockathon/Scat)
verse: G G G G F F C Am
chorus: G G A5 A5 C C C C
G G A5 A5 C C A5 A5
A5:4D: 7
5A: 7
6E: 5
file:///C|/olga_main/f-g/g/guided_by_voices/red_gas_circle.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Concreteri@aol.com
Date: Thu, 8 Jun 1995 15:48:24 -0400
Red gas Circle
C
We went ahead, We went ahead
C
And set it up , and knock it down
C
file:///C|/olga_main/f-g/g/guided_by_voices/rhine_jive_click.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Rhine Jive Click- Guided by Voices<br>
from "Under the Bushes Under the Stars"<p>
<pre>
C#
Bb
F#m
C#
Bb
F#m
C#
Bb
F#m
C#
or
C#m
C3
F#m
D#
C#
F#m
C#
C#
D#
C#
F#m
D#
C#
F#m
C#
file:///C|/olga_main/f-g/g/guided_by_voices/the_goldheart_mountaintop.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: michael.davidson@the-matrix.com (MICHAEL DAVIDSON)
Date: Tue, 12 Dec 95 15:42:00 -0600
The Goldheart Mountaintop Queen Directory
from the Guided by Voices album Bee Thousand
Tabbed by Michael Diasio and Michael Davidson
Typed by Michael Davidson
On the album, the guitars are tuned down about a whole step, but it
sounds fine in standard, IMHO. The chords are all barre chords.
CHORDS
A
Ab/A B
D
F
F#
G
-
577655
477644
x2555x
x5777x
133211
244322
355433
x2
D
And we passed
A
A/Ab
G
Through the hallways of shatterproof glass
D
B
F#
G (slide up to an A)
She runs through the night as if nobody cares
D
B
F#
G (slide to A)
She screams and she cries and ignores all the stares
D
B
F#
G
She wants me to come but I'm never going there
G
A
The goldheart mountaintop queen directory
file:///C|/olga_main/f-g/g/guided_by_voices/the_goldheart_mountaintop.crd
F
G
D
The goldheart mountaintop queen directory
...comments, corrections, letters of admiration to
michael.davidson@the-matrix.com
Enjoy!
file:///C|/olga_main/f-g/g/guided_by_voices/tractor_rape_chain.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: jeffnmoe@MCS.COM (jeffnmoe)
Date: 30 May 1995 20:20:43 -0500
'Tractor Rape Chain' by Guided by Voices
from the album 'Bee Thousand'
standard tuning (EBGDAE top to bottom)
NOTE: I haven't tabbed the acoustic intro; if you want to
experiment, tune your guitar slightly flat from standard
tuning and use variations of the verse chords.
Also, I haven't included exact number of keystrokes in verse
progression; I tabbed it to show different voicings I use for
same named chords in the verse. If you have other voicings you
prefer to use for these chords, be my guest (gee, thanks dude).
verse progression
Asus2
A
Asus4
A Asus2 A
A Asus2 A
---0--0--0--0--------------------0--0--0--0--0--0--0--0----0--0--0--0--0--0--0--0--0--0--2--2--2--2--2--2--2--2----2--2--2--2--6--6--6--7--7--7--2--4--2--2--2--2--4--2----2--2--2--2--7--7--7--7--7--7--2--2--2--2--2--2--2--2----0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0--0---------------------------------------------------------chorus chords (not in order)
A
A/G#
Bm
D
E
F#m
--0-----0-----2-----2-----0-----2-------2-----2-----3-----3-----0-----2-------2-----2-----4-----2-----1-----2-------2-----2-----4-----0-----2-----4-------0-----0-----2-----------2-----4-------------4-----2-----------0-----2-----****** how it all goes together ******
(acoustic intro not included)
(play verse progression 2x no vocals....)
(then continue to play verse progression while singing...)
Asus2
A
Asus4
A Asus2 A
A
why is it everytime i think about you
Asus2
A
Asus4
something that you have said or implied
A Asus2 A A Asus2 A
makes me doubt you
Asus2
A
Asus4
then i look into your cynical eyes
A Asus2 A
A Asus2 A
and i know it
Asus2
A
Asus4
as if it never meant anything to me
Asus2 A
file:///C|/olga_main/f-g/g/guided_by_voices/tractor_rape_chain.tab
(chorus)
D
A
A/G#
parallel lines on a slow decline
tractor rape chain
D
Bm
A
F#m
better yet lets all get wet on the tractor rape chain
E
D
speed up slow down go all around in the end
(again, play verse progression 2x no vocals....)
(..and continue to play verse progression while singing...)
Asus2
A
Asus4
A Asus2 A A Asus2 A
in the first place its probably just paranoia
Asus2
A
but theres a ghost in my room
Asus4
A Asus2 A A Asus2 A
and he says i better run
Asus2
A
Asus4
A Asus2 A A Asus2 A
its a thing i know
its a thing i believe in
E
won't you tell it to go away?
(repeat chorus)
...questions, comments and corrections to jeffnmoe@mcs.com
file:///C|/olga_main/f-g/g/guided_by_voices/under_the_bushes.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Under the Bushes/Under the Stars
Graciously contributed by Bill Chartier
12 Acorns & Orioles
F#m-Em-Bm
Bm
D
Over the summer somehow I'm waiting somehow straining
Bm
D
and I gave it all away let my strength slip away kept everyone away
Bm
F#m
Em
Bm
Cm
F#m
Repeat intro
Bm
D
I am the minister and an imposter you said I am on my own
Bm
file:///C|/olga_main/f-g/g/guided_by_voices/under_the_bushes.crd
but I am not alone you are the militant fighting to bring me home
Name="Ghosts_of_a_different_dream"
11. Ghosts of a Different Dream
Intro--A-C#m-D-E
A
You dreamt of wine but did you find
F#m
the dregs of a another night dissipated
A
I read the sign you know that wine
F#m
the ghosts of a different dream are waiting
A
a different kind of kiss
F#m
the songs of a different mist are rolling
A
Ive been inside your mist
F#m
the ghosts of another kissed are calling
A-B-C-D-A-C#m-D-E
A
The troops are led and turning red
F#m
they smile with the oldest trumpet blaring
A
a world of hate, cant penetrate
F#m
the ghost of a different shield your wearing
A
a different kind of fight
F#m
keep those telephones a ringing
file:///C|/olga_main/f-g/g/guided_by_voices/under_the_bushes.crd (2 of 23) [4/28/2003 9:55:03 PM]
file:///C|/olga_main/f-g/g/guided_by_voices/under_the_bushes.crd
A
I've been inside alright
F#m
the ghosts of a different dream are singing
9. Lord of Overstock
Intro--D-A-G
Bb--C
file:///C|/olga_main/f-g/g/guided_by_voices/under_the_bushes.crd
Bb
rpt to end...
Gm
Bb
Gm
Bb
Dm
Bb
(F-Gm-Am)
Bb
Am
Gm
Am
Bb
Gm
Am
Bb
file:///C|/olga_main/f-g/g/guided_by_voices/under_the_bushes.crd
Dm
Bb
F-Gm-Am
Bb
Bb
upon command
Am
Bb
Dm
Em
Bm
Em
Bm
?? on the child
Am
national pride
file:///C|/olga_main/f-g/g/guided_by_voices/under_the_bushes.crd
C
in my own
C
G
Em
Em
file:///C|/olga_main/f-g/g/guided_by_voices/under_the_bushes.crd
Em
Chorus
G
Atom Eyes
end
-------------------------------------------------------------------------------------------------0----0----0----0--------------0----0----0----0--------------0----2----4----5-------------Chords to opening--D--Em--F#m--G
Em
file:///C|/olga_main/f-g/g/guided_by_voices/under_the_bushes.crd
Em
Em
Em
F#m
Em
F#m
Em
Em
file:///C|/olga_main/f-g/g/guided_by_voices/under_the_bushes.crd
Em
F#m
Em
F#m
Opening chords--E--A--F#m--A--B
E
Drag days are not so bad but move to slow
If I were them I'd want them not to linger so
E
E
Fake capes baby they're too hard to wear
Put them on and everyone will stare
E
G#m
A
We escape them sometimes and the feeling is different more intensified
F#m
A
G#m
B
We escape them within the walls of our fidgety hearts where we hide
file:///C|/olga_main/f-g/g/guided_by_voices/under_the_bushes.crd
E
Way up and out beyond the factory yards
Up and over the security guards
E
G#m
A
We escape them sometimes and the feeling is different more intensified
F#m
G#m
We escape them within the walls of our fidgety hearts where we hide
E
F#m
F#m
It's crippling
Never really knowing
We're huddling
Where its always nice
file:///C|/olga_main/f-g/g/guided_by_voices/under_the_bushes.crd
Chorus
F
And plus there is a flame
a flame that should be hot?
Bb
Look at them
They're sensitive
And they inch out
Oh look at them
Chorus
F
And plus there is a flame
a flame that should be hot?
Bb
F#m
file:///C|/olga_main/f-g/g/guided_by_voices/under_the_bushes.crd
F#m
Or a statistical occurrence
A
F#m
F#m
F#M
F#m
F#m
F#m
twice
F#m
F#m
file:///C|/olga_main/f-g/g/guided_by_voices/under_the_bushes.crd
Opening---Dm--C--Bb
Bb
Am
Bb
Theyre issuing lives for redmen and their wives
Am
Bb
Am
Often said you better not look away you'll lose the day
Dm
The way I see it
Bb
Am
Bb
And primitive lives for Redmen and their wives
Am
Bread winner and klutz
F
Am
Bb
Am
file:///C|/olga_main/f-g/g/guided_by_voices/under_the_bushes.crd
Bb
repeat intro
Bb
Bm(?)
Bm (?)
Another way
Bb
Bm (?)
Am
Am
Am
D--E----D--E
file:///C|/olga_main/f-g/g/guided_by_voices/under_the_bushes.crd
A--C#m--D--F#m
throughout
Dust Devil
file:///C|/olga_main/f-g/g/guided_by_voices/under_the_bushes.crd
Dm
Dm
Dm
Dm
Dm
Dm
Dm
Dm
Dm
Dm
Dm
Dm
But do return
F
well the people they look at you
F
When the fire spreads show them a room
F
Don't a privy of what we've found
F
On territorial bowling grounds
F
Tum tum tum tum so we go
file:///C|/olga_main/f-g/g/guided_by_voices/under_the_bushes.crd
Dm
All around
D
Slowly build up
F
But do return
Scissors
A
All I ever want to have is
F#m
She said no sir, just forget it
file:///C|/olga_main/f-g/g/guided_by_voices/under_the_bushes.crd
B
A time to figure out
D
Just what's goin' on
A
F#m
Bm---E
A
All my life I've wanted scissors
F#m
Not the kind that are so forgiving
B
Cigar box eraser bits
D
And that rusty tool
Chorus
Sheetkickers
E
Cover your eyes
F#m
The light is too bright
A
F#m
they curse
E
But still
file:///C|/olga_main/f-g/g/guided_by_voices/under_the_bushes.crd (18 of 23) [4/28/2003 9:55:03 PM]
file:///C|/olga_main/f-g/g/guided_by_voices/under_the_bushes.crd
F#m
F#m
F#m
It hurts
E
F#m
F#m
F#m
F#m
F#m
file:///C|/olga_main/f-g/g/guided_by_voices/under_the_bushes.crd
F#m--A
F#m--A
Please Freeze Me
F#
Eb
file:///C|/olga_main/f-g/g/guided_by_voices/under_the_bushes.crd
Eb
B (14th)
F#--B--F#
F#
Bbm
G#
Bbm
Ebm
file:///C|/olga_main/f-g/g/guided_by_voices/under_the_bushes.crd
F#m
F#m
F#m
F#m
B
Chorus:
F#m
F#m
F#m
F#m
file:///C|/olga_main/f-g/g/guided_by_voices/under_the_bushes.crd
Chorus
file:///C|/olga_main/f-g/g/guided_by_voices/underwater_explosions.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
UnderWater Explosions
<i>tabbed by David Marley</i>
<p>
verse: B F# G# E<br>
chorus: B E B G# B F# A<br>
last chorus: B E B G# B F# G E<br>
end: B F# twice<br>
<br>
hopefully you can all catch the changes....
file:///C|/olga_main/f-g/g/guided_by_voices/unleashed.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Unleashed! The Large-Hearted Boy
by Guided By Voices
Written by R. Pollard/J. Pollard/T. Sprout/M. Mitchell
from the album Propeller released 1992
tabbed by:
Mark Benedetti
The chords are more easily heard on the live version on "Crying Your Knife
Away", which is played capoed up 3 frets.
Bassline
G-------------------------------------------0--0-2-0-0-0-2-0D---------------0--0-0--0-0-0-0--2--2--2-2-2----------------A-----------------------------------------------------------E--3--3--3-3-3-----------------------------------------------
Chords:
same sequence throughout the song, follow the changes of the bassline(all
powerchords): G D E C
file:///C|/olga_main/f-g/g/guided_by_voices/weed_king.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Weed King (R.Pollard) - Propeller (Rockathon/Scat)
verse chords: C#m A
the song proceeds like that until Bob get to this part:
C# (regular)
F#
file:///C|/olga_main/f-g/g/gummoe_john/rhythm_of_the_rain.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
From: Bryen1@aol.com
Date: Sat, 10 Feb 1996 04:47:25 -0500
Rhythm of the Rain
written by John Gummoe =A9 1962
=0D
G
C
Listen to the rhythm of the falling rain
G
D
D(sus4)
Telling me just what a fool I=92ve been
G
D/F#
C
C# =
I wish that it would go and let me cry in vain
G
D
G
D
And let me be alone again
=0D
G
C
Now the only girl I=92ve ever loved has gone away
G
D
D(sus4)
Looking for a brand new start
G
D/F#
C
C# =
Little does she know that when she left that day
G
D
G
Along with her she took my heart
=0D
REFRAIN
C
Bm7
Rain please tell me now does that seem fair
Am7
G
D/F#
For her to steal my heart away when she don=92t care
Em
Am7
I can=92t love another when my heart=92s somewhere
D
C(add D)
Far away
=0D
Listen to the rhythm of the falling rain
Telling me just what a fool I=92ve been
I wish that it would go and let me cry in vain
And let me be alone again
=0D
Oh, the only girl I=92ve ever loved has gone away
Looking for a brand new start
Little does she know that when she left that day
Along with her she took my heart
=0D
REFRAIN 2
Rain won=92t you tell her that I love her so
Please ask the sun to set her heart aglow
And rain in her heart and let the love we knew
Start to grow
=0D
Listen to the rhythm of the falling rain
Telling me just what a fool I=92ve been
I wish that it would go and let me cry in vain
file:///C|/olga_main/f-g/g/gummoe_john/rhythm_of_the_rain.crd
E A D G B e
x 4 5 0 5 0
1 2 0 3 0
--PART.BOUNDARY.0.1518.emout06.mail.aol.com.823945642--
file:///C|/olga_main/f-g/g/gun/word_up.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: comprg@lmu.ac.uk (Paul R. Goulden)
WORD UP - GUN
TABBED BY P.R.GOULDEN
SYMBOLS:
FB
SL
AH
>
PS
PO
BU
LD
FEEDBACK
SLIDE
PINCHED HARMONIC
ACCENT
PICK SCRAPE
PULL OFF
BEND UP
RELEASE BEND
ENJOY!
FB
-------------------------------------------------------------------------------------7~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------INTRO GUITAR:
SL
--------------------------------|----------------------------------------------------------------------------|----------------------------------------------------11-----X-X--11------X-X-|-9---9--X---9--------X\-----X-----------------------11-----X-X--11------X-X-|-9---9--X---9--------X-\----X------------------------9-----X-X---9------X-X-|-7---7--X---7----7---X\-\---X-----------------------------------------------|-----------------------\-\-------------------
file:///C|/olga_main/f-g/g/gun/word_up.tab
SL
SL
------------------------------------|----------------------------------------------7---X-X---7-----9----X-X---9--|----11--11----------11------11----------------7---X-X---7-----9----X-X---9--|----11--11----------11------11----------------7---X-X---7-----9----X-X---9--|----11--11----------11------11\---------------------------------------------|-------------9--9--------------\------/9------------------------------------|--------------------------------\----/---
------------------------------------|----------------------------------------------12-12-12-12--12----11----X----|------10-10-10-10--10------9-------------11---11-11-11-11--11----11----X----|-------9--9--9--9---9------9-------------11---14-14-14-14--14----14----X----|------12-12-12-12--12------9--------------9---------------------------------|----------------------------------------------------------------------------|----------------------------------------SL
------------------------------------|----------------------------------------------------------------------------|------14---14----------14--------------------7----X-X----7---9---X-X----9---|------14---14----------14--------------------7----X-X----7---9---X-X----9---|-----------------16--------------------------5----X-X----5---7---X-X----7---|-------------------------------/17\-----------------------------------------|------------------------------/----\--X-The Verse is played by 2 guitars , one playing the Main guitar riff and
the second plays the same but an octave lower using a drop D tuning.
GUITAR FILL ( CHORUS )
SL
SL
SL
SL
------------------------------------|----------------------------------------------------------------------------|---------------------------------------------------14----------13-\--11-----|--14----11-/-13-\-11-----------9-/-11---------------X-----------X-----X-----|---X-----X----X----X-----------X----X--------------12----------11-\---9-----|--12-----9-/-11-\--9-----------7-/--9---------------------------------------|-----------------------------------------
------------------------------------|----------------------------------------------------------------------------|------------------------------------------(11)------------------------------|--(11)----14-------13-\-11-----------------(X)------------------------------|---(X)-----X-----X--X----X-----------------(9)------------------------------|---(9)----12----X--11-\--9--------------------------------------------------|-----------------------------------------
SL
SL
------------------------------------|----------------------------------------------------------------------------|-------------------------------------------14---------13-\-11---------------|--------------------------------------------X------X---X----X---------------|-------------------------------------------12-----X---11-\--9---------------|-------------------------------------------------------------------17\------|-----------------------------------------
GUITAR 1 : VERSE 2
>
>
( DROP D TUNING )
>
>
>
>
RPT X4
file:///C|/olga_main/f-g/g/gun/word_up.tab
------------------|-----------------|------------------|-----------------|---------------------|-----------------|------------------|-----------------|---------------------|-----------------|------------------|-----------------|-----4-4-4-4-4-4-4-4-|-2-2-2-2-2-2-2-2-|--0------2--------|-4-4-4-4-4-4-4-4-|-----4-4-4-4-4-4-4-4-|-2-2-2-2-2-2-2-2-|--0------2--------|-4-4-4-4-4-4-4-4-|-----4-4-4-4-4-4-4-4-|-2-2-2-2-2-2-2-2-|--0------2--------|-4-4-4-4-4-4-4-4-|---GUITAR 2 : VERSE 2
------------------------|---------------------|---------------------|--------------------------------|---------------------|---------------------|----------------------------2'--|-----------------2'--|-----------------2'--|-------------4-----2--4---------|--4~~~--2--4---------|--4~~~--2-4-2--------|-------------------------4------|--------------4------|--------------4------|-------------------------------|---------------------|---------------------|---------
SL
RPT X4
---------------5'------------|----------------------------------------------------------------7-5---------|---------------------------------------------------------/6---------6-5-4---|----------------------------------------------------4~~~------------------7-|----------------------------------------------------------------------------|----------------------------------------------------------------------------|------------------------------------------------
GUITAR 1 : MIDDLE 8
RPT X8
------------------------------------|----------------------------------------------------------------------------|----------------------------------------------------------------------------|------------------------------------------------4---4-------4---4-------4---|----------------------------------------------------------------------------|--------------------------------------------4-----------4-----------4-------|-----------------------------------------
GUITAR 2 : MIDDLE 8
------------|-----------|---------|-----------|------|------|-----------|----------------|-----------|---------|-----------|------|------|-----------|------11------9-|-9------\8-|-8-------|-7-------6-|--6---|--5---|-----------|-------X------X-|-X-------X-|-X-------|-X-------X-|--X---|--X---|-9-\7--\6--|--4----9------7-|-7------\6-|-6-------|-5-------4-|--4---|--3---|-X--X---X--|--X-------------|-----------|---------|-----------|------|------|-7-\5--\4--|--2-GUITAR 3 : MIDDLE 8
--------------|--------------|--------------|---------------|------------------------------|--------------|--------------|---------------|--------------------6------/9-|-(9)-------11-|-11--------14-|--14---------9-|---9----------------X-------X-|------------X-|--X---------X-|---X---------X-|---X----------------4------/7-|-(7)--------9-|--9--------12-|--12---------7-|---7--------------------------|--------------|--------------|---------------|-----------------
------------------|---------------------------|------------------------------------------------|---------------------------|-------------------------------
file:///C|/olga_main/f-g/g/gun/word_up.tab
----8----------/7-|-7---------6---\4---4------|----------------------------------X-----------X-|-X---------X----X---X----7-|----7-----------------------------6----------/5-|-5---------4---\2---2----X-|----X-------------------------------------------|-------------------------5-|----5--------------------------
GUITAR SOLO;
BU LD
---------------|-------------------|--------------------(2)-|-------------------------------|--4'---4--(4')--4'-|--4'---4--(4')----------|---------------------4-(6)-4-2-|--4'---4--(4')--4'-|--4'---4--(4')----------|-------------------------------|-------------------|------------------------|-------------------------------|-------------------|------------------------|-------------------------------|-------------------|------------------------|-----------------
BU LD
PO
PH
SL
PH PH PH BU LD SL SL SL
-------------------------------|--------------------------------|-------------------------------------------|--------------------------------|----------------4-(6)-4-2-----2'-----------|--------2--4--------------------|--------------------------4-2-----4--------|--2-----------4-(6)4/--X\----/X-|----------------------------------------2/4-|-----4-----------------X\----/X-|-------------------------------------------|-----------------------X\----/X-|-------------
BU
BU
SL
SL
-----------------------------|-----------------------------------|-------------14-------------------------|-16-(17)---------------------------|-------------14-(15)--------------------|-16-(18)--14-----------------14----|--------------------16---16~~~~~~-14----|--------------16~~~\---14-16----16-|-------------------------------------16-|-----------------------------------|----------------------------------------|-----------------------------------|------------
BU
BU
BU LD
BU
------------------------------------------|------------------------------14-------------17----------17-------17--------|--------------------------17 (19)----16-(18)----16-(18)-(18)--16-(18)-16-14-|-16----14'------14----------------------------------------------------------|----16-------14----16~~~\---------------------------------------------------|----------16----------------------------------------------------------------|-----------------------------------
LD
BU
MU
BU
LD
--(14)-(14)----------------14---------|------------------------------14--------(19)-(17)--17-(19)~~~~~-----(17)-14-|--17-(21)--17-----17~~~~~--------17-----------------------------------------|----------------------------------------------------------------------------|----------------------------------------------------------------------------|----------------------------------------------------------------------------|--------------------------------------PO
BU
PO
BU
---17-14----14-------14---------------------------------|-----------------------------17--17-(19)----17-14---------------------------|--------------------------------------------------17-16'14----16----14-(16)-|-----------------------------------------------------------16----16---------|----------------------------------------------------------------------------|--------------------file:///C|/olga_main/f-g/g/gun/word_up.tab (4 of 5) [4/28/2003 9:55:05 PM]
file:///C|/olga_main/f-g/g/gun/word_up.tab
--------------------------------------------------------|--------------------PS
SL
SL
---------------------------------------|--------------------------------------------(14)----14'------14-------------|---------------------------------------------14-----14'------14--------\----|--14\11-11-11----11/13---13---------------14-------------16-----16--16--\---|---X--X--X--X-----X--X----X------------16--------------------------------\--|--12\-9--9--9-----9/11---11-----------------------------------------------\-|-------------------------------------SL
SL SL
BU
BU
--------------------------------|----------------------------------------------------------------------------|-------------------------17---17--------------13\-9-----9/11\9--------------|---------14--16--16-(18)(18)--16-(18)----------x--X-----X--X-X--------------|-14--16----16--X------------------------------11\-7-----7/-9\7-----14-15-16-|---16--16-------------------------------------------------------------------|--------------------------------------------BU
BU
LD PO
SL
-------------------------------------------------------------------------------17---------17-------------------------------------------------------------------16-(18)----16-(18)-16-14------------------------------------------------------------------------------16---X\-----------------------------------------------------------------------------\-----------------------------------------------------------------------------\---------------------------------------
file:///C|/olga_main/f-g/g/guns_n_roses/civial_war.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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From: Joe Pruitt <jpruitt@ws99dwatcm.wr.usgs.gov>
Message-Id: <9210021650.AA19277@ws99dwatcm>
Subject: TAB: Guns_n_Roses "Civil War"
To: jamesb@nevada.edu
Date: Fri, 2 Oct 92 9:50:29 MST
Access: Unrestricted
Acknowledge-Receipt: Requested
Extended-Access: All
Length: 51 lines
1 page(s)
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Signed: Joe Pruitt
X-Mailer: ELM [version 2.3 PL0]
Guns 'n' Roses
Intro:
1
2
3 4
1
2
3
4
E ||------------------------|------------------------|
B ||------------------------|------------------------|
G ||-----0---------0--------|-----0---------0--------|
D ||---2--2-2----2--2-----2-|---0--0-0----0--0-----0-|
A ||--2-2--2------2--0(h)2--|----2--2------2--0(h)2--|
E ||-0---------0------------|-3---------3------------|
E
B
G
D
A
E
1
2
3
4
1
2
3
4
|------------------------|------------------------|
|------------------------|------------------------|
|-----0---------0--------|-----0---------2(p)0-0--|
|---2--2-2----2--2-----2-|---0--0-0----0------2---|
|----2--2------2--0(h)2--|----2--2------2---------|
|-0---------0------------|-3---------2------------|
E
B
G
D
A
E
1
2
3
4
1
2
3
4
|-12--------10-----------|------------------------|
|------------------------|-10-11-12---------------|
|------------------------|------------------------|
|------------------------|------------------------|
|------------------------|------------------------|
|------------------------|------------------------|
E
B
G
D
A
E
1
2
3
4
1
2
3
4
|-12--------10-----------|------------------------|
|------------------------|-10-11-12--10-8\7\5-----|
|------------------------|------------------------|
|------------------------|------------------------|
|------------------------|------------------------|
|------------------------|------------------------|
(h) = hammer on
(p) = pull off
Singing starts.
Sorry, no chords.
file:///C|/olga_main/f-g/g/guns_n_roses/civial_war.tab
is all that I can remember off the top of my head since I haven't
played this tune for a while.
--___
/~~~\
/ ~ \
( O O ) /
\ | / / Good Bye!
\ v / \
From
\_/
\
___
_ __
>
' ) )
_/_ _/_
__/______/>
/--' __ . . o /
/
/ / (_) (__
/
/ (_(_/_<_<___<__
<_/ +--------------------------------+
| jpruitt@fs01dwatcm.wr.usgs.gov |
+--------------------------------+
'Live long and always remember to SMB'
(
file:///C|/olga_main/f-g/g/guns_n_roses/civil_war.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Received: from animal-farm.nevada.edu by redrock.nevada.edu (5.65c/M1.4)
with SMTP id <AA12643>; Tue, 15 Jun 1993 03:11:33 -0700
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id AA14319; Tue, 15 Jun 1993 13:11:20 +0300
Date: Tue, 15 Jun 1993 13:11:20 +0300
From: misha@phoenix.oulu.fi (Mika Salmela)
Message-Id: <9306151011.AA14319@phoenix.oulu.fi>
To: jamesb@animal-farm.nevada.edu
Subject: Civil War by Guns 'n Roses
Copied by Mika Salmela from book Use Your Illusion II by GnR.
Civil War
Guns N Roses
Em
Rhy.Fig 1
G
|----------------------------------|-------------------------------------|
|----------------------------------|-------------------------------------|
|-------0----------------0---------|-------0---------------0-------------|
|---2-----2---2------2-----2-----0-|---0-----0---0-----0-----0-----2-----|
|-----2-----2------2---2-----0h2---|-----2-----2-----2---2-----0h2-------|
|-0--------------0-----------------|-3-------------3---------------------|
Em
G
|-----------------------|------------------------|
|-----------------------|------------------------|
|------0---------0------|------0-----------2-0-2-|
|---2---2-2---2---2---2-|---0---2---0---0-----2--|
|--2-2---2---2-2---0h2--|--2-2---0h2---0-0-------|
|-0---------0-----------|-3-----------2----------|
Riff A
Em
G
Em
G
|-12----10--------|-------------------|-12-----10----------|---------------||
|-----------10-11-|---12--------------|--------------10-11-|12-----10s8s7s-||
|-----------------|-------------------|--------------------|---------------||
|-----------------|-------------------|--------------------|---------------||
|-----------------|-------------------|--------------------|---------------||
|-----------------|-------------------|--------------------|---------------||
|
||
|------------------|-----------------|------------------|------------------||
|------------------|-----------------|------------------|------------------||
|----0-------0-----|---0-------0-----|----0-------0-----|----0--------2-0-0||
|--2--2-2--2--2---2|-0--0-0--0--0---0|--2--2-2--2--2---2|--0--0-----0----2-||
|-2-2--2--2-2--0h2-|--2--2--2-2--0h2-|-2-2--2--2-2--0h2-|-2-2--2-0-0-0-----||
|0-------0---------|3------3---------|0-------0---------|3--------2--------||
1st verse
w/Rhy.fig 1(3 times)
Em
(end Riff A) G
|--------------------|--------------------------------------------|
|s5------------------|--------------------------------------------|
file:///C|/olga_main/f-g/g/guns_n_roses/civil_war.tab
|--------------------|--------------------------------------------|
|--------------------|--------------------------------------------|
|--------------------|--------------------------------------------|
|--------------------|--------------------------------------------|
w/Riff A
Em
G
Em
|------0---------0----|-------0---------------0-|------0---------0-------|
|---5---5-5---5---5-0-|---3----3---3---3-----3--|---5---5-5---5---5--3---|
|--4-4---4---4-4---4--|--4------------4-----0---|--4-4---4---4-4---------|
|-5---------5---------|-5---5----5---5---5-4----|-5---------5------4-----|
|---------------------|-------------------------|------------------------|
|---------------------|-------------------------|------------------------|
G
D/F#
G
Em
G D/F#
|-------0-----------0--------|--------|--------|--------|
|---3----3---3---3---3-----0-|--------|--------|--------|
|--4------------2-0----------|--------|--------|--------|
|-5---5----5---4-------4s2---|--------|--------|--------|
|----------------------------|--------|--------|--------|
|----------------------------|--------|--------|--------|
A5
A5#4 A5
|----------0------0-----|---------3-0---0-------3-2---||
|------5---4-------4----|---------------4-----3----3s5||
|-2-2---2------2------2-|-2---2-------------2---------||
|-2--2---5----4-4----4--|---5---5-----5----4----------||
|-0----------0----------|-----------------0-----------||
|-----------------------|-----------------------------||
Rfy.Fig 2
E5
G
D/F# E5
G
D E G F# E5
|----0--|-----------|-------0---|-----2--2-------|-----0-----------------|
|----0--|-0---------|-------0---|-0---3--3-------|---0---0---------------|
|-------|-0---------|-----------|-0---2--2-------|-----------0-0---------|
|-------|-0---------|-----------|-0---0----------|-----------0-0---------|
|-2-----|-----------|-----------|----------------|-----------------------|
|-0-----|-3----3-2b-|-0---0-----|-3---------0-2b-|-0---------------------|
G
E5
G
D
|------------|-------0-------|---------2---------|--------|
|-0----------|-0-----0-------|-0-------3--3------|-0----4-|
|-0----------|-----------0-0-|-0-------2--2------|-2----4-|
|-0----------|-2---------0-0-|-0---0-0-0---------|-2----0-|
|------------|-2--2----------|---------------0-0-|-0------|
|-3-----3-2b-|-0--0----------|-3-----------------|--------|
w/Rhy Fig. 2
E5
|------------------||----0------0---3-(3)b--0------0-----|
|------0-----------||------0-3b---0-3-(3)b----0-3b---0---|
|-2--0-0--2--2-----||-2b-------------------------------0-|
|-2----0--2--2-----||------------------------------------|
|-0-------0--0-----||------------------------------------|
|---------------5s-||------------------------------------|
G
D/F# E5
G
|-------------|----0------0---3--0------0-----|--------------------------|
|-8-----------|------0-3b---0-3----0-3b---0---|-8-8-7h8p7----------------|
|-7-----------|-2b--------------------------0-|-7---------9-7-7-7-7------|
|----2s4sxs14-|-------------------------------|--------------7------10s--|
|--------xs14-|-------------------------------|--------------------------|
file:///C|/olga_main/f-g/g/guns_n_roses/civil_war.tab (2 of 8) [4/28/2003 9:55:07 PM]
file:///C|/olga_main/f-g/g/guns_n_roses/civil_war.tab
|-------------|-------------------------------|--------------------------|
E5
G
|----0------0---3-0------0---|---------------------------|
|------0-3b---0-3---0-3b--0--|-8--6-7-8-10-13s-s10s15----|
|-2b-----------------------0-|-7--5-6-7--9-12s-s9--------|
|----------------------------|---------------------------|
|----------------------------|---------------------------|
|----------------------------|---------------------------|
Rhy. Fig. 3
E5
G
D
G
|---0------0---3-0-----0---|--------||-----------------------------------|
|-----0-3b---0-3--0-3b--0--|-8---7--||-8-----3----0---------3-----0------|
|-2----------------------0-|-7---7--||-7--0-----0-------0-----0----------|
|--------------------------|--------||-----0----------4---4-----4--------|
|--------------------------|--------||--------------2--------------------|
|--------------------------|--------||-3---------------------------------|
Em
G
Bm(b6)
|----------------------------|------------------------------|
|----------------------------|-------3---0---------3-----0--|
|------------------0-0-------|---0-----0-------0-----0------|
|---2--2---2---2-----------0-|-----0---------4---4-----4----|
|--------2-------2-----0h2---|-------------2----------------|
|-0---0------0---------------|-3----------------------------|
w/Rhy Fig. 3
Em
C
D
G
Bm(b6)
|--------------------------0------|--------------------------0-|
|--------------------3-1------3-0-|-------3---0-------3------0-|
|--------0----------------------0-|-----0---------------0------|
|---2------2---2---2-----0--------|---0-----0------4------4----|
|------2-----2---3----------------|-------------2--------------|
|-0-------------------------------|-3--------------------------|
Em
G
Bm(b6)
|-------0---0------------------|----------3--------------------|
|-------0-0--------------------|--------3-------------3-----0--|
|-------0-------------0--------|------0-----0-----0-----0------|
|---2---------------2--------0-|-0--0-------------4-4-----4----|
|-----------------2-----0h2----|--------------2----------------|
|-0------------0---------------|-3-----------------------------|
Em
C
D
G5
B5
A
|--------------------0--0-------2--2---||--------------------------------|
|--------------------1--1----3--3--3---||--------------------------------|
|--------------------0--0-0--2--2--2---||--------------------------------|
|---2--2-------------2--2-------0--0---||--------------------------------|
|--------2-2-2-2--3--3--3-------0--0-0-||--------------------------------|
|-0------0-0-0-0-----3--3-------2--2---||--------------------------------|
I dont need your civil war
E5
G5
B5
A
E5
It feeds the rich while it burries the poor.
G5
B5
E5
E
E5
Your power hungry selling soldiers in a human grocry store aint that fresh
G5
B5
a E5
I dont need your civil war.
C
D
oo no no no no
file:///C|/olga_main/f-g/g/guns_n_roses/civil_war.tab
Guitar solo
G
B5
E5
|------------------------------|-----------------------|
|------15----------------------|-------------------15s-|
|-14b-----14(14)p12-14---12-14-|-14b(14)p12------------|
|------------------------------|------------14-14------|
|------------------------------|-----------------------|
|------------------------------|-----------------------|
G
B5
E5
C
D
|--------------------------|------------------------------------|
|-----3------------3-------|-----6s5-5-3-5p3s1-3-1-3p1p0---0-8b-|
|-2b----2-0-2--2s4---4s2p0-|-2-0-------------------------0------|
|--------------------------|------------------------------------|
|--------------------------|------------------------------------|
|--------------------------|------------------------------------|
G
B5
E5
|--------5--------------------8b-|(8)-8-7-8-7h8p7p5---7---7-7------|
|(8)-(8)---8-7-7b--7--7p5---5----|------------------8---8----------|
|-------------------------7------|----------------------------9--7-|
|--------------------------------|---------------------------------|
|--------------------------------|---------------------------------|
|--------------------------------|---------------------------------|
G
B5
|----------------------------------12------|
|---------15-------------15-15b-15b--15-12-|
|-14b-14b----14b-12-14s16------------------|
|------------------------------------------|
|------------------------------------------|
|------------------------------------------|
3rd verse
w/Rhy Fig 1(2 times)
E5
C
D
E5
|-----------------------------------------------------||-----------------|
|-----------------------------------------------------||-----------------|
|-14b-14-p12------------------------------------------||-----------------|
|------------14-14--12--------------------------------||-----------------|
|----------------------14s12p10-12-10-12b-12-10-------||-----------------|
|-----------------------------------------------12-10-||-12--------------|
Look at the ..
G
Em
Look at the blood we're spilling Look at the world we're killing the
G
D/f#
way we're always done before
Em
G
G
D/F#
|-12----10-------|--------|-12-----10-------|---------------------------|
|----------10-11-|-12-----|-----------10-11-|-12-------------10---------|
|----------------|--------|-----------------|---------------------------|
|----------------|--------|-----------------|---------------------------|
|----------------|--------|-----------------|---------------------------|
|----------------|--------|-----------------|---------------------------|
I dont want to hear no more
4th verse
file:///C|/olga_main/f-g/g/guns_n_roses/civil_war.tab
A5
A5#4
G
D/F#
all I've seen has changed my mind, but still the
E5
wars go on as the as the years go by with no
G
D
E G F#
E5
love of God or human rights. Cause all these dreams are swept aside by
G
E5
bloody hands of the hypnotized who carry the cross of homicide.
And
G
D
hist'ry bears the scars of our civil wars.
w/Rhy Fig. 2
E5
|---------------|---------------------||---0------0---3---0------0-------|
|---------------|---------------------||-----0-3b---0-3-----0-3b---0-----|
|-7h9-----5---2-|-----2-------2-------||-2---------------------------0---|
|-7-------5---2-|---0-2-2-2-2-2-------||---------------------------------|
|-0---------0---|-0---0-0-0-0-0-------||---------------------------------|
|---------------|-----------------12s-||---------------------------------|
G
D/F#
E5
|-3---0-3p0-2h3p2p0----0---------------|---0----0---3--0-----0-----------|
|-3--------------------0-3p0---0-3p0---|---0-3b---0-3----0-3---0---------|
|-------------------2b-------3-------2b|(2)----------------------0-------|
|--------------------------------------|---------------------------------|
|--------------------------------------|---------------------------------|
|--------------------------------------|---------------------------------|
G
D E G F# E5
G
|------------------|---0------0---3--0------0-----|----------------------|
|-8--7h8p7p5-7--7s-|-----0-3b---0-3----0-3b---0---|-3----3---------------|
|-7----------------|-2--------------------------0-|-2b---2--2(2)p0-------|
|------------------|------------------------------|----------------------|
|------------------|------------------------------|----------------------|
|------------------|------------------------------|----------------------|
E5
G
D
A5
B/A
Am
|-0------0---3-0------0----|-------------|----------------|--------------|
|---0-3b---0-3---0-3b---0--|-8--7h8-7--7s|10-------------4|--------------|
|2------------------------0|-7--7---7--7s|9/2------------4|-------------5|
|--------------------------|-------------|--2-------------|-------------5|
|--------------------------|-------------|--0--0-0-0-0-0--|-0-0-0-0-0-0--|
|--------------------------|-------------|----------------|--------------|
|
|
|-------------|---------------||-----------------|-----------------------|
|-------------|---------------||-----------------|-----------------------|
|-------------|---------------||-----------------|-----------------------|
|-------------|---------------||-----------------|-----------------------|
|-------------|---------------||-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-0-0-0-|
|-------------|---------------||-----------------|-----------------------|
F/A
Am
C5
|------------------|----------------|-----------------|------------------|
|------------------|----------------|---------------5-|------------------|
file:///C|/olga_main/f-g/g/guns_n_roses/civil_war.tab
|--------------7---|-------7-----10-|-------10------5-|-------5---5--0---|
|------------------|-------7-----10-|-------10--------|-------5---5--0---|
|-0-0-0-0-0-0------|-0-0-0-0-0-0----|-0-0-0-----0-0---|-0-0-0-----3--0---|
|------------------|----------------|-----------------|------------------|
|
|
|------------------------|-------------|---------------|-----------------|
|------------------------|-------------|---2-----------|-------5--5s3----|
|------------------------|-------------|---2---------7-|---9---5--5s4----|
|------------------------|-------------|---2-----0---7-|---7-------------|
|--0-0-0-0-0-0-0-0-0-0-0-|-0-0---0-0-0-|-0-----0---8---|-8---9-----------|
|------------------------|-----3b-3----|---------------|-----------------|
E5
C
D
no no no no no no no no
D
Rhy Fig. 4
G
B5
E5
no
I dont need your civil war!
B5
E5
I dont need your civil war
B5
E5
Your power hungry selling soldiers in a human grocry store, aint that fresh!
(end Rhy Fig 4)
B5
B5
C
D
I dont need your civil war, no no no no no no no no no no ah
Outro solo
W/Rhy Fig 4
G
B5
|-----------------------------------------|
|-----12-15----12-15----12-12-15----12-15-|
|-14b-------14-------14----------14-------|
|-----------------------------------------|
|-----------------------------------------|
|-----------------------------------------|
E5
|-----------------------------------------|
|-----12-15----12-15-----12-15-----15-----|
|-14b-------14-------14b-------14b----14b-|
|-----------------------------------------|
|-----------------------------------------|
|-----------------------------------------|
|-----------------------------------------------|
|----15----12-----12-15-----12-15-----12-15-----|
|-14----14----14b-------14b-------14b-------14b-|
|-----------------------------------------------|
|-----------------------------------------------|
|-----------------------------------------------|
G
B5
|---------------------------------|-12-----12----------------------------|
|----15----12-15p12----12-15b-15b-|----15b----15p12----15-12-13h15p13p12-|
|-14----14----------14------------|-----------------12------------------1|
|---------------------------------|--------------------------------------|
|---------------------------------|--------------------------------------|
|---------------------------------|--------------------------------------|
E5
file:///C|/olga_main/f-g/g/guns_n_roses/civil_war.tab
|------------------------------------15b-|-15b-15-14-15-14h15p14p12------|
|----12----------------------------------|-------------------------------|
|-15----15-14-14b-14-p12----14----12-----|-------------------------------|
|------------------------14----14--------|-------------------------------|
|----------------------------------------|-------------------------------|
|----------------------------------------|-------------------------------|
C
D
|-15----12h14p12----12-14b-14s-----|----20b-----20-|
|----15----------15------------s15-|-17----(20b)---|
|----------------------------------|---------------|
|----------------------------------|---------------|
|----------------------------------|---------------|
|----------------------------------|---------------|
E5
|-19-20-19h20p18p17-19--17-----|-----------------------------|
|--------------------------19b-|-19-17-19b--19-p17----17-15b-|
|------------------------------|-------------------16--------|
|------------------------------|-----------------------------|
|------------------------------|-----------------------------|
|------------------------------|-----------------------------|
G
B5
E5
|----12-------------------|-17b--17-15-17-17-|-17--15-17-15-17b-p15-17-15|
|-15----15-12-------------|------------------|---------------------------|
|-------------14-14-12----|------------------|---------------------------|
|----------------------14-|------------------|---------------------------|
|-------------------------|------------------|---------------------------|
|-------------------------|------------------|---------------------------|
C
D
|-17b--15b---------------|----12-------------------||
|----------17--15h17-15b-|-15----15-12-------------||
|------------------------|-------------14----12----||
|------------------------|----------------14----14-||
|------------------------|-------------------------||
|------------------------|-------------------------||
G
|-------------------------|-------------------|---------------------|
|-------------------------|-------------------|---------------------|
|-12--7s9s7--4--4---------|---7s9-9-----------|---7s9s5-4-4---------|
|-----------------7s9s7s5-|-----------7s9s7s5-|-5-----------7s9s7s5-|
|-----5s7s5--2--2---------|---5s7-7-----------|---5s7s5-2-2---------|
|-----------------5s7s5s3p|0----------5s7s5s3-|-3-----------5s7s5s3p|
|----------------|----------------------|-----------------|
|----------------|----------------------|-----------------|
|--7s9-----------|----7s9s7-4-4---------|--7s9s7----------|
|--------7s9s7s5-|-5------------7s9s7s5-|---------7s9s7s5-|
|--5s7-----------|----5s7s5-2-2---------|--5s7s5----------|
|0-------5s7s5s3-|-3------------5s7s5s3p|0--------5s7s5s3-|
|---------------------|------------------|-------------||
|---------------------|------------------|-------------||
|---7s9s7-4-4---------|----7s9-----------|----7s9s7-4--||
|-5-----------7s9s7s5-|----------7s9s7s5-|-5-----------||
|---5s7s5-2-2---------|----5s7-----------|----5s7s5-2--||
|-3-----------5s7s5s3p|0---------5s7s5s3-|-3-----------||
file:///C|/olga_main/f-g/g/guns_n_roses/civil_war.tab
file:///C|/olga_main/f-g/g/guns_n_roses/dont_cry.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: hhuang@husc.harvard.edu
Subject: Guns N Roses, "Don't Cry"
Am
Dm
G
|-------0-------------1---------------3-----------------------|
|---------1---------3---3---------------3---------------------|
|-----2-----2-----2-------2---------0-----0-------0-----0-----|
|---2---------0-0-----------------0-------------0-----0-------|
|-0-------------------------0---2-----------0-3-----2-----3-2-|
|-----------------------------3-------------------------------|
E
B
G
D
A
E
Am
G/B
A5
G5
F5
G5
A5
CRY
- GNR
Intro:
N.C.
Am
Dm
G
G/B (C)
----------0------------1----------------3----------------------------------1----------3-3----------------3------------------------2----2------2-----2-----------0----0------------0-------0----------2---------0-0-----------------0-----------------0-------0--------0-------------------------0---2-------------0---3-------2-----3-2-0-3------------------------------3--------------------------------------|____________________________________________________________________|
Main Riff
|__|
Only in intro
End of intro (after riff is played twice (through Dm only)
D---------------------------------2-------
file:///C|/olga_main/f-g/g/guns_n_roses/dont_cry.tab
F
Don't you
G
G
cry
Am
tonight
Am----------------------.
I still love you baby
F
F
Don't you
G
G
cry
F
G
Don't you cry
C
There's a heaven
F
Am
tonight
C
tonight
C
above you baby
F
G
And Don't you cry
Am
tonight
AAAAA
file:///C|/olga_main/f-g/g/guns_n_roses/dont_cry.tab
------0---------------0/2-----------3------------0---Thanks, Mark.
First version by Gavin Gregan
Corrections (appreciated ) by Mark Bober
file:///C|/olga_main/f-g/g/guns_n_roses/double_talkin_jive.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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Message-Id: <199211160420.AA29366@sunset.cse.nau.edu>
From: "J. Dahmer" <efj@sunset.cse.nau.edu>
Date: Sun, 15 Nov 1992 21:20:55 MST
X-Mailer: Mail User's Shell (7.2.3 5/22/91)
To: jamesb@nevada.edu
Subject: Guns N Roses - Double Talkin Jive
Double Talkin' Jive Main Solo
(Guns N Roses - Use Your Illusion I)
-------------------------------------------------------------------------------------------------------------------------H-P-----H-----------------------------[[1]]----[[1]]---H-P----4~~~~~-/-7-5-7-5-\-4-5~~~~---------------2-/-3~~~-3---3~~~-3---3-2-3-2----------------------------------------------------------------------------2-----------------------------------------------------------------------------------------------------------------------------------------H-P-----H-----------------------H--P---------H-------------8--6-5-6--/-8-6-8-6-\-5-6----/-12--/-15~~~-13--15-13--\--12-13-----------5---------------------------4-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------H[[1]]
H P
---15--13-13-12-13----13-12~~~-12-13-12\10--H------------------------------13-----------------------------------------12------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------[[1/2]]
---H-P-----------------------------------------[[1]]------19------19~~~----8-12-8--H--P--------H-P-----------------------18----18-17-------------------------11-10-----9-10-9---12\10---/14~~~--/17---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------[[1]]
-20---20~~------------20-19-20------------[[1/2]]-----19-18-19-------------------------18-17-18------------18-17-18-17-----17~~-----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------rake
---19----19--------x-------------------------------------------------------17----17----17------x--------[[1]]--------------------------------------------------------------x-9-12-10----10(10)(10)~~~--12--10--12--10----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
file:///C|/olga_main/f-g/g/guns_n_roses/double_talkin_jive.crd
------------------------------------------------------------------------------------------------------------------------------------------------------x-x-10 9-(9)-(9)~~~--4-(4)-(4)-(4)~~~-----------------------------------------------------------------------------6-(6)-(6)~~~-2-(2)-(2)~~~--2-/-3------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------7~~~~------------------------------------------3-/-6~~~--5-6-5-6-5-6---------------------------------------------2--3--5------------------------6--4----------------------------------3--5----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------Notes:
[[x]] ~~~
H
P
/ \
(x)
:wq
x step bend
vibrato
Hammer on
Pull off
Slide
Strike note while last one still ringing
file:///C|/olga_main/f-g/g/guns_n_roses/double_talkin_jive.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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Date: Sat, 16 Jan 1993 18:57:59 -0500 (EST)
From: "Thomas W. Bajzek" <twb+@andrew.cmu.edu>
To: jamesb@nevada.edu
Subject: Double Talkin' Jive by Guns N' Roses
Cc:
The solo is right on the money, but you left out the riff.
------------------------------------------------------------------------------------------------------------------------------------------------2--2------2--2---------------------------------2--2------2--2----------------2p--0------------0--0---0----------0---3p--0----------3p--0--Palm mute the 6th string slightly.
file:///C|/olga_main/f-g/g/guns_n_roses/double_talking_jive.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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Date: Tue, 25 May 93 08:26:27 GMT
Message-Id: <5@dialip-48.mr.net>
From: wbajzek@dialip-48.mr.net
To: jamesb@animal-farm.nevada.edu
Subject: Guns n Roses - Double Talkin jive
I posted this a while back on a different account. I have since found out that I was wrong, so
here it is.
main riff
------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------2-----2--2-------------------2----------------------------2-----2--2--------0--2--0----2-------------------------0-----0--------0--3-----------3------------------------acoustic riff
-----------1--------------------1---------------------1---------------------1
--------1-----1-----1--------1-----1-----1---------1-----1-----1---------1-------2-----------2--------2-----------2---------2-----------2---------2-------3--------------------3---------------------3---------------------3------------------------------------------------------------------------------------------------------------------------------------------------------------------3--1-----------0---------------------0--------------------0-----------------3--1--------0-----0-----0---------0-----0-----0--------0-----0-----0--------4--2-----1-----------1---------1-----------1--------1-----------1----------5--3--2---------------------2--------------------2--------------------2-------------------------------------------------------------------------------------------------------------------------------------------------------------------0------------------------------------------------------------------------0-----0-----0------------------------------------------------------------1-----------1-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------That's how I play it, anyway. I'm doing this at 3:30 am, so there may be some mistakes, and I
would appreciate it if someone el
se could correct it, this mail program is hell. Oh well.
Bill
file:///C|/olga_main/f-g/g/guns_n_roses/down_on_the_farm.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: rlr1@ukc.ac.uk (Richard Rowlands)
Date: Wed, 07 Jun 95 20:18:58 GMT
Subject: TAB : "DOWN ON THE FARM" by GUNS N'ROSES
.----------------------------.
|
GUNS N'ROSES
|
| "THE SPAGHETTI INCIDENT?" |
|
|
|
DOWN ON THE FARM
|
`----------------------------'
(Charles Harper/Alvin Gibbs/Nicholas Garrett) Embassy Music
BMI adm. by Music Sales Corporation
Originally Recorded by "The UK Subs" - 1980
Intro :(1st Guitar repeats four times)
(2nd Guitar does short vertical pickslides on D string approx. 1" from pickup)
E |-----------------------|--------------------------------------------------B |-----------------------|--------------------------------------------------G |---------2--------4----|-2--------4---------------------------------------D |--(2)(2)-2--4--2--2--2-|-2--4--2--2--2------------------------------------A |--(2)(2)----2--2-----2-|----2--2-----2------------------------------------E |-----------------------|--------------------------------------------------(2nd Guitar repeat twice) (Enter at start of third repetition of 1st Guitar)
E |-----------------------|--------------------------------------------------B |-----------------------|--------------------------------------------------G |------------2----------|-2------------------------------------------------D |--(2)(2)(2)-2--4--2----|-2--4--2------------------------------------------A |--(2)(2)(2)----2--2----|----2--2------------------------------------------E |-----------------------|--------------------------------------------------(1st Guitar pickslides)
(Both play) Riff before verse (Repeat twice) :E |--------------------------------------------------------------------------B |--------------------------------------------------------------------------G |--------------------------------------------------------------------------D |--2----------------5--3----------5--7-------------------------------------A |--2------7--5------3--1----------3--5-------------------------------------E |---------5--3-------------------------------------------------------------(Both play) Riff during verse (Repeat four times):E |--------------------------------------------------------------------------B |--------------------------------------------------------------------------G |--------------------------------------------------------------------------D |--2----------------5--7----------5----------------------------------------A |--2------7--5------3--5----------3--7-------------------------------------E |---------5--3-----------------------5-------------------------------------(Both play) Riff before verse (Repeat twice) :E |--------------------------------------------------------------------------B |--------------------------------------------------------------------------G |--------------------------------------------------------------------------D |--2----------------5--3----------5--7-------------------------------------A |--2------7--5------3--1----------3--5-------------------------------------E |---------5--3-------------------------------------------------------------(Both play) Riff during verse (Repeat four times):E |--------------------------------------------------------------------------file:///C|/olga_main/f-g/g/guns_n_roses/down_on_the_farm.tab (1 of 3) [4/28/2003 9:55:09 PM]
file:///C|/olga_main/f-g/g/guns_n_roses/down_on_the_farm.tab
B
G
D
A
E
|--------------------------------------------------------------------------|--------------------------------------------------------------------------|--2----------------5--7----------5----------------------------------------|--2------7--5------3--5----------3--7-------------------------------------|---------5--3-----------------------5--------------------------------------
(1st Guitar) Riff during solo (Repeat four times):E |--------------------------------------------------------------------------B |--------------------------------------------------------------------------G |--------------------------------------------------------------------------D |--4--4----4--4----4--3------------7---------------------------------------A |--2--2----2--2----2--1--7--5------5---------------------------------------E |------------------------5--3----------------------------------------------(Both play) Riff before verse (Repeat twice) :E |--------------------------------------------------------------------------B |--------------------------------------------------------------------------G |--------------------------------------------------------------------------D |--2----------------5--3----------5--7-------------------------------------A |--2------7--5------3--1----------3--5-------------------------------------E |---------5--3-------------------------------------------------------------(Both play) Riff during verse (Repeat nine times):E |--------------------------------------------------------------------------B |--------------------------------------------------------------------------G |--------------------------------------------------------------------------D |--2----------------5--7----------5----------------------------------------A |--2------7--5------3--5----------3--7-------------------------------------E |---------5--3-----------------------5-------------------------------------(Both play) Final Riff :E |--------------------------------------------------------------------------B |--------------------------------------------------------------------------G |--------------------------------------------------------------------------D |--2----------------5--7-7-7-7-7-etc..--2----------------------------------A |--2------7--5------3--5-5-5-5-5-etc..--2----------------------------------E |---------5--3-------------------------------------------------------------(2nd Guitar) Solo in the middle of the song (b slight bend) (Repeat twice) :E |--------------------------------------------------------------------------B |------15-------15-------15-------------------------------------------------G |--16b------16b------16b-----14--14h16-14----------------------------------D |--------------------------------------------------------------------------A |--------------------------------------------------------------------------E |--------------------------------------------------------------------------E
B
G
D
A
E
|--------------------------------------------------------------------------|--------------------------------------------------------------------------|------10-------10-------10------------------------------------------------|--11b------11b------11b-----9---9h11---7----------------------------------|--------------------------------------------------------------------------|---------------------------------------------------------------------------
(1)
(2)
file:///C|/olga_main/f-g/g/guns_n_roses/down_on_the_farm.tab
(3)
I write a thousand letters,
'til my fingers all go numb.
But I, never see no postman,
Down here on the farm.
I called my baby on the telephone,
I say 'come down and have some fun',
But she knows what the score is,
Down here on the farm.
I can't fall in love with the wheat field!
I can't fall in love with the barn!
When everything smells like horses%!#
Down here on the farm.
Blue skies and swimming pools,
Add so much charm,
But I'd rather be back in Soho,
Than down here on the farm.
On the f%&*!? farm!
Are you born in a f%&*!? barn or what?
Baaaa!
Hold still...
.---------------------------------.
|
PLAY USING POWER CHORDS!
|
|
|
| E A D G B E
E A D G B E |
| ____x_x_x_x
x_____x_x_x |
| |_|_|_|_|_|
|_X_|_|_|_| |
| |_|_|_|_|_| eg. |_|_|_|_|_| |
| X_|_|_|_|_|
|_|_X_|_|_| |
| |_|_|_|_|_|
|_|_|_|_|_| |
| |_X_|_|_|_|
|_|_|_|_|_| |
|
|
|
Just move these about!
|
|
(Basis of most punk rock!)
|
|
|
`---------------------------------'
.---------------------------------.
| A very good song for beginners. |
| Play with plenty of distortion. |
| Sing with an English accent! 8) |
`---------------------------------'
.---------------------------------.
| Transcribed by Richard Rowlands |
|
on the 7th June 1995
|
`---------------------------------'
file:///C|/olga_main/f-g/g/guns_n_roses/estranged.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Received: from animal-farm.nevada.edu by redrock.nevada.edu (5.65c/M1.4)
with SMTP id <AA07754>; Tue, 22 Jun 1993 02:01:05 -0700
Received: from phoenix.oulu.fi by animal-farm.nevada.edu id <AA17454@animal-farm.nevada.edu>; Tue,
22 Jun 1993 02:01:01 -0700
Received: by phoenix.oulu.fi (5.65/DEC-Ultrix/4.3)
id AA15668; Tue, 22 Jun 1993 12:00:57 +0300
Date: Tue, 22 Jun 1993 12:00:57 +0300
From: misha@phoenix.oulu.fi (Mika Salmela)
Message-Id: <9306220900.AA15668@phoenix.oulu.fi>
To: jamesb@animal-farm.nevada.edu
Subject: Estranged by Guns N Roses
>From the book Use Your Illusion II by GnR
ESTRANGED
GUNS N ROSES
Gm7
C
Gm7
C
|--|----|------|--------|-----|----|------|--------|--------------------||
|--|----|------|--------|-----|----|------|--------|--------------------||
|--|----|------|--------|-----|----|------|--------|-----12b------------||
|--|----|------|--------|-----|----|------|--------|--------------------||
|--|-10-|-(10)-|-(10)s3-|--3--|-10-|-(10)-|-(10)s3-|-(3)----------------||
|--|----|------|--------|-----|----|------|--------|--------------------||
G5
C5
|------------|-------13b----10-----|----------------13-----|-------------|
|----11--15b-|----11------------13-|-13--13-----13b----13b-|-13---(13)s--|
|-12---------|-12------------------|-----------------------|-------------|
|------------|---------------------|-----------------------|-------------|
|------------|---------------------|-----------------------|-------------|
|------------|---------------------|-----------------------|-------------|
G5
C5
|------------------|-------13b---10-----|-------------13----|
|-----11--15b-(15)-|----11----------13b-|-13-(13)-13b----13-|
|-s12--------------|-12-----------------|-------------------|
|------------------|--------------------|-------------------|
|------------------|--------------------|-------------------|
|------------------|--------------------|-------------------|
Bb5
C5
G5
|------------------------||---------13----|-----------------|------------|
|-13---13b15p11-13p11----||-11--13b----13-|-13------13--12b-|--(12)bbbb--|
|---------------------12-||---------------|-----------------|------------|
|------------------------||---------------|-----------------|------------|
|------------------------||---------------|-----------------|------------|
|------------------------||---------------|-----------------|------------|
Bb5
C5
G5
|---------------------|------------13----|--------------|------|---------|
|(12)-13p12--13b13p12-|-11----13b-----13-|---13--13-----|------|---------|
|---------------------|------------------|----------14b-|-(14)-|-(14)----|
|---------------------|------------------|--------------|------|---------|
|---------------------|------------------|--------------|------|---------|
|---------------------|------------------|--------------|------|---------|
file:///C|/olga_main/f-g/g/guns_n_roses/estranged.tab
Riff A
Eb5 F5
G5
C5
Eb5
F5
|----|--------------||----------------------|------------------------|
|-11-|-(11)---(11)s-||----------13s15-(15)s-|-------13s15-(15)-13p12-|
|----|--------------||-------12-------------|----12------------------|
|----|--------------||----12----------------|-10---------------------|
|----|--------------||-10-------------------|------------------------|
|----|--------------||----------------------|------------------------|
G5
Eb5 F5
G5
|-----------------------|------------------------|-----------------------|
|-13p12------(15)-(15)s-|-------13s15-(15)-13p12-|-13p12--------15-(15)--|
|-------12--------------|----12------------------|-------12--------------|
|----------12-----------|-10---------------------|----------12-----------|
|-----------------------|------------------------|-----------------------|
|-----------------------|------------------------|-----------------------|
(end Riff A)
Eb5 F5 G5
Eb5
F5
Gm
F
Eb
G
|-------|------|------------||----|------|------|------|---------15--17b-|
|-15s13-|-13b--|-11---11p10-||----|------|------|------|-----------------|
|-------|------|------------||-12-|-(12)-|-(12)-|-(12)-|-(12)------------|
|-------|------|------------||----|------|------|------|-----------------|
|-------|------|------------||----|------|------|------|-----------------|
|-------|------|------------||----|------|------|------|-----------------|
F
Eb
G5 F5
G5
|-(17)-|---------------------|----------|------------|-------------------|
|------|-s13--11-10---11br10s|8------8--|------------|-------------------|
|------|---------------------|----------|-10b---(10)-|-(10)--------------|
|------|---------------------|----------|------------|-------------------|
|------|---------------------|----------|------------|-------------------|
|------|---------------------|----------|------------|-------------------|
F5
G5
And what more could you ask from me?
F5
How could you say that I never needG5
-ed you_
Eb5
D5
when you took everything
F5
said you took everything from me?
w/Riff A
G5
C5 Eb5
F5 G5
C5
Eb5
F5 G5
Eb5 F5
|------------|--------------|--------------|---------------|----|--------|
|------------|--------------|--------------|---------------|----|--------|
|------------|--------------|--------------|---------------|----|--------|
|------------|----1-1-1-1-3-|--5-----------|-----1-1-1-1-3-|-5--|--(5)---|
|-----5--6-5-|-3------------|------5---6-5-|--3------------|----|--------|
|-3----------|--------------|--------------|---------------|----|--------|
G5
Eb5
Gm
F
Eb
Gm
F
|-----|-----||-----|------|------|------|-----15--15s17-|-18----18s20-|
|-----|-----||-----|------|------|------|---------------|-------------|
|-----|-----||-12--|-(12)-|-(12)-|-(12)-|-(12)----------|-------------|
|-(5)-|-(5)-||-----|------|------|------|---------------|-------------|
file:///C|/olga_main/f-g/g/guns_n_roses/estranged.tab
|-----|-----||-----|------|------|------|---------------|-------------|
|-----|-----||-----|------|------|------|---------------|-------------|
Eb
Gm
Gm7
C
|-(20)---18--17-18--15-|-15--||-(15)-----|-(15)--|-------------|--------||
|----------------------|-----||----------|-------|-------------|--------||
|----------------------|-----||----------|-------|-------------|----12b-||
|----------------------|-----||----------|-------|-------------|--------||
|----------------------|-----||-------10-|-(10)--|-(10)--10-s3-|-(3)----||
|----------------------|-----||----------|-------|-------------|--------||
G5
C5
|-------------|-------13b--10-----|---------------13----|
|----11--15b--|----11---------13b-|-13--(13)-13b-----13-|
|-12----------|-12----------------|---------------------|
|-------------|-------------------|---------------------|
|-------------|-------------------|---------------------|
|-------------|-------------------|---------------------|
Bb5
C5
|-----------13------------------||-----------13----|---------------------|
|-13----13b-----13br(13)p11-----||-11---13b-----13-|-(13)---13---12b-----|
|----------------------------12-||-----------------|---------------------|
|-------------------------------||-----------------|---------------------|
|-------------------------------||-----------------|---------------------|
|-------------------------------||-----------------|---------------------|
G5
Bb5
C5
|----------|-----------------|------------13---|------------13--15-------|
|-(12)-----|-------13p12--12-|-11----13b----13-|--13---13b---------------|
|-------14b|-(14)------------|-----------------|-------------------------|
|----------|-----------------|-----------------|-------------------------|
|----------|-----------------|-----------------|-------------------------|
|----------|-----------------|-----------------|-------------------------|
G5
C5
|-(15)-|-(15)---13p12-|-----|------||
|------|--------------|-13--|--13--||
|------|--------------|-----|------||
|------|--------------|-----|------||
|------|--------------|-----|------||
|------|--------------|-----|------||
(Bass gtr & piano)
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
C5
Eb5
C5
Eb5
|------------|----------------------|-------------|----------------------|
|------------|----------4---4p3-----|-3-----------|---------4--4p3-4p3---|
|-----5------|--------3---------5p3-|-----5-------|-------3-----------5p3|
|---5--------|----3h5---------------|---5---------|---3h5----------------|
|-3------3-5-|-6--------------------|---------3-5-|-6--------------------|
|------------|----------------------|-------------|----------------------|
C5
Eb5
Bb
F
C
|------------|---------------------|----|--|-1------------|-0------------|
file:///C|/olga_main/f-g/g/guns_n_roses/estranged.tab
|-3----------|-----------4--3------|-3--|--|-1------------|-1--------1---|
|-----5------|--------3-------5--3-|----|--|-2---------2--|-0------0-----|
|---5--------|---3--5--------------|----|--|-3-------3----|-2----2-------|
|--------3-5-|-6-------------------|----|--|-3-----3------|-3--3---------|
|------------|---------------------|----|--|-1---1--------|--------------|
G
Bb
C
Bb
C
Bb
F
G/F
|-------------|----|-----|-----|--0--|-----|-------------|---------------|
|-3-----------|-3--|--1--|--3--|--1--|--3--|--1----------|-3-------------|
|-0---------0-|-3--|--0--|--3--|--0--|--3--|--2--------2-|-0--------0----|
|-0-------0---|-3--|--2--|--3--|--2--|--3--|--3------3---|-0------0------|
|-2-----2-----|-1--|--3--|--1--|--3--|--1--|--3----3-----|-2----2--------|
|-3---3-------|----|-----|-----|-----|-----|--1--1-------|-3--3----------|
Bb/F
F
C
G
Bb/F
|------------|---------------|-------------|--------------|----|
|-3--------3-|-1---------1---|-1---------1-|-3------------|-1--|
|-3------3---|-2-------2---0-|-0-------0---|-0--------0-0-|-3--|
|-3----3-----|-3-----3-------|-2-----2-----|-0------0-----|-3--|
|-1--1-------|-3---3---------|-3---3-------|-2----2-------|-3--|
|------------|-1-------------|-------------|-3--3---------|-1--|
C
G
F
|-------------------------|-0--|-----------|---------|
|-------------------------|-1--|-----------|---------|
|-------------------------|-0--|-----------|---------|
|-------3-------------3---|-2--|-----------|---------|
|-------------------------|-3--|-----------|---------|
|-1--1----1--1--1--1----1-|----|-----------|---------|
C
G
|-------------------------|-0--|-----------|-0--------|------------------|
|-------------------------|-0--|--1--1-----|-1--------|-3----------------|
|-------------------------|-0--|--0-----0--|-0------0-|-0--------0-------|
|-------3-------------3---|-2--|--2--------|-2----2---|-0------0---------|
|-------------------------|-3--|--3--------|-3--3-----|-2----2-----------|
|-1--1----1--1--1--1----1-|----|-----------|----------|-3--3-------------|
F
C
G
F
C
|------------|--0--------|-------------|-------------|--0----------------|
|-1--------1-|--1--------|--3----------|--1--------1-|--1--------1-------|
|-2------2---|--0------0-|--0--------0-|--2------2---|--0------0---------|
|-3----3-----|--2----2---|--0------0---|--3----3-----|--2----2-----------|
|-3--3-------|--3--3-----|--2----2-----|--3--3-------|--3--3-------------|
|-1----------|-----------|--3--3-------|--1----------|-------------------|
G
F
C
G
F
C
|--------|--0-----------|-------------|------------|-0-------------------|
|-3---1--|--1---------1-|--3----------|-1--------1-|-1---------1---------|
|-0---2--|--0-------0---|--0--------0-|-2------2---|-0-------0-----------|
|-0---3--|--2-----2-----|--0------0---|-3----3-----|-2-----2-------------|
|-2---3--|--3---3-------|--2----2-----|-3--3-------|-3---3---------------|
|-3---1--|--------------|--3--3-------|-1----------|---------------------|
G
F
C
G
F
|------------|------------|-----------|-------||
|-3----------|-1--------1-|-1-------1-|-3---1-||
|-0--------0-|-2------2---|-0-----0---|-0---2-||
|-0------0---|-3----3-----|-2---2-----|-0---3-||
|-2----2-----|-3--3-------|-3-3-------|-2---3-||
|-3--3-------|-1----------|-0---------|-3---1-||
file:///C|/olga_main/f-g/g/guns_n_roses/estranged.tab
Guitar solo
C
Am
|---------------------------|---------------------------|
|---------------------------|---------------------------|
|-5----------------5h7p5----|-------------------5h7p5---|
|-------------5h7--------(7)|--------------5h7-------(7)|
|---------------------------|---------------------------|
|---------------------------|---------------------------|
C
F
|---------------------------|------------------------------|
|-8-------------------------|----------------------------6-|
|-----7b---7--5h7p5s4-5p4---|------------------------5s7---|
|-------------------------5-|--5b-3-5---3--5--3--5s7-------|
|---------------------------|---------5--------------------|
|---------------------------|------------------------------|
C
|-----6---6------8-8-8-----8-----8----|-------------------------------|
|-6s8---8---8s10-------11b---11b---11b|-11----------------------------|
|-------------------------------------|------------------17h19p17-----|
|-------------------------------------|------------17h19---------(19)-|
|-------------------------------------|-------------------------------|
|-------------------------------------|-------------------------------|
F5
|------------------------------------||
|15b-15-p13--15b--15b-15-13--13-15-13||
|----------14---14---------14--------||
|------------------------------------||
|------------------------------------||
|------------------------------------||
Guitar solo II
C5
G5
|------18----------18-----------|----18----------18----------------------|
|-18b-----18----18----18--16----|-18b---18----18----18--16---------------|
|----------------------------17-|--------------------------17------------|
|-------------------------------|----------------------------------------|
|-------------------------------|----------------------------------------|
|-------------------------------|----------------------------------------|
F5
C5
G5
C5
|---------------------------|----------------------|---------------------|
|-15--15--------------------|----------------------|---------------------|
|--------17----15-----------|----------------------|--------15-----------|
|------------------17-15-13-|-----15b-----------13-|(13)--15b-15b-13-15b-|
|---------------------------|-15----------13h15----|---------------------|
|---------------------------|----------15----------|---------------------|
G5
|---------------------------------------15---|
|---------------------15h16p15--15-16-18--18-|
|------15-17-17--15-17--------17-------------|
|-15-17--------17----------------------------|
|--------------------------------------------|
|--------------------------------------------|
F5
|-18--15h18p15--15---------------------|---------------------------------|
|---18--------15---18b--18--16--16-----|---------------------------------|
|-----------------------------17--17p15|-17-17-15--15--------------------|
file:///C|/olga_main/f-g/g/guns_n_roses/estranged.tab (5 of 6) [4/28/2003 9:55:10 PM]
file:///C|/olga_main/f-g/g/guns_n_roses/estranged.tab
|--------------------------------------|---------17--17-15-13-15-13----15|
|--------------------------------------|---------------------------15-13-|
|--------------------------------------|---------------------------------|
C5
|------------|-----------------------------|----------------------------||
|------------|-----------------------------|----------------------13----||
|------------|-----------------------------|-------------------12-------||
|-(15)-------|-(15)------------------------|----------------14----------||
|------------|-----------------------------|-------------15-------------||
|------------|-----------------------------|----------------------------||
G
F
C
|--------------|-------------|---------10s12-----|
|-12--------12-|-10-------10-|-8-----------------|
|-12------12---|-10-----10---|-9-----------------|
|-12----12-----|-10---10-----|-10----------------|
|-10--10-------|-8---8-------|-------------------|
|--------------|-------------|-------------------|
G
F
C
G5
|--10------------|------------|-0------------|-0--||
|----------13s15-|--10--13s15-|-1s13---------|-1--||
|-------12-------|------------|-0------------|-0--||
|-----10---------|------------|-2------------|-2--||
|----------------|------------|-3----0-------|-3--||
|----------------|------------|---------3--0-|----||
A5
G5
I knew the storm was getting clo-
F5
G5
er
A5
G5
F5
And all my friends said I was high._________
A5
G5
F5
But evrything we've ever known's here.
G5
G5 A5
G5
F5
I never wanted it to die
D5 C5
F
C
|---|---|-1---|-(1)--|-0-||
|---|---|-1---|-(1)--|-1-||
|---|---|-2---|-(2)--|-0-||
|---|---|-3---|-(3)--|-2-||
|---|---|-3---|-(3)--|-3-||
|---|---|-1---|-(1)--|---||
file:///C|/olga_main/f-g/g/guns_n_roses/hair_of_the_dog.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Glen Norman Pavan <senomar@strauss.udel.edu>
artist: Guns N Roses
title: Hair Of The Dog
album: The Spaghetti Incident?
key: Gb (I'm assuming)
tuning: down half step
Eb Ab Db Gb
intro
Gb------------------------------------------------------------------Db-------------2---------------------------------2------------------Ab-----------2--------------5-7----------------2-------------5-7----Eb--0--0-3-4----------0-3-0----------0---0-3-4---------0-3-0--------verse
play into through twice followed by
Gb---------------------------------------------------------------------Db---------------------------------------------------------------------Ab----------------------------------------------3--------------------Eb---5-5-5-5-5-5-5-5-5-5--0-3-4-5-5-5-5-5-5-5-5---5-3-0---------------play intro once
*end verse*
chorus
Gb------------------------------------------------------------------Db------------------------------------------------------------------Ab----------------7----5-7-7--------------------7---5-7-7-----------Eb--0----3--5--------------------0----3---5-----------------------that's basically it!
wherever neither the intro/verse/chorus appearing
here are in the song, Duff just pounds on the Eb open or on the 7th fret
of the Ab string.
and, the last guitar riff of the song is Day
Tripper, btw. questions, comments, to senomar@bach.udel.edu
-I'm here, I'm queer, I play 5-string bass
file:///C|/olga_main/f-g/g/guns_n_roses/i_dont_care_about_you.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: sportiga@uoguelph.ca (Steve L Portigal)
[ Article crossposted from alt.rock-n-roll.metal.gnr ]
[ Author was Brad ]
I DonUt Care About You
GNR
file:///C|/olga_main/f-g/g/guns_n_roses/i_used_to_love_her.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
~From: sportiga@uoguelph.ca (Steve L Portigal)
[ Article crossposted from alt.rock-n-roll.metal.gnr ]
[ Author was Brad ]
A
======
||||||
||111|
||||||
G
======
||||||
|1||||
2||||3
Fairly simple.
Now strum along with the album, about 5 strums per chord letter in time:
(I'm not sure if my chord/word sync is perfect here, it's been a while)
D
A
She bitched so much,
A
but I had to Kill her
A
she drove me nuts,
(repeat as necessary)
file:///C|/olga_main/f-g/g/guns_n_roses/i_used_to_love_her.tab
D
A
G
-------10-------10-------10----12b14-12-10-12-12------12-10-----10b12----10b12----10b12----10---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------A
G
-17----------------------------14-15-16-17-------------------------17b19-17----15-17-15-17b19-------------17b19r17-15-17----15----------------------------------------------------------16------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------A
G
-17b19-17----------------------------------------------------------------17b19r17-15-17----15----17b18r17-15-17----15----15----------------------------16----------------------16----16---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------A
G
A
-17b19-19-19-19r17------------17-------17-------17--------------------hold-------------17b19----17b19----17b19----19r17-15-17------------------------------------------------hold---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------D
--------------------------------------------10---------------------15-17-15----15----15-15\---------------(10)-----13----------16----------16-------------------12-10h11------11-(11)------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
file:///C|/olga_main/f-g/g/guns_n_roses/knockin_on_heavens_door.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From uunet!haven.umd.edu!wam.umd.edu!loffit Thu Jun 18 11:46:59 PDT 1992
Article: 243 of alt.guitar.tab
Newsgroups: alt.guitar.tab
Path: nevada.edu!uunet!haven.umd.edu!wam.umd.edu!loffit
From: loffit@wam.umd.edu (Dixie Cup)
Subject: Knockin' on Heaven's Door (GN'R version)
Message-ID: <1992Jun18.062845.22418@wam.umd.edu>
Sender: usenet@wam.umd.edu (USENET News system)
Nntp-Posting-Host: next.wam.umd.edu
Organization: University of Maryland, College Park
Date: Thu, 18 Jun 1992 06:28:45 GMT
Lines: 120
EGADS! Led Zeppelin is being spelled Led Zepplin on ftp.nevada.edu.
someone fix this! :)
Please,
Since this is a rather simple song and it appeared on the wanted list I
figured I'd post it. I'll try to post Civil War when I have more time
(I want to post a complete job sans solo, not just the chords).
I include my rendition of Slash's first solo in this transcription. I
think it's fairly accurate. I play a variation of the first solo because
people recognize it, but the second solo I improvise; and I don't feel like
figuring it out since Slash always plays something different in concert anyway.
Key:
H
/
P
^
^^
~
hammer-on
slide
pull-off
half bend
full bend
vibrato
(ACK! Did we decide on a standard somewhere for ASCII tab notation. Could
someone send me a copy of the article since I apparently missed it.)
This is the picking at the very beginning of the song. The picking varies
throughout, and you should do whatever feels best instead of trying to
restrict yourself to how it sounds on record. GN'R is constantly mutating
this song in concert anyway (even doing it with a reggae beat).
G5
D
C
-3---3--------------2-0-------|-----------------0--------------------|--------3-----3---3------3-----3---3-|----------1--------------1------------|--------0-------0------2---------2---|-0------0---0----------0---0-0------0-|--------0------------0---------------|-0-2----------2------2-------0-2------|-------------------------------------|--H---3-----------------------H---3---|--------3----------------------------|--------------------------------------|-------This is the picking for the first line. Again, the picking will vary
throughout the song.
G5
D
Am
-3--------------2-------2-0-------|-0-----H-------0----------------------|
-3---3-------3--3-------3-------0-|-1----0-1-------------1---------------|
-0---0-----0----2----2-------2----|-2--2-----2---------2---2------0---0--|
-0---0-----0----0----0------------|-2----------2-----2-------0-2----2----|
----------------------------------|-0-------------------------H----------|
-3--------------------------------|--------------------------------------|
file:///C|/olga_main/f-g/g/guns_n_roses/knockin_on_heavens_door.tab
file:///C|/olga_main/f-g/g/guns_n_roses/knockin_on_heavens_door.tab
-------P-----------------------17------^^----^^---------------------------------------------------------------19-19-19-19-^-----^----------------------------------------------------------------19-19-19-19------------------------------------------------------------------------17--17-------------------------------------------------------------------------Additional lyrics:
Mama, put my guns in the ground
I can't shoot them anymore
That cold black cloud is comin' down
Feels like I'm knockin' on heaven's door
Basically there are lots of "knockin' on heaven's door"s throughout the rest
file:///C|/olga_main/f-g/g/guns_n_roses/lies_album.lyrics
@ALBUM: Lies
1>
2>
3>
4>
5>
6>
7>
8>
Reckless Life
Nice Boys
Move to the City
Mama Kin
Patience
Used to Love Her
You're Crazy
One in a Million
file:///C|/olga_main/f-g/g/guns_n_roses/lies_album.lyrics
file:///C|/olga_main/f-g/g/guns_n_roses/lies_album.lyrics
file:///C|/olga_main/f-g/g/guns_n_roses/lies_album.lyrics
file:///C|/olga_main/f-g/g/guns_n_roses/lies_album.lyrics
file:///C|/olga_main/f-g/g/guns_n_roses/lies_album.lyrics
file:///C|/olga_main/f-g/g/guns_n_roses/lies_album.lyrics
file:///C|/olga_main/f-g/g/guns_n_roses/lies_album.lyrics
file:///C|/olga_main/f-g/g/guns_n_roses/live_and_let_die.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
Date: Sun, 12 Jan 1997 22:29:16 -0800
From: Fernando Alpuche <fam632@www.interacces.com.mx>
Subject: GUN'S ROSES:Live & let die
LIVE AND LET DIE
(From: "Use Your Illusion I")
GUNS & ROSES
INTRO ( Guitar tuned 1/2 down )
* Piano arr. for guitar
(G)
(Bm)
(C)
(D)
D(b9)
e-3------------------------------|--0--------------2--------2------\
B-3----3----------------3--------|---------------------3----4------|
G-4----4-------------22------2-0-|--------1--------------------2---|
D-5----5----------4--------------|-----0--0--0-0-------------------|
A-5---------5-----2--------------|--3-----2--------0---------------|
E-3------------------------------|---------------------------------/
(G)
(Bm)
(C)
(D)
D(b9)
e-3---3--------------------------|-------0--------2---------------------\B-3-----------0---------3-------|-------------0--------3----4----------|G-0--------0----------2--2----2--|----0-----0-------2-----2----2--2--0-|D-0----------------4-----4-------|----------------0---------------------|A-----------------2-------------|--3-----------------------------------|E-3-----------------------------|--------------------------------------/
(G)
(Bm)
e-3------3---------------------2----------\
B-3------3-------0-----------3---------0--|
G-0------0----0-----------2---------2-----|
D-0------0-----------4--------------------|
A--------------------2--------------------|
E-3------3--------------------------------/
(C)
(A)
(D)
e--------0------------------0----|-2-------2------------\
B--------1-------1-0-------------|-3-----3--------------|
G----0-------0--------2--2-----2-|-2---2----------------|
D---------------------2----------|-0-----------0--------|
A-3-------------------0----------|----------------------|
E--------------------------------|----------------------/
(D) (E)(F) ...End Intro
e-0---0--1----0--0--1----\
B-3-----------3----------|
G-2-----------2----------|
D-0-----------0----------|
A------------------------|
E------------------------/
WORDS AND MUSIC BY:
Paul McCartney and Linda McCartney
(G)
(Bm)
(C)
file:///C|/olga_main/f-g/g/guns_n_roses/live_and_let_die.tab
________
(C5) ...
die.__
* Twice ................................
e-------------------------|----------------\
B--------15--(15)\--------|-10-------------|
G--12-14-15--(15)\---7--9-|-10-------5-3-0-|
D--12-14-15--(15)\---7--9-|-10-------5-3-0-|
A-------------------------|----------------|
E-------------------------|----------------/
* Twice .................................
e-------------------------|----------------\
B--------15--(15)\--------|-10-------------|
G--12-14-15--(15)\---7--9-|-10----5-----3--|
D--12-14-15--(15)\---7--9-|-10----5-----3--|
A-------------------------|----------------|
E-------------------------|----------------/
* Synth. sound effects....................
** Half time Reggae feel **
(C)..........................
(G).................... [P.M.]
e-------------------------------|[P.M.]--------------3-3---3--3--\
B-5-x-x-x-5-5-x---5---5---x-x-5-|-3-3-x-x-x-x-x-x----3-3---3--3--|
G-5-x-x-x-5-5-x---5---5---x-x-5-|-4-4-x-x-x-x-x-x----------------|
D-5-x-x-x-5-5-x---5---5---x-x-5-|-5-5-x-x-x-x-x-x----------------|
A-------------------------------|--------------------------------|
E-------------------------------|--------------------------------/
file:///C|/olga_main/f-g/g/guns_n_roses/live_and_let_die.tab
(D).........................
(E5)...........
(F5).........
e[P.M.]----10-[......P.M......]|---------------------------------\
B-7-7--x-x-10--12--10----------|---------------------------------|
G-7-7--x-x-----12--10----------|--9----------x--x--10------(10)--|
D-7-7--x-x------------12---7-7-|--9----------x--x--10------(10)--|
A------------------------------|--7----------x--x---8------( 8)--|
E------------------------------|---------------------------------/
...... (Half time Reggea feel) ......
(C)
(G)
What does it
mat - ter to ya,_____
(G)
When you got a job__ to do_____
(D)
(D)
ya got to do it well.__________
(E5)
(F5)
You got to give the oth-er fel-la hell._____
Fill w/harmonizer
e-----------------------full-------|-----p----half---------------\
B---half/full-----15---17-----(17)-|---15>13-12-------full-------|
G--14------------------------------|-----------------14-----(14)-|
D----------------------------------|-----------------------------|
A----------------------------------|-----------------------------|
E----------------------------------|-----------------------------/
...........Vibrato
e-------------------------------\
B-------------------------------|
G-------------------------------|
D--12-------------(12) ---------|
A-------------------------------|
E-------------------------------/
(G)
(Bm)
(C)
Used to say live and let live.__
(C)
(D)
D(b9)
You know you did, you know you did,
(G)
___you know you did.__
(G)
(Bm)
But if this ev___er chan__in' world._____
(C)
(A)
_____in which we live in_____
(A)
(D)
(D)(E)(F)
makes you__give in and__cry,_____
w/Distortion
~~~~ vibrato
e------------15-17-18---------|---~~~~-vibrato---------\
B-----------------------15-17-|-18-------full----------|
G-----------------------------|---------15--(15)--12---|
D-----------------------------|------------------------|
A-sl----p---------------------|------------------------|
E-20\--3>0--------------------|------------------------/
~~~~ vibrato
e-15-17-18------------|--------------------------------\
file:///C|/olga_main/f-g/g/guns_n_roses/live_and_let_die.tab (3 of 4) [4/28/2003 9:55:12 PM]
file:///C|/olga_main/f-g/g/guns_n_roses/live_and_let_die.tab
B------------15-17-18-|--full---~~~-vibrato------------|
G---------------------|-15-----15----------------------|
D---------------------|--------------------------------|
A---------------------|--------------------------------|
E---------------------|--------------------------------/
~~~ vibrato
e-15-17-18---------|--~~~~-vibrato---------------------\
B------------15-17-|-18-------full---------------------|
G------------------|---------15--(15)--12--------------|
D------------------|-----------------------------------|
A------------------|-----------------------------------|
E------------------|-----------------------------------/
~~~~ vibrato
full ~~~~ vibrato End......
e-15-17-18-------------|--18---18-----------------------\
B------------15-17-18--|--------------------------------|
G----------------------|--------------------------------|
D----------------------|--------------------------------|
A----------------------|--------------------------------|
E----------------------|--------------------------------/
file:///C|/olga_main/f-g/g/guns_n_roses/locomotive.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: sportiga@uoguelph.ca (Steve L Portigal)
[ Article crossposted from alt.rock-n-roll.metal.gnr ]
[ Author was Brad ]
Locomotive
Guns N Roses
intro
|-------------------|-------------------------|--------------------------|
|-------------------|-------------------------|--------------------------|
|-------------------|-------------------------|--------------------------|
|-------------------|-------------------------|--------------------------|
|-0-0---0-0---0-0---|-0---0-0---0-0-0---0-----|-0---0-0---0-0-0---0-0----|
|-----3-----3-----2-|---2-----2-------2---3-5-|---3-----3-------0-----2--|
|--------------------------|-------------------------|-------------------|
|--------------------------|-------------------------|-------------------|
|------------------------5-|-2-----------------------|-------------------|
|------------------------5-|-2-----------------------|-------------------|
|-0---0-0---0-0-0---0------|---0-0-0---0-0-0---0-----|0---0-0---0-0------|
|---2-----2-------2---3----|---------3-------3---0-2-|--2-----2-----3-2-0|
|-------------------|-----|-----|----------------------------------------|
|-------------------|-----|-----|----------------------------------------|
|-7h9--7h9-7---7--9-|-----|-----|-9--7h9---------------------------------|
|-7h9--7h9-7---7--9-|--s--|--s--|-9--7h9---5----5------------------------|
|-7----7---7---7--7-|-----|-----|-7--7-----5----5------------------------|
|-------------------|-----|-----|----------3----3------------------------|
One in a Million
Acoustic guitar..
[E-1]
EADGBE
022100
[E-2]
EADGBE
x7990x
[D]
EADGBE
x5770x
[C#]
EADGBE
x4660x
[C]
EADGBE
x355xx
Beginning of song..
Strum
[E-1]
|
| |
[C]
||
| |
(slide) [E-2]
|||| / ||
| |
[D]
|||| ||
| |
[C#]
|||| ||
(play twice)
| |
|||||||||||||||
^
(slow distortion comes in)
||||
file:///C|/olga_main/f-g/g/guns_n_roses/locomotive.tab
-------|----------------------------------------------------------------|-2-2h3p2-2-2---1-1----------------------------------------5-5-5-|-2-2-----2-2-2-0-0-0-0-3p0---0-0-0-0-----4-0--------------5-5-5-|-2-2h4p2-2-2-2-2-2-2-2-2---2-0-0-0-0---3---0--------------3-3-3-|---------------3-3-3-3-3---3-2-2-2-2-2-------3---3---3/5--------|-----------------------------3-3-----3-------1-0-1-0-1/3-(fill)
(Main guitar riff)
^ ^
^(accented notes)
^ ^ ^
^ ^
that was how I played it....I don't know if it's right or not..
file:///C|/olga_main/f-g/g/guns_n_roses/mr_brownstone.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: stone@indirect.com (Robert Temple)
Subject: TAB: Mr. Brownstone (GnR)
This is my first tab post (hopefully it'll go through.
If not, don't mail to the address above (its not mine,
a friend is letting me use his account for today). I'm
at pete@pr.erau.edu. I got some help fromo the book from
Hal Leonard publishing for the rhythm part during the solo.
Mr. Brownstone - Guns N Roses
----------------------------This is a transcription to Mr. Brownstone by Guns N' Roses. It is how I
play it on my acoustic, but it's just like the electric version minus wah
wah. Playing acoustic tunes on one guitar doesn't lend well to playing
the solo (from thick, full sound to sparse sound doesn't go so well). For
the first half of the solo, I play the rhythm part. The second half of the
solo is very full sounding; enough so that you can play it and it won't
sound empty coming off the rhythm. A note with a lower case b over it
means to bend the note up a half step; a note with an upper case B over
it means to bend the note a full step. A sequence like this 6b7d6 means
play the 6th fret, bend up 1/2 step to 7th, the release the bend to 6th.
During the solo you'll see stuff like this: b d
6 6
This means the same thing as 6b7d6 (I wanted to keep the solo on 80 cols)
If I made errors, let me know.
Figure 1 (intro noise)
e|---------------------------------|---------------------------------|
b|---------------------------------|---------------------------------|
g|---------------------------------|---------------------------------|
d|---------------------------------|---------------------------------|
a|-x-x-x-x-x-x-x-x-x-x-x---x---x-x-|-x-x-x-x-x-x-x-x-x-x-x---x---x-x-|
e|-x-x-x-x-x-x-x-x-x-x-x---x---x-x-|-x-x-x-x-x-x-x-x-x-x-x---x---x-x-|
1 e + a 2 e + a 3 e + a 4 e + a
1 e + a 2 e + a 3 e + a 4 e + a
e|---------------------------------|---------------------------------|
b|---------------------------------|---------------------------------|
g|---------------------------------|---------------------------------|
d|---------------------------------|---------------------------------|
a|---------------------------------|---------------------------------|
e|-12\\\\\\\\\\\\\\\\\\\\\\\\\\\\0-|-0////////////////////////////12-|
1 e + a 2 e + a 3 e + a 4 e + a
1 e + a 2 e + a 3 e + a 4 e + a
Figure 2 (Riff version 1)
e|---------------------------------|---------------------------------|
b|---------------------------------|-3p2p0---------------------------|
g|-------------------------2-------|-------2p0-----------------------|
d|-------------------------2-------|-----------2p0---------2---------|
a|-------2p0---------------0-------|---------------2p0-----2---------|
e|-0-3-4-----0-3-4-0---3-4---------|-------------------3h4-0---------|
1 e + a 2 e + a 3 e + a 4 e + a
1 e + a 2 e + a 3 e + a 4 e + a
e|---------------------------------|---------------------------------|
b|---------------------------------|-3-------------------------------|
g|-------------------------2-------|-2-----2-------------------------|
d|-------------------------2-------|-0-----2-----2-------------------|
a|-------2p0---------------0-------|-------0-----2-------b-----------|
e|-0-3-4-----0-3-4-0---3-4---------|-------------0-------3-----------|
file:///C|/olga_main/f-g/g/guns_n_roses/mr_brownstone.tab (1 of 4) [4/28/2003 9:55:13 PM]
file:///C|/olga_main/f-g/g/guns_n_roses/mr_brownstone.tab
1 e + a 2 e + a 3 e + a 4 e + a | 1 e + a 2 e + a 3 e + a 4 e + a
Figure 2 (Riff version 2)
e|---------------------------------|-----------------------------0---|
b|---------------------------------|-----------------------------0---|
g|-------------------------2-------|-7---x-6---x-4-------------------|
d|-------------------------2-------|-7---x-6---x-4-------------------|
a|-------2p0---------------0-------|-5---x-4---x-2-----b-------------|
e|-0-3-4-----0-3-4-0---3-4---------|-------------------3-----0-------|
1 e + a 2 e + a 3 e + a 4 e + a
1 e + a 2 e + a 3 e + a 4 e + a
e|---------------------------------|---------------------------------|
b|---------------------------------|---------------------------------|
g|-------------------------2-------|-7---x-6---x-4-------------------|
d|-------------------------2-------|-7---x-6---x-4---------2---------|
a|-------2p0---------------0-------|-5---x-4---x-2-----------5-------|
e|-0-3-4-----0-3-4-0---3-4---------|-------------------3b4-----------|
1 e + a 2 e + a 3 e + a 4 e + a
1 e + a 2 e + a 3 e + a 4 e + a
Figure 3 (Verse)
e|---------------------------------|---------------------------------|
b|---------------------------------|---------------------------------|
g|---------------------------------|---------------------------------|
d|---------------------5---5h7-----|-5h7---5-----7-------5-----------|
a|-5h7---5-----7-----7---7---------|-----------------------4-4h7-----|
e|---------------------------------|---------------------------------|
1 e + a 2 e + a 3 e + a 4 e + a
1 e + a 2 e + a 3 e + a 4 e + a
e|---------------------------------|---------------------------------|
b|---------------------------------|---------------------8---5-\-----|
g|---------------------------------|-----------------------6---------|
d|---------------------5---5h7-----|-5h7---5-----7-------------------|
a|-5h7---5-----7-----7---7---------|---------------------------------|
e|---------------------------------|---------------------------------|
1 e + a 2 e + a 3 e + a 4 e + a
1 e + a 2 e + a 3 e + a 4 e + a
Figure 4 (Chorus)
e|---------------------------------|---------------------------------|
b|---------------------------------|-7---x-5-------x-7---------------|
g|-4---x-2-------x-4---------------|-7---x-5-------x-7---------------|
d|-5---x-3-------x-5---------------|-7---x-5-------x-7---------------|
a|-5---x-3-------x-5---------------|-5---x-3-------x-5---------------|
e|-3---x-1-------x-3---------------|---------------------------------|
1 e + a 2 e + a 3 e + a 4 e + a
1 e + a 2 e + a 3 e + a 4 e + a
e|---------------------------------|---------------------------------|
b|-9---x-7-------x-9---------------|---------------------------------|
g|-9---x-7-------x-9---------------|-----------------------------7h9-|
d|-9---x-7-------x-9---------------|-------4-------5-----6---7h9-----|
a|-7---x-5-------x-7---------------|-5-------------------------------|
e|---------------------------------|---------------------------------|
1 e + a 2 e + a 3 e + a 4 e + a
1 e + a 2 e + a 3 e + a 4 e + a
e|---------------------------------|---------------------------------|
b|---------------------------------|---------------------------------|
g|---------------------------------|---------------------------------|
d|---------------------------------|-----------------5b6d5-----------|
a|-7-7-7---7-7---7---7-7-------5h7-|-7-7-7---7-7-----------7-----5h7-|
e|-0-0-0---0-0---0---0-0-----7-----|-0-0-0---0-0---------------7-----|
1 e + a 2 e + a 3 e + a 4 e + a
1 e + a 2 e + a 3 e + a 4 e + a
e|---------------------------------|---------------------------------|
file:///C|/olga_main/f-g/g/guns_n_roses/mr_brownstone.tab (2 of 4) [4/28/2003 9:55:13 PM]
file:///C|/olga_main/f-g/g/guns_n_roses/mr_brownstone.tab
b|---------------------------------|---------------------------------|
g|---------------------------------|---------------------------------|
d|-----------------7b8d7-5---------|---------------------------------|
a|-7-7-7---7-7-----------------5h7-|-7-------5-------4---2-----0-----|
e|-0-0-0---0-7---------------7-----|-------------------------3---3-0-|
1 e + a 2 e + a 3 e + a 4 e + a
1 e + a 2 e + a 3 e + a 4 e + a
Figure 5 (Bridge)
e[---------------------------------|---------------------------------]3
b[---------------------------------|---------------------------------]3
g[---------------------------------|---------------------------------]3
d[-9---x-7---x-9---x-x-------------|-7---x-5---x-7---x-x-------------]3
a[-9---x-7---x-9---x-x-5-6-9---x-x-|-7---x-5---x-7---x-x-3-4-5---x-x-]3
e[-7---x-5---x-7---x-x-----7---x-x-|-5---x-3---x-5---x-x-----3---x-x-]3
1 e + a 2 e + a 3 e + a 4 e + a
1 e + a 2 e + a 3 e + a 4 e + a
e|---------------------------------|
b|---------------------------------|
g|---------------------------------|
d|-9---x-7---x-9-------------------|
a|-9---x-7---x-9-------------------|
e|-7---x-5---x-7-------------------|
1 e + a 2 e + a 3 e + a 4 e + a
Figure 6 Solo
e[---------------------------------|---------------------------------]3
b[---------------------------------|---------------------------------]3
g[---------------------4---2h3-----|---------------------2---0h1-----]3
d[-------4-----2-------4-------4-2-|-------2-----0-------2-------2-0-]3
a[-----------4-------4-2-----------|-----------2-------2-0-----------]3
e[-2-------------------------------|-0-------------------------------]3
1 e + a 2 e + a 3 e + a 4 e + a
1 e + a 2 e + a 3 e + a 4 e + a
e|---------------------------------|---------------------------------|
b|---------------------------------|---------------------------------|
g|---------------------4---2h3-----|---------------------------------|
d|-------4-----2-------4-------4---|-9---x-7-------x-9---------------|
a|-----------4-------4-2-----------|-9---x-7-------x-9---------------|
e|-2-------------------------------|-7---x-5-------x-7---------------|
1 e + a 2 e + a 3 e + a 4 e + a
1 e + a 2 e + a 3 e + a 4 e + a
e|-----3---B-3-------------------3---|-----8---B-8-11-------------------8---|
b|-B-3---3-6---6-3-b-d-------B-3-----|-B-8---8-11----8--b-d-----------8-----|
g|-5---------------5 5p3-5p3-5-------|-10--------------10 10p8-10-8h9-------|
d|-----------------------------------|--------------------------------------|
a|-----------------------------------|--------------------------------------|
e|-----------------------------------|--------------------------------------|
1 e + a 2 e + a 3
e + a 4 e + a
1 e + a 2 e + a 3
e + a 4 e + a
-t--t-e|-B-10-13---------------------------------------|
b|-13-----10-------------------------------------|
g|----------12-(14)d12p10----12----10-10-10------|
d|------------------------12----12---------------|
a|-----------------------------------------------|
e|-----------------------------------------------|
1 e + a 2 e
+ a 3 e + a 4 e + a
----t--e|---------------------------------|---------------------------------|
b|---------------------------------|---------------------------------|
g|-7---x-6-----x-4-----------------|---------------------------------|
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file:///C|/olga_main/f-g/g/guns_n_roses/mr_brownstone.tab
d|-7---x-6-----x-4-----------------|---------------------------------|
a|-5---x-4-----x-2---------b-------|-x-x-x-x---x---x-x-x-x-x---------|
e|-------------------------3-------|-x-x-x-x---x---x-x-x-x-x-15\-----|
1 e + a 2 e + a 3 e + a 4 e + a
1 e + a 2 e + a 3 e + a 4 e + a
Figure 7 (Outtro)
e|---------------------------------|---------------------------------|
b|---------------------------------|---------------------------------|
g|-------4---------------4---------|-------4-------------------------|
d|---5-6---7---5-6---5-6---7---5-6-|---5-6---7---5-6-----5-6-7-------|
a|-7---------7-----7---------7-----|-7---------7-----7---------------|
e|---------------------------------|---------------------------------|
1 e + a 2 e + a 3 e + a 4 e + a
1 e + a 2 e + a 3 e + a 4 e + a
e|---------------------------------|---------------------------------|
b|-3p2p0-----------3p2p0-----------|-3p2p0---------------------------|
g|-------2---0-----------2---0-----|-------2---0---------------------|
d|-------------2p0-------------2p0-|-------------2p0---------2-------|
a|---------------------------------|-----------------2p0-b---2-------|
e|---------------------------------|---------------------3---0-------|
1 e + a 2 e + a 3 e + a 4 e + a
1 e + a 2 e + a 3 e + a 4 e + a
e|---------------------------------|
b|-0h2---0h3-----------------------|
g|---------------------------------|
d|---------------------------------|
a|---------------------------------|
e|---------------------------------|
1 e + a 2 e + a 3 e + a 4 e + a
<Intro>
<Verse>
<Chorus>
<Bridge>
<Chorus>
<Solo>
<Verse>
<Chorus>
<Outtro>
Intro,
Figure
Figure
Figure
Figure
Figure
Figure
Figure
Figure
Figure 1,
3, Figure
4
5
4
6
2, Figure
4
1, Figure
Figure 2
2, Figure 3
3
7
file:///C|/olga_main/f-g/g/guns_n_roses/november_rain.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: hagst3+@pitt.edu (Herschel A Gelman)
November Rain
Guns N' Roses
Note: I didn't write the chords for any of the guitar solos, just where there
were lyrics. For the solos, the chords are the same as during the previos
verse section.
Intro:
E
Abm/Eb
C#m
C#m
E
C#m
When I look into your eyes
B
I can see a love restrained
E
C#m
But darlin' when I hold you
B
Don't you know I feel the same
C#m
F#
'Cause nothin' lasts forever
B
And we both know hearts can change
C#m
F#
And it's hard to hold a candle
B
In the cold November rain
C#m
F#
We've been through this such a long long time
B
Just tryin' to kill the pain
C#m
But lovers always come and lovers always go
F#
B
And no one's really sure who's lettin' go today
Walking away
C#m
If we could take the time
file:///C|/olga_main/f-g/g/guns_n_roses/november_rain.crd
file:///C|/olga_main/f-g/g/guns_n_roses/november_rain.crd
[I haven't had a chance to figure out anything past this, when the piano kicks
in. That's a sort of B-G-A thing, though the 'B' isn't a B chord, as far as I
can tell. Can anyone finish this off? I won't have a chance to any time soon]
Herschel
-From: RyanL44@aol.com
November Rain - Guns N' Roses
ryanl44@aol.com
(Ryan LeNoir)
In order to play this song you must drop all strings a 1/2 step.
Also listen to the song to find where to enter.
Most are whole notes but there are a few half notes stuck in
again listen to the album
E=Eb
B=Bb G=Gb D=Db A=Ab E=Eb
_______________________________________________
C
N.C.
When I look into your eyes I can see the love restrained
N.C.
C
But darlin' when I hold you don't you know I feel the same
Dm
G
C
Nothin' lasts forever and we both know hearts can change
Dm
G
C
And it's hard to hold a candle in the cold November rain
F
Dm
We've been through this such a long long time just tryin' to kill
C
the pain
F
But lovers always come and lovers always go an
Dm
C
no one's really sure who's lettin' go today
F
If we could take time to lay it on the line I could
Dm
C
rest my head just knowin' that you were the mine
Dm
G
So if you want to love me then darlin' don't refrain
Dm
G
C
Or I'll just end up walking in the cold November rain
file:///C|/olga_main/f-g/g/guns_n_roses/november_rain.crd (3 of 5) [4/28/2003 9:55:14 PM]
file:///C|/olga_main/f-g/g/guns_n_roses/november_rain.crd
F
Do you need some time on your own
F
G
Do you need some time all alone
F
Ooh everybody needs some time on their own
F
Ooh, don't you know you need some time all alone
Em
F
I know it's hard to keep an open heart
Em
G
G
C
F
When even friends seem out to harm you
F
C
But if you could heal a broken heart
F
Wouldn't time be out to charm you
Em
Em
F
Guitar Solo I
C
G
Dm
Dm
Dm
Dm
F
G
Sometimes I need some time
on my own
G
F
Some times I need some time all alone
F
Ooh everybody needs some time on their own
F
Ooh don't you know you need some time all alone
F
Guitar Solo II
F
Dm
Dm
Am
Dm
G
G
(repeat 2x)
Dm
C
And when your fears subside and shadows still remain
Dm
C
I know that you can love me when there's no one left to blame
G
C
So never mind the darkness we still can find a way
G
G/B
Nothin' lasts forever even cold November rain
G
F
G
C
G/B
Am
G
F
G
C5*
*w/dist.
C5
5x)
C5
G5
F5
C5
Eb5
Ab5
Bb5
______________________________________________________
Chord Dictionary
C
F
G
Dm
Em
X32010
133211
320033
XX0231
022000
Am
C5
G5
F5
Eb5
002210
X355XX
355XXX
133XXX
X688XX
Ab5
Bb5
466XXX
X133XX
C5
(repeat
file:///C|/olga_main/f-g/g/guns_n_roses/november_rain.crd
file:///C|/olga_main/f-g/g/guns_n_roses/one_in_a_million.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From
uunet!noc.near.net!news.Brown.EDU!qt.cs.utexas.edu!cs.utexas.edu!uwm.edu!linac!att!cbnewsm!cbnewsl!attout!rutgers!rochester!cantaloupe.srv.cs.cmu.edu!crabapple.srv.cs.cmu.edu!andrew.cmu.edu!hl27+ Mon
Oct 19 18:49:57 PDT 1992
Article: 3024 of alt.guitar.tab
Path:
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From: hl27+@andrew.cmu.edu (Haw Juin Lin)
Newsgroups: alt.guitar.tab
Subject: Re: REQ:One in a Million (G'n'R) CRD's
Message-ID: <AesX9wi00WBO857yYq@andrew.cmu.edu>
Date: 19 Oct 92 03:58:52 GMT
References: <telorant.719430296@vipunen.hut.fi>
Organization: Freshman, CIT general, Carnegie Mellon, Pittsburgh, PA
Lines: 80
In-Reply-To: <telorant.719430296@vipunen.hut.fi>
One in a Million
Acoustic guitar..
[E-1]
EADGBE
022100
[E-2]
EADGBE
x7990x
[D]
EADGBE
x5770x
[C#]
EADGBE
x4660x
[C]
EADGBE
x355xx
Beginning of song..
Strum
[E-1]
|
| |
[C]
||
| |
(slide) [E-2]
|||| / ||
| |
[D]
|||| ||
| |
[C#]
|||| ||
(play twice)
| |
||||
|||||||||||||||
^
(slow distortion comes in)
^ ^ ^
^ ^
that was how I played it....I don't know if it's right or not..
Later
merlin
_______________________________________________________________
XXXXXXXXXXXX
M
Chapel of pure intellectual knowledge
file:///C|/olga_main/f-g/g/guns_n_roses/one_in_a_million.crd
XXXXXXXXXXXX
XXXXXOOXXXXX
XXXXXOOXXXXX
XXXXXOOXXXXX
XXXXXOOXXXXX
XXOOOOOOOOXX
XXOOOOOOOOXX
XXXXXOOXXXXX
XXXXXOOXXXXX
XXXXXXXXXXXX
XXXXXXXXXXXX
E
R
L
I
N
[hl27@andrew.cmu.edu]
Phone Number [412-268-3979]
file:///C|/olga_main/f-g/g/guns_n_roses/out_ta_get_me.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Wed, 24 Jul 1996 14:45:24 -0500
From: carol.isenberg@mail.rowan.k12.nc.us (Bubba)
"Out ta get me" I think, by Guns n Roses
Douglas Isenberg- email me at carol.isenberg@mail.rowan.k12.nc.us
intro
e-------------------------I
d-------------------------I
g-----------0------3---0--I
d-----------0--3---3---0--I
a---0-3-0------3----------I
e---0-3-0-----------------I
I think it is in the right key but I am not sure. It seems like there is a
couple notes in the middle that I left out but I have not heard the song in
a long time.
file:///C|/olga_main/f-g/g/guns_n_roses/paradise_city.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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Date: Sat, 16 Jan 1993 18:48:23 -0500 (EST)
From: "Thomas W. Bajzek" <twb+@andrew.cmu.edu>
To: jamesb@nevada.edu
Subject: Paradise City By Guns N' Roses
Cc:
WRONG!
Here's how the riff really goes.
--------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------1-----------------3----1----2----3----1----2----3----1----3----1----3----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------3----1-----------------3----1----2----3----1----2----3----1----3----1--------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------1-----------------3----1----2----3----1----2----3----1----3----1----3----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------3----1-----------------3----1----2----3----1----2----3----1----3----1------------------------On the album, two guitars do this, but 1 does this starting at the 5th fret
file:///C|/olga_main/f-g/g/guns_n_roses/paradise_city.crd
on the D string.
How about sending in some more Satch?
file:///C|/olga_main/f-g/g/guns_n_roses/paradise_city.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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From: "Patrick C. Cevasco" <cevasp@rpi.edu>
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Date: Sun, 6 Mar 1994 19:13:54 -0500
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To: jamesb@nevada.edu
Artist: Guns N' Roses
Song: Paradise City
Album: Appetite for Destruction
Transcribed by (?) Mark Phillips and Jon Chappell (editors)
Copyright 1989
Cherry Lane Music Company, Inc.
Typed by Patrick Cevasco
I tried to get the spacing as close to the book as possible. If I
could not fit the whole figure across the width of the page, I
continued it on the next line indented.
Key:
h = hammer
BF = bend full
BFR = bend full and release
BH = bend half
P.M. = palm mute
/\/\/ = vibrato
% = repeat previous
70
-------------------------------------------------------------------->
Tune down 1/2 step (one fret)
Rhy. Fig. 1
G
|-3---3-----3-----3-------|---------3-----3-----3-------|
|-0-----0-----0-----0---0-|-1---------1-----1-----1---1-|
|-0-------0-----0-----0---|-0-----------0-----0-----0---|
|-0-----------------------|-0h2---2---------------------|
|-2-----------------------|-----3-----------------------|
|-3-----------------------|-----------------------------|
Fadd9
|--------3----------------3-------|---3----3-------------------|
|--1---1---1---1--1-----1---1---0-|-0--0-----0-----0---0-------|
|--0h2-------2----0-----------0---|-0----0-----0h2---0------0--|
|--0h3------------0h2-------------|-0--------------------0h2---|
|---------------------3-----------|-2--------------------------|
file:///C|/olga_main/f-g/g/guns_n_roses/paradise_city.tab
|---------------------------------|-3--------------------------|
Rhy. Fig. 2
*
P.M.--|
P.M.---|
|-------------------------|----------------------------|
|-------------------------|-5--------------------------|
|---------------------5-5-|-5--------------------10-10-|
|5--------------------5-5-|-5--------------------10-10-|
|5--------------------3-3-|-3---------------------8--8-|
|3------------------------|----------------------------|
P.M.--|
P.M.--| *
|---------------------------------|----------------------------|
|-10-----------------5------------|----------------------------|
|-10-------------5-5-5------------|----------------------------|
|-10-------------5-5-5------------|-5--------------------------|
|--8-------------3-3-3------------|-5--------------------------|
|-----------------------------3-3-|-3--------------------------|
(* I am not sure if this is the correct G5. This figure was not tabbed in
the book. The other G5 that was listed at the top of the page
was: )
|-3-|
|-3-|
|-0-|
|-0-|
|-X-|
|-3-|
Riff B
|--------------------------------------------|---------------------|
|----------------------15--------------------|---------------------|
|-------12-12--------------14BF-14BFR--12----|-----------%---------|
|-12h14---------14-12---------------------14-|---------------------|
|--------------------------------------------|---------------------|
|--------------------------------------------|---------------------|
Riff B-1
/\/\/\/\/\/\/\/\/\
|--------------------------------------------|---------------------|
|-13BF-----13BF-----13-----10BFR------8------|-10------------------|
|-----------------------------------------9--|---------------------|
|--------------------------------------------|---------------------|
|--------------------------------------------|---------------------|
|--------------------------------------------|---------------------|
Riff B-2
Hold Bend
_________________
|
|
/\/\/\/\/\/\/\/\/\
|-------------|----15---------|--------------|---------------------|
file:///C|/olga_main/f-g/g/guns_n_roses/paradise_city.tab (2 of 5) [4/28/2003 9:55:15 PM]
file:///C|/olga_main/f-g/g/guns_n_roses/paradise_city.tab
|-13-------13BF--------13-----R------12h13---|-12------------------|
|--------------------------------------------|---------------------|
|--------------------------------------------|---------------------|
|--------------------------------------------|---------------------|
|--------------------------------------------|---------------------|
Riff C
P.M.-----------------------------------|
/\/
/\/
|--------------------------------------------|
|--------------------------------------------|
|---------------------------------------3----|
|------------------------------------5--3----|
|-5---3---4--5---3---4--5---3--5--3--5--1----|
|-3---1---2--3---1---2--3---1--3--1--3-------|
P.M.-----------------------------------|
/\/\/\
/\/\/\
|--------------------------------------------|
|--------------------------------------------|
|------------------------------------5--3----|
|------------------------------------3--3----|
|-5---3---4--5---3---4--5---3--5--3--3--1----|
|-3---1---2--3---1---2--3---1--3--1----------|
P.M.-----------------------------------|
/\/
/\/
|--------------------------------------------|
|--------------------------------------------|
|---------------------------------------3----|
|------------------------------------5--3----|
|-5---3---4--5---3---4--5---3--5--3--5--1----|
|-3---1---2--3---1---2--3---1--3--1--3-------|
P.M.----------------------------------|
/\/
\/\
|--------------------------------------------|
|--------------------------------------------|
|-----------------------------------5---3----|
|--------------------------5---3----3---3----|
|-5---3---4--5----3---4----5---3----3---1----|
|-3---1---2--3----1---2----3---1-------------|
file:///C|/olga_main/f-g/g/guns_n_roses/paradise_city.tab
|-3----1---2---3---3---1---2---3---1---3---1---3------|
1.
Just...
I'm...
P.M.-----------------------------|
/\/
|---------------------------------------------------|
|----------------------------------------5----3-----|
|----------------------------------------5----3-----|
|----------------------------------------5----3-----|
|----------------------------------------3----1-----|
|-3----1---2--3--3--1--2--3--1--3---1---------------|
hard...
I'm
your...
P.M.----------------------------------------|
/\/
|-----------------------------------------------------|
|--------------------------------------------------3--|
|--------------------------------------------------3--|
|--------------------------------------------------3--|
|--------------------------------------------------1--|
|-3----1---2---3---3---1---2---3---1---3---1---3------|
charity...
eat.
P.M.-----|
/\/\/\/\
|------------------------------------|--------------|
|--------------------------3---------|--------5-----|
|--------------------------3---------|--------5-----|
|--------------------------3---------|--------5-----|
|--------------------------1---------|--------3-----|
|-3---------1---2---3----------------|--------------|
pay
you....
another...
time.
|-----------------------------------------------------|
|-----------------------------------------------------|
|--------------------------------------------/\-------|
|-------------------------------------------/--\------|
|--3BH--------1---3---1--------------------/----------|
|-------------------------1---3----------(3)----------|
Take...
the...
line.
(slide)
-------------------------------------------------------------------->|
O.K.
So the song goes like this:
(Rhy. Fig. 1) x 2
(Chorus w/Rhy. Fig. 1) x 2
Take me down to the paradise city,
where the grass is green and the girls are pretty.
Oh won't you please take me home.
(Rhy. Fig. 2) x 2
file:///C|/olga_main/f-g/g/guns_n_roses/paradise_city.tab
file:///C|/olga_main/f-g/g/guns_n_roses/patience.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: schubert@avalon.physik.unizh.ch (Schubert Alex)
Subject: RE: Request G'n'R
Patience.crd
Date: 4 Sep 92 11:22:30 GMT
lyric correction by
Date:
Mon, 27 Nov 1995 22:34:01 -1000
From: Peruzan Dadbeh <peruzan@hawaii.edu>
C G A D
C G D D
C
Shed a tear cause I'm missing you
G
I'm still allright to smile
A
D
Girl I think about you every day now
C
Was a time when I wasn't sure
G
But you set my mind at ease
A
D
There is no doubt, you're in my heart now
C
G
Sad woman take it slow
C
Em
It will work itself out fine
C
G
D
All we need is just a little patience
C
G
Sad sugar make it slow and
C
Em
It comes together fine
C
G
D
All we need is just a little patience
Sit here on the stairs
Cause I'd rather be alone
If I can't have you right now
I'll wait dear
Sometimes I get so candescent
But I can't speed up the time
You know love, there's one more thing
To consider
file:///C|/olga_main/f-g/g/guns_n_roses/patience.crd
Solo
G
C
A little patience
G
C
Mhh Yeah
G
I've been walking the streets tonight
C
Just trying to get it right
G
It's hard to see with so many around
C
you know I don't like being stuck in a crowd
G
And the streets don't change but maybe the name
C
I ain't got time for the game
G
Cause I need you
C
Yeah Yeah cause I need you
G
Uh I need you
D
Woh I need you
G
C G
Uhh this time
Well, the lyrics are from a friend, who tried to figure them out. I don't guarantee they're
absolutely
correct, but I guess they can give you a very good idea of the song. (Any corrections?)
Thus I could post a corrected version.
Did anyone figure out the Intro
Your posting would be appreciated!
and Solo ?
file:///C|/olga_main/f-g/g/guns_n_roses/patience.crd
Alex
:)
-When the doors of perception are cleansed, man will see how things truely are...
-------------------------------------------------------------------------------schubert@ifi.unizh.ch
file:///C|/olga_main/f-g/g/guns_n_roses/patience.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From uunet!dtix!darwin.sura.net!Sirius.dfn.de!chx400!josef!avalon.physik.unizh.ch!schubert Fri Sep
4 16:05:57 PDT 1992
Article: 2029 of alt.guitar.tab
Path:
nevada.edu!uunet!dtix!darwin.sura.net!Sirius.dfn.de!chx400!josef!avalon.physik.unizh.ch!schubert
From: schubert@avalon.physik.unizh.ch (Schubert Alex)
Newsgroups: alt.guitar.tab
Subject: RE: Request G'n'R
Patience.crd
Message-ID: <1992Sep4.112230.25604@ifi.unizh.ch>
Date: 4 Sep 92 11:22:30 GMT
Sender: news@ifi.unizh.ch (USENET News Admin)
Organization: Informatik Club d. Universitaet, Zuerich
Lines: 123
Nntp-Posting-Host: avalon
C G A D
C G D D
C
Shed a tear cause I'm missing you
G
I'm still allright to smile
A
D
Girl I think about you every day now
C
Was a time when I wasn't sure
G
But you set my mind at ease
A
D
There is no doubt, you're in my heart now
C
G
Sad woman take it slow
C
Em
It will work itself out fine
C
G
D
All we need is just a little patience
C
G
Sad sugar make it slow and
C
Em
It comes together fine
C
G
D
All we need is just a little patience
Sit here on the stairs
Cause I'd rather be alone
file:///C|/olga_main/f-g/g/guns_n_roses/patience.tab
Solo
G
C
A little patience
G
C
Mhh Yeah
G
I've been walking the streets tonight
C
Just trying to get it right
G
It's hard to see with so many around
C
Noone doesn't like my stucking the ground
G
And the streets don't change but maybe the name
C
I ain't got time for the game
G
Cause I need you
C
Yeah Yeah cause I need you
G
Uh I need you
D
Woh I need you
G
C G
Uhh this time
Well, the lyrics are from a friend, who tried to figure them out. I don't guarantee they're
absolutely
file:///C|/olga_main/f-g/g/guns_n_roses/patience.tab
correct, but I guess they can give you a very good idea of the song. (Any corrections?)
Thus I could post a corrected version.
Did anyone figure out the Intro
Your posting would be appreciated!
and Solo ?
:)
-When the doors of perception are cleansed, man will see how things truely are...
-------------------------------------------------------------------------------schubert@ifi.unizh.ch
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Date: 08 Oct 1992 14:34:23 -0500 (EST)
From: D9250632@zac.riv.csu.edu.au
Subject: Patience_Solo
Guns_n_Roses
To: JAMESB@nevada.edu
Message-Id: <01GPPJS0P7V68WVYVR@zac.riv.csu.edu.au>
Organization: Charles Sturt University - Riverina, NSW, Australia
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file:///C|/olga_main/f-g/g/guns_n_roses/patience.tab
-----------------------|-------------------------|-------------------------|
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-----------------------|-------------------------|-------------------------|
------------------------|------------------------|-------------------------|
-------5--8-------------|------------------------|---------5--8------------|
---7-----------7---5--7-|-----4---7--------------|---7W---------7----5--7/-|
------------------------|--7W-------7H-----5-----|-------------------------|
------------------------|------------------------|-------------------------|
------------------------|------------------------|-------------------------|
----------------------------|-------------------------|-----------------------|
-------8--10W---8-----8--10-|--10W--10--8-10----8--10-|-8--10-----8--10-8-10-12----9-------------9---------|----------------9--------|---------------------------------------------------|-------------------------|---------------------------------------------------|-------------------------|---------------------------------------------------|-------------------------|---------------------------------------------------|
------10------10------------|
----------------------------|
----------------------------|
----------------------------|
----------------------------|
file:///C|/olga_main/f-g/g/guns_n_roses/patience_long.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From uunet!dtix!darwin.sura.net!Sirius.dfn.de!chx400!josef!avalon.physik.unizh.ch!schubert Fri Sep
4 16:05:57 PDT 1992
Article: 2029 of alt.guitar.tab
Path:
nevada.edu!uunet!dtix!darwin.sura.net!Sirius.dfn.de!chx400!josef!avalon.physik.unizh.ch!schubert
From: schubert@avalon.physik.unizh.ch (Schubert Alex)
Newsgroups: alt.guitar.tab
Subject: RE: Request G'n'R
Patience.crd
Message-ID: <1992Sep4.112230.25604@ifi.unizh.ch>
Date: 4 Sep 92 11:22:30 GMT
Sender: news@ifi.unizh.ch (USENET News Admin)
Organization: Informatik Club d. Universitaet, Zuerich
Lines: 123
Nntp-Posting-Host: avalon
Status: OR
C G A D
C G D D
C
Shed a tear cause I'm missing you
G
I'm still allright to smile
A
D
Girl I think about you every day now
C
Was a time when I wasn't sure
G
But you set my mind at ease
A
D
There is no doubt, you're in my heart now
C
G
Sad woman take it slow
C
Em
It will work itself out fine
C
G
D
All we need is just a little patience
C
G
Sad sugar make it slow and
C
Em
It comes together fine
C
G
D
All we need is just a little patience
Sit here on the stairs
file:///C|/olga_main/f-g/g/guns_n_roses/patience_long.tab
Solo
G
C
A little patience
G
C
Mhh Yeah
G
I've been walking the streets tonight
C
Just trying to get it right
G
It's hard to see with so many around
C
Noone doesn't like my stucking the ground
G
And the streets don't change but maybe the name
C
I ain't got time for the game
G
Cause I need you
C
Yeah Yeah cause I need you
G
Uh I need you
D
Woh I need you
G
C G
Uhh this time
Well, the lyrics are from a friend, who tried to figure them out. I don't guarantee they're
file:///C|/olga_main/f-g/g/guns_n_roses/patience_long.tab
absolutely
correct, but I guess they can give you a very good idea of the song. (Any corrections?)
Thus I could post a corrected version.
Did anyone figure out the Intro
Your posting would be appreciated!
and Solo ?
:)
-When the doors of perception are cleansed, man will see how things truely are...
-------------------------------------------------------------------------------schubert@ifi.unizh.ch
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<01GPPJS0OY808WVYVR@zac.riv.csu.edu.au>; Thu, 8 Oct 1992 14:34:23 EST
Date: 08 Oct 1992 14:34:23 -0500 (EST)
From: D9250632@zac.riv.csu.edu.au
Subject: Patience_Solo
Guns_n_Roses
To: JAMESB@nevada.edu
Message-Id: <01GPPJS0P7V68WVYVR@zac.riv.csu.edu.au>
Organization: Charles Sturt University - Riverina, NSW, Australia
X-Envelope-To: JAMESB@NEVADA.EDU
X-Vms-To: JAMESB@NEVADA.EDU
Mime-Version: 1.0
Content-Transfer-Encoding: 7BIT
file:///C|/olga_main/f-g/g/guns_n_roses/patience_long.tab
---10---8--8--8--------|-------------------------|-------------------------|
-----------------------|-------------------------|-------------------------|
-----------------------|-------------------------|-------------------------|
-----------------------|-------------------------|-------------------------|
-----------------------|-------------------------|-------------------------|
------------------------|------------------------|-------------------------|
-------5--8-------------|------------------------|---------5--8------------|
---7-----------7---5--7-|-----4---7--------------|---7W---------7----5--7/-|
------------------------|--7W-------7H-----5-----|-------------------------|
------------------------|------------------------|-------------------------|
------------------------|------------------------|-------------------------|
----------------------------|-------------------------|-----------------------|
-------8--10W---8-----8--10-|--10W--10--8-10----8--10-|-8--10-----8--10-8-10-12----9-------------9---------|----------------9--------|---------------------------------------------------|-------------------------|---------------------------------------------------|-------------------------|---------------------------------------------------|-------------------------|---------------------------------------------------|
------10------10------------|
----------------------------|
----------------------------|
----------------------------|
----------------------------|
From ad070@freenet.carleton.ca Mon May 17 13:34:26 1993
Received: from freenet.carleton.ca by snowhite.cis.uoguelph.ca (5.64/1.35)
id AA05904; Mon, 17 May 93 13:34:26 -0400
Received: by freenet.carleton.ca (4.1/SMI-4.0)
id AA22273; Mon, 17 May 93 13:29:51 EDT
Date: Mon, 17 May 93 13:29:51 EDT
Message-Id: <9305171729.AA22273@freenet.carleton.ca>
From: ad070@freenet.carleton.ca (Steve Portigal)
To: ad070@freenet.carleton.ca
Subject: Re: TAB: Patience - Guns 'n' Roses
Reply-To: ad070@freenet.carleton.ca
Status: OR
In a previous article, bpatr@ntua.gr (Babis Patrikakis) says:
>
>
PATIENCE - GUNS 'N' ROSES
>
Tabbed by Vassilis Tzerpos
>
>Key:
>
>p = pull-off
^ = bend
>h = hammer-on
r = release bend
>s = slide
/ = repeat previous chord
>* = slide to the above or below indicated note from as many frets below
>as the number of stars
>
>Av = 577655
G6 = xx0000
C9 = x32030
F6 = 1x3231
>
>Quarter=120=--->
>C---------------|----------------|G---------------|----------------|
>
|
|
|
|
>------0---0-----|----------------|----------------|----------------|
file:///C|/olga_main/f-g/g/guns_n_roses/patience_long.tab (4 of 16) [4/28/2003 9:55:18 PM]
file:///C|/olga_main/f-g/g/guns_n_roses/patience_long.tab
>------1---1-1-1-|3p1-1-0h1-1-1p0-|------0---------|1p0-------------|
>----0-------0-0-|0---0-0---0-0---|----0-----0-----|----0-2p0---0h2-|
>2-2---------2-2-|2---2-2---2-2---|--0---------0---|----------0-0h2-|
>3-----------3-3-|3---3-3---3-3---|2-------------2-|----------------|
>----------------|----------------|----------------|----------------|
>
>
>
>Av--------------|----------------|D---------------|----------------|
>
|
|
|
|
>----------------|----------------|2---2---2-2-----|3p2-2-0---2-----|
>----2---------0-|3p2---0h2-2-----|3-3---3-----3-3-|3---3-3---3-----|
>------2---2-----|----2-0h2-2-2-0-|2-------------2-|2---2-2---2-----|
>--------2---2---|----2-------2-0-|0-------------0-|0---0-0---0-----|
>0---------------|----------------|----------------|------------0-2-|
>----------------|----------------|----------------|----------------|
>
|
|
|
|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|------------7---|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>
>
>
>C---------------|----------------|G---------------|----------------|
>
|
|
|
|
>------0---0-----|----------------|----------------|----------------|
>------1---1-1-1-|3p1-1-0h1-1-1p0-|------0---------|1p0-------------|
>----0-------0-0-|0---0-0---0-0---|----0-----0-----|----0-2p0---0h2-|
>2-2---------2-2-|2---2-2---2-2---|--0---------0---|----------0-0h2-|
>3-----------3-3-|3---3-3---3-3---|2-------------2-|----------------|
>----------------|----------------|----------------|----------------|
>
|
|
|
|
>----------------|----10----------|--7-8-9-10------|----------------|
>8-------------8-|1012--10--8-108-|10^-------10^-8-|------------10--|
>----------------|------**--------|----------------|--------------9-|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>
>
>Av--------------|----------------|D---------------|----------------|
>
|
|
|
|
>----------------|----------------|2---2---2-2-----|3p2-2-0---2-----|
>----2---------0-|3p2---0h2-2-----|3-3---3-----3-3-|3---3-3---3-----|
>------2---2-----|----2-0h2-2-2-0-|2-------------2-|2---2-2---2-----|
>--------2---2---|----2-------2-0-|0-------------0-|0---0-0---0-----|
>0---------------|----------------|----------------|------------0-2-|
>----------------|----------------|----------------|----------------|
>
|
|
|
|
>------------7s8s|9---------------|--10----8-----7-|----7s5---------|
>10--------------|----------------|----------------|8---------------|
>------------7s8s|9---------------|11----9-----7---|--7--s5---------|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>
>
file:///C|/olga_main/f-g/g/guns_n_roses/patience_long.tab
>
>C---/---/-/-/-G6|G-/-/-/-/-/-/-/-|C---/-/-/-/-/-G6|Em--/-/-/-/-/-G6|
>
|
|
|
|
>------0---------|----------------|----------------|----------------|
>----1---3p1-----|----------------|------1---------|----------------|
>--0-----------0-|------0---------|----0---0-------|------0---------|
>2-----------2---|----0-----0-----|--2-------2-----|----2-----------|
>3---------------|--2---------2---|3---------------|--2-------------|
>----------------|3-------------3-|------------3-2-|0---------------|
>
>
>C---/-/-/-/-/-G6|G---/-/-/-/-/-G6|D---------------|----------------|
>
|
|
|
|
>----------------|----------------|------2---------|----------------|
>------1---------|--------0-------|3---------------|----------------|
>----0---0-------|------0---0-----|2---------------|----------------|
>--2-------2-----|----0-------0---|0---------------|----------------|
>3-----------3-2-|2-2-------------|----------------|----------------|
>----------------|3---------------|----------------|----------------|
>
>
>
>
>
Shed a tear...
>----------------|----------------|----------------|----------------|
>------1---1-1-1-|3p1---0---1-----|----------------|----------------|
>----0-----0-0-0-|0-----------0---|----------------|--------0-----0-|
>--2-------2-2-2-|2---------------|----------------|----0-----0-2-0-|
>3---------3-3-3-|3---3---------3-|2-------2-0-----|----2-0---------|
>----------------|----------------|----------------|3---------------|
>
|
|
|
|
>----------------|----------------|----------------|----------------|
>------1---------|3-1---1---------|----------------|----------------|
>----0-----------|----0---0-------|------0---------|------0---------|
>--2-------------|----------2-----|----0-----------|----0---0-----0-|
>3---------------|------------3-0-|2---------0-----|--2-------2-----|
>----------------|----------------|--------------3-|3-----------3---|
>
>
>
>--------5-------|----------------|----------------|----------------|
>------2---------|3p2---0---2-----|----------------|----------------|
>----2-----------|----------------|----------------|--2---2-4-2-----|
>2---------------|----2-----------|0-------------0s|4-----------4---|
>0---------------|----------0-3-4-|----------------|--------------0-|
>----------------|----------------|----------------|----------------|
>
|
|
|
|
>------5---------|5-----5---------|------0-2-------|3-2-----0-2-----|
>----5---5-------|5-------5-------|----3-----------|----------------|
>--6-------------|7---------------|----------------|----------------|
>7-----------7---|----------------|0-------------0-|----------------|
>----------------|----------0-3-4-|----------------|----------------|
>----------------|----------------|----------------|----------------|
>
>
>
Was a time...
>----------------|----------------|----------------|----------------|
>------1---1-1-1-|3p1---0---1-----|----------------|----------------|
>----0-----0-0-0-|0-----------0---|----------------|--------0-----0-|
>--2-------2-2-2-|2---------------|----------------|----0-----0-2-0-|
>3---------3-3-3-|3---3---------3-|2-------2-0-----|----2-0---------|
file:///C|/olga_main/f-g/g/guns_n_roses/patience_long.tab (6 of 16) [4/28/2003 9:55:18 PM]
file:///C|/olga_main/f-g/g/guns_n_roses/patience_long.tab
>----------------|----------------|----------------|3---------------|
>
|
|
|
|
>----------------|----------------|----------------|----------------|
>------1---------|3-1---1---------|----------------|----------------|
>----0-----------|----0---0-------|------0---------|------0---------|
>--2-------------|----------2-----|----0-----------|----0---0-----0-|
>3---------------|------------3-0-|2---------0-----|--2-------2-----|
>----------------|----------------|--------------3-|3-----------3---|
>
>
>
>
>--------5-------|----------------|------0-2-------|3-2---0-0-2-----|
>------2---------|3p2---0---2-----|----3-----3-----|------3-3-3---0-|
>----2-----------|----------------|------------2---|--------2-2-2---|
>2---------------|----2-----------|0-------------0-|----------------|
>0---------------|----------0-3-4-|----------------|----------------|
>----------------|----------------|----------------|----------------|
>
|
|
|
|
>------5---------|5-----5---------|----2---2-------|----------------|
>----5---5-------|5-------5-------|------3---3-----|3-----3---3-3-0-|
>--6-------------|7---------------|------------2-0-|----------2-2-0-|
>7-----------7---|----------------|0---------------|----------0-0-0-|
>----------------|----------0-3-4-|----------------|----------------|
>----------------|----------------|----------------|----------------|
>
>CHORUS
>
Said woman, take it slow...
>C9--/---/-/-/-G6|G---/---/-/-/-G6|C---/-/-/-/-/-G6|Em--/---/-/-/-G6|
>
|
|
|
|
>----------------|--------3-------|----------------|------0---------|
>1-------1-------|3-3-0-0---3---0-|----1-----------|----0---0-------|
>0-------0-------|0-----------0---|0---0-----------|----------0---0-|
>2-------2-------|0---------------|2---2-----------|--2---------2---|
>3-------3-------|2---------------|3---3-----------|----------------|
>----------------|3---------------|------------3-2-|0---------------|
>
>
>C---/---/-/-/-G6|G---/---/-/-/-/-| Same as tabbed | guitar---------|
>
|
|
|
|
>------0---------|----------------|2---2---0-2---3-|--2---0---2-----|
>------1---1-1-0-|--------------0-|3---3(3)3-3---3-|3-3-3-3-3-3-3-0-|
>--0---0---0-0-0-|0-----0-------0-|2---2(2)2-2---2-|2-2-2-2-2-2-2-0-|
>2---2-----2-2-0-|0---0-----0---0-|0---0(0)0-0---0-|0-0-0-0-0-0-0-0-|
>3---3-----3-3---|2-----------2---|----------------|----------------|
>----------------|3---------------|----------------|----------------|
>
>C9--/---/-/-/-G6|G---/---/-/-/-G6|C---/-/-/-/-/-G6|Em--/---/-/-/-G6|
>
|
|
|
|
>----------------|--------3-------|----------------|------0---------|
>1-------1-------|3-3-0-0---3---0-|----1-----------|----0---0-------|
>0-------0-------|0-----------0---|0---0-----------|----------0---0-|
>2-------2-------|0---------------|2---2-----------|--2---------2---|
>3-------3-------|2---------------|3---3-----------|----------------|
>----------------|3---------------|------------3-2-|0---------------|
>
>
Figure 1
(end Figure 1)
>C---/---/-/-/-G6|G---/---/-/-/-/-|D---------------|--------------//|
>
|
|
|
|
>------0---------|----------------|2---2---0-2---3-|--2---0---2---22|
file:///C|/olga_main/f-g/g/guns_n_roses/patience_long.tab
>------1---1-1-0-|--------------0-|3---3(3)3-3-3-3-|3-3-3-3-3-3-3-33|
>--0---0---0-0-0-|0-----0-------0-|2---2(2)2-2-2-2-|2-2-2-2-2-2-2-22|
>2---2-----2-2-0-|0---0-----0---0-|0---0(0)0-0-0-0-|0-0-0-0-0-0-0-00|
>3---3-----3-3---|2-----------2---|----------------|----------------|
>----------------|3---------------|----------------|----------------|
>
>
>2---------------|----------------|----10----------|----------------|
>3---------------|--------------5s|10--------------|----------------|
>2---------------|--------------6s|11--------------|--------------7s|
>0---------------|--------------7s|12--------------|----------------|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>
|
|
|
|
>2---2---0-2---3-|--2---0---2---22|2---2---0-2---3-|--2---0---2---22|
>3---3(3)3-3-3-3-|3-3-3-3-3-3-3-33|3---3(3)3-3-3-3-|3-3-3-3-3-3-3-33|
>2---2(2)2-2-2-2-|2-2-2-2-2-2-2-22|2---2(2)2-2-2-2-|2-2-2-2-2-2-2-22|
>0---0(0)0-0-0-0-|0-0-0-0-0-0-0-00|0---0(0)0-0-0-0-|0-0-0-0-0-0-0-00|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>
>
>______________________
>| 1.
>----14--------14|----14--14--14\-|
>----------------|--14--14--14----|
>14--------14----|----------------|
>----------------|----------------|
>----------------|----------------|
>----------------|----------------|
>
|
| Go back to play Verse 2.
>2---2---0-2---3-|--2---0---2-----|
>3---3(3)3-3-3-3-|3-3-3-3-3-3-----|
>2---2(2)2-2-2-2-|2-2-2-2-2-2-----|
>0---0(0)0-0-0-0-|0-0-0-0-0-0-----|
>----------------|------------0-2-|
>----------------|----------------|
>
>
>______________________
>| 2.
>----14--------14|------------8p7-|8-------8s108---|------------8p7-|
>----------------|----------------|--------------12|--------8-------|
>14--------14----|----------------|--------------**|----------------|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>
|
|
|
|
>2---2---0-2---3-|--2-----------00|----------------|----------------|
>3---3(3)3-3-3-3-|3-3-3-0-0-3-3-11|----------------|----------------|
>2---2(2)2-2-2-2-|2-2-2-0-0-2-2-00|With chorus backing chords-------|
>0---0(0)0-0-0-0-|0-0-0-0-0-0-0-22|----------------|----------------|
>----------------|--------------33|----------------|----------------|
>----------------|----------------|----------------|----------------|
>
>
>
>8-------8s10--12|------------8p7-|8-------8s108---|--------------12|
>------------12**|----------------|--------------12|--108---8---8-**|
>----------------|----------------|--------------**|----------------|
>----------------|----------------|----------------|----------------|
file:///C|/olga_main/f-g/g/guns_n_roses/patience_long.tab (8 of 16) [4/28/2003 9:55:18 PM]
file:///C|/olga_main/f-g/g/guns_n_roses/patience_long.tab
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>
|
|
|
|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>
>
h
>--1010--------14|--12101210------|----------------|----------------|
>--------------**|----------------|----5-8---------|----------------|
>----------------|----------------|7^------7^r-5---|----4-7---------|
>----------------|----------------|----------------|7^------7^r-5---|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>
|
|
|
|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>With Figure 1---|----------------|With chorus backing chords-------|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>
>----------------|----------------|----------------|----------------|
>----5-8---------|--8-10^8----8-10|10^-r-8-10--8-10^--8-10--8-108-12|
>7^------7^r-5-7s|9-------9-------|----------9-----|------9-------**|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>
|
|
|
|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>
>----------------|----------------|----------------|----------------|
>--1010----------|----------------|5---3-------4p2-|----2---------7^|
>----------------|----------------|**--------------|3h4---0---------|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>
|
|
|
|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>With Figure 1 (3 times)----------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>
>----------------|----------------|----------------|----------------|
>----7-----------|-------***----7^|--7-----5-7---3-|----------3-----|
>----------------|4p2-----5-------|----------------|--2---0---2-----|
>----------------|----3h4-0-------|----------------|------0---0-----|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>
|
|
|
|
file:///C|/olga_main/f-g/g/guns_n_roses/patience_long.tab
>----------------|----------------|2---2---0-2---3-|3-2---0---------|
>----------------|----------------|3---3(3)3-3-3-3-|3-3---3---3-----|
>----------------|----------------|2---2(2)2-2-2-2-|2-2---2---2-----|
>----------------|----------------|0---0(0)0-0-0-0-|0-0---0---0-----|
>----------------|----------------|----------------|----------------|
>----------------|----------------|----------------|----------------|
>
>
>For the last part of the song use the following figures:
>
>2---2---2---2-2-|-------3-33-3333|
>3---3---3---3-30|3-333-33-33-3333|
>2---2---2---2-20|0-000-00-00-0000|
Figure 2
>0---0---0---0-00|0-000-00-00-0000|
>0--------------0|2---2-22-22-2222|
>----2-0-2---2-20|3---3-33-33-3333|
>
>F6//////////////|G-///-///////-/-|D---------------|Figure 3
>
>
>Play figure 2 10 times, then on the second "I need you" play figure 3.
>The song ends as follows:
>
>
>3p2-------------|2---------------|
>----3-----------|3---------------|
>------2---------|2---------------|
>--------5p4-0---|0---------------|
>----------------|----------------|
>----------------|----------------|
>
-+----------------------------------------------------------------------------+
| Steve Portigal, Dep't of CIS, University of Guelph, Guelph, ON, N1G 2W1
|
| email: stevep@snowhite.cis.uoguelph.ca
Phone: (519) 824-4120 ext 3580 |
|
He's big, he's purple, and he's a huckstering spokesdinosaur!
|
From stevep Wed Sep 15 12:23:08 1993
Received: by snowhite.cis.uoguelph.ca (5.64/1.35)
id AA20010; Wed, 15 Sep 93 12:23:08 -0400
Date: Wed, 15 Sep 93 12:23:08 -0400
From: stevep (Steve Portigal)
Message-Id: <9309151623.AA20010@snowhite.cis.uoguelph.ca>
To: stevep
Status: OR
Received: from animal-farm.nevada.edu by redrock.nevada.edu (5.65c/M1.4)
with SMTP id <AA24641>; Thu, 19 Aug 1993 14:03:10 -0700
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From: Babis Patrikakis <bpatr@theseas.ntua.gr>
Message-Id: <9308191607.AA23499@icaros.ntua.gr>
Subject: Patience.tab by Guns 'n' Roses
To: jamesb@animal-farm.nevada.edu
Date: Thu, 19 Aug 1993 19:07:58 +0300 (EET DST)
file:///C|/olga_main/f-g/g/guns_n_roses/patience_long.tab
G6 = xx0000
= bend
= release bend
= repeat previous chord
below indicated note from as many frets below
C9 = x32030
F6 = 1x3231
Quarter=120=---C---------------|----------------|G---------------|----------------|
|
|
|
|
------0---0-----|----------------|----------------|----------------|
------1---1-1-1-|3p1-1-0h1-1-1p0-|------0---------|1p0-------------|
----0-------0-0-|0---0-0---0-0---|----0-----0-----|----0-2p0---0h2-|
2-2---------2-2-|2---2-2---2-2---|--0---------0---|----------0-0h2-|
3-----------3-3-|3---3-3---3-3---|2-------------2-|----------------|
----------------|----------------|----------------|----------------|
Av--------------|----------------|D---------------|----------------|
|
|
|
|
----------------|----------------|2---2---2-2-----|3p2-2-0---2-----|
----2---------0-|3p2---0h2-2-----|3-3---3-----3-3-|3---3-3---3-----|
------2---2-----|----2-0h2-2-2-0-|2-------------2-|2---2-2---2-----|
--------2---2---|----2-------2-0-|0-------------0-|0---0-0---0-----|
0---------------|----------------|----------------|------------0-2-|
----------------|----------------|----------------|----------------|
|
|
|
|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|------------7---|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
C---------------|----------------|G---------------|----------------|
|
|
|
|
------0---0-----|----------------|----------------|----------------|
------1---1-1-1-|3p1-1-0h1-1-1p0-|------0---------|1p0-------------|
----0-------0-0-|0---0-0---0-0---|----0-----0-----|----0-2p0---0h2-|
2-2---------2-2-|2---2-2---2-2---|--0---------0---|----------0-0h2-|
3-----------3-3-|3---3-3---3-3---|2-------------2-|----------------|
----------------|----------------|----------------|----------------|
|
|
|
|
----------------|----10----------|--7-8-9-10------|----------------|
8-------------8-|1012--10--8-108-|10^-------10^-8-|------------10--|
----------------|------**--------|----------------|--------------9-|
file:///C|/olga_main/f-g/g/guns_n_roses/patience_long.tab (11 of 16) [4/28/2003 9:55:18 PM]
file:///C|/olga_main/f-g/g/guns_n_roses/patience_long.tab
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
Av--------------|----------------|D---------------|----------------|
|
|
|
|
----------------|----------------|2---2---2-2-----|3p2-2-0---2-----|
----2---------0-|3p2---0h2-2-----|3-3---3-----3-3-|3---3-3---3-----|
------2---2-----|----2-0h2-2-2-0-|2-------------2-|2---2-2---2-----|
--------2---2---|----2-------2-0-|0-------------0-|0---0-0---0-----|
0---------------|----------------|----------------|------------0-2-|
----------------|----------------|----------------|----------------|
|
|
|
|
------------7s8s|9---------------|--10----8-----7-|----7s5---------|
10--------------|----------------|----------------|8---------------|
------------7s8s|9---------------|11----9-----7---|--7--s5---------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
C---/---/-/-/-G6|G-/-/-/-/-/-/-/-|C---/-/-/-/-/-G6|Em--/-/-/-/-/-G6|
|
|
|
|
------0---------|----------------|----------------|----------------|
----1---3p1-----|----------------|------1---------|----------------|
--0-----------0-|------0---------|----0---0-------|------0---------|
2-----------2---|----0-----0-----|--2-------2-----|----2-----------|
3---------------|--2---------2---|3---------------|--2-------------|
----------------|3-------------3-|------------3-2-|0---------------|
C---/-/-/-/-/-G6|G---/-/-/-/-/-G6|D---------------|----------------|
|
|
|
|
----------------|----------------|------2---------|----------------|
------1---------|--------0-------|3---------------|----------------|
----0---0-------|------0---0-----|2---------------|----------------|
--2-------2-----|----0-------0---|0---------------|----------------|
3-----------3-2-|2-2-------------|----------------|----------------|
----------------|3---------------|----------------|----------------|
Shed a tear...
----------------|----------------|----------------|----------------|
------1---1-1-1-|3p1---0---1-----|----------------|----------------|
----0-----0-0-0-|0-----------0---|----------------|--------0-----0-|
--2-------2-2-2-|2---------------|----------------|----0-----0-2-0-|
3---------3-3-3-|3---3---------3-|2-------2-0-----|----2-0---------|
----------------|----------------|----------------|3---------------|
|
|
|
|
----------------|----------------|----------------|----------------|
------1---------|3-1---1---------|----------------|----------------|
----0-----------|----0---0-------|------0---------|------0---------|
--2-------------|----------2-----|----0-----------|----0---0-----0-|
3---------------|------------3-0-|2---------0-----|--2-------2-----|
----------------|----------------|--------------3-|3-----------3---|
--------5-------|----------------|----------------|----------------|
file:///C|/olga_main/f-g/g/guns_n_roses/patience_long.tab
------2---------|3p2---0---2-----|----------------|----------------|
----2-----------|----------------|----------------|--2---2-4-2-----|
2---------------|----2-----------|0-------------0s|4-----------4---|
0---------------|----------0-3-4-|----------------|--------------0-|
----------------|----------------|----------------|----------------|
|
|
|
|
------5---------|5-----5---------|------0-2-------|3-2-----0-2-----|
----5---5-------|5-------5-------|----3-----------|----------------|
--6-------------|7---------------|----------------|----------------|
7-----------7---|----------------|0-------------0-|----------------|
----------------|----------0-3-4-|----------------|----------------|
----------------|----------------|----------------|----------------|
Was a time...
----------------|----------------|----------------|----------------|
------1---1-1-1-|3p1---0---1-----|----------------|----------------|
----0-----0-0-0-|0-----------0---|----------------|--------0-----0-|
--2-------2-2-2-|2---------------|----------------|----0-----0-2-0-|
3---------3-3-3-|3---3---------3-|2-------2-0-----|----2-0---------|
----------------|----------------|----------------|3---------------|
|
|
|
|
----------------|----------------|----------------|----------------|
------1---------|3-1---1---------|----------------|----------------|
----0-----------|----0---0-------|------0---------|------0---------|
--2-------------|----------2-----|----0-----------|----0---0-----0-|
3---------------|------------3-0-|2---------0-----|--2-------2-----|
----------------|----------------|--------------3-|3-----------3---|
--------5-------|----------------|------0-2-------|3-2---0-0-2-----|
------2---------|3p2---0---2-----|----3-----3-----|------3-3-3---0-|
----2-----------|----------------|------------2---|--------2-2-2---|
2---------------|----2-----------|0-------------0-|----------------|
0---------------|----------0-3-4-|----------------|----------------|
----------------|----------------|----------------|----------------|
|
|
|
|
------5---------|5-----5---------|----2---2-------|----------------|
----5---5-------|5-------5-------|------3---3-----|3-----3---3-3-0-|
--6-------------|7---------------|------------2-0-|----------2-2-0-|
7-----------7---|----------------|0---------------|----------0-0-0-|
----------------|----------0-3-4-|----------------|----------------|
----------------|----------------|----------------|----------------|
CHORUS
Said woman, take it slow...
C9--/---/-/-/-G6|G---/---/-/-/-G6|C---/-/-/-/-/-G6|Em--/---/-/-/-G6|
|
|
|
|
----------------|--------3-------|----------------|------0---------|
1-------1-------|3-3-0-0---3---0-|----1-----------|----0---0-------|
0-------0-------|0-----------0---|0---0-----------|----------0---0-|
2-------2-------|0---------------|2---2-----------|--2---------2---|
3-------3-------|2---------------|3---3-----------|----------------|
----------------|3---------------|------------3-2-|0---------------|
C---/---/-/-/-G6|G---/---/-/-/-/-| Same as tabbed | guitar---------|
|
|
|
|
------0---------|----------------|2---2---0-2---3-|--2---0---2-----|
------1---1-1-0-|--------------0-|3---3(3)3-3---3-|3-3-3-3-3-3-3-0-|
file:///C|/olga_main/f-g/g/guns_n_roses/patience_long.tab
--0---0---0-0-0-|0-----0-------0-|2---2(2)2-2---2-|2-2-2-2-2-2-2-0-|
2---2-----2-2-0-|0---0-----0---0-|0---0(0)0-0---0-|0-0-0-0-0-0-0-0-|
3---3-----3-3---|2-----------2---|----------------|----------------|
----------------|3---------------|----------------|----------------|
C9--/---/-/-/-G6|G---/---/-/-/-G6|C---/-/-/-/-/-G6|Em--/---/-/-/-G6|
|
|
|
|
----------------|--------3-------|----------------|------0---------|
1-------1-------|3-3-0-0---3---0-|----1-----------|----0---0-------|
0-------0-------|0-----------0---|0---0-----------|----------0---0-|
2-------2-------|0---------------|2---2-----------|--2---------2---|
3-------3-------|2---------------|3---3-----------|----------------|
----------------|3---------------|------------3-2-|0---------------|
Figure 1
(end Figure 1)
C---/---/-/-/-G6|G---/---/-/-/-/-|D---------------|--------------//|
|
|
|
|
------0---------|----------------|2---2---0-2---3-|--2---0---2---22|
------1---1-1-0-|--------------0-|3---3(3)3-3-3-3-|3-3-3-3-3-3-3-33|
--0---0---0-0-0-|0-----0-------0-|2---2(2)2-2-2-2-|2-2-2-2-2-2-2-22|
2---2-----2-2-0-|0---0-----0---0-|0---0(0)0-0-0-0-|0-0-0-0-0-0-0-00|
3---3-----3-3---|2-----------2---|----------------|----------------|
----------------|3---------------|----------------|----------------|
2---------------|----------------|----10----------|----------------|
3---------------|--------------5s|10--------------|----------------|
2---------------|--------------6s|11--------------|--------------7s|
0---------------|--------------7s|12--------------|----------------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
|
|
|
|
2---2---0-2---3-|--2---0---2---22|2---2---0-2---3-|--2---0---2---22|
3---3(3)3-3-3-3-|3-3-3-3-3-3-3-33|3---3(3)3-3-3-3-|3-3-3-3-3-3-3-33|
2---2(2)2-2-2-2-|2-2-2-2-2-2-2-22|2---2(2)2-2-2-2-|2-2-2-2-2-2-2-22|
0---0(0)0-0-0-0-|0-0-0-0-0-0-0-00|0---0(0)0-0-0-0-|0-0-0-0-0-0-0-00|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
______________________
| 1.
----14--------14|----14--14--14\-|
----------------|--14--14--14----|
14--------14----|----------------|
----------------|----------------|
----------------|----------------|
----------------|----------------|
|
| Go back to play Verse 2.
2---2---0-2---3-|--2---0---2-----|
3---3(3)3-3-3-3-|3-3-3-3-3-3-----|
2---2(2)2-2-2-2-|2-2-2-2-2-2-----|
0---0(0)0-0-0-0-|0-0-0-0-0-0-----|
----------------|------------0-2-|
----------------|----------------|
______________________
| 2.
----14--------14|------------8p7-|8-------8s108---|------------8p7-|
----------------|----------------|--------------12|--------8-------|
14--------14----|----------------|--------------**|----------------|
file:///C|/olga_main/f-g/g/guns_n_roses/patience_long.tab
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
|
|
|
|
2---2---0-2---3-|--2-----------00|----------------|----------------|
3---3(3)3-3-3-3-|3-3-3-0-0-3-3-11|----------------|----------------|
2---2(2)2-2-2-2-|2-2-2-0-0-2-2-00|With chorus backing chords-------|
0---0(0)0-0-0-0-|0-0-0-0-0-0-0-22|----------------|----------------|
----------------|--------------33|----------------|----------------|
----------------|----------------|----------------|----------------|
8-------8s10--12|------------8p7-|8-------8s108---|--------------12|
------------12**|----------------|--------------12|--108---8---8-**|
----------------|----------------|--------------**|----------------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
|
|
|
|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
h
--1010--------14|--12101210------|----------------|----------------|
--------------**|----------------|----5-8---------|----------------|
----------------|----------------|7^------7^r-5---|----4-7---------|
----------------|----------------|----------------|7^------7^r-5---|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
|
|
|
|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
With Figure 1---|----------------|With chorus backing chords-------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
----5-8---------|--8-10^8----8-10|10^-r-8-10--8-10^--8-10--8-108-12|
7^------7^r-5-7s|9-------9-------|----------9-----|------9-------**|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
|
|
|
|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
--1010----------|----------------|5---3-------4p2-|----2---------7^|
----------------|----------------|**--------------|3h4---0---------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
file:///C|/olga_main/f-g/g/guns_n_roses/patience_long.tab (15 of 16) [4/28/2003 9:55:18 PM]
file:///C|/olga_main/f-g/g/guns_n_roses/patience_long.tab
|
|
|
|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
With Figure 1 (3 times)----------|----------------|----------------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
----7-----------|-------***----7^|--7-----5-7---3-|----------3-----|
----------------|4p2-----5-------|----------------|--2---0---2-----|
----------------|----3h4-0-------|----------------|------0---0-----|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
|
|
|
|
----------------|----------------|2---2---0-2---3-|3-2---0---------|
----------------|----------------|3---3(3)3-3-3-3-|3-3---3---3-----|
----------------|----------------|2---2(2)2-2-2-2-|2-2---2---2-----|
----------------|----------------|0---0(0)0-0-0-0-|0-0---0---0-----|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
For the last part of the song use the following figures:
2---2---2---2-2-|-------3-33-3333|
3---3---3---3-30|3-333-33-33-3333|
2---2---2---2-20|0-000-00-00-0000|
0---0---0---0-00|0-000-00-00-0000|
0--------------0|2---2-22-22-2222|
----2-0-2---2-20|3---3-33-33-3333|
Figure 2
F6//////////////|G-///-///////-/-|D---------------|Figure 3
Play figure 2 10 times, then on the second "I need you" play figure 3.
The song ends as follows:
3p2-------------|2---------------|
----3-----------|3---------------|
------2---------|2---------------|
--------5p4-0---|0---------------|
----------------|----------------|
----------------|----------------|
file:///C|/olga_main/f-g/g/guns_n_roses/so_fine.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Received: from animal-farm.nevada.edu by redrock.nevada.edu (5.65c/M1.4)
with SMTP id <AA12637>; Tue, 15 Jun 1993 03:09:54 -0700
Received: from phoenix.oulu.fi by animal-farm.nevada.edu id <AA02806@animal-farm.nevada.edu>; Tue,
15 Jun 1993 03:09:51 -0700
Received: by phoenix.oulu.fi (5.65/DEC-Ultrix/4.3)
id AA14270; Tue, 15 Jun 1993 13:09:47 +0300
Date: Tue, 15 Jun 1993 13:09:47 +0300
From: misha@phoenix.oulu.fi (Mika Salmela)
Message-Id: <9306151009.AA14270@phoenix.oulu.fi>
To: jamesb@animal-farm.nevada.edu
Subject: So Fine by Guns 'n Roses
Copied by Mika Salmela from book Use Your Illusio II by GnR
So Fine
Guns N Roses
|---3---2--2----|-----0-----------------|---3---2--2--------|
|-0--3-3----3-0-|--------3--0------1----|-0--3-3----3--0----|
|-0---0------0--|----4----------0-----0-|-0---0------0------|
|-0-------------|--------------0--------|-0-----------------|
|---------------|-2---------------3-----|-------------------|
|-3-------------|-----------------------|-3-----------------|
|------0--------------|----3---2---2----|------0---------------|
|--------3------3-----|-----3-3-----3-0-|--------3--0-----1----|
|----4-------0------0-|------0-------0--|----4---------0-----0-|
|-----------2--0--0---|-3---------------|----------------------|
|-2--------3----------|-----------------|-2--------------------|
|---------------------|-0---------------|----------------------|
1st, 2nd Verses
|----3---2-------|-------0--------------||----3---2---------|
|-0---3-3-----0--|---------3--------3---||o----3-3--------0-|
|-0----0-----0---|-----4-------0------0-||------0--------0--|
|-0--------------|------------2---0-----||--0---------------|
|----------------|-2---------3----------||o-----------------|
|-3--------------|----------------------||--3---------------|
|-----0------------|---3---2---2----|-----------------------|
|-------3--0---1---|-0--3-3-----3-0-|--------3----------3---|
|---4--------0---0-|-0---0-------0--|----4----------0-----0-|
|------------------|-0--------------|-------------2---0-----|
|-2----------------|----------------|-2---------3-----------|
|------------------|-3--------------|-----------------------|
|---3---2---2----|------0----------------|
|-0--3-3-----3-0-|--------3---0-----1----|
|-0---0-------0--|----4----------0-----0-|
|-0--------------|-----------------------|
|----------------|-2---------------------|
|-3--------------|-----------------------|
file:///C|/olga_main/f-g/g/guns_n_roses/so_fine.tab
|-----3-------2--------|--------0---------------------|
|------3-----3-------0-|-----------3---------0--------|
|----------0-------0---|------4----------0---2---0----|
|--3-------------------|---------------2--------------|
|----------------------|-2-----------3----------------|
|--0-------------------|------------------------------|
|-----0-------------|------------------------0-----|
|-----0----------1--|---------------1--------------|
|-----0-0-----------|----------0-------------------|
|-----2--0----2-----|------2-----------------------|
|---------0---------|-3----------------------------|
|-0-----------------|------------------------------|
| 1.-|
|----0--------------|--------------------------0----||
|----0-----------1--|---------------1--------------o||
|----0-0------------|---------0---------------------||
|----2--0----2------|-----2-------------------------||
|--------0----------|-3----------------------------o||
|-0-----------------|-------------------------------||
|2.
|---------------------|----0-----------------|
|----------1--1h3--1--|----0----------------1|
|-------0-------------|----0-0---------------|
|----2----------------|----2-----0-----2-----|
|-3-------------------|-------------0--------|
|---------------------|-0--------------------|
|-----------------0-----------|----0---------------|---------0-----------|
|--------------1-----1--------|----0---------1-----|-------1---1---------|
|-----------0------------0----|----0-0-------------|-----0-------0-------|
|------2--------------------2-|----2---0---2---2-0-|---2-----------------|
|-3---------------------------|----------0---------|-3-------------------|
|-----------------------------|-0------------------|---------------------|
|------------------|-----------------|----------------|------------------|
|------------------|-----------------|----------------|------------------|
|------------------|-----------------|----------------|------------------|
|-7--9--7--7h9-----|-9---9-9-9----9--|--------------7-|-7--9--7--9-------|
|-5--5--5--5-----7-|-7---7-7-7----7s-|-5--7--5--5---5-|-5--5--5--5-------|
|------------------|-----------------|-3--3--3--3-----|------------------|
|-----------------------|---------|---------------------|----------------|
|s12----12-12-12s15--12-|-10s12---|-12s-12-12-12s15--12-|-12s11-12s17-15-|
|-----------------------|---------|---------------------|----------------|
|-----------------------|---------|---------------------|----------------|
|-----------------------|---------|---------------------|----------------|
|-----------------------|---------|---------------------|----------------|
|-15-15-15s14-14-14s12-12-12s10-10s|14--14-10s-s10-|-10------------------|
|----------------------------------|---------------|----12-12-12s15-12---|
|----------------------------------|---------------|---------------------|
|----------------------------------|---------------|---------------------|
|----------------------------------|---------------|---------------------|
|----------------------------------|---------------|---------------------|
file:///C|/olga_main/f-g/g/guns_n_roses/so_fine.tab (2 of 3) [4/28/2003 9:55:19 PM]
file:///C|/olga_main/f-g/g/guns_n_roses/so_fine.tab
|----------------||------------------------------------------------------|
|s12--12s17-17s--||------------------------------------------------------|
|-----------17s--||------------------------------------------------------|
|----------------||------------------------------------------------------|
|----------------||------------------------------------------------------|
|----------------||------------------------------------------------------|
|-----0----------------|------------3---|-0--0--0--------------|---------|
|--------3-------------|---------3------|-3--3--3--------------|-3-------|
|----4---------0-------|-------0--------|-4--4--4-----0--------|-0-------|
|------------2---------|-----0----------|-4--4--4---2----------|-0-------|
|-2--------3-----3-2-0-|---2------------|---------3-----3-2-0--|---------|
|----------------------|-3--------------|----------------------|-3-------|
file:///C|/olga_main/f-g/g/guns_n_roses/song_collection.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: sportiga@uoguelph.ca (Steve L Portigal)
Guns N Roses, "Don't Cry"
Am
Dm
G
|-------0-------------1---------------3-----------------------|
|---------1---------3---3---------------3---------------------|
|-----2-----2-----2-------2---------0-----0-------0-----0-----|
|---2---------0-0-----------------0-------------0-----0-------|
|-0-------------------------0---2-----------0-3-----2-----3-2-|
|-----------------------------3-------------------------------|
E
B
G
D
A
E
Am
G/B
A5
G5
F5
G5
A5
file:///C|/olga_main/f-g/g/guns_n_roses/song_collection.tab
------------------------------------------------------------------------------------------------------------------------------------------------------H[[1]]
H P
---15--13-13-12-13----13-12~~~-12-13-12\10--H------------------------------13-----------------------------------------12------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------[[1/2]]
---H-P-----------------------------------------[[1]]------19------19~~~----8-12-8--H--P--------H-P-----------------------18----18-17-------------------------11-10-----9-10-9---12\10---/14~~~--/17---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------[[1]]
-20---20~~------------20-19-20------------[[1/2]]-----19-18-19-------------------------18-17-18------------18-17-18-17-----17~~-----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------rake
---19----19--------x-------------------------------------------------------17----17----17------x--------[[1]]--------------------------------------------------------------x-9-12-10----10(10)(10)~~~--12--10--12--10---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------x-x-10 9-(9)-(9)~~~--4-(4)-(4)-(4)~~~-----------------------------------------------------------------------------6-(6)-(6)~~~-2-(2)-(2)~~~--2-/-3------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------7~~~~------------------------------------------3-/-6~~~--5-6-5-6-5-6---------------------------------------------2--3--5------------------------6--4----------------------------------3--5----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------[Stuff Missing] -accoustic
Notes:
[[x]] ~~~
H
P
/ \
(x)
-
x step bend
vibrato
Hammer on
Pull off
Slide
Strike note while last one still ringing
ESTRANGED
file:///C|/olga_main/f-g/g/guns_n_roses/song_collection.tab
GUNS N ROSES
Gm7
C
Gm7
C
|--|----|------|--------|-----|----|------|--------|--------------------||
|--|----|------|--------|-----|----|------|--------|--------------------||
|--|----|------|--------|-----|----|------|--------|-----12b------------||
|--|----|------|--------|-----|----|------|--------|--------------------||
|--|-10-|-(10)-|-(10)s3-|--3--|-10-|-(10)-|-(10)s3-|-(3)----------------||
|--|----|------|--------|-----|----|------|--------|--------------------||
G5
C5
|------------|-------13b----10-----|----------------13-----|-------------|
|----11--15b-|----11------------13-|-13--13-----13b----13b-|-13---(13)s--|
|-12---------|-12------------------|-----------------------|-------------|
|------------|---------------------|-----------------------|-------------|
|------------|---------------------|-----------------------|-------------|
|------------|---------------------|-----------------------|-------------|
G5
C5
|------------------|-------13b---10-----|-------------13----|
|-----11--15b-(15)-|----11----------13b-|-13-(13)-13b----13-|
|-s12--------------|-12-----------------|-------------------|
|------------------|--------------------|-------------------|
|------------------|--------------------|-------------------|
|------------------|--------------------|-------------------|
Bb5
C5
G5
|------------------------||---------13----|-----------------|------------|
|-13---13b15p11-13p11----||-11--13b----13-|-13------13--12b-|--(12)bbbb--|
|---------------------12-||---------------|-----------------|------------|
|------------------------||---------------|-----------------|------------|
|------------------------||---------------|-----------------|------------|
|------------------------||---------------|-----------------|------------|
Bb5
C5
G5
|---------------------|------------13----|--------------|------|---------|
|(12)-13p12--13b13p12-|-11----13b-----13-|---13--13-----|------|---------|
|---------------------|------------------|----------14b-|-(14)-|-(14)----|
|---------------------|------------------|--------------|------|---------|
|---------------------|------------------|--------------|------|---------|
|---------------------|------------------|--------------|------|---------|
Riff A
Eb5 F5
G5
C5
Eb5
F5
|----|--------------||----------------------|------------------------|
|-11-|-(11)---(11)s-||----------13s15-(15)s-|-------13s15-(15)-13p12-|
|----|--------------||-------12-------------|----12------------------|
|----|--------------||----12----------------|-10---------------------|
|----|--------------||-10-------------------|------------------------|
|----|--------------||----------------------|------------------------|
G5
Eb5 F5
G5
|-----------------------|------------------------|-----------------------|
|-13p12------(15)-(15)s-|-------13s15-(15)-13p12-|-13p12--------15-(15)--|
|-------12--------------|----12------------------|-------12--------------|
|----------12-----------|-10---------------------|----------12-----------|
|-----------------------|------------------------|-----------------------|
|-----------------------|------------------------|-----------------------|
file:///C|/olga_main/f-g/g/guns_n_roses/song_collection.tab
(end Riff A)
Eb5 F5 G5
Eb5
F5
Gm
F
Eb
G
|-------|------|------------||----|------|------|------|---------15--17b-|
|-15s13-|-13b--|-11---11p10-||----|------|------|------|-----------------|
|-------|------|------------||-12-|-(12)-|-(12)-|-(12)-|-(12)------------|
|-------|------|------------||----|------|------|------|-----------------|
|-------|------|------------||----|------|------|------|-----------------|
|-------|------|------------||----|------|------|------|-----------------|
F
Eb
G5 F5
G5
|-(17)-|---------------------|----------|------------|-------------------|
|------|-s13--11-10---11br10s|8------8--|------------|-------------------|
|------|---------------------|----------|-10b---(10)-|-(10)--------------|
|------|---------------------|----------|------------|-------------------|
|------|---------------------|----------|------------|-------------------|
|------|---------------------|----------|------------|-------------------|
F5
G5
And what more could you ask from me?
F5
How could you say that I never needG5
-ed you_
Eb5
D5
when you took everything
F5
said you took everything from me?
w/Riff A
G5
C5 Eb5
F5 G5
C5
Eb5
F5 G5
Eb5 F5
|------------|--------------|--------------|---------------|----|--------|
|------------|--------------|--------------|---------------|----|--------|
|------------|--------------|--------------|---------------|----|--------|
|------------|----1-1-1-1-3-|--5-----------|-----1-1-1-1-3-|-5--|--(5)---|
|-----5--6-5-|-3------------|------5---6-5-|--3------------|----|--------|
|-3----------|--------------|--------------|---------------|----|--------|
G5
Eb5
Gm
F
Eb
Gm
F
|-----|-----||-----|------|------|------|-----15--15s17-|-18----18s20-|
|-----|-----||-----|------|------|------|---------------|-------------|
|-----|-----||-12--|-(12)-|-(12)-|-(12)-|-(12)----------|-------------|
|-(5)-|-(5)-||-----|------|------|------|---------------|-------------|
|-----|-----||-----|------|------|------|---------------|-------------|
|-----|-----||-----|------|------|------|---------------|-------------|
Eb
Gm
Gm7
C
|-(20)---18--17-18--15-|-15--||-(15)-----|-(15)--|-------------|--------||
|----------------------|-----||----------|-------|-------------|--------||
|----------------------|-----||----------|-------|-------------|----12b-||
|----------------------|-----||----------|-------|-------------|--------||
|----------------------|-----||-------10-|-(10)--|-(10)--10-s3-|-(3)----||
|----------------------|-----||----------|-------|-------------|--------||
G5
C5
|-------------|-------13b--10-----|---------------13----|
|----11--15b--|----11---------13b-|-13--(13)-13b-----13-|
file:///C|/olga_main/f-g/g/guns_n_roses/song_collection.tab
|-12----------|-12----------------|---------------------|
|-------------|-------------------|---------------------|
|-------------|-------------------|---------------------|
|-------------|-------------------|---------------------|
Bb5
C5
|-----------13------------------||-----------13----|---------------------|
|-13----13b-----13br(13)p11-----||-11---13b-----13-|-(13)---13---12b-----|
|----------------------------12-||-----------------|---------------------|
|-------------------------------||-----------------|---------------------|
|-------------------------------||-----------------|---------------------|
|-------------------------------||-----------------|---------------------|
G5
Bb5
C5
|----------|-----------------|------------13---|------------13--15-------|
|-(12)-----|-------13p12--12-|-11----13b----13-|--13---13b---------------|
|-------14b|-(14)------------|-----------------|-------------------------|
|----------|-----------------|-----------------|-------------------------|
|----------|-----------------|-----------------|-------------------------|
|----------|-----------------|-----------------|-------------------------|
G5
C5
|-(15)-|-(15)---13p12-|-----|------||
|------|--------------|-13--|--13--||
|------|--------------|-----|------||
|------|--------------|-----|------||
|------|--------------|-----|------||
|------|--------------|-----|------||
(Bass gtr & piano)
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
C5
Eb5
C5
Eb5
|------------|----------------------|-------------|----------------------|
|------------|----------4---4p3-----|-3-----------|---------4--4p3-4p3---|
|-----5------|--------3---------5p3-|-----5-------|-------3-----------5p3|
|---5--------|----3h5---------------|---5---------|---3h5----------------|
|-3------3-5-|-6--------------------|---------3-5-|-6--------------------|
|------------|----------------------|-------------|----------------------|
C5
Eb5
Bb
F
C
|------------|---------------------|----|--|-1------------|-0------------|
|-3----------|-----------4--3------|-3--|--|-1------------|-1--------1---|
|-----5------|--------3-------5--3-|----|--|-2---------2--|-0------0-----|
|---5--------|---3--5--------------|----|--|-3-------3----|-2----2-------|
|--------3-5-|-6-------------------|----|--|-3-----3------|-3--3---------|
|------------|---------------------|----|--|-1---1--------|--------------|
G
Bb
C
Bb
C
Bb
F
G/F
|-------------|----|-----|-----|--0--|-----|-------------|---------------|
|-3-----------|-3--|--1--|--3--|--1--|--3--|--1----------|-3-------------|
file:///C|/olga_main/f-g/g/guns_n_roses/song_collection.tab
|-0---------0-|-3--|--0--|--3--|--0--|--3--|--2--------2-|-0--------0----|
|-0-------0---|-3--|--2--|--3--|--2--|--3--|--3------3---|-0------0------|
|-2-----2-----|-1--|--3--|--1--|--3--|--1--|--3----3-----|-2----2--------|
|-3---3-------|----|-----|-----|-----|-----|--1--1-------|-3--3----------|
Bb/F
F
C
G
Bb/F
|------------|---------------|-------------|--------------|----|
|-3--------3-|-1---------1---|-1---------1-|-3------------|-1--|
|-3------3---|-2-------2---0-|-0-------0---|-0--------0-0-|-3--|
|-3----3-----|-3-----3-------|-2-----2-----|-0------0-----|-3--|
|-1--1-------|-3---3---------|-3---3-------|-2----2-------|-3--|
|------------|-1-------------|-------------|-3--3---------|-1--|
C
G
F
|-------------------------|-0--|-----------|---------|
|-------------------------|-1--|-----------|---------|
|-------------------------|-0--|-----------|---------|
|-------3-------------3---|-2--|-----------|---------|
|-------------------------|-3--|-----------|---------|
|-1--1----1--1--1--1----1-|----|-----------|---------|
C
G
|-------------------------|-0--|-----------|-0--------|------------------|
|-------------------------|-0--|--1--1-----|-1--------|-3----------------|
|-------------------------|-0--|--0-----0--|-0------0-|-0--------0-------|
|-------3-------------3---|-2--|--2--------|-2----2---|-0------0---------|
|-------------------------|-3--|--3--------|-3--3-----|-2----2-----------|
|-1--1----1--1--1--1----1-|----|-----------|----------|-3--3-------------|
F
C
G
F
C
|------------|--0--------|-------------|-------------|--0----------------|
|-1--------1-|--1--------|--3----------|--1--------1-|--1--------1-------|
|-2------2---|--0------0-|--0--------0-|--2------2---|--0------0---------|
|-3----3-----|--2----2---|--0------0---|--3----3-----|--2----2-----------|
|-3--3-------|--3--3-----|--2----2-----|--3--3-------|--3--3-------------|
|-1----------|-----------|--3--3-------|--1----------|-------------------|
G
F
C
G
F
C
|--------|--0-----------|-------------|------------|-0-------------------|
|-3---1--|--1---------1-|--3----------|-1--------1-|-1---------1---------|
|-0---2--|--0-------0---|--0--------0-|-2------2---|-0-------0-----------|
|-0---3--|--2-----2-----|--0------0---|-3----3-----|-2-----2-------------|
|-2---3--|--3---3-------|--2----2-----|-3--3-------|-3---3---------------|
|-3---1--|--------------|--3--3-------|-1----------|---------------------|
G
F
C
G
F
|------------|------------|-----------|-------||
|-3----------|-1--------1-|-1-------1-|-3---1-||
|-0--------0-|-2------2---|-0-----0---|-0---2-||
|-0------0---|-3----3-----|-2---2-----|-0---3-||
|-2----2-----|-3--3-------|-3-3-------|-2---3-||
|-3--3-------|-1----------|-0---------|-3---1-||
Guitar solo
C
Am
|---------------------------|---------------------------|
|---------------------------|---------------------------|
|-5----------------5h7p5----|-------------------5h7p5---|
file:///C|/olga_main/f-g/g/guns_n_roses/song_collection.tab
|-------------5h7--------(7)|--------------5h7-------(7)|
|---------------------------|---------------------------|
|---------------------------|---------------------------|
C
F
|---------------------------|------------------------------|
|-8-------------------------|----------------------------6-|
|-----7b---7--5h7p5s4-5p4---|------------------------5s7---|
|-------------------------5-|--5b-3-5---3--5--3--5s7-------|
|---------------------------|---------5--------------------|
|---------------------------|------------------------------|
C
|-----6---6------8-8-8-----8-----8----|-------------------------------|
|-6s8---8---8s10-------11b---11b---11b|-11----------------------------|
|-------------------------------------|------------------17h19p17-----|
|-------------------------------------|------------17h19---------(19)-|
|-------------------------------------|-------------------------------|
|-------------------------------------|-------------------------------|
F5
|------------------------------------||
|15b-15-p13--15b--15b-15-13--13-15-13||
|----------14---14---------14--------||
|------------------------------------||
|------------------------------------||
|------------------------------------||
Guitar solo II
C5
G5
|------18----------18-----------|----18----------18----------------------|
|-18b-----18----18----18--16----|-18b---18----18----18--16---------------|
|----------------------------17-|--------------------------17------------|
|-------------------------------|----------------------------------------|
|-------------------------------|----------------------------------------|
|-------------------------------|----------------------------------------|
F5
C5
G5
C5
|---------------------------|----------------------|---------------------|
|-15--15--------------------|----------------------|---------------------|
|--------17----15-----------|----------------------|--------15-----------|
|------------------17-15-13-|-----15b-----------13-|(13)--15b-15b-13-15b-|
|---------------------------|-15----------13h15----|---------------------|
|---------------------------|----------15----------|---------------------|
G5
|---------------------------------------15---|
|---------------------15h16p15--15-16-18--18-|
|------15-17-17--15-17--------17-------------|
|-15-17--------17----------------------------|
|--------------------------------------------|
|--------------------------------------------|
F5
|-18--15h18p15--15---------------------|---------------------------------|
|---18--------15---18b--18--16--16-----|---------------------------------|
|-----------------------------17--17p15|-17-17-15--15--------------------|
|--------------------------------------|---------17--17-15-13-15-13----15|
file:///C|/olga_main/f-g/g/guns_n_roses/song_collection.tab
|--------------------------------------|---------------------------15-13-|
|--------------------------------------|---------------------------------|
C5
|------------|-----------------------------|----------------------------||
|------------|-----------------------------|----------------------13----||
|------------|-----------------------------|-------------------12-------||
|-(15)-------|-(15)------------------------|----------------14----------||
|------------|-----------------------------|-------------15-------------||
|------------|-----------------------------|----------------------------||
G
F
C
|--------------|-------------|---------10s12-----|
|-12--------12-|-10-------10-|-8-----------------|
|-12------12---|-10-----10---|-9-----------------|
|-12----12-----|-10---10-----|-10----------------|
|-10--10-------|-8---8-------|-------------------|
|--------------|-------------|-------------------|
G
F
C
G5
|--10------------|------------|-0------------|-0--||
|----------13s15-|--10--13s15-|-1s13---------|-1--||
|-------12-------|------------|-0------------|-0--||
|-----10---------|------------|-2------------|-2--||
|----------------|------------|-3----0-------|-3--||
|----------------|------------|---------3--0-|----||
A5
G5
I knew the storm was getting clo-
F5
G5
er
A5
G5
F5
And all my friends said I was high._________
A5
G5
F5
But evrything we've ever known's here.
G5
G5 A5
G5
F5
I never wanted it to die
D5 C5
F
C
|---|---|-1---|-(1)--|-0-||
|---|---|-1---|-(1)--|-1-||
|---|---|-2---|-(2)--|-0-||
|---|---|-3---|-(3)--|-2-||
|---|---|-3---|-(3)--|-3-||
|---|---|-1---|-(1)--|---||
GNR
file:///C|/olga_main/f-g/g/guns_n_roses/song_collection.tab
|-------------|-------------|---------000-|---------000-|--2222222222-|--------------
H
/
P
^
^^
~
hammer-on
slide
pull-off
half bend
full bend
vibrato
This is the picking at the very beginning of the song. The picking varies
throughout, and you should do whatever feels best instead of trying to
restrict yourself to how it sounds on record. GN'R is constantly mutating
this song in concert anyway (even doing it with a reggae beat).
G5
D
C
-3---3--------------2-0-------|-----------------0--------------------|--------3-----3---3------3-----3---3-|----------1--------------1------------|--------0-------0------2---------2---|-0------0---0----------0---0-0------0-|-------0------------0---------------|-0-2----------2------2-------0-2------|-------------------------------------|--H---3-----------------------H---3---|--------3----------------------------|--------------------------------------|-------This is the picking for the first line. Again, the picking will vary
throughout the song.
G5
D
Am
-3--------------2-------2-0-------|-0-----H-------0----------------------|
-3---3-------3--3-------3-------0-|-1----0-1-------------1---------------|
-0---0-----0----2----2-------2----|-2--2-----2---------2---2------0---0--|
-0---0-----0----0----0------------|-2----------2-----2-------0-2----2----|
----------------------------------|-0-------------------------H----------|
-3--------------------------------|--------------------------------------|
Song goes like this:
Intro:
Twice with picking
G5 D C
Twice just power chords G5 D C
Verse 1 (with picking)
G5
D
Am
Mamma take this badge from me
G5
D
C
I can't use it anymore
G5
D
Am
It's getting dark, too dark to see
G5
D
C
Feels like I'm knockin' on heaven's door
file:///C|/olga_main/f-g/g/guns_n_roses/song_collection.tab
file:///C|/olga_main/f-g/g/guns_n_roses/song_collection.tab
Locomotive
Guns N Roses
intro
|-------------------|-------------------------|--------------------------|
|-------------------|-------------------------|--------------------------|
|-------------------|-------------------------|--------------------------|
|-------------------|-------------------------|--------------------------|
|-0-0---0-0---0-0---|-0---0-0---0-0-0---0-----|-0---0-0---0-0-0---0-0----|
|-----3-----3-----2-|---2-----2-------2---3-5-|---3-----3-------0-----2--|
|--------------------------|-------------------------|-------------------|
|--------------------------|-------------------------|-------------------|
|------------------------5-|-2-----------------------|-------------------|
|------------------------5-|-2-----------------------|-------------------|
|-0---0-0---0-0-0---0------|---0-0-0---0-0-0---0-----|0---0-0---0-0------|
|---2-----2-------2---3----|---------3-------3---0-2-|--2-----2-----3-2-0|
|-------------------|-----|-----|----------------------------------------|
|-------------------|-----|-----|----------------------------------------|
|-7h9--7h9-7---7--9-|-----|-----|-9--7h9---------------------------------|
|-7h9--7h9-7---7--9-|--s--|--s--|-9--7h9---5----5------------------------|
|-7----7---7---7--7-|-----|-----|-7--7-----5----5------------------------|
|-------------------|-----|-----|----------3----3------------------------|
One in a Million
Acoustic guitar..
[E-1]
EADGBE
022100
[E-2]
EADGBE
x7990x
[D]
EADGBE
x5770x
[C#]
EADGBE
x4660x
[C]
EADGBE
x355xx
Beginning of song..
Strum
[E-1]
|
| |
[C]
||
| |
(slide) [E-2]
|||| / ||
| |
[D]
|||| ||
| |
[C#]
|||| ||
(play twice)
| |
||||
|||||||||||||||
^
(slow distortion comes in)
file:///C|/olga_main/f-g/g/guns_n_roses/song_collection.tab
^ ^
^(accented notes)
^ ^ ^
^ ^
that was how I played it....I don't know if it's right or not..
E-------3-----3---------3----------------3------3------3------------B--------------------------3--------3----------------------3-------3-G----------0---------0---------0----0--------0------0----------0---2D----0------------------------------2------------------------------3-A-----------------------------------3--------------------------------E----3------------3--------------------------------------------------C
E----3-------3--------3------3---------3------3-------3------3-------I
B--------3-------1--------3-------3--------3-------------------------I
G----------------0----------------0-----------------------0----------I
D----------------2----------------2----------------0-----------------I
A----------------3----------------3----------------------------------I
E--------------------------------------------------3-----------------I
This is the end of first part (introduction, guitar-solo), after the
sound of the whistle the guitar continues "like" that
(like, not equal...):
E-----3---1---2---3---1---2---3---1---3---1--------------I
B---------------------------------------------3---1------I
G--------------------------------------------------------I
D--------------------------------------------------------I
A--------------------------------------------------------I
E--------------------------------------------------------I
This part, with distorsion sounds more authenticy!
Note for Beginers or quickly readings: if you think that the Tab of the
introduction is difficult to play , you can try that:
Chords: G
file:///C|/olga_main/f-g/g/guns_n_roses/song_collection.tab
file:///C|/olga_main/f-g/g/guns_n_roses/sweet_child_o_mine.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
From: u895174@bruny.cc.utas.edu.au (Tim Morris)
Subject: TAB: Sweet Child O' Mine
This is from memory, feel free to make corrections.
Sweet Child O' Mine (Guns 'n' Roses)
===================
Tune down half step
Intro:
D
C
e:|--------------15----14-----|--------------15----14-----|
B:|-----15--------------------|-----15--------------------|
G:|:-------14-12----14----14-:|:-------14-12----14----14-:|
D:|--12-----------------------|--14-----------------------|
A:|---------------------------|---------------------------|
E:|---------------------------|---------------------------|
G
D
e:|--------------15----14-----|--------------15----14-----|
B:|-----15--------------------|-----15--------------------|
G:|:-12----14-12----14----14-:|:-------14-12----14----14-:|
D:|---------------------------|--12-----------------------|
A:|---------------------------|---------------------------|
E:|---------------------------|---------------------------|
Chorus:
A
C
e:|---------------------------|--------------12----10-----|
B:|--14-14-------15----14-----|--13-13--------------------|
G:|--------14-------14----14--|--------12-10----12----12--|
D:|-----------14--------------|---------------------------|
A:|---------------------------|---------------------------|
E:|---------------------------|---------------------------|
D
D
e:|--------------15----14-----|--------------15---14-----|
B:|-----15--------------------|-----15-------------------|
G:|--------14-12----14----14--|--------14-12---14----14--|
D:|--12-----------------------|--12----------------------|
A:|---------------------------|--------------------------|
E:|---------------------------|--------------------------|
A
C
e:|---------------------------|--------------12----10-----|
B:|--14-14-------15----14-----|--13-13--------------------|
G:|--------14-------14----14--|--------12-10----12----12--|
D:|-----------14--------------|---------------------------|
A:|---------------------------|---------------------------|
E:|---------------------------|---------------------------|
file:///C|/olga_main/f-g/g/guns_n_roses/sweet_child_o_mine.tab
D
D
e:|---------------------------|---------------------------|
B:|--------15-----------------|---------------------------|
G:|--12s14--------------------|---------------------------|
D:|---------------------------|---------------------------|
A:|---------------------------|---------------------------|
E:|---------------------------|---------------------------|
You should be able to work out the backing for the verses, and there's no
way I'm typing the solos in! As for effects... well, Slash has distortion
(Marshall Jubilee stack), delay (added at the console) and Wah for the final
solo (Crybaby). I think Izzy just has distortion. Oh yeah, they probably
have a bit of chorus for the backing behind the verses. If people really want
I can type in the backing but I'd have to look it up at home.
- tim
Date: Mon, 20 May 1996 08:57:16 -0400
From: David Harrison <106051.3350@compuserve.com>
*~~~~~~~~~~~~~~~~~~~~~~~~~*
*Sweet child o' mine solo *
*
Guns n' Roses
*
*Tabbed by David Harrison *
*~~~~~~~~~~~~~~~~~~~~~~~~~*
This solo took me about 28 hours in all to tab, and hopefully now I have
got the tab note perfect or at least very close to it. Seeing as I spent
this much time tabbing this solo it would be nice to hear what people
think of it so that the next tab I do may be better or more understandable.
Mail me on 106051.3350@compuserve.com.If you feel brave enough to attempt this tab
then good luck to you! Go for it!!!
|-17^--hold----15--14--h15p14-----------15--14--h15p14-----------12--14-|
|-----------------------------17-----------------------17-16------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|--15^--12----------------------------------------13-12-------h13p12\10-|
|----------14^--12--11h12----------------11-12-14-----------------------|
|-----------------------------14-----14---------------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|---------------------------------------------15^-----------------------|
|--13^-----13-----12--12-(12)-------12^----------------7^^--------------|
|-----------------------------------------14-----------------9--9-------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----7^----------------------------------------------------------------|
|----------9--9-----8^----8/11---------11^---9-----------------9--------|
|-----------------------------------------------9^---7---9--------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
file:///C|/olga_main/f-g/g/guns_n_roses/sweet_child_o_mine.tab (2 of 7) [4/28/2003 9:55:22 PM]
file:///C|/olga_main/f-g/g/guns_n_roses/sweet_child_o_mine.tab
|-----------------------------------------------------------------------|
|--------7h8--p7---------------------------------------------7^---7-10^-|
|----------------------9------8^-----8------/11-----9^--8-9-----9-------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-7-8p7-11p7-8-11-12/14-11-12--14/15-12-14-15p14-12----14p11-12h14p12---|
|---------------------------------------------------15----------------15|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
w/wah wah
|-17--------------------------------------------------------------------|
|----15^---15^---15^---15^---15^-p12-----15^----15^--------15^-p12------|
|------------------------------------14----------------------------14---|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|----------------------------------15-----------------------------------|
|--17^---17^--------17^----17^----------17^---------17^-p15--15h17------|
|-------------------17^-------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------12----------------------------------------------------------|
|-15^------------15---12------------------------------------------------|
|---------------------------14^-p12-14---12-14----12--14^----12--14--12-|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|----15-------------15-----15-----15------------------------------------|
|----15-------15----15-----15-------15----------------------------------|
|-14^--14--12-14^-----14^----14^------14^-p12----14p12--x-x----12^------|
|---------------------------------------------14--------x-x-------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------12h14p12----12^--------------------12h14p12-----12-12-|
|-14p12-14----x-x----------14--------14p12-14----x-x----------14--------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|----------------------------------------------12-12-------15-15p12--15-|
|-------------------12-12-------15-15p12-------------15p12--------------|
|-------14-14p12-14-------14p12-----------------------------------------|
|-14p12-----------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-14----12h15p12---------12-----------12-----------12-----------12------|
|----15----------15--15^----15p12--------15p12-15^----15p12--------15p12|
|----------------------------------14^-----------------------14^--------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
file:///C|/olga_main/f-g/g/guns_n_roses/sweet_child_o_mine.tab
|-----------------------------------------------------------------------|
|------12-----------12-----------12--------------12-------15^-----------|
|--15^----15p12--------15p12-15^----15p12-----12----15p12---------------|
|---------------14^-----------------------14^---------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|--------------------15------12h15p12----12------12---------------------|
|-------------------------------------15-----15^-----15p12--------------|
|-----------------------------------------------------------14^-p12-14^-|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|---------------------------------------------------|
|-------15------------------------------------------|
|----------14^-p12-14^----14p12--------------12-----|
|----------------------14-------14------------------|
|---------------------------------------------------|
|---------------------------------------------------|
Pretty big huh!!! Good luck! see ya!
REMEMBER:Mail me on 106051.3350@compuserve.com
file:///C|/olga_main/f-g/g/guns_n_roses/sweet_child_o_mine.tab
------|------------------------15-------|-15----|G------14------14----14----14-|------14-----14----14------14---|-14----|D-----------------------------|---------------------------------|-------|A----------------------------|---------------------------------|-------|E----------------------------|---------------------------------|-------/>
>
WORDS AND MUSIC BY:
>
W. Axel Rose, Slash,
>
Izzy Stradin', Duff McKagan
>
and Steve Adler.
>
>
(D)
>
She's got smile___ that it seems to me___
>
(C)
>
re_minds___me of child - hood mem-o-ries,___
>
(G)
(D)
>
Where ev__'ry - thing__was as the bright__blue sky.__
>
(D)
>
Now and then__When I see her face_______
>
(C)
>
she takes me a-way___ to that spe-cial place,____
>
(G)
>
and if I started____ too___ long,
>
(D)
>
I'll pro-'ly break down and cry._______
>
(A5)
(B5)
(C5)
(D)
>
Whoa,
Whoa,___ Whoa.___ sweet child o' mine.____
>
(A5)
(B5)(C5)
(D)
>
Whoa,
oh,__oh, oh,____sweet child o' mine._____
>
>
Guitar Fill Intro for part 1 and 2...........
e-----------------------------------------------------sl-----\
> B---10---8--7-----10--8--7----10---8------10---8-----10-\-8---|
> G-9-----------------------------------9------------9----------|
> D-------------------------------------------------------------|
> A-------------------------------------------------------------|
> E-------------------------------------------------------------/
>
>
........PART( 1 )............
>
>
full
> e-full--------full-10--10^--(10)---------------\
> B-10-^-(10)8--10-^--------------full-----------|
> G--------------------------------9-^-----------|
> D----------------------------------------------|
> A----------------------------------------------|
> E----------------------------------------------/
>
>
(A5)
(B5) (C5)
(D)
>
Oh,
oh,___oh,
oh,____sweet child___o' mine._____
>
(A5)
(B5) (C5)
(D5)
>
Ooh,________________sweet love o' mine.____________
>
>
(D)
>
She's got eyes______of the bluest skies,_________
>
(C)
>
as___if they thought___of rain.______
>
(G)
>
I hate___to look in-to those eyes__________
>
(D)
>
and - see an_____ounce of pain.________
>
(D)
>
Her hair remin-ds me of a warm____safe place______
file:///C|/olga_main/f-g/g/guns_n_roses/sweet_child_o_mine.tab (5 of 7) [4/28/2003 9:55:22 PM]
file:///C|/olga_main/f-g/g/guns_n_roses/sweet_child_o_mine.tab
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
(C)
where___as a chil-d I___'d hide,_____
(G)
And___pray for the thunder____and the rain_________
(D)
to quie_____tly pass_____ me by._________
file:///C|/olga_main/f-g/g/guns_n_roses/sweet_child_o_mine.tab
file:///C|/olga_main/f-g/g/guns_n_roses/sympathy_for_the_devil.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
Sympathy for the Devil
Guns n' Roses
Tuned down 1/2 step to Eb
Drums, Bongas, Axl's Ooooah's etc....
Please allow me
to intro- -duce myself
||-------------------------|-------------------------------------|-------------||-------------------------|-------------------------------------|-------------||*---------9-----9-----9--|----------------------7-----7-----7--|-------------||*--9---9--9--9--9--9--9--|------9--9------7--7--7--7--7--7--7--|-------------||---7---7-----7-----7-----|------7--7------5--5-----5-----5-----|-------------||-------------------------|-------------------------------------|-------------I'm a man
with wealth
and taste
------------------------------------------------------------------------||-----------------------------------------------------------------------------||-------------------------------------------------------------9-----9-----9--*||------7--7---------------7--7-----7--7------------7-9--9--9--9--9--9--9--9--*||------5--5--7--7--7------5--5-----5--5-----x--x---5/7--7--7-----7-----7------||------------5--5--5----------------------------------------------------------||-----oooah
Pleased to meet you
hope you guessed my name
----------------------------------------------------------------|------------------------------------------------------------------------------|------------------------------------------------------------------------------|-----------------------4---------------------9--9-4---------------------------|--7-9--9--9----/-------2---------------------7--7/2---------------------------|--5/7--7--7-------------------------------------------------------------------|--------------(long slide)
But what's puzzling you is the
-----------------------------------------|------------------------------------------------------------------------------|-------------------------------------9-----9-----9-------------9-----9-----9--|-------------------------------------9--9--9--9--9--7-9--9--9--9--9--9--9--9--|------------4--------9--9-4-------------7-----7-----5/7--7--7-----7-----7-----|------------2--------7--7/2---------------------------------------------------|-------------------------------------nature of my game.
-----------------------------------------------|------------------------------------------------------------------------------|----------------------------------------------------------9-----9-------------|-----------------------------------------------7-9--9--9--9--9--9--9-----9-4--|-----------------------------------------------5/7--7--7-----7-----7--x--7\2--|------------------------------------------------------------------------------|--------------------------------
I'll post the first solo, whenever my CD is returned, but I haven't a clue
about the second. Hopefully Slash'll return, but....
My next attempt is 'March of the Black Queen' by Queen, any pointers would
be appreciated.
file:///C|/olga_main/f-g/g/guns_n_roses/sympathy_for_the_devil.crd
file:///C|/olga_main/f-g/g/guns_n_roses/talkin_double_jive.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: sportiga@uoguelph.ca (Steve L Portigal)
file:///C|/olga_main/f-g/g/guns_n_roses/talkin_double_jive.tab
x step bend
vibrato
Hammer on
Pull off
Slide
Strike note while last one still ringing
file:///C|/olga_main/f-g/g/guns_n_roses/used_to_love_her.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From uunet!munnari.oz.au!newsroom.utas.edu.au!bruny.cc.utas.edu.au!u895174 Fri May 15 12:07:37 PDT
1992
Article: 3774 of alt.guitar
Newsgroups: alt.guitar
Path: nevada.edu!uunet!munnari.oz.au!newsroom.utas.edu.au!bruny.cc.utas.edu.au!u895174
From: u895174@bruny.cc.utas.edu.au (Tim Morris)
Subject: Re: Need Chords to _Used to Love Her_
Message-ID: <u895174.705885168@bruny>
Sender: news@newsroom.utas.edu.au
Organization: University of Tasmania, Australia.
References: <1992May14.180723.27451@cis.ohio-state.edu>
Date: Thu, 14 May 1992 23:12:48 GMT
Lines: 14
chhabra@cis.ohio-state.edu (Tall Cool One) writes:
>I need the chords/tab to Used to Love Her by GnR..
Well, I'm sure someone with the music in front of them can do a better job,
but the chords to that song are really basic.
D
Oh yeah, if you want to play along with the record, remember to tune down a
half step.
file:///C|/olga_main/f-g/g/guns_n_roses/used_to_love_her.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: sportiga@uoguelph.ca (Steve L Portigal)
[ Article crossposted from alt.rock-n-roll.metal.gnr ]
[ Author was Brad ]
A
======
||||||
||111|
||||||
G
======
||||||
|1||||
2||||3
Fairly simple.
Now strum along with the album, about 5 strums per chord letter in time:
(I'm not sure if my chord/word sync is perfect here, it's been a while)
D
A
She bitched so much,
A
but I had to Kill her
A
she drove me nuts,
(repeat as necessary)
file:///C|/olga_main/f-g/g/guns_n_roses/used_to_love_her.tab
D
A
G
-------10-------10-------10----12b14-12-10-12-12------12-10-----10b12----10b12----10b12----10---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------A
G
-17----------------------------14-15-16-17-------------------------17b19-17----15-17-15-17b19-------------17b19r17-15-17----15----------------------------------------------------------16------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------A
G
-17b19-17----------------------------------------------------------------17b19r17-15-17----15----17b18r17-15-17----15----15----------------------------16----------------------16----16---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------A
G
A
-17b19-19-19-19r17------------17-------17-------17--------------------hold-------------17b19----17b19----17b19----19r17-15-17------------------------------------------------hold---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------D
--------------------------------------------10---------------------15-17-15----15----15-15\---------------(10)-----13----------16----------16-------------------12-10h11------11-(11)------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
file:///C|/olga_main/f-g/g/guns_n_roses/yesterdays.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: sportiga@uoguelph.ca (Steve L Portigal)
[ Article crossposted from alt.rock-n-roll.metal.gnr ]
[ Author was Brad ]
YESTERDAYS by GN'R
Call this Rhythm Figure A if you want
D
C
G5
H
H
--------------0-2--------------------0-2-------------------2--0-------3--------------3--------------3-------3-----------------------3-----------3----3---3-----2-----2--------2-------2-----2------------0-------0-------------0----0----0-----------------------4-----------------0----------2------------------------------------------------------------------------3------------------------------------------------------------------------------------------------------Cadd2
X
| | |
| | *
| * |
| | |
1 2
O
|
|
|
|
|
|
*
|
3
O
|
|
|
|
|
|
*
|
2
X
|
|
|
|
G5
O O
| |
| |
| |
| |
|
|
*
|
3
|
|
*
|
4
file:///C|/olga_main/f-g/g/guns_n_roses/yesterdays.crd
file:///C|/olga_main/f-g/g/guns_n_roses/yesterdays.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From uunet!haven.umd.edu!wam.umd.edu!loffit Wed Jun 17 15:36:58 PDT 1992
Article: 224 of alt.guitar.tab
Newsgroups: alt.guitar.tab
Path: nevada.edu!uunet!haven.umd.edu!wam.umd.edu!loffit
From: loffit@wam.umd.edu (Dixie Cup)
Subject: YESTERDAYS by GN'R
Message-ID: <1992Jun17.061306.21836@wam.umd.edu>
Sender: usenet@wam.umd.edu (USENET News system)
Nntp-Posting-Host: rac2.wam.umd.edu
Organization: University of Maryland at College Park
Date: Wed, 17 Jun 1992 06:13:06 GMT
Lines: 85
Here's a rather simple GN'R tune off of UYI II according to my ear (sans solo)
I don't remember what notation we agreed on in this group so I'm just going
to use H for hammer on. I don't have time to post tabs/chords to songs
often, but if anyone wants more GN'R or some Social Distortion I can post
some songs when I have the time. Other people seem to have R.E.M. and U2
covered so I won't bother posting redundant material.
YESTERDAYS by GN'R
Call this Rhythm Figure A if you want
D
C
G5
H
H
--------------0-2--------------------0-2-------------------2--0-------3--------------3--------------3-------3-----------------------3-----------3----3---3-----2-----2--------2-------2-----2------------0-------0-------------0----0----0-----------------------4-----------------0----------2------------------------------------------------------------------------3------------------------------------------------------------------------------------------------------Cadd2
X
| | |
| | *
| * |
| | |
1 2
O
|
|
|
|
|
|
*
|
3
O
|
|
|
|
|
|
*
|
2
X
|
|
|
|
G5
O O
| |
| |
| |
| |
|
|
*
|
3
|
|
*
|
4
file:///C|/olga_main/f-g/g/guns_n_roses/yesterdays.tab
(Insert Verse 2)
Chorus (underline indicates drag out the word,
C5 is just power chord on 3rd fret):
A
B
C5
G5
Ooh,____________yesterday's________ got nothin' for me.__________
A
B
C5
G5
Yesterday's________ooh,__ __________got nothin' for me.__________
Chords for solo are (if someone wants I can post tab of how I play the solo):
Bm
G
Bm
G
Bm
C#m D
E
Other lyrics:
2nd verse
Prayers in my pocket and no hand in destiny.
I'll keep movin' along with no time to plant my feet.
'Cause yesterday's got nothin' for me.
Old pictures that I'll always see.
Some things could be better if we'd just let them be.
3rd verse
Yesterday there were so many things I was never shown.
Suddenly this time I found I'm on the streets and I'm alone.
Yesterday's got nothin' for me.
Old pictures that I'll always see.
I ain't got time to reminisce old novelties.
The song structure is basically:
2x Rythm Figure A
Verse 1
Verse 2
Chorus
Solo
Verse 3
Chorus
file:///C|/olga_main/f-g/g/guns_n_roses/you_aint_the_first.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
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Date: 08 Oct 1992 14:04:10 -0500 (EST)
From: D9250632@zac.riv.csu.edu.au
Subject: You_Aint_The_First
Guns_n_Roses
To: JAMESB@nevada.edu
Message-Id: <01GPPIQJ2HKI8WVYVR@zac.riv.csu.edu.au>
Organization: Charles Sturt University - Riverina, NSW, Australia
X-Envelope-To: JAMESB@NEVADA.EDU
X-Vms-To: JAMESB@NEVADA.EDU
Mime-Version: 1.0
Content-Transfer-Encoding: 7BIT
You Aint The First
by : Guns 'n' Roses
E
022100
A
002220
G#
466544
A^
577655
B
79987
F#m
244222
E
A
E
------------------------|----------------------|---------0----0---2----|
------------12-----14---|--9----------2----0---|-2---------------------|
--13--------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
I
tried
so
hard
just
to
get
through to you
A
E
A
--0---------------------|----------------------|-----------------------|
------------------------|-----------12----14---|--9-----------2----0---|
------------------------|---13-----------------|-----------------------|
------------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
But
your
head's so
far
from
the
E
A
E
-----------0------2-----|-0--------------------|---9---7---------------|
---2--------------------|----------------------|---------9---7--9---7--|
------------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
real - ness
of
truth
Was it just a come on
A
E
-------------0----------|--------0------2------|--0----------------9---|
---9---7----------------|--2-------------------|-----------------------|
file:///C|/olga_main/f-g/g/guns_n_roses/you_aint_the_first.crd
------------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
in the
dark,
wasn't
meant
to
last
long
E
A
E
--9---7-----------------|-------------0--------|----------0------2-----|
--------9---7--9---7----|---9---7--------------|--2--------------------|
------------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
think you're worn your welcome, honey
you
A
--0---------------------|-------------2-4------|--------0--------------|
------------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
long
As
sing you
this
song
-------------------------|--12-----------------|-----------------------|
----------------11---12--|---------------------|--11--12---11------10--|
-------------------------|---------------------|-----------------------|
-------------------------|---------------------|-----------------------|
-------------------------|---------------------|-----------------------|
-------------------------|---------------------|-----------------------|
One,
Two,
Three,
One,
-------------------------|--0------------------|-----------------------|
---------14----12--------|---------------------|--14--12---------------|
--------------------13---|---------------------|-------------------11--|
-------------------------|---------------------|-----------------------|
-------------------------|---------------------|-----------------------|
-------------------------|---------------------|-----------------------|
-------------------------|
-------------------------|
--13---------------------|
-------------------------|
-------------------------|
-------------------------|
Two
Three
and So,
Chorus
E
G#
Good-bye to you, girl.
A^
B
So long, fare-well
E
I cant hear ya
G#
A^
B
cryin' Your jivin's been hell
G#
A^
file:///C|/olga_main/f-g/g/guns_n_roses/you_aint_the_first.crd
G#
down
F#m
E
in - side
Additional Lyrics
Time can pass slowly things always change
Your day's been numbered and I've read your last page
You was just a temporary lover, honey you aint the first
Lots of others came before you woman, said, but you're been the worst
Said, you're been the worst.
Chorus.
file:///C|/olga_main/f-g/g/guns_n_roses/you_aint_the_first.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: sportiga@uoguelph.ca (Steve L Portigal)
[ Article crossposted from alt.rock-n-roll.metal.gnr ]
[ Author was Brad ]
You Aint The First
by : Guns 'n' Roses
E
022100
A
002220
G#
466544
A^
577655
B
79987
F#m
244222
E
A
E
------------------------|----------------------|---------0----0---2----|
------------12-----14---|--9----------2----0---|-2---------------------|
--13--------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
I
tried
so
hard
just
to
get
through to you
A
E
A
--0---------------------|----------------------|-----------------------|
------------------------|-----------12----14---|--9-----------2----0---|
------------------------|---13-----------------|-----------------------|
------------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
But
your
head's so
far
from
the
E
A
E
-----------0------2-----|-0--------------------|---9---7---------------|
---2--------------------|----------------------|---------9---7--9---7--|
------------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
real - ness
of
truth
Was it just a come on
A
E
-------------0----------|--------0------2------|--0----------------9---|
---9---7----------------|--2-------------------|-----------------------|
------------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
in the
dark,
wasn't
meant
to
last
long
E
A
E
--9---7-----------------|-------------0--------|----------0------2-----|
--------9---7--9---7----|---9---7--------------|--2--------------------|
------------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
file:///C|/olga_main/f-g/g/guns_n_roses/you_aint_the_first.tab
you
A
--0---------------------|-------------2-4------|--------0--------------|
------------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
------------------------|----------------------|-----------------------|
long
As
sing you
this
song
-------------------------|--12-----------------|-----------------------|
----------------11---12--|---------------------|--11--12---11------10--|
-------------------------|---------------------|-----------------------|
-------------------------|---------------------|-----------------------|
-------------------------|---------------------|-----------------------|
-------------------------|---------------------|-----------------------|
One,
Two,
Three,
One,
-------------------------|--0------------------|-----------------------|
---------14----12--------|---------------------|--14--12---------------|
--------------------13---|---------------------|-------------------11--|
-------------------------|---------------------|-----------------------|
-------------------------|---------------------|-----------------------|
-------------------------|---------------------|-----------------------|
-------------------------|
-------------------------|
--13---------------------|
-------------------------|
-------------------------|
-------------------------|
Two
Three
and So,
Chorus
E
G#
Good-bye to you, girl.
E
I cant hear ya
A^
B
So long, fare-well
G#
A^
B
cryin' Your jivin's been hell
E
G#
A^
E
So Look for me Walkin' down your street at night
G#
A^
B
I'll be in with another deep down in - side
A
Deep
G#
down
F#m
E
in - side
Additional Lyrics
Time can pass slowly things always change
Your day's been numbered and I've read your last page
You was just a temporary lover, honey you aint the first
file:///C|/olga_main/f-g/g/guns_n_roses/you_aint_the_first.tab
Lots of others came before you woman, said, but you're been the worst
Said, you're been the worst.
Chorus.
file:///C|/olga_main/f-g/g/guns_n_roses/you_could_be_mine.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: sportiga@uoguelph.ca (Steve L Portigal)
[ Article crossposted from alt.rock-n-roll.metal.gnr ]
[ Author was Brad ]
You Could Be Mine
G-n-R
------...
|
|
------...
|
|
------...
|
|
------...
|
|
------...
|
|
--12-12-12-12-12-12-12-12-9-9-9-9-9-9-7-7|7-7-7-7-7-7-7-7-5-5-4-4-3-3-3-3|
----14------14------14---------------------------
1/4B
p
1/2
p
-------------------------------------------------------------------3----------------4-----4-----2------------2---------------2-----2-----0-------------3----------------4-----4-----2------------2---------------2-----2-----0-------------------------------------------------4-----2-----------------------------------2----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------|------Lick 1----------------|
|------Lick 2----------------|
from now on play lick 1 with 1/2 bend.
bend both notes.
-----3------3---2--------------------------
file:///C|/olga_main/f-g/g/guns_n_roses/you_could_be_mine.tab
file:///C|/olga_main/f-g/g/guns_n_roses/you_could_be_mine.tab
--7-------------------------------------------------------------------------7-------------------------------------------------------------------------7-----------------------------7(harmonic)---------------------------------5-------------------------------------------------------------------------------------------------------------------------------------------------I
said
you
could
be
---------------------------------------------------------------------------------------------------10-------------------------10--------------------9s11--11s14---11-----11------11----------------11-------11-------------------------------------------------9(full)p7--------------------------------7s9---9s12----------------------------------9---------------------9--9------------------------------------------------------------------------------you
should be
you
----------------------------------------------------------------------------------------10------------------------------------------10----------------------11---------11---11----------------------------11------11------11-------------------------------9--------------------------------------------9--9----------------------------9----------------------------------9------9
--------------------------------------------------------------------------could
be
mine
---------------------------------------------------------------------------------14--16--14--16--14---------------------------------------------------11---14--16--14--16--14------------------------------------------------------------------------------16----14--16~~~~~~--------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
file:///C|/olga_main/f-g/g/guns_n_roses/your_crazy.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Hmm.. off the top of my head
x2
A G A G A G D
A G A G A G Em
D (multiple times)
A G A G A G D
A G A G A G Em
D (multiple times)
Em D C
repeat all
Ok... I'll try and explain how to play this. Play the A by fretting position
2 on the third and four strings. The G is played by playing open on strings
3 & 4. The important thing here is the rhythm.
Start with 3 strokes on the A, then syncopate between G & A a few times
before resolving to the D for a few strums. Note, when after playing the
open strings for the G, bringing your fingers back to position 2 should
dampen the sound, giving you the suncopation you want.
Best advice - listen to the record.
>
>-Ashim
Jason
J.P.OBroin@uk.ac.durham
-( 'Comin' out of nowhere, Drivin' like rain
Stormbringer dance on the thunder again
Dark cloud gathering, breaking the day
No point running 'cos it's coming your way'
DEEP PURPLE
'Stormbringer'
Stormbringer
)
file:///C|/olga_main/f-g/g/guthrie_arlo/alices_resturant.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: mzraly@cs.umb.edu (Michael S. Zraly)
Alice's Restaurant
-----------------words & music by
Arlo Guthrie
transcribed by
Russ Shipton
w/alterations by
Mike Zraly
F#o7
Ao7
Co7
|---2----------5---------8--------11--|
|---1----------4---------7--------10--|
|---2----------5---------8--------11--|
|---1----------4---------7--------10--|
|-------------------------------------|
|-------------------------------------|
Bm
Cm
|-------------------------|--0-----------------0-------|
|--------0-----1-----3----|---------1------4-----------|
|-------------------------|--------------------------0-|
|-------------------------|---------2-------------2----|
|--------------0-----2----|--3-------------3-----------|
|--------3----------------|----------------------------|
You
can
get
an -y
A7
E
B
G
D
A
E
Am
D7
|-----------5-------3-----------|-----0----------------0--------|
|-----------------------5-------|--3---------------0------------|
|-------------------------------|--------------0----------------|
|--------------------------2----|----------4--------------0-----|
|---0-------0-------0-----------|--5----------------------------|
|-------------------------------|------------------3------------|
thing
you
want
at
Al -i- ce's
Rest
-a-
file:///C|/olga_main/f-g/g/guthrie_arlo/alices_resturant.tab
C
E
B
G
D
A
E
Am
Bm
D7
D7/A
|-----------5-------3-----------|-------------------0----------|
|-----------------------5-------|--3-----3------3--------------|
|-------------------------------|-----------5------------------|
|--------------------------2----|--------4---------------4-----|
|---0-------0-------0-----------|--5---------------------------|
|-------------------------------|---------------5--------------|
thing
you
want
at
Al -i- ce's
G
E
B
G
D
A
E
|----------------------------|--0-----------------0-------|
|---1-------0-----1-----3----|---------1------4-----------|
|----------------------------|--------------------------0-|
|----------------------------|---------2-------------2----|
|---3-------------0-----2----|--3-------------3-----------|
|-----------3----------------|----------------------------|
raunt
You
can
get
an -y
A7
E
B
G
D
A
E
Cm
Am
Bbm
Bm
Cm C
|-------------------------------|---0------------------0---------|
|---0------1-------2-------3----|-----------1-------4------------|
|-------------------------------|------------------------------0-|
|-------------------------------|-----------2--------------2-----|
|----------0-------1-------2----|---3---------------3------------|
|---3---------------------------|--------------------------------|
Rest
-araunt
Walk
right
in
it's aF
E
B
G
D
A
E
|---0-------0-------0---3-------|----------------------------------|
|-------------------------------|-----------0-------1---3----------|
|--------0------0---------------|---2---------------------------2--|
|-----------2--------------2----|-----------3---------------3------|
|---3---------------3-----------|----------------------------------|
|-------------------------------|---1---------------1--------------|
round
the
back
Just
half a mile
from the
D7
E
B
G
D
A
E
Cm
|---------------------------------|--0-----------------0-------|
|---1----3-----------1----3-------|---------1------4-----------|
|----------------2--------------2-|--------------------------0-|
|------------0---------------0----|---------2-------------2----|
|---------------------------------|--3-------------3-----------|
|---2----------------2------------|----------------------------|
railroad
track
You
can
get
an -y
A7
E
B
G
D
A
E
D7
D7/A
|-----------5-------3-----------|----------------------0--------|
|-----------------------5-------|--3-------3-------3------------|
|-------------------------------|--------------5----------------|
|--------------------------2----|----------4--------------4-----|
|---0-------0-------0-----------|--5----------------------------|
|-------------------------------|------------------5------------|
file:///C|/olga_main/f-g/g/guthrie_arlo/alices_resturant.tab
E
B
G
D
A
E
thing
you
want
Am
at
Al -i- ce's
Rest
-a-
Bm
|----------------------------|
|---0-------0-----1-----3----|
|----------------------------|
|----------------------------|
|-----------------0-----2----|
|---3-------3----------------|
raunt
file:///C|/olga_main/f-g/g/guthrie_arlo/alices_resturant.tab
had to go down and pick up the garbage, and also had to go down and
speak to him at the police officer's station, so we got in the red VW
microbus with the shovels and rakes and implements of destruction and
headed on to the police officer's station.
Now friends,there was only one or two things Obie could a done
at the police station and the first was he could have given us a medal
for being so brave and honest on the telephone, which wasn't very
likely,and we didn't expect it , and the other thing was he could have
bawled us out and told us never to be see driving garbage about the
vicinity again, which is what we expected, but when we got to the
police officer's station there was a third possibility that we hadn't
counted upon, and we was both imediately arrested, handcuffed, and I
said "Obie, I don't think I can pick up the garbage with these
handcuff on.". He said "Shutup kid. Get in the back of the patrol
car".
And that's what we did, sat in the back of the patrol car and
drove to the quote 'Scene of the crime' unquote. I want tell you about
the town of StockBridge Massachusets where this is all happen here,
they got three stop signs,two police officers, and one police car, but
when we got to the 'Scene of the crime' there was five police officers
and three police cars , being the biggest crime of the last fifty
years, and everybody wanted to get in the newspaper story about it.
And they was using up all kinds of cop equipment they had hanging
around the police officer's station.They was taking plastic tyre
track, foot prints, dog smelling prints, and they took twenty seven
eight-by-ten colour glossy photographs with circles and arrows and a
paragraph on the back of each one explaining what each one was to be
used in evidence against us . They took picture's of the approach,
the getaway, the northwest corner the southwest corner and that's not
to mention the aerial photography.
After the ordeal, we went back to the jail, Obie said he was going to
put us in the cell said "Kid,I'm going to put you in the cell, I want
your wallet and your belt." I said "Obie, I can understand you
wanting my wallet so I don't have any money to spend in the cell , but
why do you want my belt?" and he said "Kid,we don't want any
hangings" I said "Obie , did you think I was goingto hang myself for
littering" Obie said he was making sure, and friends Obie was, cause
he took out the toilet seat so I couldn't hit myself over the head and
drown, and he took out the toilet paper so I couldn't bend the bars
throw out the roll of toilet paper out the window, slide down the roll
and have an escape.Obie was making sure, and it was about four or five
hours later that Alice, (remember Alice? This is a song about Alice),
Alice came by and with a few nasty words to Obie on the said , bailed
us out of jail,and we went back to the church, had a another
thanksgiving dinner that couldn't be beat, and didn't get up until the
next morning, when we all had to go to court.
We walked in, sat down, Obie came in with the twenty seven
eight-by-ten colour glossy photographs with circles and arrows and a
paragraph on the back of each one, sat down. Man came in said all
rise. We stood up, and Obie stood up with the twenty seven
eight-by-ten colour glossy pictures and the judge walked in sat down
with the seeing eye dog,and he sat down, we sat down. Obie looked at
the seeing eye dog, and then at the twenty seven eight-by-ten colour
glossy photographs with circles and arrows and a paragraph on the back
of each one, and looked at the seeing eye dog.And then at twenty seven
eight-by-ten colour glossy photographs with circles and arrows and a
paragraph on the back of each one and began to cry, cause Obie had
cometo the realisation that this was a typical case of American blind
justice,and there wasn't nothing he could do about it, and the judge
wasn't going to look at the twenty seven eight-by-ten colour glossy
file:///C|/olga_main/f-g/g/guthrie_arlo/alices_resturant.tab (4 of 7) [4/28/2003 9:55:27 PM]
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photographs with the circles and arrows and a paragraph on the back of
each on explaining what each one was to be used in evidence against
us. And we was fined $50 and had to pick up the garbage in the snow,
but thats not what I came to tell you about.
Came to talk about the draft.
We got a building down New York City,it's called Whitehall street Were
you get injected, inspected, detected infected negleced and selected.
I went down and got my physical examination one day, and I walked in
sat down, got good and drunk the night before, so I looked and felt my
best when I went in that morning. Cause I wanted to look like the all
American kid from New York City, man I to feel like the , I wanted to
_be_ the all American kid from New York, and I walked in and I was
hungdown brungdown hungup and all kinds o' mean nasty ugly things.
And I waked in and sat down and they gave me a pice of paper said
"Kid, see the phsychiatrist, room 604"
I went up there said "Shrink, I want to kill, I wanna I wanna
kill.Kill. I wanna I wanna to see blood and gore and guts and veins in
my teeth.Eat dead burnt bodies. I mean kill, kill,KILL,KILL." and I
started jumpin up and down yelling KILL KILL, and he started jumpin up
and down with me and we was both jumping up and down yelling "KILL
KILL".And the sargent came over pinned a medal on me, sent me down the
hall, said "you're our boy".
Didn't feel too good about it.
Proceded on down the hall gettin all sorts of injections, inspections,
detections, neglections and all kinds of stuff that they was doin' to
me at the thing there, and I was there two hours, three hours, four
hours I was there for a long time going through all kind's of mean
nasty ugly things and I was just having a tough time there and they
was inspecting injecting every single part of me, and they was leaving
no part untouched. Proceded through. And when I finally came to the
see the last man,I walked in,walked in sat down after a whole big
thing there, I walked up and said 'what do you want' "Kid, we ony got
one question. Have you ever been arrested?"
And I proceeded to tell him the story of Alices Restaurant
Massacre,with full orchestration and five part harmony and stuff like
that and suddenly he stoped me right there and said "Kid,did you ever
go to court?".
I proceeded to tell him the storyof the twentyseven
eight-by-ten colour glossy pictures with the circles and arrows and
the paragraph on the back of each one, and he stoped me right there
and said "Kid, I want you to go and sit down on that bench that says
group W .... NOW kid!!".
And I walked over to the bench there ,and theres group W, which is
where they put you if you may not be _moral_ enough to join the army
after committing your special crime, and there was all kinds of mean
nasty ugly looking people on the bench there.Mother Rapers. Father
Stabbers. Father Rapers! Father Rapers sitting right there on the
bench next to me! And they was mean and nasty and ugly and horrible
crime-type guys sitting bench next to me. And the meanest nastyest
uglyest one, the meanest father raper of them all, was coming over to
me and he was mean 'n' nasty 'n' ugly 'n' horrible and all kind of
things and he sat down next to me and said "Kid, what ya get?". I
said "I didn't get nothing, I had to pay $50 and pick up the
garbage.". He said "What were you arrested for?". and I said
"Littering". And they all moved away from me on the bench there,and a
hairy eyeball and all kinds of mean nasty things, till I said "And
file:///C|/olga_main/f-g/g/guthrie_arlo/alices_resturant.tab (5 of 7) [4/28/2003 9:55:27 PM]
file:///C|/olga_main/f-g/g/guthrie_arlo/alices_resturant.tab
creating a nusance.". They all came back, shook my hand, and we had a
great time on the bench, talkin about crime,mother stabbing, father
raping all kinds of groovy things that we was talking about on the
bench.And everything was fine, we was smoking cigarettes and all kinds
of things, until the sargent came over, had some paper in his hand
said.
"Kids,this-piece-of-paper's-got-47-words-37-sentences-58-lines
we-wanna-know-details-of-the-crime-time-of-the-crime-all-the-things
you-gotta-say-things-about-the-crime-arresting-officer's-name-all-the
things-you-gotta-say", and talked for fourty-five minutes and nobody
understood a word that he said, but we had fun filling out the form
and playing with the pencils on the bench there, and I filled out the
massacre with the four part harmony, wrote it down there, just like it
was, and I put down the pencil,and turned over the piece of paper, and
there there on the other side.
In the middle of the other side.
Away from everything else on the other side.
In parentheses.
Capital letters.
Quotated.
Read the following words :
"Kid, have you rehabilitated yourself?"
I went over to the the sargent said "Sargent,you got a lot a
damn gall to ask me if I've rehabilitated myself, I mean, I mean I'm
just sittin here, sittin on the group W bench cause you want to know
if I'm _moral_ enough join the army to burn women kids houses and
villages after bein a litterbug.". He looked at me said "Kid,we don't
like your kind , and we're gonna send you fingerprints off to
Washington.".
And friends, somewhere in Washington enshrined in some little
folder, is a study in black and white of my fingerprints. And the
only reason I'm singing you this song now is cause you may know
somebody in a similar situation, or _you_ may be in a similar
situation,and if your in a situation like that there's only one thing
you can do and that's walk into the shrink whereever you are ,just
walk in say "Shrink, You can get anything you want, at Alice's
restaurant.". And walk out. You know,if one person, just one person
does it they may think he's really sick and won't take him. And if
two people, two people do it, in harmony, they may think they're both
faggots and they won't take either of them. And three people , three
, can you imagine, three people walking in sing a bar of Alice's
Restaurant and walking out. They may think it's an organization. And
can you imagine fifty people a day,I said fifty people a day walking
in sing a bar of Alice's Restaurant and walking out. And friends they
may thinks it's a movement.
And that's what it is , the Alice's Restaurant Anti-Massacre
Movement, and all you got to do to join is sing it the next time it
come's around on the guitar.
With feeling.
So we'll wait for it to come around on the guitar, here and
sing it when it does. Here it comes.
You can get anything you want, at Alice's Restaurant.
You can get anything you want, at Alice's Restaurant.
Walk right in it's around the back,
Just a half a mile from the railroad track,
file:///C|/olga_main/f-g/g/guthrie_arlo/alices_resturant.tab (6 of 7) [4/28/2003 9:55:27 PM]
file:///C|/olga_main/f-g/g/guthrie_arlo/alices_resturant.tab
I've been singing this song now for twenty five minutes. I
could sing it for another twenty five minutes. I'm not proud...
... or tired.
So we'll wait till it comes around again, and this time with four part
harmony and feeling.
We're just waitin' for it to come around is what we're doing.
All right now.
You can get anything you want, at Alice's Restaurant
"excepting Alice"
You can get anything you want, at Alice's Restaurant
Walk right in it's around the back,
Just a half a mile from the railroad track,
You can get anything you want, at Alice's Restaurant
At Alice's Restaurant.
file:///C|/olga_main/f-g/g/guthrie_arlo/city_of_new_orleans.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From gil@asterix.lbl.gov (Gil Rivlis)
Subject: CRD: City of New Orleans (performed by Arlo Guthrie)
Date: 20 Jan 1993 03:58:23 GMT
Anyone has the chords for Black Water by the Doobie Brothers?
ObCrd
*******
City of New Orleans (As performed by Arlo Guthrie)
(Who wrote it?) steve goodman
Into:
| G / / / | G / / / |
| G
/
D
/
| G
/ / / |
Riding on the City of New Orleans
| Em
/
C
/
| G
/
/
/
|
Illinois Central Monday morning rail
| G
/
D
/
| G
/
/
/ |
Fifteen cars and fifteen restless riders
| Em
/
D
/
| G / / / |
Three conductors and twenty-five sacks of mail.
| Em
/
/
/
| Bm
/
/
/
|
All along the south bound odyssey, the train pulls out of Kenkakee
| D
/
/
/
| A
/
/
/ |
Rolls along past houses farms and fields
| Em
/
/
/
| Bm
/
/
/
|
Passing trains that have no name, freight yards of old black men
| D
/
D7
/
| G
/
/
/
|
And graveyards of rusted automobiles.
Chorus:
| C
/
D7
/
| G
/
Good morning America, how are you?
1/2 1/2
| Em
/
C
/
| G
/
/
D7 D9
Say, don't you know me, I'm your native son.
| G
/
D
/
| Em
Em7
A7
/ |
I'm the train they call the City of New Orleans
| Bb
C
D
D9
| G
/
/
/
I'll be gone five hundred miles when the day is done.
Dealing card games with the old men in the club car
Penny a point ain't noone keeping score
Pass the paper bag but hold the bottle
Feel the wheels rumbling 'neath the floor
And the sons of Pullman porters and the sons of engineers
Ride their father's magic carpets made of steel
Mother with her babes asleep rocking to the gentle beat
And the rhythm of the rails is all they feel.
Chorus. (As above)
Nightime on the City of New Orleans
Changing cars in Memphis Tennessee
file:///C|/olga_main/f-g/g/guthrie_arlo/city_of_new_orleans.crd
3
x
0
x
x
x
x
x
0
x
x
2
x
2
3
2
0
x
x
2
0
1
0
0
2
2
4
2
0
0
0
2
3
0
2
0
0
4
2
2
2
0
0
3
0
3
0
1
3
2
1
1
0
2
3
3
2
0
0
2
0
2
0
0
0
1
(or
(or
3 2 0 0 3 3 or 3 5 5 4 3 3 )
x 5 4 2 3 2)
(or
x 3 5 5 5 3)
(or
x 5 4 5 3 x)
(or
0 2 2 0 3 0)
--
file:///C|/olga_main/f-g/g/guthrie_arlo/coming_into_los_angeles.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: mzraly@ra.cs.umb.edu (Michael S Zraly)
Subject: Re: Arlo Guthrie (also INTRO CRDS, "Coming Into Los Angeles")
mattb@wam.umd.edu (Mathew Anthony Barlow) writes:
>I would **love** to see some Arlo Guthrie songs ... Coming into Los Angeles,
>Last Train, Darkest Hour, Last to Leave, Cooper's Lament. Too much a
>beginner to have anything to post in exchange but I will, have patience.
"Alice's Restaurant" is at ftp.nevada.edu.
As for "Coming Into Los Angeles", it starts out something like
Am
. .
/ /
F
.
/
Am/G
D9/F#
___ ___ . .
/ / / / / /
F
E
___ . ___ ___
/ / / / / / /
D9/F#
___ ___
/ / / /
E7
___ ___
/ / / /
3
2
1
0
0
0
0
0
3
2
2
2
2
0
3
2
2
2
2
2
2
1
1
1
1
1
1
0
3
0
0
0
1
0
0
I, too, would love to see music for the songs you mentioned.
file:///C|/olga_main/f-g/g/guthrie_arlo/gabriels_mothers_highway_ballad16_blues.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#109
{title:Gabriel's Mother's Highway Ballad #16 Blues}
{st:Arlo Guthrie}
# substitute variations of the following chords
{define: Bb 1 -1 3 3 3 1 -1}
{define: C 1 0 1 0 2 3 2}
{define: D 1 2 3 2 0 0 0}
{define: Em 1 0 0 0 2 2 2}
#{define: G 1 3 0 0 0 5 5}
{define: G 3 1 0 0 0 3 3}
{define: D-alt 1 0 3 2 -1 4 -1}
#{define: D/C-bass 1 5 3 0 0 3 -1}
{define: D/C-bass 3 3 1 0 0 1 -1}
{define: D/C-bass-alt 1 0 3 2 0 3 -1}
{define: G/B-bass 1 3 3 0 0 2 -1}
#{define: G6 1 0 0 0 0 5 5}
{define: G6 5 0 0 0 0 1 1}
{define: G6/B-bass 1 0 3 0 0 2 -1}
{define: G/A-bass 1 3 0 0 2 0 -1}
[D]Woke up this m[D-alt]orning with my [D/C-bass]head in my [G/B-bass]hand,
[Bb]Come on, [A]child[G]ren, [A]come [D]on.
The snow was [D-alt]falling all [D/C-bass]over the l[G/B-bass]and,
[Bb]Come on, [A]child[G]ren, [A]come [D]on.
[D]I don't [D-alt]know but [D/C-bass-alt]I've been told,[G6/B-bass]
[Bb]Come on, [A]child[G]ren, [A]come [D]on.
That the streets of [D-alt]heaven have [D/C-bass-alt]all been sold,[G6/B-bass]
[Bb]Come on, [A]child[G]ren, [A]come [D]on.
{c:Chorus:}
[D]Come on, children, [G6]all come [D]home,
[G6]Jesus gonna make you we[C]ll.
[A]Well, [Em]come on, people, now it's [D]time to go,
[G6]Go to where a [G/A-bass]man can d[D]well.
The sun come up while I was singin' this song,
Come on, children, come on.
To remember me that this time it won't be long,
Come on, children, come on.
{c:Chorus.}
Come on, now, Gabriel, bow that thing,
Come on, children, come on.
All God's children got to dance and sing,
Come on, children, come on.
All God's children got to dance and shout,
Come on, children, come on.
Ain't nobody here 'bout to kick you out,
Come on, children, come on.
One of these days we'll all be there,
Come on, children, come on.
Watching them wheels way up in the air,
Come on, children, come on.
file:///C|/olga_main/f-g/g/guthrie_arlo/gabriels_mothers_highway_ballad16_blues.pro
file:///C|/olga_main/f-g/g/guthrie_arlo/motorcycle_song.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#062
{title:Motorcycle Song}
{st:Arlo Guthrie}
[G]I don't want a pickle,
Just want to ride on my [C]motors[G]ickle.
[G]And I don't want a tickle,
'Cause I'd rather ride on my [C]motors[G]ickle.
And [C]I don't w[Am]ant to d[G]ie,
Just want to ride on my [C]motorc[G]y--cle.
It was l[G]ate last night the other day,
I thought I'd go up[C] and see R[G]ay.
So I went up and I say Ray-There was only one thing R[C]ay could say, was:
I don't want a pickle,
Just want to ride on my motorsickle.
And I don't want a tickle,
'Cause I'd rather ride on my motorsickle.
And I don't want to die,
Just want to ride on my motorcy--cle.
#
# Submitted to the ftp.nevada.edu:/pub/guitar archives
# by Steve Putz <putz@parc.xerox.com>
# 7 September 1992
file:///C|/olga_main/f-g/g/guthrie_woody/baltimore_to_washington.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Received: from animal-farm.nevada.edu by redrock.nevada.edu (5.65c/M1.4)
with SMTP id <AA29351>; Wed, 24 Feb 1993 10:07:22 -0800
Received: from madrone.eecs.ucdavis.edu by animal-farm.nevada.edu id <AA01566@animalfarm.nevada.edu>; Wed, 24 Feb 1993 10:07:16 -0800
Received: by madrone.eecs.ucdavis.edu (5.57/Ultrix3.0-C/eecs 1.1)
id AA01290; Wed, 24 Feb 93 10:07:08 -0800
Date: Wed, 24 Feb 93 10:07:08 -0800
From: darsie@eecs.ucdavis.edu (Richard Darsie)
Message-Id: <9302241807.AA01290@madrone.eecs.ucdavis.edu>
To: jamesb@animal-farm.nevada.edu
Subject: Tab: Woody Guthrie, "Baltimore to Washington"
Title: BALTIMORE TO WASHINGTON
Notes: WRITTEN/RECORDED BY WOODY GUTHRIE
Should be "lively" to fast.
Tuning:EADGBE
arr. by Kev
C
------------|--3--------3-----3-----3------3-s-5--0----------------------|-------------|--|--------|-----|-----|------|------|---3---1--------------|-------------|--|--------|-----|-----|------|------|-------|-------0------|-------------|--|---2----|--2--|--2--|--2---|------|-------|--2-------2---|-------0--2--|--3--------|-----3-----|------3------3-------3--------------|----3--------|-----------3-----------3---------------------------3--------|-I've gam-bled all a-round the
town of Newport News and the
F
C
-----------------------------|--0--------0-------------0-------|----------------------1*------3w----1-----|--|--------|---3w--1-----|-------|-----------------2------------|-----|-----|--|---0----|-------|-----|-------|-----------------|--3------3--|--3--|--3--|--|--------|-------|--2--|---2---|-----------------|------------|-----|-----|--3--------3-------3-----3-------|-----------------1------1-----1-----1-----|---------------------------------|-------------more
I
gam- ble
boys the more I lose. Bal-ti
G
C
-----------------5p3--------------|-------------------|------------|-----------3--------------|-------5p3------|--1-------------1--|------------|-----------|--------4-----|-------|--------|--|-------0-----|--|------------|-----------|--5--------5--|---5---|-----5--|--|--2-------2--|--|------------|-----------|--------------|-------|--------|--3-------------3--|--3--2--1---|-----------3-----3--------3-------3--------|--------3----------|------------|---------more
to Washington.
F
C
F
Br
------------------------------|-----------------|------|-----------------------------1------3w------1------|--1-----------1--|------|------------3w---------2-----|------|-------|------|--|-----0-----|--|--2---|-----2------|----------|--3--|---3--|---3---|----3-|--|--2-----2--|--|--|---|--------3---|----------|-----|------|-------|------|--3-----------3--|--|----------------|----------1-----1------1-------1------|--------3--------|--1------1---------1--------Oh
Balti- more to Wash-ing- ton
Oh
Balti-more
C
F
--------------|--0-------------0-------------|-------------------------------------1-------|--|-------1-----|-------1-----|--------1-----3----------------------|-------|--|-------------|-------------|--2-----|-----|----------------file:///C|/olga_main/f-g/g/guthrie_woody/baltimore_to_washington.tab (1 of 3) [4/28/2003 9:55:28 PM]
file:///C|/olga_main/f-g/g/guthrie_woody/baltimore_to_washington.tab
confusion with:
Lyrics:
*
p
w
s
Br
to Washington.
to Washington.
Washington,
got troubles too.
The po-lice know me up and down the linethey don't know the troubles on my hands;
I guess they got troubles too.
I guess they got troubles too.
I guess they got troubles too.
I guess the po-lice they got their troubles too.
Baltimore to Washington.
Goin' up North I'm goin' North this Fall,
if my luck don't change I won't be back at all.
Baltimore to Washington.
Oh Baltimore to Washington.
Oh Baltimore to Washington.
file:///C|/olga_main/f-g/g/guthrie_woody/baltimore_to_washington.tab
Baltimore to Washington,
I guess they got troubles too.
file:///C|/olga_main/f-g/g/guthrie_woody/deportee.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
_PLANE WRECK AT LOS GATOS_
(A.K.A. "Deportee")
VERSE:
D
G
D
The crops are all in and the peaches are rotting
(D)
A7
D
The oranges piled in their creosote dumps
G
D
You're flying them back to the Mexican border
(D)
A7
D
To pay all their money, to wade back again
CHORUS: (After each verse)
G
D
Goodbye to my Juan, good-bye Rosalita
D
D
Adios mes amigos, Jesus and Maria
G
D
You won't have your names when you ride the big airplane
A7
D
All they will call you will be deportee
2.
3.
4.
5.
6.
Ted Hermary
czth@musica.mcgill.ca
file:///C|/olga_main/f-g/g/guthrie_woody/god_blessed_america_for_me.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: HCHA8904593X@lust1.latrobe.edu.au (PERRETT, ANDREW)
Woody Gutheri
G
C
G
This land is your land, this land is my land
G
D7
G
>From Calfornia to Stanen Island (New York)
G
C
G
>From the Redwood Forest to the Gulf Stream Waters
D7
G
This land was made for you and me
As I went walking that ribbon of highway
And saw above me the endless skyway
And saw below me the golden valley, I said
This land was made for you and me
(chorus and verse the same)
I roamed and rambled and followed my footsteps
To the sparkling sands of her diamond deserts
And all around me a voice was sounding
This land was made for you and me
Was a big High wall there that tried to stop me
A sign was painted said; Private Property
But on the back side, it didnt say nothing
This land was made for you and me
When the sun come shining, then I was strolling
In the wheast fields waving, and dusk clouds rolling
The voice was chanting as the fog was lifting
This land was made for you and me
On bright sunny morning in
By the relief office I saw
As they stood there hungry
This land was made for you
(this song im not really sure about i had a few old woody records around the
place and this is what i ended up with
file:///C|/olga_main/f-g/g/guthrie_woody/god_blessed_america_for_me.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Woody Gutheri
God Blessed America For Me
G
This
G
From
G
From
D7
This
C
G
land is your land, this land is my land
D7
G
Calfornia to Stanen Island (New York)
C
G
the Redwood Forest to the Gulf Stream Waters
G
land was made for you and me
(this song im not really sure about i had a few old woody records around the
place and this is what i ended up with
file:///C|/olga_main/f-g/g/guthrie_woody/pastures_of_plenty.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: dave@eng.umd.edu (David C. Fleming)
(The following comes from "Woody Guthrie, Roll On Columbia,
The Columbia River Collection" A song book containing lyrics,
chords, and standard notation transcripts of melodies for the
songs Woody wrote while working for the Bonneville Power Administration
in 1941, including many not included on the album by that name.
Also, some copies of Woody's original notes, and historical documents
appear.
The book can be had for about US$10 from Sing Out Publications,
PO Box 5253, Bethlehem, PA 18015-0253, Phone orders at (215) 865-5366.
It's a good book. As long as I'm sounding like a commercial, let me
suggest the following CD: "Woody Guthrie -The Library of Congress
Recordings" It's excellent. By the way, I have no vested interest
in selling these products.
Ordinarily, I wouldn't copy and distribute songs from books, but
in this case, there are only two chords, which I probably could
have figured out myself.)
"Pastures of Plenty" by Woody Guthrie
D
(Bm)
It's a mighty hard row that my poor hands have hoed
D
My poor feet have traveled a hot dusty road,
Out of the dust bowl and westward we rolled,
(Bm)
And your deserts are hot and your mountains they're cold
I worked in your orchards of peaches and prunes,
And I slept on the ground 'neath the light of the moon;
I picked in your cotton, cut grapes from your vine,
And I set on your table your light sparkling wine.
We travel with the wind and the rain in our face,
Our families migrating from place unto place;
We'll work in your beet fields 'til sundown tonight,
Travel 300 miles 'fore the mornin' gets light
Arizona, California, we'll make all your crops,
It's northward to Oregon to gather your hops;
Strawberries, cherries, and apples the best,
In that sunshiny land call'd the Pacific Northwest.
It takes home loving mothers and strong hearted men;
Every state in this union us migrants has been;
'Long the edge of your cities you'll see us, and then,
We've come with the dust and we're gone in the wind.
I picked up a rich clod of dirt in my hand,
I crumble it back into strong fertile land;
The greatest desire in this world that I know
Is to work on my land where there's green things to grow.
I think of the dust and the days that are gone,
And the day that's to come on a farm of our own;
file:///C|/olga_main/f-g/g/guthrie_woody/pastures_of_plenty.crd
file:///C|/olga_main/f-g/g/guthrie_woody/portland_town.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#015
{title:Portland Town}
{st:Woody Guthrie}
I was [Em]born in [D]Portland [Em]town,
I was [Em]born in [D]Portland [Em]town,
Yes I [D]was, yes I [Em]was,
[C]Yes, I [Em]was.
I was born in Portland town,
Got married in Portland town,
Yes I did, yes I did,
Yes, I did.
Got married in Portland town,
Had children one, two, three,
Yes I did, yes I did,
Yes, I did.
They sent them away to war,
Ain't got no kids no more,
No I ain't, no I ain't,
No, I ain't.
I was born in Portland town,
I was born in Portland town,
Yes I was, yes I was,
Yes, I was.
#
# Submitted to the ftp.nevada.edu:/pub/guitar archives
# by Steve Putz <putz@parc.xerox.com>
# 7 September 1992
file:///C|/olga_main/f-g/g/guthrie_woody/pretty_boy_floyd.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: David #6 <david6@netcom.com>
Subject: LYR: Pretty Boy Floyd (Woody Guthrie)
PRETTY BOY FLOYD
by Woody Guthrie
(Like all Woody's songs, the lyrics changed depending on where and when he
was singing, so you may find some different verses, but these lyrics are
probably as right or wrong as any others you'll find. It's a straight
1-4-5 song; if you know the tune, just fool around with D, G, and A until
it sounds right to you.)
If you'll gather 'round me children
A story I will tell
About Pretty Boy Floyd the outlaw
Oklahoma knew him well
It was in the town of Shawnee
On a Sunday afternoon
His wife beside him in their wagon
As into town they rode
There a deputy sheriff approached them
In a manner rather rude
Using vulgar words of language
And his wife she overheard
Well Pretty Boy grabbed a long chain
And the deputy grabbed his gun
And in the fight that followed
He laid that deputy down
Well he took to the trees and timber
To live a life of shame
Every crime in Oklahoma
Was added to his name
Yes he took to the trees and timber
By that Canadian river shore
But Pretty Boy found a welcome
At many a farmer's door
Yes
The
How
And
file:///C|/olga_main/f-g/g/guthrie_woody/pretty_boy_floyd.crd
file:///C|/olga_main/f-g/g/guthrie_woody/so_long_its_been_good.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: kharding@lamar.ColoState.EDU (Karol Harding)
SO LONG ITS BEEN GOOD T KNOW YUH
Woody Guthrie borrowed the medody for this song from "The BAllad
of Billy the Kid", and the chorus is a variant of Huddie (Leadbelly)
Ledbetter's Goodnight Irene.
C
G7
I've sung this song, but I'll sing it again
C
G7
Of the people I've met and the places I've seen
C
C7
F
Of some of the troubles that bothered my mind
F#dim/C
G7
C
And a lot of good people that I've left behind, saying:
(CHORUS)
C
So long it's been good
G7
So long it's been good
F
So long it's been good
C
What a long time since
to know yuh,
C
to know yuh,
F#dim
to know yuh,
D7
G7
I've been home....
C
(G7-1st verse)
And I've gotta be driftin' along.
------------------------------------CHORDS:
F#dim = xx1212
:
(2)
The Sweethearts they sat in the dark and they sparked.
They hugged and they kissed in that dusty old dark
They sighed and they cried and they hugged and they kissed,
But instead of marriage they talked like this, Honey ....
rk
file:///C|/olga_main/f-g/g/guthrie_woody/this_land_is_your_land.pro
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#138
{title:This Land is Your Land}
{st:Woody Guthrie}
{c:Chorus:}
[D]This land is [G]your land, this land is [D]my land,
From Calif[A7]ornia to the New York [D]Island,
From the Redwood F[G]orests to the Gulf Stream wa[D]ters;
[A7]This land was made for you and [D]me.
As I was walking that ribbon of highway,
I looked above me, there in the skyway,
I saw below me, the Golden Valley;
This land was made for you and me.
{c:Chorus.}
I roamed and rambled, and followed my footsteps
Through the sparkling sands of her diamond deserts,
And all around me this voice kept saying,
"This land was made for you and me."
{c:Chorus.}
As the Sun was shining, and I was strolling
Through the wheat fields waving and the dust clouds rolling,
I could feel inside me and see all around me,
This land was made for you and me.
{c:Chorus.}
#
# Submitted to the ftp.nevada.edu:/pub/guitar archives
# by Steve Putz <putz@parc.xerox.com>
# 7 September 1992
file:///C|/olga_main/f-g/g/guttermouth/brucelee.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Bruce Lee vs. ? by Guttermouth
.tab transcribed by Andrew Bilak (8/16/95)
all questions, comments, requests to (abilak@detour1.nerc.com)
-------------(standard tuning)
"So you think your kung-fu's pretty good eh?
Him against me, let's kung-fu"
e:--9------------------------------------------------------------------------|
B:--9------------------------------------------------------------------------|
G:--9------------------------------------------------------------------------|
D:--9------------------------------------------------------------------------|
A:--9------------------------------------------------------------------------|
E:--7------------------------------------------------------------------------|
(Hold this chord until RIFF 1 starts)
BEGIN INTRO
e:-----9---5--5--7--6---7---7--7--6--7---5---5--5--7--6---4---4--4--7--6-----|
B:-----9---5--5--7--6---7---7--7--6--7---5---5--5--7--6---4---4--4--7--6-----|
G:-----9---5--5--7--6---7---7--7--6--7---5---5--5--7--6---4---4--4--7--6-----|
D:-----9---5--5--7--6---7---7--7--6--7---5---5--5--7--6---4---4--4--7--6-----|
A:-----9---5--5--5--4---7---7--7--4--5---5---5--5--5--4---4---4--4--5--4-----|
E:-----7---7--7---------5---5--5---------3---3--3---------2---2--2-----------|
(RIFF1)
e:-----9---5--5--7--6---7---7--7--6--7---5---5--5--7--6---4---4--4--7--6-----|
B:-----9---5--5--7--6---7---7--7--6--7---5---5--5--7--6---4---4--4--7--6-----|
G:-----9---5--5--7--6---7---7--7--6--7---5---5--5--7--6---4---4--4--7--6-----|
D:-----9---5--5--7--6---7---7--7--6--7---5---5--5--7--6---4---4--4--7--6-----|
A:-----9---5--5--5--4---7---7--7--4--5---5---5--5--5--4---4---4--4--5--4-----|
E:-----7---7--7---------5---5--5---------3---3--3---------2---2--2-----------|
(RIFF1)
e:----------9--9-9--9---6--7--6--7--7---5--5-5--5---6--7--6--7--7------------|
B:----------9--9-9--9---6--7--6--7--7---5--5-5--5---6--7--6--7--7------------|
G:----------9--9-9--9---6--7--6--7--7---5--5-5--5---6--7--6--7--7------------|
D:----------9--9-9--9---6--7--6--7--7---5--5-5--5---6--7--6--7--7------------|
A:----------9--9-9--9---4--5--4--7--7---5--5-5--5---4--5--4--7--7------------|
E:----------7--7-7--7------------5--5---3--3-3--3------------5--5------------|
(RIFF 2)
e:----------9--9-9--9---6--7--6--7--7---5--5-5--5---6--7--6--7--7------------|
B:----------9--9-9--9---6--7--6--7--7---5--5-5--5---6--7--6--7--7------------|
G:----------9--9-9--9---6--7--6--7--7---5--5-5--5---6--7--6--7--7------------|
D:----------9--9-9--9---6--7--6--7--7---5--5-5--5---6--7--6--7--7------------|
A:----------9--9-9--9---4--5--4--7--7---5--5-5--5---4--5--4--7--7------------|
E:----------7--7-7--7------------5--5---3--3-3--3------------5--5------------|
(RIFF 2)
END OF INTRO
file:///C|/olga_main/f-g/g/guttermouth/brucelee.tab
e:-----9---5--5--7--6---7---7--7--6--7---5---5--5--7--6---4---4--4--7--6-----|
B:-----9---5--5--7--6---7---7--7--6--7---5---5--5--7--6---4---4--4--7--6-----|
G:-----9---5--5--7--6---7---7--7--6--7---5---5--5--7--6---4---4--4--7--6-----|
D:-----9---5--5--7--6---7---7--7--6--7---5---5--5--7--6---4---4--4--7--6-----|
A:-----9---5--5--5--4---7---7--7--4--5---5---5--5--5--4---4---4--4--5--4-----|
E:-----7---7--7---------5---5--5---------3---3--3---------2---2--2-----------|
(RIFF1)
"hi-ya, the smoke is clearing you can see...."
e:-----9---5--5--7--6---7---7--7--6--7---5---5--5--7--6---4---4--4--7--6-----|
B:-----9---5--5--7--6---7---7--7--6--7---5---5--5--7--6---4---4--4--7--6-----|
G:-----9---5--5--7--6---7---7--7--6--7---5---5--5--7--6---4---4--4--7--6-----|
D:-----9---5--5--7--6---7---7--7--6--7---5---5--5--7--6---4---4--4--7--6-----|
A:-----9---5--5--5--4---7---7--7--4--5---5---5--5--5--4---4---4--4--5--4-----|
E:-----7---7--7---------5---5--5---------3---3--3---------2---2--2-----------|
(RIFF1)
"hi-ya, kareem and bruce they made a truce...."
e:-4-4-4-4-4-4-4-4---5-5-5-5-5-5-5-5---7-7-7-7-7-7-7-7---4-4-4-4-4-4-4-4-----|
B:-4-4-4-4-4-4-4-4---5-5-5-5-5-5-5-5---7-7-7-7-7-7-7-7---4-4-4-4-4-4-4-4-----|
G:-4-4-4-4-4-4-4-4---5-5-5-5-5-5-5-5---7-7-7-7-7-7-7-7---4-4-4-4-4-4-4-4-----|
D:-4-4-4-4-4-4-4-4---5-5-5-5-5-5-5-5---7-7-7-7-7-7-7-7---4-4-4-4-4-4-4-4-----|
A:-2-2-2-2-2-2-2-2---5-5-5-5-5-5-5-5---7-7-7-7-7-7-7-7---4-4-4-4-4-4-4-4-----|
E:-------------------3-3-3-3-3-3-3-3---5-5-5-5-5-5-5-5---2-2-2-2-2-2-2-2-----|
(RIFF 3)
"... flying through the air... got stuck in peter's hair...."
e:-4-4-4-4-4-4-4-4---5-5-5-5-5-5-5-5---7-7-7-7-7-7-7-7---4-4-4-4-4-4-4-4-----|
B:-4-4-4-4-4-4-4-4---5-5-5-5-5-5-5-5---7-7-7-7-7-7-7-7---4-4-4-4-4-4-4-4-----|
G:-4-4-4-4-4-4-4-4---5-5-5-5-5-5-5-5---7-7-7-7-7-7-7-7---4-4-4-4-4-4-4-4-----|
D:-4-4-4-4-4-4-4-4---5-5-5-5-5-5-5-5---7-7-7-7-7-7-7-7---4-4-4-4-4-4-4-4-----|
A:-2-2-2-2-2-2-2-2---5-5-5-5-5-5-5-5---7-7-7-7-7-7-7-7---4-4-4-4-4-4-4-4-----|
E:-------------------3-3-3-3-3-3-3-3---5-5-5-5-5-5-5-5---2-2-2-2-2-2-2-2-----|
(RIFF 3)
" .... oboy... i think he meant machoy...."
e:-----9---5--5--7--6---7---7--7--6--7---5---5--5--7--6---4---4--4--7--6-----|
B:-----9---5--5--7--6---7---7--7--6--7---5---5--5--7--6---4---4--4--7--6-----|
G:-----9---5--5--7--6---7---7--7--6--7---5---5--5--7--6---4---4--4--7--6-----|
D:-----9---5--5--7--6---7---7--7--6--7---5---5--5--7--6---4---4--4--7--6-----|
A:-----9---5--5--5--4---7---7--7--4--5---5---5--5--5--4---4---4--4--5--4-----|
E:-----7---7--7---------5---5--5---------3---3--3---------2---2--2-----------|
(RIFF1)
"hi-ya, gino has a short ....... "
e:-----9---5--5--7--6---7---7--7--6--7---5---5--5--7--6---4---4--4--7--6-----|
B:-----9---5--5--7--6---7---7--7--6--7---5---5--5--7--6---4---4--4--7--6-----|
G:-----9---5--5--7--6---7---7--7--6--7---5---5--5--7--6---4---4--4--7--6-----|
D:-----9---5--5--7--6---7---7--7--6--7---5---5--5--7--6---4---4--4--7--6-----|
A:-----9---5--5--5--4---7---7--7--4--5---5---5--5--5--4---4---4--4--5--4-----|
E:-----7---7--7---------5---5--5---------3---3--3---------2---2--2-----------|
(RIFF1)
"hi-ya, ... escaped today, hi-ya .... they'll have to fight another day.. "
e:----------9--9-9--9---6--7--6--7--7---5--5-5--5---6--7--6--7--7------------|
B:----------9--9-9--9---6--7--6--7--7---5--5-5--5---6--7--6--7--7------------|
file:///C|/olga_main/f-g/g/guttermouth/brucelee.tab (2 of 3) [4/28/2003 9:55:30 PM]
file:///C|/olga_main/f-g/g/guttermouth/brucelee.tab
G:----------9--9-9--9---6--7--6--7--7---5--5-5--5---6--7--6--7--7------------|
D:----------9--9-9--9---6--7--6--7--7---5--5-5--5---6--7--6--7--7------------|
A:----------9--9-9--9---4--5--4--7--7---5--5-5--5---4--5--4--7--7------------|
E:----------7--7-7--7------------5--5---3--3-3--3------------5--5------------|
(RIFF 2)
"Oh... Oh my god ... it's a chinese secret...."
e:----------9--9-9--9---6--7--6--7--7---5--5-5--5---6--7--6--7--7------------|
B:----------9--9-9--9---6--7--6--7--7---5--5-5--5---6--7--6--7--7------------|
G:----------9--9-9--9---6--7--6--7--7---5--5-5--5---6--7--6--7--7------------|
D:----------9--9-9--9---6--7--6--7--7---5--5-5--5---6--7--6--7--7------------|
A:----------9--9-9--9---4--5--4--7--7---5--5-5--5---4--5--4--7--7------------|
E:----------7--7-7--7------------5--5---3--3-3--3------------5--5------------|
(RIFF 2)
"Hi------------ya, free shoot baskets, two points hi-ya!"
e:-----9---5--5--7--6---7---7--7--6--7---5---5--5--7--6---4---4--4--7--6-----|
B:-----9---5--5--7--6---7---7--7--6--7---5---5--5--7--6---4---4--4--7--6-----|
G:-----9---5--5--7--6---7---7--7--6--7---5---5--5--7--6---4---4--4--7--6-----|
D:-----9---5--5--7--6---7---7--7--6--7---5---5--5--7--6---4---4--4--7--6-----|
A:-----9---5--5--5--4---7---7--7--4--5---5---5--5--5--4---4---4--4--5--4-----|
E:-----7---7--7---------5---5--5---------3---3--3---------2---2--2-----------|
(RIFF1)
e:-----9---5--5--7--6---7---7--7--6--7---5---5--5--7--6---4---4--4--7--6-----|
B:-----9---5--5--7--6---7---7--7--6--7---5---5--5--7--6---4---4--4--7--6-----|
G:-----9---5--5--7--6---7---7--7--6--7---5---5--5--7--6---4---4--4--7--6-----|
D:-----9---5--5--7--6---7---7--7--6--7---5---5--5--7--6---4---4--4--7--6-----|
A:-----9---5--5--5--4---7---7--7--4--5---5---5--5--5--4---4---4--4--5--4-----|
E:-----7---7--7---------5---5--5---------3---3--3---------2---2--2-----------|
(RIFF1)
file:///C|/olga_main/f-g/g/guttermouth/chaps_my_hide.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Chaps My Hide
By : Guttermouth
Tabbed By Robert Lauritson and David Aguilar
Intro :
Play (2x)
E|------------------------------------------------------------------------|
B|------------------------------------------------------------------------|
G|-----8---11--11--6--8---8-----------------------------------------------|
D|-----8---11--11--6--8---8-----------------------------------------------|
A|-----6---9---9---4--6---6-----------------------------------------------|
E|------------------------------------------------------------------------|
Verses:
Mute this chord as you repeat it.
E|------------------------------------------------------------------------|
B|------------------------------------------------------------------------|
G|------8(mute)-----------------------------------------------------------|
D|------8(mute)-----------------------------------------------------------|
A|------6(mute)-----------------------------------------------------------|
E|------------------------------------------------------------------------|
Chorus :
Same as intro only faster
E|------------------------------------------------------------------------|
B|------------------------------------------------------------------------|
G|-----8---11--11--6--8---8-----------------------------------------------|
D|-----8---11--11--6--8---8-----------------------------------------------|
A|-----6---9---9---4--6---6-----------------------------------------------|
E|------------------------------------------------------------------------|
file:///C|/olga_main/f-g/g/guttermouth/disneyland.tab
DISNEYLAND BY : GUTTERMOUTH
TABBED BY ROBERT LAURITSON
This is an awesome song by Guttermouth I tabbed out and if any of you
others have tabbed out any Guttermouth songs I encourage you to put them
on " ftp.nevada.edu " or " ftp.uwp.edu "
Verses :
"get pissed you suck , I know your kind "
E|------------------------------------------------------------------------|
B|------------------------------------------------------------------------|
G|------------------------------------------------------------------------|
D|----9---9---9---9---9---9-------6-----7-----6---------------------------|
A|----9---9---9---9---9---9-------6-----7-----6---------------------------|
E|----7---7---7---7---7---7-------4-----5-----4---------------------------|
"I know the system , I know it's not so fine "
E|------------------------------------------------------------------------|
B|------------------------------------------------------------------------|
G|--9---9---9---9---9---9-------6-----7-----6-----------------------------|
D|--9---9---9---9---9---9-------6-----7-----6-----------------------------|
A|--7---7---7---7---7---7-------4-----5-----4-----------------------------|
E|------------------------------------------------------------------------|
Chorus :
Profound
Profound
Profound
Why must
For the Chorus use muted downstrokes until line four then proceed
to do the 4,5,4 on the low E string
E|----------------------------------|-------------------------------------|
B|----------------------------------|-------------------------------------|
G|----------------------------------|-------------------------------------|
D|---9------------------------------|----------------6----7----6----------|
A|---9------------------------------|----------------6----7----6----------|
E|---7------------------------------|----------------4----5----4----------|
^
^
muted downstrokes at this position until line four then do this
That's about it if you have any changes feel free to post them but from
what I can tell this is all.
neurd@ix.netcom.com
PUNX NOT DEAD ! -
file:///C|/olga_main/f-g/g/guy_buddy/five_long_years.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: mklem@vax2.winona.msus.edu
Subject: TAB: Five Long Years - Buddy Guy
This was one of my favorite songs off of Buddy Guy's album "Damn
Right I got the Blues." It's an all time Buddy Guy classic so here is
Five Long Years.
------------------------------------------------------------------------------------------8-----------------------------------------11--------------------------------9--------------------8--10b12/\/\/\/\--------10b12r10----------------7--10----10/\/\/\/\/\---10------------------------------------10--------10---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------/8\-------11b13/\/\/\/\/---11--8------------------------------------/8------/9\-------------------------------10----8---------------------------/9--------------------------------------------------10--------------7--10-------------------------------------------------------------------10---------------------------------------------------------------------------------------------------8--8--10b11r10--8------8---------8--10b11r10b11------18-----------------/10--------------------10-------/10-------------------------18b20--18--16---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------17b18---15---17b18r17-------------------------------------------------------17b18-----------------18b20r18--16------------ 16/20---17--17-------14-----------------------------------------17-17----17-----------------------------------------------------------------------19---------------------------------------------------------------------------------------------------------------------------------------------------------------------18---15---15b18r15-------------------------------------------------------------------------------18b20r18---18--16------------------16b20r16b19/\/\/\/
-------------------------------------------17----14---17---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------8------------------------------------------------------------------------/8------------------------------------------------------------------------------------10--8--------------10--8------8-------------------8--------------------------------10-----------------10-----10------------------10---------------------------------------------------------------------------------------------------------------------------------------------------------------If you've
section I
-------------------------------------------------------------------------------------------------/11-------------------------------------------------------------------------/12-------------------------------------------------------------------------------------10p8---------------------------------------file:///C|/olga_main/f-g/g/guy_buddy/five_long_years.tab (1 of 4) [4/28/2003 9:55:32 PM]
file:///C|/olga_main/f-g/g/guy_buddy/five_long_years.tab
---------------------11--------13b15--11----------------------------------------10b11----11--13------13---------------13-------11---------------------------11b12--------------------------------------12-----12-12-10-------10--------------------------------------------------------------------13-10----13----------------------------------------------------------------------------------------------------------------------------------------------------------If you've
---------------------------------------------------------------------------------------------------------------------------------------10b11-10b11----------------------------------------------------------------------------10-8-----------------------------------------------------------------------------10
--------------------------------------------------------------------------------------------------------------------------------------------------------ever been mistreated.
file:///C|/olga_main/f-g/g/guy_buddy/five_long_years.tab
----------------------------------------------------------------------------------------------------------------------------------------------------------------------10---8----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------Mistreated!
--------------------------------------------------------------------------------11r10-------11r10--8-------------------11r10-----8-----------------------------------------------10--8-------------------------10--8------------------------------------------------10---------------------------10---------------------------------------------------------------------------------------------------------------------------------------------------------------------I work
-------------------------------------------|---------------------------------------------------------------------------|-------------------------------------------------------------8-------------|-<====After third time playing,--------------------------------10-8-10-----|------jump to section III -------------------------------------------------|---------------------------------------------------------------------------|--------------------------------five long years for one woman and she had the nerve.
--------------------------------------------------------|<====Go back to-------/8---------------------/8--11--11--------------------|-----Section I, on----/9---------------------/9----------------------------|-----the second time
--------------------------------------------10p8--------|-----around skip to---------------------------------------------------10---|-----next line at----------------------------------------------------------|-----this point. --to kick me out.
Have you
----------------------------------------------------------------------------------------------------------------------------------------------------------------8---10b12-10b12-b12-b12-b12-b12/\/\/\/\/\/\/\/\//\/\/\/\/\/\------------10------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------out
-------------------------------------------------------------------------------------------------8/11----11/13-13/16b17/\/\-----------------------------------8-10----10/12------------------------------10-8-----9h10h11b12-----------10-------------------------------------------------10---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------9h10h11b12--9h10h11b12--9h10h11b12--9h10h11b12--9h10h11b12--9h10h11b12--------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
file:///C|/olga_main/f-g/g/guy_buddy/five_long_years.tab
-------------------------------------------------------------------------------9h100h11b12--9h10h11b12--8h9p8-----------8--10b11-8----8--------8------------------------------------------10---8h10------------------8--10---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------8-------------------------------------------------------8h10b12-8/\/\/\--10---10b12-8b10-10-8------------------------------------------------------------------------------10----------------------8-10p8---------------------------------------------------8----8----------10--------9p8-------------------------------------------------11---11/\-8-11-------------------------------/8--------------------------------------------------8-----------------------/8-------------11-10p8----8-----------------------------------------------------10p8h10p8----------10----8-----------------10-8--------------------------------------------------------10--------7--10------------------8---------------------------------------------10-8-----------------------11---11----8-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------10b11------------------------7b8-------------------------------8b9----------11b12--10-8-----------------------10----8-----------10-10-10-------10---10--------------10-8--------------------------10-9----8------------------------------------------10p8h10------------------------------------------------------------------------------^
Go to Section I =======|
Section III:
---------------------------------------------11--13--11-----------------------------------------------------------11--13------------13-----------------------------------------------------12----------------------10b12r10----10-----------------------------------------------------------------------13----10--------------------------------------------------------------------------------------------------------------------------------------------------------And she hD the nerve to put me out.
Legend
/
b
h
p
"Buddy Guy is by far, and without doubt, the best guitar player alive. . ."
------Eric Clapton------
file:///C|/olga_main/f-g/g/guy_buddy/mustang_sally.crd
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: rkh2@ukc.ac.uk (Ryan Harding)
Transcribed by: ttgssa@eua.ericsson.se (Stefan Svala)
888b
d888
8888b
d8888
88888b.d88888
888Y88888P888
888 Y888P 888
888 Y8P 888
888
"
888
888
888
888
888
888
888 888 .d8888b 888888 8888b. 88888b.
.d88b.
888 888 88K
888
"88b 888 "88b d88P"88b
888 888 "Y8888b. 888
.d888888 888 888 888 888
Y88b 888
X88 Y88b. 888 888 888 888 Y88b 888
"Y88888 88888P' "Y888 "Y888888 888 888 "Y88888
888
Y8b d88P
"Y88P"
.d8888b.
888 888
d88P Y88b
888 888
Y88b.
888 888
"Y888b.
8888b. 888 888 888 888
"Y88b.
"88b 888 888 888 888
"888 .d888888 888 888 888 888
Y88b d88P 888 888 888 888 Y88b 888
"Y8888P" "Y888888 888 888 "Y88888
888
Y8b d88P
"Y88P"
B7 ////}
B7
Mustang Sally, guess you'd better slow your Mustang down
E7
Mustang Sally baby, I guess you'd better slow your Mustang down
F#
You been a runnin' all over town
F#
E7
F#7
F
I guess I better put your big feet on the ground, oh yes I will
|B7
|All
|
|B7
|All
|
|E7
|All
|
|B7
|All
|
|F#
|One
|
E7
E7
B7
file:///C|/olga_main/f-g/g/guy_buddy/mustang_sally.crd
|
B7
|You gonna be wipin' your weepin' eyes, yes you will
|
B7
Bought you a vintage Mustang, a nineteen-sixty-five
B7
Now your goin' 'round,
signifyin' woman
B7
You don't wanna let me ride
E7
B7
Mustang Sally baby yeh, I guess you'd better slow your Mustang down
F#
You been runnin' all over town now
F#
E7
F#7
F
I'm gonna put your big fat feet on the ground, oh yeh Sally, well
E7 B7
|B7
|All you wanna do is ride around Sally (ride Sally ride)
|
|B7
|All you wanna do is ride around Sally (ride Sally ride)
|
|E7
|All you wanna do is ride around Sally (ride Sally ride)
|
|B7
|All you wanna do is ride around Sally (ride Sally ride)
|
|F#
F#
F
E7
|One of these a early mornings
|
|
B7
|Your gonna put your black flat feet on the ground, oh yes I will
|
{ outro
like intro}
B7 - X 2 1 2 0 2
E7 - 0 2 0 1 0 0
F#7 - 2 4 2 3 2 2
F - 1 3 3 2 1 1
F# - X X 4 3 2 2
----------------------------------------------------------------------------
file:///C|/olga_main/f-g/g/gwar/love_surgery.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: zxmzy01@studserv.zdv.uni-tuebingen.de (Michael Bauer)
Love Surgery - GWAR
(tune down your guitar to Eb)
||---------------------------------------||
||---------------------------------------||
||o------------------------------------o-||
||o------4-------3---------------------o-||
||---2---2-------1------4-4-4---4-4-4----||
||---0------------------2-2-2---2-2-2----||
||--------------------------------------------------------||
||--------------------------------------------------------||
||o-----------------------------------------------------o-||
||o-------------------------------------------------------||
||---2-x-x-x---2---2---x-x---5PO4--6-x-x-x---6--7--7Sl9---||
||---0-x-x-x---0---0---x-x---------4-x-x-x---4--5--5Sl7---||
|-------------------------------------|
|-------------------------------------|
|-8-^^^^^^^^^^^^^^^^^^^-8-9---7---5-4-|
|-6-^^^^^^^^^^^^^^^^^^^-6-7---5---3-2-|
|-------------------------------------|
|-------------------------------------|
Ok, that's all for now, the 2nd half of the song is missing, perhaps I'll
transcribe it soon.
-------------------------------------------------------------------------Michael Bauer - bauermichael@student.uni-tuebingen.de
Gutgolf@Nightfall - Gutgolf/GWARgolf@IRC
Take a look at our brandnew GWAR WWW-Site:
http://hp12.zdv.uni-tuebingen.de:4711/
file:///C|/olga_main/f-g/g/gwar/obliteration_of_flab_quarv_7.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
GWAR - Obliteration of Flab Quarv 7
tune down yer guitar to Eb
(this is the only riff - played at various speed)
|-----------------------|----------------|
|-----------------------|----------------|
|-----------------------|----------------|
|-10--10-9----8-----8-9-|--8-7-----7-----|
|-8---8--7-10-6---8-6-7-|------8-----8-7-|
|----------8------6-----|----------------|
-------------------------------------------------------------------------Transcribed 3|7|94 by Michael Bauer (bauermichael@student.uni-tuebingen.de)
Check out my WWW Page for our coming GWAR Page (it's online soon)
http://hp09.zdv.uni-tuebingen.de:4711/
file:///C|/olga_main/f-g/g/gwar/salaminizer.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: zxmzy01@studserv.zdv.uni-tuebingen.de (Michael Bauer)
GWAR - Salaminizer (transcribed by Michael Bauer - 12-10-94)
==================
(Tune down your guitar to E-Flat)
Introduction:
||--------------------------------------------------------------------||--------------------------------------------------------------------||-o------------------------------------------------------------------||-o-----2-3-----2---2-2-----2------2-2-----2----2-2-----2-----2-2-3-3||---1-1-------1---------0H1-----1------0H1----------0H1-----4--------||---------------------------------------------3-----------------------------------------------------------------||
-------------------------------------------||
------------------------------------------o||
------2-2-3-3-------2-3----2---2-2-----2--o||
--3-3-----------1-1------1---------0H1-----||
-------------------------------------------||
||------------------------------------------------------------------------||
||------------------------------------------------------------------------||
||o---9-10-9----6-7-6----------------------------------------------------o||
||o-8---------5-------------2-2-3-3------2-2-3-3------2-3---2--2-2-----2-o||
||----------------------4-4----------3-3----------1-1-----1--------0H1----||
||------------------------------------------------------------------------||
Here's a little something ... I don't give a fuck
Since I was a scumdog ... I'll fuck you
This is your ass ... till it's rimless
Chorus
||-------------------------------------------------||
||-------------------------------------------------||
||o----------------------------------------------o-||
||o-6-6-6---6-6-6---------2-3-----2---2-2------2-o-||
||--4-4-4---4-4-4-----1-1-------1----------0H1-----||
||-------------------------------------------------||
|1. ----------->|2. ----->
||----------------------------------------||---------------|
||----------------------------------------||---------------|
||o--------------------------------------o||---------------|
||o--------------------------------------o||---------------|
||--------5-----7---7---8-8--------5-7-8--||---------5-7---|
||--0-0-0-3-0-0-5-0-5-0-6-6--0-0-0-3-5-6--||---0-0-0-3-5-0-|
||--------------------------------------------------------||
||--------------------------------------------------------||
||o------------------------------------------------------o||
||o-6-6--6-6-6-6-----------------------------------2-2-1-o||
||--4-4--4-4-4-4-------------------4-4-4---3-3-3----------||
||-----------------3-3-3---6-6-6--------------------------||
file:///C|/olga_main/f-g/g/gwar/salaminizer.tab
file:///C|/olga_main/f-g/g/gwar/sick_of_you.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From sportiga@uoguelph.ca Sun Sep 26 12:15:45 1993
Received: from herman.cs.uoguelph.ca by snowhite.cis.uoguelph.ca (5.64/1.35)
id AA07826; Sun, 26 Sep 93 12:15:45 -0400
Message-Id: <9309261615.AA07826@snowhite.cis.uoguelph.ca
Received: by herman.cs.uoguelph.ca
(1.37.109.4/16.2) id AA21464; Sun, 26 Sep 93 12:16:53 -0400
Date: Sun, 26 Sep 93 12:16:53 -0400
From: Steve L Portigal <sportiga@uoguelph.ca
To: sportiga@herman.cs.uoguelph.ca
Subject: (fwd) TAB: GWAR's 'Sick of You'
Newsgroups: rec.music.makers.guitar.tablature,alt.guitar.tab
Organization: Akbar and Jeff's Thesis Hut
Reply-To: stevep@snowhite.cis.uoguelph.ca
Status: OR
Path:
nermal.cs.uoguelph.ca!torn!spool.mu.edu!howland.reston.ans.net!vixen.cso.uiuc.edu!usenet.ucs.indiana.edu!master.cs.rosehulman.edu!news
From: boydso@NeXTwork.Rose-Hulman.Edu
Newsgroups: rec.music.makers.guitar.tablature,alt.guitar.tab
Subject: TAB: GWAR's 'Sick of You'
Date: 26 Sep 1993 04:11:51 GMT
Organization: Rose-Hulman Institute of Technology
Lines: 47
Message-ID: <2834q7$c85@master.cs.rose-hulman.edu
Reply-To: boydso@NeXTwork.Rose-Hulman.Edu
NNTP-Posting-Host: o231-14.nextwork.rose-hulman.edu
Xref: nermal.cs.uoguelph.ca rec.music.makers.guitar.tablature:7557 alt.guitar.tab:12955
Well, someone requested some GWAR, so I thought that since I had a few minutes,
I'd post this song (since it's pretty easy). I make no statement about its
accuracy, except to say that it sounds good enough to me. 8)
Well, first off, GWAR tunes their instruments 1/2 step, so that's what you
gotta do to sound right.
Here's the first riff
F#
pm..]
pm..]
|-------0---------------2---------|
|-------0---0-----------2---2-----|
|-------------3---------------3---|
|---------------------------------|
|-4-4-4----------4-4-4------------|
|-2-2-2----------2-2-2------------|
Then the rhythm guitar (Balsac) plays palm-muted F#5 chords (power chord on the
2nd fret of low E string, that is) while the lead guitar (Flattus) plays:
|--2--2--------------------------|
|--------2--5--2-----------------|
|--------------------4--4--2-----|
|-----------------------------4--|
|--------------------------------|
|--------------------------------|
|--------------------------------------------------|
|--------------------------------------------------|
|--------------------------------------------------|
|-------6----7-6-4-2------------6---6---4---6--6---|
|--4----4----5-4-2-0----4---4---4---4---2---4--4---|
|--2--------------------2---2----------------------|
Sick of
yoooooou I'm so sick so sick of you
I think thats all, except for the break-down ("I said break it down!....) and
all that is is a little non-disorted variation of the lead guitar part above.
(I think).
file:///C|/olga_main/f-g/g/gwar/sick_of_you.tab
Well, I think thats all... let me know if I missed a major part of the song...
Later,
Stephen
-+----------------------------------------------------------------------------+
| Steve Portigal, Dep't of CIS, University of Guelph, Guelph, ON, N1G 2W1
|
| email: stevep@snowhite.cis.uoguelph.ca
Phone: (519) 824-4120 ext 3580 |
| ~~~~~~~~ ask me about 'undercover' the Rolling Stones mailing list ~~~~~~~ |
|
Time waits for no one, and it won't wait for me..
|
+----------------------------------------------------------------------------+
file:///C|/olga_main/f-g/g/gwar/slap_u_around.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
GWAR - Slap U Around (taken from the fantastic album 'This toilet earth')
====================
Tune down your guitar a half step to Eb
Main Riff:
|---------------------|
|---------------------|
|-2---4-4-------------|
|-0-0-0-0---2---4-4---|
|---------3-0-0-0-0-3-|
|---------------------|
verse:
2 x Main Riff
|------------------| (2 times)
|------------------|
|------------------|
|-5----------------|
|-3-2-2--5-7---5-7-|
|-----0--3-5---3-5-|
refrain:
|-----------------------------------------------------------|
|-----------------------------------------------------------|
|-----------------------------------------------------------|
|-5-5-5-------5-5-5---7-7-9---7-7-9---5-5-5-----------------|
|-3-3-3-2-2---3-3-3---5-5-5---5-5-5---3-3-3-2-2---5-7---5-7-|
|---------0-----------------------------------0---3-5---3-5-|
Guitarsolo: (like verse)
verse:
refrain:
-------------------------------------------------------------------------Transcribed 3|7|94 by Michael Bauer (bauermichael@student.uni-tuebingen.de)
Check out my WWW Page for our coming GWAR Page (it's online soon)
http://hp09.zdv.uni-tuebingen.de:4711/
GWAR - Slap U Around (solo)
Tune down yer guitar to an Eb
1.Solo:
-----5------------------------------------------5------------------------------------------------------3B4-3-1---------------------------------3---4B5---5RB4-2--2-4B5--2-4B5------------4B5--4B5---5RB4-2--2-4B5-2-4B5--------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
file:///C|/olga_main/f-g/g/gwar/slap_u_around.tab
--------------------------------------------------------------------------5---5---5---5---5---5---5---5---------------5---5---5--------------------7B9-7B9-7B9-7B9-7B9-7B9-7B9-7B9RB9PO5---5---7B9-7B9-7B9RB9PO5--------------------------------------------------7-----------------------7-7--------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------17-20-20B22RB20-17----17----------------------------------17-20-17-17-20--------------------20----20--------------5---5-7--Sl19B21-------------------------------------------------------7---7--------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------17-20-20B22-20B22-20B22RB20-17-20-20B22----------------------------------------------------------------------------------------------------------------------------------------------------------------Solo 2:
-------17-------------------------------------------------------17----------------------------------------------15B17RB15PO13--------------------------16B17----17RB16--14-16B17--14-16B17----------------16B17-16B17----17RB16-14
--------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------15B17-15B17-15B17RB15PO12----12--12----12----------------------------15----------------------------15--------15-------------14-16B17-14-16B17-----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------15B17RB15-12-15B17---22B24RB22-20-22B24---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------Transcribed 4-7-94 by Michael Bauer (bauermichael@student.uni-tuebingen.de)
Gutgolf@Nightfall (134.2.62.161 4242),Gutgolf@#amigager,GWARgolf@#gwar
Watch out for my homepage to get a link to our new WWW GWAR Page
http://hp09.zdv.uni-tuebingen.de:4711/
file:///C|/olga_main/f-g/g/gwar/the_morality_squad.tab
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: zxmzy01@studserv.zdv.uni-tuebingen.de (Michael Bauer)
GWAR - The morality squad
=========================
(Tune down your guitar to E-flat)
|------> |--->
||------------------------------------||--------------------------------||------------------------------------||--------------------------------||------------2-2---------------------||--------------------------------||-2------2H4-0-0---2------2H4----5-4-||---5-7-----3-2-^^^^^^^^^^^^^^^^^||-0--3H4-----------0--3H4------5-3-2-||-5-3-5-5-3-1-0-^^^^^^^^^^^^^^^^^||------------------------------3-----||-3-----3-1----------------------Intro ---- unless I think they're
wrong
||-----------------------||-----------------------------|
||-----------------------||-----------------------------| (Play this whole
||-----------------------||-----------------------------| stuff 2 times)
||---5-4-2-^^^^^^^^^^^^^-||-5-6-7-----------7-8-9-------|
||-5-3-2-0-^^^^^^^^^^^^^-||-3-4-5---5-6-7---5-6-7-------|
||-3---------------------||---------3-4-5---------------|
Blasphemy -> Teen suicide
(solo section)
|------17----------17----------17-------19B20-19B20--|(Attention: This
|------20B22-------20B22-------20B22-----------------|part contains 2
|----------------------------------------------------|guitarparts in
|---------------------------------------7------------|on !!!)
|-7-7---------7-7---------7-7-----------5-----5------|(Played 2 times)
|-5-5---------5-5---------5-5-----------------3------|
(only bass and solo guitar for about 16 measures)
|-------------------|
|-------------------|
|-------------------|(Play something like this for the rest
|-----7---5---7-----| of the song)
|-7---5---3---5---5-|
|-5---------------3-|
That's all for now !!! Perhaps I'm trying to transcribe this solo stuff
out someday, but now I'm to lazy. Leave me a note if you're interested.
-------------------------------------------------------------------------Michael Bauer - bauermichael@student.uni-tuebingen.de
Gutgolf@Nightfall - Gutgolf/GWARgolf@IRC
Take a look at our brandnew GWAR WWW-Site:
http://hp12.zdv.uni-tuebingen.de:4711/